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Speaker 1: Major distribution. Man my label on my dad for real?

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Speaker 1: Fucking with your friend and shit, ain't.

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Speaker 2: Tell you y'all ain't shit for real.

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Speaker 1: I'll ben out here.

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Speaker 2: Crush ain't all success now shet my bitch for real?

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Speaker 2: You saying I'm persuasive girl, but you can't spell that

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Speaker 2: shit for real? And it's mentioned I'm a colleague. Call

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Speaker 2: can pay them for Alma pot fight know your time.

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Speaker 2: We just did dinner for.

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Speaker 3: Three hours lying.

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Speaker 2: Tell me y'all night buying being Spencer's got a spite

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Speaker 2: paid one hundred rant or something light shimple price to

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Speaker 2: keep them out my life?

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Speaker 3: Who we trapped?

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Speaker 2: We need up being in office, Magic City, need up

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Speaker 2: being this office twenty nine. I keep up being this office.

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Speaker 2: I'm in love with Houston, Dallas, Saustin. Tell you got

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Speaker 2: to hold up on the team chained. Seemed like they

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Speaker 2: may need money for coffins, Cuban girl and fanily grind coffee.

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Speaker 3: Text me on a signal. Don't call me.

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Speaker 2: Major distribution labels, call me bad bunny, No, but was

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Speaker 2: just a robberie five hundred million just for Aubrey?

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Speaker 3: Yeah, major distribution?

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Speaker 2: How pop and mentioned me to be the hottest topic

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Speaker 2: same place, you singing bitch and shopping. Okay, go stupid stupid, stupid, stupid, stupid, stupid.

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Speaker 3: Okay, baby, did what's up? You all right?

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Speaker 4: How you feeling?

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Speaker 1: I've been better?

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Speaker 3: Okay, we do.

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Speaker 5: We do have to be very gentle with the merrits

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Speaker 5: today because there is a chance that TikTok will be going.

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Speaker 3: But that's why, that's why I asked how she's doing,

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Speaker 3: because I know, you know, she knows. She was hoping

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Speaker 3: that her president elect Donald Trump would save TikTok.

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Speaker 1: But I wrote him a letter.

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Speaker 4: Yeah, he gonna get in there and make some things happen.

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Speaker 3: I think, you know, we just gotta get him in

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Speaker 3: the office first, he has other things on the priority

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Speaker 3: list and didn't look get to take talk.

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Speaker 1: I know, I'm real peace. And then TikTok because they

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Speaker 1: were like, yeah, Elon Musk was talking about buying it,

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Speaker 1: and I know that Elon Musk ruins everything he touches,

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Speaker 1: and even still I was like, there's hope, like maybe

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Speaker 1: like he's gonna ruin it, but like still it'll still

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Speaker 1: be there.

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Speaker 3: You know.

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Speaker 5: Well, I heard rumblings that they were maybe going to

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Speaker 5: sell it to Meek. I saw that on Elon's ex.

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Speaker 3: Well, Meek definitely threw his hat in the bidding ring

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Speaker 3: and said, you know me and Sarah to me, Meek

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Speaker 3: is the greatest tweet of all time, Meek Mill, Yeah,

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Speaker 3: he's the greatest tweet of all time.

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Speaker 5: He's He's definitely a I would say.

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Speaker 4: You don't know anybody that tweets better than Meek.

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Speaker 5: Twitter and Instagram were very lonely when he was in jail.

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Speaker 5: Absolutely everything was much better. I will say though, speaking

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Speaker 5: of spelling, Fabio is a close second. He's a sleeper

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Speaker 5: when it comes to social media. Oh yeah, he has

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Speaker 5: some insane things. He should have been in our spelling bait.

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Speaker 4: It's one A one b with Meek and Fabio.

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Speaker 5: I would have been able to actually, like maybe beat

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Speaker 5: a person in our spelling bee.

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Speaker 3: Nah. Fabio would have cooked you. He'd have got you

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Speaker 3: right out of it.

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Speaker 5: I mean I did. I'm not even gonna say the

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Speaker 5: words that I spelled wrong, but I feel like I

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Speaker 5: could get some of those Favio misspellings off. What do

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Speaker 5: you spelled Miami wrong or something?

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Speaker 1: Yeah, but he spelled Miami wrong, he spelled Houston wrong.

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Speaker 1: I don't even know how you spell Houston wrong, but

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Speaker 1: he spelled Houston wrong. He spelled Jewish wrong, but I

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Speaker 1: mean that could have been to his benefit. And then

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Speaker 1: he said no cap, no yamaka, so no cap.

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Speaker 5: But see that's just poetry because you not understanding the

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Speaker 5: yamaka is the cap is the cap on tandra? I mean,

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Speaker 5: but he does post tweets that are like Meek esque.

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Speaker 5: Meek is definitely his inspiration. I think this past year

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Speaker 5: he said, I'm the best father in the world though

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Speaker 5: a happy Father's Day. I don't even know where the

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Speaker 5: structure and that.

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Speaker 1: He didn't but no, but he didn't even say father.

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Speaker 1: He said, I'm the best farther in the world, Happy

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Speaker 1: Father's Day. Spelling father wrong twice tweet.

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Speaker 3: He lives in a.

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Speaker 4: Different, separate home from his kids, kids stayed.

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Speaker 1: With, so he's a father.

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Speaker 3: He's a father father farther away from the kid.

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Speaker 5: Again, back to poetry, went over your head. You didn't understand.

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Speaker 3: Even understand, y'all understand for what.

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Speaker 5: What is the logic? Let's take out the spelling mistakes.

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Speaker 5: What was he really trying to get at, Like just

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Speaker 5: because he's the best father, I can't get a happy

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Speaker 5: Father's day like he was saying, was it was like

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Speaker 5: him doing us a favor by himself, Like I guess,

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Speaker 5: I guess, I'll think y'all. Can I guess this holiday

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Speaker 5: is for y'all? Like this is Favio Day in my opinion.

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Speaker 3: Yeah, yeah, yeah, he's the best father though.

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Speaker 5: All right, so we do we think those rumors are true?

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Speaker 5: Do we think Meek may get TikTok by the nineteenth.

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Speaker 1: Pretty ship by by the next three days? Now, I

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Speaker 1: don't think that's gonna happen.

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Speaker 3: It's gonna be tough man. You don't think the.

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Speaker 5: Dreams of nightmares money could afford the highest us.

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Speaker 3: Now now you pocket watching Meek. See now you count pa.

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Speaker 3: You don't know what Meek me doing with how much

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Speaker 3: he made day trading, I don't know. You don't know

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Speaker 3: how many dreams he chases? How many dreams did he catch?

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Speaker 3: You don't even know?

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Speaker 5: See Also my favorite sweet from Meek. In the same

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Speaker 5: hour that he said, sell TikTok to me, he said,

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Speaker 5: if they get rid of TikTok.

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Speaker 3: We going to X.

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Speaker 5: He said it on X on X he said it

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Speaker 5: to all of us that were on. Just let you know,

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Speaker 5: will be at He's saying on Instagram and then put

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Speaker 5: a link like, yeah, we're all going over here.

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Speaker 3: They just let you know if if y'all don't know

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Speaker 3: where will be if they take TikTok, we'll be right.

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Speaker 5: That's like if he went to the club and he's like, yo,

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Speaker 5: we all out to the club. I neither hear.

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Speaker 4: You think Elon destroyed X like Twitter?

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Speaker 1: Have you been on X lately?

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Speaker 3: Yeah? Every day going there and just read and just.

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Speaker 1: Kind of cool. Yeah cool, he didn't.

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Speaker 3: All right.

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Speaker 5: Twitter was definitely in a downward spiral, like it stopped

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Speaker 5: being fun and then Elon. Elon brought chaos, chaos, chaos

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Speaker 5: back to Twitter in my opinion.

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Speaker 3: Which is what it was needed.

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Speaker 5: Yeah, but he brought like some crazier people than just

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Speaker 5: like what fun black Twitter was. He brought like the

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Speaker 5: whole right with him, like the same way Facebook got

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Speaker 5: taken over by your Republican uncle and aunt. Like that's

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Speaker 5: where now I feel like X is that still funny

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Speaker 5: and chaotic?

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Speaker 3: But but I mean you don't see that like unless

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Speaker 3: you follow that.

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Speaker 5: No, Well, now how he did the algorithm thing? Yeah,

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Speaker 5: you catch if you click one tweet about a certain topic,

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Speaker 5: you're gonna see that ship for the rest of.

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Speaker 3: The day, and like we'll stay off their tweet.

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Speaker 5: Then sometimes if I just don't scroll fast enough, yeah,

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Speaker 5: they think that I looked at it, and then I'm

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Speaker 5: just gonna get a whole bunch of that.

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Speaker 3: Okay.

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Speaker 1: On top of allowing what he calls free speech, has

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Speaker 1: allowed for so many more fake hate accounts like that

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Speaker 1: the hate has increased on x Like, oh for sure substantially.

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Speaker 1: Like if you tweet the words black men, black women,

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Speaker 1: white women, it's a fucking field day. Like it's absolutely insane.

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Speaker 1: The porn. I know a lot of people are complaining

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Speaker 1: about the porn, But to the people that complain about

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Speaker 1: the porn, I personally tell them, if you stop looking

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Speaker 1: at the porn so much, you won't get so much porn.

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Speaker 1: But they're not feeding porn to your kids. Your kids

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Speaker 1: are going to looking for porn and there it's also

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Speaker 1: a porn blocker on Twitter, but whatever, But yeah, like

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Speaker 1: it just it's not who does that under people who

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Speaker 1: are are sixteen years old and watching that shit.

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Speaker 5: And like there's there's been times even over the weekend,

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Speaker 5: I took a mar to the indoor playground and like,

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Speaker 5: what she's having fun. I'll just check my phone every

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Speaker 5: now and then scroll through the timeline. I'm at a

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Speaker 5: kid's indoor playground and it's just like pussy. I was like,

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Speaker 5: oh shit, got to put my phone down so I

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Speaker 5: don't like end up on a list like I was

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Speaker 5: the guy watching porn at a kid's indoor playground.

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Speaker 3: You can't escape it, Roy said, I gotta put my

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Speaker 3: phone down. He pulled his back out a bookmark.

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Speaker 5: Oh no, I had to go back and find it.

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Speaker 5: Like I didn't. I didn't get a good look at.

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Speaker 3: That waking in the right place to view that content

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Speaker 3: at the moment, but you didn't want to go back

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Speaker 3: to it.

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Speaker 4: And yeah, you kind of you know, get.

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Speaker 5: Tweet fave pussy pret sweet for ass, Like, yeah, are.

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Speaker 1: Y'all gonna this sounds crazy? I know it was about

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Speaker 1: to sound crazy as far as like, are y'all gonna

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Speaker 1: explain the dangers of porn to like your teenagers?

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Speaker 5: Yeah, which that wasn't in our Birds and Bees conversation

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Speaker 5: because porn wasn't so like readily available. But that is

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Speaker 5: something I think our generation will be the first to

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Speaker 5: do with their kids, to talk about the actual dangers

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Speaker 5: of porn like that you can go get addicted and

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Speaker 5: fuck your entire perception of sex up, Like this is

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Speaker 5: not for you, right, I'm kind of that is kind

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Speaker 5: of the one thing I do agree with your side about.

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Speaker 5: I do think porn is very damaging, especially the young

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Speaker 5: developing brains. Keep that shit away from.

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Speaker 3: H No, it's definitely something that you should definitely talk

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Speaker 3: to your kids about and you know, just let them know.

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Speaker 3: Even though kids get to age, they're gonna explore, they're

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Speaker 3: gonna find things.

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Speaker 4: But I think if you give them that.

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Speaker 3: Conversation beforehand, they even when they do find it, they

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Speaker 3: go into it knowing like, yo, this is not really

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Speaker 3: something I should be consuming too much of.

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Speaker 5: Because you could even like monitor their tweets and follow

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Speaker 5: them and this and that you can't monitor their timeline.

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Speaker 3: Yeah, like that.

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Speaker 5: Shit will be. It's going to happen, and eventually you

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Speaker 5: could browser history, like.

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Speaker 3: Yeah, you could prepare kids for I know some of

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Speaker 3: my best friends that grew up in some really nice

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Speaker 3: households and they're doing fifteen years in prison.

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Speaker 5: But that's what's so funny about the rights like alliance

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Speaker 5: with Elon, because to them, nuclear family porn is the

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Speaker 5: fucking devil God. This and that Elon has like fifteen

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Speaker 5: kids by seventy four baby mothers. He has so much

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Speaker 5: porn on his shit, Like he is quite the opposite

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Speaker 5: of what the standard Republican is. And listen, I'm here

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Speaker 5: for the space X shit, but that whole we're killing

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Speaker 5: legacy media and the truth is here by the people.

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Speaker 5: Fuck your community notes. There's so much misinformation on that

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Speaker 5: fucking app Yeah, Like, yes, Foxy and n MSNBC all bullshit,

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Speaker 5: but don't come here and tell me that this is

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Speaker 5: the truth.

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Speaker 3: I mean, you're gonna always have bullshit. Nothing is gonna

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Speaker 3: be bullshit free or nothing is gonna be one hundred

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Speaker 3: percent facts all the time. But I think that they

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Speaker 3: have done a pretty decent job as much as they

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Speaker 3: can of kind of limiting fake stories and things like

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Speaker 3: that and eliminating it. And you know, people do a

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Speaker 3: good job of jumping on those tweets like this is

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Speaker 3: fake posting the real link like the facts and things

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Speaker 3: like that.

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Speaker 5: Like, I mean, so much you can do, and it's

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Speaker 5: just a crazier echo chamber of a rabbit hole for

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Speaker 5: whatever opinion you're reading at the time, Like the way,

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Speaker 5: if you're watching Fox are always gonna get the right,

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Speaker 5: watching CNN, You're always gonna get the left and no

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Speaker 5: other opinion. Ax is like that on steroids. If I

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Speaker 5: click one Republican thing, that's what I'm getting, and people

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Speaker 5: just stay over there because it's in their algorithms. That's

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Speaker 5: the dangerous part to me.

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Speaker 3: It's interesting seeing people that you like with some of

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Speaker 3: your first follows on Twitter, Like, if you had your

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Speaker 3: Twitter account as long as I've had.

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Speaker 5: How do you how do you see that?

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Speaker 3: I'm just saying, like people that still pop up on

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Speaker 3: your Oh yeah, okay, Like you're like, damn, I've been.

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Speaker 4: We've been following each other for over fourteen years.

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Speaker 5: Probably think I made my Twitter an eight or nine.

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Speaker 3: Yeah, that's nuts when you think about like you and

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Speaker 3: somebody we've been following each other for fourteen years, Like, yeah,

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Speaker 3: that's insane when you think about it.

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Speaker 5: Like I could have watched you have a fifteen year

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Speaker 5: old now, Yeah, that's that's fucking nuts.

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Speaker 3: Longer than that, shout out to Chris. He had a

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Speaker 3: you know, his son that he has on his Uh

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Speaker 3: he's been posting the son on his page for forever,

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Speaker 3: and he posted his son the other day and his

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Speaker 3: son is now twenty one, twenty first birthday. I was like, dog, like,

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Speaker 3: there's no way I watched your kid grow up, Like

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Speaker 3: remember when you was like washing his face, like taking

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Speaker 3: him to school in the morning, like he was like

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Speaker 3: four or five years old, like twenty one years old now.

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Speaker 5: And it's all from Team Followback.

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Speaker 4: Nah, that wasn't team followed back. That's somebody I really know.

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Speaker 5: Yeah, team follow back, definitely, Team followback.

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Speaker 1: Never yo, never.

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Speaker 3: How long you been following me on social media? On Twitter?

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Speaker 3: Probably since what twenty twelve?

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Speaker 5: Maybe yeah, probably around then? Yeah, whatever Poluza started, I

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Speaker 5: think that was probably around the time I think you

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Speaker 5: came to like the second Palloza or some shit. I

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Speaker 5: think that might have been the first time I met you.

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Speaker 3: So yeah, which.

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Speaker 5: Twenty twelve or twenty thirteen. I probably started following you

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Speaker 5: whichever POLLSA it was and your fake tweets, Yeah I

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Speaker 5: was there. I know they're fakes. Oh fake now to bills.

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Speaker 3: Whichever poalsa that was at in Harlem on I think

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Speaker 3: it was one hundred and.

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Speaker 5: Uh yeah, at the Capa Castle that was the third one,

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Speaker 5: So that was twenty twelve or thirteen, yeah, yeah, And

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Speaker 5: then I followed you realized what a piece of that

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Speaker 5: you were, but it's been nice to see over the

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Speaker 5: years how you've developed more of a piece of shit.

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Speaker 5: No growth, no growth at all from sweet one to now.

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Speaker 1: So y'all really never did tea. I never did team

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Speaker 1: follow back, but I will. This is so embarrassing that

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Speaker 1: I'm at this. I remember dj ZD. Of course, I

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Speaker 1: definitely legend. I definitely was one of the girls that

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Speaker 1: DJ I submitted photos for.

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Speaker 3: DJZ no way, you was.

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Speaker 5: A Z girl.

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Speaker 3: You had the T shirt, was a big Z. Was

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Speaker 3: a big Z.

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Speaker 5: For those that don't know, this gentleman by the name

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Speaker 5: of dj ZD on Twitter started this trend.

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Speaker 3: Was he an actual DJ? Yeah he was.

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Speaker 5: Okay, I've heard of DJ before. He would post like

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Speaker 5: lady sent me a selfie. I think that's how it started.

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Speaker 5: It would just be a threat of all these pretty

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Speaker 5: women and I think ZD magazine. He realized what he

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Speaker 5: had on his hands and it was like, well, I mean,

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Speaker 5: let me see some cleveland and that went to a

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Speaker 5: whole different place.

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Speaker 1: He showed usage No, I don't have cleavage. I think

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Speaker 1: I was one of the ones where was like short

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Speaker 1: girls or something like that posted it. You were more

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Speaker 1: on the PG side until it god very very embarrassing.

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Speaker 3: You was a jet ZD of the week, Jetsy, he

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Speaker 3: was ZD of the week.

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Speaker 1: Yo, you've done very embarrassing. I'm so happy that my

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Speaker 1: old Twitter is non existent. It got the let every No,

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Speaker 1: my old Twitter is has been deleted. I can't get it.

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Speaker 1: I deactivated it for more than thirty days, you know,

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Speaker 1: me getting off social media. I deactivated for more than

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Speaker 1: thirty days. So my old Twitter I've passed in two

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Speaker 1: thousand and ten, twenty eleven is gone.

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Speaker 5: Yeah all right, yeah, man, I used to see that like, god, damn,

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Speaker 5: she fine, but she tweeting ZD all the time Like

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Speaker 5: I couldn't. Yeah, because at that point it's starting to

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Speaker 5: be like, nah, she you can't wipe the girl that

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Speaker 5: keeps sending ZD the photo. If you said it, it

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Speaker 5: sounded like hate too. Now now you hate.

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Speaker 3: Sounded like hey, anytime you go against what's going on,

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Speaker 3: you you hate. It's always it's always the same ship.

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Speaker 5: What did two dope boys do with their like they

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Speaker 5: did like their model ship as well? Or like whatever

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Speaker 5: girl it was called? Really damn I need to find

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Speaker 5: it too.

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Speaker 3: Dope boys.

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Speaker 5: Wow, Yeah to mecan in shape, so they did. I

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Speaker 5: forgot the name of it, but he won't be mad

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Speaker 5: for me telling us. I found out like maybe a

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Speaker 5: few months into us talking, I saw she was on

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Speaker 5: like a Too Dope Hottie of the Week. I was like, nah, mann,

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Speaker 5: not my baby was two Dope Boys Bombshell or some ship.

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Speaker 5: I'm like, they did a write up.

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Speaker 1: I'm like, damn not a not a feature from.

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Speaker 5: Bio and then one and then I was at like

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Speaker 5: a backyard barbecue at my man Corey town'shouse and Meck

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Speaker 5: was there DJing and Keia was with me, and I

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Speaker 5: was like, damn, man, I gotta now, I gotta remind

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Speaker 5: him that she was a too Dope bombshell.

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Speaker 1: You don't. You didn't have to remind him. You didn't

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Speaker 1: have to remind him.

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Speaker 3: Actually, I mean, but it's nothing. It was funny.

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Speaker 5: She didn't even know she was on it, Like she

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Speaker 5: wasn't on Twitter like that. So I guess they found

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Speaker 5: her ig. And it's not like they put it on

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Speaker 5: their ig. They just put it on the blog. And

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Speaker 5: I think we were googling something and it came up

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Speaker 5: there and I was like, nah, was a two Dope potty.

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Speaker 5: Oh my god, they found she was out the loop

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Speaker 5: with hip hop shit. She was like, what's two Dope? Boys?

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Speaker 5: I was like, it's like one of the greatest blogs

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Speaker 5: that ever existed in hip hop. But I mean, now

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Speaker 5: I can't even look at you the same.

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Speaker 4: Wait, so she didn't know it was on there up until.

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Speaker 5: When until we both found it on the internet.

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Speaker 3: How long ago was this? Did you? Y'all found it?

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Speaker 5: Like a year so she didn't know him until Oh,

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Speaker 5: she didn't an interview where they just like, oh, I

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Speaker 5: guess they found her ig and like explained what she

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Speaker 5: was doing. I don't fucking know.

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Speaker 3: Wait, she didn't know until a year ago.

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Speaker 5: Yeah, and this was I mean, she must have been

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Speaker 5: like twenty one when they put it up.

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Speaker 3: That's crazy finding out a year ago that you was

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Speaker 3: on two Dope and that had to be what twenty what.

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Speaker 5: I'm trying to find it out. It was so Saturday

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Speaker 5: night sexy? How did you find it?

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Speaker 3: Saturday nights sexy?

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Speaker 1: Oh damn, your baby, mom, your baby, You're being a

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Speaker 1: Saturday night sexy.

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Speaker 3: Oh my god, you being a Saturday night sex man?

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Speaker 5: And can you why can't I find it? I even

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Speaker 5: typed in Saturday Night sexy.

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Speaker 3: You know why you can't fight You had to wipe

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Speaker 3: from there? Why I can't fight it? You know what? Okay,

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Speaker 3: Saturday night sexy.

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Speaker 1: Yo, that's fucking hilarious.

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Speaker 5: Yeah, that that was. That was a rough day man.

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Speaker 3: I mean listen, man, at least you know that your

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Speaker 3: your being has always been a beautiful.

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Speaker 5: Woman, according to Shaking and mech I mean she's always once.

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Speaker 5: At that point, I was like, well, let's have a child.

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Speaker 5: If Shaking Meckfield plain about you.

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Speaker 3: You know the legendary site. Yeah, you was a Saturda

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Speaker 3: night sexy man. We gotta we gotta pro create. I

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Speaker 3: mean joking around. We just laughed about it. But it

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Speaker 3: was definitely a.

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Speaker 5: Fun day to like make you feel like I thought

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Speaker 5: that was a bad thing. Like, damn he was. He

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Speaker 5: was one of them.

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Speaker 3: Oh my god, you got it. You gotta make it uncomfortable.

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00:17:06,800 --> 00:17:12,000
Speaker 3: You have to. It's only right, damn not my baby

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Speaker 3: Saturday night. How many bodies are Saturday night sexy? Oh?

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Speaker 4: You know, if you let the Internet tell it, she doesn't.

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Speaker 5: That's a thousand. Yeah, that's like if a blogger post

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Speaker 5: a photo that's already up.

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Speaker 4: Yeah, that's a thousand. You know, she's been ran through all.

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Speaker 3: Yo, it was a joke before. I'm saying that's what

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Speaker 3: the internet would would try to create that type of narrative.

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Speaker 5: That's what the internet would do, right, Yeah, not more, y'all.

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Speaker 1: Should do like something like that, like almost like a

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Speaker 1: throwback like money Bag Mall Monday money Bags.

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Speaker 3: Or some stupid shit like that money Bag Mondays.

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00:17:46,080 --> 00:17:49,879
Speaker 1: Yeah, money Bag Mondays and we feature somebody.

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Speaker 5: Oh wait, oh oh they must have just taken down too,

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Speaker 5: dough boys.

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Speaker 1: Yeah, they took down the whole site. I can't find

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Speaker 1: it period.

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Speaker 5: Yeah, well I found the tweet, man, like that was

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Speaker 5: the picture, I guess yeah, damn you.

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Speaker 3: No, I was expecting that to be like a like

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Speaker 3: an older picture, like yo all, I'm just saying, this

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00:18:10,320 --> 00:18:11,520
Speaker 3: looks like he could be more recent.

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Speaker 5: This was in twenty twenty.

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Speaker 3: Oh okay, see I'm.

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Speaker 4: Thinking it was like back in like twenty sixteen or

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Speaker 4: something like that.

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Speaker 3: No, okay, but.

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Speaker 5: Yeah, I'm glad I got that off my chest. I

418
00:18:20,000 --> 00:18:22,520
Speaker 5: don't even talked about in therapy with that whole thing.

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Speaker 5: And you know, we're talking about talks we have to

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Speaker 5: have with our kids. Yeah, that's you know, one name

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00:18:26,600 --> 00:18:28,520
Speaker 5: to sit them all down and be like, listen, I

422
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Speaker 5: know you have access to the internet.

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Speaker 3: Now you're gonna see some things.

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Speaker 5: At one point, your mother was posted by a blog.

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Speaker 3: She was a Saturday night sexy. Your mom was a

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Speaker 3: Saturday night sexy. That's dope though, to have those those pictures,

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00:18:40,000 --> 00:18:42,880
Speaker 3: Like I like when people do that on I catch

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Speaker 3: like some some Twitter post sometimes and they'd be like,

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00:18:45,560 --> 00:18:47,879
Speaker 3: you know, my mom was was a baddie back in

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Speaker 3: the day, and they show their mother now and then

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00:18:50,000 --> 00:18:52,280
Speaker 3: she showed that she still yeah, like you could tell, Like, oh,

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Speaker 3: you could tell. But then they show like older pictures

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Speaker 3: like oh my pop said he was breaking he was

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Speaker 3: crushing them in high school herds.

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Speaker 1: That was a TikTok trend.

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Speaker 3: I like that trend. Yeah, that's dope.

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00:19:03,440 --> 00:19:06,760
Speaker 5: Remember like the first or second Father's Day on Twitter

438
00:19:07,520 --> 00:19:09,879
Speaker 5: that was like the horniest I think I've ever seen women,

439
00:19:10,200 --> 00:19:12,600
Speaker 5: I mean before this new era of horniness, I've ever

440
00:19:12,600 --> 00:19:15,879
Speaker 5: seen women on the timeline before everyone posting a pops

441
00:19:15,920 --> 00:19:20,640
Speaker 5: and there was the thirstiest tweets to everyone's Happy Father's Day. Yeah,

442
00:19:20,640 --> 00:19:23,600
Speaker 5: like yoh fuck your dad. I'm like, god, damn, what's

443
00:19:23,640 --> 00:19:24,040
Speaker 5: wrong with.

444
00:19:23,960 --> 00:19:25,440
Speaker 3: These But that's what the ops was telling me in

445
00:19:26,520 --> 00:19:29,560
Speaker 3: the spaces. We saw your dad at the show. Tell him,

446
00:19:29,560 --> 00:19:30,080
Speaker 3: I said, how.

447
00:19:30,000 --> 00:19:31,720
Speaker 1: I'm like, damn, your dad was there.

448
00:19:31,760 --> 00:19:33,320
Speaker 3: Yeah, I can't play the games with my pops because

449
00:19:33,320 --> 00:19:35,160
Speaker 3: he's not gonna play with you like he gonna really

450
00:19:35,280 --> 00:19:37,159
Speaker 3: I'm gonna have to, like really like come out there

451
00:19:37,200 --> 00:19:38,679
Speaker 3: and grab him, like, yo, chill, you bugging.

452
00:19:39,000 --> 00:19:41,520
Speaker 5: I mean he's good. How many siblings do you have?

453
00:19:41,680 --> 00:19:41,880
Speaker 6: Yeah?

454
00:19:41,960 --> 00:19:45,520
Speaker 3: Yeah, like it shit work. He not playing like you

455
00:19:45,600 --> 00:19:48,040
Speaker 3: can't all that? Hey, Pops like, no, no, no, don't

456
00:19:48,080 --> 00:19:49,800
Speaker 3: don't play with him like that. Leave him alone.

457
00:19:49,960 --> 00:19:53,880
Speaker 5: What's funny is you're forty two. He looked forty two.

458
00:19:54,560 --> 00:19:56,399
Speaker 3: Yeah, my dad, he looks he looks good for his age.

