WEBVTT - Denise Mina

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<v Speaker 1>The Craig Ferguson Pants on Fire Tour is on sale now.

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<v Speaker 1>It's a new show, it's new material, but I'm afraid

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<v Speaker 1>it's still only me, Craig Ferguson on my own, standing

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<v Speaker 1>on a stage telling comedy words. Come and see me,

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<v Speaker 1>buy tickets, bring your loved ones, or don't come and

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<v Speaker 1>see me. Don't buy tickets and don't bring your loved ones.

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<v Speaker 1>I'm not your dad. You come or don't come, but

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<v Speaker 1>you should at least know what's happening, and it is.

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<v Speaker 1>The tour kicks off late September and goes through the

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<v Speaker 1>end of the year and beyond. Tickets are available at

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<v Speaker 1>the Craig Ferguson Show dot com slash tour. They are

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<v Speaker 1>available at the Craig Ferguson show dot com slash tour

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<v Speaker 1>or at your local outlet in your region. My name

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<v Speaker 1>is Craig Ferguson. The name of this podcast is Joy.

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<v Speaker 1>I talk to interest in people about what brings them happiness.

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<v Speaker 2>Ah.

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<v Speaker 1>Yes, My guest today is one of my oldest friends.

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<v Speaker 1>When I say one of my oldest friends, she's younger

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<v Speaker 1>than me, but I've known her for.

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<v Speaker 3>A very long time.

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<v Speaker 1>She gets very uncomfortable when I say how clever she is.

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<v Speaker 1>But she's very clever. She's a great writer, and she's

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<v Speaker 1>a great person. And her name is Please Minor.

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<v Speaker 4>Hello, Hello darling.

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<v Speaker 3>How are you doing? You know, I'm okay. How are

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<v Speaker 3>you doing?

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<v Speaker 4>Yeah? I'm not bad at all. Yeah, not bad. I've

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<v Speaker 4>got massive gosses on and I don't know what you're

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<v Speaker 4>I'm just going to be like Deardrey barlowing it the

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<v Speaker 4>whole time.

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<v Speaker 1>Well, I think for American listeners we have to explain

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<v Speaker 1>who Deardrey Parlow is before we go any further.

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<v Speaker 4>She was a soap star in Britain in the seventies.

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<v Speaker 4>He was famous for wearing gigantic eye obscuring glasses, so

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<v Speaker 4>she looked like a serial killer. But she did She

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<v Speaker 4>didn't kill anybody.

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<v Speaker 1>I don't think, well, I would say, I think the

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<v Speaker 1>show she was on was Coronation Street, right, and Coronation

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<v Speaker 1>Street is the longest running soap opera I think in

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<v Speaker 1>the world.

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<v Speaker 4>Yeah, I think. I think you're right.

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<v Speaker 1>Yeah, And I think that by now they've probably had

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<v Speaker 1>at least one My guess is they've had at least one.

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<v Speaker 3>Serial killer storyline by now.

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<v Speaker 4>No, no, you don't understand. Nope, you're wrong, or you

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<v Speaker 4>have to stay on brand, you see. So it's like

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<v Speaker 4>certain certain magazines will only have people falling over. They

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<v Speaker 4>won't have they won't have violence, they won't have So

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<v Speaker 4>maybe someone fell over, or maybe several people fell over

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<v Speaker 4>in the vicinity of the same person, but I very

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<v Speaker 4>much doubt they had a serial killer. It's so off brand.

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<v Speaker 1>Well, but I see, I think that if someone falls

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<v Speaker 1>over and dies, maybe towards the end of a season,

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<v Speaker 1>and that happens a few times, we've got to think

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<v Speaker 1>we might have a serial killer on our hands, a

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<v Speaker 1>serial toppler.

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<v Speaker 3>Pushing people over.

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<v Speaker 1>Look, I'm not trying to steer your career anywhere, but

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<v Speaker 1>I think an idea for a book next book could

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<v Speaker 1>be the pushing people over, making it look like they

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<v Speaker 1>fell serial.

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<v Speaker 4>Killer in real life. There probably has.

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<v Speaker 1>Actually one of the things that I really can't because

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<v Speaker 1>you and I have known each other since I think

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<v Speaker 1>even before you wrote your first book.

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<v Speaker 4>Actual, yes, that's.

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<v Speaker 1>Well, so, I mean there have been times when you know,

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<v Speaker 1>I've thought, because I've known you for such a long

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<v Speaker 1>time that you I read everything you do because I

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<v Speaker 1>like it, and it's it's tricky because sometimes when you

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<v Speaker 1>have a friend who writes and you're like, oh, yeah,

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<v Speaker 1>that was good, but it wasn't that good. But I

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<v Speaker 1>have read everything you've done, and I.

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<v Speaker 4>My whole career.

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<v Speaker 1>It's like your whole career. This is the opposite of that.

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<v Speaker 1>What I'm saying as I've read it all, and what

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<v Speaker 1>I was trying to get to is was the the

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<v Speaker 1>you are. I always think of someone who's very positive

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<v Speaker 1>and cheerful, and you kind of you head towards positivity

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<v Speaker 1>all the time, and you've always done that and all

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<v Speaker 1>the time I've known you, And yeah, some of your

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<v Speaker 1>work is the darkest I've ever read, as part of

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<v Speaker 1>the reason why I love it so much.

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<v Speaker 4>And I wonder if what do you think that is?

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<v Speaker 1>Do you think you get out all your dark shit

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<v Speaker 1>when you're writing?

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<v Speaker 3>Is that what it is?

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<v Speaker 4>I don't think so. I think we tend to think

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<v Speaker 4>of light and darkest binaries, and actually there's a lot

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<v Speaker 4>more mix. And I see that in your comedy all

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<v Speaker 4>the time. Thank you, and you really really really funny,

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<v Speaker 4>are very very dark. Like I mean, I remember you

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<v Speaker 4>being unable to stop laughing because you were describing yourself

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<v Speaker 4>sitting on the end of the pit in Yours pants

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<v Speaker 4>happing the breakdown. Yeah, you know what I mean? I think, actually,

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<v Speaker 4>what does what does? What does lightness do? Do you

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<v Speaker 4>know what I mean? It makes the dark bearable? And

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<v Speaker 4>actually it's kind of like it's like only eating salt

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<v Speaker 4>or only eating meat. I mean, you really want them together,

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<v Speaker 4>do you know what I mean? And I think people

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<v Speaker 4>people always say that to crime writers, you're also jolly,

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<v Speaker 4>do you get all your darkness out of the page?

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<v Speaker 4>And it's like, no, we're really kind of thick fox.

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<v Speaker 1>Or very well adjusted in the fact that you understand

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<v Speaker 1>because what you what you described the idea of being

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<v Speaker 1>able to keep light and darkness and you know, and

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<v Speaker 1>it's all you know, it's a spectrum or a or

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<v Speaker 1>a flavor and a recipe. I think that's a very healthy,

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<v Speaker 1>well adjusted way of looking at things. But but I

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<v Speaker 1>think that there's a couple of times. There's a couple

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<v Speaker 1>of instances I can't remember. Oh god, there was one

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<v Speaker 1>of the books. I can't remember the exact book, but

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<v Speaker 1>it was about a horrible kelly person that was going

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<v Speaker 1>into a room to and he didn't know what he

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<v Speaker 1>was going to in, but he was going to fuck

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<v Speaker 1>it when he got in there. That was the phrase,

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<v Speaker 1>and that said, do you remember that that book? That's

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<v Speaker 1>that's about as as twisted and hard as anything I've

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<v Speaker 1>ever read.

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<v Speaker 3>And the knowledge of that.

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<v Speaker 1>See, I think I try and keep darkness away by

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<v Speaker 1>what I do, and I think you're quite brave.

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<v Speaker 3>I think you just like let it roll in.

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<v Speaker 4>I don't think you are keeping I mean in front.

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<v Speaker 3>I'm just saying that that is what I'm trying.

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<v Speaker 4>I don't know. I mean, I think I think if

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<v Speaker 4>you really of the world, and you really love life

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<v Speaker 4>and you really love people, you have to be able

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<v Speaker 4>to see both sides, do you know what I mean?

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<v Speaker 4>And everything gets heightened if you go through if you

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<v Speaker 4>have a very kind of you know, boring narrative and

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<v Speaker 4>it's you know, the steaks are low and do you

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<v Speaker 4>know what I mean, It's like everything's very heightened if

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<v Speaker 4>you I mean, that's one of the reasons I love

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<v Speaker 4>horror so much is because everything very things are funnier,

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<v Speaker 4>you know. I mean, I don't think you really do

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<v Speaker 4>you know yourself any favors by trying to sanitize everything.

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<v Speaker 4>Life isn't vanilla, you know. Yeah, I mean, I know

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<v Speaker 4>I can't think of anything darker than standing up in

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<v Speaker 4>front of an audience fill of people and trying to

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<v Speaker 4>make them laugh.

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<v Speaker 1>Well, certainly it has. Have you never tried it?

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<v Speaker 4>I couldn't do it because if the audience hate me,

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<v Speaker 4>I just I don't care. I've died really talking oh

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<v Speaker 4>so badly. I was in front of five hundred people.

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<v Speaker 4>There's a whole lot going on. I gave an after

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<v Speaker 4>dinner speech and everyone hated me. I mean, I mean

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<v Speaker 4>it was tangible. You could feel the hate, and I

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<v Speaker 4>insulted everybody, and then I doubled down on it by saying,

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<v Speaker 4>I don't care what you think. And then I said

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<v Speaker 4>thank you for giving me this appalling experience. To tell

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<v Speaker 4>on another account.

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<v Speaker 1>Thats like a lot of stand up comedy performances, particularly

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<v Speaker 1>in the early years, that when you start to love it,

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<v Speaker 1>so when you start to look for that failure, I

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<v Speaker 1>think that that's that's what it is.

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<v Speaker 3>That's when you know you are.

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<v Speaker 4>I don't know. I wouldn't give up on your stand

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<v Speaker 4>up career.

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<v Speaker 3>Just yeah, I think I think it might be one.

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<v Speaker 1>But it's part of life now for authors, isn't it

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<v Speaker 1>that you have to do all that you have to

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<v Speaker 1>be much more social.

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<v Speaker 4>Much more social. And I've got a bit two in

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<v Speaker 4>a quarter hours of social in me, and then I

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<v Speaker 4>start to actually kind of see things or epic to

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<v Speaker 4>go to the toilet because I'm really introversive. There's a

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<v Speaker 4>thing at London Book Club and it was a post

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<v Speaker 4>on the back of the wall from the Finnish Book

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<v Speaker 4>Society and it was a picture of a woman with

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<v Speaker 4>her kN knickers around her ankle, sitting on the toilet

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<v Speaker 4>and it said, thank God, I'm finally alone.

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<v Speaker 3>I understand it, I understand why. Why is what?

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<v Speaker 1>Do you think the thing is that people have to

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<v Speaker 1>have a connection par certainly with crime writers. I think

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<v Speaker 1>that although I feel like, and I mean this is

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<v Speaker 1>one hundred percent as a compliment, I feel you've kind

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<v Speaker 1>of transcended that a wee bit. You you've kind of

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<v Speaker 1>brished out a little bit from only writing about you know,

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<v Speaker 1>you never really only wrote about crime anyway, because it

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<v Speaker 1>was always at of psychological and a and a personal

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<v Speaker 1>kind of depth to it. It wasn't kind of like

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<v Speaker 1>just procedural. But with crime writers, if you're perceived to

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<v Speaker 1>be a crime writer, you have to go to these

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<v Speaker 1>conventions and and and people need a connection with you.

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<v Speaker 3>Do you think that's about.

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<v Speaker 4>I have no idea because these audiences are not really

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<v Speaker 4>our readers. It's all women who look a bit like me.

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<v Speaker 4>So I'm just in a room full of women of

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<v Speaker 4>my age who look a bit like me. That's not

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<v Speaker 4>who reads my books. And and I'm not that interesting

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<v Speaker 4>on stage. You're listening right now. It's quite banale. Do

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<v Speaker 4>you know what I mean? I don't have the answers

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<v Speaker 4>to anything. Yeah, I don't really don't know what it's

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<v Speaker 4>about it. There's a lot of.

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<v Speaker 1>Collectors, does that And do you think maybe that it's

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<v Speaker 1>aspirational if you're talking about there's a lot of women

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<v Speaker 1>who look like you and the audience, but they don't

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<v Speaker 1>buy your book.

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<v Speaker 3>Do they want to be writing your book? Do you

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<v Speaker 3>think that's what it is?

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<v Speaker 4>There's a lot of questions about how do you do

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<v Speaker 4>you write with the pen or a pencil? Do you

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<v Speaker 4>where you get your ideas from?

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<v Speaker 2>You know?

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<v Speaker 4>All that stuff to my next question. I remember one

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<v Speaker 4>hundred years ago you said to mate for did you

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<v Speaker 4>get your ideas for your feminism from? After somebody been No?

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<v Speaker 4>I say that, say that you know you're confused mabe

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<v Speaker 4>somebody else.

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<v Speaker 3>I feel like I know where you get.

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<v Speaker 1>I feel you've never been kind of reticent about telling

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<v Speaker 1>me where you get your ideas for your feminism.

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<v Speaker 3>Bro, I don't think I need to push you for it.

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<v Speaker 1>Funny though, I mean, it's such a strange thing though,

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<v Speaker 1>because I was thinking today before we started talking about

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<v Speaker 1>when you and I met, like, which is you know

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<v Speaker 1>it's about thirty something years ago now, like it's really

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<v Speaker 1>a long time.

