1 00:00:28,560 --> 00:00:31,200 Speaker 1: I was the bar right and then gave me a 2 00:00:31,240 --> 00:00:33,760 Speaker 1: preview of a concert and blew me away. 3 00:00:34,440 --> 00:00:36,320 Speaker 2: Okay, he's exaggerated. 4 00:00:36,760 --> 00:00:39,559 Speaker 3: He If Nico says you were great, then I believe him. 5 00:00:39,720 --> 00:00:40,640 Speaker 3: He's an honest guy. 6 00:00:42,440 --> 00:00:44,559 Speaker 4: There's a lot about this job that comes easy to me, 7 00:00:45,440 --> 00:00:48,960 Speaker 4: reading people, thinking on my feet, not being afraid to 8 00:00:48,960 --> 00:00:49,880 Speaker 4: get my hands dirty. 9 00:00:49,960 --> 00:00:52,959 Speaker 1: Where too? How was the sun set on the beach? 10 00:00:53,040 --> 00:00:54,080 Speaker 5: Sound perfect? 11 00:00:55,360 --> 00:00:57,720 Speaker 4: But there's one bad habit I haven't been able to 12 00:00:57,720 --> 00:00:59,920 Speaker 4: shake no matter how long I've been in this bus. 13 00:01:00,200 --> 00:01:02,920 Speaker 3: Want me to drop you off by the cove. Beautiful 14 00:01:02,960 --> 00:01:03,640 Speaker 3: sunsets there? 15 00:01:03,960 --> 00:01:05,440 Speaker 1: Yeah, that sounds good. 16 00:01:05,560 --> 00:01:06,960 Speaker 3: Appreciate it, bro, you know it. 17 00:01:07,440 --> 00:01:08,720 Speaker 1: I get too attached to people. 18 00:01:08,840 --> 00:01:10,800 Speaker 2: I hope it hasn't been boring waiting around for us 19 00:01:10,840 --> 00:01:11,200 Speaker 2: all day. 20 00:01:11,480 --> 00:01:13,959 Speaker 3: You're kidding. This is like a paid vacation for me, 21 00:01:13,959 --> 00:01:14,600 Speaker 3: Miss Thompson. 22 00:01:15,040 --> 00:01:16,559 Speaker 2: Please call me Anna. 23 00:01:18,720 --> 00:01:21,720 Speaker 1: Even though I know better, I still let people get 24 00:01:21,760 --> 00:01:22,440 Speaker 1: too close to me. 25 00:01:25,480 --> 00:01:26,600 Speaker 3: You too, enjoy now? 26 00:01:26,800 --> 00:01:27,119 Speaker 5: Thanks? 27 00:01:27,120 --> 00:01:30,800 Speaker 3: Diego anytime, Anna and close to me. 28 00:01:31,720 --> 00:01:34,200 Speaker 1: It's one of the most dangerous places somebody could be. 29 00:01:35,280 --> 00:01:37,640 Speaker 3: It's going well, huh. 30 00:01:37,080 --> 00:01:39,679 Speaker 1: Shit, I'll say, so. We shouldn't be too. 31 00:01:39,600 --> 00:01:40,320 Speaker 6: Long, I don't know. 32 00:01:40,480 --> 00:01:42,520 Speaker 3: Take your time man, can't hurry. 33 00:01:42,560 --> 00:01:46,720 Speaker 4: Love that being said, this is the one time where 34 00:01:46,720 --> 00:01:49,360 Speaker 4: the only place more dangerous than by my side is 35 00:01:49,360 --> 00:01:50,040 Speaker 4: out of my sight. 36 00:01:50,880 --> 00:02:04,240 Speaker 7: Yeah, crap, Nico, you forgot your phone? Niko man, m. 37 00:02:06,840 --> 00:02:14,920 Speaker 3: Okay, someone can take a hint. Uh no, figures? Uh Hello? 38 00:02:15,360 --> 00:02:16,800 Speaker 3: Can I ask who's calling? 39 00:02:17,440 --> 00:02:21,960 Speaker 8: Well, that all depends. Can I ask who's answering? 40 00:02:22,160 --> 00:02:26,400 Speaker 7: My name is Diego, mister Alexander's employee. 41 00:02:28,400 --> 00:02:32,280 Speaker 8: Seeing as Nicholas is my employee, I guess that makes 42 00:02:32,320 --> 00:02:34,000 Speaker 8: me your boss too. 43 00:02:34,320 --> 00:02:36,960 Speaker 3: Oh is this Marcus? 44 00:02:37,000 --> 00:02:37,520 Speaker 8: Sure is? 45 00:02:37,919 --> 00:02:40,040 Speaker 3: Wow, it's an honor to talk to you. 46 00:02:40,160 --> 00:02:44,360 Speaker 8: Man, don't tell me Nico has been talking about me 47 00:02:44,440 --> 00:02:48,280 Speaker 8: behind my bag. I like to maintain an error mystery. 