1 00:00:00,240 --> 00:00:06,360 Speaker 1: He doesn't miss none other than miss money Loan. Congratulations 2 00:00:06,400 --> 00:00:10,600 Speaker 1: on all your success as you know, as a newer artist. 3 00:00:10,960 --> 00:00:14,080 Speaker 1: For you to be finding success in these venues like early, 4 00:00:14,400 --> 00:00:16,840 Speaker 1: that's so dope and much respect to you, especially in 5 00:00:16,840 --> 00:00:19,840 Speaker 1: this music climate where people have to go online and 6 00:00:19,960 --> 00:00:23,079 Speaker 1: download and streams, it's crazy. And for you to be 7 00:00:23,120 --> 00:00:25,160 Speaker 1: getting that type of love, it's just dope. And you're 8 00:00:25,160 --> 00:00:25,960 Speaker 1: staying so home. 9 00:00:25,960 --> 00:00:30,520 Speaker 2: Super and to be helping bring R and B back. 10 00:00:30,720 --> 00:00:33,520 Speaker 2: You revived one of the artists that's really reviving true 11 00:00:33,760 --> 00:00:36,000 Speaker 2: R and B, bringing back love songs. 12 00:00:35,640 --> 00:00:40,879 Speaker 3: Bringing their feels. You know what. It's always been a 13 00:00:40,960 --> 00:00:43,840 Speaker 3: dream of mine to sort of like breath life into 14 00:00:43,920 --> 00:00:47,960 Speaker 3: the industry period because I've been doing this for almost 15 00:00:47,960 --> 00:00:51,120 Speaker 3: fifteen years and it was it's a lot different today 16 00:00:51,600 --> 00:00:54,600 Speaker 3: than it was in two thousand and eight, two thousand 17 00:00:54,640 --> 00:00:57,240 Speaker 3: and seven. So I always say it like I want 18 00:00:57,240 --> 00:00:59,600 Speaker 3: to save music, like you know, I want to be 19 00:00:59,600 --> 00:01:02,200 Speaker 3: doing this until I'm seventy years old. But at the 20 00:01:02,280 --> 00:01:05,039 Speaker 3: rate it's going, and it may not be around, you 21 00:01:05,080 --> 00:01:06,760 Speaker 3: know what I'm saying, At the level that I'm used 22 00:01:06,760 --> 00:01:10,120 Speaker 3: to and that we like to consume music at, it 23 00:01:10,280 --> 00:01:14,960 Speaker 3: just ain't It ain't the math ain't mathing. So I'm 24 00:01:15,000 --> 00:01:18,679 Speaker 3: starting in R and B and hopefully I can you know, 25 00:01:18,880 --> 00:01:22,240 Speaker 3: maneuver and move over to some other genres. But right 26 00:01:22,280 --> 00:01:26,160 Speaker 3: now I'm sitting pretty comfortable, you know, serving my people, 27 00:01:26,200 --> 00:01:28,960 Speaker 3: giving you all this music, talking about things that we 28 00:01:29,040 --> 00:01:31,360 Speaker 3: go through. Yeah, it's been fun. 29 00:01:31,680 --> 00:01:34,959 Speaker 2: Yeah. What what other genre of music or maybe even 30 00:01:35,040 --> 00:01:37,040 Speaker 2: hip hop that you would like to like tap into. 31 00:01:37,760 --> 00:01:39,920 Speaker 3: I would love to tap into rap, And you know, 32 00:01:39,959 --> 00:01:41,880 Speaker 3: I feel like I'm not a rapper, but the way 33 00:01:41,880 --> 00:01:44,120 Speaker 3: that you do that is to like collaborate with rappers 34 00:01:44,640 --> 00:01:47,160 Speaker 3: and give them like those R and B mainstream pop hits, 35 00:01:47,800 --> 00:01:49,200 Speaker 3: you know, like how we used to having the early 36 00:01:49,200 --> 00:01:51,280 Speaker 3: two thousand and nineties where it was a rapper and 37 00:01:51,280 --> 00:01:55,000 Speaker 3: a singer. Yeah, pop music obviously, that's where I started 38 00:01:55,000 --> 00:01:59,040 Speaker 3: in this game, writing pop songs for other artists. Country music, 39 00:01:59,160 --> 00:02:01,000 Speaker 3: I'm also done. I had a lot of success there. 40 00:02:01,000 --> 00:02:04,040 Speaker 3: I got a number one in country music with Carry 41 00:02:04,080 --> 00:02:05,240 Speaker 3: Underwood and Miranda Lambert. 42 00:02:05,320 --> 00:02:07,840 Speaker 4: Hold on, hold on number one country music. 43 00:02:08,520 --> 00:02:12,600 Speaker 2: That now we can't just act like you say that. 44 00:02:12,680 --> 00:02:14,880 Speaker 3: Yeah, so you know, I mean I would do rock. 45 00:02:14,919 --> 00:02:18,600 Speaker 3: I love rock, actually that I love classical music. I 46 00:02:18,680 --> 00:02:19,560 Speaker 3: just love music. 