WEBVTT - All About Sydney ("Single White Sister" S1 EP 19)

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And Daphne's Aniga an iHeartRadio podcast.

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<v Speaker 3>Hello, everybody, welcome, is Still the Place and our very

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<v Speaker 3>special guest start Joseph Bessett.

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<v Speaker 4>Yay, Hi, everybody, so excited to have you for Laura's

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<v Speaker 4>first episode, episode nineteen.

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<v Speaker 3>And first of all, we have to take a moment

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<v Speaker 3>to address what's going on in LA, which is obviously

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<v Speaker 3>these horrible, horrible fires. We can't go on without at

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<v Speaker 3>least acknowledging what's going on. How are you guys doing.

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<v Speaker 5>I'm still evacuated, as you guys know.

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<v Speaker 2>I'm looking every morning and then even in the middle

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<v Speaker 2>of the night, I look up on my emergency website

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<v Speaker 2>to see if you know, they've opened up.

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<v Speaker 5>But they've opened up, but.

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<v Speaker 2>You know, the flames are out, but all of that

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<v Speaker 2>fire and that he builds up, you know, I've heard

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<v Speaker 2>underground and in the brush and in the tree roots,

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<v Speaker 2>and these firemen are so meticulous about making sure it's

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<v Speaker 2>one hundred thousand percent safe before they send people back

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<v Speaker 2>up into these areas.

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<v Speaker 5>So we'll just see.

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<v Speaker 2>I just trust some and we're just lucky we have

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<v Speaker 2>We're staying at a friend's house.

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<v Speaker 5>But I know it's so hard on people.

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<v Speaker 2>I have friends who are my neighbors are just like,

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<v Speaker 2>they're in airbnbs, they're in hotels, and it's just really hard.

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<v Speaker 5>And I have we all have.

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<v Speaker 2>Friends who have lost homes, and you know, it's a

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<v Speaker 2>weird state of mind, isn't it.

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<v Speaker 5>I don't know about everyone else, but it's like one minute.

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<v Speaker 2>I'm just like ugh, the other minute, I'm like, oh,

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<v Speaker 2>I have to help, And the other minute I'm like,

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<v Speaker 2>I'm exhausted.

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<v Speaker 5>What just happened. It's very surreal.

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<v Speaker 3>Yeah, it's strange to be in the middle. I'm evacuated too,

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<v Speaker 3>but you know, my house seems to be okay. I

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<v Speaker 3>won't quite believe it till i'm there, because it's been

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<v Speaker 3>a long time and very stressful. And you're right, it's

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<v Speaker 3>like whether your house survived or didn't work community, and

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<v Speaker 3>there's been such extraordinary loss. There's also been such an

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<v Speaker 3>extraordinary outpouring of care and love and attention, and we're

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<v Speaker 3>all coming together and meeting where we can, and as

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<v Speaker 3>people find places to live, I'm seeing that that they're

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<v Speaker 3>doing better. People are resilient, but it's going to be

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<v Speaker 3>a long road. I mean, we're all in shock, I'm saying,

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<v Speaker 3>in the next town over and I'm like, wait, life

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<v Speaker 3>is going on. It's so weird, right because there's so

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<v Speaker 3>much devastation here and then here I'm going to Target.

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<v Speaker 3>It's so strange. But like I said, I'm really touched

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<v Speaker 3>by the outpouring of love and support and people sending

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<v Speaker 3>clothes and companies, like so many companies are saying come

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<v Speaker 3>take whatever you want, like people are.

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<v Speaker 1>That part is moving.

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<v Speaker 5>It's easy to think of la as not really a

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<v Speaker 5>commune the Tea.

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<v Speaker 2>It's easy to think of it as spread out and

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<v Speaker 2>everyone's doing their own thing, and everyone has different cities

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<v Speaker 2>and neighborhoods, and no one knows what the each other

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<v Speaker 2>is doing.

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<v Speaker 5>And I am very.

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<v Speaker 2>Touched at how people from all over coming to help

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<v Speaker 2>the people in the Palisades and Alta Dina they eating fire, but.

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<v Speaker 3>Yeah, the firefighters from all over that's been extraordinary.

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<v Speaker 2>Mexico, Canada, South Africa. Yeah, my sister in law said, Dallas,

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<v Speaker 2>they're leaving us, they're coming to you.

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<v Speaker 5>You know, It's amazing.

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<v Speaker 6>A humans are so resilient when when we have to

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<v Speaker 6>be in workforce into a situation like.

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<v Speaker 5>This, we're resilient and we yeah, you know.

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<v Speaker 6>I know what you mean about the community aspect, because

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<v Speaker 6>when I lived in La I moved a lot because

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<v Speaker 6>I felt like, God, I don't feel like a sense

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<v Speaker 6>of community like I felt at home. Of course, whenever

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<v Speaker 6>home is always going to be home. So I ended

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<v Speaker 6>up in the palis and mile House has gone, my

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<v Speaker 6>sense preschool has gone. So when I see that aerial shot,

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<v Speaker 6>it's like, what like how like the village the village

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<v Speaker 6>Gelson's like, it's just really hard to wrap your head around.

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<v Speaker 6>So to hear that the communities coming together is just

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<v Speaker 6>so so beautiful and humans helping humans it is.

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<v Speaker 3>And the thing is like wherever we are the tune.

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<v Speaker 3>I went into the Gelsons at Century City yesterday. I

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<v Speaker 3>used to go to one of the palisades and they've

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<v Speaker 3>moved some of the checkers there, and one song, I

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<v Speaker 3>just went Courtney. We just ran up to each other

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<v Speaker 3>and hugged. It's like you see people right like, oh,

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<v Speaker 3>we're here, We're okay. And there was loss of life, obviously,

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<v Speaker 3>but considering how much property was lost and the devastation,

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<v Speaker 3>it's incredible how many people have survived. Right that you know,

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<v Speaker 3>I'm here with my ex and my son and all

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<v Speaker 3>of our dogs and we're together and we just think,

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<v Speaker 3>you know what, that's what you rebuild from here, Like

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<v Speaker 3>you know what, I mean, so many friends of law

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<v Speaker 3>so much but they're still here. And we really shown

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<v Speaker 3>up for each other, Like the amount of checking up

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<v Speaker 3>on each other and keeping up. I mean, you guys

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<v Speaker 3>have been so in touch. It's so moving, like you

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<v Speaker 3>really do feel cared for and I'm so happy to

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<v Speaker 3>be here.

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<v Speaker 7>You talked Courtney about it being like this is what's

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<v Speaker 7>going on in LA. But the feeling of like you

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<v Speaker 7>can just step just a little bit outside and it

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<v Speaker 7>doesn't and it feels like it's a completely different experience.

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<v Speaker 7>Even you know, down in Orange County or something. It

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<v Speaker 7>just you're not in it in the same way as

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<v Speaker 7>it is in LA. And so we also, I think

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<v Speaker 7>the idea that these disasters happen around the country, around

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<v Speaker 7>the world, you know, when we see them on the

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<v Speaker 7>news and you and you can only relate sort of

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<v Speaker 7>so much to it in an empathetic and like horrified way,

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<v Speaker 7>but like when you're in it, it's just such a

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<v Speaker 7>different experience and like that realization that that's what goes on.

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<v Speaker 6>All the time, you know, I know what you mean, Laura.

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<v Speaker 7>Having fires and stuff and hurricanes and tornadoes and the devastation.

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<v Speaker 8>And the loss and and so.

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<v Speaker 7>You know, we're in this area that just experienced it,

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<v Speaker 7>but it's just one of many.

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<v Speaker 3>Yeah, it's almost like our turn. I was looking at

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<v Speaker 3>the pictures of the Palatines thinking, oh, this looks like

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<v Speaker 3>those tornado pictures right where one side of the street

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<v Speaker 3>is gone and then there's a house and you go, oh,

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<v Speaker 3>and you really is that sense of it's clearly not

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<v Speaker 3>just us. But you're right, if you really internalize it,

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<v Speaker 3>it increases your empathy. You go, oh, I have a

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<v Speaker 3>little bit more understanding of what it's like. Like we've

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<v Speaker 3>been watching the floods and they watch the fires. It's

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<v Speaker 3>like this or the earthquakes, and you go, like, Japan

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<v Speaker 3>donated a lot of money to relief, and we watch,

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<v Speaker 3>you know, we share earthquakes with Japan, right, And you go, oh,

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<v Speaker 3>that's right. We are, We really are. We all suffer

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<v Speaker 3>the same. This is what we're going through now, and

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<v Speaker 3>then we get the help and then we give the

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<v Speaker 3>help when it's time. So that that is, you know,

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<v Speaker 3>the tiny little silver lining in this incredibly difficult time.

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<v Speaker 7>Yeah, and our our listeners, we know, are you know,

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<v Speaker 7>listening from all over and so we're just sharing our

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<v Speaker 7>little LA moment, you know, in real time sort of

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<v Speaker 7>like with our listeners.

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<v Speaker 1>Right now.

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<v Speaker 2>We have this podcast and we're going to do this

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<v Speaker 2>wonderful recap with wonderful episode where character of crazy Sydney

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<v Speaker 2>comes in.

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<v Speaker 5>She's not crazy when she comes in. She's just annoying when.

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<v Speaker 6>She comes in, very entitled.

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<v Speaker 8>So you can choose your adjective.

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<v Speaker 5>I know, I hope you'll take it because you played it.

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<v Speaker 2>That's another thing about our city. We're you know, work

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<v Speaker 2>is very difficult right now.

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<v Speaker 5>The studios are shooting elsewhere now. Things are burnt down,

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<v Speaker 5>people are leaving. There's two strikes.

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<v Speaker 2>I've been hearing that and all the podcasts and all

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<v Speaker 2>the you know things I've been reading about our business.

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<v Speaker 2>It's very much struggling in LA right now, and just

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<v Speaker 2>heard it even more so. People are needing to and

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<v Speaker 2>wanting to work. And I really hope that the powers

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<v Speaker 2>that be do all that.

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<v Speaker 5>They can to bring and keep work in Los Angeles

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<v Speaker 5>because there are a lot of all of our crews.

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<v Speaker 2>So many people work in the entertainment industry. You know,

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<v Speaker 2>I really want just to put that out there. I

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<v Speaker 2>just really hope that we can keep our industry here,

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<v Speaker 2>you know, going and working and keep people employed.

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<v Speaker 7>And one of our many blessings, I think, is just

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<v Speaker 7>to have this opportunity to spend this time together. Like

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<v Speaker 7>I am just so grateful for you guys and for

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<v Speaker 7>our listeners that we have this podcast to do, and

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<v Speaker 7>it gives us an excuse to like just be together

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<v Speaker 7>and see all your lovely faces and just have this

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<v Speaker 7>distraction and this fun sort of little you know.

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<v Speaker 1>This other thing that have a little risk.

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<v Speaker 3>But I remember hearing a long time ago that maturity

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<v Speaker 3>is living through difficult times. Not just like you're living

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<v Speaker 3>through the difficult times, but the difficult time is happening

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<v Speaker 3>and you keep living. So we are all doing everything

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<v Speaker 3>we can help. And also we can do this episode

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<v Speaker 3>nineteen and have a little bit of a break and

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<v Speaker 3>have some laughs and enjoy. So having said that, that

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<v Speaker 3>is trying narrating, which is very exciting because Laura gets

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<v Speaker 3>to this is her first episode, and I'm sure she

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<v Speaker 3>won't beat herself up like DAFTI and.

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<v Speaker 8>I, Oh no, well never not.

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<v Speaker 1>At all I was er.

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<v Speaker 7>I wasn't cringing at all when I wanted, I sure not.

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<v Speaker 8>Embarrassed in the.

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<v Speaker 5>Face.

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<v Speaker 1>O my god, Yeah, of course you're smoking like a

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<v Speaker 1>Chimney beer. Like okay.

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<v Speaker 3>So this is episode nineteen, and to get it right

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<v Speaker 3>into the show, we have so many great guest stars

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<v Speaker 3>that will address as they come in. And it opens

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<v Speaker 3>on this adorable scene with Joe and Jake, and it

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<v Speaker 3>opens on a close up of Daphnie. Have to start

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<v Speaker 3>with this facing the sun and her skin looks like glass.

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<v Speaker 3>I'm like, oh my god, when you could just say sure,

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<v Speaker 3>I'll squint into the sun and all look like I'm

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<v Speaker 3>perfect stunning And you guys, as always, your chemistry is

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<v Speaker 3>so great. Joe is trying to take some photographs on

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<v Speaker 3>the beach. Jake is trying to neuzzle her, and he says,

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<v Speaker 3>she says, I'm trying to work, and then Jake says,

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<v Speaker 3>all work and no play makes Joe a very dull girl,

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<v Speaker 3>to which she says, of course a woman, and I'm

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<v Speaker 3>anything but dull, which I absolutely loved.

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<v Speaker 6>I loved it.

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<v Speaker 5>I loved shooting that scene.

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<v Speaker 2>We were out on Point Doom in Malibu where they

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<v Speaker 2>shoot it's famous for shooting Planet of the Apes and.

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<v Speaker 5>That, so you can see it on Some of the shots.

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<v Speaker 8>You know, are the big cliff on one side, very dramatic.

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<v Speaker 5>Point doom to up to zoom a beach and.

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<v Speaker 2>All the way up, all the way up the coast,

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<v Speaker 2>and I remember shooting that.

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<v Speaker 5>Charlie Carrall Dire directed this and he was always so funny.

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<v Speaker 7>This was his first episode of Miller. Chip shared with

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<v Speaker 7>that Charlie's first episode was also my first episode, and

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<v Speaker 7>Charlie remained with us, and.

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<v Speaker 1>Oh yeah, a beloved director.

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<v Speaker 2>Yes, always very would shoot like set up you know,

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<v Speaker 2>he knew what he wanted to do. You set up

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<v Speaker 2>this and that, and I thought this episode looked great,

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<v Speaker 2>but then he would come up. I don't know if

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<v Speaker 2>you guys remember then he'd come up and chat with you,

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<v Speaker 2>like he just wanted to chat with the actual Yeah.

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<v Speaker 1>So we're back on the scene. So Jake finds.

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<v Speaker 3>Joe's poetry book Collected Poems of William Carlos Williams, because

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<v Speaker 3>you know, Mattra's place, we had a lot of fancy poetry. Yeah,

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<v Speaker 3>and Joe tail Jake. She finds it inspiring. They walk

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<v Speaker 3>up to his motorcycle, and Jake says is inspired by

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<v Speaker 3>Harley's but Joe says, very snottily, I thought, too bad,

0:11:43.960 --> 0:11:49.640
<v Speaker 3>you don't drive one, which is very threatening to his manhood.

0:11:49.400 --> 0:11:50.520
<v Speaker 8>Making fun of his bike.

0:11:50.960 --> 0:11:52.079
<v Speaker 5>I know, she says his.

0:11:52.440 --> 0:11:58.000
<v Speaker 3>Bike is small, a girl's bike, and Jake should have

0:11:58.000 --> 0:12:01.000
<v Speaker 3>adjusted his manhood because at that point I've probably probably

0:12:01.040 --> 0:12:03.320
<v Speaker 3>felt like I was shrinking. And they get on the

0:12:03.320 --> 0:12:05.240
<v Speaker 3>motorcycle and drive away on.

0:12:05.160 --> 0:12:11.560
<v Speaker 1>The beach, on the beach on. The chemistry was so on.

0:12:11.679 --> 0:12:15.160
<v Speaker 6>Par I love seeing them together, and I love because

0:12:15.200 --> 0:12:18.320
<v Speaker 6>I missed the last I think it was the Christmas one,

0:12:18.640 --> 0:12:21.800
<v Speaker 6>which was I'm I'm guessing was what because you guys

0:12:21.840 --> 0:12:25.680
<v Speaker 6>were talking about the chemistry and I hadn't seen Jakes

0:12:25.840 --> 0:12:31.520
<v Speaker 6>or Grant's character. Jake played that soft side and I

0:12:31.559 --> 0:12:36.760
<v Speaker 6>really saw more of Grant. Yeah, totally right, and just

0:12:36.840 --> 0:12:40.240
<v Speaker 6>so lovely to two of you, and both of you

0:12:40.559 --> 0:12:44.720
<v Speaker 6>like together soften as characters. It's really cool to see.

0:12:44.920 --> 0:12:47.440
<v Speaker 6>And then you have your defenses and protecting your heart

0:12:48.360 --> 0:12:51.600
<v Speaker 6>right and afraid of your ex all that stuff. Beautiful,

0:12:51.640 --> 0:12:52.640
<v Speaker 6>beautiful scene.

0:12:52.400 --> 0:12:53.000
<v Speaker 5>Was so hard.

0:12:53.000 --> 0:12:55.719
<v Speaker 2>It was so hard to go like like insult him

0:12:55.760 --> 0:12:58.120
<v Speaker 2>and push him away because we just so got along,

0:12:58.240 --> 0:12:59.800
<v Speaker 2>you know, and you can tell him.

0:13:00.000 --> 0:13:01.640
<v Speaker 5>I was like, why the why does she have to

0:13:01.679 --> 0:13:07.040
<v Speaker 5>say like that? But you know, she's It.

0:13:07.080 --> 0:13:08.160
<v Speaker 1>Was so cute.

0:13:08.600 --> 0:13:11.080
<v Speaker 3>So then we come in to Jane and Michael's apartment.

0:13:11.120 --> 0:13:13.440
<v Speaker 3>The phone rings. Jane and Michael are in bed, and

0:13:13.520 --> 0:13:18.160
<v Speaker 3>Jane says, Sidney, whoa slow down?

0:13:18.240 --> 0:13:19.839
<v Speaker 1>What? And Jane hangs up.

0:13:20.080 --> 0:13:23.600
<v Speaker 3>Jane tells Michael that Sydney is in LA and he

0:13:23.640 --> 0:13:26.640
<v Speaker 3>says she should have called and Jane says she did

0:13:26.920 --> 0:13:29.000
<v Speaker 3>from the airport, which I loved.

0:13:31.080 --> 0:13:33.840
<v Speaker 7>And here's and here's where we learned that that Jane

0:13:33.920 --> 0:13:37.080
<v Speaker 7>has a sister, which she's never mentioned before.