459
00:19:56,440 --> 00:19:58,920
Speaker 5: Like every time I've seen the photo of you guys,

460
00:19:59,000 --> 00:20:01,480
Speaker 5: I can't pick him out of who's the sibling and

461
00:20:01,480 --> 00:20:04,000
Speaker 5: who's your father, I'm like, oh, these are all big skids.

462
00:20:04,080 --> 00:20:04,280
Speaker 3: Yeah.

463
00:20:05,880 --> 00:20:07,720
Speaker 4: He was always in shape, always athletics, so you know,

464
00:20:07,920 --> 00:20:08,720
Speaker 4: took of himself.

465
00:20:08,760 --> 00:20:13,920
Speaker 1: That's what's up. I'm tell him aside, respectfully, I would.

466
00:20:15,040 --> 00:20:21,320
Speaker 3: I funk with your mom. I would never Alright, Okay.

467
00:20:20,560 --> 00:20:22,239
Speaker 5: You should call your pops and see if we let

468
00:20:22,240 --> 00:20:22,840
Speaker 5: you do porn.

469
00:20:23,440 --> 00:20:24,919
Speaker 4: My pop listen, my poppy.

470
00:20:25,040 --> 00:20:27,880
Speaker 3: Not only would he let me do porn, she would

471
00:20:27,880 --> 00:20:29,520
Speaker 3: ask me if they would hire him like they would

472
00:20:29,560 --> 00:20:30,480
Speaker 3: would they let him do it?

473
00:20:30,920 --> 00:20:34,080
Speaker 5: Maul would be in that father son fantasy tab on

474
00:20:34,720 --> 00:20:40,360
Speaker 5: porn Hub. No, I just got a real time email.

475
00:20:41,600 --> 00:20:43,560
Speaker 5: I think we can talk about this. So we were

476
00:20:43,560 --> 00:20:47,600
Speaker 5: trying to have a Leangelo Ball on the podcast mm hm,

477
00:20:47,720 --> 00:20:49,359
Speaker 5: and we were, you know, going back and forth on

478
00:20:49,400 --> 00:20:53,240
Speaker 5: email with teams or whatever, and we just just now

479
00:20:53,280 --> 00:20:56,000
Speaker 5: in real time, got to email back from someone on

480
00:20:56,000 --> 00:20:58,880
Speaker 5: our team a quick note that Langelo Ball is passing.

481
00:20:59,200 --> 00:21:01,239
Speaker 5: But they did say they liked what Rory said about it.

482
00:21:03,840 --> 00:21:06,560
Speaker 1: What did I just tell you before we started recording?

483
00:21:07,280 --> 00:21:08,880
Speaker 1: What what did I just tell you before we started

484
00:21:08,920 --> 00:21:10,840
Speaker 1: recording when we said that we got a copyright strike

485
00:21:11,359 --> 00:21:13,480
Speaker 1: for using the song? Oh yeah, I said, one of

486
00:21:13,520 --> 00:21:15,560
Speaker 1: them brothers is a fan of this show or listens

487
00:21:15,560 --> 00:21:17,880
Speaker 1: to this show. Like there's no way, there's no way

488
00:21:18,080 --> 00:21:19,080
Speaker 1: I can look at them and tell.

489
00:21:19,200 --> 00:21:20,919
Speaker 5: But I don't have any ip on that because it

490
00:21:20,960 --> 00:21:24,439
Speaker 5: was my DJ mix. Like, we didn't play the Langelo

491
00:21:24,480 --> 00:21:26,520
Speaker 5: Ball song. I took his vocals and put it over

492
00:21:26,560 --> 00:21:29,480
Speaker 5: Cannon's beat. Yeah, or unless a friend of the show,

493
00:21:29,520 --> 00:21:31,320
Speaker 5: Cannon put a little copyright strike on it.

494
00:21:32,000 --> 00:21:34,640
Speaker 3: You shit the group Shato can who Wish was doing

495
00:21:34,760 --> 00:21:37,640
Speaker 3: last night, he was on YouTube strike and shit.

496
00:21:37,720 --> 00:21:39,520
Speaker 5: And also there's no way that Lanzel Bald does his

497
00:21:39,560 --> 00:21:42,520
Speaker 5: own copyright strikes. I'm sure that's someone at UMG had

498
00:21:42,560 --> 00:21:45,480
Speaker 5: did that. But man, I was really hoping that we

499
00:21:45,520 --> 00:21:48,760
Speaker 5: could get like the one on one Langelo versus More situation.

500
00:21:49,560 --> 00:21:51,800
Speaker 5: I see why he would pass and probably go just

501
00:21:51,800 --> 00:21:53,800
Speaker 5: to people that are saying great things about the record.

502
00:21:53,960 --> 00:21:56,080
Speaker 5: But I think that would be that's the problem. That's

503
00:21:56,119 --> 00:21:58,200
Speaker 5: the good content, in my opinion, there's but.

504
00:21:58,200 --> 00:22:01,199
Speaker 1: No, yes, it's the good content. But you, like I

505
00:22:01,240 --> 00:22:03,680
Speaker 1: told you on the those two episodes we talked about it,

506
00:22:03,760 --> 00:22:05,720
Speaker 1: you o d shipped on that record, like I didn't

507
00:22:05,720 --> 00:22:07,960
Speaker 1: feel like this was necessary.

508
00:22:08,080 --> 00:22:12,439
Speaker 3: That shit sound like chat GPT Hot Boys. Now, if

509
00:22:12,520 --> 00:22:15,200
Speaker 3: somebody said chat GPT, you'll make me a Hot Boys record,

510
00:22:15,600 --> 00:22:17,280
Speaker 3: that shit is not a good song. I don't care

511
00:22:17,359 --> 00:22:19,679
Speaker 3: that everybody on the internet is posting that shit on

512
00:22:19,680 --> 00:22:21,480
Speaker 3: their story. That shit is trash.

513
00:22:21,640 --> 00:22:24,399
Speaker 5: Now, I think if you just said you didn't like

514
00:22:24,440 --> 00:22:26,200
Speaker 5: the record, there may have been a chance that he

515
00:22:26,200 --> 00:22:27,960
Speaker 5: would have came on the show. You did go a

516
00:22:27,960 --> 00:22:30,640
Speaker 5: little extra in and personal of like he is he's

517
00:22:30,680 --> 00:22:31,359
Speaker 5: ruining music.

518
00:22:31,480 --> 00:22:34,080
Speaker 3: Yeah, yeah, all right.

519
00:22:34,119 --> 00:22:35,360
Speaker 5: I don't know if I'm gonna go on the show

520
00:22:35,359 --> 00:22:37,000
Speaker 5: at so he says I'm ruining music.

521
00:22:37,080 --> 00:22:40,080
Speaker 3: Can we have this conversation end of the year. Can

522
00:22:40,119 --> 00:22:41,920
Speaker 3: we revisit this this this moment, this record.

523
00:22:41,920 --> 00:22:43,399
Speaker 5: I don't think music will be ruined. I think it

524
00:22:43,400 --> 00:22:43,840
Speaker 5: will still be.

525
00:22:44,359 --> 00:22:46,400
Speaker 4: Can we revisit this song at the end of the year.

526
00:22:46,440 --> 00:22:47,200
Speaker 5: Oh sure, Okay.

527
00:22:47,960 --> 00:22:50,080
Speaker 1: I've been listening to that song though, and I'm like,

528
00:22:50,119 --> 00:22:52,199
Speaker 1: I regularly listen to that song. I can tell that

529
00:22:52,240 --> 00:22:54,640
Speaker 1: I'm gonna probably like that song for a very long time.

530
00:22:55,119 --> 00:22:55,359
Speaker 5: Now.

531
00:22:56,320 --> 00:22:58,960
Speaker 3: There's no way I really liked that record, bro, Yeah,

532
00:22:59,000 --> 00:23:02,240
Speaker 3: I like it. That shit some cash money, hot boys,

533
00:23:02,280 --> 00:23:06,880
Speaker 3: fucking chat GBT version of that. There's no way y'all

534
00:23:06,920 --> 00:23:08,120
Speaker 3: feeling that record? Now?

535
00:23:08,200 --> 00:23:10,959
Speaker 5: Should I reply to this email with examples of what

536
00:23:10,960 --> 00:23:14,639
Speaker 5: we've done with better help, I'll just do the l

537
00:23:14,680 --> 00:23:15,359
Speaker 5: Angel record.

538
00:23:15,720 --> 00:23:19,359
Speaker 1: Oh yeah, I'll just do it. Mat In Malla be

539
00:23:19,400 --> 00:23:24,040
Speaker 1: yelling from the kitchen that shit, I meet it, all right, man.

540
00:23:24,000 --> 00:23:26,120
Speaker 5: Yeah, we'll just send them better health ads and be like, look,

541
00:23:26,200 --> 00:23:27,680
Speaker 5: sometimes Rory just does.

542
00:23:27,520 --> 00:23:30,600
Speaker 3: It so so you would rather go and not saying

543
00:23:30,680 --> 00:23:32,160
Speaker 3: not saying this is the case, we don't know why

544
00:23:32,200 --> 00:23:34,000
Speaker 3: you passed, like that could be why you passed, But.

545
00:23:34,320 --> 00:23:37,200
Speaker 5: I mean, I can assume if he said his team

546
00:23:37,280 --> 00:23:40,040
Speaker 5: said we're going to pass, but he liked what Rory said,

547
00:23:40,400 --> 00:23:42,280
Speaker 5: means that he's passing because he hated what you said,

548
00:23:42,280 --> 00:23:43,440
Speaker 5: all right in a very nice way.

549
00:23:43,640 --> 00:23:45,520
Speaker 3: So you think that is better to go sit with

550
00:23:45,600 --> 00:23:48,480
Speaker 3: somebody that's just like, you know, this record is amazing,

551
00:23:48,560 --> 00:23:51,000
Speaker 3: and what was your inspiration behind making it?

552
00:23:51,040 --> 00:23:53,720
Speaker 4: And who the fuck wants to sit and watch that?

553
00:23:53,840 --> 00:23:53,919
Speaker 2: Well?

554
00:23:53,920 --> 00:23:55,800
Speaker 5: That kind of goes back to the Elliott conversation we

555
00:23:55,800 --> 00:23:58,920
Speaker 5: were having of slationship versus real journalism. I think both

556
00:23:59,040 --> 00:24:01,480
Speaker 5: is great. I think him said with you and talking

557
00:24:01,560 --> 00:24:04,560
Speaker 5: about that and actually proving that maybe he does really

558
00:24:04,600 --> 00:24:06,240
Speaker 5: really care about music and it's been a passion for

559
00:24:06,280 --> 00:24:08,680
Speaker 5: a while. This isn't just some random shit. Hey, look

560
00:24:08,760 --> 00:24:10,000
Speaker 5: look at all this footage of when we were in

561
00:24:10,080 --> 00:24:11,960
Speaker 5: high school when I was rapping, Like, what's the difference.

562
00:24:12,320 --> 00:24:14,360
Speaker 5: That would be a great combo. But he should also

563
00:24:14,480 --> 00:24:16,680
Speaker 5: go to people that are saying they like the record.

564
00:24:17,200 --> 00:24:19,880
Speaker 3: You ain't when people talk about you said you said

565
00:24:19,880 --> 00:24:22,399
Speaker 3: it said what you liked it? I do all right,

566
00:24:22,400 --> 00:24:24,080
Speaker 3: and I said I didn't, so why he still could.

567
00:24:24,520 --> 00:24:26,800
Speaker 3: It's somebody here that said they liked the record. That's

568
00:24:26,880 --> 00:24:30,080
Speaker 3: not what everybody got to say. They like it, Like no,

569
00:24:30,119 --> 00:24:32,919
Speaker 3: that's that's why saying you went you.

570
00:24:33,119 --> 00:24:35,360
Speaker 5: I can see how someone would take that more personal

571
00:24:35,400 --> 00:24:39,840
Speaker 5: than hey, I just dislike this. Like there there was

572
00:24:39,920 --> 00:24:41,480
Speaker 5: like when I put my outum out, there's plenty of

573
00:24:41,480 --> 00:24:43,040
Speaker 5: people that said, I don't like this, and cool, that's

574
00:24:43,040 --> 00:24:45,159
Speaker 5: your music opinion, no harm, no foul, I don't care.

575
00:24:45,200 --> 00:24:47,080
Speaker 5: But then there was people that were like, extra in,

576
00:24:47,280 --> 00:24:49,479
Speaker 5: I don't like this because of who this human being is,

577
00:24:49,760 --> 00:24:51,520
Speaker 5: and like the list off that that's how it felt.

578
00:24:51,680 --> 00:24:52,720
Speaker 5: It's like, goddamn, I.

579
00:24:52,720 --> 00:24:54,400
Speaker 3: Don't know him, but it ain't that I just want

580
00:24:54,400 --> 00:24:56,240
Speaker 3: that record is trash. I don't know him. I'm not

581
00:24:56,240 --> 00:25:00,000
Speaker 3: saying he's a trash person. The record is trash. You ain't.

582
00:25:00,000 --> 00:25:02,320
Speaker 1: I'm going on nobody podcasts who said, man, Rory and

583
00:25:02,359 --> 00:25:04,800
Speaker 1: Mall that shit is dirt. You're not gonna go visit

584
00:25:04,880 --> 00:25:06,960
Speaker 1: their podcast on your next person one.

585
00:25:07,119 --> 00:25:10,080
Speaker 5: Some people like say maybe a Russ would go do

586
00:25:10,160 --> 00:25:13,240
Speaker 5: that because he likes to confront people that disagree with

587
00:25:13,320 --> 00:25:15,400
Speaker 5: him or don't like his music, which I think is cool.

588
00:25:15,440 --> 00:25:17,879
Speaker 5: He's won over. He won me over years ago when

589
00:25:17,920 --> 00:25:18,520
Speaker 5: he was doing that shit.

590
00:25:18,640 --> 00:25:18,880
Speaker 3: Russell.

591
00:25:18,920 --> 00:25:19,320
Speaker 5: I respected.

592
00:25:19,400 --> 00:25:21,639
Speaker 3: Russ is a perfect example, and we spoke about it

593
00:25:21,680 --> 00:25:24,000
Speaker 3: when we had him on was in the airport and

594
00:25:24,000 --> 00:25:25,680
Speaker 3: at Atlanta, when we was on the same flight coming

595
00:25:25,680 --> 00:25:29,560
Speaker 3: from Atlanta to New York, was at the desk together,

596
00:25:29,640 --> 00:25:31,880
Speaker 3: saw him. You know, obviously, Oh that's Russ. I didn't

597
00:25:31,880 --> 00:25:34,600
Speaker 3: know him though we had never met, never spoke, never

598
00:25:34,640 --> 00:25:38,040
Speaker 3: had no exchange online. I may have probably said something

599
00:25:38,040 --> 00:25:39,760
Speaker 3: about him that he probably didn't like, but it was

600
00:25:39,800 --> 00:25:43,040
Speaker 3: never nothing disrespectful. I always thought he was talented. And

601
00:25:43,080 --> 00:25:44,760
Speaker 3: then when he came in we sat and taught, he remembered.

602
00:25:44,760 --> 00:25:46,280
Speaker 3: He's like, yeah, I saw he was in Atlanta. He

603
00:25:46,280 --> 00:25:47,879
Speaker 3: was on the same flight coming to New York. He

604
00:25:48,000 --> 00:25:50,240
Speaker 3: was like like, we didn't really speak and I was like, y'all,

605
00:25:50,240 --> 00:25:51,800
Speaker 3: I just didn't like. He was like, yeah, you were

606
00:25:51,840 --> 00:25:54,639
Speaker 3: just indifferent about me. Like he understands, like people just

607
00:25:54,720 --> 00:25:57,440
Speaker 3: don't have a real opinion on me because they either

608
00:25:57,480 --> 00:26:00,240
Speaker 3: don't know me, that my music doesn't really stick with

609
00:26:00,280 --> 00:26:02,760
Speaker 3: them like that. Like to me, that's the type of

610
00:26:02,760 --> 00:26:04,879
Speaker 3: people that's dope to sit down with people that understand, Like,

611
00:26:04,920 --> 00:26:07,520
Speaker 3: I get why people not kind of like, really, fuck,

612
00:26:07,560 --> 00:26:10,840
Speaker 3: don't fuck with me like that. He's still successful, he

613
00:26:10,920 --> 00:26:12,879
Speaker 3: still sells out shows, he still sells a lot of

614
00:26:13,160 --> 00:26:14,200
Speaker 3: records and shit like that.

615
00:26:14,480 --> 00:26:16,640
Speaker 4: But if it's somebody with a platform.

616
00:26:16,240 --> 00:26:18,399
Speaker 3: Says yo, I don't really, I don't know, or if

617
00:26:18,400 --> 00:26:20,560
Speaker 3: he sees you in person and you ain't really it's

618
00:26:20,560 --> 00:26:23,080
Speaker 3: no energy like it's but you obviously he knows who

619
00:26:23,119 --> 00:26:23,920
Speaker 3: you are. You know him.

620
00:26:24,400 --> 00:26:27,120
Speaker 4: It's still not no issue though. It's just like, y'all,

621
00:26:27,119 --> 00:26:27,640
Speaker 4: I understand.

622
00:26:27,680 --> 00:26:30,680
Speaker 1: You just don't really weren't, like you said, indifferent. You

623
00:26:30,800 --> 00:26:33,919
Speaker 1: passionately came here. That ship is fucking trash, y'all pretending

624
00:26:33,960 --> 00:26:36,280
Speaker 1: to like it. He just he just having a viral moment.

625
00:26:36,320 --> 00:26:39,640
Speaker 1: That shit ain't going nowhere. It is ruining music. Look

626
00:26:39,640 --> 00:26:42,040
Speaker 1: what they're doing to the game I love. That's okay,

627
00:26:42,240 --> 00:26:44,200
Speaker 1: I'm not it is okay. That's every year.

628
00:26:44,359 --> 00:26:46,120
Speaker 3: What do we sit here and say, Yo, I ain't

629
00:26:46,119 --> 00:26:49,000
Speaker 3: gonna lie to hip Yo. The rap is like Yo, it's.

630
00:26:48,960 --> 00:26:52,320
Speaker 1: That's fine, that's fine. But what I'm saying is I

631
00:26:52,359 --> 00:26:57,959
Speaker 1: don't think that he's being too sensitive when you dragged it.

632
00:26:58,040 --> 00:27:00,520
Speaker 1: We all told you too. Sense of this Okay, I'm like,

633
00:27:00,560 --> 00:27:03,159
Speaker 1: we like he but like, why wouldn't you want to

634
00:27:03,200 --> 00:27:05,600
Speaker 1: come out here, because like if you said something like

635
00:27:05,600 --> 00:27:07,159
Speaker 1: that about my music and I'm, first of all, I'm

636
00:27:07,200 --> 00:27:09,720
Speaker 1: a brand new rapper. I'm just coming in. You have

637
00:27:09,800 --> 00:27:12,920
Speaker 1: a huge fucking platform and I'm trying some new ship.

638
00:27:12,960 --> 00:27:15,400
Speaker 1: I'm trying raping. I'm passionate about it, artist sensitive about

639
00:27:15,400 --> 00:27:16,720
Speaker 1: that ship. No, I'm not coming on your show. I

640
00:27:16,760 --> 00:27:18,640
Speaker 1: might slap shit out you. I'm not coming on your show.

641
00:27:18,760 --> 00:27:21,160
Speaker 1: Well that's what spicy. He was too spicy with your ship.

642
00:27:21,200 --> 00:27:22,360
Speaker 3: Well we know that's not happening.

643
00:27:22,880 --> 00:27:25,640
Speaker 5: I mean, I think Russ told that story to kind

644
00:27:25,640 --> 00:27:27,240
Speaker 5: of allude to like, oh you're quiet now.

645
00:27:27,560 --> 00:27:36,200
Speaker 3: Yeah, I like but but he under at that moment

646
00:27:36,280 --> 00:27:38,159
Speaker 3: when we actually saw each other and we were on

647
00:27:38,160 --> 00:27:40,720
Speaker 3: the same flight, he could just tell like, you know,

648
00:27:40,840 --> 00:27:42,520
Speaker 3: I didn't I didn't say nothing to him, he didn't

649
00:27:42,560 --> 00:27:44,639
Speaker 3: say nothing to me. But it wasn't beef. It was

650
00:27:44,720 --> 00:27:47,560
Speaker 3: just like, I really don't know you. You know, we

651
00:27:47,720 --> 00:27:48,240
Speaker 3: never met.

652
00:27:48,320 --> 00:27:50,840
Speaker 5: So it's like, you know, wait, Jamarius, I think I

653
00:27:50,840 --> 00:27:55,199
Speaker 5: figured it out. What's a mother? I mother? I you

654
00:27:55,240 --> 00:27:59,119
Speaker 5: hate Langelo because he's on UMG. Now it makes sense.

655
00:27:59,600 --> 00:28:01,760
Speaker 5: We're like, yo, did you guys have a woman in common?

656
00:28:01,800 --> 00:28:01,879
Speaker 3: Like?

657
00:28:01,920 --> 00:28:05,000
Speaker 5: This feels this energy feels up now. I see the

658
00:28:05,080 --> 00:28:10,000
Speaker 5: hate started when he did that deal with the got

659
00:28:10,040 --> 00:28:13,920
Speaker 5: it right mother.

660
00:28:16,880 --> 00:28:19,199
Speaker 3: And then this quote the song, yeah you got it,

661
00:28:19,280 --> 00:28:20,000
Speaker 3: you got it right.

662
00:28:20,680 --> 00:28:25,600
Speaker 5: I guess we'll go to the elephant in the room.

663
00:28:25,920 --> 00:28:29,000
Speaker 5: Where do we want to begin? Jamarus was trying to

664
00:28:29,000 --> 00:28:31,080
Speaker 5: give me some ship right when she walked out the elevator,

665
00:28:31,440 --> 00:28:33,760
Speaker 5: feeling like she had a gotcha moment the same way

666
00:28:33,760 --> 00:28:34,440
Speaker 5: the internet did.

667
00:28:34,720 --> 00:28:36,760
Speaker 1: I just said, you're gonna walk back your take, That's

668
00:28:36,800 --> 00:28:39,280
Speaker 1: what I said. Are you going to walk back? You fools?

669
00:28:39,320 --> 00:28:42,320
Speaker 5: Watch pods or just skim through them? I don't understand.

670
00:28:42,400 --> 00:28:43,800
Speaker 1: Well, I was sitting here. I didn't have to watch.

671
00:28:43,800 --> 00:28:45,239
Speaker 1: I was like quite literally talking to you.

672
00:28:45,400 --> 00:28:48,440
Speaker 5: It is recorded. You know that I'm aware. Okay, So

673
00:28:48,560 --> 00:28:50,160
Speaker 5: Damarus came in here and say you're gonna walk your

674
00:28:50,160 --> 00:28:51,680
Speaker 5: take back? I said, what take? What? I would have

675
00:28:51,760 --> 00:28:56,040
Speaker 5: to walk back? She said that you said Drake was

676
00:28:56,080 --> 00:28:58,920
Speaker 5: trying to save music and save all the artists. I

677
00:28:59,000 --> 00:29:00,800
Speaker 5: never said that ship matter. In fact, when we replied

678
00:29:00,800 --> 00:29:03,760
Speaker 5: to Charlet Mayne and I said very very clearly, even

679
00:29:03,800 --> 00:29:05,960
Speaker 5: if he is doing this for selfish reasons, which he

680
00:29:06,000 --> 00:29:08,600
Speaker 5: may be, I don't particularly give a fuck because I

681
00:29:08,600 --> 00:29:12,480
Speaker 5: think that petition could be very good for all artists.

682
00:29:12,520 --> 00:29:14,920
Speaker 5: If UMG has to go through depositions open their books,

683
00:29:15,120 --> 00:29:18,440
Speaker 5: there could be some bad practices of how songs are

684
00:29:18,480 --> 00:29:24,000
Speaker 5: manipulated between DSPs and majors. Now, that is what I said,

685
00:29:24,200 --> 00:29:27,200
Speaker 5: and I don't walk that take back whatsoever. Do I

686
00:29:27,240 --> 00:29:30,040
Speaker 5: think Drake was doing it to save all the artists, No,

687
00:29:30,040 --> 00:29:30,560
Speaker 5: nor did I.

688
00:29:30,480 --> 00:29:30,920
Speaker 3: Say he was.

689
00:29:31,280 --> 00:29:33,320
Speaker 5: I just thought it was going to be something that

690
00:29:33,320 --> 00:29:36,360
Speaker 5: could have been good in the long run for everybody,

691
00:29:36,520 --> 00:29:39,080
Speaker 5: but still understood why it made Drake look completely fucking

692
00:29:39,160 --> 00:29:42,320
Speaker 5: nuts to the rest of the world. Now that petition

693
00:29:42,440 --> 00:29:45,400
Speaker 5: is gone and what has replaced it is just a

694
00:29:45,440 --> 00:29:50,280
Speaker 5: straight up defamation case for Drake to UMG. And at

695
00:29:50,320 --> 00:29:56,280
Speaker 5: this point I'm not walking anything back. I am. I

696
00:29:56,280 --> 00:30:01,040
Speaker 5: am taking myself out of the objective column. Okay, you

697
00:30:01,120 --> 00:30:04,239
Speaker 5: can't do a defamation case in a rap bet what

698
00:30:04,280 --> 00:30:06,680
Speaker 5: he was doing before with the manipulation. I still think

699
00:30:06,720 --> 00:30:08,479
Speaker 5: it's odd to sue in a rap battle, but I

700
00:30:08,520 --> 00:30:11,360
Speaker 5: fully understand it. If Drakes in the middle of a

701
00:30:11,400 --> 00:30:15,320
Speaker 5: negotiation with a major label and they put money behind

702
00:30:15,360 --> 00:30:18,120
Speaker 5: a song that calls him a pedophile, fucks with a reputation,

703
00:30:18,360 --> 00:30:20,840
Speaker 5: lowers his value in that negotiation. That is illegal, and

704
00:30:20,880 --> 00:30:24,560
Speaker 5: he has a case with that said, you're still a

705
00:30:24,640 --> 00:30:28,520
Speaker 5: rapper and there's still rapper rules. This is just a

706
00:30:28,560 --> 00:30:32,480
Speaker 5: straight up defamation case. When you asked Kendrick to do

707
00:30:32,520 --> 00:30:36,440
Speaker 5: that knowing he's on UMG, and I would like Kendrick

708
00:30:36,520 --> 00:30:39,360
Speaker 5: to do it, call me a pedophile or you think

709
00:30:39,560 --> 00:30:45,200
Speaker 5: Tupac to that. Sorry, he's straight upset. And that's where again.

710
00:30:45,080 --> 00:30:47,840
Speaker 3: He asked Kendrick to call him a pedophile, yes, and

711
00:30:47,920 --> 00:30:49,560
Speaker 3: Taylor made I.

712
00:30:49,560 --> 00:30:52,520
Speaker 4: Don't remember him asking Kendrick to call him a pedophile.

713
00:30:52,080 --> 00:30:56,960
Speaker 5: Tupac asked. Tupac was telling Kendrick Lamar that he should

714
00:30:57,000 --> 00:31:00,480
Speaker 5: call Drake a pedophile. The ghost of pucor he still live,

715
00:31:00,480 --> 00:31:05,160
Speaker 5: maybe he recorded in Cuba. I don't know, but you can't. Again,

716
00:31:05,360 --> 00:31:08,800
Speaker 5: I saw the other petition having some value in the

717
00:31:08,840 --> 00:31:11,120
Speaker 5: long run, but now that this is just a defamation case,

718
00:31:11,880 --> 00:31:14,800
Speaker 5: I personally just don't care anymore because that's completely between

719
00:31:14,920 --> 00:31:19,080
Speaker 5: Drake and UMG. And I fully agree that it looks

720
00:31:19,120 --> 00:31:21,480
Speaker 5: insane in a rat battle. If you tell someone to

721
00:31:21,520 --> 00:31:24,880
Speaker 5: call me a pedophile, and then at some point you

722
00:31:25,040 --> 00:31:28,320
Speaker 5: sue a company for funding what you told them to do.

723
00:31:29,040 --> 00:31:33,040
Speaker 5: And on top of that, how would you be looking

724
00:31:33,080 --> 00:31:35,600
Speaker 5: at this. Let's say Drake never sues and Kendrick ends up.

725
00:31:35,720 --> 00:31:39,600
Speaker 5: Let's say Kendrick lost and Kendrick ends up suing UMG

726
00:31:40,720 --> 00:31:43,360
Speaker 5: because Drake said that he's a woman beater and that

727
00:31:43,440 --> 00:31:46,920
Speaker 5: his son isn't his How would you view that? Would

728
00:31:46,960 --> 00:31:47,520
Speaker 5: you be okay with it?