47 00:02:20,400 --> 00:02:21,240 Speaker 4: Let me ask you this. 48 00:02:21,520 --> 00:02:24,960 Speaker 1: For you to be doing music almost fifteen years and 49 00:02:25,000 --> 00:02:28,400 Speaker 1: to still be considered a new artist, how do you 50 00:02:28,480 --> 00:02:28,840 Speaker 1: take that. 51 00:02:29,720 --> 00:02:34,240 Speaker 3: I'm grateful. I'm grateful because it's billions of people in 52 00:02:34,280 --> 00:02:36,959 Speaker 3: the world, right so I feel like I'm going to 53 00:02:37,040 --> 00:02:41,440 Speaker 3: be working until I'm done, like until I die, to 54 00:02:41,440 --> 00:02:45,640 Speaker 3: make sure that my music and my creations touch every 55 00:02:45,720 --> 00:02:48,240 Speaker 3: piece of the earth. You know, it's certain people in 56 00:02:48,320 --> 00:02:50,760 Speaker 3: certain countries that don't have a TV, they don't have 57 00:02:50,800 --> 00:02:53,560 Speaker 3: a radio, and they give music through word of mouth 58 00:02:54,240 --> 00:03:00,440 Speaker 3: still today, So you know, it's never no ego, it 59 00:03:00,480 --> 00:03:02,800 Speaker 3: ain't never like you don't know who I am? Like 60 00:03:03,480 --> 00:03:05,440 Speaker 3: and I learned that from Mariah Carey. She walked into 61 00:03:05,440 --> 00:03:07,639 Speaker 3: a room with people and be like, hi am Mariah. 62 00:03:07,800 --> 00:03:11,040 Speaker 3: She introduced herself, Like we don't know who she is. 63 00:03:11,480 --> 00:03:14,359 Speaker 3: You know what I'm saying, So you never know. Man, 64 00:03:14,400 --> 00:03:16,640 Speaker 3: If it's people that still don't know who Beyonce is, 65 00:03:17,600 --> 00:03:18,560 Speaker 3: I got a lot of words to do. 66 00:03:18,840 --> 00:03:20,560 Speaker 2: Yeah, but what do you say, like being in a 67 00:03:20,639 --> 00:03:22,560 Speaker 2: game for fifteen years and like you said, it's still 68 00:03:22,760 --> 00:03:26,040 Speaker 2: kind of being introduced to a lot of audiences, what 69 00:03:26,120 --> 00:03:28,040 Speaker 2: do you say that, like, new artists are people that's 70 00:03:28,120 --> 00:03:30,280 Speaker 2: just tapping in, or even the next generation that think 71 00:03:30,360 --> 00:03:34,600 Speaker 2: everything is like overnight success quick, you know, all you 72 00:03:34,639 --> 00:03:35,480 Speaker 2: need is one't hit. 73 00:03:36,600 --> 00:03:39,560 Speaker 3: Yeah, that's an issue, but I don't think it's just 74 00:03:39,600 --> 00:03:42,920 Speaker 3: with the newer generation, because like even my mom, my dad, 75 00:03:42,960 --> 00:03:45,600 Speaker 3: my uncles, my aunties, people who are used to doing 76 00:03:45,640 --> 00:03:48,840 Speaker 3: things a certain way, they quit so easy, Like when 77 00:03:48,880 --> 00:03:52,600 Speaker 3: they encounter the first little piece of resistance, they'd be like, oh, 78 00:03:52,920 --> 00:03:54,839 Speaker 3: you know, they thow their hands up, and it's like, no, 79 00:03:55,520 --> 00:03:57,480 Speaker 3: you gotta keep pushing, you gotta keep moving. It doesn't 80 00:03:57,520 --> 00:04:00,360 Speaker 3: matter that person that told you know, or that standing 81 00:04:00,400 --> 00:04:02,600 Speaker 3: in your way, that doesn't mean that you're not great. 82 00:04:02,920 --> 00:04:04,920 Speaker 3: That just means that they don't have the capacity to 83 00:04:04,960 --> 00:04:07,680 Speaker 3: help you. So you just gotta keep grinding until those 84 00:04:08,000 --> 00:04:12,280 Speaker 3: people you know notice you or you're amplified to the 85 00:04:12,440 --> 00:04:14,240 Speaker 3: to the point where they can't ignore you. 86 00:04:14,360 --> 00:04:18,719 Speaker 1: Right now, you got one of those songs I won't 87 00:04:18,720 --> 00:04:22,160 Speaker 1: say one, but you know exactly the song I'm referring 88 00:04:22,160 --> 00:04:27,480 Speaker 1: to that gives that that soulful, black love feeling, And 89 00:04:27,520 --> 00:04:30,880 Speaker 1: it's like, how do you how do you capture that 90 00:04:31,000 --> 00:04:33,599 Speaker 1: moment when people hear you and they're like it's the 91 00:04:33,640 --> 00:04:37,359 Speaker 1: same effect as like how soulful Anthony Hamilton is or 92 00:04:37,360 --> 00:04:40,039 Speaker 1: it's like that genre with Jill Scott is, like you 93 00:04:40,160 --> 00:04:43,080 Speaker 1: found that pocket where it's like, ooh, is that good? 94 00:04:43,080 --> 00:04:45,039 Speaker 4: Clean up the house? Whether you know what I mean, 95 00:04:45,080 --> 00:04:46,640 Speaker 4: Like I can make love to this, I. 96 00:04:46,560 --> 00:04:49,720 Speaker 2: Can clean up sar this like loving? 