WEBVTT - 5 | The Morning After

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<v Speaker 1>I was the bar right and then gave me a

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<v Speaker 1>preview of a concert and blew me away.

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<v Speaker 2>Okay, he's exaggerated.

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<v Speaker 3>He If Nico says you were great, then I believe him.

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<v Speaker 3>He's an honest guy.

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<v Speaker 4>There's a lot about this job that comes easy to me,

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<v Speaker 4>reading people, thinking on my feet, not being afraid to

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<v Speaker 4>get my hands dirty.

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<v Speaker 1>Where too? How was the sun set on the beach?

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<v Speaker 5>Sound perfect?

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<v Speaker 4>But there's one bad habit I haven't been able to

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<v Speaker 4>shake no matter how long I've been in this bus.

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<v Speaker 3>Want me to drop you off by the cove. Beautiful

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<v Speaker 3>sunsets there?

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<v Speaker 1>Yeah, that sounds good.

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<v Speaker 3>Appreciate it, bro, you know it.

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<v Speaker 1>I get too attached to people.

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<v Speaker 2>I hope it hasn't been boring waiting around for us

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<v Speaker 2>all day.

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<v Speaker 3>You're kidding. This is like a paid vacation for me,

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<v Speaker 3>Miss Thompson.

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<v Speaker 2>Please call me Anna.

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<v Speaker 1>Even though I know better, I still let people get

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<v Speaker 1>too close to me.

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<v Speaker 3>You too, enjoy now?

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<v Speaker 5>Thanks?

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<v Speaker 3>Diego anytime, Anna and close to me.

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<v Speaker 1>It's one of the most dangerous places somebody could be.

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<v Speaker 3>It's going well, huh.

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<v Speaker 1>Shit, I'll say, so. We shouldn't be too.

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<v Speaker 6>Long, I don't know.

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<v Speaker 3>Take your time man, can't hurry.

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<v Speaker 4>Love that being said, this is the one time where

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<v Speaker 4>the only place more dangerous than by my side is

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<v Speaker 4>out of my sight.

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<v Speaker 7>Yeah, crap, Nico, you forgot your phone? Niko man, m.

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<v Speaker 3>Okay, someone can take a hint. Uh no, figures? Uh Hello?

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<v Speaker 3>Can I ask who's calling?

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<v Speaker 8>Well, that all depends. Can I ask who's answering?

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<v Speaker 7>My name is Diego, mister Alexander's employee.

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<v Speaker 8>Seeing as Nicholas is my employee, I guess that makes

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<v Speaker 8>me your boss too.

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<v Speaker 3>Oh is this Marcus?

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<v Speaker 8>Sure is?

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<v Speaker 3>Wow, it's an honor to talk to you.

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<v Speaker 8>Man, don't tell me Nico has been talking about me

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<v Speaker 8>behind my bag. I like to maintain an error mystery.

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<v Speaker 3>Oh no, no, he just got me up to speed

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<v Speaker 3>so I could help a bit, you.

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<v Speaker 1>Know, with the job.

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<v Speaker 8>Of course, I'm glad he found someone he could rely

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<v Speaker 8>on on. There trust his everything is Nicholas there with you.

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<v Speaker 8>I'd really like to have a word with him.

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<v Speaker 3>He just took Anna down to the beach to watch

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<v Speaker 3>the sunset. He's really pulled out all the stuffs today.

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<v Speaker 3>You've met Hannah. Oh yeah, she's amazing.

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<v Speaker 8>No, I know, you know, I could use a little

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<v Speaker 8>vacation myself. Maybe I'll come down and join you.

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<v Speaker 3>Oh sure, I mean, the more the merrier, Well.

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<v Speaker 1>Diego was it? That's right, I'll let you get back

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<v Speaker 1>to it.

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<v Speaker 3>Did you want me to take a message for Nico

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<v Speaker 3>or anything?

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<v Speaker 5>Nah?

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<v Speaker 8>I'll see him soon.

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<v Speaker 1>And diego.

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<v Speaker 3>Yes, sir, I'd consider it.

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<v Speaker 8>A real favor if you didn't mention our conversation with Nicholas.

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<v Speaker 6>I want to surprise him.

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<v Speaker 3>Oh for sure, Man, I can keep a secret.

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<v Speaker 1>I can tell mm hmm.

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<v Speaker 6>Nice guy Underwater episode five, the morning after.

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<v Speaker 9>Drive that butchers on me? Who did you drop off?

