WEBVTT - Karol Markowicz Show: Reviving Traditional Storytelling with Libby Emmons

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<v Speaker 1>Him and welcome back to the Carrel Marcowitz Show on iHeartRadio.

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<v Speaker 1>Tyler Cowen wrote two articles this week that bothered me

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<v Speaker 1>enough to discuss them. Both were in the Free Press,

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<v Speaker 1>an outlet that I really enjoy.

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<v Speaker 2>One of them was on how.

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<v Speaker 1>The elites got COVID mostly right. If you know anything

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<v Speaker 1>about me, I very much don't think so, and I'm

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<v Speaker 1>writing an article about that now, so look for it

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<v Speaker 1>in the New York Post or maybe on the Fox

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<v Speaker 1>News website. We'll see. But his other piece is somehow

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<v Speaker 1>even more wrong than that one. It's called the Case

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<v Speaker 1>for Living Online, or why I often choose my phone

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<v Speaker 1>instead of flesh and blood. He writes, why do I

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<v Speaker 1>spend so much of my time with email, group chats

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<v Speaker 1>and also writing for larger audiences such as repressed readers.

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<v Speaker 1>I ask myself that earnestly, and I have arrived at

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<v Speaker 1>a pretty good answer. I believe that by spending time

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<v Speaker 1>online I will meet and befriend a collection of individuals

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<v Speaker 1>around the world who are pretty much exactly the people

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<v Speaker 1>I want to be in touch with, and then I

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<v Speaker 1>will be in touch with them regularly. I call them

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<v Speaker 1>the perfect people for me. I recognize that many of

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<v Speaker 1>these communications are online, and thus they are thinner than

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<v Speaker 1>many more local, face to face relationships. Yet I do

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<v Speaker 1>end up meeting most of these people and with great

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<v Speaker 1>pleasure that in turn enhances the quality of the online communications.

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<v Speaker 1>And frankly, if forced to choose, I would rather have

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<v Speaker 1>thinner relationships with the perfect people for me than regular

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<v Speaker 1>bear hugs and beer guzzlings with people who are in

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<v Speaker 1>the eighty seventh percentile for me Endue. The problem with

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<v Speaker 1>this is that you may meet these people once, twice,

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<v Speaker 1>even twenty times, let's say, but they're not a part

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<v Speaker 1>of your everyday life. Their proximity does not allow for

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<v Speaker 1>true closeness, for true friendship. But I think what Tyler

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<v Speaker 1>is describing is exactly what people do get caught up

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<v Speaker 1>in when, for example, they do online dating. Why settle

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<v Speaker 1>for just eighty seven percent compatible when clearly the one

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<v Speaker 1>hundred percentile would be better. But I just think one

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<v Speaker 1>hundred is an illusion. You can only imagine that you're

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<v Speaker 1>one hundred percent compatible with someone when you have limited

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<v Speaker 1>interaction with them. It's the whirlwind romance that you have

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<v Speaker 1>when you're studying abroad in college. Pablo or Marco or

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<v Speaker 1>Susette is just your absolute match. You spend three blissful

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<v Speaker 1>months together eating bagets around Paris or on the back

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<v Speaker 1>of a vespa in Rome. Nothing could be better and

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<v Speaker 1>no one better suited to you. But nearly anyone who

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<v Speaker 1>has tried to take that relationship yes to real life,

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<v Speaker 1>where there are bills and jobs and chores and grocery stores,

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<v Speaker 1>the drudgery of the every day, will find that it

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<v Speaker 1>all gets old, very very fast. That's what Tyler has

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<v Speaker 1>with his internet friends. He has the high points and

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<v Speaker 1>sure he can maintain them for longer because he doesn't

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<v Speaker 1>have that romantic connection to burnout without ever having anything

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<v Speaker 1>like real life and real life. And I know I

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<v Speaker 1>say this on here A lot is better eighty seven

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<v Speaker 1>percent compatible with thirteen percent. Where you love your spouse

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<v Speaker 1>or your friend anyway because their imperfections make them a

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<v Speaker 1>real person is actually amazing. I've made friends online, Don't

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<v Speaker 1>get me wrong. I cried when a friend I knew

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<v Speaker 1>mostly just on Twitter died, But a lot of the

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<v Speaker 1>time I've watched the death of someone that we all

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<v Speaker 1>know online hit the end online world, and people are sad.

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<v Speaker 1>People might give their condolences or say a word or

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<v Speaker 1>two about the person or be shocked, but it lasts

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<v Speaker 1>a minute and then they're scrolling and retweeting like nothing

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<v Speaker 1>had ever happened. That person's actual family and their actual

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<v Speaker 1>friends in real life will miss them, and they are

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<v Speaker 1>who is important. Thanks for listening. Coming up my interview

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<v Speaker 1>with Libby Emmons. But first, Israel is still under attack.

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<v Speaker 1>Missile fire has resumed from Israel's enemies, terrorists who seek

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<v Speaker 1>utter death and destruction. Here in America, we can't imagine

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<v Speaker 1>what it's like to live in constant beer like this,

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<v Speaker 1>but for the people of Israel, it's all very real

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<v Speaker 1>every single day. Please join me and show the people

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<v Speaker 1>of Israel you'll help protect them in this time of

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<v Speaker 1>attack and uncertainty. And one of the best ways to

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<v Speaker 1>do this is by giving to the International Fellowship of

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<v Speaker 1>Christians and Jews. Your gift today helps provide security essentials

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<v Speaker 1>like bomb shelters, flack jackets and bulletproof bests, armored security vehicles, ambulances,

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<v Speaker 1>and so much more. There's no better time to give

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<v Speaker 1>than right now, during the Passover holiday, when we celebrate

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<v Speaker 1>Israel's historic deliverance and birth as a nation. Give a

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<v Speaker 1>special Passover gift today and help protect the people of Israel.

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<v Speaker 1>Paul eight eight eight four eight eight IFCJ that's eight

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<v Speaker 1>eight eight four eight eight four three two five, or

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<v Speaker 1>go online at SUPPORTIFCJ dot org. One word support IFCJ

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<v Speaker 1>dot org. Hi, and welcome back to the Carol Marcowitz

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<v Speaker 1>Show on iHeartRadio. My guest today is Libby Emmons. Libby

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<v Speaker 1>is editor in chief of The Post Millennial. Thank you

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<v Speaker 1>so much for coming on.

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<v Speaker 2>Libby, Sure, thank Carol.

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<v Speaker 1>So we knew each other a little bit in Brooklyn,

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<v Speaker 1>and I know a little bit about your story how

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<v Speaker 1>you got into this thing of ours. But you came

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<v Speaker 1>from the theater world, is that right?

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<v Speaker 2>Yeah.

