WEBVTT - #138 - Chris Daughtry

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<v Speaker 1>All right, Welcome to episode with Chris Daughtry. Thanks for

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<v Speaker 1>our sponsors of this episode, Sleep Number and LifeLock. Good

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<v Speaker 1>to see you man, Good to see you. You know

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<v Speaker 1>you walk, you walk into the house and you have

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<v Speaker 1>and here's my issue. Now, I explained to you a a

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<v Speaker 1>problem that I have. I have a have a chain,

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<v Speaker 1>a single chain, and I feel like such a douche

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<v Speaker 1>because I can't wear jewelry and I was given this

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<v Speaker 1>chain and I thought, I'm gonna try to wear because

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<v Speaker 1>I'm not cool, Like you have a cool look. You

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<v Speaker 1>at the tattoos, totally cool. You have the rock you

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<v Speaker 1>have the rock and roll guy, and you have a

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<v Speaker 1>lot of bracelets and you have the necklaces and it works.

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<v Speaker 1>It maybe overkill. I feel like such a goober though

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<v Speaker 1>in a single chain it looks cool, you know. To

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<v Speaker 1>be honest, I usually rock a single chain, and today

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<v Speaker 1>I was like, do I wear my stones or do

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<v Speaker 1>I wear this? And I just said, let's just do

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<v Speaker 1>it all on. But you can but that that it

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<v Speaker 1>fits like I'm like white Urkle, I'm like Country Urkle

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<v Speaker 1>with the chain on. Mike, what do you think of

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<v Speaker 1>my chain? Is it still turn your microphone. What's on

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<v Speaker 1>it is nothing. I'm just an emulett. Let's see, that's

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<v Speaker 1>even cooler. It's not trying to be anything. It's just there.

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<v Speaker 1>That's what I feel like I am. I'm not trying

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<v Speaker 1>to be anything. I'm just here. But that's okay, Right,

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<v Speaker 1>we're we're all like trying to figure out who we

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<v Speaker 1>are and what we're doing, and we're all copying something

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<v Speaker 1>or another. So you have a lot of tattoos. I

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<v Speaker 1>do a lot. Yeah, this is still a work in progress.

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<v Speaker 1>Um on your this is your left arm. You just

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<v Speaker 1>touched and I don't I can't really see what it is,

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<v Speaker 1>but it's it's heavy, it's it's a lot of cover. Yeah,

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<v Speaker 1>I wonder what that cost and how many hours going

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<v Speaker 1>to almost so from your shoulder looks like from your

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<v Speaker 1>shoulders you elbow is pretty much all black with a design. Yeah,

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<v Speaker 1>we're talking about two grand and twelve hours plus the outline.

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<v Speaker 1>It's about fourteen hours worth of work I did. We

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<v Speaker 1>did twelve in one day and that was just laid

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<v Speaker 1>in a chair every time. Man, it was dude, I

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<v Speaker 1>was after six hours or ithing like, what the hell

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<v Speaker 1>was I thinking? And if have you ever had like

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<v Speaker 1>the worst sunburnover and then take that and like have

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<v Speaker 1>cat scratch fever or something. You know, like it's just

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<v Speaker 1>like sandpaper on sunburn. But you know it was. It was.

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<v Speaker 1>You know, I'm one of those people that like to

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<v Speaker 1>get it done and be done with it. You have

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<v Speaker 1>on your back. Unfortunately you do, you have you I've

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<v Speaker 1>got the speaking about being douchey. My first tattoo was

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<v Speaker 1>my own last name on my back. I made a

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<v Speaker 1>lot of mistakes when I was twenty six, by the way,

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<v Speaker 1>So you got that at twenty six, Yeah, right after

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<v Speaker 1>I was on idol. What font though, that's a big

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<v Speaker 1>part of it. See, that's the douchey part. It's an

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<v Speaker 1>old English It looks kind of like um, almost like

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<v Speaker 1>the font you would picture godsmack being written in. Yeah,

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<v Speaker 1>so it's like it's funny, it's god. There's a god

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<v Speaker 1>smack font in my mind. Oh yeah, you nailed it. Yeah.

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<v Speaker 1>So um. It was one of those things where I

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<v Speaker 1>get off the show and they have this whole home

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<v Speaker 1>coming and and people are coming out of the woodwork

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<v Speaker 1>and You've got Hardy going, hey, we want to give

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<v Speaker 1>you a bike, which I never ride. So I was

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<v Speaker 1>like oh, that sounds cool. Then I found out they

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<v Speaker 1>weren't really giving it to me. They were just wanting

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<v Speaker 1>me to ride it and sport their their brand or

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<v Speaker 1>whatever at the local station. And then they then this

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<v Speaker 1>tattoo shop was like, well, tattoo you for free. And

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<v Speaker 1>I was like, I've always wanted a tattoo, but at

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<v Speaker 1>the time, I hadn't had none, had had no tattoos,

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<v Speaker 1>and and I think the coolest thing I had done

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<v Speaker 1>at that point, right before I went on the show,

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<v Speaker 1>I was had my labre prest and then I took

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<v Speaker 1>that out pretty soon after because I kept grabbing it

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<v Speaker 1>with my teeth when I was trying to eat. Said

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<v Speaker 1>I wouldn't know by just us saying lebre but it's

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<v Speaker 1>the like the chin. Yeah, it's like it's like where

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<v Speaker 1>they call the soul patch where uh you know, it

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<v Speaker 1>had a spike and it was Yeah, it was painful. Yeah,

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<v Speaker 1>I'll be honest, that was It was actually more painful

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<v Speaker 1>when your tooth would catch it when you're eating. I

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<v Speaker 1>eat really fast and it would end up and inevitably

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<v Speaker 1>grab it every time. And I got to the point

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<v Speaker 1>I was like, fun this, I'm ripping this thing out

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<v Speaker 1>and and I never went back. But then I wanted

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<v Speaker 1>a tattoo. Doing all the things I'm like trying to

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<v Speaker 1>trying to fit into this rock. I don't know, I think, um,

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<v Speaker 1>you know, as a kid, I always I wanted a tattoo,

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<v Speaker 1>remember being there's a reason why they don't give nine

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<v Speaker 1>year old tattoos. I wanted the bat symbol tattooed on

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<v Speaker 1>my chest as as a nine year old. And I

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<v Speaker 1>was like, man, if they could, if I could get

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<v Speaker 1>a tattoo, I would totally do this. In hindsight, like

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<v Speaker 1>I know me then I would have absolutely done it

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<v Speaker 1>given the opportunity. Well, let me ask you this question.

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<v Speaker 1>If you had to go back and either get the

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<v Speaker 1>bat symbol now on your chest or your name read

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<v Speaker 1>down on your back, I would do the bat symbol

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<v Speaker 1>in a heartbeat way less if you had to pick

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<v Speaker 1>one of the Yeah, it was one of those things.

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<v Speaker 1>My wife was like, well, you know you you said

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<v Speaker 1>you're gonna call the band daughter. You know. I worked

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<v Speaker 1>at a car dealership and everybody always called me by

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<v Speaker 1>my last name. They always called everybody of the last name.

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<v Speaker 1>It was kind of I don't know, it sounded like

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<v Speaker 1>a military thing, like hey, daughter to do this, do this,

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<v Speaker 1>you know. And and so when I was coming off

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<v Speaker 1>the show, was like, I wanted to be a band.

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<v Speaker 1>I didn't want to be like a solo pop artist.

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<v Speaker 1>I wanted to be a band. That's what I grew

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<v Speaker 1>up listening to. That is what inspired me. And so

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<v Speaker 1>I was like, well, we could always call it Daughtry

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<v Speaker 1>for you know, name recognition, say, kind of like the

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<v Speaker 1>Bojovithing and and so she was like, when your last

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<v Speaker 1>name is not gonna change, so let's just just do that.

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<v Speaker 1>You know. How do you feel about that name of

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<v Speaker 1>the band dodtry, coming right off the worst band name ever? Think?

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<v Speaker 1>So is that something that you woult because of the name? Right? Yeah,

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<v Speaker 1>it is a big thing, and I wanted I didn't

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<v Speaker 1>like that was my least like that was my best

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<v Speaker 1>worst option, you know. I was like, well, we gotta

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<v Speaker 1>go with something recognizable. Um, I can't just come out

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<v Speaker 1>with some random band name coming off the show like that,

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<v Speaker 1>because then you know, nobody's gonna know what it is.

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<v Speaker 1>I mean, I guess I could have, and it worked.

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<v Speaker 1>It's tough though, to explain for Jared Letto after though,

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<v Speaker 1>they had a I mean really after It's like it

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<v Speaker 1>was hard. It's hard to puncture mainstream until something does it.

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<v Speaker 1>I mean, in thirty seconds to Mars had a song

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<v Speaker 1>before I think most of America realized oh, that's the

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<v Speaker 1>actor too. Yeah, people didn't even remember my so called life.

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<v Speaker 1>They were just like, oh, he looks kind of familiar.

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<v Speaker 1>Now you're right, I guess the band broke before he

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<v Speaker 1>actually broke As a it was almost a cool thing

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<v Speaker 1>on the side. It was kind of like, oh, I

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<v Speaker 1>love this song, and did you know it's also Jared Letto.

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<v Speaker 1>And then it became Jared Letto's band and it kind

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<v Speaker 1>of manifested back into But they're also just really good.

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<v Speaker 1>Like it always comes back to doubt that there are

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<v Speaker 1>a million actors trying to have bands, but unless you're

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<v Speaker 1>really freaking good, it doesn't matter. Yeah, and he's really good.

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<v Speaker 1>He's great. Talk to him. Probably six months or so

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<v Speaker 1>ago I saw him and I think Los Angeles, and

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<v Speaker 1>I went up to him and he's warning this whole

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<v Speaker 1>Jesus outfit with the beer and it all looks like Jesus, right, yeah, yeah,

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<v Speaker 1>but he smells so good. Yeah, and he does like

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<v Speaker 1>a guy like that was picturing like more Petuli kind

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<v Speaker 1>of me too. He smells like kind of like Valentine's did.

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<v Speaker 1>If I had to pick up a smell could roses like. Yeah,

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<v Speaker 1>he just wanted to love him, you know, that's awesome.

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<v Speaker 1>I've met him briefly and that was in his more

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<v Speaker 1>of his uh eyeliner days, the red hair and the eyeliner.

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<v Speaker 1>So it was briefly at like a Grammy's party or something,

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<v Speaker 1>but never really had a full conversation with him. Let me,

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<v Speaker 1>seems like a cool guy though. Yeah, it's real nice

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<v Speaker 1>to me. He didn't have to be nice to me.

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<v Speaker 1>It was super nice to me. So let me play

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<v Speaker 1>some of the number ones here, it's not over. Here's

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<v Speaker 1>this one. I was doing a pop and rock and

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<v Speaker 1>hip hop when this song was out. Yeah, I think

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<v Speaker 1>I think we spoke, didn't We probably listen. We had

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<v Speaker 1>a not so good experience, and we can we can

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<v Speaker 1>talk about that. But I would love to the play

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<v Speaker 1>by play. We'll get to it. We'll get to it.

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<v Speaker 1>Let's run to the songs and then we can actually talk. Okay. Cool.

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<v Speaker 1>So that was two thousand six or seven. Two th

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<v Speaker 1>six or seven. Yeah, Yeah, that was the first one, right,

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<v Speaker 1>that was the first song. You co wrote that, so

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<v Speaker 1>you actually made some money off that? Yeah? Yeah, I UM.

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<v Speaker 1>I actually kept telling my producer at the time. I

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<v Speaker 1>was like, this is gonna be the single, this has

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<v Speaker 1>to be a single, and he's like, label's not gonna

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<v Speaker 1>go for that, and um and they did and it

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<v Speaker 1>worked out. I always just felt like there was it

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<v Speaker 1>was like the perfect hybrid between, you know, the grunge

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<v Speaker 1>that I grew up listening to and the the accessible

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<v Speaker 1>rock that was on the radio at the time. Did

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<v Speaker 1>you feel like you had to meet a certain radio

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<v Speaker 1>standard when you were making music early on? Did you

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<v Speaker 1>feel like you had to sort of chase something? And

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<v Speaker 1>I think I did it inherently, um, just because not

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<v Speaker 1>necessarily chasing. Let me rephrase, I think I did it

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<v Speaker 1>based on what I loved at the time. So I

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<v Speaker 1>kind of modeled what I was writing around the bands

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<v Speaker 1>that I was into at the time, and I wasn't

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<v Speaker 1>really paying attention to lyrics. I was into bands like

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<v Speaker 1>Live and Pearl Jam, Sound Garden, Tool Like. I wasn't

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<v Speaker 1>paying attention to lyrics as much as I was the

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<v Speaker 1>melodies and the way it grabbed me, you know. So, um,

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<v Speaker 1>So I remember writing a lot heavier and a lot

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<v Speaker 1>more just I wasn't really paying attention to the story

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<v Speaker 1>so much. It was more just thoughtless lyrics. And then

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<v Speaker 1>I think I started paying more attention to the songwriting

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<v Speaker 1>aspects and the and the storytelling and things. Uh. In

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<v Speaker 1>my later twenties, I started going back and listening to

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<v Speaker 1>you know, Elton John and a lot of the singer

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<v Speaker 1>songwriters that inspired the people that I listened to and

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<v Speaker 1>kind of did my homework that way. This one was

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<v Speaker 1>a monster home Come on, I wrote that one all.

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<v Speaker 1>I wrote that, like right before going on idol Man.

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<v Speaker 1>I mean, that's is that the monster jam that you

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<v Speaker 1>play during a show when everyone's like everyone knows it

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<v Speaker 1>is that the one? And you know it's crazy, Like

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<v Speaker 1>sorry to interrupt, but it's also the one song that

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<v Speaker 1>I'm like, if I had to pick a song that

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<v Speaker 1>I'm tired of playing, like, that's the one. But at

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<v Speaker 1>the same time, it's the most impactful. It's I was

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<v Speaker 1>looking at your interview with Mayor and you guys started talking.

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<v Speaker 1>I'm like, oh my god, I've had this same conversation.

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<v Speaker 1>It's it's the ones that that feel like I didn't

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<v Speaker 1>really work hard to write this. This kind of like

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<v Speaker 1>fell in my lap. I wrote it, kind of wrote itself.