0:13:39.080 --> 0:13:44.880
<v Speaker 8>Like my sister sid who suddenly exists. Yeah, not only exists,

0:13:44.920 --> 0:13:46.480
<v Speaker 8>but she's come to l A.

0:13:46.800 --> 0:13:49.360
<v Speaker 6>Yeah, yeah, we needed another character on the show. So

0:13:49.520 --> 0:13:50.319
<v Speaker 6>Jane has a sister.

0:13:50.400 --> 0:13:53.200
<v Speaker 3>Now, okay, it's so funny. I didn't even process that.

0:13:53.280 --> 0:13:55.200
<v Speaker 3>I was so excited that you were coming on.

0:13:55.360 --> 0:13:57.160
<v Speaker 1>I was like, yeah, because I've been expecting you. So

0:13:57.200 --> 0:13:59.240
<v Speaker 1>as far as I knew you, I always knew your sister.

0:13:59.600 --> 0:14:01.800
<v Speaker 1>So it's like, finally here, that's so funny.

0:14:01.800 --> 0:14:03.880
<v Speaker 5>You're right, Josie, did they tell you it all?

0:14:04.000 --> 0:14:06.400
<v Speaker 2>Had you guys met did they tell you that the

0:14:06.440 --> 0:14:08.480
<v Speaker 2>story was coming? Did you know who was going to

0:14:08.520 --> 0:14:08.920
<v Speaker 2>play it?

0:14:09.480 --> 0:14:12.720
<v Speaker 6>No? Nothing, nothing, And like I think, like you guys

0:14:12.760 --> 0:14:15.520
<v Speaker 6>had said prior, I believe I was on my honeymoon

0:14:15.559 --> 0:14:21.280
<v Speaker 6>because I was not in the prior show, right, So yeah,

0:14:21.360 --> 0:14:22.600
<v Speaker 6>it was cards called.

0:14:22.400 --> 0:14:25.840
<v Speaker 8>Good Time from your Honeymoon now crazy?

0:14:26.000 --> 0:14:28.600
<v Speaker 3>So did you think Jose Oh No, I've been playing

0:14:28.600 --> 0:14:32.160
<v Speaker 3>it as an only child this entire time, rethinking.

0:14:32.360 --> 0:14:35.400
<v Speaker 1>They just change everything I've been, everything is different.

0:14:36.120 --> 0:14:39.000
<v Speaker 6>It was all like, what is happening here? I'm on

0:14:39.040 --> 0:14:45.240
<v Speaker 6>this show. I just got married, and okay, let's do it.

0:14:45.920 --> 0:14:49.160
<v Speaker 3>Great. So then we cut to Ronda's apartment and Ronda

0:14:49.200 --> 0:14:51.440
<v Speaker 3>and Terrence are in bed and they just get up

0:14:51.440 --> 0:14:53.200
<v Speaker 3>because she has cardio and Terrence is telling you that

0:14:53.280 --> 0:14:55.600
<v Speaker 3>he should they should go to dinner in Newport, but

0:14:55.680 --> 0:14:58.960
<v Speaker 3>she has to work and Terrence doesn't seem to really

0:14:59.000 --> 0:15:01.280
<v Speaker 3>respect her work because it seems to get in the

0:15:01.280 --> 0:15:03.840
<v Speaker 3>way of his plans. And you remind you they have

0:15:03.920 --> 0:15:06.880
<v Speaker 3>dinner plans over at Denise and Howard's and asked her

0:15:06.920 --> 0:15:10.080
<v Speaker 3>what she will wear, which I just went, oh, wretch flag.

0:15:10.720 --> 0:15:13.120
<v Speaker 1>Yeah, didn't you guys Thinkonda was rubbed a little wrong?

0:15:13.160 --> 0:15:13.720
<v Speaker 4>But I too.

0:15:13.720 --> 0:15:15.760
<v Speaker 7>She's like, well, actually, I don't know that I have

0:15:15.800 --> 0:15:17.800
<v Speaker 7>anything good enough based on what you've told me about

0:15:17.800 --> 0:15:19.480
<v Speaker 7>these snooty pants people.

0:15:20.080 --> 0:15:22.680
<v Speaker 3>Yeah, and then he starts talking about a dress she

0:15:22.720 --> 0:15:25.880
<v Speaker 3>saw in Melrose and it's interesting because you know, part

0:15:25.960 --> 0:15:27.840
<v Speaker 3>of me is like how romantic. But I think she's

0:15:27.880 --> 0:15:29.960
<v Speaker 3>a step ahead of me. And she said, don't buy

0:15:30.000 --> 0:15:31.920
<v Speaker 3>me the dress, like you don't dress me. And I

0:15:31.960 --> 0:15:34.600
<v Speaker 3>was like, it's kind of a female fantasy, but then

0:15:34.640 --> 0:15:39.920
<v Speaker 3>it's also kind of pretty woman, right, It's like, yeah.

0:15:38.760 --> 0:15:41.440
<v Speaker 6>I don't know. I was like if a man said, hey,

0:15:41.600 --> 0:15:43.960
<v Speaker 6>you know, you don't have to work, but go dance

0:15:44.040 --> 0:15:46.440
<v Speaker 6>and I'll buy you that, Like, Okay, that works right now.

0:15:48.560 --> 0:15:51.120
<v Speaker 3>I think she's getting that might be a little controlling.

0:15:51.160 --> 0:15:53.320
<v Speaker 3>I was like, oh, that's such a good point. Rhonda's

0:15:53.960 --> 0:15:54.920
<v Speaker 3>she's such a good point.

0:15:55.040 --> 0:15:57.880
<v Speaker 6>I love watching her. Her smile is just like lights

0:15:57.960 --> 0:15:58.520
<v Speaker 6>up the screen.

0:15:58.920 --> 0:16:00.000
<v Speaker 1>Yeah.

0:16:00.400 --> 0:16:04.440
<v Speaker 6>Definitely gave me some cringey moments of like, I don't know,

0:16:04.480 --> 0:16:06.360
<v Speaker 6>there's something about him that I was like, I don't

0:16:06.360 --> 0:16:09.840
<v Speaker 6>trust him. Just do they end up getting married? And

0:16:10.200 --> 0:16:12.120
<v Speaker 6>that's it? I mean, I know they get married. Is

0:16:12.400 --> 0:16:13.160
<v Speaker 6>is that why she had?

0:16:13.720 --> 0:16:15.840
<v Speaker 5>So like we remember, I mean, I'm.

0:16:15.680 --> 0:16:20.240
<v Speaker 6>Just when I'm asking, because are my instincts right? Right? Trust? Well?

0:16:20.240 --> 0:16:22.160
<v Speaker 7>And she does, like you said, she has such a

0:16:22.240 --> 0:16:25.560
<v Speaker 7>strong sense of herself, like, no, this is what I

0:16:25.600 --> 0:16:28.440
<v Speaker 7>do who I am. Don't buy, don't choose this dress

0:16:28.440 --> 0:16:30.760
<v Speaker 7>for me so I can be good enough for your

0:16:31.400 --> 0:16:32.160
<v Speaker 7>snooty friends.

0:16:32.360 --> 0:16:35.160
<v Speaker 8>Yes, yes, she does draw that boundary like I'm good

0:16:35.160 --> 0:16:37.040
<v Speaker 8>with who I am. And we see more of that

0:16:37.080 --> 0:16:38.400
<v Speaker 8>as the episode goes on.

0:16:38.600 --> 0:16:41.120
<v Speaker 3>Yeah, and then Terence sort of whines I won't see

0:16:41.160 --> 0:16:42.440
<v Speaker 3>you till tomorrow, and I went.

0:16:42.360 --> 0:16:47.640
<v Speaker 7>Oh, I couldn't stand that dialogue or the delivery. Something

0:16:47.640 --> 0:16:50.880
<v Speaker 7>about that is the cringing part. We're all going no, no, no.

0:16:50.680 --> 0:16:54.320
<v Speaker 6>No, no, no, no, not attractive. Don't do that boys.

0:16:54.840 --> 0:17:00.960
<v Speaker 3>Yeah, and then we are driving dumps the Coast Highway

0:17:01.680 --> 0:17:05.280
<v Speaker 3>and Jane has a smoking infant in her seat. Wait

0:17:05.440 --> 0:17:10.080
<v Speaker 3>you find out it is Sydney.

0:17:09.760 --> 0:17:11.600
<v Speaker 5>A wonderful hat on her head.

0:17:12.160 --> 0:17:14.000
<v Speaker 8>Jade has the hat on her head.

0:17:14.920 --> 0:17:16.240
<v Speaker 5>She has the hat on her head.

0:17:16.280 --> 0:17:20.800
<v Speaker 6>And the funny thing about that hat, you guys, it's

0:17:20.880 --> 0:17:22.760
<v Speaker 6>like a couple of things. So, first of all, how

0:17:22.840 --> 0:17:23.560
<v Speaker 6>is it staying on?

0:17:23.680 --> 0:17:26.480
<v Speaker 7>I'm in a convertible when my hair is lying around,

0:17:27.560 --> 0:17:28.400
<v Speaker 7>keep it out of my face.

0:17:28.480 --> 0:17:32.960
<v Speaker 6>The big rose in the front. Oh my lord, so funny,

0:17:33.359 --> 0:17:36.520
<v Speaker 6>so funny. But Laura, it was. It's such a great

0:17:36.760 --> 0:17:38.880
<v Speaker 6>entrance for your character. Your feet up on the deck.

0:17:38.880 --> 0:17:40.680
<v Speaker 6>I love how you put your feet up on stuff.

0:17:40.800 --> 0:17:43.679
<v Speaker 1>Oh my god. Yeah, so no boundary stone and just

0:17:43.760 --> 0:17:45.640
<v Speaker 1>smoking like smoking.

0:17:45.720 --> 0:17:47.439
<v Speaker 3>It's so funny because first of all, I know you

0:17:47.440 --> 0:17:50.520
<v Speaker 3>don't smoke, and you're just smoking, smoking.

0:17:50.240 --> 0:17:52.360
<v Speaker 1>Smoking as a young kid.

0:17:52.920 --> 0:17:56.199
<v Speaker 3>Yeah you Sydney asked Jane if she's mad that she

0:17:56.359 --> 0:18:01.960
<v Speaker 3>just showed up, and Jane is very Dane is.

0:18:02.600 --> 0:18:05.879
<v Speaker 1>Did you tell our parents? Just curious if you told

0:18:05.880 --> 0:18:06.679
<v Speaker 1>our parents?

0:18:06.880 --> 0:18:08.560
<v Speaker 6>Of course not.

0:18:09.440 --> 0:18:12.240
<v Speaker 2>I mean it was such this whole show. As we'll

0:18:12.240 --> 0:18:14.800
<v Speaker 2>go through scene by scene to see how perfectly this

0:18:14.920 --> 0:18:18.800
<v Speaker 2>character was introduced, and this inter being in the car smoking,

0:18:19.160 --> 0:18:21.960
<v Speaker 2>feet up on the dash in the ground of the shot,

0:18:22.119 --> 0:18:24.080
<v Speaker 2>like the cameras here and her feet are right here.

0:18:25.280 --> 0:18:28.120
<v Speaker 5>I'm gonna stomp all over everything, you know, re.

0:18:29.440 --> 0:18:32.320
<v Speaker 7>Just you know that was in the script, that her

0:18:32.400 --> 0:18:34.040
<v Speaker 7>feet were up on the dash and everything.

0:18:34.440 --> 0:18:35.120
<v Speaker 8>It wasn't just.

0:18:35.119 --> 0:18:37.600
<v Speaker 5>Like Laura like put her feet up.

0:18:38.800 --> 0:18:39.639
<v Speaker 8>It was in a script.

0:18:39.680 --> 0:18:42.679
<v Speaker 7>And so in one of my auditions I was like

0:18:43.040 --> 0:18:44.800
<v Speaker 7>I had to go through the ranks for the audition,

0:18:44.880 --> 0:18:47.600
<v Speaker 7>right because I was a brand new actress. I had

0:18:47.600 --> 0:18:51.159
<v Speaker 7>not done a part this big at all. And so

0:18:51.200 --> 0:18:53.000
<v Speaker 7>I go through the ranks, which means you start with

0:18:53.119 --> 0:18:54.760
<v Speaker 7>just the casting director, and then they bring you to

0:18:54.800 --> 0:18:58.040
<v Speaker 7>the next level and they, you know, the director of

0:18:58.080 --> 0:19:00.840
<v Speaker 7>the producers, and then if that goes further than you

0:19:00.880 --> 0:19:02.960
<v Speaker 7>go you know, higher up until they make a decision

0:19:02.960 --> 0:19:04.800
<v Speaker 7>and chase you for the part or whatever. And so

0:19:05.560 --> 0:19:08.760
<v Speaker 7>at the very beginning, I was, you know, reading through

0:19:08.760 --> 0:19:11.520
<v Speaker 7>the scene and doing it with the casting director and

0:19:11.520 --> 0:19:14.000
<v Speaker 7>and I had my I put my feet up on

0:19:14.040 --> 0:19:15.720
<v Speaker 7>the desk, and he's like, yeah, just don't do that.

0:19:15.960 --> 0:19:17.600
<v Speaker 7>You know, I'm gonna bring you to producers, but don't

0:19:17.640 --> 0:19:21.080
<v Speaker 7>put your feet up on it. Like oh okay, like

0:19:21.160 --> 0:19:23.640
<v Speaker 7>you don't know, like how far to go in an audition,

0:19:24.840 --> 0:19:29.000
<v Speaker 7>like this is what it said, and okay, your feet

0:19:29.080 --> 0:19:32.240
<v Speaker 7>up on Aaron's desk. Yeah, I didn't, not on Aaron's justice,

0:19:32.240 --> 0:19:33.680
<v Speaker 7>But I get the very beginning and they're like, yeah,

0:19:33.760 --> 0:19:34.800
<v Speaker 7>just don't do that part for real.

0:19:34.880 --> 0:19:38.439
<v Speaker 8>So I'm like, oh, okay, that's funny.

0:19:38.560 --> 0:19:40.439
<v Speaker 3>You were So the character was so clear, and I

0:19:40.440 --> 0:19:41.679
<v Speaker 3>know it was your first job. But I was so

0:19:41.720 --> 0:19:45.439
<v Speaker 3>impressed with how clear the character was. And when you

0:19:45.480 --> 0:19:47.479
<v Speaker 3>tell Jane that you didn't tell your parents, and then

0:19:47.520 --> 0:19:50.080
<v Speaker 3>you very snottily say do you want me here or not?

0:19:50.400 --> 0:19:52.200
<v Speaker 1>Like you're so defensive, and.

0:19:52.160 --> 0:19:55.000
<v Speaker 3>You know, sweet Jane gets sort of taken aback, and

0:19:55.040 --> 0:19:56.800
<v Speaker 3>then she says she has to work the next day,

0:19:56.960 --> 0:20:00.000
<v Speaker 3>but Michael take her to lunch. And then Jane said,

0:20:00.359 --> 0:20:03.879
<v Speaker 3>again so sweetly, please don't smoke in the apartment, and

0:20:04.040 --> 0:20:07.360
<v Speaker 3>Sidney goes, welcome to lay.

0:20:06.880 --> 0:20:08.840
<v Speaker 8>Right then, all right, what a nice welcome.

0:20:08.960 --> 0:20:13.879
<v Speaker 1>But I mean, we know who you are, not you.

0:20:14.040 --> 0:20:17.000
<v Speaker 3>We know who Sydney is right away in this first scene,

0:20:17.080 --> 0:20:21.960
<v Speaker 3>right yeah, totally so well played. And the relationship, like

0:20:22.040 --> 0:20:24.520
<v Speaker 3>I was watching it going, first of all, you guys

0:20:24.600 --> 0:20:29.080
<v Speaker 3>look like sisters. It's crazy. And I knew the relationship

0:20:29.400 --> 0:20:31.600
<v Speaker 3>from this scene right away. I bought you guys as

0:20:31.640 --> 0:20:33.199
<v Speaker 3>sisters from the first second.

0:20:33.480 --> 0:20:36.320
<v Speaker 5>Yeah me too, I love really, Like I.

0:20:36.240 --> 0:20:37.600
<v Speaker 1>Didn't have a moment's doubt.

0:20:38.080 --> 0:20:42.680
<v Speaker 7>That was my big insecurity is that will I will

0:20:42.720 --> 0:20:47.840
<v Speaker 7>they buy me as Jean's sister? A Like I watched

0:20:47.840 --> 0:20:49.760
<v Speaker 7>some episodes as I was going through the auditions. Whatever

0:20:49.800 --> 0:20:52.040
<v Speaker 7>I watched some episodes that were already on the air,

0:20:52.119 --> 0:20:55.399
<v Speaker 7>and I'm like, oh my god, this girl Josie is

0:20:55.440 --> 0:20:58.679
<v Speaker 7>the most beautiful girl I've ever seen, and I'm supposed

0:20:58.720 --> 0:21:01.200
<v Speaker 7>to play her sister. Oh my god, like I'm never

0:21:01.840 --> 0:21:05.040
<v Speaker 7>nobody's going to believe that, and like okay, And then

0:21:05.240 --> 0:21:08.560
<v Speaker 7>also I looked it up, like.

0:21:08.560 --> 0:21:09.399
<v Speaker 8>How old is she?

0:21:09.760 --> 0:21:13.720
<v Speaker 7>And I found out that I am older and I'm

0:21:13.760 --> 0:21:15.040
<v Speaker 7>playing the younger.

0:21:14.680 --> 0:21:16.959
<v Speaker 6>Sister and younger.

0:21:17.320 --> 0:21:20.680
<v Speaker 7>I was terrified that I was going to be called

0:21:20.720 --> 0:21:23.639
<v Speaker 7>out and people would think I was a fraud. And

0:21:23.680 --> 0:21:26.080
<v Speaker 7>so I thought the most important thing I needed to

0:21:26.119 --> 0:21:29.240
<v Speaker 7>do is make sure to sell this idea that I'm younger,

0:21:29.359 --> 0:21:31.679
<v Speaker 7>I'm the younger sister, and like I so I just

0:21:31.800 --> 0:21:36.680
<v Speaker 7>really like established like the mannerisms of this younger, really

0:21:36.720 --> 0:21:39.320
<v Speaker 7>young person, and like when I see it now, I'm like, okay,

0:21:39.359 --> 0:21:43.399
<v Speaker 7>that's really young. But I remember the thought process was, okay,

0:21:43.480 --> 0:21:46.919
<v Speaker 7>to make sure young, nobody food actually older. But I

0:21:46.920 --> 0:21:49.040
<v Speaker 7>thought that was somehow important that I was.