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<v Speaker 1>What? G? G?

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<v Speaker 5>G was?

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<v Speaker 1>I was afraid you might have run off already.

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<v Speaker 10>I just realized how late we slept and thought I'd

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<v Speaker 10>got to move on. Besides, I gotta get my strength

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<v Speaker 10>back before I can run anywhere.

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<v Speaker 1>I'm guessing you don't want any company in that in?

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<v Speaker 2>Did I say that? Oh?

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<v Speaker 1>Is that an invitation?

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<v Speaker 2>Sure was? Just as long as we can take things

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<v Speaker 2>nice and slow, I could do that.

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<v Speaker 11>Tell me right now, you de only one honey, so

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<v Speaker 11>pay it. Put your hands, hold me, hold me? When

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<v Speaker 11>we did put your hands.

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<v Speaker 1>Why won't you just stay with me the all day?

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<v Speaker 1>Keep get going.

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<v Speaker 10>Don't tempt me. I've got big plans tonight. Remember hen

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<v Speaker 10>me a tell.

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<v Speaker 3>Thanks my pleasure.

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<v Speaker 1>How are you feeling about tonight?

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<v Speaker 2>Nervous as hell?

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<v Speaker 1>To be honest, would.

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<v Speaker 4>It help if I told you that you have absolutely

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<v Speaker 4>nothing to be nervous about.

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<v Speaker 1>I heard you singing.

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<v Speaker 2>That's just the thing.

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<v Speaker 10>I'm find singing in front of a person or two.

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<v Speaker 10>But I've never been in front of a crowd, like

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<v Speaker 10>what if I choke?

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<v Speaker 4>I just got to get in the right headspace somewhere

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<v Speaker 4>you feel safe.

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<v Speaker 2>You know where's that at?

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<v Speaker 1>Give me your phone?

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<v Speaker 3>Why give me your phone?

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<v Speaker 1>What shoul think of my Bugget? Is something.

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<v Speaker 5>Here?

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<v Speaker 12>Oh?

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<v Speaker 1>Damn? You do? Trust me?

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<v Speaker 2>Yeah? I guess so. Don't make me regret it.

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<v Speaker 1>You have my word.

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<v Speaker 4>Now go over there for a second. You might have

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<v Speaker 4>to get a little closer, might have to get a closer.

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<v Speaker 2>You really think you can show me something I haven't

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<v Speaker 2>seen before.

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<v Speaker 1>I know it. Here.

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<v Speaker 4>I left the voicemaimo for you. I'm sure you won't

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<v Speaker 4>need it. But if your nerves get the best of

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<v Speaker 4>you tonight, just take a listen.

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<v Speaker 2>Wow, would be careful, Nico. This is right on the

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<v Speaker 2>edge of corniness.

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<v Speaker 1>I live on the edge.

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<v Speaker 2>Wow, nice view you got.

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<v Speaker 1>I'm supposed to focus on the view while you're standing

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<v Speaker 1>here in the tower.

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<v Speaker 10>Okay, you already got me into bed and into the shower.

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<v Speaker 2>You can cool it with the compliments.

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<v Speaker 1>I don't think I can tell me what's on your mind.

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<v Speaker 10>It's just it's just wild. A few weeks ago, I

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<v Speaker 10>didn't know anything about this place. Now it feels like

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<v Speaker 10>I've never known anything else.

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<v Speaker 1>And has it lived up sher expectations the island.

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<v Speaker 10>I had no idea what to expect, you know, coming

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<v Speaker 10>down here. It certainly wasn't this, and it certainly wasn't you.

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<v Speaker 10>How am I supposed to just walk away from you

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<v Speaker 10>after all this?

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<v Speaker 4>We both have plenty of practice. I'm sure we'll figure

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<v Speaker 4>it out.

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<v Speaker 2>What if we didn't have to?

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<v Speaker 1>What you mean?

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<v Speaker 2>We could leave together?

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<v Speaker 11>Ah?

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<v Speaker 1>No?

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<v Speaker 10>The second my concert is over tonight, we could just

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<v Speaker 10>get on a place.

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<v Speaker 2>Why not? There's nothing for me.

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<v Speaker 10>Back in la I mean maybe I could come back

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<v Speaker 10>to New York with you.

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<v Speaker 4>No wherever you go from here, just don't let it

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<v Speaker 4>be New York, please.

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<v Speaker 3>Okay?