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<v Speaker 1>It's like the first five chords I ever learned how

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<v Speaker 1>to play on guitar, you know, and uh it's the

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<v Speaker 1>one that has had the most impact around the world

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<v Speaker 1>as far as like like the troops, military families and um,

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<v Speaker 1>you know, so many like people of like that come

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<v Speaker 1>to me and said, we used this to send our

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<v Speaker 1>uh A family member off at their funeral. Like all

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<v Speaker 1>kinds of different usages for the song that I never

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<v Speaker 1>thought of when I was writing it. I was like,

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<v Speaker 1>I'm about to leave my house, you know, and go

0:11:20.720 --> 0:11:24.200
<v Speaker 1>on American Idol for uh, you know, I've never like

0:11:24.400 --> 0:11:26.720
<v Speaker 1>left my wife and kids on and I have no

0:11:26.800 --> 0:11:28.920
<v Speaker 1>idea what I'm about to do or get into and

0:11:28.960 --> 0:11:31.080
<v Speaker 1>what's going to happen. And I'm in l a. We

0:11:31.160 --> 0:11:34.120
<v Speaker 1>all lived in North Carolina at the time, and I

0:11:34.200 --> 0:11:35.960
<v Speaker 1>just kind of got in that mindset like what it's

0:11:35.960 --> 0:11:37.480
<v Speaker 1>like to be away. I didn't even know what it

0:11:37.559 --> 0:11:40.880
<v Speaker 1>was like a foreshadowing, if you will. So yeah, that

0:11:40.960 --> 0:11:43.839
<v Speaker 1>the John Mairic conversation was for me for someone to

0:11:43.920 --> 0:11:46.200
<v Speaker 1>understand what I was talking about. Because if you go

0:11:46.240 --> 0:11:48.040
<v Speaker 1>back and there's an older episode if you're listening now,

0:11:48.280 --> 0:11:49.720
<v Speaker 1>or I was talking to John May and I said, hey,

0:11:49.720 --> 0:11:51.440
<v Speaker 1>some of these jokes that are just so easy and

0:11:51.440 --> 0:11:52.800
<v Speaker 1>down the middle for me, I don't even like telling,

0:11:52.840 --> 0:11:55.560
<v Speaker 1>but they get the they're the ones, and I'm like,

0:11:55.640 --> 0:11:57.280
<v Speaker 1>there's no effort in them. And I feel like a

0:11:57.360 --> 0:12:00.840
<v Speaker 1>fraud that I'm using that easiest thing. And if people

0:12:00.880 --> 0:12:02.280
<v Speaker 1>are loving it, so it makes me not want to

0:12:02.280 --> 0:12:04.720
<v Speaker 1>do it anymore because I feel like I can work

0:12:04.760 --> 0:12:08.720
<v Speaker 1>harder and it doesn't feel challenging to you. And he said, dude,

0:12:08.720 --> 0:12:11.360
<v Speaker 1>I do the same thing, And I thought, wow, and

0:12:11.360 --> 0:12:14.680
<v Speaker 1>and the and what we've done lately is I've just

0:12:14.880 --> 0:12:17.640
<v Speaker 1>I go out there with an acoustic guitar and I

0:12:17.679 --> 0:12:21.280
<v Speaker 1>play it without the band, and the whole first chorus

0:12:21.679 --> 0:12:25.680
<v Speaker 1>is all crowd and it's and I'm like, wow that

0:12:25.800 --> 0:12:30.720
<v Speaker 1>I guess that was something that I guess every songwriter

0:12:31.160 --> 0:12:34.680
<v Speaker 1>hopes to accomplish. You know that that even if you

0:12:34.679 --> 0:12:36.920
<v Speaker 1>have one song, that they're able to sing all the

0:12:36.960 --> 0:12:39.160
<v Speaker 1>words too, and you can just stop and they're all

0:12:39.160 --> 0:12:41.800
<v Speaker 1>on the same page. And that's that's what makes it

0:12:41.840 --> 0:12:45.880
<v Speaker 1>special now because it's it I feel that it's actually

0:12:45.920 --> 0:12:48.240
<v Speaker 1>doing something for them. I like a candid you are

0:12:48.240 --> 0:12:50.360
<v Speaker 1>about it, because all the artists that have major hits

0:12:50.400 --> 0:12:53.000
<v Speaker 1>feel that way, and even if they won't say it,

0:12:53.080 --> 0:12:54.880
<v Speaker 1>they have songs that they've had for so long there

0:12:54.920 --> 0:12:57.400
<v Speaker 1>were monsters for them. In a bit, they would like

0:12:57.480 --> 0:13:00.800
<v Speaker 1>to move on, but they also know that the people

0:13:01.080 --> 0:13:04.640
<v Speaker 1>love it and if they didn't play a song or

0:13:04.880 --> 0:13:08.760
<v Speaker 1>do whatever they do, that the people would leave disappointed. Yeah,

0:13:08.800 --> 0:13:10.240
<v Speaker 1>and so a bit you have to put the people

0:13:10.280 --> 0:13:12.520
<v Speaker 1>before you. Yeah. We went to see Billy Joel the

0:13:12.600 --> 0:13:16.320
<v Speaker 1>other night and uh at Madison Square Garden and granted,

0:13:16.559 --> 0:13:18.800
<v Speaker 1>he has so many hits, like it's impossible to play

0:13:18.840 --> 0:13:21.520
<v Speaker 1>them all. I mean, we'd be there all night. But

0:13:21.559 --> 0:13:25.240
<v Speaker 1>as I'm leaving, I'm thinking, oh, ship, he didn't play

0:13:25.840 --> 0:13:30.480
<v Speaker 1>just the way you are and that that was act.

0:13:30.679 --> 0:13:33.880
<v Speaker 1>Wasn't thinking of that during the show, because you're like, oh,

0:13:33.920 --> 0:13:35.720
<v Speaker 1>I forgot about that's all. I forgot about that song.

0:13:36.280 --> 0:13:38.360
<v Speaker 1>But for us, we only have like you know, like

0:13:38.880 --> 0:13:41.520
<v Speaker 1>a handful of of hits, so we've got to be

0:13:41.559 --> 0:13:43.679
<v Speaker 1>more selective of what we choose not to play. The

0:13:43.720 --> 0:13:46.680
<v Speaker 1>Billy Joel thing is good though, if you then Brian

0:13:46.679 --> 0:13:50.880
<v Speaker 1>Adams came out, did yeah, Oh that's cool. Yeah, Encore.

0:13:51.880 --> 0:13:54.240
<v Speaker 1>Ryan Adams came out with Billy Joel Atian and the Encore.

0:13:54.600 --> 0:13:57.079
<v Speaker 1>They came out and did uh or Billy came out

0:13:57.080 --> 0:13:59.160
<v Speaker 1>and they did I think we didn't start the fire,

0:13:59.520 --> 0:14:02.800
<v Speaker 1>and then uh, out of nowhere, Brian Adams comes out

0:14:02.840 --> 0:14:05.840
<v Speaker 1>and they do Summer six nine. It was crazy. Yeah,

0:14:05.840 --> 0:14:09.480
<v Speaker 1>that's cool. In the whole crowd, not just the second

0:14:09.520 --> 0:14:12.680
<v Speaker 1>he hit the Danger Danger. Everybody just lost their minds,

0:14:12.679 --> 0:14:16.360
<v Speaker 1>including me. I was like a little girl. Billy Joel's

0:14:16.400 --> 0:14:18.040
<v Speaker 1>funny because he can still sing him but he has

0:14:18.080 --> 0:14:19.360
<v Speaker 1>to he has to change a key in on the

0:14:19.400 --> 0:14:22.040
<v Speaker 1>song at least a whole stuff. Yeah, because he's getting older.

0:14:22.120 --> 0:14:24.880
<v Speaker 1>An Elton did the same thing when I saw him.

0:14:25.120 --> 0:14:27.520
<v Speaker 1>Those Billy Joel songs are so high though when he

0:14:27.680 --> 0:14:30.640
<v Speaker 1>was much younger that he's saying in a really high

0:14:30.640 --> 0:14:34.360
<v Speaker 1>spot just naturally. Yeah, him and Elton, they were both

0:14:34.360 --> 0:14:37.840
<v Speaker 1>in these upper registers. That's the show. I've seen both

0:14:37.880 --> 0:14:40.080
<v Speaker 1>of them together too, and they do the dueling pianos.

0:14:41.080 --> 0:14:43.320
<v Speaker 1>It was cool. I kind of knew a little bit

0:14:43.360 --> 0:14:45.280
<v Speaker 1>of the story because I'd get to spend it was

0:14:45.320 --> 0:14:46.640
<v Speaker 1>just such a name drop thing, but I can spend

0:14:46.640 --> 0:14:48.800
<v Speaker 1>a little time with Eulton John and they really just

0:14:49.040 --> 0:14:51.280
<v Speaker 1>they hate each other. I don't know that they hate

0:14:51.320 --> 0:14:53.160
<v Speaker 1>each other heard but they Okay, well, I don't know

0:14:53.200 --> 0:14:56.240
<v Speaker 1>what you heard. I've only heard that they don't talk

0:14:56.480 --> 0:14:57.800
<v Speaker 1>and they go out on stage and do the show

0:14:57.800 --> 0:15:02.320
<v Speaker 1>in their way. Again, like there's nothing there's not from

0:15:02.480 --> 0:15:05.680
<v Speaker 1>what I've heard, there's not a real friendship there. But

0:15:05.720 --> 0:15:07.920
<v Speaker 1>they play it up so wonderfully. And if you didn't know,

0:15:08.160 --> 0:15:10.200
<v Speaker 1>you wouldn't know, because the first time I saw was like,

0:15:10.200 --> 0:15:12.080
<v Speaker 1>that's amazing. They're best friends. I wonder if they have

0:15:12.200 --> 0:15:14.520
<v Speaker 1>like some eye signals that they're doing up there, just

0:15:14.640 --> 0:15:18.000
<v Speaker 1>like and they switch over to each other songs and

0:15:18.000 --> 0:15:21.640
<v Speaker 1>you're like, Oprah, sure they haven't dinner after yea that

0:15:22.000 --> 0:15:25.320
<v Speaker 1>they're they're talking about each other each other's dinner, probably

0:15:26.000 --> 0:15:28.240
<v Speaker 1>into the into the side microphone. They probably whispering things

0:15:28.280 --> 0:15:30.720
<v Speaker 1>to each other about each other. Let me talk about

0:15:30.760 --> 0:15:33.600
<v Speaker 1>sleep number for one second. Sleep is important. Talk about this.

0:15:33.680 --> 0:15:35.720
<v Speaker 1>It's where in my house your mattress makes a big difference.

0:15:35.720 --> 0:15:38.360
<v Speaker 1>And if you go downstairs into my bedroom you will

0:15:38.360 --> 0:15:41.600
<v Speaker 1>see a sleep number bed because I love it, had

0:15:41.640 --> 0:15:44.000
<v Speaker 1>one forever. I gotta be honest with you. I don't

0:15:44.040 --> 0:15:47.000
<v Speaker 1>I don't have to have one anymore, and it really

0:15:47.040 --> 0:15:49.320
<v Speaker 1>does help. It helps me because that you know, if

0:15:49.320 --> 0:15:52.600
<v Speaker 1>you hear me talk much, sometimes I don't sleep well.

0:15:52.600 --> 0:15:53.920
<v Speaker 1>But I can tell you a big change for me

0:15:54.000 --> 0:15:55.840
<v Speaker 1>was when I got a mattress. I got a bed

0:15:56.280 --> 0:15:58.760
<v Speaker 1>that really was awesome. And maybe you've considered a Sleep Number.

0:15:59.040 --> 0:16:00.440
<v Speaker 1>There's never been a better time to go into a

0:16:00.440 --> 0:16:02.520
<v Speaker 1>Sleep Number store where all the beds are on sale

0:16:02.600 --> 0:16:05.040
<v Speaker 1>during the biggest sale of the year. My Sleep Number

0:16:05.040 --> 0:16:08.240
<v Speaker 1>setting is thirty and so it's a smart bed and

0:16:08.280 --> 0:16:10.440
<v Speaker 1>I wonder what that was too. It's you choose the

0:16:10.480 --> 0:16:12.200
<v Speaker 1>comfort and the support, the right for you to adjust

0:16:12.240 --> 0:16:14.200
<v Speaker 1>on each side. It's the perfect bed for couples. You

0:16:14.200 --> 0:16:16.520
<v Speaker 1>can feel like contrast to your neck. Right now, the

0:16:16.520 --> 0:16:18.200
<v Speaker 1>biggest sell of the year where all beds are on sale,

0:16:18.200 --> 0:16:21.640
<v Speaker 1>plus on the new Sleep Number three sixty limited editions

0:16:21.680 --> 0:16:24.680
<v Speaker 1>smart bed Now through Labor Day, you'll only find Sleep

0:16:24.760 --> 0:16:27.480
<v Speaker 1>Number and into five hundred and fifty Sleep Number stores

0:16:27.600 --> 0:16:30.800
<v Speaker 1>nationwide find the one nearest you. Sleep Number dot com

0:16:31.080 --> 0:16:34.720
<v Speaker 1>slash bones. Okay, so let's do this. Feels like tonight

0:16:35.120 --> 0:16:37.840
<v Speaker 1>two thousand seven, another monster for you? You still play

0:16:37.880 --> 0:16:40.600
<v Speaker 1>this one or not? Ye do. Yeah, that's a staple

0:16:40.640 --> 0:16:42.840
<v Speaker 1>in the set list. It's a big one. Man. It

0:16:42.880 --> 0:16:45.840
<v Speaker 1>would just be tough. I know that because yeah, I'm

0:16:45.840 --> 0:16:47.320
<v Speaker 1>gonna play some of the new record in a second

0:16:47.320 --> 0:16:50.200
<v Speaker 1>to because you have the new stuff, but you can't

0:16:50.240 --> 0:16:52.800
<v Speaker 1>get away from the big ones because the fans deserve

0:16:52.880 --> 0:16:54.480
<v Speaker 1>to hear them. And and I'm in the weird place

0:16:54.520 --> 0:16:57.440
<v Speaker 1>of being a fan of music and going I went

0:16:57.480 --> 0:16:59.240
<v Speaker 1>and saw arin this is the thing that shaped me

0:16:59.480 --> 0:17:01.360
<v Speaker 1>with music can having to play the head. I want

0:17:01.400 --> 0:17:03.360
<v Speaker 1>to see r M once And they didn't play a

0:17:03.360 --> 0:17:06.920
<v Speaker 1>single song that it was all new records. Oh man,

0:17:07.080 --> 0:17:08.960
<v Speaker 1>I was so even if they had given me one

0:17:09.080 --> 0:17:15.240
<v Speaker 1>or two like no drive, no religion, no orange, not

0:17:15.280 --> 0:17:19.200
<v Speaker 1>even the frequency, none of that. It was all new stuff.