0:21:49.200 --> 0:21:52.159
<v Speaker 6>You definitely pulled it off. Yeah, and don't forget we

0:21:52.160 --> 0:21:56.160
<v Speaker 6>were all so young too, but yeah, right, I forgot

0:21:56.200 --> 0:21:59.600
<v Speaker 6>how how young you looked in that in the very beginning.

0:22:00.200 --> 0:22:01.840
<v Speaker 8>So funny Yeah, you.

0:22:01.920 --> 0:22:05.119
<v Speaker 5>Guys had a great chemistry, sisterly chemistry. Yeah, it was

0:22:05.359 --> 0:22:05.880
<v Speaker 5>thus far.

0:22:07.920 --> 0:22:10.199
<v Speaker 3>Then we're at a restaurant which must have been an

0:22:10.240 --> 0:22:13.479
<v Speaker 3>Oxnard was it? It's a beach restaurant and miche I

0:22:13.640 --> 0:22:14.680
<v Speaker 3>was going to ask if this.

0:22:14.960 --> 0:22:17.760
<v Speaker 7>Was the real in you know, I think it might

0:22:17.800 --> 0:22:22.679
<v Speaker 7>have been because that's the places.

0:22:23.080 --> 0:22:26.199
<v Speaker 2>That Yeah, So my thinking was you shot this at

0:22:26.200 --> 0:22:28.560
<v Speaker 2>the real end because I remember when Doug was doing this.

0:22:28.840 --> 0:22:31.280
<v Speaker 5>Yeah, back and then down the street is where k

0:22:32.040 --> 0:22:33.880
<v Speaker 5>K Beacon Beacon, yeah.

0:22:35.160 --> 0:22:39.040
<v Speaker 2>Building, and then I filmed out in Point point Doom

0:22:39.160 --> 0:22:41.639
<v Speaker 2>and then you guys were doing your car scene somewhere

0:22:41.640 --> 0:22:42.280
<v Speaker 2>around PC eight.

0:22:42.520 --> 0:22:46.800
<v Speaker 1>Yes, so we're doing all right in there, which you

0:22:46.840 --> 0:22:49.280
<v Speaker 1>know for people who don't know all these places, you.

0:22:49.160 --> 0:22:52.600
<v Speaker 5>Know, member the whole crew, and yeah, the real Laura

0:22:52.720 --> 0:22:53.119
<v Speaker 5>it was.

0:22:53.320 --> 0:22:55.600
<v Speaker 6>I feel like I remember that in the interior was

0:22:55.640 --> 0:22:57.880
<v Speaker 6>on stage right. Yeah.

0:22:57.880 --> 0:23:02.879
<v Speaker 7>I thought for this episode we actually shot the interior

0:23:03.280 --> 0:23:06.080
<v Speaker 7>in the space in Malibu and you can see out

0:23:06.119 --> 0:23:10.520
<v Speaker 7>the window. Is I thought that was the real lootion

0:23:10.840 --> 0:23:17.680
<v Speaker 7>that we were seeing out the window. I remember this episode.

0:23:17.720 --> 0:23:21.119
<v Speaker 7>I think later when more episodes had to take place

0:23:21.359 --> 0:23:24.280
<v Speaker 7>inside the design studio, it was probably built as a

0:23:24.280 --> 0:23:24.840
<v Speaker 7>side stage.

0:23:24.840 --> 0:23:28.080
<v Speaker 8>But yeah, sure this episode we were actually in Melo.

0:23:28.440 --> 0:23:29.480
<v Speaker 1>We're not even there yet.

0:23:29.520 --> 0:23:35.119
<v Speaker 3>Hold your horse yet, Sydney are outside. Sydney's shocking is

0:23:35.200 --> 0:23:39.600
<v Speaker 3>smoking and she says, you're so cool because you're so young,

0:23:40.040 --> 0:23:41.960
<v Speaker 3>so cool for taking me out to eat. You're hoping

0:23:42.040 --> 0:23:44.919
<v Speaker 3>it would bring them closer, and then she starts talking

0:23:44.960 --> 0:23:48.880
<v Speaker 3>about how perfect Jane and Michael are and how their

0:23:48.920 --> 0:23:54.560
<v Speaker 3>parents used to call Jane purfey short for perfect, and

0:23:54.840 --> 0:23:58.000
<v Speaker 3>Michael tells Sydney that Jane is insecure about her job

0:23:58.080 --> 0:24:01.520
<v Speaker 3>and her new boss, Kate Beacon, and then Sydney of course,

0:24:01.640 --> 0:24:05.080
<v Speaker 3>takes a long drag on her cigarette and smiles.

0:24:05.960 --> 0:24:08.240
<v Speaker 8>I'm just thinking the wheels.

0:24:07.720 --> 0:24:09.600
<v Speaker 1>Are turning already turning?

0:24:10.040 --> 0:24:10.440
<v Speaker 5>Does that en?

0:24:10.480 --> 0:24:14.840
<v Speaker 3>We're a dand advertising and my boss Lucy walks up

0:24:14.880 --> 0:24:17.959
<v Speaker 3>Deborah Adare, who we adore, and drops a note on

0:24:17.960 --> 0:24:19.840
<v Speaker 3>my desk and said and says, don't say I never

0:24:19.880 --> 0:24:21.840
<v Speaker 3>did anything for you. And it ends up being an

0:24:21.880 --> 0:24:24.800
<v Speaker 3>invitation to the Advertising Association ball.

0:24:25.320 --> 0:24:27.040
<v Speaker 1>I think we've all heard of that. It's a big,

0:24:27.160 --> 0:24:27.960
<v Speaker 1>big hot.

0:24:27.760 --> 0:24:32.280
<v Speaker 3>Ticket, and instead of saying thank you, Allison says, I don't.

0:24:32.080 --> 0:24:34.679
<v Speaker 1>Have anyone to bring because I broke up with my boyfriend.

0:24:36.040 --> 0:24:38.080
<v Speaker 8>I don't think that's how she said it, though, That's

0:24:38.119 --> 0:24:39.119
<v Speaker 8>what I felt to me.

0:24:41.040 --> 0:24:41.840
<v Speaker 6>Oh my gosh.

0:24:41.880 --> 0:24:44.720
<v Speaker 2>The fact that Allison doesn't have like guys knocking down

0:24:44.720 --> 0:24:45.679
<v Speaker 2>on her desk.

0:24:45.640 --> 0:24:49.159
<v Speaker 3>Well apparently not, although I have an interesting stand a roommate.

0:24:49.480 --> 0:24:52.720
<v Speaker 3>So Lucy suggests taking someone from the office. Allison suggests

0:24:52.960 --> 0:24:57.720
<v Speaker 3>Danny Baker in accounting. She doesn't think he knows Alison exists.

0:24:58.080 --> 0:25:03.280
<v Speaker 3>So side note. Danny Baker is played by Larry Poindexter,

0:25:03.720 --> 0:25:06.320
<v Speaker 3>who not only has been in every show, like if

0:25:06.320 --> 0:25:08.879
<v Speaker 3>you watch every series you've ever seen, Larry's in it.

0:25:09.320 --> 0:25:13.560
<v Speaker 3>I dated him, did I dated him in real life?

0:25:13.600 --> 0:25:17.280
<v Speaker 3>I did before before I kind.

0:25:17.119 --> 0:25:20.960
<v Speaker 1>Of remember going to Yamashiro, remember that Jeffa's restaurant. We

0:25:21.080 --> 0:25:22.119
<v Speaker 1>lived in the same neighborhood.

0:25:22.160 --> 0:25:24.639
<v Speaker 3>I met him at a party, and I remember that

0:25:24.720 --> 0:25:27.679
<v Speaker 3>he and I were both wearing blue jeans and black

0:25:27.760 --> 0:25:30.399
<v Speaker 3>T shirts. And we dated for a little while, and

0:25:30.600 --> 0:25:32.800
<v Speaker 3>constantly one of us would have to change because we'd

0:25:32.800 --> 0:25:34.960
<v Speaker 3>be wearing the same things. That's what I remember about Larry.

0:25:35.320 --> 0:25:38.239
<v Speaker 3>Very funny, very charming. I don't know why we broke up,

0:25:38.240 --> 0:25:41.280
<v Speaker 3>but we're clearly not still dating. So something happened, but

0:25:41.840 --> 0:25:44.359
<v Speaker 3>super friendly. It wasn't dramatics, and you.

0:25:44.320 --> 0:25:48.280
<v Speaker 2>Don't remember anything awkward on set shooting this, No, nothing

0:25:48.640 --> 0:25:49.479
<v Speaker 2>to see friendly.

0:25:49.520 --> 0:25:51.840
<v Speaker 3>I think we dated. It was light dating, it wasn't

0:25:51.880 --> 0:25:56.679
<v Speaker 3>anything really serious. But so he rejected me. Here, I

0:25:56.760 --> 0:25:58.880
<v Speaker 3>just want to make it clear that in real life

0:25:58.960 --> 0:25:59.960
<v Speaker 3>he did go out.

0:25:59.800 --> 0:26:04.120
<v Speaker 8>With me, and then I rejected these defense.

0:26:04.359 --> 0:26:07.760
<v Speaker 3>I just want to make that little bit so very

0:26:07.760 --> 0:26:09.679
<v Speaker 3>funny line. So she asked him and he says, oh,

0:26:09.720 --> 0:26:11.480
<v Speaker 3>I'm sorry, I'm going with someone else. And he says,

0:26:11.720 --> 0:26:13.440
<v Speaker 3>but I'm very flattered Eleanor.

0:26:15.440 --> 0:26:18.000
<v Speaker 7>And I thought that did you guys notice like there

0:26:18.040 --> 0:26:20.800
<v Speaker 7>was a music cue on your reaction that we did

0:26:20.880 --> 0:26:24.560
<v Speaker 7>so good? There was it like ding and as you go,

0:26:26.560 --> 0:26:28.879
<v Speaker 7>you know, I just it was perfectly timed with the

0:26:28.920 --> 0:26:31.440
<v Speaker 7>look on your face of insult.

0:26:31.760 --> 0:26:33.879
<v Speaker 1>Oh that's so funny, just horrifying.

0:26:34.160 --> 0:26:36.560
<v Speaker 5>And you played at Gray Courtney. You didn't do your like,

0:26:36.600 --> 0:26:37.960
<v Speaker 5>you didn't do like a typical look.

0:26:38.160 --> 0:26:39.760
<v Speaker 2>You know, you just kind of like looked at him

0:26:39.800 --> 0:26:43.240
<v Speaker 2>and just kept then you just turned yeah, well sifly

0:26:43.400 --> 0:26:43.920
<v Speaker 2>turns to.

0:26:43.880 --> 0:26:46.920
<v Speaker 6>Go yeah, it didn't work.

0:26:47.680 --> 0:26:49.879
<v Speaker 1>Oh, so brutal. You didn't see me.

0:26:50.200 --> 0:26:54.880
<v Speaker 9>I believe me, Hi, I'm Kristin Davis, and I want

0:26:54.880 --> 0:26:57.960
<v Speaker 9>to know Are You a Charlotte? In nineteen ninety seven,

0:26:58.200 --> 0:27:00.760
<v Speaker 9>my life was forever changed when I took on the

0:27:00.840 --> 0:27:04.960
<v Speaker 9>role of Charlotte Yorke on a new HBO show called Sex.

0:27:04.720 --> 0:27:05.240
<v Speaker 8>And the City.

0:27:05.520 --> 0:27:10.120
<v Speaker 9>As we watched Carrie, Samantha, Miranda, and Charlotte navigate relationships

0:27:10.160 --> 0:27:13.600
<v Speaker 9>in New York City, the show helped push once unacceptable

0:27:13.600 --> 0:27:17.440
<v Speaker 9>conversation topics out of the shadows and altered the narrative

0:27:17.520 --> 0:27:20.640
<v Speaker 9>around women and sex. We all saw ourselves in them

0:27:20.720 --> 0:27:23.440
<v Speaker 9>as they searched for fulfillment in life.

0:27:23.000 --> 0:27:26.480
<v Speaker 8>Sex and friendships. Now I want to connect with you and.

0:27:26.440 --> 0:27:30.760
<v Speaker 9>Share untold stories and all the behind the scenes together.

0:27:30.560 --> 0:27:31.600
<v Speaker 1>With special guests.

0:27:31.800 --> 0:27:34.199
<v Speaker 9>What will begin with Sex and the City will evolve

0:27:34.240 --> 0:27:37.600
<v Speaker 9>into talks about themes that are still so relevant today.

0:27:38.200 --> 0:27:40.760
<v Speaker 9>Are You a Charlotte is a much more than just

0:27:40.960 --> 0:27:42.800
<v Speaker 9>rewatching our beloved show.

0:27:43.200 --> 0:27:44.440
<v Speaker 5>It brings the past and the.

0:27:44.400 --> 0:27:48.320
<v Speaker 9>Present together as we talk with heart, humor, and of.

0:27:48.280 --> 0:27:50.080
<v Speaker 8>Course some optimism.

0:27:50.480 --> 0:27:53.600
<v Speaker 9>Listen to Are You a Charlotte on the iHeartRadio app,

0:27:53.760 --> 0:27:56.680
<v Speaker 9>Apple podcast or wherever you get your podcasts.

0:28:00.080 --> 0:28:02.640
<v Speaker 1>We're back in Michael's apartment. Michael is reading in bed.

0:28:02.680 --> 0:28:05.680
<v Speaker 3>When Jane comes home, Michael tays Jane that Sydney rented

0:28:05.720 --> 0:28:07.960
<v Speaker 3>a movie but he didn't want to disturb her. Jane

0:28:08.000 --> 0:28:10.400
<v Speaker 3>thanks Michael for taking Sydney out. He says the first

0:28:10.440 --> 0:28:13.600
<v Speaker 3>time he and Sydney actually got along, and he tells

0:28:13.680 --> 0:28:15.960
<v Speaker 3>Jane that they need to know when Sydney is going

0:28:16.040 --> 0:28:18.639
<v Speaker 3>to leave, because apparently he's already.

0:28:20.320 --> 0:28:21.040
<v Speaker 8>We had a nice time.

0:28:22.440 --> 0:28:26.400
<v Speaker 1>Get her out, Yeah, super lover. Can she leave right away?

0:28:26.920 --> 0:28:29.520
<v Speaker 3>And he tells Jane that Sydney is jealous of her

0:28:29.680 --> 0:28:33.320
<v Speaker 3>and that he thinks her parents played favorites, and Jane

0:28:33.359 --> 0:28:37.320
<v Speaker 3>says that her parents didn't give Jane the nickname Sydney did,

0:28:38.360 --> 0:28:41.400
<v Speaker 3>so a little more insight into the character. She goes

0:28:41.440 --> 0:28:43.640
<v Speaker 3>into the living room and Sydney is trying to get

0:28:43.640 --> 0:28:46.320
<v Speaker 3>the pull out bed from the couch. Jane helps Sidney

0:28:46.320 --> 0:28:47.960
<v Speaker 3>open the bed and put the sheets on a little

0:28:47.960 --> 0:28:50.200
<v Speaker 3>bit of physical comedy, which.

0:28:50.080 --> 0:28:51.040
<v Speaker 6>Right very good.

0:28:51.360 --> 0:28:59.240
<v Speaker 1>It was very yeah, also the pullout couch like those things.

0:29:00.120 --> 0:29:02.560
<v Speaker 3>So Jane asked Sydney kind of what she's going to do,

0:29:02.760 --> 0:29:05.320
<v Speaker 3>like maybe does she have some plans like maybe to leave?

0:29:06.360 --> 0:29:08.360
<v Speaker 1>And Sydney said, you could stay with Jamie and Michael.

0:29:08.400 --> 0:29:10.800
<v Speaker 1>Well she gets her act together, which, even to the audience,

0:29:10.800 --> 0:29:11.640
<v Speaker 1>we already.

0:29:11.280 --> 0:29:18.480
<v Speaker 3>Know is that really going to happen? And Jane tells

0:29:18.520 --> 0:29:20.400
<v Speaker 3>Sydney Sydney can stay as long as she likes.

0:29:20.400 --> 0:29:23.960
<v Speaker 1>Did you guys all kind of go oh no, yeah, yeah,

0:29:24.560 --> 0:29:25.280
<v Speaker 1>for boundaries.

0:29:25.520 --> 0:29:29.120
<v Speaker 6>I was gonna save Jane. Let's get some boundaries. Yeah,

0:29:29.200 --> 0:29:32.760
<v Speaker 6>she's now, everything's like, sure, no problem, of course, that's as.

0:29:32.680 --> 0:29:36.440
<v Speaker 8>Long as you want, yeah, she Sidney pulls out the sympathy.

0:29:36.440 --> 0:29:39.080
<v Speaker 7>Well, I just couldn't make any friends and I filled

0:29:39.120 --> 0:29:40.440
<v Speaker 7>out all my classes.

0:29:40.760 --> 0:29:42.360
<v Speaker 8>And the way you.

0:29:42.240 --> 0:29:46.840
<v Speaker 6>Play, it's so vulnerable, you know what I mean, it's

0:29:46.920 --> 0:29:47.840
<v Speaker 6>just for me.

0:29:48.400 --> 0:29:52.000
<v Speaker 8>Sympathy for sid Yeah, but I don't empathize with me.

0:29:53.040 --> 0:29:57.320
<v Speaker 6>Why we like, I feel like I don't know, maybe

0:29:57.360 --> 0:29:59.760
<v Speaker 6>it's it's coming from a different place, but I feel

0:29:59.800 --> 0:30:02.280
<v Speaker 6>like I I can see that pain inside juice as

0:30:02.320 --> 0:30:06.280
<v Speaker 6>a character of you know, or your purposely playing it,

0:30:06.440 --> 0:30:08.920
<v Speaker 6>but inside in the eyes and like almost sounds like

0:30:08.960 --> 0:30:11.720
<v Speaker 6>something you're gonna cry, but you don't. Like it's really

0:30:11.840 --> 0:30:14.080
<v Speaker 6>really beautiful. And I'm just saying that because that's what

0:30:14.160 --> 0:30:15.520
<v Speaker 6>secks Jane in every time.