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<v Speaker 4>Yeah, and that strang we're so old.

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<v Speaker 3>Well yeah, but we look fantastic, So I think it's okay.

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<v Speaker 4>We kept her here, croik.

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<v Speaker 1>We kept her hair and we both moisturize, and I

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<v Speaker 1>think that's that's the key.

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<v Speaker 4>And we can't take the sound. I had to move

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<v Speaker 4>from La it was too much.

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<v Speaker 1>I've had that. You ever had things that toffee? I've

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<v Speaker 1>got age spots that I've had to have taken.

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<v Speaker 4>Off from being in l A.

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<v Speaker 3>Yeah, yeah, as well from driving.

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<v Speaker 1>Wow, you sill like that and your knuckles got all

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<v Speaker 1>age spots on them.

0:12:19.280 --> 0:12:22.040
<v Speaker 4>Wow. I live where the sun don't shine, so you do?

0:12:22.360 --> 0:12:24.880
<v Speaker 1>You live in Glasgow, which I'm always I've always been

0:12:24.960 --> 0:12:28.960
<v Speaker 1>very envious that you. I like, I love Glasgow but

0:12:29.000 --> 0:12:31.120
<v Speaker 1>I always have a complicated relationship with it.

0:12:31.200 --> 0:12:36.000
<v Speaker 3>You seem to be very at home there, like you,

0:12:36.000 --> 0:12:36.120
<v Speaker 3>you know.

0:12:36.200 --> 0:12:38.040
<v Speaker 1>I mean I've seen you ride about your bike and

0:12:38.080 --> 0:12:41.000
<v Speaker 1>you wave to people and you're kind of quite you see,

0:12:41.000 --> 0:12:43.240
<v Speaker 1>you're not social, but I feel like you're very social

0:12:43.280 --> 0:12:43.760
<v Speaker 1>in Glasgow.

0:12:43.760 --> 0:12:45.920
<v Speaker 3>I feel you're very much part of the community.

0:12:46.480 --> 0:12:48.839
<v Speaker 4>Well, yeah, it's so. I mean, I didn't drow up here.

0:12:49.400 --> 0:12:53.160
<v Speaker 4>So my dad is an engineer, and I grew up

0:12:53.200 --> 0:12:59.160
<v Speaker 4>in Paris and Norway and London and Amsterdam because he

0:12:59.240 --> 0:13:02.800
<v Speaker 4>was a draftman. So Glasgow sort of where I chose

0:13:02.840 --> 0:13:04.920
<v Speaker 4>because I grew up in South London as well. So

0:13:05.720 --> 0:13:08.240
<v Speaker 4>like you probably feel the way I feel the way

0:13:08.240 --> 0:13:10.040
<v Speaker 4>about Glasgow that you do a bit of places that

0:13:10.080 --> 0:13:11.760
<v Speaker 4>you choose to stage, you know what I mean, it's

0:13:11.760 --> 0:13:12.800
<v Speaker 4>a different relationship.

0:13:13.559 --> 0:13:17.280
<v Speaker 1>That's funny because you've got a very Parisian and Norwegian accent.

0:13:18.000 --> 0:13:21.360
<v Speaker 3>I think, do you speak Norwegian?

0:13:22.600 --> 0:13:27.360
<v Speaker 4>Yeah? The Janahan snickers.

0:13:26.080 --> 0:13:27.480
<v Speaker 3>That was is that true?

0:13:27.960 --> 0:13:33.120
<v Speaker 4>That is true? That's me asking for snickersners.

0:13:33.600 --> 0:13:35.520
<v Speaker 3>That's that's the extent of my Norwegian.

0:13:37.320 --> 0:13:39.520
<v Speaker 4>But that's as much as you get out. Because if

0:13:39.520 --> 0:13:41.240
<v Speaker 4>you even get on the bus and say in a barn,

0:13:41.640 --> 0:13:44.760
<v Speaker 4>they say, oh, English speaker, because they know your accents

0:13:44.840 --> 0:13:48.320
<v Speaker 4>rubbish and everyone's everyone's fluent, you know.

0:13:48.440 --> 0:13:51.360
<v Speaker 1>I know Mexican people do that to me and Los Angeles.

0:13:51.360 --> 0:13:54.160
<v Speaker 1>I try and speak Spanish and they just they smile

0:13:54.240 --> 0:13:57.840
<v Speaker 1>indulgently and then just speak English to me, which is

0:13:58.320 --> 0:14:01.040
<v Speaker 1>kind of embarrassing, but also there's a kindness to it

0:14:01.080 --> 0:14:01.440
<v Speaker 1>as well.

0:14:01.760 --> 0:14:04.480
<v Speaker 3>But why did you choose Glasgow? Then?

0:14:04.520 --> 0:14:07.160
<v Speaker 1>If you went because your because your family was from there,

0:14:07.160 --> 0:14:08.720
<v Speaker 1>as that one, well.

0:14:08.520 --> 0:14:10.360
<v Speaker 4>To be honest, I took a lot of drugs and

0:14:10.440 --> 0:14:12.760
<v Speaker 4>I kind of black shout and woke up here. That

0:14:12.880 --> 0:14:16.000
<v Speaker 4>is essentially what happened. And my mom was here because

0:14:16.040 --> 0:14:17.920
<v Speaker 4>my parents had just split up, and she said you

0:14:17.960 --> 0:14:21.040
<v Speaker 4>can sleep on my couch. So it's a very thought

0:14:21.120 --> 0:14:23.640
<v Speaker 4>out life plan. I mean, I had yacht.

0:14:28.160 --> 0:14:30.200
<v Speaker 1>I've taken a lot of drugs and woken up places

0:14:30.240 --> 0:14:32.680
<v Speaker 1>and thought I don't want to live here.

0:14:32.760 --> 0:14:35.520
<v Speaker 3>I want to live somewhere else but Glasgow.

0:14:35.600 --> 0:14:38.280
<v Speaker 4>At that time it was the eighties, right, So everyone

0:14:38.320 --> 0:14:42.240
<v Speaker 4>with any ambition left and they all went to where

0:14:42.280 --> 0:14:44.520
<v Speaker 4>I'd been living because I'd been living in South London,

0:14:44.640 --> 0:14:48.080
<v Speaker 4>which was a thatcher, you know, And then it was

0:14:48.160 --> 0:14:51.200
<v Speaker 4>like you know, capitalism on steroids. And I came to

0:14:51.240 --> 0:14:53.920
<v Speaker 4>Golasgow and it was there were all these beautiful buildings.

0:14:53.960 --> 0:14:56.200
<v Speaker 4>You couldn't get anywhere to live in London as well.

0:14:56.560 --> 0:14:59.480
<v Speaker 4>We were all swating and you came to go Husgo

0:14:59.560 --> 0:15:01.280
<v Speaker 4>and it was like you know these you could get

0:15:01.320 --> 0:15:03.520
<v Speaker 4>these rooms that were like ballrooms and you could rent

0:15:03.560 --> 0:15:05.800
<v Speaker 4>them for twenty quite a week, and it was like

0:15:05.880 --> 0:15:09.760
<v Speaker 4>West Berlin. It was like an abandoned city that nobody

0:15:09.760 --> 0:15:12.440
<v Speaker 4>wanted to live in. And you know, there's a lot

0:15:12.440 --> 0:15:15.760
<v Speaker 4>of freedom in that, you know, and I just completely

0:15:15.760 --> 0:15:17.600
<v Speaker 4>fell in love with it. And also people were quite

0:15:18.640 --> 0:15:20.920
<v Speaker 4>kind to each other. You know, they would chat to

0:15:20.960 --> 0:15:23.880
<v Speaker 4>each other and they would, you know, ask how you

0:15:23.960 --> 0:15:25.720
<v Speaker 4>were and then they would listen to how you went.

0:15:25.760 --> 0:15:28.760
<v Speaker 4>I mean, it was just a really odd place. You

0:15:28.800 --> 0:15:31.320
<v Speaker 4>know it still does it still have that? Because it's funny,

0:15:31.360 --> 0:15:33.680
<v Speaker 4>I don't. It's my hometown, but I don't feel that

0:15:33.720 --> 0:15:37.040
<v Speaker 4>way about it at all. I mean, and it's does

0:15:37.080 --> 0:15:40.000
<v Speaker 4>it still have that? You think it really has that?

0:15:40.080 --> 0:15:42.680
<v Speaker 4>But I have to say, you are from Cumbernauld, which

0:15:42.720 --> 0:15:43.160
<v Speaker 4>is like.

0:15:43.320 --> 0:15:45.960
<v Speaker 1>Well, I know, I'm from springber but I grew up

0:15:46.000 --> 0:15:49.800
<v Speaker 1>in Cumbernauld, which is it's not not good.

0:15:50.480 --> 0:15:55.640
<v Speaker 4>No, I'm from easco Bride, right, very similar. I didn't

0:15:55.640 --> 0:15:57.560
<v Speaker 4>move back too right. I think he's scow Bride was

0:15:57.560 --> 0:16:01.360
<v Speaker 4>a Catholic version of Cumbernauld. I think there are.

0:16:01.280 --> 0:16:04.280
<v Speaker 1>Catholics in Cumbernall that would be outraged by that statement.

0:16:04.320 --> 0:16:07.040
<v Speaker 4>But I think a lot of the Catholics moved to

0:16:07.160 --> 0:16:08.880
<v Speaker 4>go Broad and a lot of it. And these are

0:16:08.920 --> 0:16:11.520
<v Speaker 4>new towns. These are like seventies towns that were built.

0:16:12.360 --> 0:16:14.800
<v Speaker 4>He's the housing sortage, and they're quite far away from

0:16:14.800 --> 0:16:18.560
<v Speaker 4>the city and they're very different than the actual city.

0:16:18.640 --> 0:16:21.440
<v Speaker 4>The actual city feels very glamorous in comparison.

0:16:28.240 --> 0:16:30.320
<v Speaker 1>I always thought that. I always thought like the West

0:16:30.400 --> 0:16:32.440
<v Speaker 1>End of Glasgow. To me, it still kind of does.

0:16:32.480 --> 0:16:34.800
<v Speaker 1>Actually when I go there, I feel like it has

0:16:34.840 --> 0:16:38.840
<v Speaker 1>a kind of it feels like Paris, or or or

0:16:38.880 --> 0:16:40.880
<v Speaker 1>the Upper West Side of New York or something like that.

0:16:40.960 --> 0:16:42.800
<v Speaker 3>It's got sort of glamor about.

0:16:42.480 --> 0:16:46.040
<v Speaker 1>It, which is strange, but it's true. And you and

0:16:46.040 --> 0:16:50.680
<v Speaker 1>I both worked in the ubiquitous chip Bar as well,

0:16:51.040 --> 0:16:53.680
<v Speaker 1>which seems and Kelly McDonald worked there as well. And

0:16:53.760 --> 0:16:57.240
<v Speaker 1>I think I think if you were, if you were

0:16:57.280 --> 0:16:59.840
<v Speaker 1>an artist of a particular type, you had to spend

0:16:59.840 --> 0:17:01.600
<v Speaker 1>it at least a year working as a waiter.

0:17:01.640 --> 0:17:02.720
<v Speaker 3>And the Ubiquitous Chip.

0:17:03.200 --> 0:17:05.919
<v Speaker 4>Everyone I know works in the Chip. Everyone I know

0:17:06.000 --> 0:17:09.919
<v Speaker 4>works in the Chip. For people who don't know that,

0:17:10.320 --> 0:17:13.000
<v Speaker 4>it's a restaurant, and it was named after a line

0:17:13.040 --> 0:17:16.399
<v Speaker 4>in a play about Scottish cuisine, and the line was,

0:17:16.600 --> 0:17:20.520
<v Speaker 4>you know, over boiled potatoes, ruined vegetables, and of course

0:17:20.560 --> 0:17:24.399
<v Speaker 4>the ubiquitous Chip. So it's a fine dining restaurant called

0:17:24.440 --> 0:17:27.280
<v Speaker 4>after that. It's called the Ubiquitous Chip. So it's quite pretentious.

0:17:27.720 --> 0:17:31.119
<v Speaker 4>And it was full of pretentious whankers like us. They

0:17:31.160 --> 0:17:33.760
<v Speaker 4>had aspirations, do you know what I mean? We had aspiration.

0:17:34.320 --> 0:17:36.880
<v Speaker 3>But you were sober when you worked there. I wasn't.

0:17:36.960 --> 0:17:37.280
<v Speaker 4>I was.

0:17:37.720 --> 0:17:39.760
<v Speaker 1>I was still drinking when I was working there, because

0:17:39.800 --> 0:17:43.399
<v Speaker 1>I remember how much I it was a real illustration

0:17:43.440 --> 0:17:44.560
<v Speaker 1>because I would work in the bar.

0:17:44.600 --> 0:17:46.199
<v Speaker 3>I wouldn't be able to drink that much while I

0:17:46.240 --> 0:17:47.080
<v Speaker 3>was working the bar.

0:17:47.080 --> 0:17:50.440
<v Speaker 1>And I would see people drink that first and for lagger,

0:17:51.280 --> 0:17:54.440
<v Speaker 1>and it was like people that would come win normal

0:17:54.480 --> 0:18:00.119
<v Speaker 1>and go fucking crazy after like four pints. And and

0:18:00.200 --> 0:18:02.600
<v Speaker 1>I kind of think there was some information about me

0:18:02.640 --> 0:18:05.159
<v Speaker 1>about this is what you are like Craig when you

0:18:05.200 --> 0:18:07.199
<v Speaker 1>start drinking it. I think it began to kind of

0:18:07.640 --> 0:18:10.160
<v Speaker 1>sink in a bit because there's a lot of back

0:18:10.200 --> 0:18:12.479
<v Speaker 1>and alien behavior in that. I don't know if there

0:18:12.520 --> 0:18:15.560
<v Speaker 1>still is, but there certainly was in the eighties. There

0:18:15.880 --> 0:18:16.520
<v Speaker 1>is it still there?

