WEBVTT - TechStuff Classic: Videos In the Stream

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<v Speaker 1>Welcome to text Stuff, a production from I Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer with I Heart Radio

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<v Speaker 1>and a love of all things tech, and it is

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<v Speaker 1>time for a tech Stuff classic episode. This episode originally

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<v Speaker 1>published on September twenty three, two thirteen. It is titled

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<v Speaker 1>videos in the Stream. That is what we are. So

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<v Speaker 1>let's take a listen. There are a lot of different

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<v Speaker 1>technologies out there that are all about streaming content over

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<v Speaker 1>the Internet, your television or computer. Even YouTube. You could argue,

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<v Speaker 1>is is it content provider? Oh sure, sure I can.

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<v Speaker 1>I view YouTube all the time when I'm at home.

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<v Speaker 1>There's this great series I love to watch at home

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<v Speaker 1>on my big television. It's called Forward Thinking. It is amazing.

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<v Speaker 1>The host is uber uber Hut and so I watched

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<v Speaker 1>that all the time at home on my big television

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<v Speaker 1>and it's great. I mean, you know, it is filmed

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<v Speaker 1>with a red one so so the I mean, yeah,

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<v Speaker 1>actually we upgraded to a four km J to four K.

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<v Speaker 1>I mean they went from to K to four K.

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<v Speaker 1>So they're, like we said, a lot of different choices

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<v Speaker 1>out there, but let's focus on probably the I would

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<v Speaker 1>argue this is probably the most well known name. And

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<v Speaker 1>in the interest of full disclosure, we're gonna be talking

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<v Speaker 1>about Netflix, and Netflix has been one of our sponsors

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<v Speaker 1>in the past. They are one of our sponsors for

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<v Speaker 1>tech stuff. But that we're just going to talk about

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<v Speaker 1>the way that it works and how it kind of started.

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<v Speaker 1>So if you look all the way back to ninete

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<v Speaker 1>that's when the company Netflix formed, and at that time

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<v Speaker 1>it was just kind of an idea. It hadn't even

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<v Speaker 1>there wasn't a business there yet. That was really kind

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<v Speaker 1>of the paperwork, so it wasted on paper. It wouldn't

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<v Speaker 1>be until that they actually launched a subscription DVD mail

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<v Speaker 1>to home plan plan. Yeah, they were offering up rentals

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<v Speaker 1>and sales, and but it was when the famous subscription

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<v Speaker 1>service came in. That idea where you would make up

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<v Speaker 1>a list of DVDs that you were really excited about seeing,

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<v Speaker 1>and then they would send you one and it would

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<v Speaker 1>sell on your coffee table for four months, and then

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<v Speaker 1>you'd think, I never really got around to watching that,

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<v Speaker 1>but I want to see the next thing on my list,

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<v Speaker 1>and you send it back without ever watching. It was

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<v Speaker 1>that just me Okay, good, I'm glad it wasn't just me. Um,

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<v Speaker 1>I swear I'm going to see The Prestige one day.

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<v Speaker 1>Oh you should. I know. It's a terrific film. It's

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<v Speaker 1>said on my coffee table for four months, and that's

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<v Speaker 1>a that's a that's a shame. I know, I know.

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<v Speaker 1>But anyway, they were strictly physical media at first. In fact,

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<v Speaker 1>for most of their their existence if you look at

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<v Speaker 1>the full timeline, Yeah, they didn't even debut their watch

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<v Speaker 1>instantly feature until two thousand seven, and they did not

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<v Speaker 1>provide unlimited streaming content until early two thousand eight. Yeah,

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<v Speaker 1>and two thousand seven it was incredibly limited, and even

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<v Speaker 1>two thousand eight when you look at this is one

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<v Speaker 1>of those criticisms that are that is often leveled by

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<v Speaker 1>by people at Netflix, which is, you know, I look

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<v Speaker 1>at what you have available on your DVD list, and

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<v Speaker 1>then I look at what you have available on your

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<v Speaker 1>instant library list, and y'all, there's stuff I want to

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<v Speaker 1>watch that just like I can't see on that instant side.

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<v Speaker 1>And this is because there are some really complex deals

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<v Speaker 1>going on in the back end between Netflix, which is

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<v Speaker 1>a service provider, and the content creators that make the

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<v Speaker 1>content to Netflix. So Netflix has to create and this

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<v Speaker 1>is the same with other services as well. They have

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<v Speaker 1>to enter into these agreements with various content creators to

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<v Speaker 1>be able to broadcast stuff over streaming, the same way

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<v Speaker 1>that a cable channel would license to content. Right now,

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<v Speaker 1>in the case with the cable company, very similar, anyway,

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<v Speaker 1>very similar. In the case with the cable companies, they're

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<v Speaker 1>looking at channels or bundles of channels. So but with

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<v Speaker 1>you know, with Netflix, it might be it might be

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<v Speaker 1>a little more pick and choose. So instead of saying

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<v Speaker 1>I want everything that MTV produces when it comes to

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<v Speaker 1>their original content, I want every single show, it may

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<v Speaker 1>be that I want these five shows that MTV produces,

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<v Speaker 1>but that's the only five and the and in this case,

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<v Speaker 1>those agreements can go through the instead of a cable company,

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<v Speaker 1>where it's kind of an all or nothing proposition. UH,

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<v Speaker 1>services like Netflix can enter into these agreements where they

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<v Speaker 1>get certain things but not other things. And in some

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<v Speaker 1>cases it's not necessarily uh to the benefit of Netflix.

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<v Speaker 1>It might be the case that the content creator says,

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<v Speaker 1>you know, this is my best stuff and I want

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<v Speaker 1>to make uh my money. Going through the traditional broadcast

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<v Speaker 1>or cable route and then make more money through DVD

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<v Speaker 1>sales whatever. Um, I don't want to provide this to

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<v Speaker 1>your subscribers. So it's a very complicated dance that Netflix

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<v Speaker 1>has to do every time. It's trying to get more content,

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<v Speaker 1>and obviously, from a consumer standpoint, you want there to

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<v Speaker 1>be as much content in which ever service you are

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<v Speaker 1>subscribing to. Also, to make matters even more complicated, there

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<v Speaker 1>are issues about what kind of content can be shown where. So,

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<v Speaker 1>in other words, if I'm a Netflix customer in Canada,

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<v Speaker 1>the options I have are different than the ones I

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<v Speaker 1>would have in the United States. If I were a

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<v Speaker 1>customer somewhere else in the world, I would have that

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<v Speaker 1>same sort of issue. Right, And that's again because all

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<v Speaker 1>of these licensing agreements are are very conditional. Yeah, some

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<v Speaker 1>of them are conditionally regionally. Some of them are conditional

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<v Speaker 1>based upon the type of equipment you're using to watch

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<v Speaker 1>something on. Right. I don't think Netflix has that issue

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<v Speaker 1>as much, but we will, but we will get into

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<v Speaker 1>that with some of our other discussions. UM As of thirteen,

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<v Speaker 1>there are about twenty nine point eight million Netflix subscribers

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<v Speaker 1>in the US and another seven point six million worldwide, um,

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<v Speaker 1>which is which is up from twenty million at the

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<v Speaker 1>start of so and so. And you know, to another

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<v Speaker 1>judge of another way to judge how popular they are

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<v Speaker 1>based upon, not just from a subscriber account, is how

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<v Speaker 1>much traffic Netflix generates on the interwebs. Right. Um, it

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<v Speaker 1>supposedly Netflix accounts for one third of streaming video on

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<v Speaker 1>any given day. Yeah. Um, that's that's twice what YouTube does. Yeah,

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<v Speaker 1>and keep in mind YouTube. Now, YouTube is generating content

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<v Speaker 1>at a crazy pace. We've talked about this. It's like

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<v Speaker 1>a hundred hours of content every minute, So every minute

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<v Speaker 1>that goes by, another hundred hours worth of content gets

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<v Speaker 1>added to YouTube. But if you're looking at actual traffic

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<v Speaker 1>of people watching stuff, Netflix outstrips at three to one. Now,

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<v Speaker 1>that might also be because a lot of the content

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<v Speaker 1>on Netflix is long form and a lot of the

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<v Speaker 1>content on YouTube is very short form, and Netflix provides

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<v Speaker 1>a lot more in HD. Yes, that's also true. So

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<v Speaker 1>in other words, those file sizes are are bigger for

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<v Speaker 1>multiple reasons, not only because they are longer, as in

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<v Speaker 1>they last longer, like it's a thirty minute show or

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<v Speaker 1>twenty minute but it's a larger file to begin like exactly. Um,

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<v Speaker 1>as of November twelve, this accounted for about a third

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<v Speaker 1>of all US downstream traffic. Uh. Yeah, this is uh.