97 00:04:50,000 --> 00:04:53,719 Speaker 4: Yeah, what is money? Long's ingredients to doing something like that? 98 00:04:54,160 --> 00:04:57,200 Speaker 3: I don't know, just being real, like I'm I'm a lover. 99 00:04:57,920 --> 00:05:00,360 Speaker 3: I don't want to fight you. I will run you 100 00:05:00,360 --> 00:05:03,960 Speaker 3: over with my car if you hit me, But I 101 00:05:04,040 --> 00:05:07,400 Speaker 3: prefer love. I prefer you know, treat everybody like family, 102 00:05:07,480 --> 00:05:09,400 Speaker 3: like we all cousins out here. You know what I'm saying, 103 00:05:09,839 --> 00:05:13,400 Speaker 3: And so I just put my true feelings in the song. 104 00:05:15,160 --> 00:05:17,159 Speaker 3: I think maybe that's what resonated with people, is just 105 00:05:17,160 --> 00:05:20,760 Speaker 3: the authenticity. And it's a lot of conversations about relationships 106 00:05:20,760 --> 00:05:23,480 Speaker 3: and what can I curse him? 107 00:05:23,560 --> 00:05:25,200 Speaker 4: You can say whatever the fuck you want to. 108 00:05:25,360 --> 00:05:28,560 Speaker 3: What niggas ain't doing just ain't shit, Like it's so 109 00:05:28,760 --> 00:05:31,600 Speaker 3: much of that toxic conversation and I feel like the 110 00:05:31,600 --> 00:05:33,400 Speaker 3: only people who talk like that are people who never 111 00:05:33,440 --> 00:05:39,599 Speaker 3: experience real love. And also I'm a little dlulu, so 112 00:05:39,760 --> 00:05:42,479 Speaker 3: like it don't matter how mad I am with my husband. 113 00:05:43,160 --> 00:05:44,600 Speaker 3: I'm still at the end of the day, I want 114 00:05:44,600 --> 00:05:47,400 Speaker 3: my fairy tale. And so if I want my fairy tale, 115 00:05:47,800 --> 00:05:50,080 Speaker 3: I gotta create it. I have to create the space 116 00:05:50,120 --> 00:05:51,840 Speaker 3: for it. You know, people ask me all the time 117 00:05:51,880 --> 00:05:54,120 Speaker 3: how you get married so young? I was behaving like 118 00:05:54,120 --> 00:05:56,960 Speaker 3: a wife when I was single, and it's a lot 119 00:05:56,960 --> 00:05:58,680 Speaker 3: of people that ain't gonna do that, you know what 120 00:05:58,680 --> 00:06:00,680 Speaker 3: I'm saying. Also, marriage ain't all it's cracked up to me. 121 00:06:01,160 --> 00:06:03,640 Speaker 3: That's what it's work. It's not just oh my god, 122 00:06:03,680 --> 00:06:06,320 Speaker 3: you love me so much about me roses. That is work. 123 00:06:06,400 --> 00:06:09,200 Speaker 3: It is a relationship, you know what I'm saying. Like, 124 00:06:10,320 --> 00:06:12,920 Speaker 3: you ain't gonna always like your boss, but your boss 125 00:06:13,000 --> 00:06:15,800 Speaker 3: signed your check, so you gotta behave in a certain 126 00:06:15,839 --> 00:06:17,320 Speaker 3: way if you want to get that. You know what 127 00:06:17,360 --> 00:06:19,520 Speaker 3: I'm saying. Yeah, how do you manage them? Times? 128 00:06:19,560 --> 00:06:21,480 Speaker 2: Like you said, when you might not always like each other, 129 00:06:21,560 --> 00:06:22,320 Speaker 2: but you love each other. 130 00:06:22,360 --> 00:06:25,200 Speaker 3: So you like, just go to your corner, just like, fam, 131 00:06:25,279 --> 00:06:27,159 Speaker 3: I'm over here, let me alone. I'm watching my movie. 132 00:06:27,520 --> 00:06:29,279 Speaker 3: And then when you get hungry, hey, what you trying 133 00:06:29,320 --> 00:06:31,840 Speaker 3: to eat? Like, you know what I'm saying. Just like 134 00:06:31,920 --> 00:06:34,000 Speaker 3: sometimes you might argue with your sister or your brother. 135 00:06:34,560 --> 00:06:36,679 Speaker 3: Mike can't stand your mama, Mike can't stand your daddy. 136 00:06:36,720 --> 00:06:39,520 Speaker 3: But that's still my family. So my husband and my 137 00:06:39,560 --> 00:06:42,159 Speaker 3: family no matter what, like if we stay together or not, 138 00:06:42,960 --> 00:06:45,799 Speaker 3: that's my family, you know what I'm saying. So sometimes 139 00:06:45,800 --> 00:06:47,800 Speaker 3: I can't stand him. Sometimes he do get on my nerves. 140 00:06:47,920 --> 00:06:50,520 Speaker 3: Sometimes he walk up behind me when I'm brushing my 141 00:06:50,560 --> 00:06:52,600 Speaker 3: teeth and scarce the living daylights out of me and 142 00:06:52,680 --> 00:06:54,640 Speaker 3: made me want to punch him, you know what I'm saying. 