0:18:16.600 --> 0:18:19.320
<v Speaker 4>Oh yeah, it's still mental. And there's a roof garden

0:18:19.400 --> 0:18:22.080
<v Speaker 4>now where everyone goes up and smoked hash and pretend

0:18:22.119 --> 0:18:24.520
<v Speaker 4>they're not smoking hash. But there used to be a

0:18:25.280 --> 0:18:31.040
<v Speaker 4>spiral staircase down to the toilets, and we installed a

0:18:31.200 --> 0:18:33.960
<v Speaker 4>video camera. I'm sure you remember. I'm sure your face

0:18:34.040 --> 0:18:38.879
<v Speaker 4>remembers it. Video camera, that's all. And at the end

0:18:38.880 --> 0:18:41.000
<v Speaker 4>of the night you used to say time, gentlemen place

0:18:41.400 --> 0:18:43.320
<v Speaker 4>and the bar would empty, and then we'd all stand

0:18:43.320 --> 0:18:45.440
<v Speaker 4>and watch the video monitor and killer still lot.

0:18:48.600 --> 0:18:50.040
<v Speaker 3>I remember working there.

0:18:50.119 --> 0:18:53.240
<v Speaker 1>You would get an extra four pounds on your shift,

0:18:53.240 --> 0:18:56.240
<v Speaker 1>an extra four quid if you cleaned up, if you

0:18:56.280 --> 0:18:59.280
<v Speaker 1>took the bucket and cleaned up any sick so if

0:18:59.280 --> 0:19:01.920
<v Speaker 1>there was any lying around, you would get an extra

0:19:01.960 --> 0:19:03.520
<v Speaker 1>four quada on the top of yourself.

0:19:03.640 --> 0:19:07.720
<v Speaker 3>I always would do it. Oh yeah, oh yeah, sometimes

0:19:07.720 --> 0:19:08.520
<v Speaker 3>it was my sick.

0:19:11.600 --> 0:19:14.360
<v Speaker 4>Well. Just to give you some idea of the management

0:19:14.400 --> 0:19:17.320
<v Speaker 4>of that place. They adored you, right because you weren't

0:19:17.359 --> 0:19:19.960
<v Speaker 4>even famous when I worked there. I worked there after you.

0:19:20.440 --> 0:19:24.880
<v Speaker 4>I was not drinking. They hated me. They could never remember.

0:19:24.920 --> 0:19:26.680
<v Speaker 4>They did not like me. Thought it was a torn

0:19:26.760 --> 0:19:32.520
<v Speaker 4>face bitch. Every time they had a parsy, they'd get

0:19:32.520 --> 0:19:34.879
<v Speaker 4>you all presents and everybody would get whiskey and I

0:19:34.880 --> 0:19:37.119
<v Speaker 4>would get a bottle of blank de blanc because they

0:19:37.160 --> 0:19:38.919
<v Speaker 4>couldn't remember that I didn't drink. I mean, it was

0:19:38.960 --> 0:19:41.520
<v Speaker 4>just like you just we're very suspicious of me.

0:19:42.280 --> 0:19:46.560
<v Speaker 1>You have just described my exact experience of twenty three

0:19:46.640 --> 0:19:47.600
<v Speaker 1>years in Hollywood.

0:19:48.880 --> 0:19:51.520
<v Speaker 4>Oh really yeah, yeah.

0:19:51.600 --> 0:19:53.879
<v Speaker 1>I felt like like it was there and they kind

0:19:53.920 --> 0:19:56.680
<v Speaker 1>of tolerated me, but it was like, no, you are

0:19:56.880 --> 0:19:57.720
<v Speaker 1>not part of this.

0:19:57.880 --> 0:19:59.520
<v Speaker 3>We are a different gang to you.

0:20:00.080 --> 0:20:03.320
<v Speaker 1>And and it's but I wonder if that's if you

0:20:03.480 --> 0:20:05.199
<v Speaker 1>choose that a little bit, because you and I are

0:20:05.240 --> 0:20:05.760
<v Speaker 1>quite similarly.

0:20:05.800 --> 0:20:07.520
<v Speaker 3>You and I could be brothers and sister. Really, I

0:20:07.560 --> 0:20:09.080
<v Speaker 3>think people have said that.

0:20:09.840 --> 0:20:13.400
<v Speaker 4>I think it might be some way back, which is.

0:20:13.400 --> 0:20:17.120
<v Speaker 1>Great because I'm glad that we never like kissed her anything.

0:20:16.800 --> 0:20:17.719
<v Speaker 3>When we were drinking.

0:20:17.760 --> 0:20:22.040
<v Speaker 1>That that would have been bad.

0:20:21.840 --> 0:20:23.359
<v Speaker 3>Although I would have done it, but I don't think

0:20:23.400 --> 0:20:25.480
<v Speaker 3>you would have done it. I don't think I remember.

0:20:25.359 --> 0:20:28.200
<v Speaker 1>Because you and I didn't even know this until years later,

0:20:28.280 --> 0:20:30.680
<v Speaker 1>that you interviewed me for boyfriend job.

0:20:30.720 --> 0:20:32.640
<v Speaker 3>And I've failed terribly.

0:20:33.080 --> 0:20:35.080
<v Speaker 4>Because yeah, I don't know.

0:20:35.680 --> 0:20:38.800
<v Speaker 1>Yeah, I remember, like when we went to Saint Andrews, remember,

0:20:38.840 --> 0:20:39.520
<v Speaker 1>and we had a drag.

0:20:39.640 --> 0:20:40.360
<v Speaker 3>We drove up to St.

0:20:40.359 --> 0:20:42.800
<v Speaker 1>Andrews and walked around the graveyard, and I thought we

0:20:42.800 --> 0:20:44.359
<v Speaker 1>were on a day out. And then you told me

0:20:44.400 --> 0:20:46.199
<v Speaker 1>when you were on the late night show that you

0:20:46.280 --> 0:20:48.399
<v Speaker 1>had interviewed me. You may have just been kidding, may

0:20:48.400 --> 0:20:49.720
<v Speaker 1>though I think now is I think about it. I

0:20:49.760 --> 0:20:51.880
<v Speaker 1>think it was just fucking with me. You said that

0:20:52.640 --> 0:20:54.800
<v Speaker 1>I was interviewing you for the job of boyfriend, but

0:20:54.840 --> 0:20:56.679
<v Speaker 1>you just talked about yourself the whole time, and I

0:20:56.720 --> 0:21:02.120
<v Speaker 1>got bored. So I do sound true what I could

0:21:02.119 --> 0:21:03.080
<v Speaker 1>think about it at the time.

0:21:03.560 --> 0:21:06.159
<v Speaker 3>I mean, I struggle with it now.

0:21:06.520 --> 0:21:11.000
<v Speaker 1>But did all the way to s I think we

0:21:11.040 --> 0:21:14.719
<v Speaker 1>did because I remember I remember specifically. It was we

0:21:14.800 --> 0:21:18.200
<v Speaker 1>remember that big old Mercedes that I had. It looked

0:21:18.240 --> 0:21:20.320
<v Speaker 1>like I was an African ambassador or something.

0:21:20.359 --> 0:21:24.320
<v Speaker 4>That was a lovely car.

0:21:21.920 --> 0:21:26.679
<v Speaker 1>That great car, and I we drove it up to

0:21:26.680 --> 0:21:30.320
<v Speaker 1>Saint Andrews, and we were walking around the graveyard, because

0:21:30.400 --> 0:21:31.720
<v Speaker 1>I think that's we were both.

0:21:32.600 --> 0:21:35.240
<v Speaker 4>Do you don't remember any of this. I remember being

0:21:35.280 --> 0:21:37.640
<v Speaker 4>stuck on the wall and thinking I should have thought

0:21:37.720 --> 0:21:40.000
<v Speaker 4>this when I got on the wall. I was freezing

0:21:40.080 --> 0:21:45.560
<v Speaker 4>on a wall. It's too high. We were fish and chips,

0:21:45.560 --> 0:21:49.320
<v Speaker 4>and I remember saying, so, that's kind of but I

0:21:49.320 --> 0:21:50.080
<v Speaker 4>do remember that car.

0:21:50.160 --> 0:21:51.800
<v Speaker 3>It was lovely and well.

0:21:51.840 --> 0:21:54.560
<v Speaker 1>I remember walking around the graveyard and you saying, look

0:21:54.560 --> 0:21:56.719
<v Speaker 1>at all these poor bastards. They all thought it was

0:21:56.760 --> 0:22:00.720
<v Speaker 1>so important and I and I thought, God that it

0:22:00.800 --> 0:22:03.360
<v Speaker 1>really stuck with me. It's one of those things because

0:22:03.400 --> 0:22:06.159
<v Speaker 1>I was I was still vibrating. You had been you

0:22:06.160 --> 0:22:08.879
<v Speaker 1>had cleaned up your life a couple of years ahead

0:22:08.920 --> 0:22:12.080
<v Speaker 1>of me, and I was still vibrating from like coming

0:22:12.080 --> 0:22:16.639
<v Speaker 1>off the alcohol and drugs and thinking trying to figure

0:22:16.680 --> 0:22:20.840
<v Speaker 1>out how how you could possibly live a life and

0:22:20.920 --> 0:22:24.680
<v Speaker 1>be creative and all that old shit that people believe

0:22:24.720 --> 0:22:26.120
<v Speaker 1>about alcohol and drugs.

0:22:26.160 --> 0:22:31.000
<v Speaker 3>You know that, you know. I love the fact that your.

0:22:30.800 --> 0:22:34.720
<v Speaker 1>Output certainly mine, but yours it seems to be all

0:22:34.840 --> 0:22:39.119
<v Speaker 1>post sobriety, all your like the real surge of of

0:22:39.280 --> 0:22:42.280
<v Speaker 1>what you do is after you go sober.

0:22:43.160 --> 0:22:46.760
<v Speaker 4>Yeah, yeah, I mean I just wasn't capable before. I

0:22:46.760 --> 0:22:48.760
<v Speaker 4>find it hard enough sober to be honest with you

0:22:48.800 --> 0:22:51.080
<v Speaker 4>because it's do you know what I mean? It is

0:22:51.119 --> 0:22:53.720
<v Speaker 4>like you're going to face to face with your own limitations,

0:22:53.760 --> 0:22:55.760
<v Speaker 4>and if you're drinking on top of that, you just

0:22:55.840 --> 0:22:58.800
<v Speaker 4>quite have an affair, do you know what? You just

0:22:58.840 --> 0:23:02.320
<v Speaker 4>find some other way to distract yourself or getting bold

0:23:02.359 --> 0:23:05.920
<v Speaker 4>in a fight. Well, yeah, we can do both in

0:23:05.960 --> 0:23:06.560
<v Speaker 4>the same night.

0:23:07.119 --> 0:23:10.280
<v Speaker 1>It's funny though, because I think of you as being

0:23:10.359 --> 0:23:15.240
<v Speaker 1>someone who is like your output is prolific and has

0:23:15.440 --> 0:23:17.760
<v Speaker 1>never I mean, I know it makes you uncomfortable when

0:23:17.760 --> 0:23:19.920
<v Speaker 1>I say how much I enjoy your work, And that's

0:23:19.960 --> 0:23:20.520
<v Speaker 1>pretty much.

0:23:20.640 --> 0:23:22.200
<v Speaker 3>That's one of the reasons why I bring.

0:23:22.000 --> 0:23:29.520
<v Speaker 1>It up so often, because I enjoy.

0:23:26.960 --> 0:23:28.240
<v Speaker 4>I just think you're lying.

0:23:28.800 --> 0:23:34.000
<v Speaker 1>Just you're not lying right here, I'm right here.

0:23:35.640 --> 0:23:37.920
<v Speaker 3>Yeah, I'm not going to say that.

0:23:38.240 --> 0:23:44.439
<v Speaker 1>I remember because and it's an interesting thing because I

0:23:44.440 --> 0:23:48.040
<v Speaker 1>had to train myself and stop doing something similar. Like

0:23:48.119 --> 0:23:50.800
<v Speaker 1>if somebody came to see me in a show and

0:23:50.840 --> 0:23:53.680
<v Speaker 1>then they came backstage afterwards and they if they said

0:23:53.680 --> 0:23:56.120
<v Speaker 1>something like that was a great show, I would tell

0:23:56.160 --> 0:23:57.440
<v Speaker 1>them why it wasn't a great show.

0:23:58.240 --> 0:23:59.920
<v Speaker 3>I would say, no, it wasn't a good one tonight.