729
00:31:48,400 --> 00:31:51,880
Speaker 3: If a company publishes a song or does something that

730
00:31:51,960 --> 00:31:56,160
Speaker 3: directly violates my contract I have with him, I'm not

731
00:31:56,240 --> 00:31:59,920
Speaker 3: mad at any artist that is suing that company. Okay,

732
00:32:00,080 --> 00:32:02,400
Speaker 3: we have a contract before any bat or anything happens.

733
00:32:02,400 --> 00:32:04,680
Speaker 3: We signed the contract having long ago, and in my

734
00:32:04,800 --> 00:32:07,640
Speaker 3: contract the company because we love to talk about the

735
00:32:07,680 --> 00:32:09,680
Speaker 3: machine and how they fuck artists over all the time,

736
00:32:09,760 --> 00:32:16,720
Speaker 3: fuck them if they violated my contract with them an

737
00:32:16,840 --> 00:32:19,280
Speaker 3: artists because it's all no now, all of a sudden,

738
00:32:19,280 --> 00:32:22,120
Speaker 3: we want morals and integrity and rap right that's out.

739
00:32:22,160 --> 00:32:24,280
Speaker 3: Nobody's like, oh, you can't do that. You can't do

740
00:32:24,320 --> 00:32:27,760
Speaker 3: this with rap niggas do everything else. Will rap niggas

741
00:32:27,760 --> 00:32:29,680
Speaker 3: put out songs with niggas that can't rap, push songs

742
00:32:29,720 --> 00:32:31,719
Speaker 3: and music with niggas that can't rap, give their day

743
00:32:32,320 --> 00:32:34,080
Speaker 3: all day. We could do all of that, but when

744
00:32:34,080 --> 00:32:36,040
Speaker 3: it comes down to the artists in I'm gonna protect

745
00:32:36,080 --> 00:32:40,160
Speaker 3: my contract. Y'all did not honor within my contract. Y'all

746
00:32:40,240 --> 00:32:44,040
Speaker 3: violated my contract. Now it's oh nah, he bugging, he

747
00:32:44,120 --> 00:32:46,920
Speaker 3: can't do that, Okay, So I can't what I want

748
00:32:46,960 --> 00:32:48,840
Speaker 3: to ask you because I read some of the lawsuit.

749
00:32:48,920 --> 00:32:51,480
Speaker 1: I didn't come across come across exactly what you're saying.

750
00:32:51,560 --> 00:32:54,400
Speaker 1: What did they violate in his current contract? Because what

751
00:32:54,400 --> 00:32:57,200
Speaker 1: I'm seeing is this is a defamation lawsuit that in

752
00:32:57,240 --> 00:32:59,360
Speaker 1: my next contract. You know that you know that we're

753
00:32:59,400 --> 00:33:04,240
Speaker 1: in negotiations, and you supported him putting this record out,

754
00:33:04,320 --> 00:33:07,320
Speaker 1: knowing that it would turnish my character, therefore hoping to

755
00:33:07,920 --> 00:33:09,520
Speaker 1: you know, you guys do not have to pay me

756
00:33:09,560 --> 00:33:12,760
Speaker 1: as much in our next negotiation. So where did he

757
00:33:12,920 --> 00:33:16,360
Speaker 1: violate a past Where did UMG violate a past contract

758
00:33:16,400 --> 00:33:19,080
Speaker 1: by releasing Kendrick's record, which is what this lossuit was for.

759
00:33:20,440 --> 00:33:23,120
Speaker 3: Again, I don't know. I don't know what Drake and

760
00:33:23,320 --> 00:33:28,440
Speaker 3: UMG's contract is, but I'm saying if his lawyers his lawyers,

761
00:33:28,440 --> 00:33:31,120
Speaker 3: which we can assume he has great lawyers. They know

762
00:33:31,240 --> 00:33:34,280
Speaker 3: his contract, they know exactly what's in his contract with UMG.

763
00:33:35,040 --> 00:33:38,200
Speaker 3: If they feel like something was violated and they moved

764
00:33:38,240 --> 00:33:40,920
Speaker 3: forward with it and took it to a federal court,

765
00:33:41,920 --> 00:33:44,080
Speaker 3: then I think that they know exactly what they're doing.

766
00:33:44,320 --> 00:33:46,960
Speaker 3: So any public opinion and public perception, we know, no

767
00:33:47,000 --> 00:33:50,080
Speaker 3: matter what happens, it could come out tomorrow that they

768
00:33:50,200 --> 00:33:53,520
Speaker 3: absolutely did some dirty shit to Drake, violated him, did

769
00:33:53,560 --> 00:33:55,960
Speaker 3: whatever they did. And people are still going to say, yo,

770
00:33:56,000 --> 00:33:58,040
Speaker 3: but you can't do that in rap. But that's not

771
00:33:58,040 --> 00:33:59,080
Speaker 3: what so it doesn't matter.

772
00:33:59,200 --> 00:34:00,720
Speaker 1: That's not what the loss who is saying that the

773
00:34:00,760 --> 00:34:04,040
Speaker 1: lawsuit is saying. It's a defamation case. You supported an

774
00:34:04,160 --> 00:34:08,719
Speaker 1: artist saying terrible things about me that aren't true. That's

775
00:34:08,719 --> 00:34:09,200
Speaker 1: what they're saying.

776
00:34:09,239 --> 00:34:11,719
Speaker 5: Now, what he's saying up defamation instead of a discovery

777
00:34:11,760 --> 00:34:16,399
Speaker 5: of bad practices between DSPs and major labels. Yeah, that's

778
00:34:16,400 --> 00:34:17,920
Speaker 5: why I was excited about it and why I liked it.

779
00:34:18,080 --> 00:34:20,239
Speaker 5: Now this is just a straight up defamation case, which

780
00:34:20,360 --> 00:34:23,920
Speaker 5: again by definition, Drake has a solid case. You are

781
00:34:24,000 --> 00:34:27,600
Speaker 5: funding somebody that called me a pedophile and it ruined

782
00:34:27,600 --> 00:34:31,000
Speaker 5: my reputation where people have a problem with it, myself included,

783
00:34:31,440 --> 00:34:35,760
Speaker 5: is it's almost like entrapment because by definition, rat battles

784
00:34:35,800 --> 00:34:36,480
Speaker 5: are defamation.

785
00:34:36,719 --> 00:34:38,880
Speaker 1: Yeah, so if you went in knowing.

786
00:34:40,080 --> 00:34:42,960
Speaker 5: Drake even said on the shop, I study rap battles

787
00:34:42,960 --> 00:34:45,839
Speaker 5: for a living, and I believe him because there has

788
00:34:45,880 --> 00:34:48,239
Speaker 5: been times when Drake has mopped people up in rap battles.

789
00:34:48,800 --> 00:34:51,080
Speaker 5: You study this for a living. You know what a

790
00:34:51,160 --> 00:34:55,799
Speaker 5: rap battle is. It's by definition, who can defame each other? Worse, So,

791
00:34:56,320 --> 00:34:59,400
Speaker 5: going in knowing that and also defaming someone else, you

792
00:34:59,480 --> 00:35:02,239
Speaker 5: then turn round and sue for the definition of a

793
00:35:02,320 --> 00:35:07,160
Speaker 5: rap battle. That That is where everyone is kind of like,

794
00:35:07,200 --> 00:35:09,759
Speaker 5: all right, man, Even people like myself that understood the

795
00:35:09,800 --> 00:35:12,319
Speaker 5: first petition are looking at this now like, yes, you

796
00:35:12,440 --> 00:35:15,680
Speaker 5: are right, But at what point do you just save face.

797
00:35:17,000 --> 00:35:21,000
Speaker 3: But save face so that the label doesn't pay for

798
00:35:21,040 --> 00:35:22,120
Speaker 3: the ship that they violated?

799
00:35:22,320 --> 00:35:24,840
Speaker 1: But what but you keep saying that the label violated

800
00:35:24,920 --> 00:35:27,280
Speaker 1: when his suit is not that the label violated anything.

801
00:35:27,680 --> 00:35:31,319
Speaker 1: His suit is that they allowed Kendrick to say mean

802
00:35:31,360 --> 00:35:32,120
Speaker 1: things about him.

803
00:35:32,320 --> 00:35:35,120
Speaker 4: Again, that's what we know so far. We don't we

804
00:35:35,160 --> 00:35:35,800
Speaker 4: don't know.

805
00:35:35,760 --> 00:35:39,600
Speaker 3: Exactly what they viol Like, yes, it's a deformation, deformation suit.

806
00:35:39,920 --> 00:35:42,160
Speaker 3: But what the where did it? Like, where did that

807
00:35:42,200 --> 00:35:43,880
Speaker 3: come in at? Like, where did they do that at?

808
00:35:44,239 --> 00:35:46,440
Speaker 3: Now we know that, Oh, yes, they You publish a

809
00:35:46,480 --> 00:35:49,640
Speaker 3: song with somebody saying things about me. You posted my

810
00:35:49,760 --> 00:35:53,839
Speaker 3: home on DSPs with sex predator Marcus above my own.

811
00:35:54,480 --> 00:35:56,040
Speaker 3: That could be that could be in his contract with

812
00:35:56,080 --> 00:35:58,719
Speaker 3: shit like that. A label cannot do. They cannot allow

813
00:35:58,760 --> 00:36:01,160
Speaker 3: that to happen. I'm just saying, we don't know the

814
00:36:01,239 --> 00:36:03,239
Speaker 3: nuances of this contract.

815
00:36:02,880 --> 00:36:06,520
Speaker 5: With UMG, and we are kind of agreeing with you.

816
00:36:06,600 --> 00:36:09,279
Speaker 5: I think he has a case. Yes, by no, I

817
00:36:09,400 --> 00:36:12,359
Speaker 5: know he has a case that I know. Of course

818
00:36:12,400 --> 00:36:16,799
Speaker 5: it's defamation. If UMG is distributing a photo of my

819
00:36:16,920 --> 00:36:19,840
Speaker 5: house with pedophile dots all over it, Yes, that's defamation.

820
00:36:20,360 --> 00:36:24,719
Speaker 5: Everyone is looking at it nuts because had he won,

821
00:36:26,080 --> 00:36:29,759
Speaker 5: this would probably not be happening if he wanted, I

822
00:36:29,760 --> 00:36:32,600
Speaker 5: don't think, because no one, no one really.

823
00:36:32,400 --> 00:36:35,000
Speaker 3: Going off for if though, like, let's not speak from

824
00:36:35,040 --> 00:36:37,680
Speaker 3: if this happened, if that happened, if that, let's speak

825
00:36:37,719 --> 00:36:40,480
Speaker 3: to what happened and then speak to the fact that again,

826
00:36:40,600 --> 00:36:43,319
Speaker 3: I you've you've never seen this contract with you. I've

827
00:36:43,360 --> 00:36:45,920
Speaker 3: never seen this contract with UMG. Most people online have

828
00:36:46,000 --> 00:36:48,840
Speaker 3: never seen this contract with UMG. I'm just saying, just

829
00:36:48,880 --> 00:36:51,400
Speaker 3: think about it from standpoint that if his lawyers, his

830
00:36:51,560 --> 00:36:57,080
Speaker 3: team feels like there's a violation of their client's contract

831
00:36:57,160 --> 00:37:00,640
Speaker 3: with this company and we're moving forward with this lawsuit,

832
00:37:01,400 --> 00:37:02,799
Speaker 3: there's some validity to that.

833
00:37:02,960 --> 00:37:05,319
Speaker 1: But the only thing that we're telling you is as

834
00:37:05,360 --> 00:37:07,560
Speaker 1: we sit in this room and we have this conversation

835
00:37:07,640 --> 00:37:10,000
Speaker 1: with the knowledge that we have as far as going

836
00:37:10,040 --> 00:37:13,440
Speaker 1: through the lawsuit, the news articles, and what is available

837
00:37:13,440 --> 00:37:15,200
Speaker 1: to us, as far as what the lawsuit says.

838
00:37:15,239 --> 00:37:17,439
Speaker 4: So speaking from a very limited window.

839
00:37:17,160 --> 00:37:20,239
Speaker 1: Of speaking from what the lawsuit says, period, that's what

840
00:37:20,280 --> 00:37:23,440
Speaker 1: anybody can speak to. The lawyers filed a lawsuit. The

841
00:37:23,520 --> 00:37:26,719
Speaker 1: lawsuit is for defamation. The lawyers are not suing for

842
00:37:26,800 --> 00:37:29,719
Speaker 1: breach of contract. They are suing for defamation. So you

843
00:37:29,800 --> 00:37:32,440
Speaker 1: keep saying and oh, well, they broke contract, they broke contract.

844
00:37:32,440 --> 00:37:34,719
Speaker 1: We're not talking about that because unless you have some

845
00:37:34,800 --> 00:37:36,160
Speaker 1: and I'm not gonna be a funny unless you have

846
00:37:36,200 --> 00:37:38,960
Speaker 1: some information that you're going to give us, we're as

847
00:37:38,960 --> 00:37:41,320
Speaker 1: far as a breach of contract, that's not in this lawsuit.

848
00:37:41,320 --> 00:37:44,839
Speaker 1: As far as a breach of contract, it's strictly about defamation.

849
00:37:45,000 --> 00:37:48,680
Speaker 5: And even I'm sure there probably is some type of cause. Sure,

850
00:37:48,840 --> 00:37:52,600
Speaker 5: a lot of artists contracts between their partner that there

851
00:37:52,680 --> 00:37:55,600
Speaker 5: can't you can't do that to your artists. There can

852
00:37:55,680 --> 00:37:59,480
Speaker 5: be no defamation, So it probably broke the contract. But again,

853
00:37:59,520 --> 00:38:02,480
Speaker 5: people are looking at it like you went into a

854
00:38:02,520 --> 00:38:05,799
Speaker 5: battle where defamation is the entire thing. Now, I think

855
00:38:05,800 --> 00:38:08,600
Speaker 5: it's fucked up if they were changing the rules to

856
00:38:08,680 --> 00:38:11,640
Speaker 5: make sure not like us went crazy, especially if they're

857
00:38:11,640 --> 00:38:14,399
Speaker 5: calling him a pedophile. But at this point I'm I'm

858
00:38:14,440 --> 00:38:16,399
Speaker 5: out of it because to me now it's just such.

859
00:38:16,440 --> 00:38:21,520
Speaker 5: It's a personal Drake UMG pissing, Yeah, back and forth.

860
00:38:22,000 --> 00:38:26,160
Speaker 1: So what UMG said, right, they let out something they said,

861
00:38:26,160 --> 00:38:28,960
Speaker 1: it's basically they said that this is a logical It's untrue.

862
00:38:29,840 --> 00:38:32,920
Speaker 1: Throughout his career, Drake has intentionally and successfully used the

863
00:38:33,040 --> 00:38:35,960
Speaker 1: UMG to distribute his music and poetry, to engage in

864
00:38:36,040 --> 00:38:40,760
Speaker 1: conventionally conventionally outrageous back and forth rat battles to express

865
00:38:40,800 --> 00:38:43,640
Speaker 1: his feelings about other artists. He now seeks to weaponize

866
00:38:43,640 --> 00:38:47,040
Speaker 1: the legal process to silence an artist's creative expression and

867
00:38:47,080 --> 00:38:50,080
Speaker 1: to seek damages from UMG for distributing that artist music,

868
00:38:50,160 --> 00:38:52,160
Speaker 1: which is basically like, well, Drake, we've put out your

869
00:38:52,239 --> 00:38:55,120
Speaker 1: music when you said crazy shit about people this whole time.

870
00:38:55,200 --> 00:38:57,040
Speaker 1: But now because somebody called you a pedophile and you

871
00:38:57,080 --> 00:38:59,840
Speaker 1: lost the rat battle, now you're using the legal process

872
00:38:59,880 --> 00:39:02,400
Speaker 1: to us when you've been engaging in rat battles.

873
00:39:02,480 --> 00:39:06,480
Speaker 3: Yeah, but that's not And again I can't because no

874
00:39:06,520 --> 00:39:08,480
Speaker 3: matter what I say on the situation, it's gonna look

875
00:39:08,520 --> 00:39:10,960
Speaker 3: like I'm just riding for my guy. But what I'm

876
00:39:11,000 --> 00:39:13,040
Speaker 3: saying is you can't look at it like that because

877
00:39:13,920 --> 00:39:16,719
Speaker 3: if it's essentially we know that he's in a negotiation

878
00:39:16,800 --> 00:39:19,520
Speaker 3: with this with this company, right he's They're probably one

879
00:39:19,520 --> 00:39:23,960
Speaker 3: of their biggest artists ever. He's probably asking for things

880
00:39:24,080 --> 00:39:26,799
Speaker 3: and you know that we can't even fathom no other

881
00:39:27,239 --> 00:39:29,439
Speaker 3: probably one of the biggest deals we will ever see

882
00:39:29,440 --> 00:39:31,240
Speaker 3: an artists get from a label.

883
00:39:31,440 --> 00:39:34,240
Speaker 4: Right insert rap battle.

884
00:39:35,200 --> 00:39:39,640
Speaker 3: Here's another artist that this label is publishing and distributing.

885
00:39:42,120 --> 00:39:46,000
Speaker 3: If he knows some things that they did on that side,

886
00:39:47,400 --> 00:39:52,640
Speaker 3: that will directly one violate his contract, hurt his brand,

887
00:39:53,200 --> 00:39:58,319
Speaker 3: and now interrupt his negotiation leverage in his in his

888
00:39:58,400 --> 00:40:02,960
Speaker 3: in his in his deal with them. Because this is

889
00:40:02,960 --> 00:40:07,520
Speaker 3: a rap battle y'all feel like he shouldn't do that.

890
00:40:07,800 --> 00:40:10,400
Speaker 3: He should just say, Oh nah, I'm gonna take the lass.

891
00:40:11,360 --> 00:40:14,319
Speaker 3: I'm gonna lose out on money that most people will

892
00:40:14,320 --> 00:40:16,960
Speaker 3: never see in their life, and I'm just gonna let

893
00:40:17,040 --> 00:40:18,120
Speaker 3: it be what it is now.

894
00:40:18,680 --> 00:40:20,759
Speaker 5: That the stance he should take. Okay, I'm just asking

895
00:40:22,160 --> 00:40:25,200
Speaker 5: this is speculation to answer that. We know that Drake

896
00:40:25,400 --> 00:40:28,280
Speaker 5: fulfilled his contract and was going into negotiate with UMG

897
00:40:28,680 --> 00:40:32,520
Speaker 5: around the time of this rat battle. He has put

898
00:40:32,560 --> 00:40:35,480
Speaker 5: a petition in UMG and is now suing UMG for

899
00:40:36,480 --> 00:40:40,040
Speaker 5: damages of defamation. Do we think he's going to ever

900
00:40:40,080 --> 00:40:43,600
Speaker 5: work with UMG again? So either way, all that money

901
00:40:44,040 --> 00:40:46,720
Speaker 5: or stake or percentage that he is owed by UMG

902
00:40:47,360 --> 00:40:49,840
Speaker 5: is now gone and he's probably gonna go independent. So

903
00:40:49,920 --> 00:40:52,280
Speaker 5: at that point, why don't you protect your rapper brand,

904
00:40:52,480 --> 00:40:56,000
Speaker 5: your fan brand instead of your legal brand and move

905
00:40:56,040 --> 00:40:56,600
Speaker 5: the fuck on.

906
00:40:58,560 --> 00:41:02,000
Speaker 3: Again? You say protected, I feel like this is him

907
00:41:02,040 --> 00:41:03,560
Speaker 3: protecting his brand.

908
00:41:04,200 --> 00:41:06,560
Speaker 5: I feel like this You don't think brand is when

909
00:41:06,600 --> 00:41:10,560
Speaker 5: it comes to music, A lot of that comes from

910
00:41:10,600 --> 00:41:13,360
Speaker 5: your fans rather than your legal process or your label's

911
00:41:13,360 --> 00:41:16,799
Speaker 5: perception of you, especially rappers.

912
00:41:17,480 --> 00:41:19,520
Speaker 3: Yes, but you're talking about if this is not. This

913
00:41:19,640 --> 00:41:22,520
Speaker 3: is a very different situation though, because we're talking about

914
00:41:22,840 --> 00:41:25,640
Speaker 3: you keep saying Rapper, this is one of the biggest

915
00:41:25,719 --> 00:41:26,560
Speaker 3: artists in the world.

916
00:41:26,640 --> 00:41:29,880
Speaker 5: That's why I was excited with the petition before, because

917
00:41:29,920 --> 00:41:31,560
Speaker 5: even if people thought it was sucker shit, I was like, well,

918
00:41:31,640 --> 00:41:34,160
Speaker 5: Drake is the only one that I know of, outside

919
00:41:34,200 --> 00:41:37,040
Speaker 5: of Taylor Swift that would even have a chance at

920
00:41:37,080 --> 00:41:41,040
Speaker 5: going at the majors and making them open their books

921
00:41:41,080 --> 00:41:44,080
Speaker 5: to show what the fuck they do. And now that

922
00:41:44,080 --> 00:41:46,880
Speaker 5: that has gone and now it's just defamation, we're not

923
00:41:46,880 --> 00:41:48,239
Speaker 5: going to learn anything at all.

924
00:41:48,280 --> 00:41:49,880
Speaker 4: So I don't okay, So let me ask you something.

925
00:41:49,880 --> 00:41:53,760
Speaker 3: Do you think that Taylor Swift's label will allow another

926
00:41:53,880 --> 00:41:56,000
Speaker 3: artist to put her home up on DSP's a picture

927
00:41:56,000 --> 00:41:57,839
Speaker 3: of a home up with sex offend the Marcus above

928
00:41:57,840 --> 00:41:58,160
Speaker 3: her own?

929
00:41:58,200 --> 00:42:01,480
Speaker 5: No, okay, I'm not saying Drake doesn't have a right

930
00:42:01,520 --> 00:42:03,200
Speaker 5: to be upset at his label, But if we're going

931
00:42:03,239 --> 00:42:06,399
Speaker 5: to to protect the brand, conversation host battle is.

932
00:42:06,360 --> 00:42:07,280
Speaker 3: Protecting the brand?

933
00:42:07,360 --> 00:42:10,800
Speaker 5: Well, okay, so what you're saying because he's negotiating with UMG,

934
00:42:11,160 --> 00:42:13,960
Speaker 5: that negotiation is not gonna happen anymore. There's a't know

935
00:42:14,000 --> 00:42:17,000
Speaker 5: that you think UMG and Drake are gonna work together again.

936
00:42:18,000 --> 00:42:19,719
Speaker 4: I don't think UMG is gonna watch him leave.

937
00:42:19,840 --> 00:42:22,040
Speaker 1: I don't think Drake wants to work with UMG. Fuck

938
00:42:22,320 --> 00:42:24,279
Speaker 1: UMG watch him leave. I don't think Drake wants to

939
00:42:24,280 --> 00:42:24,920
Speaker 1: work with UMG.

940
00:42:25,480 --> 00:42:27,520
Speaker 3: I mean that could be true, that could be true,

941
00:42:27,520 --> 00:42:30,319
Speaker 3: but I'm just saying, if they end up settling and

942
00:42:30,320 --> 00:42:34,279
Speaker 3: paying him what he wants to stay, you don't think

943
00:42:34,280 --> 00:42:36,919
Speaker 3: he would take it. It'll be it'll be some ship

944
00:42:36,960 --> 00:42:39,280
Speaker 3: that we've never seen an artist get before.

945
00:42:40,360 --> 00:42:41,960
Speaker 5: Yeah, I mean, you don't.

946
00:42:41,800 --> 00:42:44,600
Speaker 3: Think that he would stay if they'd be like, yo,

947
00:42:44,640 --> 00:42:46,799
Speaker 3: you know what, you're right? We did. We did fuck up,

948
00:42:46,800 --> 00:42:47,439
Speaker 3: we dropped the bullet.

949
00:42:47,520 --> 00:42:48,359
Speaker 1: Well, that's not gonna happen.

950
00:42:48,600 --> 00:42:50,640
Speaker 3: I'm just saying, y y'all want to speak on this.

951
00:42:50,640 --> 00:42:53,080
Speaker 3: This is an iff. If they do that, which I

952
00:42:53,600 --> 00:42:57,239
Speaker 3: doubt it, but if right, if they do that, you

953
00:42:57,280 --> 00:42:59,040
Speaker 3: don't see him taking.

954
00:42:58,760 --> 00:43:02,000
Speaker 1: That, No seeing me him take Whether he takes it

955
00:43:02,080 --> 00:43:04,080
Speaker 1: or not, that's not what's what we're talking about, is Oh,

956
00:43:04,120 --> 00:43:04,520
Speaker 1: y'all just.

957
00:43:04,440 --> 00:43:06,840
Speaker 3: Say you don't see him working with UMGF again. I'm saying,

958
00:43:07,040 --> 00:43:09,279
Speaker 3: if they put on the table.

959
00:43:09,080 --> 00:43:10,719
Speaker 1: Or if he don't, I don't know Drake well enough

960
00:43:10,719 --> 00:43:12,880
Speaker 1: to know if he's cool with I don't know him

961
00:43:12,920 --> 00:43:14,480
Speaker 1: well enough to know where, know his character or know

962
00:43:14,560 --> 00:43:17,040
Speaker 1: what's important to him for him to put all of

963
00:43:17,080 --> 00:43:19,920
Speaker 1: these allegations or not allegations, but to say these things,

964
00:43:19,960 --> 00:43:21,839
Speaker 1: these really hurt him. These put his kids, his child

965
00:43:21,880 --> 00:43:23,960
Speaker 1: at danger, This put him at danger. And then to

966
00:43:24,000 --> 00:43:25,759
Speaker 1: go back and work with that company and trust that

967
00:43:25,800 --> 00:43:28,040
Speaker 1: company with all that large summer of money that he makes.

968
00:43:28,160 --> 00:43:29,560
Speaker 1: I don't know if he'll do that or not. I

969
00:43:29,600 --> 00:43:31,720
Speaker 1: can't say. I can't speak on that. When we're speaking

970
00:43:31,719 --> 00:43:34,560
Speaker 1: about his brand and Rory saying protect his brand. I

971
00:43:34,600 --> 00:43:39,759
Speaker 1: think what Rory's point is is if either way, whether

972
00:43:39,800 --> 00:43:41,719
Speaker 1: they whether you lose or whether you win, the only

973
00:43:41,719 --> 00:43:44,840
Speaker 1: thing that's at risk right now is money. The battle

974
00:43:44,840 --> 00:43:47,440
Speaker 1: has been lost, the reputation has been lost. And then

975
00:43:47,480 --> 00:43:51,880
Speaker 1: with the with the lawsuit people this is this is

976
00:43:51,880 --> 00:43:53,759
Speaker 1: a sting. Whether you win a lawsuit or not, people

977
00:43:53,800 --> 00:43:56,120
Speaker 1: are gonna say, well, damn, Drake won a lawsuit, So

978
00:43:56,160 --> 00:43:57,840
Speaker 1: this changes how I feel about the way that he

979
00:43:57,880 --> 00:43:59,799
Speaker 1: went about it. That's not gonna happen. So I think

980
00:43:59,800 --> 00:44:01,000
Speaker 1: that's that's why this is not that.

981
00:44:01,200 --> 00:44:03,000
Speaker 3: But that's what I'm saying that's why this is about

982
00:44:03,000 --> 00:44:06,120
Speaker 3: none of that, because Rory said, you think about, you know,

983
00:44:06,320 --> 00:44:08,640
Speaker 3: the perception and how what people are going to view

984
00:44:08,680 --> 00:44:09,680
Speaker 3: you as in your brand.

985
00:44:10,480 --> 00:44:12,479
Speaker 4: To me, again, I don't know for sure.

986
00:44:12,840 --> 00:44:14,440
Speaker 3: I'm thinking that he's at a point where he's not

987
00:44:14,480 --> 00:44:20,160
Speaker 3: even thinking about that. He's protecting him his self, his brand,

988
00:44:20,520 --> 00:44:24,200
Speaker 3: his reputation. He's not thinking about public perception. He's not

989
00:44:24,239 --> 00:44:27,640
Speaker 3: thinking about what a few five thousand fans that have

990
00:44:27,800 --> 00:44:29,879
Speaker 3: a community on Twitter are saying about him, like, oh,

991
00:44:29,880 --> 00:44:32,399
Speaker 3: he's suing, He's you don't do that in rap.

992
00:44:32,480 --> 00:44:33,640
Speaker 4: He's not thinking about that.

