1 00:00:01,120 --> 00:00:04,200 Speaker 1: Welcome to the iHeartRadio and Coast to Coast AM paranormal 2 00:00:04,240 --> 00:00:07,520 Speaker 1: podcast network. Now get ready for us Strange Things with 3 00:00:07,640 --> 00:00:08,239 Speaker 1: Joshua P. 4 00:00:08,400 --> 00:00:08,640 Speaker 2: Warren. 5 00:00:13,840 --> 00:00:17,159 Speaker 3: Welcome to our podcast. Please be aware the thoughts and 6 00:00:17,200 --> 00:00:21,200 Speaker 3: opinions expressed by the host are their thoughts and opinions 7 00:00:21,200 --> 00:00:26,440 Speaker 3: only and do not reflect those of iHeartMedia, iHeartRadio, Coast 8 00:00:26,440 --> 00:00:30,880 Speaker 3: to Coast AM, employees of Premiere Networks, or their sponsors 9 00:00:30,880 --> 00:00:34,120 Speaker 3: and associates. We would like to encourage you to do 10 00:00:34,159 --> 00:00:55,080 Speaker 3: your own research and discover the subject matter for yourself. 11 00:00:54,880 --> 00:00:57,520 Speaker 2: If you get ready to be amazed by the wizard 12 00:00:57,720 --> 00:01:08,880 Speaker 2: of weird. This is Strange Warren. I am Joshua B. 13 00:01:08,959 --> 00:01:11,800 Speaker 1: Warren, and each week on this show, I'll be bringing 14 00:01:11,840 --> 00:01:16,400 Speaker 1: it brand new mind blowing content, news, exercises, and weird 15 00:01:16,520 --> 00:01:19,399 Speaker 1: experiments you can do at home, and a lot more 16 00:01:21,080 --> 00:01:25,800 Speaker 1: on this edition of the show. Keep this in your 17 00:01:25,880 --> 00:01:32,360 Speaker 1: wallet to attract money. Plus a ghost story. 18 00:01:33,080 --> 00:01:38,200 Speaker 2: This is something that I have been meaning to. 19 00:01:38,160 --> 00:01:41,080 Speaker 1: Talk about for a long time, but I wasn't quite ready. 20 00:01:41,120 --> 00:01:45,440 Speaker 1: I don't think I have ever shared this story publicly 21 00:01:45,640 --> 00:01:49,880 Speaker 1: that I'm gonna gonna tell you about here shortly. But 22 00:01:50,000 --> 00:01:54,680 Speaker 1: first things first, I for many many years have been 23 00:01:54,760 --> 00:01:58,200 Speaker 1: keeping a little piece of paper, like a little sliver 24 00:01:58,280 --> 00:02:02,560 Speaker 1: of paper in my wallet with the number eight drawn 25 00:02:02,600 --> 00:02:06,240 Speaker 1: on it. And since I have done that, let me 26 00:02:06,280 --> 00:02:09,360 Speaker 1: tell you that wallet has never been empty. 27 00:02:09,560 --> 00:02:13,080 Speaker 2: It has always been full of cash. 28 00:02:13,360 --> 00:02:16,480 Speaker 1: And some of you have probably heard about the power 29 00:02:16,600 --> 00:02:22,040 Speaker 1: of number eight and attracting wealth before, but I want 30 00:02:22,080 --> 00:02:24,359 Speaker 1: to dig into it a little bit more with you, 31 00:02:24,400 --> 00:02:27,920 Speaker 1: because you know, I'm recording this show right now in 32 00:02:27,960 --> 00:02:30,600 Speaker 1: the spring, and that's when a lot of people are 33 00:02:30,639 --> 00:02:36,079 Speaker 1: finally starting to get financially caught up after the holidays 34 00:02:36,160 --> 00:02:38,880 Speaker 1: and wintertime. You know, everybody blows way too much money 35 00:02:38,919 --> 00:02:42,359 Speaker 1: around the holidays and then and winter things slow down 36 00:02:42,400 --> 00:02:45,680 Speaker 1: a lot, and so it's nice to get a little 37 00:02:45,760 --> 00:02:49,800 Speaker 1: kick start if you want to start. You're generating more 38 00:02:50,120 --> 00:02:53,400 Speaker 1: opportunities for money to come your way, and often I 39 00:02:53,440 --> 00:02:57,440 Speaker 1: mean unexpected ways, things that you know, you can't even 40 00:02:57,480 --> 00:02:59,360 Speaker 1: imagine how you're going to get any money, and then 41 00:02:59,360 --> 00:03:01,400 Speaker 1: all of a sudden, a check shows up or an 42 00:03:01,440 --> 00:03:04,880 Speaker 1: opportunity pops up that will allow you to make money. 43 00:03:06,480 --> 00:03:08,320 Speaker 1: And when I say I have a number eight, the 44 00:03:08,360 --> 00:03:10,519 Speaker 1: first time I did this, I got a little piece 45 00:03:10,639 --> 00:03:13,040 Speaker 1: of paper. If that's probably like an inch by an inch, 46 00:03:13,080 --> 00:03:14,880 Speaker 1: and I just took an ink pen and I just 47 00:03:14,960 --> 00:03:18,720 Speaker 1: drew an eight on it and put that in my wallet. 48 00:03:18,760 --> 00:03:21,400 Speaker 1: And then later on, when I realized how quickly my 49 00:03:21,480 --> 00:03:25,799 Speaker 1: wallet kept filling up, I made a more permanent version. 50 00:03:26,080 --> 00:03:29,160 Speaker 1: I laminated it. And I've kept at least one of 51 00:03:29,160 --> 00:03:32,760 Speaker 1: those in my wallet sure enough. And I can't remember 52 00:03:32,800 --> 00:03:35,400 Speaker 1: where I first heard about the power of keeping the 53 00:03:35,480 --> 00:03:40,080 Speaker 1: number eight in a wallet. I know that Glennis McCants, 54 00:03:40,880 --> 00:03:44,080 Speaker 1: the Numbers Lady, has talked about this on Coast to 55 00:03:44,120 --> 00:03:48,280 Speaker 1: Coast AM a number of times. Of course, I even 56 00:03:48,360 --> 00:03:51,520 Speaker 1: interviewed her back in the day on my show called 57 00:03:51,560 --> 00:03:56,280 Speaker 1: Speaking of Strange. She's a very famous numerologist. In fact, 58 00:03:56,800 --> 00:04:01,040 Speaker 1: her website is Glennis has Your Number dot com g 59 00:04:01,280 --> 00:04:05,240 Speaker 1: L Y n I S. Mccant's mc c A n 60 00:04:05,280 --> 00:04:08,560 Speaker 1: T S. Glennis has Your Number dot com. She talks 61 00:04:08,560 --> 00:04:12,000 Speaker 1: a lot about the power of number eight to attract wealth, 62 00:04:13,080 --> 00:04:17,960 Speaker 1: and I believe that right off the bat it has 63 00:04:18,040 --> 00:04:21,320 Speaker 1: to do with the fact that the number eight is 64 00:04:21,880 --> 00:04:26,600 Speaker 1: also used as the sign for infinity in many regards. 65 00:04:26,600 --> 00:04:30,520 Speaker 1: We see it used as the infinity symbol in math. 66 00:04:30,960 --> 00:04:33,599 Speaker 1: We see it used that way in a lot of technology. 67 00:04:33,680 --> 00:04:37,360 Speaker 1: For example, if you use a camera, you'll often see 68 00:04:37,720 --> 00:04:40,920 Speaker 1: the infinity sign there to allow you to focus properly. 69 00:04:42,120 --> 00:04:44,720 Speaker 1: It's kind of interesting when you get online and you 70 00:04:44,760 --> 00:04:49,080 Speaker 1: start reading about the number eight. It says here that 71 00:04:49,240 --> 00:04:54,640 Speaker 1: the infinity symbol described as a sideways figure eight is 72 00:04:54,839 --> 00:05:01,080 Speaker 1: unrelated to the digit eight in origin, that it's first 73 00:05:01,320 --> 00:05:05,360 Speaker 1: used in the mathematical meaning infinity in the seventeenth century, 74 00:05:05,960 --> 00:05:09,000 Speaker 1: and may be derived from the Roman numeral for one thousand, 75 00:05:09,040 --> 00:05:13,360 Speaker 1: which looks similar to this. So they're saying that officially 76 00:05:15,080 --> 00:05:17,919 Speaker 1: that the usage of the number eight as as accounting 77 00:05:18,000 --> 00:05:23,200 Speaker 1: tool should not be related to this symbol being used 78 00:05:23,200 --> 00:05:28,600 Speaker 1: to represent infinity. But to me, I understand how there's 79 00:05:28,600 --> 00:05:35,560 Speaker 1: a difference between literally counting using numbers and just the 80 00:05:35,600 --> 00:05:38,600 Speaker 1: way that the number appears to you. But this goes 81 00:05:38,640 --> 00:05:43,960 Speaker 1: back to my belief in the symbology in general of 82 00:05:44,520 --> 00:05:48,520 Speaker 1: how pictures appear. That it may not have to do 83 00:05:48,600 --> 00:05:52,320 Speaker 1: with the fact that eight can only be used as 84 00:05:52,360 --> 00:05:56,000 Speaker 1: accounting tool on you out of your ten fingers here 85 00:05:56,040 --> 00:05:59,200 Speaker 1: to keep up keep track of something. That something about 86 00:05:59,240 --> 00:06:02,560 Speaker 1: the way it's to pick it also triggers this idea 87 00:06:02,600 --> 00:06:04,840 Speaker 1: of infinity in the brain. In fact, if you're more 88 00:06:04,920 --> 00:06:08,120 Speaker 1: interested in numerology type stuff. I did an episode of 89 00:06:08,120 --> 00:06:13,239 Speaker 1: this podcast called Strange Things, Episode one two. It's called 90 00:06:13,320 --> 00:06:16,080 Speaker 1: can Numerology Make You Rich and Happy? 