143 00:06:54,640 --> 00:06:57,520 Speaker 3: But it's just like this is the person who I'm 144 00:06:57,560 --> 00:07:00,159 Speaker 3: going to break up with and make up with for 145 00:07:00,240 --> 00:07:02,200 Speaker 3: the rest of my life, you know what I'm saying. 146 00:07:03,160 --> 00:07:05,680 Speaker 3: And I think a lot of people won't agree with that. 147 00:07:05,920 --> 00:07:07,400 Speaker 3: A lot of people might say, Oh, I don't know 148 00:07:07,440 --> 00:07:10,480 Speaker 3: if it's possible for women to be simps, but to 149 00:07:10,560 --> 00:07:13,080 Speaker 3: be simps, you know what I'm saying, Like, you gotta 150 00:07:13,120 --> 00:07:14,680 Speaker 3: fight for what you want, You gotta work for what 151 00:07:14,720 --> 00:07:16,640 Speaker 3: you want, you gotta work for the good, like nothing 152 00:07:16,720 --> 00:07:19,720 Speaker 3: is free, nothing don't come easy. And I think like 153 00:07:19,760 --> 00:07:22,520 Speaker 3: a lot of people have this like delusional idea of 154 00:07:22,520 --> 00:07:28,240 Speaker 3: what relationships are period like not just romantic but friendship, work, relationship, 155 00:07:28,600 --> 00:07:31,480 Speaker 3: your relationship between you and God, like they not really 156 00:07:31,480 --> 00:07:32,200 Speaker 3: putting in the work. 157 00:07:33,120 --> 00:07:35,800 Speaker 2: No, well, you know, back to them music I wanted 158 00:07:35,800 --> 00:07:37,800 Speaker 2: to talk about because you you were talking about adventuring 159 00:07:37,880 --> 00:07:41,400 Speaker 2: into other genres. But we backstage right now, we're backwards 160 00:07:41,440 --> 00:07:44,760 Speaker 2: behind one one music fast live here in Atlanta. Are 161 00:07:44,800 --> 00:07:47,320 Speaker 2: there any artists here that you're hoping to maybe like 162 00:07:47,400 --> 00:07:50,320 Speaker 2: run into or possibly want to collab with work with 163 00:07:50,360 --> 00:07:50,880 Speaker 2: in the future. 164 00:07:51,200 --> 00:07:52,960 Speaker 3: I don't be willing to run into nobody because if 165 00:07:53,000 --> 00:07:57,080 Speaker 3: you shade me, if you start acting funny in personally, 166 00:07:57,080 --> 00:07:59,800 Speaker 3: I'm oh you like it's a site. I'm like, oh 167 00:07:59,840 --> 00:08:01,600 Speaker 3: you Oh you don't know me now all gay period, 168 00:08:02,360 --> 00:08:04,640 Speaker 3: keep that same injury. So I don't be wanting to 169 00:08:04,680 --> 00:08:06,800 Speaker 3: run into nobody like they hear the work, y'all do 170 00:08:06,880 --> 00:08:11,119 Speaker 3: y'all thing. But I do want to see Kodak okay, 171 00:08:11,440 --> 00:08:14,320 Speaker 3: I want to see meg. I want to see Jannin 172 00:08:14,400 --> 00:08:17,640 Speaker 3: I've never seen her life. And then tomorrow, of course 173 00:08:17,640 --> 00:08:20,120 Speaker 3: it's a lot of dope artists performing as well that 174 00:08:20,160 --> 00:08:20,640 Speaker 3: I want to see. 175 00:08:21,440 --> 00:08:23,600 Speaker 2: Anybody you would look to our like to collab with 176 00:08:23,680 --> 00:08:24,200 Speaker 2: on some work. 177 00:08:24,760 --> 00:08:26,640 Speaker 3: I would love to collab with anybody who's on my 178 00:08:26,680 --> 00:08:29,840 Speaker 3: same frequency, like if we in alignment, if it's meant 179 00:08:29,840 --> 00:08:32,040 Speaker 3: to be, let's do it. Let's create some music that's 180 00:08:32,040 --> 00:08:34,880 Speaker 3: gonna change the world. But I'm not trying to force nothing, 181 00:08:34,960 --> 00:08:38,000 Speaker 3: Like I'm in this space right now of just complete authenticity. 182 00:08:38,320 --> 00:08:39,520 Speaker 3: If it's meant for me, it's meant for me. 183 00:08:39,559 --> 00:08:42,640 Speaker 1: If it's not, Sayonara, I see how she said that 184 00:08:42,840 --> 00:08:45,280 Speaker 1: she's easy to get in touch with, like you are 185 00:08:45,360 --> 00:08:46,120 Speaker 1: money loan. 186 00:08:46,240 --> 00:08:48,679 Speaker 3: Right, No, it doesn't matter, Like I just made a 187 00:08:48,720 --> 00:08:52,120 Speaker 3: post about this on my Instagram, like people be price gouging. 