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Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

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Speaker 2: And Daphne's Aniga an iHeartRadio podcast.

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Speaker 3: Hello, everybody, welcome, is Still the Place and our very

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Speaker 3: special guest start Joseph Bessett.

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Speaker 4: Yay, Hi, everybody, so excited to have you for Laura's

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Speaker 4: first episode, episode nineteen.

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Speaker 3: And first of all, we have to take a moment

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Speaker 3: to address what's going on in LA, which is obviously

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Speaker 3: these horrible, horrible fires. We can't go on without at

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Speaker 3: least acknowledging what's going on. How are you guys doing.

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Speaker 5: I'm still evacuated, as you guys know.

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Speaker 2: I'm looking every morning and then even in the middle

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Speaker 2: of the night, I look up on my emergency website

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Speaker 2: to see if you know, they've opened up.

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Speaker 5: But they've opened up, but.

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Speaker 2: You know, the flames are out, but all of that

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Speaker 2: fire and that he builds up, you know, I've heard

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Speaker 2: underground and in the brush and in the tree roots,

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Speaker 2: and these firemen are so meticulous about making sure it's

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Speaker 2: one hundred thousand percent safe before they send people back

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Speaker 2: up into these areas.

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Speaker 5: So we'll just see.

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Speaker 2: I just trust some and we're just lucky we have

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Speaker 2: We're staying at a friend's house.

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Speaker 5: But I know it's so hard on people.

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Speaker 2: I have friends who are my neighbors are just like,

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Speaker 2: they're in airbnbs, they're in hotels, and it's just really hard.

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Speaker 5: And I have we all have.

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Speaker 2: Friends who have lost homes, and you know, it's a

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Speaker 2: weird state of mind, isn't it.

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Speaker 5: I don't know about everyone else, but it's like one minute.

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Speaker 2: I'm just like ugh, the other minute, I'm like, oh,

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Speaker 2: I have to help, And the other minute I'm like,

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Speaker 2: I'm exhausted.

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Speaker 5: What just happened. It's very surreal.

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Speaker 3: Yeah, it's strange to be in the middle. I'm evacuated too,

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Speaker 3: but you know, my house seems to be okay. I

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Speaker 3: won't quite believe it till i'm there, because it's been

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Speaker 3: a long time and very stressful. And you're right, it's

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Speaker 3: like whether your house survived or didn't work community, and

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Speaker 3: there's been such extraordinary loss. There's also been such an

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Speaker 3: extraordinary outpouring of care and love and attention, and we're

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Speaker 3: all coming together and meeting where we can, and as

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Speaker 3: people find places to live, I'm seeing that that they're

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Speaker 3: doing better. People are resilient, but it's going to be

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Speaker 3: a long road. I mean, we're all in shock, I'm saying,

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Speaker 3: in the next town over and I'm like, wait, life

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Speaker 3: is going on. It's so weird, right because there's so

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Speaker 3: much devastation here and then here I'm going to Target.

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Speaker 3: It's so strange. But like I said, I'm really touched

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Speaker 3: by the outpouring of love and support and people sending

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Speaker 3: clothes and companies, like so many companies are saying come

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Speaker 3: take whatever you want, like people are.

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Speaker 1: That part is moving.

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Speaker 5: It's easy to think of la as not really a

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Speaker 5: commune the Tea.

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Speaker 2: It's easy to think of it as spread out and

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Speaker 2: everyone's doing their own thing, and everyone has different cities

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Speaker 2: and neighborhoods, and no one knows what the each other

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Speaker 2: is doing.

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Speaker 5: And I am very.

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Speaker 2: Touched at how people from all over coming to help

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Speaker 2: the people in the Palisades and Alta Dina they eating fire, but.

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Speaker 3: Yeah, the firefighters from all over that's been extraordinary.

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Speaker 2: Mexico, Canada, South Africa. Yeah, my sister in law said, Dallas,

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Speaker 2: they're leaving us, they're coming to you.

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Speaker 5: You know, It's amazing.

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Speaker 6: A humans are so resilient when when we have to

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Speaker 6: be in workforce into a situation like.

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Speaker 5: This, we're resilient and we yeah, you know.

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Speaker 6: I know what you mean about the community aspect, because

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Speaker 6: when I lived in La I moved a lot because

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Speaker 6: I felt like, God, I don't feel like a sense

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Speaker 6: of community like I felt at home. Of course, whenever

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Speaker 6: home is always going to be home. So I ended

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Speaker 6: up in the palis and mile House has gone, my

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Speaker 6: sense preschool has gone. So when I see that aerial shot,

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Speaker 6: it's like, what like how like the village the village

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Speaker 6: Gelson's like, it's just really hard to wrap your head around.

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Speaker 6: So to hear that the communities coming together is just

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Speaker 6: so so beautiful and humans helping humans it is.

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Speaker 3: And the thing is like wherever we are the tune.

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Speaker 3: I went into the Gelsons at Century City yesterday. I

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Speaker 3: used to go to one of the palisades and they've

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Speaker 3: moved some of the checkers there, and one song, I

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Speaker 3: just went Courtney. We just ran up to each other

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Speaker 3: and hugged. It's like you see people right like, oh,

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Speaker 3: we're here, We're okay. And there was loss of life, obviously,

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Speaker 3: but considering how much property was lost and the devastation,

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Speaker 3: it's incredible how many people have survived. Right that you know,

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Speaker 3: I'm here with my ex and my son and all

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Speaker 3: of our dogs and we're together and we just think,

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Speaker 3: you know what, that's what you rebuild from here, Like

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Speaker 3: you know what, I mean, so many friends of law

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Speaker 3: so much but they're still here. And we really shown

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Speaker 3: up for each other, Like the amount of checking up

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Speaker 3: on each other and keeping up. I mean, you guys

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Speaker 3: have been so in touch. It's so moving, like you

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Speaker 3: really do feel cared for and I'm so happy to

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Speaker 3: be here.

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Speaker 7: You talked Courtney about it being like this is what's

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Speaker 7: going on in LA. But the feeling of like you

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Speaker 7: can just step just a little bit outside and it

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Speaker 7: doesn't and it feels like it's a completely different experience.

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Speaker 7: Even you know, down in Orange County or something. It

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Speaker 7: just you're not in it in the same way as

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Speaker 7: it is in LA. And so we also, I think

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Speaker 7: the idea that these disasters happen around the country, around

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Speaker 7: the world, you know, when we see them on the

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Speaker 7: news and you and you can only relate sort of

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Speaker 7: so much to it in an empathetic and like horrified way,

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Speaker 7: but like when you're in it, it's just such a

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Speaker 7: different experience and like that realization that that's what goes on.

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Speaker 6: All the time, you know, I know what you mean, Laura.

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Speaker 7: Having fires and stuff and hurricanes and tornadoes and the devastation.

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Speaker 8: And the loss and and so.

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Speaker 7: You know, we're in this area that just experienced it,

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Speaker 7: but it's just one of many.

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Speaker 3: Yeah, it's almost like our turn. I was looking at

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Speaker 3: the pictures of the Palatines thinking, oh, this looks like

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Speaker 3: those tornado pictures right where one side of the street

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Speaker 3: is gone and then there's a house and you go, oh,

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Speaker 3: and you really is that sense of it's clearly not

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Speaker 3: just us. But you're right, if you really internalize it,

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Speaker 3: it increases your empathy. You go, oh, I have a

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Speaker 3: little bit more understanding of what it's like. Like we've

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Speaker 3: been watching the floods and they watch the fires. It's

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Speaker 3: like this or the earthquakes, and you go, like, Japan

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Speaker 3: donated a lot of money to relief, and we watch,

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Speaker 3: you know, we share earthquakes with Japan, right, And you go, oh,

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Speaker 3: that's right. We are, We really are. We all suffer

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Speaker 3: the same. This is what we're going through now, and

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Speaker 3: then we get the help and then we give the

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Speaker 3: help when it's time. So that that is, you know,

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Speaker 3: the tiny little silver lining in this incredibly difficult time.

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Speaker 7: Yeah, and our our listeners, we know, are you know,

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Speaker 7: listening from all over and so we're just sharing our

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Speaker 7: little LA moment, you know, in real time sort of

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Speaker 7: like with our listeners.

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Speaker 1: Right now.

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Speaker 2: We have this podcast and we're going to do this

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Speaker 2: wonderful recap with wonderful episode where character of crazy Sydney

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Speaker 2: comes in.

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Speaker 5: She's not crazy when she comes in. She's just annoying when.

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Speaker 6: She comes in, very entitled.

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Speaker 8: So you can choose your adjective.

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Speaker 5: I know, I hope you'll take it because you played it.

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Speaker 2: That's another thing about our city. We're you know, work

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Speaker 2: is very difficult right now.

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Speaker 5: The studios are shooting elsewhere now. Things are burnt down,

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Speaker 5: people are leaving. There's two strikes.

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Speaker 2: I've been hearing that and all the podcasts and all

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Speaker 2: the you know things I've been reading about our business.

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Speaker 2: It's very much struggling in LA right now, and just

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Speaker 2: heard it even more so. People are needing to and

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Speaker 2: wanting to work. And I really hope that the powers

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Speaker 2: that be do all that.

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Speaker 5: They can to bring and keep work in Los Angeles

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Speaker 5: because there are a lot of all of our crews.

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Speaker 2: So many people work in the entertainment industry. You know,

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Speaker 2: I really want just to put that out there. I

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Speaker 2: just really hope that we can keep our industry here,

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Speaker 2: you know, going and working and keep people employed.

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Speaker 7: And one of our many blessings, I think, is just

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Speaker 7: to have this opportunity to spend this time together. Like

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Speaker 7: I am just so grateful for you guys and for

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Speaker 7: our listeners that we have this podcast to do, and

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Speaker 7: it gives us an excuse to like just be together

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Speaker 7: and see all your lovely faces and just have this

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Speaker 7: distraction and this fun sort of little you know.

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Speaker 1: This other thing that have a little risk.

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Speaker 3: But I remember hearing a long time ago that maturity

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Speaker 3: is living through difficult times. Not just like you're living

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Speaker 3: through the difficult times, but the difficult time is happening

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Speaker 3: and you keep living. So we are all doing everything

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Speaker 3: we can help. And also we can do this episode

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Speaker 3: nineteen and have a little bit of a break and

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Speaker 3: have some laughs and enjoy. So having said that, that

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Speaker 3: is trying narrating, which is very exciting because Laura gets

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Speaker 3: to this is her first episode, and I'm sure she

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Speaker 3: won't beat herself up like DAFTI and.

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Speaker 8: I, Oh no, well never not.

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Speaker 1: At all I was er.

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Speaker 7: I wasn't cringing at all when I wanted, I sure not.

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Speaker 8: Embarrassed in the.

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Speaker 5: Face.

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Speaker 1: O my god, Yeah, of course you're smoking like a

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Speaker 1: Chimney beer. Like okay.

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Speaker 3: So this is episode nineteen, and to get it right

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Speaker 3: into the show, we have so many great guest stars

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Speaker 3: that will address as they come in. And it opens

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Speaker 3: on this adorable scene with Joe and Jake, and it

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Speaker 3: opens on a close up of Daphnie. Have to start

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Speaker 3: with this facing the sun and her skin looks like glass.

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Speaker 3: I'm like, oh my god, when you could just say sure,

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Speaker 3: I'll squint into the sun and all look like I'm

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Speaker 3: perfect stunning And you guys, as always, your chemistry is

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Speaker 3: so great. Joe is trying to take some photographs on

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Speaker 3: the beach. Jake is trying to neuzzle her, and he says,

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Speaker 3: she says, I'm trying to work, and then Jake says,

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Speaker 3: all work and no play makes Joe a very dull girl,

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Speaker 3: to which she says, of course a woman, and I'm

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Speaker 3: anything but dull, which I absolutely loved.

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Speaker 6: I loved it.

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Speaker 5: I loved shooting that scene.

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Speaker 2: We were out on Point Doom in Malibu where they

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Speaker 2: shoot it's famous for shooting Planet of the Apes and.

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Speaker 5: That, so you can see it on Some of the shots.

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Speaker 8: You know, are the big cliff on one side, very dramatic.

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Speaker 5: Point doom to up to zoom a beach and.

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Speaker 2: All the way up, all the way up the coast,

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Speaker 2: and I remember shooting that.

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Speaker 5: Charlie Carrall Dire directed this and he was always so funny.

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Speaker 7: This was his first episode of Miller. Chip shared with

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Speaker 7: that Charlie's first episode was also my first episode, and

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Speaker 7: Charlie remained with us, and.

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Speaker 1: Oh yeah, a beloved director.

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Speaker 2: Yes, always very would shoot like set up you know,

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Speaker 2: he knew what he wanted to do. You set up

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Speaker 2: this and that, and I thought this episode looked great,

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Speaker 2: but then he would come up. I don't know if

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Speaker 2: you guys remember then he'd come up and chat with you,

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Speaker 2: like he just wanted to chat with the actual Yeah.

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Speaker 1: So we're back on the scene. So Jake finds.

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Speaker 3: Joe's poetry book Collected Poems of William Carlos Williams, because

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Speaker 3: you know, Mattra's place, we had a lot of fancy poetry. Yeah,

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Speaker 3: and Joe tail Jake. She finds it inspiring. They walk

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Speaker 3: up to his motorcycle, and Jake says is inspired by

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Speaker 3: Harley's but Joe says, very snottily, I thought, too bad,

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Speaker 3: you don't drive one, which is very threatening to his manhood.

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Speaker 8: Making fun of his bike.

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Speaker 5: I know, she says his.

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Speaker 3: Bike is small, a girl's bike, and Jake should have

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Speaker 3: adjusted his manhood because at that point I've probably probably

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Speaker 3: felt like I was shrinking. And they get on the

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Speaker 3: motorcycle and drive away on.

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Speaker 1: The beach, on the beach on. The chemistry was so on.

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Speaker 6: Par I love seeing them together, and I love because

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Speaker 6: I missed the last I think it was the Christmas one,

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Speaker 6: which was I'm I'm guessing was what because you guys

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Speaker 6: were talking about the chemistry and I hadn't seen Jakes

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Speaker 6: or Grant's character. Jake played that soft side and I

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Speaker 6: really saw more of Grant. Yeah, totally right, and just

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Speaker 6: so lovely to two of you, and both of you

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Speaker 6: like together soften as characters. It's really cool to see.

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Speaker 6: And then you have your defenses and protecting your heart

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Speaker 6: right and afraid of your ex all that stuff. Beautiful,

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Speaker 6: beautiful scene.

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Speaker 5: Was so hard.

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Speaker 2: It was so hard to go like like insult him

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Speaker 2: and push him away because we just so got along,

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Speaker 2: you know, and you can tell him.

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Speaker 5: I was like, why the why does she have to

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Speaker 5: say like that? But you know, she's It.

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Speaker 1: Was so cute.

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Speaker 3: So then we come in to Jane and Michael's apartment.

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Speaker 3: The phone rings. Jane and Michael are in bed, and

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Speaker 3: Jane says, Sidney, whoa slow down?

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Speaker 1: What? And Jane hangs up.

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Speaker 3: Jane tells Michael that Sydney is in LA and he

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Speaker 3: says she should have called and Jane says she did

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Speaker 3: from the airport, which I loved.

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Speaker 7: And here's and here's where we learned that that Jane

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Speaker 7: has a sister, which she's never mentioned before.

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Speaker 8: Like my sister sid who suddenly exists. Yeah, not only exists,

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Speaker 8: but she's come to l A.

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Speaker 6: Yeah, yeah, we needed another character on the show. So

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Speaker 6: Jane has a sister.

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Speaker 3: Now, okay, it's so funny. I didn't even process that.

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Speaker 3: I was so excited that you were coming on.

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Speaker 1: I was like, yeah, because I've been expecting you. So

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Speaker 1: as far as I knew you, I always knew your sister.

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Speaker 1: So it's like, finally here, that's so funny.

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Speaker 5: You're right, Josie, did they tell you it all?

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Speaker 2: Had you guys met did they tell you that the

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Speaker 2: story was coming? Did you know who was going to

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Speaker 2: play it?

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Speaker 6: No? Nothing, nothing, And like I think, like you guys

279
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Speaker 6: had said prior, I believe I was on my honeymoon

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Speaker 6: because I was not in the prior show, right, So yeah,

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Speaker 6: it was cards called.

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Speaker 8: Good Time from your Honeymoon now crazy?

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Speaker 3: So did you think Jose Oh No, I've been playing

284
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Speaker 3: it as an only child this entire time, rethinking.

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Speaker 1: They just change everything I've been, everything is different.

286
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Speaker 6: It was all like, what is happening here? I'm on

287
00:14:39,040 --> 00:14:45,240
Speaker 6: this show. I just got married, and okay, let's do it.

288
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Speaker 3: Great. So then we cut to Ronda's apartment and Ronda

289
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Speaker 3: and Terrence are in bed and they just get up

290
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Speaker 3: because she has cardio and Terrence is telling you that

291
00:14:53,280 --> 00:14:55,600
Speaker 3: he should they should go to dinner in Newport, but

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Speaker 3: she has to work and Terrence doesn't seem to really

293
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Speaker 3: respect her work because it seems to get in the

294
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Speaker 3: way of his plans. And you remind you they have

295
00:15:03,920 --> 00:15:06,880
Speaker 3: dinner plans over at Denise and Howard's and asked her

296
00:15:06,920 --> 00:15:10,080
Speaker 3: what she will wear, which I just went, oh, wretch flag.

297
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Speaker 1: Yeah, didn't you guys Thinkonda was rubbed a little wrong?

298
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Speaker 4: But I too.

299
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Speaker 7: She's like, well, actually, I don't know that I have

300
00:15:15,800 --> 00:15:17,800
Speaker 7: anything good enough based on what you've told me about

301
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Speaker 7: these snooty pants people.