91 00:06:16,560 --> 00:06:21,400 Speaker 2: Truth? So to me, Regardless of the. 92 00:06:21,400 --> 00:06:25,720 Speaker 1: Historic relationship between eight as accounting tool and eight as 93 00:06:25,760 --> 00:06:29,560 Speaker 1: a symbol for infinity, I think there's something about seeing 94 00:06:30,480 --> 00:06:36,680 Speaker 1: this loop that it never ends, it connects back to itself, 95 00:06:37,960 --> 00:06:42,880 Speaker 1: which taps in to the idea of never ending abundance 96 00:06:43,000 --> 00:06:46,479 Speaker 1: flowing your way, the fact that everything in the universal 97 00:06:46,600 --> 00:06:53,640 Speaker 1: is is a cycle, and everything is being recycled. And 98 00:06:53,839 --> 00:06:55,880 Speaker 1: I could sit here and read to you. You know 99 00:06:56,279 --> 00:07:00,280 Speaker 1: quite a bit about the history of the infinity symbol. Say, 100 00:07:00,320 --> 00:07:02,760 Speaker 1: it's commonly seen going all the way back back to 101 00:07:03,400 --> 00:07:09,480 Speaker 1: like Viking age, combs and tools. It's been used in 102 00:07:09,520 --> 00:07:14,760 Speaker 1: a lot of different ways. But it makes sense that 103 00:07:16,280 --> 00:07:21,200 Speaker 1: this symbol would very simply capture the idea of money 104 00:07:21,560 --> 00:07:24,120 Speaker 1: or anything flowing to you. And that is how you 105 00:07:24,240 --> 00:07:29,800 Speaker 1: have to envision, just subconsciously, the idea of making money, 106 00:07:29,840 --> 00:07:33,040 Speaker 1: of money flowing freely towards you. Now, I do want 107 00:07:33,080 --> 00:07:37,920 Speaker 1: to point out that there are similar things. For example, 108 00:07:38,680 --> 00:07:42,040 Speaker 1: you may of course know about this tale of the 109 00:07:42,240 --> 00:07:47,800 Speaker 1: mythical Oro boros. This is an ancient symbol depicting a 110 00:07:47,840 --> 00:07:53,120 Speaker 1: snake eating its own tail, and could also be a 111 00:07:53,200 --> 00:07:56,640 Speaker 1: dragon eating its own tail. Not quite the same thing 112 00:07:56,640 --> 00:08:01,320 Speaker 1: as the infinity symbol, but it's still often used as 113 00:08:01,920 --> 00:08:07,920 Speaker 1: some kind of a magical representation of the cycle of 114 00:08:08,480 --> 00:08:14,440 Speaker 1: life and death and of energy flowing and transforming. And 115 00:08:14,560 --> 00:08:18,400 Speaker 1: I did not realize this until I just started doing research. 116 00:08:18,480 --> 00:08:23,440 Speaker 1: But believe it or not, there are some snakes, such 117 00:08:23,480 --> 00:08:29,760 Speaker 1: as rat snakes, that have been documented yes, consuming themselves, 118 00:08:31,200 --> 00:08:33,440 Speaker 1: and so I looked a little more deeply into that, 119 00:08:33,800 --> 00:08:37,920 Speaker 1: and I don't want to see some of the I 120 00:08:37,960 --> 00:08:40,280 Speaker 1: started seeing pictures of this come up, and I was like, no, 121 00:08:40,360 --> 00:08:44,400 Speaker 1: I don't want to see this. Says while it's unusual, 122 00:08:45,200 --> 00:08:49,199 Speaker 1: some rat snakes have been observed engaging in self cannibalism, 123 00:08:49,840 --> 00:08:52,720 Speaker 1: sometimes to the point of dying from it, though the 124 00:08:52,800 --> 00:08:56,679 Speaker 1: reasons for this behavior are not fully understood. That's called 125 00:08:56,800 --> 00:09:00,160 Speaker 1: auto cannibalism, the act of an animal consuming its own 126 00:09:00,200 --> 00:09:05,199 Speaker 1: body parts, and they say that at least one captive 127 00:09:05,280 --> 00:09:10,800 Speaker 1: snake was documented trying to consume itself twice, dying in 128 00:09:10,840 --> 00:09:14,840 Speaker 1: the second attempt. There was another snake in the wild 129 00:09:14,880 --> 00:09:18,680 Speaker 1: that was discovered having swallowed two thirds of its body. 130 00:09:20,160 --> 00:09:26,640 Speaker 1: Snake experts they think this might arise from stress, confusion, malady, hunger, 131 00:09:26,720 --> 00:09:31,560 Speaker 1: but they really they really don't know. And so that's 132 00:09:31,600 --> 00:09:34,440 Speaker 1: just a weird thing to think about. And it also 133 00:09:34,520 --> 00:09:37,560 Speaker 1: reminds me of these stories that I heard when I 134 00:09:37,600 --> 00:09:42,520 Speaker 1: was growing up about the hoop snake that's part of 135 00:09:42,960 --> 00:09:44,480 Speaker 1: at least where I grew up, it was part of 136 00:09:44,520 --> 00:09:48,200 Speaker 1: the Appalachian Mountain folklore. And I've talked about this also 137 00:09:48,360 --> 00:09:51,199 Speaker 1: before on the show when I was talking about weirdo 138 00:09:51,360 --> 00:09:57,080 Speaker 1: cryptids that some Oldzheimer's say that you would occasionally be 139 00:09:57,080 --> 00:10:00,840 Speaker 1: out in the mountains and you would discover a snake 140 00:10:01,320 --> 00:10:05,920 Speaker 1: that would essentially put its tail in its mouth and 141 00:10:06,000 --> 00:10:11,800 Speaker 1: lift itself up like a tire and come rolling down 142 00:10:11,800 --> 00:10:15,240 Speaker 1: the hill at you like a big hula hoop. And 143 00:10:15,320 --> 00:10:17,280 Speaker 1: at first you'd be confused, you didn't know what you 144 00:10:17,320 --> 00:10:20,200 Speaker 1: were looking at, but then of course you were horrified 145 00:10:20,240 --> 00:10:24,319 Speaker 1: when you saw the stripes for the coloring, and you realize, 146 00:10:24,400 --> 00:10:27,280 Speaker 1: this is a snake that just springs on you at 147 00:10:27,280 --> 00:10:30,360 Speaker 1: the last moment. Now, is there any truth to that? 148 00:10:31,440 --> 00:10:32,160 Speaker 2: I doubt it. 149 00:10:33,040 --> 00:10:37,360 Speaker 1: But when I was growing up, there was this old 150 00:10:37,400 --> 00:10:41,040 Speaker 1: man who was a friend of the family, and you 151 00:10:41,080 --> 00:10:44,640 Speaker 1: know we're talking about he had to have been born 152 00:10:45,640 --> 00:10:49,720 Speaker 1: probably late eighteen hundreds, and he spent a lot of 153 00:10:49,760 --> 00:10:52,640 Speaker 1: time up in the mountains, and he swore that he 154 00:10:52,679 --> 00:10:56,520 Speaker 1: had seen a hoop snake one time, and that basically 155 00:10:56,559 --> 00:10:59,520 Speaker 1: everybody was so terrified of him they just killed him out, 156 00:11:00,120 --> 00:11:03,040 Speaker 1: which is why you don't find them so much anymore. So, 157 00:11:03,800 --> 00:11:07,640 Speaker 1: just an interesting idea about the relationship between the Ara 158 00:11:07,720 --> 00:11:10,160 Speaker 1: Boris and infinity. But let's get back to how all 159 00:11:10,160 --> 00:11:13,240 Speaker 1: this might apply to you making money. Well, when we 160 00:11:13,280 --> 00:11:16,400 Speaker 1: come back from our break, I'm going to share with 161 00:11:16,440 --> 00:11:20,000 Speaker 1: you some of what I call a money miracle Secret. 162 00:11:20,960 --> 00:11:25,480 Speaker 1: It's going to help you understand why that the number 163 00:11:25,520 --> 00:11:30,080 Speaker 1: eight and your mentality about looking at money as an 164 00:11:30,280 --> 00:11:33,600 Speaker 1: energy and having that represented in your wallet might help 165 00:11:33,640 --> 00:11:38,360 Speaker 1: you attract more money. As you move into your year 166 00:11:38,720 --> 00:11:41,920 Speaker 1: and you start planning your vacations, you start well, you 167 00:11:41,960 --> 00:11:44,040 Speaker 1: know how it goes. There's always a new bill popping 168 00:11:44,080 --> 00:11:47,960 Speaker 1: up for something. And if you want to go right 169 00:11:48,000 --> 00:11:53,959 Speaker 1: now during the break and get my Money Miracle Secret 170 00:11:54,000 --> 00:11:59,040 Speaker 1: ebook and audiobook for absolutely free, go to Moneymiraclesecret dot 171 00:11:59,080 --> 00:12:02,960 Speaker 1: com Money Moneymraclesecret dot com. 172 00:12:02,640 --> 00:12:04,319 Speaker 2: Or you can just go to Joshua P. 173 00:12:04,640 --> 00:12:07,720 Speaker 1: Warren dot com and sign up for my free and 174 00:12:07,920 --> 00:12:10,720 Speaker 1: spam free e newsletter right there on the homepage. 175 00:12:10,800 --> 00:12:12,320 Speaker 2: Takes you two seconds. 176 00:12:12,440 --> 00:12:16,680 Speaker 1: And either way you'll receive an automated email from me 177 00:12:17,240 --> 00:12:24,840 Speaker 1: that has the ebook, the audiobook tones, all kinds of 178 00:12:24,920 --> 00:12:28,800 Speaker 1: free online goodies that you will be able to access 179 00:12:28,880 --> 00:12:33,319 Speaker 1: immediately to start making your life more magical. So, like 180 00:12:33,360 --> 00:12:36,800 Speaker 1: I say, either go directly to moneymraclesecret dot com or 181 00:12:36,880 --> 00:12:39,680 Speaker 1: sign up at Joshua pe Warren dot com, where I 182 00:12:39,720 --> 00:12:42,320 Speaker 1: also have my Curiosity shop. 183 00:12:43,240 --> 00:12:44,600 Speaker 2: I have Joshua pe Warren. 