1 00:00:10,320 --> 00:00:14,640 Speaker 1: Welcome to Unexplained Extra with me Richard McClane Smith, where 2 00:00:14,680 --> 00:00:16,960 Speaker 1: for the weeks in between episodes, we look at stories 3 00:00:16,960 --> 00:00:19,560 Speaker 1: and ideas that, for one reason or other, didn't make 4 00:00:19,600 --> 00:00:23,360 Speaker 1: it into the previous show. In last week's episode, The 5 00:00:23,480 --> 00:00:26,599 Speaker 1: Cold Black Cloud, we heard the chilling tale of the 6 00:00:26,680 --> 00:00:30,440 Speaker 1: so called Runcorn Thing. We're back in nineteen fifty two, 7 00:00:30,880 --> 00:00:34,000 Speaker 1: the Jones and Glynn family of number one Byron Street 8 00:00:34,000 --> 00:00:37,920 Speaker 1: in Runcorn, in the northwest of England were apparently harassed 9 00:00:37,960 --> 00:00:43,160 Speaker 1: by a terrifying poltergeist. For me writing these stories, peculiar 10 00:00:43,200 --> 00:00:45,640 Speaker 1: events like this are about as good as it gets 11 00:00:45,680 --> 00:00:51,320 Speaker 1: for Unexplained, With multiple participants and numerous locations all seemingly 12 00:00:51,360 --> 00:00:55,440 Speaker 1: linked by this strange and unnerving event. The involvement of 13 00:00:55,520 --> 00:00:58,600 Speaker 1: Richard Whittington Egan, who at the time was a well 14 00:00:58,640 --> 00:01:01,320 Speaker 1: known chronicler of true crime and the history of the 15 00:01:01,360 --> 00:01:04,800 Speaker 1: local area, was an added bonus, not least of all 16 00:01:05,040 --> 00:01:08,319 Speaker 1: because he provides me with the useful, if somewhat stretched 17 00:01:08,520 --> 00:01:13,559 Speaker 1: segue into this week's extra. In twenty sixteen, Whittington Egan 18 00:01:14,000 --> 00:01:18,920 Speaker 1: published a biography of Eliot O'Donnell titled The Master ghost Hunter. 19 00:01:20,040 --> 00:01:23,040 Speaker 1: As a writer of numerous works of fiction spanning a 20 00:01:23,120 --> 00:01:26,959 Speaker 1: variety of genres. It was mostly for his work chronicling 21 00:01:27,080 --> 00:01:31,280 Speaker 1: apparent real life ghost stories that O'Donnell became most renowned. 22 00:01:32,240 --> 00:01:35,720 Speaker 1: Born in eighteen seventy two in Clifton in the southwest 23 00:01:35,760 --> 00:01:40,080 Speaker 1: of England, by the nineteen tens, O'Donnell had established himself 24 00:01:40,160 --> 00:01:43,199 Speaker 1: as a leading figure in what was becoming an increasingly 25 00:01:43,240 --> 00:01:47,960 Speaker 1: popular genre. O'Donnell wrote widely about all manner of apparent 26 00:01:48,000 --> 00:01:51,720 Speaker 1: hauntings in Britain and the United States, but there was 27 00:01:51,800 --> 00:01:55,480 Speaker 1: one story, or rather location, for which he had a 28 00:01:55,480 --> 00:02:00,880 Speaker 1: particular soft spot. The place, a mid terrorist George townhouse 29 00:02:01,000 --> 00:02:04,800 Speaker 1: in London's Berkeley Square, is often referred to as quite 30 00:02:04,800 --> 00:02:09,280 Speaker 1: simply the most haunted house in London. It was as 31 00:02:09,280 --> 00:02:14,200 Speaker 1: a schoolboy that O'Donnell first apparently visited the property, making 32 00:02:14,200 --> 00:02:17,120 Speaker 1: his way to it alone through the dark and grimy 33 00:02:17,160 --> 00:02:20,800 Speaker 1: streets of Victorian London, feeling not so much that it 34 00:02:20,840 --> 00:02:24,320 