1
00:00:01,880 --> 00:00:05,640
Speaker 1: And welcome to another addition of new Rory and Mall.

2
00:00:05,760 --> 00:00:07,800
Speaker 2: I am Mal, I'm Rory.

3
00:00:08,000 --> 00:00:11,600
Speaker 1: And welcome back Man. We've had we've had some time

4
00:00:11,640 --> 00:00:13,880
Speaker 1: off from each other's good seeing the game. Yeah yeah.

5
00:00:13,920 --> 00:00:17,680
Speaker 2: A conspiracy episode we filmed last week and I feel

6
00:00:17,680 --> 00:00:20,360
Speaker 2: like a shit ton happened, which I was kind of

7
00:00:20,480 --> 00:00:24,400
Speaker 2: happy that we weren't recording. It was just too much

8
00:00:24,440 --> 00:00:27,120
Speaker 2: of too many people reacting to things in real time,

9
00:00:27,200 --> 00:00:29,400
Speaker 2: and I'm glad we could just relax.

10
00:00:30,320 --> 00:00:33,120
Speaker 1: I never want to. I don't like reacting because I

11
00:00:33,159 --> 00:00:35,839
Speaker 1: don't react like I read shit. I see what's going on,

12
00:00:35,920 --> 00:00:37,680
Speaker 1: and I, you know, I understand the severity of a

13
00:00:37,680 --> 00:00:39,800
Speaker 1: lot of things and a lot of the things that

14
00:00:39,800 --> 00:00:42,440
Speaker 1: happen understanding entertainment and it, you know, and understand if

15
00:00:42,440 --> 00:00:45,240
Speaker 1: it's funny or not. I don't like reacting. I don't

16
00:00:45,320 --> 00:00:48,800
Speaker 1: like being the first to react because sometimes you're wrong.

17
00:00:49,040 --> 00:00:51,159
Speaker 2: For the life of me. And I don't want this

18
00:00:51,240 --> 00:00:52,839
Speaker 2: to come across as hate. But it's going to come

19
00:00:52,880 --> 00:00:54,240
Speaker 2: across as hate, but I don't mean it in a

20
00:00:54,240 --> 00:00:57,720
Speaker 2: hateful way. I'm really just asking because they are so

21
00:00:57,800 --> 00:01:02,360
Speaker 2: successful the YouTube reaction world, like the actual like they'll

22
00:01:02,360 --> 00:01:03,920
Speaker 2: put something up and then they'll be in like the

23
00:01:03,960 --> 00:01:08,440
Speaker 2: corner screen like like why is why do people love

24
00:01:08,480 --> 00:01:11,200
Speaker 2: that so much? They like personalities, so that gets so

25
00:01:11,319 --> 00:01:13,640
Speaker 2: many fucking and shout out to them. It's working and

26
00:01:13,680 --> 00:01:15,880
Speaker 2: they're very good at it. I don't understand it.

27
00:01:15,880 --> 00:01:16,200
Speaker 1: It goes.

28
00:01:16,440 --> 00:01:18,679
Speaker 2: I don't particularly care to watch someone react to something

29
00:01:18,720 --> 00:01:19,800
Speaker 2: that I'm trying to react to.

30
00:01:20,280 --> 00:01:22,760
Speaker 1: Well, they a lot of people will say, I'll podcast

31
00:01:22,880 --> 00:01:24,520
Speaker 1: us reacting to the culture, but.

32
00:01:24,560 --> 00:01:28,360
Speaker 2: I'm saying, like the time, five minutes after it happens,

33
00:01:28,400 --> 00:01:29,120
Speaker 2: they're on the corner of.

34
00:01:29,080 --> 00:01:31,199
Speaker 3: The breaking it breaking down the slap again.

35
00:01:31,319 --> 00:01:33,520
Speaker 2: Yeah, I mean I haven't even seen it yet, so

36
00:01:33,520 --> 00:01:35,360
Speaker 2: I'm like, where's the original? I can't hear it over

37
00:01:35,400 --> 00:01:36,240
Speaker 2: this person's voice.

38
00:01:36,400 --> 00:01:39,039
Speaker 1: Like, I think it all ties into people just falling

39
00:01:39,040 --> 00:01:41,440
Speaker 1: in love with certain personalities for sure, and they want

40
00:01:41,440 --> 00:01:46,280
Speaker 1: to just see certain personalities react to certain things. I'd

41
00:01:46,319 --> 00:01:49,560
Speaker 1: watch a Rory reacts, it depends on what he's reacting to.

42
00:01:49,640 --> 00:01:51,280
Speaker 2: Maybe on Patreon we could try to do some.

43
00:01:51,560 --> 00:01:52,800
Speaker 1: Yeah, I want to do it. I want to do

44
00:01:52,800 --> 00:01:54,279
Speaker 1: a Rory reacting.

45
00:01:53,840 --> 00:01:58,920
Speaker 2: To like pregnancy scarce. Well yeah, like not real news things,

46
00:01:59,400 --> 00:02:03,960
Speaker 2: like real life things, live birth videos like Rory reacts

47
00:02:03,960 --> 00:02:05,320
Speaker 2: to I R S bill.

48
00:02:06,920 --> 00:02:08,919
Speaker 1: Y. Y'all should have caught my reactions on my account

49
00:02:08,960 --> 00:02:11,679
Speaker 1: told me that depending taxes. Oh yeah, should have caught

50
00:02:11,680 --> 00:02:14,079
Speaker 1: my reaction. You know how Tred was and boys in

51
00:02:14,080 --> 00:02:17,960
Speaker 1: the hood swinging at everything in the house. I was

52
00:02:17,960 --> 00:02:19,560
Speaker 1: swinging at all kind of ship when I hung that

53
00:02:19,600 --> 00:02:21,240
Speaker 1: phone and I was like, nor, it's so good.

54
00:02:21,800 --> 00:02:25,200
Speaker 4: They said, don't got furniture? Like remember them girls that

55
00:02:25,280 --> 00:02:26,240
Speaker 4: used to live in Miami and.

56
00:02:27,440 --> 00:02:33,240
Speaker 2: Uh revolutionaries they started this way. Tax angels, Yes, they said, James,

57
00:02:33,240 --> 00:02:34,919
Speaker 2: where are they now? That's what I need an angel?

58
00:02:35,160 --> 00:02:35,720
Speaker 2: Where are they now?

59
00:02:36,919 --> 00:02:40,720
Speaker 4: They said, because when you posted a corner of your house,

60
00:02:40,800 --> 00:02:44,440
Speaker 4: I guess and they were like, damn, no furniture, just vibes.

61
00:02:44,520 --> 00:02:48,200
Speaker 2: I was cracking just vibes, funny. We call that a minimalism. Yeah,

62
00:02:48,680 --> 00:02:49,799
Speaker 2: where you putting no furniture.

63
00:02:49,800 --> 00:02:52,720
Speaker 1: I would never show people my house. I showed them

64
00:02:52,760 --> 00:02:56,760
Speaker 1: what I want to show them, a bar because.

65
00:02:56,840 --> 00:02:59,400
Speaker 2: It's not really a buff because because even if there was,

66
00:03:00,120 --> 00:03:00,639
Speaker 2: it was show.

67
00:03:00,560 --> 00:03:02,799
Speaker 1: Them everything you have. He's still gonna have something to say, Oh,

68
00:03:03,120 --> 00:03:06,720
Speaker 1: that's the couch you got picked that rug? That Sorry

69
00:03:06,720 --> 00:03:08,720
Speaker 1: Marthter Stewart, why didn't you come over and fucking materia

70
00:03:08,760 --> 00:03:11,959
Speaker 1: design my crib did, Like people, just what and teach

71
00:03:12,000 --> 00:03:15,160
Speaker 1: me some tax froust like teaching how to pay these

72
00:03:15,160 --> 00:03:16,320
Speaker 1: fucking taxes while you at it.

73
00:03:17,360 --> 00:03:19,120
Speaker 2: So yeah, but I don't think i've I've only shown

74
00:03:19,120 --> 00:03:20,160
Speaker 2: my house and close friends.

75
00:03:20,680 --> 00:03:21,760
Speaker 1: Yeah, as you should.

76
00:03:22,040 --> 00:03:24,639
Speaker 4: I mean I've shown your house, definitely.

77
00:03:24,680 --> 00:03:28,320
Speaker 1: They just they just they just I think they just

78
00:03:28,840 --> 00:03:31,560
Speaker 1: sent something out about the list of people from MTV

79
00:03:31,680 --> 00:03:34,560
Speaker 1: cribs when it wasn't really their homes. I think somebody

80
00:03:34,600 --> 00:03:35,880
Speaker 1: just sent that out, like they found that out.

81
00:03:36,240 --> 00:03:37,680
Speaker 2: It was like, what of them?

82
00:03:37,720 --> 00:03:39,720
Speaker 1: Right? Yeah, it was. It's a crazy amount of people,

83
00:03:39,720 --> 00:03:40,800
Speaker 1: like that was not their home at all.

84
00:03:40,840 --> 00:03:43,680
Speaker 2: Did we talk about that or maybe there's.

85
00:03:43,520 --> 00:03:45,200
Speaker 1: Something that just came out two weeks ago.

86
00:03:45,240 --> 00:03:47,880
Speaker 2: This is no shot at jah, But Joe Rules was

87
00:03:47,920 --> 00:03:50,880
Speaker 2: the funniest because clearly he was just renting a crib

88
00:03:50,920 --> 00:03:52,080
Speaker 2: in Miami for like the week.

89
00:03:52,160 --> 00:03:53,520
Speaker 1: Yeah, he was going through.

90
00:03:53,360 --> 00:03:55,960
Speaker 2: Rooms and didn't know what was what. He was like,

91
00:03:56,000 --> 00:03:59,160
Speaker 2: I think this is a living room, they were kitchen is.

92
00:04:00,640 --> 00:04:03,240
Speaker 1: Like door leads like upstairs, I think you get to

93
00:04:03,240 --> 00:04:03,880
Speaker 1: the roof from here.

94
00:04:04,480 --> 00:04:06,200
Speaker 2: Uh, but your luggage laying around?

95
00:04:07,000 --> 00:04:09,839
Speaker 1: Yeah? But yeah, so I mean why Why wouldn't.

96
00:04:09,520 --> 00:04:11,560
Speaker 3: They show their own cribs. What's wrong with that?

97
00:04:11,800 --> 00:04:13,600
Speaker 1: I mean, it is your crib.

98
00:04:14,160 --> 00:04:17,520
Speaker 2: Well, back then it was harder to find, right ship

99
00:04:17,760 --> 00:04:20,680
Speaker 2: Like now I feel like MTV cribs, they would find

100
00:04:20,720 --> 00:04:21,200
Speaker 2: your crib.

101
00:04:22,000 --> 00:04:23,719
Speaker 1: No, people will find you, That's what I'm saying. Yeah,

102
00:04:23,800 --> 00:04:25,919
Speaker 1: people are going zillow and all kinds of shit and

103
00:04:25,920 --> 00:04:28,560
Speaker 1: find crib. But yeah, certain things just need to be private. No,

104
00:04:28,720 --> 00:04:31,359
Speaker 1: you shouldn't know with my family where we rest and

105
00:04:32,080 --> 00:04:33,919
Speaker 1: party and eat and I don't know.

106
00:04:34,080 --> 00:04:36,600
Speaker 2: Some things just need to be And we have firearms, yeah,

107
00:04:36,800 --> 00:04:38,159
Speaker 2: so legal ones.

108
00:04:38,640 --> 00:04:43,360
Speaker 1: But yeah, it's been a crazy week to say the least,

109
00:04:43,600 --> 00:04:46,760
Speaker 1: to say the least, Uh, for many reasons. But we'll

110
00:04:46,760 --> 00:04:50,960
Speaker 1: talk about the reasons that the culture seems to be

111
00:04:51,040 --> 00:04:52,279
Speaker 1: infatuated with at the moment.

112
00:04:52,720 --> 00:04:52,840
Speaker 5: Uh.

113
00:04:54,000 --> 00:04:58,400
Speaker 1: First, your week off, my week off, our week off,

114
00:04:59,120 --> 00:05:02,520
Speaker 1: my week off? Uh had a week off? Some things happened.

115
00:05:02,520 --> 00:05:05,440
Speaker 1: It seemed like the culture are we the blame? Like

116
00:05:05,480 --> 00:05:07,360
Speaker 1: the things just get out of whack once we kind

117
00:05:07,360 --> 00:05:07,760
Speaker 1: of took.

118
00:05:07,640 --> 00:05:08,200
Speaker 5: Some time off.

119
00:05:08,520 --> 00:05:11,279
Speaker 2: Do you think Kendrick dropped when he realized that, oh there,

120
00:05:11,400 --> 00:05:14,159
Speaker 2: they doubled up episodes this week, so they have a

121
00:05:14,160 --> 00:05:15,559
Speaker 2: conspiracy one coming they can't.

122
00:05:15,680 --> 00:05:18,080
Speaker 1: Yeah, I think I think Kendrick knew that he had

123
00:05:18,120 --> 00:05:20,159
Speaker 1: an opening. It was it was a void he needed

124
00:05:20,160 --> 00:05:22,440
Speaker 1: to fill because we were gone, since Rory and Maul

125
00:05:22,480 --> 00:05:24,359
Speaker 1: were no longer. You know that we weren't around, We

126
00:05:24,360 --> 00:05:27,000
Speaker 1: weren't recording, weren't in the studio. He snuck in the

127
00:05:27,000 --> 00:05:31,840
Speaker 1: studio and created a beautiful piece of art. Part five.

128
00:05:31,960 --> 00:05:33,839
Speaker 2: It was not music, it was art. That was That

129
00:05:33,960 --> 00:05:36,400
Speaker 2: was all the tweets I was saying, Yeah, it's it's art.

130
00:05:36,440 --> 00:05:38,880
Speaker 2: It's it's just definitely, But why can't it music is art?

131
00:05:38,880 --> 00:05:40,080
Speaker 2: Why can't it just be music?

132
00:05:41,000 --> 00:05:41,920
Speaker 4: Uh?

133
00:05:42,120 --> 00:05:44,960
Speaker 2: Yes, why can't it just like the highest caliber of music.

134
00:05:44,800 --> 00:05:46,920
Speaker 1: It's art. It's just like if somebody said that's hip hop,

135
00:05:46,960 --> 00:05:51,320
Speaker 1: Well what music isn't art? Uh? Well, your Irish people

136
00:05:51,400 --> 00:05:53,520
Speaker 1: love to play the banjos with skirts on. I don't

137
00:05:53,520 --> 00:05:57,240
Speaker 1: think that's Yeah, yeah, I think that. I think that.

138
00:05:57,279 --> 00:05:59,560
Speaker 1: I think they were just drunk and just decided to

139
00:05:59,560 --> 00:05:59,920
Speaker 1: go out.

140
00:06:00,520 --> 00:06:03,279
Speaker 2: If you don't tear up just a little bit when

141
00:06:03,320 --> 00:06:05,120
Speaker 2: bagpipes are coming down the street, I don't think it

142
00:06:05,160 --> 00:06:05,520
Speaker 2: will heart.

143
00:06:05,839 --> 00:06:08,760
Speaker 1: I don't tear up the I'm crying because my ears

144
00:06:08,760 --> 00:06:10,720
Speaker 1: are bleeding. I can't fucking hear myself.

145
00:06:10,880 --> 00:06:14,200
Speaker 2: That's like our saxophone, Like the way people get like

146
00:06:14,320 --> 00:06:16,640
Speaker 2: really like into their feels when the sacks is playing.

147
00:06:16,800 --> 00:06:17,440
Speaker 2: It's our sacks.

148
00:06:17,480 --> 00:06:20,200
Speaker 1: That's your sacks. Yeah, and it makes sense because it's

149
00:06:20,200 --> 00:06:21,640
Speaker 1: the bag, so you might as well call it a sack.

150
00:06:21,839 --> 00:06:22,440
Speaker 2: But what's.

151
00:06:24,200 --> 00:06:26,479
Speaker 1: What like sack flutes?

152
00:06:27,200 --> 00:06:30,120
Speaker 2: At least with other cultures, they'll separate their music for

153
00:06:30,160 --> 00:06:35,080
Speaker 2: different occasions. Irish people play the same bagpipe song at

154
00:06:35,120 --> 00:06:39,480
Speaker 2: funerals and celebrations, graduations like St. Patty's Day Parade, they'll

155
00:06:39,480 --> 00:06:42,720
Speaker 2: play the exact same song they played at my grandfather's funeral.

156
00:06:42,839 --> 00:06:47,080
Speaker 1: Yeah, it's like, you don't know, is this drill bagpipe

157
00:06:47,160 --> 00:06:52,600
Speaker 1: or is this real? I'm sure it's coming. Drill bagpipe

158
00:06:52,640 --> 00:06:54,200
Speaker 1: is on the way for sure. We might have to

159
00:06:54,279 --> 00:06:56,839
Speaker 1: do you might need to lead that like that whole movement.

160
00:06:57,360 --> 00:06:59,760
Speaker 1: I don't know, man, you should find the first bagpipe

161
00:07:00,080 --> 00:07:00,760
Speaker 1: drill artists.

162
00:07:00,800 --> 00:07:04,479
Speaker 2: I'm really nervous to be around anything drill related or

163
00:07:04,520 --> 00:07:05,880
Speaker 2: anything Eric Adams related.

164
00:07:06,440 --> 00:07:08,400
Speaker 1: Oh no, they coming see. And this is the thing,

165
00:07:08,480 --> 00:07:10,440
Speaker 1: Like I sit on here, we joke, we laugh about

166
00:07:10,440 --> 00:07:12,160
Speaker 1: a lot of things, right, and I try to tell

167
00:07:12,160 --> 00:07:13,800
Speaker 1: people say, oh day I ain't gonna lie. I'm allays

168
00:07:13,760 --> 00:07:16,360
Speaker 1: saying the same shit for you. It's a reason why

169
00:07:16,440 --> 00:07:20,680
Speaker 1: I'm consistent in my story because it's always happening. It's

170
00:07:20,680 --> 00:07:23,680
Speaker 1: the truth. We see it. Y'all playing these games, y'all

171
00:07:23,760 --> 00:07:26,200
Speaker 1: running around shooting shit up, drilling, well they call it

172
00:07:26,280 --> 00:07:29,000
Speaker 1: drilling and all this other shit, spinning the block. Do

173
00:07:29,080 --> 00:07:31,600
Speaker 1: y'all think that there are no repercussions for spinning the block?

174
00:07:32,360 --> 00:07:34,680
Speaker 1: Like do artists really think that drilling and putting in

175
00:07:34,720 --> 00:07:37,200
Speaker 1: work and all this it's just gonna go away, disappear

176
00:07:37,200 --> 00:07:39,680
Speaker 1: in to thin air and there won't be no repercussions

177
00:07:39,680 --> 00:07:39,920
Speaker 1: for this.

178
00:07:39,960 --> 00:07:41,840
Speaker 2: Well, the iron is, after you commit the crime, you

179
00:07:41,840 --> 00:07:43,160
Speaker 2: should get away from the block.

180
00:07:43,000 --> 00:07:46,160
Speaker 1: Not spin back, swing back. Yeah, that is true. But

181
00:07:46,320 --> 00:07:49,400
Speaker 1: even if you get away from it, people never forget.

182
00:07:50,160 --> 00:07:52,360
Speaker 1: They know that gun went off in twenty twelve on

183
00:07:52,400 --> 00:07:54,240
Speaker 1: this block, on this street at this time, and they're

184
00:07:54,240 --> 00:07:55,440
Speaker 1: gonna find out who did it.

185
00:07:55,560 --> 00:07:59,120
Speaker 2: Oh and I saw it that viral tweet that they

186
00:07:59,120 --> 00:08:01,120
Speaker 2: stole from our premise of us saying when your girl

187
00:08:01,640 --> 00:08:03,680
Speaker 2: lets you get your cheat up, cheating off for years

188
00:08:04,080 --> 00:08:07,200
Speaker 2: builds her case, it's like three co charge. I was.

189
00:08:07,360 --> 00:08:10,120
Speaker 1: I was like Look, this is what we're here for.

190
00:08:10,280 --> 00:08:12,200
Speaker 1: I want my Twitter royal. We're here to feed the culture.

191
00:08:12,440 --> 00:08:13,200
Speaker 1: Let's feed the culture.

192
00:08:13,240 --> 00:08:15,440
Speaker 2: Even if where's my pub on your tweets.

193
00:08:15,080 --> 00:08:16,920
Speaker 1: Even if they steal the art from us world, we

194
00:08:16,960 --> 00:08:22,400
Speaker 1: let him have it. She got to eat.

195
00:08:23,480 --> 00:08:25,480
Speaker 2: Well, let's get some organization. Where do we want to start?

196
00:08:25,520 --> 00:08:26,960
Speaker 2: I want to start with Rico. Do we want to

197
00:08:26,960 --> 00:08:28,480
Speaker 2: start with Kendrick? Do we want to start.

198
00:08:28,360 --> 00:08:30,880
Speaker 1: Let's start with Kendrick star with Let's start with Kendrick.

199
00:08:30,960 --> 00:08:36,480
Speaker 1: First of all, salute to Kendrick. Uh, just his career,

200
00:08:37,080 --> 00:08:40,520
Speaker 1: just watching where he started and where he is today

201
00:08:40,640 --> 00:08:42,600
Speaker 1: is uh, it's just beautiful.

202
00:08:42,800 --> 00:08:45,800
Speaker 2: The Heart series is probably a great representation of that.

203
00:08:46,200 --> 00:08:48,800
Speaker 2: Go listen to the Heart Part one of even like

204
00:08:48,840 --> 00:08:51,600
Speaker 2: the first few words he says, and then it like

205
00:08:51,679 --> 00:08:54,880
Speaker 2: felt planned, like very intentional of where he knew that

206
00:08:55,080 --> 00:08:55,720
Speaker 2: five would be.

207
00:08:56,400 --> 00:09:02,240
Speaker 1: It's Kendrick is just somebody that's obviously aware. He's somebody

208
00:09:02,280 --> 00:09:05,719
Speaker 1: that pays attention to what's going on. He's a he's

209
00:09:05,760 --> 00:09:07,920
Speaker 1: a true artist. He uses you know, things around him,

210
00:09:07,920 --> 00:09:11,360
Speaker 1: things that's happening as inspiration as motivation to create and

211
00:09:11,440 --> 00:09:14,520
Speaker 1: spread a message. And uh, you know, there are very

212
00:09:14,520 --> 00:09:17,640
Speaker 1: few artists that are able to capture that and put

213
00:09:17,640 --> 00:09:21,360
Speaker 1: that into the type of music that we like, as

214
00:09:21,360 --> 00:09:24,840
Speaker 1: well as Kendrick Lamar and first of all, and just

215
00:09:24,920 --> 00:09:28,320
Speaker 1: the the Marvin Gaye sample, let's just talk about let's

216
00:09:28,320 --> 00:09:28,640
Speaker 1: start there.

217
00:09:28,679 --> 00:09:30,680
Speaker 2: First of all, one of my favorite, if not favorite

218
00:09:30,720 --> 00:09:31,440
Speaker 2: song of all time.

219
00:09:31,600 --> 00:09:34,000
Speaker 1: Yeah, it's it's I don't know, if a lot of

220
00:09:34,080 --> 00:09:36,839
Speaker 1: people know how hard it is to clear a Marvin

221
00:09:36,880 --> 00:09:41,280
Speaker 1: Gaye sample, you can ask for real, forget clearing how

222
00:09:41,280 --> 00:09:44,000
Speaker 1: hard it is the sneak one by like, it's not

223
00:09:44,160 --> 00:09:48,520
Speaker 1: something that many, if any, can do.

224
00:09:49,120 --> 00:09:54,360
Speaker 2: They've they've lost lawsuits of the Marvin gay estate being like,

225
00:09:54,559 --> 00:09:55,960
Speaker 2: you know, Marvin thought of that one time.

226
00:09:56,080 --> 00:09:58,079
Speaker 1: Yeah, it's not even out. He didn't never, he never

227
00:09:58,120 --> 00:09:59,560
Speaker 1: recorded it, but he thought about it.

228
00:09:59,559 --> 00:10:01,559
Speaker 2: So give us a ship. So it's just the straight

229
00:10:01,640 --> 00:10:03,160
Speaker 2: up I want you drums that.

230
00:10:06,360 --> 00:10:08,360
Speaker 1: Yeah, it's I don't it's that's first of all. That's

231
00:10:08,440 --> 00:10:11,880
Speaker 1: that's just that's just a nod to Kendrick and the

232
00:10:11,880 --> 00:10:14,120
Speaker 1: respect that he has from the Marvin from the Gay

233
00:10:14,160 --> 00:10:16,920
Speaker 1: family for them to clear that sample for him. That

234
00:10:17,080 --> 00:10:18,560
Speaker 1: to me, that was just a flex on all your

235
00:10:18,600 --> 00:10:21,000
Speaker 1: other artists and rappers like y'all can't do that.

236
00:10:21,440 --> 00:10:21,720
Speaker 5: Uh.

237
00:10:21,800 --> 00:10:24,520
Speaker 1: And then the message, the imagery, the uh you know,

238
00:10:25,000 --> 00:10:28,600
Speaker 1: the story and how everything made sense. It's it's just

239
00:10:28,720 --> 00:10:32,360
Speaker 1: the epitome of somebody taking time with their craft and

240
00:10:32,440 --> 00:10:35,959
Speaker 1: taking time with their uh, with their skill and putting

241
00:10:36,000 --> 00:10:38,840
Speaker 1: it together in a way like that. It was just

242
00:10:38,880 --> 00:10:41,920
Speaker 1: refreshing with everything going on and you know, everything that's

243
00:10:41,960 --> 00:10:44,960
Speaker 1: oversaturated in the industry now, it's just dope to see

244
00:10:45,040 --> 00:10:49,400
Speaker 1: Kendrick still be unique still, you know, try to be

245
00:10:49,640 --> 00:10:53,000
Speaker 1: so different but still like this ship is dope. It's not.

246
00:10:53,040 --> 00:10:54,760
Speaker 1: Some people are different at times and you don't get

247
00:10:54,760 --> 00:10:58,400
Speaker 1: it. It doesn't connect. It becomes weird. It's like he lost me.

248
00:10:58,520 --> 00:10:59,920
Speaker 2: He's just trying to be different and it's not.

249
00:11:00,120 --> 00:11:02,760
Speaker 1: Yeah, well Kendrick is not forced. It's a natural thing.

250
00:11:04,920 --> 00:11:06,760
Speaker 1: And he's still rapping at a high level.

251
00:11:06,960 --> 00:11:10,080
Speaker 2: Like what do you think of his tone and message

252
00:11:10,960 --> 00:11:18,240
Speaker 2: in the song? Felt very conflicted it It was weird.

253
00:11:18,280 --> 00:11:22,240
Speaker 2: I couldn't tell if he was critiquing it, explaining it,

254
00:11:23,360 --> 00:11:27,120
Speaker 2: pigging it up, or saying how fucked up the culture is.

255
00:11:27,679 --> 00:11:29,520
Speaker 1: I think he was doing all of it. Yeah, I

256
00:11:29,520 --> 00:11:31,240
Speaker 1: think that's the beauty. I think that's the dope part.

257
00:11:31,240 --> 00:11:33,280
Speaker 1: I think he did all of that. I think that,

258
00:11:33,520 --> 00:11:38,720
Speaker 1: you know, he recognizes where we do dumb shit. But

259
00:11:38,760 --> 00:11:41,880
Speaker 1: then he's like, but that's the culture, you know what

260
00:11:41,920 --> 00:11:44,440
Speaker 1: I mean, Like, that's just it is what it is.

261
00:11:44,480 --> 00:11:46,800
Speaker 1: I come from these same neighborhoods. I know, yes, we

262
00:11:46,880 --> 00:11:49,040
Speaker 1: know we shouldn't be doing the things we're doing. We

263
00:11:49,160 --> 00:11:50,760
Speaker 1: know we shouldn't be saying some of the things we're

264
00:11:50,760 --> 00:11:52,760
Speaker 1: saying in our music. We know that we shouldn't be doing,

265
00:11:53,120 --> 00:11:55,320
Speaker 1: but we do it, you know what I mean. It's like,

266
00:11:55,440 --> 00:11:58,280
Speaker 1: I know, I understand, I'm you know, I've done it,

267
00:11:58,320 --> 00:12:01,240
Speaker 1: but I've also changed in a way where you know,

268
00:12:01,480 --> 00:12:04,440
Speaker 1: it's like now to me, I'm I'm doing more of

269
00:12:04,640 --> 00:12:07,600
Speaker 1: or what Kendrick is doing this more of being somebody

270
00:12:07,600 --> 00:12:11,680
Speaker 1: that's trying to one lead by by example. He's doing

271
00:12:11,720 --> 00:12:14,920
Speaker 1: things independent, he's doing his own thing. He's he's moving

272
00:12:14,920 --> 00:12:17,920
Speaker 1: a different way. He's controlling his his art and his

273
00:12:18,000 --> 00:12:22,560
Speaker 1: music and his catalog and also trying to you know,

274
00:12:22,720 --> 00:12:25,360
Speaker 1: just be a family man, you know, live right and

275
00:12:25,480 --> 00:12:29,800
Speaker 1: do right things and create opportunity for his community, his

276
00:12:29,800 --> 00:12:32,280
Speaker 1: neighborhood and you know, give back and those type of things,

277
00:12:33,080 --> 00:12:36,640
Speaker 1: but still show skill at a high level. Like, you know,

278
00:12:36,800 --> 00:12:40,160
Speaker 1: don't think because I'm on this path that I'm still

279
00:12:40,200 --> 00:12:41,880
Speaker 1: not shocked with the pen and I still can't do

280
00:12:41,960 --> 00:12:42,640
Speaker 1: this at a high.

281
00:12:42,559 --> 00:12:44,920
Speaker 2: Level because I can't. Yeah, what do you think of

282
00:12:45,000 --> 00:12:45,800
Speaker 2: the face changing?

283
00:12:46,440 --> 00:12:49,000
Speaker 1: Shit? Amazing? I thought it was dope. I thought it

284
00:12:49,080 --> 00:12:52,800
Speaker 1: was you know, it's it's different. It's you know, we've

285
00:12:52,880 --> 00:12:56,120
Speaker 1: I mean, we've seen that in videos before.

286
00:12:56,320 --> 00:12:58,440
Speaker 2: I need to get in touch with that company just

287
00:12:58,480 --> 00:13:00,240
Speaker 2: for any time I fuck up, like change my face

288
00:13:00,280 --> 00:13:00,920
Speaker 2: to somebody.

289
00:13:00,640 --> 00:13:01,560
Speaker 1: Else on camera.

290
00:13:01,640 --> 00:13:06,760
Speaker 2: Yeah, even the mannerisms of like how the face moved

291
00:13:07,200 --> 00:13:09,640
Speaker 2: like each person, Like, yeah, I could get out of

292
00:13:09,679 --> 00:13:12,360
Speaker 2: some ship if I just had that technology in my laptop,

293
00:13:13,200 --> 00:13:16,560
Speaker 2: Like we might be onto something for social purposes.

294
00:13:16,679 --> 00:13:18,240
Speaker 5: You remember the first time I've ever seen that, Because

295
00:13:18,240 --> 00:13:19,960
Speaker 5: the first time I saw like a like a deep

296
00:13:20,000 --> 00:13:23,360
Speaker 5: fake is what that's called, is a Forrest coming. It's

297
00:13:23,400 --> 00:13:24,200
Speaker 5: the first time I saw it.

298
00:13:24,280 --> 00:13:25,040
Speaker 2: Yeah, I guess that's true.

299
00:13:25,120 --> 00:13:26,800
Speaker 3: They put it on like the presidents and shit like

300
00:13:26,840 --> 00:13:28,040
Speaker 3: that or John Lennon.

301
00:13:29,040 --> 00:13:29,719
Speaker 1: I think.

302
00:13:32,400 --> 00:13:35,400
Speaker 2: Forrest Gum might be the first like actual historic first

303
00:13:35,400 --> 00:13:35,719
Speaker 2: time that.

304
00:13:35,679 --> 00:13:37,440
Speaker 3: They did this and like that that took.