302
00:15:20,080 --> 00:15:22,680
Speaker 3: Yeah, and then he starts talking about a dress she

303
00:15:22,720 --> 00:15:25,880
Speaker 3: saw in Melrose and it's interesting because you know, part

304
00:15:25,960 --> 00:15:27,840
Speaker 3: of me is like how romantic. But I think she's

305
00:15:27,880 --> 00:15:29,960
Speaker 3: a step ahead of me. And she said, don't buy

306
00:15:30,000 --> 00:15:31,920
Speaker 3: me the dress, like you don't dress me. And I

307
00:15:31,960 --> 00:15:34,600
Speaker 3: was like, it's kind of a female fantasy, but then

308
00:15:34,640 --> 00:15:39,920
Speaker 3: it's also kind of pretty woman, right, It's like, yeah.

309
00:15:38,760 --> 00:15:41,440
Speaker 6: I don't know. I was like if a man said, hey,

310
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Speaker 6: you know, you don't have to work, but go dance

311
00:15:44,040 --> 00:15:46,440
Speaker 6: and I'll buy you that, Like, Okay, that works right now.

312
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Speaker 3: I think she's getting that might be a little controlling.

313
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Speaker 3: I was like, oh, that's such a good point. Rhonda's

314
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Speaker 3: she's such a good point.

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Speaker 6: I love watching her. Her smile is just like lights

316
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Speaker 6: up the screen.

317
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Speaker 1: Yeah.

318
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Speaker 6: Definitely gave me some cringey moments of like, I don't know,

319
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Speaker 6: there's something about him that I was like, I don't

320
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Speaker 6: trust him. Just do they end up getting married? And

321
00:16:10,200 --> 00:16:12,120
Speaker 6: that's it? I mean, I know they get married. Is

322
00:16:12,400 --> 00:16:13,160
Speaker 6: is that why she had?

323
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Speaker 5: So like we remember, I mean, I'm.

324
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Speaker 6: Just when I'm asking, because are my instincts right? Right? Trust? Well?

325
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Speaker 7: And she does, like you said, she has such a

326
00:16:22,240 --> 00:16:25,560
Speaker 7: strong sense of herself, like, no, this is what I

327
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Speaker 7: do who I am. Don't buy, don't choose this dress

328
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Speaker 7: for me so I can be good enough for your

329
00:16:31,400 --> 00:16:32,160
Speaker 7: snooty friends.

330
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Speaker 8: Yes, yes, she does draw that boundary like I'm good

331
00:16:35,160 --> 00:16:37,040
Speaker 8: with who I am. And we see more of that

332
00:16:37,080 --> 00:16:38,400
Speaker 8: as the episode goes on.

333
00:16:38,600 --> 00:16:41,120
Speaker 3: Yeah, and then Terence sort of whines I won't see

334
00:16:41,160 --> 00:16:42,440
Speaker 3: you till tomorrow, and I went.

335
00:16:42,360 --> 00:16:47,640
Speaker 7: Oh, I couldn't stand that dialogue or the delivery. Something

336
00:16:47,640 --> 00:16:50,880
Speaker 7: about that is the cringing part. We're all going no, no, no.

337
00:16:50,680 --> 00:16:54,320
Speaker 6: No, no, no, no, not attractive. Don't do that boys.

338
00:16:54,840 --> 00:17:00,960
Speaker 3: Yeah, and then we are driving dumps the Coast Highway

339
00:17:01,680 --> 00:17:05,280
Speaker 3: and Jane has a smoking infant in her seat. Wait

340
00:17:05,440 --> 00:17:10,080
Speaker 3: you find out it is Sydney.

341
00:17:09,760 --> 00:17:11,600
Speaker 5: A wonderful hat on her head.

342
00:17:12,160 --> 00:17:14,000
Speaker 8: Jade has the hat on her head.

343
00:17:14,920 --> 00:17:16,240
Speaker 5: She has the hat on her head.

344
00:17:16,280 --> 00:17:20,800
Speaker 6: And the funny thing about that hat, you guys, it's

345
00:17:20,880 --> 00:17:22,760
Speaker 6: like a couple of things. So, first of all, how

346
00:17:22,840 --> 00:17:23,560
Speaker 6: is it staying on?

347
00:17:23,680 --> 00:17:26,480
Speaker 7: I'm in a convertible when my hair is lying around,

348
00:17:27,560 --> 00:17:28,400
Speaker 7: keep it out of my face.

349
00:17:28,480 --> 00:17:32,960
Speaker 6: The big rose in the front. Oh my lord, so funny,

350
00:17:33,359 --> 00:17:36,520
Speaker 6: so funny. But Laura, it was. It's such a great

351
00:17:36,760 --> 00:17:38,880
Speaker 6: entrance for your character. Your feet up on the deck.

352
00:17:38,880 --> 00:17:40,680
Speaker 6: I love how you put your feet up on stuff.

353
00:17:40,800 --> 00:17:43,679
Speaker 1: Oh my god. Yeah, so no boundary stone and just

354
00:17:43,760 --> 00:17:45,640
Speaker 1: smoking like smoking.

355
00:17:45,720 --> 00:17:47,439
Speaker 3: It's so funny because first of all, I know you

356
00:17:47,440 --> 00:17:50,520
Speaker 3: don't smoke, and you're just smoking, smoking.

357
00:17:50,240 --> 00:17:52,360
Speaker 1: Smoking as a young kid.

358
00:17:52,920 --> 00:17:56,199
Speaker 3: Yeah you Sydney asked Jane if she's mad that she

359
00:17:56,359 --> 00:18:01,960
Speaker 3: just showed up, and Jane is very Dane is.

360
00:18:02,600 --> 00:18:05,879
Speaker 1: Did you tell our parents? Just curious if you told

361
00:18:05,880 --> 00:18:06,679
Speaker 1: our parents?

362
00:18:06,880 --> 00:18:08,560
Speaker 6: Of course not.

363
00:18:09,440 --> 00:18:12,240
Speaker 2: I mean it was such this whole show. As we'll

364
00:18:12,240 --> 00:18:14,800
Speaker 2: go through scene by scene to see how perfectly this

365
00:18:14,920 --> 00:18:18,800
Speaker 2: character was introduced, and this inter being in the car smoking,

366
00:18:19,160 --> 00:18:21,960
Speaker 2: feet up on the dash in the ground of the shot,

367
00:18:22,119 --> 00:18:24,080
Speaker 2: like the cameras here and her feet are right here.

368
00:18:25,280 --> 00:18:28,120
Speaker 5: I'm gonna stomp all over everything, you know, re.

369
00:18:29,440 --> 00:18:32,320
Speaker 7: Just you know that was in the script, that her

370
00:18:32,400 --> 00:18:34,040
Speaker 7: feet were up on the dash and everything.

371
00:18:34,440 --> 00:18:35,120
Speaker 8: It wasn't just.

372
00:18:35,119 --> 00:18:37,600
Speaker 5: Like Laura like put her feet up.

373
00:18:38,800 --> 00:18:39,639
Speaker 8: It was in a script.

374
00:18:39,680 --> 00:18:42,679
Speaker 7: And so in one of my auditions I was like

375
00:18:43,040 --> 00:18:44,800
Speaker 7: I had to go through the ranks for the audition,

376
00:18:44,880 --> 00:18:47,600
Speaker 7: right because I was a brand new actress. I had

377
00:18:47,600 --> 00:18:51,159
Speaker 7: not done a part this big at all. And so

378
00:18:51,200 --> 00:18:53,000
Speaker 7: I go through the ranks, which means you start with

379
00:18:53,119 --> 00:18:54,760
Speaker 7: just the casting director, and then they bring you to

380
00:18:54,800 --> 00:18:58,040
Speaker 7: the next level and they, you know, the director of

381
00:18:58,080 --> 00:19:00,840
Speaker 7: the producers, and then if that goes further than you

382
00:19:00,880 --> 00:19:02,960
Speaker 7: go you know, higher up until they make a decision

383
00:19:02,960 --> 00:19:04,800
Speaker 7: and chase you for the part or whatever. And so

384
00:19:05,560 --> 00:19:08,760
Speaker 7: at the very beginning, I was, you know, reading through

385
00:19:08,760 --> 00:19:11,520
Speaker 7: the scene and doing it with the casting director and

386
00:19:11,520 --> 00:19:14,000
Speaker 7: and I had my I put my feet up on

387
00:19:14,040 --> 00:19:15,720
Speaker 7: the desk, and he's like, yeah, just don't do that.

388
00:19:15,960 --> 00:19:17,600
Speaker 7: You know, I'm gonna bring you to producers, but don't

389
00:19:17,640 --> 00:19:21,080
Speaker 7: put your feet up on it. Like oh okay, like

390
00:19:21,160 --> 00:19:23,640
Speaker 7: you don't know, like how far to go in an audition,

391
00:19:24,840 --> 00:19:29,000
Speaker 7: like this is what it said, and okay, your feet

392
00:19:29,080 --> 00:19:32,240
Speaker 7: up on Aaron's desk. Yeah, I didn't, not on Aaron's justice,

393
00:19:32,240 --> 00:19:33,680
Speaker 7: But I get the very beginning and they're like, yeah,

394
00:19:33,760 --> 00:19:34,800
Speaker 7: just don't do that part for real.

395
00:19:34,880 --> 00:19:38,439
Speaker 8: So I'm like, oh, okay, that's funny.

396
00:19:38,560 --> 00:19:40,439
Speaker 3: You were So the character was so clear, and I

397
00:19:40,440 --> 00:19:41,679
Speaker 3: know it was your first job. But I was so

398
00:19:41,720 --> 00:19:45,439
Speaker 3: impressed with how clear the character was. And when you

399
00:19:45,480 --> 00:19:47,479
Speaker 3: tell Jane that you didn't tell your parents, and then

400
00:19:47,520 --> 00:19:50,080
Speaker 3: you very snottily say do you want me here or not?

401
00:19:50,400 --> 00:19:52,200
Speaker 1: Like you're so defensive, and.

402
00:19:52,160 --> 00:19:55,000
Speaker 3: You know, sweet Jane gets sort of taken aback, and

403
00:19:55,040 --> 00:19:56,800
Speaker 3: then she says she has to work the next day,

404
00:19:56,960 --> 00:20:00,000
Speaker 3: but Michael take her to lunch. And then Jane said,

405
00:20:00,359 --> 00:20:03,879
Speaker 3: again so sweetly, please don't smoke in the apartment, and

406
00:20:04,040 --> 00:20:07,360
Speaker 3: Sidney goes, welcome to lay.

407
00:20:06,880 --> 00:20:08,840
Speaker 8: Right then, all right, what a nice welcome.

408
00:20:08,960 --> 00:20:13,879
Speaker 1: But I mean, we know who you are, not you.

409
00:20:14,040 --> 00:20:17,000
Speaker 3: We know who Sydney is right away in this first scene,

410
00:20:17,080 --> 00:20:21,960
Speaker 3: right yeah, totally so well played. And the relationship, like

411
00:20:22,040 --> 00:20:24,520
Speaker 3: I was watching it going, first of all, you guys

412
00:20:24,600 --> 00:20:29,080
Speaker 3: look like sisters. It's crazy. And I knew the relationship

413
00:20:29,400 --> 00:20:31,600
Speaker 3: from this scene right away. I bought you guys as

414
00:20:31,640 --> 00:20:33,199
Speaker 3: sisters from the first second.

415
00:20:33,480 --> 00:20:36,320
Speaker 5: Yeah me too, I love really, Like I.

416
00:20:36,240 --> 00:20:37,600
Speaker 1: Didn't have a moment's doubt.

417
00:20:38,080 --> 00:20:42,680
Speaker 7: That was my big insecurity is that will I will

418
00:20:42,720 --> 00:20:47,840
Speaker 7: they buy me as Jean's sister? A Like I watched

419
00:20:47,840 --> 00:20:49,760
Speaker 7: some episodes as I was going through the auditions. Whatever

420
00:20:49,800 --> 00:20:52,040
Speaker 7: I watched some episodes that were already on the air,

421
00:20:52,119 --> 00:20:55,399
Speaker 7: and I'm like, oh my god, this girl Josie is

422
00:20:55,440 --> 00:20:58,679
Speaker 7: the most beautiful girl I've ever seen, and I'm supposed

423
00:20:58,720 --> 00:21:01,200
Speaker 7: to play her sister. Oh my god, like I'm never

424
00:21:01,840 --> 00:21:05,040
Speaker 7: nobody's going to believe that, and like okay, And then

425
00:21:05,240 --> 00:21:08,560
Speaker 7: also I looked it up, like.

426
00:21:08,560 --> 00:21:09,399
Speaker 8: How old is she?

427
00:21:09,760 --> 00:21:13,720
Speaker 7: And I found out that I am older and I'm

428
00:21:13,760 --> 00:21:15,040
Speaker 7: playing the younger.

429
00:21:14,680 --> 00:21:16,959
Speaker 6: Sister and younger.

430
00:21:17,320 --> 00:21:20,680
Speaker 7: I was terrified that I was going to be called

431
00:21:20,720 --> 00:21:23,639
Speaker 7: out and people would think I was a fraud. And

432
00:21:23,680 --> 00:21:26,080
Speaker 7: so I thought the most important thing I needed to

433
00:21:26,119 --> 00:21:29,240
Speaker 7: do is make sure to sell this idea that I'm younger,

434
00:21:29,359 --> 00:21:31,679
Speaker 7: I'm the younger sister, and like I so I just

435
00:21:31,800 --> 00:21:36,680
Speaker 7: really like established like the mannerisms of this younger, really

436
00:21:36,720 --> 00:21:39,320
Speaker 7: young person, and like when I see it now, I'm like, okay,

437
00:21:39,359 --> 00:21:43,399
Speaker 7: that's really young. But I remember the thought process was, okay,

438
00:21:43,480 --> 00:21:46,919
Speaker 7: to make sure young, nobody food actually older. But I

439
00:21:46,920 --> 00:21:49,040
Speaker 7: thought that was somehow important that I was.

440
00:21:49,200 --> 00:21:52,159
Speaker 6: You definitely pulled it off. Yeah, and don't forget we

441
00:21:52,160 --> 00:21:56,160
Speaker 6: were all so young too, but yeah, right, I forgot

442
00:21:56,200 --> 00:21:59,600
Speaker 6: how how young you looked in that in the very beginning.

443
00:22:00,200 --> 00:22:01,840
Speaker 8: So funny Yeah, you.

444
00:22:01,920 --> 00:22:05,119
Speaker 5: Guys had a great chemistry, sisterly chemistry. Yeah, it was

445
00:22:05,359 --> 00:22:05,880
Speaker 5: thus far.

446
00:22:07,920 --> 00:22:10,199
Speaker 3: Then we're at a restaurant which must have been an

447
00:22:10,240 --> 00:22:13,479
Speaker 3: Oxnard was it? It's a beach restaurant and miche I

448
00:22:13,640 --> 00:22:14,680
Speaker 3: was going to ask if this.

449
00:22:14,960 --> 00:22:17,760
Speaker 7: Was the real in you know, I think it might

450
00:22:17,800 --> 00:22:22,679
Speaker 7: have been because that's the places.

451
00:22:23,080 --> 00:22:26,199
Speaker 2: That Yeah, So my thinking was you shot this at

452
00:22:26,200 --> 00:22:28,560
Speaker 2: the real end because I remember when Doug was doing this.

453
00:22:28,840 --> 00:22:31,280
Speaker 5: Yeah, back and then down the street is where k

454
00:22:32,040 --> 00:22:33,880
Speaker 5: K Beacon Beacon, yeah.

455
00:22:35,160 --> 00:22:39,040
Speaker 2: Building, and then I filmed out in Point point Doom

456
00:22:39,160 --> 00:22:41,639
Speaker 2: and then you guys were doing your car scene somewhere

457
00:22:41,640 --> 00:22:42,280
Speaker 2: around PC eight.

458
00:22:42,520 --> 00:22:46,800
Speaker 1: Yes, so we're doing all right in there, which you

459
00:22:46,840 --> 00:22:49,280
Speaker 1: know for people who don't know all these places, you.

460
00:22:49,160 --> 00:22:52,600
Speaker 5: Know, member the whole crew, and yeah, the real Laura

461
00:22:52,720 --> 00:22:53,119
Speaker 5: it was.

462
00:22:53,320 --> 00:22:55,600
Speaker 6: I feel like I remember that in the interior was

463
00:22:55,640 --> 00:22:57,880
Speaker 6: on stage right. Yeah.

464
00:22:57,880 --> 00:23:02,879
Speaker 7: I thought for this episode we actually shot the interior

465
00:23:03,280 --> 00:23:06,080
Speaker 7: in the space in Malibu and you can see out

466
00:23:06,119 --> 00:23:10,520
Speaker 7: the window. Is I thought that was the real lootion

467
00:23:10,840 --> 00:23:17,680
Speaker 7: that we were seeing out the window. I remember this episode.

468
00:23:17,720 --> 00:23:21,119
Speaker 7: I think later when more episodes had to take place

469
00:23:21,359 --> 00:23:24,280
Speaker 7: inside the design studio, it was probably built as a

470
00:23:24,280 --> 00:23:24,840
Speaker 7: side stage.

471
00:23:24,840 --> 00:23:28,080
Speaker 8: But yeah, sure this episode we were actually in Melo.

472
00:23:28,440 --> 00:23:29,480
Speaker 1: We're not even there yet.