48 00:02:48,560 --> 00:02:51,079 Speaker 3: Oh no, no, he just got me up to speed 49 00:02:51,120 --> 00:02:52,760 Speaker 3: so I could help a bit, you. 50 00:02:52,720 --> 00:02:54,200 Speaker 1: Know, with the job. 51 00:02:54,639 --> 00:02:59,400 Speaker 8: Of course, I'm glad he found someone he could rely 52 00:02:59,560 --> 00:03:05,720 Speaker 8: on on. There trust his everything is Nicholas there with you. 53 00:03:06,160 --> 00:03:07,760 Speaker 8: I'd really like to have a word with him. 54 00:03:07,840 --> 00:03:09,880 Speaker 3: He just took Anna down to the beach to watch 55 00:03:09,919 --> 00:03:14,040 Speaker 3: the sunset. He's really pulled out all the stuffs today. 56 00:03:14,680 --> 00:03:17,600 Speaker 3: You've met Hannah. Oh yeah, she's amazing. 57 00:03:18,040 --> 00:03:22,040 Speaker 8: No, I know, you know, I could use a little 58 00:03:22,120 --> 00:03:25,400 Speaker 8: vacation myself. Maybe I'll come down and join you. 59 00:03:25,560 --> 00:03:30,320 Speaker 3: Oh sure, I mean, the more the merrier, Well. 60 00:03:32,320 --> 00:03:36,800 Speaker 1: Diego was it? That's right, I'll let you get back 61 00:03:36,840 --> 00:03:37,040 Speaker 1: to it. 62 00:03:38,920 --> 00:03:40,640 Speaker 3: Did you want me to take a message for Nico 63 00:03:40,960 --> 00:03:41,400 Speaker 3: or anything? 64 00:03:41,840 --> 00:03:42,040 Speaker 5: Nah? 65 00:03:42,800 --> 00:03:43,920 Speaker 8: I'll see him soon. 66 00:03:45,440 --> 00:03:46,120 Speaker 1: And diego. 67 00:03:46,480 --> 00:03:48,520 Speaker 3: Yes, sir, I'd consider it. 68 00:03:48,480 --> 00:03:52,320 Speaker 8: A real favor if you didn't mention our conversation with Nicholas. 69 00:03:53,080 --> 00:03:54,240 Speaker 6: I want to surprise him. 70 00:03:54,440 --> 00:03:56,600 Speaker 3: Oh for sure, Man, I can keep a secret. 71 00:03:58,120 --> 00:04:00,480 Speaker 1: I can tell mm hmm. 72 00:04:02,440 --> 00:04:20,719 Speaker 6: Nice guy Underwater episode five, the morning after. 73 00:04:29,440 --> 00:04:46,039 Speaker 9: Drive that butchers on me? Who did you drop off? 74 00:04:47,760 --> 00:04:48,919 Speaker 1: What? G? G? 75 00:04:48,839 --> 00:04:49,240 Speaker 5: G was? 76 00:04:54,920 --> 00:04:56,680 Speaker 1: I was afraid you might have run off already. 77 00:04:57,839 --> 00:04:59,960 Speaker 10: I just realized how late we slept and thought I'd 78 00:05:00,000 --> 00:05:03,520 Speaker 10: got to move on. Besides, I gotta get my strength 79 00:05:03,520 --> 00:05:04,960 Speaker 10: back before I can run anywhere. 80 00:05:06,360 --> 00:05:08,160 Speaker 1: I'm guessing you don't want any company in that in? 81 00:05:08,480 --> 00:05:10,520 Speaker 2: Did I say that? Oh? 82 00:05:10,680 --> 00:05:11,520 Speaker 1: Is that an invitation? 83 00:05:12,160 --> 00:05:14,960 Speaker 2: Sure was? Just as long as we can take things 84 00:05:15,080 --> 00:05:17,479 Speaker 2: nice and slow, I could do that. 85 00:05:21,000 --> 00:05:28,159 Speaker 11: Tell me right now, you de only one honey, so 86 00:05:28,400 --> 00:05:36,360 Speaker 11: pay it. Put your hands, hold me, hold me? When 87 00:05:36,400 --> 00:05:46,920 Speaker 11: we did put your hands. 88 00:05:50,120 --> 00:05:51,680 Speaker 1: Why won't you just stay with me the all day? 89 00:05:52,360 --> 00:05:53,239 Speaker 1: Keep get going. 90 00:05:54,680 --> 00:05:58,040 Speaker 10: Don't tempt me. I've got big plans tonight. Remember hen 91 00:05:58,120 --> 00:05:58,680 Speaker 10: me a tell. 92 00:06:03,760 --> 00:06:05,960 Speaker 3: Thanks my pleasure. 93 00:06:06,920 --> 00:06:08,040 Speaker 1: How are you feeling about tonight? 94 00:06:09,200 --> 00:06:09,920 Speaker 2: Nervous as hell? 95 00:06:09,960 --> 00:06:11,480 Speaker 1: To be honest, would. 96 00:06:11,279 --> 00:06:13,560 Speaker 4: It help if I told you that you have absolutely 97 00:06:13,600 --> 00:06:14,760 Speaker 4: nothing to be nervous about. 98 00:06:15,640 --> 00:06:16,520 Speaker 1: I heard you singing. 99 00:06:17,000 --> 00:06:17,760 Speaker 2: That's just the thing. 100 00:06:18,400 --> 00:06:20,320 Speaker 10: I'm find singing in front of a person or two. 101 00:06:20,440 --> 00:06:22,919 Speaker 10: But I've never been in front of a crowd, like 102 00:06:24,440 --> 00:06:25,240 Speaker 10: what if I choke? 