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<v Speaker 2>We could find somewhere else new together, you know, somewhere safe.

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<v Speaker 1>I'm not sure that place exists, not as long as

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<v Speaker 1>you would me.

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<v Speaker 5>Trust me.

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<v Speaker 10>If you knew where I was coming from, you wouldn't

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<v Speaker 10>want to go anywhere with me either.

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<v Speaker 5>Who is it.

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<v Speaker 1>My boss?

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<v Speaker 2>You can take it if you need to.

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<v Speaker 1>Yeah, I'll just give me a second.

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<v Speaker 2>Oh yeah, that's okay. I gotta go and get dressed anyway.

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<v Speaker 5>I'll be right back. You have one new wireless voice message.

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<v Speaker 13>What you don't answer? Your fucking fun anymore, Nicholas, I

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<v Speaker 13>just landed. I'm here on the island. Some new business

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<v Speaker 13>came up. Plus, I figured i'd help you finish.

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<v Speaker 8>The job since you did say you needed back up.

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<v Speaker 13>I'm swinging down at this.

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<v Speaker 8>You know I'll be there in twenty they'll be late.

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<v Speaker 1>You gotta get out of here.

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<v Speaker 10>Why you're afraid the housekeeping staff is gonna gossip about us?

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<v Speaker 1>This isn't a joke.

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<v Speaker 2>What was that call about?

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<v Speaker 1>It doesn't matter?

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<v Speaker 5>It matters to me, Nico.

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<v Speaker 2>Hey, after all this, you still don't trust me enough

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<v Speaker 2>to tell me the truth.

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<v Speaker 1>You'll be safer if you don't know bullshit?

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<v Speaker 5>Is this about your work?

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<v Speaker 2>Did something happen with your boss?

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<v Speaker 5>Is this why you have a gun?

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<v Speaker 1>We don't got time for this.

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<v Speaker 10>You've never told me anything about him.

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<v Speaker 2>If I knew, maybe I could help you.

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<v Speaker 1>Baby, you want to help now, go to your room,

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<v Speaker 1>grab what you can and leave.

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<v Speaker 10>I couldn't leave, even if I'm wanting to, Nigo, I

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<v Speaker 10>have my mom's concerts.

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<v Speaker 1>Forget about the concert?

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<v Speaker 4>What look Singing a few songs for your mom's fans

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<v Speaker 4>is not worth the risk?

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<v Speaker 2>Sounds familiar?

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<v Speaker 1>What are you talking about?

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<v Speaker 5>You're hardly the.

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<v Speaker 2>First person to try and talk me out of performing.

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<v Speaker 1>I'm just trying to keep you safe.

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<v Speaker 2>Yeah, I've heard that one before too.

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<v Speaker 9>Where are you going?

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<v Speaker 1>I wish I could tell you. I just need to

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<v Speaker 1>take care of this shit.

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<v Speaker 14>Does this have something to do with Matteo? Is that

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<v Speaker 14>who you're running off to to.

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<v Speaker 5>Take care of?

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<v Speaker 1>I can't get into this.

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<v Speaker 2>What do you think he was the one who broke in?

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<v Speaker 1>There's only one way to find out.

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<v Speaker 4>You really think that's a good idea, Anna, I told

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<v Speaker 4>you everything that I can.

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<v Speaker 1>What you do with that is on you?

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<v Speaker 14>Are you kidding me? You haven't told me anything? Nico away, Nico,

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<v Speaker 14>you weren't kidding. You are good at walking away, aren't you?

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<v Speaker 8>Hey?

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<v Speaker 15>Everything all right over here?

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<v Speaker 5>We're fine?

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<v Speaker 16>Sure?

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<v Speaker 15>About that moon seems kind of tense.

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<v Speaker 1>Keep walking, Gabriel, just don't concern you.

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<v Speaker 15>Oh, make that extremely tense. I'm sorry, I'm sorry. I

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<v Speaker 15>didn't mean to interrupt your lover's quarrel.

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<v Speaker 1>I don't I told you keep walking.

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<v Speaker 15>Jesus, what's the matter with you?

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<v Speaker 5>You're hurting him?

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<v Speaker 15>Go ahead, Okay, you made your point.

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<v Speaker 1>You got anything else to say? What was that?

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<v Speaker 5>Nothing?

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<v Speaker 1>That's what I.

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<v Speaker 2>Thought, Jesus, Nico, who are you?