993
00:44:33,960 --> 00:44:35,640
Speaker 3: His home got shot up, he had to take his

994
00:44:35,719 --> 00:44:40,520
Speaker 3: kid out of school, people trying to into his property. Kids.

995
00:44:40,680 --> 00:44:43,440
Speaker 3: Matt Hoffe spoke about it. His daughters, they young, they

996
00:44:43,480 --> 00:44:45,160
Speaker 3: in the house, say yeah, Drake is a pedophile. He

997
00:44:45,239 --> 00:44:48,880
Speaker 3: likes kids. Like so clearly this has affected him beyond

998
00:44:48,920 --> 00:44:51,480
Speaker 3: probably what people could even imagine, Like, yo, you know,

999
00:44:51,520 --> 00:44:54,399
Speaker 3: people are really like this message is like, people are

1000
00:44:54,400 --> 00:44:57,239
Speaker 3: thinking there's some validity to this shit, And to me,

1001
00:44:58,400 --> 00:45:00,200
Speaker 3: we're not on that side of the I have to

1002
00:45:00,239 --> 00:45:02,880
Speaker 3: cut you off. We're not on that side of the table.

1003
00:45:03,160 --> 00:45:07,120
Speaker 3: We're not able to understand that level of business coming

1004
00:45:07,160 --> 00:45:10,839
Speaker 3: from Drake's brand, so people can freely speak and be like, yo,

1005
00:45:10,920 --> 00:45:13,200
Speaker 3: he's swing to lay. Yo, that's corny. You don't do

1006
00:45:13,320 --> 00:45:16,880
Speaker 3: that in rap. Okay, cool if that's how you feel.

1007
00:45:17,160 --> 00:45:20,080
Speaker 3: But you have never often operated from that level of

1008
00:45:20,160 --> 00:45:23,080
Speaker 3: business to where you have to protect upwards of a

1009
00:45:23,120 --> 00:45:24,920
Speaker 3: billion two billion dollar brand.

1010
00:45:25,040 --> 00:45:29,279
Speaker 1: But see but one moment. Okay, but see when we

1011
00:45:29,360 --> 00:45:30,520
Speaker 1: sat here and I don't even want to bring this

1012
00:45:30,600 --> 00:45:31,960
Speaker 1: up because I don't want to make this a argument

1013
00:45:31,960 --> 00:45:34,480
Speaker 1: because you were king. You don't take no disc back

1014
00:45:34,480 --> 00:45:36,480
Speaker 1: in no rat battle. You don't take no disback in

1015
00:45:36,520 --> 00:45:38,120
Speaker 1: a rat battle. And when I sat here with my

1016
00:45:38,160 --> 00:45:39,719
Speaker 1: previous call hosts and we said, well, you don't know

1017
00:45:39,760 --> 00:45:42,960
Speaker 1: what niggas have to lose the way that this is going,

1018
00:45:43,280 --> 00:45:46,000
Speaker 1: you said, it don't matter. That's rap. Once you rap,

1019
00:45:46,120 --> 00:45:48,040
Speaker 1: once you throw that this out there, you got to

1020
00:45:48,080 --> 00:45:50,960
Speaker 1: deal with what comes with it. So now that Drake

1021
00:45:51,080 --> 00:45:53,680
Speaker 1: is dealing with what comes with it, which as far

1022
00:45:53,680 --> 00:45:55,200
Speaker 1: as oh he has to take his kid out of school,

1023
00:45:55,320 --> 00:45:57,400
Speaker 1: this is in danger. People are calling him a pedophile.

1024
00:45:57,480 --> 00:45:59,399
Speaker 1: All this, all that, when you put out a disc

1025
00:45:59,440 --> 00:46:01,080
Speaker 1: that say, yeah, call him a pedophile, we know what

1026
00:46:01,120 --> 00:46:03,480
Speaker 1: you're gonna do everybody knew that we did do it.

1027
00:46:03,400 --> 00:46:06,200
Speaker 3: And drop drop drop.

1028
00:46:06,120 --> 00:46:10,439
Speaker 5: And then also says ceasing desis what he said. Drake

1029
00:46:10,520 --> 00:46:13,520
Speaker 5: asked for this on public record. He asked for Kendrick

1030
00:46:13,600 --> 00:46:16,920
Speaker 5: Lamar to do what he's suing UMG for to battle,

1031
00:46:17,800 --> 00:46:21,680
Speaker 5: call me a pedophile, ceasing desistance for hose, Yeah, drop

1032
00:46:21,760 --> 00:46:24,759
Speaker 5: more records. And then at the end of the battle said, oh,

1033
00:46:25,080 --> 00:46:27,000
Speaker 5: like you burnt it out. It's too much, and then

1034
00:46:27,040 --> 00:46:30,359
Speaker 5: went and sued somebody for doing what he asked them

1035
00:46:30,400 --> 00:46:31,560
Speaker 5: to do. Drop a record.

1036
00:46:31,640 --> 00:46:33,360
Speaker 1: He's suing somebody.

1037
00:46:33,360 --> 00:46:34,719
Speaker 4: He's not suing I know.

1038
00:46:34,719 --> 00:46:36,479
Speaker 5: I said, UMG. I said, went and sued, UMG.

1039
00:46:36,600 --> 00:46:38,080
Speaker 4: I thought you said like he was suing Kendrick.

1040
00:46:38,400 --> 00:46:39,920
Speaker 1: But I'm not even I'm not eve talking about that.

1041
00:46:39,920 --> 00:46:41,480
Speaker 1: I'm talking about you talking about someone we don't know

1042
00:46:41,480 --> 00:46:44,400
Speaker 1: what he's going through on the other side of the business.

1043
00:46:44,400 --> 00:46:46,480
Speaker 1: The business, yeah, the business. But what I'm saying is.

1044
00:46:46,640 --> 00:46:50,040
Speaker 3: Just saying, protect the brand and the brand and Cole's eyes.

1045
00:46:50,040 --> 00:46:53,080
Speaker 5: He was, even though I still disagree with that, was

1046
00:46:53,160 --> 00:46:56,239
Speaker 5: protecting his brand and his peace and his state of mind.

1047
00:46:56,320 --> 00:47:00,399
Speaker 3: So that's why, because he already engaged, that's the only

1048
00:47:00,400 --> 00:47:00,839
Speaker 3: reason why.

1049
00:47:00,920 --> 00:47:04,080
Speaker 5: And we're saying that. Drake said, YO, call me a

1050
00:47:04,080 --> 00:47:07,040
Speaker 5: pedophile and then went and sued the company to put it.

1051
00:47:07,000 --> 00:47:12,200
Speaker 3: Out right because they pushed something that he asked them

1052
00:47:12,239 --> 00:47:12,560
Speaker 3: to push.

1053
00:47:13,000 --> 00:47:14,399
Speaker 4: He didn't ask them to push that thing.

1054
00:47:14,800 --> 00:47:15,440
Speaker 1: But this is the thing.

1055
00:47:15,800 --> 00:47:17,560
Speaker 5: Kenrick has a license deal with them. Yes, we was

1056
00:47:17,560 --> 00:47:18,160
Speaker 5: gonna put it out.

1057
00:47:18,239 --> 00:47:21,320
Speaker 1: Yes, he knew UMG was in charge, was the one

1058
00:47:21,480 --> 00:47:24,200
Speaker 1: distributing or a licensing or whatever. He knew that Kendrick

1059
00:47:24,280 --> 00:47:26,560
Speaker 1: was with UMG. He said, he knew what Kendrick was

1060
00:47:26,560 --> 00:47:30,240
Speaker 1: want to say. He told him to say that, antagonized

1061
00:47:30,320 --> 00:47:32,400
Speaker 1: him to do all of these things. Then when it happens,

1062
00:47:32,520 --> 00:47:34,440
Speaker 1: is UMG, why would you allow him to say that

1063
00:47:34,480 --> 00:47:36,440
Speaker 1: about me when you knew that he was with UMG

1064
00:47:36,600 --> 00:47:37,840
Speaker 1: and you knew that he was going to say that,

1065
00:47:37,880 --> 00:47:40,040
Speaker 1: and you told him to say it. So that's why

1066
00:47:40,120 --> 00:47:42,239
Speaker 1: I said, I'm not thinking, I'm not mad at Drake

1067
00:47:42,280 --> 00:47:43,960
Speaker 1: for sewing. Let me let me make that clear. I'm

1068
00:47:44,000 --> 00:47:46,279
Speaker 1: not mad at Drake for sewing. When I'm asked when

1069
00:47:46,320 --> 00:47:50,160
Speaker 1: I'm coming to you, it's saying you can't say. People

1070
00:47:50,200 --> 00:47:52,280
Speaker 1: don't know what they're talking about, and that's how people feel,

1071
00:47:52,280 --> 00:47:53,960
Speaker 1: and people don't know this this and that, because you.

1072
00:47:53,960 --> 00:47:56,200
Speaker 3: Don't you when they took the petition off the table,

1073
00:47:56,480 --> 00:47:59,600
Speaker 3: did you say when wort first just came, oh you're

1074
00:47:59,680 --> 00:48:01,399
Speaker 3: not a suit is over And I'm just like.

1075
00:48:01,400 --> 00:48:03,080
Speaker 5: Oh no, see, I don't want to talk about it

1076
00:48:03,080 --> 00:48:04,760
Speaker 5: because that's just dumb fans on Twitter.

1077
00:48:04,960 --> 00:48:08,920
Speaker 3: That's but this is my point. What online is gonna

1078
00:48:09,120 --> 00:48:11,799
Speaker 3: everybody's gonna run and whatever they get information about this,

1079
00:48:11,880 --> 00:48:14,400
Speaker 3: they're gonna jump to and say something. I'm just gonna

1080
00:48:14,480 --> 00:48:17,759
Speaker 3: stand on the side of I feel like if the

1081
00:48:17,800 --> 00:48:20,480
Speaker 3: biggest or one of the biggest artists in the world's

1082
00:48:20,800 --> 00:48:24,160
Speaker 3: lawyer or legal team feels like they have a case

1083
00:48:24,640 --> 00:48:27,080
Speaker 3: and that they feel like we're gonna win this case,

1084
00:48:27,440 --> 00:48:30,680
Speaker 3: I think everybody that has never negotiated from that amount

1085
00:48:30,680 --> 00:48:33,200
Speaker 3: of business or that side of business need to just

1086
00:48:33,239 --> 00:48:35,160
Speaker 3: sit back and just watch what's gonna happen.

1087
00:48:35,280 --> 00:48:37,239
Speaker 4: Instead of saying, oh nah, you can't do that in.

1088
00:48:37,239 --> 00:48:39,320
Speaker 3: Rap, Can I go back to a few other points

1089
00:48:39,320 --> 00:48:41,160
Speaker 3: that he's just made protect the brand, Like.

1090
00:48:41,400 --> 00:48:44,719
Speaker 5: As a human being, I'm not saying this sarcastically. My

1091
00:48:44,800 --> 00:48:46,680
Speaker 5: heart does go out to Drake for your house being

1092
00:48:46,719 --> 00:48:48,719
Speaker 5: shot up and you have to take your kid out

1093
00:48:48,719 --> 00:48:52,880
Speaker 5: of school. That's insane. How much of that do we

1094
00:48:52,960 --> 00:48:57,480
Speaker 5: think is because Kendrick Lamar put up his house on

1095
00:48:57,840 --> 00:48:58,400
Speaker 5: a thumbnail.

1096
00:48:59,640 --> 00:49:00,160
Speaker 4: We don't know.

1097
00:49:01,160 --> 00:49:02,960
Speaker 3: Okay, you don't know, and I don't know, of.

1098
00:49:03,000 --> 00:49:07,520
Speaker 5: Course I don't know. We can speculate here with some

1099
00:49:07,560 --> 00:49:11,279
Speaker 5: common sense. I do not think Kendrick Lamar or anybody

1100
00:49:12,280 --> 00:49:14,160
Speaker 5: sent people to Drake's house to shoot it.

1101
00:49:15,600 --> 00:49:21,200
Speaker 1: I don't think that. I don't think Drake is a

1102
00:49:21,239 --> 00:49:22,480
Speaker 1: leegening that Kendrick had anything to do.

1103
00:49:22,800 --> 00:49:24,440
Speaker 5: I was going to Ball's point of you have to

1104
00:49:24,480 --> 00:49:27,040
Speaker 5: look at Drake's perspective as a human, like, what would

1105
00:49:27,080 --> 00:49:28,080
Speaker 5: you do if your house was shut out? You have

1106
00:49:28,120 --> 00:49:30,120
Speaker 5: to take your kids out. I feel for him there.

1107
00:49:30,560 --> 00:49:33,200
Speaker 5: I just don't know if that's a direct result of

1108
00:49:33,280 --> 00:49:36,320
Speaker 5: not like us or anything that is in this lawsuit.

1109
00:49:36,320 --> 00:49:39,000
Speaker 5: I think that's a completely separate situation that goes a

1110
00:49:39,000 --> 00:49:42,000
Speaker 5: bit deeper than Kendrick Lamar or anything to do with

1111
00:49:42,160 --> 00:49:47,040
Speaker 5: this particular battle. Now. I also think it must suck

1112
00:49:48,320 --> 00:49:50,160
Speaker 5: to hear mass say, oh yeah, all the kids are

1113
00:49:50,160 --> 00:49:55,279
Speaker 5: saying Drake's a pedophile. Him winning this suit is not

1114
00:49:55,320 --> 00:49:57,279
Speaker 5: going to change the minds of the young kids calling

1115
00:49:57,360 --> 00:49:59,080
Speaker 5: Drake a pedophile. They're not looking at this like, oh

1116
00:49:59,520 --> 00:50:01,640
Speaker 5: well he won in court with UMG, so he must

1117
00:50:01,640 --> 00:50:04,759
Speaker 5: not be a pedophile. We're speaking to the brand that

1118
00:50:05,480 --> 00:50:07,960
Speaker 5: Math was saying, the kids are calling you a pedophile.

1119
00:50:08,800 --> 00:50:11,480
Speaker 5: You can't change that with a lawsuit. The only way

1120
00:50:11,520 --> 00:50:14,760
Speaker 5: I could think to change that was to make good music.

1121
00:50:14,880 --> 00:50:17,800
Speaker 5: And hopefully people will start to forget about this battle

1122
00:50:18,000 --> 00:50:19,280
Speaker 5: and remember that great.

1123
00:50:19,120 --> 00:50:22,080
Speaker 3: Artists and just and just and just let the label

1124
00:50:22,120 --> 00:50:25,200
Speaker 3: that the company that that pushed that shit just right.

1125
00:50:25,200 --> 00:50:26,200
Speaker 3: It's so good they did.

1126
00:50:26,280 --> 00:50:30,640
Speaker 1: No, no, no. The only thing I can think of where

1127
00:50:30,640 --> 00:50:33,560
Speaker 1: it's like okay as far as his house being on there,

1128
00:50:34,040 --> 00:50:37,960
Speaker 1: that no, the label should have stepped in and said something, right,

1129
00:50:38,040 --> 00:50:41,520
Speaker 1: But both of these people are independent, they're just licensing.

1130
00:50:41,600 --> 00:50:44,680
Speaker 1: What I'm saying is what were they supposed to do? Say, hey,

1131
00:50:44,680 --> 00:50:48,080
Speaker 1: you're calling Drake a pedophile. You can't put that out, Kendrake,

1132
00:50:49,080 --> 00:50:51,799
Speaker 1: that doesn't even make that's unprecedented, Like that doesn't even

1133
00:50:51,840 --> 00:50:53,919
Speaker 1: make sense, and put without the record. Yeah, you can't

1134
00:50:53,960 --> 00:50:56,240
Speaker 1: put that record out because you're calling Drake a pedophile.

1135
00:50:56,760 --> 00:50:59,200
Speaker 3: I'm not. But again, you will never hear me say that.

1136
00:50:59,239 --> 00:51:01,400
Speaker 3: The label should have said we're not putting.

1137
00:51:01,120 --> 00:51:02,919
Speaker 1: That record up so what should the label have done.

1138
00:51:03,160 --> 00:51:06,680
Speaker 3: I'm saying the label should have whatever contract an agreement

1139
00:51:06,719 --> 00:51:08,920
Speaker 3: that they have together, the label should have honored that.

1140
00:51:09,239 --> 00:51:13,680
Speaker 3: I'm saying that his team, his great lawyers, feel like

1141
00:51:13,800 --> 00:51:16,040
Speaker 3: his contract was violated.

1142
00:51:16,160 --> 00:51:17,880
Speaker 4: How would are people not comprehended?

1143
00:51:17,960 --> 00:51:21,520
Speaker 1: Because no one's saying that's what That's what I'm all saying.

1144
00:51:21,520 --> 00:51:23,799
Speaker 3: Why is he suing? This is a defamation case, just

1145
00:51:23,800 --> 00:51:25,480
Speaker 3: suing because of a rap bad bl da dah dah.

1146
00:51:25,640 --> 00:51:29,840
Speaker 3: And I'm saying, Yo, something in his contract was violate.

1147
00:51:29,920 --> 00:51:32,279
Speaker 1: But what we're saying is where are you getting that

1148
00:51:32,400 --> 00:51:35,040
Speaker 1: information from? That's what we're asking. I've asked you that

1149
00:51:35,080 --> 00:51:35,640
Speaker 1: from the beginning.

1150
00:51:35,760 --> 00:51:39,000
Speaker 3: They just issued a lawsuit federally to his company. You

1151
00:51:39,000 --> 00:51:41,040
Speaker 3: think this lawyers are going to do that without feeling

1152
00:51:41,080 --> 00:51:43,239
Speaker 3: like there's some validity in that his contract was they

1153
00:51:43,280 --> 00:51:44,120
Speaker 3: have his contract.

1154
00:51:44,120 --> 00:51:46,399
Speaker 5: We don't went through a lot of this. They're not Yes,

1155
00:51:46,440 --> 00:51:49,640
Speaker 5: they probably broke some form of the contract, but this

1156
00:51:49,760 --> 00:51:52,040
Speaker 5: is just a straight up defamation case. Now like they're

1157
00:51:52,080 --> 00:51:54,319
Speaker 5: suing for defamation and here's all the bad things that

1158
00:51:54,360 --> 00:51:56,439
Speaker 5: you guys funded that were set about me and changed

1159
00:51:56,480 --> 00:51:59,600
Speaker 5: my reputation. That you could do that even if there

1160
00:51:59,640 --> 00:52:02,920
Speaker 5: wasn't some defamation clause in your contract that doesn't make

1161
00:52:02,920 --> 00:52:05,960
Speaker 5: defamation legal now all of a sudden, So he's not

1162
00:52:06,000 --> 00:52:08,440
Speaker 5: even talking about his contract. From what I read, it's

1163
00:52:08,480 --> 00:52:09,840
Speaker 5: just straight up defamation.

1164
00:52:10,360 --> 00:52:13,680
Speaker 3: So okay. So in your brain you feel like this

1165
00:52:13,800 --> 00:52:16,280
Speaker 3: lawsuit is either complete bullshit.

1166
00:52:16,600 --> 00:52:18,160
Speaker 5: No, I think he has a case, and I think

1167
00:52:18,200 --> 00:52:18,520
Speaker 5: he'll win.

1168
00:52:19,080 --> 00:52:19,960
Speaker 1: I don't think he'll win.

1169
00:52:20,520 --> 00:52:24,239
Speaker 3: I'm trying to figure out with the internet. I'm trying

1170
00:52:24,239 --> 00:52:26,120
Speaker 3: to figure out what y'all feel about, Like, what are

1171
00:52:26,200 --> 00:52:28,640
Speaker 3: y'all thinking? So y'all feel you feel like he has

1172
00:52:28,680 --> 00:52:31,120
Speaker 3: a legit case and he'll win. You feel like he

1173
00:52:31,160 --> 00:52:32,759
Speaker 3: doesn't have a legit case and he'll lose.

1174
00:52:33,120 --> 00:52:34,480
Speaker 1: I'm not saying that I don't think he has a

1175
00:52:34,560 --> 00:52:37,920
Speaker 1: legit case. I'm just looking for I would need to

1176
00:52:37,920 --> 00:52:42,520
Speaker 1: see examples of this happening before of two artists who

1177
00:52:42,560 --> 00:52:44,600
Speaker 1: are partnered with the same company and one set a

1178
00:52:44,640 --> 00:52:47,440
Speaker 1: really fucked up thing about the other one and they

1179
00:52:47,480 --> 00:52:49,000
Speaker 1: were like, Oh, you shouldn't have put that out or

1180
00:52:49,040 --> 00:52:50,600
Speaker 1: like that. That's what I'm looking for. I'm kind of

1181
00:52:50,640 --> 00:52:54,120
Speaker 1: looking for some precedent. What I'm saying is is that

1182
00:52:54,200 --> 00:52:56,960
Speaker 1: I get where Drake is coming from But just because

1183
00:52:56,960 --> 00:53:00,399
Speaker 1: your lawyers feel like you have a case that when

1184
00:53:00,440 --> 00:53:03,520
Speaker 1: it comes to rap and hip hop culture, that doesn't matter.

1185
00:53:03,560 --> 00:53:05,960
Speaker 1: Because if somebody came in here and punched you in

1186
00:53:06,000 --> 00:53:10,600
Speaker 1: your shit, right, you have a case that they that

1187
00:53:10,600 --> 00:53:13,040
Speaker 1: they assaulted you. You have a case. You're win that case.

1188
00:53:13,200 --> 00:53:14,719
Speaker 1: But niggas to look at you and be like, well,

1189
00:53:14,719 --> 00:53:17,880
Speaker 1: why you ain't just fight back? Why the fuck you? You?

1190
00:53:18,080 --> 00:53:20,360
Speaker 1: You are rat? You snitched you. You send him to

1191
00:53:20,400 --> 00:53:22,960
Speaker 1: jail for punching you in your face. You're a rat,

1192
00:53:23,000 --> 00:53:24,960
Speaker 1: even though your or will tell you have a case

1193
00:53:24,960 --> 00:53:25,200
Speaker 1: to win.

1194
00:53:25,280 --> 00:53:27,360
Speaker 4: Me when have when have we ever seen.

1195
00:53:28,640 --> 00:53:38,640
Speaker 3: A company pushed the idea of somebody being a pedophile?

1196
00:53:40,920 --> 00:53:44,520
Speaker 5: I have not seen that before. And I understand we

1197
00:53:44,520 --> 00:53:49,040
Speaker 5: put pedophile rightfully so over here as but I did

1198
00:53:49,120 --> 00:53:51,719
Speaker 5: watch Jimmy. You can sit in Kelly Bobo all day

1199
00:53:51,760 --> 00:53:54,000
Speaker 5: if y'all want to. But just how you said, you've

1200
00:53:54,040 --> 00:53:56,440
Speaker 5: never seen a label. We've never seen this in a

1201
00:53:56,560 --> 00:54:02,640
Speaker 5: rap battle where pedophile is the message, We've never seen it.

1202
00:54:02,680 --> 00:54:05,920
Speaker 5: I've seen Biggie and Pop die over a rat beef.

1203
00:54:06,719 --> 00:54:09,200
Speaker 5: Get you know what, Neither one of those gentlemen ever called.

1204
00:54:08,960 --> 00:54:14,040
Speaker 3: Each other okay and I've seen Jay and Nas have

1205
00:54:14,120 --> 00:54:16,520
Speaker 3: the city shook up. You know what. Neither one of

1206
00:54:16,560 --> 00:54:19,880
Speaker 3: those gentlemen ever called each other. I've seen kiss and

1207
00:54:20,000 --> 00:54:23,400
Speaker 3: Beans shake shit up. You know what. Neither one of

1208
00:54:23,400 --> 00:54:26,480
Speaker 3: those gentlemen ever called or referred or even made like

1209
00:54:27,840 --> 00:54:29,719
Speaker 3: made even type of any type of women that this

1210
00:54:29,760 --> 00:54:30,560
Speaker 3: gentleman might be.

1211
00:54:30,840 --> 00:54:33,399
Speaker 1: And but those people also didn't have that on their

1212
00:54:33,719 --> 00:54:36,000
Speaker 1: jacket before for other people to say that about them.

1213
00:54:36,320 --> 00:54:39,000
Speaker 1: And because I don't think that Drake is a pedophile.

1214
00:54:39,040 --> 00:54:42,320
Speaker 1: So this is not me shipping on Drake, but Drake, listen, listen,

1215
00:54:42,360 --> 00:54:44,160
Speaker 1: I get, but this is the thing. You will be

1216
00:54:44,280 --> 00:54:46,200
Speaker 1: riding for Drake and going hard for him. But he

1217
00:54:46,280 --> 00:54:48,400
Speaker 1: knew what he was going to say about him, because

1218
00:54:48,440 --> 00:54:50,759
Speaker 1: that's already a ruler that had been on Drake. That's

1219
00:54:50,800 --> 00:54:53,200
Speaker 1: why Drake knew what Kendrick was gonna say. That's why

1220
00:54:53,239 --> 00:54:55,040
Speaker 1: you knew what Kendrick was gonna say. So we're not

1221
00:54:55,040 --> 00:54:59,080
Speaker 1: about to sit up talking to somebody that said that

1222
00:54:59,280 --> 00:54:59,759
Speaker 1: laughed at that.

1223
00:55:00,080 --> 00:55:03,160
Speaker 3: For this battle even began, I said, I sat here

1224
00:55:03,239 --> 00:55:04,640
Speaker 3: and said, I said, what are you gonna do? Call

1225
00:55:04,680 --> 00:55:09,000
Speaker 3: him a pedophile? Because I knew that people are online

1226
00:55:09,320 --> 00:55:12,600
Speaker 3: trying to make tiktoks and fucking snap stories and those

1227
00:55:12,600 --> 00:55:15,480
Speaker 3: other dumb shit think pieces about yeah nah, he was

1228
00:55:15,520 --> 00:55:18,359
Speaker 3: dating this girl, this girl, and he did this with

1229
00:55:18,400 --> 00:55:20,320
Speaker 3: this girl, and then he kissed this girl on stage

1230
00:55:20,320 --> 00:55:20,960
Speaker 3: and then he did that.

1231
00:55:21,040 --> 00:55:23,480
Speaker 4: So I'm just like, oh, so people are trying to

1232
00:55:23,520 --> 00:55:24,360
Speaker 4: make this a thing.

1233
00:55:24,400 --> 00:55:27,319
Speaker 5: This is where I would be on your side if

1234
00:55:27,320 --> 00:55:30,200
Speaker 5: he did not say call me a pedophile on one

1235
00:55:30,239 --> 00:55:32,680
Speaker 5: of the songs, and then two if he sued for

1236
00:55:32,800 --> 00:55:36,600
Speaker 5: Meet the Grams, which gets into more pedophile shit about

1237
00:55:36,600 --> 00:55:39,399
Speaker 5: his friends. There's the alleged daughtershit I'm a deadbeat father,

1238
00:55:39,520 --> 00:55:41,839
Speaker 5: all of that. Why isn't he also suing for that song?

1239
00:55:42,000 --> 00:55:44,279
Speaker 5: Because that song didn't have the impact, not like us did.

1240
00:55:44,400 --> 00:55:47,160
Speaker 5: That's why people view this as you are a sore

1241
00:55:47,200 --> 00:55:49,400
Speaker 5: loser and that's why you're suing. He's not suing for

1242
00:55:49,480 --> 00:55:50,040
Speaker 5: Me the Grams.

1243
00:55:50,160 --> 00:55:51,360
Speaker 3: Brot Me the Grahams.

1244
00:55:51,120 --> 00:55:52,319
Speaker 5: Has pedophile shit in it too.

1245
00:55:52,400 --> 00:55:53,600
Speaker 3: Let Me, let Me, let Me just.

1246
00:55:53,560 --> 00:55:56,080
Speaker 5: Didn't work and stick the way not like us did.

1247
00:55:56,680 --> 00:56:00,759
Speaker 5: But UMG still put that record out, all right?

1248
00:56:00,800 --> 00:56:02,920
Speaker 3: So you you been somebody that has put out music,

1249
00:56:03,600 --> 00:56:06,080
Speaker 3: you me and somebody that's working in industry, do you not

1250
00:56:06,400 --> 00:56:12,319
Speaker 3: think that UMG worked that songs, all right, So why

1251
00:56:12,320 --> 00:56:13,839
Speaker 3: are you sitting here acting like you say, no meet

1252
00:56:13,880 --> 00:56:16,239
Speaker 3: the grant because they didn't work Meet the Grahams. They

1253
00:56:16,280 --> 00:56:18,439
Speaker 3: didn't put the push they did behind Meet the Grams

1254
00:56:18,480 --> 00:56:20,080
Speaker 3: that they did with not like us. You know how

1255
00:56:20,160 --> 00:56:20,759
Speaker 3: labels work.