473
00:23:29,520 --> 00:23:35,119
Speaker 3: Hold your horse yet, Sydney are outside. Sydney's shocking is

474
00:23:35,200 --> 00:23:39,600
Speaker 3: smoking and she says, you're so cool because you're so young,

475
00:23:40,040 --> 00:23:41,960
Speaker 3: so cool for taking me out to eat. You're hoping

476
00:23:42,040 --> 00:23:44,919
Speaker 3: it would bring them closer, and then she starts talking

477
00:23:44,960 --> 00:23:48,880
Speaker 3: about how perfect Jane and Michael are and how their

478
00:23:48,920 --> 00:23:54,560
Speaker 3: parents used to call Jane purfey short for perfect, and

479
00:23:54,840 --> 00:23:58,000
Speaker 3: Michael tells Sydney that Jane is insecure about her job

480
00:23:58,080 --> 00:24:01,520
Speaker 3: and her new boss, Kate Beacon, and then Sydney of course,

481
00:24:01,640 --> 00:24:05,080
Speaker 3: takes a long drag on her cigarette and smiles.

482
00:24:05,960 --> 00:24:08,240
Speaker 8: I'm just thinking the wheels.

483
00:24:07,720 --> 00:24:09,600
Speaker 1: Are turning already turning?

484
00:24:10,040 --> 00:24:10,440
Speaker 5: Does that en?

485
00:24:10,480 --> 00:24:14,840
Speaker 3: We're a dand advertising and my boss Lucy walks up

486
00:24:14,880 --> 00:24:17,959
Speaker 3: Deborah Adare, who we adore, and drops a note on

487
00:24:17,960 --> 00:24:19,840
Speaker 3: my desk and said and says, don't say I never

488
00:24:19,880 --> 00:24:21,840
Speaker 3: did anything for you. And it ends up being an

489
00:24:21,880 --> 00:24:24,800
Speaker 3: invitation to the Advertising Association ball.

490
00:24:25,320 --> 00:24:27,040
Speaker 1: I think we've all heard of that. It's a big,

491
00:24:27,160 --> 00:24:27,960
Speaker 1: big hot.

492
00:24:27,760 --> 00:24:32,280
Speaker 3: Ticket, and instead of saying thank you, Allison says, I don't.

493
00:24:32,080 --> 00:24:34,679
Speaker 1: Have anyone to bring because I broke up with my boyfriend.

494
00:24:36,040 --> 00:24:38,080
Speaker 8: I don't think that's how she said it, though, That's

495
00:24:38,119 --> 00:24:39,119
Speaker 8: what I felt to me.

496
00:24:41,040 --> 00:24:41,840
Speaker 6: Oh my gosh.

497
00:24:41,880 --> 00:24:44,720
Speaker 2: The fact that Allison doesn't have like guys knocking down

498
00:24:44,720 --> 00:24:45,679
Speaker 2: on her desk.

499
00:24:45,640 --> 00:24:49,159
Speaker 3: Well apparently not, although I have an interesting stand a roommate.

500
00:24:49,480 --> 00:24:52,720
Speaker 3: So Lucy suggests taking someone from the office. Allison suggests

501
00:24:52,960 --> 00:24:57,720
Speaker 3: Danny Baker in accounting. She doesn't think he knows Alison exists.

502
00:24:58,080 --> 00:25:03,280
Speaker 3: So side note. Danny Baker is played by Larry Poindexter,

503
00:25:03,720 --> 00:25:06,320
Speaker 3: who not only has been in every show, like if

504
00:25:06,320 --> 00:25:08,879
Speaker 3: you watch every series you've ever seen, Larry's in it.

505
00:25:09,320 --> 00:25:13,560
Speaker 3: I dated him, did I dated him in real life?

506
00:25:13,600 --> 00:25:17,280
Speaker 3: I did before before I kind.

507
00:25:17,119 --> 00:25:20,960
Speaker 1: Of remember going to Yamashiro, remember that Jeffa's restaurant. We

508
00:25:21,080 --> 00:25:22,119
Speaker 1: lived in the same neighborhood.

509
00:25:22,160 --> 00:25:24,639
Speaker 3: I met him at a party, and I remember that

510
00:25:24,720 --> 00:25:27,679
Speaker 3: he and I were both wearing blue jeans and black

511
00:25:27,760 --> 00:25:30,399
Speaker 3: T shirts. And we dated for a little while, and

512
00:25:30,600 --> 00:25:32,800
Speaker 3: constantly one of us would have to change because we'd

513
00:25:32,800 --> 00:25:34,960
Speaker 3: be wearing the same things. That's what I remember about Larry.

514
00:25:35,320 --> 00:25:38,239
Speaker 3: Very funny, very charming. I don't know why we broke up,

515
00:25:38,240 --> 00:25:41,280
Speaker 3: but we're clearly not still dating. So something happened, but

516
00:25:41,840 --> 00:25:44,359
Speaker 3: super friendly. It wasn't dramatics, and you.

517
00:25:44,320 --> 00:25:48,280
Speaker 2: Don't remember anything awkward on set shooting this, No, nothing

518
00:25:48,640 --> 00:25:49,479
Speaker 2: to see friendly.

519
00:25:49,520 --> 00:25:51,840
Speaker 3: I think we dated. It was light dating, it wasn't

520
00:25:51,880 --> 00:25:56,679
Speaker 3: anything really serious. But so he rejected me. Here, I

521
00:25:56,760 --> 00:25:58,880
Speaker 3: just want to make it clear that in real life

522
00:25:58,960 --> 00:25:59,960
Speaker 3: he did go out.

523
00:25:59,800 --> 00:26:04,120
Speaker 8: With me, and then I rejected these defense.

524
00:26:04,359 --> 00:26:07,760
Speaker 3: I just want to make that little bit so very

525
00:26:07,760 --> 00:26:09,679
Speaker 3: funny line. So she asked him and he says, oh,

526
00:26:09,720 --> 00:26:11,480
Speaker 3: I'm sorry, I'm going with someone else. And he says,

527
00:26:11,720 --> 00:26:13,440
Speaker 3: but I'm very flattered Eleanor.

528
00:26:15,440 --> 00:26:18,000
Speaker 7: And I thought that did you guys notice like there

529
00:26:18,040 --> 00:26:20,800
Speaker 7: was a music cue on your reaction that we did

530
00:26:20,880 --> 00:26:24,560
Speaker 7: so good? There was it like ding and as you go,

531
00:26:26,560 --> 00:26:28,879
Speaker 7: you know, I just it was perfectly timed with the

532
00:26:28,920 --> 00:26:31,440
Speaker 7: look on your face of insult.

533
00:26:31,760 --> 00:26:33,879
Speaker 1: Oh that's so funny, just horrifying.

534
00:26:34,160 --> 00:26:36,560
Speaker 5: And you played at Gray Courtney. You didn't do your like,

535
00:26:36,600 --> 00:26:37,960
Speaker 5: you didn't do like a typical look.

536
00:26:38,160 --> 00:26:39,760
Speaker 2: You know, you just kind of like looked at him

537
00:26:39,800 --> 00:26:43,240
Speaker 2: and just kept then you just turned yeah, well sifly

538
00:26:43,400 --> 00:26:43,920
Speaker 2: turns to.

539
00:26:43,880 --> 00:26:46,920
Speaker 6: Go yeah, it didn't work.

540
00:26:47,680 --> 00:26:49,879
Speaker 1: Oh, so brutal. You didn't see me.

541
00:26:50,200 --> 00:26:54,880
Speaker 9: I believe me, Hi, I'm Kristin Davis, and I want

542
00:26:54,880 --> 00:26:57,960
Speaker 9: to know Are You a Charlotte? In nineteen ninety seven,

543
00:26:58,200 --> 00:27:00,760
Speaker 9: my life was forever changed when I took on the

544
00:27:00,840 --> 00:27:04,960
Speaker 9: role of Charlotte Yorke on a new HBO show called Sex.

545
00:27:04,720 --> 00:27:05,240
Speaker 8: And the City.

546
00:27:05,520 --> 00:27:10,120
Speaker 9: As we watched Carrie, Samantha, Miranda, and Charlotte navigate relationships

547
00:27:10,160 --> 00:27:13,600
Speaker 9: in New York City, the show helped push once unacceptable

548
00:27:13,600 --> 00:27:17,440
Speaker 9: conversation topics out of the shadows and altered the narrative

549
00:27:17,520 --> 00:27:20,640
Speaker 9: around women and sex. We all saw ourselves in them

550
00:27:20,720 --> 00:27:23,440
Speaker 9: as they searched for fulfillment in life.

551
00:27:23,000 --> 00:27:26,480
Speaker 8: Sex and friendships. Now I want to connect with you and.

552
00:27:26,440 --> 00:27:30,760
Speaker 9: Share untold stories and all the behind the scenes together.

553
00:27:30,560 --> 00:27:31,600
Speaker 1: With special guests.

554
00:27:31,800 --> 00:27:34,199
Speaker 9: What will begin with Sex and the City will evolve

555
00:27:34,240 --> 00:27:37,600
Speaker 9: into talks about themes that are still so relevant today.

556
00:27:38,200 --> 00:27:40,760
Speaker 9: Are You a Charlotte is a much more than just

557
00:27:40,960 --> 00:27:42,800
Speaker 9: rewatching our beloved show.

558
00:27:43,200 --> 00:27:44,440
Speaker 5: It brings the past and the.

559
00:27:44,400 --> 00:27:48,320
Speaker 9: Present together as we talk with heart, humor, and of.

560
00:27:48,280 --> 00:27:50,080
Speaker 8: Course some optimism.

561
00:27:50,480 --> 00:27:53,600
Speaker 9: Listen to Are You a Charlotte on the iHeartRadio app,

562
00:27:53,760 --> 00:27:56,680
Speaker 9: Apple podcast or wherever you get your podcasts.

563
00:28:00,080 --> 00:28:02,640
Speaker 1: We're back in Michael's apartment. Michael is reading in bed.

564
00:28:02,680 --> 00:28:05,680
Speaker 3: When Jane comes home, Michael tays Jane that Sydney rented

565
00:28:05,720 --> 00:28:07,960
Speaker 3: a movie but he didn't want to disturb her. Jane

566
00:28:08,000 --> 00:28:10,400
Speaker 3: thanks Michael for taking Sydney out. He says the first

567
00:28:10,440 --> 00:28:13,600
Speaker 3: time he and Sydney actually got along, and he tells

568
00:28:13,680 --> 00:28:15,960
Speaker 3: Jane that they need to know when Sydney is going

569
00:28:16,040 --> 00:28:18,639
Speaker 3: to leave, because apparently he's already.

570
00:28:20,320 --> 00:28:21,040
Speaker 8: We had a nice time.

571
00:28:22,440 --> 00:28:26,400
Speaker 1: Get her out, Yeah, super lover. Can she leave right away?

572
00:28:26,920 --> 00:28:29,520
Speaker 3: And he tells Jane that Sydney is jealous of her

573
00:28:29,680 --> 00:28:33,320
Speaker 3: and that he thinks her parents played favorites, and Jane

574
00:28:33,359 --> 00:28:37,320
Speaker 3: says that her parents didn't give Jane the nickname Sydney did,

575
00:28:38,360 --> 00:28:41,400
Speaker 3: so a little more insight into the character. She goes

576
00:28:41,440 --> 00:28:43,640
Speaker 3: into the living room and Sydney is trying to get

577
00:28:43,640 --> 00:28:46,320
Speaker 3: the pull out bed from the couch. Jane helps Sidney

578
00:28:46,320 --> 00:28:47,960
Speaker 3: open the bed and put the sheets on a little

579
00:28:47,960 --> 00:28:50,200
Speaker 3: bit of physical comedy, which.

580
00:28:50,080 --> 00:28:51,040
Speaker 6: Right very good.

581
00:28:51,360 --> 00:28:59,240
Speaker 1: It was very yeah, also the pullout couch like those things.

582
00:29:00,120 --> 00:29:02,560
Speaker 3: So Jane asked Sydney kind of what she's going to do,

583
00:29:02,760 --> 00:29:05,320
Speaker 3: like maybe does she have some plans like maybe to leave?

584
00:29:06,360 --> 00:29:08,360
Speaker 1: And Sydney said, you could stay with Jamie and Michael.

585
00:29:08,400 --> 00:29:10,800
Speaker 1: Well she gets her act together, which, even to the audience,

586
00:29:10,800 --> 00:29:11,640
Speaker 1: we already.

587
00:29:11,280 --> 00:29:18,480
Speaker 3: Know is that really going to happen? And Jane tells

588
00:29:18,520 --> 00:29:20,400
Speaker 3: Sydney Sydney can stay as long as she likes.

589
00:29:20,400 --> 00:29:23,960
Speaker 1: Did you guys all kind of go oh no, yeah, yeah,

590
00:29:24,560 --> 00:29:25,280
Speaker 1: for boundaries.

591
00:29:25,520 --> 00:29:29,120
Speaker 6: I was gonna save Jane. Let's get some boundaries. Yeah,

592
00:29:29,200 --> 00:29:32,760
Speaker 6: she's now, everything's like, sure, no problem, of course, that's as.

593
00:29:32,680 --> 00:29:36,440
Speaker 8: Long as you want, yeah, she Sidney pulls out the sympathy.

594
00:29:36,440 --> 00:29:39,080
Speaker 7: Well, I just couldn't make any friends and I filled

595
00:29:39,120 --> 00:29:40,440
Speaker 7: out all my classes.

596
00:29:40,760 --> 00:29:42,360
Speaker 8: And the way you.

597
00:29:42,240 --> 00:29:46,840
Speaker 6: Play, it's so vulnerable, you know what I mean, it's

598
00:29:46,920 --> 00:29:47,840
Speaker 6: just for me.

599
00:29:48,400 --> 00:29:52,000
Speaker 8: Sympathy for sid Yeah, but I don't empathize with me.

600
00:29:53,040 --> 00:29:57,320
Speaker 6: Why we like, I feel like I don't know, maybe

601
00:29:57,360 --> 00:29:59,760
Speaker 6: it's it's coming from a different place, but I feel

602
00:29:59,800 --> 00:30:02,280
Speaker 6: like I I can see that pain inside juice as

603
00:30:02,320 --> 00:30:06,280
Speaker 6: a character of you know, or your purposely playing it,

604
00:30:06,440 --> 00:30:08,920
Speaker 6: but inside in the eyes and like almost sounds like

605
00:30:08,960 --> 00:30:11,720
Speaker 6: something you're gonna cry, but you don't. Like it's really

606
00:30:11,840 --> 00:30:14,080
Speaker 6: really beautiful. And I'm just saying that because that's what

607
00:30:14,160 --> 00:30:15,520
Speaker 6: secks Jane in every time.

608
00:30:15,880 --> 00:30:18,600
Speaker 3: Yeah, yeah, well sex Jane in and she gives Sydney

609
00:30:18,600 --> 00:30:20,480
Speaker 3: a big hug, and the cameras he was in on

610
00:30:20,560 --> 00:30:23,720
Speaker 3: Jane's face and her smile fades to a look of concern.

611
00:30:23,960 --> 00:30:26,360
Speaker 8: Yeah, well that was weird.

612
00:30:26,520 --> 00:30:28,360
Speaker 6: I've watched it. I had to rewind it because I

613
00:30:28,400 --> 00:30:31,640
Speaker 6: was like, you know when they say like, okay, more,

614
00:30:32,080 --> 00:30:37,880
Speaker 6: you know, worse a little bit ns and eyes up,

615
00:30:37,960 --> 00:30:42,440
Speaker 6: and so I was like like, like, this is it's

616
00:30:42,480 --> 00:30:44,400
Speaker 6: not like expression.

617
00:30:44,120 --> 00:30:47,440
Speaker 5: You have to sell the worry. Do you guys have

618
00:30:47,480 --> 00:30:51,240
Speaker 5: any memories of doing that scene or do you even

619
00:30:51,240 --> 00:30:51,720
Speaker 5: remember it?

620
00:30:51,800 --> 00:30:55,600
Speaker 6: It was I actually do. I didn't until I watched it,

621
00:30:55,680 --> 00:30:58,840
Speaker 6: but we'll get there. But when she's actually in that

622
00:30:58,960 --> 00:31:02,640
Speaker 6: pull out bed and we have the scene, yeah, I

623
00:31:02,720 --> 00:31:03,680
Speaker 6: just love that.

624
00:31:04,280 --> 00:31:07,200
Speaker 7: I do remember because you know, when we're shooting scenes

625
00:31:07,200 --> 00:31:09,080
Speaker 7: that take place in the same room, like in that

626
00:31:09,160 --> 00:31:10,880
Speaker 7: living room in the ploub but we would shoot them

627
00:31:10,920 --> 00:31:12,800
Speaker 7: back to back, right because that's when the crew is

628
00:31:12,840 --> 00:31:15,520
Speaker 7: all set up and the camera's there. So this scene

629
00:31:16,160 --> 00:31:17,760
Speaker 7: where she's pulling out the bed and then the later

630
00:31:17,800 --> 00:31:19,479
Speaker 7: scenes that also take place in the living room were

631
00:31:19,520 --> 00:31:24,480
Speaker 7: all shot on the same day, and I remember, like,

632
00:31:24,880 --> 00:31:27,320
Speaker 7: I mean, I have a distinct memory of these scenes,

633
00:31:27,360 --> 00:31:30,920
Speaker 7: and I felt like Josie, you and I were establishing

634
00:31:30,920 --> 00:31:34,000
Speaker 7: our sister relationship and our friendship sort of off camera.

635
00:31:34,120 --> 00:31:36,720
Speaker 7: It felt like, oh, let's play around with this, let's

636
00:31:36,760 --> 00:31:39,120
Speaker 7: find out, you know what this can be, these sisters

637
00:31:39,120 --> 00:31:42,880
Speaker 7: and whatever. And I just felt like there was such

638
00:31:42,920 --> 00:31:47,400
Speaker 7: an open willingness and friendship from you to have this

639
00:31:47,480 --> 00:31:49,520
Speaker 7: new relationship on the show and then just to be

640
00:31:50,040 --> 00:31:54,280
Speaker 7: like my friend off camera too. I just felt so

641
00:31:55,360 --> 00:32:01,239
Speaker 7: embraced and welcomed. And I also distinctly reminder with all

642
00:32:01,280 --> 00:32:04,160
Speaker 7: the smoking that Sydney was, you know, scripted to do.

