WEBVTT - BONUS: Oscar Winner Sergio Lopez-Rivera Unpacks the Industry

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with iheartradioshas Katie.

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<v Speaker 2>Oh my gosh, Sergio, you are such a handsome.

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<v Speaker 3>Thank you.

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<v Speaker 2>At the time of this recording, it's been a hot

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<v Speaker 2>minute since I've seen Sergio Lopez Rivera in person.

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<v Speaker 4>Hello.

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<v Speaker 2>Same, Yeah, I mean, Betsy's known you the longest, and

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<v Speaker 2>we can all go through where we first met you.

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<v Speaker 2>I was guest starring on a show where I met you,

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<v Speaker 2>and you look the same.

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<v Speaker 3>What.

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<v Speaker 4>It's so fucked up. I mean, it's so fucking It's

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<v Speaker 4>like it's like the portrait of Dorian Gray or whatever

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<v Speaker 4>that thing is. Where's your portrait?

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<v Speaker 3>There's a decaying portrait in my head? Yeah, yes, yes,

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<v Speaker 3>you know what. I think. It's a sleep sleep.

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<v Speaker 4>I don't look like you when I sleep.

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<v Speaker 2>Yeah, neither do I. And also being in Hollywood with

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<v Speaker 2>our hours that we have worked with you in our masts,

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<v Speaker 2>I see you without sleep and you look the same.

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<v Speaker 2>And what I'm just so upset about is that you

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<v Speaker 2>were a person behind the cameras. Kiermu and I are

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<v Speaker 2>supposed to be the greatest looking human beings of all time, because.

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<v Speaker 3>You are.

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<v Speaker 5>I always talked about how happy I was that I

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<v Speaker 5>didn't have the pressures that like Tony Goldwin and Scott

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<v Speaker 5>foleyhead where they had to look good take their shirts

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<v Speaker 5>off every other episode. I was finding that Huck could

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<v Speaker 5>look hungover like it's all good, you know.

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<v Speaker 4>What I mean, no juicing, no juicing for no juice

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<v Speaker 4>or Huck. Well, the people listening, it is so exciting

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<v Speaker 4>to see Sergio. We've all known each other for many,

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<v Speaker 4>many years, and we're very excited to dig into the

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<v Speaker 4>story and the history of one of our favorite human

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<v Speaker 4>beings and one of the most talented people on Earth. Yes,

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<v Speaker 4>he might have won big awards recently in the past

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<v Speaker 4>couple of years, but that's just the tip of it.

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<v Speaker 2>Because it's an Oscar right it is. Sergio Lopezervera is

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<v Speaker 2>one of the most awarded and respected makeup artists in Hollywood.

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<v Speaker 4>Not only is he a makeup artist, but Sergio has

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<v Speaker 4>literally designed virtually every show which we won't name right

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<v Speaker 4>now because there is a strike going on and we

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<v Speaker 4>aren't supported. But since a show very very long time ago,

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<v Speaker 4>we've always worked with Sergio to design the entire look

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<v Speaker 4>of the hair and makeup and the cares from usually

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<v Speaker 4>the pilot series on and the ability to actually not

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<v Speaker 4>only do make up with the artistry that he doesn't

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<v Speaker 4>trust me. I've experienced it. It's terrifying. I think my

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<v Speaker 4>husband just sort of is like, could he just come

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<v Speaker 4>over every day for something because you look so good?

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<v Speaker 4>But the idea that he actually is somebody who can

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<v Speaker 4>design an entire look for a character in conjunction with

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<v Speaker 4>a customer is mind boggling.

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<v Speaker 6>It is my favorite thing to do, and honestly, I

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<v Speaker 6>will get deeper into this, but the opportunity that I

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<v Speaker 6>was given by shandaland where it just worked for everyone

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<v Speaker 6>if I were in charge of staffing the hair and

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<v Speaker 6>makeup trailer, because you guys understood something that a lot

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<v Speaker 6>of producers and production companies don't understand, which is, if

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<v Speaker 6>you let me create an environment a family, I can

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<v Speaker 6>control the amount.

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<v Speaker 3>Of toxicity or the lack of toxicity.

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<v Speaker 6>And I can sort of custom build this incredible department

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<v Speaker 6>that yes they're talented, and yes they'll have an opportunity

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<v Speaker 6>to showcase their talents, but mostly it's the fact that

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<v Speaker 6>I like to work with beautiful human beings things like that,

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<v Speaker 6>and so it was a dream for me, like actually

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<v Speaker 6>unimaginable because this had never happened before. It was almost

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<v Speaker 6>like a branding for chandaland that I can tell you

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<v Speaker 6>stories about guest stars that would come in one of

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<v Speaker 6>our shows and they would already know that this makeup

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<v Speaker 6>and herit team was special or extraordinary or whatever, and

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<v Speaker 6>then they would leave these thank you cards at the

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<v Speaker 6>end because they had not had experiences like that in

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<v Speaker 6>television before. So it was pretty cool. And I owe

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<v Speaker 6>it all to them, you know, because they trusted me.

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<v Speaker 6>It was huge, huge, And.

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<v Speaker 2>For everybody listening, like who doesn't know about the hair

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<v Speaker 2>and makeup people. If you are lucky enough to be

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<v Speaker 2>on a show that has longevity, which Shondaland shows fortunately do.

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<v Speaker 2>They are the people with you at four o'clock in

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<v Speaker 2>the morning, the proximity to your face. They know what

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<v Speaker 2>you smell like after coffee. They know when you are

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<v Speaker 2>nervous about doing a sex scene and your clothes are

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<v Speaker 2>coming off and someone's coming to my trailer to paint

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<v Speaker 2>my butt cover a ZiT I have on my butt.

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<v Speaker 2>I mean, that's how close you are.

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<v Speaker 4>Bets, no boundaries, old, don a second. Have you had

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<v Speaker 4>your butt painted?

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<v Speaker 2>Yes, our mutual dearest dearest friend who we also worked with,

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<v Speaker 2>Denise Hooper. She when I would have sex scenes, she

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<v Speaker 2>would come into the trailer and I would be like,

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<v Speaker 2>oh my god, like there's like weird. I mean, whatever

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<v Speaker 2>it is, a mosquito, bite, a ZiT, a patch of cellulite, like,

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<v Speaker 2>whatever it is, and you're just like you are my

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<v Speaker 2>person who can come in here, and I trust. And

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<v Speaker 2>so I think that's also why Sergio, you've really it

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<v Speaker 2>was so amazing what you did, because I think that

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<v Speaker 2>it's forgotten almost about that, Like the hair and makeup

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<v Speaker 2>departments on production are so close with the actors and

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<v Speaker 2>with each other and are working such long hours in

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<v Speaker 2>each other's personal space that if everyone can get along

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<v Speaker 2>and it can be an environment of real collaboration and inspiration,

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<v Speaker 2>it goes so much better.

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<v Speaker 6>Yeah, it goes so much better, so much further. When

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<v Speaker 6>an actor goes into the hair makeup trailer, there is

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<v Speaker 6>a hierarchy right in their mind, like the department head

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<v Speaker 6>is obviously the better makeup artists or the better hairdresser,

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<v Speaker 6>and then the key is the second best, and then

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<v Speaker 6>the third is the worst makeup artist, when that in

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<v Speaker 6>fact is not true. I have thirdy is that right,

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<v Speaker 6>thirdy for department heads and.

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<v Speaker 3>They have thirdy for me.

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<v Speaker 6>That's how we do this because we would rather assist

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<v Speaker 6>an incredible person than hire a complete douche that just

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<v Speaker 6>comes with a great resume, but nobody can stand him,

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<v Speaker 6>because even just one person, one energy, can throw it

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<v Speaker 6>all off, you know, like literally my third have more

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<v Speaker 6>credits than me, It just doesn't matter. I needed to

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<v Speaker 6>get rid of that hierarchy because at the end of

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<v Speaker 6>the day, I needed you as an actor to feel

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<v Speaker 6>as comfortable with me as I did with my third.

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<v Speaker 6>I needed you to be as confident because as I

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<v Speaker 6>grew within Shandland, it was and harder for me to

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<v Speaker 6>be the person on set making sure that you feel okay.

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<v Speaker 6>And it was very, very important that you trusted my team.

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<v Speaker 4>Delegation is such a huge part of a learning curve

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<v Speaker 4>because I found that too is you know, you can't

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<v Speaker 4>be everywhere all at once, and it's really important that

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<v Speaker 4>you trust the points of view. And for me, one

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<v Speaker 4>of the first things we had to delegate was having

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<v Speaker 4>somebody that we super super trusted in this department. First

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<v Speaker 4>of all, to help design a look which is coherent

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<v Speaker 4>with a character which is a whole other thing that

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<v Speaker 4>a lot of people don't understand and what hair and

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<v Speaker 4>makeup does when it comes to when you're part of

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<v Speaker 4>the architect of how a character is articulated in the

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<v Speaker 4>way that they look. But also over the years with Sergio,

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<v Speaker 4>I would know that if he felt as though there

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<v Speaker 4>was trouble or somebody was upset or they seemed vulnerable

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<v Speaker 4>in the trailer, he could always text me or the

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<v Speaker 4>creator of the show and say I always say, like

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<v Speaker 4>sunny with the chance of rain, Like Cou'd say, like,

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<v Speaker 4>how's it going, what's the weather? Like can you go?

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<v Speaker 4>You know they're thunderstorms. They haven't kind of arrived yet.

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<v Speaker 3>Wow, Yeah, light sprinkle.

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<v Speaker 4>Light sprinkle, and go like nine to one one hurricane

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<v Speaker 4>and you kind of like running down.

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<v Speaker 2>So makeup trailers also where the drum, I mean not

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<v Speaker 2>the drum, but it's like where people's secrets come out.

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<v Speaker 2>It's like where people dish on a Monday after a

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<v Speaker 2>long weekend. It's like where people feel for whatever reason.

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<v Speaker 2>And I think it's been like this is the beginning

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<v Speaker 2>of time and hollyweird. But like you come to your

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<v Speaker 2>Hollywood makeup trailer, that's where you're like, oh, you know,

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<v Speaker 2>this is what's going on in my personal life, my home.

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<v Speaker 2>Like it's a really very odd the makeup, wouldn't you agree?

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<v Speaker 7>Gee?

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<v Speaker 2>Like the makeup trailers where we talk the most gossip.

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<v Speaker 5>Absolutely, it's where Carrie would feed her little dog bacon.

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<v Speaker 7>Remember every morning, That's right, she would feed her bacon.

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<v Speaker 5>But and then we would have our food, and there

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<v Speaker 5>they'd be delivering our food. We'd be eating while you

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<v Speaker 5>guys are trying to put makeup on our face.

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<v Speaker 3>Oh this is so good. Thank you for bringing that up.

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<v Speaker 6>Ladies say go on the record has to say listen,

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<v Speaker 6>I understand your window for eating is short, so is mine.

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<v Speaker 6>But if you're going to eat while I'm attempting to

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<v Speaker 6>make you look really good, maybe not a double double cheeseburger.

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<v Speaker 6>Maybe something more friendly like a carrot stick. Okay, then

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<v Speaker 6>you can do something.

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<v Speaker 4>Straws are great. Straws are great. Just smoothie with the

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<v Speaker 4>freaking straw smoothie.

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<v Speaker 6>Yeah, so many minerals and vitamins in there.

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<v Speaker 5>We'd be running lines constantly in the makeup trailer. Remember

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<v Speaker 5>we have actors come in that weren't getting their makeup

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<v Speaker 5>done to come run line while Katie and I were

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<v Speaker 5>getting their makeup or carry so you were dealing with

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<v Speaker 5>all of that, people yapping at each other.

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<v Speaker 7>The music's playing. The music is very important and making

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<v Speaker 7>as well.

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<v Speaker 4>Yes, there is hugely music playing in a hair and

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<v Speaker 4>makeup trailer. Yeah, and depending on the mood of the trailer,

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<v Speaker 4>it's like, not only are you a genius visionary in

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<v Speaker 4>terms of visual abilities, but you have to be a DJ.

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<v Speaker 6>Yeah, listen, you have to be a DJ. You have

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<v Speaker 6>to be a brother therapist. You have to be a therapist.

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<v Speaker 6>You have to be like an emotional support human for

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<v Speaker 6>another human.

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<v Speaker 4>Yeah, we could get you one of those bibs that

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<v Speaker 4>you were that's say emotionally.

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<v Speaker 6>Yes, this is the part that nobody trains you for.