188 00:08:52,679 --> 00:08:55,160 Speaker 3: You know, it's it's all kecky oh hey girl in 189 00:08:55,200 --> 00:08:57,240 Speaker 3: your face. But then it you know, and it could 190 00:08:57,320 --> 00:09:00,000 Speaker 3: be like the management, the lawyers, but I don't be 191 00:09:00,120 --> 00:09:01,720 Speaker 3: with all that. Do you want to do it or not? 192 00:09:02,880 --> 00:09:04,439 Speaker 4: That's a hell of an attitude to take. 193 00:09:04,800 --> 00:09:06,480 Speaker 3: I mean, cause I'm straight. I know where my help 194 00:09:06,520 --> 00:09:09,520 Speaker 3: come from. God gonna make sure I'm straight. So whether 195 00:09:09,559 --> 00:09:12,520 Speaker 3: you get on the boat and enjoin me and my suttests, 196 00:09:13,200 --> 00:09:14,760 Speaker 3: I'm still gonna be good. You know. 197 00:09:15,040 --> 00:09:16,959 Speaker 2: I was gonna ask that as an artist, like would 198 00:09:16,960 --> 00:09:18,720 Speaker 2: you want to work with another artist just because you 199 00:09:18,800 --> 00:09:20,520 Speaker 2: know y'all can make a hit or do you feel 200 00:09:20,559 --> 00:09:23,920 Speaker 2: like you gotta really vibe with them on a real level. 201 00:09:23,960 --> 00:09:26,920 Speaker 3: First. I feel like energy is first. So I don't 202 00:09:26,920 --> 00:09:29,319 Speaker 3: gotta be best friends with you. But you could sit 203 00:09:29,360 --> 00:09:32,000 Speaker 3: down with somebody for two minutes and just exchange a 204 00:09:32,000 --> 00:09:35,439 Speaker 3: few words and know where that person is vibrationally if 205 00:09:35,480 --> 00:09:39,160 Speaker 3: they talk about other people gossiping, hating, like, all right, 206 00:09:39,400 --> 00:09:41,520 Speaker 3: this might not go that far because I don't be 207 00:09:41,559 --> 00:09:43,760 Speaker 3: on that, you know what I'm saying. I remember one 208 00:09:43,800 --> 00:09:46,880 Speaker 3: time I had a moment in a studio where Ja 209 00:09:46,960 --> 00:09:49,079 Speaker 3: Cole was there and I was just having a bad 210 00:09:49,160 --> 00:09:52,120 Speaker 3: day that day, and I started just talking trash. I 211 00:09:52,200 --> 00:09:55,040 Speaker 3: was talking to my other friend Taran rock City, who's 212 00:09:55,080 --> 00:09:58,120 Speaker 3: also an artist and songwriter, and call came in a 213 00:09:58,200 --> 00:10:01,480 Speaker 3: room and within two minutes he did not even he 214 00:10:02,240 --> 00:10:04,600 Speaker 3: like sat down, he heard what we were talking about. 215 00:10:04,679 --> 00:10:07,280 Speaker 3: He got up and left, and I just remember being like, damn, 216 00:10:07,840 --> 00:10:10,000 Speaker 3: what we say? Why did you do that? But then 217 00:10:10,000 --> 00:10:12,320 Speaker 3: I realized, like my frequently wasn't on the same frequency. 218 00:10:12,320 --> 00:10:15,800 Speaker 3: He not on that, you know, complaining, and like, man, 219 00:10:15,840 --> 00:10:18,280 Speaker 3: why these niggas always trying to play us? And you 220 00:10:18,320 --> 00:10:20,959 Speaker 3: know who that niggay is. That kind of conversation does 221 00:10:21,000 --> 00:10:24,840 Speaker 3: not circulate in higher level rooms. 222 00:10:25,400 --> 00:10:27,640 Speaker 2: So I love that he got up and left though, 223 00:10:27,640 --> 00:10:29,800 Speaker 2: and just like didn't even try to interject, but just 224 00:10:29,920 --> 00:10:30,800 Speaker 2: immediately protected. 225 00:10:30,840 --> 00:10:33,520 Speaker 3: He didn't judge me, he didn't say nothing bad. He 226 00:10:33,600 --> 00:10:35,520 Speaker 3: sat there, he listened for like a minute, and then 227 00:10:35,520 --> 00:10:36,400 Speaker 3: he got up and left. 228 00:10:36,640 --> 00:10:39,480 Speaker 2: Yeah, because I'll be if I sometimes when I'm in 229 00:10:39,480 --> 00:10:42,600 Speaker 2: the situations, I'd be like trying to bring the frequency up, 230 00:10:42,720 --> 00:10:44,120 Speaker 2: like okay, let me, but no. 231 00:10:44,120 --> 00:10:47,040 Speaker 3: Just leave, because what happens is when you're high vibrational 232 00:10:47,559 --> 00:10:50,600 Speaker 3: like that, most likely those people are gonna bring you down, 233 00:10:50,600 --> 00:10:52,400 Speaker 3: You're not gonna be able to bring them up, you 234 00:10:52,440 --> 00:10:54,480 Speaker 3: know what I'm saying. And if you do, you're gonna 235 00:10:54,920 --> 00:10:57,400 Speaker 3: expend so much energy trying to bring those people up 236 00:10:57,400 --> 00:10:59,600 Speaker 3: to your frequency that you won't have any more energy. 