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Speaker 1: Well, guys, I'm extremely sorry for the much more ugly

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Speaker 1: screen now that you have to stare at with me now, not.

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Speaker 2: Only to take the same background though.

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Speaker 1: That's what I'm saying is like, it's like you're given

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Speaker 1: a small moment where you think it could be her,

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Speaker 1: and then I trade it with this guy.

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Speaker 2: It's also the angle you've chosen to have the computer

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Speaker 2: at as opposed to how Danielle sits. It makes you

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Speaker 2: just look like you're a giant sitting in that room.

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Speaker 1: Well, I am eight feet tall, as you know. I'm

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Speaker 1: married to a five foot woman. It's quite a visual

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Speaker 1: when we walk the streets. That's what most people are

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Speaker 1: freaking out about. They're not freaking out about seeing Tepanga.

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Speaker 1: They're freaking out about the height difference.

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Speaker 2: Yeah, it's a big it's a big high difference. Well welcome.

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Speaker 2: I mean, yes, Danielle is uh is working today. Sometimes

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Speaker 2: sometimes the schedule just gets gets past us, and she's

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Speaker 2: doing all this important directing stuff.

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Speaker 1: Yes, and and and because of this evil cancer that

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Speaker 1: she's beaten like like a giant she is. Yeah, we

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Speaker 1: missed some tape days for her surgeries, and so this

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Speaker 1: this kind of circled its way into it and we

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Speaker 1: have some great shows lined up. But just too, she'll

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Speaker 1: be missing. But she's gone, and I'm sorry.

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Speaker 2: We are too, But I guess we're just stuck with

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Speaker 2: Jensen today.

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Speaker 1: Yeah, I'm sorry, guys.

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Speaker 3: Just the guys, just dude, Brod meets world.

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Speaker 1: I've been waiting for the best women are men.

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Speaker 2: Yeah, let's do it.

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Speaker 3: Let's talk sports. Come on, guys, teach me about sports.

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Speaker 3: I've never understood hockey.

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Speaker 2: I don't know what. I don't you get about it?

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Speaker 2: Don't talk down and then everybody fights with them. They

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Speaker 2: are allowed to fight like that's okay.

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Speaker 3: Why is fighting like part of the spider It doesn't.

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Speaker 2: I don't get it either. Frankly, I've never been a

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Speaker 2: hockey guy myself. No offense to hockey players, but it's tolerated.

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Speaker 1: It's it's not like celebrated, but they like encouraged.

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Speaker 3: All I remember is the game Blades of Steel on

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Speaker 3: the Nintendo.

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Speaker 2: Oh yeah, I loved that game.

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Speaker 3: And you could fight. That was like part of the

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Speaker 3: game was that you would throw down your gloves and

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Speaker 3: get into a fistfight.

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Speaker 2: That was for me, the best part of it. Well, Reginald,

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Speaker 2: was it original hockey on the original, which is the

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Speaker 2: one that you just got, you get addicted to and

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Speaker 2: you can make the guy's head bleed.

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Speaker 1: Oh nhlnehl ninety three where you hit him hard enough

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Speaker 1: and you just see the blood patch on the ice

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Speaker 1: that make his head.

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Speaker 2: Jensen, are you going to do the intro? He's in

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Speaker 2: throwing us.

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Speaker 1: Guys, this is Pod meets World. I'm Jensen Carp, I'm

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Speaker 1: right or Strong, and I'm will fredell Well. This week

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Speaker 1: we are we are minus Danielle, and so we threw

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Speaker 1: out some ideas and this one was the one that

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Speaker 1: spoke to us the most. And I think it's because

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Speaker 1: mostly people on Instagram all the time are asking for

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Speaker 1: Will and writers film recommendations. It comes up so much

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Speaker 1: that we eventually wanted to do something where they get

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Speaker 1: to show off their knowledge there there. Honestly, they're kind

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Speaker 1: of like influencer esque ability to pick movies that other

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Speaker 1: people haven't seen. Danielle, on the other hand, has seen

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Speaker 1: about four films total.

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Speaker 2: Three of them are Titanic r.

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Speaker 1: Right to tape one, tape two, Tape one. She watched it.

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Speaker 1: And so what we want to do is we wanted

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Speaker 1: to create the pod Meets World Film Festival. The idea

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Speaker 1: that throughout the country we know about these film festivals

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Speaker 1: like but Namathon, Beyond Fest, all these incredible events where

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Speaker 1: people sit down and get to watch handfuls of movies

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Speaker 1: over twenty four hours. We've made hours just five movies long. Okay,

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Speaker 1: So we're creating a situation where you, the Pod Meets

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Speaker 1: World listener, walks into a movie theater. Writer or will

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Speaker 1: have curated a list of films for the podmeat World listener.

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Speaker 1: That's the only thing I gave you, guys, is that

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Speaker 1: this is just to cater to them. These are movies

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Speaker 1: that they would like. And at the end of it,

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Speaker 1: through Instagram, you will vote on which film festival you

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Speaker 1: would rather go to, Will's or Writers.

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Speaker 2: I don't even know why we're doing the vote. I've

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Speaker 2: never come in anything but third in all the times

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Speaker 2: we've done any of the voting things. I don't think

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Speaker 2: I've even gotten a silver medal in any of these.

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Speaker 2: So this was just for me. I'm gonna win nothing,

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Speaker 2: but these were I that you are going to win this?

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Speaker 2: No it, yes, I let's do a history challenge that

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Speaker 2: I'll win films. Come on, nobody picks the films that

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Speaker 2: I pick.

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Speaker 3: Really, so you think your your picks are going to

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Speaker 3: be unusual because I don't know you.

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Speaker 2: But every time we've done any of these, like we

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Speaker 2: when we did the Fantasy episodes or he lost lost

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Speaker 2: all them, I'm like, oh for eight and we've done

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Speaker 2: four of them. So yeah, I know it's crazy.

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Speaker 1: Yeah, I'm surprised, to be honest, because Will's movie not

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Speaker 1: is uh rain Man esque. He knows quotes, he knows

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Speaker 1: years they came out, directors. I mean, he's very good

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Speaker 1: at it, don't get me wrong. Writer also a movie buff, huge,

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Speaker 1: So this is this is going to be a close contest.

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Speaker 1: I also gave you a small bonus, which is that

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Speaker 1: you could throw in the idea of maybe snacks that

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Speaker 1: you give to these Yeah, me.

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Speaker 2: Too, my friend, me too. And that's what we're really

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Speaker 2: get a debate about.

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Speaker 3: We're going to get into like snow caps versusmales, and

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Speaker 3: that's gonna.

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Speaker 1: Is your approach with boy Meets World, Podmet World in

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Speaker 1: mind with the selections or is it just you're in

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Speaker 1: the mind of writer and Will? Like, what is your writer?

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Speaker 2: And Will?

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Speaker 1: Okay, because I'm wondering what your thesis is well, I'll.

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Speaker 2: Tell you my thesis because I've named my film festival.

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Speaker 2: Do you want me to start with that?

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Speaker 3: Go?

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Speaker 2: Okay, so welcome to the u f F. This is

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Speaker 2: the Underrated Film Festival. These are all films that either

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Speaker 2: underperformed at theaters people don't know about. I liked but

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Speaker 2: other people didn't, or have low scores like low stars,

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Speaker 2: that kind of thing. I did one comedy, one drama,

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Speaker 2: one action, one animated film, and one independent film.

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Speaker 1: Okay, wow, writer, did you name your festival and not

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Speaker 1: I should?

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Speaker 2: I should? We don't have t shirts made, then, how's

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Speaker 2: anybody gonna know your festival is happening?

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Speaker 3: I definitely. I definitely did come in with a plan, though,

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Speaker 3: and my plan was really, okay, just obscure Scottish film.

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Speaker 3: See No, I knew that's what everyone was thinking, and

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Speaker 3: I was like, no, I just wanted crowd pleasers. So

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Speaker 3: I basically said Joy. I want like because you know,

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Speaker 3: you guys know.

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Speaker 2: The actual film Joy, which is normally name okay, good

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Speaker 2: old Joy is a great Joy. I was trying to think.

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Speaker 3: Enjoy. Well, look, I knew we could just pick like big, popular,

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Speaker 3: amazing movies, right, like we just have Titanic and you know,

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Speaker 3: all the things like when we did our nineties draft,

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Speaker 3: if we just picked Jurassic Park, we would.

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Speaker 2: Win, right like those.

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Speaker 3: So I wanted to pick movies that maybe people haven't seen,

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Speaker 3: so it has to be slightly obscure. But then I

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Speaker 3: you know, you guys know, I'm a huge horror fan.

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Speaker 3: I also like movies that kind of make me feel

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Speaker 3: bad or think about things, you know, like like and

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Speaker 3: so I was like, none of those. No, no horror,

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Speaker 3: no bad lingering feelings, no hard films or like difficult films.

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Speaker 3: I just want people to like even I wanted them

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Speaker 3: to be about something, but I wanted it to be

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Speaker 3: a fun film festival, so so you walk away with

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Speaker 3: hope more than anything, you know. So I really leaned

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Speaker 3: into like, Okay, I'm not gonna pick a movie that's gonna, like,

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Speaker 3: you know, have something important to say, but drag you

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Speaker 3: through the mud for an hour and a half and

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Speaker 3: make you just like, oh I got one of those.

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Speaker 3: That was my keys, Like, no no bad feelings. I mean,

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Speaker 3: you know, maybe in the middle you get a little

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Speaker 3: tense or whatever, but nothing, it's just joy.

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Speaker 2: So that was like my overall thesis all right.

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Speaker 1: Well, I think we should get into it, will I

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Speaker 1: think since you named yours, I am, I think your

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Speaker 1: preparation might send you first here. What is your first

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Speaker 1: pick in the uff?

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Speaker 2: Well, my first pick is going to be my comedy,

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Speaker 2: so Rider, I of course picking Ishtar, correct is the

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Speaker 2: underrated movie of all time. I'd also like a shout

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Speaker 2: out to Bone Appetite Magazine from the April nineteenth, twenty

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Speaker 2: twenty two edition, in an article written by Alma Vile.

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Speaker 2: I hope I'm saying that right. Which are the thirty

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Speaker 2: four movie night snacks that almost steal the show? So

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Speaker 2: I picked again obscure underrated movie snacks to go with

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Speaker 2: underrated films.

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Speaker 1: These are handed out.

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Speaker 2: These are not snacks that you would ever think to get.

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Speaker 2: They are weird, They are bizarre, just like some of

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Speaker 2: the movies. So the comedy, of course is ish Tar.

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Speaker 2: It is being paired with a beautiful buffalo wing popcorn.

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Speaker 2: What there's such a thing as buffalo wing popcorn? Go

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Speaker 2: check the article, my friend that All the recipes, by

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Speaker 2: the way, are on the article at Bone Appetite Magazine.

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Speaker 2: Ishtar is for nineteen eighty seven. It was, of course

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Speaker 2: written and directed by the insanely talented Elaine May is

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Speaker 2: an absolute genius. If you do not know about Elaine May,

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Speaker 2: check out her story. I did not realize she was

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Speaker 2: as old as she was. She's already ninety two years old.

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Speaker 2: This woman has done everything in the business. She was

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Speaker 2: born into the business. She is absolutely so talented. The

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Speaker 2: reason that this movie, one of the reasons that this

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Speaker 2: movie was such had such this close gentch about it, yes,

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Speaker 2: was because of the budget, which at the time was

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Speaker 2: seventy million. There's there's different article saying it's everywhere from

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Speaker 2: between seventy to almost one hundred million dollars when it

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Speaker 2: came finally to in the.

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Speaker 3: Eighties in the eighties, which is like any equivalent of

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Speaker 3: like one hundred and fifty million.

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Speaker 2: Now, if not more. Yeah, and it made fourteen point

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Speaker 2: three million dollars worldwide and two of the biggest movie

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Speaker 2: stars at the ever at the time it was considered

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Speaker 2: it is it was until about five, five or six

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Speaker 2: years ago on the list of worst movies ever made,

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Speaker 2: until finally somebody went, wait a minute, if we erase

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Speaker 2: all the stuff and just watch it as a movie,

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Speaker 2: it's brilliant.

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Speaker 3: Yeah, they're playing it so straight and these are very serious,

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Speaker 3: good actors and they play it. They're not playing it

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Speaker 3: for comedy. I could that open. The first twenty minutes

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Speaker 3: of this movie are probably like some of the most

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Speaker 3: perfect twenty minutes are.