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<v Speaker 1>It's also why a lot of Internet provider companies i

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<v Speaker 1>sp s are starting to talk about caps. Yeah, where

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<v Speaker 1>they were like especially initially when Netflix Instant was starting off. Now,

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<v Speaker 1>back then, there weren't as many customers who were taking

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<v Speaker 1>advantage of it. I would say that this is something

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<v Speaker 1>that's really starting to explode. Over the last like maybe

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<v Speaker 1>a year or two, we've really seen it like take off.

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<v Speaker 1>Before that, there were early adopters who were very enthusiastic

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<v Speaker 1>about it, and then there were a few other people

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<v Speaker 1>who were curious about it, and some people had it,

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<v Speaker 1>you know, added on as part of their DVD service

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<v Speaker 1>and so they played with it once or twice. UM.

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<v Speaker 1>Now that one of I think one of the things

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<v Speaker 1>Netflix did that they did really well was they got

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<v Speaker 1>their app on as many different platforms as possible. It's

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<v Speaker 1>one of the things I thought this company's very savvy.

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<v Speaker 1>They know what they're doing. They're on Xbox there on,

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<v Speaker 1>you know, PlayStation there on we They're on you know, computers,

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<v Speaker 1>stale out, telephone and tablet use. Yeah, so smartphone anyway, exactly. Yeah,

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<v Speaker 1>so they like to call up and listen to my

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<v Speaker 1>favorite movies. UM No, they really were very savvy. They

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<v Speaker 1>got in front of as many eyeballs as possible, and

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<v Speaker 1>that definitely helped a lot. Now, I haven't always been

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<v Speaker 1>incredibly savvy. Back in back inn you guys might remember,

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<v Speaker 1>there was the entire quick Ster debacle. Netflix was just

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<v Speaker 1>going to become streaming only in a new company called

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<v Speaker 1>Quickster would be all the DVDs and and that was

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<v Speaker 1>after another controversial thing where where they were um planning

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<v Speaker 1>on on splitting the DVD and streaming plans with like

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<v Speaker 1>a fifty over price hike to to get both of them, um,

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<v Speaker 1>which was still I mean because it had originally been

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<v Speaker 1>like ten bucks a month and I was going up

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<v Speaker 1>to like sixteen month bucks a month if you were

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<v Speaker 1>going to have both DVDs and streaming, and that when

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<v Speaker 1>they did push through, it almost makes me think that

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<v Speaker 1>they were joking about Quickster in order to make the

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<v Speaker 1>other things sound out. I remember seeing Facebook explode when

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<v Speaker 1>this happened, and Twitch exploded to I had friends who

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<v Speaker 1>were immediately and vociferously proclaiming that they would leave Netflix

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<v Speaker 1>never to return and burn the villages behind them, and

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<v Speaker 1>so the ground was salt, whereas I was seeing, like, guys,

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<v Speaker 1>I think you might be overreacting like that sounds like

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<v Speaker 1>six dollars, But I mean, but stock fell from over

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<v Speaker 1>three hundred bucks a share to two under a hundred

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<v Speaker 1>and Read Hastings, the CEO, the founder of Netflix, apologized

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<v Speaker 1>publicly for it. He you know, this is not something

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<v Speaker 1>that happens very frequently where you have a CEO offer

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<v Speaker 1>up an apology. I mean Tim Cook did for Apple.

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<v Speaker 1>That's like the only other one I can think of

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<v Speaker 1>off the top of my head. So you've had you know,

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<v Speaker 1>we've of course seen stories about ceo is admitting that

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<v Speaker 1>certain products in the company's past was were possibly a

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<v Speaker 1>mistake or badly handled. But this was an outright apology

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<v Speaker 1>to the public saying, you know, guys, um I was

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<v Speaker 1>thinking it was a great idea. I clearly you guys

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<v Speaker 1>feel differently. We are not going to do it, so

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<v Speaker 1>don't worry. Yeah, but that was that was a big

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<v Speaker 1>strike against Netflix at that point when they tried to

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<v Speaker 1>do the whole Netflix Quickster thing. Now, Netflix has made

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<v Speaker 1>some pretty big deals, not all of them are exclusive deals,

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<v Speaker 1>I should say, we're gonna be talking about some of

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<v Speaker 1>the deals that they've made with various content creators so

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<v Speaker 1>that they can be allowed to show certain types of

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<v Speaker 1>content on their channels or on their service. I should say, Uh,

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<v Speaker 1>one of them, which was announced the day that we

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<v Speaker 1>are or I think two days before we actually record

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<v Speaker 1>this podcast, is an exclusive deal, and that is that

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<v Speaker 1>Netflix and the Weinstein Company or Weinstein Company, depending on

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<v Speaker 1>how you want to pronounce it, announced that they are

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<v Speaker 1>going to enter a multi year premium pay TV window

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<v Speaker 1>agreement in the United States starting in ten and that

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<v Speaker 1>Netflix will become the quote ex elusive US subscription television

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<v Speaker 1>service for first run films from the Weinstein Company end quote.

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<v Speaker 1>So this would include movies made under TWC, the Weinstein Company,

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<v Speaker 1>and also Dimension Films, and that would become available to

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<v Speaker 1>Netflix members who are subscribed to Netflix. So the interesting

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<v Speaker 1>thing here to me is that, uh, it is exclusive.

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<v Speaker 1>That means you're not going to find these same titles

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<v Speaker 1>on the other services we'll be talking about a little

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<v Speaker 1>bit later. Uh. Now, that's not the only deal they've

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<v Speaker 1>made recently. They made a big deal with Disney Netflix. Yeah,

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<v Speaker 1>so that agreement starts in seventeen. We're talking long term

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<v Speaker 1>goals here, folks. Now you might notice that there are

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<v Speaker 1>some Disney titles now, right, which was part of this

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<v Speaker 1>deal as well, But the larger percentage of Disney films

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<v Speaker 1>will be available beginning in twenty seventeen. Again not necessarily exclusive,

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<v Speaker 1>but they will be available on Netflix and again depending

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<v Speaker 1>upon where you are, because these the regional rules still

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<v Speaker 1>are in effect here. Then you also have the deal

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<v Speaker 1>Netflix made with DreamWorks. Now, that agreement begins in ten,

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<v Speaker 1>so that's a little earlier. And we I have already

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<v Speaker 1>seen some Dreamwork stuff available there too, but it's all

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<v Speaker 1>kind of like they're second or third tier titles, I

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<v Speaker 1>would say, or sequels to movies that I like. I

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<v Speaker 1>would watch this, but I haven't seen the first one

0:12:24.840 --> 0:12:27.640
<v Speaker 1>and it's not available. Um, I'll have to wait till

0:12:28.240 --> 0:12:31.040
<v Speaker 1>I suppose or get a DVD subscription. Now, you're just

0:12:31.080 --> 0:12:34.280
<v Speaker 1>talking crazy talk, all right. So Netflix, of course is

0:12:34.320 --> 0:12:37.600
<v Speaker 1>not the only one to make these deals, whether they're

0:12:37.600 --> 0:12:39.640
<v Speaker 1>exclusive or not, in order to get content. That's kind

0:12:39.640 --> 0:12:41.400
<v Speaker 1>of how the game is played, right, sure, sure, and

0:12:41.520 --> 0:12:43.640
<v Speaker 1>and a lot of it is is kind of being

0:12:44.000 --> 0:12:47.880
<v Speaker 1>continually mixed up between these top three companies. There's there's like,

0:12:47.960 --> 0:12:50.880
<v Speaker 1>for example, I think Amazon just stole Downton Abbey out

0:12:50.880 --> 0:12:55.120
<v Speaker 1>from under Netflix. Um yeah, but like and I think

0:12:55.600 --> 0:12:58.080
<v Speaker 1>for example, a Netflix had a deal with Viacom for

0:12:58.120 --> 0:13:00.120
<v Speaker 1>a while and then they're letting the deal expire and

0:13:00.200 --> 0:13:03.520
<v Speaker 1>they're not planning on renewing it. But other services are

0:13:03.520 --> 0:13:07.280
<v Speaker 1>going to definitely work with Viacom. So it's it's going

0:13:07.320 --> 0:13:09.680
<v Speaker 1>to change over time. But there's something else that all

0:13:09.720 --> 0:13:12.640
<v Speaker 1>these companies are doing too, right, Yeah, and and this

0:13:12.720 --> 0:13:15.600
<v Speaker 1>is something that no one else certainly will have, and

0:13:15.600 --> 0:13:19.280
<v Speaker 1>that is Netflix's original content. Um. This is and this

0:13:19.320 --> 0:13:21.600
<v Speaker 1>is kind of a big deal because you know, up

0:13:21.679 --> 0:13:26.400
<v Speaker 1>until up until um, none of these streaming service on

0:13:26.480 --> 0:13:30.520
<v Speaker 1>demand companies were creating their own new stuff, right. They were.