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<v Speaker 3>Most of my career was in theater, doing weird, experimental

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<v Speaker 3>downtown shows and tiny theaters hoping people would come.

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<v Speaker 2>And then I spoke out against trans.

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<v Speaker 3>And that turned out badly and I had to find

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<v Speaker 3>a new career and different friends so rather quickly, at

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<v Speaker 3>like twenty nineteen, early twenty nineteen, and I came up

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<v Speaker 3>with this idea that I should just walk through any

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<v Speaker 3>open door, and that's how I got here.

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<v Speaker 1>Do you miss the theater world? Yes, yeah, to go

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<v Speaker 1>back to something if it was normal, if it wasn't insane,

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<v Speaker 1>but it kind of just as insane.

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<v Speaker 2>Right, It kind of just is insane.

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<v Speaker 3>I don't know that that door would ever be opened

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<v Speaker 3>at this point.

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<v Speaker 2>I would love to see.

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<v Speaker 3>People on this side of things, making art and making

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<v Speaker 3>theater and doing you know, exploring ideas in that aesthetic

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<v Speaker 3>kind of way, picking up the threads of storytelling where

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<v Speaker 3>the arts community has really dropped them years and years ago,

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<v Speaker 3>going into creating beautiful things, creating artwork that makes you

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<v Speaker 3>feel something positive when you're sitting in the audience, or

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<v Speaker 3>even just doing Shakespeare like it's normal, instead of doing

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<v Speaker 3>Shakespeare like Romeo as a Girl Too, you know, or

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<v Speaker 3>doing Mecabeth like it's normal.

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<v Speaker 2>Doing all of these shows.

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<v Speaker 3>What was the one they did and they decided the

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<v Speaker 3>bad guy in Shakespeare was actually Trump?

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<v Speaker 2>That was dumb, you.

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<v Speaker 1>Know, not any one of them.

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<v Speaker 2>Yeah, your poison.

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<v Speaker 3>But I would love to see more traditional pieces done

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<v Speaker 3>like they should be, even Ibsen Moliere, any of these guys,

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<v Speaker 3>you know, Sam Beckett. I think there's actually a revival

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<v Speaker 3>of Waiting for Goodo that's going to be up on

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<v Speaker 3>Broadway this year with the guys from Bill and Ted's

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<v Speaker 3>Kano Reeves and the other guy, and I really want

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<v Speaker 3>to see that because Bill and Ted's meets Waiting for GOODO.

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<v Speaker 2>That's kind of that's very Bakhetian, that works that kind

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<v Speaker 2>of thing. But would I make art again for sure?

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<v Speaker 2>And I haven't.

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<v Speaker 3>I haven't stopped making art, I just have not been

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<v Speaker 3>making theater art.

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<v Speaker 1>Were you an actress or were you behind the scenes.

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<v Speaker 3>I was writing plays, So my masters is in playwriting

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<v Speaker 3>and theater, and I was writing plays and producing plays

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<v Speaker 3>and that was that was pretty much all I wanted

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<v Speaker 3>to do from the time I was fourteen years old,

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<v Speaker 3>and so trying to come up with something else to do,

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<v Speaker 3>it was like, well, everything I loved has kind.

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<v Speaker 2>Of been burned down. I don't really know where to

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<v Speaker 2>go from there.

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<v Speaker 3>And the thing about theater is you need an audience,

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<v Speaker 3>and if you don't have an audience, there's no point

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<v Speaker 3>really to making the work.

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<v Speaker 2>You can write all the scripts that you.

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<v Speaker 3>Want, you can do animations of them if you want,

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<v Speaker 3>but like, you need an audience. And I just did

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<v Speaker 3>not have the feeling that I in the community where

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<v Speaker 3>I was doing the kind of work I was doing,

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<v Speaker 3>I was pretty sure I had no audience left.

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<v Speaker 2>So that would that's the key thing that you need,

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<v Speaker 2>you know.

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<v Speaker 1>I think it's such a good moment for something like that. Now,

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<v Speaker 1>I'm like, I'm going to spend the next, you know,

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<v Speaker 1>a few days trying to talk you into I mean,

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<v Speaker 1>I think the work that you do is amazing and

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<v Speaker 1>I love your just your style in general. You've always

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<v Speaker 1>been a really interesting follow for me on X and I.

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<v Speaker 1>You know, I think the work you do a post

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<v Speaker 1>one it was fantastic, But I feel like you need

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<v Speaker 1>to be making plays for the stage, and it's such

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<v Speaker 1>a good moment for that. Our family, we don't watch

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<v Speaker 1>a lot of TV. I just I'm just I'm an

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<v Speaker 1>internet junkie. I'm not like better than anyone. I just

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<v Speaker 1>I just channel my insanity in a different way. But

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<v Speaker 1>we started watching that House of David movie series recently,

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<v Speaker 1>and that's you know, made by conservatives. Yeah, we just

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<v Speaker 1>we've only we're only one episode in, but it's excellent

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<v Speaker 1>and it's you know, for families. But what all the

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<v Speaker 1>other things suggested to me on Netflix, We're all like America,

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<v Speaker 1>it's an amazing country, like just very very different than

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<v Speaker 1>what would have been suggested on Netflix even a year ago.

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<v Speaker 1>So I think I think this is your moment.

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<v Speaker 3>Yeah, well, we only really need fifty thousand dollars in

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<v Speaker 3>a theater space and we can get that's like going

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<v Speaker 3>easily done to invest in that.

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<v Speaker 2>Let's let's put it together.

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<v Speaker 1>I feel like that is an investment that can absolutely happen.

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<v Speaker 1>I'm gonna, you know, see if we could do that,

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<v Speaker 1>what would you want to write about? Yeah? What were

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<v Speaker 1>your shows about? Like, what was your theme?

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<v Speaker 2>Did you have one?

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<v Speaker 3>I wrote about a lot of different things, and they,

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<v Speaker 3>you know, pretty different. I wrote satire about I wrote

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<v Speaker 3>this ridiculous satire that was a send up of everything

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<v Speaker 3>that they do to women. So there was trans abortion,

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<v Speaker 3>there was me too stuff in there. There was adoption, surrogacy,

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<v Speaker 3>like all of this crazy stuff. And it was two

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<v Speaker 3>hr reps sitting there going through like all having all

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<v Speaker 3>this crazy stuff happen with no other characters.

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<v Speaker 2>That was fun. I wrote replay about.

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<v Speaker 1>That would be such a hit, as you know.

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<v Speaker 3>I did one about domestic slavery in the United States

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<v Speaker 3>and that was really fascinating. There had actually been sometimes

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<v Speaker 3>I would pull stuff from the news and there had

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<v Speaker 3>been this long island couple. I remember they were from

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<v Speaker 3>Indonesia or something like that, and they had this perfume empire,

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<v Speaker 3>and so they would bring women from their hometown in

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<v Speaker 3>Indonesia and essentially enslave them in their home. So that was,

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<v Speaker 3>you know, uplifting a lot of but there was a

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<v Speaker 3>lot of stuff.

