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Speaker 1: The volume.

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Speaker 2: Yeah, I understand that the vacation girlies don't have a

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Speaker 2: job or I mean their job is vacationing.

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Speaker 1: Do the workout girlies have jobs?

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Speaker 3: Yeah, the workout girlies are new, Like those are the

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Speaker 3: Those are the girls you wants that are disciplined enough

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Speaker 3: to get up at six in the morning.

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Speaker 1: I think it's great and I will work.

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Speaker 3: Out, come back, shower, maybe give you a little, you know,

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Speaker 3: a little handy or something, get dressed, go to work

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Speaker 3: or go to school.

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Speaker 1: Like I don't want a handy post workout.

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Speaker 2: What you know, depending on if it was you know,

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Speaker 2: chest and arms that day or hands maybe a little

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Speaker 2: shaky sometimes you work out a little too much.

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Speaker 1: You want the hands to be shaked as they turn

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Speaker 1: it on. The vibrator right there, you want the hands

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Speaker 1: to be shaky. It's the male vibrator.

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Speaker 2: Yeah.

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Speaker 1: I love to work out girlies, man too. It's just

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Speaker 1: like my feed.

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Speaker 2: It's like three pm on a Tuesday and they're just all

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Speaker 2: working out and it is anyone going in to work.

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Speaker 1: But I mean, you know, the fitness girls, they get

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Speaker 1: to a bag though, Oh.

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Speaker 2: For sure, I'm not saying the ones that are I

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Speaker 2: understand the influencer ones like I get that, and some

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Speaker 2: of them our trainers too. Yeah, talk about just like

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Speaker 2: a girl that just goes to the gym every day

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Speaker 2: and all day.

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Speaker 3: I respect that. Shout out to all the gym girlies, man,

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Speaker 3: we see y'all. Don't be don't be too intimidated by

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Speaker 3: the BBO girlies that didn't go to the gym after

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Speaker 3: they recovered from the wellness spat and then four weeks

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Speaker 3: later once they get the stitches out.

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Speaker 1: They was in the gym for four months, sure, and

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Speaker 1: they was always teasing about their coron on.

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Speaker 3: The table for two hours to be me, you don't

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Speaker 3: worry about it.

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Speaker 4: I can't wait.

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Speaker 1: You're gett a BBL.

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Speaker 4: I don't need to ask. I just want the light bulb.

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Speaker 1: What you again? Like the three sixty what they call

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Speaker 1: it the three sixty.

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Speaker 5: Three sixty year because you can't just get the fat

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Speaker 5: sucked out your stomach into your arm still big, like I.

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Speaker 4: Don't Yeah, yeah, yeah, you know what I mean. You

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Speaker 4: gotta get it all over.

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Speaker 3: It's gotta be for gotta be, you gotta be right,

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Speaker 3: gotta like you're doing some type of weightlifting for sure.

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Speaker 2: Yeah, would you be intimidated? By like a girl that

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Speaker 2: can maybe like bench pressure.

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Speaker 3: Like she wants me to lay down and like like

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Speaker 3: actually she could curl you like bench like curl me

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Speaker 3: like she like she's holding mall, like she grabbed my

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Speaker 3: shorts and my shirt and like like your wife, Like,

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Speaker 3: I'm not dating no girl that can curl me.

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Speaker 1: I'm not doing that.

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Speaker 3: It's just not why not, I'm not just healthy?

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Speaker 1: No, no, you can't help that should be around to

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Speaker 1: support your family for a while.

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Speaker 3: You can curl two hundred, that's crazy. A girl that

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Speaker 3: can cur curl two hundred, two hundred period of A

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Speaker 3: girl that can curl two hundred is a girl that's

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Speaker 3: not for me. I'm sorry, No, no, she's not for me.

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Speaker 3: Maybe go get with a you know, maybe what's the

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Speaker 3: guy that plays for the Knicks.

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Speaker 1: What's his name?

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Speaker 4: Jacket?

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Speaker 1: You think yo kis.

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Speaker 3: Place for the nick just said this one out, baby,

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Speaker 3: I got you.

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Speaker 1: Jock Jocket is something else.

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Speaker 3: That's when you with somebody else's like Jock's trappings, like

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Speaker 3: it wasn't yours, that's Jocket.

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Speaker 1: Yo kich is the Unanimous League EVP though.

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Speaker 5: Yo okay, Well, I was saying, I want to say

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Speaker 5: his name before you said Nicks. To be fair, Before

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Speaker 5: you said Nicks, I want to say his name. I

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Speaker 5: know he doesn't play for the name.

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Speaker 1: Yeah, that's because the Wu Tang didn't recruit him yet.

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Speaker 1: You believe it. You leave a Boo tank clan.

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Speaker 2: Want to get into that. That literally just broke right

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Speaker 2: before we were going to record. I saw a video

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Speaker 2: of method man apologies. I'm not sure which platform he

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Speaker 2: was on, but he was explaining that. At one time

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Speaker 2: in twenty nineteen, Bhutang got together to shoot the video,

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Speaker 2: a recruitment video to get Katie to come to the Knicks,

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Speaker 2: and then the footage free surface maybe an hour ago.

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Speaker 3: Listen, man, are they saying Katie's name in it? Is

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Speaker 3: it like, oh, it's just like yo Kevin. Yeah, yeah,

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Speaker 3: I think they say his middle name at some point.

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Speaker 3: They're wearing thirty five jerseys. So this never came out. No,

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Speaker 3: do we think Katie knew about it? He saw it

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Speaker 3: and it just never came out.

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Speaker 2: The rumor is Dolan put this whole thing together and

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Speaker 2: like in immediate he played it.

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Speaker 3: Dolan did not get in touch with the Wu Tang clan.

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Speaker 3: Let's first of all, let's stop.

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Speaker 2: First of all, logic got all nine members of Wu

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Speaker 2: Tang together on a song anything as possible.

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Speaker 1: That is true.

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Speaker 3: Dolan, however, did not get Goho's face to show up

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Speaker 3: and shoot something for Kevin.

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Speaker 2: I just think I think Dolan would have the money

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Speaker 2: to do it. I just think he's too cheap to

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Speaker 2: do it. But according I think it was a mathematic

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Speaker 2: don't put this together and in a meeting he played

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Speaker 2: it for Katie, which Katie texted Rich and said, looks

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Speaker 2: like we're.

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Speaker 1: Going to Brooklyn. Okay, is that a real story?

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Speaker 2: This is the rumor that that don't this is a

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Speaker 2: real video, and the videos just all the raps are

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Speaker 2: about trying to get Katie to come here. So I

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Speaker 2: don't know if someone on doing staff did it, but

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Speaker 2: I can't imagine Dolan being in that meeting like, hey,

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Speaker 2: we got a you know, a local band, let's put

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Speaker 2: together a song for you.

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Speaker 1: Well, let's play local guys.

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Speaker 5: I think we can probably play it without getting demonetized.

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Speaker 1: So let's Dolan owns it. We'll get the whole show

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Speaker 1: shut down.

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Speaker 4: Kevin Knox, roberts On the Beast and the Smith Junior Nika.

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Speaker 1: Met Man got one.

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Speaker 5: Fresh bay of Katie designing on the bee stepping in

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Speaker 5: the garden in Orange Retreat. Want to bring them?

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Speaker 3: You put the body one's reasons you should go.

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Speaker 1: It's ghost so it's gonna be amazing. I just don't

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Speaker 1: think they should use their powers for this. We even

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Speaker 1: got your jersey stops, like they could have used these

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Speaker 1: five I'll get what. Katie went to Houston and stopped

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Speaker 1: in Brooklyn just on his right.

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Speaker 4: So this is before he saw with the Nets.

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Speaker 1: This is like twenty nineteen. Wait, kat saw this and

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Speaker 1: went to Brooklyn. Katie, that's fucked up.

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Speaker 4: That's mad.

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Speaker 1: Fuck, you can't see this and then go to Brooklyn.

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Speaker 2: Yeah, how many people like really get the Wu tang

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Speaker 2: together and then and then they just had kids.

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Speaker 1: Oh no, there's no way Katie saw that and signed

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Speaker 1: with the Nets because.

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Speaker 2: The last time Kiss even wanted to rap with basketball

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Speaker 2: was the Iverson commercial, which was iconic.

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Speaker 1: Damn, Katie, that's fucked up. Man.

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Speaker 2: Listen, man, you know I love Rizza. I think he's

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Speaker 2: one of the greatest. I don't think it was so

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Speaker 2: much the ghosts Ray and versus or Odb's son. I

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Speaker 2: think once once they closed out with the Riser Verse, I.

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Speaker 1: Think kat had made his decision.

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Speaker 2: Yeah, he may have been halfway to downtown Brooklyn before

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Speaker 2: Riza got to his eighth bar. That's how That's how

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Speaker 2: he introt the verse like you want to come.

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Speaker 1: I want you to come.

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Speaker 3: He like emphasized wants you come through, baby, make a move,

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Speaker 3: make a solid move.

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Speaker 1: Man, We want you to come.

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Speaker 3: And I said, we want to build you a ghost.

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Speaker 3: I think that was the ball with Katie was like,

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Speaker 3: you know, I'm gonna cross that bridge and go to Brooklyn.

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Speaker 6: Man.

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Speaker 3: Yeah, they all say, and they all say in this

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Speaker 3: rumors that Katie does want to come to the Knicks.

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Speaker 3: Now you know what, Lebron, you know that's that's hurt

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Speaker 3: every room. But that's perfect Nick's story. Though. The Knicks

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Speaker 3: always get somebody either before they become a superstar or

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Speaker 3: when they're on their way out, on their way to retirement.

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Speaker 3: So that makes sense for the Knicks. We never get

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Speaker 3: a superstar while out there, although I do feel like

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Speaker 3: Jalen Brunton is a superstar, but you never get a

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Speaker 3: superstar when they're like in their prime.

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Speaker 1: Yeah, Nicks don't do that. Do you think we'll we'll

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Speaker 1: clear the bench and get a great freak Mellow in

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Speaker 1: his prom too. Yeah, and Stottle Miami was coming off injuries.

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Speaker 2: But yeah, I'm talking about but they never just got

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Speaker 2: a proper year to two of them together for yeah,

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Speaker 2: because of injuries. But I don't know that that's so

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Speaker 2: funny though, that like they scraped this out. I feel

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Speaker 2: like Wu Tang really like one seed in the sign

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Speaker 2: was like, yo, just bury that, Like like if he

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Speaker 2: ended up coming, I could see this being like the

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Speaker 2: intro video to Game one when Katie comes through the tunnel,

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Speaker 2: like that would be iconic if they performed a lot.

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Speaker 2: But if you do all this and then he goes

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Speaker 2: to New York, just not yeah, bury that foot.

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Speaker 1: The Knicks fans are funny.

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Speaker 3: Remember when Mellow his first game as a Nick in

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Speaker 3: the Garden, I do, all of a sudden, he was

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Speaker 3: like he grew up in Brooklyn and he lived in Manhattan.

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Speaker 1: He lived in the hall them for a few months.

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Speaker 1: I was like that niggas from Baltimore for five years.

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Speaker 2: There was a from the top of the Garden to

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Speaker 2: the street level, welcome home, Mellow.

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Speaker 1: Crazy The Nicks. Nicks are crazy, man, But I think

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Speaker 1: I do think do it with Jordan went to the

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Speaker 1: next we do the same thing.

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Speaker 3: It was boring.

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Speaker 1: You can't say, but you can't say, welcome home, welcome home.

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Speaker 1: Michael Jordan. Michael Jordan did not live in Brooklyn, New York. Man.

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Speaker 3: This is just crazy. But I get it though. But

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Speaker 3: Knicks fans, I don't know, man, I don't know. They

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Speaker 3: want you on this, They want KD. I don't think

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Speaker 3: either either all is going to happen.

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Speaker 1: But I like our squad. We just got to focus. Yeah,

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Speaker 1: look good.

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Speaker 3: We're back spontsor by boost mobile, unlimited talk texts and

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Speaker 3: that baby.

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Speaker 1: How you feeling?

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Speaker 4: I feel really good?

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Speaker 3: How are you?

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Speaker 1: I'm good.

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Speaker 3: I'm got to see you over there. Got the updo

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Speaker 3: going today?

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Speaker 4: Just curls and curls for the bad girls.

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Speaker 2: You know, I love that you've been doing different hairstyles

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Speaker 2: for the last few weeks.

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Speaker 1: They've all looked really, really good.

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Speaker 3: Thank you.

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Speaker 5: You know, I'm trying to try to keep it natural

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Speaker 5: for natural hair girls. There's a lot of a lot

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Speaker 5: of pressure on us podcast and women to always have

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Speaker 5: weave in our head.

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Speaker 4: Really made up.

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Speaker 3: Podcast women to put weaves in y'all.

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Speaker 5: It was doing that all the people who call us

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Speaker 5: all types of ugly bummy.

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Speaker 4: I get caught.

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Speaker 5: They say my hair looks like a grandma because I

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Speaker 5: wear my real hair. Like, we deal with a lot

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Speaker 5: of shit women that are on camera. We deal with

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Speaker 5: a lot of shit.

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Speaker 1: Yeah, but that's one of two people. It doesn't count.

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Speaker 3: It's not like a whole it's not like a whole

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Speaker 3: community that's talking about the marriages real heir.

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Speaker 1: I do feel for the women podcasters though.

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Speaker 3: More people say you look up, more people say you

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Speaker 3: look good than don't. Okay, really they've been trying to

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Speaker 3: kill you, baby, did okay?

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Speaker 1: Ma?

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Speaker 4: I remember when you guessed my weight?

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Speaker 5: Yeah, they said the marriage lines she at least two fifteen?

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Speaker 3: Nah?

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Speaker 1: No, his girl could curly who said you were too?

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Speaker 4: A couple of people flying about my weight two.

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Speaker 3: People like come on, you know, you know, we just

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Speaker 3: it's always going to be one or two in a bunch.

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Speaker 1: You know that.

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Speaker 3: To anybody that thinks you're two fifteen is just stupid.

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Speaker 3: Nothing about you says two hundred and fifteen pounds.

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Speaker 5: Well, you know how short I am? I look taller

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Speaker 5: on the internetpp until like a guy saw me in

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Speaker 5: real life. He was like, oh, you're petite, like everybody

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Speaker 5: thinks I'm taller than I actually am.

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Speaker 1: So everybody thinks you're tall and way too fIF team.

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Speaker 4: Yeah, because taller people it's more evenly.

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Speaker 1: People think you're a shooting guard, is what you?

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Speaker 3: People?

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Speaker 1: People think you out.

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Speaker 4: His SAT screen, he said, Wu tang where you at?

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Speaker 1: People think? People think Baby's setting screens and.

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Speaker 3: Ship like yeah five three, yeah, like baby, they ain't

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Speaker 3: no fucking two fifteen.

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Speaker 2: Yeah, but White White Claw's not cutting any check, so

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Speaker 2: let's just keep it below.

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Speaker 3: Oh my bad.

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Speaker 1: I'm sorry, Baby. They gonna get somebody, some.

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Speaker 4: Pub and.

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Speaker 3: University red cup and do something like not paying, get

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Speaker 3: them niggas out of here.

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Speaker 1: If they pay White Claw.

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Speaker 4: I'm accepting sponsorship.

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Speaker 2: So I like White Claw, But I mean they're not

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Speaker 2: paying now, so yeah, there's no code.

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Speaker 4: I'll turn it around with.

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Speaker 1: That said, how is everyone's weak?

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Speaker 2: I know it's a little repetitive because yesterday's episode we

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Speaker 2: were talking about all her fault. But I did finish

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Speaker 2: it last night, and I did annoy the entire group

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Speaker 2: chat by commenting in real time when you guys had

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Speaker 2: no idea where I was at the show.

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Speaker 3: I turned the group chat off a certain time when

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Speaker 3: I know Rory's watching something that I ain't finished.

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Speaker 1: He qushed it though, No, I didn't. Oh, I thought

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Speaker 1: you were done with All Her That's.

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Speaker 3: Why I was on the last one that hadn't. I

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Speaker 3: didn't finish it yet. Oht I only got like I

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Speaker 3: think half of I got one episode and a half

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Speaker 3: of the episode for the last one.

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Speaker 2: Okay, then can we we will challenge you and our listeners.

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Speaker 1: You have until Tuesday, yeah, to finish the.

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Speaker 2: Show, because I'm coming in with spoilers and doing a

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Speaker 2: full breakdown of that show.

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Speaker 1: Come next. Great show, that's one of the best. Great show.

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Speaker 1: I'm glad you liked it. Did you finish a Baby D?

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Speaker 4: I finished? You finished the first day? Yeah?

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Speaker 1: One day?

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Speaker 5: Right?

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Speaker 3: Yeah, Baby D be in the But you be in

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Speaker 3: bed rotten, don't you? You just be in the bed,

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Speaker 3: just ridden away.

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Speaker 5: I was on the couch, sitting there, laying there. I

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Speaker 5: started that ship at seven am.

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Speaker 1: Seven am, starting All Her Fall at seven am.

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Speaker 2: Josh said, he did what two am to nine am?

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Speaker 2: Eleven two am.

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Speaker 3: Show? Who's watch a TV from two am to nine am?

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Speaker 3: Is that Pacific standard time? What is that two am

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Speaker 3: to nine am?

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Speaker 1: Graveyard ship?

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Speaker 5: Yeah?

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Speaker 1: You can't you can't watch just one. Uh yeah, I

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Speaker 1: watched like three in the row.

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Speaker 3: Then I watched like two other ones, and then I

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Speaker 3: think I just like had to, you know, it was

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Speaker 3: watching other ship the games be on that night Nicks

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Speaker 3: was in the cup, so it was kind.

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Speaker 2: Of yeah, but then I just get disappointed, like now

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Speaker 2: I can't go home tonight and watch the show like

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Speaker 2: it's over.

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Speaker 1: I've seen it. Did you start land Man yet?

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Speaker 3: No?

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Speaker 1: It's Landman? Oh yeah, I think you're like land Man.

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Speaker 1: Land Man is on a prime too.

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Speaker 2: Okay, what's what's the synopsis. It's Billy Billy Bob there

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Speaker 2: you go. Oh yeah, start board.

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Speaker 1: Billy Bob is in it. Uh part two I think

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Speaker 1: is on his way. Okay. Demi Moore too, I haven't

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Speaker 1: seen I haven't seen them in a minute.

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Speaker 3: It's like oil rig you know, it's like gangsters that

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00:12:48,320 --> 00:12:50,559
Speaker 3: own oil and ship like you know that whole story.

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Speaker 3: It's like breaking bad with oil.

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Speaker 2: Oh okay, so the United States and the releas to

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Speaker 2: cut you all right? That makes sense? Oh all right, good,

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Speaker 2: Then I have something to to watch. I listened to

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Speaker 2: the Game and DJ Drama tape movies Need to Travel.

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Speaker 1: Was that it's really good. Mike and Keys spas on

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Speaker 1: that production.

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00:13:07,240 --> 00:13:10,439
Speaker 2: The production is incredible, and you know Game is always

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Speaker 2: in rapping shape. So I was never doubting that Game

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00:13:13,120 --> 00:13:15,040
Speaker 2: wouldn't sound great on it. I was just curious what

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Speaker 2: production would be. And yeah, they went they went nuts.

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Speaker 2: I see why Game picked them and only them to

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Speaker 2: do that whole project.

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Speaker 3: I saw Game sitting now with Shannon Sharp and he

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Speaker 3: ready to start up his West Coast hate again. So

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Speaker 3: I get all right. I love fuck with Game though.

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Speaker 3: He don't give a Game don't give a fuck. He

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00:13:31,520 --> 00:13:33,559
Speaker 3: don't give a fuck about none of y'all what y'all

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Speaker 3: got to say. Who don't like him? He feels like

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Speaker 3: he rap better than all y'all. He's willing to prove it.

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Speaker 3: He don't care what y'all got to say about him.

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Speaker 1: I fuck with Game, man.

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Speaker 2: I think it was. Was it on Chromhart's America's Nightmare?

353
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Speaker 2: I think was the song the internet was breaking down?

354
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Speaker 2: If this was like Kendrick and Drake disses and then

355
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Speaker 2: Game put a post out and said, you guys must

356
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Speaker 2: be new fans.

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Speaker 1: If I had an issue with somebody, I would actually

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Speaker 1: say it.

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Speaker 2: And I never had a prob with When they were

360
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Speaker 2: breaking those verses out, I was like, that's not a

361
00:14:02,360 --> 00:14:05,480
Speaker 2: Kendrick or a Drake this, And we know Game Game

362
00:14:05,480 --> 00:14:07,440
Speaker 2: would say fuck Kendrick, Lamar, fuck Drake.

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00:14:07,520 --> 00:14:08,840
Speaker 1: Yeah, right, just right to right.

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00:14:09,240 --> 00:14:11,760
Speaker 2: It wouldn't need to rhyme, no, So yeah, I thought

365
00:14:11,800 --> 00:14:14,640
Speaker 2: the fans were reaching there. So I was half right

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00:14:14,679 --> 00:14:16,599
Speaker 2: and half wrong. He didn't really diss anybody, but he

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00:14:16,640 --> 00:14:19,360
Speaker 2: did get on Shannon Sharp and tell everyone go fuck yourself.

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Speaker 3: I mean, but I was half right with my prediction.

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00:14:21,640 --> 00:14:23,880
Speaker 3: But I respect that though, man, because you from that

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00:14:23,880 --> 00:14:26,640
Speaker 3: that era though. Yeah, and if y'all want to rap,

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Speaker 3: let's rap, like I respect any rapper that I want

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Speaker 3: to rap. Like, you know, we get into this weird

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Speaker 3: ship with rappers want to do a whole bunch of

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Speaker 3: other ship and try to monetize this way that way,

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Speaker 3: which is cool.

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Speaker 1: That's your prerogative.

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00:14:38,040 --> 00:14:41,360
Speaker 3: But I respect Game because he's still cut from that

378
00:14:41,640 --> 00:14:44,200
Speaker 3: cloth of you think you rap better than me, then

379
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Speaker 3: let's prove it.

380
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Speaker 1: Yeah, let's rap.

381
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Speaker 2: And despite uh, you know, the recent years with Drake

382
00:14:50,200 --> 00:14:52,760
Speaker 2: and Kendrick, it has been a little too cool by

383
00:14:52,840 --> 00:14:55,920
Speaker 2: y'all lately, like basketball turned into aau ship where all

384
00:14:55,920 --> 00:14:58,440
Speaker 2: the superstars get together and at around the same time

385
00:14:58,520 --> 00:15:02,880
Speaker 2: rap post game fifty era turned into aau basketball. To me,

386
00:15:03,440 --> 00:15:05,240
Speaker 2: it's all kumba yas shit. I like it because we

387
00:15:05,320 --> 00:15:07,040
Speaker 2: get good collaborations. But every now and then you need

388
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Speaker 2: somebody like Game to say fuck you, I rap better. Yeah,

389
00:15:09,240 --> 00:15:10,320
Speaker 2: we need a little bit more of that.

390
00:15:10,360 --> 00:15:10,800
Speaker 1: I love that.

391
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Speaker 3: I mean, that's just part of the competitive nature of rap.

392
00:15:13,920 --> 00:15:16,240
Speaker 3: You know, there's nothing wrong with it. It has been

393
00:15:16,280 --> 00:15:19,680
Speaker 3: too much buddy buddy, I call it buddy ball, you know, lately,

394
00:15:19,760 --> 00:15:21,360
Speaker 3: But I mean, yeah, paus on that.

395
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Speaker 1: But I just I just loved it.

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00:15:23,240 --> 00:15:26,200
Speaker 3: That Game is you know, he's still you know, he's

397
00:15:26,360 --> 00:15:28,760
Speaker 3: obviously matured a lot. You know, we know Game he

398
00:15:28,840 --> 00:15:30,920
Speaker 3: used to be a lot, a lot loose and ready

399
00:15:30,960 --> 00:15:33,000
Speaker 3: to fly off the handle. But you know, he's he's

400
00:15:33,040 --> 00:15:34,960
Speaker 3: he's in a different space, but he's still letting it

401
00:15:35,000 --> 00:15:36,680
Speaker 3: be known that Yo, y'all want to rap, and I

402
00:15:36,680 --> 00:15:39,240
Speaker 3: feel like I rap better than whoever may be Kendrick

403
00:15:39,280 --> 00:15:41,880
Speaker 3: or whoever y'all want to ask me about. I'm betting

404
00:15:41,880 --> 00:15:44,240
Speaker 3: on Game, and you got to respect that. If nothing else,

405
00:15:44,280 --> 00:15:46,440
Speaker 3: you got to respect the fact that Game is still

406
00:15:47,000 --> 00:15:49,320
Speaker 3: you know, carrying it like he's better than everybody.

407
00:15:49,400 --> 00:15:51,120
Speaker 2: I was a little disappointed the Game and Ross thing

408
00:15:51,200 --> 00:15:54,480
Speaker 2: didn't go further music wise, like it kind of came

409
00:15:54,520 --> 00:15:57,320
Speaker 2: and went in like two days. I wish they Pauls

410
00:15:57,320 --> 00:16:00,040
Speaker 2: won a few more rounds on that entire thing. I

411
00:16:00,040 --> 00:16:02,640
Speaker 2: just thin people are scared of Game. I know some

412
00:16:02,720 --> 00:16:04,320
Speaker 2: of the younger listeners are gonna think I'm out of

413
00:16:04,320 --> 00:16:07,120
Speaker 2: my mind by saying that. But if you've known Game

414
00:16:07,320 --> 00:16:09,960
Speaker 2: since two thousand and two, Game is different and has

415
00:16:10,000 --> 00:16:12,040
Speaker 2: proved that he's different. I think I think rappers know

416
00:16:12,080 --> 00:16:15,120
Speaker 2: about Game. Some fans may not. You gotta be careful.

417
00:16:15,160 --> 00:16:17,160
Speaker 2: People are scared of Game because they know Game. There

418
00:16:17,160 --> 00:16:19,400
Speaker 2: will be no boundaries. He will never let up, like

419
00:16:19,480 --> 00:16:21,440
Speaker 2: you're now invested in something for the rest of what life.

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00:16:21,480 --> 00:16:22,840
Speaker 4: That's what I'm ready to say. I don't know if

421
00:16:22,880 --> 00:16:23,160
Speaker 4: you want that.

422
00:16:23,360 --> 00:16:23,680
Speaker 1: He's not.

423
00:16:23,720 --> 00:16:25,720
Speaker 3: He's not letting up when you're ready to be over

424
00:16:25,800 --> 00:16:27,440
Speaker 3: and done with it and ready to be like, yo,

425
00:16:27,880 --> 00:16:30,680
Speaker 3: I'm cool. I'm not really trying to go anymore rounds.

426
00:16:31,480 --> 00:16:34,160
Speaker 3: Game got seven hundred more balls for you, And at

427
00:16:34,160 --> 00:16:36,400
Speaker 3: that point rappers are like, all right, man, like I'm

428
00:16:36,440 --> 00:16:36,880
Speaker 3: not I'm not.

429
00:16:36,800 --> 00:16:37,720
Speaker 1: Saying my kids in school.