643
00:32:04,760 --> 00:32:08,320
Speaker 7: I was like, just okay, keep keep doing this to

644
00:32:08,360 --> 00:32:11,240
Speaker 7: make sure make sure the audience knows Sydney's a smoker.

645
00:32:13,760 --> 00:32:18,880
Speaker 7: So we got it. But Mary Donner, who was our

646
00:32:18,920 --> 00:32:21,280
Speaker 7: script supervisor, came up to me at a certain point.

647
00:32:21,360 --> 00:32:23,520
Speaker 7: She's like, okay, so when we cut in for the

648
00:32:23,520 --> 00:32:26,480
Speaker 7: overs and then the close ups, you're going to need

649
00:32:26,520 --> 00:32:28,240
Speaker 7: to match what you did in the master, which is

650
00:32:28,240 --> 00:32:31,640
Speaker 7: a wide shot. And she's like, so here's where he smoked,

651
00:32:31,640 --> 00:32:33,240
Speaker 7: and here's where he smoked, and here's where he smoked.

652
00:32:33,680 --> 00:32:37,880
Speaker 8: Match that for the edit. And I was like, what, what,

653
00:32:37,880 --> 00:32:38,680
Speaker 8: what's matching?

654
00:32:39,040 --> 00:32:41,000
Speaker 1: Yeah?

655
00:32:39,440 --> 00:32:41,840
Speaker 8: Oh I didn't know.

656
00:32:42,200 --> 00:32:43,000
Speaker 1: So of course not.

657
00:32:43,400 --> 00:32:45,200
Speaker 6: I know, yeah, I had to learn that too.

658
00:32:46,040 --> 00:32:49,360
Speaker 7: I was coming from a place where tons of you know,

659
00:32:49,760 --> 00:32:53,240
Speaker 7: acting classes, acting school, lots of you know, I've been

660
00:32:53,240 --> 00:32:54,760
Speaker 7: on a stage and theater, but.

661
00:32:54,920 --> 00:32:57,560
Speaker 8: This camera concept of matching was fresh to me.

662
00:32:57,680 --> 00:33:00,360
Speaker 7: And I was like, drop the smoking, immediately, stop doing

663
00:33:00,400 --> 00:33:01,920
Speaker 7: these things that you have to mat I.

664
00:33:01,840 --> 00:33:03,680
Speaker 6: Know, for a while, I was like, I don't think

665
00:33:03,720 --> 00:33:05,120
Speaker 6: I want to eat in this scene because I don't

666
00:33:05,120 --> 00:33:06,800
Speaker 6: want to think about what I took the bite because

667
00:33:06,800 --> 00:33:08,640
Speaker 6: I can't remember my lines anyway, So.

668
00:33:08,840 --> 00:33:11,200
Speaker 3: Like, yeah, you know, and that's why we just pushed

669
00:33:11,200 --> 00:33:13,680
Speaker 3: food around. If you ever made yeah, right, you don't

670
00:33:13,720 --> 00:33:15,959
Speaker 3: want to take a bite a hundred times, don't actually

671
00:33:16,040 --> 00:33:17,080
Speaker 3: any movie?

672
00:33:16,760 --> 00:33:18,080
Speaker 1: Yeah? Yeah.

673
00:33:18,120 --> 00:33:21,600
Speaker 7: The look on Mary's face and I said yeah when

674
00:33:21,640 --> 00:33:24,840
Speaker 7: I said what's matching? And Mary is this lovely Southern

675
00:33:25,560 --> 00:33:28,760
Speaker 7: woman and she just went, oh lordy.

676
00:33:30,960 --> 00:33:32,680
Speaker 1: Yeah. She had to teach a lot of people. But

677
00:33:32,720 --> 00:33:34,640
Speaker 1: I think that what you guys did in the scene

678
00:33:34,720 --> 00:33:37,200
Speaker 1: your chemistry because you were only you were going to

679
00:33:37,240 --> 00:33:40,640
Speaker 1: be two episodes, right, Laura. So this is why, like

680
00:33:40,720 --> 00:33:42,840
Speaker 1: they saw, oh, this is magic in a bottle.

681
00:33:43,680 --> 00:33:46,280
Speaker 3: That's why they brought you back. The connection is so

682
00:33:46,520 --> 00:33:47,760
Speaker 3: authentic and.

683
00:33:47,680 --> 00:33:51,040
Speaker 6: I think Laura's character. I was just we needed that

684
00:33:51,200 --> 00:33:51,640
Speaker 6: on the show.

685
00:33:51,840 --> 00:33:54,880
Speaker 3: You the beginning of it, getting one more crazy. Okay,

686
00:33:54,920 --> 00:33:58,120
Speaker 3: so we're back in billion Alison's apartment. Allison is horrified

687
00:33:58,120 --> 00:34:00,480
Speaker 3: because she made a fool out of herself. She doesn't

688
00:34:00,480 --> 00:34:03,160
Speaker 3: want to go to work, and Billy says he can't

689
00:34:03,200 --> 00:34:04,840
Speaker 3: go to the thing with her this weekend because he

690
00:34:04,920 --> 00:34:08,759
Speaker 3: has the Martin McAfee screenwriting seminar. But he suggests that

691
00:34:08,800 --> 00:34:10,480
Speaker 3: he has a buddy who just woke up with his

692
00:34:10,520 --> 00:34:13,040
Speaker 3: girlfriend and the three of them will go out for

693
00:34:13,080 --> 00:34:13,560
Speaker 3: a drink.

694
00:34:14,080 --> 00:34:15,480
Speaker 1: Allison agrees and leaves for.

695
00:34:15,480 --> 00:34:18,880
Speaker 3: Work, which is very sweet of Billy to offer to

696
00:34:18,920 --> 00:34:19,799
Speaker 3: set her up on a date.

697
00:34:19,840 --> 00:34:23,239
Speaker 1: What could possibly go wrong? So, but he does call

698
00:34:23,280 --> 00:34:24,919
Speaker 1: her Eleanor as she leaves the scene.

699
00:34:25,000 --> 00:34:30,680
Speaker 6: It's so cute Bay Salt. Yeah, yeah, yeah, he's the

700
00:34:30,760 --> 00:34:32,600
Speaker 6: delivery of that was so good. Yeah.

701
00:34:33,000 --> 00:34:39,720
Speaker 1: Help. So then we're back in the courtyard.

702
00:34:39,800 --> 00:34:41,760
Speaker 3: Jake is trying to leave his apartment when he walks

703
00:34:41,800 --> 00:34:44,720
Speaker 3: by Joe trying to remove her name from the mailbox.

704
00:34:45,400 --> 00:34:48,040
Speaker 3: Jake tells Joe that she's taking the privacy thing too far,

705
00:34:48,800 --> 00:34:51,799
Speaker 3: but Joe hands him a letter from her husband and

706
00:34:51,840 --> 00:34:54,520
Speaker 3: she doesn't know how he found her. Jake takes the

707
00:34:54,600 --> 00:34:57,399
Speaker 3: letter from Joe, writes address the unknown, puts it back

708
00:34:57,440 --> 00:34:59,880
Speaker 3: in the mailbox. Then he asked Joe to stop by

709
00:34:59,920 --> 00:35:02,600
Speaker 3: the bike shop, and then he has a surprise for her.

710
00:35:03,280 --> 00:35:05,480
Speaker 3: Joseps knows she's had enough surprises for the day, but

711
00:35:05,600 --> 00:35:08,319
Speaker 3: Jake insists and says he will see Joe at noon.

712
00:35:08,680 --> 00:35:11,279
Speaker 5: Jake's just like, oh, I got this covered. I'll take

713
00:35:11,320 --> 00:35:15,759
Speaker 5: care of this, yeah, addressing boom boom, Yeah, taking care

714
00:35:15,800 --> 00:35:18,359
Speaker 5: of him. You're so good at that.

715
00:35:18,440 --> 00:35:19,560
Speaker 1: I'll come to the bike shop.

716
00:35:20,000 --> 00:35:22,880
Speaker 7: But you can see that Joe is truly scared, knowing

717
00:35:22,920 --> 00:35:26,480
Speaker 7: that he's found her there, and she's she's got legitimate

718
00:35:26,520 --> 00:35:28,279
Speaker 7: fear about it, and he's like, I got this, I'll

719
00:35:28,320 --> 00:35:29,120
Speaker 7: help you and I'll.

720
00:35:28,960 --> 00:35:29,440
Speaker 8: Take care of it.

721
00:35:30,800 --> 00:35:33,359
Speaker 3: Yeah, as if he can. So then we're back at

722
00:35:33,440 --> 00:35:36,759
Speaker 3: Jane and Michael's apartment and Jane is getting her lunch ready, when,

723
00:35:36,800 --> 00:35:40,720
Speaker 3: while Michael reads the paper, my brown bag sack lunch,

724
00:35:41,160 --> 00:35:44,959
Speaker 3: Yeah you right, Jane ask what she should say about

725
00:35:44,960 --> 00:35:48,120
Speaker 3: Sidney if her parents call, and then Michael ass why

726
00:35:48,160 --> 00:35:50,000
Speaker 3: is it that every time you get involved with Sydney

727
00:35:50,080 --> 00:35:54,160
Speaker 3: you end up doing things you regret, so the red flags.

728
00:35:53,760 --> 00:35:56,080
Speaker 5: Are telling line huh.

729
00:35:55,840 --> 00:35:57,080
Speaker 1: And Jane says because.

730
00:35:56,840 --> 00:35:58,839
Speaker 3: She is a nice sister, which she is, and then

731
00:35:58,960 --> 00:36:03,399
Speaker 3: Sydney walks in wearing a sparkly belt yeah, compliments Jane

732
00:36:03,440 --> 00:36:06,760
Speaker 3: on her dress. Jane explains that her boss kne notices

733
00:36:06,800 --> 00:36:09,120
Speaker 3: what she wears, and Sydney tells Jane that she would

734
00:36:09,160 --> 00:36:12,200
Speaker 3: love to see what it's like at the studio. So

735
00:36:12,239 --> 00:36:15,000
Speaker 3: she says, maybe sometimes fashionable.

736
00:36:15,160 --> 00:36:16,480
Speaker 5: I look so fashionable.

737
00:36:17,000 --> 00:36:19,000
Speaker 1: Yeah, what a coincidence's.

738
00:36:18,280 --> 00:36:19,480
Speaker 5: Going on in your life?

739
00:36:19,560 --> 00:36:20,440
Speaker 6: At your job?

740
00:36:21,480 --> 00:36:23,880
Speaker 3: And Sydney asked, you can go to work, but Jane says,

741
00:36:23,960 --> 00:36:26,839
Speaker 3: you know, no, I'm new and then she says maybe

742
00:36:26,880 --> 00:36:29,960
Speaker 3: she can visit the hospital with Michael, like it's a hospital,

743
00:36:30,040 --> 00:36:31,280
Speaker 3: you lunatic, and he's.

744
00:36:31,239 --> 00:36:33,239
Speaker 8: Like, he gives her the love. Don't you dare say

745
00:36:33,520 --> 00:36:33,759
Speaker 8: to that?

746
00:36:34,320 --> 00:36:37,040
Speaker 3: Yeah, So then our sweet sweet Jane says, okay, you

747
00:36:37,040 --> 00:36:40,680
Speaker 3: can come for work. Sydney grabs her jacket, and we're

748
00:36:40,760 --> 00:36:43,160
Speaker 3: left with the feeling of what could possibly go wrong?

749
00:36:43,480 --> 00:36:43,719
Speaker 6: Yep.

750
00:36:44,760 --> 00:36:47,719
Speaker 7: And also just to note, like I don't think we

751
00:36:47,800 --> 00:36:49,800
Speaker 7: talked about this. The title of this episode A Single

752
00:36:49,800 --> 00:36:54,080
Speaker 7: White Sister, which is the teak on the movie that Jennifer,

753
00:36:54,120 --> 00:36:59,120
Speaker 7: Jason Lee, Fonda, Yeah, Bridgetpond and where one she's a

754
00:36:59,200 --> 00:37:03,160
Speaker 7: roommate who moved in and sort of tries to assume

755
00:37:03,239 --> 00:37:05,399
Speaker 7: the other girl's life and she sort of takes over.

756
00:37:05,520 --> 00:37:08,480
Speaker 7: So it's you know, the titles of our episode usually

757
00:37:09,160 --> 00:37:09,640
Speaker 7: are it.

758
00:37:09,640 --> 00:37:13,360
Speaker 2: Kind of shows how they in their mind they already

759
00:37:13,600 --> 00:37:16,000
Speaker 2: already know you were hired for just a few episodes,

760
00:37:16,040 --> 00:37:19,640
Speaker 2: but they knew within that arc they were gonna, you know,

761
00:37:19,800 --> 00:37:20,959
Speaker 2: really make you come.

762
00:37:21,120 --> 00:37:23,160
Speaker 5: And it's all based on that movie.

763
00:37:23,200 --> 00:37:25,040
Speaker 1: What was that movie you gouts female?

764
00:37:25,360 --> 00:37:25,480
Speaker 6: No?

765
00:37:25,920 --> 00:37:26,840
Speaker 5: What was that based on?

766
00:37:27,000 --> 00:37:28,920
Speaker 6: Remember, Jennifer Jason Lee?

767
00:37:29,080 --> 00:37:31,400
Speaker 8: Or was that I'm back in the forties.

768
00:37:32,440 --> 00:37:35,719
Speaker 2: Oh, I think it was Betty Davis.

769
00:37:35,800 --> 00:37:40,600
Speaker 5: Okay, fans? What about Yeah? Solid about Eve? Yeah about Eve?

770
00:37:41,400 --> 00:37:42,000
Speaker 5: That's similar.

771
00:37:42,400 --> 00:37:45,359
Speaker 3: Yeah, I did an episode of a TV SHOWLD all

772
00:37:45,400 --> 00:37:46,160
Speaker 3: about Alison.

773
00:37:46,400 --> 00:37:47,600
Speaker 1: So it's all coming around.

774
00:37:48,000 --> 00:37:51,560
Speaker 7: All kind of and it's really informative. So as an actor,

775
00:37:51,600 --> 00:37:53,240
Speaker 7: to read the title and you go, Okay.

776
00:37:53,560 --> 00:37:54,400
Speaker 1: Joe's at the bike.

777
00:37:54,280 --> 00:37:57,359
Speaker 3: Shop, admiring Jake's new motorcycle, which apparently isn't a girl

778
00:37:57,400 --> 00:37:59,600
Speaker 3: bike anymore. Just as I love it, When can I

779
00:37:59,640 --> 00:38:01,560
Speaker 3: take it out? Joe tells Jake to Jeski back. She's

780
00:38:01,600 --> 00:38:03,839
Speaker 3: still work In the photos from the beach, Jake walks

781
00:38:03,880 --> 00:38:06,400
Speaker 3: you over to this price and unveils his old bike,

782
00:38:06,960 --> 00:38:08,560
Speaker 3: tells Joe that it's a gift for her.

783
00:38:08,640 --> 00:38:11,880
Speaker 1: Now it's yours. Yeah, you know sweet.

784
00:38:12,239 --> 00:38:15,080
Speaker 2: When I was watching this, I remember that this is

785
00:38:15,120 --> 00:38:17,600
Speaker 2: when I was starting to ride with Grant on these

786
00:38:17,840 --> 00:38:20,120
Speaker 2: weekend bike of thons that you know.

787
00:38:20,040 --> 00:38:30,080
Speaker 4: About, specifically that weekends, yeah, the only one and just

788
00:38:30,080 --> 00:38:32,680
Speaker 4: getting you back for the dinner party thing that I

789
00:38:32,680 --> 00:38:33,120
Speaker 4: never got.

790
00:38:33,200 --> 00:38:37,080
Speaker 2: But anyway, calendars just a little behind the scenes. So

791
00:38:38,160 --> 00:38:40,560
Speaker 2: I have a couple of pictures of that scene back

792
00:38:40,640 --> 00:38:42,640
Speaker 2: on the on the beach that we shot the first

793
00:38:42,640 --> 00:38:44,239
Speaker 2: one because I remember the jacket. So I have a

794
00:38:44,239 --> 00:38:46,240
Speaker 2: couple of polaroids that I'm gonna post.

795
00:38:46,320 --> 00:38:46,520
Speaker 6: Wow.

796
00:38:47,560 --> 00:38:51,120
Speaker 5: But then there's one of Ike, who was this guy

797
00:38:51,440 --> 00:38:52,480
Speaker 5: of our trans bo.

798
00:38:53,000 --> 00:38:56,200
Speaker 2: He used to go with us and ride bikes and

799
00:38:56,200 --> 00:38:57,200
Speaker 2: and he was.

800
00:38:57,280 --> 00:38:58,759
Speaker 5: Such a darling man.

801
00:38:58,800 --> 00:38:59,879
Speaker 1: That's a great guy, all.

802
00:38:59,800 --> 00:39:03,960
Speaker 2: These tattoos in the heart of Gold, and I'm going

803
00:39:04,000 --> 00:39:05,000
Speaker 2: to post a picture of him.

804
00:39:05,040 --> 00:39:06,319
Speaker 5: I have two from the beach thing.

805
00:39:06,440 --> 00:39:10,439
Speaker 2: But little behind the scenes here in this scene. He's

806
00:39:10,480 --> 00:39:12,399
Speaker 2: an extra in it, so you see him in the back.

807
00:39:12,600 --> 00:39:13,440
Speaker 5: Did you notice him?

808
00:39:14,640 --> 00:39:20,040
Speaker 6: Yesnytail back here like, oh, I have to watch that again.