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<v Speaker 1>Is better if you don't know?

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<v Speaker 6>Yeah, walk away, tough guy.

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<v Speaker 2>What the hell are you doing antagonizing him like that?

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<v Speaker 15>What's wrong? Didn't enjoy seeing your boyfriend's true colors?

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<v Speaker 5>Just now?

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<v Speaker 2>She's not my boyfriend.

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<v Speaker 15>Oh yeah, you could have fooled me.

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<v Speaker 12>But hey, maybe you're just as good an actress as

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<v Speaker 12>you are a singer. What you're a more talented performer

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<v Speaker 12>than you are an informant. You know that, that is

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<v Speaker 12>for sure. But hey, at least we got Nico talking

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<v Speaker 12>to his boss on the phone.

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<v Speaker 2>You were listening in on us.

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<v Speaker 12>I assumed you gathered as much. Hey, I heard you

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<v Speaker 12>pressing for information at the end. There, it's a nice effort.

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<v Speaker 12>How did you Surveillance is part of my job.

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<v Speaker 2>You're the one who broke in. You were listening all night.

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<v Speaker 12>Oh, don't be embarrassed, miss Thompson. I was purely professional

0:12:44.440 --> 0:12:44.880
<v Speaker 12>on my part.

0:12:44.960 --> 0:12:45.319
<v Speaker 5>Fuck you.

0:12:45.520 --> 0:12:49.040
<v Speaker 14>Oh, Nico's storming off to settle some blood feud because

0:12:49.040 --> 0:12:49.360
<v Speaker 14>of you.

0:12:49.960 --> 0:12:52.560
<v Speaker 5>He's gonna get himself hurt or why do you care?

0:12:54.679 --> 0:12:57.000
<v Speaker 15>Oh?

0:12:57.800 --> 0:12:59.760
<v Speaker 6>Oh, just just shut up.

0:13:00.000 --> 0:13:04.640
<v Speaker 2>Okay, I know Nico told me that I should get

0:13:04.640 --> 0:13:06.040
<v Speaker 2>off the island. Do you know why?

0:13:07.640 --> 0:13:11.720
<v Speaker 12>Not exactly, But honestly, I would not put too much

0:13:11.800 --> 0:13:15.760
<v Speaker 12>stock in what he says. Okay, I'm not sure he

0:13:15.840 --> 0:13:17.520
<v Speaker 12>has your best interests at heart.

0:13:17.720 --> 0:13:18.839
<v Speaker 2>What's that supposed to mean?

0:13:18.920 --> 0:13:22.720
<v Speaker 12>You can't get into details, might compromise the investigation.

0:13:23.480 --> 0:13:25.880
<v Speaker 10>Fine, can you at least tell me if you think

0:13:25.920 --> 0:13:27.439
<v Speaker 10>it's safe for me to perform.

0:13:27.080 --> 0:13:31.559
<v Speaker 12>Tonight, you're gonna have the FBI's full protection at the concert.

0:13:32.000 --> 0:13:33.320
<v Speaker 15>It doesn't get safer than.

0:13:33.160 --> 0:13:38.679
<v Speaker 2>That, Gabriel, How bad is it? Whatever Nico is mixed

0:13:38.760 --> 0:13:39.480
<v Speaker 2>up in with his.

0:13:39.360 --> 0:13:42.600
<v Speaker 12>Boss, I wouldn't worry about it.

0:13:42.600 --> 0:13:43.760
<v Speaker 15>It won't be a problem for.

0:13:43.760 --> 0:14:05.320
<v Speaker 5>Long here, Babe, Elena.

0:14:06.000 --> 0:14:08.280
<v Speaker 2>I don't think day drinking is going to help.

0:14:09.880 --> 0:14:10.080
<v Speaker 7>There.

0:14:10.880 --> 0:14:11.760
<v Speaker 5>Now it's a mimosa.

0:14:12.440 --> 0:14:13.520
<v Speaker 2>I'm good with coffee.

0:14:14.040 --> 0:14:14.800
<v Speaker 5>More for me than.

0:14:18.440 --> 0:14:20.520
<v Speaker 2>Ah delightful?

0:14:21.800 --> 0:14:22.760
<v Speaker 5>Is espresso? Okay?

0:14:23.760 --> 0:14:25.840
<v Speaker 2>That's fine, I just need something to help clear my

0:14:25.880 --> 0:14:26.440
<v Speaker 2>head a little.