430
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Speaker 5: Game.

431
00:16:37,920 --> 00:16:40,040
Speaker 3: Yeah, I'm not doing just keep wrapping and going at

432
00:16:40,080 --> 00:16:42,280
Speaker 3: you every other night like it's not happening. So I

433
00:16:42,280 --> 00:16:44,640
Speaker 3: do understand why people don't want to engage with Game

434
00:16:44,680 --> 00:16:46,240
Speaker 3: because again, he ain't stopping.

435
00:16:46,240 --> 00:16:48,520
Speaker 1: No tom soon, Yeah, Game, did you watch the whole

436
00:16:48,520 --> 00:16:50,280
Speaker 1: Shannon sharpitterview or just saw something? I just saw some

437
00:16:50,320 --> 00:16:51,520
Speaker 1: clips of it. He told.

438
00:16:51,560 --> 00:16:54,520
Speaker 2: One of my favorite favorite game stories again, which I'm

439
00:16:54,560 --> 00:16:57,400
Speaker 2: glad that hit the internet again when Michael Jackson called

440
00:16:57,440 --> 00:16:59,600
Speaker 2: Game to try to dead the fifty in game beef,

441
00:16:59,680 --> 00:17:01,280
Speaker 2: which is one thousand percent accurate.

442
00:17:01,680 --> 00:17:04,560
Speaker 4: Wait really, oh please.

443
00:17:04,560 --> 00:17:05,760
Speaker 1: Michael Jackson call Game?

444
00:17:06,000 --> 00:17:08,719
Speaker 3: Yeah, and he said, are you guys still at odds?

445
00:17:10,080 --> 00:17:11,200
Speaker 1: That is what Michael Jackson?

446
00:17:11,600 --> 00:17:13,040
Speaker 3: He said, I have an idea that odds.

447
00:17:13,040 --> 00:17:18,080
Speaker 1: Are you guys at odds? I have an idea we

448
00:17:18,080 --> 00:17:21,359
Speaker 1: should fix the beef on my album and then Game

449
00:17:21,359 --> 00:17:24,760
Speaker 1: hang up because he didn't think it was who called Game?

450
00:17:25,440 --> 00:17:25,840
Speaker 4: Was it really?

451
00:17:25,960 --> 00:17:28,239
Speaker 1: Was it confirmed that it was Michael Jackson. I don't know.

452
00:17:28,600 --> 00:17:30,080
Speaker 1: This is one of those stories where it was just

453
00:17:30,119 --> 00:17:32,920
Speaker 1: Game by himself, like we don't have a game story.

454
00:17:33,000 --> 00:17:35,280
Speaker 2: Yeah, it's one of those clone survivors stories, like we

455
00:17:35,280 --> 00:17:40,880
Speaker 2: don't There was no one there to fish yeah, that game,

456
00:17:40,920 --> 00:17:44,439
Speaker 2: but I think someone did back. I forgot who was.

457
00:17:44,440 --> 00:17:45,160
Speaker 3: Maybe it was who could.

458
00:17:45,320 --> 00:17:49,040
Speaker 2: Somebody did say in an interview that Michael Jackson did

459
00:17:49,040 --> 00:17:52,960
Speaker 2: play Game fifty. How we do like a thousand times

460
00:17:52,960 --> 00:17:55,400
Speaker 2: in one day, Like anytime they'd be around Mike, he'd

461
00:17:55,400 --> 00:17:58,120
Speaker 2: be playing that songe, So maybe there is some type

462
00:17:58,119 --> 00:17:59,520
Speaker 2: of validity to this entire thing.

463
00:18:00,400 --> 00:18:01,960
Speaker 1: Mike was more with the ships than people think.

464
00:18:02,040 --> 00:18:04,560
Speaker 3: Man, yeah, don't let that high pitched voice and you

465
00:18:04,560 --> 00:18:09,280
Speaker 3: know that mystique and that aural fool you game was

466
00:18:09,320 --> 00:18:11,600
Speaker 3: in the car You're so did y'all find did y'all

467
00:18:11,600 --> 00:18:14,480
Speaker 3: see that footage of Mike when he was in I

468
00:18:14,480 --> 00:18:16,280
Speaker 3: think some girl had commented on it.

469
00:18:16,280 --> 00:18:17,200
Speaker 1: It was at a hotel I.

470
00:18:17,119 --> 00:18:21,800
Speaker 3: Think in London years ago and they were playing I

471
00:18:21,840 --> 00:18:24,439
Speaker 3: don't know if it was Butterflies okay, but they was

472
00:18:24,440 --> 00:18:27,240
Speaker 3: playing some record from Mike, and Mike was kind of

473
00:18:27,240 --> 00:18:28,240
Speaker 3: like peeking over the balcony.

474
00:18:28,240 --> 00:18:30,320
Speaker 1: He was sitting down looking at everybody and he was

475
00:18:30,359 --> 00:18:31,200
Speaker 1: grooving to that shit.

476
00:18:31,800 --> 00:18:33,280
Speaker 3: And I was like, look at Michael, Yeah, look at

477
00:18:33,280 --> 00:18:36,000
Speaker 3: these peasants enjoying my enjoying my artist.

478
00:18:37,400 --> 00:18:39,760
Speaker 4: But Michael was with the ships. I really wish we would.

479
00:18:39,520 --> 00:18:42,040
Speaker 3: Have got a chance to see like more of Michael

480
00:18:42,119 --> 00:18:47,879
Speaker 3: Jackson's personality away from like yes, stage and music video

481
00:18:47,960 --> 00:18:49,480
Speaker 3: set and things like that, because that's a lot of

482
00:18:49,520 --> 00:18:52,200
Speaker 3: footage that we got is mic being a performer and entertainer.

483
00:18:52,520 --> 00:18:55,200
Speaker 3: You got a little bit and that this is it. Yeah, yeah,

484
00:18:55,320 --> 00:18:57,040
Speaker 3: more than than we were used. I love the footage

485
00:18:57,040 --> 00:18:58,840
Speaker 3: with him and Janet when he was writing. I forgot

486
00:18:58,840 --> 00:19:00,840
Speaker 3: what song that he was writing and they was at

487
00:19:00,840 --> 00:19:02,840
Speaker 3: the house, and I love that that footage was like,

488
00:19:03,160 --> 00:19:06,320
Speaker 3: that's like, yeah, that was they.

489
00:19:06,160 --> 00:19:09,639
Speaker 5: Were actually beefing at that time. They weren't speaking, Oh

490
00:19:10,400 --> 00:19:11,800
Speaker 5: were speaking.

491
00:19:12,200 --> 00:19:14,360
Speaker 4: They weren't, Yes, but they weren't on good terms.

492
00:19:14,600 --> 00:19:16,960
Speaker 1: Mm hm why.

493
00:19:17,000 --> 00:19:17,679
Speaker 4: I can't remember.

494
00:19:18,200 --> 00:19:20,160
Speaker 1: Janet spoke on that somewhere she did.

495
00:19:20,800 --> 00:19:22,520
Speaker 4: But yeah, they weren't in the best place. I can't

496
00:19:22,520 --> 00:19:23,879
Speaker 4: remember why.

497
00:19:24,400 --> 00:19:28,240
Speaker 3: Yep mm hmm, okay, damn my favorite part of that. No,

498
00:19:28,320 --> 00:19:31,840
Speaker 3: but they shot scenes together in the video. They got

499
00:19:31,840 --> 00:19:33,920
Speaker 3: a dance sing together in the video. Yeah, maybe they

500
00:19:33,920 --> 00:19:34,720
Speaker 3: just spliced it together.

501
00:19:35,760 --> 00:19:39,280
Speaker 1: That's crazy right over there, like splice it. I'll dance

502
00:19:39,320 --> 00:19:40,640
Speaker 1: over letter, dance over there.

503
00:19:40,840 --> 00:19:44,360
Speaker 5: Said it was Michael's label allegedly created barriers, filming them

504
00:19:44,359 --> 00:19:46,880
Speaker 5: separately and keeping them apart, making it competitive and tough

505
00:19:46,920 --> 00:19:49,000
Speaker 5: with her Janet as she felt she was supporting him,

506
00:19:49,000 --> 00:19:49,959
Speaker 5: not battling him.

507
00:19:50,080 --> 00:19:54,160
Speaker 1: Yeah, oh man, that's it. DANMGN, Well, maybe maybe Game

508
00:19:54,240 --> 00:19:57,240
Speaker 1: could have resolved their issues like Game could have pulled.

509
00:20:00,080 --> 00:20:03,360
Speaker 5: Also, and also Michael was dealing with like the allegations,

510
00:20:03,400 --> 00:20:06,320
Speaker 5: that's where that video even came from. The concept of

511
00:20:06,359 --> 00:20:07,760
Speaker 5: the song came from. So he was just in a

512
00:20:07,880 --> 00:20:10,600
Speaker 5: very tense place. His label didn't make it any better

513
00:20:10,680 --> 00:20:11,600
Speaker 5: with his With Janet.

514
00:20:11,640 --> 00:20:13,080
Speaker 4: It was just a lot. That's sad though.

515
00:20:13,080 --> 00:20:14,800
Speaker 1: The favorite part of that doc is when they're in

516
00:20:14,800 --> 00:20:16,800
Speaker 1: rehearsals and he turns and stairs at the bass player

517
00:20:16,800 --> 00:20:19,800
Speaker 1: and says, that groove's not funky enough. Yeah, you know

518
00:20:19,840 --> 00:20:23,320
Speaker 1: what that meant. It means you're fire. That means you

519
00:20:23,320 --> 00:20:24,359
Speaker 1: will not be here tomorrow.

520
00:20:24,680 --> 00:20:26,640
Speaker 3: We're gonna find somebody We're gonna fly him into tonight

521
00:20:26,960 --> 00:20:30,280
Speaker 3: that has a funky base. Your bag sain't funky enough,

522
00:20:30,320 --> 00:20:31,480
Speaker 3: so you got to get up out of here.

523
00:20:31,480 --> 00:20:33,840
Speaker 2: Do we think the h that story of Prince trying

524
00:20:33,840 --> 00:20:35,280
Speaker 2: to run Mic over with his car was real?

525
00:20:35,680 --> 00:20:36,160
Speaker 4: Probably?

526
00:20:36,320 --> 00:20:38,560
Speaker 2: No, I think it was. Can you google that? I

527
00:20:38,560 --> 00:20:40,480
Speaker 2: forgot who told that. The person that told that story

528
00:20:40,800 --> 00:20:42,760
Speaker 2: was valid. It wasn't like a game story.

529
00:20:43,680 --> 00:20:46,040
Speaker 1: I think people just wanted to pen those two gussus.

530
00:20:46,400 --> 00:20:48,399
Speaker 3: I do believe there was some shade between the two,

531
00:20:48,480 --> 00:20:52,200
Speaker 3: but said it is real, it's valid, it's valid.

532
00:20:52,240 --> 00:20:54,160
Speaker 1: If you said it is valid, he may have thrown

533
00:20:54,200 --> 00:20:58,199
Speaker 1: some sauce on it. But I'm sure Prince did speed up. No,

534
00:20:58,320 --> 00:21:02,080
Speaker 1: for sure, you never saw that. You never saw that footage?

535
00:21:02,680 --> 00:21:05,879
Speaker 3: Yeah, well Prince, when Prince was climbing the lighthole on stage.

536
00:21:07,040 --> 00:21:08,600
Speaker 3: I think that's probably the same because that was for

537
00:21:08,920 --> 00:21:12,280
Speaker 3: a James Brown show, So yeah, I think that was

538
00:21:12,320 --> 00:21:12,760
Speaker 3: the same night.

539
00:21:12,800 --> 00:21:14,680
Speaker 1: That might have been the same night. That's so crazy.

540
00:21:14,800 --> 00:21:19,640
Speaker 2: Michael Jackson, James Brown and Prince being one area is insane.

541
00:21:20,200 --> 00:21:20,680
Speaker 1: Incredible.

542
00:21:20,840 --> 00:21:23,720
Speaker 3: Was I saw a clip of a Sammy Davis I

543
00:21:23,720 --> 00:21:25,359
Speaker 3: forgot what it was, but they was honor as Sammy

544
00:21:25,440 --> 00:21:27,880
Speaker 3: Davis Junior at some show and at the end he

545
00:21:28,000 --> 00:21:30,240
Speaker 3: walked on stage and hugged everybody that was a part

546
00:21:30,280 --> 00:21:30,720
Speaker 3: of the show.

547
00:21:31,200 --> 00:21:34,240
Speaker 1: Bro the people that he hugged, like just the legends.

548
00:21:34,240 --> 00:21:35,200
Speaker 1: I was like, this is fun.

549
00:21:35,359 --> 00:21:37,320
Speaker 3: The fact that this footage is like we have this

550
00:21:37,480 --> 00:21:43,800
Speaker 3: is Michael Jackson, James Brown, Prince, Stevie Wonder, Anita Baker,

551
00:21:44,560 --> 00:21:50,760
Speaker 3: Quincy Jones, Muhammad Ali, Magic Johnson, uh Ella Fitzgerald.

552
00:21:50,960 --> 00:21:52,840
Speaker 1: I was like yo with the and I've never seen

553
00:21:52,840 --> 00:21:53,280
Speaker 1: that before.

554
00:21:53,359 --> 00:21:55,719
Speaker 3: Yeah. The fact that you can like now we can

555
00:21:55,760 --> 00:21:58,200
Speaker 3: pull that up and just look at exactly how many

556
00:21:58,359 --> 00:22:02,040
Speaker 3: like legends we had at one point actually incredible that

557
00:22:02,119 --> 00:22:02,920
Speaker 3: we are the world doc.

558
00:22:03,040 --> 00:22:09,080
Speaker 1: I've watched like three times. That doc is incredible, Maul.

559
00:22:09,160 --> 00:22:11,359
Speaker 2: Somebody told me over the weekend that you were thinking

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Speaker 2: Anyways, what else has been going on this week? Do

604
00:24:12,400 --> 00:24:13,720
Speaker 2: we get right?

605
00:24:15,080 --> 00:24:16,919
Speaker 4: Y'all been laughing at this, so just get into it.

606
00:24:18,040 --> 00:24:22,480
Speaker 2: Say it our brother in Christ, mister Buster Rhymes, Yo,

607
00:24:22,760 --> 00:24:24,880
Speaker 2: I go ahead, intro, intro, intro to topic.

608
00:24:24,920 --> 00:24:26,880
Speaker 1: Go ahead, man who was a TikTok creator. I believe

609
00:24:26,880 --> 00:24:29,240
Speaker 1: this is at art Basil. Yes, that's in front of

610
00:24:29,280 --> 00:24:30,320
Speaker 1: the live I believe.

611
00:24:30,200 --> 00:24:33,040
Speaker 2: That wanted to take a photo with Buster Rhymes, who

612
00:24:33,080 --> 00:24:36,240
Speaker 2: wouldn't bust the Rhymes an absolute legend. And he went

613
00:24:36,280 --> 00:24:39,000
Speaker 2: on to say thank you Tracy Morgan for taking the

614
00:24:39,000 --> 00:24:45,960
Speaker 2: photo in which Buster reacted to that off off off

615
00:24:46,000 --> 00:24:49,720
Speaker 2: the color remark in a certain way. Ye here, all right,

616
00:24:50,160 --> 00:24:52,760
Speaker 2: I have two views on this. I like what Buster

617
00:24:52,800 --> 00:24:55,359
Speaker 2: did because I do think these young kids can't just

618
00:24:55,400 --> 00:24:57,720
Speaker 2: run around and get away with disrespecting people that have

619
00:24:57,800 --> 00:25:00,240
Speaker 2: put in so much iconic work. You need to show

620
00:25:00,280 --> 00:25:05,080
Speaker 2: them some form of respect. With that said, he kind

621
00:25:05,080 --> 00:25:06,040
Speaker 2: of looks like Tracy Morgan.

622
00:25:08,800 --> 00:25:09,119
Speaker 3: Listen.

623
00:25:09,160 --> 00:25:12,719
Speaker 2: Maybe that kid made an honest mistake and was not trolling.

624
00:25:12,920 --> 00:25:15,920
Speaker 1: Listen, man, listen, listen, listen, listen. And I get it.

625
00:25:16,800 --> 00:25:19,399
Speaker 3: Nah, A lot of the letter listen, a lot of

626
00:25:19,440 --> 00:25:21,800
Speaker 3: these influences when you walk up on certain people playing

627
00:25:21,800 --> 00:25:24,840
Speaker 3: these games of calling them, you know, somebody out they're

628
00:25:24,880 --> 00:25:25,679
Speaker 3: not I get it.

629
00:25:25,760 --> 00:25:28,200
Speaker 1: I like to bust react, liked it. I get it.

630
00:25:29,200 --> 00:25:32,399
Speaker 5: But in this case, he probably honestly thought he was

631
00:25:32,400 --> 00:25:33,119
Speaker 5: Tracy Morgan.

632
00:25:34,440 --> 00:25:36,240
Speaker 3: Have you seen Tracy Morgan, like when he leaving like

633
00:25:36,240 --> 00:25:38,359
Speaker 3: a Knicks game, like when he got his jewelry on,

634
00:25:38,440 --> 00:25:41,040
Speaker 3: and like when Tracy's in that bag Tracy Tracy.

635
00:25:41,240 --> 00:25:43,640
Speaker 1: Yeah.

636
00:25:44,040 --> 00:25:47,760
Speaker 3: If you never met Buster Rhymes and you seen Tracy

637
00:25:47,760 --> 00:25:50,640
Speaker 3: Morgan leaving a Nick game, you might think that that's

638
00:25:50,760 --> 00:25:53,800
Speaker 3: Tracy Morgan standing in front of the lif like. But

639
00:25:53,920 --> 00:25:55,679
Speaker 3: I do think that the dude was playing, you know,

640
00:25:55,760 --> 00:25:58,359
Speaker 3: playing games. I think I do think he was doing that.

641
00:25:58,960 --> 00:26:02,800
Speaker 2: And Bust know that, you know, it's in crazy shape.

642
00:26:02,840 --> 00:26:05,560
Speaker 2: Sometimes his weight fluctuates like the rest of us. Some

643
00:26:05,600 --> 00:26:09,919
Speaker 2: months we're just chilling, and that belly comes back with

644
00:26:10,080 --> 00:26:13,760
Speaker 2: that sweater and that specific belly. I want to shoot

645
00:26:13,760 --> 00:26:15,760
Speaker 2: this TikTok creator like some type of thing.

646
00:26:16,160 --> 00:26:21,560
Speaker 1: Listen, man, it's not that listen ident. I'm just hey,

647
00:26:22,680 --> 00:26:24,360
Speaker 1: you know, I'd love to kill a white TikTok.

648
00:26:24,400 --> 00:26:26,800
Speaker 3: They could be there, brothers, they could be that could

649
00:26:26,800 --> 00:26:28,720
Speaker 3: be uncles, they could be a lot.

650
00:26:28,600 --> 00:26:32,080
Speaker 1: They could be really are drastically different at height though, Like, but.

651
00:26:32,040 --> 00:26:35,320
Speaker 3: That's what if you never met Buster though, you don't

652
00:26:35,359 --> 00:26:37,000
Speaker 3: know that, if you never met Tracy, you don't know

653
00:26:37,000 --> 00:26:39,159
Speaker 3: how totally are people Just baby Need just told us

654
00:26:39,160 --> 00:26:41,520
Speaker 3: they think she's six ye two hundred and fifteen pounds.

655
00:26:41,560 --> 00:26:43,800
Speaker 3: So I mean, it's the same for Tracy Morgan and

656
00:26:43,800 --> 00:26:45,800
Speaker 3: Buster Robs. Like, you don't know how to all these

657
00:26:45,800 --> 00:26:50,600
Speaker 3: people are. But it's not too far off to say

658
00:26:50,600 --> 00:26:53,240
Speaker 3: that they look alike. They do look alike, But I

659
00:26:53,320 --> 00:26:56,439
Speaker 3: understand Buster's Now do we think Buster was Do we

660
00:26:56,480 --> 00:27:01,159
Speaker 3: think Buster was upset because it was disrespect or because

661
00:27:01,200 --> 00:27:02,199
Speaker 3: he heard that before.

662
00:27:03,200 --> 00:27:07,600
Speaker 1: I think it was a mixture of both, because.

663
00:27:07,359 --> 00:27:11,080
Speaker 2: I will say, sometimes when people make jokes contraary to

664
00:27:11,080 --> 00:27:12,639
Speaker 2: people believe I actually do a pretty thick skin and

665
00:27:12,680 --> 00:27:14,639
Speaker 2: I don't care that much. Sometimes when you say a

666
00:27:14,720 --> 00:27:17,560
Speaker 2: joke that is really true, I get a little upset.

667
00:27:18,040 --> 00:27:22,199
Speaker 3: That's when, especially if it's if it's a strange like

668
00:27:22,200 --> 00:27:24,280
Speaker 3: if it's the homies, like all right, they called me

669
00:27:24,320 --> 00:27:26,760
Speaker 3: that before. But if it's some random little white kid

670
00:27:26,800 --> 00:27:30,240
Speaker 3: with a fucking camera walking up told my yo, what's up, Tracy,

671
00:27:30,760 --> 00:27:31,280
Speaker 3: It's like.

672
00:27:31,840 --> 00:27:34,000
Speaker 5: I'm gonna die laughing. I ain't a lot, Like how

673
00:27:34,040 --> 00:27:35,639
Speaker 5: can you not laugh? That's funny.

674
00:27:35,760 --> 00:27:37,800
Speaker 1: If I if I was with Busted and I heard that,

675
00:27:37,800 --> 00:27:41,879
Speaker 1: I'd start laughing. Sure, you gotta laugh, it's funny.

676
00:27:42,359 --> 00:27:44,680
Speaker 3: But I get I understand Buster's frustration, like don't we

677
00:27:44,760 --> 00:27:46,040
Speaker 3: trying to use me to make content?

678
00:27:46,160 --> 00:27:47,680
Speaker 1: Things like that? I get that part of it.

679
00:27:47,760 --> 00:27:50,040
Speaker 2: That's why I like he said camera's down, Like I

680
00:27:50,080 --> 00:27:51,040
Speaker 2: totally get that part it.

681
00:27:51,240 --> 00:27:53,800
Speaker 1: Stern and respectful in his response.

682
00:27:53,560 --> 00:27:56,760
Speaker 5: So white, if a white TikTok heard walk up to

683
00:27:56,760 --> 00:27:59,120
Speaker 5: the mom and be like, yo, j Prince, you changed

684
00:27:59,160 --> 00:27:59,520
Speaker 5: my life.

685
00:28:00,040 --> 00:28:03,880
Speaker 3: What you're gonna say, I'm laughing. You know, I don't

686
00:28:03,880 --> 00:28:05,320
Speaker 3: give a fuck about that type of ship.

687
00:28:07,359 --> 00:28:09,040
Speaker 1: Yeah, you know, I'm not like you know he kept

688
00:28:09,080 --> 00:28:11,320
Speaker 1: the TikToker safe in the Houston. Yeah, man, you know me,

689
00:28:11,480 --> 00:28:12,399
Speaker 1: I laugh at shit like that.

690
00:28:12,440 --> 00:28:12,680
Speaker 3: I don't.

691
00:28:12,720 --> 00:28:13,840
Speaker 1: I don't care about it like that.

692
00:28:13,880 --> 00:28:15,040
Speaker 2: Well, you know I watched that, and of course I

693
00:28:15,040 --> 00:28:17,280
Speaker 2: had to make it about myself. I felt, pussy should

694
00:28:17,280 --> 00:28:19,040
Speaker 2: I check that girl on the rock the Bells Cruise

695
00:28:19,320 --> 00:28:23,120
Speaker 2: that called you mal called me Paul Wall Oh yeah.

696
00:28:23,200 --> 00:28:25,080
Speaker 3: No, no, so you gotta laugh at that.

697
00:28:25,359 --> 00:28:25,960
Speaker 4: You got to laugh?

698
00:28:26,320 --> 00:28:28,880
Speaker 1: Yeah, you got that was the funniest thing ever.

699
00:28:28,920 --> 00:28:32,440
Speaker 3: But I understand Buster, like because you know that that

700
00:28:32,600 --> 00:28:35,159
Speaker 3: kid was trying to create content. Yeah, so I understand that,

701
00:28:35,200 --> 00:28:36,760
Speaker 3: And I feel like Buster knew that that's what he

702
00:28:36,840 --> 00:28:38,520
Speaker 3: was trying to do. It wasn't about what he said,

703
00:28:38,520 --> 00:28:40,440
Speaker 3: it was why he said it. Like, you're trying to

704
00:28:40,440 --> 00:28:42,719
Speaker 3: create this content. This this this viral moment. So I'm

705
00:28:42,720 --> 00:28:44,640
Speaker 3: gonna give you a viral moment. I'm gonna talk to you.

706
00:28:44,680 --> 00:28:47,280
Speaker 3: I'm gonna check you still gonna go viral. You know

707
00:28:47,280 --> 00:28:49,200
Speaker 3: what I'm saying. It probably went more viral than it

708
00:28:49,240 --> 00:28:49,640
Speaker 3: would have.

709
00:28:50,040 --> 00:28:51,640
Speaker 1: If Buster would have just laughed at when it went

710
00:28:51,720 --> 00:28:52,960
Speaker 1: viral at all. Yeah, you know what I'm saying.

711
00:28:53,000 --> 00:28:54,680
Speaker 3: So it's like, Okay, I'm gonna do viral the moment,

712
00:28:54,920 --> 00:28:56,640
Speaker 3: but don't play with me like that, like stop, don't

713
00:28:56,640 --> 00:28:57,960
Speaker 3: don't play with me like that. I'm not one of

714
00:28:57,960 --> 00:29:00,280
Speaker 3: those people to play with understand it. But it was funny,

715
00:29:00,280 --> 00:29:01,760
Speaker 3: Buss like we love you, but that was funny.

716
00:29:01,960 --> 00:29:04,600
Speaker 2: Well, now I feel like this TikToker is gonna make

717
00:29:04,640 --> 00:29:06,960
Speaker 2: it his his life's work to wait outside the garden

718
00:29:07,520 --> 00:29:08,360
Speaker 2: for Tracy Morgan.

719
00:29:08,560 --> 00:29:08,720
Speaker 3: Bus.

720
00:29:08,920 --> 00:29:10,960
Speaker 1: You'll bust some Bus. I'm bust him back.

721
00:29:13,360 --> 00:29:15,080
Speaker 2: If he if he wants to double down on his

722
00:29:15,160 --> 00:29:16,760
Speaker 2: content creation, you got video.

723
00:29:17,200 --> 00:29:19,320
Speaker 3: He has to get a video with Tracy Morgan. Now

724
00:29:19,360 --> 00:29:21,480
Speaker 3: he has to. There's no that has to be his

725
00:29:21,560 --> 00:29:24,360
Speaker 3: next goal. Stand outside the guard and wait for Tracy Morgan.

726
00:29:24,640 --> 00:29:26,760
Speaker 3: Get a video with Tracy Morgan because Tracy's stopping to

727
00:29:26,760 --> 00:29:29,560
Speaker 3: take pictures with everybody. So that's sure Mayor of New Yeah,

728
00:29:29,600 --> 00:29:31,560
Speaker 3: and I'm sure Tracy Morgan by now has seen that clip.