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Speaker 2: And Charles Groden is so funny in this movie. So

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Speaker 2: obviously it's Warren Baty, Dustin Hoffman, Charles Groden, and it

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Speaker 2: was you know, it's about, as writers said, two songwriters

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Speaker 2: in New York that are just terrible that the only

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Speaker 2: job they can get. They're offered two jobs. One is

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Speaker 2: in Ishtar, which is a mythical land in the Middle East,

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Speaker 2: and the other one is like Nigeria or something where

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Speaker 2: there's death squads in So they're like, they make seventy

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Speaker 2: dollars a week to go to Ishtar to sing even

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Speaker 2: though they're not singers. They're gig and they last chance

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Speaker 2: they get caught up, obviously in a political intrigue and

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Speaker 2: become the quote unquote two Messengers of God. It is

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Speaker 2: so funny.

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Speaker 3: There's nothing funnier to me than uh than desperate Hollywood too,

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Speaker 3: or desperate entertainers, you know what I mean. So, like

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Speaker 3: that's why I love all the Christopher Guest films where

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Speaker 3: there's always like the people that are so committed and

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Speaker 3: have no talent. Like people that are committed and have

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Speaker 3: no talent is one of my favorite Galaxy Quest is

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Speaker 3: one of my favorite films, and it's a very similar vibe.

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Speaker 2: It's like finger bow finger, Oh God, bow finger.

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Speaker 1: Right or strong. I'm titling your film festival A very

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Speaker 1: strong film festival writer like it. What is your first pick?

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Speaker 2: We start with I wanted to begin in childhood.

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Speaker 3: I wanted to begin. I wanted it to be very

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Speaker 3: cozy and comforting. So I we begin by serving delicious

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Speaker 3: warm ramen. Okay, we start with Old Day at it's

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Speaker 3: a cold day, Yeah, cold day. The festival start probably

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Speaker 3: starts at noon because I want to go till midnight.

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Speaker 2: So we start. We start with lunch of delicious ramen

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Speaker 2: and we watch Miyazaki is Spirited Away. Oh oh interesting.

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Speaker 2: I was gonna I thought you're gonna pick goonies.

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Speaker 3: No, no, no, I I want like I said, I

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Speaker 3: wanted to pick somebody that not everybody in our audience

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Speaker 3: that may have seen and if you haven't seen Spirited Away,

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Speaker 3: it's probably my favorite film of all time. I just

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Speaker 3: think it's a masterpiece. Uh, the Great Jason Marsden stars

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Speaker 3: in it. Uh it is yeah, I mean I love

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Speaker 3: all of Miyazaki's films.

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Speaker 2: I just the Boy and the Heron.

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Speaker 3: But like the Ramen is also a reference to Ponio,

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Speaker 3: which is another great one, great movie. These are good

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Speaker 3: for all ages. This movie is just it's just perfect.

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Speaker 3: You know, it's like basically the same story as Wizard

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Speaker 3: of Oz, any of those great fantasy films where you know,

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Speaker 3: a little kid gets caught up in this giant, weird,

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Speaker 3: crazy world. And what's what I like about this one

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Speaker 3: is that it still truly feels strange to me every

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Speaker 3: time I watch it, like it's surreal, and yet it's

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Speaker 3: so it's so beautiful and you can't even quite wrap

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Speaker 3: your head around why you're getting so emotional. But by

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Speaker 3: the end, I cry every time I watched this movie,

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Speaker 3: you know, tears of like kind of joy. But it's

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Speaker 3: also just it's and then I think it also has

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Speaker 3: a lot to say about consumerism and development. There's an

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Speaker 3: environmental like undercurrent, so it's not just fluff. It's actually

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Speaker 3: a very very deep, meaningful film. But you know, kids

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Speaker 3: can enjoy it. You could be three years old and

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Speaker 3: still get get something from this movie.

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Speaker 2: I just booked it from his closet. Oh, he threw

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Speaker 2: a carpet or like a like a blanket over a

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Speaker 2: closet door, and he walked in and booked that movie.

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Speaker 1: Right, And this is like the English version of the right.

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Speaker 2: I like the that's I've never watched the Japanese version.

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Speaker 3: I've heard that that's better and that you know, it's great,

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Speaker 3: but I'm kind of addicted to the English version. That's

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Speaker 3: what I first saw in the theater, and you know,

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Speaker 3: when I was twenty one, I was just like, what

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Speaker 3: is happening? I also just like, you know, one of

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Speaker 3: the reasons I wanted to serve Ramen is because uh Miyazaki.

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Speaker 3: One of the coolest things that he does is he

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Speaker 3: always has food figure really prominently in his cartoons, which

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Speaker 3: is a bizarre choice when you think about it, Like

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Speaker 3: you never see Disney characters eating in Disney.

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Speaker 1: Movies, right, yes, by the way, like gluttonously.

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Speaker 3: Yeah. Always, it's always, it's always. It's part of it's

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Speaker 3: a major part of the story. It's usually like the

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Speaker 3: midpoint or like the right before, like right before the

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Speaker 3: break into three, that the characters have an emotional moment

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Speaker 3: around food. And it's so interesting to watch cartoon characters

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Speaker 3: enjoy food because it makes them more human, it makes

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Speaker 3: them seem more real and alive, and you start to believe.

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Speaker 3: So I, you know, definitely wanted to start with Ramen

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Speaker 3: and watch Spirited Away like in this in this movie,

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Speaker 3: when she realizes she's not her parents have been turned

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Speaker 3: into pigs, and she has this connection with Jason Marson's

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Speaker 3: like the character Haku, and he gives her food and

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Speaker 3: like you know, and they she sits and cries eating

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Speaker 3: these little like I don't even know what they are,

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Speaker 3: but these little like sandwiches, and it's just so emotional

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Speaker 3: and beautiful. I love this movie.

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Speaker 1: Hey will so really quick because you threw that out

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Speaker 1: that you're in house moving castle. Do you do you

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Speaker 1: work with Miyazaki like what happened?

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Speaker 2: No, I was brought into I was. I think it

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Speaker 2: was on the Disney where I did it, and I

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Speaker 2: went to the their theater room, so like a full

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Speaker 2: size movie theater screen, right with just a microphone twenty

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Speaker 2: five feet away from a full sized movie theater screen.

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Speaker 2: And were you consciously doing the guard from Braveheart?

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Speaker 1: No?

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Speaker 3: Because you know what I'm talking about you have you're

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Speaker 3: seeing one of your scenes. I think you did multiple voices,

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Speaker 3: but you're like one of the guards. You're like, hello, lovely,

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Speaker 3: are you doing an English accent?

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Speaker 2: I think because you're all supposed to be British, So yeah,

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Speaker 2: you were.

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Speaker 3: I swear what I saw it. I was like, that's

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Speaker 3: Will and he is doing the creepy guard from Braveheart

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Speaker 3: who's always like you look, remind me of my daughter

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Speaker 3: in the back?

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Speaker 2: Mind, I might do it? Might?

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Speaker 3: I think you're canusciously doing it. I was like, I

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Speaker 3: know his reference points, that's what he's doing.

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Speaker 1: But yeah, there's someone in there's someone in America doing

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Speaker 1: his job, basically directing you. Is that what?

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Speaker 2: Yeah? Yeah, and you and you're sitting there and you're

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Speaker 2: doing and again it's I literally just have a scene

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Speaker 2: with Christian Bale. Never met him, never been in the

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Speaker 2: same room, no idea what it is. But it's just

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Speaker 2: Christian Bale and I together for the first part, and

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Speaker 2: then I think I'm the prince at the end.

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Speaker 1: It's good for your Kevin Bacon game, it is, right, Yeah,

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Speaker 1: I love it. Warm ramen and spirited away. Will your

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Speaker 1: second pick for uff.

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Speaker 2: For the Underrated Film Festival second pick. I'm going right

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Speaker 2: to drama and this is one that people. The audience

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00:16:28,280 --> 00:16:31,560
Speaker 2: gave it kind of a rough score. Critics did not

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00:16:31,800 --> 00:16:34,960
Speaker 2: like this movie. I really enjoyed this movie. I suggest

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Speaker 2: people watch it again. It is nineteen ninety seven. I

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Speaker 2: believe it's ninteen ninet seven. It's either seven or nine.

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Speaker 2: I can't think it's pretty much nineteen ninety seven. By

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Speaker 2: the way, I will be coupling this film with a

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Speaker 2: chocolate date carmel cup, which seems just absolutely wonderful, a

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Speaker 2: little bit assault on top. And the film itself was

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Speaker 2: based on a book called The Positronic Man by Isaac

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Speaker 2: Asimov and Robert Silverberg. It is a film Robin Williams

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Speaker 2: called bi Centennial Man. Really, yes, it is is. This

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Speaker 2: is this movie and I underrated. I watched this exactly.

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Speaker 2: Please go watch it again.

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Speaker 3: Okay.

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Speaker 2: Oliver Platt is great in this movie. It's long, it is.

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Speaker 2: It is a slog, but it is a kind of

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Speaker 2: an interesting take on humanity. It's an interesting take on freedom.

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Speaker 2: It's an age that pretty meaningful nowadays. Right, So this

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Speaker 2: is it's it's what is. The whole story is basically

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Speaker 2: is death worth being human and it's a very interesting

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Speaker 2: way around it. Robin Williams is Robin Williams who is

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Speaker 2: just absolutely wonderful in the film, and Beth Davids is

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Speaker 2: underrated as his his love interest. This also did not

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Speaker 2: do particularly well. It made me some point four million

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Speaker 2: dollars against one hundred million dollar budget, so by all

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Speaker 2: you know, all counts, it was a fail. And it

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Speaker 2: was written by Nicholas Kazan and it was directed by

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Speaker 2: Chris Columbus. Oh from home, Yeah, this was a underrated movie.

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00:18:08,000 --> 00:18:11,120
Speaker 2: You made again. It's the uff people. So as you're

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Speaker 2: sitting there enjoying your chocolate day caramel cup, watch bi

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Speaker 2: centennial man. That is my drama. Pick I remember watching

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Speaker 2: this and being like I don't get it.

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Speaker 3: And but you know, that was when it came out

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Speaker 3: and was seventeen eighteen.

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Speaker 1: Robert Williams took all the strays for this. This was

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Speaker 1: like a joke on him, Like when it didn't do well,

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Speaker 1: it was like, it's not good. It was like his

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Speaker 1: worst whatever.

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Speaker 2: Supposedly Yeah right, I mean it wasn't flubber good, but

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Speaker 2: it was good.

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Speaker 1: Nothing can be no, that is toys good. I've never

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Speaker 1: seen toys.

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Speaker 2: It's a weird film.

379
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Speaker 3: It's a weird film, but I think there's a lot

380
00:18:47,640 --> 00:18:51,320
Speaker 3: of cool parts to it. But I remember feeling disjointed

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Speaker 3: and like, you know, yeah, get a couple against screeners.

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Speaker 2: We got VHS screeners back in the day.

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Speaker 1: M hmm.

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Speaker 2: This was bi centennial. In the first time I saw

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Speaker 2: it was on a VHS screen.

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Speaker 1: So that means they were going for awards.

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00:19:04,080 --> 00:19:05,720
Speaker 2: Oh yeah, and I think it was nominated for It

388
00:19:05,720 --> 00:19:10,119
Speaker 2: was nominated for one Academy Award, probably like Sound or something,

389
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Speaker 2: but it was I believe an underrated drama.

390
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Speaker 1: Okay, that's why I've claimed it a Robin Williams Forgotten

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Speaker 1: gem at number two writer the Very Strong Film Festival.

392
00:19:32,000 --> 00:19:33,040
Speaker 1: What is your second pick?

393
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Speaker 3: Second pick? We hand out the Hot to Molly's and

394
00:19:36,320 --> 00:19:40,800
Speaker 3: popcorn mandatory in everybody. Yeah, well yeah, I would get

395
00:19:40,880 --> 00:19:43,040
Speaker 3: up on stage and say, now's the time to dump

396
00:19:43,240 --> 00:19:47,760
Speaker 3: your hot into Yeah man, you got it. You gotta

397
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Speaker 3: have popcorn, like a fistful of popcorn and one Hot

398
00:19:50,960 --> 00:19:52,640
Speaker 3: to Molly in your mouth at the same time.

399
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Speaker 2: Okay, just delight.

400
00:19:55,600 --> 00:19:56,399
Speaker 1: What is the film?

401
00:19:56,720 --> 00:19:59,800
Speaker 3: Okay, so this is this is the this is this

402
00:19:59,880 --> 00:20:04,359
Speaker 3: is That's my one that is very predictable in that

403
00:20:04,400 --> 00:20:07,399
Speaker 3: it's exactly what will it would make fun of me for.

404
00:20:07,640 --> 00:20:09,440
Speaker 2: So why I never watching stand.

405
00:20:09,800 --> 00:20:12,119
Speaker 3: No, we are not We should have been watching stand

406
00:20:12,119 --> 00:20:14,440
Speaker 3: by Me because we're not watching stand by Me, because

407
00:20:14,440 --> 00:20:17,000
Speaker 3: I figure everyone's already seen that. Everyone knows that movie,

408
00:20:17,119 --> 00:20:21,000
Speaker 3: so I chose stand by Me adjacent. We are moving

409
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Speaker 3: out of childhood. We started with childhood and spirited away.