0:30:15.880 --> 0:30:18.600
<v Speaker 3>Yeah, yeah, well sex Jane in and she gives Sydney

0:30:18.600 --> 0:30:20.480
<v Speaker 3>a big hug, and the cameras he was in on

0:30:20.560 --> 0:30:23.720
<v Speaker 3>Jane's face and her smile fades to a look of concern.

0:30:23.960 --> 0:30:26.360
<v Speaker 8>Yeah, well that was weird.

0:30:26.520 --> 0:30:28.360
<v Speaker 6>I've watched it. I had to rewind it because I

0:30:28.400 --> 0:30:31.640
<v Speaker 6>was like, you know when they say like, okay, more,

0:30:32.080 --> 0:30:37.880
<v Speaker 6>you know, worse a little bit ns and eyes up,

0:30:37.960 --> 0:30:42.440
<v Speaker 6>and so I was like like, like, this is it's

0:30:42.480 --> 0:30:44.400
<v Speaker 6>not like expression.

0:30:44.120 --> 0:30:47.440
<v Speaker 5>You have to sell the worry. Do you guys have

0:30:47.480 --> 0:30:51.240
<v Speaker 5>any memories of doing that scene or do you even

0:30:51.240 --> 0:30:51.720
<v Speaker 5>remember it?

0:30:51.800 --> 0:30:55.600
<v Speaker 6>It was I actually do. I didn't until I watched it,

0:30:55.680 --> 0:30:58.840
<v Speaker 6>but we'll get there. But when she's actually in that

0:30:58.960 --> 0:31:02.640
<v Speaker 6>pull out bed and we have the scene, yeah, I

0:31:02.720 --> 0:31:03.680
<v Speaker 6>just love that.

0:31:04.280 --> 0:31:07.200
<v Speaker 7>I do remember because you know, when we're shooting scenes

0:31:07.200 --> 0:31:09.080
<v Speaker 7>that take place in the same room, like in that

0:31:09.160 --> 0:31:10.880
<v Speaker 7>living room in the ploub but we would shoot them

0:31:10.920 --> 0:31:12.800
<v Speaker 7>back to back, right because that's when the crew is

0:31:12.840 --> 0:31:15.520
<v Speaker 7>all set up and the camera's there. So this scene

0:31:16.160 --> 0:31:17.760
<v Speaker 7>where she's pulling out the bed and then the later

0:31:17.800 --> 0:31:19.479
<v Speaker 7>scenes that also take place in the living room were

0:31:19.520 --> 0:31:24.480
<v Speaker 7>all shot on the same day, and I remember, like,

0:31:24.880 --> 0:31:27.320
<v Speaker 7>I mean, I have a distinct memory of these scenes,

0:31:27.360 --> 0:31:30.920
<v Speaker 7>and I felt like Josie, you and I were establishing

0:31:30.920 --> 0:31:34.000
<v Speaker 7>our sister relationship and our friendship sort of off camera.

0:31:34.120 --> 0:31:36.720
<v Speaker 7>It felt like, oh, let's play around with this, let's

0:31:36.760 --> 0:31:39.120
<v Speaker 7>find out, you know what this can be, these sisters

0:31:39.120 --> 0:31:42.880
<v Speaker 7>and whatever. And I just felt like there was such

0:31:42.920 --> 0:31:47.400
<v Speaker 7>an open willingness and friendship from you to have this

0:31:47.480 --> 0:31:49.520
<v Speaker 7>new relationship on the show and then just to be

0:31:50.040 --> 0:31:54.280
<v Speaker 7>like my friend off camera too. I just felt so

0:31:55.360 --> 0:32:01.239
<v Speaker 7>embraced and welcomed. And I also distinctly reminder with all

0:32:01.280 --> 0:32:04.160
<v Speaker 7>the smoking that Sydney was, you know, scripted to do.

0:32:04.760 --> 0:32:08.320
<v Speaker 7>I was like, just okay, keep keep doing this to

0:32:08.360 --> 0:32:11.240
<v Speaker 7>make sure make sure the audience knows Sydney's a smoker.

0:32:13.760 --> 0:32:18.880
<v Speaker 7>So we got it. But Mary Donner, who was our

0:32:18.920 --> 0:32:21.280
<v Speaker 7>script supervisor, came up to me at a certain point.

0:32:21.360 --> 0:32:23.520
<v Speaker 7>She's like, okay, so when we cut in for the

0:32:23.520 --> 0:32:26.480
<v Speaker 7>overs and then the close ups, you're going to need

0:32:26.520 --> 0:32:28.240
<v Speaker 7>to match what you did in the master, which is

0:32:28.240 --> 0:32:31.640
<v Speaker 7>a wide shot. And she's like, so here's where he smoked,

0:32:31.640 --> 0:32:33.240
<v Speaker 7>and here's where he smoked, and here's where he smoked.

0:32:33.680 --> 0:32:37.880
<v Speaker 8>Match that for the edit. And I was like, what, what,

0:32:37.880 --> 0:32:38.680
<v Speaker 8>what's matching?

0:32:39.040 --> 0:32:41.000
<v Speaker 1>Yeah?

0:32:39.440 --> 0:32:41.840
<v Speaker 8>Oh I didn't know.

0:32:42.200 --> 0:32:43.000
<v Speaker 1>So of course not.

0:32:43.400 --> 0:32:45.200
<v Speaker 6>I know, yeah, I had to learn that too.

0:32:46.040 --> 0:32:49.360
<v Speaker 7>I was coming from a place where tons of you know,

0:32:49.760 --> 0:32:53.240
<v Speaker 7>acting classes, acting school, lots of you know, I've been

0:32:53.240 --> 0:32:54.760
<v Speaker 7>on a stage and theater, but.

0:32:54.920 --> 0:32:57.560
<v Speaker 8>This camera concept of matching was fresh to me.

0:32:57.680 --> 0:33:00.360
<v Speaker 7>And I was like, drop the smoking, immediately, stop doing

0:33:00.400 --> 0:33:01.920
<v Speaker 7>these things that you have to mat I.

0:33:01.840 --> 0:33:03.680
<v Speaker 6>Know, for a while, I was like, I don't think

0:33:03.720 --> 0:33:05.120
<v Speaker 6>I want to eat in this scene because I don't

0:33:05.120 --> 0:33:06.800
<v Speaker 6>want to think about what I took the bite because

0:33:06.800 --> 0:33:08.640
<v Speaker 6>I can't remember my lines anyway, So.

0:33:08.840 --> 0:33:11.200
<v Speaker 3>Like, yeah, you know, and that's why we just pushed

0:33:11.200 --> 0:33:13.680
<v Speaker 3>food around. If you ever made yeah, right, you don't

0:33:13.720 --> 0:33:15.959
<v Speaker 3>want to take a bite a hundred times, don't actually

0:33:16.040 --> 0:33:17.080
<v Speaker 3>any movie?

0:33:16.760 --> 0:33:18.080
<v Speaker 1>Yeah? Yeah.

0:33:18.120 --> 0:33:21.600
<v Speaker 7>The look on Mary's face and I said yeah when

0:33:21.640 --> 0:33:24.840
<v Speaker 7>I said what's matching? And Mary is this lovely Southern

0:33:25.560 --> 0:33:28.760
<v Speaker 7>woman and she just went, oh lordy.

0:33:30.960 --> 0:33:32.680
<v Speaker 1>Yeah. She had to teach a lot of people. But

0:33:32.720 --> 0:33:34.640
<v Speaker 1>I think that what you guys did in the scene

0:33:34.720 --> 0:33:37.200
<v Speaker 1>your chemistry because you were only you were going to

0:33:37.240 --> 0:33:40.640
<v Speaker 1>be two episodes, right, Laura. So this is why, like

0:33:40.720 --> 0:33:42.840
<v Speaker 1>they saw, oh, this is magic in a bottle.

0:33:43.680 --> 0:33:46.280
<v Speaker 3>That's why they brought you back. The connection is so

0:33:46.520 --> 0:33:47.760
<v Speaker 3>authentic and.

0:33:47.680 --> 0:33:51.040
<v Speaker 6>I think Laura's character. I was just we needed that

0:33:51.200 --> 0:33:51.640
<v Speaker 6>on the show.

0:33:51.840 --> 0:33:54.880
<v Speaker 3>You the beginning of it, getting one more crazy. Okay,

0:33:54.920 --> 0:33:58.120
<v Speaker 3>so we're back in billion Alison's apartment. Allison is horrified

0:33:58.120 --> 0:34:00.480
<v Speaker 3>because she made a fool out of herself. She doesn't

0:34:00.480 --> 0:34:03.160
<v Speaker 3>want to go to work, and Billy says he can't

0:34:03.200 --> 0:34:04.840
<v Speaker 3>go to the thing with her this weekend because he

0:34:04.920 --> 0:34:08.759
<v Speaker 3>has the Martin McAfee screenwriting seminar. But he suggests that

0:34:08.800 --> 0:34:10.480
<v Speaker 3>he has a buddy who just woke up with his

0:34:10.520 --> 0:34:13.040
<v Speaker 3>girlfriend and the three of them will go out for

0:34:13.080 --> 0:34:13.560
<v Speaker 3>a drink.

0:34:14.080 --> 0:34:15.480
<v Speaker 1>Allison agrees and leaves for.

0:34:15.480 --> 0:34:18.880
<v Speaker 3>Work, which is very sweet of Billy to offer to

0:34:18.920 --> 0:34:19.799
<v Speaker 3>set her up on a date.

0:34:19.840 --> 0:34:23.239
<v Speaker 1>What could possibly go wrong? So, but he does call

0:34:23.280 --> 0:34:24.919
<v Speaker 1>her Eleanor as she leaves the scene.

0:34:25.000 --> 0:34:30.680
<v Speaker 6>It's so cute Bay Salt. Yeah, yeah, yeah, he's the

0:34:30.760 --> 0:34:32.600
<v Speaker 6>delivery of that was so good. Yeah.

0:34:33.000 --> 0:34:39.720
<v Speaker 1>Help. So then we're back in the courtyard.

0:34:39.800 --> 0:34:41.760
<v Speaker 3>Jake is trying to leave his apartment when he walks

0:34:41.800 --> 0:34:44.720
<v Speaker 3>by Joe trying to remove her name from the mailbox.

0:34:45.400 --> 0:34:48.040
<v Speaker 3>Jake tells Joe that she's taking the privacy thing too far,

0:34:48.800 --> 0:34:51.799
<v Speaker 3>but Joe hands him a letter from her husband and

0:34:51.840 --> 0:34:54.520
<v Speaker 3>she doesn't know how he found her. Jake takes the

0:34:54.600 --> 0:34:57.399
<v Speaker 3>letter from Joe, writes address the unknown, puts it back

0:34:57.440 --> 0:34:59.880
<v Speaker 3>in the mailbox. Then he asked Joe to stop by

0:34:59.920 --> 0:35:02.600
<v Speaker 3>the bike shop, and then he has a surprise for her.

0:35:03.280 --> 0:35:05.480
<v Speaker 3>Joseps knows she's had enough surprises for the day, but

0:35:05.600 --> 0:35:08.319
<v Speaker 3>Jake insists and says he will see Joe at noon.

0:35:08.680 --> 0:35:11.279
<v Speaker 5>Jake's just like, oh, I got this covered. I'll take

0:35:11.320 --> 0:35:15.759
<v Speaker 5>care of this, yeah, addressing boom boom, Yeah, taking care

0:35:15.800 --> 0:35:18.359
<v Speaker 5>of him. You're so good at that.

0:35:18.440 --> 0:35:19.560
<v Speaker 1>I'll come to the bike shop.

0:35:20.000 --> 0:35:22.880
<v Speaker 7>But you can see that Joe is truly scared, knowing

0:35:22.920 --> 0:35:26.480
<v Speaker 7>that he's found her there, and she's she's got legitimate

0:35:26.520 --> 0:35:28.279
<v Speaker 7>fear about it, and he's like, I got this, I'll

0:35:28.320 --> 0:35:29.120
<v Speaker 7>help you and I'll.

0:35:28.960 --> 0:35:29.440
<v Speaker 8>Take care of it.

0:35:30.800 --> 0:35:33.359
<v Speaker 3>Yeah, as if he can. So then we're back at

0:35:33.440 --> 0:35:36.759
<v Speaker 3>Jane and Michael's apartment and Jane is getting her lunch ready, when,

0:35:36.800 --> 0:35:40.720
<v Speaker 3>while Michael reads the paper, my brown bag sack lunch,

0:35:41.160 --> 0:35:44.959
<v Speaker 3>Yeah you right, Jane ask what she should say about

0:35:44.960 --> 0:35:48.120
<v Speaker 3>Sidney if her parents call, and then Michael ass why

0:35:48.160 --> 0:35:50.000
<v Speaker 3>is it that every time you get involved with Sydney

0:35:50.080 --> 0:35:54.160
<v Speaker 3>you end up doing things you regret, so the red flags.

0:35:53.760 --> 0:35:56.080
<v Speaker 5>Are telling line huh.

0:35:55.840 --> 0:35:57.080
<v Speaker 1>And Jane says because.

0:35:56.840 --> 0:35:58.839
<v Speaker 3>She is a nice sister, which she is, and then

0:35:58.960 --> 0:36:03.399
<v Speaker 3>Sydney walks in wearing a sparkly belt yeah, compliments Jane

0:36:03.440 --> 0:36:06.760
<v Speaker 3>on her dress. Jane explains that her boss kne notices

0:36:06.800 --> 0:36:09.120
<v Speaker 3>what she wears, and Sydney tells Jane that she would

0:36:09.160 --> 0:36:12.200
<v Speaker 3>love to see what it's like at the studio. So

0:36:12.239 --> 0:36:15.000
<v Speaker 3>she says, maybe sometimes fashionable.

0:36:15.160 --> 0:36:16.480
<v Speaker 5>I look so fashionable.

0:36:17.000 --> 0:36:19.000
<v Speaker 1>Yeah, what a coincidence's.

0:36:18.280 --> 0:36:19.480
<v Speaker 5>Going on in your life?

0:36:19.560 --> 0:36:20.440
<v Speaker 6>At your job?

0:36:21.480 --> 0:36:23.880
<v Speaker 3>And Sydney asked, you can go to work, but Jane says,

0:36:23.960 --> 0:36:26.839
<v Speaker 3>you know, no, I'm new and then she says maybe

0:36:26.880 --> 0:36:29.960
<v Speaker 3>she can visit the hospital with Michael, like it's a hospital,

0:36:30.040 --> 0:36:31.280
<v Speaker 3>you lunatic, and he's.

0:36:31.239 --> 0:36:33.239
<v Speaker 8>Like, he gives her the love. Don't you dare say

0:36:33.520 --> 0:36:33.759
<v Speaker 8>to that?

0:36:34.320 --> 0:36:37.040
<v Speaker 3>Yeah, So then our sweet sweet Jane says, okay, you

0:36:37.040 --> 0:36:40.680
<v Speaker 3>can come for work. Sydney grabs her jacket, and we're

0:36:40.760 --> 0:36:43.160
<v Speaker 3>left with the feeling of what could possibly go wrong?

0:36:43.480 --> 0:36:43.719
<v Speaker 6>Yep.

0:36:44.760 --> 0:36:47.719
<v Speaker 7>And also just to note, like I don't think we

0:36:47.800 --> 0:36:49.800
<v Speaker 7>talked about this. The title of this episode A Single

0:36:49.800 --> 0:36:54.080
<v Speaker 7>White Sister, which is the teak on the movie that Jennifer,

0:36:54.120 --> 0:36:59.120
<v Speaker 7>Jason Lee, Fonda, Yeah, Bridgetpond and where one she's a

0:36:59.200 --> 0:37:03.160
<v Speaker 7>roommate who moved in and sort of tries to assume

0:37:03.239 --> 0:37:05.399
<v Speaker 7>the other girl's life and she sort of takes over.

0:37:05.520 --> 0:37:08.480
<v Speaker 7>So it's you know, the titles of our episode usually

0:37:09.160 --> 0:37:09.640
<v Speaker 7>are it.

0:37:09.640 --> 0:37:13.360
<v Speaker 2>Kind of shows how they in their mind they already

0:37:13.600 --> 0:37:16.000
<v Speaker 2>already know you were hired for just a few episodes,

0:37:16.040 --> 0:37:19.640
<v Speaker 2>but they knew within that arc they were gonna, you know,

0:37:19.800 --> 0:37:20.959
<v Speaker 2>really make you come.

0:37:21.120 --> 0:37:23.160
<v Speaker 5>And it's all based on that movie.

0:37:23.200 --> 0:37:25.040
<v Speaker 1>What was that movie you gouts female?

0:37:25.360 --> 0:37:25.480
<v Speaker 6>No?

0:37:25.920 --> 0:37:26.840
<v Speaker 5>What was that based on?

0:37:27.000 --> 0:37:28.920
<v Speaker 6>Remember, Jennifer Jason Lee?

0:37:29.080 --> 0:37:31.400
<v Speaker 8>Or was that I'm back in the forties.

0:37:32.440 --> 0:37:35.719
<v Speaker 2>Oh, I think it was Betty Davis.

0:37:35.800 --> 0:37:40.600
<v Speaker 5>Okay, fans? What about Yeah? Solid about Eve? Yeah about Eve?

0:37:41.400 --> 0:37:42.000
<v Speaker 5>That's similar.

0:37:42.400 --> 0:37:45.359
<v Speaker 3>Yeah, I did an episode of a TV SHOWLD all

0:37:45.400 --> 0:37:46.160
<v Speaker 3>about Alison.

0:37:46.400 --> 0:37:47.600
<v Speaker 1>So it's all coming around.

0:37:48.000 --> 0:37:51.560
<v Speaker 7>All kind of and it's really informative. So as an actor,

0:37:51.600 --> 0:37:53.240
<v Speaker 7>to read the title and you go, Okay.

0:37:53.560 --> 0:37:54.400
<v Speaker 1>Joe's at the bike.