305
00:13:37,679 --> 00:13:40,080
Speaker 1: I think Michael Jackson's black and White video and White Yeah,

306
00:13:40,080 --> 00:13:42,200
Speaker 1: it was the first time I remember seeing that, which

307
00:13:42,240 --> 00:13:46,640
Speaker 1: came first Blackael Jackson, right, black and white. Yeah, I

308
00:13:46,679 --> 00:13:48,400
Speaker 1: think I think that was the first time I remember

309
00:13:48,440 --> 00:13:48,800
Speaker 1: seeing that.

310
00:13:48,840 --> 00:13:50,800
Speaker 3: One was more like morphing though, but it's still the

311
00:13:50,800 --> 00:13:51,200
Speaker 3: same thing.

312
00:13:51,480 --> 00:13:53,600
Speaker 1: It's the same concept. It's not the same body, just

313
00:13:53,640 --> 00:13:55,360
Speaker 1: the face changing and I know what you mean. But

314
00:13:55,400 --> 00:13:57,000
Speaker 1: that was the first time I think we saw that

315
00:13:57,080 --> 00:13:59,400
Speaker 1: in a music video, if I can remember. And of

316
00:13:59,440 --> 00:14:01,400
Speaker 1: course it would be Michael Jackson to do that, for sure.

317
00:14:01,440 --> 00:14:03,240
Speaker 1: He was the first to do a lot visually with

318
00:14:03,280 --> 00:14:03,959
Speaker 1: his music videos.

319
00:14:04,000 --> 00:14:08,200
Speaker 2: But when you look at that, like I, for example,

320
00:14:08,240 --> 00:14:10,640
Speaker 2: look at Independence Day. Now, when I've watched Independence Day,

321
00:14:10,640 --> 00:14:12,480
Speaker 2: I was like, this is the craziest graphics of all time.

322
00:14:12,840 --> 00:14:15,240
Speaker 2: And then Avatar came out, and then you go back

323
00:14:15,280 --> 00:14:17,760
Speaker 2: and look at Independence Day, You're like, this is probably

324
00:14:17,800 --> 00:14:20,040
Speaker 2: the worst graphics I've ever seen in my fucking life.

325
00:14:20,320 --> 00:14:23,880
Speaker 2: So yeah, watching Forrest Gump now was ill, but now

326
00:14:23,880 --> 00:14:27,600
Speaker 2: it's like, oh, yeah, they tricked us this ship. You

327
00:14:27,600 --> 00:14:29,440
Speaker 2: could commit a crime with this technicalo.

328
00:14:29,520 --> 00:14:32,600
Speaker 1: Hell yeah, little was Marla ways little man.

329
00:14:33,280 --> 00:14:36,040
Speaker 2: Yeah, But even that, if you go back, you could

330
00:14:36,080 --> 00:14:39,120
Speaker 2: see the drastic difference between what Kendrick did on this

331
00:14:39,240 --> 00:14:40,200
Speaker 2: and what Little Man was.

332
00:14:40,240 --> 00:14:41,800
Speaker 5: Yeah, it just takes all it takes. It's a it's

333
00:14:41,800 --> 00:14:44,120
Speaker 5: a long process. It's a long process. You had to

334
00:14:44,120 --> 00:14:46,800
Speaker 5: shoot a certain way and then you had to make

335
00:14:46,800 --> 00:14:48,560
Speaker 5: sure you capture those images in mind.

336
00:14:48,600 --> 00:14:48,640
Speaker 1: You.

337
00:14:49,000 --> 00:14:50,800
Speaker 5: So, yeah, they got the let's say, they got the eyes,

338
00:14:50,840 --> 00:14:53,080
Speaker 5: the mouth and everything, but also blending the skin tone.

339
00:14:53,160 --> 00:14:55,960
Speaker 3: Yea, because not everyone's the same skin tone. That shit

340
00:14:56,080 --> 00:14:56,720
Speaker 3: is crazy.

341
00:14:56,840 --> 00:14:59,040
Speaker 1: No, it was. It was dope. Like I said, it

342
00:14:59,080 --> 00:15:02,920
Speaker 1: was a It was definitely Kendrick to what he did.

343
00:15:02,960 --> 00:15:07,480
Speaker 1: In my opinion is he took another jump with another.

344
00:15:07,720 --> 00:15:11,960
Speaker 2: Choices in people, I think outside of just the technology,

345
00:15:11,960 --> 00:15:14,040
Speaker 2: because I think Kanye put out Life of the Party

346
00:15:14,120 --> 00:15:15,920
Speaker 2: video the same day with the same technology, just did

347
00:15:15,920 --> 00:15:17,280
Speaker 2: it differently with photos.

348
00:15:17,440 --> 00:15:20,440
Speaker 5: It was more like pictures of him and then like

349
00:15:20,520 --> 00:15:22,840
Speaker 5: his mouth and eyes just moving active.

350
00:15:22,960 --> 00:15:23,160
Speaker 1: Yeah.

351
00:15:23,240 --> 00:15:27,040
Speaker 2: Yeah, I thought it was interesting that he chose Ya

352
00:15:27,200 --> 00:15:30,560
Speaker 2: for once he started his bipolar bars about the culture.

353
00:15:32,280 --> 00:15:35,920
Speaker 2: I thought it was hilarious that the Jesse one was like,

354
00:15:35,960 --> 00:15:37,040
Speaker 2: you know, I'm in the streets.

355
00:15:37,640 --> 00:15:39,760
Speaker 1: Yeah, like I'm a part of the culture. Like I'm willing,

356
00:15:39,800 --> 00:15:41,440
Speaker 1: I'm willing to be so down with the calls. They

357
00:15:41,440 --> 00:15:44,440
Speaker 1: don't even look up a whole story like yeah, and

358
00:15:44,520 --> 00:15:46,720
Speaker 1: again that's showing that Kendrick is in touch, he's aware,

359
00:15:46,720 --> 00:15:48,920
Speaker 1: he is was going on, and he's also having fun

360
00:15:48,960 --> 00:15:49,560
Speaker 1: with it like.

361
00:15:49,600 --> 00:15:51,200
Speaker 2: Well, I mean he started with I am all of you,

362
00:15:51,280 --> 00:15:53,760
Speaker 2: and I love that he kind of like like woke

363
00:15:53,880 --> 00:15:55,880
Speaker 2: up out of shit, like as if he was these

364
00:15:55,880 --> 00:15:57,960
Speaker 2: people and thinking like that. And how intertwined we all

365
00:15:58,000 --> 00:16:00,840
Speaker 2: are with our decisions. Yes, we could judge jussee all

366
00:16:00,920 --> 00:16:02,520
Speaker 2: the way, but we all have.

367
00:16:02,520 --> 00:16:03,080
Speaker 1: Made sh up.

368
00:16:03,080 --> 00:16:06,920
Speaker 2: We've all yeah, ship, We're not proud of Kanye. We

369
00:16:06,960 --> 00:16:10,320
Speaker 2: all do to some degree suffer from m hm, some

370
00:16:10,440 --> 00:16:11,760
Speaker 2: type of mental health will.

371
00:16:11,840 --> 00:16:14,320
Speaker 1: I have never like ran from a crime scene in

372
00:16:14,320 --> 00:16:16,440
Speaker 1: the back of somebody's car, though, So I can't relate

373
00:16:16,480 --> 00:16:16,680
Speaker 1: to that.

374
00:16:16,880 --> 00:16:19,640
Speaker 2: We all sin differently, yeah, but we do.

375
00:16:19,760 --> 00:16:21,680
Speaker 1: It's not comparison, No, No, I'm not sure. No, I don't

376
00:16:21,680 --> 00:16:24,040
Speaker 1: want to. I don't want that. I'm definitely I'm definitely

377
00:16:24,040 --> 00:16:24,400
Speaker 1: not compared.

378
00:16:24,440 --> 00:16:25,960
Speaker 2: Since I'm just saying I don't say you sin better

379
00:16:26,000 --> 00:16:26,240
Speaker 2: than no.

380
00:16:26,120 --> 00:16:28,200
Speaker 1: No, no, no, I'm just saying I can't relate to hide

381
00:16:28,200 --> 00:16:30,240
Speaker 1: in the back of the rover while the homie is

382
00:16:30,280 --> 00:16:32,400
Speaker 1: doing eighty on the freeway. I just I never did that.

383
00:16:32,400 --> 00:16:33,680
Speaker 3: I also don't think I would see mom all come

384
00:16:33,680 --> 00:16:33,960
Speaker 3: out of a.

385
00:16:33,960 --> 00:16:37,160
Speaker 2: Subway if I would only just wish.

386
00:16:37,400 --> 00:16:39,680
Speaker 1: But I mean, I think it's weird. We're going off topic,

387
00:16:39,760 --> 00:16:42,400
Speaker 1: but I think it's weird when New Yorkers eat subway

388
00:16:42,440 --> 00:16:44,880
Speaker 1: sandwiches and we have like real delis.

389
00:16:44,600 --> 00:16:45,480
Speaker 2: Like the strangest thing in the world.

390
00:16:45,560 --> 00:16:48,520
Speaker 1: Yeah, bro, we have real delis. Like how do I.

391
00:16:48,440 --> 00:16:50,240
Speaker 2: Still see Blimpy's in the city.

392
00:16:51,720 --> 00:16:54,440
Speaker 1: And Blimpy's is still way better than subway. Let's just

393
00:16:54,480 --> 00:16:55,640
Speaker 1: be clear on that.

394
00:16:55,840 --> 00:16:57,600
Speaker 2: Deli is better than Blimpi's though, Yeah, but it's like

395
00:16:57,800 --> 00:17:00,480
Speaker 2: there are real delis in the hood, like where like, man,

396
00:17:00,520 --> 00:17:01,920
Speaker 2: why are we going the subway?

397
00:17:02,000 --> 00:17:02,600
Speaker 1: Like you can.

398
00:17:02,520 --> 00:17:05,880
Speaker 5: Get plans and oh yeah.

399
00:17:06,680 --> 00:17:08,840
Speaker 1: Well yeah, but in New York City, if you're a tourist,

400
00:17:08,880 --> 00:17:10,680
Speaker 1: you want to go to a real deli. In my opinion,

401
00:17:10,720 --> 00:17:13,159
Speaker 1: you want to go to a real delicatessen. Like you

402
00:17:13,200 --> 00:17:14,600
Speaker 1: know what I'm saying, Like you want to go to

403
00:17:14,680 --> 00:17:16,840
Speaker 1: Cats if you want to keep it to me, Cats

404
00:17:16,920 --> 00:17:18,600
Speaker 1: is not even like it's a it's a it's a

405
00:17:18,800 --> 00:17:19,560
Speaker 1: I like Cats a lot.

406
00:17:19,600 --> 00:17:21,439
Speaker 2: No, I do too, but just seven dollars And if

407
00:17:21,440 --> 00:17:23,440
Speaker 2: you lose your ticket, you have to live That's just crazy.

408
00:17:23,720 --> 00:17:27,960
Speaker 1: You can't escape, literally, you have to live there like

409
00:17:28,000 --> 00:17:29,160
Speaker 1: you you can't with your ticket.

410
00:17:29,240 --> 00:17:29,919
Speaker 2: You are in prison.

411
00:17:30,240 --> 00:17:31,280
Speaker 1: Yeah, you cannot leave here.

412
00:17:31,359 --> 00:17:33,800
Speaker 2: No pay I'll pay it, No give me the ticket.

413
00:17:33,960 --> 00:17:35,960
Speaker 1: Like places like that. So you would never see me

414
00:17:36,000 --> 00:17:38,000
Speaker 1: coming out of subway in New York other places. You know,

415
00:17:38,000 --> 00:17:38,840
Speaker 1: I want to sandwich you.

416
00:17:38,920 --> 00:17:40,400
Speaker 2: And we'll get back. But I like that we went

417
00:17:40,400 --> 00:17:43,200
Speaker 2: off topic. What would be what would everyone know would

418
00:17:43,240 --> 00:17:45,199
Speaker 2: be the lie for New Yorker if they said they

419
00:17:45,240 --> 00:17:47,600
Speaker 2: came out of a spot at a certain hour, because

420
00:17:47,600 --> 00:17:49,880
Speaker 2: we knew Jesse was lying. It was in Chicago at

421
00:17:50,280 --> 00:17:54,719
Speaker 2: three am, zero degrees. You wasn't going to no subway, Yeah, subway,

422
00:17:55,359 --> 00:17:57,040
Speaker 2: little Caesars. If I was at a little Caesars, I

423
00:17:57,040 --> 00:17:58,159
Speaker 2: would say I was lying.

424
00:18:00,119 --> 00:18:00,439
Speaker 1: Caesars.

425
00:18:00,520 --> 00:18:02,520
Speaker 2: I got beat up in a little season what you

426
00:18:02,640 --> 00:18:03,600
Speaker 2: was doing in a little seasons?

427
00:18:03,600 --> 00:18:06,120
Speaker 1: But at this time, like come on, cut it out.

428
00:18:06,800 --> 00:18:09,359
Speaker 1: So yeah, the Jesse Simolette thing was was interesting. The

429
00:18:09,400 --> 00:18:13,640
Speaker 1: oj thing was was interesting because that's you know, he's

430
00:18:13,720 --> 00:18:16,880
Speaker 1: I think what he was doing was basically taking big

431
00:18:16,920 --> 00:18:20,520
Speaker 1: moments from our culture and saying, like, you know, all

432
00:18:20,520 --> 00:18:22,840
Speaker 1: of this is connected. We all make mistakes, we all,

433
00:18:22,880 --> 00:18:25,560
Speaker 1: like you said, all sin, we all do things. But

434
00:18:25,600 --> 00:18:28,480
Speaker 1: at the end of the day, you know, we're not

435
00:18:28,720 --> 00:18:30,800
Speaker 1: that different from each other if you're from this culture.

436
00:18:30,840 --> 00:18:35,000
Speaker 2: Well, and so much of people saying OJ wasn't from

437
00:18:35,320 --> 00:18:37,360
Speaker 2: the culture at all, Yet the culture was the one

438
00:18:37,359 --> 00:18:39,359
Speaker 2: that supported him because he was, you know, trying to

439
00:18:39,359 --> 00:18:41,360
Speaker 2: fuck rich white pitches in Brentwood.

440
00:18:42,080 --> 00:18:43,880
Speaker 1: I mean, who's not trying to fuck a rich white woman.

441
00:18:43,960 --> 00:18:46,240
Speaker 1: I think that's the culture. Yeah, I think that's the goal.

442
00:18:49,240 --> 00:18:52,080
Speaker 1: OJ one. You know what I'm saying, like, yeah, you

443
00:18:52,119 --> 00:18:54,359
Speaker 1: want to get a rich white woman and just you know,

444
00:18:54,480 --> 00:18:55,439
Speaker 1: have great sex with her.

445
00:18:55,440 --> 00:18:57,560
Speaker 2: In traveled World, I did love in.

446
00:18:57,800 --> 00:18:58,639
Speaker 1: The people versus O. J.

447
00:18:58,760 --> 00:19:03,320
Speaker 2: Simpson. When Johnny Cochran and OJ are talking in jail,

448
00:19:04,200 --> 00:19:05,360
Speaker 2: what did you want me to do?

449
00:19:06,040 --> 00:19:06,240
Speaker 1: Right?

450
00:19:06,560 --> 00:19:09,280
Speaker 2: I lived in the project. I didn't want to go

451
00:19:09,320 --> 00:19:11,560
Speaker 2: to fucking Brentwood. What do they want from me?

452
00:19:11,640 --> 00:19:13,760
Speaker 1: Some people have never been to Brandwich, so they don't understand.

453
00:19:13,840 --> 00:19:16,040
Speaker 1: They don't get it, they don't understand, Like, bro, this

454
00:19:16,080 --> 00:19:18,040
Speaker 1: is a whole different way of life over here, you

455
00:19:18,119 --> 00:19:18,520
Speaker 1: know what I mean.

456
00:19:18,560 --> 00:19:20,639
Speaker 2: So, and they're gonna kill us for all that white remark.

457
00:19:20,680 --> 00:19:24,760
Speaker 2: But it is whatever me and me in particular, will

458
00:19:24,800 --> 00:19:27,920
Speaker 2: Smith hurt people, hurt people into that transition.

459
00:19:28,200 --> 00:19:28,600
Speaker 1: I like that.

460
00:19:29,960 --> 00:19:33,280
Speaker 2: It was all very much relevant to the moment too,

461
00:19:33,440 --> 00:19:35,600
Speaker 2: and to Edd's point of how long and tedious it

462
00:19:35,640 --> 00:19:35,880
Speaker 2: is to.

463
00:19:35,840 --> 00:19:36,920
Speaker 1: Do that technology yea.

464
00:19:37,320 --> 00:19:39,800
Speaker 2: To then also add in on the Nipsey part with

465
00:19:39,880 --> 00:19:44,040
Speaker 2: everything that's currently happening of him saying, hey, let let's

466
00:19:44,400 --> 00:19:48,480
Speaker 2: respect him while he's gone like just leave me alone. Yeah,

467
00:19:48,760 --> 00:19:50,960
Speaker 2: type shit, which was very current, like down to the

468
00:19:50,960 --> 00:19:54,199
Speaker 2: week of what it is, so writing that, recording it

469
00:19:54,240 --> 00:19:56,000
Speaker 2: and doing that video and then getting that.

470
00:19:55,960 --> 00:19:58,560
Speaker 1: Out with all the.

471
00:19:57,680 --> 00:20:01,480
Speaker 2: Moments that were crazy going on at that exact moment.

472
00:20:01,320 --> 00:20:03,159
Speaker 1: Was fucking nuts. Yeah.

473
00:20:03,480 --> 00:20:05,920
Speaker 2: Now, I know everyone's been on Kendrick's dick for the

474
00:20:05,960 --> 00:20:07,120
Speaker 2: past few days, as they should.

475
00:20:07,200 --> 00:20:07,520
Speaker 1: Pause.

476
00:20:09,040 --> 00:20:12,720
Speaker 2: I want to bring up one point though, Had any

477
00:20:12,760 --> 00:20:19,240
Speaker 2: other rapper done the Nipsey part, I believe they would

478
00:20:19,240 --> 00:20:22,119
Speaker 2: have been killed for it, not actually killed, but the

479
00:20:22,160 --> 00:20:24,639
Speaker 2: Internet would have. Had the Internet, I think would have said,

480
00:20:25,240 --> 00:20:29,320
Speaker 2: and granted, Kendrick fucking destroyed that from his point of

481
00:20:29,400 --> 00:20:32,280
Speaker 2: view than from Nipsey's point of view, from our point

482
00:20:32,280 --> 00:20:35,399
Speaker 2: of view, like amazing, just that entire three point of

483
00:20:35,440 --> 00:20:37,720
Speaker 2: view shit. He did in that Nipsey Verse was fucking incredible,

484
00:20:37,720 --> 00:20:40,600
Speaker 2: the technology was incredible. His family loved it, which is

485
00:20:40,640 --> 00:20:45,200
Speaker 2: the most important thing, Nip's family. I just feel Kendrick

486
00:20:45,600 --> 00:20:49,880
Speaker 2: rightfully so, But Kendrick does get grace that we don't

487
00:20:49,920 --> 00:20:53,159
Speaker 2: give other rappers. I feel like even if Kohl or

488
00:20:53,240 --> 00:20:55,560
Speaker 2: Drake did that, and granted, I know, Kendrick has a

489
00:20:55,600 --> 00:20:58,280
Speaker 2: much closer connection with Nipsey and they're from the same

490
00:20:58,320 --> 00:21:00,840
Speaker 2: area to some degree, so it is better if he

491
00:21:00,840 --> 00:21:01,240
Speaker 2: would be.

492
00:21:01,160 --> 00:21:01,800
Speaker 1: The one to do that.

493
00:21:02,119 --> 00:21:04,760
Speaker 2: But they would kill any other rapper and call McLoud chaser.

494
00:21:05,040 --> 00:21:08,800
Speaker 2: You're exploiting Nipsey's legacy. Like I could totally see the

495
00:21:08,840 --> 00:21:12,920
Speaker 2: internet and fans killing anyone but Kendrick Lamar literally anyone

496
00:21:12,960 --> 00:21:13,520
Speaker 2: but Kendrick.

497
00:21:13,880 --> 00:21:17,360
Speaker 1: Well, why do you think that is? I think it's

498
00:21:17,440 --> 00:21:19,440
Speaker 1: I think he's the one that could do it and

499
00:21:19,520 --> 00:21:23,280
Speaker 1: get praised for it because Kendrick doesn't give us a

500
00:21:23,320 --> 00:21:28,120
Speaker 1: cloud chasing energy. He doesn't. He doesn't chase what is

501
00:21:28,240 --> 00:21:30,399
Speaker 1: you know, hot at the moment, he doesn't. He's not

502
00:21:30,480 --> 00:21:33,119
Speaker 1: that artist. So I think when it's coming from a

503
00:21:33,119 --> 00:21:36,320
Speaker 1: guy like Kendrick, who you know, respects art and respect

504
00:21:36,320 --> 00:21:38,960
Speaker 1: he just moves with a different level of respect in class.

505
00:21:39,160 --> 00:21:43,280
Speaker 2: So even with that and his actual relationship with Nipsey

506
00:21:43,320 --> 00:21:48,720
Speaker 2: and Los Angeles, even take that away or add that

507
00:21:48,800 --> 00:21:52,600
Speaker 2: to another rapper, I still think everyone's killing the rapper

508
00:21:52,600 --> 00:21:57,040
Speaker 2: that does that. I just think we revere Kendrick so

509
00:21:57,200 --> 00:21:59,800
Speaker 2: well and he gets so much grace that he deserves.

510
00:22:00,080 --> 00:22:02,600
Speaker 2: But he just I know they would kill any other rapper.

511
00:22:02,400 --> 00:22:02,680
Speaker 1: That did that.

512
00:22:03,040 --> 00:22:06,960
Speaker 2: Yeah, anytime people was even putting nit bars in their verses,

513
00:22:07,080 --> 00:22:09,520
Speaker 2: like just a bar that was respectful, people was like, oo,

514
00:22:09,560 --> 00:22:12,280
Speaker 2: stop you cloud chasing. Stop trying to use Nip's name

515
00:22:12,280 --> 00:22:12,840
Speaker 2: to get some shit up.

516
00:22:12,880 --> 00:22:14,240
Speaker 1: Oh for sure, But but he was.

517
00:22:14,160 --> 00:22:14,960
Speaker 2: Like, no, it's my friend.

518
00:22:15,080 --> 00:22:17,879
Speaker 1: Yea, yeah, but you know that's that's that's part of

519
00:22:18,040 --> 00:22:20,919
Speaker 1: that's just gonna come with that. But certain people, you

520
00:22:21,080 --> 00:22:23,439
Speaker 1: just know, you know that Kendrick doesn't need to do that,

521
00:22:24,320 --> 00:22:26,000
Speaker 1: Like you know what I'm saying that he doesn't need to.

522
00:22:26,320 --> 00:22:29,520
Speaker 2: I don't think Big Sean has ever shown clout chasing

523
00:22:29,640 --> 00:22:30,200
Speaker 2: things before.

524
00:22:30,840 --> 00:22:31,280
Speaker 3: M hmm.

525
00:22:32,000 --> 00:22:36,080
Speaker 2: I think Sean personally and publicly is a very respectable

526
00:22:36,160 --> 00:22:41,680
Speaker 2: dude and does things with intention. I think Dreamville Fest

527
00:22:41,720 --> 00:22:45,320
Speaker 2: was like a week after Nipsey passed, maybe a few

528
00:22:45,320 --> 00:22:49,719
Speaker 2: weeks and Sean did this beautiful fucking freestyle live on

529
00:22:49,760 --> 00:22:52,560
Speaker 2: his set and it was posted and I remember the

530
00:22:52,640 --> 00:22:57,040
Speaker 2: comments of everyone like, oh my god, like he hasn't

531
00:22:57,080 --> 00:22:59,240
Speaker 2: even been buried yet. Look at all these rappers cloud

532
00:22:59,280 --> 00:23:03,520
Speaker 2: chasing everyone. I'm like, one, Sean new Nipsey very fucking well.

533
00:23:04,400 --> 00:23:08,399
Speaker 2: He was gave an amazing verse that was revering Nipsey

534
00:23:08,440 --> 00:23:11,280
Speaker 2: and keeping his legacy moving and talking about his family.

535
00:23:11,720 --> 00:23:13,640
Speaker 2: I just feel like there's no winning when it comes

536
00:23:13,640 --> 00:23:15,240
Speaker 2: to that type of shit, and Kendrick's the only one

537
00:23:15,280 --> 00:23:17,520
Speaker 2: that can get away with it clean.

538
00:23:18,240 --> 00:23:20,840
Speaker 1: Yeah. Again, it's it's it's just the level of art.

539
00:23:20,880 --> 00:23:23,439
Speaker 1: I think that people are now that the big Sean thing.

540
00:23:23,520 --> 00:23:25,879
Speaker 1: You know, people are just and it's some people saying

541
00:23:25,880 --> 00:23:29,119
Speaker 1: that about Kendrick too. I've seen comics people say, oh,

542
00:23:29,119 --> 00:23:32,280
Speaker 1: they rappers just won't let nip rest. They're gonna keep

543
00:23:32,280 --> 00:23:34,439
Speaker 1: bringing them up and trying to you. So people are

544
00:23:34,440 --> 00:23:36,639
Speaker 1: gonna say that. The people are always gonna have something

545
00:23:37,119 --> 00:23:39,639
Speaker 1: negative to say. I just think that when you're not

546
00:23:39,680 --> 00:23:44,320
Speaker 1: an artist that you know, jeopardizes your integrity and the

547
00:23:44,480 --> 00:23:46,880
Speaker 1: art of what you're doing and things like that, which

548
00:23:46,920 --> 00:23:50,240
Speaker 1: is you know, Kendrick I don't think nobody that knows

549
00:23:50,320 --> 00:23:52,520
Speaker 1: Kendrick's music or has ever sat in the room with

550
00:23:52,600 --> 00:23:54,280
Speaker 1: Kendrick and kicked it with him, would ever even think

551
00:23:54,320 --> 00:23:56,240
Speaker 1: that he's that type of person at all.

552
00:23:56,359 --> 00:23:58,160
Speaker 2: So of course we know that came from a very

553
00:23:58,200 --> 00:23:59,600
Speaker 2: genuine place exactly.

554
00:23:59,640 --> 00:24:02,919
Speaker 1: So it's you know, Kendrick is the person that you

555
00:24:02,960 --> 00:24:06,280
Speaker 1: know will deliver it with the right class and integrity

556
00:24:06,400 --> 00:24:09,080
Speaker 1: and taste, and you know, you just you just you

557
00:24:09,160 --> 00:24:11,520
Speaker 1: expect that from Kendrick. He's just one of those type

558
00:24:11,520 --> 00:24:14,520
Speaker 1: of artists that you expect that from. Where it's like okay,

559
00:24:14,600 --> 00:24:17,800
Speaker 1: like he's he doesn't need to do this for attention,

560
00:24:18,080 --> 00:24:20,640
Speaker 1: Like he's not doing this for a payday. He's not

561
00:24:20,720 --> 00:24:24,240
Speaker 1: doing this for clout. Like he's already that guy, you

562
00:24:24,280 --> 00:24:25,960
Speaker 1: know what I'm saying, Like he can do whatever he

563
00:24:26,160 --> 00:24:28,680
Speaker 1: wants musically and with his art, and people are gonna

564
00:24:29,160 --> 00:24:31,720
Speaker 1: appreciate it because he's an artist in every sense of

565
00:24:31,760 --> 00:24:34,080
Speaker 1: the word. He's not here to just get clicks and views.

566
00:24:34,080 --> 00:24:34,800
Speaker 1: He's not that guy.

567
00:24:35,720 --> 00:24:39,359
Speaker 2: When I actually just I just realized I know why

568
00:24:39,440 --> 00:24:43,320
Speaker 2: Kendrick went with Marvin Gay this time. Last time with TD.

569
00:24:43,960 --> 00:24:47,840
Speaker 2: You gotta pay for it, top go pay pay Marvin Gaye.

570
00:24:47,840 --> 00:24:51,840
Speaker 2: I'll be independent after this. I'll never do another mar

571
00:24:52,440 --> 00:24:54,000
Speaker 2: against the last time on a major.

572
00:24:54,200 --> 00:24:56,920
Speaker 1: That would make me get that would make a lot

573
00:24:56,920 --> 00:24:58,520
Speaker 1: of sense. That's smart. I'm not mad at him.

574
00:24:59,520 --> 00:25:02,480
Speaker 5: That's very smart that perspective, just like now knowing, like

575
00:25:02,600 --> 00:25:05,439
Speaker 5: imagine all the samples that he might use for this

576
00:25:05,520 --> 00:25:06,119
Speaker 5: time around.

577
00:25:06,880 --> 00:25:09,439
Speaker 2: I mean, it's not like he owes the label, right,

578
00:25:09,480 --> 00:25:11,800
Speaker 2: it's not like he's in debt. I'm sure they don't

579
00:25:11,800 --> 00:25:13,439
Speaker 2: mind paying at all for what that is.

580
00:25:13,480 --> 00:25:15,760
Speaker 5: But real quick, I don't know. I y'all were going

581
00:25:15,840 --> 00:25:18,720
Speaker 5: to seguey out from this. But did y'all see the album?

582
00:25:18,720 --> 00:25:18,920
Speaker 1: Mark?

583
00:25:19,000 --> 00:25:20,240
Speaker 3: For it too?

584
00:25:20,720 --> 00:25:22,800
Speaker 1: Him with the crown?

585
00:25:23,119 --> 00:25:24,960
Speaker 5: Oh no, I'm sorry. I meant for the single itself.

586
00:25:26,040 --> 00:25:29,920
Speaker 5: So for the single itself, it's five different hands. Each

587
00:25:29,960 --> 00:25:33,400
Speaker 5: of those hands are from five different pictures of those

588
00:25:33,400 --> 00:25:35,200
Speaker 5: same people who were in the music.

589
00:25:34,960 --> 00:25:36,800
Speaker 3: Video of their hands.

590
00:25:37,200 --> 00:25:39,560
Speaker 1: Oh yeah, gotcha like that?

591
00:25:39,560 --> 00:25:41,720
Speaker 5: That even just seen Mark, I was like that, Yeah,

592
00:25:41,760 --> 00:25:44,440
Speaker 5: like that is fucking like to the team. But yeah,

593
00:25:44,720 --> 00:25:47,480
Speaker 5: even on that, what how did you guys feel about

594
00:25:47,520 --> 00:25:49,200
Speaker 5: the like the actual album?

595
00:25:49,240 --> 00:25:51,000
Speaker 1: Mark? I thought the album art was dope.

596
00:25:51,119 --> 00:25:54,399
Speaker 2: Well, I think the focus on this album, particularly with

597
00:25:54,800 --> 00:25:58,760
Speaker 2: him and Dave launching their new company that is very

598
00:25:58,880 --> 00:26:02,680
Speaker 2: much okay, creative and art directed.

599
00:26:04,680 --> 00:26:05,240
Speaker 1: And driven.

600
00:26:05,680 --> 00:26:08,000
Speaker 2: I think that's pretty much what the focus of this

601
00:26:08,119 --> 00:26:12,600
Speaker 2: album is. It'll be music videos, it'll be single artwork,

602
00:26:12,640 --> 00:26:15,760
Speaker 2: it'll be album covers. That's where they're gonna kind of

603
00:26:15,760 --> 00:26:18,000
Speaker 2: push the entire rollout to be of look at our

604
00:26:18,080 --> 00:26:20,080
Speaker 2: creative company and what the fuck we're doing. This is

605
00:26:20,119 --> 00:26:23,119
Speaker 2: our new venture. Yeah, we could wrap, but this is real.

606
00:26:23,760 --> 00:26:26,200
Speaker 2: This is visually what we're at. I did like the

607
00:26:26,240 --> 00:26:26,680
Speaker 2: album cover.

608
00:26:27,560 --> 00:26:28,560
Speaker 1: I thought it was super dope.

609
00:26:29,520 --> 00:26:30,520
Speaker 2: Yeah, I thought it was all that.

610
00:26:30,600 --> 00:26:31,960
Speaker 1: If that is the real.