Speaker 1: was his choice, but more that the house was somehow 35 00:02:24,440 --> 00:02:29,079 Speaker 1: summoning him to its door. On arrival, he was struck 36 00:02:29,120 --> 00:02:33,000 Speaker 1: by its grim and tattered fasart that stuck out immediately 37 00:02:33,040 --> 00:02:38,360 Speaker 1: amongst its more sophisticated neighbors, even then, Berkeley Square was 38 00:02:38,400 --> 00:02:42,160 Speaker 1: one of the most exclusive locations in the capital. But 39 00:02:42,360 --> 00:02:47,079 Speaker 1: something seemed to have infected this particular property of rot, 40 00:02:47,520 --> 00:02:50,720 Speaker 1: that had seemingly seeped into the brick and would not 41 00:02:51,080 --> 00:02:54,639 Speaker 1: let go. It was easy to see how it had 42 00:02:54,680 --> 00:02:59,520 Speaker 1: garnered its unnerving reputation, and for the young schoolboy standing 43 00:02:59,560 --> 00:03:03,000 Speaker 1: in its sadow and gazing up but its four stories 44 00:03:03,000 --> 00:03:07,440 Speaker 1: of darkened, dusty windows, the sense of something heavy pulling 45 00:03:07,480 --> 00:03:10,880 Speaker 1: at him from inside it. There was absolutely no doubt 46 00:03:11,440 --> 00:03:22,160 Speaker 1: that the rumors about it were true. Having been completed 47 00:03:22,200 --> 00:03:26,320 Speaker 1: in seventeen fifty fifty, Berkeley Square began life as the 48 00:03:26,400 --> 00:03:30,160 Speaker 1: home of one General Frampton. However, it wasn't until the 49 00:03:30,280 --> 00:03:34,880 Speaker 1: late nineteenth century that the properties apparently haunted reputation is 50 00:03:34,920 --> 00:03:38,720 Speaker 1: thought to have been established. How and why this reputation 51 00:03:38,800 --> 00:03:42,920 Speaker 1: took hold is not entirely clear. Writing in the Quarterly 52 00:03:43,000 --> 00:03:47,360 Speaker 1: Journal Notes and Queries in November eighteen seventy two, Lord 53 00:03:47,440 --> 00:03:51,240 Speaker 1: Lyttleton said, of the ominous abode, it is quite true 54 00:03:51,320 --> 00:03:53,880 Speaker 1: there is a house in Berkeley Square said to be 55 00:03:53,960 --> 00:03:59,040 Speaker 1: haunted and long unoccupied. On that account, there are strained 56 00:03:59,120 --> 00:04:04,640 Speaker 1: stories about it into which this opponent cannot enter. Then, 57 00:04:04,720 --> 00:04:09,240 Speaker 1: in eighteen seventy nine, one journalist writing in Mayfair magazine 58 00:04:09,720 --> 00:04:15,200 Speaker 1: made a startling revelation stating the house in Berkeley Square 59 00:04:15,520 --> 00:04:19,360 Speaker 1: contains at least one room, of which the atmosphere is 60 00:04:19,400 --> 00:04:25,640 Speaker 1: supernaturally fatal to body and mind alike. A girl saw, heard, 61 00:04:25,720 --> 00:04:29,080 Speaker 1: and felt such horror in it that she went mad 62 00:04:29,560 --> 00:04:33,200 Speaker 1: and never recovered sanity enough to tell how or why. 63 00:04:34,640 --> 00:04:38,560 Speaker 1: A gentleman, a disbeliever in ghosts, dared to sleep in 64 00:04:38,640 --> 00:04:41,080 Speaker 1: it and was found a corpse in the middle of 65 00:04:41,120 --> 00:04:46,239 Speaker 1: the floor after frantically ringing for help in vain. Rumors 66 00:04:46,240 --> 00:04:51,120 Speaker 1: suggest other cases of the same kind, all ending in death, madness, 67 00:04:51,240 --> 00:04:54,640 Speaker 1: or both as the result of sleeping or trying to 68 00:04:54,680 --> 00:04:58,960 Speaker 1: sleep in that room. The very party walls of the house, 69 00:04:59,120 --> 00:05:05,400 Speaker 1: when touched, are found saturated with electric horror. The writer continued. 