0:37:54.280 --> 0:37:57.359
<v Speaker 3>Shop, admiring Jake's new motorcycle, which apparently isn't a girl

0:37:57.400 --> 0:37:59.600
<v Speaker 3>bike anymore. Just as I love it, When can I

0:37:59.640 --> 0:38:01.560
<v Speaker 3>take it out? Joe tells Jake to Jeski back. She's

0:38:01.600 --> 0:38:03.839
<v Speaker 3>still work In the photos from the beach, Jake walks

0:38:03.880 --> 0:38:06.400
<v Speaker 3>you over to this price and unveils his old bike,

0:38:06.960 --> 0:38:08.560
<v Speaker 3>tells Joe that it's a gift for her.

0:38:08.640 --> 0:38:11.880
<v Speaker 1>Now it's yours. Yeah, you know sweet.

0:38:12.239 --> 0:38:15.080
<v Speaker 2>When I was watching this, I remember that this is

0:38:15.120 --> 0:38:17.600
<v Speaker 2>when I was starting to ride with Grant on these

0:38:17.840 --> 0:38:20.120
<v Speaker 2>weekend bike of thons that you know.

0:38:20.040 --> 0:38:30.080
<v Speaker 4>About, specifically that weekends, yeah, the only one and just

0:38:30.080 --> 0:38:32.680
<v Speaker 4>getting you back for the dinner party thing that I

0:38:32.680 --> 0:38:33.120
<v Speaker 4>never got.

0:38:33.200 --> 0:38:37.080
<v Speaker 2>But anyway, calendars just a little behind the scenes. So

0:38:38.160 --> 0:38:40.560
<v Speaker 2>I have a couple of pictures of that scene back

0:38:40.640 --> 0:38:42.640
<v Speaker 2>on the on the beach that we shot the first

0:38:42.640 --> 0:38:44.239
<v Speaker 2>one because I remember the jacket. So I have a

0:38:44.239 --> 0:38:46.240
<v Speaker 2>couple of polaroids that I'm gonna post.

0:38:46.320 --> 0:38:46.520
<v Speaker 6>Wow.

0:38:47.560 --> 0:38:51.120
<v Speaker 5>But then there's one of Ike, who was this guy

0:38:51.440 --> 0:38:52.480
<v Speaker 5>of our trans bo.

0:38:53.000 --> 0:38:56.200
<v Speaker 2>He used to go with us and ride bikes and

0:38:56.200 --> 0:38:57.200
<v Speaker 2>and he was.

0:38:57.280 --> 0:38:58.759
<v Speaker 5>Such a darling man.

0:38:58.800 --> 0:38:59.879
<v Speaker 1>That's a great guy, all.

0:38:59.800 --> 0:39:03.960
<v Speaker 2>These tattoos in the heart of Gold, and I'm going

0:39:04.000 --> 0:39:05.000
<v Speaker 2>to post a picture of him.

0:39:05.040 --> 0:39:06.319
<v Speaker 5>I have two from the beach thing.

0:39:06.440 --> 0:39:10.439
<v Speaker 2>But little behind the scenes here in this scene. He's

0:39:10.480 --> 0:39:12.399
<v Speaker 2>an extra in it, so you see him in the back.

0:39:12.600 --> 0:39:13.440
<v Speaker 5>Did you notice him?

0:39:14.640 --> 0:39:20.040
<v Speaker 6>Yesnytail back here like, oh, I have to watch that again.

0:39:20.719 --> 0:39:22.480
<v Speaker 6>I had to be some crew back there.

0:39:22.320 --> 0:39:26.279
<v Speaker 1>When he's like always yeah, always right. So back to

0:39:26.320 --> 0:39:26.800
<v Speaker 1>the scene.

0:39:26.920 --> 0:39:28.719
<v Speaker 3>So Jake gives her a bike, and all the girls

0:39:28.760 --> 0:39:30.920
<v Speaker 3>and yours, Oh my god, we're swooning. And Joe of

0:39:30.920 --> 0:39:34.160
<v Speaker 3>course tells Jake she can't accept the motorcycle, kisses.

0:39:33.920 --> 0:39:39.240
<v Speaker 1>Him on the cheek, thanks him for the thought and least. Wow.

0:39:40.440 --> 0:39:41.600
<v Speaker 6>Yeah, poor Jake.

0:39:42.560 --> 0:39:45.240
<v Speaker 3>So now we're back at k Beacon Design studio. Jane

0:39:45.280 --> 0:39:47.839
<v Speaker 3>is working on the designs while Sydney watches next to her.

0:39:47.920 --> 0:39:51.480
<v Speaker 3>Sidney notices k Beacon and mentions to Jane, look, it's her.

0:39:52.120 --> 0:39:54.319
<v Speaker 3>Kay walks over to Jane gives her some notes on color,

0:39:54.360 --> 0:39:57.200
<v Speaker 3>asking for something the forest green range. Nothing in the

0:39:57.200 --> 0:40:00.360
<v Speaker 3>egg plant shade, which you've been so into lately. We

0:40:00.480 --> 0:40:04.200
<v Speaker 3>all noticed that, Jess. Yeah, yeah, I was super into

0:40:04.200 --> 0:40:04.800
<v Speaker 3>egg plant that.

0:40:05.000 --> 0:40:07.240
<v Speaker 5>I will say that forst green.

0:40:07.760 --> 0:40:10.879
<v Speaker 1>Yes, Jane introduces Sydney to Kay.

0:40:10.960 --> 0:40:13.600
<v Speaker 3>Sidney tells Kay that the work is so fascinating and

0:40:13.680 --> 0:40:16.799
<v Speaker 3>I'm starting to get like nervous in my stomach. I'm like, oh, dear,

0:40:18.160 --> 0:40:21.799
<v Speaker 3>I know, Kay, Sidney, She's interested in design. Sidney says, yes,

0:40:22.000 --> 0:40:24.600
<v Speaker 3>it's a hobby. Introduce all the fashion magazines, to which

0:40:24.719 --> 0:40:27.759
<v Speaker 3>Kay tells her that she has an eye and asks

0:40:27.760 --> 0:40:30.720
<v Speaker 3>her to go get some magazines. Kay says to Sydney,

0:40:30.800 --> 0:40:33.640
<v Speaker 3>I like your belt. I think it's great, then gives

0:40:33.640 --> 0:40:36.840
<v Speaker 3>her the money to get the magazines. Kay looks at Jane,

0:40:36.840 --> 0:40:39.879
<v Speaker 3>telling her that Sydney is cute, and Jane gives Kay

0:40:40.040 --> 0:40:44.080
<v Speaker 3>a fake smile. Jane doesn't give them any fake smiles.

0:40:44.560 --> 0:40:46.680
<v Speaker 7>Well, you can see that Jane was very surprised to

0:40:46.719 --> 0:40:48.560
<v Speaker 7>learn that Sydney is interested in.

0:40:50.520 --> 0:40:54.000
<v Speaker 8>That seemed new. That was the new information that all

0:40:54.040 --> 0:40:55.000
<v Speaker 8>of a sudden.

0:40:55.200 --> 0:40:58.040
<v Speaker 6>Right right, the very thing that it.

0:40:58.080 --> 0:41:01.319
<v Speaker 3>Keeps going that Jane is wanted to do her entire life.

0:41:01.600 --> 0:41:04.440
<v Speaker 3>She was probably a little girl doing paper dolls, and suddenly, right,

0:41:04.760 --> 0:41:05.719
<v Speaker 3>Kidney's interested.

0:41:06.320 --> 0:41:06.880
<v Speaker 1>Huh.

0:41:07.080 --> 0:41:08.120
<v Speaker 6>Interesting, of course.

0:41:08.280 --> 0:41:10.399
<v Speaker 3>But now we're back at Jane and Michael's and they're

0:41:10.440 --> 0:41:12.880
<v Speaker 3>eating pizza. Well, Sydney is telling them how KB can

0:41:12.920 --> 0:41:16.840
<v Speaker 3>give her a three hundred dollar necklace, which is thousand

0:41:16.920 --> 0:41:19.320
<v Speaker 3>dollars in today's money.

0:41:19.200 --> 0:41:20.000
<v Speaker 8>Right, thank you.

0:41:20.280 --> 0:41:23.480
<v Speaker 7>I did notice that this was another moment where Sidney

0:41:23.480 --> 0:41:25.759
<v Speaker 7>walks into the kitchen and places her doc Martins onto

0:41:25.800 --> 0:41:26.399
<v Speaker 7>the dining room.

0:41:27.560 --> 0:41:29.160
<v Speaker 5>Just the shoes, Just the shoes.

0:41:29.280 --> 0:41:30.520
<v Speaker 6>You did I miss that?

0:41:30.680 --> 0:41:35.160
<v Speaker 7>Yeah? Michael pushes them, removes them from the table, one

0:41:36.080 --> 0:41:36.760
<v Speaker 7>them on the floor.

0:41:36.880 --> 0:41:39.120
<v Speaker 3>Sidney tells Michael, home nice k was, and it's asking

0:41:39.160 --> 0:41:41.359
<v Speaker 3>about her family and what Jane was like growing up,

0:41:41.960 --> 0:41:44.680
<v Speaker 3>and then Sidney tells Jane that she has a perfect boss.

0:41:44.719 --> 0:41:47.480
<v Speaker 3>Michael says, what else do you expect from Jane? Did

0:41:47.520 --> 0:41:48.879
<v Speaker 3>you feel like they were ganging up.

0:41:48.800 --> 0:41:49.560
<v Speaker 1>On your jests?

0:41:50.160 --> 0:41:53.680
<v Speaker 5>Yes, it's starting to shift. It's pissing off.

0:41:53.880 --> 0:41:56.480
<v Speaker 6>And even in the beginning when they have the when

0:41:56.520 --> 0:41:59.680
<v Speaker 6>they go to breakfast or whatever together, yes, And he's like,

0:41:59.760 --> 0:42:04.600
<v Speaker 6>she's insecure, like what has been? Does that? Like he

0:42:04.840 --> 0:42:08.399
<v Speaker 6>was saying about her witnesses, I had an annoying brother too.

0:42:08.800 --> 0:42:09.440
<v Speaker 5>Do you remember that?

0:42:10.360 --> 0:42:13.080
<v Speaker 2>She's like, my sister's so perfect and annoying And he's like,

0:42:13.120 --> 0:42:17.920
<v Speaker 2>I had an annoying, perfect brother too, Right, they.

0:42:17.760 --> 0:42:21.520
<v Speaker 6>Were bonding bonding over it interesting? Yeah. Yeah.

0:42:22.000 --> 0:42:24.960
<v Speaker 1>So then Laura plays it so naturally like it's just

0:42:25.040 --> 0:42:25.839
<v Speaker 1>this part of her.

0:42:25.880 --> 0:42:27.440
<v Speaker 5>It's not like this malicious thing.

0:42:27.440 --> 0:42:32.040
<v Speaker 2>It's just exactly you're just oh, you know, it's creepy, creepy.

0:42:31.719 --> 0:42:36.160
<v Speaker 6>Because like the vulner the real vulnerability, like you, when

0:42:36.200 --> 0:42:39.200
<v Speaker 6>you do that, it brings it just to all these

0:42:39.239 --> 0:42:42.960
<v Speaker 6>different dimensions of like you're not just this brat, this entitled.

0:42:42.560 --> 0:42:45.680
<v Speaker 7>Brat, right, I mean I had to believe that Sydney

0:42:45.719 --> 0:42:48.400
<v Speaker 7>really was all those insecure things that Wasn't you know

0:42:48.480 --> 0:42:51.920
<v Speaker 7>that the feelings is what drives her action, you know,

0:42:52.000 --> 0:42:53.359
<v Speaker 7>so like the feelings are real.

0:42:53.800 --> 0:42:55.439
<v Speaker 8>Yeah, yeah, yeah, Well.

0:42:55.320 --> 0:42:57.160
<v Speaker 3>That's why it's better to have you play it, because

0:42:57.160 --> 0:43:00.799
<v Speaker 3>you're so authentic, so that that's always underneath all of it, right,

0:43:00.880 --> 0:43:03.560
<v Speaker 3>so that our heart breaks for you. We have compassion,

0:43:03.560 --> 0:43:05.120
<v Speaker 3>but you didn't have compassion for Sydney.

0:43:06.000 --> 0:43:07.000
<v Speaker 6>You didn't like the character.

0:43:07.360 --> 0:43:08.640
<v Speaker 1>Right, we have to have compassion.

0:43:08.719 --> 0:43:11.920
<v Speaker 3>So the phone rings and it is Jane and Sydney's mom,

0:43:12.120 --> 0:43:16.440
<v Speaker 3>and Sydney is mouthing I'm not here. So Jane lies

0:43:17.280 --> 0:43:20.000
<v Speaker 3>and tells her mother that Sydney mentioned visiting a college

0:43:20.000 --> 0:43:22.720
<v Speaker 3>friend for Winter Carnival and tells her not to worry.

0:43:23.080 --> 0:43:25.480
<v Speaker 3>Michael looks at Jane, throws his napkin down on the table,

0:43:25.520 --> 0:43:26.600
<v Speaker 3>and leaves the room.

0:43:27.160 --> 0:43:32.880
<v Speaker 5>She only lies because they walked up to her. Yes, no,

0:43:33.040 --> 0:43:34.879
<v Speaker 5>and there's that innocent face.

0:43:35.000 --> 0:43:39.040
<v Speaker 6>But it's so interesting about this scene. And I watched

0:43:39.080 --> 0:43:42.120
<v Speaker 6>this a couple of times too, because I you have

0:43:42.200 --> 0:43:43.880
<v Speaker 6>to watch it again to know what I'm saying. But

0:43:44.080 --> 0:43:48.040
<v Speaker 6>I Jane changes her voice changes with when she's on

0:43:48.080 --> 0:43:50.560
<v Speaker 6>the phone with her mom to more of a little girl,

0:43:51.320 --> 0:43:56.680
<v Speaker 6>and she is lying for Sydney. My guest, this probably

0:43:56.680 --> 0:43:59.080
<v Speaker 6>does it all the time, had done it as an

0:43:59.239 --> 0:44:02.319
<v Speaker 6>older sister, and fell right back into that. And maybe

0:44:02.360 --> 0:44:04.239
<v Speaker 6>that's kind of why Michael's like you do. Think she

0:44:04.239 --> 0:44:06.600
<v Speaker 6>makes you do things you don't that aren't maybe authentic

0:44:06.640 --> 0:44:09.840
<v Speaker 6>to who Jane is that loves her and has protected

0:44:09.840 --> 0:44:12.960
<v Speaker 6>Sydney her whole life. Yeah, it was interesting to hear

0:44:13.040 --> 0:44:16.400
<v Speaker 6>my voice change like that. It wasn't even a conscious choice.

0:44:16.760 --> 0:44:17.359
<v Speaker 5>Oh cool.

0:44:17.440 --> 0:44:20.320
<v Speaker 7>Oh that's very sweet for you to have just learned

0:44:20.320 --> 0:44:26.080
<v Speaker 7>that you have a sister at all. Liked the idea

0:44:26.080 --> 0:44:30.200
<v Speaker 7>of what this relationship was, and I love that this

0:44:30.280 --> 0:44:34.080
<v Speaker 7>is new to both of us. Let's go, Yeah, I

0:44:34.200 --> 0:44:36.000
<v Speaker 7>love its kind.

0:44:35.840 --> 0:44:39.920
<v Speaker 2>Of harder jobs are people all of a sudden You

0:44:39.960 --> 0:44:42.120
<v Speaker 2>wake up in one morning and there's a sister you.

0:44:42.160 --> 0:44:44.200
<v Speaker 1>Have just trying to steal your job.

0:44:44.320 --> 0:44:46.680
<v Speaker 8>But okay, we already had history.

0:44:46.840 --> 0:44:49.280
<v Speaker 3>We have history, so now we're back in Ronda's apartment

0:44:49.320 --> 0:44:51.200
<v Speaker 3>and she's with Matt. She opens a box of feeling

0:44:51.200 --> 0:44:54.160
<v Speaker 3>a navy dress, which is the one that you'd seen

0:44:54.239 --> 0:44:57.880
<v Speaker 3>in the store window. Ronda says she's feeling smothered by Terrence,

0:44:57.920 --> 0:45:01.680
<v Speaker 3>and Matt says he's treating her well and that maybe

0:45:01.719 --> 0:45:04.839
<v Speaker 3>it's time to end their lonely Saturday nights watching old

0:45:04.920 --> 0:45:05.840
<v Speaker 3>romantic movies.

0:45:05.880 --> 0:45:07.680
<v Speaker 1>I'm thinking, what's Matt's going to do now?

0:45:08.120 --> 0:45:10.319
<v Speaker 6>I was like, Oh, we're gonna do poor man.

0:45:10.600 --> 0:45:13.160
<v Speaker 3>Ronda says it's a little terrifying, and Matt tells Ronde

0:45:13.200 --> 0:45:16.439
<v Speaker 3>if it wasn't terrifying, it wouldn't be love. So he's

0:45:16.520 --> 0:45:18.920
<v Speaker 3>kind of telling her to ignore the red flags, which,

0:45:19.040 --> 0:45:20.320
<v Speaker 3>you know whatever, He's a romantic.

0:45:21.160 --> 0:45:22.480
<v Speaker 1>So now we're back in Jane and.

0:45:22.400 --> 0:45:24.880
<v Speaker 3>Michael's apartment and Sydney's on the pull out couch when

0:45:24.960 --> 0:45:28.279
<v Speaker 3>Jane walks in, telling her good night. Sidney thanks Jane

0:45:28.320 --> 0:45:30.839
<v Speaker 3>for lying about her being there, and she knows it's

0:45:30.840 --> 0:45:34.239
<v Speaker 3>hard for Jane to lie, but she says, now you

0:45:34.320 --> 0:45:37.040
<v Speaker 3>know I went through all those times, and Jane tells

0:45:37.080 --> 0:45:39.840
<v Speaker 3>Sidney that she made lying look easy.

0:45:40.320 --> 0:45:43.520
<v Speaker 1>When Jane there's a little edge to Jane. God I

0:45:43.560 --> 0:45:46.279
<v Speaker 1>was like, good for you, Jane. Yeah.