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<v Speaker 6>You know, like, you could go to the best school,

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<v Speaker 6>you could graduate top of your class, you could work

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<v Speaker 6>with the most amazing producers, and nobody teaches you how

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<v Speaker 6>to listen to someone. Nobody teaches you that the goal

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<v Speaker 6>is to let this person who is upset or happy

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<v Speaker 6>or whatever it is, be as ready as possible to

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<v Speaker 6>step on set and do their job right now they're here,

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<v Speaker 6>so that I can do my job. There's something you

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<v Speaker 6>need that morning after lunch whatever, that you're going to

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<v Speaker 6>need to feel free to speak, you're going to need

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<v Speaker 6>to feel free to express yourself. And so there's a

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<v Speaker 6>lot of trust and professionalism that go into staffing a trailer,

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<v Speaker 6>because you're right, I'm not supposed to know like eighty

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<v Speaker 6>percent of the things.

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<v Speaker 3>I know.

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<v Speaker 6>You know, you're just there holding the space for someone.

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<v Speaker 2>You're in a lock box, right, Oh yeah.

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<v Speaker 4>But I think what's interesting is you started to talking

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<v Speaker 4>about something. I actually don't know the answer to this question,

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<v Speaker 4>which is weird because I thought I knew so much.

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<v Speaker 4>How did you get into this? Like, what was your

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<v Speaker 4>path to this career?

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<v Speaker 2>I'm not sure if very many Spaniards come to Hollywood

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<v Speaker 2>and become top awarded makeup artists, but maybe I'm wrong.

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<v Speaker 4>How the fuck did you get here?

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<v Speaker 6>I know, I know, you know, it's interesting, Okay. I

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<v Speaker 6>was born and raised in Spain. I was raised in

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<v Speaker 6>Northern Spain in Santander. Is a beautiful and it's a beautiful,

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<v Speaker 6>absolutely gorgeous part of Europe is Northern Spain. If you

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<v Speaker 6>haven't been, I highly recommend it, and if you like food,

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<v Speaker 6>I highly highly recommend it.

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<v Speaker 3>It's my top top thing anyway.

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<v Speaker 6>But I was born in sixty seven, which means that

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<v Speaker 6>I grew up in a dictatorship because Franco did not

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<v Speaker 6>die until seventy five, I believe, and so seventy seven

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<v Speaker 6>is the first time Spain is a democracy ever. So

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<v Speaker 6>I'm saying this because I really cannot separate my journey

0:13:00.600 --> 0:13:03.240
<v Speaker 6>as a makeup artist that you know, was born in Spain.

0:13:03.280 --> 0:13:05.320
<v Speaker 6>I came to Hollywood from the fact that I was

0:13:05.360 --> 0:13:08.440
<v Speaker 6>a gay boy in Spain in nineteen sixty seven, you know,

0:13:09.400 --> 0:13:15.040
<v Speaker 6>because it forced me to understand that I wasn't safe.

0:13:15.480 --> 0:13:18.560
<v Speaker 6>I may have been safe in my own house, but

0:13:19.040 --> 0:13:22.080
<v Speaker 6>I wasn't safe in the city. I was in sane

0:13:22.120 --> 0:13:24.840
<v Speaker 6>in the country. There was no allies or no outlet

0:13:24.960 --> 0:13:29.080
<v Speaker 6>for me to know what living an authentic life would

0:13:29.080 --> 0:13:33.080
<v Speaker 6>look like. I knew instantly that I needed to become

0:13:33.120 --> 0:13:35.880
<v Speaker 6>two people, you know, in order to survive, to simply

0:13:35.920 --> 0:13:38.200
<v Speaker 6>survive my family, and so I needed to be able

0:13:38.240 --> 0:13:41.360
<v Speaker 6>to become the person that they needed me to be,

0:13:41.880 --> 0:13:46.079
<v Speaker 6>which was mostly just a good boy and my real me,

0:13:46.520 --> 0:13:48.480
<v Speaker 6>you know, which was a good boy who was also gay,

0:13:48.520 --> 0:13:52.640
<v Speaker 6>who was also confused and needed a lot of support.

0:13:53.080 --> 0:13:57.800
<v Speaker 6>And so what happened was I found a lot of

0:13:58.120 --> 0:14:00.080
<v Speaker 6>support and outlet in watching movies.

0:14:00.200 --> 0:14:02.439
<v Speaker 3>I just loved movies, and so.

0:14:02.360 --> 0:14:05.920
<v Speaker 6>This one time I rented Oh, I was obsessed with

0:14:05.960 --> 0:14:07.559
<v Speaker 6>The Exorcist, obsessed with.

0:14:07.559 --> 0:14:13.839
<v Speaker 2>You and Sergio Bear hanging too.

0:14:16.000 --> 0:14:19.840
<v Speaker 6>But I loved the movie so much that, under false

0:14:19.880 --> 0:14:22.720
<v Speaker 6>pretenses whatever, I kind of convinced my parents to buy.

0:14:23.040 --> 0:14:25.480
<v Speaker 6>You know, this was the age of the VCR, and

0:14:25.600 --> 0:14:28.680
<v Speaker 6>Sony had come out with like this new VCR where

0:14:28.720 --> 0:14:31.320
<v Speaker 6>you could like freees frame and then freees frame forward

0:14:31.360 --> 0:14:36.200
<v Speaker 6>and freees frame. So in my version of the movie,

0:14:36.280 --> 0:14:39.560
<v Speaker 6>Linda Blair was literally swallowing her vomit as opposed to you,

0:14:39.760 --> 0:14:42.880
<v Speaker 6>because I just lovedys and forward and everything. And I

0:14:43.000 --> 0:14:46.160
<v Speaker 6>just to torture my sisters because I wanted to replay

0:14:46.400 --> 0:14:48.760
<v Speaker 6>the anyway. I was obsessed with them. And I remember

0:14:48.840 --> 0:14:52.240
<v Speaker 6>asking my dad, I said, Dad, where do they make

0:14:52.280 --> 0:14:56.080
<v Speaker 6>these things? And he, you know, pleasant He's like, Hollywood.

0:14:56.160 --> 0:14:59.240
<v Speaker 6>I'm like, where's Hollywood. It's like that's California, California and

0:14:59.240 --> 0:15:01.840
<v Speaker 6>the United States. I'm like, well, that's where I'm going there.

0:15:02.240 --> 0:15:05.000
<v Speaker 6>Suddenly it was like a seed, you know, I'm talking.

0:15:05.040 --> 0:15:07.200
<v Speaker 6>I mean I'm nine or ten years old, right, and

0:15:07.240 --> 0:15:11.520
<v Speaker 6>I'm like the seed was planted that there was an

0:15:11.600 --> 0:15:14.320
<v Speaker 6>outlet for me, There was a place for me to

0:15:14.400 --> 0:15:18.360
<v Speaker 6>be where I most likely could be myself, could be authentic,

0:15:18.400 --> 0:15:22.000
<v Speaker 6>could experience what it would be like to be myself,

0:15:22.200 --> 0:15:26.200
<v Speaker 6>just myself. So even though I didn't come until I

0:15:26.200 --> 0:15:30.640
<v Speaker 6>was nineteen, those ten years, I was just obsessed with

0:15:30.760 --> 0:15:32.880
<v Speaker 6>putting one foot in front of the other to make.

0:15:32.720 --> 0:15:35.040
<v Speaker 3>It to Hollywood for a couple of reasons.

0:15:35.080 --> 0:15:37.120
<v Speaker 6>One of them was to leave my family, but not

0:15:37.160 --> 0:15:39.120
<v Speaker 6>because I don't love my family out door, Dan, but

0:15:39.200 --> 0:15:42.080
<v Speaker 6>simply because I have no one to be gay with.

0:15:42.240 --> 0:15:44.480
<v Speaker 5>Sure, did you have a group of friends at all

0:15:44.560 --> 0:15:47.080
<v Speaker 5>in Spain? There like that were close friends that knew

0:15:47.080 --> 0:15:49.040
<v Speaker 5>you were gay, that you were able to hang out with.

0:15:49.160 --> 0:15:52.440
<v Speaker 6>And I didn't come out to anyone until I moved

0:15:52.440 --> 0:15:53.000
<v Speaker 6>to America.

0:15:53.120 --> 0:15:53.720
<v Speaker 7>Oh wow.

0:15:53.840 --> 0:15:55.560
<v Speaker 6>And so I mean I came at nineteen, but I

0:15:55.560 --> 0:15:57.080
<v Speaker 6>think the first time I said the words I'm gay,

0:15:57.120 --> 0:15:58.080
<v Speaker 6>I think I was twenty.

0:15:58.480 --> 0:15:58.920
<v Speaker 7>Oh wow.

0:15:58.960 --> 0:16:01.520
<v Speaker 6>And then I came to my mom at twenty one,

0:16:01.880 --> 0:16:04.960
<v Speaker 6>and then you know, that didn't go so well, so

0:16:05.040 --> 0:16:06.720
<v Speaker 6>I freaked out and I didn't come out to my

0:16:06.800 --> 0:16:09.080
<v Speaker 6>dad until five years later. It was just a mess

0:16:09.120 --> 0:16:13.160
<v Speaker 6>boy yeah, and so you know, you realize, gosh, all

0:16:13.200 --> 0:16:16.160
<v Speaker 6>I want is to be able to experience what everyone

0:16:16.200 --> 0:16:19.200
<v Speaker 6>else around me gets to experience. They're not thinking about

0:16:19.200 --> 0:16:22.440
<v Speaker 6>their sexuality all the time. I'm thinking about my sexuality

0:16:22.440 --> 0:16:25.200
<v Speaker 6>all the time because it could be a problem. And

0:16:25.280 --> 0:16:29.720
<v Speaker 6>so that is such a driving force, I think, because

0:16:30.200 --> 0:16:32.320
<v Speaker 6>you're not thinking, oh, I'm going to become a makeup

0:16:32.400 --> 0:16:36.560
<v Speaker 6>artist and go to Hollywood and win awards, but you thinking, oh,

0:16:36.960 --> 0:16:38.880
<v Speaker 6>I want to live my life authentically.

0:16:38.920 --> 0:16:39.840
<v Speaker 3>What does that look like?

0:16:40.280 --> 0:16:43.240
<v Speaker 6>And when you take care of your authenticity when you're

0:16:43.320 --> 0:16:48.080
<v Speaker 6>that young, I promise you have zero tolerance for the crap,

0:16:48.400 --> 0:16:50.680
<v Speaker 6>the suffering, the everyday suffering. Like I could never be

0:16:50.720 --> 0:16:53.000
<v Speaker 6>at a desk job, you know, I could never know

0:16:53.080 --> 0:16:56.160
<v Speaker 6>anything other than what brings me pleasure. It's a hard

0:16:56.240 --> 0:16:58.800
<v Speaker 6>way to learn that lesson because there's a lot of

0:16:59.440 --> 0:17:02.800
<v Speaker 6>introspect that goes in, like to trying to figure out

0:17:02.920 --> 0:17:05.800
<v Speaker 6>why do I feel empty and why do I feel

0:17:05.840 --> 0:17:09.280
<v Speaker 6>like I'm an impostor and so yeah, I can't really

0:17:09.320 --> 0:17:12.639
<v Speaker 6>separate it. But I came when I was nineteen. My parents,

0:17:12.640 --> 0:17:14.480
<v Speaker 6>of course wanted me to go to college, which I

0:17:14.960 --> 0:17:15.919
<v Speaker 6>did for two years.

0:17:16.560 --> 0:17:19.200
<v Speaker 2>Nice where did you go, well, I went to.

0:17:19.160 --> 0:17:22.400
<v Speaker 3>Valanova University in Pennsylvania the first first year.

0:17:22.640 --> 0:17:23.320
<v Speaker 7>You kidding?

0:17:23.440 --> 0:17:24.600
<v Speaker 3>I didn't speak English.

0:17:24.880 --> 0:17:28.119
<v Speaker 6>I didn't speak English like nothing, I literally, I mean

0:17:28.119 --> 0:17:29.439
<v Speaker 6>I came on a plane, but I might as well

0:17:29.480 --> 0:17:29.960
<v Speaker 6>be a boat.

0:17:30.119 --> 0:17:31.520
<v Speaker 3>Okay, we will.

0:17:31.359 --> 0:17:33.520
<v Speaker 2>Be back with more after the break.

0:17:38.119 --> 0:17:40.240
<v Speaker 4>So, and you didn't speak the language, but you managed

0:17:40.280 --> 0:17:43.000
<v Speaker 4>to get through two years of sitting there and just

0:17:43.040 --> 0:17:46.520
<v Speaker 4>looking adorable, like, what the hell did you do that?

0:17:47.440 --> 0:17:47.720
<v Speaker 3>Hell?

0:17:47.880 --> 0:17:50.800
<v Speaker 6>Well, honestly, this is almost embarrassing.