611
00:26:31,960 --> 00:26:35,680
Speaker 2: Pretty sure that's officially is the album cover. I don't

612
00:26:35,760 --> 00:26:38,199
Speaker 2: think the Heart will be on there also, which is

613
00:26:38,200 --> 00:26:42,840
Speaker 2: why I think that might have been easier to clear. Granted,

614
00:26:42,880 --> 00:26:45,800
Speaker 2: is it on is it on DSPs? Oh yeah it

615
00:26:45,880 --> 00:26:49,679
Speaker 2: is okay, Yeah, I just don't foresee them pushing the

616
00:26:49,720 --> 00:26:53,000
Speaker 2: Heart whereas if it was a real single, of course

617
00:26:53,000 --> 00:26:56,119
Speaker 2: it has like seventy billion views, but it's not going

618
00:26:56,200 --> 00:26:59,080
Speaker 2: to be a single driven song where Marvigay's the State

619
00:26:59,119 --> 00:27:02,679
Speaker 2: will be like, yeah, this is gonna be used everywhere.

620
00:27:03,280 --> 00:27:06,000
Speaker 2: We ain't clearing the shit at the right price.

621
00:27:06,160 --> 00:27:08,840
Speaker 1: I don't know man Like again, I think Kendrick is

622
00:27:08,880 --> 00:27:11,879
Speaker 1: one of those artists that's just respected at at a

623
00:27:11,960 --> 00:27:14,000
Speaker 1: very high level. And I you know, I think the

624
00:27:14,040 --> 00:27:17,840
Speaker 1: Gay Family, you know, they probably was like, we like

625
00:27:17,920 --> 00:27:20,359
Speaker 1: this guy and we understand that he's just has he

626
00:27:20,400 --> 00:27:22,520
Speaker 1: moves with a lot of integrity and you know, things

627
00:27:22,560 --> 00:27:25,760
Speaker 1: like that. So I could see them not having any

628
00:27:25,880 --> 00:27:27,920
Speaker 1: real restrictions with Kendrick, like n you know.

629
00:27:28,320 --> 00:27:31,760
Speaker 2: You know what, there's another quick tangent. This is also

630
00:27:31,760 --> 00:27:34,080
Speaker 2: why I'm starting to fully agree with everyone's selling their masters.

631
00:27:35,760 --> 00:27:37,239
Speaker 2: And I'm not saying this about the Gay Family at all.

632
00:27:37,240 --> 00:27:39,040
Speaker 2: I think they're good with what they're clear and what

633
00:27:39,080 --> 00:27:41,920
Speaker 2: they don't clear. I don't know if my great great

634
00:27:41,920 --> 00:27:44,280
Speaker 2: grandkid is going to have a good ear, Like what

635
00:27:44,320 --> 00:27:46,199
Speaker 2: if he's into some really trash ass rap and they

636
00:27:46,320 --> 00:27:49,200
Speaker 2: start sampling all my stuff with terrible musicians. I can't

637
00:27:49,200 --> 00:27:52,040
Speaker 2: put faith in his ear. It's clear things and not

638
00:27:52,080 --> 00:27:54,080
Speaker 2: clear things with my legacy. I'm selling my.

639
00:27:54,000 --> 00:27:56,720
Speaker 1: Masters, and not only that, you know, with the streaming. Yeah,

640
00:27:56,760 --> 00:27:58,720
Speaker 1: you don't know which your album is gonna be worth.

641
00:27:58,960 --> 00:28:01,720
Speaker 2: We don't know where music, how music even problem. So

642
00:28:01,800 --> 00:28:04,760
Speaker 2: let me get this liquid shit and invest somewhere else exactly,

643
00:28:05,880 --> 00:28:08,480
Speaker 2: but predictions. By the time you're hearing this, the album

644
00:28:08,560 --> 00:28:11,880
Speaker 2: is out. So this is all speculation. But I'm never

645
00:28:11,920 --> 00:28:14,000
Speaker 2: mad at doing the speculation the day before and when

646
00:28:14,000 --> 00:28:16,240
Speaker 2: people are listening to the album, they listen to our

647
00:28:16,280 --> 00:28:19,159
Speaker 2: bullshit predictions that end up being so false, and they

648
00:28:19,160 --> 00:28:21,440
Speaker 2: can be like, I'm listening now, and that's the dumbesthit

649
00:28:21,480 --> 00:28:23,040
Speaker 2: you ever said, Like I did, I said it before

650
00:28:23,040 --> 00:28:23,480
Speaker 2: I heard it.

651
00:28:23,560 --> 00:28:26,280
Speaker 1: Yeah, it's fine. It's called living. Yeah, it's called life.

652
00:28:27,359 --> 00:28:30,720
Speaker 2: My first prediction, Uh, not an R and B album,

653
00:28:31,640 --> 00:28:34,520
Speaker 2: but a very very melodic R and B driven and

654
00:28:34,640 --> 00:28:37,919
Speaker 2: feature driven album. I think that's the last pillar that

655
00:28:38,040 --> 00:28:42,960
Speaker 2: Kendrick hasn't beat his peers in. He's done the sales thing,

656
00:28:42,960 --> 00:28:44,640
Speaker 2: he's done the conscious thing, he's done the party thing,

657
00:28:44,640 --> 00:28:47,680
Speaker 2: he's done it all, the melodic thing he kind of

658
00:28:47,680 --> 00:28:51,760
Speaker 2: touched on on Damn. I can see him getting into

659
00:28:51,840 --> 00:28:55,920
Speaker 2: the R and B shit for this album. Anytime you

660
00:28:56,040 --> 00:28:59,440
Speaker 2: have a and and I want you. It was the

661
00:28:59,440 --> 00:29:01,360
Speaker 2: first not to say Heart five as a single, because

662
00:29:01,360 --> 00:29:03,880
Speaker 2: the heart's never end up on the album. You're starting

663
00:29:03,880 --> 00:29:06,680
Speaker 2: it out with R and B samples. I can see

664
00:29:06,760 --> 00:29:07,960
Speaker 2: this going into just being an.

665
00:29:07,960 --> 00:29:10,840
Speaker 1: R and B album. I could see it being a

666
00:29:11,000 --> 00:29:16,360
Speaker 1: very not traditional army yeah, like more of that sound.

667
00:29:18,880 --> 00:29:21,160
Speaker 2: Seventies driven R and B drums.

668
00:29:20,880 --> 00:29:25,680
Speaker 1: With his with his you know, melodies here and there.

669
00:29:25,760 --> 00:29:27,920
Speaker 1: A lot of rap though a lot of rap on

670
00:29:27,920 --> 00:29:32,800
Speaker 1: the album, but to that, to that bed of seventies sound,

671
00:29:32,920 --> 00:29:36,840
Speaker 1: that music, those drums, those those strings.

672
00:29:36,480 --> 00:29:39,920
Speaker 2: With the kind of what he did with Rihanna on Damn,

673
00:29:40,120 --> 00:29:43,600
Speaker 2: as far as his cadence and his melodies and him

674
00:29:43,680 --> 00:29:45,160
Speaker 2: kind of singing with actual singers.

675
00:29:45,360 --> 00:29:47,560
Speaker 1: That's just my prediction on it. Anytime you have so

676
00:29:47,600 --> 00:29:50,640
Speaker 1: and so and the Big Step, it's just like, you know,

677
00:29:50,760 --> 00:29:53,480
Speaker 1: this is like band, this is like this is music,

678
00:29:53,600 --> 00:29:56,480
Speaker 1: Like you're getting music. You're getting a whole a whole

679
00:29:57,080 --> 00:30:01,360
Speaker 1: set of performance, a whole collection of you know.

680
00:30:01,360 --> 00:30:03,840
Speaker 2: Well, is it Is it a double disc? Because that's

681
00:30:03,880 --> 00:30:06,920
Speaker 2: what was seized with the two blank CDs with well,

682
00:30:06,920 --> 00:30:08,240
Speaker 2: what's a darting disk anymore?

683
00:30:09,200 --> 00:30:09,960
Speaker 1: Thirty songs?

684
00:30:10,440 --> 00:30:13,760
Speaker 2: I mean, Chris Brown puts out.

685
00:30:12,720 --> 00:30:14,680
Speaker 1: Yeah, but is that even a double disc at this point?

686
00:30:14,760 --> 00:30:16,800
Speaker 2: Chris Brown puts out a desography every time.

687
00:30:17,080 --> 00:30:18,680
Speaker 1: Yeah, Like I don't even know what a double disc

688
00:30:18,800 --> 00:30:22,160
Speaker 1: is anymore, Like I download something I don't have any disk.

689
00:30:22,840 --> 00:30:25,760
Speaker 5: How do they do Scorpion on a I think they

690
00:30:25,880 --> 00:30:29,000
Speaker 5: kind of separated as part one part two, like when

691
00:30:29,040 --> 00:30:29,760
Speaker 5: they line it up.

692
00:30:30,320 --> 00:30:33,000
Speaker 1: Well, oh yeah, as far as like in the track.

693
00:30:32,920 --> 00:30:34,440
Speaker 2: I mean you can do you can do one through

694
00:30:34,480 --> 00:30:35,960
Speaker 2: twelve and then start back at one.

695
00:30:36,080 --> 00:30:38,920
Speaker 1: Yeah, but that just means twelve, thirteen, fourteen fifteen in

696
00:30:38,920 --> 00:30:40,240
Speaker 1: my brain. I don't give a fuck about this.

697
00:30:41,400 --> 00:30:43,400
Speaker 2: Then what's the difference. You're just not switching the disc.

698
00:30:44,280 --> 00:30:46,160
Speaker 1: Yes, that's exactly what it is.

699
00:30:46,840 --> 00:30:50,680
Speaker 2: But if you sequence two different things and restart the order,

700
00:30:51,800 --> 00:30:53,880
Speaker 2: all you're not doing. And if you got a seven

701
00:30:53,920 --> 00:30:57,000
Speaker 2: disc changer, it changed on its own. Yeah, but it

702
00:30:57,120 --> 00:30:59,680
Speaker 2: still it's in a life after death when there was Yeah,

703
00:31:00,040 --> 00:31:01,760
Speaker 2: it's disc ships and it just went to the next one.

704
00:31:01,840 --> 00:31:04,480
Speaker 1: Yeah, but the double disc thing is like, it's a

705
00:31:04,520 --> 00:31:06,880
Speaker 1: whole it should it should be a whole different feel.

706
00:31:07,400 --> 00:31:10,120
Speaker 2: I didn't need to switch a blueprint too. It just

707
00:31:10,120 --> 00:31:11,760
Speaker 2: stayed in my CD in my car, and.

708
00:31:12,440 --> 00:31:15,920
Speaker 1: But that CD switched to the next one. Double. We

709
00:31:15,960 --> 00:31:17,960
Speaker 1: don't have that anymore. We just have I should just

710
00:31:18,000 --> 00:31:18,760
Speaker 1: play straight through.

711
00:31:18,840 --> 00:31:21,200
Speaker 2: My phone is switching to it's going to another stream.

712
00:31:21,360 --> 00:31:25,880
Speaker 1: I think another st whole different to another and I'll

713
00:31:25,920 --> 00:31:28,480
Speaker 1: get what you're saying, but I mean, I hope. I'm

714
00:31:28,520 --> 00:31:33,200
Speaker 1: hoping that the the music in the vibe changes, right, Yeah,

715
00:31:33,200 --> 00:31:37,280
Speaker 1: that's kind of yeah. So so I'm hoping it'll be that.

716
00:31:37,320 --> 00:31:40,520
Speaker 1: I'm hoping it'll be like a whole different mood vibe,

717
00:31:40,640 --> 00:31:43,280
Speaker 1: maybe even have more features on one disk than the other.

718
00:31:43,840 --> 00:31:45,680
Speaker 1: That type of thing. Do we do? Who do we

719
00:31:45,720 --> 00:31:48,280
Speaker 1: think some of the features on album?

720
00:31:48,320 --> 00:31:52,320
Speaker 2: If any, I think Kendrick. I think Kendrick will go

721
00:31:52,400 --> 00:31:56,920
Speaker 2: young then Kendrick Young, R and B. But if it

722
00:31:56,960 --> 00:31:59,840
Speaker 2: is two discs, I can see one disc, like with

723
00:31:59,880 --> 00:32:03,800
Speaker 2: the big steppers that being tied into him and Dave's

724
00:32:03,800 --> 00:32:07,120
Speaker 2: company and the people they've signed, whether they've announced them

725
00:32:07,200 --> 00:32:09,320
Speaker 2: or not. I could see the big step aside being

726
00:32:11,160 --> 00:32:13,880
Speaker 2: like that's that's not a compilation album per se, but

727
00:32:13,960 --> 00:32:17,680
Speaker 2: like that's where the next venture starts. It'll be a

728
00:32:17,760 --> 00:32:20,560
Speaker 2: Kendrick album. On the first one, you might get a legend,

729
00:32:20,600 --> 00:32:23,280
Speaker 2: you might get a young artist, you might get TD.

730
00:32:23,600 --> 00:32:25,720
Speaker 2: That second one. If that is the case, I could

731
00:32:25,720 --> 00:32:27,400
Speaker 2: see being for the company.

732
00:32:27,560 --> 00:32:29,200
Speaker 1: I'm gonna go a whole different way. I think Kendrick

733
00:32:29,280 --> 00:32:30,600
Speaker 1: has no features this album.

734
00:32:31,080 --> 00:32:34,080
Speaker 2: Ooh, He's not really a feature heavy artist.

735
00:32:34,240 --> 00:32:38,120
Speaker 1: Exactly how many did he do on damn? Like Rihanna

736
00:32:39,280 --> 00:32:45,000
Speaker 1: ZIZI was on there. School was queueing him on it.

737
00:32:45,560 --> 00:32:46,600
Speaker 1: I don't think damn.

738
00:32:47,360 --> 00:32:49,040
Speaker 2: They were on the Heart three. I forgot who was

739
00:32:49,040 --> 00:32:51,040
Speaker 2: on the Heart four even though it wasn't on the album.

740
00:32:51,400 --> 00:32:52,600
Speaker 2: Look at us not knowing things.

741
00:32:52,760 --> 00:32:53,239
Speaker 1: I love it?

742
00:32:54,760 --> 00:32:57,560
Speaker 2: Uh you two was on there? Oh yeah, it's a

743
00:32:57,560 --> 00:32:58,080
Speaker 2: little feature.

744
00:32:58,120 --> 00:33:00,960
Speaker 1: You can't have an album. I just came with the album.

745
00:33:01,000 --> 00:33:02,400
Speaker 1: You Yeah, it just came with.

746
00:33:02,320 --> 00:33:03,680
Speaker 2: Hendrick didn't know YouTube was on the album.

747
00:33:03,760 --> 00:33:05,800
Speaker 1: Yeah, they just know the songs there.

748
00:33:06,000 --> 00:33:07,360
Speaker 2: It's on your phone.

749
00:33:07,960 --> 00:33:10,560
Speaker 1: The YouTube pulled though, that was some we have to do.

750
00:33:10,600 --> 00:33:11,560
Speaker 1: We know what that deal was.

751
00:33:11,640 --> 00:33:13,360
Speaker 2: I need a whole doc on just YouTube.

752
00:33:13,520 --> 00:33:17,320
Speaker 1: And then Yo, bro y'all were the first artists that

753
00:33:17,720 --> 00:33:20,520
Speaker 1: but like on the iPhone, like whether you want this

754
00:33:20,600 --> 00:33:22,440
Speaker 1: album or not, it's it's on your phone.

755
00:33:22,480 --> 00:33:24,280
Speaker 2: And then Hove got like Samsung.

756
00:33:24,680 --> 00:33:26,000
Speaker 1: Yeah, like what was the numbers?

757
00:33:26,040 --> 00:33:28,440
Speaker 2: One million phones? And I'll go platinum before I put it.

758
00:33:28,400 --> 00:33:31,360
Speaker 1: Out, like what I just need to know what the breakdown.

759
00:33:31,400 --> 00:33:32,760
Speaker 5: I just like to hear the this has been a

760
00:33:32,840 --> 00:33:35,520
Speaker 5: nice bad because do you remember a nice RP the

761
00:33:35,520 --> 00:33:37,080
Speaker 5: iPod that's just discontinued now.

762
00:33:37,040 --> 00:33:38,360
Speaker 2: Oh yeah, rest in peace officially.

763
00:33:38,440 --> 00:33:38,680
Speaker 5: Yeah.

764
00:33:40,480 --> 00:33:44,640
Speaker 2: In in the Box still to me my favorite. And

765
00:33:44,680 --> 00:33:46,200
Speaker 2: this is just because I'm young. I know you old

766
00:33:46,200 --> 00:33:47,960
Speaker 2: people are gonna be super mad. I know Vinyl, I

767
00:33:47,960 --> 00:33:51,800
Speaker 2: love Vinyl, I collected to I'm a hipster. iPod to

768
00:33:51,800 --> 00:33:54,640
Speaker 2: me is the greatest like music device ever.

769
00:33:55,000 --> 00:34:00,120
Speaker 1: Yes, to listen. That's not a hot take. Really, a

770
00:34:00,160 --> 00:34:03,640
Speaker 1: lot of people the iPod changed the way the iPod

771
00:34:03,760 --> 00:34:06,280
Speaker 1: changed everything. I know that. I'm not even saying.

772
00:34:06,280 --> 00:34:09,200
Speaker 2: I'm not saying per se. Obviously in technology we know that,

773
00:34:09,719 --> 00:34:12,960
Speaker 2: but I'm saying just in general of how a consumer

774
00:34:13,520 --> 00:34:16,040
Speaker 2: can enjoy music, because you know, the Vinyl people are

775
00:34:16,040 --> 00:34:18,879
Speaker 2: like you can hear the warmth, like the people Tate

776
00:34:18,920 --> 00:34:21,000
Speaker 2: people like you could do like they'll get into that

777
00:34:21,040 --> 00:34:23,640
Speaker 2: whole bag and like, oh, that's a real thing. And

778
00:34:23,680 --> 00:34:27,160
Speaker 2: like even me, like I there was some dope shit

779
00:34:27,239 --> 00:34:30,120
Speaker 2: about carrying around that big ass fucking thing of CDs

780
00:34:30,160 --> 00:34:32,759
Speaker 2: in my backpack and like flipping through that shit and

781
00:34:32,800 --> 00:34:36,200
Speaker 2: like having to listen to a full album because you

782
00:34:36,200 --> 00:34:39,440
Speaker 2: didn't really want to switch the disc like some people

783
00:34:39,440 --> 00:34:42,719
Speaker 2: would say they prefer that and that's the best way

784
00:34:42,800 --> 00:34:45,080
Speaker 2: for a consumer to receive music. I just think the

785
00:34:45,120 --> 00:34:47,480
Speaker 2: iPod is the perfect mix of all of that.

786
00:34:48,000 --> 00:34:48,560
Speaker 1: It was the word.

787
00:34:48,600 --> 00:34:52,400
Speaker 2: It changed everything of even how I consume music, and

788
00:34:52,960 --> 00:34:55,600
Speaker 2: it led to, I think, some worship of how we

789
00:34:55,640 --> 00:34:58,040
Speaker 2: consume music. That's why I think people would argue iPod

790
00:34:58,080 --> 00:34:59,560
Speaker 2: is not the greatest, it's the worst thing that ever

791
00:34:59,600 --> 00:35:00,000
Speaker 2: happened to me.

792
00:35:00,320 --> 00:35:02,279
Speaker 1: Well, it's it's a it's a it's it's it's two

793
00:35:02,280 --> 00:35:04,759
Speaker 1: sides to that coin. It's it's it's amazing for a

794
00:35:04,760 --> 00:35:07,560
Speaker 1: lot of things, and it's bad for a lot of things.

795
00:35:07,640 --> 00:35:09,359
Speaker 1: I think the fact that because you got to remember

796
00:35:09,360 --> 00:35:12,200
Speaker 1: when when we had the iPod, we still had to

797
00:35:12,239 --> 00:35:15,239
Speaker 1: transfer to music from our MacBook. Absolutely right, we still

798
00:35:15,280 --> 00:35:19,359
Speaker 1: had it. That's how we put the music on our iPod. Dell.

799
00:35:19,800 --> 00:35:21,239
Speaker 2: Yeah, you know how long it took me to take

800
00:35:21,280 --> 00:35:24,440
Speaker 2: my whole fucking and upload it to iTunes.

801
00:35:25,600 --> 00:35:28,120
Speaker 1: So it was it was great for the convenience. Now

802
00:35:28,160 --> 00:35:30,319
Speaker 1: we have all of our music right here. We don't

803
00:35:30,320 --> 00:35:33,040
Speaker 1: have to carry this thing around, you know what I mean,

804
00:35:33,040 --> 00:35:34,759
Speaker 1: It's like everything is right here. So it made things

805
00:35:34,800 --> 00:35:36,360
Speaker 1: more organized, more structured.

806
00:35:36,960 --> 00:35:39,960
Speaker 3: Uh, A thousand and ten thousand songs in your pocket.

807
00:35:40,239 --> 00:35:43,239
Speaker 1: Yeah, that's like you can't beat that. That's like, that's

808
00:35:43,239 --> 00:35:44,600
Speaker 1: a help, you know what I mean. That was a

809
00:35:44,680 --> 00:35:47,799
Speaker 1: direct help for us music lovers, Like they helped us

810
00:35:47,840 --> 00:35:51,080
Speaker 1: with that invention. But now with streaming and all of

811
00:35:51,120 --> 00:35:54,160
Speaker 1: these things, and you can download, you know, music straight

812
00:35:54,200 --> 00:35:57,360
Speaker 1: to your phone and all of that, it's like, you know,

813
00:35:57,360 --> 00:36:00,600
Speaker 1: people can upload their music right there. It's it's a

814
00:36:00,640 --> 00:36:03,680
Speaker 1: little oversaturated now, you know, everything is It's just it's

815
00:36:03,719 --> 00:36:05,800
Speaker 1: a lot. It's a lot of bullshit and fluff. You

816
00:36:05,840 --> 00:36:07,640
Speaker 1: gotta cut through now to get to the real art

817
00:36:07,719 --> 00:36:08,759
Speaker 1: and the real dope shit.

818
00:36:08,840 --> 00:36:10,920
Speaker 5: But you know what I was trying to get that

819
00:36:10,960 --> 00:36:14,080
Speaker 5: with that is that remember you two had their own iPod.

820
00:36:15,000 --> 00:36:17,400
Speaker 3: Oh that's right, with the red click wheel.

821
00:36:17,560 --> 00:36:19,120
Speaker 2: There was a couple of sign players.

822
00:36:19,200 --> 00:36:20,799
Speaker 1: Yeah, that was all right at one time.

823
00:36:21,239 --> 00:36:24,759
Speaker 2: But I'm but even at least with the iPod, why

824
00:36:24,800 --> 00:36:26,880
Speaker 2: I say it was like a perfect middle ground of

825
00:36:26,920 --> 00:36:31,399
Speaker 2: it to music still had a tangible price m book

826
00:36:31,440 --> 00:36:33,799
Speaker 2: a song at one point, like you literally here's ten

827
00:36:33,840 --> 00:36:37,320
Speaker 2: dollars here ten songs, Like it was a fair trade

828
00:36:37,560 --> 00:36:40,320
Speaker 2: at least destro to consumer. We don't know what the

829
00:36:40,320 --> 00:36:42,640
Speaker 2: fuck was happening behind the scenes, but we knew that

830
00:36:43,000 --> 00:36:45,840
Speaker 2: this song is one ninety nine, or this album is

831
00:36:45,880 --> 00:36:50,040
Speaker 2: ten dollars and you had to buy it and it would.

832
00:36:49,880 --> 00:36:54,239
Speaker 1: Be downloaded, and then you owned the song now and

833
00:36:54,280 --> 00:36:54,520
Speaker 1: it was.

834
00:36:54,520 --> 00:36:57,560
Speaker 2: Still digital, still couldn't organize everything. It was a perfect

835
00:36:57,560 --> 00:36:59,560
Speaker 2: mix of both worlds that were in It was the

836
00:37:00,360 --> 00:37:04,000
Speaker 2: literally dead middle of technology and old music ways.

837
00:37:04,560 --> 00:37:06,000
Speaker 1: Now who the fuck knows.

838
00:37:06,560 --> 00:37:08,440
Speaker 5: It's ten bucks a month and you get all the

839
00:37:08,480 --> 00:37:10,080
Speaker 5: fucking music you want.

840
00:37:11,719 --> 00:37:15,560
Speaker 1: Yeah, but it's still the breakdown is still wild. It's

841
00:37:15,600 --> 00:37:18,080
Speaker 1: still wild. When you think about the breakdown, It's like

842
00:37:18,120 --> 00:37:21,879
Speaker 1: if I'm listening to this artist, you know, for the month,

843
00:37:22,360 --> 00:37:24,480
Speaker 1: like why am I paying? Why is my money going

844
00:37:24,480 --> 00:37:26,399
Speaker 1: to other places than other than this artist?

845
00:37:26,520 --> 00:37:30,520
Speaker 2: Well, title is title changed their structure to some.

846
00:37:30,520 --> 00:37:33,759
Speaker 1: Degree to do that. Yeah, and I would I would

847
00:37:33,800 --> 00:37:34,640
Speaker 1: wish if I was.

848
00:37:34,719 --> 00:37:37,040
Speaker 2: And again, the big artist should be screaming it's not

849
00:37:37,040 --> 00:37:40,120
Speaker 2: anyone else, the smaller artist, even though it's still half

850
00:37:40,160 --> 00:37:41,600
Speaker 2: a penny, It's like, well, at least I get the

851
00:37:41,600 --> 00:37:43,920
Speaker 2: same as Drake, which is insane.

852
00:37:44,200 --> 00:37:47,280
Speaker 1: If I'm Drake, I'm insane, Like wait, what it's insane.

853
00:37:47,400 --> 00:37:51,120
Speaker 1: It's insane. It's it's absolutely insane. But yeah, so Kendrick,

854
00:37:51,680 --> 00:37:53,400
Speaker 1: I don't know if you have any features on this album,

855
00:37:53,600 --> 00:37:55,719
Speaker 1: I'm gonna just play Devil's Advocate. I think there's gonna

856
00:37:55,719 --> 00:37:59,799
Speaker 1: be a Kendrick standalone project. I think he's gonna play

857
00:37:59,800 --> 00:38:01,640
Speaker 1: with a lot of sounds, a lot of different types

858
00:38:01,680 --> 00:38:03,520
Speaker 1: of music and things like that.

859
00:38:03,920 --> 00:38:04,960
Speaker 3: You need to hear Jay Rockins.

860
00:38:05,120 --> 00:38:06,880
Speaker 1: I could probably be completely wrong. He's probably gonna have

861
00:38:06,960 --> 00:38:10,080
Speaker 1: everybody on this product. This seems to be his calld

862
00:38:10,360 --> 00:38:13,600
Speaker 1: the Big Steppers. It's literally Steppers is like literally the

863
00:38:13,760 --> 00:38:14,360
Speaker 1: entire industry.

864
00:38:14,440 --> 00:38:16,000
Speaker 2: Yeah, so we might be on that ship.

865
00:38:16,080 --> 00:38:18,759
Speaker 1: Right and we don't even know it. But great job

866
00:38:18,840 --> 00:38:21,560
Speaker 1: Kendrick with that, with that, uh that that that part five,

867
00:38:21,880 --> 00:38:25,120
Speaker 1: that was a that was really dope to watch. And

868
00:38:25,360 --> 00:38:28,120
Speaker 1: we didn't expect that. That kind of just happened because

869
00:38:28,160 --> 00:38:30,200
Speaker 1: I don't know anybody that was new that that was coming.

870
00:38:30,360 --> 00:38:33,520
Speaker 2: No, and and they took it down I think right

871
00:38:33,560 --> 00:38:34,879
Speaker 2: when it was it was up for like an hour

872
00:38:34,920 --> 00:38:35,640
Speaker 2: and they took it down.

873
00:38:35,680 --> 00:38:38,600
Speaker 5: So what had happened was is that Spotify kind of

874
00:38:38,600 --> 00:38:42,480
Speaker 5: accidentally leaked it in there. They have a car accidentally

875
00:38:42,640 --> 00:38:44,960
Speaker 5: it's called this this is Kendrick Lamar and then it

876
00:38:45,000 --> 00:38:47,520
Speaker 5: will be the best of Kendrick lamartin tracks in there.

877
00:38:47,560 --> 00:38:50,080
Speaker 5: It's like, in light of his new single The Hard

878
00:38:50,120 --> 00:38:52,880
Speaker 5: Part five, here's the blah blah blah blah blah blah.

879
00:38:53,040 --> 00:38:55,279
Speaker 5: They saw that they leaked it way too early, and

880
00:38:55,360 --> 00:38:57,960
Speaker 5: then they took that ship down. Everyone realized that, and

881
00:38:58,000 --> 00:38:58,759
Speaker 5: then they actually put it.

882
00:38:58,800 --> 00:39:00,839
Speaker 1: Okay, that's understanding. See why they took it down.

883
00:39:00,920 --> 00:39:02,440
Speaker 2: You think it was if they do that with Kendrick,

884
00:39:02,480 --> 00:39:03,640
Speaker 2: We're all, yeah.

885
00:39:03,920 --> 00:39:06,719
Speaker 1: It wasn't an accident. Literally, somebody has to push the button, like,

886
00:39:07,080 --> 00:39:10,160
Speaker 1: it's not an accidents house. Yeah, somebody didn't fall and

887
00:39:10,239 --> 00:39:12,759
Speaker 1: hit the button like you have to they type that out,

888
00:39:12,800 --> 00:39:14,160
Speaker 1: you know what I mean, Like those was worth they

889
00:39:14,160 --> 00:39:17,319
Speaker 1: had to type ends. Yeah, like there's there's no accident there.

890
00:39:17,360 --> 00:39:17,880
Speaker 1: But whatever.

891
00:39:18,640 --> 00:39:21,000
Speaker 2: Well, I'm excited. I might even be that corny person,

892
00:39:21,920 --> 00:39:23,960
Speaker 2: which isn't I haven't done it in a while.

893
00:39:24,040 --> 00:39:28,160
Speaker 1: No, that would have been calling it out. But yeah,

894
00:39:29,239 --> 00:39:31,480
Speaker 1: something yet, I'm gonna do something that's sick.

895
00:39:31,480 --> 00:39:34,080
Speaker 2: I'm gonna do something much worse. At my age. I

896
00:39:34,080 --> 00:39:35,040
Speaker 2: think I might stay up.

897
00:39:34,920 --> 00:39:39,880
Speaker 1: To the night and you are discussing. You are disgusting

898
00:39:39,920 --> 00:39:42,399
Speaker 1: of a man. There's now, let's go to bed. It'll

899
00:39:42,400 --> 00:39:43,759
Speaker 1: be there when you get what I'm saying.

900
00:39:45,320 --> 00:39:50,399
Speaker 2: Now if I start reaction tweeting my phone and come

901
00:39:50,440 --> 00:39:51,279
Speaker 2: to my house to now.

902
00:39:51,640 --> 00:39:55,239
Speaker 3: I'm just number two.

903
00:39:55,320 --> 00:39:56,200
Speaker 2: Did you hear the sense?

904
00:39:58,280 --> 00:40:01,560
Speaker 1: No? One's wrapping over drums like a love Oh? Nah?

905
00:40:02,120 --> 00:40:04,880
Speaker 1: Who what? No? Like k Dot? That's when you know

906
00:40:04,920 --> 00:40:05,480
Speaker 1: I'm going to.

907
00:40:06,120 --> 00:40:09,080
Speaker 2: Dot his back come through Kenny's ring, David Kendrick.

908
00:40:09,680 --> 00:40:17,040
Speaker 1: You don't know him dot? Who calls him? Do his friends?

909
00:40:17,239 --> 00:40:17,560
Speaker 3: Come on?

910
00:40:17,600 --> 00:40:18,840
Speaker 1: That man's name is Kendrick?

911
00:40:19,440 --> 00:40:19,840
Speaker 4: Uh?

912
00:40:19,880 --> 00:40:22,520
Speaker 1: But yeah, I am looking forward. I am looking forward

913
00:40:22,560 --> 00:40:25,680
Speaker 1: to this project. Uh. And whoever one of y'all y'all

914
00:40:25,719 --> 00:40:27,600
Speaker 1: on the staff put the deep fake of me on

915
00:40:27,680 --> 00:40:31,799
Speaker 1: Kendrick's Uh, I woke up and that was a deep

916
00:40:32,840 --> 00:40:34,880
Speaker 1: Oh peach, that was real. That was that was a

917
00:40:34,920 --> 00:40:35,960
Speaker 1: deep real that that wasn't real.

918
00:40:36,040 --> 00:40:38,480
Speaker 4: It was calling you Kendrick Lamar. That was funny.