410
00:20:24,240 --> 00:20:28,520
Speaker 3: We now move into adolescence with a Swedish film called

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Speaker 3: We Are the Best. It came out in twenty thirteen.

412
00:20:32,240 --> 00:20:34,240
Speaker 3: This is one of my favorite directors. His name is

413
00:20:34,320 --> 00:20:38,879
Speaker 3: Lucas Moodyson. He is a brilliant filmmaker. His first movie

414
00:20:38,920 --> 00:20:43,280
Speaker 3: is called Well. It's originally called a Mall, but it's

415
00:20:43,280 --> 00:20:46,239
Speaker 3: been renamed Show Me Love. And I almost pick that

416
00:20:46,840 --> 00:20:49,600
Speaker 3: because that's actually, in some ways a better film. It's

417
00:20:49,640 --> 00:20:52,679
Speaker 3: a queer coming of age film, but it's a little darker,

418
00:20:52,720 --> 00:20:55,119
Speaker 3: it's a little it's not shot as well. So I

419
00:20:55,160 --> 00:20:59,000
Speaker 3: went with twenty thirteen's We Are the Best. Please watch

420
00:20:59,040 --> 00:21:00,080
Speaker 3: this movie.

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00:21:00,160 --> 00:21:01,040
Speaker 2: It is so good.

422
00:21:01,320 --> 00:21:05,000
Speaker 3: It's about three thirteen year old girls and two of

423
00:21:05,040 --> 00:21:08,600
Speaker 3: them they're growing up in Stockholm and they decide that

424
00:21:08,960 --> 00:21:11,639
Speaker 3: in order to make it in their town. They're going

425
00:21:11,720 --> 00:21:15,280
Speaker 3: to become punk rock musicians. Only problem they can't play

426
00:21:15,359 --> 00:21:19,360
Speaker 3: musical instruments. So they find a girl, like a sort

427
00:21:19,400 --> 00:21:21,919
Speaker 3: of nerdy like on the other end of the social

428
00:21:21,960 --> 00:21:26,080
Speaker 3: spectrum who she's like very like Christian and like conservative,

429
00:21:26,440 --> 00:21:29,639
Speaker 3: and but she can play music, so they like to,

430
00:21:29,840 --> 00:21:32,720
Speaker 3: you know, wrap her up in their band and try

431
00:21:32,760 --> 00:21:35,680
Speaker 3: and form this band. And it's just this very simple,

432
00:21:36,160 --> 00:21:39,359
Speaker 3: beautiful coming of age slice of life film, you know,

433
00:21:39,400 --> 00:21:41,199
Speaker 3: and it's like stand By Me and that it's just

434
00:21:41,240 --> 00:21:42,520
Speaker 3: a you know, it's bittersweet.

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00:21:42,600 --> 00:21:43,920
Speaker 2: It's about that that moment.

436
00:21:43,960 --> 00:21:47,560
Speaker 3: It's set in the eighties too, in Stockholm, so it's

437
00:21:47,600 --> 00:21:50,680
Speaker 3: just that the power of friendship in your adolescens. No no, no, no,

438
00:21:50,680 --> 00:21:53,520
Speaker 3: watch it with subtitles, okay, but you know, it's just

439
00:21:53,520 --> 00:21:55,280
Speaker 3: that moment of where you're trying to figure out who

440
00:21:55,320 --> 00:21:59,080
Speaker 3: you are before high school. And I just love movies

441
00:21:59,119 --> 00:22:01,560
Speaker 3: about that. I love that time period about what really

442
00:22:01,560 --> 00:22:03,920
Speaker 3: the power of friendship, right like, because that's what stand

443
00:22:03,920 --> 00:22:05,760
Speaker 3: By Me is about too, is like how your friends

444
00:22:05,840 --> 00:22:08,919
Speaker 3: at that age end up parenting you. And I feel

445
00:22:08,920 --> 00:22:10,879
Speaker 3: like that's what this movie does too, is like, you know,

446
00:22:11,000 --> 00:22:13,040
Speaker 3: we need to break away from our parents at that age,

447
00:22:13,280 --> 00:22:15,159
Speaker 3: so we turn to our friends to help us to

448
00:22:15,240 --> 00:22:17,239
Speaker 3: find who we are, and even if we don't end

449
00:22:17,320 --> 00:22:19,920
Speaker 3: up being that person, like in this case, they're horrible musicians.

450
00:22:19,960 --> 00:22:22,399
Speaker 3: They just are going through this punk rock phase. But

451
00:22:22,520 --> 00:22:25,640
Speaker 3: you get to see them come together fall apart, and

452
00:22:26,160 --> 00:22:28,560
Speaker 3: the acting is so good. It's just like, you know,

453
00:22:28,680 --> 00:22:31,520
Speaker 3: kid actors in other countries are so much less self

454
00:22:31,560 --> 00:22:34,600
Speaker 3: conscious than American kid actors and they're just brilliant.

455
00:22:34,680 --> 00:22:36,639
Speaker 2: And I love this movie.

456
00:22:36,720 --> 00:22:38,960
Speaker 3: So yeah, I needed to pick a good coming of

457
00:22:38,960 --> 00:22:41,159
Speaker 3: age film because they're still my favorite types of movies.

458
00:22:41,400 --> 00:22:42,720
Speaker 3: So this is one of the best coming of.

459
00:22:42,640 --> 00:22:45,359
Speaker 2: Age ways seen or the record. The Ramones could not

460
00:22:45,400 --> 00:22:46,760
Speaker 2: play their instruments either when they.

461
00:22:46,680 --> 00:22:48,960
Speaker 3: Form, so that's kind of the point of punk, right.

462
00:22:49,000 --> 00:22:53,919
Speaker 3: But punk is about emotionality overtaking the musicality, Like we

463
00:22:54,000 --> 00:22:56,320
Speaker 3: care so much that we're gonna just like put our

464
00:22:56,359 --> 00:22:58,680
Speaker 3: feelings out there. And that's what's so great about this

465
00:22:58,760 --> 00:23:01,120
Speaker 3: is like and that there's nothing more adolescent than that, right,

466
00:23:01,280 --> 00:23:03,199
Speaker 3: So it becomes a perfect and I guess this is

467
00:23:03,240 --> 00:23:07,119
Speaker 3: based on a graphic novel that his wife made.

468
00:23:07,600 --> 00:23:10,080
Speaker 2: It's just it's an amazing, wonderful little film.

469
00:23:10,080 --> 00:23:12,399
Speaker 3: But I would also recommend, as an entry point to

470
00:23:13,000 --> 00:23:15,440
Speaker 3: his other work, check out Show Me Love Too, because

471
00:23:15,440 --> 00:23:16,800
Speaker 3: it's a beautiful, beautiful film.

472
00:23:17,280 --> 00:23:20,440
Speaker 1: I have never heard of this movie, neither or the director.

473
00:23:20,600 --> 00:23:22,960
Speaker 3: That's okay, good, So that's this is my one really

474
00:23:23,040 --> 00:23:25,439
Speaker 3: obscure pick that I wanted to slip in there and

475
00:23:25,560 --> 00:23:26,320
Speaker 3: highly recommend.

476
00:23:26,440 --> 00:23:29,200
Speaker 1: Yeah, we are the Best. Not a movie with DJ Khaled.

477
00:23:29,320 --> 00:23:32,320
Speaker 1: It is a Swedish film. You said, right, yes, all right?

478
00:23:32,440 --> 00:23:35,720
Speaker 1: That is the second pick, will uff back at it.

479
00:23:35,800 --> 00:23:39,119
Speaker 2: Third pick, My independent film is called Star Wars. No,

480
00:23:39,160 --> 00:23:46,439
Speaker 2: I'm kidding, technically was that crazy? Now, before we go

481
00:23:46,480 --> 00:23:47,760
Speaker 2: any farther, I think this is a good time to

482
00:23:47,800 --> 00:23:51,159
Speaker 2: take a little intermission. Speaking of Star Wars, I'd like

483
00:23:51,240 --> 00:23:55,280
Speaker 2: to ask if either of you can name the top

484
00:23:55,359 --> 00:23:58,000
Speaker 2: ten highest grossing films of all time.

485
00:23:59,040 --> 00:24:00,400
Speaker 1: Oh we know, Star Wars.

486
00:24:00,760 --> 00:24:04,440
Speaker 3: No, No, of all time. Now it's pushed out Avatar,

487
00:24:04,760 --> 00:24:09,879
Speaker 3: Avatar to Inside Out to Super Mario, supermart No Riders

488
00:24:09,920 --> 00:24:10,520
Speaker 3: got three of them?

489
00:24:10,560 --> 00:24:11,240
Speaker 2: All right, I've got three?

490
00:24:11,359 --> 00:24:17,200
Speaker 3: Okay, So Avatars and Titanic, Titanic Titanic, Avengers Game and

491
00:24:17,280 --> 00:24:18,240
Speaker 3: Avengers End Game.

492
00:24:18,520 --> 00:24:22,080
Speaker 2: That's five. Oh gosh, what is it's?

493
00:24:22,080 --> 00:24:23,639
Speaker 3: It's there's gonna be another Pixar.

494
00:24:23,720 --> 00:24:25,080
Speaker 1: You believe super Mario is not in there?

495
00:24:25,280 --> 00:24:29,800
Speaker 2: It's not. Oh oh, one of the Despicable Mes probably,

496
00:24:29,920 --> 00:24:30,439
Speaker 2: Oh really?

497
00:24:31,640 --> 00:24:33,840
Speaker 1: Oh, spider animated?

498
00:24:34,480 --> 00:24:37,440
Speaker 2: Yeah, one of the Spider Man's maybe.

499
00:24:39,600 --> 00:24:40,160
Speaker 1: Which one?

500
00:24:40,320 --> 00:24:44,120
Speaker 3: It's not the Tobin mcguires one. It's gonna be I'm

501
00:24:44,119 --> 00:24:46,320
Speaker 3: just gonna say, Spider across the Spider Verse.

502
00:24:46,400 --> 00:24:49,200
Speaker 2: Yeah, really, Spider Man. No way home.

503
00:24:49,320 --> 00:24:50,919
Speaker 3: I was gonna say a second. I knew it was

504
00:24:51,000 --> 00:24:52,960
Speaker 3: not the first Homecoming, but I couldn't remember the name.

505
00:24:52,840 --> 00:24:53,359
Speaker 2: Of the one.

506
00:24:54,640 --> 00:24:56,080
Speaker 1: Number seven, number seven.

507
00:24:56,240 --> 00:24:58,640
Speaker 3: Okay, so we're still missing like three four?

508
00:24:59,359 --> 00:25:03,880
Speaker 2: Is it one of the World's Corean World is number eight?

509
00:25:04,320 --> 00:25:07,359
Speaker 2: Just just Jurassic World. Just Jurassic World is number eight? Wow?

510
00:25:07,440 --> 00:25:09,040
Speaker 1: Is that the worst movie on the Lissa far I

511
00:25:09,040 --> 00:25:09,320
Speaker 1: think so.

512
00:25:10,359 --> 00:25:12,440
Speaker 2: It would depend on what you mean by worst, because

513
00:25:12,440 --> 00:25:15,960
Speaker 2: it was bad. But I've never seen the number ten movie,

514
00:25:15,960 --> 00:25:20,400
Speaker 2: and I heard it's not great, but maybe it is.

515
00:25:20,400 --> 00:25:21,879
Speaker 1: Is that? I mean, this is kind of I mean,

516
00:25:21,960 --> 00:25:23,000
Speaker 1: is another Avengers on there?

517
00:25:23,359 --> 00:25:23,639
Speaker 3: Yes?

518
00:25:24,040 --> 00:25:28,040
Speaker 1: Yeah? Age of Oltron Nope, I mean all I know

519
00:25:28,080 --> 00:25:31,679
Speaker 1: is Age of Ultron end game in the Red Oh.

520
00:25:31,280 --> 00:25:35,560
Speaker 2: The Infinity War. Infinity War? Correct? That is number six?

521
00:25:36,560 --> 00:25:41,520
Speaker 2: So you're missing number five and number ten. No Star

522
00:25:41,560 --> 00:25:46,480
Speaker 2: Wars movies. It's a Stars movie. But which one?

523
00:25:47,160 --> 00:25:48,320
Speaker 1: No, it's the JJ one.

524
00:25:48,640 --> 00:25:52,360
Speaker 2: Well there's it's Star Wars episode seven, the Force Awakens.

525
00:25:52,640 --> 00:25:53,520
Speaker 1: Yeah, that's that's what I was.