0:17:50.280 --> 0:17:54.760
<v Speaker 4>Because awesome, go for it, right, No, it's just.

0:17:54.720 --> 0:17:59.679
<v Speaker 6>That I was renting a room from a Spanish professor

0:17:59.720 --> 0:18:02.840
<v Speaker 6>who teaching at a university. My parents felt very comfortable

0:18:03.400 --> 0:18:06.400
<v Speaker 6>having that arrangement, right, So okay, I'm renting a room

0:18:06.440 --> 0:18:09.720
<v Speaker 6>down the street from the campus and he has to

0:18:09.800 --> 0:18:13.000
<v Speaker 6>help me. He takes me to the registration office. He

0:18:13.080 --> 0:18:15.600
<v Speaker 6>is like, okay, well you can't take this, because you

0:18:15.640 --> 0:18:18.119
<v Speaker 6>can take that. And what I ended up with my

0:18:18.160 --> 0:18:24.360
<v Speaker 6>first semester was pottery, photography, battery.

0:18:24.040 --> 0:18:28.159
<v Speaker 3>Photography, drawing, and our history. I was really good at

0:18:28.160 --> 0:18:28.960
<v Speaker 3>our history in.

0:18:29.280 --> 0:18:30.520
<v Speaker 4>All terrific tools.

0:18:30.600 --> 0:18:33.040
<v Speaker 7>Right for being a creative makeup artist.

0:18:33.119 --> 0:18:35.919
<v Speaker 6>Yeah, but you know when you're nineteen and you have

0:18:37.520 --> 0:18:43.120
<v Speaker 6>essentially escaped your situation. I think you don't experience fear.

0:18:43.359 --> 0:18:47.400
<v Speaker 6>You just don't you experience acceleration. You are like, are

0:18:47.480 --> 0:18:48.320
<v Speaker 6>you kidding me?

0:18:48.400 --> 0:18:50.600
<v Speaker 2>I'm out, I'm out of here. I'm got out.

0:18:50.760 --> 0:18:53.720
<v Speaker 6>I get to wipe the cafeteria tables as my job.

0:18:53.800 --> 0:18:55.639
<v Speaker 6>I get to work at a dry cleaners. Are you

0:18:55.720 --> 0:18:56.119
<v Speaker 6>kidding me?

0:18:56.280 --> 0:18:56.520
<v Speaker 3>Yes?

0:18:56.920 --> 0:18:59.440
<v Speaker 2>Yeah, hell yes, Are those some of the things you did?

0:19:00.080 --> 0:19:01.080
<v Speaker 3>Sure? Well.

0:19:01.119 --> 0:19:05.760
<v Speaker 6>I applied for a job in the cafeteria and I had.

0:19:05.640 --> 0:19:07.600
<v Speaker 3>To wear this polo that was really bad.

0:19:07.680 --> 0:19:10.280
<v Speaker 6>It was a terrible polo, Like I hate this polo anyway,

0:19:10.600 --> 0:19:12.399
<v Speaker 6>But I started wiping tables and I did it for

0:19:12.440 --> 0:19:14.399
<v Speaker 6>one afternoon and I was like, this is not I

0:19:14.400 --> 0:19:16.199
<v Speaker 6>am better than this. I just I don't know what

0:19:16.240 --> 0:19:16.920
<v Speaker 6>I'm going to do.

0:19:17.040 --> 0:19:17.960
<v Speaker 2>But I'm not doing this.

0:19:18.160 --> 0:19:20.720
<v Speaker 4>I'm not wearing that polo. It boiled down to fashion,

0:19:20.800 --> 0:19:21.639
<v Speaker 4>I mean immediately.

0:19:22.000 --> 0:19:25.160
<v Speaker 6>And also it was a used polo, like it was washed,

0:19:25.200 --> 0:19:26.840
<v Speaker 6>and I was like, oh no.

0:19:26.400 --> 0:19:27.920
<v Speaker 2>No, oh my god.

0:19:28.160 --> 0:19:30.479
<v Speaker 6>I went down the street on Lancaster Avenue and I

0:19:30.520 --> 0:19:33.720
<v Speaker 6>applied for these drag cleaders that had to help wanted

0:19:34.080 --> 0:19:36.200
<v Speaker 6>and thank god, this man, this Greek man that on

0:19:36.359 --> 0:19:38.119
<v Speaker 6>the I think he saw himself in me.

0:19:38.960 --> 0:19:39.840
<v Speaker 3>So he gave me a.

0:19:39.840 --> 0:19:41.720
<v Speaker 6>Job and I worked at a dragtonners while I was

0:19:41.760 --> 0:19:42.399
<v Speaker 6>going to school.

0:19:42.640 --> 0:19:43.160
<v Speaker 7>Wow.

0:19:43.280 --> 0:19:47.199
<v Speaker 4>Yeah, so you get through two years and then you

0:19:47.320 --> 0:19:48.200
<v Speaker 4>decide to drop out.

0:19:48.280 --> 0:19:50.840
<v Speaker 6>Well, yeah, I did my first semester in Villanova and

0:19:50.840 --> 0:19:53.800
<v Speaker 6>then I transferred to UCLA Extension in.

0:19:53.920 --> 0:19:56.640
<v Speaker 3>La I flew out here for the interview.

0:19:56.240 --> 0:19:58.320
<v Speaker 6>And you know, it was like may or something. It

0:19:58.359 --> 0:20:01.680
<v Speaker 6>was beautiful California day. I'm like, oh, I found my home.

0:20:01.760 --> 0:20:04.440
<v Speaker 6>This is where I want to be, and yeah, I

0:20:04.520 --> 0:20:07.560
<v Speaker 6>dropped out. It was such a sense of an urgency

0:20:07.760 --> 0:20:10.679
<v Speaker 6>inside of me. That is like anytime I sat in

0:20:10.720 --> 0:20:12.920
<v Speaker 6>a classroom for like an hour an hour and a half,

0:20:12.960 --> 0:20:15.280
<v Speaker 6>I'd be like, oh my god, this is not at

0:20:15.320 --> 0:20:18.600
<v Speaker 6>all what I want to do. But dropping out of

0:20:18.600 --> 0:20:21.520
<v Speaker 6>school comes with such stigma. You know, my family is

0:20:21.560 --> 0:20:23.920
<v Speaker 6>no different. So I had to be really, really sure

0:20:23.920 --> 0:20:26.359
<v Speaker 6>of myself. And this is something that has helped me.

0:20:26.440 --> 0:20:29.000
<v Speaker 6>In my family. I didn't do the things the way

0:20:29.040 --> 0:20:31.959
<v Speaker 6>that the rest of my family did them, and I

0:20:32.000 --> 0:20:35.320
<v Speaker 6>had to be very very sure of myself to not

0:20:35.480 --> 0:20:37.720
<v Speaker 6>be dissuaded due to something I didn't want to do.

0:20:37.920 --> 0:20:39.879
<v Speaker 5>Well, look at you, now, you gotta Oscar Now, so

0:20:40.560 --> 0:20:45.720
<v Speaker 5>all that that's right? Were you doing makeup stuff throughout Sergio,

0:20:45.840 --> 0:20:47.960
<v Speaker 5>like when you were in the first college in Vilenova

0:20:48.040 --> 0:20:50.480
<v Speaker 5>and then transfer to use in between. Were you doing

0:20:50.840 --> 0:20:51.920
<v Speaker 5>all sorts of makeup stuff?

0:20:52.000 --> 0:20:56.240
<v Speaker 6>Yes, because I also I have a huge love of photography,

0:20:56.880 --> 0:21:00.640
<v Speaker 6>and one of my classes in College of Lenova was photography.

0:21:00.960 --> 0:21:04.480
<v Speaker 6>It was great because Leonova itself didn't have a dark

0:21:04.560 --> 0:21:08.879
<v Speaker 6>room on campus, but brent Mar did the college for girls,

0:21:09.080 --> 0:21:11.080
<v Speaker 6>and so I used to have to go to Brentmar

0:21:11.240 --> 0:21:13.400
<v Speaker 6>for my class and that I would spent my weekends

0:21:13.880 --> 0:21:15.600
<v Speaker 6>in that dark room because I didn't have any friends.

0:21:15.600 --> 0:21:18.280
<v Speaker 6>I didn't know anybody, and I'm a little bit of

0:21:18.280 --> 0:21:21.119
<v Speaker 6>an introvert. I loved my company, and I was just

0:21:21.160 --> 0:21:24.480
<v Speaker 6>in that dark room developing photographs. And the photographs were

0:21:24.840 --> 0:21:28.640
<v Speaker 6>pictures of people from school or class or whatever that

0:21:28.760 --> 0:21:30.800
<v Speaker 6>I would ask if they would be my model, and

0:21:30.800 --> 0:21:32.960
<v Speaker 6>then I would take them. I loved in the eighties.

0:21:33.000 --> 0:21:36.399
<v Speaker 6>I loved shooting in cemeteries. I thought it was so

0:21:36.560 --> 0:21:37.280
<v Speaker 6>edgy and cool.

0:21:37.680 --> 0:21:40.560
<v Speaker 4>Everybody did come on, yeah, you know, like.

0:21:40.640 --> 0:21:42.040
<v Speaker 3>Put a long coat. Look.

0:21:42.320 --> 0:21:47.280
<v Speaker 2>I truly never did that, so I missed the boat.

0:21:47.720 --> 0:21:50.159
<v Speaker 2>I didn't do that I bet Giermo did gearma to do.

0:21:50.320 --> 0:21:50.840
<v Speaker 4>Oh oh that.

0:21:50.840 --> 0:21:52.719
<v Speaker 7>I have so many photo shoots and cemeteries.

0:21:54.520 --> 0:21:57.879
<v Speaker 6>It's so cool, right, you were so edgy. Yeah, like,

0:21:57.960 --> 0:21:59.879
<v Speaker 6>let's post here on someone's remain.

0:22:00.359 --> 0:22:03.719
<v Speaker 2>So you're doing photography and you're you have models that

0:22:03.760 --> 0:22:06.560
<v Speaker 2>you're doing the makeup and sort of styling it. So

0:22:06.600 --> 0:22:09.119
<v Speaker 2>you have such an aesthetic to what things look like.

0:22:09.520 --> 0:22:12.800
<v Speaker 6>Yeah, yeah, and I love doing that. And before I

0:22:12.880 --> 0:22:15.520
<v Speaker 6>moved to America, I spent two years. I studied in

0:22:15.560 --> 0:22:18.760
<v Speaker 6>Ireland and I studied in England for the two years

0:22:18.760 --> 0:22:22.159
<v Speaker 6>before coming to America. So even though I studied in Ireland.

0:22:22.240 --> 0:22:24.479
<v Speaker 6>In England, my English was really really terrible.

0:22:24.560 --> 0:22:26.440
<v Speaker 4>But who could understand anybody?

0:22:26.600 --> 0:22:30.159
<v Speaker 3>I mean, yeah, yeah, that's true. I mean it.

0:22:30.200 --> 0:22:32.480
<v Speaker 4>Spent somewhere you were in Ireland, it can be pretty fair.

0:22:32.800 --> 0:22:34.360
<v Speaker 3>Yeah that's true.

0:22:34.600 --> 0:22:37.560
<v Speaker 6>No, But when I was in Oxford, I my friends,

0:22:37.640 --> 0:22:39.440
<v Speaker 6>the girls that I was in class with, I would

0:22:39.440 --> 0:22:42.040
<v Speaker 6>take them to the cemetery or to like there was

0:22:42.080 --> 0:22:45.960
<v Speaker 6>the beautiful train tracks that like went on forever in

0:22:46.040 --> 0:22:47.560
<v Speaker 6>black and white, really.

0:22:47.280 --> 0:22:49.560
<v Speaker 3>Sort of like moody pictures. I mean, I love it.

0:22:49.720 --> 0:22:51.560
<v Speaker 6>So I would do the makeup, I would do the hair,

0:22:51.600 --> 0:22:54.320
<v Speaker 6>I would do the styling, so I kind of always

0:22:54.400 --> 0:22:57.960
<v Speaker 6>did that. When I moved to La I started photographing

0:22:58.359 --> 0:23:02.320
<v Speaker 6>dance students, like students who needed headshots and didn't have

0:23:02.320 --> 0:23:05.919
<v Speaker 6>the money, and because I didn't have a studio, I

0:23:05.920 --> 0:23:09.399
<v Speaker 6>would take them to the beach because I figure that

0:23:09.720 --> 0:23:13.360
<v Speaker 6>at sunset, that magic hour light is better than any

0:23:13.400 --> 0:23:17.199
<v Speaker 6>makeup foundation you could possibly have, So in black and

0:23:17.240 --> 0:23:21.560
<v Speaker 6>white with that magic light, it's perfect. They yeah, yeah,

0:23:21.600 --> 0:23:23.240
<v Speaker 6>they got the job, They got the job.