0:24:00.040 --> 0:24:02.840
<v Speaker 1>Should have been here last night or and I had

0:24:02.840 --> 0:24:05.840
<v Speaker 1>to stop doing that because you take people's enjoyment away

0:24:05.840 --> 0:24:10.080
<v Speaker 1>a wee bit from it. And I wonder, it's quite

0:24:10.080 --> 0:24:13.680
<v Speaker 1>an interesting thing because with the writing Seve writting a

0:24:13.720 --> 0:24:17.439
<v Speaker 1>wee bit bit, but the writing that you do is

0:24:17.560 --> 0:24:20.960
<v Speaker 1>so I can imagine it like, and maybe I'm wrong,

0:24:21.040 --> 0:24:23.720
<v Speaker 1>you tell me, but it seems like it would take

0:24:23.760 --> 0:24:27.360
<v Speaker 1>over a your every thought process you had going. It'd

0:24:27.359 --> 0:24:31.840
<v Speaker 1>be very kind of insular, and then it belongs to

0:24:31.880 --> 0:24:34.440
<v Speaker 1>everybody else and they have to tell you what they

0:24:34.480 --> 0:24:37.160
<v Speaker 1>think about it and how, and they're part of it now,

0:24:37.200 --> 0:24:39.000
<v Speaker 1>but they weren't really part of it. They're just going

0:24:39.040 --> 0:24:43.880
<v Speaker 1>to consume it. It's a different it's a weird thing.

0:24:44.480 --> 0:24:48.280
<v Speaker 1>I think it must be strange to discuss your work

0:24:48.320 --> 0:24:50.879
<v Speaker 1>with people who have different opinions about your work than

0:24:50.920 --> 0:24:51.719
<v Speaker 1>you do.

0:24:51.720 --> 0:24:53.960
<v Speaker 4>Do you know, even if it's the same opinion, it

0:24:54.000 --> 0:24:56.399
<v Speaker 4>is like, I mean, I can see goodwards kind of

0:24:56.520 --> 0:25:00.520
<v Speaker 4>it is like something appearing at your house to discuss

0:25:01.160 --> 0:25:03.840
<v Speaker 4>your masturbatory style. It's kind of like, how the fuck

0:25:03.920 --> 0:25:06.600
<v Speaker 4>is this anything? Do you which leads me to my

0:25:06.720 --> 0:25:10.359
<v Speaker 4>next question. But do you know what I mean? It's like,

0:25:10.480 --> 0:25:12.800
<v Speaker 4>you know, you work on something really intensely for a

0:25:12.880 --> 0:25:15.080
<v Speaker 4>year and a half, your research, and you go in

0:25:15.119 --> 0:25:17.080
<v Speaker 4>that world, you create a world, you know all the

0:25:17.119 --> 0:25:19.760
<v Speaker 4>people in it, you're really, really involved, and then a

0:25:19.840 --> 0:25:24.560
<v Speaker 4>journalist writes two paragraphs telling you what they think of it,

0:25:24.560 --> 0:25:26.919
<v Speaker 4>and you're kind of like, fuck are you to me?

0:25:27.000 --> 0:25:30.080
<v Speaker 4>I don't know? You off? And then you meet them

0:25:30.080 --> 0:25:32.240
<v Speaker 4>and they're lovely and you have to say, oh, answer,

0:25:32.280 --> 0:25:35.720
<v Speaker 4>the great review you past, remarkable, bastard.

0:25:36.200 --> 0:25:40.040
<v Speaker 1>I know it's a very it's a conflicting opinion.

0:25:40.240 --> 0:25:40.399
<v Speaker 4>You know.

0:25:40.440 --> 0:25:44.520
<v Speaker 1>What I hate is the tendency now to the top

0:25:44.600 --> 0:25:50.120
<v Speaker 1>ten list of everything, like so the I mean, it's

0:25:50.280 --> 0:25:53.200
<v Speaker 1>really bad. I think in the world of books, where

0:25:53.200 --> 0:25:56.040
<v Speaker 1>it's you know, the best sellers. So if a book

0:25:56.119 --> 0:25:58.399
<v Speaker 1>sells more than another book, it's a better book than

0:25:58.440 --> 0:26:02.080
<v Speaker 1>the other book, which I think is beyond fucking ludicrous.

0:26:02.160 --> 0:26:05.159
<v Speaker 1>But it's with everything. Everything has that, And.

0:26:05.560 --> 0:26:09.120
<v Speaker 4>That's just saying that the market is the measure of everything.

0:26:09.200 --> 0:26:13.120
<v Speaker 4>That Like, you must see stand ups who are terrible

0:26:13.240 --> 0:26:17.320
<v Speaker 4>and they're just doing a small echo brilliant work and

0:26:17.359 --> 0:26:20.840
<v Speaker 4>they're copying other people. Sometimes they're lifting jokes and they're storming,

0:26:20.880 --> 0:26:24.520
<v Speaker 4>and everyone thinks they're a genius. And you know, I

0:26:24.560 --> 0:26:27.879
<v Speaker 4>think there are comedians who are they really there for

0:26:27.920 --> 0:26:29.560
<v Speaker 4>people who don't have a sense of humor?

0:26:29.920 --> 0:26:31.879
<v Speaker 3>Oh, that's mostly what it is.

0:26:32.240 --> 0:26:35.360
<v Speaker 4>But they like laughing, do you know what I mean? Yeah,

0:26:35.480 --> 0:26:40.200
<v Speaker 4>So they're kind of doing us performance of stuff other

0:26:40.280 --> 0:26:44.040
<v Speaker 4>people do. And that's the last market, you know.

0:26:44.040 --> 0:26:48.720
<v Speaker 1>Right, does that happen? Does that happen? And well, I

0:26:48.720 --> 0:26:51.200
<v Speaker 1>guess that does happen in crime books for sure. I've

0:26:51.200 --> 0:26:53.840
<v Speaker 1>read crime books and I've been like, wait a minute,

0:26:53.840 --> 0:26:58.159
<v Speaker 1>this is you know, I've come across this style of this,

0:26:58.280 --> 0:27:01.960
<v Speaker 1>even this story before you get do you get antsy

0:27:02.000 --> 0:27:04.560
<v Speaker 1>about about people necking your stuff?

0:27:05.400 --> 0:27:07.280
<v Speaker 3>Stand ups are paranoid about it all the time.

0:27:07.359 --> 0:27:11.240
<v Speaker 4>Yeah, now you can't, you'd go mad. Yeah, I mean

0:27:11.320 --> 0:27:15.680
<v Speaker 4>sometimes I do actually take photographs of massive best sellers,

0:27:16.040 --> 0:27:19.800
<v Speaker 4>paragraphs on them, and and I read them over to

0:27:19.840 --> 0:27:22.119
<v Speaker 4>give myself a good laugh, because it's like if pharaoah

0:27:22.200 --> 0:27:25.960
<v Speaker 4>that I'd be too embarrassed. Quite the house. You know,

0:27:26.040 --> 0:27:29.040
<v Speaker 4>we're trying to do different things. You must get, you

0:27:29.119 --> 0:27:31.760
<v Speaker 4>must get, like you know, those those best seller a

0:27:31.800 --> 0:27:34.880
<v Speaker 4>lot of those are manipulated. It's about the number they produce,

0:27:35.000 --> 0:27:37.840
<v Speaker 4>it's about the number, you know who they buy them.

0:27:38.000 --> 0:27:41.520
<v Speaker 4>New York Times Bestseller, the actual bestseller thing. I think

0:27:41.560 --> 0:27:42.960
<v Speaker 4>it's heavily manipulated.

0:27:43.280 --> 0:27:47.320
<v Speaker 1>Oh sure, yeah, yeah, I've been on the receiving end

0:27:47.359 --> 0:27:50.040
<v Speaker 1>of it both times. I mean, you know, where when

0:27:50.119 --> 0:27:52.040
<v Speaker 1>my book wasn't being so in the right place and

0:27:52.080 --> 0:27:52.719
<v Speaker 1>when it was.

0:27:53.320 --> 0:27:57.479
<v Speaker 4>Yeah, and you know, I mean I see a lot

0:27:57.480 --> 0:28:00.119
<v Speaker 4>of books on that that you don't see anywhere in

0:28:00.160 --> 0:28:02.800
<v Speaker 4>anyone's house. No one's reading them, you know what I mean.

0:28:03.320 --> 0:28:06.040
<v Speaker 4>So you don't want to worry about the market, because

0:28:06.040 --> 0:28:08.399
<v Speaker 4>it's a one to one relationship. If you're writing books,

0:28:08.440 --> 0:28:10.960
<v Speaker 4>it's you and the reader. And I always kind of

0:28:10.960 --> 0:28:13.600
<v Speaker 4>imagine they're reading in a really comfy chair and I'm

0:28:13.640 --> 0:28:15.960
<v Speaker 4>sort of leaning over their shoulder and whispering the story

0:28:15.960 --> 0:28:16.440
<v Speaker 4>in their ear.

0:28:17.080 --> 0:28:19.639
<v Speaker 1>Okay, that's quite creepy, especially with some of the stuff

0:28:19.640 --> 0:28:22.920
<v Speaker 1>that you write that's very bad.

0:28:25.640 --> 0:28:29.240
<v Speaker 4>When you're writing something scary, yeah I do, yeah, yeah,

0:28:29.240 --> 0:28:35.280
<v Speaker 4>I do, yeah, really scared. And then I think that

0:28:35.320 --> 0:28:37.240
<v Speaker 4>I think that's brilliant. I think I might have done

0:28:37.280 --> 0:28:39.040
<v Speaker 4>something really clever there. And then I go to bed

0:28:39.080 --> 0:28:40.400
<v Speaker 4>and I get on the next morning, read it, and

0:28:40.440 --> 0:28:42.120
<v Speaker 4>it's usually absolutely.

0:28:45.800 --> 0:28:49.240
<v Speaker 1>I think that, Yeah, it's anything written after sundown is

0:28:49.640 --> 0:28:51.040
<v Speaker 1>and I've written after sundown.

0:28:51.040 --> 0:28:55.160
<v Speaker 3>It's shy. Really Yeah, if I write, in fact, I won't.

0:28:55.280 --> 0:28:57.840
<v Speaker 1>I'll never send a text to an email after it

0:28:57.880 --> 0:28:59.959
<v Speaker 1>gets dark because I'll probably regret it.

0:29:00.600 --> 0:29:01.520
<v Speaker 4>What a module.

0:29:03.720 --> 0:29:05.120
<v Speaker 3>I never read any claim.

0:29:05.120 --> 0:29:07.640
<v Speaker 1>And in the thirty plus years and years have known you,

0:29:07.680 --> 0:29:10.160
<v Speaker 1>I've never said at any point I'm a fucking barometer

0:29:10.480 --> 0:29:11.440
<v Speaker 1>for mental health.

0:29:11.640 --> 0:29:13.360
<v Speaker 4>I've never said that.

0:29:13.400 --> 0:29:14.760
<v Speaker 3>I never said that to anyone.

0:29:15.400 --> 0:29:15.680
<v Speaker 1>You know.

0:29:18.600 --> 0:29:22.080
<v Speaker 4>That. You never text someone to say, are you watching Bakoff?

0:29:22.160 --> 0:29:26.560
<v Speaker 3>For no? No? You? You and Meghan do that?

0:29:26.680 --> 0:29:27.080
<v Speaker 4>You like?

0:29:27.200 --> 0:29:27.720
<v Speaker 3>You?

0:29:27.720 --> 0:29:29.920
<v Speaker 1>You have that kind of you talk to each Meghan

0:29:30.000 --> 0:29:31.560
<v Speaker 1>of course being my wife.

0:29:31.720 --> 0:29:33.920
<v Speaker 3>You guys talk to each other in a way that

0:29:33.960 --> 0:29:34.240
<v Speaker 3>I don't.

0:29:34.400 --> 0:29:37.640
<v Speaker 1>I don't do that, maybe with Meghan, like because I'll

0:29:37.680 --> 0:29:39.320
<v Speaker 1>text it if I'm on the road, I'll talk to

0:29:39.360 --> 0:29:40.920
<v Speaker 1>her in the text and stuff like that.

0:29:41.000 --> 0:29:42.520
<v Speaker 3>But that's that's about it.

0:29:43.480 --> 0:29:48.000
<v Speaker 4>How do you know who to hate on Bakoff then atract?

0:29:49.160 --> 0:29:49.680
<v Speaker 3>I can't.

0:29:50.520 --> 0:29:53.360
<v Speaker 1>I don't hate the Bacoff is one of the few

0:29:53.400 --> 0:29:56.880
<v Speaker 1>things that I can watch without any negative feeling at

0:29:56.880 --> 0:29:59.440
<v Speaker 1>all other than sadness for the people who are leaving.

0:29:59.640 --> 0:30:04.000
<v Speaker 1>It's a it's a fucking national world treasure, the Great

0:30:04.040 --> 0:30:04.880
<v Speaker 1>British Bakeoff.

0:30:05.400 --> 0:30:08.560
<v Speaker 4>I'm worried about the waste. It's so wasteful. They're always

0:30:08.600 --> 0:30:11.640
<v Speaker 4>saying I need this corn ucopia of short bread yesterday,

0:30:11.720 --> 0:30:13.320
<v Speaker 4>and I'm like, what what happened to that one?

0:30:14.600 --> 0:30:16.440
<v Speaker 3>Well, they give it to the crew. Do you know that?

0:30:16.480 --> 0:30:19.720
<v Speaker 4>Because I thought about that, did you? Yeah, the crew

0:30:19.880 --> 0:30:20.320
<v Speaker 4>gets it.

0:30:20.440 --> 0:30:23.280
<v Speaker 1>The people who work on the bake off that they're

0:30:23.320 --> 0:30:26.600
<v Speaker 1>all like, you know, five hundred pounds.

0:30:29.160 --> 0:30:31.560
<v Speaker 4>You've made that so much better for me, un delightned.

0:30:31.760 --> 0:30:33.640
<v Speaker 3>No, no, no they don't. They don't throw it out.

0:30:33.760 --> 0:30:35.120
<v Speaker 3>People eat it and stuff like that.