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<v Speaker 2>There is a lot of stuff.

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<v Speaker 3>My favorite play that I wrote was the last one

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<v Speaker 3>that got performed, and it was called I'm Not an Allegory.

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<v Speaker 2>These are people I know and you know, you know

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<v Speaker 2>from Brooklyn.

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<v Speaker 3>So it was about a bunch of people in Brooklyn

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<v Speaker 3>that were loosely connected and how they navigate their lives.

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<v Speaker 3>One of them needs a new job, one of them's

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<v Speaker 3>having sort of like a mental break because of childhood

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<v Speaker 3>trauma that she never dealt with. Somebody else is like

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<v Speaker 3>in love with his coworker and he's trying to take

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<v Speaker 3>her out, and all of the women in the show

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<v Speaker 3>kind of end.

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<v Speaker 2>Up meeting at a dance class. So it's a very

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<v Speaker 2>Brickland show.

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<v Speaker 1>Yeah, do you miss Brooklyn?

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<v Speaker 2>I yeah, I love I love Brooklyn. I love New

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<v Speaker 2>York City.

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<v Speaker 3>My Famili's from New York City, going way back to

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<v Speaker 3>like the Italian immigrants coming over in the nineteen eighteen nineteen,

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<v Speaker 3>something like that twenty. My grandparents were born in Brooklyn,

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<v Speaker 3>my mom was born in Brooklyn, my son was born

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<v Speaker 3>in Brooklyn.

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<v Speaker 2>Yeah, I definitely miss it.

0:13:10.600 --> 0:13:13.840
<v Speaker 3>And I'm that person who's like always looking at the Zillow.

0:13:13.679 --> 0:13:16.080
<v Speaker 2>Like, what could I take aut to go back wuity

0:13:16.160 --> 0:13:19.240
<v Speaker 2>loan and buy a new buy place and have two places?

0:13:19.400 --> 0:13:22.959
<v Speaker 1>You know? Yeah, I feel like, do the math on

0:13:23.040 --> 0:13:24.600
<v Speaker 1>a hotel before you do that.

0:13:24.720 --> 0:13:29.240
<v Speaker 2>But yeah, right, this is I mean, whenever I.

0:13:29.200 --> 0:13:32.640
<v Speaker 1>Think about any property anywhere, I start thinking like I

0:13:32.640 --> 0:13:34.480
<v Speaker 1>could live there, I could have a second house there,

0:13:34.520 --> 0:13:36.480
<v Speaker 1>And then I'm like, wait, I could just stay there

0:13:36.679 --> 0:13:39.760
<v Speaker 1>in a hotel whenever I want to go. But yeah,

0:13:39.880 --> 0:13:43.360
<v Speaker 1>you know, I obviously I missed the Brooklyn. I miss

0:13:43.360 --> 0:13:46.320
<v Speaker 1>old Brooklyn. I don't know that I miss Brooklyn right now.

0:13:47.120 --> 0:13:49.720
<v Speaker 1>But I miss actually your area where you lived Bay Ridge,

0:13:49.720 --> 0:13:51.600
<v Speaker 1>a lot more than I miss where I lived, which

0:13:51.640 --> 0:13:55.040
<v Speaker 1>is Park Slope. Don't miss Park Slope at all.

0:13:55.480 --> 0:13:56.840
<v Speaker 2>Pretty different neighborhoods.

0:13:56.880 --> 0:13:59.760
<v Speaker 3>Although in my neighborhood right outside my building, because I

0:13:59.800 --> 0:14:03.480
<v Speaker 3>was I was on like right on Fifth Avenue and Ovington,

0:14:03.720 --> 0:14:07.400
<v Speaker 3>there's like it's a very Arab neighborhood. And every weekend

0:14:07.440 --> 0:14:10.920
<v Speaker 3>there were these like big anti Israel protests, and they

0:14:10.920 --> 0:14:12.760
<v Speaker 3>were just getting bigger, you know.

0:14:12.880 --> 0:14:14.480
<v Speaker 2>Yeah, and now they're a little.

0:14:14.200 --> 0:14:17.480
<v Speaker 1>Bigger, right, yeah, yeah, yeah. When I went to high

0:14:17.480 --> 0:14:21.360
<v Speaker 1>school in beer Ridge, it was a very Italian area. No,

0:14:21.600 --> 0:14:23.720
<v Speaker 1>I really did love it. It was it was a

0:14:23.720 --> 0:14:28.840
<v Speaker 1>great little neighborhood. So what's your life now in Can

0:14:28.880 --> 0:14:29.600
<v Speaker 1>I say where you live?

0:14:30.240 --> 0:14:32.400
<v Speaker 2>Yeah? I live. I live in West Virginia.

0:14:32.600 --> 0:14:34.120
<v Speaker 1>Do you love it or what do you think?

0:14:34.840 --> 0:14:37.200
<v Speaker 3>I do love it. I love having my own house.

0:14:37.520 --> 0:14:40.280
<v Speaker 3>I love having a little piece of land. It's a

0:14:40.400 --> 0:14:42.400
<v Speaker 3>very New Yorker thing for me to say, like no

0:14:42.440 --> 0:14:44.600
<v Speaker 3>one can kick me out of my house, that no one.

0:14:44.480 --> 0:14:47.120
<v Speaker 2>Carries my rent. I love that.

0:14:47.120 --> 0:14:49.400
<v Speaker 3>That's great for me. I have my own parking space.

0:14:49.480 --> 0:14:50.840
<v Speaker 3>It's just right out of my house.

0:14:50.960 --> 0:14:51.400
<v Speaker 1>So good.

0:14:53.160 --> 0:14:56.200
<v Speaker 2>So these are basic things, but it is interesting. The

0:14:56.240 --> 0:14:57.120
<v Speaker 2>difference is just.

0:14:57.120 --> 0:15:00.520
<v Speaker 3>In lifestyle and what you expect. In New York everything

0:15:00.600 --> 0:15:03.680
<v Speaker 3>is about quality of life. And here it's like I

0:15:03.720 --> 0:15:05.880
<v Speaker 3>pay for my water separate and I pay for my

0:15:06.000 --> 0:15:08.120
<v Speaker 3>trash pick up separate. I just got a bill for

0:15:08.160 --> 0:15:10.240
<v Speaker 3>the ambulance service and I was like, I didn't take

0:15:10.280 --> 0:15:13.160
<v Speaker 3>an ambulance. Oh wait, I have to pay Yeah, every

0:15:13.200 --> 0:15:13.560
<v Speaker 3>it's like.