0:45:46.400 --> 0:45:48.560
<v Speaker 3>Sydney explains to Jane that lying kind of makes you

0:45:48.600 --> 0:45:50.520
<v Speaker 3>hate yourself and that one day their parents will be

0:45:50.520 --> 0:45:53.319
<v Speaker 3>proud of her, and this is so sweet. Jane gets

0:45:53.320 --> 0:45:55.920
<v Speaker 3>into bed under the covers and recounts a funny memory

0:45:55.920 --> 0:45:57.640
<v Speaker 3>of the two of them from their summerhouse of the

0:45:57.719 --> 0:46:01.279
<v Speaker 3>lake in Michigan, which was so right. Really, that's what

0:46:01.320 --> 0:46:03.400
<v Speaker 3>I'm saying, So much history in these short scenes.

0:46:03.719 --> 0:46:06.160
<v Speaker 5>That was a great scene that really crackled. You know,

0:46:06.200 --> 0:46:10.160
<v Speaker 5>you're laughing, you guys remembering it. You could really see

0:46:10.200 --> 0:46:11.200
<v Speaker 5>it that you guys were there.

0:46:11.239 --> 0:46:15.320
<v Speaker 3>It was great, great, And then once are super bonded

0:46:15.400 --> 0:46:18.120
<v Speaker 3>and we're all numb, numb, nummy. Sidney tells Jane that

0:46:18.160 --> 0:46:21.080
<v Speaker 3>she needs direction, and she finally knows what she wants

0:46:21.080 --> 0:46:24.840
<v Speaker 3>to do. Guess what she wants to do, Guys, I

0:46:24.880 --> 0:46:25.600
<v Speaker 3>know that Laura.

0:46:26.680 --> 0:46:28.600
<v Speaker 8>I want to be exactly what you're going.

0:46:28.600 --> 0:46:34.120
<v Speaker 5>To be, not because of you. I don't expect you

0:46:34.160 --> 0:46:36.839
<v Speaker 5>to give me a job. Just look at my own job.

0:46:37.440 --> 0:46:39.879
<v Speaker 1>That is shocking. And Jane has a great idea, Hey,

0:46:39.960 --> 0:46:43.440
<v Speaker 1>maybe why don't you want to finish school, but Sydney says.

0:46:43.239 --> 0:46:46.120
<v Speaker 3>No, she she wants to do, and she says something about,

0:46:46.400 --> 0:46:48.640
<v Speaker 3>you know, it's easy to get along here on Little,

0:46:48.800 --> 0:46:51.360
<v Speaker 3>like apparently La was very different then, because that is

0:46:51.400 --> 0:46:53.879
<v Speaker 3>an easy place to get along on Little.

0:46:54.080 --> 0:46:56.640
<v Speaker 8>And she insists this time she's not going to fail.

0:46:57.640 --> 0:47:01.600
<v Speaker 3>Yeah, it'll be different this time, right, ye one thing,

0:47:01.640 --> 0:47:03.239
<v Speaker 3>I know it'll be different this time.

0:47:03.280 --> 0:47:06.280
<v Speaker 2>I'm gonna mow you over, but I'm not going because

0:47:06.840 --> 0:47:08.680
<v Speaker 2>making it in Elle is simple.

0:47:09.040 --> 0:47:12.040
<v Speaker 1>Super easy, super easy. So we're back at k Beacon

0:47:12.080 --> 0:47:12.920
<v Speaker 1>Design Studios.

0:47:13.000 --> 0:47:15.240
<v Speaker 3>Kay is working with Jane on her design and says

0:47:15.800 --> 0:47:18.280
<v Speaker 3>she was actually right about the eggflant color, so victory

0:47:18.320 --> 0:47:22.480
<v Speaker 3>for Jane, and all of a sudden, Sydney walks in

0:47:22.680 --> 0:47:26.000
<v Speaker 3>with her red beret and her leather jacket, carrying a

0:47:26.040 --> 0:47:29.160
<v Speaker 3>box of donuts. She's just here to be nice and

0:47:29.200 --> 0:47:33.279
<v Speaker 3>offer up donuts. Jane moves the box because she puts

0:47:33.320 --> 0:47:34.640
<v Speaker 3>him down on her design.

0:47:35.000 --> 0:47:37.440
<v Speaker 8>Excuse me, at least it wasn't the boots.

0:47:38.719 --> 0:47:39.120
<v Speaker 1>It wasn't.

0:47:39.880 --> 0:47:43.319
<v Speaker 3>And she has Kay's favorite chocolate and Kay mentions they

0:47:43.320 --> 0:47:46.160
<v Speaker 3>go better with milk, so Sydney says she will get

0:47:46.239 --> 0:47:49.000
<v Speaker 3>some milk, and then Jane tells Sidney she should be

0:47:49.000 --> 0:47:51.680
<v Speaker 3>out sight seeing, but Sydney says that she likes running

0:47:51.760 --> 0:47:52.480
<v Speaker 3>errands for k.

0:47:55.000 --> 0:47:56.120
<v Speaker 1>The lines are blurring.

0:47:57.800 --> 0:47:59.840
<v Speaker 3>Jane tells Sidney not to get the impression that she

0:47:59.880 --> 0:48:03.960
<v Speaker 3>has there's a job there. Sydney walks away, and we

0:48:04.040 --> 0:48:06.040
<v Speaker 3>are left feeling vaguely uncomfortable.

0:48:07.200 --> 0:48:08.560
<v Speaker 6>Okay, I right.

0:48:08.600 --> 0:48:09.640
<v Speaker 1>We're back in the courtyard.

0:48:09.719 --> 0:48:11.279
<v Speaker 3>Jake is getting on his bike in the court air

0:48:11.360 --> 0:48:14.439
<v Speaker 3>when Joe comes running down the stairs. Joe tells Jake

0:48:14.440 --> 0:48:16.480
<v Speaker 3>the photos came out great. Joe asked Jake if he

0:48:16.520 --> 0:48:19.319
<v Speaker 3>wants to see them. Jake says pass. Joe tells Jake

0:48:19.360 --> 0:48:21.360
<v Speaker 3>that she can't accept something from him without, I mean

0:48:21.480 --> 0:48:24.480
<v Speaker 3>something to give back. She says it's too much pressure.

0:48:24.640 --> 0:48:26.799
<v Speaker 3>Jake tells Joe that he doesn't want anything from her

0:48:26.880 --> 0:48:32.080
<v Speaker 3>and that he's not her husband. Oh, he's so trying

0:48:32.400 --> 0:48:35.600
<v Speaker 3>to get her to see him as who he is,

0:48:35.760 --> 0:48:37.680
<v Speaker 3>which is just genuinely wonderful guy.

0:48:37.800 --> 0:48:40.160
<v Speaker 1>Right, It's so sweet.

0:48:41.680 --> 0:48:44.240
<v Speaker 3>So then we're back at Shooters and Billy and Allison

0:48:44.239 --> 0:48:46.359
<v Speaker 3>are walking to the table at Shooters. Alison doesn't want

0:48:46.400 --> 0:48:48.040
<v Speaker 3>to be there. She can't believe she let him talk

0:48:48.080 --> 0:48:50.480
<v Speaker 3>him into it. She'll only stay for two drinks, and

0:48:50.520 --> 0:48:53.400
<v Speaker 3>then she sees Tom she's.

0:48:53.520 --> 0:48:54.040
<v Speaker 5>Sort of.

0:48:55.520 --> 0:49:01.439
<v Speaker 1>Everything changes. Tom is a door. Doest me go back

0:49:01.440 --> 0:49:02.840
<v Speaker 1>and see? Like what his name is?

0:49:02.840 --> 0:49:05.479
<v Speaker 3>He's so adorable, he's one of those Watkins and Ted

0:49:05.520 --> 0:49:11.520
<v Speaker 3>Watkins absolutely adorable. Yeah, yeah, adorable casting And she sits

0:49:11.520 --> 0:49:14.200
<v Speaker 3>down right next to him and they start chatting away.

0:49:14.600 --> 0:49:16.600
<v Speaker 3>He's satting to be aware at UCLA, he's in the

0:49:16.680 --> 0:49:21.200
<v Speaker 3>DA's office. Tom as Allison what she does. Billy answers

0:49:21.239 --> 0:49:23.600
<v Speaker 3>for Allison because he's trying to get his way in there.

0:49:23.960 --> 0:49:26.840
<v Speaker 3>Tom says that sounds great. Tom and Allison smile at

0:49:26.880 --> 0:49:31.480
<v Speaker 3>each other, and Billy doesn't look happy.

0:49:31.880 --> 0:49:32.760
<v Speaker 8>I love this idea.

0:49:32.880 --> 0:49:35.640
<v Speaker 1>Maybe this is a bad idea now what him thinking.

0:49:35.480 --> 0:49:36.160
<v Speaker 5>Was going to happen?

0:49:36.200 --> 0:49:38.880
<v Speaker 2>I just want to know, Like he's suddenly like no

0:49:39.040 --> 0:49:39.839
<v Speaker 2>I did I had?

0:49:39.840 --> 0:49:40.600
<v Speaker 5>This isn't working.

0:49:40.719 --> 0:49:42.640
<v Speaker 8>What did he think was going to happen there? His

0:49:42.719 --> 0:49:44.840
<v Speaker 8>handsome friend Tuck Watkins was.

0:49:44.840 --> 0:49:47.520
<v Speaker 6>Going to be like you gross, like she's you know,

0:49:47.640 --> 0:49:50.200
<v Speaker 6>guys might not think of another guy as super handsome.

0:49:50.239 --> 0:49:53.360
<v Speaker 6>And he also probably was realizing like all his feelings

0:49:53.360 --> 0:49:56.200
<v Speaker 6>were coming up seeing her with someone Else's probably so

0:49:56.280 --> 0:49:56.960
<v Speaker 6>much going on.

0:49:57.360 --> 0:50:00.719
<v Speaker 3>Yeah, yeah, they seem Alison and Billy are not so

0:50:00.760 --> 0:50:04.680
<v Speaker 3>smart even though it's weird obviously sleeping together off camera,

0:50:04.760 --> 0:50:07.640
<v Speaker 3>but we don't. The camera start rolling obvious super stupid,

0:50:07.640 --> 0:50:12.000
<v Speaker 3>and we forget about so. Back at k Beacon Design

0:50:12.080 --> 0:50:14.839
<v Speaker 3>studio at night, Jane is working late. Sydney walks into

0:50:14.920 --> 0:50:18.120
<v Speaker 3>a cigarette, of course, but careful not to smoke constantly

0:50:18.160 --> 0:50:20.799
<v Speaker 3>because you'll have to match it. Tells Jane that she

0:50:20.880 --> 0:50:23.320
<v Speaker 3>needs to leave work. Sidney says, they have some serious

0:50:23.320 --> 0:50:27.160
<v Speaker 3>praying to do at the club Flaming Colossus, which is

0:50:27.200 --> 0:50:28.479
<v Speaker 3>such a great club name.

0:50:28.920 --> 0:50:29.680
<v Speaker 1>Jane can't leave.

0:50:30.320 --> 0:50:32.120
<v Speaker 5>We did have one like that. I think that was

0:50:32.160 --> 0:50:33.520
<v Speaker 5>a real name, doesn't really.

0:50:33.640 --> 0:50:36.040
<v Speaker 2>I used to go to these clubs all the time downtown.

0:50:36.080 --> 0:50:38.000
<v Speaker 2>They've been in different places, powerhouse.

0:50:39.760 --> 0:50:41.759
<v Speaker 5>I can't even think of them there all. I think

0:50:41.800 --> 0:50:43.200
<v Speaker 5>that something like that.

0:50:43.320 --> 0:50:45.800
<v Speaker 1>I remember, did you go with your motorcycle riding friends?

0:50:45.880 --> 0:50:47.960
<v Speaker 1>Is that probably?

0:50:48.160 --> 0:50:48.440
<v Speaker 5>Yeah?

0:50:48.560 --> 0:50:50.719
<v Speaker 1>But didn't hear about it. That's funny.

0:50:50.800 --> 0:50:53.880
<v Speaker 3>Sidney tells Jane not to be such a dwep. We

0:50:53.960 --> 0:50:58.160
<v Speaker 3>have lowdeb mind, sir. It's Friday night, Sidney says. Kay

0:50:58.280 --> 0:51:01.640
<v Speaker 3>is cool. Jane tells d that Kate is her boss,

0:51:01.840 --> 0:51:05.080
<v Speaker 3>trying desperately to like bring her down a bit. Kate

0:51:05.160 --> 0:51:07.799
<v Speaker 3>comes to the door until Sydney they are leaving.

0:51:07.840 --> 0:51:08.399
<v Speaker 8>Wants it.

0:51:09.400 --> 0:51:13.279
<v Speaker 3>H So Jane watches Sydney and her boss go out

0:51:13.320 --> 0:51:16.160
<v Speaker 3>partying just late work.

0:51:16.280 --> 0:51:17.800
<v Speaker 8>But wearing red tights.

0:51:17.880 --> 0:51:23.839
<v Speaker 6>I will add, yes, popped right straight on your head,

0:51:23.920 --> 0:51:27.399
<v Speaker 6>like it's just a little little little mushroom girl.

0:51:26.960 --> 0:51:30.600
<v Speaker 2>First of the first beret sighting, actually, yeah, we're starting

0:51:30.640 --> 0:51:31.600
<v Speaker 2>to see a lot of these.

0:51:31.719 --> 0:51:33.600
<v Speaker 1>Fashion talked about that beret.

0:51:33.719 --> 0:51:36.360
<v Speaker 6>Actually, I love that.

0:51:36.520 --> 0:51:38.800
<v Speaker 7>I love that Josie noticed that it was perfectly square

0:51:38.840 --> 0:51:39.480
<v Speaker 7>on the top of.

0:51:40.080 --> 0:51:46.200
<v Speaker 6>Yeah a little. It's so good that it was, yes,

0:51:46.320 --> 0:51:48.799
<v Speaker 6>because you look like you're trying so hard.

0:51:49.320 --> 0:51:52.759
<v Speaker 7>Or like in retrospect, I wonder was that a matching thing, like, oh,

0:51:53.440 --> 0:51:56.080
<v Speaker 7>let's not like this way, we won't have to match

0:51:56.080 --> 0:51:58.160
<v Speaker 7>it if we don't pick a side, or if we

0:51:58.200 --> 0:52:01.640
<v Speaker 7>don't have to remember which side it's. Yeah, I don't know,

0:52:01.719 --> 0:52:03.400
<v Speaker 7>Hockley square, it'll always match.

0:52:03.840 --> 0:52:07.239
<v Speaker 3>My guests were so new and you were Costumer's dream

0:52:07.239 --> 0:52:09.080
<v Speaker 3>because you look great in anything, and I bet she

0:52:09.080 --> 0:52:11.319
<v Speaker 3>could put it. You were like, okay, okay, okay, So

0:52:11.400 --> 0:52:12.920
<v Speaker 3>she got to really have fun with you.

0:52:13.040 --> 0:52:13.840
<v Speaker 1>Is that what you remember?

0:52:14.040 --> 0:52:14.200
<v Speaker 6>Well?

0:52:14.239 --> 0:52:17.040
<v Speaker 7>I definitely was game for whatever, and I thought it

0:52:17.080 --> 0:52:20.239
<v Speaker 7>was super fun to dress for the character. You know,

0:52:20.280 --> 0:52:22.440
<v Speaker 7>it wasn't It wasn't about me at all. It wasn't my,

0:52:23.080 --> 0:52:26.279
<v Speaker 7>but I did. The leather jacket was mine. And I

0:52:26.320 --> 0:52:27.960
<v Speaker 7>think I've told that story before that that was the

0:52:28.040 --> 0:52:30.560
<v Speaker 7>leather jacket that I'd worn in my audition, that Aaron

0:52:30.640 --> 0:52:32.680
<v Speaker 7>Spelling said keep the jacket, and so.

0:52:33.080 --> 0:52:35.680
<v Speaker 8>Sydney wears it in every scene.

0:52:35.480 --> 0:52:37.040
<v Speaker 1>And exactly it's good.

0:52:39.320 --> 0:52:39.480
<v Speaker 5>Hi.

0:52:39.800 --> 0:52:42.360
<v Speaker 9>I'm Kristin Davis, and I want to know, are you

0:52:42.400 --> 0:52:45.960
<v Speaker 9>a Charlotte. In nineteen ninety seven, my life was forever

0:52:46.120 --> 0:52:48.560
<v Speaker 9>changed when I took on the role of Charlotte York

0:52:48.920 --> 0:52:51.720
<v Speaker 9>on a new HBO show called Sex and the City.

0:52:52.040 --> 0:52:56.640
<v Speaker 9>As we watched Carrie, Samantha, Miranda, and Charlotte navigate relationships

0:52:56.640 --> 0:53:00.000
<v Speaker 9>in New York City, the show helped push once unacceptable

0:53:00.160 --> 0:53:03.960
<v Speaker 9>conversation topics out of the shadows and altered the narrative

0:53:04.040 --> 0:53:07.160
<v Speaker 9>around women and sex. We all saw ourselves in them

0:53:07.239 --> 0:53:10.680
<v Speaker 9>as they searched for fulfillment in life, sex and friendships.

0:53:10.920 --> 0:53:13.720
<v Speaker 9>Now I want to connect with you and share untold

0:53:13.760 --> 0:53:18.080
<v Speaker 9>stories and all the behind the scenes together with special guests.

0:53:18.280 --> 0:53:20.720
<v Speaker 9>What will begin with Sex and the City will evolve

0:53:20.760 --> 0:53:24.120
<v Speaker 9>into talks about themes that are still so relevant today.

0:53:24.719 --> 0:53:27.279
<v Speaker 9>Are You a Charlotte is a much more than just

0:53:27.480 --> 0:53:30.880
<v Speaker 9>rewatching our beloved show. It brings the past and the

0:53:30.880 --> 0:53:34.719
<v Speaker 9>present together as we talk with heart, humor, and of

0:53:34.760 --> 0:53:38.920
<v Speaker 9>course some optimism. Listen to Are You a Charlotte on

0:53:38.960 --> 0:53:43.680
<v Speaker 9>the iHeartRadio app, Apple podcast or wherever you get your podcasts.

0:53:46.520 --> 0:53:47.880
<v Speaker 1>All right, so we're back in Shooters.