237 00:10:59,600 --> 00:11:02,760 Speaker 3: So eventual, it's like it's almost like a battery, like 238 00:11:03,080 --> 00:11:05,360 Speaker 3: you have a limited amount until you refresh it. Right, 239 00:11:05,840 --> 00:11:08,160 Speaker 3: So like, I'm not finna sit up here and argue 240 00:11:08,160 --> 00:11:09,920 Speaker 3: with y'all because all it's gonna do is deplete me 241 00:11:10,360 --> 00:11:12,560 Speaker 3: of my high frequency and then I'm gonna end up 242 00:11:12,559 --> 00:11:15,280 Speaker 3: having a charge up on yours, which is low. Yeah, 243 00:11:15,320 --> 00:11:16,000 Speaker 3: you know what I'm saying. 244 00:11:16,240 --> 00:11:17,840 Speaker 4: Yeah, you got it all figured out. 245 00:11:18,440 --> 00:11:22,600 Speaker 1: Not everything, well a lot of it, like the first part, I. 246 00:11:22,600 --> 00:11:24,040 Speaker 3: Actually got a little bit, not a lot. 247 00:11:24,360 --> 00:11:24,560 Speaker 4: Yeah. 248 00:11:25,240 --> 00:11:28,960 Speaker 1: So, like you were talking about marriage earlier, how is 249 00:11:29,000 --> 00:11:32,640 Speaker 1: it difficult to maneuver through the industry as a wife. 250 00:11:32,840 --> 00:11:34,920 Speaker 3: No, it's actually better because I don't care about no 251 00:11:35,000 --> 00:11:40,720 Speaker 3: nigga none, And my confidence is such that because I 252 00:11:40,760 --> 00:11:42,560 Speaker 3: have somebody that I can bounce things off of, and 253 00:11:42,600 --> 00:11:44,920 Speaker 3: because I know I got my partner at home, Like, 254 00:11:45,440 --> 00:11:48,400 Speaker 3: no matter what happens, we might not even been having 255 00:11:48,440 --> 00:11:50,880 Speaker 3: a good day that day together, but if I come, 256 00:11:51,200 --> 00:11:55,760 Speaker 3: we are united against you know, outside forces. So it 257 00:11:55,800 --> 00:11:58,240 Speaker 3: doesn't matter what anybody thinks about me. I don't care. 258 00:11:58,760 --> 00:12:01,040 Speaker 3: Any male can't tell me shit because the only person 259 00:12:01,040 --> 00:12:03,960 Speaker 3: that I'm listening to is my husband, and God, you 260 00:12:04,280 --> 00:12:06,760 Speaker 3: can't tell me nothing, you know what I'm saying. It 261 00:12:06,920 --> 00:12:12,480 Speaker 3: just it just makes my confidence level so high. 262 00:12:13,160 --> 00:12:15,160 Speaker 2: And that's because you have that person in your corner 263 00:12:15,200 --> 00:12:17,439 Speaker 2: that you know like it's gonna be there and have 264 00:12:17,480 --> 00:12:19,200 Speaker 2: your best interests at hearts. 265 00:12:19,240 --> 00:12:22,000 Speaker 3: I'm not trying to impress the noney'all right, if you 266 00:12:22,000 --> 00:12:23,800 Speaker 3: don't like it, okay, Like I can admit when I 267 00:12:23,800 --> 00:12:26,080 Speaker 3: don't look the best when I got on a wag outfit, 268 00:12:26,200 --> 00:12:28,000 Speaker 3: when my hair don't look right, when my magup, I 269 00:12:28,000 --> 00:12:30,480 Speaker 3: can admit all of that, like cause it don't matter. 270 00:12:30,720 --> 00:12:31,959 Speaker 3: I got somebody that like it. 271 00:12:32,400 --> 00:12:34,920 Speaker 2: That's good though. I think that that's something you really need. Like, 272 00:12:35,200 --> 00:12:37,800 Speaker 2: I think every artist or creators should have that solid foundation, 273 00:12:38,000 --> 00:12:40,559 Speaker 2: you know, even if it's not before marriage, if it's 274 00:12:40,559 --> 00:12:42,320 Speaker 2: your homie or your friends, or your love. 275 00:12:42,360 --> 00:12:44,800 Speaker 3: Or just your mama and daddy, your mama, you need that. 276 00:12:45,000 --> 00:12:48,400 Speaker 2: So when the comments or everybody hate in the shade 277 00:12:48,480 --> 00:12:49,880 Speaker 2: room or whatever, you know what I mean, you know 278 00:12:49,920 --> 00:12:52,120 Speaker 2: how crazy you can get, you got that solid foundation 279 00:12:52,200 --> 00:12:52,559 Speaker 2: in the back. 280 00:12:52,800 --> 00:12:53,000 Speaker 4: Yeah. 281 00:12:53,000 --> 00:12:55,440 Speaker 3: And I also think if I if I was out 282 00:12:55,440 --> 00:12:59,800 Speaker 3: here single, I would be so distracted because I love love. 283 00:13:00,360 --> 00:13:01,679 Speaker 3: So if somebody want to take me on a day, 284 00:13:01,720 --> 00:13:04,160 Speaker 3: I'm gonna go, and somebody want to fly me out, 285 00:13:04,160 --> 00:13:06,640 Speaker 3: I'm gonna go. And you know it's like, girl, you 286 00:13:06,679 --> 00:13:08,080 Speaker 3: need to be working on your music. You need to 287 00:13:08,080 --> 00:13:13,280 Speaker 3: be rehearsing. I'm like, oh, but you know I'm in Dubai. Yeah, 288 00:13:13,480 --> 00:13:15,480 Speaker 3: so I'm glad that I have that checked off. 289 00:13:16,080 --> 00:13:19,800 Speaker 1: That is dope. That's dope. But what more can we 290 00:13:19,840 --> 00:13:23,120 Speaker 1: expect from money? Loan from from this day. Going into 291 00:13:23,160 --> 00:13:25,040 Speaker 1: the future, what can we expect. 