919
00:40:38,719 --> 00:40:42,280
Speaker 1: That's very funny. That's very because you know I spelled

920
00:40:42,360 --> 00:40:44,279
Speaker 1: lamar instead of the L.

921
00:40:44,400 --> 00:40:44,560
Speaker 2: Yeah.

922
00:40:44,600 --> 00:40:46,000
Speaker 1: I just want to say, you.

923
00:40:46,000 --> 00:40:46,560
Speaker 3: Don't catch out.

924
00:40:46,920 --> 00:40:47,880
Speaker 4: I've been fired.

925
00:40:49,200 --> 00:40:51,560
Speaker 1: Coming back working with us. I don't like waking up

926
00:40:51,560 --> 00:40:52,400
Speaker 1: and seeing ship like that.

927
00:40:52,640 --> 00:40:54,600
Speaker 2: Uh. But yeah, I should we should have came.

928
00:40:55,160 --> 00:40:57,040
Speaker 1: You know what, we'll do the next episode.

929
00:40:57,040 --> 00:40:59,000
Speaker 2: We should have came with like what Mal's bars would

930
00:40:59,040 --> 00:41:01,080
Speaker 2: have been in Kendricks when he switched over the mall.

931
00:41:01,239 --> 00:41:04,400
Speaker 4: Oh my god, we had to do that for Patreon.

932
00:41:04,600 --> 00:41:07,840
Speaker 2: We should do that for Patreon. Mark called a Litla

933
00:41:08,239 --> 00:41:13,799
Speaker 2: La Leakers fame again logs again. Oh he definitely did.

934
00:41:13,920 --> 00:41:14,920
Speaker 1: You know what's funny about me?

935
00:41:15,000 --> 00:41:16,759
Speaker 2: Can we get this rap? This gentleman's name?

936
00:41:16,920 --> 00:41:20,680
Speaker 1: I literally just I literally I just be minding my

937
00:41:20,719 --> 00:41:24,000
Speaker 1: business in the house, the marriage. You know, why do

938
00:41:24,080 --> 00:41:27,120
Speaker 1: you say my name? Like I didn't because it's like

939
00:41:27,200 --> 00:41:28,440
Speaker 1: you're the woman in the room. I feel like we

940
00:41:28,480 --> 00:41:31,759
Speaker 1: could just connect real quick. And it's just like people

941
00:41:32,040 --> 00:41:34,120
Speaker 1: just find a way to pull me into like just

942
00:41:34,440 --> 00:41:38,839
Speaker 1: fuck read man, It's just like bullshit. And I'm on Instagram.

943
00:41:39,200 --> 00:41:40,600
Speaker 1: I was kind of, you know, off the grid for

944
00:41:40,719 --> 00:41:42,600
Speaker 1: the last couple of days, a grieving over the loss

945
00:41:42,600 --> 00:41:47,400
Speaker 1: in one of my closest friends. But yeah, uh, and

946
00:41:47,480 --> 00:41:51,400
Speaker 1: I'm going on Rory's page and I see him act

947
00:41:51,480 --> 00:41:53,239
Speaker 1: in Biggs like yeah, this is a gym you need

948
00:41:53,280 --> 00:41:54,960
Speaker 1: to So I'm like, what is Rory talking? And then

949
00:41:55,000 --> 00:41:58,480
Speaker 1: I hear I'm like, the video played, I didn't catch

950
00:41:58,480 --> 00:42:01,319
Speaker 1: your so I replayed it again and I'm listening. I'm like,

951
00:42:01,360 --> 00:42:01,919
Speaker 1: did this dude?

952
00:42:02,360 --> 00:42:05,440
Speaker 2: Say mall, Like, but your brother, your brother posts like

953
00:42:06,320 --> 00:42:10,319
Speaker 2: positive and uplifting quotes and like life perspectives and like

954
00:42:10,360 --> 00:42:12,520
Speaker 2: how we should live our life, and like, yes, we

955
00:42:12,560 --> 00:42:15,440
Speaker 2: should get rid of you know, all the toxic people

956
00:42:15,440 --> 00:42:19,320
Speaker 2: in our lives create our boundaries. And yes, I figured

957
00:42:20,080 --> 00:42:23,000
Speaker 2: that this gentleman was wrapping a jewel that I felt

958
00:42:23,440 --> 00:42:24,399
Speaker 2: people should live by.

959
00:42:24,520 --> 00:42:27,279
Speaker 1: You connected to the bar, I did, okay.

960
00:42:27,640 --> 00:42:31,160
Speaker 2: And you guys are related. So I was like, this

961
00:42:31,360 --> 00:42:32,640
Speaker 2: just makes sense to go on BIG's page.

962
00:42:32,640 --> 00:42:33,560
Speaker 1: I didn't know, you know, he's busy.

963
00:42:33,560 --> 00:42:35,279
Speaker 2: I don't know if he caught it, okay, so just

964
00:42:35,320 --> 00:42:36,360
Speaker 2: making sure because.

965
00:42:36,120 --> 00:42:37,040
Speaker 1: And he be you know, he'd be on IG.

966
00:42:37,280 --> 00:42:39,560
Speaker 2: So I was like, let me just add him so

967
00:42:39,680 --> 00:42:40,759
Speaker 2: the world could really get this.

968
00:42:41,080 --> 00:42:44,560
Speaker 1: They y'all blind. Wise man, once, don't be that involved,

969
00:42:44,600 --> 00:42:47,560
Speaker 1: specially if a comments got money back from all but

970
00:42:47,600 --> 00:42:49,360
Speaker 1: who it might have judged got masked.

971
00:42:49,840 --> 00:42:53,320
Speaker 2: Now, if you really break that bar down, I myself

972
00:42:53,400 --> 00:42:54,960
Speaker 2: have been caught up with a young lady I probably

973
00:42:55,000 --> 00:42:58,279
Speaker 2: shouldn't have been with m. She might have been for

974
00:42:58,320 --> 00:43:02,080
Speaker 2: the streets, have been a little promiscuous, she might have

975
00:43:02,160 --> 00:43:07,560
Speaker 2: been lying to my face, and I didn't see the signs.

976
00:43:08,280 --> 00:43:11,040
Speaker 2: I was caught up. And then I even kind of

977
00:43:11,120 --> 00:43:13,879
Speaker 2: knew I still shouldn't be with you, but I'm gonna

978
00:43:13,880 --> 00:43:14,360
Speaker 2: fight through it.

979
00:43:14,440 --> 00:43:14,680
Speaker 1: Yeah.

980
00:43:15,120 --> 00:43:19,440
Speaker 2: Sometimes there's just absolute red flags that tell you everything

981
00:43:19,440 --> 00:43:22,239
Speaker 2: you need to know. Not going through a phone, not

982
00:43:22,280 --> 00:43:23,200
Speaker 2: going through a laptop.

983
00:43:23,600 --> 00:43:25,200
Speaker 1: You're like a bull. You see red flags, you run

984
00:43:25,320 --> 00:43:25,680
Speaker 1: right to it.

985
00:43:25,719 --> 00:43:29,120
Speaker 2: Oh yeah, fucking I'm six flags.

986
00:43:29,680 --> 00:43:32,200
Speaker 1: Yeah, it's just that.

987
00:43:32,120 --> 00:43:35,239
Speaker 2: One, that one factor that he said this wise man

988
00:43:35,280 --> 00:43:37,640
Speaker 2: once told him, A wise man told him, first of all,

989
00:43:37,760 --> 00:43:40,880
Speaker 2: don't get too involved. And then that last that last

990
00:43:40,880 --> 00:43:43,440
Speaker 2: boar kind of put me in my perspective in my

991
00:43:43,560 --> 00:43:45,840
Speaker 2: situation where I could relate. I was like, you know,

992
00:43:45,960 --> 00:43:47,720
Speaker 2: now that I think about it, what's the one common

993
00:43:47,719 --> 00:43:50,000
Speaker 2: denominator with all these women that I'm having trouble with.

994
00:43:51,560 --> 00:43:55,480
Speaker 2: I keep holding on and I'm not realizing that all

995
00:43:55,520 --> 00:43:58,799
Speaker 2: of them have money bags from all But here's the thing.

996
00:44:00,160 --> 00:44:02,200
Speaker 1: A single wise man on this planet tell list somebody

997
00:44:02,280 --> 00:44:04,960
Speaker 1: anything about me. Put that out there, Like no wise

998
00:44:05,000 --> 00:44:08,480
Speaker 1: man is walking around with information about me, saying listen,

999
00:44:08,520 --> 00:44:11,879
Speaker 1: if he's around, don't do it. Like what? And then

1000
00:44:11,920 --> 00:44:13,640
Speaker 1: I saw the bar and I'm like, yo is that

1001
00:44:13,680 --> 00:44:14,160
Speaker 1: a shot.

1002
00:44:14,800 --> 00:44:18,879
Speaker 2: I'm like you, no, it's a realization. Listen, I think

1003
00:44:19,120 --> 00:44:21,239
Speaker 2: this is and you know you're you're the friend, all right,

1004
00:44:21,320 --> 00:44:25,120
Speaker 2: you're the friend. Admittedly that tells your friends like all right,

1005
00:44:25,320 --> 00:44:27,480
Speaker 2: there's more. There's more women out there, like move on you.

1006
00:44:27,480 --> 00:44:30,040
Speaker 2: You can't realize that she's playing you. Absolutely, he's saying,

1007
00:44:30,239 --> 00:44:34,640
Speaker 2: a wise man similar to you, Nana not as his name.

1008
00:44:34,960 --> 00:44:37,800
Speaker 1: Shout out to him. His name is Nana, and the

1009
00:44:37,960 --> 00:44:40,359
Speaker 1: ill Nana. His name is ill Nana.

1010
00:44:40,520 --> 00:44:43,359
Speaker 2: No, no, oh, DeMars, don't do that to that man.

1011
00:44:43,800 --> 00:44:45,880
Speaker 1: I must not say. I was to say, no, we

1012
00:44:45,920 --> 00:44:46,400
Speaker 1: need to get.

1013
00:44:46,239 --> 00:44:48,040
Speaker 4: In touch with if he my name when I was younger,

1014
00:44:48,120 --> 00:44:49,120
Speaker 4: we'll talk about another.

1015
00:44:49,000 --> 00:44:50,120
Speaker 1: Day, but we won't talk about that.

1016
00:44:50,440 --> 00:44:53,840
Speaker 2: Sometimes here, sometimes you need things to be put in perspective,

1017
00:44:53,920 --> 00:44:55,840
Speaker 2: like if I'm talking to you and you're like, no,

1018
00:44:56,360 --> 00:44:58,520
Speaker 2: leave that girl. It's clear, we can all see it,

1019
00:44:59,000 --> 00:45:01,200
Speaker 2: and I'm like, I'm in so y'all can't see what

1020
00:45:01,239 --> 00:45:03,040
Speaker 2: I see, and like, you know, I really want to

1021
00:45:03,040 --> 00:45:05,440
Speaker 2: make this work. And then there's just that one realization

1022
00:45:05,560 --> 00:45:08,279
Speaker 2: like do look at her ig comments they're littered with

1023
00:45:08,360 --> 00:45:11,440
Speaker 2: money bags. Sometimes you just need that perspective from your

1024
00:45:11,440 --> 00:45:14,279
Speaker 2: friend to be like, nah, you're right, I'm tripping now.

1025
00:45:14,560 --> 00:45:16,040
Speaker 2: You just need that one sentence. And that's what this

1026
00:45:16,120 --> 00:45:19,600
Speaker 2: wise man was saying. But again, don't get too involved. Yeah,

1027
00:45:19,600 --> 00:45:22,040
Speaker 2: but especially if she got money bags from all.

1028
00:45:21,960 --> 00:45:23,560
Speaker 1: That's just wrong because don't get to.

1029
00:45:23,640 --> 00:45:24,839
Speaker 2: Don't get too invested in this woman.

1030
00:45:24,880 --> 00:45:27,000
Speaker 1: We know who she is. That's just a wrong message

1031
00:45:27,040 --> 00:45:29,560
Speaker 1: to sin through your music. Na, Nah, you should not

1032
00:45:29,600 --> 00:45:32,680
Speaker 1: be doing that. You should be saying like, Yo, Maul

1033
00:45:32,760 --> 00:45:35,759
Speaker 1: has great taste. You just mad you got exposed. No,

1034
00:45:36,400 --> 00:45:37,520
Speaker 1: I didn't get exposed.

1035
00:45:37,520 --> 00:45:39,200
Speaker 2: I go on the internet. Loves to be exposed.

1036
00:45:39,480 --> 00:45:41,920
Speaker 1: I love that word. Bro, I'm just listening. I just

1037
00:45:42,000 --> 00:45:44,880
Speaker 1: I just I just like to give you know, women

1038
00:45:45,040 --> 00:45:48,920
Speaker 1: and not just women, because I put money bags on everything, cars, sports.

1039
00:45:49,480 --> 00:45:51,640
Speaker 1: We've heard the line, you know, it's it's just it's

1040
00:45:51,680 --> 00:45:55,160
Speaker 1: just my way of saying, I see you, I recognize

1041
00:45:55,200 --> 00:45:55,879
Speaker 1: you say.

1042
00:45:55,960 --> 00:45:59,640
Speaker 2: Don't buy that toyota. He said women specifically, Yeah, don't

1043
00:45:59,680 --> 00:46:00,400
Speaker 2: get to attached.

1044
00:46:00,400 --> 00:46:03,360
Speaker 1: Don't because it's making it seem like, you know, like

1045
00:46:03,440 --> 00:46:05,640
Speaker 1: women that I leave money bags and as a whole.

1046
00:46:06,160 --> 00:46:09,359
Speaker 4: No, no, got money bags on my account comments. Don't

1047
00:46:09,360 --> 00:46:09,520
Speaker 4: do that.

1048
00:46:09,640 --> 00:46:11,719
Speaker 1: No, No, it's definitely exactly I mean I don't think you.

1049
00:46:12,600 --> 00:46:14,640
Speaker 1: He's saying, don't trust her or don't get too involved,

1050
00:46:14,680 --> 00:46:16,160
Speaker 1: like why wouldn't you get him too involved with a

1051
00:46:16,200 --> 00:46:17,080
Speaker 1: woman that because.

1052
00:46:16,880 --> 00:46:17,480
Speaker 3: Mag got that.

1053
00:46:17,800 --> 00:46:20,840
Speaker 1: No, that's not.

1054
00:46:21,360 --> 00:46:23,400
Speaker 4: It's basically saying you can't afford her, like you're not

1055
00:46:23,440 --> 00:46:26,760
Speaker 4: on that level yet, like mall if mag got his eyes.

1056
00:46:26,920 --> 00:46:28,120
Speaker 1: Let me let me get the first.

1057
00:46:29,200 --> 00:46:31,879
Speaker 2: Let's also be clear, now, I was one hundred percent

1058
00:46:31,960 --> 00:46:32,880
Speaker 2: calling them post.

1059
00:46:33,880 --> 00:46:37,279
Speaker 1: We can stop. That's exactly what's because I said, you

1060
00:46:37,360 --> 00:46:39,759
Speaker 1: know right now, just because I leave money bags hunting

1061
00:46:39,840 --> 00:46:41,600
Speaker 1: your pictures does not mean I think you have money.

1062
00:46:41,640 --> 00:46:42,680
Speaker 1: And I know that for a fact.

1063
00:46:42,760 --> 00:46:45,120
Speaker 2: The same just broke the same way I would tell

1064
00:46:46,000 --> 00:46:48,440
Speaker 2: a dude that was dealing with a girl that being

1065
00:46:48,440 --> 00:46:50,200
Speaker 2: in the club every night, like have your fun, bro, Like,

1066
00:46:50,600 --> 00:46:53,120
Speaker 2: don't get too attached though, because you know she'll move

1067
00:46:53,200 --> 00:46:53,799
Speaker 2: on really quick.

1068
00:46:54,560 --> 00:46:56,359
Speaker 1: That's what he was saying. That's what I'm saying. That's

1069
00:46:56,400 --> 00:46:59,040
Speaker 1: just wrong. No, no, no, that is wrong. It was

1070
00:46:59,120 --> 00:47:01,600
Speaker 1: just a good part. It was a good but it's

1071
00:47:01,640 --> 00:47:04,359
Speaker 1: not really. It's all in fun. I just laugh when

1072
00:47:04,360 --> 00:47:06,920
Speaker 1: I see that. People really take time and I appreciate

1073
00:47:06,920 --> 00:47:08,839
Speaker 1: it taking time out to write a bar and put

1074
00:47:08,920 --> 00:47:11,000
Speaker 1: me in it and yeah, the money, it's just fun.

1075
00:47:11,040 --> 00:47:13,080
Speaker 1: I'm just I just laugh at it. It's ah, it

1076
00:47:13,160 --> 00:47:15,399
Speaker 1: was funny, uh to see that on your page because

1077
00:47:15,440 --> 00:47:16,239
Speaker 1: I didn't see that at all.

1078
00:47:16,760 --> 00:47:19,279
Speaker 3: The comments on YouTube, and they're like moneybags from all.

1079
00:47:19,360 --> 00:47:22,960
Speaker 3: If you know you know, I just gotta like, no.

1080
00:47:23,280 --> 00:47:25,160
Speaker 1: Just don't. You shouldn't do that. You shouldn't if you

1081
00:47:25,160 --> 00:47:25,719
Speaker 1: know you know that.

1082
00:47:25,880 --> 00:47:27,920
Speaker 4: Listen, you are part of pop culture.

1083
00:47:28,360 --> 00:47:30,640
Speaker 2: I ever see someone else do something like a peer

1084
00:47:31,080 --> 00:47:33,160
Speaker 2: do some ill shit. Gotta step my game up now.

1085
00:47:33,400 --> 00:47:33,640
Speaker 1: Damn.

1086
00:47:34,080 --> 00:47:37,400
Speaker 2: I'm starting to think like I've yet to hear any

1087
00:47:37,480 --> 00:47:40,239
Speaker 2: bars about Rory and Orange, Like I gotta step my

1088
00:47:40,239 --> 00:47:41,800
Speaker 2: ship up. My volume game is terrible.

1089
00:47:41,840 --> 00:47:43,759
Speaker 1: Somebody had somebody had a bar about it.

1090
00:47:43,800 --> 00:47:46,440
Speaker 2: No one is scared of the girl that has oranges

1091
00:47:46,440 --> 00:47:46,799
Speaker 2: from r.

1092
00:47:49,880 --> 00:47:53,640
Speaker 1: Like she's getting her daily dose of vitamin scene. This

1093
00:47:53,719 --> 00:47:54,879
Speaker 1: is a health freak right here.

1094
00:47:56,239 --> 00:47:57,320
Speaker 2: She might be wifey material.

1095
00:47:57,520 --> 00:48:00,680
Speaker 1: It's oranges from absolutely like all she loves pick oranges

1096
00:48:00,680 --> 00:48:02,560
Speaker 1: in the morning and give you fresh squeeze juice.

1097
00:48:02,680 --> 00:48:05,680
Speaker 2: Oh shit, also random And I don't have any inside

1098
00:48:05,719 --> 00:48:08,480
Speaker 2: knowledge not to think I would. This could be the

1099
00:48:08,520 --> 00:48:11,880
Speaker 2: first project we get Kendrick in three Stacks.

1100
00:48:13,000 --> 00:48:15,200
Speaker 1: I said, I said that. I said, if it was

1101
00:48:15,239 --> 00:48:16,799
Speaker 1: gonna be a feature, it would be the features that

1102
00:48:16,840 --> 00:48:22,600
Speaker 1: I think he has been probably wanting. Yeah, when you

1103
00:48:22,640 --> 00:48:25,760
Speaker 1: said legends three thousand.

1104
00:48:25,880 --> 00:48:30,200
Speaker 2: Whole, because even three stacks, when that whole lea happened

1105
00:48:30,239 --> 00:48:31,839
Speaker 2: with Life for the Party and everything. He put out

1106
00:48:31,880 --> 00:48:33,440
Speaker 2: that statement. He was like, I want to put out

1107
00:48:33,440 --> 00:48:34,960
Speaker 2: more music. I want to work with Kendrick. I want

1108
00:48:34,960 --> 00:48:36,920
Speaker 2: to work with and he named a bunch of new artists.

1109
00:48:37,040 --> 00:48:40,080
Speaker 1: Yeah, so yeah, hopefully, I mean, I definitely, you know

1110
00:48:40,120 --> 00:48:43,160
Speaker 1: we want that. Yeah, you know what I mean. But

1111
00:48:43,280 --> 00:48:49,880
Speaker 1: other new music? Jack Carlow drop Jack Harlow, how do

1112
00:48:49,880 --> 00:48:53,040
Speaker 1: we feel about it? Rory, let me pull up Jack

1113
00:48:53,040 --> 00:48:55,440
Speaker 1: Harlow Come Home the Kids. First, Well, I love the

1114
00:48:55,440 --> 00:48:57,440
Speaker 1: title this album, Jack Come Home the Kids Miss You

1115
00:48:57,960 --> 00:49:02,000
Speaker 1: is a great title for an album.

1116
00:49:02,120 --> 00:49:04,640
Speaker 2: I want to start by saying I like it. Kill

1117
00:49:04,680 --> 00:49:06,360
Speaker 2: me in the comments now, Yes.

1118
00:49:06,200 --> 00:49:07,840
Speaker 1: I love it. I love it. I love when he

1119
00:49:07,920 --> 00:49:08,600
Speaker 1: killed the White Boy.

1120
00:49:09,680 --> 00:49:12,320
Speaker 2: I do like it. I like the production.

1121
00:49:15,000 --> 00:49:18,200
Speaker 1: And why do it? But why do people kill you

1122
00:49:18,200 --> 00:49:21,359
Speaker 1: for liking something? Because you're why is that thing? Why

1123
00:49:21,400 --> 00:49:22,320
Speaker 1: you can't like something?

1124
00:49:22,640 --> 00:49:25,200
Speaker 2: The internet is here to hate, We don't There's there's

1125
00:49:25,200 --> 00:49:29,399
Speaker 2: nothing entertainment. Entertaining about saying, oh, this was great, gotch

1126
00:49:29,400 --> 00:49:32,520
Speaker 2: you got you Okay, it's more entertaining to tear people down.

1127
00:49:32,640 --> 00:49:33,759
Speaker 1: Yes, it's more. It's more.

1128
00:49:34,080 --> 00:49:36,640
Speaker 2: Yeah, it's why we it's slow down when we have

1129
00:49:36,640 --> 00:49:37,080
Speaker 2: ship to do.

1130
00:49:37,200 --> 00:49:40,200
Speaker 1: Everyone's there's nobody that can make good music out here.

1131
00:49:40,239 --> 00:49:42,480
Speaker 3: You know, y'all just kill people for waiting till midnights

1132
00:49:42,640 --> 00:49:43,520
Speaker 3: for an album drop right.

1133
00:49:43,560 --> 00:49:45,120
Speaker 2: I'm killing people on the internet because all they do

1134
00:49:45,160 --> 00:49:46,719
Speaker 2: is is kill everyone else. It's time for y'all to

1135
00:49:46,719 --> 00:49:47,440
Speaker 2: get killed too.

1136
00:49:47,760 --> 00:49:50,520
Speaker 1: I'm killing any grown man that has responsibilities the next

1137
00:49:50,600 --> 00:49:53,000
Speaker 1: day staying up till midnight because he wants to hear

1138
00:49:53,120 --> 00:49:55,040
Speaker 1: Now you nasty man.

1139
00:49:55,120 --> 00:49:57,240
Speaker 2: You well, we don't have to record tomorrow, so maybe.

1140
00:49:59,440 --> 00:50:02,719
Speaker 1: I have a more Yeah, I'm a dog.

1141
00:50:03,040 --> 00:50:05,160
Speaker 2: I can't be up at midnight waiting.

1142
00:50:04,840 --> 00:50:07,160
Speaker 1: For dot Definitely not.

1143
00:50:12,239 --> 00:50:14,400
Speaker 2: So Jack Carlo. So I listened to it on my

1144
00:50:14,440 --> 00:50:17,439
Speaker 2: way down to DC did the car ride thing. Listen

1145
00:50:17,520 --> 00:50:22,040
Speaker 2: to it twice. I don't want to use the age

1146
00:50:22,239 --> 00:50:26,399
Speaker 2: thing here because I do and have said. I think

1147
00:50:26,480 --> 00:50:30,360
Speaker 2: Jack can rap. I think on this project he tried

1148
00:50:30,400 --> 00:50:33,839
Speaker 2: to make song songs, which I can appreciate because it's

1149
00:50:33,880 --> 00:50:35,640
Speaker 2: working for him now, and that's the growth of where

1150
00:50:35,680 --> 00:50:39,120
Speaker 2: his career is going in making those songs. And I

1151
00:50:39,160 --> 00:50:43,120
Speaker 2: don't want Jack to ever be the lyrical miracle rapper ever,

1152
00:50:44,400 --> 00:50:47,080
Speaker 2: but he was very much in his bad, mad sad

1153
00:50:47,120 --> 00:50:50,640
Speaker 2: head lane in this album. I could guess the next

1154
00:50:50,680 --> 00:50:53,319
Speaker 2: line every time, which isn't bad because it was an

1155
00:50:53,320 --> 00:50:59,560
Speaker 2: easy listen and I enjoyed it. I just think what

1156
00:50:59,719 --> 00:51:02,440
Speaker 2: put people in that a list shit where it seems

1157
00:51:02,480 --> 00:51:05,440
Speaker 2: to be that he's heading. They have to find that

1158
00:51:05,520 --> 00:51:13,200
Speaker 2: good middle ground with creating songs and technique. I'm only

1159
00:51:13,239 --> 00:51:15,799
Speaker 2: saying this because it appears that Jack is being set up,

1160
00:51:15,840 --> 00:51:19,200
Speaker 2: and to some degree I agree deserves as far as

1161
00:51:19,239 --> 00:51:20,640
Speaker 2: the music he makes and the work he's put in

1162
00:51:21,520 --> 00:51:25,920
Speaker 2: to be going up to that next tier and the

1163
00:51:26,000 --> 00:51:27,200
Speaker 2: way that tier.

1164
00:51:28,719 --> 00:51:29,480
Speaker 1: Makes music.

1165
00:51:30,920 --> 00:51:35,080
Speaker 2: You can't be Doctor Seuss all the time when creating actual,

1166
00:51:35,239 --> 00:51:37,640
Speaker 2: enjoyable songs. That's what separates you from the lower tier,

1167
00:51:39,360 --> 00:51:42,879
Speaker 2: the way the Kendrick cole Drake. I'm not throwing Jack

1168
00:51:42,880 --> 00:51:46,440
Speaker 2: in there, obviously, but he's being set up to be

1169
00:51:46,480 --> 00:51:49,400
Speaker 2: the next generation's top tier rapper, it appears to me,

1170
00:51:50,040 --> 00:51:54,160
Speaker 2: and I think because he's a rapper rapper, I'm gonna

1171
00:51:54,160 --> 00:51:56,400
Speaker 2: hold him to that standard. Now if he was just

1172
00:51:57,040 --> 00:52:01,040
Speaker 2: someone making records, like I don't hold Favios to a

1173
00:52:01,120 --> 00:52:01,960
Speaker 2: lyrical standard.

1174
00:52:02,000 --> 00:52:04,200
Speaker 1: He just makes amazing songs and can rap when he

1175
00:52:04,200 --> 00:52:04,520
Speaker 1: wants to.

1176
00:52:05,560 --> 00:52:07,600
Speaker 2: I'm gonna hold Jack to the standard of you gotta

1177
00:52:07,640 --> 00:52:10,200
Speaker 2: rap rap while creating records.

1178
00:52:11,600 --> 00:52:16,760
Speaker 1: Okay, uh, come home, the kids miss you. The album

1179
00:52:16,840 --> 00:52:19,200
Speaker 1: wasn't bad. It's a good list he had, He has

1180
00:52:19,239 --> 00:52:20,680
Speaker 1: some he has some good songs in here. He has

1181
00:52:20,719 --> 00:52:23,120
Speaker 1: some songs that I don't really care about. I think

1182
00:52:23,160 --> 00:52:26,080
Speaker 1: for me, it's it's just gonna come down to just

1183
00:52:26,239 --> 00:52:29,120
Speaker 1: one simple and this is just me and no disrespect

1184
00:52:29,160 --> 00:52:31,080
Speaker 1: to Jack. You know, I think he's talented. I think

1185
00:52:31,080 --> 00:52:34,440
Speaker 1: he has skill. I think he got some really good

1186
00:52:34,480 --> 00:52:37,440
Speaker 1: production work with some really good people on this project.

1187
00:52:38,239 --> 00:52:41,160
Speaker 1: But I just I don't. I just can't see me

1188
00:52:41,360 --> 00:52:43,960
Speaker 1: really listening to Jack like that.

1189
00:52:44,640 --> 00:52:46,879
Speaker 2: Well, his concent he's what twenty four years old? Yeah,

1190
00:52:46,880 --> 00:52:49,160
Speaker 2: but he's but he's rapping about flying bitches out like.

1191
00:52:50,520 --> 00:52:55,200
Speaker 1: That's that's fine. I just it's like, for example, right,

1192
00:52:55,200 --> 00:52:57,759
Speaker 1: it'srapping about what he's supposed to rapping about. I just, yeah,

1193
00:52:57,800 --> 00:53:02,040
Speaker 1: I get it, but it's just, you know, I can't

1194
00:53:02,080 --> 00:53:04,560
Speaker 1: put I don't fall into this thing of you know

1195
00:53:04,680 --> 00:53:07,640
Speaker 1: he's next, or you know you can see the setup coming.

1196
00:53:07,800 --> 00:53:10,200
Speaker 2: And he didn't put his work in, but you can

1197
00:53:10,200 --> 00:53:10,799
Speaker 2: see a set up.

1198
00:53:10,920 --> 00:53:12,600
Speaker 1: I see the setup coming. I know what the little

1199
00:53:12,680 --> 00:53:14,880
Speaker 1: nas X feature did for Jack. I get it.

1200
00:53:15,360 --> 00:53:17,440
Speaker 2: I know, we can we know what that He's getting

1201
00:53:17,480 --> 00:53:19,239
Speaker 2: more time with Drake than Magit ever did.

1202
00:53:19,719 --> 00:53:21,880
Speaker 1: And this is the thing. It's but even but not

1203
00:53:21,920 --> 00:53:26,840
Speaker 1: only that, it's it feels fake, it feels forced.

1204
00:53:26,880 --> 00:53:28,520
Speaker 2: Why do you think it feels fake and forced?

1205
00:53:29,080 --> 00:53:30,680
Speaker 1: I mean, I'm just looking I'm just on the outside

1206
00:53:30,719 --> 00:53:31,040
Speaker 1: looking in.

1207
00:53:31,120 --> 00:53:31,239
Speaker 5: Bro.

1208
00:53:31,280 --> 00:53:33,960
Speaker 2: It just feels like you're saying the setup or the

1209
00:53:34,040 --> 00:53:35,719
Speaker 2: music itself, the.

1210
00:53:35,719 --> 00:53:38,200
Speaker 1: Setup, all the things that are being you know, it's

1211
00:53:38,280 --> 00:53:41,560
Speaker 1: just it's like, and then I hit the music and

1212
00:53:41,640 --> 00:53:44,120
Speaker 1: it's hard for me to listen to which is one

1213
00:53:44,120 --> 00:53:45,759
Speaker 1: of my favorite joints. And now I'm the poison drunk

1214
00:53:45,760 --> 00:53:48,719
Speaker 1: with Lil Wayne. Lila Wayne went crazy on that. But

1215
00:53:48,760 --> 00:53:50,080
Speaker 1: it's hard for me not to think that that was

1216
00:53:50,080 --> 00:53:54,000
Speaker 1: a Drake record already, and and and well Jack got

1217
00:53:54,000 --> 00:53:55,719
Speaker 1: his hands on it and just was like, all right,

1218
00:53:56,200 --> 00:53:58,000
Speaker 1: that sounds like a Drake record. Bro.

1219
00:53:58,120 --> 00:54:01,520
Speaker 2: Well, a lot of this I'm fine with because Drake

1220
00:54:01,600 --> 00:54:04,959
Speaker 2: is now a veteran. Of course he's gonna have people

1221
00:54:05,000 --> 00:54:08,120
Speaker 2: that sounds like it's rapping style because he's Jack sounds

1222
00:54:08,160 --> 00:54:09,360
Speaker 2: like Drake. I think he would admit.