809
00:39:20,719 --> 00:39:22,480
Speaker 6: I had to be some crew back there.

810
00:39:22,320 --> 00:39:26,279
Speaker 1: When he's like always yeah, always right. So back to

811
00:39:26,320 --> 00:39:26,800
Speaker 1: the scene.

812
00:39:26,920 --> 00:39:28,719
Speaker 3: So Jake gives her a bike, and all the girls

813
00:39:28,760 --> 00:39:30,920
Speaker 3: and yours, Oh my god, we're swooning. And Joe of

814
00:39:30,920 --> 00:39:34,160
Speaker 3: course tells Jake she can't accept the motorcycle, kisses.

815
00:39:33,920 --> 00:39:39,240
Speaker 1: Him on the cheek, thanks him for the thought and least. Wow.

816
00:39:40,440 --> 00:39:41,600
Speaker 6: Yeah, poor Jake.

817
00:39:42,560 --> 00:39:45,240
Speaker 3: So now we're back at k Beacon Design studio. Jane

818
00:39:45,280 --> 00:39:47,839
Speaker 3: is working on the designs while Sydney watches next to her.

819
00:39:47,920 --> 00:39:51,480
Speaker 3: Sidney notices k Beacon and mentions to Jane, look, it's her.

820
00:39:52,120 --> 00:39:54,319
Speaker 3: Kay walks over to Jane gives her some notes on color,

821
00:39:54,360 --> 00:39:57,200
Speaker 3: asking for something the forest green range. Nothing in the

822
00:39:57,200 --> 00:40:00,360
Speaker 3: egg plant shade, which you've been so into lately. We

823
00:40:00,480 --> 00:40:04,200
Speaker 3: all noticed that, Jess. Yeah, yeah, I was super into

824
00:40:04,200 --> 00:40:04,800
Speaker 3: egg plant that.

825
00:40:05,000 --> 00:40:07,240
Speaker 5: I will say that forst green.

826
00:40:07,760 --> 00:40:10,879
Speaker 1: Yes, Jane introduces Sydney to Kay.

827
00:40:10,960 --> 00:40:13,600
Speaker 3: Sidney tells Kay that the work is so fascinating and

828
00:40:13,680 --> 00:40:16,799
Speaker 3: I'm starting to get like nervous in my stomach. I'm like, oh, dear,

829
00:40:18,160 --> 00:40:21,799
Speaker 3: I know, Kay, Sidney, She's interested in design. Sidney says, yes,

830
00:40:22,000 --> 00:40:24,600
Speaker 3: it's a hobby. Introduce all the fashion magazines, to which

831
00:40:24,719 --> 00:40:27,759
Speaker 3: Kay tells her that she has an eye and asks

832
00:40:27,760 --> 00:40:30,720
Speaker 3: her to go get some magazines. Kay says to Sydney,

833
00:40:30,800 --> 00:40:33,640
Speaker 3: I like your belt. I think it's great, then gives

834
00:40:33,640 --> 00:40:36,840
Speaker 3: her the money to get the magazines. Kay looks at Jane,

835
00:40:36,840 --> 00:40:39,879
Speaker 3: telling her that Sydney is cute, and Jane gives Kay

836
00:40:40,040 --> 00:40:44,080
Speaker 3: a fake smile. Jane doesn't give them any fake smiles.

837
00:40:44,560 --> 00:40:46,680
Speaker 7: Well, you can see that Jane was very surprised to

838
00:40:46,719 --> 00:40:48,560
Speaker 7: learn that Sydney is interested in.

839
00:40:50,520 --> 00:40:54,000
Speaker 8: That seemed new. That was the new information that all

840
00:40:54,040 --> 00:40:55,000
Speaker 8: of a sudden.

841
00:40:55,200 --> 00:40:58,040
Speaker 6: Right right, the very thing that it.

842
00:40:58,080 --> 00:41:01,319
Speaker 3: Keeps going that Jane is wanted to do her entire life.

843
00:41:01,600 --> 00:41:04,440
Speaker 3: She was probably a little girl doing paper dolls, and suddenly, right,

844
00:41:04,760 --> 00:41:05,719
Speaker 3: Kidney's interested.

845
00:41:06,320 --> 00:41:06,880
Speaker 1: Huh.

846
00:41:07,080 --> 00:41:08,120
Speaker 6: Interesting, of course.

847
00:41:08,280 --> 00:41:10,399
Speaker 3: But now we're back at Jane and Michael's and they're

848
00:41:10,440 --> 00:41:12,880
Speaker 3: eating pizza. Well, Sydney is telling them how KB can

849
00:41:12,920 --> 00:41:16,840
Speaker 3: give her a three hundred dollar necklace, which is thousand

850
00:41:16,920 --> 00:41:19,320
Speaker 3: dollars in today's money.

851
00:41:19,200 --> 00:41:20,000
Speaker 8: Right, thank you.

852
00:41:20,280 --> 00:41:23,480
Speaker 7: I did notice that this was another moment where Sidney

853
00:41:23,480 --> 00:41:25,759
Speaker 7: walks into the kitchen and places her doc Martins onto

854
00:41:25,800 --> 00:41:26,399
Speaker 7: the dining room.

855
00:41:27,560 --> 00:41:29,160
Speaker 5: Just the shoes, Just the shoes.

856
00:41:29,280 --> 00:41:30,520
Speaker 6: You did I miss that?

857
00:41:30,680 --> 00:41:35,160
Speaker 7: Yeah? Michael pushes them, removes them from the table, one

858
00:41:36,080 --> 00:41:36,760
Speaker 7: them on the floor.

859
00:41:36,880 --> 00:41:39,120
Speaker 3: Sidney tells Michael, home nice k was, and it's asking

860
00:41:39,160 --> 00:41:41,359
Speaker 3: about her family and what Jane was like growing up,

861
00:41:41,960 --> 00:41:44,680
Speaker 3: and then Sidney tells Jane that she has a perfect boss.

862
00:41:44,719 --> 00:41:47,480
Speaker 3: Michael says, what else do you expect from Jane? Did

863
00:41:47,520 --> 00:41:48,879
Speaker 3: you feel like they were ganging up.

864
00:41:48,800 --> 00:41:49,560
Speaker 1: On your jests?

865
00:41:50,160 --> 00:41:53,680
Speaker 5: Yes, it's starting to shift. It's pissing off.

866
00:41:53,880 --> 00:41:56,480
Speaker 6: And even in the beginning when they have the when

867
00:41:56,520 --> 00:41:59,680
Speaker 6: they go to breakfast or whatever together, yes, And he's like,

868
00:41:59,760 --> 00:42:04,600
Speaker 6: she's insecure, like what has been? Does that? Like he

869
00:42:04,840 --> 00:42:08,399
Speaker 6: was saying about her witnesses, I had an annoying brother too.

870
00:42:08,800 --> 00:42:09,440
Speaker 5: Do you remember that?

871
00:42:10,360 --> 00:42:13,080
Speaker 2: She's like, my sister's so perfect and annoying And he's like,

872
00:42:13,120 --> 00:42:17,920
Speaker 2: I had an annoying, perfect brother too, Right, they.

873
00:42:17,760 --> 00:42:21,520
Speaker 6: Were bonding bonding over it interesting? Yeah. Yeah.

874
00:42:22,000 --> 00:42:24,960
Speaker 1: So then Laura plays it so naturally like it's just

875
00:42:25,040 --> 00:42:25,839
Speaker 1: this part of her.

876
00:42:25,880 --> 00:42:27,440
Speaker 5: It's not like this malicious thing.

877
00:42:27,440 --> 00:42:32,040
Speaker 2: It's just exactly you're just oh, you know, it's creepy, creepy.

878
00:42:31,719 --> 00:42:36,160
Speaker 6: Because like the vulner the real vulnerability, like you, when

879
00:42:36,200 --> 00:42:39,200
Speaker 6: you do that, it brings it just to all these

880
00:42:39,239 --> 00:42:42,960
Speaker 6: different dimensions of like you're not just this brat, this entitled.

881
00:42:42,560 --> 00:42:45,680
Speaker 7: Brat, right, I mean I had to believe that Sydney

882
00:42:45,719 --> 00:42:48,400
Speaker 7: really was all those insecure things that Wasn't you know

883
00:42:48,480 --> 00:42:51,920
Speaker 7: that the feelings is what drives her action, you know,

884
00:42:52,000 --> 00:42:53,359
Speaker 7: so like the feelings are real.

885
00:42:53,800 --> 00:42:55,439
Speaker 8: Yeah, yeah, yeah, Well.

886
00:42:55,320 --> 00:42:57,160
Speaker 3: That's why it's better to have you play it, because

887
00:42:57,160 --> 00:43:00,799
Speaker 3: you're so authentic, so that that's always underneath all of it, right,

888
00:43:00,880 --> 00:43:03,560
Speaker 3: so that our heart breaks for you. We have compassion,

889
00:43:03,560 --> 00:43:05,120
Speaker 3: but you didn't have compassion for Sydney.

890
00:43:06,000 --> 00:43:07,000
Speaker 6: You didn't like the character.

891
00:43:07,360 --> 00:43:08,640
Speaker 1: Right, we have to have compassion.

892
00:43:08,719 --> 00:43:11,920
Speaker 3: So the phone rings and it is Jane and Sydney's mom,

893
00:43:12,120 --> 00:43:16,440
Speaker 3: and Sydney is mouthing I'm not here. So Jane lies

894
00:43:17,280 --> 00:43:20,000
Speaker 3: and tells her mother that Sydney mentioned visiting a college

895
00:43:20,000 --> 00:43:22,720
Speaker 3: friend for Winter Carnival and tells her not to worry.

896
00:43:23,080 --> 00:43:25,480
Speaker 3: Michael looks at Jane, throws his napkin down on the table,

897
00:43:25,520 --> 00:43:26,600
Speaker 3: and leaves the room.

898
00:43:27,160 --> 00:43:32,880
Speaker 5: She only lies because they walked up to her. Yes, no,

899
00:43:33,040 --> 00:43:34,879
Speaker 5: and there's that innocent face.

900
00:43:35,000 --> 00:43:39,040
Speaker 6: But it's so interesting about this scene. And I watched

901
00:43:39,080 --> 00:43:42,120
Speaker 6: this a couple of times too, because I you have

902
00:43:42,200 --> 00:43:43,880
Speaker 6: to watch it again to know what I'm saying. But

903
00:43:44,080 --> 00:43:48,040
Speaker 6: I Jane changes her voice changes with when she's on

904
00:43:48,080 --> 00:43:50,560
Speaker 6: the phone with her mom to more of a little girl,

905
00:43:51,320 --> 00:43:56,680
Speaker 6: and she is lying for Sydney. My guest, this probably

906
00:43:56,680 --> 00:43:59,080
Speaker 6: does it all the time, had done it as an

907
00:43:59,239 --> 00:44:02,319
Speaker 6: older sister, and fell right back into that. And maybe

908
00:44:02,360 --> 00:44:04,239
Speaker 6: that's kind of why Michael's like you do. Think she

909
00:44:04,239 --> 00:44:06,600
Speaker 6: makes you do things you don't that aren't maybe authentic

910
00:44:06,640 --> 00:44:09,840
Speaker 6: to who Jane is that loves her and has protected

911
00:44:09,840 --> 00:44:12,960
Speaker 6: Sydney her whole life. Yeah, it was interesting to hear

912
00:44:13,040 --> 00:44:16,400
Speaker 6: my voice change like that. It wasn't even a conscious choice.

913
00:44:16,760 --> 00:44:17,359
Speaker 5: Oh cool.

914
00:44:17,440 --> 00:44:20,320
Speaker 7: Oh that's very sweet for you to have just learned

915
00:44:20,320 --> 00:44:26,080
Speaker 7: that you have a sister at all. Liked the idea

916
00:44:26,080 --> 00:44:30,200
Speaker 7: of what this relationship was, and I love that this

917
00:44:30,280 --> 00:44:34,080
Speaker 7: is new to both of us. Let's go, Yeah, I

918
00:44:34,200 --> 00:44:36,000
Speaker 7: love its kind.

919
00:44:35,840 --> 00:44:39,920
Speaker 2: Of harder jobs are people all of a sudden You

920
00:44:39,960 --> 00:44:42,120
Speaker 2: wake up in one morning and there's a sister you.

921
00:44:42,160 --> 00:44:44,200
Speaker 1: Have just trying to steal your job.

922
00:44:44,320 --> 00:44:46,680
Speaker 8: But okay, we already had history.

923
00:44:46,840 --> 00:44:49,280
Speaker 3: We have history, so now we're back in Ronda's apartment

924
00:44:49,320 --> 00:44:51,200
Speaker 3: and she's with Matt. She opens a box of feeling

925
00:44:51,200 --> 00:44:54,160
Speaker 3: a navy dress, which is the one that you'd seen

926
00:44:54,239 --> 00:44:57,880
Speaker 3: in the store window. Ronda says she's feeling smothered by Terrence,

927
00:44:57,920 --> 00:45:01,680
Speaker 3: and Matt says he's treating her well and that maybe

928
00:45:01,719 --> 00:45:04,839
Speaker 3: it's time to end their lonely Saturday nights watching old

929
00:45:04,920 --> 00:45:05,840
Speaker 3: romantic movies.

930
00:45:05,880 --> 00:45:07,680
Speaker 1: I'm thinking, what's Matt's going to do now?

931
00:45:08,120 --> 00:45:10,319
Speaker 6: I was like, Oh, we're gonna do poor man.

932
00:45:10,600 --> 00:45:13,160
Speaker 3: Ronda says it's a little terrifying, and Matt tells Ronde

933
00:45:13,200 --> 00:45:16,439
Speaker 3: if it wasn't terrifying, it wouldn't be love. So he's

934
00:45:16,520 --> 00:45:18,920
Speaker 3: kind of telling her to ignore the red flags, which,

935
00:45:19,040 --> 00:45:20,320
Speaker 3: you know whatever, He's a romantic.

936
00:45:21,160 --> 00:45:22,480
Speaker 1: So now we're back in Jane and.

937
00:45:22,400 --> 00:45:24,880
Speaker 3: Michael's apartment and Sydney's on the pull out couch when

938
00:45:24,960 --> 00:45:28,279
Speaker 3: Jane walks in, telling her good night. Sidney thanks Jane

939
00:45:28,320 --> 00:45:30,839
Speaker 3: for lying about her being there, and she knows it's

940
00:45:30,840 --> 00:45:34,239
Speaker 3: hard for Jane to lie, but she says, now you

941
00:45:34,320 --> 00:45:37,040
Speaker 3: know I went through all those times, and Jane tells

942
00:45:37,080 --> 00:45:39,840
Speaker 3: Sidney that she made lying look easy.

943
00:45:40,320 --> 00:45:43,520
Speaker 1: When Jane there's a little edge to Jane. God I

944
00:45:43,560 --> 00:45:46,279
Speaker 1: was like, good for you, Jane. Yeah.

945
00:45:46,400 --> 00:45:48,560
Speaker 3: Sydney explains to Jane that lying kind of makes you

946
00:45:48,600 --> 00:45:50,520
Speaker 3: hate yourself and that one day their parents will be

947
00:45:50,520 --> 00:45:53,319
Speaker 3: proud of her, and this is so sweet. Jane gets

948
00:45:53,320 --> 00:45:55,920
Speaker 3: into bed under the covers and recounts a funny memory

949
00:45:55,920 --> 00:45:57,640
Speaker 3: of the two of them from their summerhouse of the

950
00:45:57,719 --> 00:46:01,279
Speaker 3: lake in Michigan, which was so right. Really, that's what

951
00:46:01,320 --> 00:46:03,400
Speaker 3: I'm saying, So much history in these short scenes.

952
00:46:03,719 --> 00:46:06,160
Speaker 5: That was a great scene that really crackled. You know,

953
00:46:06,200 --> 00:46:10,160
Speaker 5: you're laughing, you guys remembering it. You could really see

954
00:46:10,200 --> 00:46:11,200
Speaker 5: it that you guys were there.

955
00:46:11,239 --> 00:46:15,320
Speaker 3: It was great, great, And then once are super bonded

956
00:46:15,400 --> 00:46:18,120
Speaker 3: and we're all numb, numb, nummy. Sidney tells Jane that

957
00:46:18,160 --> 00:46:21,080
Speaker 3: she needs direction, and she finally knows what she wants

958
00:46:21,080 --> 00:46:24,840
Speaker 3: to do. Guess what she wants to do, Guys, I

959
00:46:24,880 --> 00:46:25,600
Speaker 3: know that Laura.

960
00:46:26,680 --> 00:46:28,600
Speaker 8: I want to be exactly what you're going.

961
00:46:28,600 --> 00:46:34,120
Speaker 5: To be, not because of you. I don't expect you

962
00:46:34,160 --> 00:46:36,839
Speaker 5: to give me a job. Just look at my own job.

963
00:46:37,440 --> 00:46:39,879
Speaker 1: That is shocking. And Jane has a great idea, Hey,

964
00:46:39,960 --> 00:46:43,440
Speaker 1: maybe why don't you want to finish school, but Sydney says.

965
00:46:43,239 --> 00:46:46,120
Speaker 3: No, she she wants to do, and she says something about,

966
00:46:46,400 --> 00:46:48,640
Speaker 3: you know, it's easy to get along here on Little,

967
00:46:48,800 --> 00:46:51,360
Speaker 3: like apparently La was very different then, because that is

968
00:46:51,400 --> 00:46:53,879
Speaker 3: an easy place to get along on Little.

969
00:46:54,080 --> 00:46:56,640
Speaker 8: And she insists this time she's not going to fail.

970
00:46:57,640 --> 00:47:01,600
Speaker 3: Yeah, it'll be different this time, right, ye one thing,

971
00:47:01,640 --> 00:47:03,239
Speaker 3: I know it'll be different this time.