0:17:20.880 --> 0:17:22.840
<v Speaker 1>Huge at the point where I just needed a couple

0:17:23.440 --> 0:17:25.600
<v Speaker 1>and I thought, man, I'm never going to be the

0:17:25.600 --> 0:17:27.720
<v Speaker 1>guy regardless of what I do that just goes out

0:17:27.760 --> 0:17:31.359
<v Speaker 1>and just goes all new, like Brooks who was a

0:17:31.359 --> 0:17:35.119
<v Speaker 1>little self indulgent. Right, But isn't what we do? I

0:17:35.119 --> 0:17:37.520
<v Speaker 1>mean no, I mean like to do nothing but new

0:17:37.560 --> 0:17:39.919
<v Speaker 1>stuff and and think that that the fans don't want

0:17:39.920 --> 0:17:41.640
<v Speaker 1>to hear the other it is. But to be fair,

0:17:42.359 --> 0:17:45.920
<v Speaker 1>what we do is self indulgent. So it's a low

0:17:45.960 --> 0:17:48.600
<v Speaker 1>hypocritical to go. It's so self indulgent to them. And

0:17:48.600 --> 0:17:50.960
<v Speaker 1>here I am, you know, hoping that another million people

0:17:51.080 --> 0:17:54.280
<v Speaker 1>listened to this podcast of you and I. So yeah,

0:17:54.359 --> 0:17:56.280
<v Speaker 1>what we do self indulgence. But I was disappointed. But

0:17:56.320 --> 0:17:58.280
<v Speaker 1>I thought, I'm always going to be a opponent of

0:17:58.320 --> 0:18:01.040
<v Speaker 1>playing making sure the fans here that it's you know,

0:18:02.080 --> 0:18:04.280
<v Speaker 1>but artists talk all the time off the microphone, like, man,

0:18:04.280 --> 0:18:08.040
<v Speaker 1>I don't want to play the song. I'm struggling with it. Yeah,

0:18:08.040 --> 0:18:10.240
<v Speaker 1>you gotta play the big ones. There's some nights where

0:18:10.240 --> 0:18:12.959
<v Speaker 1>we're just like this one again. Is there any way

0:18:13.000 --> 0:18:14.880
<v Speaker 1>to swap it out? That we have some that we

0:18:15.000 --> 0:18:18.680
<v Speaker 1>just don't play, um, because it's actually some just don't

0:18:18.760 --> 0:18:21.240
<v Speaker 1>go over as well. A little piece of trivia about

0:18:21.280 --> 0:18:24.200
<v Speaker 1>that song though, feel like Tonight. Yeah, that was written

0:18:24.240 --> 0:18:28.280
<v Speaker 1>by Max Martin and Dr Luke and it was that

0:18:28.359 --> 0:18:30.479
<v Speaker 1>was one of the last songs added to the record

0:18:30.640 --> 0:18:32.959
<v Speaker 1>when we were making the first record, and it was

0:18:33.080 --> 0:18:35.879
<v Speaker 1>what they had written for me. Had I won the show,

0:18:36.240 --> 0:18:37.760
<v Speaker 1>Oh that was gonna be the song that was gonna

0:18:37.800 --> 0:18:40.800
<v Speaker 1>be my winning song if I want? Yeah? Was it

0:18:40.920 --> 0:18:43.400
<v Speaker 1>because I was it's funny how my American idol life,

0:18:43.800 --> 0:18:45.679
<v Speaker 1>And you know, I really wasn't. I don't much with you,

0:18:46.000 --> 0:18:48.239
<v Speaker 1>but I feel while I was on the show last year,

0:18:48.280 --> 0:18:49.919
<v Speaker 1>I did a bunch of episodes as a mentor this

0:18:50.000 --> 0:18:53.040
<v Speaker 1>last year, and so it's I've kind of got into

0:18:53.200 --> 0:18:58.200
<v Speaker 1>it and saw what happens mentoring the contestants from week

0:18:58.200 --> 0:19:02.080
<v Speaker 1>to week, and so it's it's a very different format

0:19:02.119 --> 0:19:03.919
<v Speaker 1>than when I was on there. Well, to me, I

0:19:03.960 --> 0:19:06.280
<v Speaker 1>was just struck at how locked away everyone is. Yeah,

0:19:06.720 --> 0:19:09.760
<v Speaker 1>like you just are in your own insulated bubble. You

0:19:09.840 --> 0:19:11.959
<v Speaker 1>have no idea what's going. You don't see the judges,

0:19:12.119 --> 0:19:15.760
<v Speaker 1>like a lot of fans just don't realize, like we

0:19:15.840 --> 0:19:19.880
<v Speaker 1>see the judges when they do on television, like right

0:19:19.920 --> 0:19:23.479
<v Speaker 1>there at their desk and that's it. Like I've see them,

0:19:23.480 --> 0:19:25.040
<v Speaker 1>and they say, I haven't seen Luke or Katie at all.

0:19:25.080 --> 0:19:27.000
<v Speaker 1>I see. They would tell me they see me far

0:19:27.080 --> 0:19:28.679
<v Speaker 1>more than they see the judges, And I thought that

0:19:28.720 --> 0:19:31.399
<v Speaker 1>was crazy. And you guys didn't have social media, so

0:19:31.560 --> 0:19:33.000
<v Speaker 1>I don't know, did you guys know how famous you

0:19:33.000 --> 0:19:35.840
<v Speaker 1>were getting as the show was going, No, no clue. Um.

0:19:35.880 --> 0:19:38.760
<v Speaker 1>I remember going to the grove and it was like

0:19:39.680 --> 0:19:42.600
<v Speaker 1>we always had They always made sure we had security.

0:19:42.600 --> 0:19:45.480
<v Speaker 1>I'm like, dude, we don't need And then I realized, no,

0:19:45.680 --> 0:19:50.800
<v Speaker 1>you do. Like it was crazy how isolated we were

0:19:50.800 --> 0:19:53.520
<v Speaker 1>and how much we didn't know because even Twitter wasn't

0:19:53.560 --> 0:19:56.040
<v Speaker 1>a thing then, like nothing had come out. I don't

0:19:56.040 --> 0:19:59.200
<v Speaker 1>even know if Facebook was a thing, probably not two

0:19:59.200 --> 0:20:02.040
<v Speaker 1>thousand six, think my Space was still a thing that

0:20:02.840 --> 0:20:05.200
<v Speaker 1>was that was about it. You could you I didn't

0:20:05.200 --> 0:20:07.200
<v Speaker 1>even have a phone that could take a picture. Yeah,

0:20:07.320 --> 0:20:08.560
<v Speaker 1>I think too. It's not like you could be on

0:20:08.560 --> 0:20:11.320
<v Speaker 1>the phone and be on my Space. Mighty was my

0:20:11.320 --> 0:20:15.439
<v Speaker 1>Space ever mobile? Not really? No, at least usable. It

0:20:15.520 --> 0:20:17.639
<v Speaker 1>was never mobile, right, I mean you had it like

0:20:17.680 --> 0:20:20.840
<v Speaker 1>on really early smartphones, but no, nobody really got on

0:20:20.880 --> 0:20:23.000
<v Speaker 1>another phone. Used to take and make your wallpaper and

0:20:23.040 --> 0:20:25.720
<v Speaker 1>your music and yeah, used to yeah profiles, have to

0:20:25.760 --> 0:20:28.119
<v Speaker 1>pick your eight friends. Kids don't even know. You know,

0:20:28.200 --> 0:20:30.480
<v Speaker 1>it's crazy and it's still around. But no, no, Russians

0:20:30.480 --> 0:20:33.000
<v Speaker 1>were hacking MySpace, you know what I mean? Let me

0:20:33.040 --> 0:20:41.320
<v Speaker 1>do one more from two thousand nine. There's no surprise jams. Yeah,

0:20:45.600 --> 0:20:50.760
<v Speaker 1>and you wrote that with Chadrov Bruger and uh, there's

0:20:50.760 --> 0:20:56.160
<v Speaker 1>a couple other Eric Dill and rest womb West ruinberg Um.

0:20:56.280 --> 0:20:59.560
<v Speaker 1>They already kind of started the song before I came

0:20:59.560 --> 0:21:03.720
<v Speaker 1>into the BUTU Yeah, me and Chad did all the

0:21:03.840 --> 0:21:06.360
<v Speaker 1>verses and the chorus was already written. What's that guy like?

0:21:06.760 --> 0:21:08.359
<v Speaker 1>He's a cool dude. I mean, I've known him for

0:21:08.400 --> 0:21:10.840
<v Speaker 1>a long time because we've toured together for so much

0:21:11.200 --> 0:21:14.520
<v Speaker 1>for so many times. But yeah, he's he's like family

0:21:14.560 --> 0:21:16.800
<v Speaker 1>to me. Are they so rich? Is he so rich?

0:21:17.680 --> 0:21:19.720
<v Speaker 1>I will? I don't know his bank account, but I

0:21:19.760 --> 0:21:21.879
<v Speaker 1>will say that I did get a chance to stay

0:21:21.880 --> 0:21:24.320
<v Speaker 1>one night on his boat on the last tour last year.

0:21:25.520 --> 0:21:27.920
<v Speaker 1>Been on the boat and apparently he would throw pillows

0:21:27.960 --> 0:21:29.760
<v Speaker 1>into the year and ski shoot him. Oh wow, I

0:21:29.760 --> 0:21:32.439
<v Speaker 1>think we didn't. We didn't get that crazy. No, No,

0:21:32.520 --> 0:21:35.359
<v Speaker 1>we were shooting other things. But yeah, they said we

0:21:35.359 --> 0:21:37.639
<v Speaker 1>went out on Jad Croker's boat and he started grabbing

0:21:37.640 --> 0:21:39.560
<v Speaker 1>pillows and they grabbed guns and we'd throw them up

0:21:39.560 --> 0:21:42.679
<v Speaker 1>in the air. You were like we were ski shooting

0:21:42.680 --> 0:21:45.680
<v Speaker 1>with nickelback. It was just out on the open water. Yeah,

0:21:45.840 --> 0:21:48.119
<v Speaker 1>on the open water. That I mean, that does sound

0:21:48.200 --> 0:21:50.960
<v Speaker 1>like something he would do. Like, I'm not even surprised.

0:21:51.400 --> 0:21:53.239
<v Speaker 1>Where were you when you were on the boat when

0:21:53.280 --> 0:21:56.720
<v Speaker 1>you were in Florida. We were. Yeah, we took a

0:21:56.800 --> 0:22:01.120
<v Speaker 1>jet just because we didn't he didn't want to take

0:22:01.160 --> 0:22:03.040
<v Speaker 1>the lock and bus ride, which, hey, if you can

0:22:03.080 --> 0:22:05.400
<v Speaker 1>do it, do it. So I jumped on the jet

0:22:05.440 --> 0:22:08.760
<v Speaker 1>with him and stay on his boat. That was pretty

0:22:08.840 --> 0:22:13.080
<v Speaker 1>hung over the next day. Here, let's see you gotta

0:22:13.840 --> 0:22:16.800
<v Speaker 1>the list records, cage to rattle, and so how about

0:22:16.800 --> 0:22:18.120
<v Speaker 1>we play a little bit of deep end here into

0:22:18.119 --> 0:22:42.679
<v Speaker 1>all right? How about this one? What's up? Tell me

0:22:42.680 --> 0:22:44.479
<v Speaker 1>about this one? All right? So this one was one

0:22:44.520 --> 0:22:50.000
<v Speaker 1>of the last songs we recorded. Um Uh. It came

0:22:50.000 --> 0:22:54.640
<v Speaker 1>in from the label. I was absolutely, if I'm being

0:22:54.800 --> 0:22:57.399
<v Speaker 1>completely honest, I was opposed to putting it on the record.

0:22:58.280 --> 0:23:01.480
<v Speaker 1>UM at the time. It was very different song as

0:23:01.480 --> 0:23:05.919
<v Speaker 1>far as production. UM. I hated the bridge, and I

0:23:05.960 --> 0:23:07.600
<v Speaker 1>was like, well, at least if I'm gonna do this song,

0:23:07.640 --> 0:23:10.240
<v Speaker 1>I'm gonna write the bridge, you know, get I gotta

0:23:10.280 --> 0:23:12.719
<v Speaker 1>have some sort of stamp and and and then of

0:23:12.760 --> 0:23:16.919
<v Speaker 1>course me and Jakir Jakiir King, who UM produced the

0:23:16.920 --> 0:23:21.240
<v Speaker 1>record as our first time working together, we went kind

0:23:21.280 --> 0:23:25.159
<v Speaker 1>of a bunch of different UM approaches to the to

0:23:25.280 --> 0:23:28.840
<v Speaker 1>the production. I think at one point it even had

0:23:28.880 --> 0:23:31.840
<v Speaker 1>like a reggae feel to it, and we ended up here.

0:23:31.960 --> 0:23:35.840
<v Speaker 1>But I had to I looked at it like this

0:23:35.960 --> 0:23:37.720
<v Speaker 1>was a very difficult record for me to make, in

0:23:37.720 --> 0:23:41.800
<v Speaker 1>the sense that I was in a very self doubting

0:23:42.880 --> 0:23:48.080
<v Speaker 1>um phase, like I was questioning everything. I didn't know

0:23:48.119 --> 0:23:49.919
<v Speaker 1>what was good anymore. You know. We had we had

0:23:49.960 --> 0:23:52.800
<v Speaker 1>taken a bit of time off the road, and I

0:23:52.840 --> 0:23:55.919
<v Speaker 1>was wanting to pursue acting and lived in l A

0:23:56.040 --> 0:23:58.639
<v Speaker 1>for a little bit, and it was just like I

0:23:58.720 --> 0:24:01.960
<v Speaker 1>didn't know where we were going to go musically for

0:24:02.000 --> 0:24:03.600
<v Speaker 1>the next record. I didn't know who was going to

0:24:03.680 --> 0:24:06.480
<v Speaker 1>produce it. I didn't even know if what I liked

0:24:06.600 --> 0:24:10.760
<v Speaker 1>was good enough or even accessible on radio anymore, you know,

0:24:11.040 --> 0:24:13.960
<v Speaker 1>that whole like feeling out of the loop. And so

0:24:14.280 --> 0:24:15.800
<v Speaker 1>when it got to that song, I was just like

0:24:16.520 --> 0:24:18.560
<v Speaker 1>I felt like I had to give myself up to

0:24:18.600 --> 0:24:21.359
<v Speaker 1>the process and just be like, you tell me what's good, dude,

0:24:21.440 --> 0:24:24.479
<v Speaker 1>because I'm in a place where I don't know if

0:24:24.520 --> 0:24:28.200
<v Speaker 1>I'm holding myself back because I've got such bad demo

0:24:28.320 --> 0:24:30.640
<v Speaker 1>itis on everything that I'm just gonna have to let

0:24:30.640 --> 0:24:32.960
<v Speaker 1>you take the wheel. And then I would still go yeah,

0:24:32.960 --> 0:24:35.879
<v Speaker 1>but this ain't right. They gotta do this. So um.