729
00:29:31,640 --> 00:29:33,600
Speaker 2: So, but I felt bad for Bus to after because

730
00:29:33,600 --> 00:29:36,040
Speaker 2: then they another video reservice were I actually felt Bus

731
00:29:36,200 --> 00:29:39,080
Speaker 2: was a little unfair to one gentleman that was asking

732
00:29:39,120 --> 00:29:42,040
Speaker 2: him questions. He flipped that on someone else, like you

733
00:29:42,040 --> 00:29:44,120
Speaker 2: could see it was in the same area, had the

734
00:29:44,120 --> 00:29:46,479
Speaker 2: same fit on, and the kid was showing nothing but love.

735
00:29:46,520 --> 00:29:49,640
Speaker 1: But Bust to like he was ready to fight. I think, yeah,

736
00:29:49,680 --> 00:29:50,160
Speaker 1: I saw that.

737
00:29:50,560 --> 00:29:51,959
Speaker 3: I felt, all right, I understand you.

738
00:29:51,960 --> 00:29:54,720
Speaker 2: You're upset, busy, you've been linked like, you've been drinking

739
00:29:54,720 --> 00:29:56,680
Speaker 2: a little bit. It spend a long day, it's hot,

740
00:29:57,680 --> 00:29:59,960
Speaker 2: you're in salmon, Like, I can see how you get

741
00:30:00,080 --> 00:30:02,600
Speaker 2: be irritable. But that that kid was showing love. He

742
00:30:02,640 --> 00:30:04,320
Speaker 2: wasn't even he wasn't being an asshole.

743
00:30:04,480 --> 00:30:05,920
Speaker 3: Yeah, but you you know what it is a lot

744
00:30:05,920 --> 00:30:07,800
Speaker 3: of the times people don't understand man, like you know,

745
00:30:08,040 --> 00:30:10,920
Speaker 3: celebrities and things like that, and they're out in public spaces.

746
00:30:11,360 --> 00:30:13,280
Speaker 3: There is a thing that it's just like now everybody's

747
00:30:13,320 --> 00:30:17,080
Speaker 3: trying to get these content moments, these these viral moments,

748
00:30:17,600 --> 00:30:20,160
Speaker 3: and it's like sometimes you know, they just not you know,

749
00:30:20,240 --> 00:30:22,080
Speaker 3: they might be real shit going on in Buster's life

750
00:30:22,120 --> 00:30:23,920
Speaker 3: right now, where he ain't for the jokes, yeah, and

751
00:30:23,920 --> 00:30:25,520
Speaker 3: he's not for the games. And you hear you come

752
00:30:25,600 --> 00:30:28,440
Speaker 3: with your with your cannon and you're trying to create

753
00:30:28,480 --> 00:30:31,120
Speaker 3: this fucking this content, and I just don't feel like

754
00:30:31,200 --> 00:30:32,400
Speaker 3: being not even.

755
00:30:32,240 --> 00:30:34,280
Speaker 1: That you just putting the phone in my face, Like

756
00:30:34,280 --> 00:30:35,760
Speaker 1: all right, well, the phone is cool if you know

757
00:30:35,840 --> 00:30:38,440
Speaker 1: to actually take a picture of a picture.

758
00:30:38,520 --> 00:30:42,120
Speaker 2: Especially Busses a thousand times more famous than me, so

759
00:30:42,160 --> 00:30:44,680
Speaker 2: I know he has phones put in his face, and I.

760
00:30:44,600 --> 00:30:46,440
Speaker 1: Do I know he does. Yeah, yeah, shit is kind

761
00:30:46,440 --> 00:30:47,040
Speaker 1: of fucking annoying.

762
00:30:47,120 --> 00:30:49,239
Speaker 3: Yeah, but I mean, you know, you got to expect that.

763
00:30:49,240 --> 00:30:51,640
Speaker 3: That's part of the gig. I guess when you're a

764
00:30:51,680 --> 00:30:54,400
Speaker 3: celebrity and you're out in public, you gotta expect that

765
00:30:54,400 --> 00:30:55,719
Speaker 3: some people are going to see you. They're gonna want

766
00:30:55,720 --> 00:30:57,760
Speaker 3: to talk to you, get a video with you. People

767
00:30:57,760 --> 00:31:00,080
Speaker 3: don't ask for autographs no more. People want Yeah, they

768
00:31:00,160 --> 00:31:02,520
Speaker 3: want content with you. They want a video, which it

769
00:31:02,600 --> 00:31:05,240
Speaker 3: is not. Don't sign shit. I don't want busters. I

770
00:31:05,240 --> 00:31:08,840
Speaker 3: don't want busters autograph. Get this fucking twenty second clip

771
00:31:09,120 --> 00:31:11,320
Speaker 3: so I can go viral on TikTok.

772
00:31:10,880 --> 00:31:13,160
Speaker 1: Real quick, Like I don't need your autograph. That's what

773
00:31:13,240 --> 00:31:13,920
Speaker 1: the game is now.

774
00:31:14,040 --> 00:31:16,800
Speaker 2: That's what's just so funny of like that was a

775
00:31:16,800 --> 00:31:19,120
Speaker 2: thing for so long to prove that you were around

776
00:31:19,160 --> 00:31:24,120
Speaker 2: somebody a celebrity of famous athlete, they had to put

777
00:31:24,120 --> 00:31:27,240
Speaker 2: their signature on something, so you could I really just

778
00:31:27,360 --> 00:31:31,720
Speaker 2: met Roger Clemens prove it here.

779
00:31:32,880 --> 00:31:36,000
Speaker 1: Like the concept of autographs is fucking wild. It's crazy.

780
00:31:36,040 --> 00:31:37,440
Speaker 2: But then if you think about it, I mean, that

781
00:31:37,560 --> 00:31:39,520
Speaker 2: is the most authentic thing you can do. It's how

782
00:31:39,520 --> 00:31:43,480
Speaker 2: we even like our government works. Like how I bought

783
00:31:43,480 --> 00:31:45,000
Speaker 2: my house, I had to sign it. It wasn't just

784
00:31:45,080 --> 00:31:47,520
Speaker 2: the money. I guess the autograph does mean more than anything.

785
00:31:47,640 --> 00:31:49,480
Speaker 3: It depends though, like if you're just getting Like I

786
00:31:49,480 --> 00:31:51,920
Speaker 3: remember my mom years ago, she was at some dinner

787
00:31:52,680 --> 00:31:56,360
Speaker 3: and I forgot who signed like the handkerchief that my

788
00:31:56,360 --> 00:31:57,800
Speaker 3: mom had a her table. I think it was like

789
00:31:58,000 --> 00:32:01,640
Speaker 3: somebody played for the Knicks. As a kid, I was like, oh, ship,

790
00:32:01,760 --> 00:32:04,160
Speaker 3: Like that's dope. But as I get older, I was

791
00:32:04,200 --> 00:32:05,800
Speaker 3: looking at that ship, like how do I know that?

792
00:32:05,800 --> 00:32:07,680
Speaker 3: That was really Like it's just a hey. Now, if

793
00:32:07,720 --> 00:32:10,840
Speaker 3: it's a basketball, if it's a poster, it's like it's

794
00:32:10,840 --> 00:32:13,520
Speaker 3: a little different if I'm getting that signed by the

795
00:32:13,520 --> 00:32:15,840
Speaker 3: player or you know, the team. But if it's just

796
00:32:15,880 --> 00:32:19,400
Speaker 3: like a random if it's a paper towel with a signature,

797
00:32:19,480 --> 00:32:20,800
Speaker 3: that the Waiter could have signed that.

798
00:32:21,680 --> 00:32:22,680
Speaker 1: Yeah, how would I know?

799
00:32:23,200 --> 00:32:24,360
Speaker 3: And then you have to and then you have to

800
00:32:24,400 --> 00:32:27,760
Speaker 3: authenticators that look at the signature like yep, that's him.

801
00:32:28,120 --> 00:32:30,440
Speaker 1: How how did you get this job? First? It sounds

802
00:32:30,440 --> 00:32:31,640
Speaker 1: like the plot to Sandwich.

803
00:32:32,840 --> 00:32:35,360
Speaker 3: But at least it was a baseball at least, That's

804
00:32:35,360 --> 00:32:38,880
Speaker 3: what I'm saying. When it's that it's different a paper top.

805
00:32:38,920 --> 00:32:40,480
Speaker 1: Come on, man, get that out my face.

806
00:32:40,480 --> 00:32:44,680
Speaker 3: As a kid, I don't want to paper towels. You mom,

807
00:32:44,680 --> 00:32:48,680
Speaker 3: You couldn't find anything else like handkerchief, That's why.

808
00:32:48,800 --> 00:32:50,040
Speaker 1: And I'm not laugh at your mans.

809
00:32:50,040 --> 00:32:52,040
Speaker 2: But he even brought it up in his disrecord, the

810
00:32:52,040 --> 00:32:54,120
Speaker 2: fact that Drake bought to Push your team, like off

811
00:32:54,120 --> 00:32:58,280
Speaker 2: eBay that was signed liked anybody could have signed that microphone.

812
00:32:59,120 --> 00:33:00,720
Speaker 3: Yeah, but I think they have to go through again.

813
00:33:00,760 --> 00:33:03,080
Speaker 3: They have to authentic at that time on e Bay,

814
00:33:03,120 --> 00:33:05,440
Speaker 3: I don't know. Oh yeah, at that time you could

815
00:33:05,520 --> 00:33:07,800
Speaker 3: just do whatever that was your mic was.

816
00:33:10,680 --> 00:33:12,960
Speaker 2: Also that's such a weird thing to do too, Like

817
00:33:13,000 --> 00:33:14,480
Speaker 2: imagine just having an eba kind of like what do

818
00:33:14,520 --> 00:33:15,040
Speaker 2: I want to sell?

819
00:33:15,040 --> 00:33:15,360
Speaker 3: You know what?

820
00:33:15,440 --> 00:33:17,680
Speaker 1: They go buy a mic and put a like push

821
00:33:17,720 --> 00:33:21,400
Speaker 1: your te you put push your t on while he

822
00:33:21,480 --> 00:33:21,960
Speaker 1: wasn't solo.

823
00:33:22,040 --> 00:33:26,240
Speaker 3: It was just the clips, Like, oh my god, do

824
00:33:26,320 --> 00:33:27,080
Speaker 3: you have autographs?

825
00:33:27,160 --> 00:33:28,280
Speaker 1: Like you still have autographs?

826
00:33:28,480 --> 00:33:32,560
Speaker 5: Yeah, I got styles autograph styles just I know, but

827
00:33:32,680 --> 00:33:35,880
Speaker 5: my daddy got it for me on a salmonilla.

828
00:33:35,360 --> 00:33:39,760
Speaker 3: Envelope, a salmonella envelope, Manila. Oh, I'm about to say,

829
00:33:39,760 --> 00:33:42,720
Speaker 3: you should throw that out like a small.

830
00:33:42,520 --> 00:33:46,080
Speaker 4: Pot got me styles autograph when I was really young.

831
00:33:46,600 --> 00:33:48,760
Speaker 1: Where did you run? Like into he ran?

832
00:33:48,920 --> 00:33:50,800
Speaker 4: He ran into him in New York somewhere and just

833
00:33:50,840 --> 00:33:51,400
Speaker 4: that's what he had.

834
00:33:52,680 --> 00:33:54,120
Speaker 5: He was a Locks fan. Like growing up as a

835
00:33:54,160 --> 00:33:57,880
Speaker 5: stousman upstate. We grew up on like that type of music.

836
00:33:57,960 --> 00:34:01,200
Speaker 5: Jada kisses like our king, Like how how New York

837
00:34:01,240 --> 00:34:03,800
Speaker 5: City feels about like Jay? That's how we feel about

838
00:34:03,840 --> 00:34:06,200
Speaker 5: the jadakiss That is so interesting.

839
00:34:07,280 --> 00:34:08,280
Speaker 3: But why is that though?

840
00:34:08,600 --> 00:34:10,640
Speaker 5: I don't know, but Jada always showed love to the

841
00:34:10,680 --> 00:34:13,480
Speaker 5: town too, Like he used to come and like perform

842
00:34:13,640 --> 00:34:14,160
Speaker 5: like a lot.

843
00:34:14,680 --> 00:34:17,080
Speaker 4: Like Jada always was like that. We fuck with Jada

844
00:34:17,200 --> 00:34:18,040
Speaker 4: have heavy.

845
00:34:18,200 --> 00:34:21,160
Speaker 2: Yeah, the Locks definitely hit the circuit of the Northeast,

846
00:34:21,600 --> 00:34:25,719
Speaker 2: whereas like Hove Mayors do Boston, New York, Philly, DC.

847
00:34:26,320 --> 00:34:29,360
Speaker 2: I think the Locks was hitting every small City in

848
00:34:29,360 --> 00:34:32,120
Speaker 2: New York. They was doing come on all of Connecticut.

849
00:34:32,640 --> 00:34:35,200
Speaker 2: It's the same way Connecticut. Jadakiss is the God.

850
00:34:35,800 --> 00:34:38,160
Speaker 1: There's only one autograph. I regret not asking for it,

851
00:34:38,280 --> 00:34:42,760
Speaker 1: Like Serena Williams, Yeah, well that one too. Not Kobe.

852
00:34:42,840 --> 00:34:45,239
Speaker 1: I regret not asking for Kobe. I can understand that'd

853
00:34:45,239 --> 00:34:46,520
Speaker 1: be one of the few. Yeah, that I'd be like,

854
00:34:46,600 --> 00:34:46,920
Speaker 1: damn why.

855
00:34:47,280 --> 00:34:49,239
Speaker 3: But it was like it was too intimate because y'all

856
00:34:49,239 --> 00:34:50,960
Speaker 3: know Trevor is one of my best friends.

857
00:34:51,480 --> 00:34:52,440
Speaker 1: They was playing with the Knicks.

858
00:34:52,760 --> 00:34:54,840
Speaker 3: They came. We know he's playing with the Lakers, and

859
00:34:54,840 --> 00:34:56,160
Speaker 3: they came to play the Knicks and we all went

860
00:34:56,200 --> 00:34:59,319
Speaker 3: out one night and Cole Cob was out with us,

861
00:34:59,320 --> 00:35:01,560
Speaker 3: and it was like, I can't ask cold like it.

862
00:35:01,760 --> 00:35:04,799
Speaker 3: It's too it was too intimate. Two person. It's like

863
00:35:05,440 --> 00:35:08,000
Speaker 3: bro like you with trev that's my boy, like me.

864
00:35:08,080 --> 00:35:10,760
Speaker 3: Asking for autographing that moment would have been crazy. Yeah,

865
00:35:10,880 --> 00:35:12,640
Speaker 3: but I do regret that. I'm gonna still want trev

866
00:35:12,680 --> 00:35:14,680
Speaker 3: got like a jersey, some sneaker sound thing I'm still

867
00:35:14,680 --> 00:35:15,399
Speaker 3: want from Trevor though.

868
00:35:15,320 --> 00:35:17,120
Speaker 2: Which I'm tell us about your night on the town

869
00:35:17,840 --> 00:35:20,719
Speaker 2: with with with the Goat's What's what you want to

870
00:35:20,719 --> 00:35:21,560
Speaker 2: be outside swag.

871
00:35:22,600 --> 00:35:25,080
Speaker 3: We went to uh I think it was Mansion on

872
00:35:25,239 --> 00:35:27,880
Speaker 3: M two shown your age. Yeah, it was one of

873
00:35:27,880 --> 00:35:32,279
Speaker 3: those clubs that's no longer there, and it was the

874
00:35:32,440 --> 00:35:34,879
Speaker 3: security was crazy, like nobody could get into section.

875
00:35:35,080 --> 00:35:42,920
Speaker 1: What year was this twenty ten, maybe twenty eleven, okay,

876
00:35:43,120 --> 00:35:47,279
Speaker 1: something like that. It was right before they won. What

877
00:35:47,520 --> 00:35:48,560
Speaker 1: year did trev windering?

878
00:35:48,640 --> 00:35:48,759
Speaker 2: Was it?

879
00:35:48,800 --> 00:35:52,399
Speaker 3: Oh nine, Trevor for whatever year they want to ring?

880
00:35:52,440 --> 00:35:56,480
Speaker 3: It was that the year before that, I think. Okay,

881
00:35:56,920 --> 00:35:59,719
Speaker 3: so yeah, we went to M two. But he was

882
00:35:59,760 --> 00:36:00,200
Speaker 3: cool man.

883
00:36:00,239 --> 00:36:00,799
Speaker 1: Cold was cool.

884
00:36:00,880 --> 00:36:02,879
Speaker 3: Cold was like one of the guys, bro. But it's

885
00:36:03,120 --> 00:36:06,480
Speaker 3: you do recognize the difference. So like the security measures

886
00:36:06,520 --> 00:36:08,600
Speaker 3: and all of that ship it's like nobody's getting into section,

887
00:36:09,400 --> 00:36:11,759
Speaker 3: Like it's just the fellas. Whoever's with him, that's it.

888
00:36:12,040 --> 00:36:15,000
Speaker 3: You can't bring nobody in here but him, Like on

889
00:36:15,040 --> 00:36:17,440
Speaker 3: a personal level, was super cool down to earth. And

890
00:36:17,440 --> 00:36:19,160
Speaker 3: that's kind of why I didn't ask for water because

891
00:36:19,160 --> 00:36:20,879
Speaker 3: it felt it just felt like weird. It was like

892
00:36:21,400 --> 00:36:23,560
Speaker 3: we just finished kicking it, talking shit all night, laughing,

893
00:36:23,600 --> 00:36:24,719
Speaker 3: and I'm like, hey, can you sign this?

894
00:36:24,920 --> 00:36:27,960
Speaker 2: Like and it was the way your mom did, like

895
00:36:28,000 --> 00:36:29,440
Speaker 2: it would have been that, or I could have pulled

896
00:36:29,440 --> 00:36:30,000
Speaker 2: the jersey out.

897
00:36:30,280 --> 00:36:31,560
Speaker 3: I could have folded a jersey and put it in

898
00:36:31,560 --> 00:36:35,840
Speaker 3: my Genie pocket. Your fault definitely with the jersey, the

899
00:36:35,840 --> 00:36:43,120
Speaker 3: co and M two. You said you take a flip.

900
00:36:43,719 --> 00:36:48,600
Speaker 3: Nobody said that. Nobody said somebody, but that is the one.

901
00:36:48,680 --> 00:36:50,960
Speaker 1: That's the one person that I regret not asking for

902
00:36:51,000 --> 00:36:51,480
Speaker 1: wat graph.

903
00:36:52,160 --> 00:36:53,920
Speaker 2: Yeah, but that just would have been weird. Though it

904
00:36:53,920 --> 00:36:55,399
Speaker 2: would have been funny if you had like a great

905
00:36:55,400 --> 00:36:59,560
Speaker 2: Goose bottle. It was like cod like that's but signing

906
00:36:59,640 --> 00:37:01,959
Speaker 2: like jersey in the club or someone, but super weird.

907
00:37:03,200 --> 00:37:04,640
Speaker 3: I would have had to wear the jersey and didn't

908
00:37:04,680 --> 00:37:05,879
Speaker 3: have the time, which would have been worse.

909
00:37:05,920 --> 00:37:08,080
Speaker 2: That would have been crazy going out with Kobe to

910
00:37:08,120 --> 00:37:09,560
Speaker 2: a club and wearing his jersey.

911
00:37:09,920 --> 00:37:14,560
Speaker 3: Nasty, gayest, nastiest time would be great times. Shout out

912
00:37:14,560 --> 00:37:16,239
Speaker 3: to M two, y'allt y'all too young, y'a don't remember

913
00:37:16,280 --> 00:37:19,000
Speaker 3: him two. I might have M two though, Yeah that

914
00:37:19,080 --> 00:37:20,800
Speaker 3: was towards the end of the Greenhouse.

915
00:37:21,640 --> 00:37:22,400
Speaker 1: Okay, Yeah.

916
00:37:22,600 --> 00:37:24,759
Speaker 2: I didn't go often because I was poor and no

917
00:37:24,880 --> 00:37:27,160
Speaker 2: knew the funk I was. I went in the line

918
00:37:27,160 --> 00:37:29,920
Speaker 2: once or twice. Yeah, yeah, yeah, but not trying I

919
00:37:29,920 --> 00:37:34,239
Speaker 2: mean when I was younger, I got a David Cone autocraft.

920
00:37:36,920 --> 00:37:38,880
Speaker 3: You got a David Cone on that Cone was in

921
00:37:38,880 --> 00:37:41,279
Speaker 3: the street, okay, giving him autographs out.

922
00:37:41,480 --> 00:37:45,239
Speaker 2: Yeah, I probably still have that hat somewhere in storage,

923
00:37:46,600 --> 00:37:48,479
Speaker 2: which I told lamorrow odum, I have a Clippers tomorrow

924
00:37:48,480 --> 00:37:52,239
Speaker 2: oem jersey. That's that might be as far as it goes, though, Yeah,

925
00:37:52,239 --> 00:37:53,319
Speaker 2: I don't have that very many.

926
00:37:53,360 --> 00:37:56,560
Speaker 3: I got a Lawrence Tailor sign football that's fire. Yeah,

927
00:37:56,600 --> 00:37:58,120
Speaker 3: I got Lawrence Tailor sign football.

928
00:37:58,320 --> 00:37:58,440
Speaker 4: Uh.

929
00:37:59,360 --> 00:38:01,560
Speaker 3: I told you, I got the uh My uncle told

930
00:38:01,560 --> 00:38:04,160
Speaker 3: the fucking Triple A players that I had cancer. They

931
00:38:04,200 --> 00:38:06,840
Speaker 3: all signed my baseball. One of those guys might have

932
00:38:06,920 --> 00:38:08,359
Speaker 3: went pro. I don't know, I got her like check.

933
00:38:08,400 --> 00:38:10,000
Speaker 3: I don't know. I was too young to remember who

934
00:38:10,040 --> 00:38:12,160
Speaker 3: was on that team, but funk around. I might have

935
00:38:12,200 --> 00:38:14,920
Speaker 3: a Rodger signature somewhere, like, I don't know. It's just

936
00:38:14,960 --> 00:38:18,760
Speaker 3: a bunch of Triple A players, but Lawrence Taylor is probably.

937
00:38:18,840 --> 00:38:20,719
Speaker 3: I'm glad you're okay too, Yes, thank you man. It

938
00:38:20,719 --> 00:38:23,960
Speaker 3: was a rough time in my childhood, but Lawrence Taylor's

939
00:38:24,000 --> 00:38:28,360
Speaker 3: probably the most popular athlete autograph.

940
00:38:28,000 --> 00:38:29,839
Speaker 1: That I had. That's fire, and that was like in

941
00:38:29,880 --> 00:38:31,879
Speaker 1: person or somebody.

942
00:38:31,560 --> 00:38:34,480
Speaker 3: Just somebody was at an event he was at and

943
00:38:34,800 --> 00:38:37,439
Speaker 3: they had him sign a football for me. Okay, yeah,

944
00:38:38,200 --> 00:38:39,759
Speaker 3: it might be some other players that was on it. It

945
00:38:39,719 --> 00:38:41,040
Speaker 3: was like a few players from the Giants. I think

946
00:38:41,040 --> 00:38:41,719
Speaker 3: at the time I.

947
00:38:41,719 --> 00:38:43,920
Speaker 1: Would want like LT to sign like a baggy or

948
00:38:43,920 --> 00:38:44,480
Speaker 1: something for me.

949
00:38:46,360 --> 00:38:49,680
Speaker 3: At the baggy with the apple, the little little a

950
00:38:49,800 --> 00:38:52,440
Speaker 3: ball baggy just so not in Jersey.

951
00:38:52,480 --> 00:38:55,760
Speaker 4: I think that'd be more check your first.

952
00:38:56,000 --> 00:38:56,359
Speaker 3: No use.

953
00:38:56,440 --> 00:38:59,960
Speaker 1: I want to use one like a game war and bag.

954
00:39:01,160 --> 00:39:04,319
Speaker 3: A game one baggy, a baggy that's made its way

955
00:39:04,320 --> 00:39:04,759
Speaker 3: around the.

956
00:39:04,719 --> 00:39:06,480
Speaker 1: Town and I don't want to know what he did

957
00:39:06,480 --> 00:39:07,920
Speaker 1: that day, like oh.

958
00:39:07,600 --> 00:39:11,320
Speaker 3: Man, shout out the Lawren's tailor man. Greatest NFL defensive player.

959
00:39:11,080 --> 00:39:13,560
Speaker 2: Of all time? Oh for sure. But now we got

960
00:39:13,560 --> 00:39:16,439
Speaker 2: to bring autographs back. I'm gonna start having people signed

961
00:39:16,440 --> 00:39:16,799
Speaker 2: weird shit.

962
00:39:16,880 --> 00:39:19,480
Speaker 1: Well, we signed with shows posters.

963
00:39:19,160 --> 00:39:21,080
Speaker 4: And you ever signed somebody titties before?

964
00:39:21,480 --> 00:39:23,280
Speaker 3: Nah? Titty not that titty?

965
00:39:23,520 --> 00:39:23,759
Speaker 1: Yeah?

966
00:39:24,360 --> 00:39:25,359
Speaker 4: Really yeah.

967
00:39:25,480 --> 00:39:28,280
Speaker 3: And one of the live shows, which one I forgot

968
00:39:28,320 --> 00:39:29,120
Speaker 3: what city was in.

969
00:39:29,040 --> 00:39:32,160
Speaker 4: We had one fan with some big ass t's.

970
00:39:31,280 --> 00:39:36,480
Speaker 3: A sign you hear Peach m peas know exactly what

971
00:39:36,560 --> 00:39:37,920
Speaker 3: you're talking about to you, like I remember that.

972
00:39:37,880 --> 00:39:42,919
Speaker 2: He probably keep some contact on Patreon DM, if that's

973
00:39:42,960 --> 00:39:43,440
Speaker 2: even a thing.

974
00:39:43,640 --> 00:39:45,440
Speaker 3: Yeah, you gotta sign some titties, though, baby do you

975
00:39:45,480 --> 00:39:46,320
Speaker 3: never sign no titties?

976
00:39:46,520 --> 00:39:47,759
Speaker 4: I've never signed a titty No.

977
00:39:48,120 --> 00:39:50,080
Speaker 3: Never growing up actually to kiss her titties, so she

978
00:39:50,080 --> 00:39:51,959
Speaker 3: should have your your lipprint on her chest.

979
00:39:52,080 --> 00:39:54,200
Speaker 4: I said I never signed some titties. I ain't say nothing.

980
00:39:54,320 --> 00:39:55,920
Speaker 3: Never said you never kissed no titties though, you're right,

981
00:39:55,960 --> 00:39:57,000
Speaker 3: my bad. I'm sorry, baby D.

982
00:39:57,680 --> 00:39:59,160
Speaker 1: You don't think baby D is sub titties?

983
00:39:59,520 --> 00:40:01,560
Speaker 4: Yo? Why do I make it morny?