972
00:47:03,280 --> 00:47:06,280
Speaker 2: I'm gonna mow you over, but I'm not going because

973
00:47:06,840 --> 00:47:08,680
Speaker 2: making it in Elle is simple.

974
00:47:09,040 --> 00:47:12,040
Speaker 1: Super easy, super easy. So we're back at k Beacon

975
00:47:12,080 --> 00:47:12,920
Speaker 1: Design Studios.

976
00:47:13,000 --> 00:47:15,240
Speaker 3: Kay is working with Jane on her design and says

977
00:47:15,800 --> 00:47:18,280
Speaker 3: she was actually right about the eggflant color, so victory

978
00:47:18,320 --> 00:47:22,480
Speaker 3: for Jane, and all of a sudden, Sydney walks in

979
00:47:22,680 --> 00:47:26,000
Speaker 3: with her red beret and her leather jacket, carrying a

980
00:47:26,040 --> 00:47:29,160
Speaker 3: box of donuts. She's just here to be nice and

981
00:47:29,200 --> 00:47:33,279
Speaker 3: offer up donuts. Jane moves the box because she puts

982
00:47:33,320 --> 00:47:34,640
Speaker 3: him down on her design.

983
00:47:35,000 --> 00:47:37,440
Speaker 8: Excuse me, at least it wasn't the boots.

984
00:47:38,719 --> 00:47:39,120
Speaker 1: It wasn't.

985
00:47:39,880 --> 00:47:43,319
Speaker 3: And she has Kay's favorite chocolate and Kay mentions they

986
00:47:43,320 --> 00:47:46,160
Speaker 3: go better with milk, so Sydney says she will get

987
00:47:46,239 --> 00:47:49,000
Speaker 3: some milk, and then Jane tells Sidney she should be

988
00:47:49,000 --> 00:47:51,680
Speaker 3: out sight seeing, but Sydney says that she likes running

989
00:47:51,760 --> 00:47:52,480
Speaker 3: errands for k.

990
00:47:55,000 --> 00:47:56,120
Speaker 1: The lines are blurring.

991
00:47:57,800 --> 00:47:59,840
Speaker 3: Jane tells Sidney not to get the impression that she

992
00:47:59,880 --> 00:48:03,960
Speaker 3: has there's a job there. Sydney walks away, and we

993
00:48:04,040 --> 00:48:06,040
Speaker 3: are left feeling vaguely uncomfortable.

994
00:48:07,200 --> 00:48:08,560
Speaker 6: Okay, I right.

995
00:48:08,600 --> 00:48:09,640
Speaker 1: We're back in the courtyard.

996
00:48:09,719 --> 00:48:11,279
Speaker 3: Jake is getting on his bike in the court air

997
00:48:11,360 --> 00:48:14,439
Speaker 3: when Joe comes running down the stairs. Joe tells Jake

998
00:48:14,440 --> 00:48:16,480
Speaker 3: the photos came out great. Joe asked Jake if he

999
00:48:16,520 --> 00:48:19,319
Speaker 3: wants to see them. Jake says pass. Joe tells Jake

1000
00:48:19,360 --> 00:48:21,360
Speaker 3: that she can't accept something from him without, I mean

1001
00:48:21,480 --> 00:48:24,480
Speaker 3: something to give back. She says it's too much pressure.

1002
00:48:24,640 --> 00:48:26,799
Speaker 3: Jake tells Joe that he doesn't want anything from her

1003
00:48:26,880 --> 00:48:32,080
Speaker 3: and that he's not her husband. Oh, he's so trying

1004
00:48:32,400 --> 00:48:35,600
Speaker 3: to get her to see him as who he is,

1005
00:48:35,760 --> 00:48:37,680
Speaker 3: which is just genuinely wonderful guy.

1006
00:48:37,800 --> 00:48:40,160
Speaker 1: Right, It's so sweet.

1007
00:48:41,680 --> 00:48:44,240
Speaker 3: So then we're back at Shooters and Billy and Allison

1008
00:48:44,239 --> 00:48:46,359
Speaker 3: are walking to the table at Shooters. Alison doesn't want

1009
00:48:46,400 --> 00:48:48,040
Speaker 3: to be there. She can't believe she let him talk

1010
00:48:48,080 --> 00:48:50,480
Speaker 3: him into it. She'll only stay for two drinks, and

1011
00:48:50,520 --> 00:48:53,400
Speaker 3: then she sees Tom she's.

1012
00:48:53,520 --> 00:48:54,040
Speaker 5: Sort of.

1013
00:48:55,520 --> 00:49:01,439
Speaker 1: Everything changes. Tom is a door. Doest me go back

1014
00:49:01,440 --> 00:49:02,840
Speaker 1: and see? Like what his name is?

1015
00:49:02,840 --> 00:49:05,479
Speaker 3: He's so adorable, he's one of those Watkins and Ted

1016
00:49:05,520 --> 00:49:11,520
Speaker 3: Watkins absolutely adorable. Yeah, yeah, adorable casting And she sits

1017
00:49:11,520 --> 00:49:14,200
Speaker 3: down right next to him and they start chatting away.

1018
00:49:14,600 --> 00:49:16,600
Speaker 3: He's satting to be aware at UCLA, he's in the

1019
00:49:16,680 --> 00:49:21,200
Speaker 3: DA's office. Tom as Allison what she does. Billy answers

1020
00:49:21,239 --> 00:49:23,600
Speaker 3: for Allison because he's trying to get his way in there.

1021
00:49:23,960 --> 00:49:26,840
Speaker 3: Tom says that sounds great. Tom and Allison smile at

1022
00:49:26,880 --> 00:49:31,480
Speaker 3: each other, and Billy doesn't look happy.

1023
00:49:31,880 --> 00:49:32,760
Speaker 8: I love this idea.

1024
00:49:32,880 --> 00:49:35,640
Speaker 1: Maybe this is a bad idea now what him thinking.

1025
00:49:35,480 --> 00:49:36,160
Speaker 5: Was going to happen?

1026
00:49:36,200 --> 00:49:38,880
Speaker 2: I just want to know, Like he's suddenly like no

1027
00:49:39,040 --> 00:49:39,839
Speaker 2: I did I had?

1028
00:49:39,840 --> 00:49:40,600
Speaker 5: This isn't working.

1029
00:49:40,719 --> 00:49:42,640
Speaker 8: What did he think was going to happen there? His

1030
00:49:42,719 --> 00:49:44,840
Speaker 8: handsome friend Tuck Watkins was.

1031
00:49:44,840 --> 00:49:47,520
Speaker 6: Going to be like you gross, like she's you know,

1032
00:49:47,640 --> 00:49:50,200
Speaker 6: guys might not think of another guy as super handsome.

1033
00:49:50,239 --> 00:49:53,360
Speaker 6: And he also probably was realizing like all his feelings

1034
00:49:53,360 --> 00:49:56,200
Speaker 6: were coming up seeing her with someone Else's probably so

1035
00:49:56,280 --> 00:49:56,960
Speaker 6: much going on.

1036
00:49:57,360 --> 00:50:00,719
Speaker 3: Yeah, yeah, they seem Alison and Billy are not so

1037
00:50:00,760 --> 00:50:04,680
Speaker 3: smart even though it's weird obviously sleeping together off camera,

1038
00:50:04,760 --> 00:50:07,640
Speaker 3: but we don't. The camera start rolling obvious super stupid,

1039
00:50:07,640 --> 00:50:12,000
Speaker 3: and we forget about so. Back at k Beacon Design

1040
00:50:12,080 --> 00:50:14,839
Speaker 3: studio at night, Jane is working late. Sydney walks into

1041
00:50:14,920 --> 00:50:18,120
Speaker 3: a cigarette, of course, but careful not to smoke constantly

1042
00:50:18,160 --> 00:50:20,799
Speaker 3: because you'll have to match it. Tells Jane that she

1043
00:50:20,880 --> 00:50:23,320
Speaker 3: needs to leave work. Sidney says, they have some serious

1044
00:50:23,320 --> 00:50:27,160
Speaker 3: praying to do at the club Flaming Colossus, which is

1045
00:50:27,200 --> 00:50:28,479
Speaker 3: such a great club name.

1046
00:50:28,920 --> 00:50:29,680
Speaker 1: Jane can't leave.

1047
00:50:30,320 --> 00:50:32,120
Speaker 5: We did have one like that. I think that was

1048
00:50:32,160 --> 00:50:33,520
Speaker 5: a real name, doesn't really.

1049
00:50:33,640 --> 00:50:36,040
Speaker 2: I used to go to these clubs all the time downtown.

1050
00:50:36,080 --> 00:50:38,000
Speaker 2: They've been in different places, powerhouse.

1051
00:50:39,760 --> 00:50:41,759
Speaker 5: I can't even think of them there all. I think

1052
00:50:41,800 --> 00:50:43,200
Speaker 5: that something like that.

1053
00:50:43,320 --> 00:50:45,800
Speaker 1: I remember, did you go with your motorcycle riding friends?

1054
00:50:45,880 --> 00:50:47,960
Speaker 1: Is that probably?

1055
00:50:48,160 --> 00:50:48,440
Speaker 5: Yeah?

1056
00:50:48,560 --> 00:50:50,719
Speaker 1: But didn't hear about it. That's funny.

1057
00:50:50,800 --> 00:50:53,880
Speaker 3: Sidney tells Jane not to be such a dwep. We

1058
00:50:53,960 --> 00:50:58,160
Speaker 3: have lowdeb mind, sir. It's Friday night, Sidney says. Kay

1059
00:50:58,280 --> 00:51:01,640
Speaker 3: is cool. Jane tells d that Kate is her boss,

1060
00:51:01,840 --> 00:51:05,080
Speaker 3: trying desperately to like bring her down a bit. Kate

1061
00:51:05,160 --> 00:51:07,799
Speaker 3: comes to the door until Sydney they are leaving.

1062
00:51:07,840 --> 00:51:08,399
Speaker 8: Wants it.

1063
00:51:09,400 --> 00:51:13,279
Speaker 3: H So Jane watches Sydney and her boss go out

1064
00:51:13,320 --> 00:51:16,160
Speaker 3: partying just late work.

1065
00:51:16,280 --> 00:51:17,800
Speaker 8: But wearing red tights.

1066
00:51:17,880 --> 00:51:23,839
Speaker 6: I will add, yes, popped right straight on your head,

1067
00:51:23,920 --> 00:51:27,399
Speaker 6: like it's just a little little little mushroom girl.

1068
00:51:26,960 --> 00:51:30,600
Speaker 2: First of the first beret sighting, actually, yeah, we're starting

1069
00:51:30,640 --> 00:51:31,600
Speaker 2: to see a lot of these.

1070
00:51:31,719 --> 00:51:33,600
Speaker 1: Fashion talked about that beret.

1071
00:51:33,719 --> 00:51:36,360
Speaker 6: Actually, I love that.

1072
00:51:36,520 --> 00:51:38,800
Speaker 7: I love that Josie noticed that it was perfectly square

1073
00:51:38,840 --> 00:51:39,480
Speaker 7: on the top of.

1074
00:51:40,080 --> 00:51:46,200
Speaker 6: Yeah a little. It's so good that it was, yes,

1075
00:51:46,320 --> 00:51:48,799
Speaker 6: because you look like you're trying so hard.

1076
00:51:49,320 --> 00:51:52,759
Speaker 7: Or like in retrospect, I wonder was that a matching thing, like, oh,

1077
00:51:53,440 --> 00:51:56,080
Speaker 7: let's not like this way, we won't have to match

1078
00:51:56,080 --> 00:51:58,160
Speaker 7: it if we don't pick a side, or if we

1079
00:51:58,200 --> 00:52:01,640
Speaker 7: don't have to remember which side it's. Yeah, I don't know,

1080
00:52:01,719 --> 00:52:03,400
Speaker 7: Hockley square, it'll always match.

1081
00:52:03,840 --> 00:52:07,239
Speaker 3: My guests were so new and you were Costumer's dream

1082
00:52:07,239 --> 00:52:09,080
Speaker 3: because you look great in anything, and I bet she

1083
00:52:09,080 --> 00:52:11,319
Speaker 3: could put it. You were like, okay, okay, okay, So

1084
00:52:11,400 --> 00:52:12,920
Speaker 3: she got to really have fun with you.

1085
00:52:13,040 --> 00:52:13,840
Speaker 1: Is that what you remember?

1086
00:52:14,040 --> 00:52:14,200
Speaker 6: Well?

1087
00:52:14,239 --> 00:52:17,040
Speaker 7: I definitely was game for whatever, and I thought it

1088
00:52:17,080 --> 00:52:20,239
Speaker 7: was super fun to dress for the character. You know,

1089
00:52:20,280 --> 00:52:22,440
Speaker 7: it wasn't It wasn't about me at all. It wasn't my,

1090
00:52:23,080 --> 00:52:26,279
Speaker 7: but I did. The leather jacket was mine. And I

1091
00:52:26,320 --> 00:52:27,960
Speaker 7: think I've told that story before that that was the

1092
00:52:28,040 --> 00:52:30,560
Speaker 7: leather jacket that I'd worn in my audition, that Aaron

1093
00:52:30,640 --> 00:52:32,680
Speaker 7: Spelling said keep the jacket, and so.

1094
00:52:33,080 --> 00:52:35,680
Speaker 8: Sydney wears it in every scene.

1095
00:52:35,480 --> 00:52:37,040
Speaker 1: And exactly it's good.

1096
00:52:39,320 --> 00:52:39,480
Speaker 5: Hi.

1097
00:52:39,800 --> 00:52:42,360
Speaker 9: I'm Kristin Davis, and I want to know, are you

1098
00:52:42,400 --> 00:52:45,960
Speaker 9: a Charlotte. In nineteen ninety seven, my life was forever

1099
00:52:46,120 --> 00:52:48,560
Speaker 9: changed when I took on the role of Charlotte York

1100
00:52:48,920 --> 00:52:51,720
Speaker 9: on a new HBO show called Sex and the City.

1101
00:52:52,040 --> 00:52:56,640
Speaker 9: As we watched Carrie, Samantha, Miranda, and Charlotte navigate relationships

1102
00:52:56,640 --> 00:53:00,000
Speaker 9: in New York City, the show helped push once unacceptable

1103
00:53:00,160 --> 00:53:03,960
Speaker 9: conversation topics out of the shadows and altered the narrative

1104
00:53:04,040 --> 00:53:07,160
Speaker 9: around women and sex. We all saw ourselves in them

1105
00:53:07,239 --> 00:53:10,680
Speaker 9: as they searched for fulfillment in life, sex and friendships.

1106
00:53:10,920 --> 00:53:13,720
Speaker 9: Now I want to connect with you and share untold

1107
00:53:13,760 --> 00:53:18,080
Speaker 9: stories and all the behind the scenes together with special guests.

1108
00:53:18,280 --> 00:53:20,720
Speaker 9: What will begin with Sex and the City will evolve

1109
00:53:20,760 --> 00:53:24,120
Speaker 9: into talks about themes that are still so relevant today.

1110
00:53:24,719 --> 00:53:27,279
Speaker 9: Are You a Charlotte is a much more than just

1111
00:53:27,480 --> 00:53:30,880
Speaker 9: rewatching our beloved show. It brings the past and the

1112
00:53:30,880 --> 00:53:34,719
Speaker 9: present together as we talk with heart, humor, and of

1113
00:53:34,760 --> 00:53:38,920
Speaker 9: course some optimism. Listen to Are You a Charlotte on

1114
00:53:38,960 --> 00:53:43,680
Speaker 9: the iHeartRadio app, Apple podcast or wherever you get your podcasts.

1115
00:53:46,520 --> 00:53:47,880
Speaker 1: All right, so we're back in Shooters.

1116
00:53:47,880 --> 00:53:51,440
Speaker 3: Tom and Allison are laughing and engaging conversations. So I

1117
00:53:51,640 --> 00:53:53,839
Speaker 3: was watching this again while I was blow drying my hair,

1118
00:53:53,920 --> 00:53:57,279
Speaker 3: so I had the subtitles on and when I laugh,

1119
00:53:57,320 --> 00:54:00,840
Speaker 3: which my laugh goes ha ha ha ha.

1120
00:54:04,160 --> 00:54:05,920
Speaker 5: That's hilarious.

1121
00:54:07,960 --> 00:54:09,520
Speaker 3: In a row, I was like, yeah, that sounds right.

1122
00:54:09,960 --> 00:54:13,040
Speaker 3: So Tom compliments Alison eyes and Billy.

1123
00:54:12,880 --> 00:54:16,880
Speaker 1: Goes, whoa, look, we gotta go funny.

1124
00:54:17,600 --> 00:54:20,520
Speaker 3: Tom has to be early for court, but they're not

1125
00:54:20,680 --> 00:54:23,759
Speaker 3: slowing down, and Alison's about to ask him about for

1126
00:54:23,840 --> 00:54:27,440
Speaker 3: Saturday night when Billy suddenly says, oh, no, I like

1127
00:54:27,560 --> 00:54:32,239
Speaker 3: the stove one. Yeah, so adorable and grabs Alison and

1128
00:54:32,360 --> 00:54:34,880
Speaker 3: drags her out. As you're walking out, Alison asked him

1129
00:54:34,920 --> 00:54:37,360
Speaker 3: what his problem is, but Billy says he started to

1130
00:54:37,360 --> 00:54:41,120
Speaker 3: feel weird, like he doesn't really know why, and he didn't,

1131
00:54:41,160 --> 00:54:43,719
Speaker 3: but he does say he didn't realize how it would

1132
00:54:43,719 --> 00:54:46,160
Speaker 3: make him feel to have one of his friends, which

1133
00:54:46,200 --> 00:54:47,160
Speaker 3: is really honest.