0:53:47.880 --> 0:53:51.440
<v Speaker 3>Tom and Allison are laughing and engaging conversations. So I

0:53:51.640 --> 0:53:53.839
<v Speaker 3>was watching this again while I was blow drying my hair,

0:53:53.920 --> 0:53:57.279
<v Speaker 3>so I had the subtitles on and when I laugh,

0:53:57.320 --> 0:54:00.840
<v Speaker 3>which my laugh goes ha ha ha ha.

0:54:04.160 --> 0:54:05.920
<v Speaker 5>That's hilarious.

0:54:07.960 --> 0:54:09.520
<v Speaker 3>In a row, I was like, yeah, that sounds right.

0:54:09.960 --> 0:54:13.040
<v Speaker 3>So Tom compliments Alison eyes and Billy.

0:54:12.880 --> 0:54:16.880
<v Speaker 1>Goes, whoa, look, we gotta go funny.

0:54:17.600 --> 0:54:20.520
<v Speaker 3>Tom has to be early for court, but they're not

0:54:20.680 --> 0:54:23.759
<v Speaker 3>slowing down, and Alison's about to ask him about for

0:54:23.840 --> 0:54:27.440
<v Speaker 3>Saturday night when Billy suddenly says, oh, no, I like

0:54:27.560 --> 0:54:32.239
<v Speaker 3>the stove one. Yeah, so adorable and grabs Alison and

0:54:32.360 --> 0:54:34.880
<v Speaker 3>drags her out. As you're walking out, Alison asked him

0:54:34.920 --> 0:54:37.360
<v Speaker 3>what his problem is, but Billy says he started to

0:54:37.360 --> 0:54:41.120
<v Speaker 3>feel weird, like he doesn't really know why, and he didn't,

0:54:41.160 --> 0:54:43.719
<v Speaker 3>but he does say he didn't realize how it would

0:54:43.719 --> 0:54:46.160
<v Speaker 3>make him feel to have one of his friends, which

0:54:46.200 --> 0:54:47.160
<v Speaker 3>is really honest.

0:54:47.760 --> 0:54:52.239
<v Speaker 6>Yes, I love how Andrew plays Billy. I'm noticing it

0:54:52.280 --> 0:54:55.160
<v Speaker 6>now more than ever. But just he just says stuff

0:54:55.520 --> 0:54:57.160
<v Speaker 6>and just and I think it's kind of who he

0:54:57.239 --> 0:55:00.800
<v Speaker 6>is as well as a person open, very open.

0:55:00.960 --> 0:55:03.440
<v Speaker 1>Yeah, there's so charming image.

0:55:03.600 --> 0:55:04.160
<v Speaker 6>I love it.

0:55:04.760 --> 0:55:09.160
<v Speaker 3>Yeah, he's so so charmingly. She won't date his friends

0:55:09.160 --> 0:55:11.080
<v Speaker 3>and she won't go to the advertising thing.

0:55:11.680 --> 0:55:14.439
<v Speaker 1>Fine, she says, she can't, fine do that.

0:55:14.600 --> 0:55:14.920
<v Speaker 8>Fine.

0:55:15.000 --> 0:55:15.360
<v Speaker 1>Fine.

0:55:15.840 --> 0:55:18.520
<v Speaker 3>So then we're at this very fancy dinner party with

0:55:18.960 --> 0:55:22.719
<v Speaker 3>Ronda and Terence and it's very fancy and they're talking

0:55:22.719 --> 0:55:25.920
<v Speaker 3>about the symphony and how out of How out of

0:55:27.120 --> 0:55:30.440
<v Speaker 3>Overture is so overplayed well, in its defense, it was

0:55:30.440 --> 0:55:30.920
<v Speaker 3>written in.

0:55:30.840 --> 0:55:32.799
<v Speaker 1>Eighteen twelve, so it's been played quite but it's had

0:55:32.840 --> 0:55:33.920
<v Speaker 1>a long time to get over played.

0:55:34.520 --> 0:55:38.000
<v Speaker 3>Denise says that this generation is in a cultural famine,

0:55:38.400 --> 0:55:41.200
<v Speaker 3>and Ronda says there are real famines to worry about,

0:55:41.280 --> 0:55:43.480
<v Speaker 3>which is she's bringing sort of, She's trying to keep

0:55:43.520 --> 0:55:46.640
<v Speaker 3>it real in this group of very, very fancy people.

0:55:47.239 --> 0:55:49.920
<v Speaker 3>And when he asked, when Denise says, Ronda, what she does?

0:55:50.320 --> 0:55:54.040
<v Speaker 3>Terrence talks over her and says that Mironda is a

0:55:54.120 --> 0:55:58.720
<v Speaker 3>dancer and she's between companies and considering her options. Ronda

0:55:58.760 --> 0:56:02.480
<v Speaker 3>corrects Terrence until Denise that she teaches hip hop's hip

0:56:02.520 --> 0:56:03.280
<v Speaker 3>hop hip hops.

0:56:03.719 --> 0:56:06.680
<v Speaker 1>That's the uncle Liam teaches hip hop.

0:56:07.080 --> 0:56:09.520
<v Speaker 3>And Denise looks at the other guests and says, my

0:56:09.640 --> 0:56:10.600
<v Speaker 3>point exactly.

0:56:10.840 --> 0:56:11.760
<v Speaker 1>Do we hate Denise?

0:56:12.160 --> 0:56:12.920
<v Speaker 5>Ye?

0:56:13.160 --> 0:56:13.560
<v Speaker 8>Thank you?

0:56:13.680 --> 0:56:16.920
<v Speaker 1>Yes, we hate Denise super very predicious.

0:56:17.640 --> 0:56:21.239
<v Speaker 3>Yes. So then we're back at Ronda's that night, and

0:56:21.400 --> 0:56:25.960
<v Speaker 3>Ronda is mad, obviously, and Terrence asks her what's wrong,

0:56:26.080 --> 0:56:28.520
<v Speaker 3>and she says, why did you feel like you had

0:56:28.520 --> 0:56:29.359
<v Speaker 3>to lie about her?

0:56:29.760 --> 0:56:31.160
<v Speaker 1>Terrence says, Ronda, her brother hurt.

0:56:31.200 --> 0:56:34.560
<v Speaker 3>Somebody really cares about her, rather than risping her herself again,

0:56:35.000 --> 0:56:38.200
<v Speaker 3>putting it on her, even though he's the one who

0:56:38.239 --> 0:56:40.800
<v Speaker 3>lied for her and actually made her feel ashamed.

0:56:40.800 --> 0:56:41.840
<v Speaker 1>Although she didn't take it on.

0:56:42.719 --> 0:56:45.400
<v Speaker 3>She agrees, opens the door and says good night, Terrence,

0:56:45.480 --> 0:56:46.520
<v Speaker 3>and Terrence leaves.

0:56:46.680 --> 0:56:47.759
<v Speaker 1>She's really like it.

0:56:47.760 --> 0:56:51.560
<v Speaker 6>Was great and that yeah, strong, isn't she very strong?

0:56:51.920 --> 0:56:52.760
<v Speaker 6>Really strong?

0:56:52.840 --> 0:56:54.200
<v Speaker 1>She didn't get intimidated.

0:56:54.560 --> 0:56:56.920
<v Speaker 3>She realized they were potentially I have to say at

0:56:56.920 --> 0:56:59.640
<v Speaker 3>that age in that position, I would have been intimidated,

0:57:00.520 --> 0:57:02.200
<v Speaker 3>like yeah said what he said?

0:57:02.320 --> 0:57:02.520
<v Speaker 6>Yeah?

0:57:03.239 --> 0:57:04.360
<v Speaker 5>Or nothing, say nothing?

0:57:04.400 --> 0:57:08.359
<v Speaker 6>And you know, yes, yeah, she's that fantastic. It's great.

0:57:08.520 --> 0:57:13.960
<v Speaker 1>Now we're back at Jake's apartment and this hello. Jake

0:57:14.200 --> 0:57:15.000
<v Speaker 1>is sitting on the.

0:57:14.880 --> 0:57:17.120
<v Speaker 3>Couch and opens a book of poems that Joe had

0:57:17.160 --> 0:57:20.520
<v Speaker 3>mentioned and starts reading, and I'm like, oh my god,

0:57:20.600 --> 0:57:22.960
<v Speaker 3>Grant Show is reading poetry on the couch.

0:57:23.080 --> 0:57:24.400
<v Speaker 6>It was such a sweet scene.

0:57:24.720 --> 0:57:28.840
<v Speaker 3>And then a million girls sighed at the same time. Right, yeah, right,

0:57:29.080 --> 0:57:31.200
<v Speaker 3>Now we're back at Jane and Michael's apartment. Sydney came

0:57:31.240 --> 0:57:33.720
<v Speaker 3>into the apartment after a night at the club. Sydney

0:57:33.720 --> 0:57:36.120
<v Speaker 3>tells Jane she has had the best time, and Jane

0:57:36.160 --> 0:57:38.360
<v Speaker 3>tells Sidney it's late and she was worried sick about

0:57:38.360 --> 0:57:41.120
<v Speaker 3>her because now she feels like the mom of her

0:57:41.480 --> 0:57:42.120
<v Speaker 3>crazy sister.

0:57:42.480 --> 0:57:43.320
<v Speaker 1>Sidney tells jan.

0:57:43.280 --> 0:57:45.640
<v Speaker 3>To lighten up, and that's just the most incredible thing

0:57:45.680 --> 0:57:49.440
<v Speaker 3>to tell her. And the thing is, Jane says, Sidney

0:57:49.480 --> 0:57:52.280
<v Speaker 3>is going to ruin everything that Jane has been working toward.

0:57:52.760 --> 0:57:55.080
<v Speaker 3>Sidney says she was only trying to help, and Jane

0:57:55.120 --> 0:57:58.040
<v Speaker 3>tells Sidney not to worry about herself. Jane leaves the

0:57:58.120 --> 0:58:02.280
<v Speaker 3>room and slams the door. So Sydney is, I've gotten

0:58:02.280 --> 0:58:05.320
<v Speaker 3>her incredible news out, but we I'm like this feeling

0:58:05.360 --> 0:58:05.800
<v Speaker 3>of dread.

0:58:06.080 --> 0:58:07.600
<v Speaker 1>Yeah.

0:58:07.640 --> 0:58:11.200
<v Speaker 3>So we're in Joe's apartment this scene, I'm still thinking

0:58:11.200 --> 0:58:13.959
<v Speaker 3>about it. Joe answers a knock at her apartment door

0:58:15.360 --> 0:58:19.640
<v Speaker 3>and Jake slash Grant is standing there in a beige

0:58:19.720 --> 0:58:24.959
<v Speaker 3>Kashmir sweater with a crew neck t so hello, yeah,

0:58:25.000 --> 0:58:30.320
<v Speaker 3>and starts reciting poetry The Dance by William Carlos Williams.

0:58:30.720 --> 0:58:36.880
<v Speaker 6>It was beautiful memories. Yeah, it was great, super smoad.

0:58:36.960 --> 0:58:41.200
<v Speaker 5>That would you call that oatmeal v next Kashmir?

0:58:41.280 --> 0:58:45.640
<v Speaker 2>But it was a waffle textured T shirt, like a

0:58:45.880 --> 0:58:48.440
<v Speaker 2>like a one of those like a flannel or something,

0:58:49.320 --> 0:58:52.160
<v Speaker 2>but the waffle textra kind of like underneath.

0:58:52.200 --> 0:58:55.440
<v Speaker 5>And you're just, I mean, so Denise wingate our costumers.

0:58:56.040 --> 0:58:57.600
<v Speaker 1>Yeah, it's thoughtful.

0:58:57.600 --> 0:59:01.360
<v Speaker 2>Trying to leave that, but it's right there with him.

0:59:01.760 --> 0:59:06.960
<v Speaker 3>Well, yeah, so he recites this beautiful poem and then

0:59:07.160 --> 0:59:10.520
<v Speaker 3>I look to measure poetry in dollars, and that Joe

0:59:10.520 --> 0:59:13.840
<v Speaker 3>gave him something you can't put a price on. Joe

0:59:13.880 --> 0:59:16.040
<v Speaker 3>closes the door and admits that she loves the bike

0:59:16.160 --> 0:59:18.320
<v Speaker 3>and excitedly tells Jake that she wants to show him

0:59:18.320 --> 0:59:20.720
<v Speaker 3>the photos from the beach when the phone rings. So

0:59:20.960 --> 0:59:23.480
<v Speaker 3>just as we think, oh sweet, it's gonna be yummy,

0:59:23.480 --> 0:59:26.560
<v Speaker 3>you know, okay, Joe picks up the phone and says

0:59:26.840 --> 0:59:28.720
<v Speaker 3>how did you get this number? In a tone of

0:59:28.840 --> 0:59:32.360
<v Speaker 3>voice that we know there's something wrong, and she warns

0:59:32.360 --> 0:59:34.840
<v Speaker 3>to call her never to call again, and then she

0:59:34.880 --> 0:59:38.160
<v Speaker 3>tells Jake that it was her husband on the phone. Oh,

0:59:38.560 --> 0:59:43.720
<v Speaker 3>he ruins everything right, Ull, Yes, yes, he's here. So

0:59:43.760 --> 0:59:46.800
<v Speaker 3>then we're back at Billy and Alison's apartment. Allison is

0:59:46.840 --> 0:59:48.720
<v Speaker 3>writing a check at her desk when Billy walks in

0:59:48.760 --> 0:59:52.240
<v Speaker 3>with the paper. Alison ignores him. He apologizes and says,

0:59:52.240 --> 0:59:54.479
<v Speaker 3>we'd like to make it up to Allison. Allison says,

0:59:54.560 --> 0:59:59.440
<v Speaker 3>don't bother because she's Alison. Billy says he called the

0:59:59.480 --> 1:00:02.760
<v Speaker 3>writing eminar and forfeited his deposit to take Alis into

1:00:02.760 --> 1:00:05.919
<v Speaker 3>the advertising ball and she asks him why he would

1:00:05.960 --> 1:00:09.920
<v Speaker 3>do that, and Billy replies that's what friends do, and

1:00:09.920 --> 1:00:13.720
<v Speaker 3>we're all thinking friends, yeah, right, and then Alison smiles

1:00:13.760 --> 1:00:14.520
<v Speaker 3>and thanks Billy.

1:00:14.840 --> 1:00:17.400
<v Speaker 1>Billy so he always always comes through in the end.

1:00:18.120 --> 1:00:20.560
<v Speaker 3>Now, We're back in Jane and Michael's apartment in the morning,

1:00:20.680 --> 1:00:22.280
<v Speaker 3>Jane and Michael getting ready for work.

1:00:22.360 --> 1:00:24.720
<v Speaker 1>Michael is asking how long this will go on?

1:00:25.720 --> 1:00:26.360
<v Speaker 8>How much long?

1:00:26.480 --> 1:00:29.760
<v Speaker 1>Jane again, can't just throw Sidney out again? This is

1:00:29.760 --> 1:00:31.560
<v Speaker 1>his main line in this story.

1:00:31.680 --> 1:00:33.800
<v Speaker 5>He just wants her out And I'm like, yes.

1:00:33.720 --> 1:00:34.520
<v Speaker 1>Yes, I know.

1:00:35.000 --> 1:00:38.040
<v Speaker 3>And Jane says she can't imagine that Sydney will stay

1:00:38.120 --> 1:00:41.680
<v Speaker 3>much longer After what she said, Jane walks out of

1:00:41.680 --> 1:00:44.280
<v Speaker 3>the kitchen. Sidney is drinking juice out of the curtain.

1:00:44.160 --> 1:00:46.920
<v Speaker 1>Because of course she is. You do because as you

1:00:47.000 --> 1:00:48.160
<v Speaker 1>do in someone else's home.

1:00:49.040 --> 1:00:51.920
<v Speaker 3>Jane what her planned for the day is. Sydney retorts

1:00:51.920 --> 1:00:54.080
<v Speaker 3>that she's going to figure out a way to help herself.

1:00:54.880 --> 1:00:58.800
<v Speaker 3>Jane says fine and walk out. Now we're in the

1:00:58.840 --> 1:01:01.720
<v Speaker 3>Cave Beacon design suit and Jane is presenting her work

1:01:01.800 --> 1:01:04.600
<v Speaker 3>to Kay in her office. Kay praises Jane for her

1:01:04.640 --> 1:01:07.640
<v Speaker 3>work and asks where Sydney is. Jane tells her that

1:01:07.680 --> 1:01:09.800
<v Speaker 3>she doesn't think Sydney is coming into the office today.

1:01:09.920 --> 1:01:12.520
<v Speaker 3>Kay says that Sydney idolizes Jane and wants to be

1:01:12.720 --> 1:01:15.040
<v Speaker 3>like her. Kay tells Jane not to worried about Sidney,

1:01:15.120 --> 1:01:17.959
<v Speaker 3>she will land on her feet. Just then, Sidney walks

1:01:18.000 --> 1:01:21.040
<v Speaker 3>into the office with a box of donuts brings them

1:01:21.080 --> 1:01:23.920
<v Speaker 3>over to Kay and Jane. Jane asked what Sidney is

1:01:23.960 --> 1:01:26.680
<v Speaker 3>doing their Sydney tells Jane that Kay hired her as

1:01:26.720 --> 1:01:29.960
<v Speaker 3>her personal assistant while they were at the club. So,

1:01:30.040 --> 1:01:33.080
<v Speaker 3>I guess you know what Sidney Jane last night?

1:01:33.360 --> 1:01:34.520
<v Speaker 6>Yeah, I didn't like that.

1:01:35.240 --> 1:01:37.640
<v Speaker 5>That a betrayal. You guys are talking, She comes up

1:01:37.760 --> 1:01:39.440
<v Speaker 5>talking about it. Oh, I know what you mean, a

1:01:39.520 --> 1:01:41.120
<v Speaker 5>younger sister. It's annoying.

1:01:41.520 --> 1:01:43.840
<v Speaker 6>Yeah, and then turns around and hire and then tells

1:01:43.840 --> 1:01:44.920
<v Speaker 6>me she hired her.

1:01:45.400 --> 1:01:46.360
<v Speaker 5>If it's okay with you.

1:01:47.200 --> 1:01:47.920
<v Speaker 6>It's the first thing.

1:01:48.280 --> 1:01:50.800
<v Speaker 3>Jane is so good, does all the right things. Her

1:01:50.840 --> 1:01:53.760
<v Speaker 3>boss and Sydney are against her, her husband. It's like

1:01:53.840 --> 1:01:56.320
<v Speaker 3>everywhere you feel left out of these little thing.