0:30:35.240 --> 0:30:38.680
<v Speaker 1>Or I think they give it to needy, you know,

0:30:38.720 --> 0:30:40.520
<v Speaker 1>people in society.

0:30:40.680 --> 0:30:47.120
<v Speaker 4>Homeless people that need a cake that's homeless people need

0:30:47.440 --> 0:30:49.520
<v Speaker 4>a gasso in the shape of anywhere.

0:30:50.960 --> 0:30:55.560
<v Speaker 3>They are lovely though, I think that do you bake?

0:30:57.280 --> 0:30:59.520
<v Speaker 4>I used to bake, but I'm so compulsive. I would

0:30:59.520 --> 0:31:01.280
<v Speaker 4>like make a tree bacon. Then I would eat the

0:31:01.320 --> 0:31:02.800
<v Speaker 4>treat back and then I would be sick and of a

0:31:02.880 --> 0:31:03.400
<v Speaker 4>bitch of mother.

0:31:06.280 --> 0:31:09.040
<v Speaker 1>Very much ident with that. But I think because every time,

0:31:09.480 --> 0:31:12.080
<v Speaker 1>like in the last I don't know, four or five

0:31:12.200 --> 0:31:15.120
<v Speaker 1>years of or more. Every time I've seen Most of

0:31:15.120 --> 0:31:17.240
<v Speaker 1>the time i've seen you is in your kitchen.

0:31:17.920 --> 0:31:20.680
<v Speaker 4>You know, Parliament, the parliament of the.

0:31:20.640 --> 0:31:22.239
<v Speaker 3>House, it really is.

0:31:22.480 --> 0:31:25.320
<v Speaker 1>I mean your kitchen in particularly have a giant teapot

0:31:25.880 --> 0:31:30.040
<v Speaker 1>and usually good cakes and then you know, very deep

0:31:30.080 --> 0:31:34.280
<v Speaker 1>because it's a salon environment. They do you have Do

0:31:34.320 --> 0:31:37.640
<v Speaker 1>you have other writers in there for like Dorothy Parker

0:31:37.680 --> 0:31:38.800
<v Speaker 1>type round table shit?

0:31:39.480 --> 0:31:42.320
<v Speaker 4>Well, you know, because I mean I'm quite dull because

0:31:42.320 --> 0:31:44.840
<v Speaker 4>I don't drink. So we do have soup Sunday, So

0:31:44.840 --> 0:31:46.640
<v Speaker 4>we do have like once a year, we'll have a

0:31:46.680 --> 0:31:49.600
<v Speaker 4>lot of risers around and we'll all eat super complain

0:31:50.160 --> 0:31:54.920
<v Speaker 4>about our income and u and tip. Actually it's weird

0:31:55.000 --> 0:31:57.880
<v Speaker 4>because you would think that we would be making statements

0:31:57.920 --> 0:32:00.200
<v Speaker 4>about the nature of life for talking about literally are

0:32:00.240 --> 0:32:02.560
<v Speaker 4>mostly what we're talking about is times we made fools

0:32:02.560 --> 0:32:06.320
<v Speaker 4>of ourselves over the course of the year. So the

0:32:06.720 --> 0:32:09.840
<v Speaker 4>winning prize this year was Louise Well. She's a fantastic

0:32:09.880 --> 0:32:13.200
<v Speaker 4>Scottish writer. He was telling the story about being She

0:32:13.360 --> 0:32:17.080
<v Speaker 4>was being translated during a tour of Germany by someone

0:32:17.120 --> 0:32:21.080
<v Speaker 4>who was also a clown. But in the old tradition.

0:32:24.120 --> 0:32:32.920
<v Speaker 3>That's so.

0:32:31.080 --> 0:32:35.040
<v Speaker 4>It's fantastic. But he didn't. He didn't clown up until

0:32:35.040 --> 0:32:37.160
<v Speaker 4>the very last and then on the very last event,

0:32:37.200 --> 0:32:39.000
<v Speaker 4>which is a big deal in Berlin, he said, I

0:32:39.040 --> 0:32:40.960
<v Speaker 4>want to do my act before you come on and

0:32:41.000 --> 0:32:44.880
<v Speaker 4>talk about literature. So he clowned up, died because the

0:32:44.920 --> 0:32:47.560
<v Speaker 4>audience went there to see a clown, and then it

0:32:47.640 --> 0:32:51.080
<v Speaker 4>shifted on remaining in his clown outfit. To translate what

0:32:51.120 --> 0:33:00.040
<v Speaker 4>we've Oh geez, that seems waiting make it about you.

0:33:00.320 --> 0:33:03.240
<v Speaker 1>I think if you're the translator, you shouldn't really be

0:33:03.600 --> 0:33:05.680
<v Speaker 1>trying to make it about I want to be a clown.

0:33:05.760 --> 0:33:07.920
<v Speaker 4>I mean, it's not your day.

0:33:08.680 --> 0:33:17.800
<v Speaker 2>But as Louise says, we're all quite mild people adventures,

0:33:18.240 --> 0:33:18.840
<v Speaker 2>you know what I mean.

0:33:19.280 --> 0:33:21.480
<v Speaker 4>So mostly it's like one of us falling over and

0:33:21.480 --> 0:33:23.600
<v Speaker 4>someone coming over and kicking in, and a dog humping

0:33:23.600 --> 0:33:25.680
<v Speaker 4>your leg, and then people que up and buy your book,

0:33:26.080 --> 0:33:31.320
<v Speaker 4>and then the conclusion, oh, do you know what I mean?

0:33:32.720 --> 0:33:36.480
<v Speaker 1>The clown thing is great? Did you ever write about it?

0:33:36.560 --> 0:33:38.760
<v Speaker 1>I feel like clowns are I'm one of the people

0:33:38.760 --> 0:33:41.680
<v Speaker 1>that believes that clowns are intrinsically you know, it's an

0:33:41.760 --> 0:33:42.200
<v Speaker 1>evil thing.

0:33:42.240 --> 0:33:45.200
<v Speaker 4>It's a way to hide maybe even stand up.

0:33:46.400 --> 0:33:50.560
<v Speaker 1>Do you think have you written yet the serial Killer

0:33:50.600 --> 0:33:54.200
<v Speaker 1>clown book or are you working on it right now?

0:33:55.240 --> 0:33:58.000
<v Speaker 4>I'm working on it right now. Obviously this is my

0:33:58.360 --> 0:34:01.480
<v Speaker 4>that's my next pitch. No, I'm not, are you?

0:34:01.600 --> 0:34:05.720
<v Speaker 1>Because I really liked the book you wrote about Mary

0:34:05.800 --> 0:34:10.600
<v Speaker 1>Queen of Scott's pal Rizzio, right, Razio, Yeah, Razio, Yeah,

0:34:11.080 --> 0:34:14.560
<v Speaker 1>and that was I really love that And you actually

0:34:14.640 --> 0:34:20.239
<v Speaker 1>turned a corner for me because through that, because it

0:34:20.320 --> 0:34:22.000
<v Speaker 1>was your as far as I know, that was your

0:34:22.040 --> 0:34:25.160
<v Speaker 1>first historical fiction. The Long Drop was sort of set

0:34:25.239 --> 0:34:27.760
<v Speaker 1>in a period in time, but that was the nineteen sixties,

0:34:27.760 --> 0:34:31.840
<v Speaker 1>so it's kind of, you know, sort of in living

0:34:31.880 --> 0:34:34.520
<v Speaker 1>memory sort of thing. But Razio was Mary, Queen of Scott's.

0:34:34.520 --> 0:34:36.480
<v Speaker 1>And because I love that so much, you know, what

0:34:36.520 --> 0:34:41.799
<v Speaker 1>I started doing is reading Gorvi Dall's historical novels.

0:34:41.880 --> 0:34:42.640
<v Speaker 3>Fantastic.

0:34:43.080 --> 0:34:44.320
<v Speaker 4>He's such a great writer.

0:34:47.960 --> 0:34:52.040
<v Speaker 3>Yeah, yeah, I mean amazing. I'm reading right now.

0:34:52.120 --> 0:34:57.200
<v Speaker 1>Creation. Have you read Creation? No, It's set during the

0:34:57.239 --> 0:35:04.440
<v Speaker 1>Persian Greek Wars five hundred years BC. It's fucking amazing, Dan,

0:35:04.920 --> 0:35:08.799
<v Speaker 1>I mean, because you're right, it's not in it, you know,

0:35:09.040 --> 0:35:11.080
<v Speaker 1>it in the sense of like the other Billin girl

0:35:11.160 --> 0:35:15.160
<v Speaker 1>and oh, I mean it's really it feels I mean,

0:35:15.200 --> 0:35:17.839
<v Speaker 1>there's a bit of that, but it's more kind of

0:35:18.880 --> 0:35:25.320
<v Speaker 1>it's so vivid and contemporary.

0:35:23.080 --> 0:35:25.160
<v Speaker 3>That you really believe the people.

0:35:25.600 --> 0:35:29.160
<v Speaker 1>And that's why I wanted That's why I wanted to

0:35:29.239 --> 0:35:31.040
<v Speaker 1>because I feel like it's part of my job as

0:35:31.080 --> 0:35:34.400
<v Speaker 1>your friend to push you and annoy you into directions

0:35:34.440 --> 0:35:36.680
<v Speaker 1>so that you actually think about doing work that I've

0:35:36.800 --> 0:35:40.040
<v Speaker 1>enjoyed before. And I think that I'd like to push

0:35:40.040 --> 0:35:44.200
<v Speaker 1>you into more historical work because you have that excuse me,

0:35:44.239 --> 0:35:48.600
<v Speaker 1>you have that gift of making people who have been

0:35:48.680 --> 0:35:51.840
<v Speaker 1>dead for hundreds and hundreds of years like they're in

0:35:51.880 --> 0:35:53.520
<v Speaker 1>the next room with a fucking iPhone.

0:35:53.600 --> 0:35:55.120
<v Speaker 3>And that's great.

0:35:55.360 --> 0:35:59.120
<v Speaker 4>That's a rare talent and you should do more of it. Okay,

0:35:59.239 --> 0:36:03.720
<v Speaker 4>that's great to talk tip, very good. So that's really

0:36:05.040 --> 0:36:08.120
<v Speaker 4>and also put in so I tell you the truth

0:36:08.160 --> 0:36:12.000
<v Speaker 4>about that, tell the truth about it, right, Yeah, you

0:36:12.080 --> 0:36:16.399
<v Speaker 4>can't really make a living doing that, right, So publishers

0:36:16.480 --> 0:36:20.319
<v Speaker 4>and readers who read crime fiction, we are really greedy readers, right,

0:36:20.400 --> 0:36:24.600
<v Speaker 4>So that's a living. Okay, So, but rising kind of

0:36:24.760 --> 0:36:28.239
<v Speaker 4>you know, very formed historical fiction. I wrote a book

0:36:28.280 --> 0:36:32.479
<v Speaker 4>called Three Fires, which was about Savonarola and Florence. Those

0:36:32.520 --> 0:36:35.399
<v Speaker 4>books are really precious and I really love doing them,

0:36:35.719 --> 0:36:38.799
<v Speaker 4>but you can't make a living doing that. So if

0:36:38.800 --> 0:36:40.879
<v Speaker 4>you want to make a living and actually you want

0:36:40.920 --> 0:36:44.520
<v Speaker 4>to talk about big themes, the vehicle for that is

0:36:44.880 --> 0:36:48.920
<v Speaker 4>crime fiction. And I think crime fiction because it's so familiar,

0:36:48.960 --> 0:36:51.319
<v Speaker 4>we take it so for granted, but actually there is

0:36:51.480 --> 0:36:54.239
<v Speaker 4>it is a very very very difficult thing to do.

0:36:54.680 --> 0:36:56.880
<v Speaker 4>So for example, what I'm writing at the moment is

0:36:57.920 --> 0:37:01.080
<v Speaker 4>a book about a forensic scientist too discovers that her

0:37:01.480 --> 0:37:07.000
<v Speaker 4>discipline is built it and which is quite this is happening.

0:37:07.000 --> 0:37:09.600
<v Speaker 4>I mean, science changes all the time, but what we're

0:37:09.600 --> 0:37:13.759
<v Speaker 4>discovering now is that law is staffic. Science changes, and

0:37:14.480 --> 0:37:16.680
<v Speaker 4>you couldn't do that in any other context, you know

0:37:16.719 --> 0:37:19.120
<v Speaker 4>what I mean. You're right, yeah, But I mean I

0:37:19.320 --> 0:37:23.920
<v Speaker 4>love doing I mean, for me, writing historical fiction or

0:37:24.080 --> 0:37:29.200
<v Speaker 4>historical non fiction fiction is as just as delicious as

0:37:29.239 --> 0:37:32.200
<v Speaker 4>writing crime fiction. But they just aren't the sales in it.

0:37:32.239 --> 0:37:34.399
<v Speaker 4>You might get one big book, but you don't get

0:37:34.600 --> 0:37:37.320
<v Speaker 4>you don't get like a readership or a dialogue.

0:37:37.360 --> 0:37:41.000
<v Speaker 1>I get, yeah, I do, and I think it's an

0:37:41.040 --> 0:37:45.520
<v Speaker 1>interesting thing because I think that, and I'm certainly guilty

0:37:45.560 --> 0:37:47.560
<v Speaker 1>of it right right now in this conversation.

0:37:47.680 --> 0:37:51.399
<v Speaker 3>You forget that people have to make a living, you know.