0:15:13.520 --> 0:15:15.200
<v Speaker 2>Wow, super our cart.

0:15:16.480 --> 0:15:18.640
<v Speaker 1>I took every libertarian fantasy over.

0:15:18.520 --> 0:15:22.400
<v Speaker 2>There, right, So, but I always I love where I am.

0:15:22.440 --> 0:15:26.280
<v Speaker 3>It's absolutely breathtakingly beautiful, and I love that I'm a

0:15:26.280 --> 0:15:27.200
<v Speaker 3>lot closer.

0:15:26.840 --> 0:15:29.520
<v Speaker 2>To DC now, so I do more like DC stuff.

0:15:30.960 --> 0:15:34.240
<v Speaker 1>Yeah, I have a warm spot for DC, I know.

0:15:34.360 --> 0:15:35.880
<v Speaker 1>But and you get to have kind of the best

0:15:35.880 --> 0:15:38.320
<v Speaker 1>of both worlds. You're in somewhere that you could get

0:15:38.320 --> 0:15:39.400
<v Speaker 1>to have land, you get to have.

0:15:39.400 --> 0:15:40.160
<v Speaker 2>A parking spot.

0:15:40.240 --> 0:15:44.280
<v Speaker 1>I fully relate to the parking spot things. When I

0:15:44.320 --> 0:15:47.000
<v Speaker 1>am back in Brooklyn and my brother is like, I

0:15:47.040 --> 0:15:49.000
<v Speaker 1>have to go move the car, I'm like, oh, yeah,

0:15:49.000 --> 0:15:50.200
<v Speaker 1>I don't miss that at all.

0:15:51.560 --> 0:15:53.320
<v Speaker 3>Or like you do that math, you'd be like, do

0:15:53.400 --> 0:15:55.240
<v Speaker 3>I move the car? Or do I figure they're not

0:15:55.240 --> 0:15:56.760
<v Speaker 3>going to tow it? And I'm just paying.

0:15:56.520 --> 0:15:58.160
<v Speaker 2>Sixty five bucks for parking this week.

0:15:58.200 --> 0:15:59.960
<v Speaker 1>It's like not that cheaper than a garage.

0:16:00.560 --> 0:16:00.680
<v Speaker 2>Right.

0:16:00.720 --> 0:16:03.320
<v Speaker 1>Whenever anybody would have that conversation and on the park

0:16:03.360 --> 0:16:06.040
<v Speaker 1>slope boards, like all these people would be like, that's

0:16:06.080 --> 0:16:09.960
<v Speaker 1>so wrong. You shouldn't do that, Like well the math maths,

0:16:10.080 --> 0:16:13.200
<v Speaker 1>as the kids say, you know, so what do you

0:16:13.240 --> 0:16:14.479
<v Speaker 1>worry about?

0:16:15.160 --> 0:16:18.440
<v Speaker 2>What do I worry about? In terms of like I

0:16:18.480 --> 0:16:21.640
<v Speaker 2>worry about the future. I worry about aging. I'm going

0:16:21.680 --> 0:16:22.720
<v Speaker 2>to be fifty.

0:16:22.400 --> 0:16:26.160
<v Speaker 3>This year, and I find that I find that, oh thanks,

0:16:26.240 --> 0:16:28.720
<v Speaker 3>I just find that crazy, Like how could.

0:16:28.440 --> 0:16:31.120
<v Speaker 2>I be fifty? Like how can you see? Can that be?

0:16:31.640 --> 0:16:32.760
<v Speaker 2>I think that's nuts.

0:16:33.440 --> 0:16:36.160
<v Speaker 3>So I think about that, and I think about my

0:16:36.280 --> 0:16:39.320
<v Speaker 3>grandmom and my mom my grandmother's past. But my mom

0:16:39.400 --> 0:16:42.120
<v Speaker 3>is like seventy five something like that, and I think

0:16:42.160 --> 0:16:45.080
<v Speaker 3>about Like, so I think about that because mortality is

0:16:45.120 --> 0:16:47.560
<v Speaker 3>this crazy thing and you don't think about it for

0:16:47.640 --> 0:16:50.440
<v Speaker 3>your whole life. You run out into the street, you

0:16:50.480 --> 0:16:53.320
<v Speaker 3>don't think about anything. You do whatever crazy stuff comes

0:16:53.320 --> 0:16:55.760
<v Speaker 3>into your mind, and then suddenly you're like, wait, my

0:16:55.800 --> 0:16:58.360
<v Speaker 3>friends are having their knees and hits replaced?

0:16:58.680 --> 0:17:01.960
<v Speaker 2>What is what is is this about? Why is this happening?

0:17:02.360 --> 0:17:04.560
<v Speaker 3>So I write in terms of personal stuff. I think

0:17:04.560 --> 0:17:07.840
<v Speaker 3>about that, like what does aging look like? Is the

0:17:07.920 --> 0:17:09.200
<v Speaker 3>kid going to put me in a home?

0:17:09.440 --> 0:17:09.919
<v Speaker 2>I don't know.

0:17:10.119 --> 0:17:12.200
<v Speaker 1>I don't think so interesting.

0:17:13.280 --> 0:17:14.400
<v Speaker 2>I worry about my son.

0:17:14.680 --> 0:17:19.760
<v Speaker 3>He's fifteen, and I worry about like getting him sort

0:17:19.800 --> 0:17:20.920
<v Speaker 3>of launched.

0:17:20.480 --> 0:17:21.359
<v Speaker 2>Into his life.

0:17:21.600 --> 0:17:24.760
<v Speaker 3>Yeah, all of the tools that what tools can I

0:17:24.800 --> 0:17:27.840
<v Speaker 3>give him? You know, you can save money for them.

0:17:28.119 --> 0:17:31.680
<v Speaker 3>You can make sure you're teaching them stuff, but there's

0:17:31.760 --> 0:17:35.000
<v Speaker 3>like all these variables. You have no idea what might

0:17:35.080 --> 0:17:35.920
<v Speaker 3>possibly happen.

0:17:36.560 --> 0:17:37.360
<v Speaker 2>I don't really.

0:17:37.119 --> 0:17:41.920
<v Speaker 3>Worry too much about like the broader anxieties of the world,

0:17:42.440 --> 0:17:47.439
<v Speaker 3>nuclear war, any of that stuff. Like if anything like

0:17:47.680 --> 0:17:50.240
<v Speaker 3>super crazy happens, it's almost a relief. You're like, oh,

0:17:50.240 --> 0:17:51.800
<v Speaker 3>I know, I don't have to worry about the stuff

0:17:51.880 --> 0:17:53.480
<v Speaker 3>that was bothering me anymore.