526
00:25:53,640 --> 00:25:53,760
Speaker 3: OK.

527
00:25:54,200 --> 00:25:55,000
Speaker 1: Yeah, that's what I was thinking.

528
00:25:55,440 --> 00:25:59,119
Speaker 2: So what's number ten? Number ten is twenty nineteen's The

529
00:25:59,200 --> 00:25:59,840
Speaker 2: Lion King?

530
00:26:00,480 --> 00:26:03,160
Speaker 1: WHOA Yeah I would have got that. Yeah.

531
00:26:03,200 --> 00:26:03,800
Speaker 3: So there you go.

532
00:26:03,840 --> 00:26:06,640
Speaker 2: There's your there's your your top ten higher good game?

533
00:26:07,040 --> 00:26:08,800
Speaker 3: And what does that have to do with your pick?

534
00:26:09,240 --> 00:26:09,600
Speaker 2: Nothing?

535
00:26:09,800 --> 00:26:13,480
Speaker 3: Just just just little movies like a high grossing film.

536
00:26:13,600 --> 00:26:16,359
Speaker 2: No, just inter a movie tribute. This is from Speaking

537
00:26:16,560 --> 00:26:18,880
Speaker 2: Thinking Forbes. By the way, it was a Forbes article

538
00:26:19,000 --> 00:26:22,560
Speaker 2: September fourth, twenty twenty four. No, my, I'm going now

539
00:26:22,600 --> 00:26:27,680
Speaker 2: to action to what I think is an absolutely phenomenal

540
00:26:27,720 --> 00:26:29,240
Speaker 2: action movie from nineteen ninety eight.

541
00:26:29,640 --> 00:26:29,840
Speaker 1: Uh.

542
00:26:29,880 --> 00:26:33,000
Speaker 2: This is going to be paired with the salty sweet

543
00:26:33,040 --> 00:26:36,560
Speaker 2: party mix. Oh I love that, which is just marvelous.

544
00:26:36,600 --> 00:26:39,280
Speaker 2: It is directed by John Frankenheimer. It was written by

545
00:26:39,400 --> 00:26:44,920
Speaker 2: John David Zeke and David Mammotto. It stars Genre Know

546
00:26:45,440 --> 00:26:49,600
Speaker 2: and Robert de Niro. Is a film called Ronan Wow.

547
00:26:49,640 --> 00:26:53,600
Speaker 2: I never seen it absolutely marvelous. It goes old school

548
00:26:53,600 --> 00:26:55,639
Speaker 2: when it comes to the car chases. I'm talking to

549
00:26:55,680 --> 00:26:58,320
Speaker 2: Live and Die in La French connection kind of car chases.

550
00:26:58,680 --> 00:27:03,439
Speaker 2: It is an absolutely phenomenal action film. Again, it only

551
00:27:03,520 --> 00:27:07,280
Speaker 2: got three and a half stars. It made it did okay.

552
00:27:07,320 --> 00:27:09,320
Speaker 2: It made seventy point seven million dollars on a fifty

553
00:27:09,359 --> 00:27:13,159
Speaker 2: five million dollar budget, But it was as far as

554
00:27:13,240 --> 00:27:17,639
Speaker 2: action movies go. De Niro plays this so real and

555
00:27:17,720 --> 00:27:20,399
Speaker 2: I don't know if you've seen is it not Mission

556
00:27:20,440 --> 00:27:23,879
Speaker 2: to Mars, the one where he's stuck on Mars by himself,

557
00:27:23,880 --> 00:27:27,080
Speaker 2: the marsh the Martian. So the scene where he's cutting

558
00:27:27,080 --> 00:27:30,640
Speaker 2: the antenna out of himself is actually taken from a

559
00:27:30,680 --> 00:27:34,399
Speaker 2: way better scene where de Niro is essentially taking the

560
00:27:34,400 --> 00:27:38,480
Speaker 2: bullet out of himself after he's been shot. Awesome, awesome movie.

561
00:27:39,160 --> 00:27:41,040
Speaker 2: Checkout Ronan. You're gonna love it.

562
00:27:41,040 --> 00:27:43,800
Speaker 3: It's it's like a cop and a criminal, like what's.

563
00:27:43,880 --> 00:27:48,399
Speaker 2: No, No, they're there. It's a team of thieves that

564
00:27:48,440 --> 00:27:52,240
Speaker 2: de Niro is part of, that is put together in France.

565
00:27:52,240 --> 00:27:56,760
Speaker 3: To it's It is a phenomenal heighst film.

566
00:27:56,800 --> 00:27:59,200
Speaker 2: You don't know what they're stealing, you don't know who's

567
00:27:59,200 --> 00:27:59,880
Speaker 2: on what team.

568
00:28:00,440 --> 00:28:01,240
Speaker 3: I love that stuff.

569
00:28:01,280 --> 00:28:06,280
Speaker 2: I love bad the Double. It is so cool. You

570
00:28:06,320 --> 00:28:08,480
Speaker 2: are going to love this movie. Check out run it.

571
00:28:08,680 --> 00:28:10,719
Speaker 3: So we're gonna have to watch each other's movies, right,

572
00:28:10,920 --> 00:28:13,120
Speaker 3: We're gonna have to like each do the film Festival.

573
00:28:13,200 --> 00:28:15,080
Speaker 2: Yeah, and then come back and give her up. Have

574
00:28:15,119 --> 00:28:16,480
Speaker 2: you not seen ronin either Jensen?

575
00:28:16,680 --> 00:28:18,879
Speaker 1: I've never seen. Oh wow, I know it exists. I know,

576
00:28:18,920 --> 00:28:20,399
Speaker 1: I know it's a It was a big DVD like

577
00:28:20,440 --> 00:28:21,480
Speaker 1: in the early days of DVD.

578
00:28:21,960 --> 00:28:22,800
Speaker 2: Are going to love it?

579
00:28:22,920 --> 00:28:25,399
Speaker 1: Great movie writer. The Very Strong Film Festival has a

580
00:28:25,440 --> 00:28:25,880
Speaker 1: third pick.

581
00:28:26,400 --> 00:28:30,240
Speaker 3: Third pick is we're getting We're getting older now. Now

582
00:28:30,240 --> 00:28:34,600
Speaker 3: we're into jobs. Now, we're into career, the agent period,

583
00:28:35,840 --> 00:28:39,320
Speaker 3: We're into the Hawk movie.

584
00:28:39,080 --> 00:28:42,400
Speaker 1: No, this is this is the Boyhood Film Festival.

585
00:28:42,520 --> 00:28:42,720
Speaker 2: Yeah.

586
00:28:43,080 --> 00:28:45,800
Speaker 3: I've talked about this movie, I think before, but this

587
00:28:45,840 --> 00:28:47,760
Speaker 3: is nineteen eighty seven's broadcast news.

588
00:28:49,040 --> 00:28:49,520
Speaker 2: James L.

589
00:28:49,560 --> 00:28:53,120
Speaker 3: Brooks perfect directed, wrote, and directed Holly Hunter. It's her

590
00:28:53,120 --> 00:28:55,640
Speaker 3: first big role. She was cast two days before they

591
00:28:55,640 --> 00:28:59,960
Speaker 3: started this movie. William Hurt Albert Brooks. Some of the

592
00:29:00,240 --> 00:29:04,160
Speaker 3: performances ever, it's perfect, It's funny. It is a basic

593
00:29:04,280 --> 00:29:06,600
Speaker 3: romantic comedies in a lot of ways, but it has

594
00:29:06,760 --> 00:29:11,080
Speaker 3: such broader themes, and it is so ahead of its time.

595
00:29:11,480 --> 00:29:14,000
Speaker 3: I loved this movie. I saw it in the nineties

596
00:29:14,040 --> 00:29:17,520
Speaker 3: and I loved it. I went and watched a retrospective

597
00:29:17,560 --> 00:29:21,560
Speaker 3: screening that James L. Brooks was at maybe in twenty eighteen,

598
00:29:21,560 --> 00:29:24,040
Speaker 3: twenty nineteen, and it just went right to my heart.

599
00:29:24,080 --> 00:29:26,680
Speaker 3: I was like, this is this is actually way more

600
00:29:26,720 --> 00:29:29,240
Speaker 3: brilliant of a film than I even realized, because it's

601
00:29:29,240 --> 00:29:31,400
Speaker 3: so far ahead of its time. Because it's really, even

602
00:29:31,440 --> 00:29:33,959
Speaker 3: though it's just a love triangle, like a really basic

603
00:29:34,040 --> 00:29:37,560
Speaker 3: workplace love triangle, you know, it's about responsibility and journalism

604
00:29:37,560 --> 00:29:42,480
Speaker 3: and about balancing entertainment and information, and how every time

605
00:29:42,720 --> 00:29:45,000
Speaker 3: that we as a culture decide that we're going to

606
00:29:45,080 --> 00:29:48,040
Speaker 3: go more towards entertainment, we lose something, we lose a

607
00:29:48,120 --> 00:29:53,080
Speaker 3: value in journalism. And they're able to distill this thematics

608
00:29:53,240 --> 00:29:56,480
Speaker 3: into a love triangle with three great characters who are

609
00:29:56,480 --> 00:30:00,440
Speaker 3: all fully realized, incredibly performed.

610
00:30:00,400 --> 00:30:02,840
Speaker 2: Horribly flawed, all of them, horrible, all of them.

611
00:30:02,880 --> 00:30:06,560
Speaker 3: That's the thing. Everybody, nobody's absolutely right, everybody you know,

612
00:30:07,640 --> 00:30:07,800
Speaker 3: you know.

613
00:30:07,840 --> 00:30:10,160
Speaker 2: And then it's also to choose between brain and brawn too.

614
00:30:10,160 --> 00:30:12,080
Speaker 2: It was like there's so much going on and.

615
00:30:12,400 --> 00:30:14,840
Speaker 3: Holly Hunter's character. You know, it's also ahead of its time,

616
00:30:14,880 --> 00:30:16,920
Speaker 3: and that it's a film about women entering the workplace,

617
00:30:16,920 --> 00:30:18,760
Speaker 3: which was a big deal in the eighties. There's a

618
00:30:18,760 --> 00:30:21,840
Speaker 3: lot of movies about that anxiety about that, and this

619
00:30:22,040 --> 00:30:23,760
Speaker 3: decided to make her the central character.

620
00:30:23,800 --> 00:30:25,240
Speaker 2: And really, you know, James L.

621
00:30:25,240 --> 00:30:27,440
Speaker 3: Brooks did a lot of research and he based it

622
00:30:27,480 --> 00:30:30,440
Speaker 3: on several different women that he knew, including the great

623
00:30:30,720 --> 00:30:34,680
Speaker 3: producer poly Platt, who produced this movie and had it

624
00:30:34,760 --> 00:30:38,560
Speaker 3: was instrumental in making this movie happen. And it's just like,

625
00:30:38,680 --> 00:30:40,560
Speaker 3: you know, you watch it now and it's so dated,

626
00:30:40,600 --> 00:30:43,920
Speaker 3: but it's also not in that it's like it's these conversations.

627
00:30:43,920 --> 00:30:46,800
Speaker 3: Even though the technology is better, the conversations are still

628
00:30:46,880 --> 00:30:50,080
Speaker 3: so relevant today to like how news is made and

629
00:30:50,120 --> 00:30:51,960
Speaker 3: how what do you know? What do we put in

630
00:30:52,000 --> 00:30:53,520
Speaker 3: out there? And like it's so fun.

631
00:30:53,840 --> 00:30:56,240
Speaker 2: One of the greatest lines of dialogue ever too ever,

632
00:30:56,440 --> 00:30:58,440
Speaker 2: in any movie, where he just looks at her and

633
00:30:58,480 --> 00:31:01,120
Speaker 2: he just says, it must be so wonderful to be

634
00:31:01,200 --> 00:31:05,479
Speaker 2: right all the time, and she honestly goes, no, it's awful, awful.

635
00:31:05,600 --> 00:31:07,960
Speaker 2: It's like, oh god, it's good.

636
00:31:08,320 --> 00:31:12,720
Speaker 1: A subgenre film I love journalistic procedure, me too, you

637
00:31:12,760 --> 00:31:20,480
Speaker 1: know broadcast Network, Spotlight to Nightcrawler even, I mean, there's yeah,

638
00:31:20,520 --> 00:31:23,640
Speaker 1: these are so many good ones. Broadcast News an incredible one. Writer.

639
00:31:23,720 --> 00:31:25,360
Speaker 1: I don't mean to put the focus on the food,

640
00:31:25,360 --> 00:31:27,120
Speaker 1: but did you have a food for broadcast news?

641
00:31:27,520 --> 00:31:29,600
Speaker 3: We would have wine tasting before because we're getting we're

642
00:31:29,600 --> 00:31:31,880
Speaker 3: getting more mature, so we would do like a nice

643
00:31:31,920 --> 00:31:34,680
Speaker 3: in the lobby some everybody get a nice glass of wine.