1256
00:56:20,920 --> 00:56:22,520
Speaker 5: I know, but now it's so speak to that.

1257
00:56:23,280 --> 00:56:25,800
Speaker 3: But hey, I understand how UMG pushed that record and

1258
00:56:25,840 --> 00:56:26,600
Speaker 3: push that message.

1259
00:56:26,600 --> 00:56:28,560
Speaker 5: Can I answer that if this was still the petition

1260
00:56:28,960 --> 00:56:32,960
Speaker 5: about bad practices between a major and DSPs for pushing

1261
00:56:33,000 --> 00:56:36,840
Speaker 5: a specific song that pedophile shit, I would still agree

1262
00:56:36,840 --> 00:56:39,839
Speaker 5: with you. This is a defamation case about being called

1263
00:56:39,840 --> 00:56:42,360
Speaker 5: a pedophile. Why wouldn't Meet the Grams make that same

1264
00:56:42,719 --> 00:56:43,560
Speaker 5: exact definition.

1265
00:56:45,320 --> 00:56:46,759
Speaker 3: Again, you don't mention in.

1266
00:56:46,719 --> 00:56:49,720
Speaker 1: This lawsuit about them like not just put not pushing

1267
00:56:49,760 --> 00:56:51,800
Speaker 1: it illegally, but pushing it doing their job. This is

1268
00:56:51,840 --> 00:56:53,200
Speaker 1: a single, It was a hit wreckers, it was a

1269
00:56:53,280 --> 00:56:55,840
Speaker 1: hit record. Yes, this this is like not illegally pushing it,

1270
00:56:55,880 --> 00:56:57,680
Speaker 1: but you're pushing this song. One of the things that

1271
00:56:57,680 --> 00:56:59,880
Speaker 1: they brought up. For example, Drake's new lawsuit alleges that

1272
00:57:00,120 --> 00:57:02,560
Speaker 1: MG allowed content creators such as Kaye Sanad, No Life,

1273
00:57:02,560 --> 00:57:05,920
Speaker 1: shag RDC Gaming to monetize reaction videos to not like

1274
00:57:06,000 --> 00:57:10,400
Speaker 1: us without enforcing copyright claims right, which some labels do

1275
00:57:10,480 --> 00:57:12,720
Speaker 1: sometimes because it's like why am I gonna snatch down

1276
00:57:12,960 --> 00:57:15,920
Speaker 1: free advertising? This is free advertisement. So that is one

1277
00:57:15,960 --> 00:57:18,000
Speaker 1: of the things in the suit is like you were

1278
00:57:18,280 --> 00:57:22,160
Speaker 1: pushing this song that had this message, right, which again,

1279
00:57:22,200 --> 00:57:24,480
Speaker 1: like I said, I'm not mad at I'm queen get

1280
00:57:24,480 --> 00:57:27,720
Speaker 1: over on the and I'm queen get over on the law.

1281
00:57:28,080 --> 00:57:30,520
Speaker 1: So Drake can do whatever he wants to do. That's fine.

1282
00:57:30,600 --> 00:57:32,640
Speaker 1: I'm not surprised that Drake is suing to people who

1283
00:57:32,640 --> 00:57:36,160
Speaker 1: are surprised, that's whatever. My only conversation was, like I

1284
00:57:36,160 --> 00:57:38,400
Speaker 1: said when I brought up with Maul, is if you're

1285
00:57:38,400 --> 00:57:41,640
Speaker 1: gonna have these these standards, you're gonna stand and you're

1286
00:57:41,640 --> 00:57:43,000
Speaker 1: gonna sit in that seat, and you're gonna have these

1287
00:57:43,000 --> 00:57:46,160
Speaker 1: standards for hip hop. When it comes to Drake, you

1288
00:57:46,200 --> 00:57:48,760
Speaker 1: tend to look over those standards for hip hop because

1289
00:57:48,760 --> 00:57:50,640
Speaker 1: if Cole went and sued for a dish, you wouldn't

1290
00:57:50,680 --> 00:57:53,600
Speaker 1: stand on that. That's why there's.

1291
00:57:53,040 --> 00:57:56,280
Speaker 3: A plot Cole. If Cole felt like his label violated

1292
00:57:56,320 --> 00:57:58,440
Speaker 3: his contract and did some fu up shit that they

1293
00:57:58,480 --> 00:58:01,920
Speaker 3: shouldn't have did I was. I'm never with the labels.

1294
00:58:01,920 --> 00:58:05,040
Speaker 3: Fuck the labels same. I'm gonna support any artist that

1295
00:58:05,040 --> 00:58:06,600
Speaker 3: feels like they contract was violated.

1296
00:58:07,600 --> 00:58:10,280
Speaker 1: I'm gonna feel like up again that nowhere is anyone

1297
00:58:10,320 --> 00:58:12,680
Speaker 1: saying that his contract was violated. There's nothing that's saying

1298
00:58:12,680 --> 00:58:13,320
Speaker 1: in his coind Well.

1299
00:58:13,280 --> 00:58:16,000
Speaker 3: De maarrus again, more information is to come you only,

1300
00:58:16,040 --> 00:58:18,160
Speaker 3: we're only reacting off of what we have so far.

1301
00:58:18,200 --> 00:58:20,200
Speaker 1: That's what I'm reacting off off. You're reacting off of

1302
00:58:20,200 --> 00:58:23,360
Speaker 1: something that you're talking about. Ifs that's not what's going on.

1303
00:58:23,400 --> 00:58:26,000
Speaker 1: We're talking about the defamation. No, I can't tell you.

1304
00:58:25,960 --> 00:58:26,880
Speaker 4: What I've been telling you.

1305
00:58:26,960 --> 00:58:31,360
Speaker 3: If his lawyers, which ain't no fucking court appointed lawyers,

1306
00:58:31,840 --> 00:58:34,200
Speaker 3: if his lawyers feel like they have a case and

1307
00:58:34,240 --> 00:58:38,320
Speaker 3: they took this federal then we just got to say

1308
00:58:38,320 --> 00:58:40,960
Speaker 3: to ourselves, you know what his lawyers no more than

1309
00:58:41,000 --> 00:58:43,720
Speaker 3: we do, Okay, And that's all.

1310
00:58:43,880 --> 00:58:46,240
Speaker 5: I think we're having two different conversations here because we

1311
00:58:46,560 --> 00:58:49,440
Speaker 5: both agree that there is a case here. And let

1312
00:58:49,520 --> 00:58:51,160
Speaker 5: me walk back. I don't know if he'll win. I

1313
00:58:51,160 --> 00:58:54,000
Speaker 5: think there'll be a settlement because he has enough evidence

1314
00:58:54,040 --> 00:58:57,800
Speaker 5: to prove that they violated the contract or a defamation thing.

1315
00:58:58,400 --> 00:59:01,160
Speaker 5: We're talking about his brand and as a rapper and

1316
00:59:01,160 --> 00:59:03,560
Speaker 5: how insane it looks. And as of yesterday, I think

1317
00:59:03,560 --> 00:59:06,680
Speaker 5: it's solidified not like us, as the greatest, this record

1318
00:59:06,720 --> 00:59:10,800
Speaker 5: of all time because of this lawsuit. Come on, rap

1319
00:59:10,920 --> 00:59:13,160
Speaker 5: is perception degree, you know.

1320
00:59:13,800 --> 00:59:19,000
Speaker 3: Start when I'm gonna start taking, start taking, start taking it.

1321
00:59:19,040 --> 00:59:22,800
Speaker 3: I'm gonna start taking what you say verbatim. It's because

1322
00:59:22,840 --> 00:59:26,920
Speaker 3: of the lawsuit that is now attached to this record,

1323
00:59:26,960 --> 00:59:29,120
Speaker 3: the definitions like okay, so it's not just the record

1324
00:59:29,120 --> 00:59:32,120
Speaker 3: where you feel like it's the greatest song, it's the lawsuit.

1325
00:59:32,600 --> 00:59:35,840
Speaker 5: The impact in which it had to the other artist

1326
00:59:36,280 --> 00:59:39,240
Speaker 5: caused that artist to go soothe their label for defamation

1327
00:59:39,280 --> 00:59:41,560
Speaker 5: because they put it out. If we're talking rap battle

1328
00:59:41,600 --> 00:59:44,680
Speaker 5: and not legal ship, that is an L my friend, Okay,

1329
00:59:45,120 --> 00:59:47,640
Speaker 5: that is an L. So and if you dude, you

1330
00:59:47,640 --> 00:59:50,520
Speaker 5: gotta do. Drake has way more money than me, way

1331
00:59:51,080 --> 00:59:53,320
Speaker 5: way more ship to focus on. I don't even know

1332
00:59:53,360 --> 00:59:55,360
Speaker 5: what it's like to be in that position, So who's

1333
00:59:55,400 --> 00:59:57,320
Speaker 5: to know what I would do in that situation. I'm

1334
00:59:57,320 --> 01:00:00,360
Speaker 5: here to just talk about the rapper perception at this point, Like,

1335
01:00:00,880 --> 01:00:04,720
Speaker 5: how would you feel if fifty in Games sued Jimmy

1336
01:00:04,720 --> 01:00:06,080
Speaker 5: Ivan in the middle of their beef. They were on

1337
01:00:06,120 --> 01:00:08,040
Speaker 5: the same label, they were funding both sides.

1338
01:00:08,160 --> 01:00:11,240
Speaker 3: Yeah, but if somebody feels like something was violated and

1339
01:00:11,240 --> 01:00:12,880
Speaker 3: they Lloyds, I would be like, well, shit, the Lloyd's

1340
01:00:13,080 --> 01:00:14,440
Speaker 3: like they was able to do some bullshit.

1341
01:00:14,600 --> 01:00:19,320
Speaker 5: By by definition, for sure, Game or fifty with their

1342
01:00:19,400 --> 01:00:22,040
Speaker 5: back and forth, could have sued, like sued Inner Scope

1343
01:00:22,240 --> 01:00:26,200
Speaker 5: for defamation. You funded three hundred bars and running. Look

1344
01:00:26,240 --> 01:00:27,920
Speaker 5: at all this shit against a bobby. It's a lie

1345
01:00:28,000 --> 01:00:31,080
Speaker 5: everything My character feel like they put Game on a

1346
01:00:31,720 --> 01:00:34,520
Speaker 5: stripper poll with a tongue ring as an artwork at

1347
01:00:34,520 --> 01:00:34,960
Speaker 5: that time.

1348
01:00:35,080 --> 01:00:36,400
Speaker 3: Is that not such? Yeah?

1349
01:00:36,440 --> 01:00:39,280
Speaker 5: See it's and of course there's a difference between that

1350
01:00:39,320 --> 01:00:42,120
Speaker 5: and pedophile. But in the height of the gangster rap shit,

1351
01:00:42,200 --> 01:00:45,680
Speaker 5: you don't think that affected Game's reputation or how they

1352
01:00:45,800 --> 01:00:48,920
Speaker 5: viewed him. Yeah, people would really say, like, yo, that's

1353
01:00:48,920 --> 01:00:51,360
Speaker 5: a real folk. That was the artwork that they put out.

1354
01:00:51,680 --> 01:00:54,720
Speaker 5: So yes, Game in fifty boths would have a case

1355
01:00:54,760 --> 01:00:58,680
Speaker 5: to go sue. Anyone in a wrap peef when you're

1356
01:00:58,720 --> 01:01:00,560
Speaker 5: both on the same label, would have a case for

1357
01:01:00,600 --> 01:01:04,920
Speaker 5: defamation because rap battles by definition are defamation. Who can

1358
01:01:05,680 --> 01:01:08,560
Speaker 5: who can do that more and everyone, including yourself and

1359
01:01:08,560 --> 01:01:10,520
Speaker 5: me would look at fifty and game nuts if they

1360
01:01:10,560 --> 01:01:12,000
Speaker 5: would have done that, and we would have said, well,

1361
01:01:12,040 --> 01:01:16,440
Speaker 5: there's the loser, the one that just sued. It's a

1362
01:01:16,480 --> 01:01:20,680
Speaker 5: perception thing. I agree he has a case.

1363
01:01:20,920 --> 01:01:23,920
Speaker 3: Okay, so I just build out that man, because look,

1364
01:01:23,960 --> 01:01:25,400
Speaker 3: I don't ever want to keep talking about it.

1365
01:01:25,600 --> 01:01:27,840
Speaker 4: Can we just can we revisit it once it's all done?

1366
01:01:28,000 --> 01:01:28,240
Speaker 3: Sure?

1367
01:01:28,320 --> 01:01:30,240
Speaker 4: No matter what comes out after this, Can we visit

1368
01:01:30,240 --> 01:01:31,000
Speaker 4: it when it's final.

1369
01:01:31,800 --> 01:01:33,760
Speaker 3: Sure? If tomorrow morehit comes out and they're like, oh,

1370
01:01:33,800 --> 01:01:35,280
Speaker 3: look they found it labeled it, I don't even want

1371
01:01:35,280 --> 01:01:35,840
Speaker 3: to talk about it.

1372
01:01:35,960 --> 01:01:40,480
Speaker 5: I'm I fully believe that UMG has done some grimy

1373
01:01:40,560 --> 01:01:43,720
Speaker 5: shit to Drake when they had to negotiate with him

1374
01:01:44,000 --> 01:01:46,560
Speaker 5: and looked at what he was actually owed and deserved.

1375
01:01:47,040 --> 01:01:50,160
Speaker 5: Like any other company, no matter what industry you're in.

1376
01:01:50,280 --> 01:01:53,520
Speaker 5: We've heard plenty of times during negotiations where people start

1377
01:01:53,600 --> 01:01:56,160
Speaker 5: rumors in the newspaper or go on news and like, yes,

1378
01:01:56,240 --> 01:01:59,520
Speaker 5: this is a regular strategy when two giants are negotiating

1379
01:01:59,560 --> 01:02:02,960
Speaker 5: with each other, and it is illegal. But you have

1380
01:02:03,000 --> 01:02:05,760
Speaker 5: to add in the rap battle factor to this, where

1381
01:02:05,800 --> 01:02:07,800
Speaker 5: the rules are a little different and you will look

1382
01:02:08,040 --> 01:02:13,360
Speaker 5: nuts in the scheme of suing after a record works.

1383
01:02:13,400 --> 01:02:15,120
Speaker 3: Does he look nuts in the scheme of suing or

1384
01:02:15,120 --> 01:02:17,280
Speaker 3: does he look nuts in the fact that people are

1385
01:02:17,360 --> 01:02:19,440
Speaker 3: running around call him a pedophile.

1386
01:02:20,160 --> 01:02:21,440
Speaker 5: I don't think Drake's a pedophile.

1387
01:02:21,520 --> 01:02:23,520
Speaker 3: I'm not saying what you think. I'm saying, does he

1388
01:02:23,960 --> 01:02:27,040
Speaker 3: to you? Does he look more nuts in filing a lawsuit?

1389
01:02:27,400 --> 01:02:29,200
Speaker 3: Or does he look nuts in the fact that people

1390
01:02:29,240 --> 01:02:32,240
Speaker 3: are now walking around calling him a pedophile? I think

1391
01:02:32,280 --> 01:02:35,200
Speaker 3: like people are really believing that he's a pedophile. This

1392
01:02:35,280 --> 01:02:38,040
Speaker 3: isn't me dodging the question, is my actual answer. I

1393
01:02:38,080 --> 01:02:42,840
Speaker 3: think it just proves how great Kendrick Lamar handled this battle.

1394
01:02:42,880 --> 01:02:45,600
Speaker 3: If everyone is walking around calling Drake a pedophile when

1395
01:02:45,600 --> 01:02:49,040
Speaker 3: he's not a pedophile, that, my friends, is a masterclass

1396
01:02:49,080 --> 01:02:52,640
Speaker 3: in rap battling. He did what the fuck when when

1397
01:02:52,640 --> 01:02:54,280
Speaker 3: you are l when they go back and forth at

1398
01:02:54,280 --> 01:02:56,480
Speaker 3: the end of the ship, we don't even really go like, yeah,

1399
01:02:56,520 --> 01:03:01,120
Speaker 3: nah m not really like entertainment back and forth.

1400
01:03:01,120 --> 01:03:03,400
Speaker 5: But people now legitimately, which is crazy.

1401
01:03:03,480 --> 01:03:07,280
Speaker 3: I'm asking what looks crazier, me filing a lawsuit or

1402
01:03:07,320 --> 01:03:08,720
Speaker 3: me walking around and people think.

1403
01:03:08,600 --> 01:03:11,480
Speaker 5: And my answer again to that is winning this lawsuit

1404
01:03:11,520 --> 01:03:14,040
Speaker 5: will not change the minds of people who think nobody

1405
01:03:14,080 --> 01:03:15,920
Speaker 5: is talking about answer.

1406
01:03:15,760 --> 01:03:19,680
Speaker 1: You, I actually think that the lawsuit in the regular

1407
01:03:19,840 --> 01:03:23,439
Speaker 1: in the hip hop stratosphere, right, if we're talking about

1408
01:03:23,520 --> 01:03:25,600
Speaker 1: hip hop in the culture, in the hip hop stratosphere,

1409
01:03:25,640 --> 01:03:27,720
Speaker 1: because people who are walking around like yeah, I heard

1410
01:03:27,760 --> 01:03:30,240
Speaker 1: drinks and pedophile aren't really in the real hip hop

1411
01:03:30,280 --> 01:03:32,480
Speaker 1: stratosphere because if that's the case, they would know it

1412
01:03:32,480 --> 01:03:33,960
Speaker 1: would be a part of a rat battle and that

1413
01:03:33,960 --> 01:03:36,120
Speaker 1: there's nothing that really supports them.

1414
01:03:36,160 --> 01:03:38,120
Speaker 4: What do you mean people in hip hop not walking

1415
01:03:38,120 --> 01:03:39,000
Speaker 4: around saying that you.

1416
01:03:39,040 --> 01:03:40,840
Speaker 5: Were saying it was just a group of five thousand

1417
01:03:40,840 --> 01:03:42,680
Speaker 5: people on the community that we're saying it. No, he's

1418
01:03:42,720 --> 01:03:45,160
Speaker 5: suing because of the comments of the rap world.

1419
01:03:46,040 --> 01:03:48,240
Speaker 3: No, what I'm saying is, I don't think Drake cares

1420
01:03:48,320 --> 01:03:49,960
Speaker 3: about public perception.

1421
01:03:50,160 --> 01:03:52,480
Speaker 5: I mean all the public perception in the lawsuit.

1422
01:03:52,160 --> 01:03:54,720
Speaker 3: Now, I'm talking about as far as like yo, what

1423
01:03:54,920 --> 01:03:56,000
Speaker 3: with him suing makes him.

1424
01:03:55,880 --> 01:03:57,960
Speaker 5: Look like, oh yeah, he cares about I agree with

1425
01:03:58,000 --> 01:03:58,200
Speaker 5: you there.

1426
01:03:58,240 --> 01:04:00,400
Speaker 3: So when I'm saying to the mariagis there I absolutely

1427
01:04:00,480 --> 01:04:03,160
Speaker 3: people in hip hop who feel like Drake is a pedophile.

1428
01:04:04,160 --> 01:04:06,720
Speaker 3: I believe Kendrick Lamar feels like Drake is a real pedal.

1429
01:04:07,040 --> 01:04:08,560
Speaker 1: So what I was going to say is, I feel

1430
01:04:08,560 --> 01:04:10,960
Speaker 1: like those people felt like that before Not Like Us dropped.

1431
01:04:11,160 --> 01:04:13,240
Speaker 1: I'm I'm talking about who heard Not Like Us and

1432
01:04:13,400 --> 01:04:15,240
Speaker 1: was like I heard in a rap song that Drake

1433
01:04:15,320 --> 01:04:16,000
Speaker 1: is a pedophile.

1434
01:04:16,200 --> 01:04:18,560
Speaker 3: So like, I'm not talking about those people, I'm asking

1435
01:04:18,600 --> 01:04:20,600
Speaker 3: all right, So you feel like him suing is worse

1436
01:04:20,680 --> 01:04:21,080
Speaker 3: than him.

1437
01:04:22,760 --> 01:04:26,320
Speaker 1: Because eventually, eventually people would have gotten over that it

1438
01:04:26,400 --> 01:04:29,360
Speaker 1: was a rat battle, Drake, you keep making good music people.

1439
01:04:29,360 --> 01:04:31,680
Speaker 1: If people really felt like you were a pedophile, they

1440
01:04:31,680 --> 01:04:33,960
Speaker 1: wouldn't be playing continuing to play your music, we see.

1441
01:04:34,040 --> 01:04:35,400
Speaker 3: So you feel like people would have got over the

1442
01:04:35,440 --> 01:04:37,760
Speaker 3: fact that or feeling like he's a pedophile, they would

1443
01:04:37,760 --> 01:04:38,400
Speaker 3: have forgot about that.

1444
01:04:38,440 --> 01:04:40,080
Speaker 1: I would have felt like the people who feel like

1445
01:04:40,080 --> 01:04:42,280
Speaker 1: he's a pedophile, who genuinely feel that way have already

1446
01:04:42,320 --> 01:04:44,160
Speaker 1: felt that way before Not Like Us comes out, and

1447
01:04:44,200 --> 01:04:46,280
Speaker 1: they were going to feel like that regardless. What I'm

1448
01:04:46,320 --> 01:04:49,000
Speaker 1: talking about is people who their first time coming into

1449
01:04:49,080 --> 01:04:52,320
Speaker 1: contact with that possible information was through the rat battle

1450
01:04:52,600 --> 01:04:54,280
Speaker 1: and they're just like, oh, they said these things back

1451
01:04:54,320 --> 01:04:55,919
Speaker 1: and forth to each other. I feel like that would

1452
01:04:55,920 --> 01:04:58,880
Speaker 1: have gotten over it I don't feel like if Drake's career.

1453
01:04:58,680 --> 01:05:01,000
Speaker 3: So you feel like him sing gonna it's gonna be

1454
01:05:01,040 --> 01:05:02,640
Speaker 3: a biggest thing than people call him.

1455
01:05:02,520 --> 01:05:04,600
Speaker 1: A pedophile when it comes to him being the greatest

1456
01:05:04,640 --> 01:05:07,200
Speaker 1: rapper alive. I feel like that is a thing. Yes,

1457
01:05:07,240 --> 01:05:10,160
Speaker 1: I feel like that. Unfortunately, when we're talking about hip

1458
01:05:10,200 --> 01:05:11,440
Speaker 1: hop and what's important.

1459
01:05:11,760 --> 01:05:14,320
Speaker 4: Hip hop comunity don't care about pedophiles. They don't look

1460
01:05:14,360 --> 01:05:14,560
Speaker 4: at it.

1461
01:05:14,640 --> 01:05:19,400
Speaker 1: You don't, we don't. That's been proven already.

1462
01:05:17,440 --> 01:05:22,240
Speaker 3: So then why should Drake try to protect this integrity

1463
01:05:22,280 --> 01:05:24,720
Speaker 3: of hip hop when there is obviously no integrity in

1464
01:05:24,800 --> 01:05:25,160
Speaker 3: hip hop?

1465
01:05:25,400 --> 01:05:27,440
Speaker 1: I'm not talking about Drake protecting it. I don't.

1466
01:05:27,480 --> 01:05:29,720
Speaker 3: You said he shouldn't, Sue, No, he shouldn't.

1467
01:05:29,720 --> 01:05:31,120
Speaker 1: I never said he shouldn't.

1468
01:05:31,200 --> 01:05:31,760
Speaker 3: He didn't say that.

1469
01:05:31,800 --> 01:05:33,840
Speaker 5: But that's not a hip hop that's a world.

1470
01:05:35,280 --> 01:05:37,120
Speaker 1: That I've never said Drake shouldn't, right.

1471
01:05:37,080 --> 01:05:40,560
Speaker 3: Sosten right, All right, cool, So we're gonna continue this

1472
01:05:40,800 --> 01:05:44,760
Speaker 3: once this entire case is closed.

1473
01:05:44,520 --> 01:05:47,160
Speaker 5: And of course we will, but I don't I won't

1474
01:05:47,200 --> 01:05:49,560
Speaker 5: have much to say if he wins, because I think

1475
01:05:49,600 --> 01:05:51,760
Speaker 5: he has a case, and all right, cool, he won,

1476
01:05:52,400 --> 01:05:55,800
Speaker 5: Now what So I'm not sure what once we get

1477
01:05:55,800 --> 01:05:58,200
Speaker 5: the results of this entire thing. What the convo will

1478
01:05:58,240 --> 01:06:02,920
Speaker 5: really be? Okay, I I think people if he wins

1479
01:06:03,040 --> 01:06:05,280
Speaker 5: and gets what he's asking for when you had that

1480
01:06:05,320 --> 01:06:08,200
Speaker 5: if scenario, I think if he gets what he wants

1481
01:06:08,240 --> 01:06:11,520
Speaker 5: and stays with UMG, the perception might look even crazier.

1482
01:06:12,080 --> 01:06:14,680
Speaker 5: You were okay with them funding a shit call you

1483
01:06:14,680 --> 01:06:17,400
Speaker 5: a pedophile. I thought you were standing on pedophiles the

1484
01:06:17,400 --> 01:06:19,560
Speaker 5: worst shit in the world morals, We cannot do that,

1485
01:06:20,080 --> 01:06:21,560
Speaker 5: but you still want to be in business with them

1486
01:06:21,600 --> 01:06:23,600
Speaker 5: because they gave you the money wanted. I think the

1487
01:06:23,640 --> 01:06:27,200
Speaker 5: perception all getting Crazier's the best perception is you win

1488
01:06:27,240 --> 01:06:29,439
Speaker 5: that case and you say fuck you MG and walk away,

1489
01:06:29,440 --> 01:06:30,680
Speaker 5: which is what I which I hope he does.

1490
01:06:31,160 --> 01:06:33,400
Speaker 1: I think one loser draw. I think he's walking away

1491
01:06:33,400 --> 01:06:36,480
Speaker 1: from UG. But that's whatever. My only point in what

1492
01:06:36,520 --> 01:06:39,240
Speaker 1: I was trying to get across to you is us

1493
01:06:39,280 --> 01:06:42,040
Speaker 1: having the conversation of conversations that we've had in the past,

1494
01:06:42,360 --> 01:06:44,600
Speaker 1: and why when it comes to things when it comes

1495
01:06:44,600 --> 01:06:46,360
Speaker 1: to Drake, whether I care about what Drake's doing or not,

1496
01:06:46,600 --> 01:06:50,200
Speaker 1: your bias shows because you care about certain things in

1497
01:06:50,280 --> 01:06:52,600
Speaker 1: hip hop and the integrity of hip hop and nah,

1498
01:06:52,680 --> 01:06:54,840
Speaker 1: you just don't do that in a rat battle. But

1499
01:06:54,880 --> 01:06:56,920
Speaker 1: then when it comes to things like this, it's like

1500
01:06:56,960 --> 01:06:59,480
Speaker 1: you can't see why even if you don't agree, you

1501
01:06:59,520 --> 01:07:01,680
Speaker 1: can't see why people are looking at him like this

1502
01:07:01,720 --> 01:07:04,200
Speaker 1: is a sore loser move, that's why you're doing this.

1503
01:07:04,360 --> 01:07:06,240
Speaker 3: You can't see white people are And I can see

1504
01:07:06,240 --> 01:07:07,520
Speaker 3: why people think a lot of this shit they think.

1505
01:07:07,560 --> 01:07:07,600
Speaker 2: That.

1506
01:07:07,600 --> 01:07:10,240
Speaker 3: Don't mean I have to agree with it, for sure. Yeah,

1507
01:07:10,360 --> 01:07:12,040
Speaker 3: I could see why people think that. I don't have

1508
01:07:12,080 --> 01:07:14,400
Speaker 3: to agree with it. Yeah, said I never said I

1509
01:07:14,400 --> 01:07:16,160
Speaker 3: don't see why people think that, Okay, And I'm saying

1510
01:07:16,160 --> 01:07:18,120
Speaker 3: I don't think about I don't see I don't see

1511
01:07:18,120 --> 01:07:21,280
Speaker 3: how y'all don't see what he's doing as protecting his brand.

1512
01:07:22,080 --> 01:07:23,160
Speaker 4: That's the part I don't understand.

1513
01:07:23,200 --> 01:07:24,640
Speaker 1: Well, we I mean, we explain it to you, but

1514
01:07:24,680 --> 01:07:26,080
Speaker 1: we can. I mean to disagree.