103 00:06:25,600 --> 00:06:27,880 Speaker 4: I just got to get in the right headspace somewhere 104 00:06:27,920 --> 00:06:28,720 Speaker 4: you feel safe. 105 00:06:28,920 --> 00:06:30,960 Speaker 2: You know where's that at? 106 00:06:31,920 --> 00:06:32,560 Speaker 1: Give me your phone? 107 00:06:32,760 --> 00:06:36,200 Speaker 3: Why give me your phone? 108 00:06:36,440 --> 00:06:38,120 Speaker 1: What shoul think of my Bugget? Is something. 109 00:06:40,200 --> 00:06:40,599 Speaker 5: Here? 110 00:06:41,240 --> 00:06:41,480 Speaker 12: Oh? 111 00:06:41,600 --> 00:06:43,760 Speaker 1: Damn? You do? Trust me? 112 00:06:44,120 --> 00:06:47,360 Speaker 2: Yeah? I guess so. Don't make me regret it. 113 00:06:47,600 --> 00:06:48,760 Speaker 1: You have my word. 114 00:06:49,480 --> 00:06:56,600 Speaker 4: Now go over there for a second. You might have 115 00:06:56,640 --> 00:06:58,599 Speaker 4: to get a little closer, might have to get a closer. 116 00:06:58,760 --> 00:07:01,119 Speaker 2: You really think you can show me something I haven't 117 00:07:01,160 --> 00:07:01,840 Speaker 2: seen before. 118 00:07:03,240 --> 00:07:07,320 Speaker 1: I know it. Here. 119 00:07:08,320 --> 00:07:10,800 Speaker 4: I left the voicemaimo for you. I'm sure you won't 120 00:07:10,800 --> 00:07:12,880 Speaker 4: need it. But if your nerves get the best of 121 00:07:12,920 --> 00:07:14,880 Speaker 4: you tonight, just take a listen. 122 00:07:15,960 --> 00:07:18,480 Speaker 2: Wow, would be careful, Nico. This is right on the 123 00:07:18,560 --> 00:07:19,600 Speaker 2: edge of corniness. 124 00:07:20,200 --> 00:07:22,480 Speaker 1: I live on the edge. 125 00:07:23,560 --> 00:07:26,080 Speaker 2: Wow, nice view you got. 126 00:07:28,280 --> 00:07:30,160 Speaker 1: I'm supposed to focus on the view while you're standing 127 00:07:30,200 --> 00:07:30,880 Speaker 1: here in the tower. 128 00:07:31,080 --> 00:07:34,600 Speaker 10: Okay, you already got me into bed and into the shower. 129 00:07:34,640 --> 00:07:36,080 Speaker 2: You can cool it with the compliments. 130 00:07:36,400 --> 00:07:43,200 Speaker 1: I don't think I can tell me what's on your mind. 131 00:07:43,600 --> 00:07:47,440 Speaker 10: It's just it's just wild. A few weeks ago, I 132 00:07:47,440 --> 00:07:51,080 Speaker 10: didn't know anything about this place. Now it feels like 133 00:07:51,080 --> 00:07:52,480 Speaker 10: I've never known anything else. 134 00:07:52,800 --> 00:07:56,080 Speaker 1: And has it lived up sher expectations the island. 135 00:07:56,520 --> 00:07:59,320 Speaker 10: I had no idea what to expect, you know, coming 136 00:07:59,400 --> 00:08:06,640 Speaker 10: down here. It certainly wasn't this, and it certainly wasn't you. 137 00:08:08,760 --> 00:08:10,400 Speaker 10: How am I supposed to just walk away from you 138 00:08:10,480 --> 00:08:11,080 Speaker 10: after all this? 139 00:08:11,880 --> 00:08:14,560 Speaker 4: We both have plenty of practice. I'm sure we'll figure 140 00:08:14,560 --> 00:08:14,840 Speaker 4: it out. 141 00:08:15,200 --> 00:08:16,200 Speaker 2: What if we didn't have to? 142 00:08:16,840 --> 00:08:17,400 Speaker 1: What you mean? 143 00:08:17,520 --> 00:08:18,440 Speaker 2: We could leave together? 144 00:08:19,120 --> 00:08:19,280 Speaker 11: Ah? 145 00:08:19,360 --> 00:08:19,400 Speaker 1: No? 146 00:08:19,640 --> 00:08:22,120 Speaker 10: The second my concert is over tonight, we could just 147 00:08:22,160 --> 00:08:22,840 Speaker 10: get on a place. 148 00:08:24,280 --> 00:08:26,240 Speaker 2: Why not? There's nothing for me. 149 00:08:26,240 --> 00:08:29,080 Speaker 10: Back in la I mean maybe I could come back 150 00:08:29,120 --> 00:08:30,160 Speaker 10: to New York with you. 151 00:08:30,200 --> 00:08:34,480 Speaker 4: No wherever you go from here, just don't let it 152 00:08:34,520 --> 00:08:36,640 Speaker 4: be New York, please. 