644
00:31:35,040 --> 00:31:37,960
Speaker 1: All right, So now that we're wasted, will the uff?

645
00:31:38,160 --> 00:31:38,720
Speaker 1: What are you think?

646
00:31:39,560 --> 00:31:43,360
Speaker 2: The uff? So I'm going Rider talked before about keeping

647
00:31:43,400 --> 00:31:46,600
Speaker 2: things light and joyful. I am going exactly the opposite

648
00:31:46,640 --> 00:31:49,520
Speaker 2: of that with this film. Talk about a dragging through

649
00:31:49,520 --> 00:31:52,200
Speaker 2: the mud. This is a very difficult film to watch,

650
00:31:52,520 --> 00:31:54,960
Speaker 2: but a very important film. This is my independent film,

651
00:31:55,120 --> 00:31:58,000
Speaker 2: and and the reason I'm pairing it with Mazzarella Sticks

652
00:31:58,600 --> 00:32:00,560
Speaker 2: is because you only get two or three at the beginning,

653
00:32:00,560 --> 00:32:02,040
Speaker 2: then you're done. Then you can just watch the movie

654
00:32:02,040 --> 00:32:04,280
Speaker 2: because you really need to concentrate on this one. This

655
00:32:04,360 --> 00:32:07,560
Speaker 2: is a movie from nineteen ninety four. It is my

656
00:32:07,720 --> 00:32:11,520
Speaker 2: independent pick. It is called Once Were Warriors. It is

657
00:32:11,560 --> 00:32:17,040
Speaker 2: an absolutely marvelous film. It won Best Film at the

658
00:32:17,120 --> 00:32:19,960
Speaker 2: Durham International Film Festival, the Montreal World Film Festival, the

659
00:32:20,000 --> 00:32:23,120
Speaker 2: New Zealand Film Festival and Television Awards, the Rotterdam Film Festival,

660
00:32:23,400 --> 00:32:27,080
Speaker 2: and it became considered. In twenty fourteen, it was voted

661
00:32:27,320 --> 00:32:31,280
Speaker 2: the New Zealand Best Film of all time. It was

662
00:32:31,320 --> 00:32:33,719
Speaker 2: the highest grossing film when it was released in New Zealand.

663
00:32:33,760 --> 00:32:37,400
Speaker 2: It outstripped Jurassic Park. It made six point seven million

664
00:32:37,440 --> 00:32:41,320
Speaker 2: dollars on an independent budget. It is directed by Lee

665
00:32:41,960 --> 00:32:46,240
Speaker 2: Tanna Horre Hope. I'm saying that right, written by Rwella Brown.

666
00:32:46,640 --> 00:32:50,520
Speaker 2: It stars Rena Owen, Timura Morrison and Cliff Curtis. It

667
00:32:50,600 --> 00:32:55,479
Speaker 2: is all about domestic violence and alcoholism. It is an

668
00:32:55,480 --> 00:32:58,880
Speaker 2: incredibly difficult watch. It is about what it's like to have,

669
00:32:59,400 --> 00:33:02,520
Speaker 2: what it's like to be Amali in modern day New Zealand,

670
00:33:02,600 --> 00:33:07,360
Speaker 2: modern day being nineteen ninety four. Again, really difficult film,

671
00:33:07,600 --> 00:33:11,520
Speaker 2: but talk about a master acting class. It is some

672
00:33:11,600 --> 00:33:14,520
Speaker 2: of the best acting you will ever see in your life.

673
00:33:14,600 --> 00:33:17,719
Speaker 2: You cannot take your eyes away from the screen. It

674
00:33:17,760 --> 00:33:22,440
Speaker 2: is genius. So I highly recommend again it is not

675
00:33:22,560 --> 00:33:26,080
Speaker 2: a fun night at the movies, but I highly recommend

676
00:33:26,080 --> 00:33:26,840
Speaker 2: Once We're Warriors.

677
00:33:26,880 --> 00:33:29,720
Speaker 1: It is absolutely I don't mean to mention it again,

678
00:33:29,760 --> 00:33:32,840
Speaker 1: but I know the name lead Tamahor because he directed

679
00:33:33,120 --> 00:33:33,760
Speaker 1: The Edge.

680
00:33:35,600 --> 00:33:38,840
Speaker 2: Yeah, oh, went from this to the Edge.

681
00:33:38,920 --> 00:33:42,400
Speaker 1: He has a pretty good run of American movies because

682
00:33:42,680 --> 00:33:45,080
Speaker 1: again I'm obsessed with the Edge. He also did Along

683
00:33:45,160 --> 00:33:47,680
Speaker 1: Came a Spider, okay, which is not bad.

684
00:33:47,720 --> 00:33:50,320
Speaker 2: Which is pretty good is that Morgan Freeman. Was he

685
00:33:50,360 --> 00:33:52,360
Speaker 2: in that one? Yes? Yeah, okay? Yeah?

686
00:33:52,400 --> 00:33:53,880
Speaker 1: And then he did Die Another Day, which is not

687
00:33:53,920 --> 00:33:54,400
Speaker 1: bad either.

688
00:33:54,760 --> 00:33:57,680
Speaker 2: Trigger warning before you get there. Lots of domestic violence,

689
00:33:57,880 --> 00:34:00,960
Speaker 2: sexual assault. It is very, very brutal.

690
00:34:01,040 --> 00:34:03,840
Speaker 1: But man a film, all right, very I mean this

691
00:34:03,920 --> 00:34:05,960
Speaker 1: one another one I have not seen, but obviously a

692
00:34:06,040 --> 00:34:09,000
Speaker 1: tamahorre fan. There you go check it out. It's rough,

693
00:34:09,040 --> 00:34:11,759
Speaker 1: but it's worth it, right or strong fourth pick, Very

694
00:34:11,800 --> 00:34:13,960
Speaker 1: Strong Film Festival. We are aging up.

695
00:34:14,360 --> 00:34:17,680
Speaker 3: Yeah, we are aging up now we aren we are

696
00:34:17,719 --> 00:34:22,000
Speaker 3: in midlife crisis mode. This is this is technically still

697
00:34:22,040 --> 00:34:24,320
Speaker 3: a coming of age film, but since we're in midlife,

698
00:34:24,400 --> 00:34:24,759
Speaker 3: it is.

699
00:34:24,760 --> 00:34:26,719
Speaker 2: A redemption film.

700
00:34:27,800 --> 00:34:31,400
Speaker 3: I would be serving New York pizza by the slice

701
00:34:31,480 --> 00:34:34,400
Speaker 3: in the lobby before the movie begins, and then we

702
00:34:34,480 --> 00:34:38,120
Speaker 3: will enter the very bizarre but still kind of fun,

703
00:34:38,719 --> 00:34:42,839
Speaker 3: dark world of The Fisher King in nineteen ninety one.

704
00:34:42,960 --> 00:34:45,120
Speaker 3: Terry Gilliam I talked about this movie in our nineties

705
00:34:45,160 --> 00:34:46,960
Speaker 3: DRACTAYI writer favorite.

706
00:34:47,640 --> 00:34:48,560
Speaker 2: I just love this movie.

707
00:34:49,080 --> 00:34:51,560
Speaker 3: Gilliam was like one of the first people that really,

708
00:34:52,080 --> 00:34:53,919
Speaker 3: you know, when I watched his movies as a kid,

709
00:34:53,920 --> 00:34:55,480
Speaker 3: I saw this in the theater when I was eleven,

710
00:34:55,760 --> 00:34:58,120
Speaker 3: that I just suddenly knew what movies could do. You know,

711
00:34:58,160 --> 00:35:01,080
Speaker 3: that that they were visual, that you could enter the

712
00:35:01,120 --> 00:35:03,880
Speaker 3: minds of characters and represent how they saw the world.

713
00:35:03,880 --> 00:35:08,200
Speaker 3: The production design is insane. The Time Bandits, he did

714
00:35:08,280 --> 00:35:11,239
Speaker 3: Time Bandits yea, yeah, so, I mean the day he

715
00:35:11,320 --> 00:35:12,080
Speaker 3: was one of my favorites.

716
00:35:12,120 --> 00:35:13,440
Speaker 2: Yeah, he started with the he was one of the

717
00:35:13,440 --> 00:35:14,000
Speaker 2: Monty Python.

718
00:35:14,080 --> 00:35:16,319
Speaker 3: But he just always has a very All of his

719
00:35:16,400 --> 00:35:20,319
Speaker 3: films have such a unique visual style and and and

720
00:35:20,960 --> 00:35:23,239
Speaker 3: often to me they get a little too derailed.

721
00:35:23,520 --> 00:35:25,960
Speaker 2: This one he didn't write the script, the original script,

722
00:35:26,120 --> 00:35:26,440
Speaker 2: so it.

723
00:35:26,400 --> 00:35:29,319
Speaker 3: Has a much tighter very. I mean, one of the

724
00:35:29,320 --> 00:35:33,040
Speaker 3: best screenplays ever. And it's a just a like I said,

725
00:35:33,080 --> 00:35:36,400
Speaker 3: it's it's a redemption film, So it's uh. Jeff Bridges

726
00:35:36,440 --> 00:35:41,200
Speaker 3: plays a shock jock who says some things on on

727
00:35:41,239 --> 00:35:43,719
Speaker 3: the radio that are like he just throws out he's

728
00:35:43,800 --> 00:35:47,120
Speaker 3: very cynical, very like Howard stern esh and then it

729
00:35:47,239 --> 00:35:51,040
Speaker 3: leads to a shooting and he loses his job, loses

730
00:35:51,040 --> 00:35:54,160
Speaker 3: his career, and we meet him years later and he

731
00:35:54,320 --> 00:35:56,840
Speaker 3: ends up befriending Robin Williams, who.

732
00:35:56,760 --> 00:35:59,239
Speaker 1: Is a almost william the way.

733
00:35:59,320 --> 00:36:01,680
Speaker 3: Yes, I know, and this is Robin Williams, I think,

734
00:36:01,719 --> 00:36:05,880
Speaker 3: his greatest performance ever. And he is in classic, like manic,

735
00:36:06,080 --> 00:36:10,560
Speaker 3: funny Robin Williams mode, but it's played for such drama ultimately,

736
00:36:10,600 --> 00:36:13,520
Speaker 3: even though it's entertaining, because he has had a mental

737
00:36:13,520 --> 00:36:17,000
Speaker 3: breakdown because his wife died in the shooting that Jeff

738
00:36:17,000 --> 00:36:19,840
Speaker 3: Bridges character had inspired. So Jeff Bridges then takes it

739
00:36:19,920 --> 00:36:23,399
Speaker 3: upon himself to help Robin Williams get his life back

740
00:36:23,440 --> 00:36:25,799
Speaker 3: on his feet, which you know, becomes more and more

741
00:36:25,800 --> 00:36:29,160
Speaker 3: involved as he sort of enters the delusions of Robin

742
00:36:29,200 --> 00:36:32,360
Speaker 3: Williams in order to help him. So the two of

743
00:36:32,400 --> 00:36:35,520
Speaker 3: them are insanely great. But I really want to highlight

744
00:36:35,560 --> 00:36:40,120
Speaker 3: the performances of Mercedes Rule and the late great Michael Jeter,

745
00:36:40,600 --> 00:36:43,640
Speaker 3: who are both side characters in this movie that they

746
00:36:43,680 --> 00:36:44,799
Speaker 3: steal every scene they're in.

747
00:36:45,520 --> 00:36:48,399
Speaker 2: It is so good, and you.

748
00:36:48,320 --> 00:36:50,280
Speaker 3: Know, there's a lot of whimsy, there's a lot of comedy,

749
00:36:50,280 --> 00:36:53,040
Speaker 3: but it's ultimately again a very important film about the

750
00:36:53,080 --> 00:36:56,799
Speaker 3: responsibility of media and like, you know, how we think about,

751
00:36:56,960 --> 00:36:58,479
Speaker 3: you know, when we put stuff out into the world

752
00:36:58,520 --> 00:37:02,040
Speaker 3: as artists or is news people or whatever, how it affects,

753
00:37:02,040 --> 00:37:03,239
Speaker 3: you know. And I feel like in an age of

754
00:37:03,280 --> 00:37:05,839
Speaker 3: social media, we all live with this, right, Like what

755
00:37:05,920 --> 00:37:08,440
Speaker 3: you put out into the world actually affects people, and

756
00:37:08,719 --> 00:37:10,719
Speaker 3: we have to be reminded of that because we just

757
00:37:10,719 --> 00:37:13,359
Speaker 3: start taking each other for granted. So I think this

758
00:37:13,400 --> 00:37:16,959
Speaker 3: is a beautiful film, very emotional, but also like I said,

759
00:37:17,400 --> 00:37:20,759
Speaker 3: very funny and entertaining. In Along the Way, one of

760
00:37:20,760 --> 00:37:21,839
Speaker 3: my favorite films of all time.