184 00:12:44,880 --> 00:12:48,720 Speaker 1: And you're listening to Strange Things all the iHeartRadio and 185 00:12:48,920 --> 00:12:52,680 Speaker 1: Coast to Coast AM Paranormal Podcast Network, and I will 186 00:12:52,720 --> 00:12:53,840 Speaker 1: be right back. 187 00:13:30,440 --> 00:13:33,360 Speaker 2: Welcome back to Strange Things. 188 00:13:33,880 --> 00:13:38,480 Speaker 1: On the iHeartRadio and Coast to Coast AM Paranormal Podcast Network. 189 00:13:38,640 --> 00:13:41,600 Speaker 2: I am your host, the Wizard of Weird, Joshua P. Warren, 190 00:13:41,920 --> 00:13:43,600 Speaker 2: beaming into your wormhole. 191 00:13:43,120 --> 00:13:47,640 Speaker 1: Brain from my studio in Sin City, Las Vegas, Nevada, 192 00:13:47,880 --> 00:13:50,800 Speaker 1: where every day is golden and every night is silver. 193 00:13:51,840 --> 00:13:53,760 Speaker 2: Giitato Zume. 194 00:13:55,280 --> 00:14:01,840 Speaker 1: And I think that numbers are basically sigils. 195 00:14:02,720 --> 00:14:04,400 Speaker 2: You know the thing about a sigil. 196 00:14:04,280 --> 00:14:09,880 Speaker 1: Is it seems like the sigils that work the best 197 00:14:10,040 --> 00:14:16,480 Speaker 1: are the ones that disconnect from your rational, left brain 198 00:14:16,880 --> 00:14:22,640 Speaker 1: way of thinking. And what I mean by that is 199 00:14:22,680 --> 00:14:28,560 Speaker 1: that we are programmed to be very analytical, especially in 200 00:14:28,560 --> 00:14:31,120 Speaker 1: this day and age where we live our lives around 201 00:14:31,320 --> 00:14:39,040 Speaker 1: technology that's based on such precise math. And the great 202 00:14:39,040 --> 00:14:41,800 Speaker 1: thing about a sigil is that I should be able. 203 00:14:42,000 --> 00:14:45,400 Speaker 1: An effective sigil is tapped into some kind of a 204 00:14:45,480 --> 00:14:52,240 Speaker 1: more fundamental, cosmic or spiritual energy, so that if I 205 00:14:52,360 --> 00:14:59,480 Speaker 1: look at it, even though it's abstract, it should trigger 206 00:14:59,600 --> 00:15:07,040 Speaker 1: something in me, a feeling, a manifestation of something positive 207 00:15:07,120 --> 00:15:14,520 Speaker 1: or negative that you could also perceive even if you 208 00:15:14,640 --> 00:15:18,200 Speaker 1: came from a totally different background. So that is to say, 209 00:15:19,000 --> 00:15:24,240 Speaker 1: let's say that I go on a trip to Germany 210 00:15:24,360 --> 00:15:31,360 Speaker 1: and I don't speak German, and if you, I may 211 00:15:31,400 --> 00:15:35,480 Speaker 1: not know what the badge of a police officer says. 212 00:15:35,480 --> 00:15:37,560 Speaker 1: But if I see the badge, I know it's a 213 00:15:37,560 --> 00:15:39,960 Speaker 1: police officer. That's a form of sigil, that's a form 214 00:15:39,960 --> 00:15:46,840 Speaker 1: of radiotic symbolism, and so it transcends culture. Music, of course, 215 00:15:47,120 --> 00:15:50,240 Speaker 1: also transcends culture and language, which is why they a 216 00:15:50,240 --> 00:15:52,600 Speaker 1: lot of people say music is the universal language, and 217 00:15:52,680 --> 00:15:59,000 Speaker 1: so sigils are symbols of the energy forms you might 218 00:15:59,120 --> 00:16:04,200 Speaker 1: get from thing like music. Bearing that in mind, it's 219 00:16:04,240 --> 00:16:06,440 Speaker 1: good to remind yourself of this once in a while. 220 00:16:07,640 --> 00:16:12,560 Speaker 1: In my free ebook called five Minute Money Miracle Secret, 221 00:16:13,760 --> 00:16:17,480 Speaker 1: I wrote this, Give a man a fish and he 222 00:16:17,520 --> 00:16:20,360 Speaker 1: will eat for a day. Teach a man how to fish, 223 00:16:21,000 --> 00:16:24,480 Speaker 1: and you feed him for a lifetime. For this to work, 224 00:16:24,640 --> 00:16:29,160 Speaker 1: you must read everything carefully and thoughtfully. And by the way, 225 00:16:29,200 --> 00:16:31,880 Speaker 1: this is also an audiobook, so if you're visually impaired, 226 00:16:32,040 --> 00:16:35,880 Speaker 1: it still works fine. The audiobook is there on the website. 227 00:16:36,640 --> 00:16:42,120 Speaker 1: Money is not a physical thing. Money is an energy. 228 00:16:42,720 --> 00:16:44,720 Speaker 1: The only way to attract more of it is to 229 00:16:44,760 --> 00:16:49,920 Speaker 1: improve your personal relationship with that energy. Then that energy 230 00:16:49,960 --> 00:16:55,480 Speaker 1: can bring you things via money. Remember these three truths. 231 00:16:55,680 --> 00:16:59,640 Speaker 1: Truth number one is money is not a physical thing, 232 00:16:59,800 --> 00:17:03,520 Speaker 1: It is an energy. Truth number two is to attract 233 00:17:03,520 --> 00:17:07,080 Speaker 1: more money, you must improve your relationship with money energy. 234 00:17:07,800 --> 00:17:11,280 Speaker 1: And truth number three is money comes from one place, 235 00:17:11,400 --> 00:17:17,960 Speaker 1: and one place only other people. I go on to say, 236 00:17:17,960 --> 00:17:20,359 Speaker 1: before I explain the money Secret, let me explain a 237 00:17:20,359 --> 00:17:23,199 Speaker 1: bit more about the nature of money. Money is not 238 00:17:23,359 --> 00:17:27,280 Speaker 1: inherently good or bad like all powerful tools. It can 239 00:17:27,320 --> 00:17:31,000 Speaker 1: be used for good or bad purposes. Think of a flame. 240 00:17:31,480 --> 00:17:34,600 Speaker 1: It can provide light, keep you warm, and cook your food, 241 00:17:35,200 --> 00:17:37,720 Speaker 1: but too much of it, used recklessly, can burn and 242 00:17:37,800 --> 00:17:41,640 Speaker 1: destroy an entire community. If for some reason you think 243 00:17:41,640 --> 00:17:44,520 Speaker 1: of money as a bad thing, you must realize you 244 00:17:44,560 --> 00:17:48,439 Speaker 1: are preventing it from flowing to you. Think about the 245 00:17:48,480 --> 00:17:51,639 Speaker 1: good things you can do with money. Some believe money 246 00:17:51,720 --> 00:17:54,720 Speaker 1: is quote the root of all evil, citing a biblical quote, 247 00:17:54,720 --> 00:17:57,840 Speaker 1: but that is a misquote. The actual quote is that 248 00:17:58,440 --> 00:18:00,800 Speaker 1: love of money is the root of all evil. In 249 00:18:00,840 --> 00:18:03,879 Speaker 1: other words, money is not evil, but people who glorify 250 00:18:04,000 --> 00:18:08,639 Speaker 1: money for greedy purposes often perform evil selfish deeds like 251 00:18:08,760 --> 00:18:13,760 Speaker 1: robberies and murders. Money itself is neutral. It is people 252 00:18:13,760 --> 00:18:16,920 Speaker 1: that decide whether or not to form a responsible, positive 253 00:18:16,960 --> 00:18:20,600 Speaker 1: relationship with money, attracting that to help themselves and others. 254 00:18:22,560 --> 00:18:25,879 Speaker 1: Author Arnold Patent said, quote, the sole purpose of money 255 00:18:26,480 --> 00:18:28,280 Speaker 1: is to express appreciation. 256 00:18:28,480 --> 00:18:29,080 Speaker 2: In quote. 257 00:18:30,040 --> 00:18:32,760 Speaker 1: Indeed, that is truly what the purpose of money is 258 00:18:32,840 --> 00:18:36,600 Speaker 1: meant to be. Remember it. And so, if you want 259 00:18:36,600 --> 00:18:39,080 Speaker 1: the universe to send more money your way, your way, 260 00:18:39,720 --> 00:18:42,399 Speaker 1: what are you doing in your life for which the 261 00:18:42,520 --> 00:18:47,480 Speaker 1: universe should express gratitude towards you. I think about that 262 00:18:47,520 --> 00:18:50,040 Speaker 1: one more time. If you want the universe to send 263 00:18:50,040 --> 00:18:53,520 Speaker 1: more money your way, what are you doing in your 264 00:18:53,600 --> 00:18:57,359 Speaker 1: life for which the universe should express gratitude toward you? 265 00:18:57,760 --> 00:19:01,879 Speaker 1: How much positivity and value can you bring into the 266 00:19:01,920 --> 00:19:07,280 Speaker 1: world on a daily basis The answer you might be surprised. 267 00:19:08,640 --> 00:19:12,080 Speaker 1: I'll give you some ideas later. In order to start 268 00:19:12,119 --> 00:19:16,000 Speaker 1: quickly attracting money, you must learn to transform your idea 269 00:19:16,040 --> 00:19:18,919 Speaker 1: of money from being a thing into a flow of energy. 