1223
00:54:09,200 --> 00:54:12,680
Speaker 1: That, okay, but then we got to talk about it.

1224
00:54:13,560 --> 00:54:15,960
Speaker 2: I mean, somebody sounds like Na's babies that we love.

1225
00:54:17,440 --> 00:54:19,800
Speaker 1: I don't know if it's any Nas, but that's different.

1226
00:54:20,000 --> 00:54:24,560
Speaker 1: NAS babies and people trying to sound like NAS is different.

1227
00:54:25,040 --> 00:54:26,640
Speaker 1: You can hear the influence, like I can hear the

1228
00:54:26,640 --> 00:54:29,879
Speaker 1: influence of Andre three thousand on Kendrick. I can hear that. Yeah,

1229
00:54:29,920 --> 00:54:32,440
Speaker 1: I can call Kendrick a three thousand baby if I

1230
00:54:32,480 --> 00:54:35,040
Speaker 1: want to. Sure, you know what I'm saying, But Kendrick

1231
00:54:35,080 --> 00:54:39,719
Speaker 1: doesn't sound like Andre three thousand. I can hear the influence.

1232
00:54:40,320 --> 00:54:44,600
Speaker 1: I can hear, you know, the inspiration, but Kendrick is

1233
00:54:44,600 --> 00:54:48,120
Speaker 1: still Kendrick. You know what I'm saying. It's like with Jack,

1234
00:54:48,160 --> 00:54:50,080
Speaker 1: I don't know yet. I gotta keep watching. I gotta

1235
00:54:50,160 --> 00:54:50,640
Speaker 1: keep listening.

1236
00:54:50,680 --> 00:54:54,040
Speaker 2: Said the same thing about Fab with Mace, But.

1237
00:54:53,960 --> 00:54:55,600
Speaker 1: You gotta That's what I'm saying, you gotta keep watching.

1238
00:54:55,640 --> 00:54:58,560
Speaker 1: We gotta keep seeing it. With the career goes Gota,

1239
00:54:58,760 --> 00:55:00,640
Speaker 1: we just gotta see where it goes. Yeah, but as

1240
00:55:00,840 --> 00:55:08,480
Speaker 1: just read this project, the Drake influences heavy, very much heavy,

1241
00:55:08,560 --> 00:55:10,799
Speaker 1: and then it's like some of the bars and you know,

1242
00:55:10,840 --> 00:55:12,279
Speaker 1: and I like Jack. I think he has skill. I

1243
00:55:12,280 --> 00:55:14,080
Speaker 1: think he can rap. I think he has you know.

1244
00:55:14,160 --> 00:55:17,080
Speaker 1: The production is crazy. Music sounds really good on the album,

1245
00:55:17,120 --> 00:55:19,160
Speaker 1: but some of the bars are like he said one

1246
00:55:19,160 --> 00:55:21,920
Speaker 1: of the Churchill down record that because I was anxious

1247
00:55:21,920 --> 00:55:23,440
Speaker 1: to see what he did with it, he had put

1248
00:55:23,440 --> 00:55:28,279
Speaker 1: on the bars, but it didn't you know what you

1249
00:55:28,360 --> 00:55:30,640
Speaker 1: understand I'm saying, it didn't really just like, Okay, it's

1250
00:55:30,640 --> 00:55:34,240
Speaker 1: more bars, but is it more bars? Though? You understand

1251
00:55:34,239 --> 00:55:37,600
Speaker 1: how it's like, you know, one bar he said, I'm

1252
00:55:37,640 --> 00:55:39,759
Speaker 1: about to start handing out programs because y'all need to

1253
00:55:39,800 --> 00:55:42,560
Speaker 1: get with the program. I was just like, I don't know, Jack,

1254
00:55:42,560 --> 00:55:43,640
Speaker 1: I don't know if I would have said that on

1255
00:55:43,680 --> 00:55:47,960
Speaker 1: the song with Drake and no, Jack, I think you

1256
00:55:48,120 --> 00:55:49,879
Speaker 1: had some good records on here to do a leap

1257
00:55:49,880 --> 00:55:50,320
Speaker 1: a joint.

1258
00:55:51,640 --> 00:55:53,000
Speaker 2: I love what they did Parent.

1259
00:55:52,760 --> 00:55:54,560
Speaker 1: Trapp that justin Tim Blake joined is hard to me.

1260
00:55:54,600 --> 00:55:55,799
Speaker 1: I like that. I like that joint, the.

1261
00:55:55,800 --> 00:55:57,359
Speaker 2: Lot movie Stars, the parall Ship.

1262
00:55:57,400 --> 00:55:57,920
Speaker 1: I love what they did.

1263
00:55:58,080 --> 00:55:58,839
Speaker 2: I wish it was longer.

1264
00:55:59,000 --> 00:56:01,480
Speaker 1: I love that there was no good music on the album.

1265
00:56:01,520 --> 00:56:03,600
Speaker 2: That Movie Stars ship is underrated, but I just see

1266
00:56:03,680 --> 00:56:04,440
Speaker 2: enough people talking about it.

1267
00:56:04,440 --> 00:56:08,360
Speaker 1: But it feels like it's almost it. It almost feels

1268
00:56:08,360 --> 00:56:11,080
Speaker 1: like copy and paste. I can see that. It almost

1269
00:56:11,080 --> 00:56:13,879
Speaker 1: feels like insert here, you know what I mean. It's

1270
00:56:13,880 --> 00:56:16,359
Speaker 1: almost like, oh, this song was done already for somebody else,

1271
00:56:16,400 --> 00:56:18,040
Speaker 1: and they just let yo. Jack got a joint coming,

1272
00:56:18,120 --> 00:56:20,919
Speaker 1: he's in the studio. Yeah, it's like plug and play

1273
00:56:20,960 --> 00:56:23,040
Speaker 1: type of thing. And it's like, I don't really you know.

1274
00:56:23,440 --> 00:56:24,799
Speaker 2: I feel you, and I don't want people to think

1275
00:56:24,800 --> 00:56:28,439
Speaker 2: we're moving the goal post because we allow so many other.

1276
00:56:28,360 --> 00:56:30,839
Speaker 1: You got to get that clear. I just he got

1277
00:56:30,840 --> 00:56:33,040
Speaker 1: a better project than a lot of these other rappers

1278
00:56:33,120 --> 00:56:34,160
Speaker 1: that y'all give a lot of.

1279
00:56:34,680 --> 00:56:37,040
Speaker 2: I just hold Jack at this point to a high,

1280
00:56:37,040 --> 00:56:39,759
Speaker 2: pretty high standard. So that's where this is coming. This

1281
00:56:39,840 --> 00:56:42,640
Speaker 2: is Jack looks himself as a skill. I just I

1282
00:56:42,680 --> 00:56:44,000
Speaker 2: just need to see artists do that.

1283
00:56:44,040 --> 00:56:45,799
Speaker 1: And we don't ever write up but I just need

1284
00:56:45,800 --> 00:56:48,680
Speaker 1: to watch him more like, Okay, you obviously have the skill,

1285
00:56:48,760 --> 00:56:51,000
Speaker 1: you have the talent. They're obviously gonna put you in

1286
00:56:51,000 --> 00:56:53,520
Speaker 1: the room. The rooms with the right people. Yeah, we

1287
00:56:53,640 --> 00:56:56,319
Speaker 1: get that part, but now I need to really just

1288
00:56:56,400 --> 00:56:58,719
Speaker 1: watch Jack. You know what I'm saying, Like, Okay, let

1289
00:56:58,719 --> 00:57:00,240
Speaker 1: me see who this Who this dude.

1290
00:57:00,440 --> 00:57:03,560
Speaker 2: I'm cool with sense we're comparing him to Drake so much.

1291
00:57:03,719 --> 00:57:07,440
Speaker 2: I'm cool with this being his Thank me later. You've

1292
00:57:07,480 --> 00:57:09,600
Speaker 2: got put in position, you put the work in. You

1293
00:57:09,640 --> 00:57:12,400
Speaker 2: are now one of the more popular young rappers. You

1294
00:57:12,480 --> 00:57:15,000
Speaker 2: have the ability to work with the biggest artists. You'll

1295
00:57:15,040 --> 00:57:15,800
Speaker 2: put them as features.

1296
00:57:15,800 --> 00:57:16,440
Speaker 1: You have access.

1297
00:57:17,600 --> 00:57:19,960
Speaker 2: But all right, get your first industry. I'm off, and

1298
00:57:20,040 --> 00:57:22,200
Speaker 2: now it's time to to really get.

1299
00:57:22,080 --> 00:57:25,800
Speaker 1: What I'm saying. I know who Jack is. Now. I

1300
00:57:25,840 --> 00:57:27,640
Speaker 1: see that they're gonna they're gonna they're gonna take care

1301
00:57:27,680 --> 00:57:30,000
Speaker 1: of They're gonna set the screen for you, and you

1302
00:57:30,040 --> 00:57:31,480
Speaker 1: can come off and get a look wide open. You

1303
00:57:31,480 --> 00:57:33,400
Speaker 1: can see you can knock a shot down for sure.

1304
00:57:33,480 --> 00:57:34,840
Speaker 1: But I need to see you put the ball on

1305
00:57:34,880 --> 00:57:36,640
Speaker 1: the floor and really get into your bag though. Yeah, Like,

1306
00:57:36,720 --> 00:57:38,040
Speaker 1: let me see you go get a bucket.

1307
00:57:38,080 --> 00:57:39,520
Speaker 2: I know you can do fireworks with a leash.

1308
00:57:39,760 --> 00:57:41,960
Speaker 1: Yeah, I get that. You know what I'm saying. It's

1309
00:57:42,000 --> 00:57:45,320
Speaker 1: like I get it under for real. Justin Timberlake, Wayne

1310
00:57:45,520 --> 00:57:49,120
Speaker 1: Bro listen. But not people don't have that access. So

1311
00:57:49,440 --> 00:57:52,080
Speaker 1: I get it. It's it's it's hard to be unsuccessful

1312
00:57:52,120 --> 00:57:54,320
Speaker 1: with those records with those producers and these artists and

1313
00:57:54,520 --> 00:57:55,760
Speaker 1: you know, on the record with you.

1314
00:57:55,840 --> 00:57:58,000
Speaker 2: But are they memorable because of who you're doing them

1315
00:57:58,040 --> 00:57:59,959
Speaker 2: with or they're memorable because of the songs you're making.

1316
00:58:00,160 --> 00:58:03,120
Speaker 2: That's where you need to see. But I just like

1317
00:58:03,400 --> 00:58:05,360
Speaker 2: the album number two. I know he has other albums,

1318
00:58:05,360 --> 00:58:07,200
Speaker 2: but the jack has arrived out right.

1319
00:58:07,520 --> 00:58:09,200
Speaker 1: I just need to watch him that like, Okay, you're

1320
00:58:09,240 --> 00:58:13,080
Speaker 1: you're here. Obviously you're you've arrived. But now what you

1321
00:58:13,080 --> 00:58:15,200
Speaker 1: know what I'm saying, Now what that's all? It is,

1322
00:58:15,280 --> 00:58:17,840
Speaker 1: just like, okay, you arrive, you hear good project, Good

1323
00:58:17,880 --> 00:58:20,439
Speaker 1: songs are here. There's some songs that I could do without,

1324
00:58:20,480 --> 00:58:22,080
Speaker 1: but it's good songs on for the most part, you

1325
00:58:22,080 --> 00:58:23,600
Speaker 1: know what I'm saying. Nail Tech to me, I still

1326
00:58:23,640 --> 00:58:27,720
Speaker 1: don't understand how that first Class record went number one

1327
00:58:27,800 --> 00:58:29,480
Speaker 1: and nail Tech. Nail Tech to me is the way

1328
00:58:29,480 --> 00:58:32,400
Speaker 1: better record. That's just that's just me. The samples, I

1329
00:58:32,400 --> 00:58:34,320
Speaker 1: get it, but it's like the sample did it nail Tech?

1330
00:58:34,520 --> 00:58:38,760
Speaker 2: And the sample is so quick with his contributions to

1331
00:58:38,800 --> 00:58:41,560
Speaker 2: it that it's so easy to TikTok.

1332
00:58:41,640 --> 00:58:42,920
Speaker 1: But see, that's what I'm saying. It's a lot of

1333
00:58:43,080 --> 00:58:44,680
Speaker 1: it's a lot of It's a lot of games, you

1334
00:58:44,720 --> 00:58:46,560
Speaker 1: know what I mean, little bells and whistles. Okay, they

1335
00:58:46,560 --> 00:58:48,640
Speaker 1: don't like all the bells and whistles.

1336
00:58:48,360 --> 00:58:51,480
Speaker 2: But it's a new game. And that takes a talent

1337
00:58:51,960 --> 00:58:54,520
Speaker 2: as an artist to be able to make good music

1338
00:58:54,640 --> 00:58:57,200
Speaker 2: and also be able to do the little tricks that

1339
00:58:57,280 --> 00:58:59,560
Speaker 2: you know work online. Right, That's what separated.

1340
00:58:59,600 --> 00:59:01,720
Speaker 1: It's a skill and all of that. It's all of

1341
00:59:01,720 --> 00:59:03,640
Speaker 1: that takes skill because it still has to work. It

1342
00:59:03,720 --> 00:59:06,160
Speaker 1: still has to you have to make it successful. I

1343
00:59:06,240 --> 00:59:06,760
Speaker 1: understand that.

1344
00:59:07,240 --> 00:59:09,680
Speaker 2: One of my favorite Drake Drake bars is I wonder

1345
00:59:09,680 --> 00:59:11,920
Speaker 2: if they survive in this era when talking about the

1346
00:59:11,960 --> 00:59:16,160
Speaker 2: old legends, like so, it's a lot more difficult now,

1347
00:59:16,200 --> 00:59:17,640
Speaker 2: it's a lot more difficult.

1348
00:59:17,640 --> 00:59:20,480
Speaker 1: But I'm only ever just talking about the music. All

1349
00:59:20,520 --> 00:59:22,200
Speaker 1: that other ship, you know, I get it, but I'm

1350
00:59:22,240 --> 00:59:24,360
Speaker 1: just talking about the music. So I'm not mad at

1351
00:59:24,400 --> 00:59:25,680
Speaker 1: the album. I think he, like I said, he has

1352
00:59:25,720 --> 00:59:27,640
Speaker 1: a better album than a lot of these rappers that

1353
00:59:27,720 --> 00:59:30,320
Speaker 1: we love and we think are dope, Like Jack put

1354
00:59:30,320 --> 00:59:31,840
Speaker 1: out a better project than a lot of y'all, I

1355
00:59:31,840 --> 00:59:32,480
Speaker 1: will say that.

1356
00:59:34,040 --> 00:59:37,720
Speaker 2: So yeah, it's his tour announced three days ago September October.

1357
00:59:37,840 --> 00:59:39,600
Speaker 1: The City Girls, I know what Jack doing.

1358
00:59:39,880 --> 00:59:42,160
Speaker 2: See that's why I like you. You know, I know

1359
00:59:42,320 --> 00:59:44,600
Speaker 2: Jack doing. I mean, I like the get some inspiration

1360
00:59:44,640 --> 00:59:44,960
Speaker 2: on that tour.

1361
00:59:45,080 --> 00:59:47,000
Speaker 1: I like him because he shot at Sweety on the

1362
00:59:47,040 --> 00:59:49,160
Speaker 1: red carpet like that. To me, that was just like,

1363
00:59:49,640 --> 00:59:52,320
Speaker 1: it was, Okay, I gotta watch this kid, you know

1364
00:59:52,320 --> 00:59:54,080
Speaker 1: what I'm saying, because that, you know what I mean,

1365
00:59:54,080 --> 00:59:56,440
Speaker 1: everybody else, yeah, everybody don't do that. So to me,

1366
00:59:56,480 --> 01:00:00,360
Speaker 1: that was like okay, yeah, all right, step right to us.

1367
01:00:00,360 --> 01:00:01,680
Speaker 1: So on the carpet like yo, you know what I mean,

1368
01:00:01,720 --> 01:00:04,480
Speaker 1: Like I was, Okay, this kid has some Yeah, he

1369
01:00:04,560 --> 01:00:06,600
Speaker 1: had some coons. I'm not mad at that, you know

1370
01:00:06,640 --> 01:00:08,840
Speaker 1: what I mean. Expect it. The kids got spunk, the

1371
01:00:08,920 --> 01:00:11,560
Speaker 1: kids got a little edge to him. I respect it.

1372
01:00:11,960 --> 01:00:14,440
Speaker 1: I respect it. I'm only ever talking about music, you

1373
01:00:14,480 --> 01:00:15,720
Speaker 1: know what I mean. I'm just talking about the music.

1374
01:00:15,760 --> 01:00:17,760
Speaker 1: So love the title come Home the Kids Miss You.

1375
01:00:17,800 --> 01:00:19,640
Speaker 1: I love that. Even the artworker is dope.

1376
01:00:19,680 --> 01:00:21,640
Speaker 2: And they're gonna call us more dick riders in the

1377
01:00:21,680 --> 01:00:23,960
Speaker 2: comments because I saw people killing it. I think it's

1378
01:00:24,000 --> 01:00:26,240
Speaker 2: fucking ill that they shot the video during the Kentucky Derby.

1379
01:00:26,360 --> 01:00:28,480
Speaker 1: No that no, no, no, that's fine that you No, no,

1380
01:00:28,520 --> 01:00:30,720
Speaker 1: we can't. We can't hate on that. Come on, come on,

1381
01:00:30,720 --> 01:00:34,200
Speaker 1: come on, you can't hate on Dick Riders. Yeah, whatever, did.

1382
01:00:34,160 --> 01:00:34,760
Speaker 2: You shoot a video?

1383
01:00:34,760 --> 01:00:36,080
Speaker 1: I can tell you, like, you can't go to the

1384
01:00:36,120 --> 01:00:38,840
Speaker 1: Kentucky you don't you first of all, and then get

1385
01:00:38,880 --> 01:00:40,480
Speaker 1: cameras in need to shoot the video. Like, I'm not

1386
01:00:40,600 --> 01:00:43,200
Speaker 1: mad at that. We get that part. We understand that.

1387
01:00:43,360 --> 01:00:46,920
Speaker 1: You know, the Drake card, he's listen, he's using it

1388
01:00:46,960 --> 01:00:48,880
Speaker 1: to his advantage. I'm not mad at that.

1389
01:00:49,040 --> 01:00:51,960
Speaker 2: You know what I do loving this this last two

1390
01:00:52,040 --> 01:00:54,800
Speaker 2: generations of hip hop is the artists that come from

1391
01:00:54,880 --> 01:00:59,720
Speaker 2: smaller markets and how that's become more valuable because before

1392
01:00:59,760 --> 01:01:00,960
Speaker 2: it was like yea, I'm in a small market, like

1393
01:01:00,960 --> 01:01:02,480
Speaker 2: I gotta go to La I gotta go to New York,

1394
01:01:02,480 --> 01:01:05,360
Speaker 2: I gotta do you know, my city's not really popping

1395
01:01:05,400 --> 01:01:08,640
Speaker 2: when it comes to industry shit Now, like the way

1396
01:01:10,280 --> 01:01:12,680
Speaker 2: Drake with Toronto, which is a major market but in

1397
01:01:12,760 --> 01:01:14,560
Speaker 2: the scope of things, not so much when it came

1398
01:01:14,600 --> 01:01:17,920
Speaker 2: to rap at that time, having the entire city behind

1399
01:01:17,960 --> 01:01:22,120
Speaker 2: him was so helpful now watching Jack with just the

1400
01:01:22,160 --> 01:01:22,840
Speaker 2: state of Kentucky.

1401
01:01:22,920 --> 01:01:25,880
Speaker 1: Fuck just legal. He's able to do that at.

1402
01:01:25,760 --> 01:01:29,280
Speaker 2: The Kentucky Derby because they're championing the one person from

1403
01:01:29,280 --> 01:01:32,960
Speaker 2: their small market. If the Kentucky Derby was held in

1404
01:01:33,160 --> 01:01:35,280
Speaker 2: like with Belmont, I don't you don't think any New

1405
01:01:35,320 --> 01:01:39,680
Speaker 2: York rapper is gonna be shooting a fitte just because

1406
01:01:39,720 --> 01:01:41,880
Speaker 2: it's let's say there's thousands of rappers, Like, it's not

1407
01:01:42,440 --> 01:01:44,680
Speaker 2: thousands of rappers have made it from here. That small

1408
01:01:44,720 --> 01:01:47,840
Speaker 2: market shit is like I think, leveraging so many artists

1409
01:01:47,920 --> 01:01:51,000
Speaker 2: because they have it's at a base that is really

1410
01:01:51,040 --> 01:01:53,240
Speaker 2: going to get behind them, just strictly based off where

1411
01:01:53,240 --> 01:01:56,200
Speaker 2: they're from, like in New York and LA like you

1412
01:01:56,240 --> 01:01:58,919
Speaker 2: could be from there, my man next door.

1413
01:01:59,080 --> 01:02:02,160
Speaker 1: Yeah, I grew up with Jay Zon, you know what

1414
01:02:02,160 --> 01:02:04,280
Speaker 1: I'm saying, Like it's like we lived in the same projects.

1415
01:02:04,440 --> 01:02:05,320
Speaker 1: So I get it.

1416
01:02:05,320 --> 01:02:08,760
Speaker 2: It's I can just see the benefit. You know, only Jack.

1417
01:02:09,000 --> 01:02:10,760
Speaker 2: They got cameras at the Kentucky Derby to shoot a

1418
01:02:10,800 --> 01:02:14,480
Speaker 2: rap video because he's a rapper from there that's popular

1419
01:02:14,520 --> 01:02:16,840
Speaker 2: that made it. Yeah, that's not happening in a major market.

1420
01:02:16,920 --> 01:02:18,520
Speaker 1: Yeah, no, I get it. Listen. He's using it to

1421
01:02:18,600 --> 01:02:22,960
Speaker 1: his advantage. Is really helpful to have a friend like Drake,

1422
01:02:23,440 --> 01:02:24,040
Speaker 1: you know what I'm saying.

1423
01:02:24,720 --> 01:02:27,600
Speaker 2: I'm sure sure that Kentucky Derby was like, oh it's

1424
01:02:27,600 --> 01:02:27,920
Speaker 2: for Drake.

1425
01:02:28,080 --> 01:02:32,040
Speaker 1: Come on, come on, man, Drake's here. Oh yeah, no,

1426
01:02:32,120 --> 01:02:33,480
Speaker 1: why didn't you say so? Come up?

1427
01:02:33,520 --> 01:02:36,440
Speaker 2: Bring them a red camp right.

1428
01:02:36,280 --> 01:02:38,919
Speaker 1: Here, sir, Like, don't worry about this. The horses run around.

1429
01:02:40,320 --> 01:02:42,920
Speaker 5: Did you see people kill Jack? Because his guards were

1430
01:02:42,960 --> 01:02:44,320
Speaker 5: lifting him up, so his shoes were.

1431
01:02:44,440 --> 01:02:47,120
Speaker 1: People listen, People wanted people. People are just in a

1432
01:02:47,200 --> 01:02:50,520
Speaker 1: rush to be offended and used the race card for

1433
01:02:50,640 --> 01:02:52,600
Speaker 1: so many stupid things, like was that a thing? I

1434
01:02:52,600 --> 01:02:56,640
Speaker 1: didn't see? His bodyguard and his homeboyd uh were carrying

1435
01:02:56,720 --> 01:02:58,920
Speaker 1: him because they had to walk through like it was

1436
01:02:58,920 --> 01:03:01,400
Speaker 1: like dirt mud a bit, and Jack didn't want to

1437
01:03:01,440 --> 01:03:02,400
Speaker 1: get his shoes.

1438
01:03:05,160 --> 01:03:05,720
Speaker 3: Consistency.

1439
01:03:05,720 --> 01:03:08,040
Speaker 1: You can't get your shoes, bro, listen, man, and my

1440
01:03:08,080 --> 01:03:10,000
Speaker 1: body listen. If I tell my body, I listen, Bro,

1441
01:03:10,400 --> 01:03:12,080
Speaker 1: I don't want to get these shoes fucked up. It's mud.

1442
01:03:12,080 --> 01:03:13,360
Speaker 1: We got to walk to the car for me, Like

1443
01:03:13,880 --> 01:03:15,280
Speaker 1: my body go was like, come on, man, got you

1444
01:03:15,320 --> 01:03:17,280
Speaker 1: like my homeboys there with me. It's like, bro, like

1445
01:03:17,360 --> 01:03:19,000
Speaker 1: it didn't like saddle up. Yeah, it's not like he

1446
01:03:19,440 --> 01:03:21,800
Speaker 1: told to black man, Hey, nigga boys, come carry me

1447
01:03:21,800 --> 01:03:24,120
Speaker 1: across the range, and it's like he didn't say that

1448
01:03:24,200 --> 01:03:26,400
Speaker 1: the range. Yeah, Like I don't know, I don't know.

1449
01:03:26,440 --> 01:03:28,959
Speaker 1: People just want to be offended and pull a race

1450
01:03:29,000 --> 01:03:31,920
Speaker 1: card and everything is racist, everything is sexist, everything is

1451
01:03:31,920 --> 01:03:34,840
Speaker 1: canceled everything. It's like, yo, bro, what the fuck is

1452
01:03:34,880 --> 01:03:38,160
Speaker 1: going on? Man? Like I've had been a situations where

1453
01:03:38,200 --> 01:03:40,439
Speaker 1: I had to do ship that somebody would have like damn,

1454
01:03:40,560 --> 01:03:42,800
Speaker 1: like you just doja or you that's my homeboy, and

1455
01:03:42,840 --> 01:03:43,760
Speaker 1: I'm helping them right now.

1456
01:03:43,800 --> 01:03:46,120
Speaker 2: Like is this a terrible time to segue into the

1457
01:03:46,120 --> 01:03:48,080
Speaker 2: Ciblinian Claudio album.

1458
01:03:48,240 --> 01:03:49,960
Speaker 1: Actually, no, this is a great time to segue into

1459
01:03:50,000 --> 01:03:52,360
Speaker 1: the Sabrina Cladio album, which I love, by the way,

1460
01:03:52,840 --> 01:03:55,280
Speaker 1: really good project she sounded. But that was never the

1461
01:03:55,480 --> 01:03:59,200
Speaker 1: We never questioned Sabrina Claudio's talent. We never questioned you

1462
01:03:59,240 --> 01:04:02,080
Speaker 1: never questioned as song making ability. It was always because

1463
01:04:02,080 --> 01:04:06,120
Speaker 1: people canceled her for some words that she said and

1464
01:04:06,480 --> 01:04:09,480
Speaker 1: we just completely stopped talking about Sabrina Clodio. But there

1465
01:04:09,480 --> 01:04:11,080
Speaker 1: was never a question of her talent and her skill,

1466
01:04:11,120 --> 01:04:14,400
Speaker 1: like she's obviously amazing vocalist. Her project is super I

1467
01:04:14,400 --> 01:04:16,200
Speaker 1: didn't even know it came out until maybe three days

1468
01:04:16,240 --> 01:04:18,280
Speaker 1: after it came out. Oh yeah, somebody told me they

1469
01:04:18,320 --> 01:04:20,320
Speaker 1: was playing. I was like, Sabrina Clodio put album out.

1470
01:04:20,320 --> 01:04:20,880
Speaker 1: I didn't even know.

1471
01:04:21,240 --> 01:04:23,560
Speaker 2: Well, even with her promo, she's always been like even

1472
01:04:23,600 --> 01:04:26,960
Speaker 2: before the quote unquote cancelization, they would do quiet promo,

1473
01:04:27,240 --> 01:04:29,480
Speaker 2: like specific promo, and I follow her manager on IG

1474
01:04:29,600 --> 01:04:31,400
Speaker 2: That's how I knew it was coming out.

1475
01:04:31,680 --> 01:04:34,400
Speaker 1: But I did see people talking about it. No, it's

1476
01:04:34,400 --> 01:04:35,600
Speaker 1: a great project. I love it.

1477
01:04:35,680 --> 01:04:39,480
Speaker 2: Yeah, it's not super long, but it shocked.

1478
01:04:39,200 --> 01:04:41,400
Speaker 1: Me that she did eleven joints right to it.

1479
01:04:41,800 --> 01:04:44,080
Speaker 2: An album that, like, you know, she would always do

1480
01:04:44,120 --> 01:04:46,480
Speaker 2: the smaller EP stuff, but last she put the Flowing.

1481
01:04:46,280 --> 01:04:49,080
Speaker 1: Out based on feeling Claudio.

1482
01:04:49,600 --> 01:04:51,000
Speaker 2: I got to hear that with women, and I haven't

1483
01:04:51,040 --> 01:04:53,960
Speaker 2: been with any women since it came out.

1484
01:04:54,280 --> 01:04:56,600
Speaker 1: Uh, we'll ask the only other woman in the room.

1485
01:04:57,520 --> 01:04:59,800
Speaker 1: Do you feel like Sabrina Claudio is still canceled in

1486
01:04:59,800 --> 01:05:01,120
Speaker 1: your her opinion?

1487
01:05:01,400 --> 01:05:04,880
Speaker 4: In your mind, you would have to have canceled means

1488
01:05:04,920 --> 01:05:06,440
Speaker 4: different to everybody.

1489
01:05:06,800 --> 01:05:11,200
Speaker 1: So what does it mean to you? The excuse me, I'm.

1490
01:05:11,040 --> 01:05:15,080
Speaker 2: Sorry it means that, Michael, I'm sure it was great

1491
01:05:15,120 --> 01:05:15,720
Speaker 2: for our audio.

1492
01:05:20,720 --> 01:05:26,280
Speaker 4: Maisolation in my eyes means that you're no longer in industry, Darling.

1493
01:05:26,400 --> 01:05:29,480
Speaker 4: But we had, like you guys know when we had

1494
01:05:29,480 --> 01:05:32,919
Speaker 4: that conversation regarding Daniel Caesar and we all disagreed about

1495
01:05:32,920 --> 01:05:34,080
Speaker 4: whether he was canceled or not.

1496
01:05:34,880 --> 01:05:37,920
Speaker 2: Well, here's where I think she wasn't canceled, but it

1497
01:05:37,960 --> 01:05:41,880
Speaker 2: definitely affected her just because of the timing, because she

1498
01:05:41,920 --> 01:05:44,200
Speaker 2: had so much momentum where she was going to go

1499
01:05:44,240 --> 01:05:47,240
Speaker 2: to that next step in her career, and a lot

1500
01:05:47,280 --> 01:05:50,960
Speaker 2: of that to get to that next step is not

1501
01:05:51,120 --> 01:05:54,760
Speaker 2: so much your fan base at that point, it's the

1502
01:05:54,800 --> 01:05:57,720
Speaker 2: connections you have to get certain looks, the features and

1503
01:05:57,760 --> 01:06:03,400
Speaker 2: people that you can work with any even certain venues.

1504
01:06:03,920 --> 01:06:06,840
Speaker 2: A lot of that for that two three months was

1505
01:06:07,000 --> 01:06:09,080
Speaker 2: taken away from her because they couldn't really be next

1506
01:06:09,120 --> 01:06:11,400
Speaker 2: her at that exact point. And that was at the

1507
01:06:11,440 --> 01:06:12,400
Speaker 2: worst fucking time.

1508
01:06:12,800 --> 01:06:14,800
Speaker 4: And it's hard to get that, Like some people.

1509
01:06:14,520 --> 01:06:16,959
Speaker 2: Get that weird cancelization when it doesn't really matter because

1510
01:06:16,960 --> 01:06:20,400
Speaker 2: they're not actively working. She was actively at that momentum

1511
01:06:20,440 --> 01:06:23,400
Speaker 2: step where she needed people to not say, oh, I

1512
01:06:23,440 --> 01:06:25,960
Speaker 2: can't be next to you right now. But I think

1513
01:06:26,000 --> 01:06:28,840
Speaker 2: she pivoted with it. Like I think there's a great project.

1514
01:06:28,880 --> 01:06:30,160
Speaker 2: I don't know what it's gonna do. I did see

1515
01:06:30,160 --> 01:06:31,120
Speaker 2: people talking about it.