70 00:05:06,200 --> 00:05:09,400 Speaker 1: It is uninhabited save by an elderly man and woman 71 00:05:09,839 --> 00:05:13,039 Speaker 1: who act as care takers, but even they have no 72 00:05:13,200 --> 00:05:17,320 Speaker 1: access to the room that is kept locked and the 73 00:05:17,440 --> 00:05:21,000 Speaker 1: key kept in the hands of a mysterious and seemingly 74 00:05:21,080 --> 00:05:25,920 Speaker 1: nameless person who comes to the house once every six months, 75 00:05:26,000 --> 00:05:29,720 Speaker 1: locks up the elderly people in the basement, and occupies 76 00:05:29,800 --> 00:05:35,000 Speaker 1: himself in it for hours, all of which writer Eliot 77 00:05:35,040 --> 00:05:39,640 Speaker 1: O'Donnell would later lap up with great enthusiasm. As his 78 00:05:39,720 --> 00:05:44,160 Speaker 1: fascination for the property and its haunted tales intensifight, he 79 00:05:44,240 --> 00:05:48,520 Speaker 1: became an advocate for its haunted status, taking any opportunity 80 00:05:48,600 --> 00:05:54,279 Speaker 1: he could to promote it. Many dismissed the stories, claiming 81 00:05:54,320 --> 00:05:57,760 Speaker 1: that they were simply the invention of a disgruntled caretaker 82 00:05:57,839 --> 00:06:00,640 Speaker 1: of the time who was keen to determine people from 83 00:06:00,680 --> 00:06:05,480 Speaker 1: buying the property. Others believed they stemmed from stories relating 84 00:06:05,560 --> 00:06:10,120 Speaker 1: to one specific owner, an apparently eccentric recluse who let 85 00:06:10,120 --> 00:06:15,120 Speaker 1: the property fall into disrepair. The man, described as being 86 00:06:15,200 --> 00:06:19,440 Speaker 1: tall with a haggard appearance, apparently only ever used one 87 00:06:19,520 --> 00:06:22,320 Speaker 1: room of the house, but was said to sometimes be 88 00:06:22,440 --> 00:06:26,240 Speaker 1: seen wandering the other rooms at night, taking with him 89 00:06:26,320 --> 00:06:30,080 Speaker 1: a candle to light the way. If seen from the street, 90 00:06:30,720 --> 00:06:33,880 Speaker 1: it is easy to see how this strange, unknown figure, 91 00:06:34,480 --> 00:06:38,320 Speaker 1: glimpsed only as a silhouette through flickers of soft orange light, 92 00:06:39,120 --> 00:06:44,080 Speaker 1: could have been mistaken for something more ominous. O'Donnell counted 93 00:06:44,080 --> 00:06:47,360 Speaker 1: all this, however, with a number of stories he collated 94 00:06:47,400 --> 00:06:50,800 Speaker 1: over the years, each of which gave a little more 95 00:06:50,839 --> 00:06:54,320 Speaker 1: flesh to the bones of the rumors, and there was 96 00:06:54,360 --> 00:06:58,520 Speaker 1: one story above all that seemed to lend them particular weight. 