984
00:40:01,719 --> 00:40:05,640
Speaker 3: You see? Say, y'all, I just said kissed. I didn't

985
00:40:05,640 --> 00:40:07,480
Speaker 3: make nothing horny like.

986
00:40:07,440 --> 00:40:10,440
Speaker 5: He made it like sexual. I'm not sexual assaulting our fans.

987
00:40:11,000 --> 00:40:12,759
Speaker 1: That's what happened. When you get you get horny. You

988
00:40:12,760 --> 00:40:14,760
Speaker 1: didn't know that really everything?

989
00:40:15,960 --> 00:40:16,759
Speaker 4: What your new teeth yet?

990
00:40:16,960 --> 00:40:19,200
Speaker 1: No, I haven't even kissed anyone with my new teeth.

991
00:40:19,440 --> 00:40:21,560
Speaker 3: Yeah, he got new teeth and even getting no sugar

992
00:40:21,640 --> 00:40:22,040
Speaker 3: yet nothing.

993
00:40:25,000 --> 00:40:26,520
Speaker 1: They're sensitive. I'm trying to preserve them.

994
00:40:28,480 --> 00:40:31,240
Speaker 3: Got he got new teeth and ain't getting no sugar.

995
00:40:32,480 --> 00:40:34,719
Speaker 3: If you don't go back and get your old teeth back, man,

996
00:40:34,760 --> 00:40:36,880
Speaker 3: what you got new teeth for I'm born again. I'm

997
00:40:36,880 --> 00:40:41,239
Speaker 3: a version that you ain't smacking. Nobody's kissed. Come on, man,

998
00:40:41,440 --> 00:40:43,799
Speaker 3: nobody's kisses. Get new t you're supposed to want to kiss

999
00:40:43,800 --> 00:40:46,320
Speaker 3: and free. You're supposed to be going crazy, and you know,

1000
00:40:46,880 --> 00:40:50,000
Speaker 3: come anyway, white boys make out.

1001
00:40:50,360 --> 00:40:53,480
Speaker 1: I'm a new new year, new me, new God's not

1002
00:40:53,520 --> 00:40:53,960
Speaker 1: done with me.

1003
00:40:54,040 --> 00:40:57,839
Speaker 2: Okay, yeah, I had to get off, you know all

1004
00:40:57,880 --> 00:40:59,840
Speaker 2: that past trauma.

1005
00:41:01,520 --> 00:41:05,000
Speaker 4: Of the old teeth stain. I know them old teeth,

1006
00:41:05,400 --> 00:41:06,359
Speaker 4: they're still in his mouth.

1007
00:41:06,400 --> 00:41:07,320
Speaker 1: He just has viniggas.

1008
00:41:07,880 --> 00:41:09,759
Speaker 2: Memories don't live like teeth. They had to get them

1009
00:41:09,760 --> 00:41:10,879
Speaker 2: ships out of my fucking mouth.

1010
00:41:12,680 --> 00:41:16,160
Speaker 1: Your again new veneers and not getting no sugar is crazy. Yeah, like,

1011
00:41:16,239 --> 00:41:19,239
Speaker 1: come on the eventually you gotta get outside. I don't know.

1012
00:41:19,280 --> 00:41:20,320
Speaker 1: I don't know how to. I don't know how to

1013
00:41:20,320 --> 00:41:20,800
Speaker 1: talk to people.

1014
00:41:20,800 --> 00:41:25,560
Speaker 5: That's why they's so bright. Ain't no pH hit him yet? Yo, acid?

1015
00:41:26,680 --> 00:41:32,840
Speaker 5: No acid hit your teeth. Themarys stupid, some pussy juice, destiny.

1016
00:41:33,480 --> 00:41:34,520
Speaker 5: Take some of the sean.

1017
00:41:35,160 --> 00:41:37,200
Speaker 2: I've been drinking coffee left and right because I'm trying

1018
00:41:37,239 --> 00:41:40,680
Speaker 2: to make them a little less white. I'm trying to

1019
00:41:40,680 --> 00:41:43,200
Speaker 2: purposely stain my teeth le he text me the other day.

1020
00:41:43,239 --> 00:41:46,560
Speaker 3: Sole He said, Yo, the rory getting new tea. I

1021
00:41:46,560 --> 00:41:48,000
Speaker 3: said yeah. He said, man, I'm about to send you

1022
00:41:48,080 --> 00:41:48,560
Speaker 3: niggas some.

1023
00:41:48,520 --> 00:41:55,760
Speaker 4: Apples yo, please, oh my god.

1024
00:41:56,160 --> 00:41:56,319
Speaker 1: Yo.

1025
00:41:56,719 --> 00:41:59,800
Speaker 3: So if apples show up, peach, there they are from Sileti.

1026
00:42:00,719 --> 00:42:02,520
Speaker 2: What's so funny is when I when I went to

1027
00:42:02,520 --> 00:42:05,360
Speaker 2: get the veneers, I was waiting in the chair for

1028
00:42:05,600 --> 00:42:08,319
Speaker 2: the dentists to come in, and the first thing he said,

1029
00:42:08,360 --> 00:42:10,160
Speaker 2: there was someone next door that I guess I got

1030
00:42:10,239 --> 00:42:12,000
Speaker 2: in an accident and they needed new teeth. They weren't

1031
00:42:12,000 --> 00:42:13,799
Speaker 2: doing it like the coward away with me just to

1032
00:42:13,800 --> 00:42:16,960
Speaker 2: be on camera. So he said, yeah, man, he just

1033
00:42:17,000 --> 00:42:19,480
Speaker 2: got him. I gave him an apple and they're working.

1034
00:42:19,600 --> 00:42:21,360
Speaker 2: I said, you went out the gate with the apple.

1035
00:42:21,440 --> 00:42:24,520
Speaker 2: That's how confident you were with your work. Damn, just

1036
00:42:24,560 --> 00:42:26,080
Speaker 2: out the gate biting an apple.

1037
00:42:25,840 --> 00:42:28,040
Speaker 1: With new tem that brave. I'm not eating apple. I

1038
00:42:28,080 --> 00:42:29,520
Speaker 1: did a week, souper. I need.

1039
00:42:29,520 --> 00:42:31,359
Speaker 3: I need a few days to kind of trust these

1040
00:42:31,360 --> 00:42:32,160
Speaker 3: things before I get it.

1041
00:42:33,440 --> 00:42:35,600
Speaker 1: I'm still getting the hang of them.

1042
00:42:35,719 --> 00:42:37,680
Speaker 3: Yeah, they look good, though, you know, look good.

1043
00:42:38,200 --> 00:42:39,239
Speaker 4: Have you been an apple yet?

1044
00:42:39,760 --> 00:42:39,840
Speaker 5: No?

1045
00:42:40,040 --> 00:42:40,799
Speaker 4: It was the hardest thing.

1046
00:42:40,800 --> 00:42:41,240
Speaker 3: You beat.

1047
00:42:43,560 --> 00:42:46,200
Speaker 1: Bread. Probably we're kind of bread.

1048
00:42:46,760 --> 00:42:51,080
Speaker 2: You know what everything bagel toasted maybe ool, Okay, that's

1049
00:42:51,080 --> 00:42:51,560
Speaker 2: a good test.

1050
00:42:51,640 --> 00:42:55,600
Speaker 1: Yeah, that's probably the worst. They're still a little sensitive. Yeah.

1051
00:42:55,760 --> 00:42:58,840
Speaker 2: Thanksgiving was actually great because Turkey saft mashed potatoes like

1052
00:42:58,840 --> 00:43:03,200
Speaker 2: it was all soft eas my win. But listen for Patreon.

1053
00:43:04,440 --> 00:43:11,240
Speaker 2: When the apples get here, we can bob for apples.

1054
00:43:13,280 --> 00:43:16,360
Speaker 3: And we never talked about how nasty that game with

1055
00:43:16,400 --> 00:43:18,400
Speaker 3: that that was the nastiest.

1056
00:43:19,680 --> 00:43:20,000
Speaker 4: Ever.

1057
00:43:20,160 --> 00:43:20,719
Speaker 1: When you think that.

1058
00:43:23,120 --> 00:43:25,560
Speaker 3: We couldn't wait, like yo, we can't get no apples,

1059
00:43:25,600 --> 00:43:28,200
Speaker 3: we used to. There's mad spit in that pot right now,

1060
00:43:28,320 --> 00:43:33,440
Speaker 3: Like no, that's saying that we did that, Like right,

1061
00:43:33,520 --> 00:43:37,400
Speaker 3: who started boba for apples? The origin of boba for

1062
00:43:37,440 --> 00:43:39,920
Speaker 3: apples is rooted in ancient European I knew.

1063
00:43:39,760 --> 00:43:42,879
Speaker 1: It something I knew it was the racist rooted.

1064
00:43:42,600 --> 00:43:48,120
Speaker 3: In ancient European traditions, particularly Celtic festivals like and Roman

1065
00:43:48,200 --> 00:43:52,239
Speaker 3: celebrations for the goddess Pomona. It began as according or

1066
00:43:52,760 --> 00:43:57,000
Speaker 3: divination divination ritual often performed by young, unmarried people, and

1067
00:43:57,000 --> 00:43:59,879
Speaker 3: eventually evolved into the Halloween game played today. After being

1068
00:44:00,000 --> 00:44:06,480
Speaker 3: brought to America by Irish immigrants. Ye, your cousins invented

1069
00:44:07,080 --> 00:44:08,239
Speaker 3: bobbing for apples.

1070
00:44:08,640 --> 00:44:10,319
Speaker 2: It makes sense now, it's why to get new teeth,

1071
00:44:10,360 --> 00:44:12,400
Speaker 2: my genetics. You got to get into game. We've been

1072
00:44:12,400 --> 00:44:15,040
Speaker 2: bobbing for apples. We have no good teaching.

1073
00:44:15,040 --> 00:44:17,919
Speaker 4: I would like bob for potatoes, Like what why appen?

1074
00:44:17,960 --> 00:44:21,200
Speaker 3: Bobbing for potatoes is crazy, a nigga biting.

1075
00:44:20,920 --> 00:44:23,640
Speaker 2: It to a potato. First of all, too soon we're

1076
00:44:23,640 --> 00:44:24,399
Speaker 2: still getting over them.

1077
00:44:24,560 --> 00:44:27,000
Speaker 1: Yeah, you're right, the famine. My bad. I'm sorry.

1078
00:44:27,080 --> 00:44:30,759
Speaker 2: Somebody asked me what. They asked, you know, where'd you go?

1079
00:44:30,760 --> 00:44:31,920
Speaker 2: I said, I have to do a Irish exit? And

1080
00:44:31,920 --> 00:44:34,319
Speaker 2: then they replied and said what does that mean? I

1081
00:44:34,360 --> 00:44:36,080
Speaker 2: was like, I told them what it meant, but they know,

1082
00:44:36,160 --> 00:44:37,879
Speaker 2: like where did it come from? And I never even

1083
00:44:37,960 --> 00:44:39,440
Speaker 2: knew that. I had to google it.

1084
00:44:39,400 --> 00:44:41,400
Speaker 1: And it's racist. Irish exit.

1085
00:44:41,520 --> 00:44:43,399
Speaker 2: Yeah, it's because we had to get the fuck out

1086
00:44:43,400 --> 00:44:46,800
Speaker 2: of Ireland so quick because of not only the English

1087
00:44:46,880 --> 00:44:49,520
Speaker 2: but the potato famine. So when you leave somewhere really

1088
00:44:49,560 --> 00:44:52,160
Speaker 2: fast without warning, call it an Irish exit.

1089
00:44:52,560 --> 00:44:54,719
Speaker 1: I was like, man, that's fun to us, that's crazy.

1090
00:44:55,400 --> 00:44:57,319
Speaker 1: We'd just be out here saying shit, running with don't

1091
00:44:57,320 --> 00:44:58,560
Speaker 1: even know the organ It.

1092
00:44:58,440 --> 00:45:00,400
Speaker 2: Was more just like the stereotype of iro people in

1093
00:45:00,480 --> 00:45:02,040
Speaker 2: drinking and like when you're drunk you just be like

1094
00:45:02,040 --> 00:45:03,480
Speaker 2: I'm getting fuck out of here type of thing.

1095
00:45:03,560 --> 00:45:06,560
Speaker 1: But no, yours is more racist than yours with the

1096
00:45:06,560 --> 00:45:07,280
Speaker 1: Potato family.

1097
00:45:07,320 --> 00:45:09,120
Speaker 4: Yo, when I found out that Ring around the Rosie

1098
00:45:09,200 --> 00:45:10,480
Speaker 4: was about to plague.

1099
00:45:10,239 --> 00:45:12,239
Speaker 1: Oh, yes, that's just the lyrics. If you do a

1100
00:45:12,320 --> 00:45:14,240
Speaker 1: lyric breakdown of this, Yeah, sick.

1101
00:45:14,520 --> 00:45:17,200
Speaker 5: Really ring around the rosie, pockets full of posies, flowers

1102
00:45:17,200 --> 00:45:19,920
Speaker 5: because your dad and you stink. When your dad ashes ashes,

1103
00:45:19,920 --> 00:45:20,759
Speaker 5: they all fall down.

1104
00:45:21,560 --> 00:45:26,439
Speaker 1: That shit is about to plague, Yo, Harry dark song.

1105
00:45:26,800 --> 00:45:28,480
Speaker 3: We'll just be out here singing shit as kids and

1106
00:45:28,520 --> 00:45:29,760
Speaker 3: don't even look at the adults.

1107
00:45:29,760 --> 00:45:32,520
Speaker 1: Ain't no better. They get us all dressed up.

1108
00:45:34,000 --> 00:45:36,400
Speaker 3: To go out there and sing some crazy hold hands,

1109
00:45:37,600 --> 00:45:41,640
Speaker 3: ring around the rosie. Wow, Oh there's alternate, pocket full

1110
00:45:41,640 --> 00:45:43,960
Speaker 3: of posies ashes, ashes will full down. The cows are

1111
00:45:43,960 --> 00:45:45,640
Speaker 3: in the meadow. I never heard this part of it.

1112
00:45:45,680 --> 00:45:47,600
Speaker 3: This is like when the Cops theme song.

1113
00:45:48,080 --> 00:45:48,879
Speaker 4: Wait, there's a whole.

1114
00:45:50,080 --> 00:45:52,000
Speaker 1: Yeah, I don't know past, like what you're gonna do

1115
00:45:52,080 --> 00:45:54,000
Speaker 1: there's a verse. I thought it was just a whole.

1116
00:45:56,040 --> 00:45:58,880
Speaker 3: The cows in the meadow eating buttercups, thunder lightning we

1117
00:45:58,920 --> 00:45:59,640
Speaker 3: all jump up.

1118
00:46:00,160 --> 00:46:01,240
Speaker 1: Here's the alternate version.

1119
00:46:03,400 --> 00:46:04,520
Speaker 4: Yo, you so funny.

1120
00:46:05,239 --> 00:46:07,360
Speaker 1: The goats are in the expanded version.

1121
00:46:07,680 --> 00:46:11,120
Speaker 3: We all fall down, repeat with different movements, easiest done.

1122
00:46:10,880 --> 00:46:11,960
Speaker 1: Without holding hands.

1123
00:46:12,120 --> 00:46:14,000
Speaker 3: That means you can get into your bag, skipping around

1124
00:46:14,000 --> 00:46:17,200
Speaker 3: the rosie hot fly, crawl, run, tiptoe, gallop.

1125
00:46:17,400 --> 00:46:19,640
Speaker 5: What this is some new that's new ship that they

1126
00:46:19,640 --> 00:46:22,120
Speaker 5: added on. Yeah, that's like say, like day to do it.

1127
00:46:22,200 --> 00:46:22,800
Speaker 4: That's the sample.

1128
00:46:23,040 --> 00:46:25,680
Speaker 2: Okay, I've never heard the goats in the metal version, though,

1129
00:46:26,400 --> 00:46:27,960
Speaker 2: I don't even want to get into what that means.

1130
00:46:30,000 --> 00:46:32,680
Speaker 2: I'm sure he's fucking nuts. Walt is telling me on

1131
00:46:32,719 --> 00:46:35,239
Speaker 2: his way here. I didn't see this, but apparently there's

1132
00:46:35,280 --> 00:46:37,400
Speaker 2: what another one hundred hours of Diddy footage on the

1133
00:46:37,400 --> 00:46:38,160
Speaker 2: cutting room floor.

1134
00:46:38,880 --> 00:46:41,880
Speaker 3: So Diddy is still doing press. I mean, did he fifty?

1135
00:46:41,920 --> 00:46:45,120
Speaker 3: Diddy is not doing press. No, he's you're doing press

1136
00:46:45,200 --> 00:46:48,840
Speaker 3: like he's doing push ups. No, fifty is still doing press.

1137
00:46:48,880 --> 00:46:51,720
Speaker 3: And you know, obviously with the success of the Recking

1138
00:46:51,719 --> 00:46:56,520
Speaker 3: In documentary, you know he's talking about there's more Footage's

1139
00:46:56,520 --> 00:47:00,520
Speaker 3: one hundred and forty hours that he has and episode

1140
00:47:00,560 --> 00:47:03,120
Speaker 3: was only maybe an hour. I think it was full episodes,

1141
00:47:03,160 --> 00:47:06,160
Speaker 3: So there's at least one hundred and thirty something more

1142
00:47:06,200 --> 00:47:10,000
Speaker 3: hours that he hasn't edited or you know, produced, And

1143
00:47:10,360 --> 00:47:12,920
Speaker 3: he's saying that he may put it out on YouTube

1144
00:47:13,880 --> 00:47:14,440
Speaker 3: just to put it.

1145
00:47:14,360 --> 00:47:16,840
Speaker 1: Out there, like on his fifty seven devo page.

1146
00:47:17,400 --> 00:47:18,920
Speaker 3: I don't know if it'll be on his page, but

1147
00:47:18,960 --> 00:47:20,640
Speaker 3: he just said, you know, he doesn't know if he's

1148
00:47:20,680 --> 00:47:24,040
Speaker 3: going to release it with Netflix or through Netflix. He

1149
00:47:24,120 --> 00:47:26,239
Speaker 3: might just you know, put it out on YouTube or

1150
00:47:26,280 --> 00:47:29,799
Speaker 3: whatever some other platform. But the one thing that he

1151
00:47:29,840 --> 00:47:33,319
Speaker 3: said that was interesting is he said, you know, because

1152
00:47:33,320 --> 00:47:35,120
Speaker 3: you see people out here trying to, you know, say, oh,

1153
00:47:35,160 --> 00:47:37,160
Speaker 3: the documentary can paint a narrative this that and the

1154
00:47:37,200 --> 00:47:41,319
Speaker 3: third and his words were, you know, if you see

1155
00:47:41,320 --> 00:47:44,080
Speaker 3: the rest of this footage, there will be no more

1156
00:47:44,440 --> 00:47:46,759
Speaker 3: you know, kind of like, oh, you know, you can

1157
00:47:46,800 --> 00:47:50,560
Speaker 3: paint this narrative. It's pretty clear cut, you know, the

1158
00:47:50,600 --> 00:47:53,520
Speaker 3: things that are being said in the documentary, the things

1159
00:47:53,560 --> 00:47:55,759
Speaker 3: that he still can't believe Puffer, because he says that

1160
00:47:55,840 --> 00:47:57,839
Speaker 3: a lot like he can't believe Puff actually recorded all

1161
00:47:57,840 --> 00:47:58,000
Speaker 3: of it.

1162
00:47:58,080 --> 00:48:01,000
Speaker 2: Yeah, But I mean, so why is why does fifty

1163
00:48:01,040 --> 00:48:03,920
Speaker 2: not put that if it's that damning and that crazy,

1164
00:48:03,920 --> 00:48:06,839
Speaker 2: why not put it in the dock I don't know why.

1165
00:48:06,960 --> 00:48:08,440
Speaker 1: I don't know why he didn't put it in the dock.

1166
00:48:08,560 --> 00:48:11,759
Speaker 3: Maybe, you know the stories, Maybe he had more people

1167
00:48:11,760 --> 00:48:14,919
Speaker 3: that he would need to interview and have sit down

1168
00:48:14,920 --> 00:48:16,920
Speaker 3: for the documentary to kind of go through those stories

1169
00:48:16,960 --> 00:48:17,560
Speaker 3: that are in there.

1170
00:48:18,880 --> 00:48:20,359
Speaker 1: It could be a number of reasons.

1171
00:48:20,040 --> 00:48:24,960
Speaker 3: But the fact that he has over one hundred hours

1172
00:48:25,160 --> 00:48:30,040
Speaker 3: of footage of you know, personal footage and things like

1173
00:48:30,080 --> 00:48:32,520
Speaker 3: that leading up to the case, because the story is

1174
00:48:33,000 --> 00:48:35,120
Speaker 3: puff felt like he was going to win the case, yeah,

1175
00:48:35,440 --> 00:48:37,200
Speaker 3: and that this was going to be footage for his

1176
00:48:37,239 --> 00:48:40,960
Speaker 3: documentary that he would have released the redemption after the

1177
00:48:41,480 --> 00:48:44,040
Speaker 3: trial was done, and things like that, So you know,

1178
00:48:44,080 --> 00:48:47,600
Speaker 3: the amount of things that he probably was recording, you know,

1179
00:48:47,760 --> 00:48:49,280
Speaker 3: just going off for the fact that he felt.

1180
00:48:49,040 --> 00:48:50,240
Speaker 1: Like they were going to win the case.

1181
00:48:50,600 --> 00:48:52,640
Speaker 2: Yeah, and this is my footage, and these guys aren't

1182
00:48:52,640 --> 00:48:55,120
Speaker 2: going to put it out all the crazy shit we're

1183
00:48:55,160 --> 00:48:57,080
Speaker 2: going to take out, right. But I mean, even I

1184
00:48:57,080 --> 00:49:00,920
Speaker 2: did see who I think was the direct of what

1185
00:49:00,960 --> 00:49:03,279
Speaker 2: did he was trying to do, had mentioned that he

1186
00:49:03,400 --> 00:49:05,080
Speaker 2: was on vacation or was out of town and had

1187
00:49:05,120 --> 00:49:07,520
Speaker 2: someone fill in for him. And that's the only footage

1188
00:49:07,560 --> 00:49:11,439
Speaker 2: that made it to the dock because that guy sold it.

1189
00:49:12,000 --> 00:49:14,360
Speaker 2: So maybe that director didn't pay the person to fill in,

1190
00:49:14,440 --> 00:49:16,839
Speaker 2: so he owned the footage and was able to give

1191
00:49:16,880 --> 00:49:21,080
Speaker 2: it away. But maybe all this other footage fifty doesn't

1192
00:49:21,080 --> 00:49:22,960
Speaker 2: have permission to put.

1193
00:49:22,760 --> 00:49:24,319
Speaker 1: Out, like okay, he could have it.

1194
00:49:24,600 --> 00:49:27,640
Speaker 2: Director's like, no, this is my footage, Like yeah, you

1195
00:49:27,719 --> 00:49:29,640
Speaker 2: got the other shit because I had my man's filling

1196
00:49:29,640 --> 00:49:32,600
Speaker 2: for me for three days and he has that footage now, right,

1197
00:49:32,800 --> 00:49:34,240
Speaker 2: So maybe that could be it.

1198
00:49:34,320 --> 00:49:35,799
Speaker 1: But I mean, I don't know.

1199
00:49:35,920 --> 00:49:38,759
Speaker 2: I feel like fifty is so petty that if it

1200
00:49:38,840 --> 00:49:40,479
Speaker 2: was that crazy, he would have just put the shit

1201
00:49:41,600 --> 00:49:44,040
Speaker 2: in the dock put But who knows. I don't even

1202
00:49:44,040 --> 00:49:47,919
Speaker 2: want to speculate what is on the one hundred hours Yeah,

1203
00:49:48,080 --> 00:49:50,520
Speaker 2: after the little rod's telling me what was going on,

1204
00:49:50,560 --> 00:49:52,000
Speaker 2: I don't know if I want to see it visually.

1205
00:49:52,960 --> 00:49:55,120
Speaker 3: I mean, you know, and for fifty to say the

1206
00:49:55,160 --> 00:49:58,439
Speaker 3: footage that's on there is it leaves no more room

1207
00:49:58,520 --> 00:50:00,920
Speaker 3: for you know, people to to say, oh, you know,

1208
00:50:00,960 --> 00:50:02,640
Speaker 3: the narratives are being created.

1209
00:50:02,719 --> 00:50:05,279
Speaker 1: It's false for fifty to say that.

1210
00:50:05,600 --> 00:50:09,520
Speaker 3: I mean, you know, we can only imagine the footage

1211
00:50:09,560 --> 00:50:12,560
Speaker 3: that he's seen and that he has, so we'll have

1212
00:50:12,600 --> 00:50:14,200
Speaker 3: to see if any of that ever sees the light

1213
00:50:14,239 --> 00:50:16,960
Speaker 3: of day, I'm sure that, you know, did these teams

1214
00:50:17,000 --> 00:50:18,520
Speaker 3: gonna do everything they can to make sure that that

1215
00:50:18,560 --> 00:50:19,160
Speaker 3: doesn't happen.

1216
00:50:19,960 --> 00:50:22,520
Speaker 1: But you know, I don't know. I don't.

1217
00:50:22,560 --> 00:50:24,120
Speaker 3: I'm honestly, I don't even know if I wanted to

1218
00:50:24,120 --> 00:50:27,239
Speaker 3: need to see anything else. Cool, I'm kind of cool, like,

1219
00:50:27,280 --> 00:50:28,560
Speaker 3: I don't think I need to see.

1220
00:50:29,000 --> 00:50:31,560
Speaker 2: If it helps someone get justice on something, sure, but

1221
00:50:31,920 --> 00:50:34,160
Speaker 2: I mean I'm kind of I'm dittied out right now.

1222
00:50:34,200 --> 00:50:35,799
Speaker 1: And everybody getting mad at fifty.

1223
00:50:35,719 --> 00:50:39,360
Speaker 5: Yell, what you say, I'm diddied out? That sounds crazy.

1224
00:50:39,640 --> 00:50:40,120
Speaker 5: That's a pause.

1225
00:50:40,200 --> 00:50:42,440
Speaker 1: Sorry, sorry, you got new Tief. It's so good if

1226
00:50:42,440 --> 00:50:44,120
Speaker 1: you're not dittied out. I think that's a posse.

1227
00:50:45,880 --> 00:50:47,400
Speaker 2: I think what I said was quite the opposite of

1228
00:50:47,480 --> 00:50:50,200
Speaker 2: a part. If I want some more diddy.