1516
01:06:31,920 --> 01:06:35,439
Speaker 1: And she definitely took a that definitely slowed her momentum down,

1517
01:06:35,800 --> 01:06:39,320
Speaker 1: Oh for sure, and rightfully so I understand how people

1518
01:06:39,320 --> 01:06:41,520
Speaker 1: were upset. Of course I understand. I get that part.

1519
01:06:43,160 --> 01:06:45,840
Speaker 4: Well, sure, I don't. I'm not in that way. She

1520
01:06:45,960 --> 01:06:48,280
Speaker 4: was canceled, and I think that it definitely impacted her career.

1521
01:06:48,320 --> 01:06:50,160
Speaker 4: But I think she can have a She can definitely

1522
01:06:50,200 --> 01:06:52,040
Speaker 4: have a comeback. She can definitely have a comeback if

1523
01:06:52,040 --> 01:06:55,440
Speaker 4: the music is good and she looks good and she

1524
01:06:55,600 --> 01:06:57,280
Speaker 4: has the right pushing her.

1525
01:06:57,520 --> 01:07:01,000
Speaker 1: We know she looks great. I'm just saying I saw

1526
01:07:01,000 --> 01:07:02,880
Speaker 1: the I saw the artwork for the album. Even though

1527
01:07:02,920 --> 01:07:04,160
Speaker 1: you know she looks good.

1528
01:07:04,400 --> 01:07:07,360
Speaker 2: Okay, but if I introduce you, are you gonna pull

1529
01:07:07,360 --> 01:07:08,400
Speaker 2: a demeris?

1530
01:07:09,120 --> 01:07:10,600
Speaker 1: Can you tell me what pulling a dimeericans?

1531
01:07:11,560 --> 01:07:14,040
Speaker 2: You talk about someone that you're really attracted to all

1532
01:07:14,080 --> 01:07:16,320
Speaker 2: the time, you claim you're this crazy shooter, you claim

1533
01:07:16,400 --> 01:07:17,800
Speaker 2: any you could get anything.

1534
01:07:18,040 --> 01:07:18,960
Speaker 1: I just gotta show up.

1535
01:07:19,040 --> 01:07:20,920
Speaker 2: I clan then, and then I put you in a

1536
01:07:21,040 --> 01:07:23,640
Speaker 2: room with them. That and then you don't say a word.

1537
01:07:24,280 --> 01:07:28,480
Speaker 1: It's the guy that says, bro, you know, I'm not.

1538
01:07:28,600 --> 01:07:30,440
Speaker 1: I've never been that guy. I talk to women, even

1539
01:07:30,480 --> 01:07:32,560
Speaker 1: when y'all like y'all call me a stand up comedian

1540
01:07:32,600 --> 01:07:33,240
Speaker 1: once the women.

1541
01:07:33,120 --> 01:07:34,640
Speaker 2: I know more, But I don't know.

1542
01:07:34,760 --> 01:07:36,480
Speaker 4: Talking about this one for a while, what you're gonna

1543
01:07:36,480 --> 01:07:37,120
Speaker 4: do to make her laugh?

1544
01:07:37,440 --> 01:07:42,400
Speaker 1: And Claudio, I'm gonna eat some watermelon and has some

1545
01:07:42,400 --> 01:07:43,960
Speaker 1: some some some fried chicken there.

1546
01:07:44,000 --> 01:07:44,160
Speaker 4: You know.

1547
01:07:44,200 --> 01:07:46,720
Speaker 1: I got to do that for Sabrina because it's it's

1548
01:07:46,720 --> 01:07:49,200
Speaker 1: like watermelon is in season now right it is? Yeah?

1549
01:07:49,320 --> 01:07:52,480
Speaker 1: See and who loved come on fried chicken? Come on,

1550
01:07:53,600 --> 01:07:56,240
Speaker 1: she's not. I have to I have to cater to

1551
01:07:57,000 --> 01:07:59,280
Speaker 1: the watermelon. Yeah, there you go?

1552
01:08:00,480 --> 01:08:01,320
Speaker 3: Is that crazy?

1553
01:08:01,600 --> 01:08:05,400
Speaker 2: So you're just bringing a racial stereotype to a racial

1554
01:08:05,920 --> 01:08:06,480
Speaker 2: That's how.

1555
01:08:06,360 --> 01:08:08,160
Speaker 1: You break the ice. You gotta make it. You gotta

1556
01:08:08,200 --> 01:08:09,560
Speaker 1: be like, listen, I heard what you said.

1557
01:08:09,680 --> 01:08:10,240
Speaker 3: Gotta be meta.

1558
01:08:10,440 --> 01:08:12,520
Speaker 1: So I just thought i'd have watermelon and chicken here

1559
01:08:12,560 --> 01:08:12,880
Speaker 1: for you.

1560
01:08:13,280 --> 01:08:17,120
Speaker 2: I believe her racist remarks were towards Latinos. I don't

1561
01:08:17,280 --> 01:08:20,639
Speaker 2: think anything to do please in fact check. I thought

1562
01:08:20,680 --> 01:08:24,559
Speaker 2: so she's Latino though, So what that was? I think

1563
01:08:24,560 --> 01:08:28,360
Speaker 2: that's what everyone was trying to say. Maybe, but I

1564
01:08:28,400 --> 01:08:31,320
Speaker 2: thought her her racial remarks were about Latinos.

1565
01:08:32,000 --> 01:08:33,600
Speaker 1: Look, we don't even know what we canceled her for.

1566
01:08:33,800 --> 01:08:39,280
Speaker 1: This is lost. Shut up and I shut the fuck up.

1567
01:08:40,040 --> 01:08:40,799
Speaker 4: I am pulling.

1568
01:08:40,960 --> 01:08:42,320
Speaker 1: What did she say, Demaris? Please?

1569
01:08:42,760 --> 01:08:44,240
Speaker 3: I want to know how much of an easy target

1570
01:08:44,240 --> 01:08:44,479
Speaker 3: it was.

1571
01:08:44,520 --> 01:08:44,720
Speaker 1: Though.

1572
01:08:46,280 --> 01:08:49,439
Speaker 4: I'd rather be a pasty white girl than a sweaty changa,

1573
01:08:49,680 --> 01:08:51,040
Speaker 4: which is a mistake.

1574
01:08:51,320 --> 01:08:51,880
Speaker 1: Damn, that's crazy.

1575
01:08:51,920 --> 01:08:52,960
Speaker 3: Yeah, that's a wild thing to say.

1576
01:08:53,160 --> 01:08:54,439
Speaker 1: I don't know what that means.

1577
01:08:54,479 --> 01:08:54,920
Speaker 3: It's like a.

1578
01:08:57,880 --> 01:08:59,559
Speaker 1: Changa is like a Mexican hood rat.

1579
01:09:00,080 --> 01:09:01,200
Speaker 3: Faicly.

1580
01:09:02,400 --> 01:09:04,200
Speaker 1: I only I only know that word because that's like

1581
01:09:04,240 --> 01:09:05,200
Speaker 1: a category and poem.

1582
01:09:05,240 --> 01:09:09,759
Speaker 5: I think chonga, that's not what I.

1583
01:09:07,520 --> 01:09:10,240
Speaker 1: I don't type.

1584
01:09:11,640 --> 01:09:15,400
Speaker 5: Algorithm from Wiki's definition is a Spanish derived term used

1585
01:09:15,520 --> 01:09:18,719
Speaker 5: especially in South Florida, often to indicate a working class

1586
01:09:18,720 --> 01:09:22,439
Speaker 5: actually liberated, very sassy and emotional and expressive young woman.

1587
01:09:22,880 --> 01:09:24,440
Speaker 1: See poorn category.

1588
01:09:24,560 --> 01:09:27,080
Speaker 3: But a sweaty chunga is fucking crazy.

1589
01:09:27,479 --> 01:09:30,479
Speaker 2: Wait read that description. That sounds like an amazing woman.

1590
01:09:30,720 --> 01:09:31,679
Speaker 2: I like a little sassy.

1591
01:09:31,720 --> 01:09:32,320
Speaker 1: I just told you.

1592
01:09:32,360 --> 01:09:35,280
Speaker 5: I Spanish derived term used in South Florida often to

1593
01:09:35,320 --> 01:09:37,639
Speaker 5: indicate working class I won't use the word by the way,

1594
01:09:37,800 --> 01:09:41,360
Speaker 5: sexually liberating love, that very sassy love, that emotional.

1595
01:09:41,880 --> 01:09:43,519
Speaker 3: Come on, you're an expressive young woman.

1596
01:09:44,479 --> 01:09:45,360
Speaker 1: You express yourself.

1597
01:09:47,520 --> 01:09:49,080
Speaker 2: They're going to think I'm joking about that word if

1598
01:09:49,080 --> 01:09:52,000
Speaker 2: people are finding but by that description, that sounds like

1599
01:09:52,040 --> 01:09:54,080
Speaker 2: an amazing person. But I'm sure when people use it

1600
01:09:54,080 --> 01:09:55,240
Speaker 2: it's not by that definition.

1601
01:09:55,280 --> 01:09:55,679
Speaker 1: Of course.

1602
01:09:55,800 --> 01:09:59,519
Speaker 4: She was also throwing the word nigga around and uh,

1603
01:10:00,240 --> 01:10:01,880
Speaker 4: saying ship about black girls.

1604
01:10:02,160 --> 01:10:04,080
Speaker 1: What did she say about black girls? Because now I

1605
01:10:04,160 --> 01:10:05,040
Speaker 1: might have to cancel her.

1606
01:10:06,479 --> 01:10:07,160
Speaker 3: Data's canceled.

1607
01:10:07,200 --> 01:10:08,760
Speaker 1: Yeah, what she said about black girls?

1608
01:10:09,640 --> 01:10:11,599
Speaker 4: I don't I have to. Yeah, I can't remember. I'm

1609
01:10:11,640 --> 01:10:13,200
Speaker 4: just looking at like all the headlines.

1610
01:10:13,200 --> 01:10:15,760
Speaker 3: But that's kind of nuts. That's you are?

1611
01:10:15,960 --> 01:10:16,280
Speaker 1: You are?

1612
01:10:17,080 --> 01:10:18,920
Speaker 3: You are? Really? I was like that, you have to

1613
01:10:18,960 --> 01:10:19,200
Speaker 3: I was.

1614
01:10:19,240 --> 01:10:22,679
Speaker 1: I was thinking either way, it is man, people say

1615
01:10:22,760 --> 01:10:24,240
Speaker 1: things all the time, fucked up things.

1616
01:10:24,240 --> 01:10:27,400
Speaker 2: It is what it is multiple families, Like listen, anyone

1617
01:10:27,479 --> 01:10:29,240
Speaker 2: that's offended, I'm with you.

1618
01:10:28,439 --> 01:10:30,080
Speaker 1: You're with the offended.

1619
01:10:31,240 --> 01:10:33,080
Speaker 2: I don't know how I'm not navigating.

1620
01:10:33,200 --> 01:10:35,320
Speaker 1: I'm with offending. Sometimes you need to offend people. I

1621
01:10:35,360 --> 01:10:38,760
Speaker 1: think it's a balance. Right, you live and you die,

1622
01:10:40,520 --> 01:10:42,240
Speaker 1: you offend and you get offended.

1623
01:10:42,280 --> 01:10:43,640
Speaker 3: I'm always a big person that you can joke. You

1624
01:10:43,640 --> 01:10:44,720
Speaker 3: should joke, You should be able to.

1625
01:10:44,720 --> 01:10:47,720
Speaker 1: Take a joke. Yeah. Absolutely, you can't take yourself that seriously. Man,

1626
01:10:48,479 --> 01:10:50,400
Speaker 1: let's let's be for real here. Got to be able

1627
01:10:50,439 --> 01:10:52,240
Speaker 1: to laugh at ship, right. Oh.

1628
01:10:52,280 --> 01:10:53,680
Speaker 4: She also said she wanted to be a black girl

1629
01:10:53,720 --> 01:10:54,320
Speaker 4: for Halloween.

1630
01:10:56,640 --> 01:10:58,439
Speaker 1: I know a lot of guys that said the same

1631
01:10:58,439 --> 01:11:00,360
Speaker 1: thing last year. There's probably a lot of as did

1632
01:11:00,360 --> 01:11:03,840
Speaker 1: it last year? Yeah, yeah, look nothing wrong there.

1633
01:11:04,560 --> 01:11:08,320
Speaker 4: Yeah. She also used hood rat, ghetto, nigga dog.

1634
01:11:08,920 --> 01:11:12,639
Speaker 2: Is hoodrat and ghetto bad it ken in context, yes, yeah,

1635
01:11:12,680 --> 01:11:16,599
Speaker 2: when it's a term to be used to offend, in when.

1636
01:11:16,479 --> 01:11:18,919
Speaker 4: You don't think you're black and you don't claim blackness

1637
01:11:19,040 --> 01:11:21,479
Speaker 4: or you're not black and you're using hood rat and

1638
01:11:21,479 --> 01:11:23,800
Speaker 4: ghetto to describe something related to black woman.

1639
01:11:24,080 --> 01:11:26,120
Speaker 3: Yes, it's in constantly so.

1640
01:11:26,160 --> 01:11:31,280
Speaker 1: The LMA album well based on a feeling. Sabrina Claudia

1641
01:11:31,360 --> 01:11:33,280
Speaker 1: had feelings and she tweeted about them years ago, and

1642
01:11:33,360 --> 01:11:36,160
Speaker 1: people canceled her for her feelings. Based on a feeling,

1643
01:11:36,200 --> 01:11:40,360
Speaker 1: Sabena Claudio available now. If she's not canceled to you downloaded?

1644
01:11:40,400 --> 01:11:46,880
Speaker 1: If not fuck her, which I mean honestly. Yeah, if

1645
01:11:46,880 --> 01:11:48,600
Speaker 1: you want to listen, go listen. If you don't fuck it,

1646
01:11:48,760 --> 01:11:50,760
Speaker 1: fuck it. Yeah, it is what it is. I don't

1647
01:11:50,760 --> 01:11:52,479
Speaker 1: know what to tell people anymore. Man, everybody's gonna be

1648
01:11:52,520 --> 01:11:53,640
Speaker 1: offended by something. I don't know.

1649
01:11:54,960 --> 01:11:58,759
Speaker 2: Lma, I'm gonna kick it over to Demeris. That's her homegirl.

1650
01:11:58,960 --> 01:12:00,400
Speaker 1: Lma put out an album.

1651
01:12:00,640 --> 01:12:01,960
Speaker 4: Yeah, Hi, did you not know that?

1652
01:12:03,120 --> 01:12:04,400
Speaker 1: Man? I've listening to.

1653
01:12:06,040 --> 01:12:08,840
Speaker 4: Yeah, yeah, yeah, support your own.

1654
01:12:10,200 --> 01:12:13,760
Speaker 1: Oh I did I have Sid's album? Will repeat? I

1655
01:12:14,000 --> 01:12:15,680
Speaker 1: love Sid's album?

1656
01:12:15,920 --> 01:12:16,360
Speaker 2: What do you think?

1657
01:12:16,479 --> 01:12:17,040
Speaker 1: Lams?

1658
01:12:17,200 --> 01:12:18,920
Speaker 4: It was pretty good? I have to listen again. I

1659
01:12:18,960 --> 01:12:22,360
Speaker 4: was listening when I was like smoking weed taking a shower,

1660
01:12:22,439 --> 01:12:24,440
Speaker 4: so like anything.

1661
01:12:23,880 --> 01:12:24,479
Speaker 1: In the shower?

1662
01:12:24,600 --> 01:12:27,439
Speaker 2: Yes, did you like hold it out of the water,

1663
01:12:27,560 --> 01:12:29,439
Speaker 2: not put the flame out?

1664
01:12:31,800 --> 01:12:33,679
Speaker 4: I would even time to think about that one, because

1665
01:12:33,680 --> 01:12:34,760
Speaker 4: I think I think you could.

1666
01:12:34,880 --> 01:12:36,240
Speaker 1: I feel like that's fair. How did you use like

1667
01:12:36,240 --> 01:12:38,200
Speaker 1: the moisture? You don't have to stand? And you don't

1668
01:12:38,200 --> 01:12:38,880
Speaker 1: have a steam shower?

1669
01:12:38,920 --> 01:12:42,800
Speaker 4: I'm sorry, Oh sorry, my shower has steam, smart ass.

1670
01:12:42,880 --> 01:12:45,200
Speaker 4: But I shower with the window opening, the door open.

1671
01:12:45,760 --> 01:12:49,080
Speaker 1: So you don't actually steam. No, my curls all fall

1672
01:12:50,000 --> 01:12:52,640
Speaker 1: and we don't want that, we don't we do not

1673
01:12:52,720 --> 01:12:56,799
Speaker 1: please God forbid the curls fall fifteen joints.

1674
01:12:56,960 --> 01:12:59,439
Speaker 4: Yes, it's good. It's good classic R and B. She

1675
01:12:59,479 --> 01:13:01,560
Speaker 4: did a good I gotta listen again to give you

1676
01:13:03,280 --> 01:13:05,120
Speaker 4: raheem Devon. Let's kick it over to Rory.

1677
01:13:06,160 --> 01:13:06,720
Speaker 2: I did not know.

1678
01:13:07,960 --> 01:13:10,080
Speaker 1: This is the worst segment's been listening. He's been listening

1679
01:13:10,080 --> 01:13:12,400
Speaker 1: to the White Boy all weekend. Jack had him in

1680
01:13:12,439 --> 01:13:15,400
Speaker 1: a frenzy. He had him in a doozy. Support your

1681
01:13:15,400 --> 01:13:21,760
Speaker 1: own huh, Rory? Oh you know Rahee put an album out.

1682
01:13:21,760 --> 01:13:24,000
Speaker 1: When it's right heem, you don't listen. But when it's Jack,

1683
01:13:24,960 --> 01:13:28,280
Speaker 1: you fucking download. Don't you download that raheem right now?

1684
01:13:28,680 --> 01:13:30,839
Speaker 2: Connor's album was crazy this weekend.

1685
01:13:31,240 --> 01:13:37,200
Speaker 1: Connor Blake went nuts on the production album.

1686
01:13:37,320 --> 01:13:40,160
Speaker 2: I will run to it. What's it called?

1687
01:13:41,240 --> 01:13:45,160
Speaker 4: It is called heem with the steam Lust. I'm not

1688
01:13:45,400 --> 01:13:48,559
Speaker 4: from luft till Don, from Lust till Don.

1689
01:13:48,920 --> 01:13:51,680
Speaker 1: From Lust till Don. Raheem devonn raheem. You listen, man,

1690
01:13:51,680 --> 01:13:53,479
Speaker 1: He's been as you know, Rory. He's an R and

1691
01:13:53,520 --> 01:13:56,080
Speaker 1: B dude that has literally been around forever.

1692
01:13:56,479 --> 01:13:57,240
Speaker 2: That's my guy.

1693
01:13:57,320 --> 01:14:00,200
Speaker 1: He has been on every stage in the city. You

1694
01:14:00,200 --> 01:14:02,040
Speaker 1: know what I feel like, Rahim Devon. You'll walk into

1695
01:14:02,040 --> 01:14:03,920
Speaker 1: a spot just to get like a good meal, and

1696
01:14:04,000 --> 01:14:05,920
Speaker 1: rhee might be the singing that performing that night.

1697
01:14:06,720 --> 01:14:08,360
Speaker 2: You beat me to exactly what I was about to say.

1698
01:14:08,400 --> 01:14:11,599
Speaker 2: The most dangerous thing about Raheem Devon is your girl

1699
01:14:11,680 --> 01:14:14,880
Speaker 2: might just walk into a dive bar in DC and

1700
01:14:14,920 --> 01:14:15,320
Speaker 2: he'll be.

1701
01:14:15,280 --> 01:14:17,320
Speaker 1: There and she'll know him.

1702
01:14:18,720 --> 01:14:23,040
Speaker 4: You say that again?

1703
01:14:23,520 --> 01:14:24,920
Speaker 1: No, no, no, no, we don't want to.

1704
01:14:25,800 --> 01:14:26,800
Speaker 2: Can you auto through that one?

1705
01:14:26,960 --> 01:14:31,760
Speaker 1: No? Please? Please no, please don't? Uh. Rahiem Devon from

1706
01:14:31,840 --> 01:14:32,759
Speaker 1: Dust Till Dawn.

1707
01:14:33,240 --> 01:14:38,360
Speaker 2: Lu Lust Lust Dragon, I'm not Dragon, so terribly good.

1708
01:14:38,760 --> 01:14:40,240
Speaker 1: I'm a heterosexual man.

1709
01:14:40,400 --> 01:14:42,400
Speaker 2: IDK put out a project. I didn't get a chance

1710
01:14:42,400 --> 01:14:43,719
Speaker 2: to listen to it, but I love the last one.

1711
01:14:44,120 --> 01:14:47,200
Speaker 2: So this is just an amazing music segment. Yeah, listen, man,

1712
01:14:47,240 --> 01:14:50,479
Speaker 2: I was at Brocoli City Fest listening to Live Music City.

1713
01:14:50,640 --> 01:14:51,639
Speaker 2: I'm wearing the shirt now.

1714
01:14:51,680 --> 01:14:53,400
Speaker 1: You don't now you tell us this?

1715
01:14:53,760 --> 01:14:55,519
Speaker 4: What the fuck right? We asked him what he did

1716
01:14:55,520 --> 01:14:55,880
Speaker 4: this week?

1717
01:14:55,960 --> 01:14:58,280
Speaker 2: No, we got right into Kendrick Pauls. We didn't even

1718
01:14:58,720 --> 01:14:59,559
Speaker 2: talk about weekends.

1719
01:14:59,560 --> 01:15:00,960
Speaker 4: How was Rockley City?

1720
01:15:01,880 --> 01:15:04,760
Speaker 1: Yeah? How was it? One of my justice had called

1721
01:15:04,760 --> 01:15:06,200
Speaker 1: me from I thought it was you calling a check

1722
01:15:06,240 --> 01:15:09,000
Speaker 1: on me. Uh, checking on your boy. But it wasn't you. Well,

1723
01:15:09,040 --> 01:15:11,599
Speaker 1: it was facetiming me. And it was because I said

1724
01:15:11,640 --> 01:15:13,479
Speaker 1: I didn't see nothing. I couldn't hear or see anything.

1725
01:15:13,600 --> 01:15:15,439
Speaker 2: I said to Justice, I said, we should check on

1726
01:15:15,600 --> 01:15:18,080
Speaker 2: mall and he loves you and that'll be a cool surprise.

1727
01:15:18,320 --> 01:15:19,680
Speaker 2: And I thought we were going to do like the

1728
01:15:19,720 --> 01:15:22,080
Speaker 2: face to face together, hold the arm out, but he

1729
01:15:22,160 --> 01:15:24,720
Speaker 2: just took my phone and then it was just Justice.

1730
01:15:24,400 --> 01:15:26,400
Speaker 1: And then there was no service and I still didn't

1731
01:15:26,400 --> 01:15:27,880
Speaker 1: speak to I still got to calling back.

1732
01:15:28,160 --> 01:15:29,000
Speaker 2: We still don't know how you are.

1733
01:15:30,160 --> 01:15:32,840
Speaker 1: I want to say, I didn't speak to a checking No.

1734
01:15:33,920 --> 01:15:35,400
Speaker 1: I spoke to him for seven seconds.

1735
01:15:35,439 --> 01:15:37,439
Speaker 2: Have you ever were supposed to call someone back and

1736
01:15:37,479 --> 01:15:39,000
Speaker 2: you let it ring once and then hang up, just

1737
01:15:39,040 --> 01:15:39,599
Speaker 2: so it says.

1738
01:15:39,439 --> 01:15:42,280
Speaker 1: Miscall absolutely a kidding me. That's my way of checking

1739
01:15:42,280 --> 01:15:46,400
Speaker 1: in on me. Yeah, I figured that's my guy right here.

1740
01:15:46,640 --> 01:15:49,479
Speaker 1: It was call. I said, Rory's face timing me. Then

1741
01:15:49,479 --> 01:15:50,880
Speaker 1: I thought you had like some one the other and

1742
01:15:50,920 --> 01:15:52,280
Speaker 1: wanting to say hello to me and check on me.

1743
01:15:52,320 --> 01:15:55,720
Speaker 1: And then it was Justice and I was like, I

1744
01:15:55,720 --> 01:15:57,720
Speaker 1: guess if I can't get something, I take Justice.

1745
01:15:57,720 --> 01:15:59,559
Speaker 2: We were in her tenth Yeah, that's what I'm saying.

1746
01:15:59,560 --> 01:16:03,559
Speaker 1: If I can't get her rider was around us, her

1747
01:16:03,640 --> 01:16:04,200
Speaker 1: energy was there.

1748
01:16:04,240 --> 01:16:07,680
Speaker 2: There was candles, Yes, like, come on, I can't disclose.

1749
01:16:09,040 --> 01:16:11,200
Speaker 1: That's me and her do that. We don't even tell

1750
01:16:11,320 --> 01:16:12,760
Speaker 1: each other what were eating and ship like that. We

1751
01:16:12,760 --> 01:16:13,839
Speaker 1: don't disclose that information.

1752
01:16:14,160 --> 01:16:16,840
Speaker 2: Broccoli City was was really good. The lineup was very,

1753
01:16:16,920 --> 01:16:20,720
Speaker 2: very good. The first day was a fucking monsoon. And

1754
01:16:20,880 --> 01:16:23,320
Speaker 2: shout out to Brandon everyone at Brocoli City. I've never

1755
01:16:23,400 --> 01:16:27,240
Speaker 2: seen at that size of a festival, knowing like the

1756
01:16:27,280 --> 01:16:31,000
Speaker 2: amount of staff you do have completely change it for

1757
01:16:31,080 --> 01:16:32,360
Speaker 2: the next day because it was mud.

1758
01:16:32,439 --> 01:16:33,160
Speaker 1: It was discussing.

1759
01:16:33,240 --> 01:16:35,680
Speaker 2: They must have spent the whole night just dumping new

1760
01:16:35,680 --> 01:16:37,760
Speaker 2: dirt on ships so people could like really enjoy the

1761
01:16:37,800 --> 01:16:38,160
Speaker 2: next day.

1762
01:16:38,640 --> 01:16:40,479
Speaker 1: So shout out to them because that's the That's the

1763
01:16:40,520 --> 01:16:42,280
Speaker 1: one bad thing about a lot of festivals on the

1764
01:16:42,280 --> 01:16:46,400
Speaker 1: East Coast, the weather and the time you do. Yeah,

1765
01:16:46,400 --> 01:16:48,800
Speaker 1: you could never really plan for outdoor events on the

1766
01:16:48,840 --> 01:16:51,360
Speaker 1: East Coast because it rains.

1767
01:16:51,439 --> 01:16:53,479
Speaker 2: You see summer summer jim As they're doing at the

1768
01:16:53,479 --> 01:16:56,080
Speaker 2: same June time when it's gonna rain.

1769
01:16:56,160 --> 01:17:00,360
Speaker 1: Okay, they pushed a frame every single summer jam literally.

1770
01:17:00,479 --> 01:17:04,280
Speaker 2: Well Broccoli City was great. Summer was fucking great.

1771
01:17:05,000 --> 01:17:05,840
Speaker 1: That's really about it.

1772
01:17:07,000 --> 01:17:08,280
Speaker 2: But I got my industry on.

1773
01:17:09,439 --> 01:17:09,679
Speaker 1: Yeah.

1774
01:17:09,960 --> 01:17:11,600
Speaker 4: Oh yeah, some connections.

1775
01:17:11,680 --> 01:17:14,800
Speaker 1: I was crazy just connecting. Definitely. We have to find

1776
01:17:14,840 --> 01:17:22,040
Speaker 1: ways to win together. You know, people don't know how

1777
01:17:22,080 --> 01:17:22,960
Speaker 1: full of shit industry.

1778
01:17:23,160 --> 01:17:26,559
Speaker 2: You know what's so fucking great about Broccoli City. Look

1779
01:17:26,600 --> 01:17:28,280
Speaker 2: what they did, I don't I don't know if they

1780
01:17:28,280 --> 01:17:32,000
Speaker 2: did this with the intention to be funny or really

1781
01:17:32,040 --> 01:17:33,840
Speaker 2: just did it. So. You know how they have like

1782
01:17:33,880 --> 01:17:36,000
Speaker 2: the backstage where they have like the artists village, and

1783
01:17:36,000 --> 01:17:38,720
Speaker 2: then they'll kind of have like the lounge area. So

1784
01:17:38,800 --> 01:17:41,000
Speaker 2: the backstage they put a tent right with the bar,

1785
01:17:41,640 --> 01:17:44,120
Speaker 2: and they had signs everywhere. They put this for the

1786
01:17:44,160 --> 01:17:44,920
Speaker 2: backstage tent.

1787
01:17:45,320 --> 01:17:45,759
Speaker 1: Industry.

1788
01:17:45,800 --> 01:17:47,679
Speaker 2: The sign just says industry love.

1789
01:17:47,600 --> 01:17:51,800
Speaker 1: It, Love it mad right, simple right to let us

1790
01:17:51,880 --> 01:17:52,880
Speaker 1: know what this tent is.

1791
01:17:52,960 --> 01:17:56,040
Speaker 2: Lincoln Building here, Yeah, this is the industry. Industry here

1792
01:17:56,280 --> 01:17:57,200
Speaker 2: over free tequila.

1793
01:17:57,479 --> 01:17:57,920
Speaker 3: There you go.

1794
01:17:58,720 --> 01:18:02,400
Speaker 1: Uh. As far as new music was that all that

1795
01:18:02,520 --> 01:18:04,400
Speaker 1: already even missed something. I feel like some more ship

1796
01:18:04,520 --> 01:18:05,480
Speaker 1: came out.

1797
01:18:05,680 --> 01:18:06,960
Speaker 2: I'm sure it did. But I don't want to make

1798
01:18:06,960 --> 01:18:09,000
Speaker 2: this music segment any worse or greater than it has

1799
01:18:09,040 --> 01:18:10,439
Speaker 2: been so let's sake.

1800
01:18:10,520 --> 01:18:12,519
Speaker 4: Yeah, guys, we haven't had the chance to listen to music.

1801
01:18:12,560 --> 01:18:13,200
Speaker 4: We're sorry.

1802
01:18:13,640 --> 01:18:14,360
Speaker 1: No, it's all good.

1803
01:18:14,720 --> 01:18:18,439
Speaker 4: They made sure he listened to Sabrina though cancel.

1804
01:18:18,640 --> 01:18:19,360
Speaker 2: I listened to La.

1805
01:18:20,200 --> 01:18:23,320
Speaker 1: Yeah, it's balanced. See. I listened to Sabrina. He listened

1806
01:18:23,360 --> 01:18:26,240
Speaker 1: to Ella, he listened to Jack. I listened to Rahen.

1807
01:18:27,320 --> 01:18:29,439
Speaker 1: We're just trying to break down all these racial barriers,

1808
01:18:29,439 --> 01:18:30,679
Speaker 1: one episode at a time to matter.

1809
01:18:31,800 --> 01:18:34,080
Speaker 2: Coultran came out with the album We Had Sweet Chung

1810
01:18:35,080 --> 01:18:36,519
Speaker 2: Sweat was listening to.

1811
01:18:39,160 --> 01:18:40,639
Speaker 4: What What.

1812
01:18:40,880 --> 01:18:43,120
Speaker 1: I can't be racist. I'm a black man. I can't

1813
01:18:43,160 --> 01:18:46,400
Speaker 1: be It's not the way it works. That's how it works.

1814
01:18:46,960 --> 01:18:47,880
Speaker 1: I can't be racist.

1815
01:18:48,000 --> 01:18:50,080
Speaker 4: You can be racist to word Latina's Yes, you can.

1816
01:18:50,400 --> 01:18:54,479
Speaker 1: I'm half Puerto Rican? Are you kidding me? My dad?

1817
01:18:54,960 --> 01:18:58,280
Speaker 1: You're talking about? Wait what? Yeah?

1818
01:18:58,520 --> 01:19:00,720
Speaker 2: Now this is like the color purple over Your dad

1819
01:19:00,800 --> 01:19:03,800
Speaker 2: is not so Bigs Biggs and Hop or half Puerto Rican?

1820
01:19:04,800 --> 01:19:07,040
Speaker 1: What does Biggs live at Puerto Rican.

1821
01:19:09,640 --> 01:19:11,760
Speaker 4: Science? Science?

1822
01:19:12,920 --> 01:19:15,519
Speaker 1: Yeah? My grandmother is full Puerto Rican.