0:24:35.920 --> 0:24:37.920
<v Speaker 1>It was my way of like kind of giving into

0:24:37.960 --> 0:24:42.320
<v Speaker 1>the process and diving into the deep end of my

0:24:42.400 --> 0:24:44.919
<v Speaker 1>emotions and just letting it all. It was a very

0:24:44.960 --> 0:24:48.399
<v Speaker 1>therapeutic record. I'll give you. I'll say that I want

0:24:48.400 --> 0:24:50.400
<v Speaker 1>to talk about life flock for one second. Then we'll

0:24:50.400 --> 0:24:52.679
<v Speaker 1>talk about because I'm also curious how you ended up

0:24:52.720 --> 0:24:54.840
<v Speaker 1>being here, because it's a I think we can figure

0:24:54.880 --> 0:24:58.280
<v Speaker 1>this out together. Let'll talk about LifeLock. Yeah, life flock is.

0:24:58.520 --> 0:25:01.119
<v Speaker 1>It's been a big help for me. The FBI is

0:25:01.160 --> 0:25:03.720
<v Speaker 1>warning financial institutions about a scheme known as an a

0:25:03.800 --> 0:25:05.920
<v Speaker 1>t M cash out. It's all about attackers and hackers

0:25:05.960 --> 0:25:09.360
<v Speaker 1>finding little ways in finding a little dot about you

0:25:09.480 --> 0:25:11.240
<v Speaker 1>and then taking what they can from you. I don't

0:25:11.280 --> 0:25:13.600
<v Speaker 1>want that happened to you. It's been It's happened to

0:25:13.640 --> 0:25:15.960
<v Speaker 1>me a couple of times, at least, threats have because

0:25:16.000 --> 0:25:18.600
<v Speaker 1>life flock has stepped in and saved me. Life Flock

0:25:18.680 --> 0:25:21.600
<v Speaker 1>Identity theft protection as the power of Norton Security to

0:25:21.640 --> 0:25:24.439
<v Speaker 1>help protect you against the threats to your identity and

0:25:24.520 --> 0:25:27.280
<v Speaker 1>your devices that you can't easily see or fix on

0:25:27.280 --> 0:25:29.480
<v Speaker 1>your own. I got the call I got the email like, hey,

0:25:29.520 --> 0:25:31.680
<v Speaker 1>is this you? And sometimes it is me that's opened

0:25:31.720 --> 0:25:34.160
<v Speaker 1>up into account or decided to cancel a credit card.

0:25:34.200 --> 0:25:35.639
<v Speaker 1>Sometimes that is me, But they're always they were going

0:25:35.720 --> 0:25:38.000
<v Speaker 1>as as you. No one can stop every cyber threat,

0:25:38.080 --> 0:25:41.280
<v Speaker 1>prevent all identity theft, or monitor transactions at all businesses.

0:25:41.320 --> 0:25:43.480
<v Speaker 1>But new life flock with Norton Security, you can see

0:25:43.560 --> 0:25:45.160
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0:25:45.160 --> 0:25:48.160
<v Speaker 1>flock dot com or call one LifeLock. Use promo code

0:25:48.320 --> 0:25:50.719
<v Speaker 1>bones for an extra ten percent off your first year,

0:25:50.760 --> 0:25:53.480
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0:25:53.880 --> 0:25:56.239
<v Speaker 1>To get that promo code is bones life flock dot

0:25:56.280 --> 0:25:59.320
<v Speaker 1>Com promo code burn promo code Bones, not burns Bones.

0:25:59.440 --> 0:26:02.480
<v Speaker 1>Promo code Bones. Terms apply. Let's talk about this. So

0:26:02.840 --> 0:26:04.360
<v Speaker 1>we do the show from my house and I get

0:26:04.440 --> 0:26:07.120
<v Speaker 1>a message from one of my close friends who's also

0:26:07.840 --> 0:26:11.000
<v Speaker 1>my boss because he runs the whole country of I

0:26:11.119 --> 0:26:13.720
<v Speaker 1>Heart Radio. He says, hey, what's up, Adeo Christo Tree.

0:26:13.760 --> 0:26:16.200
<v Speaker 1>I said nothing. I said a long time ago, we

0:26:16.280 --> 0:26:17.760
<v Speaker 1>weren't that cool. But don't even know if he knew

0:26:17.760 --> 0:26:20.719
<v Speaker 1>we weren't cool. I said, but why what's up? He goes, well,

0:26:20.760 --> 0:26:23.400
<v Speaker 1>I then you guys should should like be friends again.

0:26:24.240 --> 0:26:25.800
<v Speaker 1>And I was like, well, I never knew I might

0:26:25.840 --> 0:26:27.480
<v Speaker 1>even know you lived in Nashville. Frankay, I didn't know.

0:26:27.560 --> 0:26:29.360
<v Speaker 1>You looked at and he was like he he wants

0:26:29.400 --> 0:26:31.399
<v Speaker 1>to come over and say what up? And I was

0:26:31.440 --> 0:26:34.199
<v Speaker 1>like okay, cool, Like he said, what happened? I said, well,

0:26:34.240 --> 0:26:38.160
<v Speaker 1>here's what happened. We're on Whitchtock, Kansas twelve years ago,

0:26:39.640 --> 0:26:42.520
<v Speaker 1>maybe eleven, I'm not sure. I was young and idiot.

0:26:42.520 --> 0:26:45.240
<v Speaker 1>Now I'm just older than an idiot. And there was

0:26:45.320 --> 0:26:47.280
<v Speaker 1>a it was a show that one of my affiliates

0:26:47.320 --> 0:26:50.159
<v Speaker 1>when I was doing pop you know, because we were

0:26:50.160 --> 0:26:52.240
<v Speaker 1>playing your song. So I went up to that affiliate

0:26:52.400 --> 0:26:55.040
<v Speaker 1>and then we were doing an outdoor show and there

0:26:55.119 --> 0:26:57.760
<v Speaker 1>was a bus and some of the fans that had

0:26:58.800 --> 0:27:02.560
<v Speaker 1>won these package is, these charity packages came back and

0:27:02.680 --> 0:27:04.440
<v Speaker 1>you were signing stuff with them, and even me, I

0:27:04.480 --> 0:27:07.000
<v Speaker 1>thought it was called like freaking Chris Dodd was awesome.

0:27:07.720 --> 0:27:10.280
<v Speaker 1>And so they said, hey, can we take a picture

0:27:10.280 --> 0:27:12.639
<v Speaker 1>with you? And you said you can take a picture

0:27:12.760 --> 0:27:15.160
<v Speaker 1>of me, not with me, And I was like, oh,

0:27:16.000 --> 0:27:19.359
<v Speaker 1>I said that you did what a dick? Well listen,

0:27:21.040 --> 0:27:23.560
<v Speaker 1>I would I you And usually it's the other way around,

0:27:23.600 --> 0:27:25.640
<v Speaker 1>because I do have people that go, can I take

0:27:25.680 --> 0:27:27.840
<v Speaker 1>a picture of you? I'm like, no, take one with me.

0:27:28.400 --> 0:27:30.439
<v Speaker 1>Why would I say that? But again, first of all,

0:27:30.480 --> 0:27:35.040
<v Speaker 1>I was an idiot back then, So then I just went, okay,

0:27:35.080 --> 0:27:37.920
<v Speaker 1>I'm done. Like so I can't be friends with somebody

0:27:37.960 --> 0:27:39.879
<v Speaker 1>like that, or I can't even know anybody like that.

0:27:40.760 --> 0:27:43.359
<v Speaker 1>So that was it. That was the thing that was okay.

0:27:43.400 --> 0:27:45.280
<v Speaker 1>So I had it mixed up with another time. I

0:27:45.359 --> 0:27:50.240
<v Speaker 1>was probably a dick to somebody else. I remember, I

0:27:50.440 --> 0:27:54.760
<v Speaker 1>was confusing. Okay, So here's my here's what happened. Yes,

0:27:54.960 --> 0:27:59.680
<v Speaker 1>I was unaware until my guitar player said, dude, I

0:27:59.760 --> 0:28:03.439
<v Speaker 1>heard Bobby Bone saying like something on the air. Uh,

0:28:03.560 --> 0:28:06.560
<v Speaker 1>And this was probably a couple of years ago that

0:28:06.680 --> 0:28:08.840
<v Speaker 1>you were like a douchebag or something like that. And

0:28:08.920 --> 0:28:14.360
<v Speaker 1>I was like, at the time, still in my egotistical way,

0:28:14.480 --> 0:28:17.159
<v Speaker 1>would be like, man, it was probably because he was

0:28:17.200 --> 0:28:19.520
<v Speaker 1>a dick or something like that. I didn't I didn't

0:28:19.520 --> 0:28:22.239
<v Speaker 1>even stop and analyze it. So I was thinking, well,

0:28:22.280 --> 0:28:26.920
<v Speaker 1>maybe it's this interview that I that I didn't like

0:28:27.080 --> 0:28:29.480
<v Speaker 1>what they were asking me, So I just wan list

0:28:29.600 --> 0:28:31.720
<v Speaker 1>that could have been it too. And that that happened.

0:28:31.760 --> 0:28:36.159
<v Speaker 1>But I never think about interviews because I so I

0:28:36.320 --> 0:28:39.360
<v Speaker 1>was like, I'm so not that dude anymore. And I

0:28:39.400 --> 0:28:44.200
<v Speaker 1>would love the opportunity to meet him face to face

0:28:44.320 --> 0:28:48.080
<v Speaker 1>and hash this out, because like, that's the last thing

0:28:48.160 --> 0:28:50.520
<v Speaker 1>I want people to take away. I do know that

0:28:50.640 --> 0:28:53.239
<v Speaker 1>I had a tendency like I was stupid. I was young.

0:28:53.280 --> 0:28:54.800
<v Speaker 1>I didn't know what I was doing. I was thrown

0:28:54.840 --> 0:29:00.719
<v Speaker 1>into this industry without any experience with Notre Idea or anything,

0:29:00.880 --> 0:29:03.479
<v Speaker 1>and I was twenty six. I was like, look at

0:29:03.520 --> 0:29:05.200
<v Speaker 1>the time, I thought I knew what I was doing.

0:29:05.800 --> 0:29:08.360
<v Speaker 1>I look back now and I was like, my twenties

0:29:08.440 --> 0:29:14.120
<v Speaker 1>were just complete. That was an idiot. Yeah so yeah,

0:29:14.200 --> 0:29:18.080
<v Speaker 1>me too. I feel like I've I've shut that that

0:29:18.520 --> 0:29:20.520
<v Speaker 1>that part of me. Thank God. Don't you feel like

0:29:20.600 --> 0:29:23.600
<v Speaker 1>that when you hit your forties in mid forty be

0:29:23.640 --> 0:29:26.240
<v Speaker 1>like my thirties, I was such an idiot probably like dude,

0:29:26.240 --> 0:29:28.680
<v Speaker 1>I'm getting close, we're getting old. Think we're the same age.

0:29:28.720 --> 0:29:32.560
<v Speaker 1>I'll be thirty nine in December. Yeah, okay, so yeah,

0:29:33.400 --> 0:29:35.080
<v Speaker 1>well good, I'm glad we had this conversation. And I

0:29:35.200 --> 0:29:39.600
<v Speaker 1>always like uncomfortable conversations because resolution always comes from uncomfortable

0:29:39.640 --> 0:29:44.040
<v Speaker 1>conversations and so but that was it. I don't even

0:29:44.040 --> 0:29:45.240
<v Speaker 1>know if a couple of years ago I was talking

0:29:45.240 --> 0:29:47.400
<v Speaker 1>about it, because I don't even remember, it could have

0:29:47.480 --> 0:29:51.360
<v Speaker 1>been even longer ago, and and I just held onto it.

0:29:51.600 --> 0:29:54.800
<v Speaker 1>So anytime your name came up, I associated with the

0:29:54.880 --> 0:29:57.240
<v Speaker 1>guy that said I was a douchebag. And then I

0:29:57.320 --> 0:30:02.400
<v Speaker 1>started analyzing it from maybe your perspective and going maybe,

0:30:02.480 --> 0:30:05.000
<v Speaker 1>I was maybe I need to like find out what

0:30:05.120 --> 0:30:08.400
<v Speaker 1>this is actually about, because either way, I'm sure I've

0:30:08.440 --> 0:30:11.600
<v Speaker 1>piste off quite a few people along the way. How

0:30:11.680 --> 0:30:13.520
<v Speaker 1>did you end up here though? Like Nashville, Tennessee? How

0:30:13.560 --> 0:30:14.720
<v Speaker 1>do you want to live here? Well, we were in

0:30:14.880 --> 0:30:16.800
<v Speaker 1>l A for a little bit. I think we've made

0:30:16.840 --> 0:30:18.320
<v Speaker 1>it a year out there, and I was just like,

0:30:18.440 --> 0:30:20.200
<v Speaker 1>it's not for me. You know, we have a lot

0:30:20.200 --> 0:30:21.880
<v Speaker 1>of kids, so we're just starting to look for a

0:30:21.960 --> 0:30:27.320
<v Speaker 1>place too permanently hang our hats and school districts and everything.

0:30:27.480 --> 0:30:29.480
<v Speaker 1>Was just like, what are we doing? This is too much?

0:30:30.000 --> 0:30:32.680
<v Speaker 1>Had some actor of friends that that are you know,

0:30:32.760 --> 0:30:35.960
<v Speaker 1>actually successful at it and have nothing to do with

0:30:36.160 --> 0:30:37.960
<v Speaker 1>l A. You know, they live out in upstate New York,

0:30:38.040 --> 0:30:40.480
<v Speaker 1>and I was just like Okay, I guess you don't

0:30:40.560 --> 0:30:44.719
<v Speaker 1>have to. Um, I remember watch your feet. I drop

0:30:44.840 --> 0:30:46.719
<v Speaker 1>a lot of names to this guy named Jeffrey Dean

0:30:46.760 --> 0:30:50.080
<v Speaker 1>Morgan is on Walking Dead plays Negan buddy of mine.

0:30:50.120 --> 0:30:52.320
<v Speaker 1>He was like, why are you in l A. Why

0:30:52.880 --> 0:30:55.000
<v Speaker 1>what are you doing? That's the dumbest thing you could

0:30:55.000 --> 0:30:57.240
<v Speaker 1>be doing. You can act anywhere. And I always wanted

0:30:57.240 --> 0:30:58.600
<v Speaker 1>to be an actor when I was a kid. But

0:30:59.720 --> 0:31:01.520
<v Speaker 1>I was like, I gotta get back into the music.