270 00:19:19,160 --> 00:19:21,840 Speaker 1: And when you think of money, do you see a 271 00:19:21,960 --> 00:19:25,919 Speaker 1: dollar bill a gold coin? If you were lost in 272 00:19:25,960 --> 00:19:28,200 Speaker 1: the desert, dying of hunger and thirst, a pile of 273 00:19:28,680 --> 00:19:31,040 Speaker 1: one hundred dollars bills of gold coins next to you 274 00:19:31,040 --> 00:19:35,600 Speaker 1: would be worthless. I own an actual, authentic one hundred 275 00:19:35,840 --> 00:19:40,080 Speaker 1: trillion dollar bill. It was issued by the Government of 276 00:19:40,200 --> 00:19:44,720 Speaker 1: Zimbabwe in two thousand and nine. A trillion is a 277 00:19:44,760 --> 00:19:49,720 Speaker 1: million millions. There are twelve zeros in a trillion, and 278 00:19:49,800 --> 00:19:53,320 Speaker 1: yet the one hundred trillion dollar bill would barely cover 279 00:19:53,400 --> 00:19:57,520 Speaker 1: the cost of a loaf of bread in Zimbabwe today, 280 00:19:57,640 --> 00:20:01,160 Speaker 1: the bill is worthless except people like me who purchased 281 00:20:01,160 --> 00:20:05,680 Speaker 1: them off eBay as a curiosity or maybe it really 282 00:20:05,720 --> 00:20:08,680 Speaker 1: has even more value than ever. It's a powerful reminder 283 00:20:08,760 --> 00:20:13,360 Speaker 1: for me about what true value, true money is, instead 284 00:20:13,359 --> 00:20:17,160 Speaker 1: of the worthless things we use to merely symbolize it. 285 00:20:17,240 --> 00:20:20,840 Speaker 1: We so easily focus on the wrong thing. You can't 286 00:20:20,880 --> 00:20:24,439 Speaker 1: attract money until you know how to focus on real money. 287 00:20:25,400 --> 00:20:28,920 Speaker 1: I'll get to that soon, I promise. You must also 288 00:20:29,000 --> 00:20:31,560 Speaker 1: be realistic when asking yourself how much money you really 289 00:20:31,560 --> 00:20:34,480 Speaker 1: need to be happy. It's okay to want money, we 290 00:20:34,520 --> 00:20:36,480 Speaker 1: all need it to survive, But do you really need 291 00:20:36,520 --> 00:20:41,600 Speaker 1: a million dollars? And twenty fifteen, I published a book 292 00:20:41,640 --> 00:20:43,760 Speaker 1: called Use the Force, a Jedi's Guide to the Law 293 00:20:43,760 --> 00:20:47,440 Speaker 1: of Attraction. You should definitely add it to your book list. 294 00:20:48,000 --> 00:20:50,880 Speaker 1: You can actually read it for free in multiple languages 295 00:20:50,920 --> 00:20:53,840 Speaker 1: if you just go to Joshuapwarren dot com and click 296 00:20:53,880 --> 00:20:57,760 Speaker 1: on the book cover. In the book, I recounted the 297 00:20:57,840 --> 00:21:00,600 Speaker 1: sad story of an Illinois man who won a twenty 298 00:21:00,760 --> 00:21:04,440 Speaker 1: million dollar lottery in nineteen ninety six. He was very 299 00:21:04,480 --> 00:21:08,040 Speaker 1: generous with his money, lavishing gifts on his friends and 300 00:21:08,080 --> 00:21:12,920 Speaker 1: loved ones. However, his sister in law and her boyfriend 301 00:21:12,920 --> 00:21:18,679 Speaker 1: wanted more. They kidnapped him. Initially with the ransom plan. However, 302 00:21:18,760 --> 00:21:21,800 Speaker 1: things went awry and they shot him in the head, 303 00:21:22,280 --> 00:21:26,720 Speaker 1: killing him. These tragic stories are far too common among 304 00:21:26,720 --> 00:21:30,520 Speaker 1: those who suddenly receive extraordinary amounts of money. It becomes 305 00:21:30,560 --> 00:21:33,720 Speaker 1: a curse. All the problems the money was meant to 306 00:21:33,720 --> 00:21:38,560 Speaker 1: solve can quickly transform into much more serious problems. That 307 00:21:38,680 --> 00:21:41,280 Speaker 1: is another reason you should think very carefully about how 308 00:21:41,320 --> 00:21:44,679 Speaker 1: much you really need to attain a reasonable amount of 309 00:21:44,720 --> 00:21:48,800 Speaker 1: happiness and liberty. And now let's move on to the 310 00:21:48,840 --> 00:21:53,119 Speaker 1: technique that will allow abundance to start flowing your way quickly. 311 00:21:54,520 --> 00:21:56,439 Speaker 1: That's all I'm going to read to you from this 312 00:21:56,600 --> 00:21:59,520 Speaker 1: free ebook, and again you can listen to it as 313 00:21:59,560 --> 00:22:02,520 Speaker 1: well as as a free audiobook, and then it comes 314 00:22:02,560 --> 00:22:09,280 Speaker 1: with tones. Go right now. If you've already signed up 315 00:22:09,280 --> 00:22:11,520 Speaker 1: from a free e newsletter, then you should have received 316 00:22:11,520 --> 00:22:17,120 Speaker 1: a copy of this. If you go to moneymraclesecret dot 317 00:22:17,160 --> 00:22:21,199 Speaker 1: com and you sign up, just put your email address 318 00:22:21,200 --> 00:22:23,000 Speaker 1: in there. You should receive an email to you. Or 319 00:22:23,040 --> 00:22:25,840 Speaker 1: if you want to email me because you can't find 320 00:22:25,880 --> 00:22:28,200 Speaker 1: your link or whatever, that's fine. You'll find my email 321 00:22:28,200 --> 00:22:32,600 Speaker 1: address also at Joshua P. Warren dot com. This is 322 00:22:32,680 --> 00:22:36,320 Speaker 1: why I think that maybe that infinity symbol is so 323 00:22:36,359 --> 00:22:43,159 Speaker 1: important because if you really accept that money is the 324 00:22:43,200 --> 00:22:48,320 Speaker 1: product of an energy of relationships. 325 00:22:48,480 --> 00:22:50,200 Speaker 2: Then you will see. 326 00:22:49,920 --> 00:22:55,199 Speaker 1: Why having something like a symbol for infinity so beautifully 327 00:22:55,440 --> 00:23:00,520 Speaker 1: matches with that concept of this perpetual abundance flow to you. 328 00:23:00,760 --> 00:23:04,000 Speaker 1: But it's also a give and take relationship that you 329 00:23:04,200 --> 00:23:09,560 Speaker 1: are putting out something of value that creates the reaction 330 00:23:10,880 --> 00:23:14,119 Speaker 1: and sends things of value back to you. It's that 331 00:23:14,320 --> 00:23:20,960 Speaker 1: symbiotic relationship between you and how the society works, and 332 00:23:21,000 --> 00:23:24,320 Speaker 1: to some extent, some extent, that's always how it worked, 333 00:23:24,320 --> 00:23:26,840 Speaker 1: even even among the animals of the forest. 334 00:23:26,880 --> 00:23:32,800 Speaker 2: It's always give and take. And when you think about the. 335 00:23:32,640 --> 00:23:40,719 Speaker 1: Idea that everything exists within some realm of flowing energy, 336 00:23:41,160 --> 00:23:44,680 Speaker 1: and sometimes it's invisible to us. Our senses just can't 337 00:23:44,720 --> 00:23:50,880 Speaker 1: grasp it, and sometimes there are tools that allow us 338 00:23:50,880 --> 00:23:55,639 Speaker 1: to catch glimpses of it. This kind of thinking, opening 339 00:23:55,640 --> 00:23:59,080 Speaker 1: our minds takes us closer and closer to actually being 340 00:23:59,119 --> 00:24:04,840 Speaker 1: able to look into and document this so called spirit realm. 341 00:24:06,040 --> 00:24:11,359 Speaker 1: And I conducted some ghost investigations. I guess the first 342 00:24:11,400 --> 00:24:15,400 Speaker 1: one was about six years ago, and then I conducted 343 00:24:15,800 --> 00:24:18,480 Speaker 1: the second one about four years ago here in Las Vegas, 344 00:24:18,560 --> 00:24:20,440 Speaker 1: at a location that I don't think I've ever really 345 00:24:20,480 --> 00:24:24,360 Speaker 1: talked about. I did something I had never done before, 346 00:24:24,400 --> 00:24:25,240 Speaker 1: and that's saying. 347 00:24:25,040 --> 00:24:25,639 Speaker 2: A lot for me. 348 00:24:26,840 --> 00:24:30,119 Speaker 1: And as you know, I am working on an experiment 349 00:24:30,200 --> 00:24:32,360 Speaker 1: right now to try to open a portal here in Nevada, 350 00:24:33,280 --> 00:24:35,720 Speaker 1: and so I figure before I move on to telling 351 00:24:35,760 --> 00:24:38,600 Speaker 1: you how that's going, let me just tell you about 352 00:24:38,800 --> 00:24:42,359 Speaker 1: this other experiment that I did to try to see 353 00:24:42,440 --> 00:24:47,600 Speaker 1: if I could actually capture definitive scientific proof of a 354 00:24:47,680 --> 00:24:51,440 Speaker 1: ghost once and for all. And ask yourself, what would 355 00:24:51,440 --> 00:24:54,240 Speaker 1: that have to be for you? If you don't believe 356 00:24:54,240 --> 00:24:59,840 Speaker 1: in ghosts, what would you need to see as evidence 357 00:25:00,080 --> 00:25:02,880 Speaker 1: to prove to you that ghosts and spirits are real? 358 00:25:03,160 --> 00:25:08,000 Speaker 1: Think about that. During the break, I'm Joshua Pete Warren. 359 00:25:08,280 --> 00:25:11,600 Speaker 1: You're listening to Strange Things on the iHeart Radio and 360 00:25:11,800 --> 00:25:15,679 Speaker 1: Ghoast to Coast am Paranormal podcast Network, and I'll be 361 00:25:15,760 --> 00:25:58,120 Speaker 1: back after these important messages. Welcome back to Strange Things, Bob, 362 00:25:58,200 --> 00:26:04,240 Speaker 1: the iHeart Radio and Coast of a Paranormal podcast Network. 363 00:26:04,480 --> 00:26:06,800 Speaker 1: I'm your host, Joshua P. Warren, and this is the 364 00:26:06,880 --> 00:26:08,080 Speaker 1: show where. 