0:13:30.559 --> 0:13:32.920
<v Speaker 1>They were a pipe, but they weren't creating any of

0:13:32.920 --> 0:13:34.400
<v Speaker 1>the stuff that was in the pipe. They were just

0:13:34.440 --> 0:13:38.000
<v Speaker 1>giving access to it. Um. But but as of February twelve,

0:13:38.360 --> 0:13:41.679
<v Speaker 1>they they offered a show called Lily Hammer, which was

0:13:41.720 --> 0:13:44.880
<v Speaker 1>a co production with a Norwegian producer and not that

0:13:44.920 --> 0:13:47.720
<v Speaker 1>many people in the United States have probably even heard

0:13:47.720 --> 0:13:49.760
<v Speaker 1>of it, and it was pretty big in Norway. But

0:13:50.280 --> 0:13:53.160
<v Speaker 1>House of Cards came out. I don't have a date

0:13:53.200 --> 0:13:55.400
<v Speaker 1>on that, but the House of Cards came out I

0:13:55.400 --> 0:13:57.640
<v Speaker 1>think either. I think House of Cards came out late.

0:13:58.679 --> 0:14:01.679
<v Speaker 1>And that was the first US kind of I'm not

0:14:01.679 --> 0:14:05.160
<v Speaker 1>gonna say blockbuster but um but but the first popular

0:14:05.160 --> 0:14:07.400
<v Speaker 1>original show, right, And keep in mind, this was a

0:14:07.480 --> 0:14:10.000
<v Speaker 1>remake of a show that was made in the UK,

0:14:10.480 --> 0:14:13.400
<v Speaker 1>but the US version had Kevin Spacey in the lead

0:14:13.480 --> 0:14:16.240
<v Speaker 1>role and that was a big which, Yeah, you know,

0:14:16.320 --> 0:14:20.200
<v Speaker 1>you're talking about an award winning film actor playing a

0:14:20.240 --> 0:14:24.080
<v Speaker 1>part in a series that was doing something really different. Now,

0:14:24.120 --> 0:14:27.080
<v Speaker 1>what Netflix was doing was not just producing this series,

0:14:27.480 --> 0:14:30.600
<v Speaker 1>which would have been remarkable all on its own, and

0:14:30.640 --> 0:14:35.560
<v Speaker 1>then giving the exclusive look at the series to its members.

0:14:35.560 --> 0:14:38.280
<v Speaker 1>You could not watch it anywhere else other than if

0:14:38.280 --> 0:14:40.400
<v Speaker 1>you were to maybe buy the DVD set, which you

0:14:40.480 --> 0:14:44.240
<v Speaker 1>can do. But they also offered up the entire series

0:14:44.680 --> 0:14:47.560
<v Speaker 1>at one time, so instead of telling that like you do,

0:14:47.680 --> 0:14:50.120
<v Speaker 1>you can just you know, crunch through the entire series

0:14:50.120 --> 0:14:51.720
<v Speaker 1>you want a day or two if you want to

0:14:51.760 --> 0:14:54.920
<v Speaker 1>just marathon it, you totally could because the first season

0:14:54.920 --> 0:14:57.640
<v Speaker 1>of it anyway, first season of it. So this was

0:14:57.680 --> 0:15:00.320
<v Speaker 1>a big difference from the way we usually can conto

0:15:00.400 --> 0:15:02.920
<v Speaker 1>media because normally it's talking about something that's on a

0:15:02.960 --> 0:15:07.320
<v Speaker 1>regular basis, it might be serialized. Yeah. So Kevin Spacey

0:15:07.400 --> 0:15:09.200
<v Speaker 1>actually had something to say about this. I've got a

0:15:09.240 --> 0:15:11.960
<v Speaker 1>quote from him. Yeah, he says, I'm not gonna do it.

0:15:12.040 --> 0:15:16.800
<v Speaker 1>Kevin Spacey up so much. Yeah. By the way, fantastic

0:15:16.840 --> 0:15:21.280
<v Speaker 1>impressionist Kevin Spacey. Anyway, So here's what he had to say. Clearly,

0:15:21.320 --> 0:15:24.240
<v Speaker 1>the success of the Netflix model releasing the entire season

0:15:24.240 --> 0:15:26.080
<v Speaker 1>of House of Cards at once proved one thing. The

0:15:26.120 --> 0:15:29.320
<v Speaker 1>audience wants the control, they want the freedom. If they

0:15:29.360 --> 0:15:32.000
<v Speaker 1>want to binge, as they've been doing on House of

0:15:32.040 --> 0:15:34.640
<v Speaker 1>Cards and lots of other shows, then we should let

0:15:34.680 --> 0:15:37.240
<v Speaker 1>them binge. I can't tell you how many people have

0:15:37.280 --> 0:15:40.200
<v Speaker 1>stopped me on the street and said thanks, you sucked

0:15:40.240 --> 0:15:43.040
<v Speaker 1>three days out of my life. So but I mean,

0:15:43.080 --> 0:15:45.800
<v Speaker 1>that's that's an example of how this model worked. And

0:15:45.840 --> 0:15:49.720
<v Speaker 1>they followed that up with other examples like Arrested Development

0:15:49.720 --> 0:15:53.520
<v Speaker 1>season four YEP, which, by the way, I marathon when

0:15:53.560 --> 0:15:56.960
<v Speaker 1>it came out, Hemlock Grove, which I did not watch.

0:15:57.120 --> 0:15:59.040
<v Speaker 1>I have not watched any of that either, or in

0:15:59.080 --> 0:16:01.560
<v Speaker 1>Just the New Black, which I am currently I am

0:16:01.640 --> 0:16:05.480
<v Speaker 1>only not watching it right now because I don't even

0:16:05.480 --> 0:16:07.160
<v Speaker 1>know why. I'm surprised that I don't have it on

0:16:07.200 --> 0:16:09.160
<v Speaker 1>in the background. I just started watching it last night.

0:16:09.160 --> 0:16:12.520
<v Speaker 1>It's so good, guys. I've heard so many people tell

0:16:12.520 --> 0:16:14.440
<v Speaker 1>me that's really really good. I have not. I have

0:16:14.560 --> 0:16:17.480
<v Speaker 1>not started to watch it, but I've heard enough good

0:16:17.480 --> 0:16:19.360
<v Speaker 1>things about it that I'm I'm willing to give it

0:16:19.360 --> 0:16:21.960
<v Speaker 1>a shot. It is it is for mature audiences, or

0:16:22.000 --> 0:16:24.400
<v Speaker 1>for immature mature audiences, however, however you want to state

0:16:24.440 --> 0:16:27.280
<v Speaker 1>that not for kids, right, not for kids. Let's let's

0:16:27.320 --> 0:16:29.080
<v Speaker 1>put it that way, because I am not mature, and

0:16:29.120 --> 0:16:30.720
<v Speaker 1>I thought you were just telling me that I couldn't

0:16:30.720 --> 0:16:35.240
<v Speaker 1>watch the show. Um. They've got upcoming shows from from Mikeegervass,

0:16:35.320 --> 0:16:41.160
<v Speaker 1>Derek um and since eight from the Wachowski siblings, the Wakawskis. Yeah, excellent.

0:16:41.280 --> 0:16:44.080
<v Speaker 1>So you know that's that's a big deal that this

0:16:44.160 --> 0:16:47.640
<v Speaker 1>idea not only getting these exclusive deals from other content creators,

0:16:47.680 --> 0:16:51.000
<v Speaker 1>but to create your own content. They're getting into this game. Uh.