1823
01:19:15,520 --> 01:19:18,840
Speaker 2: My dad never leaves the East Side ship.

1824
01:19:20,280 --> 01:19:24,280
Speaker 1: Oh my god, I'm from the Bronx. Wow. And my

1825
01:19:24,320 --> 01:19:26,080
Speaker 1: mom's name is Carmen. But she's black.

1826
01:19:26,200 --> 01:19:26,880
Speaker 4: Get through Sabby.

1827
01:19:26,960 --> 01:19:30,000
Speaker 1: Yeah, and I've Metro Pops. I didn't know he was

1828
01:19:30,000 --> 01:19:32,839
Speaker 1: Puerto Rican. My dad speaks. He can speak fluent Spanish.

1829
01:19:33,120 --> 01:19:35,640
Speaker 1: Like people think my dad is he's the Panamanian or

1830
01:19:35,680 --> 01:19:37,040
Speaker 1: Dominican if he goes up to see them.

1831
01:19:37,520 --> 01:19:38,920
Speaker 3: Okay, that's how they would think.

1832
01:19:38,960 --> 01:19:42,400
Speaker 1: That's the fact. And I met him like that. Wow,

1833
01:19:43,080 --> 01:19:47,080
Speaker 1: it's the color purple. I can't be racist, the color complex.

1834
01:19:47,600 --> 01:19:49,240
Speaker 2: How come you don't ever rep that your Puerto Rican?

1835
01:19:49,560 --> 01:19:53,840
Speaker 2: I down when I'm uptown when it's convenient.

1836
01:19:53,960 --> 01:19:55,920
Speaker 1: Yeah, from the town. I used that card for the plug.

1837
01:19:56,040 --> 01:19:59,599
Speaker 3: Yeah, we have like the PR shoes on Oh.

1838
01:19:59,479 --> 01:20:02,439
Speaker 1: No, I never of those ever. Well the Air forces

1839
01:20:02,680 --> 01:20:04,439
Speaker 1: with the Puerto Rican flag on it? You ever put

1840
01:20:04,520 --> 01:20:08,719
Speaker 1: like into the never did that. But yeah, my mom

1841
01:20:08,800 --> 01:20:12,040
Speaker 1: my grandmother is full. What was for Puerto Rican? Oh wow,

1842
01:20:12,120 --> 01:20:14,559
Speaker 1: I learned something new every day. Yeah, man, those are

1843
01:20:14,560 --> 01:20:15,519
Speaker 1: my people, you know what I'm saying.

1844
01:20:15,840 --> 01:20:18,120
Speaker 3: But Latinos are listening to Bad Bunny right now.

1845
01:20:18,360 --> 01:20:21,040
Speaker 1: Bad But yo, listen. Bad Bunny shot a video uptown

1846
01:20:21,080 --> 01:20:24,519
Speaker 1: in the hood. Yeah he's a fucking bad Bunny. You're

1847
01:20:24,520 --> 01:20:27,400
Speaker 1: a fucking legend, bro. You gave a pass. No, no,

1848
01:20:28,200 --> 01:20:29,960
Speaker 1: I don't know who gave him pass with trust, believing

1849
01:20:30,000 --> 01:20:32,519
Speaker 1: me he needed one to pass. Oh my god, Bro,

1850
01:20:32,640 --> 01:20:35,760
Speaker 1: he was in the hood. It wasn't on one one

1851
01:20:35,800 --> 01:20:37,920
Speaker 1: eighty seventh, I think was it one eighty. He was

1852
01:20:37,960 --> 01:20:40,759
Speaker 1: somewhere uptown. He was in front of the Bow.

1853
01:20:40,680 --> 01:20:44,320
Speaker 3: Dagger like nothing, rainy day, Middle Street rain.

1854
01:20:45,000 --> 01:20:47,800
Speaker 1: I said, this nigga is a fucking legend. Well, he's

1855
01:20:47,840 --> 01:20:50,839
Speaker 1: a bad bunny. No, he's up, Bro, you don't understand.

1856
01:20:50,840 --> 01:20:53,800
Speaker 1: He's a megastar and he shot a music video in

1857
01:20:53,920 --> 01:20:57,439
Speaker 1: the middle of the hood like you people don't do that.

1858
01:20:57,479 --> 01:20:59,400
Speaker 2: He you know that he's bad meaning bad, not bad

1859
01:20:59,439 --> 01:20:59,880
Speaker 2: meaning good.

1860
01:21:00,280 --> 01:21:03,200
Speaker 1: He listened. He's bro, he's a legend for that, He's

1861
01:21:03,200 --> 01:21:05,679
Speaker 1: a llegend. I salute him for that move right there.

1862
01:21:06,479 --> 01:21:07,600
Speaker 1: Salute the bad bunny for that.

1863
01:21:07,840 --> 01:21:08,519
Speaker 4: One oh bunny?

1864
01:21:09,120 --> 01:21:11,240
Speaker 1: Excuse me? Whose name is bad bunny?

1865
01:21:11,680 --> 01:21:12,400
Speaker 4: One oh bunny?

1866
01:21:12,479 --> 01:21:16,200
Speaker 1: What's bunny in Spanish? No? I like bunny better.

1867
01:21:16,240 --> 01:21:17,680
Speaker 4: I don't want to say, but I like one o

1868
01:21:17,760 --> 01:21:19,160
Speaker 4: bunny right, good bunny on.

1869
01:21:20,000 --> 01:21:21,639
Speaker 1: Yeah, you don't want to be a good bunny. Yeah,

1870
01:21:21,640 --> 01:21:23,160
Speaker 1: you don't want to be a good bunny unless you're

1871
01:21:23,200 --> 01:21:24,080
Speaker 1: like a playboy bunny.

1872
01:21:24,160 --> 01:21:24,599
Speaker 3: Bad bunny.

1873
01:21:24,760 --> 01:21:27,960
Speaker 2: Yeah, is there evil bunnies?

1874
01:21:28,640 --> 01:21:29,400
Speaker 1: I mean, I'm sure I.

1875
01:21:29,320 --> 01:21:31,680
Speaker 4: Think there's like a horror movie about evil bunnies, right,

1876
01:21:32,160 --> 01:21:33,639
Speaker 4: or like at least a show if.

1877
01:21:33,560 --> 01:21:35,439
Speaker 3: You had a thousand bunnies in here, you wouldn't be

1878
01:21:35,479 --> 01:21:35,920
Speaker 3: freaked out.

1879
01:21:36,240 --> 01:21:41,040
Speaker 2: No, I would be where's the Silis your allergic to bunnies? No,

1880
01:21:41,680 --> 01:21:45,519
Speaker 2: Alice is you're trying to fuck the bunnies? WHOA, that's

1881
01:21:45,520 --> 01:21:48,920
Speaker 2: a I don't know what I.

1882
01:21:48,840 --> 01:21:50,120
Speaker 4: Thought that was a performance?

1883
01:21:50,320 --> 01:21:54,000
Speaker 2: Which one Isn't that like Viagras in the coke PEPs

1884
01:21:54,240 --> 01:21:56,599
Speaker 2: that's where Starbucks was. If you're trying to fuck bunnies,

1885
01:21:56,800 --> 01:22:02,599
Speaker 2: I'm not bnnies meaning King Oh, we were talking about

1886
01:22:02,600 --> 01:22:04,040
Speaker 2: the actually home bunnies.

1887
01:22:04,760 --> 01:22:07,960
Speaker 1: You're the one that pop bunnies. I'm talking about I

1888
01:22:08,000 --> 01:22:08,679
Speaker 1: just said Playboy.

1889
01:22:08,760 --> 01:22:12,680
Speaker 2: At least making sure there are rabbits like labeling nasty.

1890
01:22:12,360 --> 01:22:14,639
Speaker 3: Battlephile you whastly rabbit?

1891
01:22:16,240 --> 01:22:18,280
Speaker 1: Fucking I hainte both of y'all.

1892
01:22:19,160 --> 01:22:22,200
Speaker 2: Where's this podcast going downhill?

1893
01:22:22,439 --> 01:22:25,120
Speaker 1: According to our hater, see, if y'all would have listened

1894
01:22:25,120 --> 01:22:27,200
Speaker 1: to Sabrina Clodio's album, this wouldn't be going off. The

1895
01:22:27,640 --> 01:22:30,479
Speaker 1: man actually able to hoe on a great piece of art.

1896
01:22:30,800 --> 01:22:32,960
Speaker 1: And great piece of music. But anyway, all.

1897
01:22:32,920 --> 01:22:34,639
Speaker 2: Right, well you're Puerto Rican. You have a cousin named Rico.

1898
01:22:38,960 --> 01:22:40,800
Speaker 1: I can't put Puerto Rico.

1899
01:22:41,000 --> 01:22:43,400
Speaker 4: Can we end this podcast? Please?

1900
01:22:43,520 --> 01:22:45,400
Speaker 1: Hey, a lot of these niggas might as well go

1901
01:22:45,439 --> 01:22:47,200
Speaker 1: to Puerto Rico now that I think about it, because

1902
01:22:47,600 --> 01:22:49,479
Speaker 1: they come in and get y'all. We just gonna call

1903
01:22:49,479 --> 01:22:51,960
Speaker 1: it what it is. Uh, somebody told me online. I

1904
01:22:51,960 --> 01:22:53,439
Speaker 1: got a lot of mall been saying the same ship

1905
01:22:53,479 --> 01:22:55,320
Speaker 1: for at least seven years now. And you wonder why,

1906
01:22:55,360 --> 01:22:58,000
Speaker 1: because it's always a fact. It always comes to fruition.

1907
01:22:59,080 --> 01:23:02,760
Speaker 1: People out here playing these games, they doing shit, illegal shit,

1908
01:23:02,920 --> 01:23:04,960
Speaker 1: and they thinking that shit is just gonna disappear and

1909
01:23:05,000 --> 01:23:09,040
Speaker 1: go away. That's not the way this shit works. You

1910
01:23:09,120 --> 01:23:12,519
Speaker 1: do some shit in the streets, you're making a lot

1911
01:23:12,520 --> 01:23:14,400
Speaker 1: of money. They're gonna let you live your life. They're

1912
01:23:14,400 --> 01:23:16,719
Speaker 1: gonna let you run up the bag, travel the world,

1913
01:23:16,760 --> 01:23:21,160
Speaker 1: put out amazing albums, do amazing tours, sleep with amazing

1914
01:23:21,240 --> 01:23:24,400
Speaker 1: beautiful women, and just you know, live life. But when

1915
01:23:24,439 --> 01:23:28,720
Speaker 1: they knock on that door at five twenty seven am,

1916
01:23:28,840 --> 01:23:31,600
Speaker 1: and you know that knock and all you hear is

1917
01:23:31,640 --> 01:23:35,360
Speaker 1: walkie talkies, that's when life is gonna get real for

1918
01:23:35,360 --> 01:23:37,600
Speaker 1: a lot of y'all. And it's unfortunate because, you know,

1919
01:23:37,720 --> 01:23:40,960
Speaker 1: it's a thing that's happening now where it's almost like

1920
01:23:40,960 --> 01:23:44,360
Speaker 1: a every week we hear about somebody getting arrested, somebody

1921
01:23:44,360 --> 01:23:48,920
Speaker 1: facing charges, you know, and you know, people say, oh,

1922
01:23:49,000 --> 01:23:51,920
Speaker 1: so they're they're hunting the industry, They're hunting our entertainers

1923
01:23:51,920 --> 01:23:54,800
Speaker 1: and our Okay, that may be part of it, but

1924
01:23:54,880 --> 01:23:58,920
Speaker 1: why are they hunting our entertainers and our beloved figures

1925
01:23:58,920 --> 01:23:59,559
Speaker 1: in our culture?

1926
01:24:00,760 --> 01:24:00,800
Speaker 2: What?

1927
01:24:01,080 --> 01:24:03,320
Speaker 1: What responsibility do we hold in all of this?

1928
01:24:03,920 --> 01:24:06,120
Speaker 2: What responsibility do they hold?

1929
01:24:06,920 --> 01:24:08,720
Speaker 1: Are you one of those two that retweeted dog when

1930
01:24:08,720 --> 01:24:10,479
Speaker 1: it's the KKK going to catch Rico case?

1931
01:24:11,080 --> 01:24:13,400
Speaker 2: I didn't retweet that, but you could definitely do a

1932
01:24:13,439 --> 01:24:15,920
Speaker 2: recocase on the KKK recocase on well.

1933
01:24:16,000 --> 01:24:18,479
Speaker 1: Donald Trump named the KKK as a terrorist group and

1934
01:24:18,520 --> 01:24:19,880
Speaker 1: people just scoffed it down.

1935
01:24:20,000 --> 01:24:22,519
Speaker 2: He said they were good people. He never said that,

1936
01:24:22,600 --> 01:24:25,720
Speaker 2: but he likes take tortues from home depot. There's, uh,

1937
01:24:25,840 --> 01:24:28,920
Speaker 2: you know, with these Rico cases, at what point is

1938
01:24:29,000 --> 01:24:33,000
Speaker 2: human life like matter? Because off the reports, I don't

1939
01:24:33,040 --> 01:24:35,559
Speaker 2: know how true they were, they're tying them to what

1940
01:24:35,720 --> 01:24:37,040
Speaker 2: fifty bodies.

1941
01:24:37,360 --> 01:24:41,120
Speaker 1: Uh, something like that yet but you go kicking the

1942
01:24:41,120 --> 01:24:42,680
Speaker 1: motherfucking door. But see, that's the thing.

1943
01:24:42,720 --> 01:24:44,639
Speaker 2: After the eighth body, it is not but you don't.

1944
01:24:44,680 --> 01:24:48,360
Speaker 1: But this is the thing. Now, you know you have informants.

1945
01:24:47,800 --> 01:24:49,639
Speaker 2: For sure, And I know they find things out later.

1946
01:24:49,680 --> 01:24:50,360
Speaker 2: I understand they.

1947
01:24:50,320 --> 01:24:51,840
Speaker 1: Get pieces of the puzzle when they get them, and

1948
01:24:51,840 --> 01:24:53,160
Speaker 1: then they decide, okay, we have enough.

1949
01:24:53,439 --> 01:24:56,000
Speaker 2: But I with these informants, I there's no way you

1950
01:24:56,040 --> 01:24:58,840
Speaker 2: get to fifty bodies. And they find out about all

1951
01:24:58,840 --> 01:25:00,960
Speaker 2: fifty bodies afterwards.

1952
01:25:00,840 --> 01:25:04,280
Speaker 1: Oh well, I think they maybe not lefty, but you

1953
01:25:04,320 --> 01:25:06,720
Speaker 1: know there's been a case. Then they don't. They don't

1954
01:25:06,760 --> 01:25:08,680
Speaker 1: know exactly what happened, and they don't know where to

1955
01:25:09,240 --> 01:25:11,479
Speaker 1: And that's the way a rico where it See, the

1956
01:25:11,800 --> 01:25:15,360
Speaker 1: rico is one of the worst cases, if not the

1957
01:25:15,400 --> 01:25:17,439
Speaker 1: worst case that you can It's.

1958
01:25:17,320 --> 01:25:20,839
Speaker 2: A very unfair law, it is because even if that existed,

1959
01:25:20,840 --> 01:25:22,480
Speaker 2: and they didn't even know it existed.

1960
01:25:22,280 --> 01:25:24,240
Speaker 1: Right, Because a lot of times what they'll do is

1961
01:25:24,600 --> 01:25:27,800
Speaker 1: a lot of those unsolved murders around that time, if

1962
01:25:27,800 --> 01:25:30,280
Speaker 1: they feel like throwing that on y'all, they could throw

1963
01:25:30,280 --> 01:25:33,160
Speaker 1: it on you. So that's how we get to fifty.

1964
01:25:33,680 --> 01:25:36,439
Speaker 1: It may be thirteen and maybe fifteen people that you

1965
01:25:36,600 --> 01:25:38,720
Speaker 1: actually really had a problem with issues with and it

1966
01:25:38,840 --> 01:25:40,639
Speaker 1: was a real thing, a beef whatever in the streets.

1967
01:25:41,240 --> 01:25:43,280
Speaker 1: But the fact that they have these other twenty cases

1968
01:25:43,320 --> 01:25:46,160
Speaker 1: around that time, that's unsolved. Oh just put those all

1969
01:25:46,240 --> 01:25:48,560
Speaker 1: under the same oh for sure. And that's you know

1970
01:25:48,600 --> 01:25:50,439
Speaker 1: what I'm saying. And that's where it's fucked up. Yeah,

1971
01:25:50,479 --> 01:25:53,960
Speaker 1: you're right, But again, what what what role do we

1972
01:25:54,080 --> 01:25:56,000
Speaker 1: play in that? Because they don't just pick you out

1973
01:25:56,000 --> 01:25:57,160
Speaker 1: of a hat and say, oh, we're gonna throw a

1974
01:25:57,200 --> 01:25:59,800
Speaker 1: Rico case on YouTube this week. That's not how to

1975
01:25:59,800 --> 01:26:02,639
Speaker 1: stay work. They've obviously been on it since twenty twelve.

1976
01:26:02,680 --> 01:26:06,479
Speaker 1: They've been following you for years. They've been developed gathering intel,

1977
01:26:06,640 --> 01:26:10,880
Speaker 1: they've been in surveillance and you know, money transfers, wire

1978
01:26:10,960 --> 01:26:14,840
Speaker 1: bank transfers, things of that nature, you know, cell phone records,

1979
01:26:14,960 --> 01:26:18,360
Speaker 1: whatever it is to make their case stick and come together.

1980
01:26:18,560 --> 01:26:24,200
Speaker 1: And unfortunately we're now faced with another one of you know,

1981
01:26:24,320 --> 01:26:29,240
Speaker 1: another few of our entertainers from our culture facing heavy

1982
01:26:29,520 --> 01:26:34,360
Speaker 1: severe charges. Yeah, and it's unfortunate, it's fucked up. You know,

1983
01:26:34,439 --> 01:26:37,160
Speaker 1: it shouldn't be happening because these guys are employing a

1984
01:26:37,160 --> 01:26:39,680
Speaker 1: lot of people and you know, making life better for

1985
01:26:39,800 --> 01:26:41,559
Speaker 1: a lot of their friends and their family. They're making

1986
01:26:41,560 --> 01:26:44,240
Speaker 1: a lot of money, they're creating opportunity for people, giving

1987
01:26:44,280 --> 01:26:47,200
Speaker 1: back to their communities, all of these things, you know.

1988
01:26:47,240 --> 01:26:49,280
Speaker 1: But the thing is, if you have a past and

1989
01:26:49,320 --> 01:26:51,920
Speaker 1: the history and things like that, like those things don't

1990
01:26:51,960 --> 01:26:54,200
Speaker 1: just disappear, you know what I mean. And that's the

1991
01:26:54,240 --> 01:26:56,760
Speaker 1: fucked up part, because you can and you should be

1992
01:26:56,760 --> 01:26:58,640
Speaker 1: able to change your life and change your ways of

1993
01:26:58,680 --> 01:27:01,840
Speaker 1: living and things like that. But it doesn't just disappear

1994
01:27:02,680 --> 01:27:04,720
Speaker 1: if you were doing things in the past, and you know,

1995
01:27:04,760 --> 01:27:07,640
Speaker 1: you had ties to people that were doing things in

1996
01:27:07,640 --> 01:27:09,599
Speaker 1: the past, or ties to people that are still doing

1997
01:27:09,640 --> 01:27:12,599
Speaker 1: things that are deemed illegal, and you know you shouldn't

1998
01:27:12,600 --> 01:27:15,320
Speaker 1: be doing. It's unfortunate as fucked up, but you know,

1999
01:27:15,360 --> 01:27:18,160
Speaker 1: when they knock on that door, come get you, it's

2000
01:27:18,240 --> 01:27:18,720
Speaker 1: game over.

2001
01:27:19,080 --> 01:27:21,000
Speaker 2: I just think it's unfair with the Rico shit because

2002
01:27:21,000 --> 01:27:25,439
Speaker 2: obviously it was wasn't really created. It was brought back

2003
01:27:25,760 --> 01:27:28,719
Speaker 2: with the Italian mob because they couldn't get anyone because

2004
01:27:28,720 --> 01:27:30,960
Speaker 2: obviously the higher ups were never really doing the work

2005
01:27:30,960 --> 01:27:32,280
Speaker 2: at that point they were telling you, so they really

2006
01:27:32,320 --> 01:27:34,599
Speaker 2: could only get the people that were actually doing the crimes.

2007
01:27:35,000 --> 01:27:38,280
Speaker 2: So they were in a system that was almost impossible

2008
01:27:38,280 --> 01:27:41,320
Speaker 2: to take down. So ran with this Rico shit. M hm,

2009
01:27:43,520 --> 01:27:46,840
Speaker 2: who's going to be the lawyer that's way smarter than

2010
01:27:46,880 --> 01:27:50,320
Speaker 2: all of us to really prove how was it done

2011
01:27:50,439 --> 01:27:54,320
Speaker 2: under that flag? Like, in some ways I feel like

2012
01:27:54,360 --> 01:27:58,040
Speaker 2: with that Rico shit. It if you have like a

2013
01:27:58,080 --> 01:28:01,519
Speaker 2: phone tap of some shit and somebody that claims to

2014
01:28:01,520 --> 01:28:04,720
Speaker 2: be a member of a gang or organization says to

2015
01:28:04,760 --> 01:28:08,559
Speaker 2: somebody else, go do this. Who said it's under that flag?

2016
01:28:08,600 --> 01:28:08,720
Speaker 1: Why?

2017
01:28:08,840 --> 01:28:12,040
Speaker 2: Why is that connected to this organization? What if I

2018
01:28:12,160 --> 01:28:14,600
Speaker 2: this was my personal shit? Why does it all have

2019
01:28:14,680 --> 01:28:17,040
Speaker 2: to be under one How do you prove that it

2020
01:28:17,160 --> 01:28:19,479
Speaker 2: was done in the name of we'll use why I

2021
01:28:19,520 --> 01:28:22,920
Speaker 2: s out here or Gambino that it was done in

2022
01:28:22,920 --> 01:28:23,400
Speaker 2: that regard?

2023
01:28:24,120 --> 01:28:25,639
Speaker 1: Well, they have surveillance, they have.

2024
01:28:25,680 --> 01:28:28,920
Speaker 2: Because now you're adding people, Yeah, but informants lie.

2025
01:28:30,520 --> 01:28:33,400
Speaker 1: Yeah, but if they have formats are going to give

2026
01:28:33,400 --> 01:28:35,679
Speaker 1: you they have you want to hear, if they have video,

2027
01:28:35,720 --> 01:28:39,160
Speaker 1: if they have audio, if they have things tying you

2028
01:28:39,320 --> 01:28:42,040
Speaker 1: directly to this person. You know this person and you

2029
01:28:42,080 --> 01:28:45,960
Speaker 1: know money transfers and things like that. Now you're talking

2030
01:28:45,960 --> 01:28:47,800
Speaker 1: about this is evidence that you notice guy.

2031
01:28:47,880 --> 01:28:51,439
Speaker 2: Right, I'm not saying what the person directly does. I'm

2032
01:28:51,479 --> 01:28:53,240
Speaker 2: just saying of how they tie that shit in. If

2033
01:28:53,280 --> 01:28:55,200
Speaker 2: I'm at the head of an organization, Let's say we

2034
01:28:55,240 --> 01:28:59,000
Speaker 2: admit we are in a criminal organization. Yeah, and I

2035
01:28:59,040 --> 01:29:02,920
Speaker 2: have in rank the lowest of low. Let's do the

2036
01:29:02,960 --> 01:29:06,360
Speaker 2: mob shit. Two soldiers that decide to go kill someone,

2037
01:29:06,400 --> 01:29:09,200
Speaker 2: they talk to their higher up, their capo. Who's to

2038
01:29:09,240 --> 01:29:12,200
Speaker 2: say I had anything knowledge of that or that it

2039
01:29:12,240 --> 01:29:14,880
Speaker 2: was done under my flag? Well, a lot of people

2040
01:29:14,920 --> 01:29:18,240
Speaker 2: do that, and like the Kingpins shit, they they really

2041
01:29:18,640 --> 01:29:20,680
Speaker 2: use that shit as a buffet to put on you

2042
01:29:20,760 --> 01:29:24,720
Speaker 2: with certain stuff. Of course we know what time it is,

2043
01:29:24,880 --> 01:29:28,080
Speaker 2: but proof in court. I can't say that two motherfuckers

2044
01:29:28,080 --> 01:29:30,000
Speaker 2: that just happen to yell out YSL and they do

2045
01:29:30,040 --> 01:29:31,720
Speaker 2: a crime that's that's connected.

2046
01:29:31,320 --> 01:29:33,600
Speaker 1: To me, Well, I don't fucking know. Well, let me

2047
01:29:33,640 --> 01:29:35,280
Speaker 1: just be the first to tell you that once the

2048
01:29:35,280 --> 01:29:38,080
Speaker 1: Feds knock on your door and snatch you, they have

2049
01:29:38,200 --> 01:29:40,080
Speaker 1: everything they need to prove that you know this, gentleman,

2050
01:29:40,120 --> 01:29:40,720
Speaker 1: and that this was.

2051
01:29:40,800 --> 01:29:44,360
Speaker 2: No under the Rico law, no matter what, because you're

2052
01:29:44,400 --> 01:29:48,280
Speaker 2: all part of that organization. Now you are responsible for

2053
01:29:48,360 --> 01:29:52,840
Speaker 2: every crime in that organization. I'm saying, why that law

2054
01:29:52,880 --> 01:29:55,360
Speaker 2: is so fucked up? I could have no fucking knowledge.

2055
01:29:55,360 --> 01:29:58,479
Speaker 2: I could be minding my business. Yeah, where's the lawyer

2056
01:29:58,520 --> 01:30:00,759
Speaker 2: that's going to prove that the Rico law is injust?

2057
01:30:02,120 --> 01:30:05,000
Speaker 1: It's very unjusting and just uh okay, but you don't

2058
01:30:05,040 --> 01:30:07,360
Speaker 1: put a murder on me if and but that's what

2059
01:30:07,360 --> 01:30:08,880
Speaker 1: the banks do. And I don't want to say, but

2060
01:30:08,880 --> 01:30:10,519
Speaker 1: that's what listening. But this is what they bank on.

2061
01:30:10,680 --> 01:30:14,639
Speaker 1: They bank on telling you, right, you're gonna you're gonna

2062
01:30:14,680 --> 01:30:16,599
Speaker 1: you're gonna go to trial for that murder, that murder,

2063
01:30:16,680 --> 01:30:19,840
Speaker 1: that murder. They might know that you had nothing to

2064
01:30:19,880 --> 01:30:22,000
Speaker 1: do with that, of course, so they're gonna they're gonna

2065
01:30:22,080 --> 01:30:24,320
Speaker 1: put those twenty five to fifty years in front of

2066
01:30:24,360 --> 01:30:26,720
Speaker 1: you and say, okay, oh no, I know, I know

2067
01:30:26,760 --> 01:30:28,640
Speaker 1: the put some more beat on that joint. I'm you

2068
01:30:28,640 --> 01:30:29,400
Speaker 1: know what I'm saying, Who.

2069
01:30:29,400 --> 01:30:32,320
Speaker 2: Is gonna prove in court on a whole separate case,

2070
01:30:32,439 --> 01:30:34,880
Speaker 2: Like when is it gonna be the United States versus Rico?

2071
01:30:35,560 --> 01:30:37,840
Speaker 2: Like there needs to be a whole separate trial about

2072
01:30:37,960 --> 01:30:41,800
Speaker 2: Rico and how fucked up and injust it is under

2073
01:30:41,840 --> 01:30:42,960
Speaker 2: what America stands for.

2074
01:30:43,080 --> 01:30:45,519
Speaker 1: But this it is unjust. We know that Eden b

2075
01:30:45,600 --> 01:30:47,000
Speaker 1: yelling New Royan Maull all the time.

2076
01:30:47,080 --> 01:30:48,880
Speaker 2: It's probably in his bio. What he does in the

2077
01:30:48,880 --> 01:30:50,240
Speaker 2: stumble In is none of my fucking.

2078
01:30:50,000 --> 01:30:51,479
Speaker 1: Business, right the fact.

2079
01:30:52,080 --> 01:30:53,800
Speaker 3: Yeah literally, I mean so.

2080
01:30:53,840 --> 01:30:56,320
Speaker 2: If you Rico us up and I find out Edden's

2081
01:30:56,360 --> 01:30:58,719
Speaker 2: in the stumble In running a whole heroin ring.

2082
01:30:59,240 --> 01:31:02,559
Speaker 1: Lead me the fuck out. I pod no, listen, I understand,

2083
01:31:02,880 --> 01:31:04,599
Speaker 1: I get what you're saying. But at the same time,

2084
01:31:05,720 --> 01:31:10,000
Speaker 1: they've gathered enough information. I texted, yeah, now you have

2085
01:31:10,040 --> 01:31:12,599
Speaker 1: to prove you Now, now you have to prove okay,

2086
01:31:12,640 --> 01:31:15,280
Speaker 1: you don't know about this. Okay, prove it. Prove that

2087
01:31:15,320 --> 01:31:16,200
Speaker 1: you knew nothing about this.

2088
01:31:16,560 --> 01:31:19,000
Speaker 2: I've seen Ed holding it down in his ig Q

2089
01:31:19,160 --> 01:31:22,120
Speaker 2: and A. He held it down on Rico day. They

2090
01:31:22,160 --> 01:31:24,000
Speaker 2: asked them, said, you hang out with Ryan Moore outside

2091
01:31:24,000 --> 01:31:26,240
Speaker 2: the potty. So no, it's my guy right there.

2092
01:31:26,280 --> 01:31:30,360
Speaker 1: I taught you, well, my Mexican Warrior, my Mexican.

2093
01:31:30,920 --> 01:31:32,519
Speaker 4: The Warrior is the racist person.

2094
01:31:33,439 --> 01:31:35,879
Speaker 1: I see you see you see what I'm saying. Anything

2095
01:31:36,080 --> 01:31:40,200
Speaker 1: is racist, bro, anything is racist. Shit is crazy. But yeah, man,

2096
01:31:40,240 --> 01:31:42,840
Speaker 1: you no prayers and uh you know, and and good

2097
01:31:42,920 --> 01:31:45,840
Speaker 1: luck to everyone involved with that case man with Young

2098
01:31:45,880 --> 01:31:48,439
Speaker 1: Thug Gunner and everybody involved in that. Man, it's just

2099
01:31:48,880 --> 01:31:50,679
Speaker 1: it's a fucked up situation all the way around.

2100
01:31:52,000 --> 01:31:54,840
Speaker 2: I just I pray QC doesn't get dragged into it

2101
01:31:54,840 --> 01:31:55,600
Speaker 2: when they don't need to be.

2102
01:31:55,680 --> 01:31:57,760
Speaker 1: I pray nobody gets dragged into it, you know what

2103
01:31:57,760 --> 01:32:00,200
Speaker 1: I'm saying. Like it's because it's fucked up. Man, We're

2104
01:32:00,200 --> 01:32:02,200
Speaker 1: talking about dudes that are really doing great things and

2105
01:32:02,680 --> 01:32:04,760
Speaker 1: change their lives. And we all know what some of

2106
01:32:04,800 --> 01:32:06,400
Speaker 1: these we come from the same place, you know what

2107
01:32:06,400 --> 01:32:10,240
Speaker 1: I'm saying. So I know what you know Young Thug

2108
01:32:10,439 --> 01:32:12,880
Speaker 1: came up out of. I know what Gunner came up

2109
01:32:12,880 --> 01:32:15,680
Speaker 1: out of. You know what I'm saying. I'm not from Georgia,

2110
01:32:15,760 --> 01:32:17,280
Speaker 1: but I'm from New York City, and you know, I

2111
01:32:17,320 --> 01:32:18,280
Speaker 1: know what I had to come up out of it.