365 00:26:07,880 --> 00:26:12,280 Speaker 2: The unusual becomes usual. Man. 366 00:26:12,520 --> 00:26:16,280 Speaker 1: Speaking of spring, it's always when my allergies start to 367 00:26:16,280 --> 00:26:20,959 Speaker 1: bother me. Even out here in the desert. It was 368 00:26:21,200 --> 00:26:25,760 Speaker 1: pretty bad though, growing up in the mountains of Asheville, 369 00:26:25,920 --> 00:26:32,840 Speaker 1: North Carolina. Of course, I wrote a book called Haunted Ashville. 370 00:26:33,280 --> 00:26:38,520 Speaker 1: It was published when I was still a teenager, and 371 00:26:38,960 --> 00:26:41,440 Speaker 1: a number of other books. But when I was in 372 00:26:41,480 --> 00:26:48,800 Speaker 1: my early twenties, I investigated a house in Ashville where 373 00:26:49,840 --> 00:26:52,359 Speaker 1: the young lady who lived there had been seeing some 374 00:26:52,440 --> 00:26:56,520 Speaker 1: type of apparitional figure moving around. And I've told this 375 00:26:56,560 --> 00:26:59,119 Speaker 1: story before. It's really started freaking her out when it 376 00:26:59,160 --> 00:27:03,400 Speaker 1: would start appearing in her bedroom at night. And one 377 00:27:03,480 --> 00:27:05,600 Speaker 1: day I was in the attic of this house with 378 00:27:05,640 --> 00:27:13,360 Speaker 1: another researcher named Rob, and Rob said, Josh, look, I'd 379 00:27:13,400 --> 00:27:19,360 Speaker 1: been getting all kinds of strange electromagnetic and electrostatic fluctuations. 380 00:27:20,359 --> 00:27:24,399 Speaker 1: But when I turned there was this kind of blue gray, 381 00:27:24,560 --> 00:27:33,280 Speaker 1: misty form about the size of maybe a softball, sort 382 00:27:33,280 --> 00:27:37,199 Speaker 1: of hovering right there in the air. And I was 383 00:27:37,400 --> 00:27:39,920 Speaker 1: just dumbfounded. He was looking at it from one point 384 00:27:39,960 --> 00:27:42,639 Speaker 1: of view, I was looking at it from another. We 385 00:27:42,680 --> 00:27:45,159 Speaker 1: even reached out and touched it. It felt cold, and 386 00:27:45,200 --> 00:27:47,159 Speaker 1: then right as it started to dim, I took a 387 00:27:47,160 --> 00:27:50,359 Speaker 1: photograph of it and it showed up in the picture, 388 00:27:52,320 --> 00:27:55,199 Speaker 1: it wasn't in its full ast form because you know, 389 00:27:55,480 --> 00:27:57,439 Speaker 1: I guess say, I was mesmerized, but I got a 390 00:27:57,440 --> 00:28:00,680 Speaker 1: picture this thing, and I was so excited. But afterward 391 00:28:00,800 --> 00:28:02,560 Speaker 1: I was frustrated because I thought, you know, even though 392 00:28:02,600 --> 00:28:05,119 Speaker 1: I have a picture of this thing, that doesn't really 393 00:28:06,640 --> 00:28:10,159 Speaker 1: prove that ghosts are real, because I don't have a 394 00:28:10,240 --> 00:28:13,080 Speaker 1: ghost trap like the Ghostbusters that I can suck the 395 00:28:13,080 --> 00:28:15,280 Speaker 1: ghost into and then release it later into a jar 396 00:28:15,359 --> 00:28:20,200 Speaker 1: in the museum. And you know, you take a picture 397 00:28:20,240 --> 00:28:22,639 Speaker 1: of something and people will say, well, this could be 398 00:28:22,680 --> 00:28:27,560 Speaker 1: an optical illusion. It could be this or that, And 399 00:28:27,640 --> 00:28:31,479 Speaker 1: so I really thought a lot about like what is 400 00:28:31,520 --> 00:28:35,080 Speaker 1: the best we could do to try to capture evidence 401 00:28:35,119 --> 00:28:37,480 Speaker 1: that this is a real phenomenon. You know, both Rob 402 00:28:37,520 --> 00:28:39,520 Speaker 1: and I were seeing the same thing from two different 403 00:28:39,520 --> 00:28:41,960 Speaker 1: points of view. We both touched it, I photographed it. 404 00:28:42,000 --> 00:28:43,960 Speaker 1: I mean, it's like, what else do you have to do? 405 00:28:44,640 --> 00:28:47,360 Speaker 1: And then a few years after that, I was at 406 00:28:47,360 --> 00:28:51,200 Speaker 1: the Haunted Grove Park Inn in Asheville with my team 407 00:28:51,440 --> 00:28:58,000 Speaker 1: and our visual and photographic specialist Brian Irish was with me. 408 00:28:58,640 --> 00:29:02,840 Speaker 1: We were in the Palm Core, an area haunted often 409 00:29:02,960 --> 00:29:08,560 Speaker 1: by the Pink Lady, among other apparitions, And Brian and 410 00:29:08,560 --> 00:29:11,520 Speaker 1: I were standing side by side, and we each had 411 00:29:11,600 --> 00:29:15,680 Speaker 1: digital cameras, and I can't remember if we coordinated this 412 00:29:15,840 --> 00:29:18,040 Speaker 1: or if it just happened accidentally, but I took a 413 00:29:18,080 --> 00:29:23,400 Speaker 1: picture looking in one direction, and he took a picture 414 00:29:24,320 --> 00:29:27,720 Speaker 1: looking in the same direction about one second after I did. 415 00:29:29,040 --> 00:29:33,960 Speaker 1: So we had two pictures of this same area, made 416 00:29:33,960 --> 00:29:38,520 Speaker 1: with two different cameras from two slightly different points of view. 417 00:29:39,840 --> 00:29:42,360 Speaker 1: And when we looked at our pictures, we had both 418 00:29:42,520 --> 00:29:47,880 Speaker 1: captured a big, glowing or block anomaly there. And to me, 419 00:29:47,960 --> 00:29:51,040 Speaker 1: it seemed like this was kind of almost like a 420 00:29:51,080 --> 00:29:55,920 Speaker 1: three D picture of a ghost, because reflections and glares 421 00:29:55,960 --> 00:29:59,800 Speaker 1: and things like that are not usually they don't usually 422 00:29:59,840 --> 00:30:05,520 Speaker 1: look the same way from different angles. And by looking 423 00:30:05,520 --> 00:30:08,400 Speaker 1: at something from two different angles, you're able to tell 424 00:30:08,440 --> 00:30:12,040 Speaker 1: a lot about its physical dimensions, how big it is 425 00:30:12,080 --> 00:30:14,600 Speaker 1: a relationship to other things, how high it is up 426 00:30:14,600 --> 00:30:16,760 Speaker 1: in the air. There's just a lot more information there. 427 00:30:16,920 --> 00:30:20,560 Speaker 1: But what would be fantastic would be to have a 428 00:30:20,600 --> 00:30:25,800 Speaker 1: ghost photographed from oh about five or six different angles, 429 00:30:26,960 --> 00:30:30,800 Speaker 1: and that way you could really it seems proved that 430 00:30:30,840 --> 00:30:34,120 Speaker 1: you had something there. It reminds you of you know, 431 00:30:34,160 --> 00:30:37,160 Speaker 1: the technology like they use in the matrix movies when 432 00:30:38,120 --> 00:30:40,280 Speaker 1: the character jumps up to the ear and the character 433 00:30:40,360 --> 00:30:43,080 Speaker 1: stands still, but the camera sweeps around three hundred and 434 00:30:43,080 --> 00:30:45,880 Speaker 1: sixty degrees. That's what it would be like. If you 435 00:30:45,920 --> 00:30:49,000 Speaker 1: could get a ring of cameras and you could have 436 00:30:49,080 --> 00:30:51,320 Speaker 1: a ghost appear in the middle of that ring, and 437 00:30:51,360 --> 00:30:53,840 Speaker 1: it got captured on all the cameras, then you could 438 00:30:53,880 --> 00:30:59,040 Speaker 1: construct something out of that that would basically be almost 439 00:30:59,080 --> 00:31:02,760 Speaker 1: incontestinble roof that you captured something that was there in 440 00:31:02,800 --> 00:31:07,960 Speaker 1: that external environment. That may be, you know, the holy 441 00:31:08,080 --> 00:31:12,400 Speaker 1: grail of ghost hunting other than some form of reliable communication. 442 00:31:13,160 --> 00:31:15,560 Speaker 1: So for years I've been looking at places where I 443 00:31:15,640 --> 00:31:19,880 Speaker 1: might have the highest chances of setting up an experiment 444 00:31:20,000 --> 00:31:23,080 Speaker 1: where I have literally, like I say, six or seven cameras, 445 00:31:24,240 --> 00:31:27,320 Speaker 1: they're all centered on one controlled space that's supposed to 446 00:31:27,320 --> 00:31:30,280 Speaker 1: be haunted, and in the middle of that space, I 447 00:31:30,280 --> 00:31:34,680 Speaker 1: have a variety of scientific tools so that if we 448 00:31:34,760 --> 00:31:38,840 Speaker 1: do capture something on all the cameras and the tools 449 00:31:39,040 --> 00:31:43,200 Speaker 1: are triggering at the same time, picking up electro electromagnetic fields, 450 00:31:43,240 --> 00:31:49,960 Speaker 1: electrostatic fields, vibrations, temperature anomalies, etc. Then you could put 451 00:31:50,000 --> 00:31:52,160 Speaker 1: all that together and you could basically say, look, this 452 00:31:52,200 --> 00:31:55,920 Speaker 1: is proof of ghosts, that whatever a ghost is, this 453 00:31:56,000 --> 00:32:00,800 Speaker 1: is a real manifestation here. I'd been on the search 454 00:32:00,840 --> 00:32:02,360 Speaker 1: for a long time for a place that I thought 455 00:32:02,360 --> 00:32:04,840 Speaker 1: would give me high chances of that, and I finally 456 00:32:04,920 --> 00:32:10,160 Speaker 1: learned about this old, run down motel here in Las 457 00:32:10,280 --> 00:32:17,840 Speaker 1: Vegas called the Oasis Motel. This motel apparently was built 458 00:32:17,880 --> 00:32:21,280 Speaker 1: back in the early nineteen fifties, making it a real 459 00:32:21,280 --> 00:32:24,400 Speaker 1: anomaly around here because they tear stuff down here and 460 00:32:24,480 --> 00:32:27,000 Speaker 1: rebuild and make new stuff, you know, left and right. 