0:16:51.080 --> 0:16:55.000
<v Speaker 1>It's interesting also because the way Netflix generates revenue is

0:16:55.040 --> 0:16:57.880
<v Speaker 1>through subscriptions, right, they don't they don't have ads in

0:16:57.920 --> 0:17:01.840
<v Speaker 1>their shows and uh, and will contrast that with some

0:17:01.920 --> 0:17:03.560
<v Speaker 1>of the other stuff that we'll talk about in a

0:17:03.560 --> 0:17:06.560
<v Speaker 1>little bit. So there are no ads, and they're getting

0:17:06.560 --> 0:17:09.920
<v Speaker 1>it mainly through subscriptions. And from what I can tell,

0:17:10.040 --> 0:17:12.920
<v Speaker 1>Netflix does not really let anyone know how many people

0:17:12.920 --> 0:17:16.840
<v Speaker 1>are watching any given title necessarily unless it's a huge

0:17:16.840 --> 0:17:19.440
<v Speaker 1>deal and they'll say, like, over x million people watch

0:17:19.520 --> 0:17:22.000
<v Speaker 1>this one thing right there there. They're being pretty pretty

0:17:22.080 --> 0:17:25.000
<v Speaker 1>under wraps about it. Yeah, So that leads you to

0:17:25.119 --> 0:17:29.359
<v Speaker 1>wonder is the content creation business working for Netflix? Is

0:17:29.400 --> 0:17:31.600
<v Speaker 1>that is that adding to their bottom line? Are they

0:17:31.640 --> 0:17:34.439
<v Speaker 1>getting more subscribers because of it? I think that's what

0:17:34.520 --> 0:17:36.880
<v Speaker 1>they're trying to figure out right now. You know. They

0:17:37.320 --> 0:17:39.880
<v Speaker 1>I read something that said that they could they could

0:17:39.880 --> 0:17:44.080
<v Speaker 1>see themselves um doubling their current content output um in

0:17:44.080 --> 0:17:46.560
<v Speaker 1>in the next couple of years and even going up

0:17:46.600 --> 0:17:50.120
<v Speaker 1>to twenty pretty soon. And they're looking to get into

0:17:50.160 --> 0:17:54.720
<v Speaker 1>a documentary production and stand up specials, even even which

0:17:54.720 --> 0:17:59.000
<v Speaker 1>are Spanish soaps. Hodgeman's Ragnarok was a Netflix exclusive, right, Yeah, Yeah,

0:17:59.320 --> 0:18:02.359
<v Speaker 1>it was creative for them. They're they're being compared to

0:18:02.359 --> 0:18:06.680
<v Speaker 1>to HBO, Showtime, AMC, these big cable heavy hitters, UM

0:18:06.720 --> 0:18:10.560
<v Speaker 1>and uh Ted Serrando's the chief content officer, told g

0:18:10.720 --> 0:18:13.359
<v Speaker 1>Q in February. The goal is to become HBO faster

0:18:13.440 --> 0:18:18.040
<v Speaker 1>than HBO can become us. Wow, that's interesting. That's a

0:18:18.119 --> 0:18:20.960
<v Speaker 1>really good point because of course HBO does have its

0:18:20.960 --> 0:18:23.520
<v Speaker 1>own Hbo Go service, but you have to be a

0:18:23.520 --> 0:18:26.360
<v Speaker 1>subscriber through cable package in order to access it. Yeah,

0:18:26.400 --> 0:18:28.159
<v Speaker 1>you have to be a double subscriber, right, You have

0:18:28.200 --> 0:18:30.119
<v Speaker 1>to subscribe to cable and you have to have a

0:18:30.160 --> 0:18:32.960
<v Speaker 1>cable subscription that includes HBO in the first place before

0:18:33.000 --> 0:18:36.400
<v Speaker 1>you can have excess HBO Go. So yeah, yeah, yeah,

0:18:36.400 --> 0:18:38.920
<v Speaker 1>And it's really interesting. I mean, you know the production process.

0:18:38.960 --> 0:18:41.119
<v Speaker 1>These shows are going from pitch to series with no

0:18:41.280 --> 0:18:45.160
<v Speaker 1>pilots in advance um, which is allowing Netflix to put

0:18:45.200 --> 0:18:47.359
<v Speaker 1>money into projects that they really believe in, rather than

0:18:47.400 --> 0:18:50.440
<v Speaker 1>playing the odds game of throwing up a single expensive

0:18:50.440 --> 0:18:52.959
<v Speaker 1>episode to see whether or not people like it. They

0:18:52.960 --> 0:18:55.960
<v Speaker 1>can they can really curate what they're putting out there. Yeah,

0:18:55.960 --> 0:18:57.760
<v Speaker 1>it's interesting. And also because they don't have to sell

0:18:57.760 --> 0:19:00.480
<v Speaker 1>it against ads, they don't have to worry about getting

0:19:00.480 --> 0:19:05.440
<v Speaker 1>support from from ad from different other companies. For example,

0:19:05.520 --> 0:19:07.840
<v Speaker 1>for a show about women in prison that has a

0:19:07.920 --> 0:19:11.040
<v Speaker 1>largely female cast and deales with a lot of gender issues.

0:19:11.119 --> 0:19:13.400
<v Speaker 1>That's something that you probably wouldn't see on a lot

0:19:13.520 --> 0:19:17.280
<v Speaker 1>of traditional cable companies. So um and and it's it's

0:19:17.400 --> 0:19:20.560
<v Speaker 1>it's paying off in terms of critical acclaim. They just

0:19:20.640 --> 0:19:24.600
<v Speaker 1>got fourteen Emmy nominations for original content. Yeah, and that's,

0:19:24.640 --> 0:19:27.000
<v Speaker 1>by the way, we should point out that the this year,

0:19:27.080 --> 0:19:29.159
<v Speaker 1>this is the first time we're starting to see Emmy

0:19:29.200 --> 0:19:34.080
<v Speaker 1>nominations for streaming video or something that was not created

0:19:34.200 --> 0:19:38.320
<v Speaker 1>by cable or broadcast. Hey, guys, Jonathan from twenty here,

0:19:38.359 --> 0:19:40.920
<v Speaker 1>we're going to take a quick break, but we will

0:19:40.960 --> 0:19:52.040
<v Speaker 1>be right back. All right. So we've covered Netflix from

0:19:52.080 --> 0:19:55.600
<v Speaker 1>beginning to end thoroughly. I think let's uh, let's move

0:19:55.600 --> 0:19:58.000
<v Speaker 1>on to a different one. Let's talk about Hulu and

0:19:58.040 --> 0:20:02.320
<v Speaker 1>Hulu Plus. All right. So, um so Hulu period and

0:20:02.440 --> 0:20:05.480
<v Speaker 1>not Hulu Plus launched in two thousand eight. It was

0:20:05.600 --> 0:20:08.520
<v Speaker 1>it was a joint effort from NBC Universal and at

0:20:08.560 --> 0:20:14.520
<v Speaker 1>that point News Corporation, you know, Murdox, Fox Fox Corporation exactly, um,

0:20:14.640 --> 0:20:16.840
<v Speaker 1>which which was interesting in and of itself that these

0:20:16.880 --> 0:20:20.359
<v Speaker 1>two major cable cable providers were playing nice. We're joining

0:20:20.400 --> 0:20:26.600
<v Speaker 1>forces to create something interesting. I don't know you watched

0:20:26.600 --> 0:20:30.000
<v Speaker 1>those alec Baldwin spots where he would he was convincing

0:20:30.000 --> 0:20:32.679
<v Speaker 1>everyone that who was really just a front for aliens

0:20:32.720 --> 0:20:34.760
<v Speaker 1>to take over. And I'm like, how is this supposed

0:20:34.800 --> 0:20:36.520
<v Speaker 1>to sell me on watching? I mean, I'm going to

0:20:36.640 --> 0:20:38.200
<v Speaker 1>because now I got to find out what happens in

0:20:38.240 --> 0:20:40.880
<v Speaker 1>these commercials. But right right, yeah, I know the commercials

0:20:40.880 --> 0:20:44.240
<v Speaker 1>with him and Alianza Dick Shoo did those were great.

0:20:44.880 --> 0:20:49.920
<v Speaker 1>Hulu Plus launched in and that was the subscription based end. Now,

0:20:50.040 --> 0:20:53.000
<v Speaker 1>what's one thing that says the Hulu and Hulu Plus

0:20:53.000 --> 0:20:58.280
<v Speaker 1>apart from Netflix is unlike Netflix, WHU content is AD supported,

0:20:58.359 --> 0:21:01.280
<v Speaker 1>right right? Um? And the the deals that they make

0:21:01.280 --> 0:21:04.080
<v Speaker 1>with the content providers. Um. Some of them are for

0:21:04.080 --> 0:21:06.840
<v Speaker 1>for a straight licensing fee, some of them are strictly

0:21:07.280 --> 0:21:09.679
<v Speaker 1>AD revenue based, and some of them are kind of

0:21:09.720 --> 0:21:13.760
<v Speaker 1>a sticky gray area. Yes, this gets super complicated just

0:21:13.840 --> 0:21:17.880
<v Speaker 1>in one example here. So you've got you've got shows

0:21:17.920 --> 0:21:20.440
<v Speaker 1>that are to have ad breaks in them, whether it's

0:21:20.440 --> 0:21:22.680
<v Speaker 1>in the subscription one or just the free version of

0:21:22.680 --> 0:21:27.840
<v Speaker 1>the Hulu one. I believe that all content has ads

0:21:27.880 --> 0:21:30.600
<v Speaker 1>in it, whether or not the content creator gets a

0:21:30.720 --> 0:21:34.639
<v Speaker 1>share of the is the question, gotcha? So that's that's

0:21:34.800 --> 0:21:37.959
<v Speaker 1>very that's that's very interesting all on its own. And

0:21:38.000 --> 0:21:41.720
<v Speaker 1>then uh, on top of that, you know, you have

0:21:42.760 --> 0:21:45.760
<v Speaker 1>deals with content creators that are different than the ones

0:21:45.840 --> 0:21:48.560
<v Speaker 1>from the other two. Like they're there, they have access

0:21:48.560 --> 0:21:51.199
<v Speaker 1>to some content that the other companies do not have

0:21:51.240 --> 0:21:54.080
<v Speaker 1>access to. Sure, and and Hulu is um if you're

0:21:54.280 --> 0:21:57.680
<v Speaker 1>unfamiliar with the service, is um as opposed to Netflix,

0:21:57.680 --> 0:22:01.240
<v Speaker 1>which has prior seasons that have perhaps gone to DVD

0:22:01.480 --> 0:22:05.600
<v Speaker 1>as an analog or um or films. Hulu does have

0:22:05.640 --> 0:22:08.760
<v Speaker 1>a category of films, but is I think most of

0:22:08.760 --> 0:22:12.720
<v Speaker 1>its traffic is from currently airing seasons of television, either

0:22:12.760 --> 0:22:16.080
<v Speaker 1>either the entire current season to date or maybe the

0:22:16.080 --> 0:22:19.720
<v Speaker 1>past five episodes, depending on what again with the licensing count.