0:17:53.600 --> 0:17:54.439
<v Speaker 2>No worries about that.

0:17:54.840 --> 0:17:59.359
<v Speaker 3>Right now, it's all about foraging place moods now, just

0:17:59.400 --> 0:18:00.680
<v Speaker 3>looking for nothing and berries.

0:18:00.800 --> 0:18:01.000
<v Speaker 2>You know.

0:18:01.560 --> 0:18:06.080
<v Speaker 1>Yeah, I read too many books about Russia during World

0:18:06.119 --> 0:18:08.560
<v Speaker 1>War Two and end up looking at our pantry and

0:18:08.600 --> 0:18:11.600
<v Speaker 1>being like, how long can we survive on just what

0:18:11.720 --> 0:18:15.080
<v Speaker 1>we have here? Yeah, it's it's I mean, they, you know,

0:18:15.200 --> 0:18:18.240
<v Speaker 1>they were all starving to death, and that was not

0:18:18.359 --> 0:18:21.119
<v Speaker 1>that long ago and not you know, not such a

0:18:21.160 --> 0:18:24.920
<v Speaker 1>crazy thing to have happened. So yeah, I think we'd

0:18:25.040 --> 0:18:27.600
<v Speaker 1>be okay for at least a few weeks, maybe a

0:18:27.640 --> 0:18:28.200
<v Speaker 1>few months.

0:18:28.240 --> 0:18:30.480
<v Speaker 3>But yeah, it's a you know, I think i'd have

0:18:30.600 --> 0:18:32.560
<v Speaker 3>like a few months because there's also a ton of

0:18:32.560 --> 0:18:34.720
<v Speaker 3>flower You can always just make stuff.

0:18:34.480 --> 0:18:37.280
<v Speaker 1>Right, Yeah, I guess I feel like a few months

0:18:37.400 --> 0:18:40.440
<v Speaker 1>of just we'll be eating like a little pasta every day.

0:18:41.800 --> 0:18:44.520
<v Speaker 3>Yeah, my son jokes, because during the pandemic I started

0:18:45.000 --> 0:18:46.760
<v Speaker 3>doing like oh yeah.

0:18:46.359 --> 0:18:48.600
<v Speaker 2>Yeah, but I was doing like New York Prepper, right,

0:18:48.720 --> 0:18:50.120
<v Speaker 2>so it was like fake prepper.

0:18:50.240 --> 0:18:54.280
<v Speaker 3>I was like buying cases of pasta, which of course

0:18:54.320 --> 0:18:56.120
<v Speaker 3>doesn't do anything if the gas goes.

0:18:55.920 --> 0:19:01.199
<v Speaker 1>Out, but sure, yeah, yeah, raw. The Russians in my

0:19:01.359 --> 0:19:04.560
<v Speaker 1>war books would happily eat our raw pasta.

0:19:04.359 --> 0:19:08.120
<v Speaker 2>Raw passa. Yeah, yeah, I think about that. My son.

0:19:08.160 --> 0:19:12.040
<v Speaker 3>Actually, you just read nineteen eighty four for I think

0:19:12.080 --> 0:19:14.040
<v Speaker 3>the second time, and he's a little obsessed with.

0:19:14.000 --> 0:19:16.560
<v Speaker 2>It, and so we talk about a good one. Yeah,

0:19:16.600 --> 0:19:17.119
<v Speaker 2>it's good.

0:19:17.600 --> 0:19:20.000
<v Speaker 3>So we talked about some of those themes too. I

0:19:20.040 --> 0:19:22.800
<v Speaker 3>was like, next up, you have to read The Master

0:19:22.880 --> 0:19:23.600
<v Speaker 3>and Margarita.

0:19:23.800 --> 0:19:26.120
<v Speaker 2>Yeah. Wait, is that a good one for you fifteen?

0:19:26.200 --> 0:19:28.600
<v Speaker 1>I don't know. Actually, a really good one is we

0:19:29.040 --> 0:19:32.520
<v Speaker 1>Bai Zimyatun. It's a similar theme to nineteen eighty four.

0:19:32.600 --> 0:19:34.600
<v Speaker 1>I have a fifteen year old also, my daughter, but

0:19:34.640 --> 0:19:37.040
<v Speaker 1>she's into like fantasy books. But I should get her

0:19:37.080 --> 0:19:38.480
<v Speaker 1>to read like nineteen eighty four soon.

0:19:38.960 --> 0:19:41.960
<v Speaker 3>Yeah, it's really I've foisted these on him.

0:19:42.000 --> 0:19:44.200
<v Speaker 2>It was like a little stack. Was that Brave New World?

0:19:44.280 --> 0:19:45.600
<v Speaker 2>Fahrenheit four fifty one?

0:19:46.359 --> 0:19:49.080
<v Speaker 3>Go read these and then then we'll have something to

0:19:49.119 --> 0:19:52.000
<v Speaker 3>talk about we have around here on my shelf somewhere.

0:19:52.080 --> 0:19:54.520
<v Speaker 1>Yeah, yeah, I definitely check that one out. It's a

0:19:54.520 --> 0:19:55.240
<v Speaker 1>really good one.

0:19:55.480 --> 0:19:55.800
<v Speaker 2>Yeah.

0:19:55.920 --> 0:19:57.919
<v Speaker 1>So we're going to take a quick break and be

0:19:58.040 --> 0:20:04.520
<v Speaker 1>right back on the Carol Markoitch Show. What advice would

0:20:04.520 --> 0:20:07.879
<v Speaker 1>you give your sixteen year old self? What does sixteen

0:20:07.920 --> 0:20:08.959
<v Speaker 1>year old Liby need to know?

0:20:09.680 --> 0:20:10.919
<v Speaker 2>What does she need to know?

0:20:11.119 --> 0:20:11.280
<v Speaker 3>Oh?

0:20:11.359 --> 0:20:14.200
<v Speaker 2>Probably everything you know? Probably.

0:20:14.480 --> 0:20:17.879
<v Speaker 3>I think the best advice would be, no one's looking

0:20:17.880 --> 0:20:20.480
<v Speaker 3>at you, don't worry about it.

0:20:21.080 --> 0:20:25.000
<v Speaker 2>No one. You're not in a movie. No one is

0:20:25.000 --> 0:20:27.480
<v Speaker 2>paying attention to anything you think or what you do.

0:20:28.359 --> 0:20:29.560
<v Speaker 2>You have more freedom than that.

0:20:29.600 --> 0:20:32.240
<v Speaker 3>I didn't realize that until I was thirty two, and

0:20:32.280 --> 0:20:34.920
<v Speaker 3>that would have been a good lesson to know earlier.

0:20:36.440 --> 0:20:39.520
<v Speaker 3>No one cares that much about what other people are doing.