0:37:51.440 --> 0:37:55.560
<v Speaker 1>Particularly the artistic endeavors you You forget about that like

0:37:55.600 --> 0:37:56.600
<v Speaker 1>there are bills to pay.

0:37:56.840 --> 0:37:59.760
<v Speaker 3>It's a job, it's your life.

0:38:00.040 --> 0:38:02.600
<v Speaker 4>And you know we I think because of Byron if

0:38:02.640 --> 0:38:06.480
<v Speaker 4>you I read a brilliant biography of Byron, and he

0:38:06.560 --> 0:38:08.640
<v Speaker 4>came from money and refused to take money from his

0:38:08.680 --> 0:38:10.799
<v Speaker 4>books being published, and that is the model we all

0:38:10.880 --> 0:38:13.759
<v Speaker 4>act as if no one's from a blue collar background.

0:38:14.160 --> 0:38:16.719
<v Speaker 4>We've all got a trust fund as you and I

0:38:16.800 --> 0:38:24.880
<v Speaker 4>both have nature scum, big old Irish based Obviously we

0:38:24.920 --> 0:38:26.839
<v Speaker 4>don't come from money, do you know what I mean?

0:38:26.880 --> 0:38:29.040
<v Speaker 4>I mean, I think you know what.

0:38:31.160 --> 0:38:33.359
<v Speaker 1>Because I remember, even like when I was a kid,

0:38:33.400 --> 0:38:36.080
<v Speaker 1>people saying, you know, like you would get asked in

0:38:36.120 --> 0:38:38.480
<v Speaker 1>the interviews, why did you take the part? And I

0:38:38.520 --> 0:38:41.720
<v Speaker 1>would always like make up things like oh I really

0:38:41.760 --> 0:38:42.400
<v Speaker 1>liked the script.

0:38:42.440 --> 0:38:45.680
<v Speaker 4>I never read the fucking script. Read my lines?

0:38:46.680 --> 0:38:48.920
<v Speaker 1>How much I would have to do because what you're

0:38:48.960 --> 0:38:50.719
<v Speaker 1>really doing is money, is to.

0:38:50.840 --> 0:38:51.520
<v Speaker 3>Make a living.

0:38:52.040 --> 0:38:57.160
<v Speaker 1>Yeah, it's that, but you your degree is in criminal

0:38:57.200 --> 0:38:58.080
<v Speaker 1>A lot of though, isn't it.

0:38:58.400 --> 0:39:01.640
<v Speaker 4>Yeah, it's criminal lot and friends. So I did forensic

0:39:01.960 --> 0:39:05.720
<v Speaker 4>science as honors. Yeah, and I won the prize. Actually

0:39:06.680 --> 0:39:09.080
<v Speaker 4>I won the Gilbert port. Actually the door was knock

0:39:09.239 --> 0:39:11.719
<v Speaker 4>after I graduated, and it was the posty, and I

0:39:11.719 --> 0:39:14.640
<v Speaker 4>thought we were getting evicted from the dirty flat I

0:39:14.719 --> 0:39:15.359
<v Speaker 4>used to live in.

0:39:16.920 --> 0:39:18.839
<v Speaker 1>I wanted to talk to you about the sleepy chair

0:39:18.880 --> 0:39:20.600
<v Speaker 1>in that flat because a lot of people don't know

0:39:20.640 --> 0:39:22.880
<v Speaker 1>about the sleepy chair, and I think for I think

0:39:22.920 --> 0:39:25.080
<v Speaker 1>the statute of limitations is up. You can talk about

0:39:25.080 --> 0:39:27.480
<v Speaker 1>that flat. But tell me what happened the door. The

0:39:27.520 --> 0:39:29.320
<v Speaker 1>door get knocked and what knocked?

0:39:29.320 --> 0:39:31.600
<v Speaker 4>And it was a it was I had to sign

0:39:31.680 --> 0:39:33.319
<v Speaker 4>for a parcel and it was I had won the

0:39:33.360 --> 0:39:37.440
<v Speaker 4>prize for forensic Science, the Gilbert Board's Gold Medal, and

0:39:37.520 --> 0:39:39.480
<v Speaker 4>I was like, they'd forgotten to give it to me

0:39:39.520 --> 0:39:42.719
<v Speaker 4>a graduation so I still know that I've got it

0:39:42.840 --> 0:39:44.520
<v Speaker 4>my my medicine cabinet.

0:39:44.840 --> 0:39:50.839
<v Speaker 1>Yeah, that's but that's fabulous. Congratulations. I didn't know you'd

0:39:50.840 --> 0:39:52.399
<v Speaker 1>won that prize, and I feel like.

0:39:52.360 --> 0:39:54.560
<v Speaker 4>I believed I wink the wrong eye there.

0:39:55.480 --> 0:39:58.440
<v Speaker 1>A wink in a salute is always a way of

0:39:58.520 --> 0:40:07.280
<v Speaker 1>proving your cooler than any one else in the room.

0:40:07.360 --> 0:40:11.960
<v Speaker 1>M let's talk about the sleepy chair in your flat,

0:40:12.160 --> 0:40:15.760
<v Speaker 1>because I think it's a story that have you written

0:40:15.760 --> 0:40:16.680
<v Speaker 1>that in a book yet?

0:40:17.760 --> 0:40:19.120
<v Speaker 4>And I've only just told you.

0:40:19.760 --> 0:40:22.600
<v Speaker 3>Oh really, I think it's such a great thing. So

0:40:23.320 --> 0:40:27.160
<v Speaker 3>there was a chair in your flat and.

0:40:26.920 --> 0:40:28.880
<v Speaker 4>I was so I was living in a flat that

0:40:29.000 --> 0:40:32.960
<v Speaker 4>was basically falling apart, and you were up in it,

0:40:33.000 --> 0:40:35.120
<v Speaker 4>and it was we were so poor. It was me

0:40:35.200 --> 0:40:37.879
<v Speaker 4>and like four guys. We were so per We had

0:40:38.160 --> 0:40:42.040
<v Speaker 4>done some decoration that we used knitting patterns for in

0:40:42.080 --> 0:40:46.600
<v Speaker 4>the ship across the toilet, but anyway, it was, you know,

0:40:46.640 --> 0:40:48.879
<v Speaker 4>we were all I think we were all like kind

0:40:48.920 --> 0:40:52.000
<v Speaker 4>of depressed and we're kind of like watching TV. And

0:40:52.239 --> 0:40:53.920
<v Speaker 4>you know, we had this chair and we called it

0:40:53.920 --> 0:40:56.000
<v Speaker 4>the sloopy chair because every time anyone sat in it

0:40:56.080 --> 0:40:59.000
<v Speaker 4>they fell asleep. And we were like, yeah, that's the

0:40:59.040 --> 0:41:01.480
<v Speaker 4>sloopy chair, and don't sit in the sleepy chair. And

0:41:02.360 --> 0:41:05.799
<v Speaker 4>then my partner and I bought that flat, did it up,

0:41:05.880 --> 0:41:07.879
<v Speaker 4>and when they when they came up to look at

0:41:07.920 --> 0:41:10.200
<v Speaker 4>it the place where the sleepy chair was, they discovered

0:41:10.200 --> 0:41:12.080
<v Speaker 4>there was a massive Catholic.

0:41:14.520 --> 0:41:16.640
<v Speaker 3>You're so lucky nobody died in that chain.

0:41:17.560 --> 0:41:19.560
<v Speaker 4>The hope that could have blown up because I know

0:41:19.640 --> 0:41:22.799
<v Speaker 4>we didn't have any heating in Scotland. So what we

0:41:22.800 --> 0:41:24.520
<v Speaker 4>were doing was we were taking We thought we were

0:41:24.520 --> 0:41:26.799
<v Speaker 4>being very modern and we were taking the doors off

0:41:26.880 --> 0:41:29.719
<v Speaker 4>the oven and just lighting it into the room and

0:41:29.760 --> 0:41:33.560
<v Speaker 4>we were warming ourselves right next to the sleepy chair smoking.

0:41:33.719 --> 0:41:36.760
<v Speaker 4>Of course we were all smoking. Yeah.

0:41:36.880 --> 0:41:38.640
<v Speaker 3>I miss smoking, I really do.

0:41:38.800 --> 0:41:41.200
<v Speaker 1>I don't miss alcohol at all, and I don't miss drugs,

0:41:41.320 --> 0:41:44.400
<v Speaker 1>well maybe drugs a little bit, but fucking smoking.

0:41:45.920 --> 0:41:48.280
<v Speaker 4>Oh miss it every day every day. At some point,

0:41:48.280 --> 0:41:49.960
<v Speaker 4>I think I love a cigarette right now.

0:41:50.040 --> 0:41:53.239
<v Speaker 1>Yeah, it's weird as I haven't so how long since

0:41:53.239 --> 0:41:54.240
<v Speaker 1>you smoked a cigarette?

0:41:54.320 --> 0:42:01.000
<v Speaker 4>Oh decades? Yeah, me too, And I'm still I'm still

0:42:01.000 --> 0:42:08.080
<v Speaker 4>on the patches. Yeah, still messing about trying to find

0:42:08.080 --> 0:42:11.920
<v Speaker 4>a way to keep nicotine. I actually got so addicted

0:42:11.960 --> 0:42:14.000
<v Speaker 4>to nicotine chewing and I ended up buying out of

0:42:14.080 --> 0:42:16.799
<v Speaker 4>date nicotine chewing. I'm from a dodgy chemist because it

0:42:16.880 --> 0:42:20.200
<v Speaker 4>was and it was usingly three times as it's as

0:42:20.200 --> 0:42:21.400
<v Speaker 4>you're legally supposed to.

0:42:22.239 --> 0:42:27.040
<v Speaker 1>But that's okay because it's probably if it's out a day,

0:42:27.080 --> 0:42:31.120
<v Speaker 1>it's half life is diminished, which means that you're probably

0:42:31.239 --> 0:42:32.440
<v Speaker 1>just taking the regular amount.

0:42:33.400 --> 0:42:35.600
<v Speaker 3>You and I should never enable each.

0:42:35.440 --> 0:42:40.759
<v Speaker 1>Other that.

0:42:43.440 --> 0:42:46.160
<v Speaker 4>It's like cheers. And then two minutes last to a

0:42:46.239 --> 0:42:48.200
<v Speaker 4>robbing a post office. But I was on. I was

0:42:48.200 --> 0:42:52.239
<v Speaker 4>telling somebody once about being on this TV show and

0:42:52.400 --> 0:42:53.960
<v Speaker 4>I said she wasn't very nice to me. It was

0:42:54.000 --> 0:42:55.279
<v Speaker 4>a producer. I said, it was, you know, it was

0:42:55.320 --> 0:42:57.400
<v Speaker 4>a live TV show. It was going at eleven o'clock

0:42:57.400 --> 0:42:59.920
<v Speaker 4>on a Friday. And then I sort of told the story,

0:43:00.040 --> 0:43:02.080
<v Speaker 4>and I sort of realized that I was really really

0:43:02.080 --> 0:43:05.480
<v Speaker 4>at fault because I've been on with this Icelandic band

0:43:05.760 --> 0:43:10.239
<v Speaker 4>and they they were very clearly fans of substances. So

0:43:10.280 --> 0:43:12.000
<v Speaker 4>they sort of said johantson of johants some of that,

0:43:12.040 --> 0:43:14.880
<v Speaker 4>and then they said, did anyone want some snuff? And

0:43:15.080 --> 0:43:17.279
<v Speaker 4>a roller decks through what I was allowed, and I

0:43:17.320 --> 0:43:20.319
<v Speaker 4>was like, I'm allowed snuff. Give me too much, give

0:43:20.400 --> 0:43:23.000
<v Speaker 4>me so much that I'm vomiting at the side of

0:43:23.040 --> 0:43:26.120
<v Speaker 4>the sound stage and I've been two minutes before we

0:43:26.160 --> 0:43:27.080
<v Speaker 4>go out lotch.

0:43:29.239 --> 0:43:30.840
<v Speaker 3>There's no reason to be rude to someone.

0:43:31.200 --> 0:43:37.200
<v Speaker 1>If they did, Yeah, Jesus.

0:43:35.160 --> 0:43:35.920
<v Speaker 3>Stuff tobacco.

0:43:36.040 --> 0:43:40.080
<v Speaker 4>I don't think I've had snuff don't take snuff. I'm

0:43:40.080 --> 0:43:43.120
<v Speaker 4>not going number one. Don't take nothing difficult to get

0:43:43.200 --> 0:43:45.640
<v Speaker 4>hold of. And it makes your hair fallout, it makes

0:43:45.680 --> 0:43:47.839
<v Speaker 4>your hair thin, it makes you put on a lot

0:43:47.880 --> 0:43:48.720
<v Speaker 4>of weight as well.

0:43:49.280 --> 0:43:51.719
<v Speaker 3>That does not sound like anything I'm interested in.

0:43:52.160 --> 0:43:52.960
<v Speaker 4>You wouldn't like that.

0:43:53.640 --> 0:43:56.839
<v Speaker 1>I'm looking for a cross between rogaine and cocaine. That's

0:43:56.840 --> 0:44:03.680
<v Speaker 1>what I want, and that is the opposite of It's funny, though,

0:44:03.719 --> 0:44:06.480
<v Speaker 1>I do you still get snobby about drugs because I

0:44:06.520 --> 0:44:10.840
<v Speaker 1>do like when people are like, because everybody smokes weed

0:44:11.440 --> 0:44:13.960
<v Speaker 1>on the street in America now, and everybody's you know,

0:44:14.000 --> 0:44:15.960
<v Speaker 1>it's it's everybody. The smell of weed is everywhere in

0:44:16.000 --> 0:44:21.560
<v Speaker 1>New York City, and I think, you know, get yourself

0:44:21.600 --> 0:44:23.880
<v Speaker 1>a proper drug. I find myself like that. I know

0:44:23.960 --> 0:44:26.359
<v Speaker 1>it's very pathological and like, that's not a proper drug.