97 00:07:06,000 --> 00:07:09,480 Speaker 1: It was on one late midwinter night sometime in the 98 00:07:09,480 --> 00:07:14,160 Speaker 1: mid nineteenth century that two sailors recorded only as Mick 99 00:07:14,240 --> 00:07:18,400 Speaker 1: and Bill found themselves aimlessly wandering the streets of London 100 00:07:18,760 --> 00:07:22,720 Speaker 1: after a night of heavy drinking. With no money and 101 00:07:22,880 --> 00:07:25,679 Speaker 1: only a half drunk bottle of rum left a share 102 00:07:25,720 --> 00:07:30,040 Speaker 1: between them. As the air grew increasingly icy, the pair 103 00:07:30,120 --> 00:07:33,400 Speaker 1: began to hunt around desperately for somewhere to shelter for 104 00:07:33,440 --> 00:07:38,040 Speaker 1: the night. After plodding the streets for hours, they eventually 105 00:07:38,240 --> 00:07:41,840 Speaker 1: ended up at Berkeley Square. When they spotted of the 106 00:07:42,000 --> 00:07:46,960 Speaker 1: sale sign outside one particularly darkened townhouse on the square's 107 00:07:47,000 --> 00:07:50,720 Speaker 1: western side. Bill suggested they try and find a way 108 00:07:50,880 --> 00:07:54,880 Speaker 1: into it, having failed to open any of the ground 109 00:07:54,880 --> 00:07:58,880 Speaker 1: floor windows, The men converged on the front doorstep and 110 00:07:59,040 --> 00:08:02,680 Speaker 1: stared up at the large brass door knocker that glinted 111 00:08:02,720 --> 00:08:07,000 Speaker 1: in the moonlight the number fifty painted in gold on 112 00:08:07,080 --> 00:08:11,160 Speaker 1: the glass paneling above it. After giving each other a 113 00:08:11,240 --> 00:08:15,680 Speaker 1: conspiratorial look, the pair quickly glanced about the square to 114 00:08:15,760 --> 00:08:19,040 Speaker 1: make sure they were alone. Then at the count of 115 00:08:19,120 --> 00:08:24,040 Speaker 1: three gave the door a hefty shove. With a muffled crack, 116 00:08:24,680 --> 00:08:28,760 Speaker 1: The door inched open, and the men pushed through into 117 00:08:28,760 --> 00:08:32,120 Speaker 1: the house, Relieved to be finally out of the wind. 118 00:08:32,840 --> 00:08:36,160 Speaker 1: Mick quickly closed the door behind them and lit a match, 119 00:08:36,600 --> 00:08:40,400 Speaker 1: revealing a grand stone hallway with a wide stairwell at 120 00:08:40,440 --> 00:08:44,000 Speaker 1: the end of it. With the thick smell of damp 121 00:08:44,080 --> 00:08:47,680 Speaker 1: in the air, the pair decided to find somewhere upstairs 122 00:08:47,800 --> 00:08:51,760 Speaker 1: where they could light a fire for warmth. Having spied 123 00:08:51,800 --> 00:08:55,120 Speaker 1: a dresser in one of the rooms, the men quickly 124 00:08:55,160 --> 00:08:59,080 Speaker 1: dismantled it for firewood. Then, along with some ripped up 125 00:08:59,160 --> 00:09:03,000 Speaker 1: skirting and strips of wallpaper, they carried it all to 126 00:09:03,080 --> 00:09:08,040 Speaker 1: a small back room on the second floor. After bundling 127 00:09:08,080 --> 00:09:11,120 Speaker 1: some of the wood into the rusty fire grate, the 128 00:09:11,200 --> 00:09:14,160 Speaker 1: men was soon basking in the glow of a small fire, 129 00:09:14,800 --> 00:09:18,280 Speaker 1: sat huddled together on the floor as they cheerily passed 130 00:09:18,320 --> 00:09:23,320 Speaker 1: the bottle of rum between themselves. Having soon grown tired, 131 00:09:23,760 --> 00:09:28,440 Speaker 1: the men eventually bed it down for the night. It 132 00:09:28,480 --> 00:09:31,319 Speaker 1: was some time later when Bill woke with a start 133 00:09:31,760 --> 00:09:35,840 Speaker 1: to find the fire had all but burned out. Bill 134 00:09:36,000 --> 00:09:38,720 Speaker 1: tossed some more wood onto it as He shivered in 135 00:09:38,760 --> 00:09:44,280 Speaker 1: the dark, his breath billowing out in clouds before him. Then, 136 00:09:44,880 --> 00:09:47,480 Speaker 1: just as he was about to lie down again, he 137 00:09:47,600 --> 00:09:51,360 Speaker 1: heard the faint sound of something banging from somewhere deep 138 00:09:51,440 --> 00:10:01,600 Speaker 1: in the recesses of the house. As Bill listened carefully 139 00:10:02,280 --> 00:10:05,640 Speaker 1: trying to establish where exactly the sound was coming from, 140 00:10:06,200 --> 00:10:10,560 Speaker 1: Mick stirred beside him and then opened his eyes. What 141 00:10:10,800 --> 00:10:16,360 Speaker 1: is it, he asked, Listen, said Bill, pointing to his ear. 142 00:10:17,400 --> 00:10:22,160 Speaker 1: Then the sound came again, like something heavy being knocked 143 00:10:22,200 --> 00:10:28,439 Speaker 1: against a wall. It's just the front door, suggested Mick. However, 144 00:10:28,840 --> 00:10:32,040 Speaker 1: with both of them too tired and cold to move, 145 00:10:32,960 --> 00:10:36,880 Speaker 1: neither were particularly keen on going down to fix it. 146 00:10:36,920 --> 00:10:40,439 Speaker 1: But as they lay down once more to sleep, they 147 00:10:40,520 --> 00:10:45,560 Speaker 1: soon became aware of a second sound, something softer like 148 00:10:45,760 --> 00:10:49,600 Speaker 1: footsteps that seemed to be making their way up the stairs. 149 00:10:51,600 --> 00:10:55,199 Speaker 1: Mick and Bill looked anxiously to each other. What if 150 00:10:55,200 --> 00:10:58,160 Speaker 1: it was a police officer coming to inspect the property, 151 00:10:58,240 --> 00:11:03,760 Speaker 1: they thought, But something in the footsteps seemed to suggest otherwise. 152 00:11:04,720 --> 00:11:07,000 Speaker 1: It was hard to put their finger on it exactly. 153 00:11:07,880 --> 00:11:10,800 Speaker 1: It was almost as if the steps didn't have any 154 00:11:10,800 --> 00:11:15,080 Speaker 1: weight to them or the While the sound drew nearer, 155 00:11:15,840 --> 00:11:19,520 Speaker 1: approaching up the stairs and on to the landing, before 156 00:11:19,559 --> 00:11:25,360 Speaker 1: eventually stopping outside the door of their room. Who's there, 157 00:11:25,640 --> 00:11:30,600 Speaker 1: they cried, but there was no reply. Then the rattling 158 00:11:30,640 --> 00:11:33,840 Speaker 1: of the door handle was followed by the creak of 159 00:11:33,880 --> 00:11:40,600 Speaker 1: the hinges as the door was slowly pushed open. When 160 00:11:40,600 --> 00:11:44,600 Speaker 1: the police discovered Bill some hours later, he was found 161 00:11:44,679 --> 00:11:49,920 Speaker 1: lying on the pavement outside the house, babbling incoherently. After 162 00:11:49,960 --> 00:11:54,199 Speaker 1: finally coming round, he explained all to the officers about 163 00:11:54,240 --> 00:11:57,240 Speaker 1: how he and Mick had broken into the property and 164 00:11:57,400 --> 00:12:01,720 Speaker 1: about the hideous, unnameable thing that had attacked them in it. 165 00:12:03,360 --> 00:12:06,400 Speaker 1: Bill had somehow managed to run past the thing and 166 00:12:06,679 --> 00:12:10,360 Speaker 1: escape out the door as he heard Mix's screams coming 167 00:12:10,360 --> 00:12:14,360 Speaker 1: down the hall behind him. He didn't know where Mick 168 00:12:14,640 --> 00:12:17,839 Speaker 1: was and had been too scared to go back inside. 