0:14:26.640 --> 0:14:29.560
<v Speaker 5>Sure, it's your head, that's you issue, seems more like

0:14:29.600 --> 0:14:30.000
<v Speaker 5>your heart.

0:14:30.960 --> 0:14:33.080
<v Speaker 2>Girl, I'm not about to start listening to my heart

0:14:33.160 --> 0:14:35.440
<v Speaker 2>right now. I never ensile.

0:14:35.760 --> 0:14:37.160
<v Speaker 5>Well, I'm happy to listen.

0:14:37.200 --> 0:14:39.960
<v Speaker 2>I've been told I give great advice. Yeah, you don't

0:14:39.960 --> 0:14:42.080
<v Speaker 2>want to hear about the mess I've gotten myself into

0:14:42.720 --> 0:14:43.360
<v Speaker 2>you kidding?

0:14:43.880 --> 0:14:46.080
<v Speaker 5>Hearing about people's messes is the best part of my job.

0:14:46.440 --> 0:14:48.760
<v Speaker 2>Trust me, I'm doing you a favor.

0:14:49.000 --> 0:14:50.920
<v Speaker 5>Give me a hint at least.

0:14:51.040 --> 0:14:51.800
<v Speaker 2>All Right, how's this?

0:14:52.640 --> 0:14:55.280
<v Speaker 10>I have no idea who I can trust anymore, or

0:14:55.360 --> 0:14:56.800
<v Speaker 10>even if I can trust myself.

0:14:59.440 --> 0:15:00.440
<v Speaker 3>I feel so lost.

0:15:01.000 --> 0:15:03.880
<v Speaker 2>Well, what do you usually do when you feel lost?

0:15:04.400 --> 0:15:08.680
<v Speaker 2>I usually talk to my mom. That's not an.

0:15:08.600 --> 0:15:09.440
<v Speaker 1>Option, so.

0:15:11.400 --> 0:15:13.880
<v Speaker 5>Maybe not in the way it used to be. There's

0:15:13.920 --> 0:15:15.479
<v Speaker 5>more than one way to connect with someone.

0:15:15.280 --> 0:15:17.760
<v Speaker 2>Right, Uh, if you whip out a Wiji board or

0:15:17.760 --> 0:15:18.640
<v Speaker 2>something right now, I.

0:15:18.640 --> 0:15:19.400
<v Speaker 1>Sort of got.

0:15:21.000 --> 0:15:22.440
<v Speaker 6>Not what I had in mind.

0:15:24.280 --> 0:15:27.840
<v Speaker 10>Your concerts in right, Yeah, it's in a couple hours,

0:15:28.280 --> 0:15:29.720
<v Speaker 10>So just go and focus on your music.

0:15:30.840 --> 0:15:32.880
<v Speaker 2>If there's any way to get in touch with your mom,

0:15:32.880 --> 0:15:33.640
<v Speaker 2>I bet that's it.

0:15:34.360 --> 0:15:35.000
<v Speaker 3>I'll try.

0:15:36.520 --> 0:15:37.440
<v Speaker 2>Thanks for the coffee.

0:15:37.640 --> 0:15:38.240
<v Speaker 5>You gotta bed.

0:15:47.000 --> 0:15:49.120
<v Speaker 12>Hey, you've reached Diego, Leave a message and I'll call

0:15:49.160 --> 0:15:51.320
<v Speaker 12>you back, or you know, maybe just text me like

0:15:51.360 --> 0:15:52.080
<v Speaker 12>a normal person.

0:15:52.480 --> 0:15:53.320
<v Speaker 1>What the hell are you?

0:15:53.400 --> 0:15:53.640
<v Speaker 8>Man?

0:15:54.360 --> 0:15:55.920
<v Speaker 1>I've called you three fucking times.

0:15:56.280 --> 0:15:57.920
<v Speaker 4>I honest, you'd be gone by now, but I want

0:15:57.960 --> 0:16:00.120
<v Speaker 4>you to go to her room just in case I

0:16:00.160 --> 0:16:03.320
<v Speaker 4>gotta go take care someday, but promise me you won't

0:16:03.400 --> 0:16:06.520
<v Speaker 4>let anything happen or when I'm going Sebastian.

0:16:08.560 --> 0:16:10.280
<v Speaker 13>Good afternoon, mister Alexander.

0:16:10.320 --> 0:16:11.000
<v Speaker 5>Anything I can.