1229
00:50:49,960 --> 00:50:53,760
Speaker 3: Than that, yeah, but yeah, I don't. You know, people

1230
00:50:53,760 --> 00:50:56,320
Speaker 3: were mad at fifty because you know, he executive produced

1231
00:50:56,320 --> 00:51:00,759
Speaker 3: this documentary and things like that. But you know, there's

1232
00:51:00,800 --> 00:51:03,720
Speaker 3: so many other documentaries that already exist, Like it's probably

1233
00:51:03,760 --> 00:51:08,360
Speaker 3: seven documentaries that are out. I see one called The Fall,

1234
00:51:08,960 --> 00:51:11,600
Speaker 3: Did He Fall? Or something like that, and it was

1235
00:51:11,640 --> 00:51:13,880
Speaker 3: all condishing. I'm just like bro, it's like seven documentaries

1236
00:51:13,880 --> 00:51:18,319
Speaker 3: available on streaming streaming DSPs right now, And I don't

1237
00:51:18,400 --> 00:51:21,799
Speaker 3: nobody was upset or you know, mad about that. But

1238
00:51:21,880 --> 00:51:24,719
Speaker 3: because it's fifty, and I think people hold fifty to

1239
00:51:24,760 --> 00:51:27,880
Speaker 3: this street code and you know, this is snitching or

1240
00:51:27,920 --> 00:51:30,640
Speaker 3: this is whatever I'm seeing people say about it. Fifty

1241
00:51:30,800 --> 00:51:35,880
Speaker 3: is a TV and film executive. Let's just leave it

1242
00:51:35,960 --> 00:51:42,120
Speaker 3: right there. Hell, it's his job to get footage, film added, produce, release,

1243
00:51:42,280 --> 00:51:44,200
Speaker 3: like this is what he's been doing for years. Like

1244
00:51:44,280 --> 00:51:46,680
Speaker 3: so we got were trying to hold fifty to the

1245
00:51:46,719 --> 00:51:48,680
Speaker 3: same standard we was holding him to if he was

1246
00:51:49,320 --> 00:51:50,400
Speaker 3: selling cracking queens.

1247
00:51:50,400 --> 00:51:51,840
Speaker 1: Still, like, what do we I don't even understand what

1248
00:51:51,920 --> 00:51:52,919
Speaker 1: people are talking about.

1249
00:51:52,920 --> 00:51:55,000
Speaker 2: Everybody in that doc did it deposition talk with the

1250
00:51:55,040 --> 00:51:56,960
Speaker 2: government already, they were just telling it on the camera.

1251
00:51:57,360 --> 00:51:59,440
Speaker 1: It's already in the paperwork. It's in the paperwork.

1252
00:51:59,480 --> 00:52:01,479
Speaker 2: It was already we saw all eighty pages of Little

1253
00:52:01,560 --> 00:52:02,640
Speaker 2: Rods shit already.

1254
00:52:02,719 --> 00:52:03,520
Speaker 1: Yeah, So I don't.

1255
00:52:03,520 --> 00:52:05,359
Speaker 3: I don't understand this whole thing with people being mad

1256
00:52:05,360 --> 00:52:08,759
Speaker 3: at fifty or upset at fifty. Listen, he's he's a

1257
00:52:08,800 --> 00:52:11,040
Speaker 3: he's a TV and film executive. Man, this is his job.

1258
00:52:11,040 --> 00:52:13,880
Speaker 3: This is what he's been doing for years. And you know,

1259
00:52:13,960 --> 00:52:18,000
Speaker 3: because it's footage or stories about somebody that we also

1260
00:52:18,200 --> 00:52:21,839
Speaker 3: have you know, seen and growing up and listen to

1261
00:52:21,920 --> 00:52:24,879
Speaker 3: and support it and things like that, it doesn't make it,

1262
00:52:25,560 --> 00:52:27,719
Speaker 3: you know, inexcusable. It's like, yo, listen, it is what

1263
00:52:27,760 --> 00:52:30,000
Speaker 3: it is. It's the footage. I'm going to executive produce

1264
00:52:30,040 --> 00:52:30,920
Speaker 3: it and I'm gonna put it out.

1265
00:52:31,040 --> 00:52:33,200
Speaker 2: I also don't fully understand snitchia rules. I just feel

1266
00:52:33,239 --> 00:52:38,719
Speaker 2: like telling about somebody abusing women as in synitchy, and

1267
00:52:38,760 --> 00:52:41,600
Speaker 2: then there's that point I just don't like I personally,

1268
00:52:41,640 --> 00:52:43,279
Speaker 2: which I don't matter in that world, but I don't

1269
00:52:43,440 --> 00:52:44,440
Speaker 2: view that as snitching.

1270
00:52:45,520 --> 00:52:47,400
Speaker 3: If it's a ready public information. I was a snitch

1271
00:52:47,880 --> 00:52:50,080
Speaker 3: even if it wasn't. Yeah, no much, you know, nor

1272
00:52:50,160 --> 00:52:50,680
Speaker 3: much like that.

1273
00:52:51,080 --> 00:52:54,640
Speaker 2: Absolutely, that's not really my definition of it, but you know,

1274
00:52:55,040 --> 00:52:56,920
Speaker 2: it is what it is. I'm curious how long fifty

1275
00:52:56,960 --> 00:52:59,480
Speaker 2: is going to drag this stuff. I feel like he'll

1276
00:52:59,480 --> 00:53:01,239
Speaker 2: be quiet for little bit and then when Puff gets out,

1277
00:53:01,280 --> 00:53:02,040
Speaker 2: he'll get back.

1278
00:53:01,840 --> 00:53:04,840
Speaker 1: On his ship. Oh well, we'll have to wait and see.

1279
00:53:04,920 --> 00:53:06,480
Speaker 2: Yeah, I could say, when when do you think we'll

1280
00:53:06,480 --> 00:53:11,560
Speaker 2: get the the fifty executive produced series where Joey Badass

1281
00:53:11,600 --> 00:53:12,720
Speaker 2: plays Puff.

1282
00:53:13,600 --> 00:53:15,600
Speaker 1: No, I don't think. I don't think fifty gonna do that.

1283
00:53:16,080 --> 00:53:16,640
Speaker 1: I can see it.

1284
00:53:16,800 --> 00:53:20,280
Speaker 2: Nah, that would be a series outside of the nasty

1285
00:53:20,280 --> 00:53:22,400
Speaker 2: shit Puff did. That would still also be a series

1286
00:53:22,400 --> 00:53:26,320
Speaker 2: that I would like to see just Puff story. Yeah,

1287
00:53:26,400 --> 00:53:29,240
Speaker 2: because even like I mean, I thought Notorious was wasn't

1288
00:53:29,480 --> 00:53:31,440
Speaker 2: a bad movie by by any means. I felt like

1289
00:53:31,440 --> 00:53:34,560
Speaker 2: it was a little too soon, Like having dj Enough

1290
00:53:34,560 --> 00:53:37,359
Speaker 2: play himself and still look the same was just like.

1291
00:53:38,880 --> 00:53:39,319
Speaker 3: A good movie.

1292
00:53:39,360 --> 00:53:40,920
Speaker 1: I don't know it was. I think Grady did a

1293
00:53:40,920 --> 00:53:41,359
Speaker 1: great job.

1294
00:53:42,719 --> 00:53:46,280
Speaker 2: But I would a series from Puff's lens in his story,

1295
00:53:46,719 --> 00:53:49,680
Speaker 2: I think would just be an interesting series definitely, Like

1296
00:53:49,920 --> 00:53:53,200
Speaker 2: I'm the whole thing, not glorifying the good he did,

1297
00:53:53,920 --> 00:53:55,560
Speaker 2: also the bad shit he did too, all in one

1298
00:53:55,600 --> 00:53:58,200
Speaker 2: series that was just as compelling as BMF.

1299
00:53:58,360 --> 00:54:01,000
Speaker 4: No one would that would have to be an outside thing.

1300
00:54:01,080 --> 00:54:03,200
Speaker 5: Puff wouldn't be able to do that because he wouldn't

1301
00:54:03,200 --> 00:54:04,439
Speaker 5: be able to do the bad he did.

1302
00:54:04,719 --> 00:54:07,200
Speaker 1: Oh No, I wouldn't want Puff to Fifty.

1303
00:54:06,880 --> 00:54:08,799
Speaker 5: Wouldn't be able to do the good he did. Are

1304
00:54:08,840 --> 00:54:10,960
Speaker 5: you seeing what I'm saying? Like there's a bias either way?

1305
00:54:11,360 --> 00:54:11,960
Speaker 1: Puff Puff?

1306
00:54:12,040 --> 00:54:14,920
Speaker 2: I don't want to see anything from Puff about himself,

1307
00:54:14,920 --> 00:54:17,040
Speaker 2: even than the notory shit that he had somewhat of

1308
00:54:17,040 --> 00:54:19,920
Speaker 2: a hand and he made himself look like fucking Morpheus

1309
00:54:19,920 --> 00:54:22,160
Speaker 2: in a Versace shirt, like he was the knower of

1310
00:54:22,200 --> 00:54:27,719
Speaker 2: all things. Like, Yes, I don't ever want to see

1311
00:54:27,719 --> 00:54:31,600
Speaker 2: something from Puff's lens executive produced by him, though it

1312
00:54:31,600 --> 00:54:33,960
Speaker 2: would be funny to see how Puff sees himself when

1313
00:54:34,000 --> 00:54:34,720
Speaker 2: we have the facts.

1314
00:54:35,360 --> 00:54:37,720
Speaker 4: A therapist would watch that and go to town.

1315
00:54:39,640 --> 00:54:41,040
Speaker 1: What do you think Puff doesn't jail.

1316
00:54:42,920 --> 00:54:43,200
Speaker 3: Living?

1317
00:54:43,320 --> 00:54:45,279
Speaker 5: He talked to people. I think he talks a lot.

1318
00:54:45,360 --> 00:54:47,160
Speaker 5: I think they're probably tired of Puff talking.

1319
00:54:47,520 --> 00:54:49,280
Speaker 3: Yeah, foot of him. I think he was in the classroom.

1320
00:54:49,280 --> 00:54:50,920
Speaker 3: I think he was taking some classes or something like that.

1321
00:54:51,000 --> 00:54:52,800
Speaker 1: There was a photo him in the yard with somebody.

1322
00:54:52,800 --> 00:54:54,719
Speaker 1: Was it Fetti he was with?

1323
00:54:55,520 --> 00:54:58,359
Speaker 2: He was with somebody up like that. We know, don't

1324
00:54:58,400 --> 00:55:01,880
Speaker 2: quote me always. He's with a Sebastian's helfare.

1325
00:55:02,280 --> 00:55:04,960
Speaker 3: Was that confirmed that was Sebastian? But I know Sebastian

1326
00:55:05,040 --> 00:55:05,759
Speaker 3: is locked up right now.

1327
00:55:05,840 --> 00:55:08,880
Speaker 1: It looks just if not, it looked just like Sebastian Doe.

1328
00:55:09,920 --> 00:55:12,160
Speaker 3: I mean, people don't understand jail, especially when you have

1329
00:55:12,200 --> 00:55:15,200
Speaker 3: money and influence. Jail is not as I mean, it's jail,

1330
00:55:15,280 --> 00:55:18,520
Speaker 3: so it's jail's prison compared to the life that Puffi's.

1331
00:55:18,239 --> 00:55:19,239
Speaker 1: Used to live in. It's hell.

1332
00:55:19,840 --> 00:55:23,840
Speaker 3: But you can be comfortable as best as possible. You

1333
00:55:23,840 --> 00:55:26,719
Speaker 3: can get a phone, you can get food, you can

1334
00:55:26,719 --> 00:55:29,319
Speaker 3: get you know, the things that you know can kind

1335
00:55:29,360 --> 00:55:32,719
Speaker 3: of make life a little easier while you're incarcerated. But

1336
00:55:33,680 --> 00:55:35,960
Speaker 3: I mean either way, Puffi is trying to do everything

1337
00:55:35,960 --> 00:55:37,680
Speaker 3: he can to get the fuck out of it. Yeah,

1338
00:55:37,760 --> 00:55:39,960
Speaker 3: it ain't even though it's easy, and you know we'll

1339
00:55:40,000 --> 00:55:42,520
Speaker 3: not easy, but it's comfortable as best it can be.

1340
00:55:43,200 --> 00:55:44,880
Speaker 3: It's still not a place that anybody want to be.

1341
00:55:45,040 --> 00:55:47,720
Speaker 2: When I was thinking of people like puff and Thug,

1342
00:55:47,800 --> 00:55:50,200
Speaker 2: not comparing them as people, but when they were in jail,

1343
00:55:50,239 --> 00:55:53,919
Speaker 2: it was less about them having money or influence, more

1344
00:55:54,000 --> 00:55:56,799
Speaker 2: of them both being alleged drug addicts for so long.

1345
00:55:57,440 --> 00:55:58,840
Speaker 2: That's why I feel like both of him would be

1346
00:55:58,840 --> 00:56:00,760
Speaker 2: losing their fucking mind. Not that you can't get drugs

1347
00:56:00,800 --> 00:56:03,839
Speaker 2: in jail, of course, but not as easy if you're

1348
00:56:03,880 --> 00:56:06,080
Speaker 2: going from doing that amount of drugs every single day

1349
00:56:06,120 --> 00:56:09,080
Speaker 2: to go in cold turkey shuit. We even saw thugs wait, like, yeah,

1350
00:56:09,200 --> 00:56:11,080
Speaker 2: of course you ga't wait in jail, but he that

1351
00:56:11,200 --> 00:56:12,560
Speaker 2: was a wholes all.

1352
00:56:12,640 --> 00:56:13,919
Speaker 1: Right, you're not taking drugs anymore.

1353
00:56:14,000 --> 00:56:15,880
Speaker 3: Yeah, you're getting some sleep, you eating, you know what

1354
00:56:15,880 --> 00:56:17,960
Speaker 3: I mean that type of thing. Didn We just see

1355
00:56:18,000 --> 00:56:20,760
Speaker 3: something where they a drone was flying with a prison

1356
00:56:20,840 --> 00:56:24,319
Speaker 3: and it had like food, niggas got lamb chops all

1357
00:56:24,360 --> 00:56:26,640
Speaker 3: kind of shit. Wait what Yeah, y'all didn't see that.

1358
00:56:26,760 --> 00:56:29,360
Speaker 3: It was a drone that the I forgot what prison

1359
00:56:29,400 --> 00:56:31,680
Speaker 3: it was. It was a couple of days ago and

1360
00:56:31,760 --> 00:56:33,840
Speaker 3: I think they got lamp. It was food and some

1361
00:56:33,960 --> 00:56:35,200
Speaker 3: other ship that they got.

1362
00:56:35,520 --> 00:56:37,680
Speaker 2: Was it like one of bezos like they do a

1363
00:56:37,680 --> 00:56:39,239
Speaker 2: little Amazon Prime drone or.

1364
00:56:39,480 --> 00:56:41,680
Speaker 3: No, it was it was it was somebody who probably

1365
00:56:42,480 --> 00:56:45,480
Speaker 3: a drone. It was crab legs steak and weed into

1366
00:56:45,520 --> 00:56:46,640
Speaker 3: a South Carolina prison.

1367
00:56:46,760 --> 00:56:47,399
Speaker 1: I respect it.

1368
00:56:47,760 --> 00:56:49,520
Speaker 3: Yeah. You all somebody got to do is get close

1369
00:56:49,600 --> 00:56:53,399
Speaker 3: enough to the prison parking lot, get the drone, send

1370
00:56:53,440 --> 00:56:56,160
Speaker 3: the drone up in the air, get that shit over

1371
00:56:56,200 --> 00:56:56,799
Speaker 3: the wall, like.

1372
00:56:57,280 --> 00:56:57,640
Speaker 1: You know what.

1373
00:56:57,680 --> 00:56:59,399
Speaker 2: That would be so much fun as a CEO, though

1374
00:57:00,120 --> 00:57:02,440
Speaker 2: you're definitely gonna get clear like Clarence to shoot down

1375
00:57:02,480 --> 00:57:03,000
Speaker 2: any drone.

1376
00:57:03,080 --> 00:57:04,120
Speaker 1: That'd be fun to be a CEO.

1377
00:57:04,400 --> 00:57:08,000
Speaker 5: So the Ie the prison officials intercepted the package and

1378
00:57:08,160 --> 00:57:12,480
Speaker 5: the drone had raw steak, crab legs, old Bay seasoning,

1379
00:57:12,520 --> 00:57:13,719
Speaker 5: marijuana and cigarettes.

1380
00:57:13,880 --> 00:57:15,759
Speaker 3: Niggas was about to have a ball in there. They

1381
00:57:15,800 --> 00:57:18,040
Speaker 3: got the whole day too, they got the pack. Niggas

1382
00:57:18,040 --> 00:57:21,439
Speaker 3: was man. Niggas is pissed off, steaks, crab legs, and

1383
00:57:21,480 --> 00:57:25,080
Speaker 3: we man. Somebody mad as a motherfucker behind that wall.

1384
00:57:25,160 --> 00:57:26,680
Speaker 3: Like God, that old bus they did that.

1385
00:57:27,160 --> 00:57:30,640
Speaker 2: MDC Brookly was was crazy with the guards that arrested.

1386
00:57:30,720 --> 00:57:35,080
Speaker 2: Like the amount of iPhones and fucking boxing and drugs

1387
00:57:35,080 --> 00:57:36,640
Speaker 2: that they brought into MDC was nuts.

1388
00:57:37,080 --> 00:57:39,000
Speaker 4: If I worked at a prison, I'm selling shit.

1389
00:57:39,120 --> 00:57:43,440
Speaker 2: But like, of course show up like BMW's like, no,

1390
00:57:43,560 --> 00:57:45,760
Speaker 2: we know how much you make? Yeah, like how you

1391
00:57:45,800 --> 00:57:48,200
Speaker 2: keep showing up in these cars. Some phones you can

1392
00:57:48,240 --> 00:57:50,040
Speaker 2: sell a flip It was like five k for a phone.

1393
00:57:50,120 --> 00:57:51,800
Speaker 3: Yeah, you can sell a flip phone for five thousand

1394
00:57:51,840 --> 00:57:54,120
Speaker 3: dollars a flip phone.

1395
00:57:55,240 --> 00:57:57,720
Speaker 1: Somebody, Yeah you're gonna pay five k for a flip phone?

1396
00:57:57,840 --> 00:58:01,240
Speaker 3: Well yeah, what anything to keep in touch with the

1397
00:58:01,240 --> 00:58:03,280
Speaker 3: outside world. I want to see what's going on.

1398
00:58:03,320 --> 00:58:04,200
Speaker 1: iPhone.

1399
00:58:04,800 --> 00:58:06,960
Speaker 3: I can still get on the internet. I could watch videos,

1400
00:58:06,960 --> 00:58:09,520
Speaker 3: listen to music, I can do everything you doing. I'm

1401
00:58:09,600 --> 00:58:11,600
Speaker 3: keeping up with the times. That's seeing what niggas is wearing,

1402
00:58:11,600 --> 00:58:14,640
Speaker 3: what they they talking. I'm looking at girls. I'm like

1403
00:58:15,000 --> 00:58:16,400
Speaker 3: pulling all of that shit list.

1404
00:58:16,600 --> 00:58:19,840
Speaker 2: If you're in jail with an iPhone and good service,

1405
00:58:20,320 --> 00:58:22,040
Speaker 2: you are living like a lot of people in.

1406
00:58:21,960 --> 00:58:22,479
Speaker 1: The free world.

1407
00:58:22,800 --> 00:58:25,240
Speaker 3: Yeah, yeah, absolutely.

1408
00:58:24,840 --> 00:58:27,440
Speaker 2: You're not doing literally, they're not doing much different at

1409
00:58:27,440 --> 00:58:29,520
Speaker 2: all than a lot of people that literally just sit

1410
00:58:29,600 --> 00:58:31,320
Speaker 2: in their bed or on their couch and just sit

1411
00:58:31,360 --> 00:58:31,840
Speaker 2: on their phone.

1412
00:58:31,880 --> 00:58:34,240
Speaker 5: There's this one prison that goes live every day. Like

1413
00:58:34,280 --> 00:58:36,240
Speaker 5: so sometimes in the morning if I get up early enough,

1414
00:58:36,280 --> 00:58:37,480
Speaker 5: like when I mom a ways to the gym, like

1415
00:58:37,520 --> 00:58:40,880
Speaker 5: I'll watch like the prison live. They being there smoking shit,

1416
00:58:41,040 --> 00:58:42,120
Speaker 5: like talking to us.

1417
00:58:42,320 --> 00:58:44,720
Speaker 2: I feel like baby might be one of those people

1418
00:58:44,720 --> 00:58:48,000
Speaker 2: that like marries like one of those serial killers that

1419
00:58:48,040 --> 00:58:48,640
Speaker 2: you never met.

1420
00:58:49,680 --> 00:58:51,240
Speaker 4: You think I'm a lamee bitch, that's what you think

1421
00:58:51,280 --> 00:58:51,800
Speaker 4: I am, I.

1422
00:58:51,800 --> 00:58:55,680
Speaker 2: Would say, Lane, But you're a risk taker. You're a

1423
00:58:55,760 --> 00:58:58,480
Speaker 2: nurture of our incarcerated citizens.

1424
00:58:59,200 --> 00:58:59,880
Speaker 1: You're a risk taking.

1425
00:59:00,400 --> 00:59:03,360
Speaker 4: I tell you one secret. Now'm gonna you one secret.

1426
00:59:03,600 --> 00:59:04,800
Speaker 1: And you stretched that ship.

1427
00:59:06,600 --> 00:59:10,040
Speaker 3: Told you about that. The secret you just about that

1428
00:59:10,240 --> 00:59:12,440
Speaker 3: once summer baby did he just won't let it go right,

1429
00:59:13,080 --> 00:59:15,320
Speaker 3: But you said last episode was even worse what I said.

1430
00:59:15,360 --> 00:59:18,120
Speaker 3: I'm not even gonna repeat it. Thank you, thank you anyway.

1431
00:59:19,200 --> 00:59:21,439
Speaker 5: Now, I never understood that, like how you could fall

1432
00:59:21,440 --> 00:59:23,600
Speaker 5: in love I can understand how you could fall in love.

1433
00:59:23,480 --> 00:59:26,479
Speaker 4: Through letters, right, but like if like he's at war,

1434
00:59:26,640 --> 00:59:27,840
Speaker 4: not if he in prison, Like I.

1435
00:59:27,840 --> 00:59:29,360
Speaker 5: Don't wonder I would you even know about the guy

1436
00:59:29,400 --> 00:59:32,280
Speaker 5: at war? Well, they usually leave and then go to

1437
00:59:32,400 --> 00:59:33,640
Speaker 5: war and then like right back.

1438
00:59:34,160 --> 00:59:35,000
Speaker 1: You know, I'm saying that there.

1439
00:59:35,160 --> 00:59:36,919
Speaker 3: Sometimes you get that letter and he done got killed

1440
00:59:36,960 --> 00:59:40,280
Speaker 3: last night, he won't go into Yeah, you know, show

1441
00:59:40,320 --> 00:59:42,720
Speaker 3: up at your door until Tom Hanks and his platoon

1442
00:59:43,120 --> 00:59:44,920
Speaker 3: and the MP show up at your door. Would have

1443
00:59:44,960 --> 00:59:48,160
Speaker 3: folded the flag and his dog tags.

1444
00:59:48,440 --> 00:59:51,720
Speaker 5: I don't even I want to laugh because you funny,

1445
00:59:51,760 --> 00:59:54,280
Speaker 5: but it's not. I'm sure some of our listeners has

1446
00:59:54,400 --> 00:59:57,880
Speaker 5: been through that before. Yeah, hell yeah, that's I remember

1447
00:59:57,920 --> 01:00:00,000
Speaker 5: when my cousin when we were like during the Iraqi

1448
01:00:00,000 --> 01:00:02,280
Speaker 5: you wore my cousin was that every time the doorbell ring,

1449
01:00:02,320 --> 01:00:04,680
Speaker 5: my grandmother would like like freeze.

1450
01:00:05,080 --> 01:00:06,760
Speaker 1: I got mad at my sister when she got deployed

1451
01:00:06,800 --> 01:00:08,040
Speaker 1: to Iraq.

1452
01:00:08,440 --> 01:00:10,400
Speaker 4: Her ass Ain't had no business in the Iraq.

1453
01:00:10,600 --> 01:00:12,560
Speaker 1: So are you stupid? What are you joining this ship?

1454
01:00:14,080 --> 01:00:17,960
Speaker 3: I like when your sister posts her throwback air Force right, No,

1455
01:00:18,040 --> 01:00:21,240
Speaker 3: she was in the uh uh National Guard National Guard. Yeah,

1456
01:00:21,400 --> 01:00:24,160
Speaker 3: will she posting like, oh I forgot you was in war.

1457
01:00:24,600 --> 01:00:27,960
Speaker 1: She's a she's she's a service woman for sure. My

1458
01:00:28,080 --> 01:00:30,280
Speaker 1: cousin Ever't got shot in the thigh in North Africa

1459
01:00:30,360 --> 01:00:32,400
Speaker 1: during that time. We almost laughed at them.

1460
01:00:32,640 --> 01:00:35,800
Speaker 3: Yeah he's fine, look at family. Yeah, I went over

1461
01:00:35,800 --> 01:00:37,480
Speaker 3: the African got shot for your freedom.

1462
01:00:37,720 --> 01:00:39,040
Speaker 1: I come back and y'all laughing at me.

1463
01:00:39,160 --> 01:00:39,600
Speaker 3: The cookout.

1464
01:00:40,240 --> 01:00:44,160
Speaker 1: That's what you get from go to ben Gazzi. What

1465
01:00:44,240 --> 01:00:47,520
Speaker 1: the did you had? You are going to Temple University,

1466
01:00:48,080 --> 01:00:50,520
Speaker 1: ho yo. Imagine you going.

1467
01:00:50,320 --> 01:00:52,080
Speaker 3: To college and you try to pay your tuition. And

1468
01:00:52,360 --> 01:00:53,920
Speaker 3: that's why he did it to pay the schools that

1469
01:00:54,000 --> 01:00:56,120
Speaker 3: be having the table set up on canvas. You not

1470
01:00:56,200 --> 01:00:58,600
Speaker 3: thinking wars ever going to happen. You're like, let me

1471
01:00:58,640 --> 01:01:00,840
Speaker 3: just sign up. I get a you know, I paid,

1472
01:01:00,840 --> 01:01:03,760
Speaker 3: they pay off my school, I got an income, I

1473
01:01:03,760 --> 01:01:05,760
Speaker 3: could get a house, you know, things like that, and

1474
01:01:05,800 --> 01:01:07,080
Speaker 3: then nine to eleven happens.

1475
01:01:08,160 --> 01:01:10,760
Speaker 2: That's what happened to my sister. That's literally how it happened.

1476
01:01:10,760 --> 01:01:12,600
Speaker 2: She was in the National Guard. That not eleven happened.

1477
01:01:12,640 --> 01:01:14,000
Speaker 1: It was like she was in the National Guard.

1478
01:01:14,160 --> 01:01:15,840
Speaker 3: She she went to she went to college, and then

1479
01:01:15,840 --> 01:01:17,520
Speaker 3: she signed up the National Guard, like I think a

1480
01:01:17,560 --> 01:01:21,080
Speaker 3: second year in school. And then nine to eleven happened,

1481
01:01:21,120 --> 01:01:23,520
Speaker 3: like almost her second year when she was in the

1482
01:01:23,600 --> 01:01:26,200
Speaker 3: National Guard, and then they got deployed. I would have

1483
01:01:26,240 --> 01:01:29,360
Speaker 3: been I was sick. Yeah, she had me down there

1484
01:01:29,440 --> 01:01:31,360
Speaker 3: crying and shit, and I'm like, cause.