153 00:08:37,440 --> 00:08:37,800 Speaker 3: Okay? 154 00:08:38,520 --> 00:08:41,320 Speaker 2: We could find somewhere else new together, you know, somewhere safe. 155 00:08:41,880 --> 00:08:46,960 Speaker 1: I'm not sure that place exists, not as long as 156 00:08:46,960 --> 00:08:47,360 Speaker 1: you would me. 157 00:08:48,000 --> 00:08:48,480 Speaker 5: Trust me. 158 00:08:49,440 --> 00:08:51,240 Speaker 10: If you knew where I was coming from, you wouldn't 159 00:08:51,240 --> 00:08:52,600 Speaker 10: want to go anywhere with me either. 160 00:08:53,840 --> 00:08:54,560 Speaker 5: Who is it. 161 00:08:55,920 --> 00:08:56,480 Speaker 1: My boss? 162 00:08:59,120 --> 00:09:01,000 Speaker 2: You can take it if you need to. 163 00:09:01,360 --> 00:09:04,040 Speaker 1: Yeah, I'll just give me a second. 164 00:09:04,280 --> 00:09:07,600 Speaker 2: Oh yeah, that's okay. I gotta go and get dressed anyway. 165 00:09:10,440 --> 00:09:19,040 Speaker 5: I'll be right back. You have one new wireless voice message. 166 00:09:19,520 --> 00:09:22,880 Speaker 13: What you don't answer? Your fucking fun anymore, Nicholas, I 167 00:09:23,000 --> 00:09:26,920 Speaker 13: just landed. I'm here on the island. Some new business 168 00:09:26,960 --> 00:09:30,040 Speaker 13: came up. Plus, I figured i'd help you finish. 169 00:09:29,840 --> 00:09:32,640 Speaker 8: The job since you did say you needed back up. 170 00:09:33,559 --> 00:09:34,560 Speaker 13: I'm swinging down at this. 171 00:09:34,840 --> 00:09:37,880 Speaker 8: You know I'll be there in twenty they'll be late. 172 00:09:41,440 --> 00:09:42,360 Speaker 1: You gotta get out of here. 173 00:09:42,520 --> 00:09:45,760 Speaker 10: Why you're afraid the housekeeping staff is gonna gossip about us? 174 00:09:45,880 --> 00:09:46,640 Speaker 1: This isn't a joke. 175 00:09:47,160 --> 00:09:48,160 Speaker 2: What was that call about? 176 00:09:48,240 --> 00:09:48,880 Speaker 1: It doesn't matter? 177 00:09:49,000 --> 00:09:50,320 Speaker 5: It matters to me, Nico. 178 00:09:51,280 --> 00:09:53,520 Speaker 2: Hey, after all this, you still don't trust me enough 179 00:09:53,559 --> 00:09:54,360 Speaker 2: to tell me the truth. 180 00:09:54,440 --> 00:09:56,440 Speaker 1: You'll be safer if you don't know bullshit? 181 00:09:57,200 --> 00:09:58,080 Speaker 5: Is this about your work? 182 00:09:58,120 --> 00:09:59,520 Speaker 2: Did something happen with your boss? 183 00:10:00,000 --> 00:10:01,280 Speaker 5: Is this why you have a gun? 184 00:10:01,360 --> 00:10:02,240 Speaker 1: We don't got time for this. 185 00:10:02,440 --> 00:10:04,440 Speaker 10: You've never told me anything about him. 186 00:10:04,800 --> 00:10:06,920 Speaker 2: If I knew, maybe I could help you. 187 00:10:06,960 --> 00:10:09,200 Speaker 1: Baby, you want to help now, go to your room, 188 00:10:09,480 --> 00:10:11,040 Speaker 1: grab what you can and leave. 189 00:10:11,440 --> 00:10:14,080 Speaker 10: I couldn't leave, even if I'm wanting to, Nigo, I 190 00:10:14,160 --> 00:10:15,280 Speaker 10: have my mom's concerts. 191 00:10:15,320 --> 00:10:16,400 Speaker 1: Forget about the concert? 192 00:10:16,800 --> 00:10:20,000 Speaker 4: What look Singing a few songs for your mom's fans 193 00:10:20,520 --> 00:10:21,560 Speaker 4: is not worth the risk? 194 00:10:22,040 --> 00:10:22,880 Speaker 2: Sounds familiar? 195 00:10:22,960 --> 00:10:23,800 Speaker 1: What are you talking about? 196 00:10:24,000 --> 00:10:24,679 Speaker 5: You're hardly the. 197 00:10:24,600 --> 00:10:26,640 Speaker 2: First person to try and talk me out of performing. 198 00:10:26,920 --> 00:10:28,440 Speaker 1: I'm just trying to keep you safe. 199 00:10:28,600 --> 00:10:30,240 Speaker 2: Yeah, I've heard that one before too. 200 00:10:30,760 --> 00:10:31,720 Speaker 9: Where are you going? 