0:23:24.320 --> 0:23:27.960
<v Speaker 2>How did production happen for you? Like, how did photography

0:23:28.080 --> 0:23:31.040
<v Speaker 2>and make up and studies turn into how did you

0:23:31.080 --> 0:23:31.960
<v Speaker 2>get onto a set?

0:23:32.440 --> 0:23:35.280
<v Speaker 6>My first job gosh, I don't have to think about

0:23:35.280 --> 0:23:37.040
<v Speaker 6>this in so long, but my first job in the

0:23:37.119 --> 0:23:39.320
<v Speaker 6>industry actually was a driver.

0:23:39.440 --> 0:23:41.040
<v Speaker 3>I was I started transportation.

0:23:42.040 --> 0:23:45.399
<v Speaker 2>My god, I'm dead.

0:23:46.720 --> 0:23:47.800
<v Speaker 4>Did you know how to drive?

0:23:48.920 --> 0:23:52.800
<v Speaker 3>I did go to the DMV in still I don't remember,

0:23:52.840 --> 0:23:53.600
<v Speaker 3>but I did.

0:23:53.640 --> 0:23:53.920
<v Speaker 4>I did.

0:23:53.960 --> 0:23:56.120
<v Speaker 3>I think I got my driver lessons that twenty one,

0:23:56.200 --> 0:23:56.920
<v Speaker 3>So it was all good.

0:23:57.200 --> 0:24:00.560
<v Speaker 6>But I was working at a fitness studio, like at

0:24:00.560 --> 0:24:03.800
<v Speaker 6>the reception, and then, you know, it was not a

0:24:03.800 --> 0:24:04.520
<v Speaker 6>great situation.

0:24:05.560 --> 0:24:06.520
<v Speaker 3>I lost that job.

0:24:06.840 --> 0:24:09.800
<v Speaker 6>You know, I think the owner was a little shady

0:24:09.840 --> 0:24:12.240
<v Speaker 6>and I wasn't responding to him, so I think anyway,

0:24:12.280 --> 0:24:15.040
<v Speaker 6>he let me go. And so in the weekend that

0:24:15.080 --> 0:24:17.199
<v Speaker 6>I was sort of like free, I went to this

0:24:17.320 --> 0:24:21.040
<v Speaker 6>party and I met this person who happened to be

0:24:21.080 --> 0:24:23.879
<v Speaker 6>a transportation coordinator, and he said, well, if you have

0:24:23.920 --> 0:24:25.679
<v Speaker 6>a car and you need a job, come, you know,

0:24:25.720 --> 0:24:28.080
<v Speaker 6>be on the corner of Willoughby and whatever on Monday

0:24:28.080 --> 0:24:31.600
<v Speaker 6>morning at seven, And it was to drive for the movie.

0:24:32.200 --> 0:24:36.840
<v Speaker 3>Are you ready? House Party two? No, House Party two? Yes, Betsy,

0:24:37.200 --> 0:24:40.520
<v Speaker 3>Oh my god, So I'm there.

0:24:40.960 --> 0:24:45.080
<v Speaker 6>This was actually one of the most informative observational experiences

0:24:45.160 --> 0:24:47.720
<v Speaker 6>I've ever done. I was exactly what he told me

0:24:47.760 --> 0:24:49.639
<v Speaker 6>to be at exactly the time he told me to be.

0:24:50.200 --> 0:24:52.640
<v Speaker 6>But the setting up of the bit of the base

0:24:52.680 --> 0:24:55.439
<v Speaker 6>camp was starting to happen right like that. Actually that

0:24:55.560 --> 0:24:58.920
<v Speaker 6>early morning activity. This is my first time in a set.

0:24:59.000 --> 0:25:02.959
<v Speaker 6>I've never been. I don't know who anybody or what

0:25:03.000 --> 0:25:06.000
<v Speaker 6>they do. But I stood there for about an hour

0:25:06.280 --> 0:25:09.560
<v Speaker 6>watching it sort of come to life, and really quickly

0:25:09.680 --> 0:25:14.960
<v Speaker 6>understood that the pas were getting bullied and abused every day.

0:25:15.600 --> 0:25:17.080
<v Speaker 3>Like I knew that right away.

0:25:17.480 --> 0:25:20.400
<v Speaker 6>I saw this young girl running this way with four

0:25:20.440 --> 0:25:23.560
<v Speaker 6>cups of coffee running this way for seventeen binders, running

0:25:23.640 --> 0:25:25.439
<v Speaker 6>that sweating, crying whatever.

0:25:25.520 --> 0:25:27.600
<v Speaker 2>I was like, oh my, for everyone listening who doesn't know,

0:25:27.680 --> 0:25:30.560
<v Speaker 2>a PA is a production assistant, and they are.

0:25:31.880 --> 0:25:34.680
<v Speaker 6>They are the foundation of this business.

0:25:33.640 --> 0:25:35.600
<v Speaker 7>They really are.

0:25:35.960 --> 0:25:38.360
<v Speaker 2>But they are what some would are you the lowest

0:25:38.400 --> 0:25:39.120
<v Speaker 2>on the totem pole.

0:25:39.359 --> 0:25:41.360
<v Speaker 4>It's like being a waitress, a waitress from hell.

0:25:42.000 --> 0:25:46.440
<v Speaker 6>Yeah that's right, yes, yes, yes, So just to make

0:25:46.440 --> 0:25:47.560
<v Speaker 6>a little bit of a left turn.

0:25:47.640 --> 0:25:50.400
<v Speaker 3>By the way, I always say that the.

0:25:50.400 --> 0:25:53.600
<v Speaker 6>Most important job in a set that affects my job

0:25:54.359 --> 0:25:55.959
<v Speaker 6>is the PA that runs based campaign.

0:25:56.040 --> 0:25:57.760
<v Speaker 2>Oh definitely, your day.

0:25:58.000 --> 0:26:00.959
<v Speaker 3>Is just not the same if that person and doesn't

0:26:00.960 --> 0:26:01.560
<v Speaker 3>have it together.

0:26:01.640 --> 0:26:03.320
<v Speaker 5>I mean, they're in charge of getting you the actor

0:26:03.400 --> 0:26:05.320
<v Speaker 5>in your chair at the right time.

0:26:05.359 --> 0:26:08.200
<v Speaker 2>And also getting you all the information of what's happening

0:26:08.200 --> 0:26:08.679
<v Speaker 2>on stat of.

0:26:08.640 --> 0:26:10.040
<v Speaker 3>The information exactly.

0:26:10.440 --> 0:26:12.879
<v Speaker 6>If they're really good, they're going to tell you the

0:26:13.200 --> 0:26:15.720
<v Speaker 6>order of the first three shots. Right, we're going to

0:26:15.760 --> 0:26:17.359
<v Speaker 6>do and over the shoulder, we're going to turn around,

0:26:17.359 --> 0:26:20.200
<v Speaker 6>we're going to close in, boom done. I know exactly

0:26:20.240 --> 0:26:22.520
<v Speaker 6>what it isn't a priority when you tell me what

0:26:22.600 --> 0:26:24.800
<v Speaker 6>the shot is, I don't have to waste my time

0:26:24.840 --> 0:26:27.240
<v Speaker 6>touching up the wrong actor, right, you know what I mean.

0:26:27.320 --> 0:26:29.280
<v Speaker 6>But if you tell me super wide, I'm not going

0:26:29.359 --> 0:26:32.800
<v Speaker 6>to touch up anybody, there's no lass looks, go for it.

0:26:33.200 --> 0:26:35.679
<v Speaker 4>And so for people who don't necessarily know all the

0:26:35.680 --> 0:26:37.919
<v Speaker 4>ins and outs of how a show or a set works,

0:26:38.600 --> 0:26:41.040
<v Speaker 4>so base camp very often is where everybody's getting ready

0:26:41.080 --> 0:26:43.160
<v Speaker 4>and all the trucks are parked and the whole nine

0:26:43.200 --> 0:26:46.880
<v Speaker 4>yards and nine times out of ten, wherever you're filming

0:26:47.040 --> 0:26:50.560
<v Speaker 4>isn't at base camp, right, So you have to figure

0:26:50.560 --> 0:26:52.680
<v Speaker 4>out a way to get the actors and the peoples

0:26:53.000 --> 0:26:55.240
<v Speaker 4>to the place you're filming, be at a stage or

0:26:55.280 --> 0:26:57.800
<v Speaker 4>be at a location, which is why all that timing

0:26:57.880 --> 0:27:00.680
<v Speaker 4>is so important, right, Serge. I mean, it's like you've

0:27:00.720 --> 0:27:03.120
<v Speaker 4>got this really hard job when you're on set because

0:27:03.720 --> 0:27:06.280
<v Speaker 4>you only have a limited amount of time to fix

0:27:06.440 --> 0:27:10.040
<v Speaker 4>any issue that's going on, or else everything stops. And

0:27:10.080 --> 0:27:13.119
<v Speaker 4>when everything stops, then everybody starts to get pissy because

0:27:13.119 --> 0:27:17.520
<v Speaker 4>it's costing money. So it's a whole delicate, crazy ass dance.

0:27:17.520 --> 0:27:18.760
<v Speaker 4>So you have to do it.

0:27:18.880 --> 0:27:20.560
<v Speaker 3>Really is, it really really is.

0:27:21.000 --> 0:27:23.480
<v Speaker 6>And the thing is there are two forces here that

0:27:23.640 --> 0:27:26.800
<v Speaker 6>work against each other. One of them is the training.

0:27:26.880 --> 0:27:30.320
<v Speaker 6>We have received, which basically I think it's a little

0:27:30.320 --> 0:27:33.719
<v Speaker 6>bit outdated. This thing that we need to do a

0:27:33.840 --> 0:27:37.720
<v Speaker 6>complete touch up every single time that the cameras stop

0:27:37.840 --> 0:27:43.160
<v Speaker 6>rolling like that is crazy, unsustainable, unrealistic, crazy, And so

0:27:43.680 --> 0:27:47.880
<v Speaker 6>it becomes a thing about very individual Like if I'm

0:27:47.880 --> 0:27:50.000
<v Speaker 6>in charge of you for a scene, Katie, and I

0:27:50.040 --> 0:27:52.040
<v Speaker 6>look at you and I'm like, you look great, even

0:27:52.080 --> 0:27:53.719
<v Speaker 6>though I haven't touched you for twenty minutes.

0:27:54.320 --> 0:27:56.119
<v Speaker 3>I don't have the need to touch you.

0:27:56.440 --> 0:27:58.639
<v Speaker 6>But let's say that I'm working with an actor or

0:27:58.680 --> 0:28:02.439
<v Speaker 6>actress that I know that if I just do a

0:28:02.480 --> 0:28:06.200
<v Speaker 6>little powder or the motion of powder. How many times

0:28:06.200 --> 0:28:08.560
<v Speaker 6>have I touched people up with nothing on my puff?

0:28:10.640 --> 0:28:13.280
<v Speaker 5>There's always that one actor who's like, you better touch

0:28:13.320 --> 0:28:13.560
<v Speaker 5>me up.

0:28:13.640 --> 0:28:14.320
<v Speaker 7>No matter what.

0:28:14.520 --> 0:28:18.520
<v Speaker 2>Actors are so cuckoo about this stuff. It's so weird.

0:28:18.640 --> 0:28:23.440
<v Speaker 6>I love knowing everybody's idiot secrecies, you know, like because

0:28:23.480 --> 0:28:26.160
<v Speaker 6>there are some actors that just need that last look

0:28:26.359 --> 0:28:29.680
<v Speaker 6>or the even just making eye contact with you, and

0:28:29.840 --> 0:28:30.600
<v Speaker 6>they know that.

0:28:30.600 --> 0:28:32.800
<v Speaker 7>Okay, then you check them and they're good.

0:28:32.840 --> 0:28:35.359
<v Speaker 6>Something becomes easier they can drop something off.

0:28:35.640 --> 0:28:38.760
<v Speaker 3>Yeah, I love that. I love I think it's because

0:28:38.840 --> 0:28:40.920
<v Speaker 3>you know, I'm a codependent person. But I love.

0:28:42.320 --> 0:28:46.320
<v Speaker 6>I love facilitating that I can do something so that

0:28:46.360 --> 0:28:47.200
<v Speaker 6>you can do your job.

0:28:47.240 --> 0:28:47.520
<v Speaker 3>Well.