761
00:37:21,920 --> 00:37:23,160
Speaker 2: Yeah, Gilliam is insane.

762
00:37:23,400 --> 00:37:25,800
Speaker 1: Yes, he's been. He's been trying to make don Quixote.

763
00:37:28,200 --> 00:37:29,000
Speaker 2: A documentary.

764
00:37:29,120 --> 00:37:30,960
Speaker 1: Yes, so I even saw in the theater they made

765
00:37:31,000 --> 00:37:33,839
Speaker 1: a documentary about his attempt to make don Quixote with

766
00:37:33,960 --> 00:37:34,720
Speaker 1: Johnny Denny.

767
00:37:35,000 --> 00:37:38,680
Speaker 3: There have been multiple books written about his movies being disasters.

768
00:37:38,760 --> 00:37:41,600
Speaker 3: Baron Maunchausen, there's a movie where there's a book called

769
00:37:41,640 --> 00:37:44,200
Speaker 3: Losing the Light that's all monkeys. I mean, there's a

770
00:37:44,239 --> 00:37:47,040
Speaker 3: documentary about the disaster of making Twelve Monkeys called the

771
00:37:47,120 --> 00:37:47,800
Speaker 3: Hamster Wheel.

772
00:37:47,840 --> 00:37:49,120
Speaker 2: I think you can find chill.

773
00:37:49,520 --> 00:37:52,440
Speaker 3: No, no no, And I don't think his film. I

774
00:37:52,440 --> 00:37:54,799
Speaker 3: think it's diminishing returns in his career, but I think

775
00:37:54,800 --> 00:37:57,600
Speaker 3: he for me. He peaked with Fisher King and Twelve Monkeys.

776
00:37:57,640 --> 00:37:59,240
Speaker 3: I think those both are great films.

777
00:37:59,560 --> 00:38:02,880
Speaker 1: Will your last final pick the movie people watch before

778
00:38:02,880 --> 00:38:05,160
Speaker 1: they go home in the usf what are you leaving

779
00:38:05,200 --> 00:38:06,680
Speaker 1: them with? What's number five?

780
00:38:06,960 --> 00:38:08,360
Speaker 2: Thank you? But before we get to that, we have

781
00:38:08,400 --> 00:38:12,280
Speaker 2: another quick intermission, if that's okay? And according to mashed

782
00:38:13,280 --> 00:38:15,879
Speaker 2: in an article by Crawford Smith on January twenty fourth,

783
00:38:15,960 --> 00:38:18,880
Speaker 2: twenty twenty three, if you could, guys could give me

784
00:38:19,000 --> 00:38:24,400
Speaker 2: the top ten movie snacks rated of all time according

785
00:38:24,840 --> 00:38:27,560
Speaker 2: to several polls, that would be great. I appreciate me.

786
00:38:27,560 --> 00:38:28,840
Speaker 1: And does does popcorn a snack?

787
00:38:29,120 --> 00:38:33,480
Speaker 2: Popcorn is number one, always popcorn number one. Junior Mints

788
00:38:34,080 --> 00:38:37,760
Speaker 2: Junior Mints are not on Wow the list.

789
00:38:39,080 --> 00:38:40,879
Speaker 3: I think Sour Patch Kids are going to be up.

790
00:38:40,800 --> 00:38:42,279
Speaker 2: There, So our Patch kids are number three?

791
00:38:42,440 --> 00:38:48,080
Speaker 3: Yeah, okay, yeap, and then Eminem's Peanut Eminem's number five?

792
00:38:48,400 --> 00:38:50,280
Speaker 1: Okay. Red vines?

793
00:38:51,400 --> 00:38:54,440
Speaker 2: Red vines are not on What is Happening?

794
00:38:54,520 --> 00:38:57,840
Speaker 1: What is happening here? None? Are they just attacking me?

795
00:38:58,600 --> 00:39:00,120
Speaker 1: It could be it could be.

796
00:39:01,840 --> 00:39:03,640
Speaker 2: Your wife has a strange addiction to one of them

797
00:39:03,640 --> 00:39:04,680
Speaker 2: on the list. Liquors?

798
00:39:05,040 --> 00:39:06,000
Speaker 1: Oh, oreos?

799
00:39:06,360 --> 00:39:06,760
Speaker 2: Nope?

800
00:39:06,920 --> 00:39:07,960
Speaker 1: Oh what something else?

801
00:39:08,400 --> 00:39:08,640
Speaker 2: Yep?

802
00:39:09,440 --> 00:39:14,040
Speaker 1: Is it meth? No, my wife has a strange addiction

803
00:39:14,080 --> 00:39:14,600
Speaker 1: to meth.

804
00:39:16,520 --> 00:39:17,600
Speaker 2: A lot of and shouldn't.

805
00:39:18,320 --> 00:39:19,360
Speaker 1: Oh, skittles.

806
00:39:19,400 --> 00:39:21,120
Speaker 2: Skittles. Skittles are number four?

807
00:39:21,239 --> 00:39:24,239
Speaker 1: People, Okay, that's weird. I don't know if I've ever

808
00:39:24,280 --> 00:39:25,160
Speaker 1: seen I mean, my kids like.

809
00:39:25,120 --> 00:39:27,680
Speaker 2: What about just like gummy bears or gummy bears up there?

810
00:39:27,760 --> 00:39:28,040
Speaker 1: Wow?

811
00:39:28,239 --> 00:39:30,439
Speaker 3: No, I have no idea.

812
00:39:30,880 --> 00:39:33,400
Speaker 1: I'm playing out now here's the thing. We're thinking candies.

813
00:39:33,440 --> 00:39:34,880
Speaker 1: But is there something else that's not?

814
00:39:35,120 --> 00:39:37,919
Speaker 2: There's something there are what did you say?

815
00:39:38,040 --> 00:39:38,600
Speaker 3: Pretzels?

816
00:39:38,760 --> 00:39:41,279
Speaker 2: Pretzel? So pretzel bites are number eight?

817
00:39:41,480 --> 00:39:42,400
Speaker 1: That's fine, I get that.

818
00:39:42,480 --> 00:39:44,120
Speaker 2: Okay, pretzel bites are number eight.

819
00:39:44,160 --> 00:39:47,040
Speaker 1: Now I have a question about a hot dog? Is that? Okay?

820
00:39:47,120 --> 00:39:48,680
Speaker 1: That's an Entreeeah, not in the list.

821
00:39:48,800 --> 00:39:56,200
Speaker 2: Not only nachos. They do, they do and they're great. Yeah,

822
00:39:56,320 --> 00:40:01,000
Speaker 2: so you're missing two, six, seven, nine, and ten.

823
00:40:01,160 --> 00:40:01,440
Speaker 1: Wow?

824
00:40:01,880 --> 00:40:05,919
Speaker 2: Yeah, lot, Yeah, I have not to Molly's are not there,

825
00:40:06,000 --> 00:40:10,279
Speaker 2: but their cousins and Ike is number ten. Mike and

826
00:40:10,320 --> 00:40:11,040
Speaker 2: Ike is number ten.

827
00:40:11,160 --> 00:40:13,120
Speaker 1: No, anyone in my life is not picking Mike and

828
00:40:13,160 --> 00:40:13,640
Speaker 1: Ike over No.

829
00:40:14,719 --> 00:40:17,160
Speaker 2: I would take Mike and Ex over hot tomallw yeah,

830
00:40:17,239 --> 00:40:17,759
Speaker 2: all day long.

831
00:40:17,800 --> 00:40:19,719
Speaker 1: Okay, I don't mean to step on Will's toes here,

832
00:40:19,719 --> 00:40:20,440
Speaker 1: but snow caps.

833
00:40:22,000 --> 00:40:23,359
Speaker 2: No, but I'm going to give it to you because

834
00:40:23,400 --> 00:40:24,600
Speaker 2: number seven is junior mints.

835
00:40:25,239 --> 00:40:26,200
Speaker 1: Oh, I said, junior mins.

836
00:40:28,000 --> 00:40:30,000
Speaker 2: I'm sorry. I thought you said snow like the first thing.

837
00:40:30,000 --> 00:40:30,319
Speaker 3: I said.

838
00:40:30,480 --> 00:40:33,680
Speaker 2: Then, yes, snow caps the junior minster seven, Yes, junior seven.

839
00:40:34,040 --> 00:40:37,719
Speaker 2: Number nine is weird because it's it is a food technically,

840
00:40:37,760 --> 00:40:41,600
Speaker 2: but it's a liquid. Oh coke, No.

841
00:40:41,520 --> 00:40:46,520
Speaker 1: There's slushies. Yes, I've been known. I've been known.

842
00:40:46,760 --> 00:40:49,080
Speaker 3: I never never had a slush in movie theater.

843
00:40:49,440 --> 00:40:50,799
Speaker 2: I had a slush in a movie theater and I

844
00:40:50,800 --> 00:40:52,279
Speaker 2: had so much caffeine in it that had a panic

845
00:40:52,320 --> 00:40:54,120
Speaker 2: attack halfway through, and so you had to drive me home.

846
00:40:54,480 --> 00:40:56,839
Speaker 2: Wow did you have finished movie?

847
00:40:57,239 --> 00:40:57,520
Speaker 1: Remember?

848
00:40:57,600 --> 00:41:00,600
Speaker 2: Well? I just asked her that too. It was girl

849
00:41:00,600 --> 00:41:01,560
Speaker 2: with the dragon tattoo.

850
00:41:01,800 --> 00:41:03,680
Speaker 3: Oh yeah, that could give you a panic and that

851
00:41:03,719 --> 00:41:05,920
Speaker 3: opening critch sequence could give you a panic attack alone.

852
00:41:06,520 --> 00:41:07,919
Speaker 2: God looked at her halfway through. It was like, there's

853
00:41:07,920 --> 00:41:10,120
Speaker 2: too much caffeine. I'm having a full panic attack still.

854
00:41:12,040 --> 00:41:18,319
Speaker 2: So number two is milk duds, right, number six is Raisinettes,

855
00:41:19,880 --> 00:41:21,320
Speaker 2: and number that was it and the number ten is

856
00:41:21,360 --> 00:41:21,839
Speaker 2: Mike and Ikes.

857
00:41:21,920 --> 00:41:23,840
Speaker 1: So there we go, good lyrical.

858
00:41:23,800 --> 00:41:26,120
Speaker 2: Thank you, thank you, and now my fifth and final

859
00:41:26,120 --> 00:41:28,359
Speaker 2: film for the Evening. As writer liked to point out,

860
00:41:28,400 --> 00:41:30,560
Speaker 2: I am a big fan of animation, so I'm ending

861
00:41:30,560 --> 00:41:32,920
Speaker 2: with an animated film that is going to be coupled

862
00:41:33,280 --> 00:41:37,840
Speaker 2: with popcorn toffee crunch bars, which sound kind of wonderful.

863
00:41:38,600 --> 00:41:40,319
Speaker 2: This is an animated film from two thousand and seven.

864
00:41:40,400 --> 00:41:44,800
Speaker 2: It was actually the first film of the DC Animated

865
00:41:44,840 --> 00:41:48,560
Speaker 2: Original Movies. It is I also believe the first PG

866
00:41:48,800 --> 00:41:51,640
Speaker 2: thirteen animated film they ever did. Now R rated and

867
00:41:51,719 --> 00:41:54,959
Speaker 2: thirteen are are They're everywhere, but this, at the time

868
00:41:55,120 --> 00:41:57,680
Speaker 2: was kind of a new thing. It was directed by

869
00:41:57,719 --> 00:42:00,960
Speaker 2: my friend Bruce Tim and Lauren Montgomery and Brandon Vietti.

870
00:42:01,200 --> 00:42:03,959
Speaker 2: It was written by the great Dwayne Peas and Bruce Tim.

871
00:42:04,000 --> 00:42:07,600
Speaker 2: It stars Alan Adam Baldwin and Hash and Johnny DiMaggio,

872
00:42:07,840 --> 00:42:11,319
Speaker 2: who Roders both know he is amazing and it is

873
00:42:11,480 --> 00:42:14,600
Speaker 2: I guess, as I said, two thousand and seven's Superman

874
00:42:14,960 --> 00:42:18,640
Speaker 2: Doomsday is the movie. It is based on Death of Superman.

875
00:42:19,239 --> 00:42:21,560
Speaker 2: It actually did very well for an animated movie on

876
00:42:21,560 --> 00:42:23,480
Speaker 2: a three point five million dollar budget. It made ten

877
00:42:23,520 --> 00:42:25,160
Speaker 2: million dollars, which is pretty dark.