292 00:13:25,160 --> 00:13:27,560 Speaker 3: I'm gonna be a lot more vocal, you know, sharing 293 00:13:27,600 --> 00:13:31,040 Speaker 3: my personality, sharing the knowledge that I have. I just 294 00:13:31,080 --> 00:13:35,160 Speaker 3: started doing it actually yesterday on Instagram, just sharing. Like 295 00:13:35,440 --> 00:13:37,319 Speaker 3: I realize a lot of people have no clue how 296 00:13:37,360 --> 00:13:40,280 Speaker 3: this whole shit works, but they be trying to participate, 297 00:13:40,520 --> 00:13:43,280 Speaker 3: right and so it gets frustrating because it's like, you 298 00:13:43,280 --> 00:13:46,200 Speaker 3: don't know what you're talking about. Oh my god, you know. 299 00:13:46,320 --> 00:13:49,200 Speaker 3: So instead of complaining about that, I'm gonna be the 300 00:13:49,320 --> 00:13:52,520 Speaker 3: change and start sharing what I know. And then I 301 00:13:52,559 --> 00:13:54,120 Speaker 3: have a song out right now called May for Me 302 00:13:54,240 --> 00:13:57,520 Speaker 3: is playing on radio stations all over the US, produced 303 00:13:57,520 --> 00:14:01,240 Speaker 3: by Jermaine Dupree, Brian mckel cox and producer named Jordan Excel. 304 00:14:01,800 --> 00:14:04,079 Speaker 3: And so I'm promoting that right now and I think 305 00:14:04,080 --> 00:14:07,040 Speaker 3: it's in the top fifteen at radio, so it's doing 306 00:14:07,080 --> 00:14:10,439 Speaker 3: pretty well. I got lots more music. I'm gonna drop 307 00:14:10,480 --> 00:14:13,240 Speaker 3: an album at the top of next year tour. I 308 00:14:13,240 --> 00:14:15,080 Speaker 3: ain't going nowhere. I'm about to be in your face. 309 00:14:15,679 --> 00:14:17,480 Speaker 4: What the title? Can we get the title? 310 00:14:17,640 --> 00:14:18,520 Speaker 3: The title of the album? 311 00:14:18,640 --> 00:14:18,960 Speaker 4: Yeah? 312 00:14:19,920 --> 00:14:21,520 Speaker 3: Oh? Can I give them the title of the album? 313 00:14:21,560 --> 00:14:21,680 Speaker 2: To go? 314 00:14:23,080 --> 00:14:30,320 Speaker 3: She's Shaka said yeah, okay, Shaka Zulu. If this don't 315 00:14:30,320 --> 00:14:34,080 Speaker 3: go right, it's yo, faul. The title of the album 316 00:14:34,200 --> 00:14:35,880 Speaker 3: is called Everything Is a Game. 317 00:14:36,800 --> 00:14:37,680 Speaker 2: Everything Is Again. 318 00:14:37,760 --> 00:14:39,480 Speaker 3: Everything is a Game. 319 00:14:39,600 --> 00:14:40,160 Speaker 2: I like that. 320 00:14:40,320 --> 00:14:41,320 Speaker 3: Yes, so that's exclusive. 321 00:14:41,360 --> 00:14:45,600 Speaker 2: I never told nobody that, okay, because it's rules to 322 00:14:46,160 --> 00:14:49,160 Speaker 2: everything every everything is again, Everything is a game. I 323 00:14:49,160 --> 00:14:51,120 Speaker 2: feel like I used to waitress, right, and so being 324 00:14:51,200 --> 00:14:53,240 Speaker 2: the club, you know, that was like a game that 325 00:14:53,320 --> 00:14:55,160 Speaker 2: I felt like I had to learn. And then once 326 00:14:55,280 --> 00:14:58,160 Speaker 2: I graduated from the club and went to the entertainment industry, 327 00:14:58,240 --> 00:15:00,720 Speaker 2: I realized this damn near the same game. I just 328 00:15:00,720 --> 00:15:03,680 Speaker 2: gotta play. The players switched. But so I like that 329 00:15:04,680 --> 00:15:07,480 Speaker 2: of each game, each game, the rules switch a little bit, 330 00:15:07,520 --> 00:15:09,680 Speaker 2: the players might switch out, but it's all still. 331 00:15:09,480 --> 00:15:10,920 Speaker 3: A game, all a game. And if you don't know 332 00:15:10,960 --> 00:15:13,080 Speaker 3: that you're playing the game, maybe you lost already. 