0:22:19.920 --> 0:22:22.439
<v Speaker 1>So so, for example, a typical television show in the

0:22:22.520 --> 0:22:26.040
<v Speaker 1>United States that also is carried on Hulu, the a

0:22:26.119 --> 0:22:29.120
<v Speaker 1>couple of days after it airs on television, that episode

0:22:29.160 --> 0:22:31.040
<v Speaker 1>could become available on Hulu and you might be able

0:22:31.080 --> 0:22:33.320
<v Speaker 1>to watch as many as the last five for a

0:22:33.320 --> 0:22:36.360
<v Speaker 1>lot of them. Right, So let's say that I'm following,

0:22:36.440 --> 0:22:39.040
<v Speaker 1>you know, ex television show and I missed the last

0:22:39.040 --> 0:22:41.240
<v Speaker 1>two episodes because I was out of town. I could

0:22:41.240 --> 0:22:43.680
<v Speaker 1>go on Hulu and catch up and and what and

0:22:43.880 --> 0:22:46.440
<v Speaker 1>you know, be back up to speak, or if you

0:22:46.480 --> 0:22:48.880
<v Speaker 1>don't have a cable subscription at all, and you could

0:22:48.920 --> 0:22:50.800
<v Speaker 1>just watch it that way and just tell all your

0:22:50.840 --> 0:22:52.800
<v Speaker 1>friends to not talk about the show for a couple

0:22:52.840 --> 0:22:54.320
<v Speaker 1>of days so that it gives you a chance to

0:22:54.359 --> 0:22:57.400
<v Speaker 1>catch up. Um. And if your friends are like mine,

0:22:57.880 --> 0:23:00.400
<v Speaker 1>they will be happy to post lots of fakes boilers

0:23:00.400 --> 0:23:03.560
<v Speaker 1>on your Facebook, the stuff that never happens. That's okay.

0:23:03.880 --> 0:23:08.920
<v Speaker 1>So but also like Netflix, and besides that these deals

0:23:08.960 --> 0:23:12.320
<v Speaker 1>that are being made for content, Hulu is also in

0:23:12.359 --> 0:23:15.320
<v Speaker 1>the content creation business as well as uh, you know,

0:23:15.800 --> 0:23:17.600
<v Speaker 1>we can talk about some of the exclusives and some

0:23:17.720 --> 0:23:20.359
<v Speaker 1>of the originals as well. I guess some of the

0:23:20.359 --> 0:23:25.120
<v Speaker 1>exclusives they have all other exclusives are from other countries. Right,

0:23:25.560 --> 0:23:28.280
<v Speaker 1>almost five five or six percent of its content are

0:23:28.400 --> 0:23:33.000
<v Speaker 1>these exclusive international television shows. UM for example, Misfits or

0:23:33.119 --> 0:23:35.679
<v Speaker 1>pram Face. There's a Canadian drama called The Booth at

0:23:35.680 --> 0:23:38.760
<v Speaker 1>the end. It helped fund production for BBCs The Thick

0:23:38.760 --> 0:23:41.000
<v Speaker 1>of It. There's a whole bunch of Korean language dramas

0:23:41.040 --> 0:23:44.159
<v Speaker 1>up there. And this is all because sometimes those international

0:23:44.200 --> 0:23:47.879
<v Speaker 1>license fees can be cheaper, depending on what they are

0:23:48.119 --> 0:23:51.640
<v Speaker 1>um and and it's also you know, it's it's really

0:23:51.640 --> 0:23:57.760
<v Speaker 1>smart for on the content provider. And because I subscribed

0:23:57.840 --> 0:24:01.040
<v Speaker 1>to Hulu Plus because I could get Misfits, I wanted

0:24:01.040 --> 0:24:02.840
<v Speaker 1>that show. That was the only place I could get

0:24:02.880 --> 0:24:04.960
<v Speaker 1>that show other than ordering the DVDs, and so I

0:24:05.600 --> 0:24:08.879
<v Speaker 1>did it. See I the only two titles I even

0:24:08.920 --> 0:24:11.520
<v Speaker 1>recognized all of their exclusive list that I was just

0:24:11.560 --> 0:24:14.040
<v Speaker 1>kind of I was glancing at like a layout of

0:24:14.080 --> 0:24:16.560
<v Speaker 1>a bunch of their exclusives. The only two titles I

0:24:16.560 --> 0:24:20.720
<v Speaker 1>recognized were Misfits because you've talked about it before and

0:24:20.960 --> 0:24:24.159
<v Speaker 1>moon Boy and moon Boy because it has Chrystodaled in

0:24:24.200 --> 0:24:26.600
<v Speaker 1>it Gills in the I T crowd, so I knew

0:24:26.600 --> 0:24:30.080
<v Speaker 1>about those. Chrystodal plays the imaginary friend of a little boy.

0:24:30.680 --> 0:24:34.720
<v Speaker 1>So uh, yeah, it's great, you know, fantastic stuff. But

0:24:34.800 --> 0:24:38.360
<v Speaker 1>that was produced in the UK, and uh and Hulu

0:24:38.920 --> 0:24:44.160
<v Speaker 1>is the the exclusive provider in the States, so yeah.

0:24:44.560 --> 0:24:48.639
<v Speaker 1>Beyond that, they also are creating their own content, including

0:24:48.840 --> 0:24:54.080
<v Speaker 1>stuff like The Awesome's, which is a superhero comedy cartoon series.

0:24:54.320 --> 0:24:57.560
<v Speaker 1>Right right. They began production of original stuff in August

0:24:57.560 --> 0:25:00.440
<v Speaker 1>of eleven. Um there. Their first show was an interview

0:25:00.480 --> 0:25:04.920
<v Speaker 1>series by Morgan spurlock Um. Early twelve is when they

0:25:06.040 --> 0:25:09.360
<v Speaker 1>their first scripted show, Battleground, And I think that they

0:25:09.359 --> 0:25:11.960
<v Speaker 1>are also kind of trying to figure out where this

0:25:12.000 --> 0:25:14.359
<v Speaker 1>original content is going to fit into their business model.

0:25:14.440 --> 0:25:17.560
<v Speaker 1>They're they're kind of waiting to see, you know, whether

0:25:17.560 --> 0:25:19.560
<v Speaker 1>people will bite and how well it will do, and

0:25:19.600 --> 0:25:23.560
<v Speaker 1>since they are ad based, how that's going to affect everything.