1134
00:54:47,760 --> 00:54:52,239
Speaker 6: Yes, I love how Andrew plays Billy. I'm noticing it

1135
00:54:52,280 --> 00:54:55,160
Speaker 6: now more than ever. But just he just says stuff

1136
00:54:55,520 --> 00:54:57,160
Speaker 6: and just and I think it's kind of who he

1137
00:54:57,239 --> 00:55:00,800
Speaker 6: is as well as a person open, very open.

1138
00:55:00,960 --> 00:55:03,440
Speaker 1: Yeah, there's so charming image.

1139
00:55:03,600 --> 00:55:04,160
Speaker 6: I love it.

1140
00:55:04,760 --> 00:55:09,160
Speaker 3: Yeah, he's so so charmingly. She won't date his friends

1141
00:55:09,160 --> 00:55:11,080
Speaker 3: and she won't go to the advertising thing.

1142
00:55:11,680 --> 00:55:14,439
Speaker 1: Fine, she says, she can't, fine do that.

1143
00:55:14,600 --> 00:55:14,920
Speaker 8: Fine.

1144
00:55:15,000 --> 00:55:15,360
Speaker 1: Fine.

1145
00:55:15,840 --> 00:55:18,520
Speaker 3: So then we're at this very fancy dinner party with

1146
00:55:18,960 --> 00:55:22,719
Speaker 3: Ronda and Terence and it's very fancy and they're talking

1147
00:55:22,719 --> 00:55:25,920
Speaker 3: about the symphony and how out of How out of

1148
00:55:27,120 --> 00:55:30,440
Speaker 3: Overture is so overplayed well, in its defense, it was

1149
00:55:30,440 --> 00:55:30,920
Speaker 3: written in.

1150
00:55:30,840 --> 00:55:32,799
Speaker 1: Eighteen twelve, so it's been played quite but it's had

1151
00:55:32,840 --> 00:55:33,920
Speaker 1: a long time to get over played.

1152
00:55:34,520 --> 00:55:38,000
Speaker 3: Denise says that this generation is in a cultural famine,

1153
00:55:38,400 --> 00:55:41,200
Speaker 3: and Ronda says there are real famines to worry about,

1154
00:55:41,280 --> 00:55:43,480
Speaker 3: which is she's bringing sort of, She's trying to keep

1155
00:55:43,520 --> 00:55:46,640
Speaker 3: it real in this group of very, very fancy people.

1156
00:55:47,239 --> 00:55:49,920
Speaker 3: And when he asked, when Denise says, Ronda, what she does?

1157
00:55:50,320 --> 00:55:54,040
Speaker 3: Terrence talks over her and says that Mironda is a

1158
00:55:54,120 --> 00:55:58,720
Speaker 3: dancer and she's between companies and considering her options. Ronda

1159
00:55:58,760 --> 00:56:02,480
Speaker 3: corrects Terrence until Denise that she teaches hip hop's hip

1160
00:56:02,520 --> 00:56:03,280
Speaker 3: hop hip hops.

1161
00:56:03,719 --> 00:56:06,680
Speaker 1: That's the uncle Liam teaches hip hop.

1162
00:56:07,080 --> 00:56:09,520
Speaker 3: And Denise looks at the other guests and says, my

1163
00:56:09,640 --> 00:56:10,600
Speaker 3: point exactly.

1164
00:56:10,840 --> 00:56:11,760
Speaker 1: Do we hate Denise?

1165
00:56:12,160 --> 00:56:12,920
Speaker 5: Ye?

1166
00:56:13,160 --> 00:56:13,560
Speaker 8: Thank you?

1167
00:56:13,680 --> 00:56:16,920
Speaker 1: Yes, we hate Denise super very predicious.

1168
00:56:17,640 --> 00:56:21,239
Speaker 3: Yes. So then we're back at Ronda's that night, and

1169
00:56:21,400 --> 00:56:25,960
Speaker 3: Ronda is mad, obviously, and Terrence asks her what's wrong,

1170
00:56:26,080 --> 00:56:28,520
Speaker 3: and she says, why did you feel like you had

1171
00:56:28,520 --> 00:56:29,359
Speaker 3: to lie about her?

1172
00:56:29,760 --> 00:56:31,160
Speaker 1: Terrence says, Ronda, her brother hurt.

1173
00:56:31,200 --> 00:56:34,560
Speaker 3: Somebody really cares about her, rather than risping her herself again,

1174
00:56:35,000 --> 00:56:38,200
Speaker 3: putting it on her, even though he's the one who

1175
00:56:38,239 --> 00:56:40,800
Speaker 3: lied for her and actually made her feel ashamed.

1176
00:56:40,800 --> 00:56:41,840
Speaker 1: Although she didn't take it on.

1177
00:56:42,719 --> 00:56:45,400
Speaker 3: She agrees, opens the door and says good night, Terrence,

1178
00:56:45,480 --> 00:56:46,520
Speaker 3: and Terrence leaves.

1179
00:56:46,680 --> 00:56:47,759
Speaker 1: She's really like it.

1180
00:56:47,760 --> 00:56:51,560
Speaker 6: Was great and that yeah, strong, isn't she very strong?

1181
00:56:51,920 --> 00:56:52,760
Speaker 6: Really strong?

1182
00:56:52,840 --> 00:56:54,200
Speaker 1: She didn't get intimidated.

1183
00:56:54,560 --> 00:56:56,920
Speaker 3: She realized they were potentially I have to say at

1184
00:56:56,920 --> 00:56:59,640
Speaker 3: that age in that position, I would have been intimidated,

1185
00:57:00,520 --> 00:57:02,200
Speaker 3: like yeah said what he said?

1186
00:57:02,320 --> 00:57:02,520
Speaker 6: Yeah?

1187
00:57:03,239 --> 00:57:04,360
Speaker 5: Or nothing, say nothing?

1188
00:57:04,400 --> 00:57:08,359
Speaker 6: And you know, yes, yeah, she's that fantastic. It's great.

1189
00:57:08,520 --> 00:57:13,960
Speaker 1: Now we're back at Jake's apartment and this hello. Jake

1190
00:57:14,200 --> 00:57:15,000
Speaker 1: is sitting on the.

1191
00:57:14,880 --> 00:57:17,120
Speaker 3: Couch and opens a book of poems that Joe had

1192
00:57:17,160 --> 00:57:20,520
Speaker 3: mentioned and starts reading, and I'm like, oh my god,

1193
00:57:20,600 --> 00:57:22,960
Speaker 3: Grant Show is reading poetry on the couch.

1194
00:57:23,080 --> 00:57:24,400
Speaker 6: It was such a sweet scene.

1195
00:57:24,720 --> 00:57:28,840
Speaker 3: And then a million girls sighed at the same time. Right, yeah, right,

1196
00:57:29,080 --> 00:57:31,200
Speaker 3: Now we're back at Jane and Michael's apartment. Sydney came

1197
00:57:31,240 --> 00:57:33,720
Speaker 3: into the apartment after a night at the club. Sydney

1198
00:57:33,720 --> 00:57:36,120
Speaker 3: tells Jane she has had the best time, and Jane

1199
00:57:36,160 --> 00:57:38,360
Speaker 3: tells Sidney it's late and she was worried sick about

1200
00:57:38,360 --> 00:57:41,120
Speaker 3: her because now she feels like the mom of her

1201
00:57:41,480 --> 00:57:42,120
Speaker 3: crazy sister.

1202
00:57:42,480 --> 00:57:43,320
Speaker 1: Sidney tells jan.

1203
00:57:43,280 --> 00:57:45,640
Speaker 3: To lighten up, and that's just the most incredible thing

1204
00:57:45,680 --> 00:57:49,440
Speaker 3: to tell her. And the thing is, Jane says, Sidney

1205
00:57:49,480 --> 00:57:52,280
Speaker 3: is going to ruin everything that Jane has been working toward.

1206
00:57:52,760 --> 00:57:55,080
Speaker 3: Sidney says she was only trying to help, and Jane

1207
00:57:55,120 --> 00:57:58,040
Speaker 3: tells Sidney not to worry about herself. Jane leaves the

1208
00:57:58,120 --> 00:58:02,280
Speaker 3: room and slams the door. So Sydney is, I've gotten

1209
00:58:02,280 --> 00:58:05,320
Speaker 3: her incredible news out, but we I'm like this feeling

1210
00:58:05,360 --> 00:58:05,800
Speaker 3: of dread.

1211
00:58:06,080 --> 00:58:07,600
Speaker 1: Yeah.

1212
00:58:07,640 --> 00:58:11,200
Speaker 3: So we're in Joe's apartment this scene, I'm still thinking

1213
00:58:11,200 --> 00:58:13,959
Speaker 3: about it. Joe answers a knock at her apartment door

1214
00:58:15,360 --> 00:58:19,640
Speaker 3: and Jake slash Grant is standing there in a beige

1215
00:58:19,720 --> 00:58:24,959
Speaker 3: Kashmir sweater with a crew neck t so hello, yeah,

1216
00:58:25,000 --> 00:58:30,320
Speaker 3: and starts reciting poetry The Dance by William Carlos Williams.

1217
00:58:30,720 --> 00:58:36,880
Speaker 6: It was beautiful memories. Yeah, it was great, super smoad.

1218
00:58:36,960 --> 00:58:41,200
Speaker 5: That would you call that oatmeal v next Kashmir?

1219
00:58:41,280 --> 00:58:45,640
Speaker 2: But it was a waffle textured T shirt, like a

1220
00:58:45,880 --> 00:58:48,440
Speaker 2: like a one of those like a flannel or something,

1221
00:58:49,320 --> 00:58:52,160
Speaker 2: but the waffle textra kind of like underneath.

1222
00:58:52,200 --> 00:58:55,440
Speaker 5: And you're just, I mean, so Denise wingate our costumers.

1223
00:58:56,040 --> 00:58:57,600
Speaker 1: Yeah, it's thoughtful.

1224
00:58:57,600 --> 00:59:01,360
Speaker 2: Trying to leave that, but it's right there with him.

1225
00:59:01,760 --> 00:59:06,960
Speaker 3: Well, yeah, so he recites this beautiful poem and then

1226
00:59:07,160 --> 00:59:10,520
Speaker 3: I look to measure poetry in dollars, and that Joe

1227
00:59:10,520 --> 00:59:13,840
Speaker 3: gave him something you can't put a price on. Joe

1228
00:59:13,880 --> 00:59:16,040
Speaker 3: closes the door and admits that she loves the bike

1229
00:59:16,160 --> 00:59:18,320
Speaker 3: and excitedly tells Jake that she wants to show him

1230
00:59:18,320 --> 00:59:20,720
Speaker 3: the photos from the beach when the phone rings. So

1231
00:59:20,960 --> 00:59:23,480
Speaker 3: just as we think, oh sweet, it's gonna be yummy,

1232
00:59:23,480 --> 00:59:26,560
Speaker 3: you know, okay, Joe picks up the phone and says

1233
00:59:26,840 --> 00:59:28,720
Speaker 3: how did you get this number? In a tone of

1234
00:59:28,840 --> 00:59:32,360
Speaker 3: voice that we know there's something wrong, and she warns

1235
00:59:32,360 --> 00:59:34,840
Speaker 3: to call her never to call again, and then she

1236
00:59:34,880 --> 00:59:38,160
Speaker 3: tells Jake that it was her husband on the phone. Oh,

1237
00:59:38,560 --> 00:59:43,720
Speaker 3: he ruins everything right, Ull, Yes, yes, he's here. So

1238
00:59:43,760 --> 00:59:46,800
Speaker 3: then we're back at Billy and Alison's apartment. Allison is

1239
00:59:46,840 --> 00:59:48,720
Speaker 3: writing a check at her desk when Billy walks in

1240
00:59:48,760 --> 00:59:52,240
Speaker 3: with the paper. Alison ignores him. He apologizes and says,

1241
00:59:52,240 --> 00:59:54,479
Speaker 3: we'd like to make it up to Allison. Allison says,

1242
00:59:54,560 --> 00:59:59,440
Speaker 3: don't bother because she's Alison. Billy says he called the

1243
00:59:59,480 --> 01:00:02,760
Speaker 3: writing eminar and forfeited his deposit to take Alis into

1244
01:00:02,760 --> 01:00:05,919
Speaker 3: the advertising ball and she asks him why he would

1245
01:00:05,960 --> 01:00:09,920
Speaker 3: do that, and Billy replies that's what friends do, and

1246
01:00:09,920 --> 01:00:13,720
Speaker 3: we're all thinking friends, yeah, right, and then Alison smiles

1247
01:00:13,760 --> 01:00:14,520
Speaker 3: and thanks Billy.

1248
01:00:14,840 --> 01:00:17,400
Speaker 1: Billy so he always always comes through in the end.

1249
01:00:18,120 --> 01:00:20,560
Speaker 3: Now, We're back in Jane and Michael's apartment in the morning,

1250
01:00:20,680 --> 01:00:22,280
Speaker 3: Jane and Michael getting ready for work.

1251
01:00:22,360 --> 01:00:24,720
Speaker 1: Michael is asking how long this will go on?

1252
01:00:25,720 --> 01:00:26,360
Speaker 8: How much long?

1253
01:00:26,480 --> 01:00:29,760
Speaker 1: Jane again, can't just throw Sidney out again? This is

1254
01:00:29,760 --> 01:00:31,560
Speaker 1: his main line in this story.

1255
01:00:31,680 --> 01:00:33,800
Speaker 5: He just wants her out And I'm like, yes.

1256
01:00:33,720 --> 01:00:34,520
Speaker 1: Yes, I know.

1257
01:00:35,000 --> 01:00:38,040
Speaker 3: And Jane says she can't imagine that Sydney will stay

1258
01:00:38,120 --> 01:00:41,680
Speaker 3: much longer After what she said, Jane walks out of

1259
01:00:41,680 --> 01:00:44,280
Speaker 3: the kitchen. Sidney is drinking juice out of the curtain.

1260
01:00:44,160 --> 01:00:46,920
Speaker 1: Because of course she is. You do because as you

1261
01:00:47,000 --> 01:00:48,160
Speaker 1: do in someone else's home.

1262
01:00:49,040 --> 01:00:51,920
Speaker 3: Jane what her planned for the day is. Sydney retorts

1263
01:00:51,920 --> 01:00:54,080
Speaker 3: that she's going to figure out a way to help herself.

1264
01:00:54,880 --> 01:00:58,800
Speaker 3: Jane says fine and walk out. Now we're in the

1265
01:00:58,840 --> 01:01:01,720
Speaker 3: Cave Beacon design suit and Jane is presenting her work

1266
01:01:01,800 --> 01:01:04,600
Speaker 3: to Kay in her office. Kay praises Jane for her

1267
01:01:04,640 --> 01:01:07,640
Speaker 3: work and asks where Sydney is. Jane tells her that

1268
01:01:07,680 --> 01:01:09,800
Speaker 3: she doesn't think Sydney is coming into the office today.

1269
01:01:09,920 --> 01:01:12,520
Speaker 3: Kay says that Sydney idolizes Jane and wants to be

1270
01:01:12,720 --> 01:01:15,040
Speaker 3: like her. Kay tells Jane not to worried about Sidney,

1271
01:01:15,120 --> 01:01:17,959
Speaker 3: she will land on her feet. Just then, Sidney walks

1272
01:01:18,000 --> 01:01:21,040
Speaker 3: into the office with a box of donuts brings them

1273
01:01:21,080 --> 01:01:23,920
Speaker 3: over to Kay and Jane. Jane asked what Sidney is

1274
01:01:23,960 --> 01:01:26,680
Speaker 3: doing their Sydney tells Jane that Kay hired her as

1275
01:01:26,720 --> 01:01:29,960
Speaker 3: her personal assistant while they were at the club. So,

1276
01:01:30,040 --> 01:01:33,080
Speaker 3: I guess you know what Sidney Jane last night?

1277
01:01:33,360 --> 01:01:34,520
Speaker 6: Yeah, I didn't like that.

1278
01:01:35,240 --> 01:01:37,640
Speaker 5: That a betrayal. You guys are talking, She comes up

1279
01:01:37,760 --> 01:01:39,440
Speaker 5: talking about it. Oh, I know what you mean, a

1280
01:01:39,520 --> 01:01:41,120
Speaker 5: younger sister. It's annoying.

1281
01:01:41,520 --> 01:01:43,840
Speaker 6: Yeah, and then turns around and hire and then tells

1282
01:01:43,840 --> 01:01:44,920
Speaker 6: me she hired her.

1283
01:01:45,400 --> 01:01:46,360
Speaker 5: If it's okay with you.

1284
01:01:47,200 --> 01:01:47,920
Speaker 6: It's the first thing.

1285
01:01:48,280 --> 01:01:50,800
Speaker 3: Jane is so good, does all the right things. Her

1286
01:01:50,840 --> 01:01:53,760
Speaker 3: boss and Sydney are against her, her husband. It's like

1287
01:01:53,840 --> 01:01:56,320
Speaker 3: everywhere you feel left out of these little thing.

1288
01:01:56,240 --> 01:01:59,080
Speaker 6: That happens when you don't have boundaries, though, I think

1289
01:01:59,440 --> 01:01:59,920
Speaker 6: you get.

1290
01:01:59,720 --> 01:02:02,400
Speaker 1: Walked true so true.

1291
01:02:02,880 --> 01:02:05,640
Speaker 7: Then, like Kay, Kay reveals that she can really relate,

1292
01:02:05,760 --> 01:02:07,480
Speaker 7: like you know, Jane is saying, well, how do you

1293
01:02:07,520 --> 01:02:09,959
Speaker 7: know so much? And we kind of see that Kay

1294
01:02:10,040 --> 01:02:14,240
Speaker 7: is alluding to the idea that that's her personality too, Like, well,

1295
01:02:14,280 --> 01:02:17,840
Speaker 7: I I sympathize with that because I am that too,

1296
01:02:18,280 --> 01:02:20,439
Speaker 7: And I don't know did anybody this was the first

1297
01:02:20,520 --> 01:02:24,240
Speaker 7: appearance of leopard print on notice that I think for

1298
01:02:24,240 --> 01:02:28,400
Speaker 7: for Sidney, that asymmetrical skirt in this in this entrance strange.