0:31:01.600 --> 0:31:05.720
<v Speaker 1>I gotta I gotta like realized that this is like

0:31:05.840 --> 0:31:09.440
<v Speaker 1>I have a pretty incredible opportunity here, and I'm not

0:31:09.480 --> 0:31:13.280
<v Speaker 1>gonna spend more time chasing something else when this is

0:31:14.760 --> 0:31:18.240
<v Speaker 1>slowly and slowly fading, you know. And and at that point,

0:31:18.400 --> 0:31:22.600
<v Speaker 1>it was like two or three years after our last record,

0:31:23.280 --> 0:31:25.000
<v Speaker 1>and I was like, this is this is by the

0:31:25.040 --> 0:31:26.480
<v Speaker 1>time we get this record down, it's gonna be like

0:31:26.520 --> 0:31:28.480
<v Speaker 1>five years. Oh my god. I started having a panic attack.

0:31:29.360 --> 0:31:33.680
<v Speaker 1>So a couple of my guys had already moved to

0:31:33.840 --> 0:31:37.640
<v Speaker 1>Nashville from various places, one from California, went from Virginia,

0:31:38.320 --> 0:31:40.040
<v Speaker 1>and I had some other buddies that were in the

0:31:40.120 --> 0:31:43.880
<v Speaker 1>music industry that we're completely unaffiliated with country. There were

0:31:43.960 --> 0:31:46.360
<v Speaker 1>more urban hip hop and and UH and R and B,

0:31:46.680 --> 0:31:48.480
<v Speaker 1>and they moved their whole team out here, and I

0:31:48.560 --> 0:31:51.120
<v Speaker 1>was like, man, everybody's moving out here must be like

0:31:51.920 --> 0:31:54.720
<v Speaker 1>the thing to do. And so we started looking at

0:31:54.800 --> 0:31:56.880
<v Speaker 1>houses and we're like, oh, it's way more affordable than

0:31:57.160 --> 0:31:59.280
<v Speaker 1>what are we thinking. So we went back to l

0:31:59.360 --> 0:32:02.440
<v Speaker 1>A that we and started packing our bags. Yeah, and

0:32:02.720 --> 0:32:04.520
<v Speaker 1>so we've been here a couple of years now and

0:32:05.280 --> 0:32:08.000
<v Speaker 1>and uh, it's it's definitely closer to where we were

0:32:08.040 --> 0:32:12.440
<v Speaker 1>from in North Carolina as far as the landscape of things,

0:32:12.560 --> 0:32:16.120
<v Speaker 1>but it's also close to a major airport. It's close

0:32:16.200 --> 0:32:18.880
<v Speaker 1>to you know, the industry. It's a lateral move for

0:32:19.000 --> 0:32:21.920
<v Speaker 1>me because everybody I wrote with in l A happens

0:32:21.960 --> 0:32:24.360
<v Speaker 1>to either live out here now or right out here

0:32:24.400 --> 0:32:27.640
<v Speaker 1>half the time. So it was it was just it

0:32:27.800 --> 0:32:30.000
<v Speaker 1>just made sense. That's cool. Well, by the way, I'm

0:32:30.040 --> 0:32:33.560
<v Speaker 1>totally good with us. Oh yeah, Like I'm like, we're good.

0:32:33.680 --> 0:32:36.480
<v Speaker 1>Oh I was too, Yeah, making sure that I was

0:32:36.600 --> 0:32:38.760
<v Speaker 1>like stem that and we're like, like, I'm over. I'm

0:32:38.760 --> 0:32:41.080
<v Speaker 1>also an adult now, yeah, and I have less petty

0:32:41.160 --> 0:32:45.080
<v Speaker 1>things totally. You know, listen to say I'm not petty

0:32:45.120 --> 0:32:49.760
<v Speaker 1>would be absolutely inaccurate, but I'm less petty. Yeah, and

0:32:49.880 --> 0:32:51.560
<v Speaker 1>I was. You know, A many times people are coming

0:32:51.560 --> 0:32:53.120
<v Speaker 1>to me and said, oh, you were such a dick

0:32:53.240 --> 0:32:55.400
<v Speaker 1>or a dude, and I'm like, I used the same way, like, no,

0:32:55.520 --> 0:32:58.920
<v Speaker 1>you probably were, but now I go, you're probably right. Yeah,

0:33:00.000 --> 0:33:02.120
<v Speaker 1>it's weird. Man. The ego is a funny thing. It

0:33:02.200 --> 0:33:06.000
<v Speaker 1>can make you just if you take yourself too seriously.

0:33:06.840 --> 0:33:09.280
<v Speaker 1>It's funny if you can take your own head out

0:33:09.320 --> 0:33:11.840
<v Speaker 1>of your own body and and look at it from

0:33:11.880 --> 0:33:13.720
<v Speaker 1>a distance, like you're watching a movie. That's the way

0:33:13.720 --> 0:33:17.400
<v Speaker 1>I've kind of had to like really work on myself.

0:33:17.480 --> 0:33:19.920
<v Speaker 1>It's like like if I was watching me on TV

0:33:20.120 --> 0:33:22.680
<v Speaker 1>right now, because you can always tell what everybody's doing.

0:33:22.680 --> 0:33:25.000
<v Speaker 1>When you're watching a reality show or something, you can

0:33:25.040 --> 0:33:27.080
<v Speaker 1>call it, oh, they're being a dick, or oh they're

0:33:27.280 --> 0:33:29.280
<v Speaker 1>terrible human being or this, And when you can take

0:33:29.320 --> 0:33:32.240
<v Speaker 1>yourself out outside yourself and see it in that perspective,

0:33:32.600 --> 0:33:36.640
<v Speaker 1>it's easy to go, oh, maybe maybe they're right, Maybe

0:33:36.720 --> 0:33:40.840
<v Speaker 1>my wife is right, maybe I am a dick. Yeah,

0:33:40.880 --> 0:33:47.040
<v Speaker 1>so we're gonna yeah, that's fantastic. We're both adults, both

0:33:47.120 --> 0:33:49.000
<v Speaker 1>just trying to survive in the creative world. Which is

0:33:49.200 --> 0:33:53.040
<v Speaker 1>almost an impossible place to survive. Yeah, so you mentioned

0:33:53.080 --> 0:33:55.400
<v Speaker 1>Walking Dead. You watch Walking Death in Your President? Yeah, yeah,

0:33:55.920 --> 0:33:57.959
<v Speaker 1>I was into it before he got on the show, actually,

0:33:58.120 --> 0:34:01.640
<v Speaker 1>but but yeah, I'm a huge fan me too. I'm

0:34:01.920 --> 0:34:07.040
<v Speaker 1>not sure how they're gonna wrap up Rick season. Last season,

0:34:07.720 --> 0:34:11.239
<v Speaker 1>whenever Nigan came onto the show I wrote about in

0:34:11.320 --> 0:34:14.000
<v Speaker 1>my last book because I was actually writing my last book.

0:34:14.040 --> 0:34:18.000
<v Speaker 1>Whenever that first episode happened where he's where he pops

0:34:18.040 --> 0:34:20.200
<v Speaker 1>the skull. Good god, that was that was hard. That

0:34:20.280 --> 0:34:21.799
<v Speaker 1>was probably one of the hardest things for me to watch,

0:34:21.840 --> 0:34:25.879
<v Speaker 1>the hardcore episode. Right. That show has been so consistently good,

0:34:25.960 --> 0:34:28.000
<v Speaker 1>and it has its up and downs, and it has

0:34:28.040 --> 0:34:30.600
<v Speaker 1>to being that many seasons, but it's a really it's

0:34:30.640 --> 0:34:34.080
<v Speaker 1>a really strong good show. Yeah, I'm curious to where

0:34:34.080 --> 0:34:36.719
<v Speaker 1>they're going to go with it. That outperforms network shows.

0:34:36.719 --> 0:34:38.680
<v Speaker 1>I mean, it was really one of the first shows

0:34:38.760 --> 0:34:41.960
<v Speaker 1>aside from the Sopranos. Do you watch Breaking Bad? Oh? Yeah, yeah,

0:34:42.000 --> 0:34:44.120
<v Speaker 1>yeah that was. And but the thing about Breaking Bad

0:34:44.200 --> 0:34:47.560
<v Speaker 1>is it really caught on almost like with mainstream. Three

0:34:47.600 --> 0:34:50.640
<v Speaker 1>fourths of the way through its whole run, everybody started

0:34:50.680 --> 0:34:52.960
<v Speaker 1>going back to watch it. That was me I've found

0:34:53.000 --> 0:34:55.239
<v Speaker 1>out about it, like when it was in its fourth season. Yeah,

0:34:55.280 --> 0:34:57.640
<v Speaker 1>I wasn't cool either, and I caught onto it late

0:34:57.680 --> 0:35:00.320
<v Speaker 1>to But yeah, I'm a huge walking Dead fay to

0:35:00.320 --> 0:35:01.879
<v Speaker 1>see your boy. He talked to him, tell him big fans,

0:35:02.480 --> 0:35:04.279
<v Speaker 1>I will. I was actually just talking to him two

0:35:04.320 --> 0:35:07.759
<v Speaker 1>days ago. Yeah. Game of Thrones is another one that

0:35:07.840 --> 0:35:11.160
<v Speaker 1>I'm I'm obsessed with me and they just delayed that again.

0:35:11.640 --> 0:35:15.719
<v Speaker 1>They yeah, maybe two thou or they saying, did you

0:35:15.760 --> 0:35:20.200
<v Speaker 1>read that later in the year, I'm supposed to be

0:35:20.280 --> 0:35:23.320
<v Speaker 1>like Spring of two thousand nineteen. Now it's going to

0:35:23.360 --> 0:35:26.360
<v Speaker 1>be even later. Two things got delayed Game of Thrones,

0:35:26.440 --> 0:35:30.560
<v Speaker 1>and they moved back the Top Gun movie a whole year.

0:35:30.640 --> 0:35:33.759
<v Speaker 1>Today he's the were doing Top Gun two or going

0:35:33.840 --> 0:35:35.880
<v Speaker 1>to be in it. He's an instructor this time. And

0:35:35.960 --> 0:35:39.279
<v Speaker 1>did Valve sign you know? I don't think so, yeah,

0:35:39.480 --> 0:35:41.799
<v Speaker 1>come on, wow, yeah, I don't know. So. Yeah, it's

0:35:41.800 --> 0:35:43.800
<v Speaker 1>cool that you guys have a nice man with the

0:35:43.840 --> 0:35:45.960
<v Speaker 1>acting thing. Tell me about that for a second. I

0:35:46.080 --> 0:35:49.000
<v Speaker 1>just um, As a kid, like I always always wanted

0:35:49.040 --> 0:35:53.640
<v Speaker 1>to dress up and be something else, you know. I

0:35:53.800 --> 0:35:57.840
<v Speaker 1>was always like into like the superhero shows, and I

0:35:57.880 --> 0:36:00.640
<v Speaker 1>would cut my jeans up look like Luke Rignose Halt.

0:36:01.360 --> 0:36:04.759
<v Speaker 1>How'd you like doing stage? I as far as um

0:36:05.200 --> 0:36:09.840
<v Speaker 1>like theater. I did it in high school, and I

0:36:10.239 --> 0:36:13.600
<v Speaker 1>liked it. I'm not as much into the musical thing,

0:36:13.920 --> 0:36:15.640
<v Speaker 1>but I do have a lot of respect for it

0:36:15.840 --> 0:36:17.560
<v Speaker 1>because I was reading, I was looking over some stuff

0:36:17.560 --> 0:36:18.880
<v Speaker 1>before you came in and said, high school you you

0:36:18.960 --> 0:36:21.319
<v Speaker 1>did a couple of big productions. Yeah we did. Uh?

0:36:21.440 --> 0:36:24.960
<v Speaker 1>I was I was the I was Scarecrow and the Whiz.

0:36:25.360 --> 0:36:28.880
<v Speaker 1>Oh yeah that was fun. Were you are really good? No,

0:36:29.480 --> 0:36:31.600
<v Speaker 1>obviously were good. But were you known in high school

0:36:31.680 --> 0:36:35.880
<v Speaker 1>as the really good singer guy? Not until eleventh grade.

0:36:36.040 --> 0:36:38.600
<v Speaker 1>I I kept that from people, Like it was one

0:36:38.640 --> 0:36:41.640
<v Speaker 1>of those things that I didn't identify myself with, so

0:36:41.760 --> 0:36:45.200
<v Speaker 1>I assumed that it would be weird for other people

0:36:45.280 --> 0:36:47.360
<v Speaker 1>if if they knew that about me. Like I was

0:36:47.400 --> 0:36:51.440
<v Speaker 1>the dude that was always drawing, and I played some

0:36:51.560 --> 0:36:54.120
<v Speaker 1>sports here and there. I like I was the kid

0:36:54.239 --> 0:36:56.920
<v Speaker 1>that was friends with everyone, Like I had no enemies

0:36:57.239 --> 0:37:00.280
<v Speaker 1>and I could fit in with any crowd, the guys,

0:37:00.640 --> 0:37:04.520
<v Speaker 1>the nerds, the the you know, the the jocks. Like

0:37:04.640 --> 0:37:08.399
<v Speaker 1>I always had friends in each circle. I don't even

0:37:08.480 --> 0:37:12.800
<v Speaker 1>know why. Maybe it was survival, but UM always like

0:37:12.880 --> 0:37:14.520
<v Speaker 1>I just never had a problem with anyone, So I

0:37:14.560 --> 0:37:19.480
<v Speaker 1>always just thought that people associated me with I'm the art.

0:37:19.560 --> 0:37:21.960
<v Speaker 1>I was the artist to do that, drew comic books

0:37:22.000 --> 0:37:25.200
<v Speaker 1>and the guy that you know did did uh, you know,

0:37:25.920 --> 0:37:27.880
<v Speaker 1>some acting here and there, and was always in the

0:37:27.960 --> 0:37:32.399
<v Speaker 1>gym lifting weights. So I I was always like even

0:37:32.440 --> 0:37:34.240
<v Speaker 1>my best friend didn't know I was like a singer,

0:37:34.400 --> 0:37:36.359
<v Speaker 1>and I was like, yeah, dude, really kind of sing

0:37:36.480 --> 0:37:39.920
<v Speaker 1>and he's like, what app dude? And then I remember

0:37:39.960 --> 0:37:41.520
<v Speaker 1>I think I broke out some boys two men, and

0:37:41.680 --> 0:37:45.879
<v Speaker 1>he was like, oh ship and uh. But I kind

0:37:45.920 --> 0:37:48.520
<v Speaker 1>of like I was always like the guy that would

0:37:48.560 --> 0:37:50.520
<v Speaker 1>sing along to the radio and just I assumed that

0:37:50.560 --> 0:37:52.080
<v Speaker 1>everybody could do that. So I didn't think I had

0:37:52.080 --> 0:37:56.600
<v Speaker 1>anything really special until I got maybe in my later teens,

0:37:56.640 --> 0:37:59.320
<v Speaker 1>and I was kind of felt like I could mimic

0:37:59.560 --> 0:38:02.680
<v Speaker 1>a lot of of bands that I liked and the singers,

0:38:03.000 --> 0:38:07.000
<v Speaker 1>and I started like kind of fantasizing about that idea

0:38:07.000 --> 0:38:08.799
<v Speaker 1>of like maybe I could do that, and I would

0:38:08.800 --> 0:38:11.239
<v Speaker 1>see concerts and it would kind of get me more hype.