1485
01:01:31,200 --> 01:01:31,880
Speaker 4: That shit was sad.

1486
01:01:31,880 --> 01:01:34,200
Speaker 3: Like you go to this fucking school, all of these

1487
01:01:34,200 --> 01:01:36,320
Speaker 3: families there, You're looking at your relatives in the middle

1488
01:01:36,320 --> 01:01:39,040
Speaker 3: of the fucking gymnasium standing there with their equipment on,

1489
01:01:39,280 --> 01:01:40,760
Speaker 3: get ready to get on the school bus to a

1490
01:01:40,760 --> 01:01:44,480
Speaker 3: fucking a flight to go to Iraq. I'm like, yo,

1491
01:01:44,600 --> 01:01:46,840
Speaker 3: this is crazy. She just wanted to go to school,

1492
01:01:47,000 --> 01:01:49,440
Speaker 3: Like she wanted to go to school. What is like,

1493
01:01:49,720 --> 01:01:54,040
Speaker 3: where are y'all taking myself right there Iraq? Like what like,

1494
01:01:54,120 --> 01:01:56,960
Speaker 3: this is crazy? Just because she wanted to go to school.

1495
01:01:57,240 --> 01:01:59,320
Speaker 3: That is the crazy. That was the craziest shit ever.

1496
01:01:59,400 --> 01:02:02,400
Speaker 2: My guys went from us drinking Hurricane forties in his

1497
01:02:02,520 --> 01:02:05,560
Speaker 2: basement in Philly till like the next month, North Africa

1498
01:02:05,600 --> 01:02:06,880
Speaker 2: and Afghanistan and Iraq.

1499
01:02:07,200 --> 01:02:10,080
Speaker 1: Yeah, that's crazy, bro, that's crazy, crazy times.

1500
01:02:10,120 --> 01:02:12,800
Speaker 4: Man, Mall, you ain't think they're like join with her

1501
01:02:12,840 --> 01:02:13,479
Speaker 4: like as a brother.

1502
01:02:13,720 --> 01:02:20,400
Speaker 3: Hell no, I was worried about keeping them blood. It's

1503
01:02:20,400 --> 01:02:24,520
Speaker 3: the wall going on outside. No man, nobody sh Iraq.

1504
01:02:24,800 --> 01:02:27,240
Speaker 3: You could get on. Yeah, I ain't gotta go to

1505
01:02:27,280 --> 01:02:29,880
Speaker 3: fly to Iraq. I take Iraq. I take this d training.

1506
01:02:29,880 --> 01:02:32,840
Speaker 3: The fucking queens get it popping like it.

1507
01:02:32,880 --> 01:02:33,520
Speaker 1: Would be funny.

1508
01:02:33,520 --> 01:02:36,280
Speaker 2: Though, there's like saving Private Mall scenario because they're twins

1509
01:02:36,280 --> 01:02:38,480
Speaker 2: and like they can't be in the same platoon or whatever,

1510
01:02:38,880 --> 01:02:41,360
Speaker 2: and like something happened and they gotta go save Mal.

1511
01:02:41,600 --> 01:02:42,960
Speaker 4: That happened on This is Us yo.

1512
01:02:43,480 --> 01:02:47,040
Speaker 3: Oh yes, right yeah damn. Another great show. Amazing show,

1513
01:02:47,120 --> 01:02:48,640
Speaker 3: Jesus Christ. That was a great show.

1514
01:02:49,000 --> 01:02:54,480
Speaker 5: Wow, she's my favorite TV mom. Beth Randall's wife, the

1515
01:02:54,560 --> 01:02:56,960
Speaker 5: black woman she was. She was, She's who I would

1516
01:02:56,960 --> 01:02:58,320
Speaker 5: want to be as a wife, like because she was

1517
01:02:58,360 --> 01:03:01,120
Speaker 5: strict and like solid, but she was also funny.

1518
01:03:01,240 --> 01:03:04,240
Speaker 3: Yeah, I I see that for you. I could see that.

1519
01:03:04,360 --> 01:03:06,120
Speaker 3: I see that for you, I see that for baby.

1520
01:03:06,200 --> 01:03:07,240
Speaker 3: I'll see that being in the type of.

1521
01:03:07,200 --> 01:03:12,680
Speaker 1: Boy Josh's asking if he has a twin bond with

1522
01:03:12,720 --> 01:03:14,960
Speaker 1: his sister. No, we don't necessarily feel shit.

1523
01:03:15,040 --> 01:03:17,200
Speaker 3: But it is weird because a lot of the times

1524
01:03:17,200 --> 01:03:19,680
Speaker 3: when she face timed me, like she's taking the ship,

1525
01:03:19,720 --> 01:03:23,280
Speaker 3: I'm taking the ship. I swear to God, it's the

1526
01:03:23,320 --> 01:03:25,440
Speaker 3: craziest thing. Like she will face tim me. She'll be

1527
01:03:25,480 --> 01:03:28,040
Speaker 3: in the bathroom, I'm in the bathroom, and we just

1528
01:03:28,040 --> 01:03:29,880
Speaker 3: start laughing, like, yo, b why you called me while

1529
01:03:29,920 --> 01:03:31,560
Speaker 3: you're taking the ship? Like why you answer, why you're

1530
01:03:31,560 --> 01:03:34,200
Speaker 3: taking this ship? Like so we know I never felt nothing.

1531
01:03:34,200 --> 01:03:36,200
Speaker 3: I never We never had that, but definitely that was

1532
01:03:36,240 --> 01:03:38,360
Speaker 3: one thing we noticed that your bowel movements are very

1533
01:03:38,360 --> 01:03:39,120
Speaker 3: similar the same time.

1534
01:03:39,240 --> 01:03:41,000
Speaker 5: You feel like if she would have got popped now Iraq,

1535
01:03:41,040 --> 01:03:41,720
Speaker 5: you would have felt it.

1536
01:03:41,840 --> 01:03:42,560
Speaker 1: That was crazy.

1537
01:03:42,760 --> 01:03:45,280
Speaker 3: Nah, I would have been at the Criptu.

1538
01:03:47,560 --> 01:03:48,560
Speaker 1: I wouldn't have felt.

1539
01:03:50,360 --> 01:03:52,920
Speaker 2: Start he started touching this for her like Harry Potter, like.

1540
01:03:52,880 --> 01:03:57,800
Speaker 3: Oh, man, I don't feel I don't feel too good.

1541
01:04:00,480 --> 01:04:03,760
Speaker 3: They sit in avengers. I don't feel too Nigga started

1542
01:04:04,480 --> 01:04:06,680
Speaker 3: mister Starks, I don't feel too.

1543
01:04:09,320 --> 01:04:11,280
Speaker 1: Mom just at the crib and his legs just stopped working.

1544
01:04:12,480 --> 01:04:16,200
Speaker 3: Man, that's crazy because she's not going to you told

1545
01:04:16,200 --> 01:04:19,760
Speaker 3: our servicemen, we just joking those people.

1546
01:04:19,760 --> 01:04:21,600
Speaker 1: I do support. Thank you for all of y'all, all

1547
01:04:21,600 --> 01:04:23,280
Speaker 1: of y'all work and everything that y'all do for it.

1548
01:04:23,400 --> 01:04:26,880
Speaker 2: Thank you, no, absolutely, And I watched what that ship

1549
01:04:26,920 --> 01:04:27,720
Speaker 2: did to my aunt.

1550
01:04:27,840 --> 01:04:28,800
Speaker 1: She was fucking.

1551
01:04:28,600 --> 01:04:31,560
Speaker 2: Petrified every day, same what you were saying, anytime, phone

1552
01:04:31,640 --> 01:04:34,360
Speaker 2: ringing the doorbell at the on edge every day.

1553
01:04:34,360 --> 01:04:34,600
Speaker 1: Oh no.

1554
01:04:34,680 --> 01:04:36,400
Speaker 3: That was one thing though, Like when she my sister

1555
01:04:36,480 --> 01:04:39,240
Speaker 3: was over there and like we didn't speak for like

1556
01:04:39,240 --> 01:04:42,160
Speaker 3: like three four maybe a month like that was that

1557
01:04:42,320 --> 01:04:45,000
Speaker 3: was like damn like she and then one time she

1558
01:04:45,120 --> 01:04:48,600
Speaker 3: called me and that's something that you heard like a

1559
01:04:48,640 --> 01:04:51,440
Speaker 3: lot like explosion in the back and she's like, I'll

1560
01:04:51,440 --> 01:04:52,800
Speaker 3: call you back. I call you back, and she hung

1561
01:04:52,880 --> 01:04:54,520
Speaker 3: up and then I ain't speak up for like.

1562
01:04:54,480 --> 01:04:56,040
Speaker 4: Two weeks, you know what that much?

1563
01:04:57,040 --> 01:05:00,160
Speaker 3: I can't imagine, yo, And then she called me like, yeah,

1564
01:05:00,200 --> 01:05:03,320
Speaker 3: they kind of like I think found their location and

1565
01:05:03,360 --> 01:05:06,440
Speaker 3: they were shooting like some rockets at them and one

1566
01:05:06,480 --> 01:05:08,720
Speaker 3: of them got like really close to the base, so

1567
01:05:08,800 --> 01:05:10,320
Speaker 3: then they had to kind of like you know, gear

1568
01:05:10,440 --> 01:05:12,640
Speaker 3: up and like chase them off and things like that. Yeah,

1569
01:05:12,720 --> 01:05:14,280
Speaker 3: I was like this is you just wanted to go

1570
01:05:14,320 --> 01:05:16,880
Speaker 3: to class, Like, what the fucking you doing over there?

1571
01:05:17,000 --> 01:05:17,160
Speaker 1: Yeah?

1572
01:05:17,160 --> 01:05:20,680
Speaker 2: I mean even like when my cousin posts on veteran

1573
01:05:20,760 --> 01:05:23,320
Speaker 2: Day on ig they all go to somebody from their

1574
01:05:23,480 --> 01:05:25,560
Speaker 2: unit or platon. I'm pardoning if I'm saying the wrong

1575
01:05:25,560 --> 01:05:30,200
Speaker 2: word that passed in I want to say Afghanistan, that

1576
01:05:30,200 --> 01:05:33,640
Speaker 2: that term. And it's only but like five or six

1577
01:05:33,680 --> 01:05:35,080
Speaker 2: of them in the photo every time, and I'm like,

1578
01:05:36,000 --> 01:05:39,680
Speaker 2: all right, that was a one and six chance that

1579
01:05:39,680 --> 01:05:42,320
Speaker 2: that could have been my cousin. Like it does put

1580
01:05:42,320 --> 01:05:45,200
Speaker 2: in perspective when you do see your family that did

1581
01:05:45,280 --> 01:05:47,720
Speaker 2: survive and they're posting people that were next to them

1582
01:05:47,760 --> 01:05:49,720
Speaker 2: every day that were dead. It was like like one

1583
01:05:49,760 --> 01:05:53,880
Speaker 2: foot over and like that's my cousin, not this, And yeah,

1584
01:05:53,880 --> 01:05:56,200
Speaker 2: it is fucked up what it does do to families

1585
01:05:56,280 --> 01:05:59,800
Speaker 2: absolutely sitting there. So yes, love to all our troops

1586
01:05:59,800 --> 01:06:00,480
Speaker 2: and families.

1587
01:06:00,480 --> 01:06:00,840
Speaker 3: For sure.

1588
01:06:02,560 --> 01:06:08,040
Speaker 2: Where do we want to go? This episode is brought

1589
01:06:08,080 --> 01:06:09,640
Speaker 2: to you by Walden University.

1590
01:06:09,920 --> 01:06:10,160
Speaker 3: Maul.

1591
01:06:10,280 --> 01:06:12,000
Speaker 1: Have you ever caught yourself.

1592
01:06:11,640 --> 01:06:14,480
Speaker 2: Thinking what if I could go after what I actually

1593
01:06:14,520 --> 01:06:17,200
Speaker 2: want and really make a difference? You thought you ever

1594
01:06:17,240 --> 01:06:19,560
Speaker 2: thought like we cannot change the world until we change

1595
01:06:19,560 --> 01:06:22,720
Speaker 2: ourselves exactly. Nothing disappointed my grandfather on his deathbed more

1596
01:06:22,720 --> 01:06:24,800
Speaker 2: than me not graduating college. But I felt like an

1597
01:06:24,840 --> 01:06:27,560
Speaker 2: adult and I could not go back to school. Walden

1598
01:06:27,640 --> 01:06:29,760
Speaker 2: University is changing that. For over fifty years, wald and

1599
01:06:29,800 --> 01:06:33,080
Speaker 2: has helped working adults like us go get the w

1600
01:06:33,120 --> 01:06:35,440
Speaker 2: with the knowledge and skills to build the future you

1601
01:06:35,480 --> 01:06:37,800
Speaker 2: want and make a difference where it matters most.

1602
01:06:38,040 --> 01:06:38,560
Speaker 1: If you've been.

1603
01:06:38,520 --> 01:06:40,280
Speaker 3: Waiting for the right moment, this is it. Had a

1604
01:06:40,360 --> 01:06:43,280
Speaker 3: waldenu dot eed you and take that first step. Walden

1605
01:06:43,360 --> 01:06:46,240
Speaker 3: University set a course for change, certified to operate.

1606
01:06:45,840 --> 01:06:46,560
Speaker 1: By chev.

1607
01:06:52,360 --> 01:06:52,640
Speaker 5: Rory.

1608
01:06:53,320 --> 01:06:56,480
Speaker 4: So I'm hearing about this Nick Funts person, and so.

1609
01:06:56,400 --> 01:06:59,560
Speaker 5: Why are you coming to me? I mean no, I

1610
01:06:59,560 --> 01:07:02,440
Speaker 5: mean narratives get paid, no disrespect, no disrespect.

1611
01:07:02,440 --> 01:07:05,200
Speaker 2: But he's aware of who he is. But I don't

1612
01:07:05,200 --> 01:07:08,280
Speaker 2: know if I'm the right person. I don't want to

1613
01:07:08,280 --> 01:07:09,360
Speaker 2: be the person you've been to about.

1614
01:07:09,760 --> 01:07:11,200
Speaker 5: I don't know much about him other than that he's

1615
01:07:11,240 --> 01:07:14,240
Speaker 5: a political figure who or somebody who's into politics who

1616
01:07:14,280 --> 01:07:17,320
Speaker 5: like voluntarily like identifies as an insul. I didn't know

1617
01:07:17,360 --> 01:07:20,240
Speaker 5: that people were like okay, admitting that like out loud.

1618
01:07:20,200 --> 01:07:22,600
Speaker 1: As he has like a crew. I forgot their names,

1619
01:07:22,640 --> 01:07:24,440
Speaker 1: but yeah.

1620
01:07:24,480 --> 01:07:28,240
Speaker 2: Creepers, great grapers, ropers, grapers, something like that.

1621
01:07:28,280 --> 01:07:28,680
Speaker 1: I don't know.

1622
01:07:28,920 --> 01:07:30,160
Speaker 4: Yeah, well he he.

1623
01:07:30,160 --> 01:07:33,040
Speaker 5: He has said on like said in interviews that he's

1624
01:07:33,080 --> 01:07:35,240
Speaker 5: an insul and also said that he was a virgin

1625
01:07:35,320 --> 01:07:37,040
Speaker 5: and I didn't know that that was Like, okay.

1626
01:07:36,880 --> 01:07:40,240
Speaker 2: So that's the only point that you've heard from Nicks.

1627
01:07:40,520 --> 01:07:43,240
Speaker 4: Yeah, but my thing is just like why you.

1628
01:07:43,240 --> 01:07:44,960
Speaker 2: Should stay there, don't go down the rabbit hole to

1629
01:07:45,040 --> 01:07:46,400
Speaker 2: find out more of his views.

1630
01:07:46,480 --> 01:07:50,480
Speaker 5: Okay, cool, that's fine because I'm now I'm scared, but stay.

1631
01:07:50,240 --> 01:07:51,520
Speaker 1: With the virgin one. Let's just go with that.

1632
01:07:51,640 --> 01:07:53,960
Speaker 5: Okay, So the PEERSMRK thing, he says he's a version

1633
01:07:55,480 --> 01:07:57,240
Speaker 5: to say that out loud, like to get to like

1634
01:07:57,280 --> 01:07:59,400
Speaker 5: admit some really embarrassing well, being in a version is

1635
01:07:59,440 --> 01:08:03,000
Speaker 5: embarrassing to men because of society it is, and just

1636
01:08:03,040 --> 01:08:05,760
Speaker 5: in an interview, like whatever, what is making people so

1637
01:08:05,800 --> 01:08:08,200
Speaker 5: comfortable doing shit like that? Like would you like your deepest,

1638
01:08:08,280 --> 01:08:10,040
Speaker 5: darkest secret? Would you admit that on an interview?

1639
01:08:10,680 --> 01:08:12,600
Speaker 1: I don't know if I have, like I've I've told

1640
01:08:12,640 --> 01:08:16,080
Speaker 1: you guys have been molested, Like I don't, Like, I

1641
01:08:16,160 --> 01:08:19,880
Speaker 1: don't I have like a twice by two different people.

1642
01:08:19,880 --> 01:08:21,840
Speaker 3: I don't think can go any like that's once you

1643
01:08:21,920 --> 01:08:24,400
Speaker 3: say that, like, yeah, that's that's it. That's one of

1644
01:08:24,439 --> 01:08:25,479
Speaker 3: them was a guy, Like I don't.

1645
01:08:25,360 --> 01:08:31,200
Speaker 2: Know how much deeper, Like I don't really have like

1646
01:08:31,840 --> 01:08:34,719
Speaker 2: the deepest, darkest secret of that, Like I haven't really

1647
01:08:34,800 --> 01:08:38,800
Speaker 2: said on microphone now what if it would have to

1648
01:08:38,840 --> 01:08:41,160
Speaker 2: do with like someone else's secrets that I know. I

1649
01:08:41,160 --> 01:08:43,960
Speaker 2: don't know if there is some type of money that

1650
01:08:43,960 --> 01:08:46,640
Speaker 2: that would get there. And I want to make this

1651
01:08:46,720 --> 01:08:50,960
Speaker 2: extremely clear. I'm not supporting anything Nick Pointess says whatsoever.

1652
01:08:51,080 --> 01:08:52,560
Speaker 1: But I think it's a stat to say you're a

1653
01:08:52,600 --> 01:08:58,800
Speaker 1: virgin in this era. Mmmm, Like, hey man, it's not

1654
01:08:58,880 --> 01:09:02,240
Speaker 1: a stat I think. I think think, uh, probably.

1655
01:09:03,439 --> 01:09:05,639
Speaker 2: Having sex with people a little too quick and getting

1656
01:09:05,680 --> 01:09:09,040
Speaker 2: into laceship a little too quick has ruined some form

1657
01:09:09,080 --> 01:09:10,400
Speaker 2: of everyone's life in this room.

1658
01:09:10,880 --> 01:09:14,480
Speaker 3: You cool, and I think that not having sex and

1659
01:09:14,479 --> 01:09:16,880
Speaker 3: you're a grown ass man, I think ruins you and

1660
01:09:16,960 --> 01:09:19,360
Speaker 3: turned you into a fucking weirdough because now you don't

1661
01:09:19,360 --> 01:09:22,800
Speaker 3: even know how to conduct yourself to act around women

1662
01:09:22,880 --> 01:09:27,679
Speaker 3: who may be you know, beautiful and maybe dressed sex.

1663
01:09:28,160 --> 01:09:30,960
Speaker 1: Know how to speak to women without fucking her. Yes,

1664
01:09:31,000 --> 01:09:31,280
Speaker 1: you can.

1665
01:09:31,400 --> 01:09:33,280
Speaker 3: I'm saying, if you've never had sex, if you've never

1666
01:09:33,320 --> 01:09:35,559
Speaker 3: been intimate with a woman, nine times out of ten,

1667
01:09:35,600 --> 01:09:36,599
Speaker 3: you're gonna be weird around.

1668
01:09:36,680 --> 01:09:38,360
Speaker 4: I mean, and they blame the women for them not

1669
01:09:38,360 --> 01:09:38,960
Speaker 4: getting busy.

1670
01:09:39,080 --> 01:09:41,439
Speaker 2: I'm on the side, which we've talked about playing like

1671
01:09:41,479 --> 01:09:44,000
Speaker 2: I've never been the guy that wants the virgin girl

1672
01:09:44,080 --> 01:09:44,280
Speaker 2: like I.

1673
01:09:44,800 --> 01:09:47,160
Speaker 1: Of course, I don't want you know you want some

1674
01:09:47,200 --> 01:09:47,680
Speaker 1: time I want.

1675
01:09:47,720 --> 01:09:48,920
Speaker 4: I don't want them to town hor.

1676
01:09:50,360 --> 01:09:53,920
Speaker 2: But I do think it's important to you, know, see

1677
01:09:53,920 --> 01:09:55,720
Speaker 2: what sex does to your emotions, what it does to you,

1678
01:09:55,760 --> 01:09:57,840
Speaker 2: how makes you feel, how it makes you operate, how

1679
01:09:57,840 --> 01:09:59,880
Speaker 2: it let you know about yourself and how you deal

1680
01:09:59,880 --> 01:10:02,320
Speaker 2: with other people. I think that's important in growing up,

1681
01:10:02,840 --> 01:10:04,360
Speaker 2: to not get out of your system per se, but

1682
01:10:04,400 --> 01:10:07,320
Speaker 2: to learn about yourself. But I also do see the

1683
01:10:07,360 --> 01:10:12,280
Speaker 2: side of like that old school version of like, all right,

1684
01:10:12,439 --> 01:10:15,360
Speaker 2: you just have sex after marriage and you have sex

1685
01:10:15,400 --> 01:10:17,200
Speaker 2: with one person, Like I do get the concept.

1686
01:10:17,720 --> 01:10:19,120
Speaker 1: I don't think it's that crazy.

1687
01:10:19,439 --> 01:10:23,640
Speaker 2: And we've taken sexual shit way too far in this

1688
01:10:23,720 --> 01:10:24,960
Speaker 2: day and age. So that's why I think it's a

1689
01:10:24,960 --> 01:10:27,240
Speaker 2: stat to say you're a virgin, Like that's cool, man,

1690
01:10:27,960 --> 01:10:28,880
Speaker 2: Good for you.

1691
01:10:29,120 --> 01:10:30,960
Speaker 1: Because out here it's rough out here. I don't know.

1692
01:10:31,280 --> 01:10:33,320
Speaker 2: Yeah, you should preserve some of that and not Nick.

1693
01:10:33,320 --> 01:10:34,760
Speaker 2: I want to make it clear about Nick.

1694
01:10:34,800 --> 01:10:35,880
Speaker 4: And you're in charge of you.

1695
01:10:36,080 --> 01:10:38,439
Speaker 5: You're in charge you're talking about I meet so many

1696
01:10:38,479 --> 01:10:41,080
Speaker 5: men who have no handle on their flesh. They just

1697
01:10:41,160 --> 01:10:45,760
Speaker 5: easy going, like just sex can make you do damn

1698
01:10:45,760 --> 01:10:47,960
Speaker 5: near anything, And it's just like, why are you so easy?

1699
01:10:48,000 --> 01:10:48,400
Speaker 1: A fuck?

1700
01:10:49,439 --> 01:10:53,800
Speaker 3: Yeah? For a dosh does the con fit?

1701
01:10:54,840 --> 01:10:57,160
Speaker 2: This kind of feels like a buster hmes Tracy Morgan

1702
01:10:57,960 --> 01:11:00,360
Speaker 2: incident here, Like she didn't say it's about you, but

1703
01:11:00,400 --> 01:11:01,280
Speaker 2: you seem to be offended, like.

1704
01:11:01,240 --> 01:11:03,000
Speaker 1: You've heard this before. No, or you feel that way.

1705
01:11:03,040 --> 01:11:05,200
Speaker 1: I don't think you're easy, definitely not. I mean I've

1706
01:11:05,240 --> 01:11:06,960
Speaker 1: never tried, but I don't think you're easy.

1707
01:11:07,120 --> 01:11:09,160
Speaker 5: You didn't have to say that, like we we assumed

1708
01:11:09,160 --> 01:11:10,800
Speaker 5: you had never tried, but now we feel like you're

1709
01:11:10,800 --> 01:11:11,920
Speaker 5: thinking about trying.

1710
01:11:11,840 --> 01:11:15,360
Speaker 2: When there's comments and can have to say everything so

1711
01:11:15,400 --> 01:11:16,959
Speaker 2: they can't come understand.

1712
01:11:17,040 --> 01:11:18,240
Speaker 4: I don't think mall is easy.

1713
01:11:18,680 --> 01:11:19,120
Speaker 1: I'm not.

1714
01:11:20,720 --> 01:11:23,720
Speaker 4: Y'all think I'm easy? No, Okay, thank you.

1715
01:11:23,439 --> 01:11:30,400
Speaker 3: Ma, don't call you because I was looking at I

1716
01:11:30,800 --> 01:11:34,040
Speaker 3: figure we got those albums. I don't play with me,

1717
01:11:34,120 --> 01:11:36,240
Speaker 3: my nigga, who.

1718
01:11:36,120 --> 01:11:38,720
Speaker 1: Sound like so bright today? Right, Like it's like, did

1719
01:11:38,720 --> 01:11:43,360
Speaker 1: you turn that up? You think she's unlimited data?

1720
01:11:43,600 --> 01:11:43,880
Speaker 4: No?

1721
01:11:43,880 --> 01:11:46,400
Speaker 1: No, no, I don't think. I don't think baby these easy. No.

1722
01:11:46,720 --> 01:11:49,080
Speaker 3: But when she like you, well I like you, I

1723
01:11:49,160 --> 01:11:53,720
Speaker 3: won't you maybe I won't you.

1724
01:11:53,720 --> 01:11:55,759
Speaker 1: You know I've known the marriage longer than you. It's

1725
01:11:55,800 --> 01:11:56,599
Speaker 1: she's not easy.

1726
01:11:56,640 --> 01:11:59,720
Speaker 2: But to the two people she's ever spun like, ever

1727
01:12:00,000 --> 01:12:03,440
Speaker 2: spoken to, probably easy for them, just those two people.

1728
01:12:03,240 --> 01:12:08,040
Speaker 3: That's forever. Yeah, them niggas ain't never getting away from baby.

1729
01:12:08,040 --> 01:12:10,599
Speaker 3: She got them niggas and hug her grip. You ain't

1730
01:12:10,640 --> 01:12:11,640
Speaker 3: never letting them two niggas go.

1731
01:12:11,760 --> 01:12:13,679
Speaker 4: That's not true, ship, I learned.

1732
01:12:15,840 --> 01:12:18,519
Speaker 3: Why are you stuttering your tongue on heavy now? Like

1733
01:12:18,600 --> 01:12:21,160
Speaker 3: the lives heavy? Distracted by the boot side.

1734
01:12:21,360 --> 01:12:24,800
Speaker 4: It's so right, I burned the block down.