878
00:42:25,760 --> 00:42:28,200
Speaker 3: Yeah, Now, what's the other one? Mask of the Phantasm

879
00:42:28,239 --> 00:42:29,000
Speaker 3: is the Mask.

880
00:42:28,840 --> 00:42:30,239
Speaker 2: Of the Phantasm? I didn't put that. Mask of the

881
00:42:30,239 --> 00:42:32,640
Speaker 2: Phantasm is arguably the greatest animated movie of all time

882
00:42:32,719 --> 00:42:37,400
Speaker 2: up there, Respirited Away and everything else. Mask of the

883
00:42:37,400 --> 00:42:40,640
Speaker 2: Phantasm is. Batman is Batman. It's Kevin. It's the great

884
00:42:40,719 --> 00:42:44,360
Speaker 2: Kevin Conroy. It is arguably the best animated film of

885
00:42:44,400 --> 00:42:46,160
Speaker 2: all time. But but you chose this one because it's

886
00:42:46,160 --> 00:42:48,719
Speaker 2: slightly more obscure. I chose this one because it's underrated.

887
00:42:49,320 --> 00:42:53,280
Speaker 2: It's more definitely more obscure. It was also the first

888
00:42:53,280 --> 00:42:55,440
Speaker 2: time you get to see things like Superman get his

889
00:42:55,480 --> 00:42:57,640
Speaker 2: ass kicked, he's puking blood up everywhere.

890
00:42:57,680 --> 00:42:59,200
Speaker 3: I mean, it was like, I'm putting this on the

891
00:42:59,200 --> 00:43:01,359
Speaker 3: list for me and Andy to watch very rough.

892
00:43:01,719 --> 00:43:05,760
Speaker 2: It's great, You're going to like it. That is my final.

893
00:43:05,840 --> 00:43:08,520
Speaker 1: Pick out of everything that will that you could bring

894
00:43:08,560 --> 00:43:12,480
Speaker 1: to my life. I do feel like the animated Superhero

895
00:43:12,560 --> 00:43:15,120
Speaker 1: film is maybe top of the list. You know all

896
00:43:15,160 --> 00:43:16,839
Speaker 1: of them, and I don't know any of them. I've

897
00:43:16,880 --> 00:43:19,640
Speaker 1: previous a couple of the Batman's just because you told

898
00:43:19,680 --> 00:43:22,719
Speaker 1: me about them. I'm gonna I'm gonna dive, especially once

899
00:43:22,719 --> 00:43:23,600
Speaker 1: Adler's of age.

900
00:43:23,800 --> 00:43:26,400
Speaker 2: Yeah, oh they're They're so good. And as you know,

901
00:43:26,600 --> 00:43:30,040
Speaker 2: I gave Adler and Keaton a couple of the young

902
00:43:30,080 --> 00:43:31,960
Speaker 2: because I did you do different versions of Batman, and

903
00:43:31,960 --> 00:43:33,560
Speaker 2: we did some g rated ones that I thought they

904
00:43:33,600 --> 00:43:36,000
Speaker 2: would like. And as the great Bruce tim As I said,

905
00:43:36,200 --> 00:43:39,000
Speaker 2: uh mentioned, directed this, wrote this and is kind of

906
00:43:39,040 --> 00:43:40,800
Speaker 2: the godfather of a lot of this stuff, has said

907
00:43:41,400 --> 00:43:44,000
Speaker 2: there always needs to be a Batman for everybody. So

908
00:43:44,120 --> 00:43:46,560
Speaker 2: if there's the movies get really dark, the animation gets

909
00:43:46,560 --> 00:43:48,440
Speaker 2: really light. If the animation gets really dark, the movies

910
00:43:48,440 --> 00:43:51,480
Speaker 2: get really light. So you know, there's always a superhero

911
00:43:51,640 --> 00:43:53,600
Speaker 2: movie for someone of it out there. But you love it.

912
00:43:53,680 --> 00:43:55,880
Speaker 1: So that wraps up uff. So let's get to our

913
00:43:55,880 --> 00:43:58,640
Speaker 1: fifth and final movie in the very strong film, I

914
00:43:58,640 --> 00:44:02,080
Speaker 1: have to assume this is about dead beat his fifth pick.

915
00:44:02,719 --> 00:44:06,120
Speaker 3: Fifth pick is about dead people. Well, first we leave

916
00:44:06,160 --> 00:44:07,880
Speaker 3: the Fisher King. We go out into the lobby and

917
00:44:07,880 --> 00:44:11,760
Speaker 3: the lobby has been redesigned to look like an English

918
00:44:11,800 --> 00:44:17,600
Speaker 3: pub and a serving We are serving beer and the

919
00:44:18,000 --> 00:44:24,080
Speaker 3: ice cream cornetto's because we're Edgar Wright Shan of the

920
00:44:24,160 --> 00:44:27,239
Speaker 3: Dead two thousand and four. This was a way for

921
00:44:27,280 --> 00:44:30,040
Speaker 3: me to have horror but still be fun. It's not

922
00:44:30,160 --> 00:44:32,799
Speaker 3: really horror, but it's horror tinged and it's a great

923
00:44:32,840 --> 00:44:34,960
Speaker 3: midnight movie. So this is how we end the festival

924
00:44:35,200 --> 00:44:38,600
Speaker 3: with a fantastic h I love this movie. It's perf Indy,

925
00:44:38,680 --> 00:44:42,000
Speaker 3: Indie loves this movie. Everybody loves It's just a perfect film.

926
00:44:42,040 --> 00:44:45,720
Speaker 3: And you know it's it's I'm kind of sick of zombies,

927
00:44:45,760 --> 00:44:48,160
Speaker 3: but like Edgar Ray had already done it, you know,

928
00:44:48,239 --> 00:44:51,360
Speaker 3: twenty years ago he did. He explored everything you can

929
00:44:51,440 --> 00:44:53,919
Speaker 3: get from a zombie film in a fun way. It's

930
00:44:54,840 --> 00:44:56,960
Speaker 3: you know, the thing about Edgar Wright as a director

931
00:44:57,120 --> 00:45:00,720
Speaker 3: is he's one of the few visual comedians. His jokes

932
00:45:00,760 --> 00:45:04,319
Speaker 3: are not just a line. It's a line paired with

933
00:45:04,360 --> 00:45:06,880
Speaker 3: a camera move, paired with an edit, with a sound design.

934
00:45:07,280 --> 00:45:11,160
Speaker 3: So he's using cinema to make jokes and sometimes you

935
00:45:11,200 --> 00:45:13,359
Speaker 3: don't even know why you're laughing, you're just and he's

936
00:45:13,360 --> 00:45:15,400
Speaker 3: one of the last people doing this, like you know,

937
00:45:15,480 --> 00:45:18,200
Speaker 3: nowadays it's like you know, and I love good comedies

938
00:45:18,200 --> 00:45:21,239
Speaker 3: where it's just great dialogue or witty characters. But when

939
00:45:21,320 --> 00:45:25,080
Speaker 3: somebody can really make a movie visually funny or engaging,

940
00:45:25,360 --> 00:45:27,719
Speaker 3: and he's just the only person doing it really, and

941
00:45:27,760 --> 00:45:28,440
Speaker 3: I just love him.

942
00:45:29,040 --> 00:45:32,279
Speaker 2: So I I would say, there's one other director that

943
00:45:32,480 --> 00:45:36,160
Speaker 2: can can hit those visual that visual comedy that's working today,

944
00:45:36,239 --> 00:45:37,000
Speaker 2: and that's Tak.

945
00:45:37,760 --> 00:45:40,120
Speaker 1: Yeah, very similar tool, I think.

946
00:45:40,360 --> 00:45:42,840
Speaker 2: I think that's same, that same kind of visual direction.

947
00:45:44,120 --> 00:45:48,600
Speaker 2: But Seanaan Dead is perfect it really, I mean every it.

948
00:45:48,600 --> 00:45:51,560
Speaker 2: It hits so many genres in one movie. It's a

949
00:45:51,600 --> 00:45:54,359
Speaker 2: love story, it's a horror film, it's it's com it's

950
00:45:54,360 --> 00:45:58,520
Speaker 2: a buddy comedy. It's it is so unbelievable.

951
00:45:58,560 --> 00:46:02,480
Speaker 1: Yeah, and Edgar Writ's next The Running Man.

952
00:46:03,040 --> 00:46:06,359
Speaker 2: Really, but he's doing it more based on the Bachman.

953
00:46:06,040 --> 00:46:07,640
Speaker 1: Book, right, I don't know, I just know I think

954
00:46:07,880 --> 00:46:08,960
Speaker 1: Glenn Powell.

955
00:46:08,640 --> 00:46:11,200
Speaker 2: Right, I'm pretty yeah, I'm pretty sure. So if you've

956
00:46:11,200 --> 00:46:14,799
Speaker 2: read the original Running Man, the Richard Bachman book, which

957
00:46:14,840 --> 00:46:17,640
Speaker 2: is you know, Stephen King, Stephen King, it is so

958
00:46:17,960 --> 00:46:21,279
Speaker 2: it's not even close to what the film was. So

959
00:46:21,280 --> 00:46:23,919
Speaker 2: I think he's going it's at if the memory serves

960
00:46:23,960 --> 00:46:25,799
Speaker 2: the book is you have to get from one side

961
00:46:25,840 --> 00:46:27,440
Speaker 2: of the country to the other side of the country

962
00:46:27,520 --> 00:46:28,319
Speaker 2: while staying live.

963
00:46:28,360 --> 00:46:30,640
Speaker 1: Oh, it's not just like a No, it's not like.

964
00:46:30,600 --> 00:46:32,880
Speaker 2: A loser, a game or any They made all the

965
00:46:32,920 --> 00:46:34,160
Speaker 2: game show stuff up for the movie.

966
00:46:34,520 --> 00:46:36,960
Speaker 1: I'm sure making The Running Man in twenty twenty four

967
00:46:37,040 --> 00:46:39,640
Speaker 1: because of squid Game is wildly easy. But not that

968
00:46:39,719 --> 00:46:41,480
Speaker 1: Edgar Right has any problem making a movie, and he

969
00:46:41,520 --> 00:46:43,239
Speaker 1: has it with Glenn Powell. The biggest movie start of

970
00:46:43,280 --> 00:46:45,560
Speaker 1: the world right now. But still it's at this sound

971
00:46:45,600 --> 00:46:47,880
Speaker 1: this has all the ingredients to be huge.

972
00:46:48,000 --> 00:46:49,799
Speaker 2: I can't Yeah, I can't wait. The first Running Man

973
00:46:49,840 --> 00:46:51,239
Speaker 2: is one of my favorite movies of all time.

974
00:47:03,160 --> 00:47:05,960
Speaker 1: Guys, let's go over the film festivals. Then I will

975
00:47:05,960 --> 00:47:07,759
Speaker 1: tell you what I came up with. Not that you

976
00:47:07,760 --> 00:47:09,520
Speaker 1: can quote on it, but at least just something to hear.

977
00:47:10,280 --> 00:47:13,760
Speaker 1: The uff from our friend wil Fredell starts with Ishtar,

978
00:47:14,040 --> 00:47:18,120
Speaker 1: the underrated comedy starting with some Buffalo wing popcorn, and

979
00:47:18,120 --> 00:47:22,120
Speaker 1: then we get into bi Centennial Man, the Robin Williams

980
00:47:22,120 --> 00:47:25,040
Speaker 1: flop that he swears is better than a writer and

981
00:47:25,120 --> 00:47:28,840
Speaker 1: I remember it chocolate date Carmel cups that's from his

982
00:47:28,920 --> 00:47:31,120
Speaker 1: list as well. Then we go into an action movie

983
00:47:31,120 --> 00:47:36,080
Speaker 1: that sounds absolutely brilliant. It's ronan and salty sweet party

984
00:47:36,120 --> 00:47:40,080
Speaker 1: mix is served with that film. Once We're Warriors, a

985
00:47:40,520 --> 00:47:44,760
Speaker 1: Australia New Zealand, New Zealand, New Zealand film. Mozzarelli Stix

986
00:47:44,760 --> 00:47:47,320
Speaker 1: comes with that, and then we have the animated Superman

987
00:47:47,480 --> 00:47:51,680
Speaker 1: movie Doomsday, and that comes with popcorn toffee bars. Over

988
00:47:51,800 --> 00:47:56,000
Speaker 1: at Writer's Slowly Aging Film Festival, a very strong film festival.