201 00:10:32,360 --> 00:10:34,520 Speaker 1: I wish I could tell you. I just need to 202 00:10:34,520 --> 00:10:35,280 Speaker 1: take care of this shit. 203 00:10:35,520 --> 00:10:37,600 Speaker 14: Does this have something to do with Matteo? Is that 204 00:10:37,640 --> 00:10:38,959 Speaker 14: who you're running off to to. 205 00:10:39,040 --> 00:10:39,680 Speaker 5: Take care of? 206 00:10:39,920 --> 00:10:40,920 Speaker 1: I can't get into this. 207 00:10:41,200 --> 00:10:43,040 Speaker 2: What do you think he was the one who broke in? 208 00:10:43,440 --> 00:10:44,800 Speaker 1: There's only one way to find out. 209 00:10:45,720 --> 00:10:48,360 Speaker 4: You really think that's a good idea, Anna, I told 210 00:10:48,400 --> 00:10:49,400 Speaker 4: you everything that I can. 211 00:10:49,840 --> 00:10:51,240 Speaker 1: What you do with that is on you? 212 00:10:51,400 --> 00:11:07,040 Speaker 14: Are you kidding me? You haven't told me anything? Nico away, Nico, 213 00:11:08,760 --> 00:11:11,679 Speaker 14: you weren't kidding. You are good at walking away, aren't you? 214 00:11:12,120 --> 00:11:12,360 Speaker 8: Hey? 215 00:11:12,440 --> 00:11:13,680 Speaker 15: Everything all right over here? 216 00:11:14,360 --> 00:11:15,000 Speaker 5: We're fine? 217 00:11:15,320 --> 00:11:15,520 Speaker 16: Sure? 218 00:11:15,559 --> 00:11:17,280 Speaker 15: About that moon seems kind of tense. 219 00:11:17,400 --> 00:11:19,760 Speaker 1: Keep walking, Gabriel, just don't concern you. 220 00:11:19,800 --> 00:11:24,719 Speaker 15: Oh, make that extremely tense. I'm sorry, I'm sorry. I 221 00:11:24,760 --> 00:11:26,480 Speaker 15: didn't mean to interrupt your lover's quarrel. 222 00:11:26,559 --> 00:11:30,400 Speaker 1: I don't I told you keep walking. 223 00:11:31,760 --> 00:11:33,000 Speaker 15: Jesus, what's the matter with you? 224 00:11:34,520 --> 00:11:35,600 Speaker 5: You're hurting him? 225 00:11:36,160 --> 00:11:38,079 Speaker 15: Go ahead, Okay, you made your point. 226 00:11:38,400 --> 00:11:41,560 Speaker 1: You got anything else to say? What was that? 227 00:11:42,720 --> 00:11:43,800 Speaker 5: Nothing? 228 00:11:44,040 --> 00:11:44,559 Speaker 1: That's what I. 229 00:11:44,520 --> 00:11:48,320 Speaker 2: Thought, Jesus, Nico, who are you? 230 00:11:48,679 --> 00:11:49,600 Speaker 1: Is better if you don't know? 231 00:11:52,760 --> 00:11:54,520 Speaker 6: Yeah, walk away, tough guy. 232 00:11:54,960 --> 00:11:57,200 Speaker 2: What the hell are you doing antagonizing him like that? 233 00:11:58,800 --> 00:12:02,280 Speaker 15: What's wrong? Didn't enjoy seeing your boyfriend's true colors? 234 00:12:02,320 --> 00:12:02,640 Speaker 5: Just now? 235 00:12:02,800 --> 00:12:03,959 Speaker 2: She's not my boyfriend. 236 00:12:04,280 --> 00:12:05,840 Speaker 15: Oh yeah, you could have fooled me. 237 00:12:05,960 --> 00:12:09,719 Speaker 12: But hey, maybe you're just as good an actress as 238 00:12:09,720 --> 00:12:13,520 Speaker 12: you are a singer. What you're a more talented performer 239 00:12:13,840 --> 00:12:16,200 Speaker 12: than you are an informant. You know that, that is 240 00:12:16,240 --> 00:12:18,760 Speaker 12: for sure. But hey, at least we got Nico talking 241 00:12:18,760 --> 00:12:19,800 Speaker 12: to his boss on the phone. 242 00:12:20,240 --> 00:12:21,520 Speaker 2: You were listening in on us. 243 00:12:22,960 --> 00:12:26,040 Speaker 12: I assumed you gathered as much. Hey, I heard you 244 00:12:26,080 --> 00:12:29,160 Speaker 12: pressing for information at the end. There, it's a nice effort. 245 00:12:29,360 --> 00:12:32,640 Speaker 12: How did you Surveillance is part of my job. 246 00:12:33,760 --> 00:12:39,560 Speaker 2: You're the one who broke in. You were listening all night. 247 00:12:39,840 --> 00:12:44,400 Speaker 12: Oh, don't be embarrassed, miss Thompson. I was purely professional 248 00:12:44,440 --> 00:12:44,880 Speaker 12: on my part. 249 00:12:44,960 --> 00:12:45,319 Speaker 5: Fuck you. 250 00:12:45,520 --> 00:12:49,040 Speaker 14: Oh, Nico's storming off to settle some blood feud because 251 00:12:49,040 --> 00:12:49,360 Speaker 14: of you. 252 00:12:49,960 --> 00:12:52,560 Speaker 5: He's gonna get himself hurt or why do you care? 253 00:12:54,679 --> 00:12:57,000 Speaker 15: Oh? 254 00:12:57,800 --> 00:12:59,760 Speaker 6: Oh, just just shut up. 255 00:13:00,000 --> 00:13:04,640 Speaker 2: Okay, I know Nico told me that I should get 256 00:13:04,640 --> 00:13:06,040 Speaker 2: off the island. Do you know why? 257 00:13:07,640 --> 00:13:11,720 Speaker 12: Not exactly, But honestly, I would not put too much 258 00:13:11,800 --> 00:13:15,760 Speaker 12: stock in what he says. Okay, I'm not sure he 259 00:13:15,840 --> 00:13:17,520 Speaker 12: has your best interests at heart. 