0:16:10.880 --> 0:16:11.360
<v Speaker 3>Help you with?

0:16:11.520 --> 0:16:12.560
<v Speaker 1>Do you know where Diego is?

0:16:13.760 --> 0:16:16.800
<v Speaker 13>He won't be in until later today, but I'd be

0:16:16.920 --> 0:16:18.960
<v Speaker 13>happy to arrange another driver for you.

0:16:19.240 --> 0:16:20.960
<v Speaker 1>That's okay, I've got another rock.

0:16:22.400 --> 0:16:30.720
<v Speaker 13>Very well, sir, have a wonderful day.

0:16:33.400 --> 0:16:37.480
<v Speaker 1>Since when do you drive? I'm full of surprises. You

0:16:37.560 --> 0:16:40.240
<v Speaker 1>want me to take over? He's island Rose, ain't no joke.

0:16:40.560 --> 0:16:48.680
<v Speaker 1>I got her under control. You're getting in so you

0:16:48.760 --> 0:16:50.600
<v Speaker 1>wanna tell me what this business is? When you attend

0:16:50.680 --> 0:16:55.200
<v Speaker 1>to just a routine drop off? You got your gun?

0:16:56.440 --> 0:16:57.000
<v Speaker 1>Of course?

0:16:57.200 --> 0:16:59.320
<v Speaker 3>Good handed?

0:16:59.480 --> 0:17:00.160
<v Speaker 13>Or what?

0:17:00.480 --> 0:17:01.160
<v Speaker 1>Wait? Why you won't?

0:17:01.160 --> 0:17:02.680
<v Speaker 6>Massie couldn't travel with mine?

0:17:04.040 --> 0:17:06.880
<v Speaker 1>They're gonna be a problem. Nah, Nah, Nah, that's cool.

0:17:07.680 --> 0:17:10.359
<v Speaker 8>Thanks, I owe you.

0:17:12.440 --> 0:17:29.879
<v Speaker 1>The fuck was that? That's just the cargo. Why are

0:17:29.880 --> 0:17:33.880
<v Speaker 1>we stopping? Because we're here at the.

0:17:33.840 --> 0:17:45.280
<v Speaker 16>Beach, so we're making the drop here.

0:17:46.280 --> 0:17:47.200
<v Speaker 1>You could say that.

0:17:51.119 --> 0:18:06.280
<v Speaker 9>Diego Hm drives on me.

0:18:19.240 --> 0:18:22.359
<v Speaker 17>Underwater is an Interval Presents original production with Temple Hill

0:18:22.480 --> 0:18:27.399
<v Speaker 17>Entertainment and Klamor, starring Jason Derulo and Alexandra Shipp. Written

0:18:27.440 --> 0:18:30.560
<v Speaker 17>by Katrina Day, directed by Pat Kelly and Chris Kelly.

0:18:31.240 --> 0:18:36.040
<v Speaker 17>Executive producer Jason Derulo, executive producers from Interval Presents, Alan

0:18:36.080 --> 0:18:39.760
<v Speaker 17>Coy and Jay Kleinberg, executive producers from Temple Hill Entertainment,

0:18:40.240 --> 0:18:44.560
<v Speaker 17>Marty Bowen, Wit Godfrey and Alex Addison executive producers from Klamor.

0:18:45.000 --> 0:18:50.080
<v Speaker 17>Rich Statterer, Aaron Hilliard, Adam Reynolds and Alison Chano. Executive

0:18:50.119 --> 0:18:54.520
<v Speaker 17>produced by Katrina Day. Executive producer from Future History Frank Harris.

0:18:55.200 --> 0:19:00.159
<v Speaker 17>Special thanks to Henri De Sources, Marketing Lead Samara still Ess,

0:19:00.320 --> 0:19:04.920
<v Speaker 17>Development Lead Cheffy Ellen Sweg Maggie and Operations Leader Sarah You.

0:19:05.400 --> 0:19:07.280
<v Speaker 1>Post Production audio services.

0:19:06.880 --> 0:19:10.520
<v Speaker 17>By Kelly and Kelly, Sound design and mixed by Paul Teteskin.

0:19:11.240 --> 0:19:15.399
<v Speaker 17>Dialogue edited by Max Collins. Original music by Genevieve Vincent.