0:28:47.960 --> 0:28:51.120
<v Speaker 6>It's amazing, right, And so that's why I appreciate the

0:28:51.160 --> 0:28:54.200
<v Speaker 6>basic MPAs because them doing their jobs is making my

0:28:54.320 --> 0:28:56.440
<v Speaker 6>job so much easier, you know, when they're good.

0:28:56.640 --> 0:29:00.680
<v Speaker 2>Yeah, so hold on, you're a driver, you see that

0:29:01.080 --> 0:29:04.920
<v Speaker 2>PAS might not be for you. Is this how we

0:29:04.960 --> 0:29:05.800
<v Speaker 2>get into makeup?

0:29:06.000 --> 0:29:06.080
<v Speaker 5>No?

0:29:06.240 --> 0:29:06.480
<v Speaker 3>You know.

0:29:06.520 --> 0:29:09.240
<v Speaker 6>What I realized though, is like you need to treat

0:29:09.280 --> 0:29:09.800
<v Speaker 6>those people.

0:29:09.840 --> 0:29:10.080
<v Speaker 3>Well.

0:29:11.040 --> 0:29:13.680
<v Speaker 6>That was the thing for me always. If I have

0:29:13.840 --> 0:29:17.400
<v Speaker 6>the privilege to have come all the way from Spain

0:29:17.480 --> 0:29:19.640
<v Speaker 6>to do this and I am here and I am

0:29:19.720 --> 0:29:23.800
<v Speaker 6>doing it, i am here, I feel so privileged that

0:29:24.120 --> 0:29:28.640
<v Speaker 6>what I want to preserve is my joy. I want

0:29:28.680 --> 0:29:31.120
<v Speaker 6>to preserve the joy that I have for my job,

0:29:31.800 --> 0:29:35.280
<v Speaker 6>and that is threatened every single day, you know, by

0:29:35.440 --> 0:29:37.320
<v Speaker 6>outside forces and outside.

0:29:36.920 --> 0:29:37.800
<v Speaker 3>Stresses, you know.

0:29:38.320 --> 0:29:41.080
<v Speaker 6>And so for me, it all became about how do

0:29:41.160 --> 0:29:44.320
<v Speaker 6>I become just a happy human being that gets to

0:29:44.360 --> 0:29:46.680
<v Speaker 6>do what they love to do for a living, you know,

0:29:47.240 --> 0:29:49.600
<v Speaker 6>And so I've always taken care of that. My mental

0:29:49.600 --> 0:29:53.560
<v Speaker 6>health hugely important. I understood that this could be a

0:29:53.600 --> 0:29:55.600
<v Speaker 6>monster that could eat your life if you were not

0:29:55.720 --> 0:30:00.360
<v Speaker 6>careful and so from driving I learned so so much

0:30:00.360 --> 0:30:03.920
<v Speaker 6>about life on set and base camp and what so

0:30:03.960 --> 0:30:06.520
<v Speaker 6>many departments do because as transport I would have to

0:30:06.600 --> 0:30:08.640
<v Speaker 6>run errands for makeup, and I would have to run

0:30:08.720 --> 0:30:10.960
<v Speaker 6>errands for a wardrobe or for the director or get

0:30:11.040 --> 0:30:13.320
<v Speaker 6>us movie from whatever, you know, like all of this stuff,

0:30:13.520 --> 0:30:16.480
<v Speaker 6>and it was incredible. It was incredibly valuable for me

0:30:16.560 --> 0:30:21.400
<v Speaker 6>because it allows you to develop respect for all these

0:30:21.400 --> 0:30:24.000
<v Speaker 6>other departments that are working around you, what a hard

0:30:24.040 --> 0:30:25.880
<v Speaker 6>day looks like for them as opposed to what it

0:30:25.880 --> 0:30:28.320
<v Speaker 6>looks like for you, and just have that kind of empathy.

0:30:28.520 --> 0:30:30.000
<v Speaker 6>That's what makes you. I think it makes you a

0:30:30.000 --> 0:30:35.920
<v Speaker 6>great leader. Eventually, from transportation, I would just get hired

0:30:35.960 --> 0:30:39.480
<v Speaker 6>by this guy and Griffith was his name, and he

0:30:39.480 --> 0:30:41.360
<v Speaker 6>would hire me different movies, so sometimes I would be

0:30:41.440 --> 0:30:44.239
<v Speaker 6>driving the director would just be the director's driver. So

0:30:44.320 --> 0:30:46.360
<v Speaker 6>he put me in a movie with a director named

0:30:46.360 --> 0:30:51.240
<v Speaker 6>Bill Duke, African American director lovely man, and I did

0:30:51.280 --> 0:30:53.400
<v Speaker 6>like three movies with him, and one of the movies

0:30:53.400 --> 0:30:56.000
<v Speaker 6>I did with him starred Jeff Goblum.

0:30:56.120 --> 0:30:58.600
<v Speaker 4>Oh my god, amazing.

0:30:58.880 --> 0:31:01.360
<v Speaker 6>Jeff Goblum was getting rid to do a movie in

0:31:01.920 --> 0:31:06.240
<v Speaker 6>Spain and so my boss, the director, Bill, said to him,

0:31:06.320 --> 0:31:08.440
<v Speaker 6>you know Surgious from Spain. You should take him with

0:31:08.480 --> 0:31:09.680
<v Speaker 6>you as your driver, you know.

0:31:11.240 --> 0:31:15.400
<v Speaker 3>So he did, he did, Yes, he did.

0:31:15.560 --> 0:31:17.920
<v Speaker 4>Okay, So, by the way, that's a movie Sergio and

0:31:18.000 --> 0:31:20.240
<v Speaker 4>Jeff Goldbloom Spain.

0:31:21.040 --> 0:31:23.080
<v Speaker 3>I have so many stories, you guys. You know.

0:31:23.120 --> 0:31:27.880
<v Speaker 6>We went to Spain, and something nobody knew is that

0:31:28.000 --> 0:31:29.080
<v Speaker 6>I had actually never.

0:31:28.960 --> 0:31:30.120
<v Speaker 3>Driven in Spain. Never.

0:31:32.120 --> 0:31:33.200
<v Speaker 4>Oh my gosh.

0:31:34.520 --> 0:31:36.440
<v Speaker 6>I couldn't say that to anybody, because I mean, I

0:31:36.480 --> 0:31:39.920
<v Speaker 6>wanted the job, so I said yes, yeah. And also

0:31:40.040 --> 0:31:41.720
<v Speaker 6>I found out that we not only had to drive

0:31:41.840 --> 0:31:45.400
<v Speaker 6>in Madrid, we had to also drive in Barcelona, and

0:31:45.440 --> 0:31:47.400
<v Speaker 6>we had to drive to Barcelona.

0:31:47.520 --> 0:31:50.120
<v Speaker 3>So what I did, and listen for those of you

0:31:50.360 --> 0:31:51.000
<v Speaker 3>out there.

0:31:50.840 --> 0:31:54.520
<v Speaker 6>Who are listening, who are beginning your careers, perhaps because

0:31:55.120 --> 0:31:57.400
<v Speaker 6>this is how creative you have to be, I could

0:31:57.440 --> 0:31:59.920
<v Speaker 6>not be found out that I did not know how

0:31:59.960 --> 0:32:02.960
<v Speaker 6>to drive around Madrid way. And so what I did

0:32:03.040 --> 0:32:06.960
<v Speaker 6>is I would get the location for each day the

0:32:07.040 --> 0:32:11.320
<v Speaker 6>day before, and I would go by myself and run

0:32:11.360 --> 0:32:14.520
<v Speaker 6>it from my house to his hotel to the thing

0:32:14.720 --> 0:32:16.840
<v Speaker 6>I'm back, and I would do it a couple of times.

0:32:17.080 --> 0:32:18.240
<v Speaker 7>Wow smart.

0:32:18.360 --> 0:32:20.400
<v Speaker 6>And then so every morning, I just knew exactly where

0:32:20.400 --> 0:32:22.560
<v Speaker 6>I was going. Blah blah blah blah bah. Nobody ever knew.

0:32:23.080 --> 0:32:26.920
<v Speaker 6>In the process of filming that movie, Jeff Goldblum's co

0:32:27.080 --> 0:32:30.880
<v Speaker 6>star in that movie was Mimi Rodgers, and so, as

0:32:30.960 --> 0:32:34.960
<v Speaker 6>luck would have it, Mimi also had a driver and

0:32:35.040 --> 0:32:37.680
<v Speaker 6>Jeff had a driver. But Jeff never wanted to do

0:32:37.720 --> 0:32:41.160
<v Speaker 6>anything outside of work, never, so I would take him

0:32:41.200 --> 0:32:43.239
<v Speaker 6>to his hotel and then I would just hang out

0:32:43.280 --> 0:32:44.280
<v Speaker 6>with Mimi and his.

0:32:44.840 --> 0:32:47.560
<v Speaker 3>And her driver, and we became really really close friends.

0:32:48.240 --> 0:32:49.640
<v Speaker 3>To this day, we're very close friends.

0:32:49.720 --> 0:32:52.560
<v Speaker 6>But when I came when when I came back from

0:32:53.040 --> 0:32:56.120
<v Speaker 6>working on that movie, Mimi called me and said, you know,

0:32:57.560 --> 0:32:58.880
<v Speaker 6>I just lost my assistant.

0:32:59.240 --> 0:33:02.320
<v Speaker 3>Do you have any intro on being my assistant? And

0:33:02.440 --> 0:33:04.600
<v Speaker 3>so I said, of course, you know.

0:33:05.000 --> 0:33:08.080
<v Speaker 6>Wow, a different turn, a different job in the industry,

0:33:08.200 --> 0:33:10.320
<v Speaker 6>yet another level of the industry.

0:33:10.360 --> 0:33:13.360
<v Speaker 2>The story is wild. Sergio.

0:33:13.680 --> 0:33:15.920
<v Speaker 6>So I worked for her for three years. She is

0:33:16.480 --> 0:33:19.800
<v Speaker 6>absolutely amazing. I love her so so much. But it

0:33:19.840 --> 0:33:23.880
<v Speaker 6>was her who gave me that final push. She said

0:33:23.880 --> 0:33:25.800
<v Speaker 6>to me, Sergia, I love you. I would keep you

0:33:25.840 --> 0:33:27.880
<v Speaker 6>here forever, but it is obvious to me that what

0:33:27.960 --> 0:33:29.560
<v Speaker 6>you have to do is do makeups. You need to

0:33:29.600 --> 0:33:33.040
<v Speaker 6>go out there and do makeup. And so I got

0:33:33.040 --> 0:33:35.840
<v Speaker 6>this book that was like a guide to how to

0:33:35.880 --> 0:33:40.080
<v Speaker 6>become a makeup artisan in Hollywood. I remember lots of resources,

0:33:40.080 --> 0:33:43.680
<v Speaker 6>including schools, and so I found the best school, which

0:33:43.680 --> 0:33:46.840
<v Speaker 6>at the time was Joe Blasco. It was so expensive,

0:33:47.120 --> 0:33:49.480
<v Speaker 6>so expensive. It was like seven thousand dollars back in

0:33:49.560 --> 0:33:51.640
<v Speaker 6>nineteen ninety five or whatever.

0:33:51.760 --> 0:33:54.200
<v Speaker 3>Wow, that would have been so much now, wow, so

0:33:54.320 --> 0:33:54.760
<v Speaker 3>much money.

0:33:54.760 --> 0:33:58.640
<v Speaker 6>And so I called my grandmother and I said, can

0:33:58.640 --> 0:33:59.600
<v Speaker 6>I borrow this money?

0:34:00.080 --> 0:34:01.600
<v Speaker 3>She said yes. Wow.

0:34:02.640 --> 0:34:06.200
<v Speaker 6>After I graduated. Okay, wait, hold on you guys, I graduated.

0:34:06.240 --> 0:34:08.800
<v Speaker 6>This is such a funny story. It was from eight

0:34:09.239 --> 0:34:11.560
<v Speaker 6>to four every day, four months, three months or something

0:34:11.600 --> 0:34:11.879
<v Speaker 6>like that.

0:34:11.880 --> 0:34:12.399
<v Speaker 3>Eight to four.

0:34:12.440 --> 0:34:15.520
<v Speaker 6>But then there was a lab from four to six

0:34:15.640 --> 0:34:19.640
<v Speaker 6>every day that was voluntary. I was there every day

0:34:20.000 --> 0:34:22.279
<v Speaker 6>until the very end of lab because I loved it.

0:34:22.360 --> 0:34:25.760
<v Speaker 3>I was devouring it. This was my dream as a child.