333 00:15:13,360 --> 00:15:15,760 Speaker 2: Yeah. Well, you know we're kicking it with back with, 334 00:15:15,920 --> 00:15:17,760 Speaker 2: So I want to play a little back with trivia 335 00:15:17,800 --> 00:15:18,760 Speaker 2: where you go. 336 00:15:18,880 --> 00:15:21,880 Speaker 3: Okay, I used to smoke. I used to have, you know, 337 00:15:21,960 --> 00:15:25,560 Speaker 3: be a smoker back in the days, way long. 338 00:15:25,440 --> 00:15:26,400 Speaker 4: Time in the day. 339 00:15:26,520 --> 00:15:29,960 Speaker 2: I don't do it no more, though, Okay, well, I 340 00:15:30,000 --> 00:15:34,360 Speaker 2: need to know how many Backwood flavors are there, oh, ship, 341 00:15:35,240 --> 00:15:35,880 Speaker 2: just take again. 342 00:15:37,920 --> 00:15:41,120 Speaker 3: I only know like four. Okay, we'll name me. I 343 00:15:41,160 --> 00:15:43,680 Speaker 3: was gonna ask the next question this name before and 344 00:15:43,720 --> 00:15:47,720 Speaker 3: it's like some honey. Okay, that was regular original back 345 00:15:47,760 --> 00:15:53,600 Speaker 3: with Okay, young, it's great, got great, it's very but 346 00:15:55,040 --> 00:16:01,880 Speaker 3: very and shoot like cream and it's like some pret 347 00:16:02,000 --> 00:16:04,000 Speaker 3: the smoke shops. You know what I'm saying. How many 348 00:16:04,080 --> 00:16:10,920 Speaker 3: Backwoods coming to pack? Three? Four, four, five, five? 349 00:16:12,200 --> 00:16:15,240 Speaker 1: Actually it's three and five and sometimes too. 350 00:16:15,320 --> 00:16:17,760 Speaker 3: It just depend on Yeah, the pack you get right. 351 00:16:18,400 --> 00:16:20,520 Speaker 4: And sometimes one. I've seen the one guy. 352 00:16:20,560 --> 00:16:22,840 Speaker 2: I've seen a single as well. Yeah, I was talking 353 00:16:22,840 --> 00:16:25,720 Speaker 2: about the traditional, but you answered it all okay, And 354 00:16:25,840 --> 00:16:28,080 Speaker 2: what flavor of backwood do you see the most, like 355 00:16:28,120 --> 00:16:28,640 Speaker 2: when you're. 356 00:16:28,480 --> 00:16:31,320 Speaker 3: Out or original, because the real smoker don't want no flavor, 357 00:16:31,320 --> 00:16:32,200 Speaker 3: they want to taste the weed. 358 00:16:32,320 --> 00:16:33,600 Speaker 4: There you go, period. 359 00:16:33,920 --> 00:16:38,600 Speaker 1: There you're telling them myself. They I'm working on some 360 00:16:38,720 --> 00:16:41,880 Speaker 1: things over there with Backwoods where we're trying to get 361 00:16:41,920 --> 00:16:47,800 Speaker 1: like some Backwoods reparations. Yeah, yeah, the ones that got 362 00:16:47,840 --> 00:16:51,000 Speaker 1: broken in transit. We're trying to negotiate what that number 363 00:16:51,040 --> 00:16:55,320 Speaker 1: looks like, us as the consumer against them as the company. 364 00:16:55,440 --> 00:16:57,280 Speaker 4: But it's just real friendly right now. 365 00:16:57,320 --> 00:16:58,760 Speaker 3: And I'd be so mad when you buy a pack 366 00:16:58,800 --> 00:16:59,920 Speaker 3: of Backwoods and it be dry. 367 00:17:00,520 --> 00:17:02,400 Speaker 1: Yeah, I be mad when you buy the pack and 368 00:17:02,400 --> 00:17:04,680 Speaker 1: they only give you one dog skin bad Wood. 369 00:17:04,520 --> 00:17:05,160 Speaker 2: And the rest of them. 370 00:17:06,440 --> 00:17:08,000 Speaker 3: I ain't never like my mix. 371 00:17:08,240 --> 00:17:15,200 Speaker 1: Yeah, yeah, because the dark ones burned longer, the dark 372 00:17:15,720 --> 00:17:16,359 Speaker 1: a little stronger. 373 00:17:16,400 --> 00:17:20,080 Speaker 3: Oh my god, Lee, I love him. We got Keith Lee. 374 00:17:20,119 --> 00:17:21,160 Speaker 3: I'm a huge fan. 375 00:17:21,200 --> 00:17:23,560 Speaker 4: Oh my god, Oh Keith Lee. 376 00:17:23,720 --> 00:17:24,200 Speaker 3: What's up? 377 00:17:26,200 --> 00:17:30,160 Speaker 4: Critic, Keith Lee. Come over here. We'll do an interview 378 00:17:30,200 --> 00:17:31,000 Speaker 4: with Keith Lee. 379 00:17:31,240 --> 00:17:32,040 Speaker 3: He's amazing. 380 00:17:32,440 --> 00:17:36,119 Speaker 1: Money Loan, we appreciate you stopping through the eighty five south. 381 00:17:38,000 --> 00:17:40,520 Speaker 3: Of the show on the show to have me come back. 382 00:17:40,800 --> 00:17:41,800 Speaker 4: Will you come on the show. 383 00:17:41,920 --> 00:17:42,280 Speaker 3: I will. 384 00:17:42,480 --> 00:17:45,040 Speaker 4: We're gonna get your people in so you can come on. 385 00:17:45,400 --> 00:17:48,959 Speaker 2: You so much stopping about Backwoods backstage one music Fast, 386 00:17:49,000 --> 00:17:49,440 Speaker 2: it's lit. 387 00:17:50,080 --> 00:17:53,440 Speaker 1: It's lit, Money Loan, you were out of here.