260 00:13:17,720 --> 00:13:18,839 Speaker 2: What's that supposed to mean? 261 00:13:18,920 --> 00:13:22,720 Speaker 12: You can't get into details, might compromise the investigation. 262 00:13:23,480 --> 00:13:25,880 Speaker 10: Fine, can you at least tell me if you think 263 00:13:25,920 --> 00:13:27,439 Speaker 10: it's safe for me to perform. 264 00:13:27,080 --> 00:13:31,559 Speaker 12: Tonight, you're gonna have the FBI's full protection at the concert. 265 00:13:32,000 --> 00:13:33,320 Speaker 15: It doesn't get safer than. 266 00:13:33,160 --> 00:13:38,679 Speaker 2: That, Gabriel, How bad is it? Whatever Nico is mixed 267 00:13:38,760 --> 00:13:39,480 Speaker 2: up in with his. 268 00:13:39,360 --> 00:13:42,600 Speaker 12: Boss, I wouldn't worry about it. 269 00:13:42,600 --> 00:13:43,760 Speaker 15: It won't be a problem for. 270 00:13:43,760 --> 00:14:05,320 Speaker 5: Long here, Babe, Elena. 271 00:14:06,000 --> 00:14:08,280 Speaker 2: I don't think day drinking is going to help. 272 00:14:09,880 --> 00:14:10,080 Speaker 7: There. 273 00:14:10,880 --> 00:14:11,760 Speaker 5: Now it's a mimosa. 274 00:14:12,440 --> 00:14:13,520 Speaker 2: I'm good with coffee. 275 00:14:14,040 --> 00:14:14,800 Speaker 5: More for me than. 276 00:14:18,440 --> 00:14:20,520 Speaker 2: Ah delightful? 277 00:14:21,800 --> 00:14:22,760 Speaker 5: Is espresso? Okay? 278 00:14:23,760 --> 00:14:25,840 Speaker 2: That's fine, I just need something to help clear my 279 00:14:25,880 --> 00:14:26,440 Speaker 2: head a little. 280 00:14:26,640 --> 00:14:29,560 Speaker 5: Sure, it's your head, that's you issue, seems more like 281 00:14:29,600 --> 00:14:30,000 Speaker 5: your heart. 282 00:14:30,960 --> 00:14:33,080 Speaker 2: Girl, I'm not about to start listening to my heart 283 00:14:33,160 --> 00:14:35,440 Speaker 2: right now. I never ensile. 284 00:14:35,760 --> 00:14:37,160 Speaker 5: Well, I'm happy to listen. 285 00:14:37,200 --> 00:14:39,960 Speaker 2: I've been told I give great advice. Yeah, you don't 286 00:14:39,960 --> 00:14:42,080 Speaker 2: want to hear about the mess I've gotten myself into 287 00:14:42,720 --> 00:14:43,360 Speaker 2: you kidding? 288 00:14:43,880 --> 00:14:46,080 Speaker 5: Hearing about people's messes is the best part of my job. 289 00:14:46,440 --> 00:14:48,760 Speaker 2: Trust me, I'm doing you a favor. 290 00:14:49,000 --> 00:14:50,920 Speaker 5: Give me a hint at least. 291 00:14:51,040 --> 00:14:51,800 Speaker 2: All Right, how's this? 292 00:14:52,640 --> 00:14:55,280 Speaker 10: I have no idea who I can trust anymore, or 293 00:14:55,360 --> 00:14:56,800 Speaker 10: even if I can trust myself. 294 00:14:59,440 --> 00:15:00,440 Speaker 3: I feel so lost. 295 00:15:01,000 --> 00:15:03,880 Speaker 2: Well, what do you usually do when you feel lost? 296 00:15:04,400 --> 00:15:08,680 Speaker 2: I usually talk to my mom. That's not an. 297 00:15:08,600 --> 00:15:09,440 Speaker 1: Option, so. 298 00:15:11,400 --> 00:15:13,880 Speaker 5: Maybe not in the way it used to be. There's 299 00:15:13,920 --> 00:15:15,479 Speaker 5: more than one way to connect with someone. 300 00:15:15,280 --> 00:15:17,760 Speaker 2: Right, Uh, if you whip out a Wiji board or 301 00:15:17,760 --> 00:15:18,640 Speaker 2: something right now, I. 302 00:15:18,640 --> 00:15:19,400 Speaker 1: Sort of got. 303 00:15:21,000 --> 00:15:22,440 Speaker 6: Not what I had in mind. 304 00:15:24,280 --> 00:15:27,840 Speaker 10: Your concerts in right, Yeah, it's in a couple hours, 305 00:15:28,280 --> 00:15:29,720 Speaker 10: So just go and focus on your music. 