0:25:23.640 --> 0:25:26.080
<v Speaker 1>Not to mention the fact that they are a branch

0:25:26.400 --> 0:25:29.800
<v Speaker 1>of companies that are producing content on their own for

0:25:29.880 --> 0:25:35.400
<v Speaker 1>other platforms because their owned ABC Disney is also part

0:25:35.400 --> 0:25:37.959
<v Speaker 1>owner of them at this point. And so yeah, how

0:25:37.960 --> 0:25:39.840
<v Speaker 1>do you how do you if you're creating content that's

0:25:39.840 --> 0:25:44.560
<v Speaker 1>in direct competition to her owners content. Yeah, that's a problem, right,

0:25:44.640 --> 0:25:47.639
<v Speaker 1>you're talking about because now you're talking about there they

0:25:47.680 --> 0:25:50.600
<v Speaker 1>could come up with an idea of saying, well, yeah,

0:25:50.600 --> 0:25:53.000
<v Speaker 1>we can create this for Hulu, but why don't we

0:25:53.080 --> 0:25:55.399
<v Speaker 1>create it for a different channel instead, if we have

0:25:55.480 --> 0:25:58.359
<v Speaker 1>that option, or maybe they even start using Hulu as

0:25:58.400 --> 0:26:00.680
<v Speaker 1>a testing ground for stuff that they aside too then

0:26:00.720 --> 0:26:04.000
<v Speaker 1>appropriate for television. We don't know because it's so early

0:26:04.119 --> 0:26:07.440
<v Speaker 1>on with this experiment really or Hulu, but it is

0:26:07.520 --> 0:26:10.160
<v Speaker 1>a little more complicated than Netflix. Netflix is its own

0:26:10.200 --> 0:26:14.560
<v Speaker 1>independent company that is not beholden in this way to

0:26:14.760 --> 0:26:17.800
<v Speaker 1>content creators. They're beholden in an entirely different way. Like

0:26:17.840 --> 0:26:19.600
<v Speaker 1>they will come to a content creator and say I

0:26:19.640 --> 0:26:21.320
<v Speaker 1>want that show and they say, you do not get

0:26:21.359 --> 0:26:23.520
<v Speaker 1>this show, but you want the show to go somewhere else,

0:26:23.600 --> 0:26:26.480
<v Speaker 1>not you. Yeah, and that's this. Another interesting thing is

0:26:26.520 --> 0:26:29.560
<v Speaker 1>that there's a lot of power struggles going on in

0:26:29.800 --> 0:26:33.480
<v Speaker 1>this entertainment world. No one wants any of these services

0:26:33.520 --> 0:26:37.400
<v Speaker 1>to become the dominant one because then that service has

0:26:37.520 --> 0:26:41.159
<v Speaker 1>leverage over the content creators. So it's a constant chess

0:26:41.200 --> 0:26:43.639
<v Speaker 1>battle right to see who is going to be the

0:26:43.640 --> 0:26:46.880
<v Speaker 1>one who has the advantage in these negotiations. Yeah, this

0:26:46.960 --> 0:26:49.919
<v Speaker 1>is part of why if if, if you've tried to

0:26:49.960 --> 0:26:52.560
<v Speaker 1>subscribe to Hula, you may have noticed that you cannot

0:26:52.760 --> 0:26:57.760
<v Speaker 1>transfer all shows from your television box to your laptop

0:26:57.840 --> 0:27:01.240
<v Speaker 1>tow your iPad. Um. Yeah, you might have limitations and

0:27:01.359 --> 0:27:04.000
<v Speaker 1>maybe that certain shows you can only watch if you're

0:27:04.040 --> 0:27:07.280
<v Speaker 1>watching it streaming to your TV because some some content

0:27:07.359 --> 0:27:10.479
<v Speaker 1>providers have said nope, thanks, no, thanks, I don't want

0:27:10.520 --> 0:27:12.520
<v Speaker 1>that on tablet. Yeah, you can't watch that when you're

0:27:12.520 --> 0:27:16.280
<v Speaker 1>on the train or whatever or driving to work. Don't

0:27:16.320 --> 0:27:18.480
<v Speaker 1>watch TV while you're driving to work. Don't do that.

0:27:18.600 --> 0:27:22.240
<v Speaker 1>Never do that. So so Hulu as of April had

0:27:23.080 --> 0:27:26.399
<v Speaker 1>four million subscribers, which is is has doubled in the

0:27:26.440 --> 0:27:29.119
<v Speaker 1>past year. It's still pretty shy of the thirty million

0:27:29.160 --> 0:27:32.959
<v Speaker 1>in the US that Netflix has that's growing. It's Jonathan

0:27:32.920 --> 0:27:35.840
<v Speaker 1>Frow again. We're going to take another quick break and

0:27:35.840 --> 0:27:38.399
<v Speaker 1>then we'll be back to talk more about streaming video.

0:27:45.920 --> 0:27:48.760
<v Speaker 1>All right, So that's Hulu Plus and Hulu We've we've

0:27:48.760 --> 0:27:51.320
<v Speaker 1>covered that. That leaves the other of the big three,

0:27:51.400 --> 0:27:54.720
<v Speaker 1>and that's Amazon and Amazon Again, like all three of

0:27:54.760 --> 0:27:57.679
<v Speaker 1>these are very different from each other. They have different

0:27:57.680 --> 0:28:00.679
<v Speaker 1>approaches to the way that they handle intent, they have

0:28:00.680 --> 0:28:04.240
<v Speaker 1>different approaches the way that they handle revenue. With Amazon

0:28:04.400 --> 0:28:07.840
<v Speaker 1>Prime Instant Video, there are a couple of different things,

0:28:07.840 --> 0:28:12.720
<v Speaker 1>like you can have actual access to a certain portion

0:28:12.960 --> 0:28:16.879
<v Speaker 1>of their television shows and movies that are available if

0:28:16.880 --> 0:28:20.480
<v Speaker 1>you're an Amazon Prime member. That's a subscription based service

0:28:20.560 --> 0:28:23.639
<v Speaker 1>that goes beyond just instant video, right right. It's not

0:28:23.680 --> 0:28:26.480
<v Speaker 1>the same subscription that you would get just for Hulu

0:28:26.560 --> 0:28:29.000
<v Speaker 1>Plus or just for Netflix. This is tied into its

0:28:29.000 --> 0:28:32.119
<v Speaker 1>other Amazon Prime shenanigans where you know, you get free

0:28:32.200 --> 0:28:37.560
<v Speaker 1>or discounted chipping and all discounts on certain goods and services,

0:28:38.000 --> 0:28:42.560
<v Speaker 1>can borrow kindle books, stuff like that's wrapped allaws wrapped

0:28:42.600 --> 0:28:44.280
<v Speaker 1>up into is what we're getting at, yeah, yeah, which

0:28:44.320 --> 0:28:47.000
<v Speaker 1>is which is I think somewhere around seventy five bucks

0:28:47.040 --> 0:28:50.360
<v Speaker 1>a year against seventy nine total. So when you when

0:28:50.360 --> 0:28:52.120
<v Speaker 1>you look at it, it actually ends up being a

0:28:52.120 --> 0:28:54.720
<v Speaker 1>little cheaper than some of the other services on a

0:28:54.800 --> 0:28:58.920
<v Speaker 1>monthly basis. So in the United States anyway, seventy nine

0:28:58.960 --> 0:29:02.240
<v Speaker 1>per per year. So so Amazon Amazon Prime Instant Video

0:29:02.320 --> 0:29:06.400
<v Speaker 1>launched in February, and you know you can also use

0:29:06.440 --> 0:29:09.280
<v Speaker 1>it to rent or buy titles separately, right, So there

0:29:09.280 --> 0:29:12.400
<v Speaker 1>are some titles that are available for free viewing once

0:29:12.520 --> 0:29:16.440
<v Speaker 1>you have this. About about forty movies and television episodes

0:29:16.480 --> 0:29:20.720
<v Speaker 1>are available with the prescription um subscription subscription why can't

0:29:20.720 --> 0:29:23.800
<v Speaker 1>I say that word today? Um? And and about something

0:29:23.840 --> 0:29:27.920
<v Speaker 1>over a hundred and fifty thousand titles are available per Yeah,

0:29:27.920 --> 0:29:29.880
<v Speaker 1>if you want to actually purchase stuff or rent stuff,

0:29:30.360 --> 0:29:33.440
<v Speaker 1>and I've done I've done both. I rented titles through

0:29:33.560 --> 0:29:38.280
<v Speaker 1>Amazon Instant and I've purchased titles on Amazon Instant so

0:29:38.520 --> 0:29:40.440
<v Speaker 1>um and and the way it works is if you're

0:29:40.480 --> 0:29:42.480
<v Speaker 1>renting it, if you have you know, you obviously need

0:29:42.520 --> 0:29:44.480
<v Speaker 1>to watch it on something. You could watch it on

0:29:44.480 --> 0:29:47.640
<v Speaker 1>a computer or tablet or in my case, I'm using

0:29:48.000 --> 0:29:50.320
<v Speaker 1>a video game console and I'm watching it through there.