0:38:11.239 --> 0:38:14.320
<v Speaker 1>I remember you ever heard alive, dude, I'm I'm the

0:38:14.360 --> 0:38:18.200
<v Speaker 1>biggest life. Okay, so Throwing Copper was that was the moment,

0:38:18.320 --> 0:38:21.200
<v Speaker 1>like I changed my life. I my brother had he's

0:38:21.280 --> 0:38:23.799
<v Speaker 1>five years older than me. He had this cassette tape

0:38:23.840 --> 0:38:25.319
<v Speaker 1>and he was like, dude, you gotta hear this song

0:38:26.080 --> 0:38:29.280
<v Speaker 1>and he played Lightning Crashes and I was like, this sucks.

0:38:30.400 --> 0:38:33.600
<v Speaker 1>It was terrible, and I was like, oh, I've seen

0:38:33.680 --> 0:38:36.759
<v Speaker 1>this video on MTV and it's depressing and all that.

0:38:37.360 --> 0:38:38.920
<v Speaker 1>And then I heard it more and more and I

0:38:39.040 --> 0:38:41.440
<v Speaker 1>just started falling in love with his voice. At Qualtic,

0:38:41.520 --> 0:38:45.040
<v Speaker 1>who became like a really um became kind of a

0:38:45.120 --> 0:38:49.080
<v Speaker 1>mentor slash really good friend of mine. And I remember

0:38:49.120 --> 0:38:51.640
<v Speaker 1>seeing them on the Secret Sobodi Tour nineties seven and

0:38:51.719 --> 0:38:55.600
<v Speaker 1>I was like, jaw wide open, obviously not on a

0:38:55.680 --> 0:38:58.480
<v Speaker 1>camera phone watching the show. I was like engaged, and

0:38:58.640 --> 0:39:03.759
<v Speaker 1>I have memories of just going like that. That's that's it.

0:39:04.280 --> 0:39:05.640
<v Speaker 1>Like I don't want to go to school for acting,

0:39:05.680 --> 0:39:07.440
<v Speaker 1>I don't want to draw comic books. I want to

0:39:07.480 --> 0:39:09.839
<v Speaker 1>do that. So I had a buddy of mine start

0:39:09.880 --> 0:39:12.320
<v Speaker 1>showing me how to play guitar and learn some chords

0:39:12.360 --> 0:39:17.839
<v Speaker 1>and started trying to emulate all my heroes. That Throwing

0:39:17.880 --> 0:39:20.279
<v Speaker 1>Copper album is one of my favorite albums that still

0:39:20.320 --> 0:39:23.280
<v Speaker 1>holds up. Yeah, it's still holds Hey, pull up Lives

0:39:23.600 --> 0:39:25.799
<v Speaker 1>like they're they're they're most played songs. I'm a big

0:39:25.880 --> 0:39:29.080
<v Speaker 1>Life fan and so your friends. Yeah yeah, yeah, he was, Um,

0:39:29.760 --> 0:39:32.960
<v Speaker 1>we've done many shows together. Um, he's come out and

0:39:33.080 --> 0:39:35.040
<v Speaker 1>joined me on stage. I've come out and joined them

0:39:35.280 --> 0:39:38.279
<v Speaker 1>and they're back together live original line up there on

0:39:38.520 --> 0:39:40.800
<v Speaker 1>tour right now. So um, I was just talking to

0:39:40.960 --> 0:39:44.480
<v Speaker 1>him like two or three days ago. I'm assuming Lightning

0:39:44.520 --> 0:39:47.439
<v Speaker 1>Crashes their number one song. Yeah, number one. He played

0:39:47.440 --> 0:39:49.560
<v Speaker 1>that a little bit for Fraudy. That's one they'll never

0:39:49.640 --> 0:39:52.000
<v Speaker 1>not play. They can't. You want to see piste off.

0:39:52.040 --> 0:39:56.799
<v Speaker 1>People don't play Liightney crashes. God, this song was so good,

0:39:56.880 --> 0:39:58.279
<v Speaker 1>Like I would listen to the Edge out of Dallas

0:39:58.320 --> 0:40:00.160
<v Speaker 1>that have someone recorded on cassette. It's in in it

0:40:00.239 --> 0:40:01.640
<v Speaker 1>to me because I have a market so off and

0:40:01.719 --> 0:40:10.200
<v Speaker 1>this was always on the edge crash normal love that

0:40:10.360 --> 0:40:11.759
<v Speaker 1>you hear a song I just kind of remind you

0:40:11.840 --> 0:40:15.520
<v Speaker 1>of where you were whenever. That song was the thing

0:40:17.239 --> 0:40:21.560
<v Speaker 1>place into floor And for the radio edit, they had

0:40:21.680 --> 0:40:24.280
<v Speaker 1>changed it to her intentions because they couldn't say placenta

0:40:24.320 --> 0:40:27.520
<v Speaker 1>they changed it on the radio. Was her intentions fall

0:40:27.600 --> 0:40:29.080
<v Speaker 1>to the floor? Yeah, well he did that on the

0:40:29.120 --> 0:40:30.759
<v Speaker 1>second verse, so they must have just swapped it out.

0:40:33.400 --> 0:40:38.759
<v Speaker 1>It's crazy. What's the second song from same record? Was

0:40:39.640 --> 0:40:43.040
<v Speaker 1>that it was top to bottoms so good. Yeah, this

0:40:43.120 --> 0:40:45.960
<v Speaker 1>is one of my most played records of high school.

0:40:46.080 --> 0:40:49.200
<v Speaker 1>It was like sank and they loved the Flanger. It

0:40:49.400 --> 0:40:54.840
<v Speaker 1>was Nirvana and Garth and Tim mcgrawl and Live and

0:40:55.000 --> 0:40:58.839
<v Speaker 1>Pearl Jam and a little Naughty by Nature. Dude, all

0:40:58.920 --> 0:41:01.440
<v Speaker 1>of that was where this same age, So I remember

0:41:01.680 --> 0:41:04.400
<v Speaker 1>all of those things popping at the same time. Naughty

0:41:04.400 --> 0:41:09.919
<v Speaker 1>by Nature, Pearl Jam, Garth Brooks was huge there. Yeah,

0:41:10.040 --> 0:41:12.520
<v Speaker 1>it's that's funny. If I haven't thought about live It

0:41:12.560 --> 0:41:14.200
<v Speaker 1>so long, and tonight I'll go listen all the live

0:41:14.280 --> 0:41:16.200
<v Speaker 1>again because it's there are two times that you go

0:41:16.280 --> 0:41:17.880
<v Speaker 1>back and listen to awesome music that you used to have.

0:41:18.080 --> 0:41:20.040
<v Speaker 1>One whenever someone reminds you of how good it wasn't

0:41:20.040 --> 0:41:23.200
<v Speaker 1>two when they die, and really you really don't want

0:41:23.200 --> 0:41:24.840
<v Speaker 1>to go back when they die and have to because

0:41:24.840 --> 0:41:26.200
<v Speaker 1>I was listening to a lot of the Aretha stuff

0:41:26.200 --> 0:41:28.560
<v Speaker 1>again and I get again. I was born in nineteen eighty,

0:41:28.760 --> 0:41:33.480
<v Speaker 1>so I didn't get to experience prime Aretha, but to

0:41:33.600 --> 0:41:35.080
<v Speaker 1>go back and to listen to it and watch some

0:41:35.120 --> 0:41:37.120
<v Speaker 1>of the YouTube videos and see her sing like in

0:41:37.200 --> 0:41:39.560
<v Speaker 1>some of the raw footage, like maybe one of the

0:41:39.600 --> 0:41:43.160
<v Speaker 1>best singers I've ever seen sing period. It's ridiculous. It's ridiculous,

0:41:43.160 --> 0:41:44.960
<v Speaker 1>and I'm in the land of great singers. Yeah, I

0:41:45.000 --> 0:41:46.960
<v Speaker 1>see him all the time, and even watching her, I

0:41:47.000 --> 0:41:49.439
<v Speaker 1>saw clipping her and Smokey Robinson and they were sitting

0:41:49.480 --> 0:41:51.880
<v Speaker 1>beside each other. And I'm a music nerd, right, so

0:41:51.920 --> 0:41:55.040
<v Speaker 1>I ate it up. And they were with Don Cornelius

0:41:55.400 --> 0:41:57.520
<v Speaker 1>and they were sitting at the piano and they were

0:41:57.560 --> 0:42:00.160
<v Speaker 1>doing a Smokey Robins song and he starts to sing back, uh,

0:42:00.400 --> 0:42:03.000
<v Speaker 1>and then she starts to sing its. Smokey Robinson is fantastic,

0:42:03.080 --> 0:42:06.239
<v Speaker 1>one of the greats. And it was like, uh, the

0:42:06.320 --> 0:42:08.400
<v Speaker 1>real professionals here now, and she was singing one of

0:42:08.480 --> 0:42:11.400
<v Speaker 1>his songs. That's how I felt when I felt when

0:42:11.400 --> 0:42:14.320
<v Speaker 1>I did a song with Vince Gilla, like this is

0:42:14.360 --> 0:42:18.120
<v Speaker 1>how you sing, boy. So what we did a song

0:42:18.200 --> 0:42:20.640
<v Speaker 1>on our second record, Leave This Town, a song called

0:42:20.680 --> 0:42:24.120
<v Speaker 1>Tennessee Line. Uh Me and my guitar player wrote it.

0:42:24.160 --> 0:42:26.560
<v Speaker 1>When we were in Germany. We were UM. It was

0:42:26.640 --> 0:42:29.040
<v Speaker 1>kind of like we were tapping into a little little

0:42:29.080 --> 0:42:33.239
<v Speaker 1>country vibe. And I originally had wanted UM to do

0:42:33.600 --> 0:42:37.160
<v Speaker 1>this song with a with a female vocalists. Um Alison

0:42:37.200 --> 0:42:41.200
<v Speaker 1>Krauss was top of my list and she wasn't available

0:42:41.400 --> 0:42:44.480
<v Speaker 1>or I didn't care, I don't know. We got like

0:42:44.600 --> 0:42:46.840
<v Speaker 1>word back that she wasn't available. She probably said I

0:42:46.920 --> 0:42:49.080
<v Speaker 1>hate that band. I don't know. I've never met her,

0:42:49.360 --> 0:42:53.200
<v Speaker 1>but I absolutely love her and her voice is like

0:42:54.280 --> 0:42:57.439
<v Speaker 1>an angel. So UM, I was like, man, I don't

0:42:57.440 --> 0:42:59.719
<v Speaker 1>know who else we could get. And I was working

0:42:59.800 --> 0:43:02.640
<v Speaker 1>with Richard Marks in the studio on another song on

0:43:02.719 --> 0:43:05.520
<v Speaker 1>that record, and he was I was playing him some

0:43:05.600 --> 0:43:07.359
<v Speaker 1>of the songs that were recording. He was like, dude,

0:43:07.400 --> 0:43:09.920
<v Speaker 1>you know you need to get you need to get

0:43:10.120 --> 0:43:12.040
<v Speaker 1>Vince Gil. I was like, oh cool, Well, why don't

0:43:12.080 --> 0:43:14.640
<v Speaker 1>you just call him up for me? And he goes, oh,

0:43:14.719 --> 0:43:18.200
<v Speaker 1>I will He's one of my best friends. I was like, okay,

0:43:18.320 --> 0:43:21.120
<v Speaker 1>I thought you were just joking around. But then I

0:43:21.200 --> 0:43:23.439
<v Speaker 1>get this call from Vince and he's like, hey, man, Howard,

0:43:23.440 --> 0:43:26.680
<v Speaker 1>you want to do country, and uh, I'll do it, man,

0:43:26.719 --> 0:43:28.160
<v Speaker 1>I do it. Just I was like well, you never.

0:43:28.320 --> 0:43:31.640
<v Speaker 1>You haven't even heard the song yet. For all you know,

0:43:31.800 --> 0:43:35.360
<v Speaker 1>it's like about hookers and blow or something, you know.

0:43:35.520 --> 0:43:39.120
<v Speaker 1>And he goes, man, I love that stuff. It's like, yeah,

0:43:39.120 --> 0:43:41.160
<v Speaker 1>I like this guy's guy's funny. He goes, oh, you

0:43:41.200 --> 0:43:44.279
<v Speaker 1>always beer and pizza. I still haven't paid him back. Um,

0:43:44.560 --> 0:43:47.240
<v Speaker 1>but no, sure enough. We we sent him the session.

0:43:47.280 --> 0:43:51.960
<v Speaker 1>He was about to go on vacation. And uh, actually,

0:43:52.560 --> 0:43:54.680
<v Speaker 1>now that I think about that, the hookers and blow

0:43:54.800 --> 0:43:56.399
<v Speaker 1>thing might not be a good thing to put in here.

0:43:56.920 --> 0:43:59.640
<v Speaker 1>But it was a funny joke. Um, it was obviously

0:43:59.680 --> 0:44:06.400
<v Speaker 1>a joke that was obviously obviously people. Um. But he

0:44:06.560 --> 0:44:09.239
<v Speaker 1>sent it back. He had his dude lay down some

0:44:09.600 --> 0:44:12.239
<v Speaker 1>fiddle on it, and uh, he sent it back and

0:44:12.760 --> 0:44:14.879
<v Speaker 1>and it was just a rough mix. But his voice

0:44:14.960 --> 0:44:17.600
<v Speaker 1>was about five to ten d be louder than mine.

0:44:17.800 --> 0:44:19.400
<v Speaker 1>And when he came in on that second verse, I

0:44:19.480 --> 0:44:23.160
<v Speaker 1>was just like what it was like God saying this

0:44:23.280 --> 0:44:26.040
<v Speaker 1>is how you sing. That's always how I looked at it.