0:20:39.640 --> 0:20:42.520
<v Speaker 3>Everyone's obsessed with their own life. People are as obsessed

0:20:42.520 --> 0:20:44.560
<v Speaker 3>with their lives as you're obsessed with yours.

0:20:44.880 --> 0:20:45.760
<v Speaker 2>So just chow out.

0:20:46.400 --> 0:20:48.000
<v Speaker 1>I feel like that would be really good advice for

0:20:48.000 --> 0:20:51.040
<v Speaker 1>a lot of people on X because they think they

0:20:51.080 --> 0:20:54.760
<v Speaker 1>are the main character on there and you know, relax

0:20:54.840 --> 0:20:58.040
<v Speaker 1>a little with your Yeah. Yeah, as a teenager. It's

0:20:58.040 --> 0:21:00.560
<v Speaker 1>funny because I do you feel like teenagers today like that?

0:21:00.720 --> 0:21:02.920
<v Speaker 1>I don't know that they are. Is it maybe because

0:21:02.920 --> 0:21:05.080
<v Speaker 1>they are watched all the time on like social media

0:21:05.119 --> 0:21:09.120
<v Speaker 1>that they don't feel like it.

0:21:08.040 --> 0:21:10.160
<v Speaker 2>That they don't feel like they're being watched Like.

0:21:10.200 --> 0:21:12.440
<v Speaker 1>I don't get that sense. I mean I've only met

0:21:12.440 --> 0:21:14.919
<v Speaker 1>your son a few times, but does he feel like

0:21:15.000 --> 0:21:17.560
<v Speaker 1>everyone's like looking at him? You know, like the thing that, Yeah,

0:21:17.600 --> 0:21:18.920
<v Speaker 1>my daughter doesn't feel like that either.

0:21:19.119 --> 0:21:22.760
<v Speaker 3>So he's way he's like very chilled out in his life,

0:21:23.000 --> 0:21:27.000
<v Speaker 3>you know, and he he doesn't really want anything to

0:21:27.119 --> 0:21:30.720
<v Speaker 3>do with all of the online stuff. You know.

0:21:30.800 --> 0:21:33.439
<v Speaker 2>He'll tell me like, mom, stop scrolling, right.

0:21:33.480 --> 0:21:35.440
<v Speaker 3>I'll be like, you do scrolling And he's like, no,

0:21:35.680 --> 0:21:37.280
<v Speaker 3>I gave up scrolling ages ago.

0:21:37.400 --> 0:21:40.840
<v Speaker 2>I don't even scroll YouTube shorts anymore. Like, yeah, all right,

0:21:40.880 --> 0:21:42.320
<v Speaker 2>I will try to stop scrolling.

0:21:43.880 --> 0:21:45.560
<v Speaker 3>I was like, what do you do? He's like reading

0:21:45.600 --> 0:21:51.120
<v Speaker 3>a book mom.

0:21:48.920 --> 0:21:51.560
<v Speaker 1>Man, that is h Yeah. I get a lot of

0:21:51.560 --> 0:21:54.000
<v Speaker 1>that also from my kids, Like, you know, read a

0:21:54.040 --> 0:21:58.679
<v Speaker 1>book and don't scroll touch grass. That whole touch grass

0:21:58.680 --> 0:22:01.920
<v Speaker 1>for sure, but the whole like the whole little mini videos.

0:22:01.960 --> 0:22:03.800
<v Speaker 1>I really feel like they're so bad. It's so interesting

0:22:03.840 --> 0:22:06.760
<v Speaker 1>that he's identified that because I just don't feel like

0:22:06.800 --> 0:22:09.760
<v Speaker 1>a lot of people see how bad those shorts are.

0:22:10.880 --> 0:22:13.280
<v Speaker 1>Like they say TikTok, but everything is TikTok.

0:22:13.320 --> 0:22:16.879
<v Speaker 2>Now it's everything. It's exit's Instagram. I had dinner.

0:22:16.920 --> 0:22:18.480
<v Speaker 3>I was actually in New York over the weekend, and

0:22:18.480 --> 0:22:20.520
<v Speaker 3>I had dinner with an old friend of mine.

0:22:21.040 --> 0:22:22.359
<v Speaker 2>We've been friends since high school.

0:22:22.400 --> 0:22:25.280
<v Speaker 3>And I said something to her about Instagram scrolling and

0:22:25.280 --> 0:22:28.480
<v Speaker 3>she was like, just stop, I can't even handle the

0:22:28.520 --> 0:22:29.480
<v Speaker 3>Instagram scrolling.

0:22:29.520 --> 0:22:32.520
<v Speaker 2>And she does too. She's like, it's crack, and my daughter,

0:22:33.080 --> 0:22:34.159
<v Speaker 2>it's up. It's the same.

0:22:34.440 --> 0:22:37.280
<v Speaker 3>Yeah, so we are impacted by all this stuff that

0:22:37.320 --> 0:22:39.960
<v Speaker 3>it's designed to capture their attention, and it's not capturing

0:22:40.000 --> 0:22:43.120
<v Speaker 3>their attention, right, it's just holding us hostage instead.

0:22:43.640 --> 0:22:46.680
<v Speaker 1>Yeah, it's us. And like the generation just below us,

0:22:46.720 --> 0:22:49.520
<v Speaker 1>like between us and our kids, is the generation I

0:22:49.520 --> 0:22:52.120
<v Speaker 1>think is most in trouble with it, like they are.

0:22:52.640 --> 0:22:55.760
<v Speaker 1>They just can't seem to, you know, have conversations. I

0:22:55.800 --> 0:22:58.399
<v Speaker 1>just I see them. They're they're hanging out together and

0:22:58.440 --> 0:23:02.960
<v Speaker 1>they're scrolling like just I don't know, no socialize.

0:23:03.200 --> 0:23:05.960
<v Speaker 3>I'm disturbing too when you see kids together, well kids

0:23:06.040 --> 0:23:09.320
<v Speaker 3>the like twenties thirties at a restaurant and they're all

0:23:09.359 --> 0:23:11.840
<v Speaker 3>looking at their phones and not having a conversation.

0:23:12.760 --> 0:23:17.360
<v Speaker 1>Yeah, it's really wild that generation. I don't know, I'm

0:23:17.400 --> 0:23:19.640
<v Speaker 1>concerned about them, but I do think that next one

0:23:19.920 --> 0:23:22.320
<v Speaker 1>is kind of over it. And I've seen this somewhere

0:23:22.359 --> 0:23:25.240
<v Speaker 1>where people say like, it'll be the cool thing that

0:23:25.320 --> 0:23:28.600
<v Speaker 1>you're not on the Internet, and I already see that developing,

0:23:28.640 --> 0:23:31.560
<v Speaker 1>that the analog life is going to be what makes

0:23:31.600 --> 0:23:32.680
<v Speaker 1>you interesting.