2112
01:32:18,320 --> 01:32:19,640
Speaker 1: I know what I experienced, I know what I was

2113
01:32:19,720 --> 01:32:21,880
Speaker 1: around growing up, and I just am grateful that I

2114
01:32:21,920 --> 01:32:23,840
Speaker 1: never felt victim to a lot of that crazy shit

2115
01:32:23,880 --> 01:32:26,160
Speaker 1: and I was able to pivot and move certain ways

2116
01:32:26,200 --> 01:32:29,320
Speaker 1: and you know, get out of certain situations without any

2117
01:32:29,520 --> 01:32:33,160
Speaker 1: real crazy shit in my life happening. But you know,

2118
01:32:33,360 --> 01:32:35,439
Speaker 1: I also got a lot of friends that fell victim

2119
01:32:35,479 --> 01:32:37,280
Speaker 1: to that shit. You know what I'm saying. And you know,

2120
01:32:37,360 --> 01:32:39,360
Speaker 1: one of my best friends is you know, serving sixteen

2121
01:32:39,439 --> 01:32:41,360
Speaker 1: years right now, and you know what I'm saying. So

2122
01:32:41,400 --> 01:32:43,599
Speaker 1: it's you know, I understand it, you know, but it's

2123
01:32:44,439 --> 01:32:47,320
Speaker 1: it's just fucked up because again, it happens at a

2124
01:32:47,360 --> 01:32:50,160
Speaker 1: time where a lot of these men are doing the

2125
01:32:50,240 --> 01:32:53,240
Speaker 1: right thing and they have changed their lives. But sometimes,

2126
01:32:53,280 --> 01:32:56,280
Speaker 1: you know, you can't be one foot in, one foot out,

2127
01:32:56,439 --> 01:33:00,160
Speaker 1: and that's where we that's where we you know, that's

2128
01:33:00,200 --> 01:33:02,559
Speaker 1: what that's that's the part that I don't think that

2129
01:33:02,600 --> 01:33:04,760
Speaker 1: we have fully grasped, just because I don't live in

2130
01:33:04,800 --> 01:33:07,639
Speaker 1: these communities no more, and you know, I'm not actively

2131
01:33:07,680 --> 01:33:09,680
Speaker 1: out here, you know, in the car riding around with

2132
01:33:09,680 --> 01:33:11,479
Speaker 1: the homies and doing shit, and I'm not on the

2133
01:33:11,520 --> 01:33:14,439
Speaker 1: corner serving and pitching and all that other shit no more,

2134
01:33:15,360 --> 01:33:17,599
Speaker 1: you know. But if i'm you know, if you got

2135
01:33:17,600 --> 01:33:19,559
Speaker 1: your homies in the situation where they're still doing that

2136
01:33:19,640 --> 01:33:21,760
Speaker 1: and you kind of funding it, bro, that's illegal.

2137
01:33:22,240 --> 01:33:25,000
Speaker 2: But but what's fucked up about that? And what's fucked

2138
01:33:25,040 --> 01:33:26,640
Speaker 2: up with the RICO shit? And I don't know the

2139
01:33:26,640 --> 01:33:30,760
Speaker 2: evidence at all, but I can see a world where

2140
01:33:30,840 --> 01:33:34,599
Speaker 2: thug is so busy and he gives his friends money.

2141
01:33:35,040 --> 01:33:38,400
Speaker 2: See the transaction absolutely his friends. But yeah, that could

2142
01:33:38,400 --> 01:33:39,760
Speaker 2: be a judgment call from thug and I'm not here

2143
01:33:39,800 --> 01:33:40,719
Speaker 2: to judge him on anything.

2144
01:33:40,880 --> 01:33:41,840
Speaker 1: You can do whatever you want.

2145
01:33:42,960 --> 01:33:45,160
Speaker 2: That's where the Rico logue gets so fucked up, where

2146
01:33:45,200 --> 01:33:47,719
Speaker 2: it's like I am trying to get out of this environment.

2147
01:33:47,760 --> 01:33:49,519
Speaker 2: But these are my friends and family that I do

2148
01:33:49,560 --> 01:33:51,680
Speaker 2: need to take care of, and if I do give

2149
01:33:51,720 --> 01:33:56,000
Speaker 2: them money, I don't have the time where I need

2150
01:33:56,040 --> 01:33:58,880
Speaker 2: to micro manage everything that these people do with their money.

2151
01:33:58,920 --> 01:34:01,360
Speaker 2: You're right, So I and you rent a car and

2152
01:34:01,360 --> 01:34:03,880
Speaker 2: you go do some ship that's fucked up as as

2153
01:34:03,920 --> 01:34:04,559
Speaker 2: my friend that you.

2154
01:34:04,479 --> 01:34:07,599
Speaker 1: Would absolutely absolutely, but now you got to that. Yeah,

2155
01:34:07,880 --> 01:34:09,360
Speaker 1: and that's the and that's what you see what I'm saying,

2156
01:34:09,400 --> 01:34:11,680
Speaker 1: like it's fucked up. You're right because I could just

2157
01:34:11,720 --> 01:34:13,040
Speaker 1: rent a car from home. Was I give them a

2158
01:34:13,080 --> 01:34:15,200
Speaker 1: call for the weekend. They want to chill cool, But

2159
01:34:15,240 --> 01:34:16,840
Speaker 1: now if y'all doing dumb ship in the car that

2160
01:34:16,880 --> 01:34:20,360
Speaker 1: I read it, that falls on me. You already had

2161
01:34:20,360 --> 01:34:22,320
Speaker 1: that talk with your homies, Like listen, we're not We're

2162
01:34:22,320 --> 01:34:24,439
Speaker 1: not one footing if you fucking with me, and you're

2163
01:34:24,439 --> 01:34:26,880
Speaker 1: gonna be around me. This is what my life is now,

2164
01:34:26,920 --> 01:34:29,200
Speaker 1: this is what I'm on. I'm making this music, I'm

2165
01:34:29,240 --> 01:34:32,439
Speaker 1: into fashion, I'm going to Paris for you know shows,

2166
01:34:32,439 --> 01:34:35,400
Speaker 1: sitting on the front row on these at these shows, like,

2167
01:34:35,439 --> 01:34:37,559
Speaker 1: I'm this is the world I'm in there. I'm not

2168
01:34:37,600 --> 01:34:38,479
Speaker 1: with this ship no more.

2169
01:34:38,520 --> 01:34:38,560
Speaker 4: So.

2170
01:34:38,600 --> 01:34:39,720
Speaker 1: If you want to be a part of this and

2171
01:34:39,760 --> 01:34:41,960
Speaker 1: you want to do some shit in this world that

2172
01:34:42,080 --> 01:34:44,160
Speaker 1: I got, you, come on, but I can't. You can't

2173
01:34:44,200 --> 01:34:47,120
Speaker 1: have people around you one foot in, one foot out,

2174
01:34:47,120 --> 01:34:49,559
Speaker 1: because then that shit all falls on everybody, especially if

2175
01:34:49,560 --> 01:34:53,519
Speaker 1: you're the the big figure with the money. Yeah, you're

2176
01:34:53,560 --> 01:34:56,439
Speaker 1: the rich friend and you've been you've been sending your

2177
01:34:56,439 --> 01:34:59,720
Speaker 1: homies money like and they out here doing wicked ship

2178
01:34:59,800 --> 01:35:02,040
Speaker 1: and or shit that's illegal. Of course you got some

2179
01:35:02,160 --> 01:35:04,639
Speaker 1: answering to do to that. Of course that's what That's

2180
01:35:04,640 --> 01:35:07,120
Speaker 1: what's gonna happen. It's fucked up, but that's just what

2181
01:35:07,240 --> 01:35:08,680
Speaker 1: it is, you know what I'm saying. And again you

2182
01:35:08,720 --> 01:35:13,360
Speaker 1: know it's we another situation where you know, our people,

2183
01:35:13,360 --> 01:35:15,479
Speaker 1: for our coaches, face with this. I saw that Casting

2184
01:35:15,479 --> 01:35:19,600
Speaker 1: over pleaded guilty to his uh his charges in his case.

2185
01:35:19,439 --> 01:35:21,559
Speaker 2: Yeah, shooting and robbery.

2186
01:35:21,760 --> 01:35:23,400
Speaker 1: I think there was one more, I think and one

2187
01:35:23,479 --> 01:35:26,840
Speaker 1: hundred pounds of marijuana or something like that. It's drug

2188
01:35:26,920 --> 01:35:31,160
Speaker 1: charges basically, again, unfortunate. It's unfortunate, man, you know what

2189
01:35:31,160 --> 01:35:33,439
Speaker 1: I'm saying. Here's somebody that's trying to change their life,

2190
01:35:33,479 --> 01:35:38,280
Speaker 1: do something different, you know. But again and also here

2191
01:35:39,080 --> 01:35:42,240
Speaker 1: and I like to give people the benefit of doubt.

2192
01:35:44,040 --> 01:35:45,880
Speaker 2: Cas coould have got caught up in that ship. And

2193
01:35:45,920 --> 01:35:48,439
Speaker 2: sometimes you have to take a deal that you don't

2194
01:35:48,439 --> 01:35:52,280
Speaker 2: want to take because the Feds are gonna fed So

2195
01:35:53,120 --> 01:35:54,720
Speaker 2: maybe I should take a plea deal even if I

2196
01:35:54,760 --> 01:35:56,680
Speaker 2: didn't do this shit, because I know if I go

2197
01:35:56,800 --> 01:35:58,400
Speaker 2: to trial with this rico shit they have, they're gonna

2198
01:35:58,439 --> 01:36:00,280
Speaker 2: put shit on me that I didn't even know about,

2199
01:36:00,680 --> 01:36:02,639
Speaker 2: just because I happen to be the most popular person

2200
01:36:02,680 --> 01:36:05,320
Speaker 2: and they can say that's the one that's the kingpin

2201
01:36:05,520 --> 01:36:07,720
Speaker 2: of this whole ship. Yeah, And that's why I think

2202
01:36:07,760 --> 01:36:10,320
Speaker 2: that that law is so fucked up, because Cask be like,

2203
01:36:10,320 --> 01:36:13,479
Speaker 2: all right, uh, ship, I guess I'll do the drug

2204
01:36:13,520 --> 01:36:16,160
Speaker 2: one to pley out too, just because I know if

2205
01:36:16,240 --> 01:36:18,600
Speaker 2: I go and fight this, I'm gonna lose just of

2206
01:36:18,640 --> 01:36:21,040
Speaker 2: how this law is structured. So cas could be pleading

2207
01:36:21,040 --> 01:36:22,800
Speaker 2: guilty to some ship. He didn't do it all all

2208
01:36:22,840 --> 01:36:25,559
Speaker 2: the time, So that's what's guilty. Oh No, it's That's

2209
01:36:25,600 --> 01:36:28,080
Speaker 2: what I'm saying. The whole system is fucked up, you

2210
01:36:28,120 --> 01:36:28,559
Speaker 2: know what I mean.

2211
01:36:28,840 --> 01:36:29,960
Speaker 1: It's just a system.

2212
01:36:30,080 --> 01:36:31,400
Speaker 2: Do I want to do ten or do I want

2213
01:36:31,400 --> 01:36:34,040
Speaker 2: to do life? Even if I didn't do anything, even.

2214
01:36:33,840 --> 01:36:35,840
Speaker 1: If I didn't do anything, like I got to take this,

2215
01:36:35,920 --> 01:36:36,680
Speaker 1: I gotta eat this one.

2216
01:36:36,880 --> 01:36:38,599
Speaker 2: Yeah, I'll take the shooting.

2217
01:36:38,920 --> 01:36:40,559
Speaker 1: I get it. You know, I got friends that have

2218
01:36:40,680 --> 01:36:43,000
Speaker 1: gone through that, still going through that. I get it.

2219
01:36:43,040 --> 01:36:46,519
Speaker 1: But you know, like I said, man, the Feds they

2220
01:36:46,640 --> 01:36:48,920
Speaker 1: not just knocking on random doors just snatching people out

2221
01:36:48,960 --> 01:36:50,960
Speaker 1: of nowhere. I'm not saying that, you know what I mean.

2222
01:36:51,080 --> 01:36:52,960
Speaker 1: And that's that's that's ultimately what it is.

2223
01:36:53,040 --> 01:36:55,519
Speaker 2: Just like Cassie even said, yeah, I was part of

2224
01:36:55,520 --> 01:36:58,360
Speaker 2: that organization, I'm not anymore. I'm doing positive. He said

2225
01:36:58,400 --> 01:37:00,960
Speaker 2: that himself when it wasn't like some planned rollout, So

2226
01:37:01,000 --> 01:37:03,040
Speaker 2: and asked them. Nick Cannon ask him a question, Yeah,

2227
01:37:03,120 --> 01:37:05,160
Speaker 2: like I'm not in that ship anymore. Yeah, And I

2228
01:37:05,200 --> 01:37:07,439
Speaker 2: felt cast was one hundred percent telling the truth, Like, yeah,

2229
01:37:07,520 --> 01:37:08,639
Speaker 2: do that ship is my time?

2230
01:37:09,360 --> 01:37:12,719
Speaker 1: I've moved the fuck on right either way, man. Prayers

2231
01:37:12,760 --> 01:37:15,720
Speaker 1: to casting over praiers, the young thug, prayers the gun,

2232
01:37:15,760 --> 01:37:18,200
Speaker 1: and prays to anybody else that's involved that have to

2233
01:37:18,200 --> 01:37:21,120
Speaker 1: stand before a trial. And prayers to victims, and prayers

2234
01:37:21,160 --> 01:37:24,240
Speaker 1: to the victims. Absolutely, prayers to the victims, to their families,

2235
01:37:25,360 --> 01:37:28,599
Speaker 1: whether they were victims or not. It's it's just all unfortunate, man.

2236
01:37:28,640 --> 01:37:31,000
Speaker 1: It's just you know, I never I never. I never

2237
01:37:31,080 --> 01:37:33,519
Speaker 1: like to hear about do some of my culture, you know,

2238
01:37:33,640 --> 01:37:35,920
Speaker 1: going to prison, having to stand in front of these

2239
01:37:36,000 --> 01:37:39,599
Speaker 1: judges and things like that, because you know, that's that's

2240
01:37:39,600 --> 01:37:41,479
Speaker 1: the last place you want to be. I mean, that's

2241
01:37:41,479 --> 01:37:46,440
Speaker 1: where shit becomes very real and life hits you really fast.

2242
01:37:46,880 --> 01:37:48,639
Speaker 1: It's just unfortunate, man, you know. I mean, we got

2243
01:37:48,680 --> 01:37:52,200
Speaker 1: to find another way to to do things, man, another

2244
01:37:52,200 --> 01:37:54,719
Speaker 1: way to pivot out of this lifestyle and the ship

2245
01:37:54,760 --> 01:37:57,120
Speaker 1: that we come from. Because like I said, you know,

2246
01:37:57,200 --> 01:37:59,880
Speaker 1: I'm from I'm from Nanish cities, grew up around old

2247
01:38:00,600 --> 01:38:02,840
Speaker 1: I know what all this shit is about. But I

2248
01:38:02,880 --> 01:38:05,800
Speaker 1: was just always aware of consequences. Yeah, you know, when

2249
01:38:05,840 --> 01:38:09,479
Speaker 1: you start telling me, you know, there's only two ways

2250
01:38:09,479 --> 01:38:12,320
Speaker 1: out of this, and I don't like those two ways.

2251
01:38:12,720 --> 01:38:14,960
Speaker 1: I'm just not fucking with it. You know, I'll go

2252
01:38:15,000 --> 01:38:16,880
Speaker 1: get it. I'll go get a regular job. I'll go

2253
01:38:17,400 --> 01:38:19,120
Speaker 1: work in the stock room somewhere. I'll go. You know

2254
01:38:19,160 --> 01:38:21,920
Speaker 1: what I'm saying. Anything, I just that game. Are you

2255
01:38:22,000 --> 01:38:25,880
Speaker 1: telling me that's the that's the out? Yeah, I'm cool.

2256
01:38:25,920 --> 01:38:27,080
Speaker 1: I don't want no part of that. I'm not. I

2257
01:38:27,080 --> 01:38:28,679
Speaker 1: don't want to want to go to jails. No women

2258
01:38:28,720 --> 01:38:31,519
Speaker 1: in there, and I don't want to die. You know

2259
01:38:31,520 --> 01:38:33,400
Speaker 1: what I'm saying, like or not before my time? You

2260
01:38:33,439 --> 01:38:36,559
Speaker 1: know what I'm saying. So it is what it is, man,

2261
01:38:36,920 --> 01:38:39,240
Speaker 1: But I'm not I'm not looking down on nobody because

2262
01:38:39,240 --> 01:38:41,680
Speaker 1: trust me, I understand it. I understand it. I get it.

2263
01:38:41,680 --> 01:38:45,000
Speaker 1: But this is an example, and this was what they're doing.

2264
01:38:45,080 --> 01:38:47,439
Speaker 1: They're setting examples, They're putting examples in front of us.

2265
01:38:47,800 --> 01:38:51,360
Speaker 1: You do this, We're coming. We're coming. You know what

2266
01:38:51,360 --> 01:38:53,479
Speaker 1: I mean. Get mad at the system and all of

2267
01:38:53,479 --> 01:38:56,600
Speaker 1: this is unfit. They are coming. Yeah, that is the

2268
01:38:56,640 --> 01:38:59,240
Speaker 1: bottom line. Get into this lifestyle. You do these things

2269
01:39:00,120 --> 01:39:02,120
Speaker 1: just just something. They don't do it because they all

2270
01:39:02,160 --> 01:39:05,680
Speaker 1: have matching T shirts on and ye they have they

2271
01:39:05,680 --> 01:39:08,800
Speaker 1: have way more joking, they have way more than that.

2272
01:39:09,000 --> 01:39:11,160
Speaker 2: Have you guys, speaking of prison, have you guys watched

2273
01:39:11,479 --> 01:39:14,360
Speaker 2: the first three episodes of The Staircase on HBO Max since.

2274
01:39:14,160 --> 01:39:16,840
Speaker 1: We're not back all right, No, didn't watch it yet.

2275
01:39:16,880 --> 01:39:20,560
Speaker 2: You've been telling us for I think the fourth episode

2276
01:39:20,640 --> 01:39:24,040
Speaker 2: comes out today or tomorrow, Okay, so you can binge for.

2277
01:39:25,479 --> 01:39:29,559
Speaker 2: And you were saying, there's no women in prison. I

2278
01:39:29,560 --> 01:39:35,080
Speaker 2: don't spoil anything, but I've seen the doc. He probably

2279
01:39:35,160 --> 01:39:39,519
Speaker 2: had fun in prison. I didn't feel for him. He was.

2280
01:39:39,760 --> 01:39:42,719
Speaker 2: He was probably going crazy in there, like the correction officers.

2281
01:39:42,920 --> 01:39:48,640
Speaker 1: No, okay, no, yeah, that sounds like just something that

2282
01:39:48,680 --> 01:39:50,280
Speaker 1: I just I didn't want to spoil. He's bisexual. He

2283
01:39:50,320 --> 01:39:53,080
Speaker 1: loves dudes. Oh so he was going Yeah, no me,

2284
01:39:53,120 --> 01:39:55,280
Speaker 1: I'm heterosexual. I wouldn't have fun in prison. I'm saying.

2285
01:39:55,320 --> 01:39:57,960
Speaker 2: The gentleman from the Staircase, Okay, got he and he

2286
01:39:58,000 --> 01:40:02,720
Speaker 2: went to like not the craziest jail. Okay, so they

2287
01:40:03,840 --> 01:40:04,799
Speaker 2: got ice cream and ship.

2288
01:40:04,680 --> 01:40:07,080
Speaker 1: It was like camp. Yeah, he went to boy to

2289
01:40:07,120 --> 01:40:12,200
Speaker 1: sleep boy camp. Yeah, I get it. Uh more sad news. Uh.

2290
01:40:13,160 --> 01:40:15,120
Speaker 1: I don't like to call him YouTube sensation man, but

2291
01:40:15,200 --> 01:40:20,160
Speaker 1: I guess that was his title YouTube personality. Uh, you know,

2292
01:40:20,920 --> 01:40:28,679
Speaker 1: very opinionated, well educated, well dressed. Uh. Kevin Samuels passed away.

2293
01:40:29,200 --> 01:40:31,640
Speaker 1: Rest in peace, Rest in peace. Kevin Samuel's prayers and

2294
01:40:31,640 --> 01:40:33,320
Speaker 1: gondolas to the family I read.

2295
01:40:33,360 --> 01:40:35,960
Speaker 2: I don't know if it was accurate, because it was like,

2296
01:40:36,040 --> 01:40:40,280
Speaker 2: right when everything was happening, that his mother found out

2297
01:40:40,439 --> 01:40:41,240
Speaker 2: via social media.

2298
01:40:41,880 --> 01:40:43,680
Speaker 1: That was something I saw too. I don't know how

2299
01:40:43,680 --> 01:40:47,639
Speaker 1: true that is. I hope she didn't, but I saw

2300
01:40:47,680 --> 01:40:49,960
Speaker 1: that too. That was unfortunate. I hope I pray that

2301
01:40:50,040 --> 01:40:53,479
Speaker 1: his mother didn't find out about him passion through social media,

2302
01:40:53,600 --> 01:40:57,800
Speaker 1: but if it did, it's unfortunate. That's the way that

2303
01:40:57,800 --> 01:41:00,120
Speaker 1: that that happened. Uh. But either way, man, rest a

2304
01:41:00,160 --> 01:41:04,799
Speaker 1: piece of Kevin Samuels, his uh, his personality, his opinions,

2305
01:41:04,840 --> 01:41:07,559
Speaker 1: you know, a lots some things I I was digging

2306
01:41:07,600 --> 01:41:08,920
Speaker 1: them on and some things I was kind of like

2307
01:41:09,000 --> 01:41:11,800
Speaker 1: he went a little crazy. But either way, it's entertainment, man,

2308
01:41:11,840 --> 01:41:16,240
Speaker 1: It was all It's just it's all entertainment, educating, you know,

2309
01:41:16,320 --> 01:41:20,000
Speaker 1: trying to educate men and women on certain things, on

2310
01:41:20,280 --> 01:41:22,600
Speaker 1: how men feel and how women feel. You know, how

2311
01:41:22,720 --> 01:41:25,320
Speaker 1: like I said, however, you want to you know, build

2312
01:41:25,360 --> 01:41:27,040
Speaker 1: it up and dress it up. You know, he was

2313
01:41:27,080 --> 01:41:29,840
Speaker 1: just somebody that built the platform based off his opinion

2314
01:41:29,840 --> 01:41:32,880
Speaker 1: and his perspective and his beliefs and how things you know,

2315
01:41:33,760 --> 01:41:35,360
Speaker 1: should go with men and women.

2316
01:41:36,360 --> 01:41:38,280
Speaker 2: I don't want to get into that Meg stuff. It

2317
01:41:38,520 --> 01:41:42,960
Speaker 2: just wait for that trial to come for real. I

2318
01:41:42,960 --> 01:41:44,719
Speaker 2: don't know these sources. I don't know shit.

2319
01:41:45,120 --> 01:41:47,800
Speaker 1: People have been poking at me, trying to get me

2320
01:41:47,840 --> 01:41:51,840
Speaker 1: to speak about this, uh, this situation for the last

2321
01:41:51,920 --> 01:41:59,439
Speaker 1: however long, and I'm not because I know how this thing,

2322
01:41:59,720 --> 01:42:02,719
Speaker 1: how do these things work, I know how these things

2323
01:42:02,720 --> 01:42:08,080
Speaker 1: play out. So I'm just you know, if you're a

2324
01:42:08,080 --> 01:42:09,800
Speaker 1: fan and you want to listen to somebody, you don't

2325
01:42:09,800 --> 01:42:11,599
Speaker 1: want to cancel them, that's fine, you know what I mean,

2326
01:42:11,640 --> 01:42:14,720
Speaker 1: Like that's totally fine. Like it's not you know, you

2327
01:42:14,760 --> 01:42:17,680
Speaker 1: can support these people if you want to. Everybody's their

2328
01:42:17,720 --> 01:42:20,240
Speaker 1: own individual everybody can do what they can. I just

2329
01:42:20,320 --> 01:42:25,040
Speaker 1: would wish that people would just just kind of like

2330
01:42:25,320 --> 01:42:28,240
Speaker 1: just let things play out, like go with facts. Don't

2331
01:42:28,320 --> 01:42:31,479
Speaker 1: jump on what you are hearing and things that you're

2332
01:42:31,520 --> 01:42:35,640
Speaker 1: seeing that you know, go with facts and just let

2333
01:42:35,720 --> 01:42:38,760
Speaker 1: the facts be the facts. Common Sense maybe here and

2334
01:42:38,800 --> 01:42:41,800
Speaker 1: there never hurt nobody, just she was common sense when

2335
01:42:42,240 --> 01:42:45,800
Speaker 1: speaking on the Internet, Like, that's you're asking. I know

2336
01:42:45,840 --> 01:42:47,280
Speaker 1: I am, but I'm just saying this is just shoot

2337
01:42:47,360 --> 01:42:48,240
Speaker 1: some comments.

2338
01:42:47,840 --> 01:42:49,800
Speaker 2: Why the internet is fun. It doesn't require it.

2339
01:42:49,840 --> 01:42:51,960
Speaker 1: But it's just like, you know, everyone can come, but

2340
01:42:52,000 --> 01:42:54,439
Speaker 1: we should. Yeah right, it's one of those parties everyone

2341
01:42:54,520 --> 01:42:57,240
Speaker 1: can but when you come, just we're not asking you

2342
01:42:57,320 --> 01:42:58,120
Speaker 1: to come with those.

2343
01:42:58,200 --> 01:43:00,479
Speaker 2: Those are the worst parties, but they are the most entertaining.

2344
01:43:00,600 --> 01:43:03,759
Speaker 1: Yeah, because everybody's one can come. Everybody can come.

2345
01:43:03,600 --> 01:43:04,800
Speaker 3: But just everybody comes.

2346
01:43:04,880 --> 01:43:07,880
Speaker 1: Can you just bring common sense through the door with

2347
01:43:07,960 --> 01:43:08,400
Speaker 1: you please?

2348
01:43:08,479 --> 01:43:12,519
Speaker 2: No, that's that's not this party. It's yeah, and that's

2349
01:43:12,520 --> 01:43:15,439
Speaker 2: why this party is based off sensationalism. And hey, I

2350
01:43:15,479 --> 01:43:17,960
Speaker 2: have a thought. Yeah, here of mine.

2351
01:43:18,520 --> 01:43:21,519
Speaker 1: Okay, yeah, you're right. I did see that J Cole

2352
01:43:21,600 --> 01:43:24,800
Speaker 1: went to one of his biggest fans college graduation. I

2353
01:43:24,840 --> 01:43:28,240
Speaker 1: thought that that was another feather in J Cole's legendary hat.

2354
01:43:28,520 --> 01:43:33,120
Speaker 1: But just being a very solid, very unique individual, keep

2355
01:43:33,120 --> 01:43:35,479
Speaker 1: being a promise a lot and kept his promise to

2356
01:43:35,560 --> 01:43:37,960
Speaker 1: her that if she went to a four year school,

2357
01:43:38,640 --> 01:43:41,559
Speaker 1: he'd be at her graduation. And he went to a graduation,

2358
01:43:41,640 --> 01:43:43,000
Speaker 1: So I thought that that was really dope. Shout out

2359
01:43:43,000 --> 01:43:45,639
Speaker 1: to Jamaine calling him Jamaine, Like, that's my guy, right

2360
01:43:45,840 --> 01:43:46,559
Speaker 1: he him?

2361
01:43:46,800 --> 01:43:50,160
Speaker 2: Man, Yeah, he has the best PR team that's not

2362
01:43:50,200 --> 01:43:51,280
Speaker 2: a PR team of all time.

2363
01:43:51,439 --> 01:43:51,639
Speaker 1: Yeah.

2364
01:43:52,560 --> 01:43:54,280
Speaker 2: He just people will just take a photo and it'll

2365
01:43:54,280 --> 01:43:55,320
Speaker 2: go out, shout.

2366
01:43:55,120 --> 01:43:55,559
Speaker 3: Out to Eve.

2367
01:43:56,320 --> 01:43:56,799
Speaker 2: Uh.

2368
01:43:57,439 --> 01:43:59,960
Speaker 1: Tom Brady has agreed to a three hundred and seven

2369
01:44:00,200 --> 01:44:03,880
Speaker 1: five million dollar analyst deal. I'm not that last season.

2370
01:44:03,960 --> 01:44:06,160
Speaker 2: Sorry, I would have stayed retired.

2371
01:44:06,200 --> 01:44:08,160
Speaker 1: I always said that Tom Brady was gonna get a

2372
01:44:08,200 --> 01:44:10,880
Speaker 1: crazy bag once he decided to retire just to be

2373
01:44:10,920 --> 01:44:14,000
Speaker 1: an analyst, just because when you've won that many Super

2374
01:44:14,040 --> 01:44:16,640
Speaker 1: Bowls and had the careate that Tom Brady has, just

2375
01:44:16,680 --> 01:44:19,000
Speaker 1: your your your mind and your brain on the game

2376
01:44:19,080 --> 01:44:22,280
Speaker 1: is just doesn't it's super valuable. So I always knew

2377
01:44:22,320 --> 01:44:23,360
Speaker 1: that that bag was gonna come.

2378
01:44:23,560 --> 01:44:26,439
Speaker 2: I just feel like no one thought what Romo thought

2379
01:44:26,600 --> 01:44:28,760
Speaker 2: when he saw that Romo.

2380
01:44:28,560 --> 01:44:30,760
Speaker 1: Gonna step his ship up this season. Romo could step

2381
01:44:30,800 --> 01:44:32,120
Speaker 1: his shit up all he won. He will never see

2382
01:44:32,160 --> 01:44:33,120
Speaker 1: that much money.

2383
01:44:33,800 --> 01:44:36,400
Speaker 2: All right, wait till they're both. Romo is gonna take

2384
01:44:36,400 --> 01:44:37,240
Speaker 2: this for real.

2385
01:44:37,360 --> 01:44:40,360
Speaker 1: So yeah, man, that's it for today. Off off for

2386
01:44:40,439 --> 01:44:44,320
Speaker 1: this weekend. We'll be back next week. We will have

2387
01:44:44,560 --> 01:44:46,720
Speaker 1: the bathroom with more to talk about, more things to

2388
01:44:46,760 --> 01:44:49,679
Speaker 1: talk about in the culture. Hopefully we have some positive

2389
01:44:49,680 --> 01:44:53,360
Speaker 1: things with the Kendrick album. The Kendrick album is available now.

2390
01:44:53,400 --> 01:44:54,360
Speaker 1: If you're listening to this.

2391
01:44:54,720 --> 01:44:56,600
Speaker 2: And I'm sure where the people that told you that

2392
01:44:56,600 --> 01:44:59,880
Speaker 2: the Kendrick album, yeah they, I'm sure you're I realize

2393
01:45:00,080 --> 01:45:00,960
Speaker 2: Kendrick Gotland's coming.

2394
01:45:01,160 --> 01:45:03,559
Speaker 1: Uh. I don't know. Demarus isn't here, but we could.

2395
01:45:03,560 --> 01:45:05,160
Speaker 1: I could just curse out before Demarus told me she

2396
01:45:05,200 --> 01:45:06,519
Speaker 1: wanted to go to the movies with me and see

2397
01:45:06,720 --> 01:45:09,240
Speaker 1: Doctor Strange. So now so I tolt you to be

2398
01:45:09,320 --> 01:45:11,000
Speaker 1: my witness. I told her I would go with her.

2399
01:45:12,000 --> 01:45:16,439
Speaker 1: And the movie is out and Demarius has not.

2400
01:45:16,680 --> 01:45:18,320
Speaker 2: She's a petty woman. You stoo her up on time,

2401
01:45:18,400 --> 01:45:20,439
Speaker 2: so she's gonna make sure she's gonna set it up.

2402
01:45:21,320 --> 01:45:23,200
Speaker 1: It's okay, Demarius. We'll go see a movie one day.

2403
01:45:24,040 --> 01:45:26,880
Speaker 1: Be safe this week and have fun. Be blessed. Life

2404
01:45:26,960 --> 01:45:29,519
Speaker 1: is fragile, man, So love people. Why you can man?

2405
01:45:29,560 --> 01:45:33,000
Speaker 1: Respect people, Be a good person. Move through life with inspiration, motivation,

2406
01:45:33,120 --> 01:45:38,000
Speaker 1: love and respect, integrity, morals. Stop support suckers, shit, support

2407
01:45:38,160 --> 01:45:41,080
Speaker 1: real shit. And we'll see y'all next week. We'll talk

2408
01:45:41,120 --> 01:45:44,840
Speaker 1: to y'all next week. I'll be safe. Peace, worry and

2409
01:45:45,120 --> 01:45:45,320
Speaker 1: now