0:44:26.120 --> 0:44:28.360
<v Speaker 1>But his voice is so incredible. That was, to me

0:44:28.560 --> 0:44:32.640
<v Speaker 1>was like the male version of what I heard Alison

0:44:32.680 --> 0:44:35.800
<v Speaker 1>Cross do in my head. What a vocalist have you

0:44:35.840 --> 0:44:38.759
<v Speaker 1>been able to be? Around, performed with or two Beyond

0:44:38.800 --> 0:44:40.560
<v Speaker 1>tour with and actually see what you do on eyeballs.

0:44:40.880 --> 0:44:43.280
<v Speaker 1>There you go. Oh, that's the next level. Kelly Clarkson

0:44:43.360 --> 0:44:49.440
<v Speaker 1>in the studio in the vocal booth, re ridiculous, effortless,

0:44:49.600 --> 0:44:52.360
<v Speaker 1>like honestly made me mad. I'm singing right now. We

0:44:52.440 --> 0:44:56.040
<v Speaker 1>did a song together. It never got out. Is that

0:44:56.560 --> 0:44:58.440
<v Speaker 1>now that we're talking about Richard Marks? I was. I

0:44:58.480 --> 0:45:02.040
<v Speaker 1>wrote it with him and I named Jason Wade from Lifehouse,

0:45:02.840 --> 0:45:05.319
<v Speaker 1>and we were writing it for UM. We're just doing

0:45:05.320 --> 0:45:07.000
<v Speaker 1>a bunch of writing. We happened to all be in

0:45:07.160 --> 0:45:11.000
<v Speaker 1>l at the same time and and UM and Kelly

0:45:11.120 --> 0:45:13.880
<v Speaker 1>was working on her record with Howard Benson. And I

0:45:14.000 --> 0:45:16.319
<v Speaker 1>knew Howard because we had already done two records together.

0:45:17.040 --> 0:45:18.560
<v Speaker 1>And I was like, see if she see if she

0:45:18.719 --> 0:45:20.759
<v Speaker 1>liked this, And I did a demo of it and

0:45:21.040 --> 0:45:23.600
<v Speaker 1>kind of rocked it up a little bit, and she

0:45:23.760 --> 0:45:25.839
<v Speaker 1>loved it, and we went and cut the cut the song,

0:45:26.080 --> 0:45:29.480
<v Speaker 1>and I was just like flow. I knew she was good.

0:45:29.560 --> 0:45:33.200
<v Speaker 1>I've seen her perform many times, and we had performed

0:45:33.239 --> 0:45:36.200
<v Speaker 1>together at bridge Stone years ago when we came through

0:45:36.239 --> 0:45:38.400
<v Speaker 1>with Three Doors Down. She did Fast Car with me

0:45:40.239 --> 0:45:44.319
<v Speaker 1>that's so cool and uh, but I had never worked

0:45:44.400 --> 0:45:47.000
<v Speaker 1>with her in the booth and I was just floored

0:45:47.160 --> 0:45:50.080
<v Speaker 1>in her technique and like she's flawless, her pitch and

0:45:50.160 --> 0:45:53.319
<v Speaker 1>everything is just next level. It's funny you mentioned Richard

0:45:53.360 --> 0:45:57.040
<v Speaker 1>Marx because to some people, Richard Marx is wherever you go,

0:45:57.719 --> 0:46:00.880
<v Speaker 1>I will be right here waiting you. But he's a

0:46:00.880 --> 0:46:05.640
<v Speaker 1>big producer now working He's written like so many writer

0:46:05.800 --> 0:46:07.839
<v Speaker 1>yeah right, yeah. He was talking one of my friends

0:46:07.960 --> 0:46:10.680
<v Speaker 1>last week and she was like, with Richard Mark's writing

0:46:11.000 --> 0:46:13.000
<v Speaker 1>and she really doesn't know him as anything other than

0:46:13.280 --> 0:46:16.560
<v Speaker 1>the guy that writes, right, And like me, I was

0:46:16.640 --> 0:46:17.840
<v Speaker 1>just at the age where I remember him on the

0:46:17.920 --> 0:46:20.279
<v Speaker 1>radio when I was a kid. Dude, it was all

0:46:20.600 --> 0:46:23.720
<v Speaker 1>endless summer nights, like all that stuff was like staple

0:46:23.800 --> 0:46:26.000
<v Speaker 1>and like you turned the radio and there's Richard Martin

0:46:26.000 --> 0:46:27.279
<v Speaker 1>and I'm a huge Cubs fan and he would wear

0:46:27.280 --> 0:46:30.480
<v Speaker 1>the Cubs hat. Yeah and from Chicago. Yeah, so rich

0:46:30.600 --> 0:46:32.799
<v Speaker 1>And you mentioned Jason from Lifehouse. I was a big

0:46:32.880 --> 0:46:36.520
<v Speaker 1>Lifehouse guy, Like is he I didn't know that? Do

0:46:36.600 --> 0:46:40.759
<v Speaker 1>you know him? Yeah? Yeah, great dude, salted the Earth. Yeah,

0:46:41.239 --> 0:46:44.080
<v Speaker 1>I was a big Life House, great writer. So what

0:46:45.120 --> 0:46:48.040
<v Speaker 1>that's interesting. Something to going to is that where's rock

0:46:48.200 --> 0:46:50.759
<v Speaker 1>music now? And what is rock music? Like? I had

0:46:50.840 --> 0:46:52.880
<v Speaker 1>no idea. I don't either. I don't know the definition

0:46:52.920 --> 0:46:57.359
<v Speaker 1>of it anymore. Um, you know, I I think we're

0:46:57.400 --> 0:47:01.800
<v Speaker 1>still in a time where the radio scared of guitars.

0:47:02.520 --> 0:47:05.160
<v Speaker 1>But I don't know. I don't feel like I have

0:47:05.320 --> 0:47:07.239
<v Speaker 1>my finger on the or my thumb on the pulse

0:47:07.440 --> 0:47:11.160
<v Speaker 1>enough to know when that's changing. So what do you

0:47:11.239 --> 0:47:14.000
<v Speaker 1>do though? I mean, we we brought guitars back in

0:47:14.040 --> 0:47:16.000
<v Speaker 1>our record and just said, you know, this is what

0:47:16.120 --> 0:47:18.600
<v Speaker 1>we do. So I don't know if that's gonna hurt

0:47:18.680 --> 0:47:22.160
<v Speaker 1>us or help us, but um, I know that that's

0:47:22.239 --> 0:47:26.800
<v Speaker 1>what I love. That's what really drew me into music,

0:47:27.000 --> 0:47:29.919
<v Speaker 1>just hearing the you know, like we went to see

0:47:29.920 --> 0:47:31.440
<v Speaker 1>the same bands. You know, you see that and that

0:47:31.640 --> 0:47:34.719
<v Speaker 1>that is your idea of rock and roll, And um,

0:47:35.520 --> 0:47:38.360
<v Speaker 1>I think Imagine Dragons does a pretty decent job of

0:47:38.480 --> 0:47:42.880
<v Speaker 1>navigating between both worlds. Um, it's always can it be

0:47:42.960 --> 0:47:46.920
<v Speaker 1>translated heavier live? You know, which we tend to do

0:47:47.040 --> 0:47:50.560
<v Speaker 1>a lot too. Um, But yeah, I don't know. I

0:47:50.600 --> 0:47:52.399
<v Speaker 1>think there's a lot of great rock acts out there

0:47:52.480 --> 0:47:54.719
<v Speaker 1>that that aren't seeing the line of day. You think,

0:47:54.719 --> 0:47:59.560
<v Speaker 1>imagine dragon to a rock. I think they started that

0:47:59.719 --> 0:48:05.680
<v Speaker 1>way or did they were the Killers? I think that's rock.

0:48:06.960 --> 0:48:08.520
<v Speaker 1>I think it's it's I think it's more about the

0:48:08.560 --> 0:48:10.800
<v Speaker 1>attitude behind it too. And that was the point of

0:48:10.880 --> 0:48:13.000
<v Speaker 1>my question because people struggle with this in country too.

0:48:13.040 --> 0:48:14.719
<v Speaker 1>They go as, in country, is it not? There's not

0:48:14.760 --> 0:48:16.480
<v Speaker 1>a right answer. Yeah, I think it's I think it's

0:48:16.520 --> 0:48:20.399
<v Speaker 1>the intention behind it. Um. I think everything is kind

0:48:20.480 --> 0:48:24.360
<v Speaker 1>of all kind of like when you go over to

0:48:24.480 --> 0:48:27.080
<v Speaker 1>Europe and two over there, like all genres are kind

0:48:27.080 --> 0:48:31.080
<v Speaker 1>of played everywhere. It's not like you got this format,

0:48:31.160 --> 0:48:34.680
<v Speaker 1>this format, this format. Um. It feels like it's all

0:48:34.880 --> 0:48:36.880
<v Speaker 1>like we did a show with Backstreet Boys over in

0:48:36.960 --> 0:48:40.880
<v Speaker 1>Germany and we were like, this is interesting, but equal

0:48:40.960 --> 0:48:44.800
<v Speaker 1>fan base, like the fan base that's human though, to

0:48:45.080 --> 0:48:47.560
<v Speaker 1>be fair, Like on my radio show now and it's

0:48:47.640 --> 0:48:52.680
<v Speaker 1>on a hundred and thirty cities in Canada twenty or so,

0:48:52.880 --> 0:48:55.560
<v Speaker 1>so you know, we have a broad audience that comes

0:48:55.600 --> 0:48:57.480
<v Speaker 1>to listen to a country. But I play hip hop

0:48:57.560 --> 0:49:01.000
<v Speaker 1>on my morning show. I would play imagine dragons. I

0:49:01.120 --> 0:49:05.440
<v Speaker 1>love all of it, People love all of it. It's nobody,

0:49:05.560 --> 0:49:09.880
<v Speaker 1>nobody turns away when they see any of that live.

0:49:11.440 --> 0:49:13.239
<v Speaker 1>You know, and if you look at something you talk

0:49:13.239 --> 0:49:14.759
<v Speaker 1>about looking at your life as a movie, if you

0:49:14.840 --> 0:49:17.360
<v Speaker 1>just look at someone's phone, no one's phone is a

0:49:17.440 --> 0:49:20.440
<v Speaker 1>format of music. No one's phone is a format. No

0:49:20.520 --> 0:49:23.000
<v Speaker 1>one's car is a format. The only thing this format

0:49:23.320 --> 0:49:26.520
<v Speaker 1>and categories are fine to be able to separate things.

0:49:26.920 --> 0:49:29.600
<v Speaker 1>But if you're talking about what consumers like, and that's

0:49:29.640 --> 0:49:30.799
<v Speaker 1>what I try to do. Try to be the pulse

0:49:30.840 --> 0:49:34.399
<v Speaker 1>of what people like. Um there, the formats aren't a thing.

0:49:35.040 --> 0:49:37.800
<v Speaker 1>You may lean a bit, you may like a certain

0:49:37.880 --> 0:49:41.000
<v Speaker 1>sound a bit more, but everybody loves some Frank Sinatra

0:49:41.880 --> 0:49:45.799
<v Speaker 1>and everybody loves Snoop Dogg. You know, everybody loves people

0:49:45.880 --> 0:49:49.520
<v Speaker 1>usually like both a little bit. You know, we prints

0:49:50.120 --> 0:49:55.200
<v Speaker 1>one of my favorites. Um yeah, it's it's it's I

0:49:55.400 --> 0:49:59.640
<v Speaker 1>wish that it didn't feel so separated sometimes. You know,

0:50:00.560 --> 0:50:05.680
<v Speaker 1>I do understand that people go to the format or

0:50:06.480 --> 0:50:08.600
<v Speaker 1>actually you probably know more than I do on how

0:50:08.680 --> 0:50:11.560
<v Speaker 1>it's tested and how they judge what, what's able to

0:50:11.600 --> 0:50:16.080
<v Speaker 1>be played on what. But I just think I look

0:50:16.120 --> 0:50:18.480
<v Speaker 1>at it from a like maybe maybe I don't know

0:50:18.480 --> 0:50:20.239
<v Speaker 1>what I'm talking about, but like put it out there

0:50:20.239 --> 0:50:22.759
<v Speaker 1>and let's see what it does like let it, let

0:50:22.840 --> 0:50:24.960
<v Speaker 1>it have a life of its own. Let let the

0:50:25.320 --> 0:50:28.919
<v Speaker 1>people judge, you know, whether that's going to be played

0:50:29.040 --> 0:50:31.160
<v Speaker 1>or not. I mean, and that's what people do to us.

0:50:31.480 --> 0:50:36.239
<v Speaker 1>They judge. Come, they listen, they don't, they decide. Um. Yeah,

0:50:36.280 --> 0:50:38.560
<v Speaker 1>it's an interesting thing to go away. What is rock music?

0:50:38.640 --> 0:50:40.880
<v Speaker 1>Because what is country music? What is even? What is

0:50:40.960 --> 0:50:44.000
<v Speaker 1>hip hop? You know? Yeah, Mikeda is mumble rap hip

0:50:44.040 --> 0:50:47.200
<v Speaker 1>hop hip hop right now? Yeah? You know? Now I

0:50:47.320 --> 0:50:50.200
<v Speaker 1>love I love Postmalon and something. I listened to it

0:50:50.280 --> 0:50:52.120
<v Speaker 1>like every night before I go off. He's die hard

0:50:52.160 --> 0:50:54.120
<v Speaker 1>Postmon and we'll play it on the show some and

0:50:54.200 --> 0:50:57.239
<v Speaker 1>he seemed postmone live. But it's is he good? He's

0:50:57.280 --> 0:50:59.840
<v Speaker 1>really good and he can do anything. And he plays guitar.

0:51:00.400 --> 0:51:04.560
<v Speaker 1>My comparison to my d who's how old was and

0:51:04.680 --> 0:51:07.520
<v Speaker 1>they're not the same, but they feel the same. Kid

0:51:07.680 --> 0:51:10.719
<v Speaker 1>rock when he came. Okay, he's kind of a hip

0:51:10.760 --> 0:51:13.000
<v Speaker 1>hop guy, but he does some rocks stuff and now

0:51:13.120 --> 0:51:15.360
<v Speaker 1>he's kind of country. I don't only know what he

0:51:16.120 --> 0:51:18.919
<v Speaker 1>but it's all kind of good. Did you see him live?