0:34:26.239 --> 0:34:29.160
<v Speaker 6>I used to hide myself with my sister's dolls in

0:34:29.200 --> 0:34:32.040
<v Speaker 6>the bathroom and give the makeovers. I'm like, this was like,

0:34:32.800 --> 0:34:37.640
<v Speaker 6>this was show in me that I finally was here

0:34:38.160 --> 0:34:41.480
<v Speaker 6>with a teacher that was a makeup artist in Hollywood

0:34:42.520 --> 0:34:46.000
<v Speaker 6>just for me four to six every day, two hours

0:34:46.040 --> 0:34:48.040
<v Speaker 6>where I just got to take it all in. It

0:34:48.120 --> 0:34:49.440
<v Speaker 6>was so amazing for me.

0:34:49.600 --> 0:34:50.719
<v Speaker 4>Wow, Sergio.

0:34:51.520 --> 0:34:54.799
<v Speaker 6>And so on the day of graduation, I've never come

0:34:54.840 --> 0:34:57.560
<v Speaker 6>to like American school, so I really don't know how

0:34:57.600 --> 0:35:00.600
<v Speaker 6>the order is or the process of graduate or whatever.

0:35:00.640 --> 0:35:03.919
<v Speaker 6>But anyway, they were like selecting different people, saying their names,

0:35:03.960 --> 0:35:06.200
<v Speaker 6>and they would come up and get the diploma. But

0:35:06.280 --> 0:35:08.800
<v Speaker 6>then they started talking about this person in the class

0:35:09.760 --> 0:35:13.440
<v Speaker 6>that had worked so hard, had done.

0:35:13.239 --> 0:35:15.120
<v Speaker 3>Such an amazing job.

0:35:15.239 --> 0:35:17.680
<v Speaker 6>Blah blah blah, and I started getting like a ball

0:35:18.000 --> 0:35:21.360
<v Speaker 6>of pain in my stomach of jealousy. I was like,

0:35:22.520 --> 0:35:25.719
<v Speaker 6>who the fuck is this person? I worked so hard too,

0:35:25.800 --> 0:35:27.839
<v Speaker 6>but I was so threatened all of a sudden until

0:35:27.840 --> 0:35:28.640
<v Speaker 6>they mentioned my name.

0:35:28.719 --> 0:35:31.560
<v Speaker 3>It was me. It was me, this person they were

0:35:31.560 --> 0:35:32.040
<v Speaker 3>talking about.

0:35:34.160 --> 0:35:35.520
<v Speaker 2>Oh my god.

0:35:34.960 --> 0:35:36.600
<v Speaker 3>Oh so I.

0:35:36.520 --> 0:35:38.280
<v Speaker 6>Graduated number one of that class.

0:35:38.280 --> 0:35:40.880
<v Speaker 3>Wow, wow, which was great.

0:35:41.080 --> 0:35:43.600
<v Speaker 2>I just think it's so inspiring because I talked to

0:35:43.680 --> 0:35:46.640
<v Speaker 2>so many young people trying to get in this business

0:35:46.640 --> 0:35:48.960
<v Speaker 2>and they feel like there's supposed to study and it

0:35:49.120 --> 0:35:52.960
<v Speaker 2>just happens and it doesn't Like I too, was working

0:35:53.080 --> 0:35:56.360
<v Speaker 2>all my side hustle jobs until my late late twenties,

0:35:56.440 --> 0:35:58.839
<v Speaker 2>you know, like it took ten years of that sort

0:35:58.880 --> 0:36:03.040
<v Speaker 2>of hustle before I even really call myself a working actor.

0:36:03.280 --> 0:36:05.400
<v Speaker 3>You know. Yeah.

0:36:05.520 --> 0:36:08.160
<v Speaker 6>One of the things that I think it's a mistake

0:36:08.239 --> 0:36:13.240
<v Speaker 6>that we keep making Hollywood is in reality, your career

0:36:13.520 --> 0:36:16.600
<v Speaker 6>shouldn't look like anybody else's. You know, It's okay to

0:36:16.640 --> 0:36:19.640
<v Speaker 6>get inspired by someone, you know, but I think one

0:36:19.680 --> 0:36:22.680
<v Speaker 6>mistake that we make is that we're constantly comparing ourselves

0:36:22.719 --> 0:36:26.680
<v Speaker 6>a trajectory with you know, whatever high point somebody else

0:36:26.880 --> 0:36:29.840
<v Speaker 6>might have had in their career, when in reality, you

0:36:29.920 --> 0:36:32.520
<v Speaker 6>get a much better gift if you've become curious about

0:36:32.719 --> 0:36:35.920
<v Speaker 6>how you can have this career for yourself.

0:36:36.040 --> 0:36:39.160
<v Speaker 4>I guess that makes total sense. And actually it's true

0:36:39.400 --> 0:36:42.040
<v Speaker 4>on the producing end when you pick projects, because I

0:36:42.040 --> 0:36:43.680
<v Speaker 4>think what a lot of people do is they just

0:36:43.800 --> 0:36:47.560
<v Speaker 4>try to do something which was successful in another realm exactly.

0:36:47.760 --> 0:36:50.319
<v Speaker 4>And yes, it's the same sort of thing where it's like,

0:36:50.440 --> 0:36:52.080
<v Speaker 4>the one thing we don't ever want to do. I

0:36:52.120 --> 0:36:54.640
<v Speaker 4>don't want to do is what I did before. So

0:36:55.360 --> 0:36:58.200
<v Speaker 4>it's not a determinant that it was successful for somebody else.

0:36:58.239 --> 0:37:00.279
<v Speaker 4>It's just this is something that speaks to you. So

0:37:00.320 --> 0:37:03.440
<v Speaker 4>it's the same thing we all have. These were blueprints

0:37:03.440 --> 0:37:05.880
<v Speaker 4>in our lives that you think, well, this is the

0:37:05.880 --> 0:37:07.919
<v Speaker 4>way so and so did it, or this is the path.

0:37:08.000 --> 0:37:13.000
<v Speaker 4>But this is a perfect example. There's no straight path.

0:37:13.400 --> 0:37:16.200
<v Speaker 6>There is no straight path. And by the way, your

0:37:16.280 --> 0:37:19.560
<v Speaker 6>definition of success might be completely different from my.

0:37:19.640 --> 0:37:20.440
<v Speaker 3>Exactly, you know.

0:37:20.480 --> 0:37:22.359
<v Speaker 6>And that's one of the things that we were talking

0:37:22.360 --> 0:37:24.160
<v Speaker 6>about during the Oscar campaign.

0:37:24.480 --> 0:37:27.120
<v Speaker 3>Because obviously it was such a big deal.

0:37:26.960 --> 0:37:28.799
<v Speaker 6>I mean such a big deal to get nominate it

0:37:28.800 --> 0:37:31.800
<v Speaker 6>and too, I mean, the whole process was is so insane.

0:37:32.640 --> 0:37:35.840
<v Speaker 6>But everybody was asking me, what does it feel like

0:37:35.960 --> 0:37:40.960
<v Speaker 6>to have achieved a dream? And I'm like, I achieved

0:37:40.960 --> 0:37:44.840
<v Speaker 6>my dream like thirty years ago. You know, when I

0:37:44.880 --> 0:37:47.799
<v Speaker 6>achieved my dream thirty years ago. This is awesome and

0:37:47.880 --> 0:37:51.040
<v Speaker 6>I'm so proud and I'm so happy to get here.

0:37:51.120 --> 0:37:55.680
<v Speaker 6>But this changes nothing, nothing for me. I mean, if

0:37:55.719 --> 0:37:59.280
<v Speaker 6>I'm taking my cues from what's around me, I need,

0:37:59.440 --> 0:38:01.879
<v Speaker 6>you know, of one hundred thousand followers I need, blah

0:38:01.880 --> 0:38:04.680
<v Speaker 6>blah blah, I need more nominations I need And the

0:38:04.719 --> 0:38:08.120
<v Speaker 6>truth is none of those things signify success for me.

0:38:08.520 --> 0:38:12.959
<v Speaker 6>Success is for me that I do what I love

0:38:13.040 --> 0:38:15.319
<v Speaker 6>to do. I love every I do every day what

0:38:15.360 --> 0:38:16.400
<v Speaker 6>I would do for free.

0:38:17.160 --> 0:38:18.680
<v Speaker 2>I so feel like that.

0:38:19.239 --> 0:38:22.279
<v Speaker 6>You know, and how lucky and so. But I can't

0:38:22.320 --> 0:38:25.040
<v Speaker 6>be paying attention to what this other makeup artist is

0:38:25.080 --> 0:38:28.160
<v Speaker 6>doing without a makeup because it's impossible and it's also

0:38:28.239 --> 0:38:28.760
<v Speaker 6>not fair.

0:38:29.120 --> 0:38:30.480
<v Speaker 7>Yeah, it's a waste of time.

0:38:30.600 --> 0:38:32.560
<v Speaker 2>Yeah, total waste of time.

0:38:33.080 --> 0:38:35.560
<v Speaker 6>And I continue to be successful every single time I

0:38:35.640 --> 0:38:36.360
<v Speaker 6>choose my truth.

0:38:36.920 --> 0:38:37.359
<v Speaker 3>That's it.

0:38:38.120 --> 0:38:43.560
<v Speaker 7>We'll be right back, guys, Sergio.

0:38:43.600 --> 0:38:45.600
<v Speaker 5>Would your sisters ever wake up in the morning and

0:38:45.640 --> 0:38:49.560
<v Speaker 5>go to their barbies and be like, my Barbie looks fierce.

0:38:50.760 --> 0:38:52.640
<v Speaker 7>And you were like did it?

0:38:52.640 --> 0:38:55.480
<v Speaker 3>It would be like who gave my Barbie a mohawk?

0:38:56.080 --> 0:38:58.279
<v Speaker 6>Because I used to think that the hair will grow

0:38:58.360 --> 0:39:00.439
<v Speaker 6>back obviously, right, I mean like, oh.

0:39:00.360 --> 0:39:02.319
<v Speaker 4>And apparently you didn't have the Barbie with the little

0:39:02.320 --> 0:39:03.400
<v Speaker 4>hole in the head where it.

0:39:03.480 --> 0:39:06.840
<v Speaker 6>Just what No, this was no, these were the early

0:39:06.880 --> 0:39:09.560
<v Speaker 6>barbies I had those two, I mean, no, help y.

0:39:11.360 --> 0:39:13.479
<v Speaker 6>One thing I have to say, this is a big

0:39:13.520 --> 0:39:15.960
<v Speaker 6>part of my story as a child, is that do

0:39:16.000 --> 0:39:18.480
<v Speaker 6>you guys remember in America, you guys had the Barbie

0:39:18.520 --> 0:39:24.120
<v Speaker 6>heads that were like three dimensional, yes, right, just the head. Well,

0:39:24.200 --> 0:39:26.880
<v Speaker 6>in Spain there was a version of that doll, but

0:39:26.920 --> 0:39:29.360
<v Speaker 6>it was bigger. It was actually kind of like life size,

0:39:29.680 --> 0:39:32.399
<v Speaker 6>and the bus was like, you know, like shoulders right,

0:39:32.920 --> 0:39:36.839
<v Speaker 6>And her name was Gwendolen and somebody had given that

0:39:36.920 --> 0:39:38.080
<v Speaker 6>doll to one of my sisters.

0:39:38.080 --> 0:39:40.080
<v Speaker 3>I had three sisters, and at.

0:39:39.920 --> 0:39:41.880
<v Speaker 6>This point, at the point that I was, you know,

0:39:41.920 --> 0:39:43.799
<v Speaker 6>waking up to the fact that I loved makeup and

0:39:43.880 --> 0:39:46.319
<v Speaker 6>I needed to put makeup and draw and sketch and

0:39:46.360 --> 0:39:49.799
<v Speaker 6>do be an artists or whatever, I found this abandoned

0:39:49.920 --> 0:39:53.759
<v Speaker 6>doll on top of my sister's murphy bed and I

0:39:53.840 --> 0:39:57.000
<v Speaker 6>had to devise a plan on how I was going

0:39:57.000 --> 0:39:59.480
<v Speaker 6>to get that doll in the bathroom when I took

0:39:59.520 --> 0:40:02.520
<v Speaker 6>a shower, because I share a bathroom with my sisters,

0:40:02.600 --> 0:40:04.719
<v Speaker 6>two of them are teenagers, there's already all kinds of

0:40:04.760 --> 0:40:07.080
<v Speaker 6>makeup crap in the bathroom and everything, and I need it.

0:40:07.160 --> 0:40:07.520
<v Speaker 7>I need it.

0:40:07.600 --> 0:40:09.839
<v Speaker 3>I needed to do it. I just needed to do it.

0:40:10.800 --> 0:40:13.919
<v Speaker 6>But the thing is, I am in a family back

0:40:13.960 --> 0:40:18.760
<v Speaker 6>to early seventies Franco Catholicism.