1:01:56.240 --> 1:01:59.080
<v Speaker 6>That happens when you don't have boundaries, though, I think

1:01:59.440 --> 1:01:59.920
<v Speaker 6>you get.

1:01:59.720 --> 1:02:02.400
<v Speaker 1>Walked true so true.

1:02:02.880 --> 1:02:05.640
<v Speaker 7>Then, like Kay, Kay reveals that she can really relate,

1:02:05.760 --> 1:02:07.480
<v Speaker 7>like you know, Jane is saying, well, how do you

1:02:07.520 --> 1:02:09.959
<v Speaker 7>know so much? And we kind of see that Kay

1:02:10.040 --> 1:02:14.240
<v Speaker 7>is alluding to the idea that that's her personality too, Like, well,

1:02:14.280 --> 1:02:17.840
<v Speaker 7>I I sympathize with that because I am that too,

1:02:18.280 --> 1:02:20.439
<v Speaker 7>And I don't know did anybody this was the first

1:02:20.520 --> 1:02:24.240
<v Speaker 7>appearance of leopard print on notice that I think for

1:02:24.240 --> 1:02:28.400
<v Speaker 7>for Sidney, that asymmetrical skirt in this in this entrance strange.

1:02:28.520 --> 1:02:29.560
<v Speaker 5>It looked like a carpet.

1:02:30.720 --> 1:02:32.680
<v Speaker 6>It was a good choice skirt triangle.

1:02:33.000 --> 1:02:34.520
<v Speaker 8>I think it was a Christmas choice skirt.

1:02:34.560 --> 1:02:40.120
<v Speaker 7>And then I think it's so adorable.

1:02:40.240 --> 1:02:44.160
<v Speaker 3>And then Sydney walks away and Kay tells Jane, only

1:02:44.200 --> 1:02:47.560
<v Speaker 3>if it's okay with you, of course, completely insincere and

1:02:47.640 --> 1:02:54.760
<v Speaker 3>such ab so from possibly aggressively says totally, it's fine.

1:02:54.720 --> 1:02:56.400
<v Speaker 6>It's fine, everything's fine.

1:02:56.680 --> 1:03:01.760
<v Speaker 1>It's fine. I'm not going to eat a chocolate cake

1:03:01.760 --> 1:03:02.360
<v Speaker 1>on my way.

1:03:02.600 --> 1:03:03.280
<v Speaker 5>It's so funny.

1:03:03.320 --> 1:03:05.560
<v Speaker 2>I find it's like, you know, you want to say

1:03:05.560 --> 1:03:07.480
<v Speaker 2>to the actors, well was that?

1:03:07.480 --> 1:03:08.840
<v Speaker 5>Did it bother you to play it that way?

1:03:08.880 --> 1:03:11.560
<v Speaker 2>And you're like, I just got married, I had, I

1:03:11.680 --> 1:03:12.320
<v Speaker 2>got a job.

1:03:12.440 --> 1:03:14.800
<v Speaker 5>I'm saying the lines. What's no, I didn't have a

1:03:14.840 --> 1:03:17.040
<v Speaker 5>problem with it? Is that how you felt?

1:03:17.840 --> 1:03:21.840
<v Speaker 6>I guess I was. I started looking back at how Yeah,

1:03:21.880 --> 1:03:24.440
<v Speaker 6>they were like talking about my back. Now they're talking

1:03:24.760 --> 1:03:29.200
<v Speaker 6>I just didn't you know, it's it's all new and

1:03:29.240 --> 1:03:32.440
<v Speaker 6>in general, God, like I was watching when I've been

1:03:32.520 --> 1:03:34.640
<v Speaker 6>watching the shows, like I wish we could go back

1:03:34.680 --> 1:03:36.760
<v Speaker 6>and play it again with what we know now and

1:03:36.800 --> 1:03:39.920
<v Speaker 6>who we are, I would do so much different. But

1:03:40.000 --> 1:03:41.720
<v Speaker 6>it is yeah, yeah, yeah, But.

1:03:41.760 --> 1:03:45.200
<v Speaker 7>It's also like I we were you and I as

1:03:45.760 --> 1:03:48.520
<v Speaker 7>Laura and Josie, we were like busy being friends, like

1:03:48.560 --> 1:03:52.400
<v Speaker 7>we were two actors becoming friends off camera, right, and

1:03:52.440 --> 1:03:55.120
<v Speaker 7>then it's like okay, and here's the scene that we play,

1:03:55.160 --> 1:03:57.120
<v Speaker 7>and it was just sort of like I just remember

1:03:57.160 --> 1:03:59.280
<v Speaker 7>that feeling of like oh my gosh, it's so crazy,

1:03:59.320 --> 1:04:04.160
<v Speaker 7>like I'm I'm this manipulative person and cut okay, and

1:04:04.200 --> 1:04:08.280
<v Speaker 7>then we just sort of go back to like this

1:04:08.520 --> 1:04:11.800
<v Speaker 7>normal like friendship and relationship and then the comer's role

1:04:11.840 --> 1:04:14.360
<v Speaker 7>and we have these scenes where like somebody's being mean

1:04:14.400 --> 1:04:15.560
<v Speaker 7>and somebody's being.

1:04:15.880 --> 1:04:19.840
<v Speaker 8>Hurt, and then cut and you drop it and you kind.

1:04:19.640 --> 1:04:22.880
<v Speaker 6>Of yeah, I didn't always feel that. I think like

1:04:22.960 --> 1:04:26.040
<v Speaker 6>when you feel as an actress, really feel secure about

1:04:26.240 --> 1:04:28.400
<v Speaker 6>how you're going to play, your choices, your intentions and

1:04:28.440 --> 1:04:31.960
<v Speaker 6>a scene, then then like I'll speak for myself and

1:04:32.080 --> 1:04:34.720
<v Speaker 6>I have the ability to after cut, like okay, let's

1:04:34.760 --> 1:04:36.480
<v Speaker 6>go get some from craft service or whatever. But if

1:04:36.560 --> 1:04:40.200
<v Speaker 6>I don't feel, you know, that uneasy feeling, like I

1:04:40.240 --> 1:04:41.960
<v Speaker 6>know I'm not playing this right, but I don't know

1:04:42.000 --> 1:04:44.800
<v Speaker 6>why I don't doesn't feel then when we cut, I can't.

1:04:44.880 --> 1:04:46.440
<v Speaker 6>I have to stay in it and keep trying to

1:04:46.440 --> 1:04:48.040
<v Speaker 6>figure it out. I feel like I did that quite

1:04:48.040 --> 1:04:50.080
<v Speaker 6>a bit in the beginning of like, how do I

1:04:50.320 --> 1:04:54.200
<v Speaker 6>find the balance of this character is getting walked on

1:04:54.320 --> 1:04:58.160
<v Speaker 6>all the time? Yeah, I was just also me growing

1:04:58.240 --> 1:04:59.200
<v Speaker 6>up too as a person.

1:05:00.480 --> 1:05:01.640
<v Speaker 5>Oh, I think it's great.

1:05:01.760 --> 1:05:05.160
<v Speaker 3>Yeah, I think it works absolutely wonderfully. I like it

1:05:05.240 --> 1:05:07.720
<v Speaker 3>because you can't stand up for yourself, like that's not

1:05:07.800 --> 1:05:11.320
<v Speaker 3>the relationship. And she and Sydney is so manipulative that

1:05:11.400 --> 1:05:13.600
<v Speaker 3>she gets people on her side. And you would look

1:05:13.640 --> 1:05:15.000
<v Speaker 3>like a bitch if you said no.

1:05:15.040 --> 1:05:15.720
<v Speaker 1>That's not okay.

1:05:15.760 --> 1:05:18.120
<v Speaker 3>You really didn't have a choice, Like if you said no,

1:05:18.800 --> 1:05:21.000
<v Speaker 3>you would look like the problem. So you were trapped.

1:05:21.000 --> 1:05:23.160
<v Speaker 3>I don't think there's any other way to say fine,

1:05:23.400 --> 1:05:24.120
<v Speaker 3>because what do you do?

1:05:24.800 --> 1:05:24.960
<v Speaker 6>Right?

1:05:25.400 --> 1:05:27.240
<v Speaker 3>I think you didn't have an option as far as

1:05:27.240 --> 1:05:30.120
<v Speaker 3>I'm concerned. Okay, So now we're back in Ronda's apartment.

1:05:30.280 --> 1:05:32.400
<v Speaker 3>Matt is over at Ronda's Ronda's telling Matt that she's

1:05:32.400 --> 1:05:33.720
<v Speaker 3>been trying to reach Terence all day.

1:05:33.760 --> 1:05:36.600
<v Speaker 1>She's starting to have doubts. Maybe she reacted.

1:05:36.640 --> 1:05:39.640
<v Speaker 3>Then we hear music from the courtyard and Terrence is

1:05:39.680 --> 1:05:42.160
<v Speaker 3>in front of the pool with an a cappella group

1:05:42.200 --> 1:05:44.480
<v Speaker 3>performing Since I Fell for You, which got me.

1:05:44.600 --> 1:05:45.360
<v Speaker 1>Wasn't that sweet?

1:05:45.600 --> 1:05:48.040
<v Speaker 2>Such a great and I thought it was shot really well.

1:05:48.200 --> 1:05:49.960
<v Speaker 2>You know, you're looking out and you see the court

1:05:49.960 --> 1:05:53.960
<v Speaker 2>heard there's a three gentlemen with their vests on, and yeah, Terence.

1:05:53.640 --> 1:05:55.920
<v Speaker 5>Is just like looking up, this is for you. And

1:05:56.120 --> 1:05:57.640
<v Speaker 5>they sounded great. I thought they were.

1:05:58.080 --> 1:05:59.840
<v Speaker 1>It was really it was really so.

1:06:00.440 --> 1:06:03.720
<v Speaker 3>Then Ronda goes down to meet him and he proposes,

1:06:04.120 --> 1:06:09.400
<v Speaker 3>which surprised me. That feels pretty quick. Ronda tells Karence

1:06:09.400 --> 1:06:10.240
<v Speaker 3>it's happening too fast.

1:06:10.280 --> 1:06:11.760
<v Speaker 1>She doesn't know what to say. She agrees with me.

1:06:11.840 --> 1:06:13.040
<v Speaker 1>She also thinks that's too fast.

1:06:13.440 --> 1:06:15.959
<v Speaker 3>Karen sells Rondo to say yes, and she says yes,

1:06:16.200 --> 1:06:17.960
<v Speaker 3>and they are and.

1:06:18.000 --> 1:06:20.840
<v Speaker 7>You see you see Matt sort of swallowing the lump

1:06:20.840 --> 1:06:21.320
<v Speaker 7>in his throat.

1:06:22.080 --> 1:06:26.080
<v Speaker 3>I know, dog her sweet sweet Doug. So then we're

1:06:26.080 --> 1:06:28.160
<v Speaker 3>back at Jane and Michael's apartment. Jane and Michael are

1:06:28.200 --> 1:06:30.680
<v Speaker 3>in bed, Jane is telling Michael about Sydney and Kay

1:06:30.880 --> 1:06:34.000
<v Speaker 3>and they're weird bond because once again she's on the outs.

1:06:34.640 --> 1:06:39.800
<v Speaker 3>Jane says, my job, my apartment, what's next, you dum?

1:06:43.560 --> 1:06:48.800
<v Speaker 3>Michael smells something could be the next episodes, and Jane

1:06:48.800 --> 1:06:50.160
<v Speaker 3>realizes that Sidney.

1:06:49.840 --> 1:06:52.320
<v Speaker 1>Is smoking in the apartment. Why did that make me

1:06:52.440 --> 1:06:53.560
<v Speaker 1>more angry than anything?

1:06:54.160 --> 1:06:56.320
<v Speaker 6>It's so rude, It's so more.

1:06:57.720 --> 1:06:59.360
<v Speaker 8>And rude.

1:06:59.720 --> 1:07:02.360
<v Speaker 3>She's smoking a cigarette on the pullout couch and Jane

1:07:02.360 --> 1:07:07.000
<v Speaker 3>confronts her. Sidney says, she forgot right, she forgot Can

1:07:07.080 --> 1:07:07.680
<v Speaker 3>I finish this?

1:07:08.760 --> 1:07:09.400
<v Speaker 1>Yeah?

1:07:09.760 --> 1:07:13.560
<v Speaker 3>Sidney insincerely tells Janey he will quit if Jane wants,

1:07:13.640 --> 1:07:15.000
<v Speaker 3>and tells Jane that she loves her.

1:07:15.080 --> 1:07:16.919
<v Speaker 1>Oh my god, so complicated.

1:07:17.760 --> 1:07:20.080
<v Speaker 3>Of course, Jane tells Sidney that she loves her too,

1:07:20.480 --> 1:07:21.600
<v Speaker 3>and heads back to bed.

1:07:22.120 --> 1:07:23.720
<v Speaker 1>Oh boy.

1:07:24.120 --> 1:07:27.720
<v Speaker 3>So then our last scene, we're in the courtyard. Jake

1:07:27.880 --> 1:07:30.160
<v Speaker 3>is leaving his apartment when he sees a man at

1:07:30.160 --> 1:07:33.120
<v Speaker 3>the mailbox asking about his wife, Beth Reynolds, and.

1:07:33.040 --> 1:07:35.160
<v Speaker 1>We all go oh.

1:07:35.320 --> 1:07:37.040
<v Speaker 3>Jake tells me he's never heard of her and that

1:07:37.120 --> 1:07:39.320
<v Speaker 3>nobody has moved in or out of the building for years.

1:07:39.840 --> 1:07:42.800
<v Speaker 3>The man thanks Jake, and leaves. Jake looks up at

1:07:42.880 --> 1:07:44.120
<v Speaker 3>Joe's apartment door.

1:07:45.720 --> 1:07:46.840
<v Speaker 8>Isn't that jay Zy?

1:07:47.040 --> 1:07:48.600
<v Speaker 2>You think you could have waited till he's a little

1:07:48.680 --> 1:07:51.160
<v Speaker 2>further away looking up exactly where she was.

1:07:51.600 --> 1:07:55.200
<v Speaker 3>And you know what's interesting about this actor Lyndon Ashby.

1:07:55.360 --> 1:07:58.040
<v Speaker 3>He played this character for two episodes, then came back

1:07:58.120 --> 1:08:00.000
<v Speaker 3>in six and seven as Brett.

1:07:59.720 --> 1:08:01.520
<v Speaker 8>Coop, totally different character.

1:08:01.960 --> 1:08:05.520
<v Speaker 1>I was a character for six and seven because isn't

1:08:05.520 --> 1:08:08.600
<v Speaker 1>that interesting? I knew him? Yeah, Yeah, he's great.

1:08:08.880 --> 1:08:10.960
<v Speaker 3>We end on this is what we're talking about, like

1:08:10.960 --> 1:08:12.760
<v Speaker 3>it's starting to get more serialized.

1:08:13.000 --> 1:08:15.360
<v Speaker 1>We end on this thing where it.

1:08:15.240 --> 1:08:16.840
<v Speaker 3>Was really hard for me to stop, but I had

1:08:16.880 --> 1:08:18.200
<v Speaker 3>to stop it because I had to come on for this.

1:08:18.560 --> 1:08:21.439
<v Speaker 1>But I'm dying. I'm dying to get to the next episode.

1:08:21.479 --> 1:08:25.559
<v Speaker 7>Yeah, like and introducing Cliffhangers is I think the thing

1:08:25.720 --> 1:08:28.519
<v Speaker 7>that that's what Chip was saying too, Like introducing Hangers

1:08:28.600 --> 1:08:31.760
<v Speaker 7>was the thing that really turned the show into like

1:08:32.200 --> 1:08:33.000
<v Speaker 7>got to tune.

1:08:32.760 --> 1:08:35.160
<v Speaker 8>In next week and it was and it started building

1:08:35.160 --> 1:08:35.679
<v Speaker 8>that way.

1:08:35.880 --> 1:08:36.280
<v Speaker 1>Yeah.

1:08:36.320 --> 1:08:39.120
<v Speaker 3>So speaking of we have to end because there's always

1:08:39.160 --> 1:08:44.160
<v Speaker 3>we've gone over. Josie, thank you so much, Gosh.

1:08:43.920 --> 1:08:45.360
<v Speaker 1>It is to have you. Let's do this.

1:08:45.439 --> 1:08:48.479
<v Speaker 6>It was so good to see all of your faces again,

1:08:48.760 --> 1:08:51.960
<v Speaker 6>and I'm so so happy you're all Okay.

1:08:52.240 --> 1:08:53.960
<v Speaker 1>Yeah, thank you.

1:08:53.760 --> 1:08:55.719
<v Speaker 6>Wait to see you in person soon.

1:08:56.280 --> 1:08:59.519
<v Speaker 1>Yeah, I hope we can do another one right now.

1:08:59.680 --> 1:09:02.920
<v Speaker 3>Yes, yeah, we'll do another one. We'll do another one soon.

1:09:03.160 --> 1:09:05.800
<v Speaker 3>I love you guys, so good to wait to see

1:09:05.800 --> 1:09:07.920
<v Speaker 3>you in person and hug you all.

1:09:08.880 --> 1:09:09.439
<v Speaker 1>I love you.

1:09:09.520 --> 1:09:13.360
<v Speaker 3>Please subscribe wherever you get your podcast, then you get us.

1:09:13.479 --> 1:09:16.680
<v Speaker 3>We also have a new fifteen minute thing called Melroe's

1:09:16.680 --> 1:09:18.320
<v Speaker 3>Minute when we catch up, when we do the sort

1:09:18.320 --> 1:09:20.600
<v Speaker 3>of shot catch up, so you get that automatically if

1:09:20.640 --> 1:09:23.559
<v Speaker 3>you subscribe, So please make sure.

1:09:23.400 --> 1:09:25.839
<v Speaker 7>You subscribe to miss Thus those are coming out on Fridays.

1:09:26.000 --> 1:09:27.240
<v Speaker 8>And we love you guys.

1:09:27.520 --> 1:09:32.439
<v Speaker 1>Yeah, we love you. By guys seeing you all. Love

1:09:32.840 --> 1:09:33.400
<v Speaker 1>bye bye