1735
01:12:24,840 --> 01:12:27,120
Speaker 5: But anyway, what could they do to get you to

1736
01:12:27,479 --> 01:12:30,240
Speaker 5: release one of your deepest secrets, one of your darkest secrets.

1737
01:12:30,520 --> 01:12:32,840
Speaker 3: I'm not releasing none of my dark secrets. Oh, I

1738
01:12:32,840 --> 01:12:34,400
Speaker 3: don't have no dark secrets. Let me start that. I

1739
01:12:34,439 --> 01:12:38,800
Speaker 3: don't have no sounds like you got like, like, what's

1740
01:12:38,800 --> 01:12:39,599
Speaker 3: a dark secret?

1741
01:12:39,640 --> 01:12:40,960
Speaker 1: Like, what's like some dirt like some.

1742
01:12:40,960 --> 01:12:42,880
Speaker 5: Ship like you would roll like you would be like

1743
01:12:42,920 --> 01:12:45,000
Speaker 5: you would want to cry if somebody found out, Oh.

1744
01:12:44,880 --> 01:12:46,840
Speaker 3: And I don't have none of that. That cry somebody

1745
01:12:46,840 --> 01:12:47,800
Speaker 3: found out I don't have none of that.

1746
01:12:48,360 --> 01:12:50,920
Speaker 1: MA would cry. We found out he cried before.

1747
01:12:51,280 --> 01:12:53,360
Speaker 3: Yeah, if y'all knew, like the last time I cried,

1748
01:12:53,360 --> 01:12:57,440
Speaker 3: I would cry. But probably the only thing that I

1749
01:12:57,520 --> 01:13:01,240
Speaker 3: maybe a girl I dated that probably shouldn't dated.

1750
01:13:01,760 --> 01:13:03,280
Speaker 4: You are a boogle wolf in your history.

1751
01:13:03,560 --> 01:13:05,200
Speaker 1: No no, no no no, not like that, but like.

1752
01:13:05,680 --> 01:13:08,400
Speaker 3: Your wife's you wife something that you probably shouldn't have and.

1753
01:13:08,439 --> 01:13:09,280
Speaker 1: Not why he would look at you.

1754
01:13:09,920 --> 01:13:11,800
Speaker 3: We was like we was dating and ship and then

1755
01:13:11,800 --> 01:13:14,800
Speaker 3: it was we probably shouldn't have been dating. She fucked

1756
01:13:14,800 --> 01:13:17,760
Speaker 3: with yaomis no, not that it was just like we was.

1757
01:13:18,720 --> 01:13:21,479
Speaker 3: Nobody would ever guess that we was like physical because

1758
01:13:21,479 --> 01:13:24,639
Speaker 3: we're like, we're cool. So it's one of those where

1759
01:13:24,640 --> 01:13:25,679
Speaker 3: it's like, you know what I'm saying.

1760
01:13:25,479 --> 01:13:26,280
Speaker 4: Y'all still cool?

1761
01:13:26,400 --> 01:13:27,160
Speaker 1: It was still cool.

1762
01:13:27,479 --> 01:13:31,520
Speaker 5: Ah, are you gonna tell your new wife you beat?

1763
01:13:31,760 --> 01:13:33,880
Speaker 3: But I tell my wife, yeah, that I had sex

1764
01:13:33,920 --> 01:13:37,680
Speaker 3: with her. It depends like if I seen that they

1765
01:13:37,760 --> 01:13:40,760
Speaker 3: was like they were like, you know, getting close and

1766
01:13:40,760 --> 01:13:43,360
Speaker 3: having a relationship with each other, then yeah, I would

1767
01:13:43,400 --> 01:13:45,439
Speaker 3: tell her like, yeah, we was intimate before.

1768
01:13:45,840 --> 01:13:47,360
Speaker 1: That would cause unnecessary problems.

1769
01:13:47,680 --> 01:13:49,640
Speaker 3: It would cause necessary problems if it didn't come from

1770
01:13:49,640 --> 01:13:50,639
Speaker 3: me and she found out.

1771
01:13:50,840 --> 01:13:52,920
Speaker 1: You think that woman would tell your wife that. I

1772
01:13:52,920 --> 01:13:53,840
Speaker 1: don't think she would.

1773
01:13:53,920 --> 01:13:56,680
Speaker 4: Somebody else might. There's witnesses to your intimacy.

1774
01:13:56,760 --> 01:13:59,200
Speaker 3: Not witnesses, but she's definitely told like one of her

1775
01:13:59,200 --> 01:14:01,840
Speaker 3: closest friends. And when that friend will go and tell

1776
01:14:01,840 --> 01:14:03,439
Speaker 3: your wife, I don't know what that woman, that friend

1777
01:14:03,479 --> 01:14:06,080
Speaker 3: might have told somebody. People tell Listen. If you want

1778
01:14:06,080 --> 01:14:06,920
Speaker 3: a secret, keep it.

1779
01:14:06,960 --> 01:14:08,639
Speaker 5: If you wanted to stay a secret, keep it, because

1780
01:14:08,640 --> 01:14:10,800
Speaker 5: no matter how much you trust somebody, everybody vinced to

1781
01:14:10,840 --> 01:14:11,280
Speaker 5: somebody else.

1782
01:14:11,320 --> 01:14:13,519
Speaker 3: But that's not dark, it's just more so like you know,

1783
01:14:13,920 --> 01:14:16,479
Speaker 3: that was just kind of like our fling and our business.

1784
01:14:16,479 --> 01:14:18,439
Speaker 3: We just kept it between us. But it's nothing. I

1785
01:14:18,479 --> 01:14:20,760
Speaker 3: don't have no dark crazy shit in amount like I don't.

1786
01:14:21,160 --> 01:14:22,760
Speaker 3: That's why I could talk shit and pop it the

1787
01:14:22,800 --> 01:14:24,400
Speaker 3: way I can, because ain't nobody can come like, Yo,

1788
01:14:24,400 --> 01:14:25,960
Speaker 3: what you say, you would never do that, And then

1789
01:14:26,000 --> 01:14:27,760
Speaker 3: in two thousand and nine you did it, And that

1790
01:14:27,800 --> 01:14:30,560
Speaker 3: ain't happening, bro, not me. Never did it, never disrespecting,

1791
01:14:30,600 --> 01:14:33,519
Speaker 3: no women, never did no dirty, nasty shit. No way

1792
01:14:33,520 --> 01:14:35,280
Speaker 3: in my life I could talk shit about all you

1793
01:14:35,400 --> 01:14:37,000
Speaker 3: nasty motherfuckers.

1794
01:14:37,160 --> 01:14:39,320
Speaker 1: Your wife, caring what mall did in two thousand and nine.

1795
01:14:39,360 --> 01:14:42,720
Speaker 1: It's crazy if it's something. If it's something crazy, oh no,

1796
01:14:42,720 --> 01:14:45,400
Speaker 1: I mean, of course, not a deep, dark secret. But yeah, that'sing.

1797
01:14:45,479 --> 01:14:47,720
Speaker 1: I don't have fucking something you should have been fucking like. No,

1798
01:14:47,920 --> 01:14:49,600
Speaker 1: I don't have. I don't. Everyone's been there. Yeah, I

1799
01:14:49,640 --> 01:14:51,400
Speaker 1: don't have. I don't have none of that in my closet.

1800
01:14:51,439 --> 01:14:53,000
Speaker 1: No nasty dark shit.

1801
01:14:53,200 --> 01:14:55,479
Speaker 2: I mean we've all said that there's a you know,

1802
01:14:55,520 --> 01:14:58,040
Speaker 2: somebodies we all take to the grave. I don't know

1803
01:14:58,080 --> 01:15:01,360
Speaker 2: if there's an amount of money amount Am I splitting

1804
01:15:01,360 --> 01:15:01,839
Speaker 2: the money.

1805
01:15:01,680 --> 01:15:03,880
Speaker 1: With a person? Nah?

1806
01:15:03,920 --> 01:15:05,439
Speaker 4: You get it all. It ain't like Love Island where

1807
01:15:05,439 --> 01:15:08,160
Speaker 4: you get it off Love Island.

1808
01:15:08,560 --> 01:15:10,280
Speaker 2: Well, that'd be fucked up because ain't talking about someone

1809
01:15:10,280 --> 01:15:11,559
Speaker 2: else's a sexual ship.

1810
01:15:12,160 --> 01:15:13,800
Speaker 3: Yeah, I would never. I would never tell that though.

1811
01:15:14,880 --> 01:15:16,120
Speaker 3: I don't have no dark secrets.

1812
01:15:16,120 --> 01:15:16,240
Speaker 5: Man.

1813
01:15:16,400 --> 01:15:19,679
Speaker 4: Sorry, who's my darkest secret?

1814
01:15:20,040 --> 01:15:21,720
Speaker 1: And who is your darkest secret? Is?

1815
01:15:21,760 --> 01:15:23,679
Speaker 4: What? What's my darkest secret?

1816
01:15:24,040 --> 01:15:33,880
Speaker 3: Dash our little seecret. That's how we should keep it. Yes,

1817
01:15:34,680 --> 01:15:37,120
Speaker 3: work go baby, work.

1818
01:15:38,680 --> 01:15:41,400
Speaker 4: That said, did anybody see us?

1819
01:15:41,960 --> 01:15:44,600
Speaker 3: Did anybody see if that was me and Shorty We

1820
01:15:44,760 --> 01:15:46,439
Speaker 3: tried to go out to the et. We like, damn somebody

1821
01:15:46,560 --> 01:15:47,080
Speaker 3: what if somebody?

1822
01:15:47,120 --> 01:15:47,280
Speaker 5: We know?

1823
01:15:47,320 --> 01:15:47,680
Speaker 1: It was here.

1824
01:15:48,600 --> 01:15:50,559
Speaker 5: It was fun though I never was. I could never

1825
01:15:50,600 --> 01:15:52,639
Speaker 5: be like that though. Like that's why I tell people

1826
01:15:52,640 --> 01:15:54,320
Speaker 5: all the time. If you hide this ship dating me,

1827
01:15:54,400 --> 01:15:56,160
Speaker 5: don't date me, y'all has to be on a vlog

1828
01:15:56,280 --> 01:16:00,960
Speaker 5: on ig like I don't I post, go out in public.

1829
01:16:01,439 --> 01:16:04,280
Speaker 5: I don't care. I'm not pose baby, I don't have to,

1830
01:16:04,360 --> 01:16:07,439
Speaker 5: but that's what I do. Why because I want to?

1831
01:16:07,560 --> 01:16:09,599
Speaker 3: Because you post and cause all that ship and then

1832
01:16:09,800 --> 01:16:12,680
Speaker 3: you delete your ship every three months. So now my

1833
01:16:12,720 --> 01:16:14,760
Speaker 3: life is up in flames and anybody know what the

1834
01:16:14,760 --> 01:16:16,879
Speaker 3: fuck I'll be doing, and here you are deleted.

1835
01:16:16,920 --> 01:16:18,840
Speaker 1: Just shit, you don't even know what's going on. Wow,

1836
01:16:19,640 --> 01:16:21,160
Speaker 1: that's crazy. I see.

1837
01:16:21,240 --> 01:16:24,800
Speaker 2: I'm I don't post, but y'all know me if I'm

1838
01:16:24,840 --> 01:16:27,920
Speaker 2: dating or talking to somebody like they're gonna be next

1839
01:16:28,000 --> 01:16:29,400
Speaker 2: week outside.

1840
01:16:30,360 --> 01:16:32,600
Speaker 1: I've never been that person. That's like, no, we just

1841
01:16:32,640 --> 01:16:33,400
Speaker 1: staying inside.

1842
01:16:33,439 --> 01:16:36,799
Speaker 2: Like if I'm going out, come on, Yeah, I respect.

1843
01:16:36,840 --> 01:16:40,559
Speaker 2: I don't really I guess I just don't care that

1844
01:16:40,640 --> 01:16:43,559
Speaker 2: much in that regard because now it's like, now we're

1845
01:16:43,640 --> 01:16:48,200
Speaker 2: putting the whole world on it's dictating our relationship, which

1846
01:16:48,200 --> 01:16:50,479
Speaker 2: is weird to me. And I was always naive, which

1847
01:16:50,520 --> 01:16:52,200
Speaker 2: I've clearly I've been wrong. If you go on Lipstick

1848
01:16:52,280 --> 01:16:55,639
Speaker 2: Alley or Twitch or anywhere else, I've never thought anyone

1849
01:16:55,640 --> 01:16:57,400
Speaker 2: gave a fuck about who I was talking to or

1850
01:16:57,400 --> 01:17:01,920
Speaker 2: having sex with, saying I never I never thought that

1851
01:17:02,000 --> 01:17:03,240
Speaker 2: was an interest of any people.

1852
01:17:03,280 --> 01:17:04,719
Speaker 1: Maybe maybe I need more confidence.

1853
01:17:04,840 --> 01:17:07,000
Speaker 2: I just did not think anyone gave a funck about

1854
01:17:07,000 --> 01:17:10,520
Speaker 2: who I was talking to, sleeping with in a relationship

1855
01:17:10,560 --> 01:17:10,760
Speaker 2: with it.

1856
01:17:10,760 --> 01:17:12,960
Speaker 1: I just didn't like, why would you why would you.

1857
01:17:12,960 --> 01:17:15,519
Speaker 3: All care about that shit? Yeah, definitely don't and I don't.

1858
01:17:15,560 --> 01:17:18,000
Speaker 2: And to Jamara saying, if you tell someone, they tell someone.

1859
01:17:18,080 --> 01:17:20,719
Speaker 2: I would never think anyone would be sitting around talking

1860
01:17:20,720 --> 01:17:23,360
Speaker 2: about who I'm having sex with. Definitely not And maybe

1861
01:17:23,360 --> 01:17:26,519
Speaker 2: that's just a naive thought I have, But I don't

1862
01:17:26,560 --> 01:17:28,400
Speaker 2: care why somebody would do that.

1863
01:17:28,479 --> 01:17:30,639
Speaker 3: I never cared about that though, like who's sleeping with who?

1864
01:17:30,680 --> 01:17:32,880
Speaker 3: That was never something that I was even never concerned about.

1865
01:17:32,960 --> 01:17:35,719
Speaker 3: Like that's when people are so concerned about who people

1866
01:17:35,720 --> 01:17:36,320
Speaker 3: out here dating.

1867
01:17:36,320 --> 01:17:38,639
Speaker 1: I'm just like, why does that matter? I mean, sometimes

1868
01:17:38,640 --> 01:17:40,880
Speaker 1: it's like funny if there's like a backstory to it.

1869
01:17:41,040 --> 01:17:43,320
Speaker 3: But I guess, but I just don't. I never really

1870
01:17:43,360 --> 01:17:45,200
Speaker 3: cared about that, and I thought it was weird when

1871
01:17:45,240 --> 01:17:48,240
Speaker 3: people always pry and always try to dig into that

1872
01:17:48,280 --> 01:17:49,880
Speaker 3: and find out who's dating who is Just.

1873
01:17:50,960 --> 01:17:54,360
Speaker 1: Go like, yo, you'll never guess who. I saw very

1874
01:17:54,360 --> 01:17:56,040
Speaker 1: happy outside with another human being.

1875
01:17:57,320 --> 01:17:58,960
Speaker 3: I did that once and they stopped talking to me,

1876
01:17:59,320 --> 01:18:01,120
Speaker 3: so well, that was a difference.

1877
01:18:03,040 --> 01:18:04,040
Speaker 1: Happy they stopped talking.

1878
01:18:04,160 --> 01:18:04,639
Speaker 3: It's all good.

1879
01:18:04,960 --> 01:18:07,200
Speaker 1: Hope hopefully they're happy. You should have got some money

1880
01:18:07,240 --> 01:18:08,240
Speaker 1: out of that deep dark secret.

1881
01:18:08,320 --> 01:18:10,400
Speaker 3: I definitely should have. We got some new music coming

1882
01:18:10,439 --> 01:18:14,200
Speaker 3: this today, Rory, we do. We got Conway the Machine

1883
01:18:14,640 --> 01:18:18,800
Speaker 3: Machine and Can't Kill God with Bullets? Yes, available now.

1884
01:18:19,120 --> 01:18:22,840
Speaker 1: Yeah you NAS and DJ premiere.

1885
01:18:22,600 --> 01:18:25,000
Speaker 3: NAS in Primo. Finally we get the NADS and DJ

1886
01:18:25,080 --> 01:18:25,919
Speaker 3: premiere album.

1887
01:18:26,040 --> 01:18:26,280
Speaker 1: Yeah.

1888
01:18:26,560 --> 01:18:28,600
Speaker 3: There's been a lot of years in the making, a

1889
01:18:28,600 --> 01:18:30,719
Speaker 3: lot of a lot of talk about it over the years,

1890
01:18:31,120 --> 01:18:33,280
Speaker 3: and we finally get the album. So if it's if

1891
01:18:33,280 --> 01:18:36,000
Speaker 3: you're listening to this, albums are available now.

1892
01:18:36,160 --> 01:18:36,320
Speaker 1: Look.

1893
01:18:36,400 --> 01:18:37,920
Speaker 3: I was in the studio with Conway the other night

1894
01:18:37,960 --> 01:18:41,160
Speaker 3: listening to the album, Andrew, I don't know what's I

1895
01:18:41,160 --> 01:18:41,400
Speaker 3: don't know.

1896
01:18:41,400 --> 01:18:43,280
Speaker 1: The name of that studio. I forgot the name of it.

1897
01:18:43,320 --> 01:18:46,760
Speaker 3: But how's it? Something great? Great production is great. Got

1898
01:18:46,760 --> 01:18:48,120
Speaker 3: some Justice League joints on there.

1899
01:18:48,200 --> 01:18:48,919
Speaker 1: Oh fire.

1900
01:18:50,360 --> 01:18:52,519
Speaker 3: And Conway rapping man. You know, Conway gonna talk and

1901
01:18:52,560 --> 01:18:55,880
Speaker 3: ship and always wrap at a high level. But he

1902
01:18:56,000 --> 01:18:59,760
Speaker 3: sounds he sounds like he's in a different space and

1903
01:18:59,760 --> 01:19:02,640
Speaker 3: im and he said he definitely was a lot, you know,

1904
01:19:03,320 --> 01:19:04,920
Speaker 3: he he lived with this album for a while. He

1905
01:19:04,960 --> 01:19:07,519
Speaker 3: went through a lot of different emotions and things like that,

1906
01:19:07,600 --> 01:19:09,800
Speaker 3: but overall he was in a good space and was

1907
01:19:09,800 --> 01:19:12,240
Speaker 3: happy making his project. And you can kind of like

1908
01:19:12,520 --> 01:19:15,320
Speaker 3: hear the difference in his tone a little bit, but

1909
01:19:15,400 --> 01:19:19,120
Speaker 3: he's still talking to shit. He's still giving y'all crazy flows,

1910
01:19:19,240 --> 01:19:22,519
Speaker 3: crazy bars. The production is great. So I think people

1911
01:19:22,520 --> 01:19:24,559
Speaker 3: gonna enjoy this, this new this new album from uh

1912
01:19:24,720 --> 01:19:25,280
Speaker 3: from Conway.

1913
01:19:25,600 --> 01:19:27,200
Speaker 2: I love that, And that means we get a tour

1914
01:19:27,439 --> 01:19:32,080
Speaker 2: and I love Conway shows. Yeah, despite what has happened

1915
01:19:32,120 --> 01:19:34,200
Speaker 2: to what I guess has made his voice and his

1916
01:19:34,280 --> 01:19:36,720
Speaker 2: flow is the you know, unfortunate thing that happened to him.

1917
01:19:36,920 --> 01:19:40,040
Speaker 2: He's still with that one of the better performers I've seen. Oh,

1918
01:19:40,080 --> 01:19:42,479
Speaker 2: like I love Conway shows. Yeah, energy is always great,

1919
01:19:42,600 --> 01:19:45,360
Speaker 2: Like it's I just anytime he's in New York. I

1920
01:19:45,439 --> 01:19:48,480
Speaker 2: make it a thing to go go to his shows.

1921
01:19:49,000 --> 01:19:49,639
Speaker 1: But yeah, I'm.

1922
01:19:49,560 --> 01:19:51,680
Speaker 2: Excited for this. This naz the premiere thing. I'll use

1923
01:19:51,720 --> 01:19:54,920
Speaker 2: this as a Patreon commercial. We're gonna leave here and

1924
01:19:54,960 --> 01:19:58,640
Speaker 2: go interview ghost Face at the Mass Appeal store and

1925
01:19:58,680 --> 01:20:01,519
Speaker 2: we invited ten of our Patreon listeners to come sit

1926
01:20:01,560 --> 01:20:03,519
Speaker 2: in and do a little live performance with ghost Face,

1927
01:20:04,120 --> 01:20:06,200
Speaker 2: which we will be posting it next week. But if

1928
01:20:06,200 --> 01:20:08,680
Speaker 2: you subscribe to Patreon, you get to hang out with

1929
01:20:08,680 --> 01:20:11,320
Speaker 2: with with us in ghost Face ghost which I can

1930
01:20:11,320 --> 01:20:13,120
Speaker 2: see if you don't want to, but some people may

1931
01:20:13,160 --> 01:20:13,760
Speaker 2: want to listen.

1932
01:20:13,800 --> 01:20:15,799
Speaker 1: Man, this is a ghost Face. This is like a dream.

1933
01:20:16,360 --> 01:20:18,320
Speaker 1: I mean, one of my my favorite tech members ever.

1934
01:20:18,520 --> 01:20:21,760
Speaker 3: Yeah, one of my favorite personalities ever. So I'm looking

1935
01:20:21,760 --> 01:20:22,479
Speaker 3: forward to tonight.

1936
01:20:22,600 --> 01:20:24,760
Speaker 2: I'm very excited to talk to him. If you listen

1937
01:20:24,760 --> 01:20:28,000
Speaker 2: to Supreme Clientele too, he has a whole skit based

1938
01:20:28,040 --> 01:20:31,559
Speaker 2: around the term Paul Pause and you your family being

1939
01:20:31,600 --> 01:20:34,720
Speaker 2: the ones that created it. I'm very excited to have

1940
01:20:34,760 --> 01:20:36,639
Speaker 2: that the Pause conversation with ghost face at.

1941
01:20:36,600 --> 01:20:40,200
Speaker 3: You Biggs, and Biggs directly started that yeah, like, which

1942
01:20:40,240 --> 01:20:41,360
Speaker 3: is crazy when you think about it.

1943
01:20:41,360 --> 01:20:42,439
Speaker 1: So it's a whole skit on.

1944
01:20:45,080 --> 01:20:46,760
Speaker 2: They said, we let you live for so long, you

1945
01:20:46,800 --> 01:20:48,719
Speaker 2: said I'll blow your head off and toss your savings.

1946
01:20:49,080 --> 01:20:53,160
Speaker 1: Yo, ghost is like, that's not what I meant. It's

1947
01:20:53,200 --> 01:20:55,960
Speaker 1: gonna be fun talking to ghosts man looking forward to that. Yeah,

1948
01:20:55,960 --> 01:20:58,559
Speaker 1: but voyemail sponsored by Boost You've got male?

1949
01:20:59,360 --> 01:21:03,360
Speaker 6: Okay, what's up y'all? It's Thomas again. So me and

1950
01:21:03,400 --> 01:21:06,040
Speaker 6: my best friend have been talking. Things have been going well.

1951
01:21:06,120 --> 01:21:08,080
Speaker 6: We explain it, we love each other and all that shit.

1952
01:21:08,160 --> 01:21:09,720
Speaker 6: I feel like she feels the same way for me.

1953
01:21:10,439 --> 01:21:13,200
Speaker 6: She's expressed how she's felt. I've expressed how I felt.

1954
01:21:13,240 --> 01:21:16,000
Speaker 6: Things are going great. The only thing is is that

1955
01:21:16,080 --> 01:21:19,160
Speaker 6: we I know that sex changes things. So if I

1956
01:21:19,240 --> 01:21:22,120
Speaker 6: go see her in December, I mean it's December. Now,

1957
01:21:22,160 --> 01:21:23,760
Speaker 6: I go see her in like two weeks or so.

1958
01:21:24,040 --> 01:21:25,960
Speaker 6: If I go see her and we fucked, she is

1959
01:21:26,040 --> 01:21:29,080
Speaker 6: going to change drastically. So I've been telling her like, yo, like,

1960
01:21:29,760 --> 01:21:32,760
Speaker 6: we can't do that, like, because one, if we do that,

1961
01:21:32,920 --> 01:21:35,800
Speaker 6: you're gonna expect a long distance relationship. I don't want

1962
01:21:35,800 --> 01:21:39,759
Speaker 6: a long distance relationship and our dynamics is just gonna change,

1963
01:21:39,760 --> 01:21:42,400
Speaker 6: and all this shit now part of me. After we

1964
01:21:42,400 --> 01:21:45,280
Speaker 6: be saying all this, She's been like understanding but at

1965
01:21:45,280 --> 01:21:47,240
Speaker 6: the same time and been like alluding to like ooh,

1966
01:21:47,240 --> 01:21:49,080
Speaker 6: I want to do all these freaky things, saying all

1967
01:21:49,080 --> 01:21:51,559
Speaker 6: these sexual things and being enticing and all that, and

1968
01:21:51,960 --> 01:21:54,679
Speaker 6: like I keep having to reassert the boundary boundary like yo,

1969
01:21:54,840 --> 01:21:57,360
Speaker 6: like we can't do that when I come see you,

1970
01:21:57,439 --> 01:21:58,880
Speaker 6: Like you know, I don't want to do that.

1971
01:21:58,960 --> 01:22:00,719
Speaker 3: And it's like she keeps.

1972
01:22:00,520 --> 01:22:04,160
Speaker 6: Making it like difficult for me to just be cool

1973
01:22:04,240 --> 01:22:06,240
Speaker 6: and not like view her in this way of like

1974
01:22:06,280 --> 01:22:10,160
Speaker 6: that sexuals and so long story short, I'm trying to

1975
01:22:10,200 --> 01:22:13,479
Speaker 6: maintain discipline everything when I do see her because I

1976
01:22:13,479 --> 01:22:16,280
Speaker 6: don't want to change our dynamic into something more because

1977
01:22:16,320 --> 01:22:19,479
Speaker 6: I'm not ready for what's to come afterwards. So my

1978
01:22:19,600 --> 01:22:22,080
Speaker 6: question to y'all is, like, how would y'all handle this situation?

1979
01:22:22,680 --> 01:22:24,840
Speaker 1: Do I still go? Do I still see her?

1980
01:22:25,600 --> 01:22:27,960
Speaker 6: Or like what do I just say fucking it?

1981
01:22:28,080 --> 01:22:31,679
Speaker 1: Do it? Yay man, just beat and figure it out later.

1982
01:22:32,040 --> 01:22:32,599
Speaker 1: He'll be fun.

1983
01:22:33,920 --> 01:22:34,240
Speaker 3: That's some.

1984
01:22:37,240 --> 01:22:39,599
Speaker 2: Just go for it knowing that it could ruin everything,

1985
01:22:39,640 --> 01:22:41,080
Speaker 2: and then you know, just I don't know.

1986
01:22:41,560 --> 01:22:42,080
Speaker 4: You try to.