306 00:15:30,840 --> 00:15:32,880 Speaker 2: If there's any way to get in touch with your mom, 307 00:15:32,880 --> 00:15:33,640 Speaker 2: I bet that's it. 308 00:15:34,360 --> 00:15:35,000 Speaker 3: I'll try. 309 00:15:36,520 --> 00:15:37,440 Speaker 2: Thanks for the coffee. 310 00:15:37,640 --> 00:15:38,240 Speaker 5: You gotta bed. 311 00:15:47,000 --> 00:15:49,120 Speaker 12: Hey, you've reached Diego, Leave a message and I'll call 312 00:15:49,160 --> 00:15:51,320 Speaker 12: you back, or you know, maybe just text me like 313 00:15:51,360 --> 00:15:52,080 Speaker 12: a normal person. 314 00:15:52,480 --> 00:15:53,320 Speaker 1: What the hell are you? 315 00:15:53,400 --> 00:15:53,640 Speaker 8: Man? 316 00:15:54,360 --> 00:15:55,920 Speaker 1: I've called you three fucking times. 317 00:15:56,280 --> 00:15:57,920 Speaker 4: I honest, you'd be gone by now, but I want 318 00:15:57,960 --> 00:16:00,120 Speaker 4: you to go to her room just in case I 319 00:16:00,160 --> 00:16:03,320 Speaker 4: gotta go take care someday, but promise me you won't 320 00:16:03,400 --> 00:16:06,520 Speaker 4: let anything happen or when I'm going Sebastian. 321 00:16:08,560 --> 00:16:10,280 Speaker 13: Good afternoon, mister Alexander. 322 00:16:10,320 --> 00:16:11,000 Speaker 5: Anything I can. 323 00:16:10,880 --> 00:16:11,360 Speaker 3: Help you with? 324 00:16:11,520 --> 00:16:12,560 Speaker 1: Do you know where Diego is? 325 00:16:13,760 --> 00:16:16,800 Speaker 13: He won't be in until later today, but I'd be 326 00:16:16,920 --> 00:16:18,960 Speaker 13: happy to arrange another driver for you. 327 00:16:19,240 --> 00:16:20,960 Speaker 1: That's okay, I've got another rock. 328 00:16:22,400 --> 00:16:30,720 Speaker 13: Very well, sir, have a wonderful day. 329 00:16:33,400 --> 00:16:37,480 Speaker 1: Since when do you drive? I'm full of surprises. You 330 00:16:37,560 --> 00:16:40,240 Speaker 1: want me to take over? He's island Rose, ain't no joke. 331 00:16:40,560 --> 00:16:48,680 Speaker 1: I got her under control. You're getting in so you 332 00:16:48,760 --> 00:16:50,600 Speaker 1: wanna tell me what this business is? When you attend 333 00:16:50,680 --> 00:16:55,200 Speaker 1: to just a routine drop off? You got your gun? 334 00:16:56,440 --> 00:16:57,000 Speaker 1: Of course? 335 00:16:57,200 --> 00:16:59,320 Speaker 3: Good handed? 336 00:16:59,480 --> 00:17:00,160 Speaker 13: Or what? 337 00:17:00,480 --> 00:17:01,160 Speaker 1: Wait? Why you won't? 338 00:17:01,160 --> 00:17:02,680 Speaker 6: Massie couldn't travel with mine? 339 00:17:04,040 --> 00:17:06,880 Speaker 1: They're gonna be a problem. Nah, Nah, Nah, that's cool. 340 00:17:07,680 --> 00:17:10,359 Speaker 8: Thanks, I owe you. 341 00:17:12,440 --> 00:17:29,879 Speaker 1: The fuck was that? That's just the cargo. Why are 342 00:17:29,880 --> 00:17:33,880 Speaker 1: we stopping? Because we're here at the. 343 00:17:33,840 --> 00:17:45,280 Speaker 16: Beach, so we're making the drop here. 344 00:17:46,280 --> 00:17:47,200 Speaker 1: You could say that. 345 00:17:51,119 --> 00:18:06,280 Speaker 9: Diego Hm drives on me. 346 00:18:19,240 --> 00:18:22,359 Speaker 17: Underwater is an Interval Presents original production with Temple Hill 347 00:18:22,480 --> 00:18:27,399 Speaker 17: Entertainment and Klamor, starring Jason Derulo and Alexandra Shipp. Written 348 00:18:27,440 --> 00:18:30,560 Speaker 17: by Katrina Day, directed by Pat Kelly and Chris Kelly. 349 00:18:31,240 --> 00:18:36,040 Speaker 17: Executive producer Jason Derulo, executive producers from Interval Presents, Alan 350 00:18:36,080 --> 00:18:39,760 Speaker 17: Coy and Jay Kleinberg, executive producers from Temple Hill Entertainment, 351 00:18:40,240 --> 00:18:44,560 Speaker 17: Marty Bowen, Wit Godfrey and Alex Addison executive producers from Klamor. 352 00:18:45,000 --> 00:18:50,080 Speaker 17: Rich Statterer, Aaron Hilliard, Adam Reynolds and Alison Chano. Executive 353 00:18:50,119 --> 00:18:54,520 Speaker 17: produced by Katrina Day. Executive producer from Future History Frank Harris. 