0:23:33.200 --> 0:23:35.399
<v Speaker 3>Either that or they're actually just using the Internet to

0:23:35.440 --> 0:23:39.119
<v Speaker 3>talk to each other. Well, my son's best friend from Brooklyn,

0:23:39.440 --> 0:23:42.840
<v Speaker 3>his family moved to He moved to Morocco, which is

0:23:42.880 --> 0:23:46.119
<v Speaker 3>where his parents were from, even though he's American. And

0:23:46.160 --> 0:23:48.639
<v Speaker 3>I was like, he's got his passport right, like you

0:23:48.720 --> 0:23:50.960
<v Speaker 3>got don't leave anything behind.

0:23:50.960 --> 0:23:52.120
<v Speaker 2>He's going to need it to get home.

0:23:52.400 --> 0:23:56.639
<v Speaker 3>Yeah, but he's you know, my son will talk to

0:23:57.040 --> 0:23:59.439
<v Speaker 3>him and his brother. They're all really tight and they

0:23:59.440 --> 0:24:03.719
<v Speaker 3>talk on this right, So when my son's online.

0:24:03.200 --> 0:24:06.200
<v Speaker 2>He's usually just talking to his friends. And I'm kind

0:24:06.200 --> 0:24:08.000
<v Speaker 2>of I'm okay with that, right.

0:24:08.359 --> 0:24:10.840
<v Speaker 1>Yeah, it's a totally different thing than you know, because

0:24:11.080 --> 0:24:13.320
<v Speaker 1>a lot of the conversations, like, you know, social media

0:24:13.400 --> 0:24:16.040
<v Speaker 1>is bad for kids, but I'm like social media barely

0:24:16.040 --> 0:24:19.320
<v Speaker 1>exists anymore. It's like all these mini videos. We're just

0:24:19.359 --> 0:24:23.080
<v Speaker 1>all carrying around televisions with us and like watching little episodes,

0:24:23.160 --> 0:24:25.919
<v Speaker 1>and you know, if somebody watched ten hours a day

0:24:25.960 --> 0:24:28.480
<v Speaker 1>of TV, we'd understand it's bad. But because it's on

0:24:28.520 --> 0:24:31.840
<v Speaker 1>our phones and small doses, it's like okay.

0:24:31.560 --> 0:24:32.680
<v Speaker 2>Somehow, yeah.

0:24:32.720 --> 0:24:34.520
<v Speaker 3>And there's all these weird things that pop up on

0:24:34.560 --> 0:24:39.080
<v Speaker 3>Instagram where it's like some horror, horrifying story from some

0:24:39.200 --> 0:24:41.399
<v Speaker 3>house in the middle of nowhere, and I'm always like,

0:24:41.560 --> 0:24:43.840
<v Speaker 3>because I do news, and I'm like, did that really happen?

0:24:43.880 --> 0:24:45.400
<v Speaker 3>And I go look it up and it's no, It's

0:24:45.440 --> 0:24:48.240
<v Speaker 3>just some fake thing for Instagram that I'm always talking about.

0:24:48.840 --> 0:24:50.320
<v Speaker 2>And you get the other thing too.

0:24:50.440 --> 0:24:52.560
<v Speaker 3>I'm sure that you remember this, Like five years ago,

0:24:52.680 --> 0:24:56.200
<v Speaker 3>you could trust Twitter to give you news and you'd

0:24:56.240 --> 0:24:59.080
<v Speaker 3>be like, oh, that's a tip, let me go figure

0:24:59.119 --> 0:25:02.720
<v Speaker 3>out what's going on. I can report straight off Twitter.

0:25:03.160 --> 0:25:08.719
<v Speaker 3>And in the past like year or so, I appreciate

0:25:08.760 --> 0:25:09.760
<v Speaker 3>all of the free.

0:25:09.480 --> 0:25:15.280
<v Speaker 2>Speech angle of X one, But what I don't.

0:25:14.920 --> 0:25:20.080
<v Speaker 3>Like, are all of the influencer slash journalists who don't

0:25:20.119 --> 0:25:24.280
<v Speaker 3>actually do the digging, and so they'll throw something out

0:25:24.320 --> 0:25:27.320
<v Speaker 3>there and then you'll go to find it and it

0:25:27.320 --> 0:25:32.160
<v Speaker 3>doesn't really exist and you're like, oh, this was extrapolated.

0:25:32.720 --> 0:25:33.920
<v Speaker 2>It's not actually real.

0:25:34.359 --> 0:25:37.160
<v Speaker 1>Yeah, that's extrapolated. I see that all the time. People

0:25:37.160 --> 0:25:39.440
<v Speaker 1>will post like breaking and then like a headline. I'm like,

0:25:39.520 --> 0:25:41.479
<v Speaker 1>oh my god, really and then I'll look it up

0:25:41.520 --> 0:25:44.400
<v Speaker 1>and no, not really at all. But that it didn't

0:25:44.440 --> 0:25:45.520
<v Speaker 1>actually happen.

0:25:45.760 --> 0:25:48.320
<v Speaker 3>Is that people are really quick to post and get

0:25:48.359 --> 0:25:51.520
<v Speaker 3>the clicks, which I think is in part driven by

0:25:51.880 --> 0:25:56.679
<v Speaker 3>Elon Musk's whole revenue thing, and so that's you know,

0:25:56.720 --> 0:25:59.600
<v Speaker 3>that's disconcerting. There's definitely accounts where it's like, oh, you

0:25:59.640 --> 0:26:01.720
<v Speaker 3>can take this to the bank, but not all of them,

0:26:01.960 --> 0:26:03.679
<v Speaker 3>and not always the biggest ones, you know.

0:26:04.119 --> 0:26:08.320
<v Speaker 1>I agree, Yeah, how does it affect your business? Like,

0:26:09.240 --> 0:26:10.879
<v Speaker 1>how do you guys vet stories?

0:26:11.800 --> 0:26:14.000
<v Speaker 3>Well, you have to take something then go digging around.

0:26:14.680 --> 0:26:16.840
<v Speaker 3>We also work with and you know, as a senior

0:26:16.920 --> 0:26:17.800
<v Speaker 3>editor at Post Money.

0:26:18.000 --> 0:26:19.639
<v Speaker 2>Great. He's terrific.

0:26:19.760 --> 0:26:22.800
<v Speaker 3>He's smart, he's thoughtful, he knows what he's doing. So

0:26:23.440 --> 0:26:26.720
<v Speaker 3>there's definitely times when him like Andy, what is the

0:26:26.800 --> 0:26:27.520
<v Speaker 3>deal with this?