989
00:47:56,000 --> 00:47:58,800
Speaker 1: We start with Spirited Away, the Miyazaki movie with warm ramin,

990
00:47:58,840 --> 00:48:02,480
Speaker 1: which I'm honestly could do right now. Yeah, we are

991
00:48:02,560 --> 00:48:05,440
Speaker 1: the best. A second film I've not heard of but

992
00:48:05,560 --> 00:48:08,239
Speaker 1: sounds great. Hot Tomali's in your popcorn. He will tell

993
00:48:08,280 --> 00:48:12,480
Speaker 1: you when to place it in. There's Broadcast News, a

994
00:48:12,520 --> 00:48:15,200
Speaker 1: brilliant film. For third, that's with some wine to get

995
00:48:15,239 --> 00:48:18,840
Speaker 1: your palette up for a little more adult fourth, The

996
00:48:18,880 --> 00:48:21,960
Speaker 1: Fisher King with Robin Williams is second of the film festivals.

997
00:48:22,600 --> 00:48:25,120
Speaker 1: New York pizza slices served during that and then last

998
00:48:25,320 --> 00:48:28,800
Speaker 1: the Edgar Wright zombie comedy Sean of the Dead, served

999
00:48:28,840 --> 00:48:31,040
Speaker 1: with beer and ice cream from Cornetto's, which is a

1000
00:48:32,000 --> 00:48:34,399
Speaker 1: connection to the trilogy of movies he made with Hot

1001
00:48:34,400 --> 00:48:38,320
Speaker 1: Fuzz and End of the World the World. Yeah, okay, great,

1002
00:48:38,400 --> 00:48:41,560
Speaker 1: Before we tell you how you can vote World's End, sorry,

1003
00:48:41,880 --> 00:48:45,040
Speaker 1: before we can tell you how you could vote on Instagram,

1004
00:48:45,120 --> 00:48:47,880
Speaker 1: let's go into what I just wrote mine, just so

1005
00:48:47,960 --> 00:48:51,520
Speaker 1: you know, my strategy was a Boy meets World experience

1006
00:48:51,760 --> 00:48:55,840
Speaker 1: in the theater. Okay, this is for people who have

1007
00:48:55,920 --> 00:48:58,920
Speaker 1: been listening to Pop meets World. They want similar media,

1008
00:48:59,080 --> 00:49:01,200
Speaker 1: and so I've put to other five films that give

1009
00:49:01,239 --> 00:49:03,759
Speaker 1: you different aspects of Boy meets World and in turn

1010
00:49:04,200 --> 00:49:06,799
Speaker 1: Pod meets World. We start with a movie that's been

1011
00:49:07,360 --> 00:49:10,840
Speaker 1: just I've beaten to death on this podcast. Albert Brooks

1012
00:49:10,880 --> 00:49:11,759
Speaker 1: is Defending Your Life.

1013
00:49:11,840 --> 00:49:13,680
Speaker 2: Yes, the greatest movie of all time. I thought Will

1014
00:49:13,760 --> 00:49:16,160
Speaker 2: might have picked it, but no, because I talked about

1015
00:49:16,160 --> 00:49:18,040
Speaker 2: it too much. So yeah, it's perfect.

1016
00:49:18,080 --> 00:49:21,040
Speaker 1: Though I think that it's like comedy and drama and

1017
00:49:21,280 --> 00:49:24,920
Speaker 1: high level thoughts like it's it just does it perfect.

1018
00:49:24,960 --> 00:49:27,440
Speaker 2: It's also super clever. I mean, the idea of this,

1019
00:49:27,520 --> 00:49:29,640
Speaker 2: the whole premise of the film is so amazing smart.

1020
00:49:29,680 --> 00:49:29,879
Speaker 1: Yeah.

1021
00:49:30,000 --> 00:49:30,600
Speaker 2: Yeah.

1022
00:49:30,760 --> 00:49:33,520
Speaker 1: Second, I took a movie that I think represents the

1023
00:49:33,560 --> 00:49:36,160
Speaker 1: time and the friendships that you guys all had, which

1024
00:49:36,280 --> 00:49:39,239
Speaker 1: is Swingers. There's no another movie We've beaten to death.

1025
00:49:39,880 --> 00:49:46,040
Speaker 1: Incredible friends making a movie. Also, Yeah, Third, I wanted

1026
00:49:46,040 --> 00:49:48,640
Speaker 1: to represent Feenie a bit. And there's a movie that

1027
00:49:48,760 --> 00:49:53,799
Speaker 1: like isn't talking about isn't talked about it now? And Deliver? Yes,

1028
00:49:54,200 --> 00:49:56,800
Speaker 1: that is my pick and it really is. We Danielle

1029
00:49:56,840 --> 00:49:58,879
Speaker 1: has been working on Lopez Versus Lopez for like five

1030
00:49:58,880 --> 00:50:01,680
Speaker 1: weeks straight, and George Lopez was nice enough to invite

1031
00:50:01,719 --> 00:50:05,080
Speaker 1: us to a Santana concert and we all went and

1032
00:50:05,760 --> 00:50:08,320
Speaker 1: crazily got to hang out with Santana, which was nuts.

1033
00:50:09,120 --> 00:50:11,680
Speaker 1: But we were walking backstage and we ran into Edward

1034
00:50:11,760 --> 00:50:14,360
Speaker 1: James almost, who was also there and obviously friends with George.

1035
00:50:14,640 --> 00:50:17,120
Speaker 1: And I turned to George's daughter Mayan and I said,

1036
00:50:17,120 --> 00:50:19,360
Speaker 1: you know what, he's kind of the Mexican Feenie.

1037
00:50:20,040 --> 00:50:21,239
Speaker 3: Yeah, well I could see that.

1038
00:50:21,600 --> 00:50:23,520
Speaker 1: He's kind of like because of Standard Deliver, you kind

1039
00:50:23,520 --> 00:50:25,960
Speaker 1: of see like he's the greatest teacher, you know, right,

1040
00:50:26,120 --> 00:50:29,799
Speaker 1: Like he's just anyway, great movie about the hard job

1041
00:50:29,840 --> 00:50:30,520
Speaker 1: of being a teacher.

1042
00:50:30,719 --> 00:50:32,360
Speaker 2: Did you just miss him? Did you see him? It

1043
00:50:32,440 --> 00:50:33,799
Speaker 2: was like you were there, but it was like you

1044
00:50:33,880 --> 00:50:37,160
Speaker 2: caught him. Edward James almost good new Wow, Thank you

1045
00:50:37,200 --> 00:50:38,239
Speaker 2: good one, Thank you very much.

1046
00:50:38,800 --> 00:50:41,480
Speaker 1: Fourth, I wanted to represent high school and sort of

1047
00:50:41,520 --> 00:50:44,960
Speaker 1: the you know, chaos of growing up. And I can't

1048
00:50:45,000 --> 00:50:50,800
Speaker 1: hardly wait underrated movie.

1049
00:50:48,040 --> 00:50:49,520
Speaker 2: An I haven't either.

1050
00:50:49,640 --> 00:50:53,760
Speaker 1: Super fun movie we'd love. Yeah, great movie and also

1051
00:50:53,880 --> 00:50:55,480
Speaker 1: like having a bit of a resurgence. It was just

1052
00:50:55,520 --> 00:50:58,480
Speaker 1: released on on HD four K and people are like

1053
00:50:58,520 --> 00:51:01,840
Speaker 1: this book I remember. And then lastly, I would be

1054
00:51:01,920 --> 00:51:03,960
Speaker 1: cheap to say Scream for our last movie, to let

1055
00:51:03,960 --> 00:51:05,840
Speaker 1: everyone wave to the kind of midnight movie. So I

1056
00:51:05,840 --> 00:51:11,440
Speaker 1: picked Monster House film, a great animated movie that kind

1057
00:51:11,480 --> 00:51:12,960
Speaker 1: of represents a little bit of that. And then there

1058
00:51:12,960 --> 00:51:14,640
Speaker 1: were sean it's a little bit winky at times.

1059
00:51:14,680 --> 00:51:18,240
Speaker 3: Yeah, I would say the only of those animated films

1060
00:51:18,239 --> 00:51:19,319
Speaker 3: by what's his name?

1061
00:51:19,440 --> 00:51:20,640
Speaker 2: Uh, why am I blank?

1062
00:51:22,120 --> 00:51:22,480
Speaker 1: And wrote it.

1063
00:51:24,080 --> 00:51:26,520
Speaker 3: Za Meccas was in that kick of like the motion

1064
00:51:26,640 --> 00:51:29,839
Speaker 3: capture animation and it always their eyes are dead right,

1065
00:51:29,880 --> 00:51:32,120
Speaker 3: But in Monster House it works because it's supposed to

1066
00:51:32,160 --> 00:51:35,719
Speaker 3: be kind of creepy, and I think expression, why am

1067
00:51:35,760 --> 00:51:36,520
Speaker 3: I so scared?

1068
00:51:37,560 --> 00:51:40,440
Speaker 1: The Oller Express is accidentally a horror movie. Yes, I don't.

1069
00:51:40,200 --> 00:51:41,160
Speaker 2: Trust this at all.

1070
00:51:41,320 --> 00:51:44,600
Speaker 3: Yeah, and like, yeah, Santa's like a fascist who's like,

1071
00:51:44,920 --> 00:51:48,320
Speaker 3: you don't believe in me, and you're like Jeesus, my.

1072
00:51:48,160 --> 00:51:50,319
Speaker 1: Gosh, it's like an unhoused man on top of the

1073
00:51:50,360 --> 00:51:51,720
Speaker 1: trays screaming at the boys.

1074
00:51:51,760 --> 00:51:53,560
Speaker 2: It's super weird.

1075
00:51:53,960 --> 00:51:55,640
Speaker 1: Well, those are our film festivals. You can go to

1076
00:51:55,680 --> 00:51:58,600
Speaker 1: Instagram at pod Mets World Show and you can vote.

1077
00:51:58,600 --> 00:52:01,080
Speaker 1: We will put up a little kind of mechanism, a

1078
00:52:01,120 --> 00:52:03,759
Speaker 1: little graphic for you to pick. We'll give it a

1079
00:52:03,800 --> 00:52:06,960
Speaker 1: couple days, then we'll pick our winner again, will ishtar Bi,

1080
00:52:07,040 --> 00:52:11,040
Speaker 1: Centennial Man Ronan Once, We're Warriors and Superman, Doomsday Writer,

1081
00:52:11,239 --> 00:52:13,800
Speaker 1: Spirited Away, we are the best broadcast News, The Fisher

1082
00:52:13,880 --> 00:52:15,799
Speaker 1: King and Sean of the Dead. You can go now.

1083
00:52:15,800 --> 00:52:16,840
Speaker 1: We will pick our winners.

1084
00:52:17,360 --> 00:52:19,040
Speaker 2: So wait. In a couple days, I'll find out I

1085
00:52:19,040 --> 00:52:19,800
Speaker 2: came in third.

1086
00:52:19,800 --> 00:52:21,439
Speaker 1: Righty, when there's only two you can.

1087
00:52:21,400 --> 00:52:23,600
Speaker 2: Vote exactly, I know, but I'll still come in third.

1088
00:52:23,680 --> 00:52:25,640
Speaker 2: Everyone's gonna be like I kind of like Jensen's list

1089
00:52:25,680 --> 00:52:27,879
Speaker 2: better than I rock. I will come in third again.

1090
00:52:29,040 --> 00:52:31,600
Speaker 1: You can follow us on that Instagram at Podmeets World Show.

1091
00:52:31,600 --> 00:52:34,040
Speaker 1: You can also DM us or email us at Podmeats

1092
00:52:34,080 --> 00:52:36,080
Speaker 1: World Show at gmail dot com, and.

1093
00:52:36,280 --> 00:52:39,400
Speaker 2: We have merch you got read on you March.

1094
00:52:40,920 --> 00:52:43,280
Speaker 1: You can go to Pod Metsworldshow dot com right now,

1095
00:52:43,800 --> 00:52:45,560
Speaker 1: will let's have you send us out?

1096
00:52:46,120 --> 00:52:50,000
Speaker 2: We love you all, pod This missed. Pod Meets World

1097
00:52:50,040 --> 00:52:53,400
Speaker 2: is iHeart podcast produce and hosted by Danielle Fischel, Wilfredell

1098
00:52:53,480 --> 00:52:57,080
Speaker 2: and Ryder Strong executive producers, Jensen Karp and Amy Sugarman

1099
00:52:57,360 --> 00:53:00,880
Speaker 2: Executive in charge of production, Danielle Romo, producer and editor,

1100
00:53:00,960 --> 00:53:04,799
Speaker 2: Tara Sudbaksh producer, Maddy Moore, engineer and Boy Meets World

1101
00:53:04,800 --> 00:53:07,680
Speaker 2: superfan Easton Allen. Our theme song is by Kyle Morton

1102
00:53:07,719 --> 00:53:09,880
Speaker 2: of Typhoon and you can follow us on Instagram at

1103
00:53:09,880 --> 00:53:13,400
Speaker 2: Podmets World Show or email us at Podmetsworldshow at gmail

1104
00:53:13,400 --> 00:53:15,719
Speaker 2: dot com