0:40:18.880 --> 0:40:21.000
<v Speaker 3>Yeah, my family is super religious, like.

0:40:21.160 --> 0:40:25.200
<v Speaker 6>It's everything is an obstacle, everything is an impossibility. So

0:40:25.280 --> 0:40:29.480
<v Speaker 6>I had to I had to figure out when is

0:40:29.560 --> 0:40:33.280
<v Speaker 6>the moment or all of my family is in one room.

0:40:33.840 --> 0:40:36.320
<v Speaker 6>So that was Saturday nights when we were all watching

0:40:36.360 --> 0:40:40.399
<v Speaker 6>movies or TV together. So I would excuse myself, very

0:40:40.400 --> 0:40:42.960
<v Speaker 6>responsible for me, and say I'm gonna take a shower.

0:40:43.640 --> 0:40:45.120
<v Speaker 6>And so what I would do first, I would go

0:40:45.160 --> 0:40:47.760
<v Speaker 6>into my sister's bedroom, which was adjacent to the bathroom,

0:40:48.080 --> 0:40:50.279
<v Speaker 6>sharing the wall or a facade of the building with

0:40:50.320 --> 0:40:53.320
<v Speaker 6>the bathroom, and I would unlock their window and I

0:40:53.320 --> 0:40:55.279
<v Speaker 6>would run out again, and I was like, okay, bye,

0:40:55.280 --> 0:40:57.800
<v Speaker 6>I'm going to the bathroom. I locked myself in the bathroom,

0:40:57.960 --> 0:41:03.000
<v Speaker 6>crawl out the window and they'll go like this on

0:41:03.000 --> 0:41:03.800
<v Speaker 6>the side of the building.

0:41:03.960 --> 0:41:07.080
<v Speaker 3>Ye, I mean my sister's bedroom.

0:41:07.239 --> 0:41:12.399
<v Speaker 6>Crawl inside, God, take it out, put it under my arm.

0:41:12.600 --> 0:41:14.839
<v Speaker 6>Now I was like eight years old, so like this

0:41:15.000 --> 0:41:16.320
<v Speaker 6>doll was pretty big.

0:41:16.280 --> 0:41:17.520
<v Speaker 4>Definitely the size of you.

0:41:17.600 --> 0:41:19.400
<v Speaker 3>Yeah, wow, definitely.

0:41:19.480 --> 0:41:22.800
<v Speaker 6>And so I would go back to the bathroom window,

0:41:22.840 --> 0:41:26.840
<v Speaker 6>crawl back inside and start my makeovers. And then I

0:41:26.920 --> 0:41:29.960
<v Speaker 6>had to clean her all up and go back out

0:41:30.040 --> 0:41:30.880
<v Speaker 6>and put her back.

0:41:30.760 --> 0:41:32.799
<v Speaker 3>Before the movie ended. And you know what I mean.

0:41:33.160 --> 0:41:38.080
<v Speaker 6>Yeah, and you guys, I did this for years whow years.

0:41:38.320 --> 0:41:44.440
<v Speaker 5>Gwendolen can talk the stories that she would have, Oh.

0:41:43.440 --> 0:41:46.640
<v Speaker 4>So talking about learning how to work with a time schedule.

0:41:47.200 --> 0:41:51.319
<v Speaker 2>Yeah, that's great for production. You're like, no kidding, this

0:41:51.400 --> 0:41:55.400
<v Speaker 2>is nothing, this is so true. Wow, great for production.

0:41:56.280 --> 0:41:58.759
<v Speaker 3>I never even thought about it. I should have made

0:41:58.800 --> 0:42:05.280
<v Speaker 3>my own call sheets. You should because you feel like, yes.

0:42:03.960 --> 0:42:05.480
<v Speaker 4>I don't have to resk my life and limb, I

0:42:05.520 --> 0:42:08.360
<v Speaker 4>just have to apparently get her out every five minutes problem.

0:42:08.520 --> 0:42:11.000
<v Speaker 3>But the end of this story.

0:42:12.160 --> 0:42:15.200
<v Speaker 6>One day I decided, because I had seen it out

0:42:15.280 --> 0:42:17.239
<v Speaker 6>in some music video or something, that I wanted to

0:42:17.280 --> 0:42:22.440
<v Speaker 6>give her super glossy, super red lips. Right, that was

0:42:22.480 --> 0:42:27.120
<v Speaker 6>my design for the evening, And so my sisters had

0:42:27.280 --> 0:42:30.759
<v Speaker 6>a lip glass. I was red the same deal, go out,

0:42:30.920 --> 0:42:34.440
<v Speaker 6>pick it up, come back in by this glass.

0:42:34.800 --> 0:42:37.440
<v Speaker 3>Obviously you put it on plastic.

0:42:37.040 --> 0:42:39.080
<v Speaker 6>And he doesn't have the same. It didn't tint it.

0:42:39.080 --> 0:42:41.120
<v Speaker 6>It was like, oh, it's shiny, but it's not. It's

0:42:41.160 --> 0:42:43.239
<v Speaker 6>not doing what I want to do. And then I

0:42:43.280 --> 0:42:44.840
<v Speaker 6>spotted red male.

0:42:44.719 --> 0:42:48.200
<v Speaker 3>Polish, like, so I just put I.

0:42:48.120 --> 0:42:53.000
<v Speaker 6>Did the most beautiful red lips in this lacquer red right,

0:42:53.480 --> 0:42:57.280
<v Speaker 6>oh shit, And I'm like, oh my gosh, so beautiful,

0:42:57.280 --> 0:43:00.600
<v Speaker 6>blah blah blah blah. Of course, when I the time

0:43:00.640 --> 0:43:04.160
<v Speaker 6>cleanup came, it didn't come off, and I'm like, oh shit,

0:43:04.719 --> 0:43:07.840
<v Speaker 6>oh this requires nail polish remover. So I got the

0:43:07.920 --> 0:43:11.000
<v Speaker 6>nail polish remover and I went like this, and then

0:43:11.040 --> 0:43:11.439
<v Speaker 6>I just.

0:43:11.440 --> 0:43:11.920
<v Speaker 3>It came off.

0:43:11.960 --> 0:43:13.279
<v Speaker 6>And then I just went like that and I kind

0:43:13.280 --> 0:43:15.120
<v Speaker 6>of like cleaning her whole face and I took.

0:43:15.000 --> 0:43:19.640
<v Speaker 3>Off all of her features. I took her everything.

0:43:19.640 --> 0:43:23.200
<v Speaker 2>Oh my god, she was just so faceless. She was

0:43:23.440 --> 0:43:25.160
<v Speaker 2>just like faceless man.

0:43:25.480 --> 0:43:26.240
<v Speaker 3>Yeah.

0:43:26.280 --> 0:43:28.600
<v Speaker 6>And it was the saddest, most heartbreaking thing. And I

0:43:28.640 --> 0:43:30.120
<v Speaker 6>had to put her back and never play with her.

0:43:30.120 --> 0:43:33.359
<v Speaker 2>A cat.

0:43:33.360 --> 0:43:33.600
<v Speaker 3>On her?

0:43:33.719 --> 0:43:35.239
<v Speaker 4>What the fuck happened to Gwendolen?

0:43:35.560 --> 0:43:35.640
<v Speaker 3>Like?

0:43:35.719 --> 0:43:36.920
<v Speaker 4>Who wiped off her face?

0:43:37.200 --> 0:43:38.960
<v Speaker 6>I put her back the way she was, which was

0:43:39.080 --> 0:43:41.600
<v Speaker 6>kind of like on top of that murphy bed, sort

0:43:41.600 --> 0:43:44.359
<v Speaker 6>of behind other clutter and facing the wall.

0:43:44.480 --> 0:43:45.880
<v Speaker 3>I couldn't even look at her anymore.

0:43:46.640 --> 0:43:49.080
<v Speaker 4>She wasn't an active plaything at that point.

0:43:49.640 --> 0:43:52.520
<v Speaker 5>Your sister didn't really care about her, Yeah, no, exactly.

0:43:52.560 --> 0:43:55.239
<v Speaker 3>She was just like, you know, wow.

0:43:55.160 --> 0:43:57.040
<v Speaker 5>And then you had to butcher up, like when you

0:43:57.040 --> 0:43:59.360
<v Speaker 5>were done in the bathroom, come back out and butcher

0:43:59.480 --> 0:44:00.000
<v Speaker 5>up with your face.

0:44:00.000 --> 0:44:00.880
<v Speaker 7>Family, right.

0:44:02.440 --> 0:44:08.400
<v Speaker 6>That little both of my chest hairs out, you know, Wow,

0:44:08.800 --> 0:44:12.680
<v Speaker 6>scraped by Beard, my eight year old Beard All No,

0:44:13.000 --> 0:44:15.880
<v Speaker 6>But I have to say that that kind of mindset

0:44:16.040 --> 0:44:22.279
<v Speaker 6>where you understand your environment, you understand the unfairness of

0:44:22.320 --> 0:44:26.439
<v Speaker 6>your environment, and you figure out how to not let

0:44:26.440 --> 0:44:30.759
<v Speaker 6>that environment trap you. I think that at such an

0:44:30.800 --> 0:44:33.440
<v Speaker 6>early age serves me so well for the rest of

0:44:33.440 --> 0:44:35.279
<v Speaker 6>my life and for the rest of my career, you know,

0:44:35.920 --> 0:44:41.120
<v Speaker 6>because when a problem presents itself, now there's also a

0:44:41.200 --> 0:44:44.280
<v Speaker 6>whole bunch of solutions that come together with the problem.

0:44:44.520 --> 0:44:47.719
<v Speaker 6>In a way, it's just a matter of being creative

0:44:47.800 --> 0:44:51.600
<v Speaker 6>and also being detached from the things you're attached because

0:44:51.640 --> 0:44:54.040
<v Speaker 6>sometimes those things have to go. Yeah, there are tools

0:44:54.080 --> 0:44:55.000
<v Speaker 6>that really helped.

0:44:55.080 --> 0:44:57.319
<v Speaker 4>I think for pretty much everybody in this business too.

0:44:57.600 --> 0:45:00.600
<v Speaker 4>It is that sort of idea of problem solve. It's

0:45:00.640 --> 0:45:03.759
<v Speaker 4>that idea of, yeah, there's a way to figure this out.

0:45:04.520 --> 0:45:06.759
<v Speaker 4>But it's amazing that you were doing something at eight

0:45:07.360 --> 0:45:10.719
<v Speaker 4>that you went an oscar for that you you want

0:45:10.719 --> 0:45:13.080
<v Speaker 4>an oscar for, Gwendolyn. I mean you should have freaking

0:45:13.160 --> 0:45:14.000
<v Speaker 4>thanked Gwendolyn.

0:45:15.520 --> 0:45:19.960
<v Speaker 6>Just for the record, I would have, and I swear,

0:45:20.040 --> 0:45:23.719
<v Speaker 6>I mean, trust me. Because our oscars were during the pandemic,

0:45:24.040 --> 0:45:26.440
<v Speaker 6>there were rules about how many people could speak, because

0:45:26.600 --> 0:45:28.880
<v Speaker 6>after each speaker they had to change the ball of

0:45:28.920 --> 0:45:31.160
<v Speaker 6>the mic and stuff like that. So it came down

0:45:31.200 --> 0:45:33.560
<v Speaker 6>to us. Only one of us could speak. So it

0:45:33.640 --> 0:45:36.000
<v Speaker 6>was obvious, for obvious reasons, that it was not going

0:45:36.040 --> 0:45:36.400
<v Speaker 6>to be me.

0:45:36.719 --> 0:45:38.640
<v Speaker 4>We forgive you and go ahead blame COVID.

0:45:38.680 --> 0:45:42.760
<v Speaker 6>It's fine, but I do I think at My husband

0:45:43.040 --> 0:45:45.960
<v Speaker 6>wrote he was obsessed with writing my speech, right, and

0:45:46.000 --> 0:45:48.520
<v Speaker 6>I'm like, okay, write my speech. I'm not even sure

0:45:48.560 --> 0:45:50.439
<v Speaker 6>that I can speak, but go ahead. And it had

0:45:50.480 --> 0:45:52.440
<v Speaker 6>that in it, you know, it had the story of

0:45:52.520 --> 0:45:56.719
<v Speaker 6>like no, it was connecting the dots of this little kid, which,

0:45:56.760 --> 0:45:59.040
<v Speaker 6>by the way, had I fallen off of that thing,

0:45:59.080 --> 0:46:01.680
<v Speaker 6>I would have broken my neck. Oh my god, from

0:46:01.719 --> 0:46:04.839
<v Speaker 6>the window sill to the street. But I have just

0:46:04.880 --> 0:46:11.600
<v Speaker 6>to emphasize how dire a situation I was in, as

0:46:11.640 --> 0:46:14.359
<v Speaker 6>a gay boy that was just discovering that he was gay,

0:46:15.320 --> 0:46:17.960
<v Speaker 6>Falling off that ledge and breaking a leg and arm,

0:46:18.480 --> 0:46:22.400
<v Speaker 6>splitting my head open was less scary than having my

0:46:22.440 --> 0:46:25.759
<v Speaker 6>father running to me in the bathroom or find out

0:46:25.840 --> 0:46:31.000
<v Speaker 6>in any way. Absolutely, by eight years old, dying was

0:46:31.080 --> 0:46:33.800
<v Speaker 6>less scary than confronting my parents with the truth.