0:51:19.000 --> 0:51:21.719
<v Speaker 1>And he does all of it kind of that he

0:51:21.800 --> 0:51:25.239
<v Speaker 1>plays guitar and sings, and he does hip hop and

0:51:25.400 --> 0:51:27.720
<v Speaker 1>he's I could totally see him pulling out a country

0:51:27.800 --> 0:51:30.759
<v Speaker 1>song and it and it being completely believable. Yeah, I

0:51:30.840 --> 0:51:33.000
<v Speaker 1>can see it, Yeah in some Texas and we would

0:51:33.000 --> 0:51:36.239
<v Speaker 1>go believe he has country roots too. Yeah. Yeah, you

0:51:36.320 --> 0:51:38.200
<v Speaker 1>know what, Um, I didn't know there's you gets this

0:51:38.280 --> 0:51:41.200
<v Speaker 1>old eight million records. Huh, that's what it is. That's

0:51:41.200 --> 0:51:45.200
<v Speaker 1>a that's a lot of records. Man, I appreciate that. Yeah, listen,

0:51:45.239 --> 0:51:46.919
<v Speaker 1>a lot of this isn't from mine. The whole first

0:51:46.920 --> 0:51:48.440
<v Speaker 1>part of this interview was but I made a few

0:51:48.480 --> 0:51:50.520
<v Speaker 1>notes that I wanted to, uh, to bring up things

0:51:50.560 --> 0:51:55.279
<v Speaker 1>I didn't know behind I guess Kelly and Carrie, you're

0:51:55.320 --> 0:51:59.360
<v Speaker 1>the third biggest alum from Idol as far as like selling,

0:51:59.480 --> 0:52:02.640
<v Speaker 1>and it's crazy, that's cool when they when I hear that,

0:52:02.800 --> 0:52:08.120
<v Speaker 1>it always kind of it's sometimes I forget, you know,

0:52:08.400 --> 0:52:10.320
<v Speaker 1>I don't never really try not to pay attention to

0:52:10.360 --> 0:52:13.160
<v Speaker 1>all the accolades and the numbers, and it's it's fun

0:52:13.239 --> 0:52:15.400
<v Speaker 1>to hear It's like, oh, yeah, we've done all right.

0:52:15.719 --> 0:52:17.759
<v Speaker 1>The rumor that I always heard was that you had

0:52:18.280 --> 0:52:20.359
<v Speaker 1>either audition, they wanted you to sing for fuel when

0:52:20.400 --> 0:52:23.759
<v Speaker 1>you come off idle. Was that true? Oh? Yeah, it

0:52:23.920 --> 0:52:30.040
<v Speaker 1>was crazy. It was after my first week of the

0:52:30.160 --> 0:52:34.440
<v Speaker 1>actual competition. I think we did um. It was the

0:52:34.480 --> 0:52:41.120
<v Speaker 1>week after I did hemorrhage in my hand, and there

0:52:41.280 --> 0:52:45.719
<v Speaker 1>Joe Randy Jackson came up to me after that show

0:52:45.840 --> 0:52:47.759
<v Speaker 1>that night, we were all headed to the dressing room

0:52:47.800 --> 0:52:49.360
<v Speaker 1>and it was one of the very few times that

0:52:49.440 --> 0:52:54.239
<v Speaker 1>I actually saw him outside of the judging table, and

0:52:54.320 --> 0:52:56.960
<v Speaker 1>he was like, dude, my boy Carl Bell from Fuel,

0:52:57.040 --> 0:52:59.880
<v Speaker 1>hit me up. They might be looking for you, man,

0:53:00.000 --> 0:53:01.600
<v Speaker 1>and they might be looking at it. I was like, why,

0:53:02.080 --> 0:53:04.600
<v Speaker 1>he goes, I think they're looking for a singer. I'm like,

0:53:04.880 --> 0:53:07.880
<v Speaker 1>what what happened to Brett? He goes, I don't. I

0:53:07.920 --> 0:53:13.719
<v Speaker 1>don't think it's working out. I don't. Well, that's flattering,

0:53:13.800 --> 0:53:16.200
<v Speaker 1>but obviously I can't do anything because he goes, yeah,

0:53:16.320 --> 0:53:18.040
<v Speaker 1>but you know, don't be surprised if you hear anything,

0:53:18.280 --> 0:53:24.560
<v Speaker 1>you know, And they kind of like waited, and then

0:53:24.880 --> 0:53:27.239
<v Speaker 1>they hit me up when they knew that I wasn't

0:53:27.239 --> 0:53:30.120
<v Speaker 1>on the show anymore, hit you up, and uh, actually

0:53:30.200 --> 0:53:35.560
<v Speaker 1>they went on Entertainment tonight and actually did a blurb

0:53:35.760 --> 0:53:39.239
<v Speaker 1>on that saying, hey, Chris Daltrey, you know, we're we're

0:53:39.280 --> 0:53:41.720
<v Speaker 1>looking for a singer hit us up. And it was weird,

0:53:42.640 --> 0:53:44.799
<v Speaker 1>like I didn't know what to do. Like I was like, wow,

0:53:44.960 --> 0:53:48.040
<v Speaker 1>you know, if I was maybe maybe if I was,

0:53:48.520 --> 0:53:52.719
<v Speaker 1>you know, still a nobody, and I was, and and

0:53:52.800 --> 0:53:58.279
<v Speaker 1>I don't mean that in any sort of, ah, disrespectful way,

0:53:58.320 --> 0:54:00.239
<v Speaker 1>but like I pictured me like if I was in

0:54:00.320 --> 0:54:03.440
<v Speaker 1>the clubs before I ever went on Idol, spinning wheels,

0:54:04.040 --> 0:54:08.600
<v Speaker 1>not you know, maybe playing for gas money, if that

0:54:08.840 --> 0:54:11.160
<v Speaker 1>offer came along, it would be like no brainer, Like

0:54:11.320 --> 0:54:13.880
<v Speaker 1>this is much better than where I'm at right now.

0:54:14.000 --> 0:54:17.800
<v Speaker 1>And obviously nobody's beating down the doors at these clubs

0:54:17.880 --> 0:54:21.560
<v Speaker 1>to assign me. But I had had this opportunity to

0:54:21.640 --> 0:54:23.920
<v Speaker 1>be on American Idol, and I was like, this is

0:54:24.000 --> 0:54:26.319
<v Speaker 1>like my audition for every record label out there, really

0:54:26.880 --> 0:54:30.880
<v Speaker 1>and to do what I do and not be limited

0:54:30.960 --> 0:54:34.880
<v Speaker 1>to someone else's success or someone else's songwriting. And I

0:54:34.960 --> 0:54:38.120
<v Speaker 1>was like, man, that that's really flattering, but yeah, I

0:54:38.239 --> 0:54:41.879
<v Speaker 1>just I can't in my right mind can't say yes

0:54:41.920 --> 0:54:44.640
<v Speaker 1>to this, and the guy is still alive. So that

0:54:44.800 --> 0:54:50.799
<v Speaker 1>always felt weird too. It's not like you look out

0:54:50.800 --> 0:54:56.239
<v Speaker 1>in the audience and he's like flipping you off. Well,

0:54:56.320 --> 0:54:59.120
<v Speaker 1>listen the new album's cage to rattle, check it out. Um,

0:54:59.400 --> 0:55:01.160
<v Speaker 1>let's play Michae. Let's play one more track from the

0:55:01.160 --> 0:55:03.399
<v Speaker 1>new record before we jump out of here. Why don't

0:55:03.440 --> 0:55:14.960
<v Speaker 1>we play backbone? How do you? How do you sing

0:55:15.080 --> 0:55:17.960
<v Speaker 1>like this? If you have a cold or if you're sick? Man?

0:55:18.920 --> 0:55:22.440
<v Speaker 1>Colds are my worst enemy. Um, you know I rarely

0:55:22.480 --> 0:55:25.200
<v Speaker 1>get them, Thank god. Um, I rarely get them. But

0:55:27.480 --> 0:55:32.360
<v Speaker 1>that cold isn't nearly as bad as like a sinus

0:55:32.400 --> 0:55:35.560
<v Speaker 1>infection or something like that. That's when I'm like or bronchitis.

0:55:36.400 --> 0:55:40.879
<v Speaker 1>That's I've had it like maybe twice UM on tour

0:55:41.120 --> 0:55:44.000
<v Speaker 1>and laryngitis a couple of times. I think we've can't

0:55:44.040 --> 0:55:48.040
<v Speaker 1>intend twelve years of touring, we've canceled like three shows

0:55:48.239 --> 0:55:53.880
<v Speaker 1>because of being sick. I hate canceling. I hate and

0:55:53.960 --> 0:55:56.239
<v Speaker 1>I'll go to stand up and I care so much

0:55:56.239 --> 0:55:58.960
<v Speaker 1>about the people that come, and I know they've made

0:55:59.040 --> 0:56:02.640
<v Speaker 1>plans for we and your voices, your work, tickets, and

0:56:02.680 --> 0:56:04.040
<v Speaker 1>they also don't want to give them a bad show

0:56:04.080 --> 0:56:06.000
<v Speaker 1>if I'm not feeling well. So you're just so torn.

0:56:06.680 --> 0:56:10.600
<v Speaker 1>They got probably something got babysitters and they actually came

0:56:10.680 --> 0:56:12.960
<v Speaker 1>and took part of their life and came to see

0:56:13.040 --> 0:56:16.200
<v Speaker 1>me like that's a big deal to yea. And so

0:56:16.760 --> 0:56:19.480
<v Speaker 1>it's a tough thing to be in compassionate and empathetic.

0:56:19.840 --> 0:56:22.360
<v Speaker 1>Really changes things when you when it comes time to,

0:56:23.200 --> 0:56:26.480
<v Speaker 1>you know, make that decision, do I cancel? And then

0:56:26.520 --> 0:56:29.759
<v Speaker 1>you think about the hundreds or thousands of people that

0:56:30.400 --> 0:56:33.799
<v Speaker 1>just maybe drove an hour, hour and a half had

0:56:33.880 --> 0:56:38.680
<v Speaker 1>planned it for weeks, months, sometimes here in advance. It's crazy.

0:56:39.160 --> 0:56:41.839
<v Speaker 1>Well makes you disappoint Chris, it's good. It's good to spiss.

0:56:43.440 --> 0:56:45.480
<v Speaker 1>We've done an hour and that's a good that's a

0:56:45.640 --> 0:56:48.200
<v Speaker 1>strong hour. Yeah, it was strong. It was strong. Good.

0:56:48.800 --> 0:56:53.040
<v Speaker 1>I didn't hang up on you, and I didn't. It's

0:56:53.080 --> 0:56:56.800
<v Speaker 1>all good. I think for old time's sake, instead of

0:56:56.840 --> 0:56:58.640
<v Speaker 1>taking a picture of you, will take one together. We'll

0:56:58.680 --> 0:57:04.719
<v Speaker 1>post it. Have great. Well, you'll be like, look at that. No, really,

0:57:05.040 --> 0:57:07.200
<v Speaker 1>I'm I'm really excited you came over. I am to

0:57:07.320 --> 0:57:09.000
<v Speaker 1>thank you very much for taking the time to have

0:57:09.160 --> 0:57:11.600
<v Speaker 1>me and shout out to our buddy Kevin Legrett who yes,

0:57:11.800 --> 0:57:15.279
<v Speaker 1>thank you Kevin, who is here. Yeah. And and it's

0:57:15.280 --> 0:57:17.520
<v Speaker 1>a big part of my life personally and in my career,

0:57:17.600 --> 0:57:19.760
<v Speaker 1>So shout out Kevin loved man all right well christ

0:57:19.760 --> 0:57:22.280
<v Speaker 1>Audrey episode one thirty eight thanks to sleep Number and LifeLock.

0:57:22.520 --> 0:57:24.880
<v Speaker 1>Be sure to check out Cage to rattle, stream, download

0:57:25.000 --> 0:57:27.440
<v Speaker 1>by it anyway to consume it that you'll consume it.

0:57:27.480 --> 0:57:29.240
<v Speaker 1>Go see him though, That's the important thing. It comes around.

0:57:29.280 --> 0:57:31.920
<v Speaker 1>Go see him because that's how that's how artists. It's

0:57:31.920 --> 0:57:34.280
<v Speaker 1>a fun time. Oh we're gonna Oh we're playing the

0:57:34.400 --> 0:57:37.840
<v Speaker 1>Ryman septem You gotta come. Boy? Is it a weeknight

0:57:37.880 --> 0:57:39.680
<v Speaker 1>because I wake up through in the morning. Man, is

0:57:39.720 --> 0:57:43.640
<v Speaker 1>it a week night? It's probably Thursday or something. I

0:57:43.680 --> 0:57:46.800
<v Speaker 1>won't even go to radio the radio hours or rough.

0:57:48.200 --> 0:57:49.680
<v Speaker 1>I'll tell you what. If it's on a weekend and

0:57:49.760 --> 0:57:52.160
<v Speaker 1>I'm not on the road, I would love it. We

0:57:52.240 --> 0:57:53.960
<v Speaker 1>got you taken care of if that's the case, and

0:57:54.160 --> 0:57:57.560
<v Speaker 1>and any other time obviously So at the Rhyman in

0:57:57.640 --> 0:58:00.520
<v Speaker 1>Nashville in September September twenty, what's the sorry, people to

0:58:00.520 --> 0:58:02.680
<v Speaker 1>go check out the Daughtry official dot com. Oh you

0:58:02.680 --> 0:58:05.840
<v Speaker 1>don't have Daughtry dot com? Yeah, what's up with that?

0:58:06.520 --> 0:58:11.400
<v Speaker 1>We don't happen, Yeah I must be Yeah, check out

0:58:11.440 --> 0:58:14.400
<v Speaker 1>Cage Radical Chris I do have Chris at Chris Daughtry

0:58:14.520 --> 0:58:16.440
<v Speaker 1>on Instagram. I did manage to get that one. You

0:58:16.520 --> 0:58:19.760
<v Speaker 1>have to buy it. No, we actually uh we actually were.

0:58:20.120 --> 0:58:23.640
<v Speaker 1>Um we had we knew someone who made a phone call.

0:58:24.120 --> 0:58:26.000
<v Speaker 1>I don't know what that phone call entailed, but we

0:58:26.080 --> 0:58:28.760
<v Speaker 1>got we got the domain. I can't get at Bobby

0:58:28.800 --> 0:58:31.640
<v Speaker 1>Bones and they're not even using it, you know, they

0:58:31.760 --> 0:58:34.320
<v Speaker 1>just sit on it for what for us to pay

0:58:34.360 --> 0:58:36.120
<v Speaker 1>for it? Evisual? Well, I do have an underscore on

0:58:36.320 --> 0:58:39.240
<v Speaker 1>on my Twitter account. That is true. That guy Underscore doctors.

0:58:39.280 --> 0:58:42.240
<v Speaker 1>That guy won't move. We'll see you guys next time. Chris.

0:58:42.320 --> 0:58:43.320
<v Speaker 1>Thanks for the time, all right,