0:19:15.640 --> 0:19:19.400
<v Speaker 17>Songs arranged by Genevieve Vincent. The cast includes Jason Derulo

0:19:19.440 --> 0:19:23.120
<v Speaker 17>as Nico, Alexander Ship as Anna Kerry Alexander as bank

0:19:23.160 --> 0:19:26.720
<v Speaker 17>teller and additional voices. Bo Bridgeland is Jordan, Michael Darry

0:19:26.760 --> 0:19:30.359
<v Speaker 17>as credit reader and additional voices, Anisia Dubois Dahlia and

0:19:30.480 --> 0:19:34.400
<v Speaker 17>Young Dahlia, Andrew Frankel as stranger in additional voices, Walter

0:19:34.480 --> 0:19:38.160
<v Speaker 17>Gray the Fourth as male tourist and additional voices, Melissa

0:19:38.160 --> 0:19:42.480
<v Speaker 17>Greenspan as female tourist and additional voices, Alice Hunter as Elena,

0:19:43.119 --> 0:19:48.000
<v Speaker 17>Jeremy Jordan as Gabriel, Josh Keaton as Matteo, Tara Langela

0:19:48.160 --> 0:19:52.320
<v Speaker 17>as female guest and additional voices, Jonathan Leon as Young Matteo,

0:19:52.800 --> 0:19:56.880
<v Speaker 17>Donnis Leonard Junior as Elias Parker, James log as young Boy,

0:19:57.240 --> 0:20:01.800
<v Speaker 17>Emily Martinez as Carman, Michael McLoone as Marcus, Carlo Renata

0:20:01.960 --> 0:20:06.439
<v Speaker 17>as bartender, John Carlos Sabagal as Diego, David Shadraw as

0:20:06.520 --> 0:20:10.919
<v Speaker 17>male guest and additional voices. Andre Segluso as Sebastian, Cameron

0:20:11.000 --> 0:20:14.280
<v Speaker 17>Jay Wright as young Nico and Hannah Zamora as Mia.

0:20:14.840 --> 0:20:18.679
<v Speaker 17>Produced by Lillian Holman, post produced by Justin Scho and

0:20:18.760 --> 0:20:23.720
<v Speaker 17>Lauren Berkovich. Associate producer Erica Lowe. Music supervision by Melanie Mitchell.

0:20:24.000 --> 0:20:28.680
<v Speaker 17>Music clearances by Deborah Mannis Gardner DMG Clearances Incorporated. Audio

0:20:28.760 --> 0:20:31.880
<v Speaker 17>engineered by Ian Fogerty and Ed mcintee at Gold Diggers,

0:20:32.240 --> 0:20:34.879
<v Speaker 17>Brett Tuban at the Relic Room and Jordan Sweet at

0:20:34.920 --> 0:20:39.959
<v Speaker 17>Challis Recording Studio. Assistant engineered by Derek Mcroane and Amber Reserti.

0:20:40.840 --> 0:20:45.040
<v Speaker 17>Vocal coaching by Bianca Blush Atterberg. Casting by Malice Gusenhauer,

0:20:45.160 --> 0:20:49.200
<v Speaker 17>Sibi Kersch and Brentegata. Additional casting by Melissa Berger, Brennan,

0:20:49.520 --> 0:20:51.880
<v Speaker 17>Salem Everett and Scott Forbes at CESDS.

0:20:51.920 --> 0:20:52.160
<v Speaker 1>Healed.

0:20:52.920 --> 0:20:58.639
<v Speaker 17>Script supervisor Tamara Black, Production supervisor Lizzie sam Production coordinators

0:20:58.720 --> 0:21:04.439
<v Speaker 17>Ethan Aronson and show production assistants Chelsea Perry and Samara Malik.

0:21:04.960 --> 0:21:09.600
<v Speaker 17>Additional special thanks to Riley Fulsom and Maxim Carlick. Underwater

0:21:09.880 --> 0:21:13.240
<v Speaker 17>was recorded at Gold Diggers in Los Angeles, California, Chellis

0:21:13.280 --> 0:21:16.720
<v Speaker 17>Recording Studio in Los Angeles, California, and the Relic Room

0:21:16.840 --> 0:21:17.320
<v Speaker 17>in New York.

0:21:17.359 --> 0:21:17.760
<v Speaker 1>New York.

0:21:18.840 --> 0:21:22.760
<v Speaker 17>Make sure to follow Underwater and listen on Apple Podcasts, Spotify,

0:21:23.160 --> 0:21:27.920
<v Speaker 17>Amazon Music, Sirius XM, or wherever you get your podcasts.