0:26:27.920 --> 0:26:31.080
<v Speaker 2>You know? Yeah? And sometimes and like you know, he

0:26:31.119 --> 0:26:32.680
<v Speaker 2>can help us because.

0:26:32.760 --> 0:26:37.080
<v Speaker 1>And he's thorough. He's very like I've had breaking news

0:26:37.080 --> 0:26:40.520
<v Speaker 1>in the past that I've like run by him because

0:26:40.560 --> 0:26:44.119
<v Speaker 1>he's not going to be the sensationalist just throw something

0:26:44.160 --> 0:26:46.960
<v Speaker 1>up to throw it up. Yeah, he's fantastic.

0:26:47.000 --> 0:26:48.359
<v Speaker 2>You guys, man, you're usually good.

0:26:48.480 --> 0:26:50.720
<v Speaker 3>Usually you'll post something if you get like an advance

0:26:50.840 --> 0:26:53.560
<v Speaker 3>and like watch for this because Carol's probably right, So

0:26:53.760 --> 0:26:54.800
<v Speaker 3>let's check that out.

0:26:55.760 --> 0:26:57.679
<v Speaker 1>There's a bunch that I did not post that I

0:26:57.720 --> 0:27:00.280
<v Speaker 1>haven't like when I've gotten breaking news and I didn't

0:27:00.280 --> 0:27:03.320
<v Speaker 1>post it because I could not like corroborate it or

0:27:03.680 --> 0:27:06.560
<v Speaker 1>I couldn't really really say that it was one hundred percent,

0:27:06.640 --> 0:27:09.160
<v Speaker 1>so I didn't post it and lost the story. But

0:27:09.440 --> 0:27:12.120
<v Speaker 1>you know, so what I rather be right, I'd rather

0:27:12.160 --> 0:27:13.280
<v Speaker 1>be right than first, is.

0:27:13.240 --> 0:27:13.919
<v Speaker 2>My you know.

0:27:14.080 --> 0:27:16.160
<v Speaker 3>Yeah, that's what we go with too, is like, let's

0:27:16.400 --> 0:27:18.280
<v Speaker 3>we don't have to be first, we just have to

0:27:18.320 --> 0:27:19.840
<v Speaker 3>be right because if you're.

0:27:19.720 --> 0:27:21.400
<v Speaker 2>A news outlet, you lose your.

0:27:21.320 --> 0:27:25.600
<v Speaker 3>Credibility really quickly, and if you're an ex poster, it

0:27:25.640 --> 0:27:27.959
<v Speaker 3>doesn't matter if you lose your credibility because people are

0:27:28.000 --> 0:27:30.880
<v Speaker 3>still following and you're still getting it first, and you.

0:27:30.840 --> 0:27:33.480
<v Speaker 2>Know people will you'll still get.

0:27:33.240 --> 0:27:35.919
<v Speaker 3>What you want from it. So yeah, we go with

0:27:36.000 --> 0:27:39.960
<v Speaker 3>that too. We decide to be right, not first necessarily.

0:27:40.800 --> 0:27:42.960
<v Speaker 3>We also we work with Jack Pisovic. He's a senior

0:27:43.040 --> 0:27:46.320
<v Speaker 3>editor at Human Events, which is also under our media group.

0:27:47.640 --> 0:27:50.280
<v Speaker 3>And I'll ask Jack things, especially if it has to

0:27:50.280 --> 0:27:54.000
<v Speaker 3>do with national security or any kind of intelligent stuff,

0:27:54.640 --> 0:27:57.720
<v Speaker 3>and he'll often say stay frosty, and I'm like, okay,

0:27:57.720 --> 0:27:58.080
<v Speaker 3>I won't.

0:27:58.480 --> 0:27:59.200
<v Speaker 2>We'll just hold on.

0:28:00.040 --> 0:28:03.760
<v Speaker 1>Also, you know, yeah, what to say frosty mean.

0:28:04.480 --> 0:28:08.600
<v Speaker 3>Say frosty means, don't do anything, don't jump on anything,

0:28:08.640 --> 0:28:10.120
<v Speaker 3>don't set your hair on fire.

0:28:09.960 --> 0:28:12.160
<v Speaker 2>Day, be chill, just be chill.

0:28:12.600 --> 0:28:15.800
<v Speaker 3>I like it, you know, don't freak out, hang on,

0:28:16.400 --> 0:28:17.240
<v Speaker 3>just wait for it.

0:28:17.640 --> 0:28:18.120
<v Speaker 1>Love it.

0:28:18.400 --> 0:28:19.160
<v Speaker 2>Yeah.

0:28:19.240 --> 0:28:22.600
<v Speaker 1>Well, I've loved this conversation. You are so fun. Leave

0:28:22.720 --> 0:28:25.800
<v Speaker 1>us here with your best tip for my listeners on

0:28:25.840 --> 0:28:27.440
<v Speaker 1>how they can improve their lives.

0:28:28.080 --> 0:28:31.960
<v Speaker 3>How to improve your lives. Exercise in the morning is

0:28:31.960 --> 0:28:34.800
<v Speaker 3>a good one. I hate exercising. I hate it so much.

0:28:35.000 --> 0:28:37.560
<v Speaker 1>Me too, I try and do it in the morning.

0:28:37.760 --> 0:28:39.400
<v Speaker 1>In the evening, I hate it all the time.

0:28:39.400 --> 0:28:41.680
<v Speaker 3>It's the worst, but I try and do it in

0:28:41.720 --> 0:28:44.040
<v Speaker 3>the morning and then no matter what happens for the

0:28:44.040 --> 0:28:46.640
<v Speaker 3>rest of the day, you can say like, well, I

0:28:46.720 --> 0:28:47.080
<v Speaker 3>did that.

0:28:47.480 --> 0:28:48.720
<v Speaker 2>See I did that thing.

0:28:49.120 --> 0:28:49.640
<v Speaker 1>I've got it.

0:28:49.960 --> 0:28:53.000
<v Speaker 2>Yeah, that and turmeric ginger tea. That's all I got.

0:28:53.480 --> 0:28:54.040
<v Speaker 1>I like it.

0:28:54.360 --> 0:28:54.720
<v Speaker 2>Thank you.

0:28:55.560 --> 0:28:58.480
<v Speaker 1>She is Libby Emmon's editor in chief of Post Millennial.

0:28:58.560 --> 0:29:01.160
<v Speaker 1>Check out her work. She's fantastic. Thanks so much for

0:29:01.200 --> 0:29:04.160
<v Speaker 1>coming on, Lebby. Thanks so much, Carol, thanks so much

0:29:04.160 --> 0:29:07.400
<v Speaker 1>for joining us on the Carol Marcowitz Show. Subscribe wherever

0:29:07.480 --> 0:29:08.760
<v Speaker 1>you get your podcasts.