354 00:18:55,200 --> 00:19:00,159 Speaker 17: Special thanks to Henri De Sources, Marketing Lead Samara still Ess, 355 00:19:00,320 --> 00:19:04,920 Speaker 17: Development Lead Cheffy Ellen Sweg Maggie and Operations Leader Sarah You. 356 00:19:05,400 --> 00:19:07,280 Speaker 1: Post Production audio services. 357 00:19:06,880 --> 00:19:10,520 Speaker 17: By Kelly and Kelly, Sound design and mixed by Paul Teteskin. 358 00:19:11,240 --> 00:19:15,399 Speaker 17: Dialogue edited by Max Collins. Original music by Genevieve Vincent. 359 00:19:15,640 --> 00:19:19,400 Speaker 17: Songs arranged by Genevieve Vincent. The cast includes Jason Derulo 360 00:19:19,440 --> 00:19:23,120 Speaker 17: as Nico, Alexander Ship as Anna Kerry Alexander as bank 361 00:19:23,160 --> 00:19:26,720 Speaker 17: teller and additional voices. Bo Bridgeland is Jordan, Michael Darry 362 00:19:26,760 --> 00:19:30,359 Speaker 17: as credit reader and additional voices, Anisia Dubois Dahlia and 363 00:19:30,480 --> 00:19:34,400 Speaker 17: Young Dahlia, Andrew Frankel as stranger in additional voices, Walter 364 00:19:34,480 --> 00:19:38,160 Speaker 17: Gray the Fourth as male tourist and additional voices, Melissa 365 00:19:38,160 --> 00:19:42,480 Speaker 17: Greenspan as female tourist and additional voices, Alice Hunter as Elena, 366 00:19:43,119 --> 00:19:48,000 Speaker 17: Jeremy Jordan as Gabriel, Josh Keaton as Matteo, Tara Langela 367 00:19:48,160 --> 00:19:52,320 Speaker 17: as female guest and additional voices, Jonathan Leon as Young Matteo, 368 00:19:52,800 --> 00:19:56,880 Speaker 17: Donnis Leonard Junior as Elias Parker, James log as young Boy, 369 00:19:57,240 --> 00:20:01,800 Speaker 17: Emily Martinez as Carman, Michael McLoone as Marcus, Carlo Renata 370 00:20:01,960 --> 00:20:06,439 Speaker 17: as bartender, John Carlos Sabagal as Diego, David Shadraw as 371 00:20:06,520 --> 00:20:10,919 Speaker 17: male guest and additional voices. Andre Segluso as Sebastian, Cameron 372 00:20:11,000 --> 00:20:14,280 Speaker 17: Jay Wright as young Nico and Hannah Zamora as Mia. 373 00:20:14,840 --> 00:20:18,679 Speaker 17: Produced by Lillian Holman, post produced by Justin Scho and 374 00:20:18,760 --> 00:20:23,720 Speaker 17: Lauren Berkovich. Associate producer Erica Lowe. Music supervision by Melanie Mitchell. 375 00:20:24,000 --> 00:20:28,680 Speaker 17: Music clearances by Deborah Mannis Gardner DMG Clearances Incorporated. Audio 376 00:20:28,760 --> 00:20:31,880 Speaker 17: engineered by Ian Fogerty and Ed mcintee at Gold Diggers, 377 00:20:32,240 --> 00:20:34,879 Speaker 17: Brett Tuban at the Relic Room and Jordan Sweet at 378 00:20:34,920 --> 00:20:39,959 Speaker 17: Challis Recording Studio. Assistant engineered by Derek Mcroane and Amber Reserti. 379 00:20:40,840 --> 00:20:45,040 Speaker 17: Vocal coaching by Bianca Blush Atterberg. Casting by Malice Gusenhauer, 380 00:20:45,160 --> 00:20:49,200 Speaker 17: Sibi Kersch and Brentegata. Additional casting by Melissa Berger, Brennan, 381 00:20:49,520 --> 00:20:51,880 Speaker 17: Salem Everett and Scott Forbes at CESDS. 382 00:20:51,920 --> 00:20:52,160 Speaker 1: Healed. 383 00:20:52,920 --> 00:20:58,639 Speaker 17: Script supervisor Tamara Black, Production supervisor Lizzie sam Production coordinators 384 00:20:58,720 --> 00:21:04,439 Speaker 17: Ethan Aronson and show production assistants Chelsea Perry and Samara Malik. 385 00:21:04,960 --> 00:21:09,600 Speaker 17: Additional special thanks to Riley Fulsom and Maxim Carlick. Underwater 386 00:21:09,880 --> 00:21:13,240 Speaker 17: was recorded at Gold Diggers in Los Angeles, California, Chellis 387 00:21:13,280 --> 00:21:16,720 Speaker 17: Recording Studio in Los Angeles, California, and the Relic Room 388 00:21:16,840 --> 00:21:17,320 Speaker 17: in New York. 389 00:21:17,359 --> 00:21:17,760 Speaker 1: New York. 390 00:21:18,840 --> 00:21:22,760 Speaker 17: Make sure to follow Underwater and listen on Apple Podcasts, Spotify, 391 00:21:23,160 --> 00:21:27,920 Speaker 17: Amazon Music, Sirius XM, or wherever you get your podcasts.