0:44:26.520 --> 0:44:29.960
<v Speaker 1>Take a proper drug cocaine or heroin or something. But

0:44:30.000 --> 0:44:32.000
<v Speaker 1>I suppose that's not a healthy attitude.

0:44:32.480 --> 0:44:33.799
<v Speaker 4>It's not a healthy attitude.

0:44:34.800 --> 0:44:35.440
<v Speaker 3>I aware that.

0:44:36.160 --> 0:44:38.560
<v Speaker 4>Do you know, we're so vanilla. We don't really know

0:44:38.600 --> 0:44:42.680
<v Speaker 4>what drugs are now. Drugs are very different, really bad ones,

0:44:43.080 --> 0:44:46.440
<v Speaker 4>you know what I mean. We would not be alive

0:44:46.600 --> 0:44:49.200
<v Speaker 4>now all these young ones. Do you know what I mean.

0:44:49.239 --> 0:44:51.600
<v Speaker 4>I mean, it's so it's it's a serious business. The

0:44:51.680 --> 0:44:53.680
<v Speaker 4>minute to start taking it. We thought it was serious,

0:44:53.719 --> 0:44:55.920
<v Speaker 4>but it was a moral panic. It wasn't really a

0:44:55.920 --> 0:44:59.359
<v Speaker 4>physically dangerous thing. Every time you took something in us.

0:44:59.440 --> 0:45:02.319
<v Speaker 1>Now that's true with the Fennel thing, you could just

0:45:02.400 --> 0:45:09.520
<v Speaker 1>like the first time done.

0:45:06.680 --> 0:45:10.400
<v Speaker 4>Kids, you know, And so we got off lucky. I mean,

0:45:10.440 --> 0:45:12.800
<v Speaker 4>I think the reason we're both here is probably because,

0:45:13.760 --> 0:45:16.360
<v Speaker 4>you know, because I mean, who a party back in

0:45:16.400 --> 0:45:18.480
<v Speaker 4>our day, somebody handed you something and you took it,

0:45:18.560 --> 0:45:19.440
<v Speaker 4>you didn't know what it was.

0:45:19.880 --> 0:45:22.520
<v Speaker 1>I mean, it terrifies me now because we both you know,

0:45:23.120 --> 0:45:28.879
<v Speaker 1>have young adults, and it's it's terrifying. It's terrifying that

0:45:29.040 --> 0:45:32.600
<v Speaker 1>it's out there like that. And I think the drugs

0:45:32.600 --> 0:45:37.080
<v Speaker 1>are so good now as well in terms of like

0:45:37.239 --> 0:45:41.720
<v Speaker 1>potency and uh, you know, like people will say things

0:45:41.800 --> 0:45:43.959
<v Speaker 1>like strains of marijuana.

0:45:45.480 --> 0:45:47.200
<v Speaker 3>It doesn't make any sense to me, you know.

0:45:47.239 --> 0:45:51.719
<v Speaker 1>It's like you know, they'll say, because I remember, like

0:45:52.480 --> 0:45:54.920
<v Speaker 1>the when I took marijuana, the hash was hashed.

0:45:54.960 --> 0:45:57.759
<v Speaker 3>Marijuana was grass was grass, hash was hashed. That was it.

0:45:58.400 --> 0:46:02.920
<v Speaker 1>And I remember once having a my one of my

0:46:03.080 --> 0:46:07.680
<v Speaker 1>few homosexual encounters when I was a young man and

0:46:07.719 --> 0:46:09.799
<v Speaker 1>I said to a gay friend later, it's not really

0:46:09.840 --> 0:46:12.359
<v Speaker 1>for me, and he said it was probably the wrong one,

0:46:12.400 --> 0:46:14.480
<v Speaker 1>and I said, no, I don't think there are a

0:46:14.560 --> 0:46:18.520
<v Speaker 1>strains sufficient. Look, I tried it and it's not for me.

0:46:18.920 --> 0:46:21.480
<v Speaker 1>But but hash now you can. There are so many

0:46:21.520 --> 0:46:24.799
<v Speaker 1>different strains about it that the people will say, oh,

0:46:25.120 --> 0:46:30.920
<v Speaker 1>because I got psychotic from marijuana, like crazy, really, but

0:46:31.000 --> 0:46:34.200
<v Speaker 1>apparently that's certain strains do that to people, and other

0:46:34.280 --> 0:46:35.080
<v Speaker 1>strains don't.

0:46:35.560 --> 0:46:37.680
<v Speaker 4>It's too late for me now, and I'm glad of it.

0:46:37.760 --> 0:46:42.960
<v Speaker 4>But gone on the days of you know, going up

0:46:43.000 --> 0:46:45.799
<v Speaker 4>to the Trossus and sitting looking over the city and

0:46:45.840 --> 0:46:50.279
<v Speaker 4>taking what turned out to be half an Afroy quick

0:46:50.360 --> 0:46:52.200
<v Speaker 4>Ford again.

0:46:52.360 --> 0:46:54.799
<v Speaker 1>Now, do you remember Dodo tablets? Do you ever take

0:46:54.840 --> 0:46:58.759
<v Speaker 1>Dodo tablets? We used to take Dodo tablets where I

0:46:58.800 --> 0:47:02.040
<v Speaker 1>think we're a bronchial thing that they were in Scotland.

0:47:02.080 --> 0:47:03.480
<v Speaker 3>There was some kind of bronchial thing.

0:47:03.520 --> 0:47:06.000
<v Speaker 1>But if you took Doro tablets and drank cheap wine

0:47:06.239 --> 0:47:09.640
<v Speaker 1>and then sat on the train in Springburn, the vibrations

0:47:09.680 --> 0:47:19.480
<v Speaker 1>felt really fabulous. Yeah, I mean, it's such a mess,

0:47:19.520 --> 0:47:23.399
<v Speaker 1>but it's funny I think of like those days because

0:47:23.640 --> 0:47:25.959
<v Speaker 1>you and I never really we never crossed paths until

0:47:25.960 --> 0:47:30.120
<v Speaker 1>we got sober. But the darkness in that you described

0:47:30.120 --> 0:47:35.239
<v Speaker 1>the kind of comic darkness of drinking and using in

0:47:35.280 --> 0:47:36.120
<v Speaker 1>those times.

0:47:37.000 --> 0:47:39.839
<v Speaker 3>I think we both ended up where we were because of.

0:47:39.960 --> 0:47:45.880
<v Speaker 1>That influence of that kind of hilarious despair of the

0:47:46.040 --> 0:47:48.080
<v Speaker 1>kind of the mid eighties.

0:47:48.440 --> 0:47:52.600
<v Speaker 3>If you were like in Scotland, it was terrible but awesome.

0:47:54.080 --> 0:47:56.000
<v Speaker 4>Yeah, I mean it's awesome because of the past.

0:47:56.760 --> 0:47:57.640
<v Speaker 3>Yeah, I think that's it.

0:47:57.840 --> 0:48:01.319
<v Speaker 4>Yeah, it was grim and we were very depressed. Let's

0:48:01.360 --> 0:48:04.520
<v Speaker 4>remember that. Yeah, it was a sure, I'm sure there

0:48:04.520 --> 0:48:06.720
<v Speaker 4>were people. I mean, you know, young people now dress

0:48:06.760 --> 0:48:10.839
<v Speaker 4>as if they're in the eighties. Sometimes I get, you know,

0:48:11.280 --> 0:48:16.160
<v Speaker 4>it gives me the hey gbs paste pink lemon yellow.

0:48:16.200 --> 0:48:18.320
<v Speaker 4>If I see someone in lemon yellow, I feel like

0:48:18.360 --> 0:48:23.120
<v Speaker 4>I'm about to get the sack for being cheeky. You know,

0:48:24.560 --> 0:48:28.560
<v Speaker 4>wedge wedge cut, you know. Yeah, our shoulder pads back,

0:48:28.560 --> 0:48:32.000
<v Speaker 4>shoulder pads aren't back. They shoulder pads. They came back

0:48:32.120 --> 0:48:34.640
<v Speaker 4>very briefly here about a year ago. I quite like

0:48:34.680 --> 0:48:35.399
<v Speaker 4>a shoulder pad.

0:48:36.200 --> 0:48:37.719
<v Speaker 1>I don't mind that I've reached the point in my

0:48:37.760 --> 0:48:40.520
<v Speaker 1>life now where it's actually I'm kind of thinking about

0:48:40.560 --> 0:48:42.759
<v Speaker 1>putting them in my shirt like Larry King used to do.

0:48:45.680 --> 0:48:47.440
<v Speaker 3>So what's happening with you and now? And then what

0:48:47.480 --> 0:48:47.839
<v Speaker 3>you're doing?

0:48:47.880 --> 0:48:48.200
<v Speaker 4>Are you?

0:48:48.280 --> 0:48:51.879
<v Speaker 1>Are you off on because you still travel so much? Yeah,

0:48:51.960 --> 0:48:52.640
<v Speaker 1>you still do that.

0:48:53.360 --> 0:48:55.919
<v Speaker 4>I'm just about to I'm just finishing a book first

0:48:55.960 --> 0:49:01.640
<v Speaker 4>week and then we're going to the q E two.

0:49:02.320 --> 0:49:04.040
<v Speaker 4>Are having a festival.

0:49:03.480 --> 0:49:05.840
<v Speaker 3>On it in Los Angeles?

0:49:06.120 --> 0:49:10.600
<v Speaker 4>No, No, We're going from Southampton to New York. We

0:49:10.640 --> 0:49:13.759
<v Speaker 4>get get it free. We give a couple of workshops,

0:49:13.920 --> 0:49:16.040
<v Speaker 4>and I'm saying we I'm not using the Royal way.

0:49:16.040 --> 0:49:19.120
<v Speaker 4>It's like me and Christopher and Mark Billingham, me and

0:49:19.160 --> 0:49:22.520
<v Speaker 4>Stevie are getting the yeah right, and then they fly

0:49:22.600 --> 0:49:24.800
<v Speaker 4>you back business class. So we're saying we're going to

0:49:25.080 --> 0:49:28.279
<v Speaker 4>do that. That'll be lovely. And then yeah, so we're

0:49:28.320 --> 0:49:29.439
<v Speaker 4>just traveling around a lot.

0:49:29.600 --> 0:49:32.200
<v Speaker 3>Wait. Wait, so you cross the Atlantic on the q

0:49:32.360 --> 0:49:32.719
<v Speaker 3>E two.

0:49:33.239 --> 0:49:35.560
<v Speaker 4>Yeah, in November?

0:49:38.800 --> 0:49:42.280
<v Speaker 3>And where do you end up New York when.

0:49:43.680 --> 0:49:48.400
<v Speaker 4>On the twenty third of November a year round.

0:49:50.160 --> 0:49:55.840
<v Speaker 1>I fly from I'm going from Atlanta to Paris on

0:49:55.880 --> 0:49:56.600
<v Speaker 1>the twenty fourth.

0:49:57.400 --> 0:49:58.680
<v Speaker 4>Are you doing Paris?

0:49:59.400 --> 0:50:04.120
<v Speaker 1>I'm meeting Meghan because I'm doing I'm doing stand ups.

0:50:04.480 --> 0:50:06.320
<v Speaker 4>Do you want to come to you Stevie County, Paris

0:50:06.360 --> 0:50:10.200
<v Speaker 4>and we'll go out and eat. Well, we're staying in

0:50:10.200 --> 0:50:11.960
<v Speaker 4>the Chelsea for a few nights and then we're going

0:50:12.040 --> 0:50:14.239
<v Speaker 4>to fly back via Iceland and then I think we're

0:50:14.239 --> 0:50:14.920
<v Speaker 4>all going to go to.

0:50:16.920 --> 0:50:17.480
<v Speaker 3>Iceland.

0:50:17.840 --> 0:50:18.600
<v Speaker 4>Oh it's great.

0:50:19.040 --> 0:50:20.040
<v Speaker 3>It's good, isn't it.

0:50:20.040 --> 0:50:24.680
<v Speaker 4>It's great. Yeah, it's great, but like all Scandinavian board countries,

0:50:24.800 --> 0:50:26.360
<v Speaker 4>ultimately really boring.

0:50:27.200 --> 0:50:27.920
<v Speaker 3>How dare you?

0:50:28.360 --> 0:50:33.040
<v Speaker 4>I like messy places. I like Nepal and you know,

0:50:33.960 --> 0:50:36.680
<v Speaker 4>Milwaukee and places that have got a bit of mess

0:50:36.719 --> 0:50:37.680
<v Speaker 4>about them.

0:50:38.040 --> 0:50:40.520
<v Speaker 1>Yeah, I've never I've never been in the poll, but

0:50:40.560 --> 0:50:44.919
<v Speaker 1>I've been in Milwaukee a couple of times. But now

0:50:44.960 --> 0:50:48.560
<v Speaker 1>if it's like, if Nepole is like Milwaukee, I I

0:50:48.600 --> 0:50:49.319
<v Speaker 1>don't need to go.

0:50:50.000 --> 0:50:53.239
<v Speaker 4>It's not like, No, it's not like there's a lot

0:50:53.239 --> 0:50:55.799
<v Speaker 4>more decapitated animals in the street from my.