1515
01:07:26,560 --> 01:07:28,880
Speaker 5: And I don't think there's anything wrong with Mal having

1516
01:07:28,920 --> 01:07:33,040
Speaker 5: a bias for his friend. If somebody if another podcast

1517
01:07:33,080 --> 01:07:35,320
Speaker 5: called Mall a pedophile, and we all know for a

1518
01:07:35,320 --> 01:07:37,680
Speaker 5: fact Mal is not a pedophile, and let's say it worked,

1519
01:07:38,000 --> 01:07:40,120
Speaker 5: everyone was going around saying Mall is a pedophile. You

1520
01:07:40,120 --> 01:07:42,160
Speaker 5: don't think I have a bias in screaming that Mall's

1521
01:07:42,200 --> 01:07:44,160
Speaker 5: not a pedophile. That was a corny fucking move. Of

1522
01:07:44,160 --> 01:07:44,760
Speaker 5: course I would.

1523
01:07:45,200 --> 01:07:47,840
Speaker 1: But that's but and this is the thing that's fine.

1524
01:07:48,040 --> 01:07:50,120
Speaker 1: The issue is when we're trying to get Mall to

1525
01:07:50,200 --> 01:07:52,440
Speaker 1: admit that he has said bias, Mal will say he

1526
01:07:52,440 --> 01:07:55,200
Speaker 1: doesn't have a bias, and I don't think that that's true.

1527
01:07:55,280 --> 01:07:58,280
Speaker 1: I don't know. I full out I had full out

1528
01:07:58,280 --> 01:08:01,240
Speaker 1: patron episode. You weren't here a satin exactly where? And

1529
01:08:01,240 --> 01:08:02,640
Speaker 1: I asked more, did he have a Drake bias? And

1530
01:08:02,720 --> 01:08:05,120
Speaker 1: he said no, Oh, as far as when it comes

1531
01:08:05,160 --> 01:08:08,040
Speaker 1: to music. When it comes to period, that's your front.

1532
01:08:08,320 --> 01:08:09,760
Speaker 3: Yeah, but I don't have a bid when it comes

1533
01:08:09,760 --> 01:08:11,640
Speaker 3: to his music. I've sat on here and said when

1534
01:08:11,680 --> 01:08:13,439
Speaker 3: I didn't like Drake, I sat on here and said

1535
01:08:13,440 --> 01:08:15,600
Speaker 3: when I didn't like the single he dropped led with

1536
01:08:15,680 --> 01:08:16,639
Speaker 3: him and scissors the slime.

1537
01:08:17,080 --> 01:08:20,040
Speaker 1: We were having to like that about the Kendrick battle

1538
01:08:20,120 --> 01:08:22,679
Speaker 1: and the bat I'm ride with my Nega.

1539
01:08:22,760 --> 01:08:24,280
Speaker 3: I don't give what the other side.

1540
01:08:24,160 --> 01:08:26,439
Speaker 1: Is, okay, but I'm ribbing with my man.

1541
01:08:26,600 --> 01:08:29,360
Speaker 3: It's a battle and we're talking about Yeah, I'm on

1542
01:08:29,400 --> 01:08:32,000
Speaker 3: this side battleing. You got to pick a side, which

1543
01:08:32,040 --> 01:08:33,479
Speaker 3: is why I don't fuck with what your man did.

1544
01:08:34,080 --> 01:08:38,120
Speaker 3: You got to pick a side, Pick a side that's

1545
01:08:38,120 --> 01:08:39,800
Speaker 3: a wind, lose a drawer. We're gonna pick a side

1546
01:08:39,840 --> 01:08:42,559
Speaker 3: over here. I take the l but I ain't gonna

1547
01:08:42,600 --> 01:08:46,760
Speaker 3: be playing double dutch. Nah, they don't do that. So yeah,

1548
01:08:46,920 --> 01:08:49,000
Speaker 3: if it comes to a battle, I'm always riding with

1549
01:08:49,040 --> 01:08:49,439
Speaker 3: my niggas.

1550
01:08:49,479 --> 01:08:52,160
Speaker 1: And that's where we don't do that. We don't do that.

1551
01:08:52,640 --> 01:08:55,719
Speaker 1: You're setting hip hop rules. Don't do what not swing

1552
01:08:55,760 --> 01:08:58,280
Speaker 1: in a hip battle and in a rat battle or not.

1553
01:08:58,439 --> 01:09:00,920
Speaker 1: You know, not taking rat battle legal is also a

1554
01:09:01,000 --> 01:09:03,800
Speaker 1: hip hop rule, so you can't. But we don't do this,

1555
01:09:04,120 --> 01:09:04,800
Speaker 1: but the other ship.

1556
01:09:06,240 --> 01:09:08,680
Speaker 3: But you crossing the lines because you saying taking a

1557
01:09:08,760 --> 01:09:11,840
Speaker 3: hip hop battle to court.

1558
01:09:11,240 --> 01:09:13,240
Speaker 4: It's not Yeah, but it's not. It's not about the battle.

1559
01:09:13,240 --> 01:09:15,920
Speaker 3: It's the business that was done behind a record that

1560
01:09:16,040 --> 01:09:19,559
Speaker 3: was used in a battle. Kendrick, Kendrick Duckworth is not

1561
01:09:19,600 --> 01:09:22,240
Speaker 3: being asked to come to no court or nothing at all.

1562
01:09:22,640 --> 01:09:24,760
Speaker 3: So this isn't about that. This is about what the

1563
01:09:24,800 --> 01:09:28,839
Speaker 3: business did with a song that was used during a battle.

1564
01:09:29,479 --> 01:09:32,040
Speaker 3: This is not about the outcome of a battle. And

1565
01:09:32,479 --> 01:09:35,040
Speaker 3: you know, bring Kendrick in here because he said this

1566
01:09:35,120 --> 01:09:37,519
Speaker 3: about No, this is not that yo. I feel like

1567
01:09:37,600 --> 01:09:39,639
Speaker 3: y'all did some funny ship because y'all know the type

1568
01:09:39,680 --> 01:09:41,760
Speaker 3: of negotiations we have in I feel like y'all did

1569
01:09:41,800 --> 01:09:44,120
Speaker 3: some funny shit behind this record, and I can also

1570
01:09:44,160 --> 01:09:46,320
Speaker 3: prove it. And I also have language in my contract

1571
01:09:46,520 --> 01:09:48,040
Speaker 3: to where y'all violated my contract.

1572
01:09:48,040 --> 01:09:50,160
Speaker 1: Okay, so the final question and we can move on.

1573
01:09:51,120 --> 01:09:53,840
Speaker 1: Do you feel like if Kendrick had put out not

1574
01:09:54,000 --> 01:09:56,040
Speaker 1: Like Us and it said nothing about pedophilia is still

1575
01:09:56,080 --> 01:09:59,320
Speaker 1: blew up as big as it did? Do you feel

1576
01:09:59,680 --> 01:10:03,080
Speaker 1: like break would still be suing UMG if he called

1577
01:10:03,160 --> 01:10:05,920
Speaker 1: him something else file, I feel like something else Still.

1578
01:10:06,040 --> 01:10:07,920
Speaker 3: I feel like, no matter what, if he feels like

1579
01:10:08,000 --> 01:10:10,160
Speaker 3: something in his contract was violated and he's in the

1580
01:10:10,240 --> 01:10:12,760
Speaker 3: middle of one of the biggest negotiations and artists has

1581
01:10:12,800 --> 01:10:14,759
Speaker 3: ever been in the middle of in the history of music,

1582
01:10:15,080 --> 01:10:16,280
Speaker 3: I feel like he would be going.

1583
01:10:16,200 --> 01:10:18,960
Speaker 5: To court for Do you think that's again because we

1584
01:10:19,040 --> 01:10:21,800
Speaker 5: kind of went past it as the final question, do

1585
01:10:21,880 --> 01:10:24,160
Speaker 5: you think Kendrick Lamar has a case against UMG as

1586
01:10:24,200 --> 01:10:28,600
Speaker 5: well as far as defamation? You funded a record that

1587
01:10:28,680 --> 01:10:31,280
Speaker 5: said A couple records that said I beat my wife,

1588
01:10:31,680 --> 01:10:35,360
Speaker 5: used my wife's name, talked about my children that aren't mine.

1589
01:10:35,880 --> 01:10:37,760
Speaker 5: Does he not also have a defamation case?

1590
01:10:39,200 --> 01:10:39,519
Speaker 3: Sure?

1591
01:10:39,800 --> 01:10:40,120
Speaker 2: Okay?

1592
01:10:40,600 --> 01:10:40,800
Speaker 3: Cool?

1593
01:10:41,120 --> 01:10:44,240
Speaker 1: If he filed that defamation case. If this battle had

1594
01:10:44,280 --> 01:10:46,760
Speaker 1: went the opposite way, if Ken.

1595
01:10:46,840 --> 01:10:50,320
Speaker 3: Comes out tomorrow defamation against the UMG, I would be like, yo,

1596
01:10:50,400 --> 01:10:51,759
Speaker 3: if they violated some of this contract.

1597
01:10:51,800 --> 01:10:53,240
Speaker 4: I hope he gets all the money he wants.

1598
01:10:53,760 --> 01:11:02,559
Speaker 1: Okay, all right, cool. Have you guys heard Jim Jones' reply?

1599
01:11:03,479 --> 01:11:03,719
Speaker 3: Yeah?

1600
01:11:03,760 --> 01:11:04,639
Speaker 5: I like that he wrapped.

1601
01:11:05,040 --> 01:11:06,920
Speaker 3: I mean, oh no, we know that he's in record

1602
01:11:07,000 --> 01:11:09,160
Speaker 3: time and he Jim gonna respond when he had to

1603
01:11:09,200 --> 01:11:12,800
Speaker 3: respond to push it. He shot a video an hour. Yeah,

1604
01:11:12,840 --> 01:11:15,439
Speaker 3: he had a video out and edited colored everything in

1605
01:11:15,479 --> 01:11:16,240
Speaker 3: an hour and a half.

1606
01:11:16,640 --> 01:11:18,080
Speaker 5: Like how do you find a camera for forty fifth?

1607
01:11:18,200 --> 01:11:20,519
Speaker 4: Yeah, n Jim, and he gonna respond. We're not about

1608
01:11:20,560 --> 01:11:21,000
Speaker 4: Jim respond.

1609
01:11:21,080 --> 01:11:23,400
Speaker 5: I'm not gonna compare being called a pedophile to your

1610
01:11:23,439 --> 01:11:25,240
Speaker 5: from the Bronx. But I do like this.

1611
01:11:26,479 --> 01:11:28,240
Speaker 4: It's one a one.

1612
01:11:29,479 --> 01:11:31,120
Speaker 5: We know the Bronx is thirty as fucks.

1613
01:11:31,439 --> 01:11:32,559
Speaker 3: It's closel chair.

1614
01:11:32,600 --> 01:11:32,800
Speaker 1: We not.

1615
01:11:32,920 --> 01:11:34,479
Speaker 3: We ain't gonna keep running with that brun You know

1616
01:11:34,520 --> 01:11:37,439
Speaker 3: the Bronx datiful parts, it's some beautiful parts of the Bronx.

1617
01:11:37,479 --> 01:11:38,840
Speaker 5: We're not doing beauty in dirt.

1618
01:11:39,120 --> 01:11:41,439
Speaker 3: Yeah, knowledge, I'm not trying to think it seemed like

1619
01:11:41,479 --> 01:11:44,120
Speaker 3: the Bronx is like, you know, just like a wasteland,

1620
01:11:44,160 --> 01:11:49,400
Speaker 3: Like we're not doing that the Bronx. Come on, peach peas, nos.

1621
01:11:49,680 --> 01:11:51,160
Speaker 1: I have some good nights in the Bronx. Learn how

1622
01:11:51,160 --> 01:11:52,160
Speaker 1: to crip walk in the Bronx.

1623
01:11:52,920 --> 01:11:54,960
Speaker 4: Yeah, because you have to know alam you want to

1624
01:11:54,960 --> 01:11:55,519
Speaker 4: be hanging out.

1625
01:11:57,120 --> 01:12:00,840
Speaker 5: So we finally revealed the crypt friends saying his name

1626
01:12:00,960 --> 01:12:01,800
Speaker 5: for like two years.

1627
01:12:01,840 --> 01:12:03,760
Speaker 1: That's also not who I was up there with. But

1628
01:12:03,840 --> 01:12:06,400
Speaker 1: that's mad funny that you said that.

1629
01:12:06,400 --> 01:12:07,120
Speaker 3: That's just funny.

1630
01:12:07,200 --> 01:12:11,280
Speaker 1: That's funny that you trying. I'm gonna bleep that, but

1631
01:12:11,320 --> 01:12:12,519
Speaker 1: I'm fucking crying.

1632
01:12:14,000 --> 01:12:17,839
Speaker 5: No, But I like I like Jim's snippet obviously promoting

1633
01:12:17,840 --> 01:12:20,200
Speaker 5: the album he put up. He put up some some

1634
01:12:20,240 --> 01:12:21,679
Speaker 5: maga merch, make dip set greater.

1635
01:12:21,840 --> 01:12:24,160
Speaker 3: I'm not gonna lie. Beefing with Cam and then wearing

1636
01:12:24,240 --> 01:12:27,840
Speaker 3: dipset gloves in your response video was just like, all right, maam,

1637
01:12:28,120 --> 01:12:31,400
Speaker 3: it's a grown conspiracy online that this is all you

1638
01:12:31,439 --> 01:12:34,439
Speaker 3: know being, this is a play, it's just being you know,

1639
01:12:34,600 --> 01:12:37,360
Speaker 3: it's set up like they not really, this is not

1640
01:12:37,400 --> 01:12:39,960
Speaker 3: really a real beef. This is all you know, This

1641
01:12:40,080 --> 01:12:42,200
Speaker 3: is kind of marketing. This is kind of what.

1642
01:12:42,080 --> 01:12:45,360
Speaker 5: You call the what the young boys call it clout chasing, yes,

1643
01:12:45,760 --> 01:12:47,719
Speaker 5: uh and the Republicans called grifting.

1644
01:12:48,000 --> 01:12:50,000
Speaker 3: Yeah, you know, all right.

1645
01:12:50,360 --> 01:12:52,360
Speaker 5: I guess I can go with that theory that they're

1646
01:12:52,400 --> 01:12:56,240
Speaker 5: behind this because we've actually heard for years behind the

1647
01:12:56,280 --> 01:12:58,519
Speaker 5: scenes that they're who is it le or that someone

1648
01:12:58,600 --> 01:13:02,240
Speaker 5: was trying to get Jim to beef with Cam, or

1649
01:13:02,280 --> 01:13:04,080
Speaker 5: like Mace was behind the scenes saying like, yo, we

1650
01:13:04,120 --> 01:13:06,320
Speaker 5: should beef for the public. This has been a thing.

1651
01:13:07,200 --> 01:13:09,519
Speaker 5: But even when they were all beefing, they've always worn

1652
01:13:09,560 --> 01:13:12,040
Speaker 5: dip set shit. They created it together. I'm still wearing

1653
01:13:12,080 --> 01:13:15,080
Speaker 5: dipset even if I'm beefing with dipset. It's what I'm

1654
01:13:15,439 --> 01:13:17,960
Speaker 5: I'm doing. And I like that he replied with raps

1655
01:13:18,000 --> 01:13:22,240
Speaker 5: that weren't like emotional, Like he didn't and I don't

1656
01:13:22,240 --> 01:13:26,439
Speaker 5: think Cam's response was emotional, but that could have been

1657
01:13:26,439 --> 01:13:28,000
Speaker 5: more of a crash out with a reply.

1658
01:13:28,280 --> 01:13:28,479
Speaker 3: Yeah.

1659
01:13:28,760 --> 01:13:30,880
Speaker 5: I liked that he just got up there and told

1660
01:13:31,000 --> 01:13:34,479
Speaker 5: his story and plugged his album that's coming out and

1661
01:13:34,640 --> 01:13:36,360
Speaker 5: promoted his single. That's how I mean.

1662
01:13:37,000 --> 01:13:37,920
Speaker 4: I mean, I just don't want.

1663
01:13:38,160 --> 01:13:40,280
Speaker 5: Jim looks like the mature one after that, Like, I

1664
01:13:40,280 --> 01:13:42,360
Speaker 5: thought it was a good move if Jim really got

1665
01:13:42,360 --> 01:13:45,960
Speaker 5: on there and got emotional and started saying emotion.

1666
01:13:46,560 --> 01:13:48,400
Speaker 4: This whole thing is based off of emotions.

1667
01:13:48,439 --> 01:13:51,200
Speaker 5: I'm saying more of the like suck my dick route

1668
01:13:51,280 --> 01:13:53,720
Speaker 5: or like all this in raps. He just went and

1669
01:13:53,760 --> 01:13:57,680
Speaker 5: told the story, told a SI listen. I respect it

1670
01:13:57,720 --> 01:14:00,240
Speaker 5: and high end wraps gray Be. I just hate that

1671
01:14:00,280 --> 01:14:03,040
Speaker 5: it's it's where it's at with these two. I just

1672
01:14:03,040 --> 01:14:05,120
Speaker 5: think that some of the things that have been exposed

1673
01:14:05,160 --> 01:14:08,040
Speaker 5: and talked about publicly should have never been talked about,

1674
01:14:08,120 --> 01:14:10,719
Speaker 5: especially when talking about Jim and Cam.

1675
01:14:10,880 --> 01:14:12,720
Speaker 3: You know, it's it's just way too personal. And I

1676
01:14:12,760 --> 01:14:14,960
Speaker 3: don't I just don't think that that's for entertainment. I

1677
01:14:14,960 --> 01:14:17,400
Speaker 3: don't think that they should be beef and for entertainment.

1678
01:14:17,680 --> 01:14:19,800
Speaker 3: I don't believe like how some people online up start

1679
01:14:19,840 --> 01:14:22,720
Speaker 3: to say this is all fake and they're doing this

1680
01:14:22,840 --> 01:14:24,280
Speaker 3: just to you know, I don't. I don't think that

1681
01:14:24,280 --> 01:14:27,120
Speaker 3: that's real. I think that this is a real issue

1682
01:14:27,120 --> 01:14:29,360
Speaker 3: that they have. They've been through this before, seems like

1683
01:14:29,400 --> 01:14:32,200
Speaker 3: they go through this every few years. But I do

1684
01:14:32,240 --> 01:14:36,200
Speaker 3: think that this may be the like the final you

1685
01:14:36,240 --> 01:14:37,960
Speaker 3: know straw where I don't think that we'll be seeing

1686
01:14:38,000 --> 01:14:39,800
Speaker 3: the Dipset reunion anytime No.

1687
01:14:39,920 --> 01:14:42,559
Speaker 5: And and to that conspiracy, I wouldn't see the point

1688
01:14:42,640 --> 01:14:43,920
Speaker 5: this time around.

1689
01:14:44,439 --> 01:14:44,679
Speaker 3: Jim.

1690
01:14:44,720 --> 01:14:47,479
Speaker 5: I think, like we said last episode is the past

1691
01:14:47,479 --> 01:14:50,160
Speaker 5: few years has created a great solo rap career for himself.

1692
01:14:50,720 --> 01:14:53,400
Speaker 5: Cam is doing great on that show. Why would they

1693
01:14:53,479 --> 01:14:55,879
Speaker 5: need that? They don't neither of them need this. Yeah,

1694
01:14:55,960 --> 01:14:57,920
Speaker 5: so I don't know if I'm going that conspiracy all right,

1695
01:14:57,920 --> 01:15:02,040
Speaker 5: but let's let's just just for shits and gigs. How

1696
01:15:02,080 --> 01:15:04,920
Speaker 5: long before we see Jim on it is what it is?

1697
01:15:09,040 --> 01:15:10,640
Speaker 5: I think they make up.

1698
01:15:10,760 --> 01:15:13,479
Speaker 4: Elliott was on within what a week and a half.

1699
01:15:15,439 --> 01:15:18,000
Speaker 5: I think Cam is so petty that they make up

1700
01:15:18,040 --> 01:15:20,080
Speaker 5: and are cool, and he still never invites him up

1701
01:15:20,080 --> 01:15:22,120
Speaker 5: there because it'd be too good of a look. Yeah,

1702
01:15:22,160 --> 01:15:24,360
Speaker 5: even when they've made up, we've seen how how petty

1703
01:15:24,400 --> 01:15:26,479
Speaker 5: Cam can be, to the point that when they were cool,

1704
01:15:26,479 --> 01:15:29,479
Speaker 5: he even bought the vamp like copyright without Jim even knowing.

1705
01:15:29,560 --> 01:15:30,639
Speaker 5: I don't know it was cool.

1706
01:15:31,120 --> 01:15:33,719
Speaker 3: I don't know, man, I just seem like because Cam

1707
01:15:33,760 --> 01:15:36,280
Speaker 3: is petty, but then he had the petty king up

1708
01:15:36,280 --> 01:15:39,519
Speaker 3: there and they was beefing fifty. So if like Cam

1709
01:15:39,520 --> 01:15:43,080
Speaker 3: and Fifty could sit down and chop it, I don't

1710
01:15:43,120 --> 01:15:44,160
Speaker 3: think he'll do it is what it is.

1711
01:15:44,200 --> 01:15:46,200
Speaker 4: I think he'll do come and talk with Flee. That's

1712
01:15:46,240 --> 01:15:46,880
Speaker 4: what I could see.

1713
01:15:46,920 --> 01:15:47,760
Speaker 5: I could definitely see that.

1714
01:15:47,840 --> 01:15:49,600
Speaker 3: I don't know. I don't know if I don't know

1715
01:15:49,640 --> 01:15:52,679
Speaker 3: if Jim and and Mace could be in the studio together, yeah,

1716
01:15:52,720 --> 01:15:55,519
Speaker 3: I don't know if it's you know, even though Mace

1717
01:15:55,520 --> 01:15:57,040
Speaker 3: did say h it, try to get them on the

1718
01:15:57,040 --> 01:15:58,639
Speaker 3: phone together so they could squash it. And I love

1719
01:15:58,680 --> 01:16:00,760
Speaker 3: that Mace put that out there, like, let'ten and I'll

1720
01:16:00,800 --> 01:16:04,439
Speaker 3: try to get them to talk, you know, privately before

1721
01:16:04,479 --> 01:16:06,840
Speaker 3: anything went to where it went. You can't make two

1722
01:16:06,880 --> 01:16:08,360
Speaker 3: grown men get on the phone and speak if they

1723
01:16:08,400 --> 01:16:11,000
Speaker 3: don't want to. But the fact that Mace tried that,

1724
01:16:11,520 --> 01:16:14,840
Speaker 3: I love that. But I could see a come and

1725
01:16:14,880 --> 01:16:17,240
Speaker 3: talk with Flea. I can see Jim doing a come

1726
01:16:17,280 --> 01:16:17,920
Speaker 3: and talk with Flee.

1727
01:16:18,800 --> 01:16:21,840
Speaker 5: My last rap battle comment. Do you think if Drake

1728
01:16:21,920 --> 01:16:26,639
Speaker 5: does decide to rap, he will call Kendrick Lamar's halftime

1729
01:16:26,680 --> 01:16:29,920
Speaker 5: performance a two B movie. I can see him getting

1730
01:16:29,920 --> 01:16:33,400
Speaker 5: that bar off. Why you have because they're streaming the

1731
01:16:33,400 --> 01:16:39,080
Speaker 5: super Bowl on two What do you mean they're streaming

1732
01:16:39,120 --> 01:16:43,760
Speaker 5: the super Bowl on to how I mean electricity? I

1733
01:16:43,760 --> 01:16:44,280
Speaker 5: assume I don't.

1734
01:16:44,280 --> 01:16:48,600
Speaker 3: I don't know, so is it? Wait the super Bowl is.

1735
01:16:50,400 --> 01:16:51,440
Speaker 1: No, not exclusively.

1736
01:16:51,520 --> 01:16:51,760
Speaker 3: No.

1737
01:16:51,800 --> 01:16:54,760
Speaker 5: I want to be like I didn't know the super

1738
01:16:54,760 --> 01:16:55,560
Speaker 5: Bowl rights to two B.

1739
01:16:55,760 --> 01:17:00,320
Speaker 3: I didn't wait wait see what you out?

1740
01:17:00,760 --> 01:17:02,920
Speaker 5: Now you pocket watching like I was with Meek. You

1741
01:17:02,920 --> 01:17:05,599
Speaker 5: don't know what I got it? Man, fair, you don't

1742
01:17:05,600 --> 01:17:06,960
Speaker 5: even know this could be a Meek and to Be

1743
01:17:07,040 --> 01:17:08,920
Speaker 5: collab what Fox Fox.

1744
01:17:08,640 --> 01:17:09,280
Speaker 3: Owns to be.

1745
01:17:09,720 --> 01:17:12,080
Speaker 1: Yeah, now, okay, so that's a good look.

1746
01:17:13,360 --> 01:17:14,560
Speaker 3: Give them a little look.

1747
01:17:14,680 --> 01:17:16,280
Speaker 5: But I feel like that would be a good jab

1748
01:17:16,320 --> 01:17:18,680
Speaker 5: if for a Drake reply, your halftime show was a

1749
01:17:18,680 --> 01:17:22,920
Speaker 5: two B movie? Like yeah, I mean not that it

1750
01:17:22,960 --> 01:17:25,200
Speaker 5: would really have much validity because it's still the super Bowl,

1751
01:17:25,240 --> 01:17:26,720
Speaker 5: But got to get that ship off.

1752
01:17:26,880 --> 01:17:30,519
Speaker 3: I get it. Okay, but okay, I was I was

1753
01:17:30,520 --> 01:17:32,960
Speaker 3: great to go go like wait wait wait wait, because

1754
01:17:33,000 --> 01:17:36,640
Speaker 3: y'all was you know, talking crazy about Beyonce and hell

1755
01:17:36,720 --> 01:17:44,519
Speaker 3: fucking Christmas Netflix performance too be you man? No, But

1756
01:17:44,600 --> 01:17:46,320
Speaker 3: now that this is a Fox, you know, this is

1757
01:17:46,320 --> 01:17:50,479
Speaker 3: one of the Foxes, you know, little homies. It makes sense.

1758
01:17:50,800 --> 01:17:52,559
Speaker 4: I see the business. I see the business behind it.

1759
01:17:52,960 --> 01:17:55,040
Speaker 1: Shows that get better now, a little bit more high budget.

1760
01:17:55,040 --> 01:17:57,000
Speaker 4: What you think I mean, the money is obviously there.

1761
01:17:57,160 --> 01:17:59,240
Speaker 5: I think Fox is gonna be yelling to bees from

1762
01:17:59,240 --> 01:18:01,880
Speaker 5: the Bronx. I don't think it's There'll be a split

1763
01:18:01,920 --> 01:18:04,280
Speaker 5: at some point. They trying to put a little homo on.

1764
01:18:04,280 --> 01:18:05,559
Speaker 5: I don't think it's gonna work. Give them a little

1765
01:18:05,560 --> 01:18:08,439
Speaker 5: look and then like hold it over their head. Yeah,

1766
01:18:08,520 --> 01:18:09,639
Speaker 5: like we gave you that look.

1767
01:18:09,800 --> 01:18:11,840
Speaker 3: Yeah, I know how that ship gave you the super

1768
01:18:11,880 --> 01:18:13,000
Speaker 3: Bowl a few weeks away.

1769
01:18:13,720 --> 01:18:14,280
Speaker 1: You excited?

1770
01:18:14,920 --> 01:18:19,040
Speaker 3: Think's to the super Bowl. I don't know yet, man,

1771
01:18:19,360 --> 01:18:22,559
Speaker 3: I don't know. It's still too it's still too early.

1772
01:18:22,720 --> 01:18:24,800
Speaker 3: Even like obviously, I feel like.

1773
01:18:25,240 --> 01:18:28,320
Speaker 5: I want to see the lines injuries like that.

1774
01:18:28,840 --> 01:18:31,280
Speaker 4: I wouldn't be mad at that. The Detroit gonna go

1775
01:18:31,360 --> 01:18:32,160
Speaker 4: crazy if the Lions go.

1776
01:18:32,960 --> 01:18:35,559
Speaker 5: I'd like to see the cities of Detroit or Buffalo

1777
01:18:35,760 --> 01:18:36,479
Speaker 5: finally get there.

1778
01:18:36,560 --> 01:18:39,160
Speaker 4: That's like a that's a man super Bowl, right, yeah.

1779
01:18:39,040 --> 01:18:41,080
Speaker 5: Yeah, that's a blue collar yellar.

1780
01:18:41,200 --> 01:18:41,400
Speaker 1: Yeah.

1781
01:18:41,479 --> 01:18:43,599
Speaker 4: Still them niggas still take they lunch to work.