1299
01:02:28,520 --> 01:02:29,560
Speaker 5: It looked like a carpet.

1300
01:02:30,720 --> 01:02:32,680
Speaker 6: It was a good choice skirt triangle.

1301
01:02:33,000 --> 01:02:34,520
Speaker 8: I think it was a Christmas choice skirt.

1302
01:02:34,560 --> 01:02:40,120
Speaker 7: And then I think it's so adorable.

1303
01:02:40,240 --> 01:02:44,160
Speaker 3: And then Sydney walks away and Kay tells Jane, only

1304
01:02:44,200 --> 01:02:47,560
Speaker 3: if it's okay with you, of course, completely insincere and

1305
01:02:47,640 --> 01:02:54,760
Speaker 3: such ab so from possibly aggressively says totally, it's fine.

1306
01:02:54,720 --> 01:02:56,400
Speaker 6: It's fine, everything's fine.

1307
01:02:56,680 --> 01:03:01,760
Speaker 1: It's fine. I'm not going to eat a chocolate cake

1308
01:03:01,760 --> 01:03:02,360
Speaker 1: on my way.

1309
01:03:02,600 --> 01:03:03,280
Speaker 5: It's so funny.

1310
01:03:03,320 --> 01:03:05,560
Speaker 2: I find it's like, you know, you want to say

1311
01:03:05,560 --> 01:03:07,480
Speaker 2: to the actors, well was that?

1312
01:03:07,480 --> 01:03:08,840
Speaker 5: Did it bother you to play it that way?

1313
01:03:08,880 --> 01:03:11,560
Speaker 2: And you're like, I just got married, I had, I

1314
01:03:11,680 --> 01:03:12,320
Speaker 2: got a job.

1315
01:03:12,440 --> 01:03:14,800
Speaker 5: I'm saying the lines. What's no, I didn't have a

1316
01:03:14,840 --> 01:03:17,040
Speaker 5: problem with it? Is that how you felt?

1317
01:03:17,840 --> 01:03:21,840
Speaker 6: I guess I was. I started looking back at how Yeah,

1318
01:03:21,880 --> 01:03:24,440
Speaker 6: they were like talking about my back. Now they're talking

1319
01:03:24,760 --> 01:03:29,200
Speaker 6: I just didn't you know, it's it's all new and

1320
01:03:29,240 --> 01:03:32,440
Speaker 6: in general, God, like I was watching when I've been

1321
01:03:32,520 --> 01:03:34,640
Speaker 6: watching the shows, like I wish we could go back

1322
01:03:34,680 --> 01:03:36,760
Speaker 6: and play it again with what we know now and

1323
01:03:36,800 --> 01:03:39,920
Speaker 6: who we are, I would do so much different. But

1324
01:03:40,000 --> 01:03:41,720
Speaker 6: it is yeah, yeah, yeah, But.

1325
01:03:41,760 --> 01:03:45,200
Speaker 7: It's also like I we were you and I as

1326
01:03:45,760 --> 01:03:48,520
Speaker 7: Laura and Josie, we were like busy being friends, like

1327
01:03:48,560 --> 01:03:52,400
Speaker 7: we were two actors becoming friends off camera, right, and

1328
01:03:52,440 --> 01:03:55,120
Speaker 7: then it's like okay, and here's the scene that we play,

1329
01:03:55,160 --> 01:03:57,120
Speaker 7: and it was just sort of like I just remember

1330
01:03:57,160 --> 01:03:59,280
Speaker 7: that feeling of like oh my gosh, it's so crazy,

1331
01:03:59,320 --> 01:04:04,160
Speaker 7: like I'm I'm this manipulative person and cut okay, and

1332
01:04:04,200 --> 01:04:08,280
Speaker 7: then we just sort of go back to like this

1333
01:04:08,520 --> 01:04:11,800
Speaker 7: normal like friendship and relationship and then the comer's role

1334
01:04:11,840 --> 01:04:14,360
Speaker 7: and we have these scenes where like somebody's being mean

1335
01:04:14,400 --> 01:04:15,560
Speaker 7: and somebody's being.

1336
01:04:15,880 --> 01:04:19,840
Speaker 8: Hurt, and then cut and you drop it and you kind.

1337
01:04:19,640 --> 01:04:22,880
Speaker 6: Of yeah, I didn't always feel that. I think like

1338
01:04:22,960 --> 01:04:26,040
Speaker 6: when you feel as an actress, really feel secure about

1339
01:04:26,240 --> 01:04:28,400
Speaker 6: how you're going to play, your choices, your intentions and

1340
01:04:28,440 --> 01:04:31,960
Speaker 6: a scene, then then like I'll speak for myself and

1341
01:04:32,080 --> 01:04:34,720
Speaker 6: I have the ability to after cut, like okay, let's

1342
01:04:34,760 --> 01:04:36,480
Speaker 6: go get some from craft service or whatever. But if

1343
01:04:36,560 --> 01:04:40,200
Speaker 6: I don't feel, you know, that uneasy feeling, like I

1344
01:04:40,240 --> 01:04:41,960
Speaker 6: know I'm not playing this right, but I don't know

1345
01:04:42,000 --> 01:04:44,800
Speaker 6: why I don't doesn't feel then when we cut, I can't.

1346
01:04:44,880 --> 01:04:46,440
Speaker 6: I have to stay in it and keep trying to

1347
01:04:46,440 --> 01:04:48,040
Speaker 6: figure it out. I feel like I did that quite

1348
01:04:48,040 --> 01:04:50,080
Speaker 6: a bit in the beginning of like, how do I

1349
01:04:50,320 --> 01:04:54,200
Speaker 6: find the balance of this character is getting walked on

1350
01:04:54,320 --> 01:04:58,160
Speaker 6: all the time? Yeah, I was just also me growing

1351
01:04:58,240 --> 01:04:59,200
Speaker 6: up too as a person.

1352
01:05:00,480 --> 01:05:01,640
Speaker 5: Oh, I think it's great.

1353
01:05:01,760 --> 01:05:05,160
Speaker 3: Yeah, I think it works absolutely wonderfully. I like it

1354
01:05:05,240 --> 01:05:07,720
Speaker 3: because you can't stand up for yourself, like that's not

1355
01:05:07,800 --> 01:05:11,320
Speaker 3: the relationship. And she and Sydney is so manipulative that

1356
01:05:11,400 --> 01:05:13,600
Speaker 3: she gets people on her side. And you would look

1357
01:05:13,640 --> 01:05:15,000
Speaker 3: like a bitch if you said no.

1358
01:05:15,040 --> 01:05:15,720
Speaker 1: That's not okay.

1359
01:05:15,760 --> 01:05:18,120
Speaker 3: You really didn't have a choice, Like if you said no,

1360
01:05:18,800 --> 01:05:21,000
Speaker 3: you would look like the problem. So you were trapped.

1361
01:05:21,000 --> 01:05:23,160
Speaker 3: I don't think there's any other way to say fine,

1362
01:05:23,400 --> 01:05:24,120
Speaker 3: because what do you do?

1363
01:05:24,800 --> 01:05:24,960
Speaker 6: Right?

1364
01:05:25,400 --> 01:05:27,240
Speaker 3: I think you didn't have an option as far as

1365
01:05:27,240 --> 01:05:30,120
Speaker 3: I'm concerned. Okay, So now we're back in Ronda's apartment.

1366
01:05:30,280 --> 01:05:32,400
Speaker 3: Matt is over at Ronda's Ronda's telling Matt that she's

1367
01:05:32,400 --> 01:05:33,720
Speaker 3: been trying to reach Terence all day.

1368
01:05:33,760 --> 01:05:36,600
Speaker 1: She's starting to have doubts. Maybe she reacted.

1369
01:05:36,640 --> 01:05:39,640
Speaker 3: Then we hear music from the courtyard and Terrence is

1370
01:05:39,680 --> 01:05:42,160
Speaker 3: in front of the pool with an a cappella group

1371
01:05:42,200 --> 01:05:44,480
Speaker 3: performing Since I Fell for You, which got me.

1372
01:05:44,600 --> 01:05:45,360
Speaker 1: Wasn't that sweet?

1373
01:05:45,600 --> 01:05:48,040
Speaker 2: Such a great and I thought it was shot really well.

1374
01:05:48,200 --> 01:05:49,960
Speaker 2: You know, you're looking out and you see the court

1375
01:05:49,960 --> 01:05:53,960
Speaker 2: heard there's a three gentlemen with their vests on, and yeah, Terence.

1376
01:05:53,640 --> 01:05:55,920
Speaker 5: Is just like looking up, this is for you. And

1377
01:05:56,120 --> 01:05:57,640
Speaker 5: they sounded great. I thought they were.

1378
01:05:58,080 --> 01:05:59,840
Speaker 1: It was really it was really so.

1379
01:06:00,440 --> 01:06:03,720
Speaker 3: Then Ronda goes down to meet him and he proposes,

1380
01:06:04,120 --> 01:06:09,400
Speaker 3: which surprised me. That feels pretty quick. Ronda tells Karence

1381
01:06:09,400 --> 01:06:10,240
Speaker 3: it's happening too fast.

1382
01:06:10,280 --> 01:06:11,760
Speaker 1: She doesn't know what to say. She agrees with me.

1383
01:06:11,840 --> 01:06:13,040
Speaker 1: She also thinks that's too fast.

1384
01:06:13,440 --> 01:06:15,959
Speaker 3: Karen sells Rondo to say yes, and she says yes,

1385
01:06:16,200 --> 01:06:17,960
Speaker 3: and they are and.

1386
01:06:18,000 --> 01:06:20,840
Speaker 7: You see you see Matt sort of swallowing the lump

1387
01:06:20,840 --> 01:06:21,320
Speaker 7: in his throat.

1388
01:06:22,080 --> 01:06:26,080
Speaker 3: I know, dog her sweet sweet Doug. So then we're

1389
01:06:26,080 --> 01:06:28,160
Speaker 3: back at Jane and Michael's apartment. Jane and Michael are

1390
01:06:28,200 --> 01:06:30,680
Speaker 3: in bed, Jane is telling Michael about Sydney and Kay

1391
01:06:30,880 --> 01:06:34,000
Speaker 3: and they're weird bond because once again she's on the outs.

1392
01:06:34,640 --> 01:06:39,800
Speaker 3: Jane says, my job, my apartment, what's next, you dum?

1393
01:06:43,560 --> 01:06:48,800
Speaker 3: Michael smells something could be the next episodes, and Jane

1394
01:06:48,800 --> 01:06:50,160
Speaker 3: realizes that Sidney.

1395
01:06:49,840 --> 01:06:52,320
Speaker 1: Is smoking in the apartment. Why did that make me

1396
01:06:52,440 --> 01:06:53,560
Speaker 1: more angry than anything?

1397
01:06:54,160 --> 01:06:56,320
Speaker 6: It's so rude, It's so more.

1398
01:06:57,720 --> 01:06:59,360
Speaker 8: And rude.

1399
01:06:59,720 --> 01:07:02,360
Speaker 3: She's smoking a cigarette on the pullout couch and Jane

1400
01:07:02,360 --> 01:07:07,000
Speaker 3: confronts her. Sidney says, she forgot right, she forgot Can

1401
01:07:07,080 --> 01:07:07,680
Speaker 3: I finish this?

1402
01:07:08,760 --> 01:07:09,400
Speaker 1: Yeah?

1403
01:07:09,760 --> 01:07:13,560
Speaker 3: Sidney insincerely tells Janey he will quit if Jane wants,

1404
01:07:13,640 --> 01:07:15,000
Speaker 3: and tells Jane that she loves her.

1405
01:07:15,080 --> 01:07:16,919
Speaker 1: Oh my god, so complicated.

1406
01:07:17,760 --> 01:07:20,080
Speaker 3: Of course, Jane tells Sidney that she loves her too,

1407
01:07:20,480 --> 01:07:21,600
Speaker 3: and heads back to bed.

1408
01:07:22,120 --> 01:07:23,720
Speaker 1: Oh boy.

1409
01:07:24,120 --> 01:07:27,720
Speaker 3: So then our last scene, we're in the courtyard. Jake

1410
01:07:27,880 --> 01:07:30,160
Speaker 3: is leaving his apartment when he sees a man at

1411
01:07:30,160 --> 01:07:33,120
Speaker 3: the mailbox asking about his wife, Beth Reynolds, and.

1412
01:07:33,040 --> 01:07:35,160
Speaker 1: We all go oh.

1413
01:07:35,320 --> 01:07:37,040
Speaker 3: Jake tells me he's never heard of her and that

1414
01:07:37,120 --> 01:07:39,320
Speaker 3: nobody has moved in or out of the building for years.

1415
01:07:39,840 --> 01:07:42,800
Speaker 3: The man thanks Jake, and leaves. Jake looks up at

1416
01:07:42,880 --> 01:07:44,120
Speaker 3: Joe's apartment door.

1417
01:07:45,720 --> 01:07:46,840
Speaker 8: Isn't that jay Zy?

1418
01:07:47,040 --> 01:07:48,600
Speaker 2: You think you could have waited till he's a little

1419
01:07:48,680 --> 01:07:51,160
Speaker 2: further away looking up exactly where she was.

1420
01:07:51,600 --> 01:07:55,200
Speaker 3: And you know what's interesting about this actor Lyndon Ashby.

1421
01:07:55,360 --> 01:07:58,040
Speaker 3: He played this character for two episodes, then came back

1422
01:07:58,120 --> 01:08:00,000
Speaker 3: in six and seven as Brett.

1423
01:07:59,720 --> 01:08:01,520
Speaker 8: Coop, totally different character.

1424
01:08:01,960 --> 01:08:05,520
Speaker 1: I was a character for six and seven because isn't

1425
01:08:05,520 --> 01:08:08,600
Speaker 1: that interesting? I knew him? Yeah, Yeah, he's great.

1426
01:08:08,880 --> 01:08:10,960
Speaker 3: We end on this is what we're talking about, like

1427
01:08:10,960 --> 01:08:12,760
Speaker 3: it's starting to get more serialized.

1428
01:08:13,000 --> 01:08:15,360
Speaker 1: We end on this thing where it.

1429
01:08:15,240 --> 01:08:16,840
Speaker 3: Was really hard for me to stop, but I had

1430
01:08:16,880 --> 01:08:18,200
Speaker 3: to stop it because I had to come on for this.

1431
01:08:18,560 --> 01:08:21,439
Speaker 1: But I'm dying. I'm dying to get to the next episode.

1432
01:08:21,479 --> 01:08:25,559
Speaker 7: Yeah, like and introducing Cliffhangers is I think the thing

1433
01:08:25,720 --> 01:08:28,519
Speaker 7: that that's what Chip was saying too, Like introducing Hangers

1434
01:08:28,600 --> 01:08:31,760
Speaker 7: was the thing that really turned the show into like

1435
01:08:32,200 --> 01:08:33,000
Speaker 7: got to tune.

1436
01:08:32,760 --> 01:08:35,160
Speaker 8: In next week and it was and it started building

1437
01:08:35,160 --> 01:08:35,679
Speaker 8: that way.

1438
01:08:35,880 --> 01:08:36,280
Speaker 1: Yeah.

1439
01:08:36,320 --> 01:08:39,120
Speaker 3: So speaking of we have to end because there's always

1440
01:08:39,160 --> 01:08:44,160
Speaker 3: we've gone over. Josie, thank you so much, Gosh.

1441
01:08:43,920 --> 01:08:45,360
Speaker 1: It is to have you. Let's do this.

1442
01:08:45,439 --> 01:08:48,479
Speaker 6: It was so good to see all of your faces again,

1443
01:08:48,760 --> 01:08:51,960
Speaker 6: and I'm so so happy you're all Okay.

1444
01:08:52,240 --> 01:08:53,960
Speaker 1: Yeah, thank you.

1445
01:08:53,760 --> 01:08:55,719
Speaker 6: Wait to see you in person soon.

1446
01:08:56,280 --> 01:08:59,519
Speaker 1: Yeah, I hope we can do another one right now.

1447
01:08:59,680 --> 01:09:02,920
Speaker 3: Yes, yeah, we'll do another one. We'll do another one soon.

1448
01:09:03,160 --> 01:09:05,800
Speaker 3: I love you guys, so good to wait to see

1449
01:09:05,800 --> 01:09:07,920
Speaker 3: you in person and hug you all.

1450
01:09:08,880 --> 01:09:09,439
Speaker 1: I love you.

1451
01:09:09,520 --> 01:09:13,360
Speaker 3: Please subscribe wherever you get your podcast, then you get us.

1452
01:09:13,479 --> 01:09:16,680
Speaker 3: We also have a new fifteen minute thing called Melroe's

1453
01:09:16,680 --> 01:09:18,320
Speaker 3: Minute when we catch up, when we do the sort

1454
01:09:18,320 --> 01:09:20,600
Speaker 3: of shot catch up, so you get that automatically if

1455
01:09:20,640 --> 01:09:23,559
Speaker 3: you subscribe, So please make sure.

1456
01:09:23,400 --> 01:09:25,839
Speaker 7: You subscribe to miss Thus those are coming out on Fridays.

1457
01:09:26,000 --> 01:09:27,240
Speaker 8: And we love you guys.

1458
01:09:27,520 --> 01:09:32,439
Speaker 1: Yeah, we love you. By guys seeing you all. Love

1459
01:09:32,840 --> 01:09:33,400
Speaker 1: bye bye