0:50:59.280 --> 0:51:01.640
<v Speaker 1>I've never seen that. I'm not saying it's not there.

0:51:01.680 --> 0:51:09.000
<v Speaker 1>But are you following? You following the political climate in

0:51:09.040 --> 0:51:10.359
<v Speaker 1>the United States right now?

0:51:11.440 --> 0:51:14.360
<v Speaker 4>I do believe there is an election.

0:51:15.400 --> 0:51:17.399
<v Speaker 3>Actually by the time this goes out.

0:51:17.560 --> 0:51:21.839
<v Speaker 4>I love going on Oh really, Okay, I think, yeah, so,

0:51:22.000 --> 0:51:24.440
<v Speaker 4>and how are you feeling about that? Because you're actually there,

0:51:25.400 --> 0:51:27.160
<v Speaker 4>I kind of it's funny.

0:51:27.239 --> 0:51:32.040
<v Speaker 1>I I steer away from publicly I mean, you you

0:51:32.080 --> 0:51:34.040
<v Speaker 1>know how I feel about politics and stuff, but I

0:51:34.040 --> 0:51:39.080
<v Speaker 1>stay away from publicly discussing it because it's such a

0:51:39.160 --> 0:51:42.640
<v Speaker 1>divisive tool, you know. I mean, it seems like the

0:51:42.680 --> 0:51:45.319
<v Speaker 1>only thing that anyone agrees on is that you can

0:51:45.480 --> 0:51:50.040
<v Speaker 1>use someone's political opinion to shame them. But I think

0:51:50.080 --> 0:51:53.480
<v Speaker 1>that what I've taken some solace from funny enough, it

0:51:53.520 --> 0:51:56.840
<v Speaker 1>goes back around to that resio thing of yours, because

0:51:56.960 --> 0:52:01.719
<v Speaker 1>because I get into these historical novels of Gourvi Dal,

0:52:01.800 --> 0:52:05.360
<v Speaker 1>I read the Narratives of Empire. You wrote seven historical

0:52:05.440 --> 0:52:09.560
<v Speaker 1>books about the United States from seventeen seventy sixty nineteen

0:52:09.760 --> 0:52:13.799
<v Speaker 1>fifty four. Yeah, And what was fascinating about it is

0:52:13.840 --> 0:52:15.880
<v Speaker 1>that there's nothing fucking new about this.

0:52:16.280 --> 0:52:20.480
<v Speaker 3>Yeah. Nothing. I think that America to me is.

0:52:22.160 --> 0:52:24.279
<v Speaker 1>One of the things about America is it is a

0:52:24.400 --> 0:52:27.000
<v Speaker 1>national expression of Youngian duality.

0:52:27.080 --> 0:52:31.040
<v Speaker 3>It's always been at war with itself. It's always had

0:52:31.239 --> 0:52:33.720
<v Speaker 3>this fucking you know.

0:52:34.160 --> 0:52:36.760
<v Speaker 1>Pushball, and I think it's I think it's no different

0:52:37.320 --> 0:52:40.320
<v Speaker 1>but it's it's it's kind of.

0:52:40.320 --> 0:52:42.760
<v Speaker 4>Frightening, though it kain of it gets your attention.

0:52:42.480 --> 0:52:44.680
<v Speaker 1>Because there's a lot of hyperbole in fear and you

0:52:44.719 --> 0:52:46.239
<v Speaker 1>don't know how much of it is real, you know.

0:52:46.719 --> 0:52:48.560
<v Speaker 4>Yeah, I mean I think if you look at it

0:52:48.560 --> 0:52:53.360
<v Speaker 4>in historical context very importantly, people are much easier to

0:52:53.400 --> 0:52:57.080
<v Speaker 4>control if they're very frightened. Yes, and that's both sides

0:52:57.080 --> 0:53:00.920
<v Speaker 4>of doing that hyping people up. Totally obsessed with the

0:53:00.920 --> 0:53:03.520
<v Speaker 4>Civil War? Are you interested in the Civil War? Yes?

0:53:03.719 --> 0:53:04.279
<v Speaker 4>I am.

0:53:04.400 --> 0:53:07.680
<v Speaker 1>Actually I became fascinated by it through the I mean,

0:53:07.760 --> 0:53:10.000
<v Speaker 1>I'm actually right now, I'm still kind of stuck on

0:53:10.040 --> 0:53:14.319
<v Speaker 1>the Revolutionary War, the first one. But yeah, but have

0:53:14.400 --> 0:53:17.480
<v Speaker 1>you been around the Civil War battle sites or all

0:53:17.560 --> 0:53:17.799
<v Speaker 1>like that?

0:53:17.880 --> 0:53:19.279
<v Speaker 4>You know, But me and my cousin are going to

0:53:19.320 --> 0:53:20.279
<v Speaker 4>do it may my cousin are.

0:53:20.640 --> 0:53:21.600
<v Speaker 3>Yeah, amazing.

0:53:22.560 --> 0:53:25.520
<v Speaker 4>It's a weird thing that you get so interested in

0:53:25.520 --> 0:53:28.239
<v Speaker 4>the Civil War at age fifty two and a half.

0:53:28.280 --> 0:53:31.640
<v Speaker 4>I think that's right, isn't it. But you can see

0:53:31.640 --> 0:53:33.760
<v Speaker 4>the whole world in that, You can see the whole

0:53:33.840 --> 0:53:37.120
<v Speaker 4>you know, the impossibility of victory and suddenly victory because

0:53:37.120 --> 0:53:40.279
<v Speaker 4>a drunk guy just sit far to everything, because the

0:53:40.320 --> 0:53:44.239
<v Speaker 4>drunk guy started fight, and you know, and how spoiled

0:53:44.239 --> 0:53:46.799
<v Speaker 4>that became afterwards. And it's funny because I was trying

0:53:46.840 --> 0:53:51.480
<v Speaker 4>to write something for an Alista Greyson about Contraband camp.

0:53:51.560 --> 0:53:52.920
<v Speaker 4>Do you know Contraband camp is?

0:53:53.160 --> 0:53:54.080
<v Speaker 3>I don't know where that is.

0:53:55.160 --> 0:53:57.879
<v Speaker 4>Slaves that ran away during the Civil War were called

0:53:57.960 --> 0:54:01.600
<v Speaker 4>contraband because they were a contra band of war. So

0:54:01.640 --> 0:54:04.680
<v Speaker 4>they sent up camps everywhere, and all these incredibly well

0:54:04.760 --> 0:54:08.360
<v Speaker 4>meaning white women like me went to work in contraband

0:54:08.400 --> 0:54:10.400
<v Speaker 4>camps to teach people to read, and they had all

0:54:10.400 --> 0:54:13.600
<v Speaker 4>these really sort of idealistic ideas about how they were

0:54:13.600 --> 0:54:16.440
<v Speaker 4>going to save everybody, and then they got there and

0:54:16.480 --> 0:54:19.440
<v Speaker 4>they just realized how grim it was and how it

0:54:19.600 --> 0:54:23.080
<v Speaker 4>was systematic, and you know, it didn't matter what people

0:54:23.200 --> 0:54:26.479
<v Speaker 4>saved or if they got jobs or anything like that.

0:54:26.800 --> 0:54:29.200
<v Speaker 4>They just looked all the whole system was up against them.

0:54:29.200 --> 0:54:31.760
<v Speaker 4>But I mean, I thought, you know, I can't even

0:54:32.080 --> 0:54:35.480
<v Speaker 4>identify the language to use about people of color in

0:54:35.560 --> 0:54:38.520
<v Speaker 4>that context, or I don't even know how you could

0:54:38.600 --> 0:54:42.120
<v Speaker 4>speak about that. But yeah, but yeah, but I mean,

0:54:42.160 --> 0:54:45.120
<v Speaker 4>there's nothing new, and you know, just be kind of

0:54:45.120 --> 0:54:47.000
<v Speaker 4>the people you meet, even if you don't agree with them.

0:54:47.000 --> 0:54:49.799
<v Speaker 4>I think there's maybe like three or four percent of

0:54:49.840 --> 0:54:54.640
<v Speaker 4>people who really are trouble and mental and you know,

0:54:55.000 --> 0:54:57.120
<v Speaker 4>really do want war, and the rest of us are

0:54:57.160 --> 0:54:59.759
<v Speaker 4>just trying to look after our mum and keep the

0:54:59.800 --> 0:55:00.839
<v Speaker 4>house tidy.

0:55:00.960 --> 0:55:03.319
<v Speaker 1>It seems to be my experience because I go to

0:55:03.719 --> 0:55:07.400
<v Speaker 1>like I do, stand up in you know, very different

0:55:07.520 --> 0:55:10.319
<v Speaker 1>you know, you know, kind of political environments in the

0:55:10.400 --> 0:55:14.360
<v Speaker 1>United States, like geographically, and you know, my rule and

0:55:14.440 --> 0:55:17.399
<v Speaker 1>my my deal with the audience that I've had since

0:55:17.440 --> 0:55:20.080
<v Speaker 1>about twenty sixteen is for the hour and a half

0:55:20.120 --> 0:55:21.960
<v Speaker 1>i'm on stage, We're going to forget about it.

0:55:22.000 --> 0:55:23.080
<v Speaker 3>I'm going to do something else.

0:55:23.280 --> 0:55:25.959
<v Speaker 1>So all the shit that you're angry about, I'll still

0:55:26.000 --> 0:55:27.560
<v Speaker 1>be there when you leave the theater, but we're going

0:55:27.600 --> 0:55:29.799
<v Speaker 1>to take a break. I need a fucking break, and

0:55:30.160 --> 0:55:32.440
<v Speaker 1>you know, and so I'm not going to do it

0:55:32.800 --> 0:55:35.399
<v Speaker 1>because I'm I'm even at the stage now where I'm

0:55:35.440 --> 0:55:36.759
<v Speaker 1>sick of the people I agree with.

0:55:36.880 --> 0:55:40.240
<v Speaker 3>I'm like, you know, when they talk, I'm like fucking shop,

0:55:40.560 --> 0:55:41.200
<v Speaker 3>you know what I mean.

0:55:41.280 --> 0:55:43.839
<v Speaker 1>Even if I agree with what they're saying, I'm like sake.

0:55:45.480 --> 0:55:48.640
<v Speaker 1>And it is it is an odds it's an odd time.

0:55:48.800 --> 0:55:51.600
<v Speaker 1>But when it's fucking odd time nobody.

0:55:51.600 --> 0:55:55.760
<v Speaker 4>I have to say. Politicians of this generation are crap

0:55:55.800 --> 0:55:58.759
<v Speaker 4>at their job because they have a job to do,

0:55:58.920 --> 0:56:02.240
<v Speaker 4>and your job is to run things. Shut up, stay

0:56:02.239 --> 0:56:06.680
<v Speaker 4>over face and let us make films, write books. Why

0:56:06.719 --> 0:56:09.720
<v Speaker 4>are we talking about you doing your job all the time?

0:56:10.280 --> 0:56:13.640
<v Speaker 4>Do your job? You know what I mean?

0:56:14.239 --> 0:56:16.480
<v Speaker 1>I feel the same way as like, shut the fuck

0:56:16.560 --> 0:56:18.759
<v Speaker 1>up and get the bills paid, keep the lights on.

0:56:19.000 --> 0:56:22.640
<v Speaker 4>You know you're you're an administrator, your nuts and do

0:56:22.719 --> 0:56:23.280
<v Speaker 4>your job.

0:56:25.080 --> 0:56:27.000
<v Speaker 3>Well, we got that, And.

0:56:27.840 --> 0:56:30.560
<v Speaker 1>I feel like I've spent half an hour in your

0:56:30.640 --> 0:56:33.640
<v Speaker 1>kitchen and I feel I always feel the better for that.

0:56:38.480 --> 0:56:39.359
<v Speaker 3>Thanks very much.

0:56:40.680 --> 0:56:42.879
<v Speaker 1>And you look amazing, by the way, have you been

0:56:43.080 --> 0:56:44.600
<v Speaker 1>are you using collagen or something?

0:56:44.600 --> 0:56:48.760
<v Speaker 4>You look Yeah, this is actually the back of my head.

0:56:49.120 --> 0:56:50.360
<v Speaker 4>I just shaved my head.

0:56:55.760 --> 0:56:57.480
<v Speaker 3>All right, it's lovely.

0:56:57.560 --> 0:57:00.759
<v Speaker 1>So you give my best day to Stevie and in

0:57:00.840 --> 0:57:04.399
<v Speaker 1>a way, and I'll Megan, I know, wants to talk

0:57:04.400 --> 0:57:06.280
<v Speaker 1>to you, but she can't do it in the podcast,

0:57:06.360 --> 0:57:07.440
<v Speaker 1>so I think she is.

0:57:08.440 --> 0:57:09.759
<v Speaker 4>Tell her to get me a wrong. Well, let me

0:57:09.760 --> 0:57:11.200
<v Speaker 4>see you were Christmas pals.

0:57:11.600 --> 0:57:14.520
<v Speaker 1>Definitely all right, Yeah, yeah, I have a lovely time

0:57:14.560 --> 0:57:15.040
<v Speaker 1>on the boat.

0:57:15.080 --> 0:57:16.640
<v Speaker 3>I'm sorry, I'm going to miss you in New York.

0:57:17.080 --> 0:57:20.000
<v Speaker 4>I think we might be just be being stickle the time.

0:57:20.800 --> 0:57:23.040
<v Speaker 3>All right, it's lovely to see you.

0:57:23.120 --> 0:57:27.680
<v Speaker 1>Take care, Okayrryn, Bye bye bye bye bye ye