1782
01:18:44,320 --> 01:18:49,439
Speaker 3: They all have the black lung, the black all of them.

1783
01:18:50,200 --> 01:18:52,519
Speaker 3: They don't spend when they get on from work fucking

1784
01:18:52,600 --> 01:18:57,040
Speaker 3: back in the United States. Absolutely, but I'm excited. I

1785
01:18:57,120 --> 01:18:58,040
Speaker 3: might go down in New Orleans.

1786
01:18:58,080 --> 01:19:00,000
Speaker 5: I'm still figuring that out, but not to the actual game.

1787
01:19:00,720 --> 01:19:03,920
Speaker 5: You know, it might be in the n streets, you know,

1788
01:19:04,360 --> 01:19:05,120
Speaker 5: give le Angelos.

1789
01:19:06,479 --> 01:19:08,800
Speaker 1: Can I come? I've never been to New Orleans.

1790
01:19:09,160 --> 01:19:10,320
Speaker 5: I would say this.

1791
01:19:10,360 --> 01:19:12,920
Speaker 3: Is a reason why you've never been. This is you

1792
01:19:13,080 --> 01:19:14,800
Speaker 3: might not come back from New Orleans. You might be

1793
01:19:14,800 --> 01:19:16,160
Speaker 3: out there just doing too much.

1794
01:19:16,560 --> 01:19:18,720
Speaker 1: Well, I don't really do too much when I go out,

1795
01:19:18,760 --> 01:19:21,759
Speaker 1: but I do. You sat here and almost went crazy.

1796
01:19:21,800 --> 01:19:24,640
Speaker 3: Told my New Orleans accents, like it's just something about it,

1797
01:19:25,040 --> 01:19:26,919
Speaker 3: that's about the New Orleans accents.

1798
01:19:26,920 --> 01:19:28,400
Speaker 1: That's my favorite.

1799
01:19:28,800 --> 01:19:29,760
Speaker 5: Was just in your d MS.

1800
01:19:31,120 --> 01:19:32,400
Speaker 4: Homie was just in your d M.

1801
01:19:32,520 --> 01:19:33,200
Speaker 5: He got a spot.

1802
01:19:34,120 --> 01:19:35,880
Speaker 1: You think he let me borrow without him being there.

1803
01:19:36,080 --> 01:19:37,519
Speaker 5: No, I don't know.

1804
01:19:37,520 --> 01:19:38,080
Speaker 3: He'll be there.

1805
01:19:38,120 --> 01:19:40,400
Speaker 1: I'm so I'm so cool.

1806
01:19:40,479 --> 01:19:42,760
Speaker 5: There's anywhere he'll be, it'll be It'll be home.

1807
01:19:43,040 --> 01:19:43,120
Speaker 3: Now.

1808
01:19:43,360 --> 01:19:46,640
Speaker 1: I'm mad cool on that, actually, but I've never been.

1809
01:19:46,680 --> 01:19:47,920
Speaker 1: I heard they have the best food in the world.

1810
01:19:47,920 --> 01:19:48,400
Speaker 1: That's why I want.

1811
01:19:48,439 --> 01:19:50,280
Speaker 5: It's definitely up there. I feel like you should go

1812
01:19:50,280 --> 01:19:53,960
Speaker 5: on for sure super Bowl weekend or like, yeah, I

1813
01:19:54,000 --> 01:19:56,400
Speaker 5: want to do some essence like go do a New

1814
01:19:56,439 --> 01:19:57,559
Speaker 5: Orleans experience by yourself.

1815
01:19:57,560 --> 01:19:58,840
Speaker 1: I want to do like a I want to go

1816
01:19:59,000 --> 01:20:01,759
Speaker 1: like do some recent here trying like whodoo and voodoo,

1817
01:20:01,800 --> 01:20:02,479
Speaker 1: like I want to.

1818
01:20:02,880 --> 01:20:05,000
Speaker 5: Oh it's there, you can feel it. It's in the air.

1819
01:20:05,080 --> 01:20:06,200
Speaker 1: That's that's my type of ship.

1820
01:20:06,360 --> 01:20:11,040
Speaker 5: So hm, maybe did they put the new equalizer word

1821
01:20:11,080 --> 01:20:15,080
Speaker 5: queenland Teef on two B because those moves that looked

1822
01:20:15,120 --> 01:20:15,320
Speaker 5: like A.

1823
01:20:15,280 --> 01:20:15,920
Speaker 3: Two be special.

1824
01:20:15,960 --> 01:20:17,639
Speaker 4: I caught some of some of the Queen the Teeth

1825
01:20:17,640 --> 01:20:17,960
Speaker 4: on either.

1826
01:20:18,120 --> 01:20:20,559
Speaker 3: Listen. We love Queen the Teeth man, she's a legend icon,

1827
01:20:21,439 --> 01:20:23,400
Speaker 3: but I just think it's certain roles. We got to

1828
01:20:23,600 --> 01:20:25,920
Speaker 3: be like, all right, man, all.

1829
01:20:25,880 --> 01:20:27,960
Speaker 5: Right, where do we where do we rank this? With

1830
01:20:28,320 --> 01:20:33,880
Speaker 5: keV Hart's handgun display at the end of that movie

1831
01:20:34,240 --> 01:20:36,800
Speaker 5: versus Queen of Teeth for whooping three guys ass with

1832
01:20:36,880 --> 01:20:41,320
Speaker 5: the scarfs in a project lobby with a scarf at

1833
01:20:41,320 --> 01:20:43,559
Speaker 5: that Where did the scarf get that much weight?

1834
01:20:44,960 --> 01:20:45,120
Speaker 3: Rock?

1835
01:20:45,160 --> 01:20:47,320
Speaker 1: And that ship Now it's like lightweight. So you could

1836
01:20:47,400 --> 01:20:49,479
Speaker 1: just like kind of like remember what we used to

1837
01:20:49,479 --> 01:20:49,720
Speaker 1: take the.

1838
01:20:52,120 --> 01:20:52,840
Speaker 5: Five grown men?

1839
01:20:52,960 --> 01:20:54,720
Speaker 3: Those are like four grown men or that were really

1840
01:20:54,720 --> 01:20:56,720
Speaker 3: trying to hurt her though, like that's that scarf is

1841
01:20:56,760 --> 01:20:58,599
Speaker 3: that cash Meal wasn't supposed to do all of that.

1842
01:20:58,800 --> 01:21:02,080
Speaker 5: Do you feel like in movies sometimes they already know

1843
01:21:02,360 --> 01:21:04,040
Speaker 5: what this scene is going to do and do it

1844
01:21:04,080 --> 01:21:07,280
Speaker 5: for viral purposes. Probably when they shot this, no one

1845
01:21:07,560 --> 01:21:08,800
Speaker 5: was sitting there like this is going to be one

1846
01:21:08,840 --> 01:21:11,800
Speaker 5: of those fighting scenes that like Jetly did, Everyone's be

1847
01:21:11,840 --> 01:21:14,720
Speaker 5: like this is hilarious that Queen Latifa is beating up

1848
01:21:14,760 --> 01:21:16,280
Speaker 5: five men with a score and one of them ran

1849
01:21:16,320 --> 01:21:18,240
Speaker 5: away and Mike Eppsen is laughing in the front seat.

1850
01:21:18,280 --> 01:21:20,799
Speaker 1: Well not everybody, though, because if you're casting Queen Latifa

1851
01:21:20,840 --> 01:21:23,280
Speaker 1: in the movie, the demographic you're trying to get will

1852
01:21:23,320 --> 01:21:24,120
Speaker 1: believe the scarf thing.

1853
01:21:24,200 --> 01:21:26,240
Speaker 5: We've seen her whoop ass in movies, don't get me wrong,

1854
01:21:26,360 --> 01:21:27,639
Speaker 5: but this is a.

1855
01:21:27,600 --> 01:21:30,880
Speaker 3: Different You don't think this this this show is trying

1856
01:21:30,880 --> 01:21:32,880
Speaker 3: to target my demographic.

1857
01:21:33,439 --> 01:21:36,680
Speaker 1: You're demographic? No, I think your mom. I think they

1858
01:21:36,680 --> 01:21:37,000
Speaker 1: want you.

1859
01:21:37,320 --> 01:21:39,639
Speaker 4: They absolutely targeted me. What are you talking about?

1860
01:21:39,880 --> 01:21:40,080
Speaker 3: Nah?

1861
01:21:40,120 --> 01:21:40,800
Speaker 1: I think they want you?

1862
01:21:41,000 --> 01:21:41,639
Speaker 3: Are you crazy?

1863
01:21:41,640 --> 01:21:42,400
Speaker 5: You feel targeted?

1864
01:21:42,640 --> 01:21:44,920
Speaker 3: Yes? And I don't believe none of this scene.

1865
01:21:45,360 --> 01:21:47,120
Speaker 1: Why do you feel targeted? Why would you think they

1866
01:21:47,160 --> 01:21:50,000
Speaker 1: were trying to get you a female equalizer? That's what

1867
01:21:50,200 --> 01:21:52,200
Speaker 1: was somebody with a scarf. They use Queen Latifa. Why

1868
01:21:52,200 --> 01:21:53,480
Speaker 1: do you think that you're the demographic?

1869
01:21:53,880 --> 01:21:55,880
Speaker 3: Because I'm gonna just go out on the women say

1870
01:21:55,920 --> 01:21:59,720
Speaker 3: that the age that Queen Latifa's portrayed in this may

1871
01:21:59,760 --> 01:22:01,000
Speaker 3: be age, Yeah.

1872
01:22:00,880 --> 01:22:04,760
Speaker 1: But demographic is more than age. Demographic is more than age.

1873
01:22:04,800 --> 01:22:07,720
Speaker 4: Like the cast maybe, like, what are we talking about here?

1874
01:22:07,720 --> 01:22:12,240
Speaker 3: But this is absolutely thirty five to thirty five plus

1875
01:22:12,280 --> 01:22:15,400
Speaker 3: year olds. This is this equalized. The show is definitely targeted.

1876
01:22:15,200 --> 01:22:19,960
Speaker 1: Demographic age' that's one thing that's It's more than just age.

1877
01:22:20,000 --> 01:22:24,639
Speaker 1: It's race, it's lifestyle and the streets gender more than anything.

1878
01:22:25,080 --> 01:22:27,479
Speaker 1: They put it a You think they put Queen Latifa

1879
01:22:27,560 --> 01:22:31,400
Speaker 1: as a female equalizer for you, for men. That was

1880
01:22:31,439 --> 01:22:32,559
Speaker 1: not for men that were women.

1881
01:22:32,640 --> 01:22:34,479
Speaker 3: All right, So you think any girl that I grew

1882
01:22:34,560 --> 01:22:36,080
Speaker 3: up with on my block is going to see this

1883
01:22:36,120 --> 01:22:37,000
Speaker 3: and believe this scene.

1884
01:22:37,200 --> 01:22:39,320
Speaker 1: No, it's not about believing the scene. I'm talking about

1885
01:22:39,360 --> 01:22:42,559
Speaker 1: purely who who the demographic of this is for. Okay,

1886
01:22:43,000 --> 01:22:44,560
Speaker 1: I don't even think that girls that grew up on

1887
01:22:44,600 --> 01:22:46,960
Speaker 1: your block. Again, I don't think that's the demographic. I

1888
01:22:46,960 --> 01:22:49,760
Speaker 1: think the demographic is your mother. That's who I think

1889
01:22:49,760 --> 01:22:50,280
Speaker 1: the demographic.

1890
01:22:50,320 --> 01:22:51,599
Speaker 3: I think you think the old.

1891
01:22:51,920 --> 01:22:54,599
Speaker 1: I think women, older women are power.

1892
01:22:54,720 --> 01:22:57,160
Speaker 4: You think they targeted seventy year old women this show.

1893
01:22:57,439 --> 01:22:59,720
Speaker 1: Yes, seventy sixty and fifty year old women. Yes, I

1894
01:22:59,720 --> 01:23:03,200
Speaker 1: think that that's the demographic. I mean, I don't those

1895
01:23:03,200 --> 01:23:04,439
Speaker 1: are a Queen Latifa fans.

1896
01:23:04,840 --> 01:23:06,439
Speaker 4: Okay, Now, like.

1897
01:23:08,760 --> 01:23:09,400
Speaker 1: I'm crazy.

1898
01:23:10,520 --> 01:23:14,120
Speaker 3: If you think the Equalizer A targeting sixty and seventy

1899
01:23:14,160 --> 01:23:17,920
Speaker 3: old people, You're crazy. Okay, absolutely.

1900
01:23:18,400 --> 01:23:20,839
Speaker 5: I mean the main one is probably thirties and forties,

1901
01:23:20,840 --> 01:23:21,840
Speaker 5: but I'm sure they'd like to.

1902
01:23:22,720 --> 01:23:26,320
Speaker 1: Like what I think you think the fifties. I think

1903
01:23:26,360 --> 01:23:27,200
Speaker 1: forties and fifties.

1904
01:23:27,280 --> 01:23:28,160
Speaker 3: I just said that.

1905
01:23:28,320 --> 01:23:31,160
Speaker 1: But no, you said your age, he's forty. I can

1906
01:23:31,160 --> 01:23:32,000
Speaker 1: forget that time.

1907
01:23:32,320 --> 01:23:34,400
Speaker 3: What was I talking about it? Why y'all? Okay, y'all

1908
01:23:34,960 --> 01:23:37,040
Speaker 3: trying to make you sound crazy all the time.

1909
01:23:37,120 --> 01:23:39,000
Speaker 1: Don't you don't act your age? This is for old.

1910
01:23:39,000 --> 01:23:40,679
Speaker 1: When I think of this, I'm thinking about older people

1911
01:23:41,160 --> 01:23:41,360
Speaker 1: at all.

1912
01:23:41,400 --> 01:23:42,480
Speaker 3: That's crazy.

1913
01:23:43,080 --> 01:23:46,120
Speaker 1: I'm thinking older people, older people like ma.

1914
01:23:46,200 --> 01:23:47,200
Speaker 5: Sure just let us slide.

1915
01:23:47,840 --> 01:23:49,679
Speaker 4: No, No, it's not much. I told you twenty five

1916
01:23:49,800 --> 01:23:50,960
Speaker 4: all lives. I'm listening to it.

1917
01:23:51,040 --> 01:23:52,280
Speaker 5: You know, act your ages.

1918
01:23:52,120 --> 01:23:53,519
Speaker 1: When I say you don't act his age. I'm not

1919
01:23:53,560 --> 01:23:55,720
Speaker 1: saying he acts childish. I'm saying what he does for

1920
01:23:55,800 --> 01:23:57,640
Speaker 1: a living in the type of like what you do

1921
01:23:57,760 --> 01:23:59,200
Speaker 1: for a living, and the type of shit that you

1922
01:23:59,240 --> 01:24:01,040
Speaker 1: watch that's not your like, that's not your age.

1923
01:24:01,040 --> 01:24:04,080
Speaker 4: G podcasting, you think Joe Rogan is not older than me?

1924
01:24:05,240 --> 01:24:05,920
Speaker 1: Sure, but.

1925
01:24:07,840 --> 01:24:09,720
Speaker 3: You think so? Do you think? All right?

1926
01:24:10,400 --> 01:24:12,400
Speaker 4: Because we could keep going, I can keep prove wrong,

1927
01:24:12,479 --> 01:24:12,880
Speaker 4: but I'm not.

1928
01:24:13,479 --> 01:24:15,599
Speaker 5: Do you Do you think Equalizer and Joe Rogan are

1929
01:24:15,600 --> 01:24:16,679
Speaker 5: trying to target the same people.

1930
01:24:18,880 --> 01:24:21,320
Speaker 3: Joe Rogan is not trying to target who the Egalizers

1931
01:24:21,320 --> 01:24:21,560
Speaker 3: trying to.

1932
01:24:21,760 --> 01:24:24,400
Speaker 5: Why isn't Joe Rogan in the Equalizer? If Queen Lativa

1933
01:24:24,400 --> 01:24:26,519
Speaker 5: beat up Joe Rogan at this scene, you have my

1934
01:24:26,520 --> 01:24:27,880
Speaker 5: twelve ninety nine, I'm going to theirs.

1935
01:24:27,960 --> 01:24:29,640
Speaker 3: Yeah, I'm not even streaming. I might need to see you.

1936
01:24:29,720 --> 01:24:31,880
Speaker 3: I might need to see the second part of this fight.

1937
01:24:31,920 --> 01:24:35,960
Speaker 3: I might like when he get his get back, when

1938
01:24:36,000 --> 01:24:38,520
Speaker 3: he got the scoff. I want to see what Joe

1939
01:24:38,280 --> 01:24:40,679
Speaker 3: he the scoff wrapped around his arm and he pulled

1940
01:24:40,720 --> 01:24:41,400
Speaker 3: that shit away from me.

1941
01:24:42,880 --> 01:24:45,000
Speaker 5: No, he hops out of an ayahuasca tank with this

1942
01:24:45,080 --> 01:24:47,080
Speaker 5: car taking.

1943
01:24:46,800 --> 01:24:47,760
Speaker 3: A cold plunge.

1944
01:24:48,000 --> 01:24:49,320
Speaker 4: Yeah, that's what I want to see.

1945
01:24:50,520 --> 01:24:53,639
Speaker 5: I mean, all these fight scenes we don't fully believe

1946
01:24:54,600 --> 01:24:56,600
Speaker 5: until I saw this other clip. Can you pull up

1947
01:24:56,640 --> 01:24:58,519
Speaker 5: that link under the Queen la Tea for ship? Yeah,

1948
01:24:58,520 --> 01:25:02,040
Speaker 5: I got you, mall, this is not a movie set.

1949
01:25:03,920 --> 01:25:06,439
Speaker 5: That guy did that in real life. Imagine you chilling

1950
01:25:06,479 --> 01:25:07,559
Speaker 5: at the mall and that happens.

1951
01:25:09,520 --> 01:25:10,080
Speaker 1: That's crazy.

1952
01:25:10,120 --> 01:25:13,120
Speaker 5: That's a real life fighting scene for sure. Maybe Queen

1953
01:25:13,200 --> 01:25:14,160
Speaker 5: Latifa could do that shit.

1954
01:25:14,680 --> 01:25:17,600
Speaker 3: Yeah, no, that's crazy. If that's not a movie set,

1955
01:25:19,160 --> 01:25:20,759
Speaker 3: getting that off in real life is crazy.

1956
01:25:20,760 --> 01:25:23,240
Speaker 5: What's the shit someone bio on them do when they

1957
01:25:23,479 --> 01:25:27,400
Speaker 5: jump up and do it's like their versus triple axle, Like,

1958
01:25:27,560 --> 01:25:29,719
Speaker 5: what's that spin called? He did that shit with another

1959
01:25:29,800 --> 01:25:31,360
Speaker 5: man's neck between his thighs.

1960
01:25:31,800 --> 01:25:33,439
Speaker 4: Yeah, now he knows something. He knows something.

1961
01:25:33,560 --> 01:25:35,719
Speaker 3: He's been studying.

1962
01:25:35,840 --> 01:25:38,280
Speaker 5: Stick got guys with riot shields and weapons that are terrified.

1963
01:25:38,320 --> 01:25:39,559
Speaker 5: He came in raw dog.

1964
01:25:39,400 --> 01:25:40,040
Speaker 3: And did that shit.

1965
01:25:40,200 --> 01:25:43,200
Speaker 4: Yeah, he's been training, even paying attention.

1966
01:25:43,520 --> 01:25:46,479
Speaker 5: Yo, I saw the funniest trend. I hope TikTok does

1967
01:25:46,560 --> 01:25:49,080
Speaker 5: not end this trend. In the Houston Gallery of Mall,

1968
01:25:49,600 --> 01:25:53,400
Speaker 5: there are people faking proposals and then go into full

1969
01:25:53,439 --> 01:25:57,920
Speaker 5: blown WWE fighting scenes like they'll stop in the food

1970
01:25:57,960 --> 01:25:59,280
Speaker 5: court to set.

1971
01:25:59,160 --> 01:26:02,000
Speaker 3: Up this whole flash dance. This is this is.

1972
01:26:02,080 --> 01:26:04,800
Speaker 5: W w E flash dance. Everyone looks, oh my god,

1973
01:26:04,840 --> 01:26:08,479
Speaker 5: a proposal and then it gets into a full blown

1974
01:26:09,360 --> 01:26:10,240
Speaker 5: fucking rock.

1975
01:26:10,120 --> 01:26:12,240
Speaker 3: But this is all for TikTok, right, so all this

1976
01:26:12,320 --> 01:26:13,120
Speaker 3: type of shit is over.

1977
01:26:13,280 --> 01:26:16,400
Speaker 1: Well, this is a professional wrestler that did this too.

1978
01:26:17,120 --> 01:26:19,200
Speaker 5: Oh ma, you know how many times I've been to

1979
01:26:19,240 --> 01:26:21,840
Speaker 5: the gallery of food court. Why does doesn't this happen

1980
01:26:21,840 --> 01:26:22,559
Speaker 5: to me in real life?

1981
01:26:22,880 --> 01:26:26,080
Speaker 3: Look at the I want to be eating. He crawled

1982
01:26:26,080 --> 01:26:26,639
Speaker 3: out of the frame.

1983
01:26:28,920 --> 01:26:31,599
Speaker 1: Yo. I never watched the whole clip. This is fucking

1984
01:26:31,680 --> 01:26:33,559
Speaker 1: hilarious because it really is like wrestling.

1985
01:26:33,760 --> 01:26:35,240
Speaker 5: And then you don't even know who side she on

1986
01:26:35,280 --> 01:26:39,439
Speaker 5: because it was pitched as baby father interrupts proposal with

1987
01:26:40,000 --> 01:26:43,599
Speaker 5: new boyfriend. She beats up the new boyfriend too, Yeah.

1988
01:26:43,520 --> 01:26:47,280
Speaker 1: New boyfriend, baby fret father. Let me beat my baby father.

1989
01:26:47,360 --> 01:26:48,160
Speaker 1: As you don't.

1990
01:26:50,520 --> 01:26:52,320
Speaker 3: The other girl was just standing on the table waiting

1991
01:26:52,360 --> 01:26:54,200
Speaker 3: for him to come over. There this gentleman is trying

1992
01:26:54,240 --> 01:26:56,000
Speaker 3: to is waiting for his wife to finish trying on

1993
01:26:56,040 --> 01:26:57,400
Speaker 3: his shoes. Yo.

1994
01:26:57,479 --> 01:26:59,439
Speaker 5: When I tell you, do we know? Is this like

1995
01:26:59,479 --> 01:27:02,880
Speaker 5: a group do they have like their own page. I

1996
01:27:02,880 --> 01:27:05,000
Speaker 5: would train for months to have the opportunity to be

1997
01:27:05,000 --> 01:27:05,400
Speaker 5: a part of this.

1998
01:27:05,600 --> 01:27:07,240
Speaker 1: Well, they're professional wrestler, that's what I'm saying.

1999
01:27:07,240 --> 01:27:08,720
Speaker 5: This would be a dream for me if they took

2000
01:27:08,760 --> 01:27:11,400
Speaker 5: me under their wing. I want to do like the

2001
01:27:11,400 --> 01:27:15,360
Speaker 5: American dream in Jersey, Like I'll train for safety.

2002
01:27:15,680 --> 01:27:16,280
Speaker 3: This would be the.

2003
01:27:16,640 --> 01:27:18,479
Speaker 1: Cops to get you out of here so quickly and

2004
01:27:18,600 --> 01:27:20,680
Speaker 1: O for two for proposals. You good with like your

2005
01:27:20,720 --> 01:27:23,799
Speaker 1: hips and like your like legs, like that, like your thighs.

2006
01:27:23,840 --> 01:27:28,560
Speaker 5: I would train. They're not what they used to when

2007
01:27:28,600 --> 01:27:30,080
Speaker 5: I That's not what I asked.

2008
01:27:30,120 --> 01:27:31,240
Speaker 1: I asked, are you good now?

2009
01:27:31,320 --> 01:27:35,960
Speaker 3: Like I never people do this message No, no, that

2010
01:27:36,040 --> 01:27:36,839
Speaker 3: means they can't.

2011
01:27:37,160 --> 01:27:39,719
Speaker 5: I mean, you know, old football injury, old track injury.

2012
01:27:39,880 --> 01:27:41,640
Speaker 3: But you know I was all the time and I

2013
01:27:41,640 --> 01:27:42,720
Speaker 3: would have would.

2014
01:27:42,439 --> 01:27:45,600
Speaker 5: Have been in the league. But I think one of

2015
01:27:45,600 --> 01:27:47,240
Speaker 5: those easier moves I could be a part of.

2016
01:27:48,080 --> 01:27:49,880
Speaker 4: What's the easy one to jump off the table?

2017
01:27:50,360 --> 01:27:53,600
Speaker 5: Yeah, and like throw me into a ballpit or something.

2018
01:27:53,800 --> 01:27:56,719
Speaker 4: Ball pit the middle of the middle of an escalator,

2019
01:27:56,720 --> 01:27:57,559
Speaker 4: eating a ball pit.

2020
01:27:57,840 --> 01:27:59,799
Speaker 5: They have that the American dream. They have everything?

2021
01:28:00,600 --> 01:28:02,480
Speaker 3: All right, Baby, did we got any voicemails.

2022
01:28:02,560 --> 01:28:06,320
Speaker 1: You've got mail, yes, we only have. So this is

2023
01:28:06,360 --> 01:28:09,320
Speaker 1: the thing, y'all, when y'all are sending voicemails, you have

2024
01:28:09,439 --> 01:28:12,360
Speaker 1: a minute in thirty seconds. Please tell that entire story

2025
01:28:12,360 --> 01:28:14,160
Speaker 1: in a minute in thirty seconds. I'm not playing a

2026
01:28:14,200 --> 01:28:16,240
Speaker 1: seven minute voicemail on this episode. Yeah, No, that's we

2027
01:28:16,479 --> 01:28:18,200
Speaker 1: definitely not doing We're not doing that. I need I

2028
01:28:18,240 --> 01:28:19,920
Speaker 1: need y'all to get it off in a minute in

2029
01:28:19,960 --> 01:28:22,719
Speaker 1: thirty seconds. Okay, that's number one. Number two more people

2030
01:28:22,720 --> 01:28:24,840
Speaker 1: need to leave voicemails, y'all have to, and don't call

2031
01:28:24,960 --> 01:28:26,439
Speaker 1: asking stupid. There's a couple of them I have to

2032
01:28:26,479 --> 01:28:28,800
Speaker 1: skip because y'all in here asking stupid questions. Asking questions,

2033
01:28:28,840 --> 01:28:30,080
Speaker 1: y'all know we are going to give you answer to

2034
01:28:30,240 --> 01:28:32,800
Speaker 1: Just call ask our advice and we'll give it to you.

2035
01:28:32,840 --> 01:28:34,760
Speaker 1: But yes, I do have one that fits the bill.

2036
01:28:34,920 --> 01:28:37,960
Speaker 1: So you guys ready, Hey.

2037
01:28:37,560 --> 01:28:40,880
Speaker 6: This is king. I think my question for y'all is

2038
01:28:40,920 --> 01:28:43,799
Speaker 6: really just what is some of your favorite fashion brands

2039
01:28:43,880 --> 01:28:47,439
Speaker 6: right now? And what are some of your favorite fashion

2040
01:28:47,479 --> 01:28:52,080
Speaker 6: trends that you've either observed or you've partaked in the

2041
01:28:52,160 --> 01:28:53,360
Speaker 6: past or current?

2042
01:28:55,200 --> 01:28:55,640
Speaker 3: Yess it?

2043
01:28:57,120 --> 01:28:58,280
Speaker 4: Current fashion trends?

2044
01:28:58,360 --> 01:28:59,400
Speaker 3: Yeah, that we like.

2045
01:28:59,640 --> 01:29:04,240
Speaker 1: Yeah, like red boots, big red boots.

2046
01:29:05,479 --> 01:29:07,080
Speaker 5: That's what would you have done if I showed up

2047
01:29:07,080 --> 01:29:09,040
Speaker 5: to the pot wheels boots on left.

2048
01:29:09,600 --> 01:29:11,200
Speaker 4: I just look at you and laugh same way.

2049
01:29:11,720 --> 01:29:14,160
Speaker 5: But I wasn't trolling, Like I came in, but I

2050
01:29:14,160 --> 01:29:14,720
Speaker 5: had that ship on.

2051
01:29:14,920 --> 01:29:16,080
Speaker 1: You come in here all the time. Think you got

2052
01:29:16,080 --> 01:29:18,320
Speaker 1: that ship on? We know this pot with you? No,

2053
01:29:18,360 --> 01:29:18,759
Speaker 1: I don't.