0:46:34.160 --> 0:46:35.640
<v Speaker 3>I mean essentially I.

0:46:35.560 --> 0:46:38.759
<v Speaker 4>Totally understand them. Wow, absolutely absolutely.

0:46:39.680 --> 0:46:43.320
<v Speaker 2>I just think what's also so amazing and that the relationships.

0:46:43.320 --> 0:46:46.319
<v Speaker 2>I mean, I first came to know you when you

0:46:46.360 --> 0:46:50.600
<v Speaker 2>were really on Kate Walsh, right, and you two are

0:46:50.680 --> 0:46:54.760
<v Speaker 2>very good friends. And you know you work so closely

0:46:54.840 --> 0:46:58.640
<v Speaker 2>with Viola Davis, and you did a bunch of us.

0:46:58.680 --> 0:47:02.239
<v Speaker 2>I think you did Bellamy and Me and Darby and

0:47:02.280 --> 0:47:05.600
<v Speaker 2>a bunch of people. But these women, You're like there,

0:47:06.280 --> 0:47:09.640
<v Speaker 2>person like, how does this become this thing?

0:47:09.880 --> 0:47:09.960
<v Speaker 3>Like?

0:47:10.760 --> 0:47:13.279
<v Speaker 2>How do you collaborate on so many different projects with

0:47:13.320 --> 0:47:18.560
<v Speaker 2>these incredible leading women who are such superstars in our industry.

0:47:18.239 --> 0:47:20.400
<v Speaker 4>Without them all killing each other to try to make

0:47:20.440 --> 0:47:22.520
<v Speaker 4>sure that they don't lose you.

0:47:22.560 --> 0:47:26.680
<v Speaker 2>No, Sergio's mine, Sergio's my, Sergio's mine exactly.

0:47:27.040 --> 0:47:28.880
<v Speaker 7>Gwendolen's like he's mine.

0:47:29.000 --> 0:47:34.640
<v Speaker 3>Yeah, exactly. The booming boys from Beyond the Graves. I

0:47:34.719 --> 0:47:35.000
<v Speaker 3>have no.

0:47:35.160 --> 0:47:36.919
<v Speaker 4>Features, noubt, but I.

0:47:36.840 --> 0:47:43.880
<v Speaker 3>Still have feeling I used to be pretty, you know, Katie.

0:47:43.920 --> 0:47:49.760
<v Speaker 6>The truth is, I go back to figuring out how

0:47:49.880 --> 0:47:54.480
<v Speaker 6>you want to experience your life. You may not approach

0:47:55.400 --> 0:47:58.400
<v Speaker 6>what's important to you the same way as another actor might,

0:47:58.480 --> 0:48:03.319
<v Speaker 6>and for me, I much more important to me is

0:48:03.440 --> 0:48:07.400
<v Speaker 6>to bring my authenticity and to just try to create

0:48:07.440 --> 0:48:10.200
<v Speaker 6>authentic relationships with the people that I work with. And

0:48:10.239 --> 0:48:13.320
<v Speaker 6>if I can't do that, I really have to seriously

0:48:13.360 --> 0:48:15.279
<v Speaker 6>think about whether or not it's worth it for me

0:48:15.360 --> 0:48:16.120
<v Speaker 6>to have this job.

0:48:16.440 --> 0:48:18.040
<v Speaker 3>That's how much I value.

0:48:18.239 --> 0:48:21.520
<v Speaker 6>My joy When I leave Hollywood, and I'm going to

0:48:21.560 --> 0:48:24.680
<v Speaker 6>put a nice bow on that experience. I wanted to

0:48:24.880 --> 0:48:29.120
<v Speaker 6>really be something I'm very proud of. I constantly want

0:48:29.160 --> 0:48:32.239
<v Speaker 6>to honor my inner child because he had it really tough,

0:48:32.280 --> 0:48:34.080
<v Speaker 6>and he had no one to talk to, there were

0:48:34.120 --> 0:48:38.200
<v Speaker 6>no allies for him. The fact that I was able

0:48:38.239 --> 0:48:41.959
<v Speaker 6>to do this, And so when I work with Viola,

0:48:42.040 --> 0:48:44.680
<v Speaker 6>I think I work with Viola because she and I

0:48:44.760 --> 0:48:48.080
<v Speaker 6>connect in a level that is outside of what I

0:48:48.120 --> 0:48:48.800
<v Speaker 6>do for her.

0:48:49.320 --> 0:48:49.560
<v Speaker 3>You know.

0:48:49.960 --> 0:48:52.200
<v Speaker 6>And also I think it's important also for her. I

0:48:52.200 --> 0:48:54.360
<v Speaker 6>think she could have a better makeup artist. Probably she

0:48:54.480 --> 0:48:57.480
<v Speaker 6>went out there and found it, but I think she

0:48:57.640 --> 0:49:00.000
<v Speaker 6>values what we have and so do I.

0:49:00.440 --> 0:49:02.440
<v Speaker 4>And I think the fact is that I mean obviously

0:49:02.480 --> 0:49:04.120
<v Speaker 4>with Viola, which he's written about too.

0:49:04.000 --> 0:49:06.080
<v Speaker 3>And yeah, a deep, deep.

0:49:05.880 --> 0:49:09.200
<v Speaker 4>Well of pain, and there is something about people who

0:49:09.239 --> 0:49:13.880
<v Speaker 4>understand what it means to survive and mean to figure

0:49:13.880 --> 0:49:16.719
<v Speaker 4>out ways of transforming your life in the way that

0:49:16.760 --> 0:49:17.440
<v Speaker 4>you want.

0:49:17.680 --> 0:49:21.560
<v Speaker 3>But never never sacrificing yourself, and never take it for granted.

0:49:21.600 --> 0:49:24.440
<v Speaker 4>Because I know, certainly we were joking about this the

0:49:24.520 --> 0:49:26.959
<v Speaker 4>other day, but it's like, I know, still I still

0:49:27.000 --> 0:49:30.360
<v Speaker 4>go to parties and there's free food. This is sad,

0:49:31.200 --> 0:49:33.520
<v Speaker 4>but I still always go like, wow, the food's free.

0:49:33.520 --> 0:49:37.600
<v Speaker 4>And then I wait, first, sure, like I'm so lucky,

0:49:37.719 --> 0:49:39.400
<v Speaker 4>Like how did I get here? And I'm like, wait

0:49:39.440 --> 0:49:41.560
<v Speaker 4>a second. You're five hundred years old, You've been earning

0:49:41.560 --> 0:49:43.920
<v Speaker 4>a living for five million years? What's wrong with you?

0:49:44.000 --> 0:49:46.480
<v Speaker 4>But it is that thing, and I think I feel

0:49:46.480 --> 0:49:49.200
<v Speaker 4>really lucky. I mean, I think that's the key.

0:49:49.600 --> 0:49:50.440
<v Speaker 3>Isn't that amazing?

0:49:50.480 --> 0:49:54.280
<v Speaker 6>I mean, I think tupping into that gratitude is fuel.

0:49:54.800 --> 0:49:57.359
<v Speaker 6>It doesn't end when you stop saying the thing you're

0:49:57.400 --> 0:50:00.560
<v Speaker 6>grateful for. That thing you're grateful for. You say it

0:50:00.600 --> 0:50:02.719
<v Speaker 6>out loud, and the first person to hear it is you.

0:50:03.400 --> 0:50:05.560
<v Speaker 6>And I'm telling you that fuel for the next time.

0:50:05.600 --> 0:50:08.279
<v Speaker 6>The next time you're in a situation, your awareness is

0:50:08.320 --> 0:50:11.719
<v Speaker 6>going to lead you to the gratitude and over and

0:50:11.760 --> 0:50:14.360
<v Speaker 6>over and over and over again until you string together

0:50:15.000 --> 0:50:20.080
<v Speaker 6>this incredible life of having been present, having been authentic

0:50:20.760 --> 0:50:25.439
<v Speaker 6>and I don't know, just joyful. You know, my career

0:50:25.480 --> 0:50:28.400
<v Speaker 6>in Hollywood fits my life and not the other way around.

0:50:29.160 --> 0:50:32.560
<v Speaker 2>Sergio, there is a book that we all need. I'm

0:50:32.680 --> 0:50:36.640
<v Speaker 2>super excited about it. Yeah, I mean, I'm sure people listening,

0:50:36.800 --> 0:50:39.719
<v Speaker 2>whatever your careers may be, I just feel like so

0:50:39.760 --> 0:50:42.480
<v Speaker 2>many of the things you say can be so useful

0:50:42.520 --> 0:50:44.160
<v Speaker 2>no matter what job you're trying.

0:50:44.600 --> 0:50:48.080
<v Speaker 6>Yeah, it is truly a privilege to work in this industry,

0:50:48.120 --> 0:50:51.040
<v Speaker 6>even though it has changed so much it's almost unrecognizable.

0:50:51.320 --> 0:50:54.640
<v Speaker 6>It's brutal. And the things that this industry has taught

0:50:54.719 --> 0:50:59.120
<v Speaker 6>us to value is how to work when you have

0:50:59.160 --> 0:51:03.480
<v Speaker 6>a one hundred for fever, how to sacrifice your sleep

0:51:03.560 --> 0:51:06.800
<v Speaker 6>for work, sacrifice your family for work, sacrifice your diet

0:51:06.840 --> 0:51:11.160
<v Speaker 6>for work, sacrifice your mobility for work, and praising everybody

0:51:11.200 --> 0:51:13.480
<v Speaker 6>that was able to do that. I'm sure you guys

0:51:13.520 --> 0:51:15.759
<v Speaker 6>know hundreds of stories of like can you imagine she

0:51:15.880 --> 0:51:18.920
<v Speaker 6>works with a fever? And the truth is that is

0:51:19.000 --> 0:51:21.799
<v Speaker 6>not good. That is not good because what it does

0:51:21.920 --> 0:51:25.440
<v Speaker 6>it removes our ability to be actual humans. You know,

0:51:26.520 --> 0:51:28.960
<v Speaker 6>it's a double edged sword because yes, of course you

0:51:29.000 --> 0:51:31.239
<v Speaker 6>want to be an ultimate professional, but you don't want

0:51:31.320 --> 0:51:33.440
<v Speaker 6>to you don't want to tell the world that it's

0:51:33.480 --> 0:51:34.560
<v Speaker 6>okay to treat you this way.

0:51:34.719 --> 0:51:38.120
<v Speaker 4>Yes, no, there's there's a thin line between sacrificing for

0:51:38.320 --> 0:51:43.160
<v Speaker 4>art and killing yourself, you know exactly. Yeah, that's really

0:51:43.200 --> 0:51:46.880
<v Speaker 4>well put. Well, this is what a joyous experience this

0:51:47.000 --> 0:51:48.640
<v Speaker 4>is podcast.

0:51:49.560 --> 0:51:52.200
<v Speaker 3>Gosh, that's a pleasure for me.

0:51:52.480 --> 0:51:53.680
<v Speaker 4>Thank you so much for this.

0:51:54.160 --> 0:51:56.760
<v Speaker 2>Really, we love you.

0:51:57.239 --> 0:51:58.960
<v Speaker 3>We love you guys so much.

0:52:08.480 --> 0:52:12.440
<v Speaker 2>Scandal is executive produced by Sandy Bailey, alex Alcea, Lauren Homan,

0:52:12.719 --> 0:52:16.480
<v Speaker 2>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:52:16.560 --> 0:52:20.200
<v Speaker 2>Vince de Johnny, with music by Chad Fisher. Unpacking the

0:52:20.200 --> 0:52:23.520
<v Speaker 2>Toolbox is a production of Shondaland Audio in partnership with iHeartRadio.

0:52:23.880 --> 0:52:27.439
<v Speaker 2>For more podcasts from Shondaland Audio, visit the iHeartRadio app

0:52:27.520 --> 0:52:34.680
<v Speaker 2>or anywhere you subscribe to your favorite shows.