169 00:12:19,360 --> 00:12:23,200 Speaker 1: Sometime later, Bill accompanied the police on a search of 170 00:12:23,240 --> 00:12:26,959 Speaker 1: the property, where in the back yard they found Mick's 171 00:12:27,040 --> 00:12:31,000 Speaker 1: dead body lying in a pool of blood, surrounded by 172 00:12:31,040 --> 00:12:35,680 Speaker 1: shards of glass, his neck hideously broken from the fall, 173 00:12:36,760 --> 00:12:40,800 Speaker 1: and above the huge splintered hole in the second floor 174 00:12:40,840 --> 00:12:53,199 Speaker 1: window from where he had evidently jumped. Eliot O'Donnell recounted 175 00:12:53,240 --> 00:12:55,800 Speaker 1: the story of Bill and Mick the Sailors in his 176 00:12:55,960 --> 00:13:00,600 Speaker 1: nineteen thirty two book Ghosts of London, but as Yan Bondison, 177 00:13:00,920 --> 00:13:03,800 Speaker 1: in an article in the Christmas twenty fifteen edition of 178 00:13:03,800 --> 00:13:07,640 Speaker 1: The forteen Times magazine pointed out, he had also given 179 00:13:07,640 --> 00:13:11,280 Speaker 1: the story in his nineteen twenty four book Ghosts Helpful 180 00:13:11,320 --> 00:13:14,120 Speaker 1: and Harmful, and had in fact been telling the story 181 00:13:14,320 --> 00:13:16,800 Speaker 1: since at least as far back as nineteen oh eight, 182 00:13:17,440 --> 00:13:20,360 Speaker 1: the main problem with this being that it had changed 183 00:13:20,400 --> 00:13:24,920 Speaker 1: significantly with each telling. The story began at first as 184 00:13:24,920 --> 00:13:28,360 Speaker 1: a simple tale of two sailors being scared out at 185 00:13:28,360 --> 00:13:32,160 Speaker 1: the property by some kind of phantom, before evolving to 186 00:13:32,240 --> 00:13:36,600 Speaker 1: become a story about two sailors called Bert and Charlie, who, again, 187 00:13:37,080 --> 00:13:40,880 Speaker 1: although being horrifically scarred by the incident, was still both 188 00:13:40,920 --> 00:13:45,120 Speaker 1: fortunate to escape with their lives. By the nineteen thirty 189 00:13:45,120 --> 00:13:49,800 Speaker 1: two retelling, however, Bert and Charlie had morphed again, this 190 00:13:49,880 --> 00:13:53,120 Speaker 1: time to Bill and Mick, with the latter not being 191 00:13:53,160 --> 00:13:57,840 Speaker 1: so fortunate. All of which suggests, of course, that O'Donnell 192 00:13:58,120 --> 00:14:01,120 Speaker 1: made the whole thing up, or at least embellished an 193 00:14:01,120 --> 00:14:06,319 Speaker 1: earlier tale which most likely had no substance to it today. 194 00:14:06,880 --> 00:14:11,319 Speaker 1: Fifty Berkeley Square, which up until twenty fifteen was home 195 00:14:11,360 --> 00:14:15,760 Speaker 1: to the antiquarian bookstore Mags Brothers, remains the subject of 196 00:14:15,880 --> 00:14:21,120 Speaker 1: many ghost related stories. None, however, it seems, have been 197 00:14:21,240 --> 00:14:24,840 Speaker 1: verified by anyone who's actually lived or worked at the property, 198 00:14:25,400 --> 00:14:28,840 Speaker 1: all of whom claimed not to have seen or experienced 199 00:14:28,880 --> 00:14:35,640 Speaker 1: anything untoward. In truth. As well suggested earlier, the stories 200 00:14:35,680 --> 00:14:38,640 Speaker 1: seemed to stem from the impression taken of the house 201 00:14:39,040 --> 00:14:42,240 Speaker 1: and the so called eccentric man who occupied it in 202 00:14:42,280 --> 00:14:46,320 Speaker 1: the late nineteenth century, as opposed to any genuine recording 203 00:14:46,360 --> 00:14:51,200 Speaker 1: of