2054
01:29:19,920 --> 01:29:21,679
Speaker 5: What if I come in and like you see my drip?

2055
01:29:21,960 --> 01:29:23,240
Speaker 3: Yeah, I got that ship on today?

2056
01:29:23,439 --> 01:29:25,759
Speaker 5: I wear fucking earth tones.

2057
01:29:25,800 --> 01:29:27,559
Speaker 3: What about the current fashion trends right now? I don't

2058
01:29:27,560 --> 01:29:29,960
Speaker 3: even know if I know what the current fashion trends.

2059
01:29:29,960 --> 01:29:31,559
Speaker 1: I only know for women. I don't know for men.

2060
01:29:32,400 --> 01:29:37,040
Speaker 1: For women, uh many many shorts are back in, Like

2061
01:29:37,080 --> 01:29:38,200
Speaker 1: shorts look like panties.

2062
01:29:38,320 --> 01:29:41,240
Speaker 3: When did they leave? Nah, women have been naked for

2063
01:29:41,280 --> 01:29:43,639
Speaker 3: the last it's different.

2064
01:29:43,680 --> 01:29:45,080
Speaker 5: Can we bring sun dresses just back?

2065
01:29:45,439 --> 01:29:45,519
Speaker 3: Like?

2066
01:29:45,560 --> 01:29:47,719
Speaker 5: I wasn't even mad when all the chicks were dressing

2067
01:29:47,760 --> 01:29:49,320
Speaker 5: like Swat Team members that summer.

2068
01:29:49,320 --> 01:29:51,280
Speaker 1: But like you talked mad ship that summer, what are

2069
01:29:51,280 --> 01:29:51,800
Speaker 1: you talking about?

2070
01:29:51,840 --> 01:29:55,320
Speaker 5: You were asses looked great. It was just hilarious like Swat.

2071
01:29:54,960 --> 01:29:58,200
Speaker 1: Team, Like the one pieces like body suits that like

2072
01:29:58,280 --> 01:30:01,920
Speaker 1: had cuffed like underwear like banthing suits almost or the

2073
01:30:02,080 --> 01:30:05,240
Speaker 1: full body suits where it's like racer kind.

2074
01:30:05,040 --> 01:30:07,600
Speaker 5: Of sound was funny. But they were putting on like

2075
01:30:07,680 --> 01:30:09,760
Speaker 5: vests over those body suits, and I'm like, all right,

2076
01:30:09,800 --> 01:30:12,120
Speaker 5: sealed team six, we didn't.

2077
01:30:11,880 --> 01:30:14,280
Speaker 1: Call you, So I think that's cute.

2078
01:30:14,600 --> 01:30:18,800
Speaker 3: I don't know any current fashion trends all. I guess

2079
01:30:18,800 --> 01:30:21,240
Speaker 3: the shisties, y'all can give rid of that. That's just

2080
01:30:21,320 --> 01:30:23,519
Speaker 3: for safety. Everybody just being dressed and having on the

2081
01:30:23,560 --> 01:30:24,400
Speaker 3: ski mask is like.

2082
01:30:25,880 --> 01:30:29,280
Speaker 1: It's says on it today And I thought about putting

2083
01:30:29,320 --> 01:30:30,880
Speaker 1: on a shisty. It was cold as fucking you. In

2084
01:30:30,920 --> 01:30:33,240
Speaker 1: New York, we're shisty.

2085
01:30:33,280 --> 01:30:35,680
Speaker 5: But in the summertime, Like you can't ban hoverboards and

2086
01:30:35,760 --> 01:30:38,200
Speaker 5: not band shisties in the summer, Like what you're wearing

2087
01:30:38,200 --> 01:30:40,920
Speaker 5: that for? Except for crime? But the trend of your kids,

2088
01:30:40,960 --> 01:30:42,920
Speaker 5: I feel like, are all wearing hot topic pants now?

2089
01:30:43,960 --> 01:30:46,599
Speaker 3: Big pants? Yeah, yeah, parachute pants.

2090
01:30:46,680 --> 01:30:47,160
Speaker 5: That's the thing.

2091
01:30:47,520 --> 01:30:48,960
Speaker 3: I mean, I get it. I'm not mad at I mean,

2092
01:30:49,000 --> 01:30:51,519
Speaker 3: everything has this when we was growing up. But when

2093
01:30:51,520 --> 01:30:53,960
Speaker 3: I was growing up, big pants was in. That was

2094
01:30:53,960 --> 01:30:56,320
Speaker 3: a thing, Like, so I see how everything comes back,

2095
01:30:56,360 --> 01:31:01,479
Speaker 3: big baggy jeans, wide leg, flare bottom with they dragging

2096
01:31:01,520 --> 01:31:03,160
Speaker 3: on the floor, you can't even see your boot. All

2097
01:31:03,160 --> 01:31:05,320
Speaker 3: of that is back Like, I'm not really a fan

2098
01:31:05,360 --> 01:31:06,680
Speaker 3: of that, but I understand that. I get it.

2099
01:31:06,800 --> 01:31:09,840
Speaker 5: Do we think with the baggy pant trend? This has

2100
01:31:09,880 --> 01:31:12,839
Speaker 5: been my ignorant observation because I don't really be outside

2101
01:31:12,920 --> 01:31:17,120
Speaker 5: or be on fucking blogs for fashion. I feel like

2102
01:31:17,160 --> 01:31:20,080
Speaker 5: sneaker culture has dipped a little bit because all the

2103
01:31:20,120 --> 01:31:23,320
Speaker 5: trendy kids that wear sneakerheads are wearing baggy clothes that

2104
01:31:23,320 --> 01:31:25,599
Speaker 5: don't even really show the sneaker, and everyone's wearing big

2105
01:31:25,600 --> 01:31:28,800
Speaker 5: ass boots so they can go with their baggy shit. Yeah,

2106
01:31:28,840 --> 01:31:30,519
Speaker 5: I walked past the Supreme store. I don't see the

2107
01:31:30,520 --> 01:31:34,160
Speaker 5: lines that used to be. And I could be completely wrong.

2108
01:31:34,200 --> 01:31:37,439
Speaker 5: It could be skyrocketing. Well, I know observation in my bubble.

2109
01:31:37,479 --> 01:31:41,200
Speaker 5: I feel like the sneaker collector sneakerhead shit has died

2110
01:31:41,240 --> 01:31:41,640
Speaker 5: down a bit.

2111
01:31:41,680 --> 01:31:43,200
Speaker 1: I feel like it's died down to I feel like

2112
01:31:43,280 --> 01:31:45,320
Speaker 1: that's a Nike has a lot to do with that. Though.

2113
01:31:45,400 --> 01:31:48,839
Speaker 5: With skinny jeans, you needed the fucking high top sneaker

2114
01:31:49,000 --> 01:31:53,320
Speaker 5: and that was the piece. Now it's the pants. Yeah, yeah, So.

2115
01:31:53,080 --> 01:31:55,400
Speaker 1: Nike made shit so hard with the Nike dot remember

2116
01:31:55,400 --> 01:31:57,479
Speaker 1: the fucking Nike dot Com app and trying to get

2117
01:31:57,560 --> 01:32:00,559
Speaker 1: drops and sneakers became too exclusive, and like when you

2118
01:32:00,600 --> 01:32:03,280
Speaker 1: make something too exclusive, motherfuckers don't want it because they

2119
01:32:03,280 --> 01:32:04,519
Speaker 1: don't even try to shop for it. They know they're

2120
01:32:04,520 --> 01:32:05,880
Speaker 1: not going to get it. So many people that got

2121
01:32:05,880 --> 01:32:07,479
Speaker 1: the cool sneakers are sneaker heads now.

2122
01:32:07,640 --> 01:32:10,080
Speaker 3: But the resale game is dying though, Like, yeah, shoes

2123
01:32:10,080 --> 01:32:12,400
Speaker 3: are sitting like Jordan's are sitting in the stores now,

2124
01:32:13,320 --> 01:32:15,759
Speaker 3: like and that's when you start seeing that happen. It's like, okay,

2125
01:32:15,920 --> 01:32:18,719
Speaker 3: like that resale shit, people buying a bunch of them shits.

2126
01:32:18,720 --> 01:32:21,320
Speaker 4: Just that's over with people not even wearing them.

2127
01:32:21,320 --> 01:32:24,240
Speaker 3: Sh It's harder to get like new balances and fucking

2128
01:32:25,120 --> 01:32:27,320
Speaker 3: you know shit like that now, like collapsed sneakers with

2129
01:32:27,560 --> 01:32:29,840
Speaker 3: local artists. It's harder to get those sneakers than it

2130
01:32:29,880 --> 01:32:32,600
Speaker 3: is to get a pair of Jordan's now. Like, I

2131
01:32:32,640 --> 01:32:35,280
Speaker 3: don't know the fashion world is, you know, it's tricky.

2132
01:32:35,320 --> 01:32:37,800
Speaker 3: It has ups and downs. Especially we just told about

2133
01:32:37,800 --> 01:32:39,800
Speaker 3: streetwear and things like that. A lot of brands come

2134
01:32:39,840 --> 01:32:40,120
Speaker 3: and go.

2135
01:32:41,240 --> 01:32:43,360
Speaker 1: Do you have any streetwear brands that you're willing to

2136
01:32:43,800 --> 01:32:45,760
Speaker 1: because I know certain shit you're not willing to shout

2137
01:32:45,760 --> 01:32:47,720
Speaker 1: out because they ain't paying you. But they did ask like,

2138
01:32:47,720 --> 01:32:50,240
Speaker 1: are there any brands that like you really fuck with,

2139
01:32:50,360 --> 01:32:52,880
Speaker 1: either new or upcoming or ones you're loyal to because

2140
01:32:52,880 --> 01:32:54,439
Speaker 1: people care about the way that you're dressed. I don't

2141
01:32:54,439 --> 01:32:55,040
Speaker 1: know why, but they do.

2142
01:32:55,800 --> 01:32:57,480
Speaker 5: I got that shit on he was hating.

2143
01:32:57,240 --> 01:33:01,760
Speaker 3: Before streetwear brand. I mean shouts my people at godspeed,

2144
01:33:02,800 --> 01:33:06,519
Speaker 3: those my guys. I mean that's still supreme depending on

2145
01:33:06,560 --> 01:33:11,040
Speaker 3: what it is. But outside of that, I don't really

2146
01:33:11,120 --> 01:33:13,719
Speaker 3: jump too much into streetway like that anymore.

2147
01:33:13,760 --> 01:33:17,120
Speaker 5: Like y'all don't feel like it's been kind of a

2148
01:33:17,680 --> 01:33:19,960
Speaker 5: open disrespect to my face that I haven't been in

2149
01:33:19,960 --> 01:33:23,840
Speaker 5: a campaign yet. Yeah, in the beginning, it was like,

2150
01:33:23,880 --> 01:33:25,160
Speaker 5: I get it, I'm not that pop and whatever.

2151
01:33:25,160 --> 01:33:25,360
Speaker 3: Cool.

2152
01:33:25,360 --> 01:33:30,000
Speaker 5: I think it's personal now seeing people that like humbly

2153
01:33:30,120 --> 01:33:32,879
Speaker 5: because I don't. I really don't think I'm famous, zeless,

2154
01:33:32,880 --> 01:33:35,760
Speaker 5: celebrity of anything. People have way more following me, but

2155
01:33:35,760 --> 01:33:38,040
Speaker 5: i'd be seeing some people that one are uglier than

2156
01:33:38,040 --> 01:33:43,599
Speaker 5: me and have less followers. Person like this is they

2157
01:33:43,600 --> 01:33:46,400
Speaker 5: sit in their creative meeting and are like, all right,

2158
01:33:46,479 --> 01:33:49,680
Speaker 5: remember no Rory this campaign. That's the first one no

2159
01:33:49,720 --> 01:33:52,000
Speaker 5: one in the marketing team ever suggest that.

2160
01:33:52,080 --> 01:33:52,360
Speaker 3: Sor right.

2161
01:33:52,400 --> 01:33:54,800
Speaker 4: We just make our own ship. That's how we get

2162
01:33:54,800 --> 01:33:55,160
Speaker 4: around that.

2163
01:33:57,479 --> 01:33:58,759
Speaker 1: Y'all can make some cool ship.

2164
01:33:59,360 --> 01:34:00,200
Speaker 4: I see that now.

2165
01:34:00,200 --> 01:34:03,400
Speaker 3: You know what, she don't get no packages just because

2166
01:34:03,400 --> 01:34:04,880
Speaker 3: she said we ain't making no ame watch.

2167
01:34:04,880 --> 01:34:05,680
Speaker 4: You know she would be.

2168
01:34:05,680 --> 01:34:08,360
Speaker 3: The first one. I need that. Nah nah yo.

2169
01:34:08,479 --> 01:34:11,080
Speaker 5: Ame is my my favorite brand, and I think people

2170
01:34:11,080 --> 01:34:13,439
Speaker 5: have known that for now. Like every photo or pod,

2171
01:34:13,520 --> 01:34:17,080
Speaker 5: I'm wearing some type of Ame. I'm happy with their success.

2172
01:34:17,280 --> 01:34:21,360
Speaker 5: The new store. They are investors light years above from

2173
01:34:21,400 --> 01:34:23,640
Speaker 5: when I started wearing it, and that being like the

2174
01:34:23,720 --> 01:34:28,160
Speaker 5: local queen shop. I knew all the employees. I walk in.

2175
01:34:28,240 --> 01:34:31,839
Speaker 5: Now I feel real disrespected. I certain you have an appointment.

2176
01:34:31,880 --> 01:34:34,000
Speaker 5: Oh there's a line they put me with the common folk, like, no,

2177
01:34:34,120 --> 01:34:35,240
Speaker 5: I was here with the first T shirt.

2178
01:34:36,360 --> 01:34:37,240
Speaker 3: I'll go back to that time.

2179
01:34:37,360 --> 01:34:39,840
Speaker 5: Yeah, I'm starting to become that person, like not the dude,

2180
01:34:39,840 --> 01:34:42,760
Speaker 5: you know who I am. But they even when they

2181
01:34:43,040 --> 01:34:44,920
Speaker 5: had the older store and the lines would get crazy,

2182
01:34:44,960 --> 01:34:47,000
Speaker 5: they were doing exclusive drops. I knew all the people

2183
01:34:47,000 --> 01:34:49,080
Speaker 5: there because I've been shopping there since they opened it.

2184
01:34:49,479 --> 01:34:51,519
Speaker 5: And oh, come on, come on, I'm still paying They're

2185
01:34:51,520 --> 01:34:53,200
Speaker 5: not give me no free shit. I'm a paying customer,

2186
01:34:53,240 --> 01:34:57,439
Speaker 5: but now they just look at me like who go

2187
01:34:57,479 --> 01:34:59,599
Speaker 5: into the line with the tourists.

2188
01:34:59,720 --> 01:35:02,200
Speaker 4: Got it's cold, go get a coffee and stand outside.

2189
01:35:02,520 --> 01:35:04,760
Speaker 5: Yeah, and then like you know they have because you

2190
01:35:04,800 --> 01:35:08,400
Speaker 5: have an account there when I go check out and

2191
01:35:08,439 --> 01:35:12,360
Speaker 5: they can see how much business I've had, I look

2192
01:35:12,400 --> 01:35:15,920
Speaker 5: at him right in the eyes, like you made me

2193
01:35:15,960 --> 01:35:17,600
Speaker 5: wait forty minutes to come in here, and you.

2194
01:35:17,640 --> 01:35:19,320
Speaker 3: Are such a carrot he is.

2195
01:35:19,479 --> 01:35:22,160
Speaker 1: It's bad. It's bad.

2196
01:35:22,240 --> 01:35:23,800
Speaker 3: I think it's gotten worse as you had a daughter.

2197
01:35:24,200 --> 01:35:25,200
Speaker 3: It's I don't know if you know.

2198
01:35:25,280 --> 01:35:27,639
Speaker 5: It's let me ask you this. This is a good

2199
01:35:27,680 --> 01:35:30,360
Speaker 5: this is a good conversation. Yes, I agree. I do

2200
01:35:30,439 --> 01:35:32,920
Speaker 5: have my Karen moments for sure, not denying that is

2201
01:35:32,960 --> 01:35:36,519
Speaker 5: that Karen shit, though, if you have supported sense to

2202
01:35:36,560 --> 01:35:39,320
Speaker 5: be getting supported, Yes, for free, I have promoted it.

2203
01:35:39,560 --> 01:35:41,960
Speaker 3: Listen, No, because I think is free. I think you

2204
01:35:42,000 --> 01:35:44,640
Speaker 3: misunderstand what I'm saying. Yes, it is karras shit, but

2205
01:35:44,760 --> 01:35:47,760
Speaker 3: I also agree with it. Okay, all right, cool, Yeah,

2206
01:35:48,040 --> 01:35:50,599
Speaker 3: I'm not here in his way here, I'm not notching

2207
01:35:50,640 --> 01:35:52,560
Speaker 3: what you're doing. I'm just laughing when I see you

2208
01:35:52,600 --> 01:35:55,360
Speaker 3: go through like that is such carras shit. But I'm

2209
01:35:55,439 --> 01:35:57,639
Speaker 3: with you on that. I feel like you can see

2210
01:35:57,680 --> 01:36:00,400
Speaker 3: my spinning history. Look me in my eye when you

2211
01:36:00,400 --> 01:36:02,000
Speaker 3: look up from that. Mama too, like, yeah, it look

2212
01:36:02,040 --> 01:36:03,080
Speaker 3: me in my eyes. Yeah.

2213
01:36:03,120 --> 01:36:04,720
Speaker 5: And I'm not mad because you know, they got a

2214
01:36:04,760 --> 01:36:06,080
Speaker 5: whole new staff and a lot of the people that

2215
01:36:06,160 --> 01:36:09,000
Speaker 5: worked at Ame now are like in the executive level,

2216
01:36:09,080 --> 01:36:11,760
Speaker 5: Like they're not the cashiers or the salesman anymore. They

2217
01:36:11,760 --> 01:36:14,120
Speaker 5: have like roles now that are way higher because they've

2218
01:36:14,120 --> 01:36:16,280
Speaker 5: been with the company. Yeah, it's just a new breath

2219
01:36:16,320 --> 01:36:18,439
Speaker 5: that has no idea who the fuck I am, which

2220
01:36:18,479 --> 01:36:22,640
Speaker 5: is fine, but it is insulting to my ego, right,

2221
01:36:22,720 --> 01:36:24,240
Speaker 5: which gets me on my parent should I should have

2222
01:36:24,280 --> 01:36:26,080
Speaker 5: been shopping online during COVID, I should have been outside

2223
01:36:26,080 --> 01:36:29,560
Speaker 5: showing face meet meeting the new employees.

2224
01:36:29,320 --> 01:36:32,680
Speaker 1: Bumping bumping shoulders. I was about to say, bumping bumping shoulders.

2225
01:36:32,439 --> 01:36:35,439
Speaker 5: Right, and that boys, that shit embarrassing when you're with

2226
01:36:35,479 --> 01:36:39,639
Speaker 5: out of towners too, because you know, I'm a store

2227
01:36:39,640 --> 01:36:42,680
Speaker 5: for the most part, just in New York. At one point,

2228
01:36:42,800 --> 01:36:45,280
Speaker 5: they didn't have them everywhere, so you get people from

2229
01:36:45,360 --> 01:36:47,080
Speaker 5: LA out of town. Yo, I gotta go to Ame,

2230
01:36:47,320 --> 01:36:48,960
Speaker 5: like I want to go to the store. Yeah, I

2231
01:36:48,960 --> 01:36:51,640
Speaker 5: got youa lying around the corner, new employee, trying to

2232
01:36:51,640 --> 01:36:54,680
Speaker 5: bring emotional oranges in there. I'm all the confidence, like,

2233
01:36:55,160 --> 01:36:58,519
Speaker 5: come on, mass that's my store, of course, sir, there's

2234
01:36:58,560 --> 01:36:59,960
Speaker 5: an hour await Oh I know.

2235
01:37:00,080 --> 01:37:00,280
Speaker 3: Oh.

2236
01:37:00,320 --> 01:37:03,160
Speaker 1: And when Rory has people with him and he gets

2237
01:37:03,200 --> 01:37:05,320
Speaker 1: like embarrassed and like fluster his faces red.

2238
01:37:05,360 --> 01:37:06,960
Speaker 3: Oh he gonna call that's what they call. That's when

2239
01:37:06,960 --> 01:37:08,000
Speaker 3: they call the cops.

2240
01:37:07,840 --> 01:37:13,360
Speaker 5: It's not embarrassment, it's shit. I'm responsible for these people experience. Yeah,

2241
01:37:13,400 --> 01:37:14,360
Speaker 5: and now I'm sucking it up.

2242
01:37:14,439 --> 01:37:15,920
Speaker 3: Yeah, so I feel you on that.

2243
01:37:15,960 --> 01:37:18,200
Speaker 1: I hate that. That's the most embarrassing thing. Like if

2244
01:37:18,240 --> 01:37:20,439
Speaker 1: I if I can turn around somewhere, if I can

2245
01:37:20,520 --> 01:37:22,840
Speaker 1: turned around somewhere, it's just me, nobody, you know. If

2246
01:37:22,880 --> 01:37:25,320
Speaker 1: a tear falls, nobody's around the here. I didn't really cry,

2247
01:37:25,520 --> 01:37:27,840
Speaker 1: but if people are with me, it's like and then

2248
01:37:27,880 --> 01:37:29,639
Speaker 1: when they be like no, it's cool, like we could wait,

2249
01:37:29,760 --> 01:37:32,960
Speaker 1: Oh my heart, you in the club, the girls to

2250
01:37:33,000 --> 01:37:34,759
Speaker 1: the club and they like, you ain't on a list.

2251
01:37:36,120 --> 01:37:37,760
Speaker 3: They be like, no, we're not letting nobody in right now.

2252
01:37:37,800 --> 01:37:39,240
Speaker 3: So you stand to the side and waiting, and they

2253
01:37:39,280 --> 01:37:40,920
Speaker 3: let five people walk right in.

2254
01:37:42,680 --> 01:37:44,200
Speaker 5: Then you gotta lie else a new door man like

2255
01:37:44,680 --> 01:37:44,920
Speaker 5: and then.

2256
01:37:44,880 --> 01:37:46,479
Speaker 3: The people you got what you start whispering to each

2257
01:37:46,479 --> 01:37:49,040
Speaker 3: other like you don't even know what they're talking about, your.

2258
01:37:48,800 --> 01:37:50,920
Speaker 5: Dumb ass, just standing there with the phone in their.

2259
01:37:50,680 --> 01:37:53,040
Speaker 3: Acting like you texted somebody calling somebody like you ain't

2260
01:37:53,040 --> 01:37:54,240
Speaker 3: nobody coming outside.

2261
01:37:53,960 --> 01:37:55,679
Speaker 5: This And then and then the person that was gonna

2262
01:37:55,680 --> 01:37:57,560
Speaker 5: get you in doesn't answer. So now they watch you

2263
01:37:57,600 --> 01:38:00,240
Speaker 5: get denied, and they watched no one pick your call up.

2264
01:38:00,640 --> 01:38:02,760
Speaker 5: It's girls there in dresses. It's cold out.

2265
01:38:02,880 --> 01:38:04,559
Speaker 3: Yeah, that's when you go to the go to Like

2266
01:38:04,760 --> 01:38:09,160
Speaker 3: I heard his lighting there anyway, it's lighting it anyway, Like.

2267
01:38:09,120 --> 01:38:10,760
Speaker 1: Listen now he just texted me tell me ship dad.

2268
01:38:10,880 --> 01:38:13,280
Speaker 3: Yeah. It was like, yeah that it ain't even work.

2269
01:38:13,479 --> 01:38:14,599
Speaker 3: We're gonna go to this other spot.

2270
01:38:14,760 --> 01:38:15,519
Speaker 1: That's so funny.

2271
01:38:15,520 --> 01:38:17,160
Speaker 5: You gotta go the fire marshal on your way up.

2272
01:38:17,280 --> 01:38:19,479
Speaker 3: Yeah. Fuck this whole party up, Fuck that ship.

2273
01:38:19,560 --> 01:38:21,360
Speaker 5: Yeah, because alone, Like even the last time I went

2274
01:38:21,400 --> 01:38:23,559
Speaker 5: to the store, there was a way and I didn't

2275
01:38:23,560 --> 01:38:24,880
Speaker 5: know the person on the front. I was like, I

2276
01:38:25,080 --> 01:38:27,880
Speaker 5: just keep walking to the train and buy online. If

2277
01:38:27,920 --> 01:38:31,880
Speaker 5: I was with y'all, Oh, I'm throwing a fit one

2278
01:38:31,960 --> 01:38:34,040
Speaker 5: hundred percent. But yeah, I don't really.

2279
01:38:34,120 --> 01:38:36,439
Speaker 3: I mean, I'm not with the fashion trends. I really

2280
01:38:36,439 --> 01:38:37,320
Speaker 3: couldn't tell you.

2281
01:38:37,720 --> 01:38:38,479
Speaker 5: Where would you like?

2282
01:38:39,960 --> 01:38:41,840
Speaker 4: Where would you like? Where your ship?

2283
01:38:42,320 --> 01:38:44,240
Speaker 3: I'm like than that. You're even if you are a

2284
01:38:44,240 --> 01:38:47,519
Speaker 3: big sneakerhead collector, where your sneakers? Because you're just keeping

2285
01:38:47,520 --> 01:38:50,280
Speaker 3: them in boxes in the closet, they gonna fucking break

2286
01:38:50,320 --> 01:38:51,920
Speaker 3: in the half next time you try to put them on.

2287
01:38:52,479 --> 01:38:55,000
Speaker 3: Were your ship? Like, I'm at that point. Whatever you got,

2288
01:38:55,040 --> 01:38:58,479
Speaker 3: I don't kid that that's a collector's addition, and wear it.

2289
01:38:59,080 --> 01:39:01,880
Speaker 3: That's my that's my advice. Weird Ship, whatever you like

2290
01:39:01,920 --> 01:39:03,599
Speaker 3: to wear, however you like to wear it, just wear

2291
01:39:03,680 --> 01:39:04,679
Speaker 3: There's no rules in the moment.

2292
01:39:04,720 --> 01:39:06,439
Speaker 4: It was never no rules in fashion. That was part

2293
01:39:06,479 --> 01:39:09,519
Speaker 4: of fashion. But Weird however you want to wear, Well,

2294
01:39:09,600 --> 01:39:10,160
Speaker 4: this was fun.

2295
01:39:10,200 --> 01:39:13,960
Speaker 5: We will be back very very soon. Yes for leave demerits.

2296
01:39:14,000 --> 01:39:15,280
Speaker 5: You don't think I got the drip on right now?

2297
01:39:16,200 --> 01:39:18,559
Speaker 1: You got like, I mean, you look liker.

2298
01:39:18,880 --> 01:39:20,200
Speaker 3: You look a good substitute teacher.

2299
01:39:20,280 --> 01:39:22,080
Speaker 1: Yeah, yeah, the cool substitute.

2300
01:39:22,000 --> 01:39:24,960
Speaker 3: Keep the sneakers in case of fight breakout. You know

2301
01:39:25,000 --> 01:39:26,200
Speaker 3: what I'm saying. You got to be able to move

2302
01:39:26,200 --> 01:39:27,120
Speaker 3: with a fight. Breakout of that.

2303
01:39:27,360 --> 01:39:31,320
Speaker 5: She just not liked us me he do.

2304
01:39:32,360 --> 01:39:34,040
Speaker 1: The young girls would want to fuck like, oh I

2305
01:39:34,080 --> 01:39:36,919
Speaker 1: would Yeah, can you look like that? Or the young professor,

2306
01:39:36,920 --> 01:39:39,320
Speaker 1: like the young professor out of university. You not ten

2307
01:39:39,360 --> 01:39:39,800
Speaker 1: yure yet?

2308
01:39:40,439 --> 01:39:44,320
Speaker 3: Yeah, I like you said, yeah yeah, yeah, like I know,

2309
01:39:44,400 --> 01:39:47,080
Speaker 3: I know exactly what I got you I Got's.

2310
01:39:46,800 --> 01:39:49,200
Speaker 5: Get out of here before I get any more accusations.

2311
01:39:49,280 --> 01:39:50,920
Speaker 3: Be safe, be blessed, to have a great week, and

2312
01:39:51,000 --> 01:39:52,880
Speaker 3: we'll talk to y'all soon. I'm that nigga. He's just

2313
01:39:52,960 --> 01:39:53,799
Speaker 3: ginger peace.

2314
01:39:54,479 --> 01:39:55,759
Speaker 1: No,