0:29:50.880 --> 0:29:54.040
<v Speaker 1>But if you rent it, essentially once you start watching it,

0:29:54.080 --> 0:29:57.480
<v Speaker 1>that the timers on and you have a certain amount

0:29:57.520 --> 0:30:01.000
<v Speaker 1>of time to watch it, but before it gets bleated

0:30:01.120 --> 0:30:04.000
<v Speaker 1>from your your devices drive and you don't get to

0:30:04.000 --> 0:30:06.040
<v Speaker 1>watch it anymore. If you buy it, of course it

0:30:06.200 --> 0:30:08.800
<v Speaker 1>stays in the cloud and you have the access to

0:30:08.880 --> 0:30:11.080
<v Speaker 1>it on whatever device as long as you're signed in

0:30:11.120 --> 0:30:14.920
<v Speaker 1>as you you can watch the programming right. Um. They

0:30:15.160 --> 0:30:17.840
<v Speaker 1>also have exclusive deals. Like I mentioned earlier, they had

0:30:17.960 --> 0:30:20.920
<v Speaker 1>nabbed down to Nabby from Netflix and they're starting something

0:30:20.920 --> 0:30:24.240
<v Speaker 1>with Viacom. They've invested in a CBS show called Under

0:30:24.280 --> 0:30:28.640
<v Speaker 1>the Dome um in exchange for a digital distribution, They've

0:30:28.680 --> 0:30:31.280
<v Speaker 1>got exclusive rights to digitally distribute the show four days

0:30:31.280 --> 0:30:34.160
<v Speaker 1>after it airs on network TV. Yeah, so this is

0:30:34.200 --> 0:30:36.560
<v Speaker 1>similar to kind of the way Hulu does things with

0:30:36.640 --> 0:30:39.520
<v Speaker 1>some of their shows right where it airs on television

0:30:39.560 --> 0:30:42.440
<v Speaker 1>and then within a certain amount of time afterward, depending

0:30:42.480 --> 0:30:45.760
<v Speaker 1>upon the agreement, Hulu can then show it on their service.

0:30:46.120 --> 0:30:48.640
<v Speaker 1>This is the same thing but on Amazon. Under the

0:30:48.680 --> 0:30:52.160
<v Speaker 1>Dome is based off a Stephen King story, right, they

0:30:52.160 --> 0:30:56.240
<v Speaker 1>are also producing their own original content, say what yeah,

0:30:56.320 --> 0:31:00.280
<v Speaker 1>yeah true factum. As of in fact, they unveiled Amazon

0:31:00.400 --> 0:31:04.960
<v Speaker 1>Studios and started collecting scripts from the public. They opened

0:31:05.040 --> 0:31:07.719
<v Speaker 1>up the process and we're just like, if you've got

0:31:07.760 --> 0:31:09.800
<v Speaker 1>a good script, send it to pit. If you have

0:31:09.880 --> 0:31:12.640
<v Speaker 1>a pitch, pitch it to us. And this is this

0:31:12.680 --> 0:31:15.240
<v Speaker 1>is incredible. It does I mean, it means that you're

0:31:15.240 --> 0:31:16.800
<v Speaker 1>going to get a lot of stuff, right, You're gonna

0:31:16.800 --> 0:31:19.000
<v Speaker 1>get a lot of stuff that's not ever going to

0:31:19.080 --> 0:31:21.480
<v Speaker 1>be producible. It's just gonna be things you read this

0:31:21.600 --> 0:31:23.680
<v Speaker 1>like this might have been an interesting idea, but it's

0:31:23.720 --> 0:31:25.800
<v Speaker 1>a terrible script. Or this is a good script, but

0:31:25.840 --> 0:31:29.760
<v Speaker 1>it's boring. And they took a certain number of those

0:31:29.840 --> 0:31:33.840
<v Speaker 1>and and filmed pilots of them, and in put those

0:31:33.880 --> 0:31:38.920
<v Speaker 1>pilots online and didn't use exclusively user feedback, but but

0:31:39.400 --> 0:31:42.320
<v Speaker 1>took that into kill that into account. They let the

0:31:42.400 --> 0:31:45.360
<v Speaker 1>members of Amazon Prime watch them and helped decide what

0:31:45.400 --> 0:31:47.959
<v Speaker 1>they wanted to see. Proceed to a series. It's it's

0:31:48.000 --> 0:31:51.360
<v Speaker 1>kind of a democratization of content creation, sort of like

0:31:51.560 --> 0:31:55.280
<v Speaker 1>what you would see if someone were to pitch a

0:31:55.320 --> 0:31:59.960
<v Speaker 1>series on say Kickstarter. People pitched it, they shot the pilots,

0:32:00.320 --> 0:32:03.000
<v Speaker 1>they showed them off, and some of them are now

0:32:03.080 --> 0:32:06.600
<v Speaker 1>going to become actual series that will be available probably late.

0:32:07.600 --> 0:32:09.760
<v Speaker 1>I saw that in the fall is when we can

0:32:09.760 --> 0:32:11.920
<v Speaker 1>expect to see the first episodes of some of these shows.

0:32:12.040 --> 0:32:16.560
<v Speaker 1>Right as of August, they had Alpha House and also Beta's.

0:32:16.680 --> 0:32:20.440
<v Speaker 1>Wait wait, wait, wait, So they've got Alpha House and

0:32:20.480 --> 0:32:22.920
<v Speaker 1>they have a show called Beta's. I actually just got that.

0:32:22.920 --> 0:32:26.480
<v Speaker 1>That's pretty silly that happened. And these are two different shows.

0:32:26.520 --> 0:32:29.640
<v Speaker 1>It's not Alpha House and Beta's. It's Alpha House. And

0:32:29.680 --> 0:32:33.760
<v Speaker 1>then there's another series called Beta's. I guess the last

0:32:33.760 --> 0:32:37.320
<v Speaker 1>show will ever see will be Omega. That will be

0:32:37.320 --> 0:32:39.600
<v Speaker 1>the last show that Amazon ever makes. And they've also

0:32:39.640 --> 0:32:42.000
<v Speaker 1>got three children series and production the names of which

0:32:42.040 --> 0:32:43.320
<v Speaker 1>I do not have in front of me. They were

0:32:43.320 --> 0:32:46.400
<v Speaker 1>looking specifically for comedies and kids shows. Well yeah, and

0:32:46.400 --> 0:32:48.720
<v Speaker 1>then if you if you look at the different series,

0:32:48.840 --> 0:32:52.880
<v Speaker 1>a lot of them have focused, especially recently on on

0:32:53.000 --> 0:32:57.280
<v Speaker 1>children's programming, on on on comedy and children's programs like Amazon's.

0:32:57.400 --> 0:33:02.040
<v Speaker 1>Amazon's deal with Viacom is largely based on children's programming

0:33:02.040 --> 0:33:06.680
<v Speaker 1>from things like Nickelodeon. Uh. Netflix has an entire section

0:33:06.800 --> 0:33:09.640
<v Speaker 1>that's just like they had Netflix for Kids that they

0:33:09.720 --> 0:33:13.360
<v Speaker 1>launched where you could create a little uh sub profile

0:33:13.440 --> 0:33:16.480
<v Speaker 1>for your children so that they could easily find content

0:33:16.640 --> 0:33:20.600
<v Speaker 1>from everyone from Disney to to Nickelodeon to I think Nickelodeon.

0:33:20.600 --> 0:33:23.800
<v Speaker 1>Maybe Nickelodeon didn't have anything. Viacom and Netflix did have

0:33:23.840 --> 0:33:25.560
<v Speaker 1>a deal, but like we said, they are letting that

0:33:25.680 --> 0:33:29.520
<v Speaker 1>deal uh uh end and they're not renewing. And also,

0:33:29.640 --> 0:33:33.080
<v Speaker 1>have you know less of the more colorful content pop

0:33:33.120 --> 0:33:36.360
<v Speaker 1>up in your kids video streams? Yes, yes you don't

0:33:36.360 --> 0:33:40.120
<v Speaker 1>have to worry about, say the hell Raiser series showing

0:33:40.200 --> 0:33:42.800
<v Speaker 1>up in sequence from there. I've been working my way

0:33:42.800 --> 0:33:48.760
<v Speaker 1>through them and my pain is delicious. So anyway, um, yes,

0:33:49.160 --> 0:33:52.480
<v Speaker 1>I just killed Lauren there. But yeah again, so we

0:33:52.480 --> 0:33:55.200
<v Speaker 1>were seeing some more of these exclusive deals. We're seeing

0:33:55.200 --> 0:33:59.280
<v Speaker 1>some more of this uh this specific content created for

0:33:59.400 --> 0:34:02.440
<v Speaker 1>the platform. I love what Amazon is doing here as

0:34:02.480 --> 0:34:05.600
<v Speaker 1>far as creating a production studio and making it this

0:34:05.880 --> 0:34:10.120
<v Speaker 1>opportunity for people who I wouldn't necessarily have a voice. Otherwise, right,

0:34:10.160 --> 0:34:12.879
<v Speaker 1>they would have no way of getting into the industry.

0:34:13.239 --> 0:34:15.760
<v Speaker 1>And now there's a chance for them to actually create

0:34:15.880 --> 0:34:19.520
<v Speaker 1>something that could end up leading to a long career.