supernatural events. It is said that the man Thomas Myers, 204 00:14:51,520 --> 00:14:55,400 Speaker 1: took ownership of the property sometime around eighteen sixty with 205 00:14:55,520 --> 00:14:58,040 Speaker 1: the intention of making it a home for himself and 206 00:14:58,160 --> 00:15:01,800 Speaker 1: his fiancee. Only days before the two were due to 207 00:15:01,840 --> 00:15:06,160 Speaker 1: get married, however, Thomas's fiance broke up with him, leaving 208 00:15:06,240 --> 00:15:10,000 Speaker 1: him to live in the house alone. Myers is said 209 00:15:10,000 --> 00:15:12,720 Speaker 1: to have been so devastated as a result that he 210 00:15:12,760 --> 00:15:16,520 Speaker 1: became a recluse, employing two house servants to look after 211 00:15:16,600 --> 00:15:20,160 Speaker 1: him while he remained mostly cocooned within the walls of 212 00:15:20,240 --> 00:15:23,760 Speaker 1: only one room, not even having the energy to unwrap 213 00:15:23,840 --> 00:15:27,160 Speaker 1: the carpets and furniture he'd ordered for himself and his 214 00:15:27,280 --> 00:15:31,480 Speaker 1: one time future wife. As a result, the house fell 215 00:15:31,520 --> 00:15:35,440 Speaker 1: steadily into disrepair, leaving it with the gloomy, disheveled air 216 00:15:35,480 --> 00:15:38,240 Speaker 1: that it was later to become known for, and which 217 00:15:38,240 --> 00:15:41,240 Speaker 1: would prove such fertile ground for the belief that it 218 00:15:41,320 --> 00:15:46,600 Speaker 1: was indeed haunted by ghoulish and malignant specters. Instead, like 219 00:15:46,800 --> 00:15:50,160 Speaker 1: so many ghost stories, its walls were not haunted by 220 00:15:50,200 --> 00:15:55,840 Speaker 1: something physical, but the abstract, yet very real pain of heartbreak. 221 00:16:02,080 --> 00:16:04,600 Speaker 1: If you enjoy Unexplained and would like to help support us, 222 00:16:04,880 --> 00:16:08,120 Speaker 1: you can now do so via Patreon. To receive access 223 00:16:08,160 --> 00:16:11,360 Speaker 1: to add free episodes. Just go to patron dot com 224 00:16:11,520 --> 00:16:15,320 Speaker 1: forward slash Unexplained pod to sign up. Unexplained, the book 225 00:16:15,360 --> 00:16:18,840 Speaker 1: and audiobook, featuring ten stories that have never before been 226 00:16:18,920 --> 00:16:22,320 Speaker 1: covered on the show, is now available to buy worldwide. 227 00:16:22,600 --> 00:16:26,040 Speaker 1: You can purchase through Amazon, Barnes and Noble, and Waterstones, 228 00:16:26,160 --> 00:16:31,160 Speaker 1: among other bookstores. All elements of Unexplained, including the show's music, 229 00:16:31,280 --> 00:16:34,800 Speaker 1: are produced by me Richard McClain smith. Please subscribe and 230 00:16:34,920 --> 00:16:37,760 Speaker 1: rate the show wherever you listen to podcasts, and feel 231 00:16:37,800 --> 00:16:40,200 Speaker 1: free to get in touch with any thoughts or ideas 232 00:16:40,200 --> 00:16:43,200 Speaker 1: regarding the stories you've heard on the show. Perhaps you 233 00:16:43,240 --> 00:16:45,360 Speaker 1: have an explanation of your own you'd like to share. 234 00:16:45,760 --> 00:16:49,280 Speaker 1: You can reach us online at Unexplained podcast dot com, 235 00:16:49,440 --> 00:16:54,280 Speaker 1: or Twitter at Unexplained Pod and Facebook at Facebook dot com, 236 00:16:54,600 --> 00:17:02,200 Speaker 1: Forward Slash Unexplained Podcast, Tho