461 00:32:27,640 --> 00:32:32,480 Speaker 1: It is an old rundown property. I don't even know 462 00:32:32,520 --> 00:32:35,640 Speaker 1: how much longer it's going to continue being there. I'm 463 00:32:35,680 --> 00:32:38,880 Speaker 1: surprised it's still there. The address is seventeen thirty one 464 00:32:39,560 --> 00:32:45,480 Speaker 1: South Las Vegas Boulevard, number one thirty one, the Oasis Motel. 465 00:32:45,800 --> 00:32:48,360 Speaker 1: And I started hearing after I moved to Las Vegas 466 00:32:48,480 --> 00:32:50,600 Speaker 1: that there was a very prominent ghost in one of 467 00:32:50,600 --> 00:32:57,480 Speaker 1: the rooms. An actor had killed himself. The actor's name 468 00:32:57,600 --> 00:33:02,160 Speaker 1: was David Strickland. He was born in nineteen sixty nine 469 00:33:02,280 --> 00:33:05,440 Speaker 1: and he died in nineteen ninety nine, and he was 470 00:33:05,480 --> 00:33:09,880 Speaker 1: best known for playing the role of reporter on the 471 00:33:10,000 --> 00:33:15,000 Speaker 1: NBC sitcom Suddenly Susan. I'm sure some of you remember 472 00:33:15,080 --> 00:33:20,760 Speaker 1: that it starred Brooke Shields, and he apparently was doing 473 00:33:20,880 --> 00:33:23,840 Speaker 1: very well for himself. I mean, he'd been on You, 474 00:33:24,000 --> 00:33:28,440 Speaker 1: had guest starred on shows like Roseanne, Mad About You. 475 00:33:28,560 --> 00:33:30,240 Speaker 1: I mean, it seemed like he was doing very well. 476 00:33:30,280 --> 00:33:33,960 Speaker 1: But they say that he suffered from a bipolar disorder 477 00:33:35,360 --> 00:33:37,560 Speaker 1: and he had long and troubled history of drug and 478 00:33:37,600 --> 00:33:42,000 Speaker 1: alcohol abuse. Five months before he died, he was arrested 479 00:33:42,040 --> 00:33:45,400 Speaker 1: for cocaine possession. That kind of thing was sort of 480 00:33:45,480 --> 00:33:49,840 Speaker 1: you know, in and out of rehab, and so on 481 00:33:49,960 --> 00:33:55,480 Speaker 1: March twenty second, nineteen ninety nine, he was found dead, 482 00:33:55,600 --> 00:33:58,280 Speaker 1: age twenty nine. They say that it all began on 483 00:33:58,360 --> 00:34:04,080 Speaker 1: March twentieth, David Strickland and the comedian Andy Dick flew 484 00:34:04,160 --> 00:34:07,080 Speaker 1: from Los Angeles to Las Vegas and spent three nights 485 00:34:07,120 --> 00:34:12,040 Speaker 1: partying in strip clubs. After checking into a motel, he 486 00:34:12,160 --> 00:34:15,879 Speaker 1: spent time with well they say, a prostitute consumed six 487 00:34:15,960 --> 00:34:20,879 Speaker 1: bottles of beer and then hanged himself with a bed 488 00:34:20,920 --> 00:34:26,799 Speaker 1: sheet over the ceiling beam, so they found him found 489 00:34:26,840 --> 00:34:30,040 Speaker 1: him there the next morning. His body was discovered by 490 00:34:30,080 --> 00:34:39,040 Speaker 1: a private investigator hired by Brooks Shields, and so very 491 00:34:39,120 --> 00:34:41,879 Speaker 1: very tragic. As a matter of fact, a lot of 492 00:34:42,560 --> 00:34:44,920 Speaker 1: you know, speaking of Andy Dick, I won't get into it, 493 00:34:44,960 --> 00:34:48,080 Speaker 1: but you know that he's had a lot of bad luck, 494 00:34:48,120 --> 00:34:51,960 Speaker 1: it seems like in his life as well. So I 495 00:34:52,000 --> 00:34:54,680 Speaker 1: started looking into it, and I believe I found that 496 00:34:54,719 --> 00:35:01,040 Speaker 1: even Zach Beagans had once gone there and started researching 497 00:35:02,280 --> 00:35:06,960 Speaker 1: this room because everybody said he committed suicide and room 498 00:35:07,120 --> 00:35:11,440 Speaker 1: number twenty, Room number twenty, that's where you'd want to go. 499 00:35:11,560 --> 00:35:15,520 Speaker 1: That's where his body was found hanging, Room number twenty. 500 00:35:17,440 --> 00:35:18,400 Speaker 2: Well, I went. 501 00:35:18,280 --> 00:35:20,920 Speaker 1: Over there one day, and you never know what kind 502 00:35:20,960 --> 00:35:22,560 Speaker 1: of a reaction you're going to get from people at 503 00:35:22,560 --> 00:35:24,400 Speaker 1: the front desk, so I had to be kind of 504 00:35:24,440 --> 00:35:28,319 Speaker 1: careful about how I approached this. I walked into the 505 00:35:28,360 --> 00:35:31,600 Speaker 1: office with one of those offices where the employees are 506 00:35:31,640 --> 00:35:39,080 Speaker 1: behind a bulletproof glass or a crylic and I started 507 00:35:39,120 --> 00:35:44,879 Speaker 1: inquiring about specifically renting room number twenty. And she looks 508 00:35:44,880 --> 00:35:49,520 Speaker 1: at me and says, are you a ghost hunter? And 509 00:35:49,560 --> 00:35:52,680 Speaker 1: I said, oh, well, I would never admit to that, 510 00:35:52,960 --> 00:35:56,200 Speaker 1: you know, And she goes, that's okay, she said, you know, 511 00:35:56,239 --> 00:35:59,640 Speaker 1: the the boss doesn't like talking about that sort of thing, 512 00:36:00,440 --> 00:36:02,960 Speaker 1: but she says, yeah, we have reports all the time 513 00:36:03,080 --> 00:36:08,120 Speaker 1: from number twenty. And she said, but we probably have 514 00:36:08,160 --> 00:36:12,480 Speaker 1: even more from room number six. She said, a room 515 00:36:12,560 --> 00:36:16,920 Speaker 1: number six is so haunted. There's some kind of a 516 00:36:17,120 --> 00:36:22,040 Speaker 1: ghost of a woman in there, and she throws objects 517 00:36:22,080 --> 00:36:25,640 Speaker 1: around like a poultry. Guys, it's so haunted. 518 00:36:25,719 --> 00:36:26,160 Speaker 2: She said. 519 00:36:26,480 --> 00:36:29,400 Speaker 1: They can't even get housekeeping to go in there and 520 00:36:29,480 --> 00:36:32,440 Speaker 1: clean room number six. They got to pull teeth. They 521 00:36:32,520 --> 00:36:35,120 Speaker 1: have to pay extra money, They have to convince them 522 00:36:35,600 --> 00:36:39,680 Speaker 1: to go into rooms room number six. So I was like, well, 523 00:36:39,760 --> 00:36:41,279 Speaker 1: I was going to come here and set up my 524 00:36:41,400 --> 00:36:44,960 Speaker 1: rig and room number twenty, but maybe I'll start with 525 00:36:45,040 --> 00:36:49,680 Speaker 1: room number six. So sure enough, I spent a lot 526 00:36:49,719 --> 00:36:52,239 Speaker 1: of money and bought a whole brand new rig. I 527 00:36:52,320 --> 00:36:56,400 Speaker 1: think it was seven cameras. I even refreshed the latest 528 00:36:56,440 --> 00:37:01,040 Speaker 1: new equipment, and I was able to room number six. 529 00:37:01,840 --> 00:37:07,040 Speaker 1: Went over there in the afternoon, set up everything in 530 00:37:07,080 --> 00:37:10,040 Speaker 1: a big ring, focused on the bed in the middle 531 00:37:10,480 --> 00:37:14,200 Speaker 1: where all the instruments were, and I left everything recording 532 00:37:15,680 --> 00:37:18,879 Speaker 1: and I came back, oh about twelve hours later, which 533 00:37:18,960 --> 00:37:20,800 Speaker 1: was as long as I could record at that time. 534 00:37:21,040 --> 00:37:23,919 Speaker 1: When we return I'll tell you what my results were. 535 00:37:24,840 --> 00:37:26,960 Speaker 1: And then also I think I have a story to 536 00:37:27,000 --> 00:37:31,080 Speaker 1: share with you, another ghost story from Ashville about a 537 00:37:31,080 --> 00:37:34,439 Speaker 1: woman who says, be careful what you wish for. I'm 538 00:37:34,520 --> 00:37:37,920 Speaker 1: Joshua Pee Warren. You're listening to Strange Things on the 539 00:37:37,960 --> 00:37:42,440 Speaker 1: iHeartRadio and Coast to Coast AM Paranormal Podcast Network. 540 00:37:43,120 --> 00:38:24,080 Speaker 2: I'll be right back. Welcome back to the final segment. 541 00:38:24,440 --> 00:38:28,640 Speaker 1: Of this edition of Strange Things by iHeartRadio and Coast 542 00:38:28,640 --> 00:38:31,520 Speaker 1: to Coast AM Paranormal Podcast Network. 