0:34:19.800 --> 0:34:23.320
<v Speaker 1>And you know, who knows, maybe the next fantastic storyteller,

0:34:23.360 --> 0:34:26.279
<v Speaker 1>maybe the next Josh Weeden is in this group, and

0:34:26.320 --> 0:34:28.920
<v Speaker 1>we can look forward to having his or her scripts

0:34:28.920 --> 0:34:33.879
<v Speaker 1>produced and canceled mid season. Well hope, hopefully this entire

0:34:34.080 --> 0:34:38.760
<v Speaker 1>this entire um strategy is going to avoid having things

0:34:38.840 --> 0:34:42.279
<v Speaker 1>like like cancelations mid season. See, that's the other thing

0:34:42.320 --> 0:34:46.000
<v Speaker 1>is that because of this approach, you no longer have

0:34:46.160 --> 0:34:50.279
<v Speaker 1>excuses like a network moving a show around in a

0:34:50.360 --> 0:34:54.319
<v Speaker 1>lineup over and over again. That now lineups mean nothing. Right,

0:34:55.239 --> 0:34:57.680
<v Speaker 1>You can also produce more than twenty four hours a

0:34:57.719 --> 0:35:00.960
<v Speaker 1>day of content or way less if that's what you

0:35:00.960 --> 0:35:02.439
<v Speaker 1>want to do, or if that's what you have money

0:35:02.440 --> 0:35:05.720
<v Speaker 1>to do, right, and you can produce far more diverse

0:35:05.800 --> 0:35:09.760
<v Speaker 1>content and uh and not have to worry about catering

0:35:09.800 --> 0:35:13.600
<v Speaker 1>to a specific audience with a bunch of themed content.

0:35:13.719 --> 0:35:15.680
<v Speaker 1>So that's one of the things we've seen with cable

0:35:15.719 --> 0:35:19.600
<v Speaker 1>channels where they struggle. They they create an identity for

0:35:19.680 --> 0:35:23.759
<v Speaker 1>themselves where they create very specific types of content that

0:35:23.800 --> 0:35:26.959
<v Speaker 1>are meant for a particular audience, but then they grow

0:35:27.040 --> 0:35:29.840
<v Speaker 1>as far as they can within that niche audience, and

0:35:29.840 --> 0:35:32.360
<v Speaker 1>to grow further means that they have to go outside

0:35:32.360 --> 0:35:37.520
<v Speaker 1>that definition sci fi. So, uh, you know, this is

0:35:37.560 --> 0:35:41.080
<v Speaker 1>something that they don't These these companies don't necessarily have

0:35:41.160 --> 0:35:43.520
<v Speaker 1>that problem. They can experiment with doing stuff. You know,

0:35:43.600 --> 0:35:46.759
<v Speaker 1>we've seen with Netflix making drama and making horror as

0:35:46.800 --> 0:35:49.400
<v Speaker 1>well as making comedy with the fourth season of Arrested Development.

0:35:49.560 --> 0:35:52.000
<v Speaker 1>Amazon is doing it with children's programming, and this this

0:35:52.080 --> 0:35:56.000
<v Speaker 1>alpha and beta stuff Hulu as Guide's own approach. It's

0:35:56.360 --> 0:35:59.560
<v Speaker 1>I'm really excited about this because I mean, I love

0:35:59.600 --> 0:36:03.640
<v Speaker 1>story and I love the idea of people who otherwise

0:36:03.680 --> 0:36:07.440
<v Speaker 1>would not have had this content produced having this shot.

0:36:07.880 --> 0:36:10.600
<v Speaker 1>I think it's really a great moment for someone who

0:36:10.680 --> 0:36:13.279
<v Speaker 1>is interested in consuming entertainment as well as people who

0:36:13.320 --> 0:36:15.920
<v Speaker 1>want to produce it. Absolutely. Yeah, I don't have a

0:36:16.040 --> 0:36:18.680
<v Speaker 1>number of the for for prime members like like I

0:36:18.719 --> 0:36:22.600
<v Speaker 1>did for for Hulu and Netflix, because Amazon doesn't disclose that. Nope,

0:36:22.600 --> 0:36:26.920
<v Speaker 1>they just say millions. It's in the millions, lots a bunch.

0:36:27.560 --> 0:36:31.160
<v Speaker 1>I I do think it's pretty interesting that Netflix transitioned

0:36:31.160 --> 0:36:36.600
<v Speaker 1>its site to Amazon's cloud servers in so well, you know,

0:36:36.680 --> 0:36:40.720
<v Speaker 1>Amazon definitely does do the provide resources to other companies.

0:36:40.760 --> 0:36:43.560
<v Speaker 1>That's one of their biggest businesses. That doesn't have anything

0:36:43.560 --> 0:36:46.400
<v Speaker 1>to do with the general consumer. I mean, when it

0:36:46.440 --> 0:36:49.000
<v Speaker 1>comes down to a business deal, I can totally see

0:36:49.000 --> 0:36:51.279
<v Speaker 1>them going, all right, you know, we're competing against you,

0:36:51.360 --> 0:36:55.160
<v Speaker 1>but if you're gonna give us money, that works. Um. Yeah.

0:36:55.280 --> 0:36:57.279
<v Speaker 1>And it's interesting too. I see that. One of the

0:36:57.360 --> 0:37:00.880
<v Speaker 1>other notes you have here is about how Amazon is

0:37:00.920 --> 0:37:05.239
<v Speaker 1>expected to spend a billion dollars acquiring rights to programming

0:37:05.280 --> 0:37:09.400
<v Speaker 1>to show on their instant, which is half of what

0:37:09.520 --> 0:37:13.640
<v Speaker 1>Netflix is spending, which is so much money. Two billion dollars, folks,

0:37:13.719 --> 0:37:16.920
<v Speaker 1>that's just to get the content. See. So when you're complaining,

0:37:17.239 --> 0:37:19.319
<v Speaker 1>and when I say you, I'm including myself in this,

0:37:19.600 --> 0:37:21.719
<v Speaker 1>when you're complaining that the show you really want to

0:37:21.760 --> 0:37:25.400
<v Speaker 1>watch is not available online, think of how much money

0:37:25.440 --> 0:37:29.640
<v Speaker 1>these companies are having to pay and just to get

0:37:30.480 --> 0:37:34.080
<v Speaker 1>you know. And it's because there's this complicated relationship between

0:37:34.120 --> 0:37:37.800
<v Speaker 1>the content creators and also cable companies and their relationship

0:37:37.840 --> 0:37:40.120
<v Speaker 1>to content creators. That's one of the reasons why you're

0:37:40.120 --> 0:37:42.719
<v Speaker 1>not going to find HBO in any of these for

0:37:42.800 --> 0:37:46.720
<v Speaker 1>the time being. HBO's deals they're tied down. Yeah, HBO's

0:37:46.719 --> 0:37:50.160
<v Speaker 1>deal with cable companies is so important and so lucrative

0:37:50.800 --> 0:37:53.799
<v Speaker 1>that in order for HBO to break out of that

0:37:53.960 --> 0:37:58.080
<v Speaker 1>and leave the exclusivity of these cable deals would mean

0:37:58.080 --> 0:38:01.080
<v Speaker 1>that we would have to have an astra rhonomically good

0:38:01.120 --> 0:38:05.200
<v Speaker 1>deal for HBO on streaming, because otherwise they're just losing money.

0:38:05.360 --> 0:38:07.800
<v Speaker 1>And you don't go into a business to lose money.

0:38:08.719 --> 0:38:12.080
<v Speaker 1>I would hope. I mean, it might happen to you,

0:38:12.120 --> 0:38:14.560
<v Speaker 1>but that's not why you get into business. Hypothetically, not

0:38:16.120 --> 0:38:18.840
<v Speaker 1>economic or the producers. I was going to say, an

0:38:18.840 --> 0:38:21.880
<v Speaker 1>economic masochist, but yeah, maybe if you're if you're if

0:38:21.880 --> 0:38:24.520
<v Speaker 1>you're just trying to raise backing money and then immediately

0:38:24.800 --> 0:38:27.160
<v Speaker 1>tank the company so that you can keep the backing money,

0:38:27.640 --> 0:38:31.959
<v Speaker 1>you are not ethical, but you're also not really going

0:38:31.960 --> 0:38:35.920
<v Speaker 1>into business. I hope you guys enjoyed that classic episode

0:38:36.000 --> 0:38:39.279
<v Speaker 1>about videos in the stream. If you have suggestions for

0:38:39.440 --> 0:38:42.160
<v Speaker 1>future topics I should cover on the show, reach out

0:38:42.200 --> 0:38:45.040
<v Speaker 1>to me. You can do so on Twitter or Facebook.

0:38:45.239 --> 0:38:47.560
<v Speaker 1>The handle at both of those is tech Stuff hs

0:38:47.719 --> 0:38:55.359
<v Speaker 1>W and I'll talk to you again really soon. Text

0:38:55.400 --> 0:38:58.839
<v Speaker 1>Stuff is an I heart Radio production. For more podcasts

0:38:58.880 --> 0:39:01.640
<v Speaker 1>from my heart Radio, visit the i heart Radio app,

0:39:01.760 --> 0:39:04.880
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:39:09.440 --> 0:39:09.480
<v Speaker 1>H