1987
01:22:42,080 --> 01:22:43,920
Speaker 1: Clean it up after he called earlier.

1988
01:22:44,000 --> 01:22:47,360
Speaker 5: Right, Yeah, you think sex changes everything. Y'all admitted that

1989
01:22:47,439 --> 01:22:50,400
Speaker 5: y'all love each other. That changed everything. The sex is

1990
01:22:50,520 --> 01:22:52,840
Speaker 5: just gonna like, are you afraid the sex is gonna

1991
01:22:52,840 --> 01:22:53,559
Speaker 5: be bad?

1992
01:22:54,280 --> 01:22:55,400
Speaker 1: Just love each other? That's weird.

1993
01:22:55,560 --> 01:22:58,040
Speaker 5: Yeah, just let each other with bad sex. Been there,

1994
01:22:58,360 --> 01:22:59,120
Speaker 5: We've all been there.

1995
01:22:59,560 --> 01:23:04,880
Speaker 1: Love somebody with bad sex, nah, only because but that's

1996
01:23:04,880 --> 01:23:07,400
Speaker 1: why I do think what we're just talking about with

1997
01:23:07,479 --> 01:23:09,960
Speaker 1: the virgin thing and wait until marriage, Like I could

1998
01:23:10,000 --> 01:23:13,719
Speaker 1: never imagine falling in love with somebody and not having

1999
01:23:13,760 --> 01:23:16,639
Speaker 1: sex with them yet, and then that just not being

2000
01:23:17,800 --> 01:23:18,759
Speaker 1: sex is important.

2001
01:23:19,000 --> 01:23:19,280
Speaker 3: It is.

2002
01:23:19,400 --> 01:23:21,160
Speaker 2: I know people, it's of course, it's not the thing

2003
01:23:21,200 --> 01:23:24,160
Speaker 2: that's going to keep. But if you fall in love

2004
01:23:24,160 --> 01:23:27,320
Speaker 2: with somebody and then have trash sex, I don't know

2005
01:23:27,320 --> 01:23:28,160
Speaker 2: how I could operate.

2006
01:23:28,920 --> 01:23:29,559
Speaker 1: That's crazy.

2007
01:23:29,600 --> 01:23:31,320
Speaker 3: Let's just be real you. I don't even think you

2008
01:23:31,360 --> 01:23:33,120
Speaker 3: could love some be in love with somebody and not

2009
01:23:33,160 --> 01:23:33,559
Speaker 3: have sex.

2010
01:23:33,600 --> 01:23:34,040
Speaker 1: HyET.

2011
01:23:34,720 --> 01:23:35,240
Speaker 4: I think.

2012
01:23:35,240 --> 01:23:38,880
Speaker 1: I don't believe that. I don't because I've never I've

2013
01:23:38,880 --> 01:23:39,800
Speaker 1: never done it that way.

2014
01:23:40,479 --> 01:23:42,120
Speaker 4: I don't know much deeper in a sex.

2015
01:23:42,240 --> 01:23:45,320
Speaker 3: No, Yes, it is what I'm saying. Like I've had

2016
01:23:45,360 --> 01:23:47,560
Speaker 3: sex with people that I don't love, but that's what

2017
01:23:47,640 --> 01:23:49,519
Speaker 3: I'm saying. But I think that if you have sex

2018
01:23:49,560 --> 01:23:53,000
Speaker 3: with somebody and then the sex is great, I think

2019
01:23:53,040 --> 01:23:56,320
Speaker 3: that's part of falling in love. Like, no, I'm that

2020
01:23:56,360 --> 01:23:59,240
Speaker 3: great sex, great sexual is just great chemistry, you know

2021
01:23:59,240 --> 01:24:01,519
Speaker 3: what I'm saying, Like that great sex is great chemistry.

2022
01:24:01,520 --> 01:24:04,200
Speaker 3: So if the chemistry is great, of course, like you

2023
01:24:04,360 --> 01:24:06,320
Speaker 3: like each other, it turns into falling in love.

2024
01:24:07,520 --> 01:24:12,559
Speaker 5: Always great chemistry. Some people are just really talented at sex.

2025
01:24:12,640 --> 01:24:14,920
Speaker 3: Yeah, but it wouldn't you would need the chemistry that

2026
01:24:14,920 --> 01:24:17,800
Speaker 3: that being talented is they know what you like, they're

2027
01:24:17,800 --> 01:24:19,840
Speaker 3: doing the things that you like. The chemistry is there.

2028
01:24:19,880 --> 01:24:23,120
Speaker 3: It's like y'are on that same accord. That's called chemistry.

2029
01:24:23,560 --> 01:24:25,240
Speaker 3: If somebody can be great at sex, but if they're

2030
01:24:25,240 --> 01:24:27,240
Speaker 3: doing the things that you don't like during sex.

2031
01:24:27,760 --> 01:24:28,840
Speaker 1: But I guess I don't like that.

2032
01:24:28,840 --> 01:24:30,920
Speaker 2: It's if you love someone, you could eventually start to

2033
01:24:31,400 --> 01:24:34,360
Speaker 2: maybe sex would get better, like you'd be more inclinient

2034
01:24:35,520 --> 01:24:37,840
Speaker 2: it Definitely, First of all, when you're in love, sex

2035
01:24:38,000 --> 01:24:40,599
Speaker 2: is better no matter what. But I'm saying, like, in

2036
01:24:40,640 --> 01:24:43,519
Speaker 2: this scenario, if it's bad, you would give it more

2037
01:24:43,560 --> 01:24:45,840
Speaker 2: shots to get there because it's like, I love this person.

2038
01:24:46,600 --> 01:24:49,280
Speaker 2: Let's try to figure out why it was bad sex

2039
01:24:49,600 --> 01:24:50,160
Speaker 2: the first time.

2040
01:24:50,240 --> 01:24:53,360
Speaker 3: The only way sex is good when you don't when

2041
01:24:53,400 --> 01:24:55,840
Speaker 3: you don't, when you don't have great chemistry is if

2042
01:24:55,880 --> 01:24:57,639
Speaker 3: you're having sex with somebody not supposed to be having

2043
01:24:57,640 --> 01:24:57,960
Speaker 3: sex with.

2044
01:24:58,920 --> 01:25:00,920
Speaker 2: No, Sometimes when you're on so someone you're not supposed

2045
01:25:00,920 --> 01:25:02,679
Speaker 2: to have sex with, that's why the chemistry is so good.

2046
01:25:04,240 --> 01:25:07,000
Speaker 4: It depends on it depends on who you are, depends

2047
01:25:07,040 --> 01:25:07,640
Speaker 4: we both know.

2048
01:25:08,280 --> 01:25:09,920
Speaker 2: That's kind of the allures to the whole ship, Like

2049
01:25:09,920 --> 01:25:11,680
Speaker 2: we shouldn't be we shouldn't be doing it.

2050
01:25:11,840 --> 01:25:14,120
Speaker 1: Yeah, yeah, and we both know that's my favorite type

2051
01:25:14,120 --> 01:25:14,400
Speaker 1: of sex.

2052
01:25:14,520 --> 01:25:17,960
Speaker 3: Yeah, we shouldn't be doing this.

2053
01:25:18,280 --> 01:25:20,160
Speaker 1: Then why are your pants down? Ankles?

2054
01:25:21,080 --> 01:25:23,479
Speaker 2: We both know better than this, both of us are

2055
01:25:23,520 --> 01:25:27,160
Speaker 2: aware and no better than this. Yeah, but sometimes that's

2056
01:25:27,200 --> 01:25:29,439
Speaker 2: the chemistry. It's we both know we shouldn't be doing this,

2057
01:25:29,520 --> 01:25:32,720
Speaker 2: and that's where the allure comes from. Yeah, but I

2058
01:25:32,720 --> 01:25:34,680
Speaker 2: don't know, this is a This isn't one I really

2059
01:25:34,720 --> 01:25:35,360
Speaker 2: have advice for.

2060
01:25:35,600 --> 01:25:39,360
Speaker 1: Like, you kind of have to just decide what was

2061
01:25:39,400 --> 01:25:41,160
Speaker 1: the full backstory of Tomarrius with this guy again?

2062
01:25:41,520 --> 01:25:43,040
Speaker 4: He him and his best friend.

2063
01:25:43,040 --> 01:25:44,479
Speaker 5: He had a feeling his best friend like them or

2064
01:25:44,560 --> 01:25:46,599
Speaker 5: something like that, and like they both are in love

2065
01:25:46,640 --> 01:25:48,280
Speaker 5: with each other and they kind of like been playing

2066
01:25:48,280 --> 01:25:50,320
Speaker 5: with it back and forth, but now they're fully admitting,

2067
01:25:50,400 --> 01:25:53,479
Speaker 5: like we're in love, YadA YadA, let's do this, but

2068
01:25:53,600 --> 01:25:55,759
Speaker 5: you're on Fuck it don't work like that. You've already

2069
01:25:55,800 --> 01:25:58,639
Speaker 5: changed the dynamic of a relationship. You can't unring a bell, and.

2070
01:25:58,560 --> 01:26:01,280
Speaker 1: What's the point of doing that if you guys want about.

2071
01:26:01,000 --> 01:26:01,960
Speaker 4: To That's the thing.

2072
01:26:02,120 --> 01:26:04,760
Speaker 5: I admit that, y'all, Like, I love you and we're

2073
01:26:04,800 --> 01:26:06,920
Speaker 5: texting each other, and well his thing is she moved,

2074
01:26:07,040 --> 01:26:10,600
Speaker 5: So it's long distance. Long distance is okay. Love is

2075
01:26:10,640 --> 01:26:13,599
Speaker 5: worth love is worth it, Love is worth trying even

2076
01:26:13,600 --> 01:26:14,240
Speaker 5: if it fails.

2077
01:26:14,320 --> 01:26:15,240
Speaker 4: Love is worth trying.

2078
01:26:15,760 --> 01:26:16,360
Speaker 1: I agree with.

2079
01:26:16,320 --> 01:26:19,880
Speaker 3: That love is worth trying, But long distance is you

2080
01:26:19,920 --> 01:26:21,880
Speaker 3: know sometimes that's just.

2081
01:26:22,600 --> 01:26:25,040
Speaker 1: Yeah, nothing should be worse. It's easy for y'all to

2082
01:26:25,080 --> 01:26:28,479
Speaker 1: cheat too. I've been there. I've been on the side

2083
01:26:28,520 --> 01:26:30,240
Speaker 1: of that. You know it.

2084
01:26:30,200 --> 01:26:32,920
Speaker 2: Hurts relationships when don't it hurt?

2085
01:26:32,960 --> 01:26:35,520
Speaker 4: Like that's okay.

2086
01:26:35,920 --> 01:26:37,559
Speaker 1: I feel like that harder to chieve something.

2087
01:26:37,600 --> 01:26:39,920
Speaker 2: I feel like long distance relationship people are constantly on

2088
01:26:39,960 --> 01:26:43,479
Speaker 2: FaceTime like at all moments constantly in communication because of that,

2089
01:26:43,520 --> 01:26:45,160
Speaker 2: Like when you live in the same city with somebody,

2090
01:26:45,520 --> 01:26:48,240
Speaker 2: because you see each other so much, you're not like

2091
01:26:48,360 --> 01:26:51,000
Speaker 2: just constantly communicating with them. I see this person in

2092
01:26:51,160 --> 01:26:55,120
Speaker 2: two hours, whereas I feel like the long distance shit.

2093
01:26:55,160 --> 01:26:58,160
Speaker 2: Everyone's on top of each other phone wise, Like, nah,

2094
01:26:58,280 --> 01:27:00,479
Speaker 2: we stayed on FaceTime when you're in bed.

2095
01:27:01,800 --> 01:27:04,519
Speaker 3: That's you know, that cheating when you like somebody, like,

2096
01:27:04,560 --> 01:27:05,439
Speaker 3: you're not cheating on them.

2097
01:27:05,560 --> 01:27:06,599
Speaker 1: We really love somebody.

2098
01:27:07,280 --> 01:27:10,200
Speaker 3: That cheating ship again, that's that's you know, that's that's

2099
01:27:10,240 --> 01:27:11,360
Speaker 3: boys play that cheating game.

2100
01:27:12,240 --> 01:27:14,519
Speaker 1: Yeah, you're still playing game. You still manipulating. It's like

2101
01:27:14,520 --> 01:27:15,519
Speaker 1: you don't really love somebody.

2102
01:27:15,520 --> 01:27:17,519
Speaker 3: You can't. You can't cheat on somebody that you really

2103
01:27:17,560 --> 01:27:18,680
Speaker 3: care about.

2104
01:27:18,880 --> 01:27:23,240
Speaker 2: There was one time somebody had my location and you

2105
01:27:23,360 --> 01:27:28,639
Speaker 2: know that this place. This was an embarrassing story, which

2106
01:27:28,680 --> 01:27:30,320
Speaker 2: I've told you guys that sometimes I'll go to that

2107
01:27:30,360 --> 01:27:31,640
Speaker 2: hotel to take a shit because I want to take

2108
01:27:31,640 --> 01:27:34,439
Speaker 2: a ship here when everyone's in the office. I went

2109
01:27:34,439 --> 01:27:36,160
Speaker 2: to the hotel that's like kind of attached to our

2110
01:27:36,160 --> 01:27:40,519
Speaker 2: office to use their their their's solo public restroom and

2111
01:27:40,760 --> 01:27:42,519
Speaker 2: was asked, why are you in a hotel room right now.

2112
01:27:44,439 --> 01:27:46,559
Speaker 2: I was like, no, I'm taking She thought I was

2113
01:27:46,960 --> 01:27:49,280
Speaker 2: in a hotel room next to the office, and I

2114
01:27:49,320 --> 01:27:50,679
Speaker 2: was like, I come here to take ships.

2115
01:27:50,840 --> 01:27:54,519
Speaker 1: Okay, yeah, the love getting out of that one. That's

2116
01:27:54,520 --> 01:27:54,920
Speaker 1: sound like No.

2117
01:27:55,040 --> 01:27:57,479
Speaker 2: That's why sometimes you have to lie to women.

2118
01:27:57,280 --> 01:28:01,080
Speaker 1: Because the truth doesn't sound real. Yeah, sometimes because in

2119
01:28:01,080 --> 01:28:03,000
Speaker 1: that situation, it's like not just I should here?

2120
01:28:03,200 --> 01:28:06,400
Speaker 3: Yeah, yeah, right, you're right, sh what else do you

2121
01:28:06,439 --> 01:28:08,040
Speaker 3: do there? Because that's all that's gonna turn into what

2122
01:28:08,040 --> 01:28:08,760
Speaker 3: else do you do there?

2123
01:28:09,000 --> 01:28:11,120
Speaker 2: You could pull that hotel records. I've never checked in

2124
01:28:11,200 --> 01:28:13,760
Speaker 2: that hotel pulling hotel records, all.

2125
01:28:13,720 --> 01:28:14,839
Speaker 1: The CCTV footage.

2126
01:28:14,880 --> 01:28:17,200
Speaker 3: I go right to the bathroom and then lead drop

2127
01:28:17,240 --> 01:28:18,480
Speaker 3: a deuce in them out.

2128
01:28:18,640 --> 01:28:22,680
Speaker 2: But yeah, I think he should go for it. I

2129
01:28:22,680 --> 01:28:24,559
Speaker 2: would do at least like a weekend, just in case

2130
01:28:24,600 --> 01:28:26,920
Speaker 2: the sex is bad. You'll get another shot. Nothing's worse

2131
01:28:27,160 --> 01:28:28,920
Speaker 2: than trash sex. And you have a flight the next

2132
01:28:28,920 --> 01:28:30,439
Speaker 2: morning and like redeem yourself.

2133
01:28:31,000 --> 01:28:33,200
Speaker 3: Yeah, so you can't leave a long distance relationship on

2134
01:28:33,240 --> 01:28:35,880
Speaker 3: trash sex. You got to you gotta put her through

2135
01:28:35,880 --> 01:28:36,960
Speaker 3: the mattress before that flight.

2136
01:28:37,320 --> 01:28:39,000
Speaker 1: Yeah, that's the only way she.

2137
01:28:39,040 --> 01:28:42,760
Speaker 3: Might be in my bad Josh is a sensitive subject.

2138
01:28:44,600 --> 01:28:46,479
Speaker 3: I see Josh keep moving in this chit.

2139
01:28:46,520 --> 01:28:50,479
Speaker 2: Like yeah, but that is what sucks about like long distance,

2140
01:28:50,560 --> 01:28:53,400
Speaker 2: like that last round, you have to put that memory

2141
01:28:53,439 --> 01:28:56,000
Speaker 2: in her head about to leap, Like it can't just

2142
01:28:56,040 --> 01:29:00,280
Speaker 2: be like some mediocre maybe mediocre when you get there,

2143
01:29:00,880 --> 01:29:03,599
Speaker 2: but that weekend you have to perform and you get

2144
01:29:03,640 --> 01:29:04,160
Speaker 2: to the airport.

2145
01:29:04,160 --> 01:29:05,360
Speaker 1: That last one has to be.

2146
01:29:05,240 --> 01:29:09,280
Speaker 3: Through the mattress, a leg through them to the point

2147
01:29:09,280 --> 01:29:11,200
Speaker 3: that it's like you're on the tar mat and she's like,

2148
01:29:11,200 --> 01:29:14,000
Speaker 3: I'm still thinking about it the other thing, m or

2149
01:29:14,000 --> 01:29:15,000
Speaker 3: when you're coming back.

2150
01:29:14,840 --> 01:29:16,000
Speaker 1: What happened baby? Do you good?

2151
01:29:16,240 --> 01:29:16,840
Speaker 4: I'm great?

2152
01:29:16,960 --> 01:29:19,760
Speaker 1: All don't say it sounds like she's great.

2153
01:29:22,240 --> 01:29:24,160
Speaker 4: Hopefully we help this gentleman out. We didn't.

2154
01:29:24,200 --> 01:29:24,639
Speaker 1: We didn't.

2155
01:29:25,160 --> 01:29:27,680
Speaker 2: Don't go for it. You won't know until until you

2156
01:29:27,720 --> 01:29:30,360
Speaker 2: try it. Like they could end up being great. If

2157
01:29:30,400 --> 01:29:32,840
Speaker 2: it's not whatever, that's life. But don't not do it

2158
01:29:32,880 --> 01:29:35,040
Speaker 2: because it could turn out to be bad. If it

2159
01:29:35,040 --> 01:29:36,120
Speaker 2: couldn't turn out to be amazing.

2160
01:29:36,160 --> 01:29:37,280
Speaker 4: If it's good, let me tell you something.

2161
01:29:37,280 --> 01:29:40,800
Speaker 5: You get sex that's good enough or anything that's good

2162
01:29:40,880 --> 01:29:42,960
Speaker 5: enough that and it needs more money from you because

2163
01:29:43,000 --> 01:29:44,280
Speaker 5: you need to be able to fly to it.

2164
01:29:44,280 --> 01:29:46,200
Speaker 4: It'll motivate you in ways you never knew before.

2165
01:29:46,920 --> 01:29:49,280
Speaker 5: You'll go looking for a new job, You'll put more

2166
01:29:49,400 --> 01:29:51,360
Speaker 5: work into whatever the fuck you working on a baby.

2167
01:29:51,360 --> 01:29:52,840
Speaker 5: You're gonna get to that money so that you can

2168
01:29:52,880 --> 01:29:54,960
Speaker 5: fly out or wherever she at and get that Nana

2169
01:29:55,240 --> 01:29:57,680
Speaker 5: promise you.

2170
01:29:56,640 --> 01:29:59,280
Speaker 2: You've ever had a woman just I mean, I guess

2171
01:29:59,320 --> 01:30:01,040
Speaker 2: that's the fab in the your record that make me better.

2172
01:30:01,080 --> 01:30:03,000
Speaker 2: But I've never just got pussy and was like, you

2173
01:30:03,000 --> 01:30:04,519
Speaker 2: know what, I'm gonna go play the power ball.

2174
01:30:06,360 --> 01:30:07,160
Speaker 1: I gotta get to this.

2175
01:30:07,920 --> 01:30:09,320
Speaker 4: I'm gonna be a better man. I want to be

2176
01:30:09,320 --> 01:30:09,760
Speaker 4: a better man.

2177
01:30:09,800 --> 01:30:11,519
Speaker 3: That push you so good, I'm getting my ship together.

2178
01:30:11,640 --> 01:30:13,800
Speaker 3: Fuck this, I'm getting my act together for that.

2179
01:30:14,040 --> 01:30:16,360
Speaker 1: No, a good woman, will I mean, you are who

2180
01:30:16,360 --> 01:30:18,240
Speaker 1: you hang out with, you are the energy you put around.

2181
01:30:18,240 --> 01:30:19,080
Speaker 1: So yeah, a good woman.

2182
01:30:19,120 --> 01:30:21,160
Speaker 2: But I've never had like pussy And was just like,

2183
01:30:21,640 --> 01:30:23,400
Speaker 2: you know what we do four episodes a week?

2184
01:30:23,439 --> 01:30:25,320
Speaker 1: We should do six? Yeah?

2185
01:30:25,400 --> 01:30:27,759
Speaker 3: Nah, I ain't never had no sex that good. I'm cool,

2186
01:30:28,200 --> 01:30:29,599
Speaker 3: But hopefully we help this gentleman out.

2187
01:30:30,080 --> 01:30:31,640
Speaker 2: You may do you think you spend more money in

2188
01:30:31,640 --> 01:30:34,760
Speaker 2: a long distance relationship. No, I don't think so either.

2189
01:30:34,920 --> 01:30:37,439
Speaker 2: I think that's yeah, but the flights, if you're doing

2190
01:30:37,439 --> 01:30:38,440
Speaker 2: it once a month.

2191
01:30:39,680 --> 01:30:44,000
Speaker 1: Dates, it depends on what long distance are we talking West.

2192
01:30:43,800 --> 01:30:46,720
Speaker 3: Cobers, like like New York to l A or like

2193
01:30:46,760 --> 01:30:47,760
Speaker 3: New York to Texas.

2194
01:30:48,479 --> 01:30:50,439
Speaker 1: I mean ship that it's not far off these days

2195
01:30:50,560 --> 01:30:51,519
Speaker 1: with those ticket prices.

2196
01:30:51,560 --> 01:30:54,200
Speaker 3: But yeah, but if you book you can get over

2197
01:30:54,400 --> 01:30:57,519
Speaker 3: a round shipped to Houston for like four something over

2198
01:30:57,560 --> 01:30:58,400
Speaker 3: four hour flight.

2199
01:31:00,120 --> 01:31:00,760
Speaker 1: Over four hours.

2200
01:31:00,800 --> 01:31:03,160
Speaker 4: That as long as fuck actually as long as fuck did.

2201
01:31:03,160 --> 01:31:05,320
Speaker 4: Houston's almost five. Houston is not five.

2202
01:31:05,439 --> 01:31:07,839
Speaker 2: It's four hours for sure. Houston is the most tricky

2203
01:31:07,840 --> 01:31:10,840
Speaker 2: flight from New York. It's so deceiving. You think that

2204
01:31:10,880 --> 01:31:12,200
Speaker 2: she's gonna be two hours. You want to playing for

2205
01:31:12,200 --> 01:31:12,960
Speaker 2: four and a half hours.

2206
01:31:13,240 --> 01:31:15,559
Speaker 4: It's not that long. But I hear you, and.

2207
01:31:15,560 --> 01:31:17,559
Speaker 1: Doesn't time change in Houston, Yeah, it goes.

2208
01:31:17,880 --> 01:31:19,479
Speaker 4: We lose hour, Yeah, we lose hour.

2209
01:31:19,560 --> 01:31:21,680
Speaker 3: Yeah.

2210
01:31:21,960 --> 01:31:22,320
Speaker 1: I think.

2211
01:31:22,400 --> 01:31:25,080
Speaker 2: I mean, if if you're doing if you're going outside

2212
01:31:25,120 --> 01:31:27,080
Speaker 2: with your girl very often when you live in the

2213
01:31:27,080 --> 01:31:29,799
Speaker 2: same city as her ubers, if you live in Jersey,

2214
01:31:29,840 --> 01:31:31,640
Speaker 2: she live in the city. Like, I think all that

2215
01:31:31,640 --> 01:31:33,280
Speaker 2: shit adds up because you're gonna want to see each

2216
01:31:33,280 --> 01:31:33,760
Speaker 2: other every night.

2217
01:31:34,360 --> 01:31:36,080
Speaker 1: I think that adds up way every night.

2218
01:31:36,280 --> 01:31:36,559
Speaker 3: Ship.

2219
01:31:37,400 --> 01:31:39,840
Speaker 1: Oh, you've never been in love. I've been in love,

2220
01:31:39,840 --> 01:31:42,599
Speaker 1: but I don't want to see you every night. Every night.

2221
01:31:42,640 --> 01:31:45,240
Speaker 4: You've never been in love every night. You know, some

2222
01:31:45,280 --> 01:31:46,000
Speaker 4: people live together.

2223
01:31:48,040 --> 01:31:52,160
Speaker 3: That's what I'm saying. That's living together. We gotta have

2224
01:31:52,160 --> 01:31:53,920
Speaker 3: a big house. We gotta go to that side. Like

2225
01:31:53,920 --> 01:31:55,439
Speaker 3: I'm going on. I'm gonna go down to the basement

2226
01:31:55,840 --> 01:31:58,800
Speaker 3: for the day. I'm gonna act like Cuomo. Remember Coomo

2227
01:31:58,880 --> 01:31:59,960
Speaker 3: came out the basement for COVID.

2228
01:32:00,720 --> 01:32:03,920
Speaker 1: I like that. Let me go down. I'm gonna be

2229
01:32:03,960 --> 01:32:05,439
Speaker 1: in the base before a day. Don't come down there.

2230
01:32:05,479 --> 01:32:07,440
Speaker 1: He came out like when they rescue the mind shafters.

2231
01:32:07,520 --> 01:32:10,240
Speaker 3: Yeah, hugged his family like he didn't see them every day.

2232
01:32:10,320 --> 01:32:13,240
Speaker 3: Get the fuck out of there with this bullshit, all right?

2233
01:32:13,280 --> 01:32:16,040
Speaker 2: I love that that little plywood doors would stopped. Uh, COVID,

2234
01:32:19,439 --> 01:32:21,920
Speaker 2: the doors stopped. What's separate it?

2235
01:32:24,360 --> 01:32:25,639
Speaker 1: All right, man, let's get out of here.

2236
01:32:25,880 --> 01:32:28,000
Speaker 2: How did they get the test down there to know

2237
01:32:28,040 --> 01:32:31,439
Speaker 2: he was good? They slid it under the door.

2238
01:32:32,920 --> 01:32:34,240
Speaker 4: He's got shipping new Rory.

2239
01:32:34,479 --> 01:32:36,840
Speaker 1: My bad. I'm sorry, I'm sorry, YO.

2240
01:32:36,920 --> 01:32:39,679
Speaker 4: Wrap it up, all right, We'll talk to y'all soon

2241
01:32:39,760 --> 01:32:40,920
Speaker 4: be safe, be blessed.

2242
01:32:40,920 --> 01:32:42,679
Speaker 1: I'm that nigga. He's just ginger peace