543 00:38:31,920 --> 00:38:36,479 Speaker 2: I am your host, Joshua P. Warren. So I got 544 00:38:36,600 --> 00:38:40,799 Speaker 2: room six and I set up every camera you know. 545 00:38:41,480 --> 00:38:43,319 Speaker 2: I don't even remember how many cameras I put. 546 00:38:43,360 --> 00:38:52,480 Speaker 1: This was twenty nineteen, and I had full spectrum cameras. 547 00:38:52,760 --> 00:38:58,719 Speaker 1: I had camera shooting into the infrared night vision UV. 548 00:39:01,400 --> 00:39:04,799 Speaker 1: They were all electronic. I did not have like a 549 00:39:04,840 --> 00:39:07,319 Speaker 1: film motion picture camera, even though I have used those 550 00:39:07,320 --> 00:39:12,680 Speaker 1: in the past. I stuffed cameras all over that room 551 00:39:13,520 --> 00:39:17,480 Speaker 1: from every angle you can possibly conceive of, all focused 552 00:39:17,520 --> 00:39:20,839 Speaker 1: on the middle of the room. I had a big 553 00:39:21,000 --> 00:39:24,359 Speaker 1: needle there with a lightweight piece of paper shaped like 554 00:39:24,600 --> 00:39:26,839 Speaker 1: a pyramid balanced on top of it, so I could 555 00:39:26,840 --> 00:39:29,879 Speaker 1: see if there were air currents that were flowing. Right 556 00:39:29,880 --> 00:39:33,560 Speaker 1: in the middle was an instrument pack, a number of 557 00:39:33,560 --> 00:39:35,520 Speaker 1: instrument packs that could pick up a wide variety of 558 00:39:35,600 --> 00:39:41,880 Speaker 1: electromagnetic frequencies, electrostatic charges, vibrations, temperature fluctuations. I mean, I 559 00:39:41,920 --> 00:39:45,120 Speaker 1: had audio recorders. I'm telling you, this was like my 560 00:39:45,200 --> 00:39:47,640 Speaker 1: ultimate attempt at setting all this stuff up focused on 561 00:39:47,680 --> 00:39:50,200 Speaker 1: this one area. I thought, if something uppears in the 562 00:39:50,239 --> 00:39:53,680 Speaker 1: middle of this room and it's documented on all of 563 00:39:53,719 --> 00:39:56,880 Speaker 1: these cameras and the equipment's responding, like, this is going 564 00:39:56,960 --> 00:40:01,680 Speaker 1: to make history. So I left it there again probably 565 00:40:01,719 --> 00:40:05,480 Speaker 1: at least twelve hours, went picked everything. 566 00:40:05,160 --> 00:40:06,839 Speaker 2: Up, so this is going to take a long time 567 00:40:06,840 --> 00:40:07,560 Speaker 2: to analyze it. 568 00:40:08,400 --> 00:40:11,520 Speaker 1: Brought everything back to my office and I started going 569 00:40:11,520 --> 00:40:14,040 Speaker 1: through the process of looking at each and every one 570 00:40:15,560 --> 00:40:20,759 Speaker 1: and I didn't get anything. And you know, there were 571 00:40:20,800 --> 00:40:27,040 Speaker 1: times when I would see some electromagnetic flux, but that 572 00:40:27,080 --> 00:40:29,640 Speaker 1: could just be because an airplane flew over or something. 573 00:40:29,680 --> 00:40:33,319 Speaker 1: Because I was using very sensitive equipment, there are times 574 00:40:33,320 --> 00:40:35,280 Speaker 1: where I would hear a little noise like a bump 575 00:40:35,400 --> 00:40:40,080 Speaker 1: or a crack or something, and occasionally it would coincide 576 00:40:40,120 --> 00:40:42,480 Speaker 1: with the EMF. But still it wasn't like I heard 577 00:40:42,480 --> 00:40:46,080 Speaker 1: a voice or anything. It was a lot of work. 578 00:40:46,120 --> 00:40:47,160 Speaker 1: It was very disappointing. 579 00:40:47,880 --> 00:40:48,920 Speaker 2: So I went back. 580 00:40:50,719 --> 00:40:56,280 Speaker 1: Two years later and I had bought even more sophisticated equipment, 581 00:40:57,360 --> 00:40:59,040 Speaker 1: and this time I said, all right, I'm going to 582 00:40:59,120 --> 00:41:03,160 Speaker 1: do it in room number twenty where David Strickland committed suicide. 583 00:41:04,280 --> 00:41:05,920 Speaker 2: It was so eerie it was. It was a very 584 00:41:06,000 --> 00:41:10,640 Speaker 2: it was a cold winter day, very very dry, crairy, 585 00:41:10,680 --> 00:41:13,360 Speaker 2: you know where you can hear that stack like Christy crackling. 586 00:41:13,880 --> 00:41:18,279 Speaker 2: Go into this little shabby room and there was the 587 00:41:18,280 --> 00:41:21,239 Speaker 2: beam where he had, you know, from which he had 588 00:41:21,280 --> 00:41:25,200 Speaker 2: hanged himself, and it was just it almost made me sick, 589 00:41:25,800 --> 00:41:28,040 Speaker 2: to be honest with you, being in just the feeling 590 00:41:28,080 --> 00:41:29,719 Speaker 2: of depression in that room. 591 00:41:31,040 --> 00:41:33,080 Speaker 1: So I set up all of my gear. It did 592 00:41:33,120 --> 00:41:37,040 Speaker 1: the same thing when picked it up, sat down. Took 593 00:41:37,080 --> 00:41:40,319 Speaker 1: me a couple of days to analyze it, and again. 594 00:41:42,320 --> 00:41:43,800 Speaker 2: I didn't really get anything. 595 00:41:44,760 --> 00:41:46,440 Speaker 1: Now, Like I say, there were some times, for yes, 596 00:41:46,440 --> 00:41:49,800 Speaker 1: there was some weird noises, some weird electromagnetic flux, but 597 00:41:49,880 --> 00:41:53,560 Speaker 1: I'm looking for something very very tangible and very solid 598 00:41:53,600 --> 00:41:55,960 Speaker 1: at this point and my ghost hunting career and I 599 00:41:56,000 --> 00:42:00,799 Speaker 1: don't go doing a lot of ghost investigations. But I 600 00:42:00,800 --> 00:42:03,000 Speaker 1: didn't get anything on those investigations. And I know you're 601 00:42:03,080 --> 00:42:06,160 Speaker 1: you're sitting there thinking like, well, that's a that's a 602 00:42:06,200 --> 00:42:08,960 Speaker 1: bummer story, Josh, Why did you tell us that? Well, 603 00:42:09,239 --> 00:42:14,200 Speaker 1: here is why I believe that it's still possible for 604 00:42:14,719 --> 00:42:17,239 Speaker 1: one of you out there to use this approach to 605 00:42:17,719 --> 00:42:20,960 Speaker 1: make history. If you if now that I put this 606 00:42:21,040 --> 00:42:23,680 Speaker 1: idea in your head, here's how you have to do this. 607 00:42:25,920 --> 00:42:30,040 Speaker 1: And it's certainly possible that a lot of these ghosts 608 00:42:30,080 --> 00:42:33,200 Speaker 1: cannot even be photographed with current technology, that we do 609 00:42:33,280 --> 00:42:36,920 Speaker 1: not have the ability to do that visually. You know 610 00:42:37,000 --> 00:42:40,439 Speaker 1: Nikola Tesla was he basically invented X rays. He didn't 611 00:42:40,440 --> 00:42:43,200 Speaker 1: get the credit for it. He but a guy named Rogan, 612 00:42:43,880 --> 00:42:46,120 Speaker 1: who studied Tesla's work, got the credit for it. But 613 00:42:46,719 --> 00:42:50,440 Speaker 1: Tesla figured out how to capture images of people's bones 614 00:42:50,480 --> 00:42:52,960 Speaker 1: inside their body. He called them shadow graphs, and it 615 00:42:53,120 --> 00:42:58,759 Speaker 1: was like, how did this guy do that? I know 616 00:42:59,640 --> 00:43:01,680 Speaker 1: that they're there are things that cannot be captured with 617 00:43:01,719 --> 00:43:04,000 Speaker 1: current technology, but I also know there are things that 618 00:43:04,120 --> 00:43:06,480 Speaker 1: can be Because I bet you if I'd had that 619 00:43:06,560 --> 00:43:11,719 Speaker 1: same setup in that attic but that misappeared, that would 620 00:43:11,719 --> 00:43:14,080 Speaker 1: have done it. That would have been the proof we're 621 00:43:14,080 --> 00:43:18,200 Speaker 1: looking for, at least for most people, and I would 622 00:43:18,239 --> 00:43:19,840 Speaker 1: have been able to turn all of it over to 623 00:43:19,920 --> 00:43:22,680 Speaker 1: analysts and have them examine it skeptically and all that 624 00:43:22,719 --> 00:43:27,280 Speaker 1: sort of thing. But I am still going to attempt 625 00:43:27,320 --> 00:43:29,640 Speaker 1: this from time to time. But I was being very 626 00:43:29,680 --> 00:43:33,040 Speaker 1: secretive about it because I wanted, frankly, to get the 627 00:43:33,080 --> 00:43:36,120 Speaker 1: credit for being the first person to capture a ghost 628 00:43:36,120 --> 00:43:38,239 Speaker 1: this way. But at this point, I don't even care 629 00:43:38,239 --> 00:43:41,319 Speaker 1: about being the first person. I just want I care 630 00:43:41,360 --> 00:43:46,120 Speaker 1: about the research. I want to know that we can 631 00:43:46,239 --> 00:43:49,480 Speaker 1: prove that the ghosts are there. Let's get past that 632 00:43:50,320 --> 00:43:54,239 Speaker 1: blockage so that we can start working more on how 633 00:43:54,320 --> 00:44:00,759 Speaker 1: these work in society, what these things are. I have 634 00:44:01,200 --> 00:44:05,800 Speaker 1: a message from a woman in Asheville, Sarah Harrison, telling 635 00:44:05,840 --> 00:44:09,360 Speaker 1: me about an event that happened to her there in 636 00:44:09,400 --> 00:44:13,239 Speaker 1: Asheville in two thousand and nine. Of course, one of 637 00:44:13,280 --> 00:44:17,680 Speaker 1: the most haunted places in Ashville is Helen's Bridge, and 638 00:44:17,760 --> 00:44:19,800 Speaker 1: the story is whether it's true or not that my 639 00:44:19,920 --> 00:44:23,200 Speaker 1: woman named Helen hanged herself on that bridge sometime in 640 00:44:23,239 --> 00:44:26,600 Speaker 1: the late eighteen hundreds or early nineteen hundreds, and that 641 00:44:27,400 --> 00:44:31,160 Speaker 1: she haunts that area as well. As the nearby castle 642 00:44:31,280 --> 00:44:34,080 Speaker 1: called Zelandia. They say she did it because she was 643 00:44:34,080 --> 00:44:37,279 Speaker 1: distraught over the death of her daughter. Whether or not 644 00:44:37,360 --> 00:44:40,120 Speaker 1: that is true, and I did write about that haunted Ashville. 645 00:44:40,600 --> 00:44:42,640 Speaker 1: We have discovered that there were a lot of other 646 00:44:42,760 --> 00:44:46,520 Speaker 1: deaths there associated with the castle, including the death of 647 00:44:46,760 --> 00:44:49,520 Speaker 1: a man who committed suicide near that bridge. 648 00:44:49,920 --> 00:44:52,560 Speaker 2: He was a workman. But here's what she wrote. 649 00:44:53,080 --> 00:44:55,520 Speaker 1: This tale is one that teaches the lesson be careful 650 00:44:55,560 --> 00:44:58,840 Speaker 1: what you wish for, especially who you want to visit 651 00:44:58,880 --> 00:45:02,719 Speaker 1: you from an otherworldly realm. I'm the leader of a 652 00:45:02,719 --> 00:45:06,960 Speaker 1: paranormal group in Ashville, North Carolina. The members of the Hickory, 653 00:45:07,040 --> 00:45:09,640 Speaker 1: North Carolina group were visiting and wished to see a 654 00:45:09,680 --> 00:45:15,000 Speaker 1: local infamous haunt named Helen's Bridge. We drove up Bouquetcher 655 00:45:15,080 --> 00:45:18,120 Speaker 1: Mountain and two cars my team and one the Hickory 656 00:45:18,160 --> 00:45:21,239 Speaker 1: group and the other. The leader of the Hickory group 657 00:45:21,280 --> 00:45:24,680 Speaker 1: had brought along his teenage brother, and as we were 658 00:45:24,719 --> 00:45:27,359 Speaker 1: exploring Helen's Bridge, the younger brother ran up and down 659 00:45:27,360 --> 00:45:33,200 Speaker 1: the bridge, yelling Helen come forth, over and over. After 660 00:45:33,280 --> 00:45:35,520 Speaker 1: a while, we decided to head down the mountain for 661 00:45:35,960 --> 00:45:40,120 Speaker 1: spirits of another kind. I drove my car down first, 662 00:45:40,160 --> 00:45:43,680 Speaker 1: with the other car following. The people in my car 663 00:45:43,760 --> 00:45:47,880 Speaker 1: saw nothing out of the ordinary. As we reached the bottom, 664 00:45:48,480 --> 00:45:52,239 Speaker 1: the other car pulled over. Everyone in the second car 665 00:45:52,360 --> 00:45:57,480 Speaker 1: was shaking, and pell the kid brother was wide eyed 666 00:45:57,920 --> 00:46:02,200 Speaker 1: and speechless for the first time that night. The story 667 00:46:02,239 --> 00:46:06,280 Speaker 1: they told was chilling. As they were driving down the mountain, 668 00:46:07,840 --> 00:46:11,520 Speaker 1: a woman came out of the woods. She had on 669 00:46:11,600 --> 00:46:16,200 Speaker 1: a long dress and had long hair, but the worst 670 00:46:16,200 --> 00:46:21,680 Speaker 1: part was her face. It was contorted and hideous, like 671 00:46:21,719 --> 00:46:25,480 Speaker 1: something out of a horror movie. It was too grotesque 672 00:46:25,520 --> 00:46:29,320 Speaker 1: to be a human being. And they left, swearing never 673 00:46:29,640 --> 00:46:34,640 Speaker 1: to visit Helen's Bridge again. I've returned to Helen's Bridge 674 00:46:34,680 --> 00:46:37,840 Speaker 1: many times since that night, and I've wondered if Helen 675 00:46:37,920 --> 00:46:41,240 Speaker 1: was there, floating just out of reach of my senses. 676 00:46:42,200 --> 00:46:44,719 Speaker 1: I do know that I will never again say those 677 00:46:44,760 --> 00:46:54,080 Speaker 1: three words, Helen, come forth. Thank you, Sarah for that story. 678 00:46:54,280 --> 00:46:57,319 Speaker 1: You know what I So many people have told me 679 00:46:57,640 --> 00:47:00,759 Speaker 1: over the years about Helen's stories. I could probably do 680 00:47:00,800 --> 00:47:05,480 Speaker 1: a whole podcast about the Helen's Bridge. I myself had 681 00:47:05,520 --> 00:47:07,600 Speaker 1: an experience up there one night where I pulled under 682 00:47:07,640 --> 00:47:10,520 Speaker 1: the bridge and said, Helen come forth, and immediately the 683 00:47:10,600 --> 00:47:13,480 Speaker 1: alternator died on my car and I was stranded up 684 00:47:13,480 --> 00:47:18,120 Speaker 1: there about midnight on this foggy October night. This was 685 00:47:18,160 --> 00:47:20,960 Speaker 1: back before cell phones. I had to walk down that 686 00:47:21,040 --> 00:47:27,160 Speaker 1: mountain alone. I'm telling you all these stories, they're going 687 00:47:27,239 --> 00:47:30,520 Speaker 1: to prove to be real someday. We just need the 688 00:47:30,520 --> 00:47:35,879 Speaker 1: proper approach, the proper technique, proper technology. Just have about 689 00:47:35,920 --> 00:47:38,960 Speaker 1: a minute left. Here's some mental manna for you, going 690 00:47:39,040 --> 00:47:43,319 Speaker 1: back to word origins. You know people say, oh, I 691 00:47:43,360 --> 00:47:47,160 Speaker 1: saw the ghost, and then I made a bee line 692 00:47:47,520 --> 00:47:51,799 Speaker 1: for the door. Why do people say they make a 693 00:47:51,840 --> 00:47:55,000 Speaker 1: bee line when they mean they're running in a straight line, 694 00:47:55,960 --> 00:47:59,200 Speaker 1: Because you think that they would say, well, I am 695 00:47:59,360 --> 00:48:02,640 Speaker 1: a you know, you think a B line would be 696 00:48:02,680 --> 00:48:04,239 Speaker 1: in the shape of it be maybe kind of like 697 00:48:04,760 --> 00:48:09,960 Speaker 1: the figure eight. Turns out, from what I've read, it's 698 00:48:10,000 --> 00:48:12,719 Speaker 1: called a B line because it's not named after the 699 00:48:12,840 --> 00:48:18,400 Speaker 1: letter B. It's named after the insect b ee. That apparently, 700 00:48:18,920 --> 00:48:22,440 Speaker 1: bees are so effective and productive that they always are 701 00:48:22,480 --> 00:48:25,680 Speaker 1: able to take the most straight and direct path right 702 00:48:25,760 --> 00:48:30,239 Speaker 1: back to the hive. And that, my friends, is why 703 00:48:30,239 --> 00:48:33,560 Speaker 1: they say we call that straight dash back to a 704 00:48:33,600 --> 00:48:38,680 Speaker 1: place a bee line. All right, you know what time 705 00:48:38,719 --> 00:48:41,680 Speaker 1: it is? If you can close your eyes, take a 706 00:48:41,719 --> 00:48:45,600 Speaker 1: deep breath, let's all meditate on making next week the 707 00:48:45,640 --> 00:48:49,160 Speaker 1: best week ever for you and everybody else listening here. 708 00:48:49,200 --> 00:48:51,560 Speaker 1: It is the one, the only, the original, the world 709 00:48:51,640 --> 00:49:20,960 Speaker 1: famous good fortune tone. That's it for this edition of 710 00:49:21,000 --> 00:49:25,080 Speaker 1: the show. Follow me at Joshua P. Warren Plus, visit 711 00:49:25,160 --> 00:49:28,240 Speaker 1: Joshua Pwarren dot com to sign up for my free 712 00:49:28,400 --> 00:49:32,959 Speaker 1: e newsletter to receive a free instant gift, and check 713 00:49:33,000 --> 00:49:36,080 Speaker 1: out the cool stuff in the Curiosity Shop. All at 714 00:49:36,200 --> 00:49:39,840 Speaker 1: Joshuapwarren dot com. I have a fun one lined up 715 00:49:39,920 --> 00:49:43,480 Speaker 1: for you next time, I promise. So please tell all 716 00:49:43,520 --> 00:49:47,280 Speaker 1: your friends to subscribe to this show and to always 717 00:49:47,320 --> 00:49:52,400 Speaker 1: remember the Golden Rule. Thank you for listening, thank you 718 00:49:52,560 --> 00:49:56,200 Speaker 1: for your interest and support. Thank you for staying curious, 719 00:49:56,760 --> 00:50:01,359 Speaker 1: and I will talk to you again soon. You've been 720 00:50:01,360 --> 00:50:05,840 Speaker 1: listening to Strange Things on the iHeartRadio and Coast to 721 00:50:05,920 --> 00:50:09,280 Speaker 1: Coast AM Paranormal Podcast Network. 722 00:50:20,520 --> 00:50:23,799 Speaker 3: Well, if you like this episode of Strange Things, wait 723 00:50:23,880 --> 00:50:26,720 Speaker 3: till you hear the next one. Thank you for listening 724 00:50:26,800 --> 00:50:31,720 Speaker 3: to the iHeartRadio and Coast to Coast AM Paranormal Podcast Network.