WEBVTT - Mini Crush #55

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<v Speaker 1>Hey, everybody, welcome to Mini Crush Monday on a Wednesday.

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<v Speaker 1>Many crush in it, Many crushing? It is that a thing?

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<v Speaker 1>Is that like a like a song? Or did you

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<v Speaker 1>just make that up off the top off the dome?

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<v Speaker 1>As you say, it's very well done. Shock. I like that.

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<v Speaker 1>We should we should make that into a recurring theme.

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<v Speaker 1>Many crush in it. Actually, you know what song I

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<v Speaker 1>have stuck in my head is have we ever talked

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<v Speaker 1>about Free to Be You and Me? It's starting to

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<v Speaker 1>come back to me, but not I don't know if

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<v Speaker 1>we have or not, Like I repeat myself on the show,

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<v Speaker 1>but Free to Be You and Me was a record

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<v Speaker 1>made by Marlo Thomas in the seventies, okay, with a

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<v Speaker 1>bunch of her famous friends about acceptance of others and uh,

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<v Speaker 1>you know it's for children and um. They had a

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<v Speaker 1>song on it called It's all Right to Cry, sung

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<v Speaker 1>by Rosie Greer who was this big football player. And

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<v Speaker 1>I sing that for Ruby when she gets upset sometimes

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<v Speaker 1>she had a rough morning. That sounds like some sesame

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<v Speaker 1>street this morning. It sort of is It's all right

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<v Speaker 1>to cry. Crying gets the sad out all of you.

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<v Speaker 1>If only that were true, If only crying was literally

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<v Speaker 1>just expelling the sadness. If so, it would never return.

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<v Speaker 1>It kind of helps, though, it does help, like if

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<v Speaker 1>you've got a good cry m, it's cathartic. I mean

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<v Speaker 1>I do like a good movie cry. I think we

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<v Speaker 1>both are in the movie Crier Camp. Yeah, man, I

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<v Speaker 1>I cry. I live for it. You know. That's how

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<v Speaker 1>I know it's done a good job. Tears are flowing

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<v Speaker 1>at my house. Noll uh Rosie Greer Boy. That album

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<v Speaker 1>was great like that that would had a long dream

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<v Speaker 1>to do. That is a stage play. It's free to

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<v Speaker 1>Be You and Me album. I know nothing of this.

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<v Speaker 1>I meks Is on it and Alan Alda and it's

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<v Speaker 1>really really terrific and it's great to look back on

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<v Speaker 1>it because it was a big part of my childhood

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<v Speaker 1>and it teaches all the right messages. It's great. There's

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<v Speaker 1>one bit called William Wants a Doll about a boy

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<v Speaker 1>that wants a doll and plays with a doll. There's

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<v Speaker 1>one about a girl being nice to her grandmother and

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<v Speaker 1>it's like he's very progressive. That's very forward thinking for

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<v Speaker 1>the time. I mean the whole like gender nonconformity already

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<v Speaker 1>resolutely codified in a children's song in the seventies. That's

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<v Speaker 1>pretty amazing. Alright, No, we're gonna start off this week

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<v Speaker 1>with another explainer since we're in the Oscar mood. By

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<v Speaker 1>the way, everyone keep your fingers crossed. There's a couple

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<v Speaker 1>of potentially pretty great guests on the horizon, but we

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<v Speaker 1>need all the movie crushing vibes sent out there into

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<v Speaker 1>the universe. Clap your hands, like to make it happens?

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<v Speaker 1>He does style, No, tinker Belt style? Is that how

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<v Speaker 1>it happens? You clap your hands when tinker Bell dies

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<v Speaker 1>and that brands her back to life. Spoiler, Well, it's

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<v Speaker 1>in the you know, it's it's it's it's it's audience

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<v Speaker 1>participation in the play version of Peter Peter Pan. Okay,

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<v Speaker 1>and they manifest that's how you manifest something. They don't

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<v Speaker 1>really explain it. They just say you've got to clap

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<v Speaker 1>your hands and that that makes tinker Bell come back

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<v Speaker 1>to life. Well, we're clapping our hands to get a

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<v Speaker 1>couple of good guests. One it's it's just a guest

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<v Speaker 1>I've long sought after, and they said, hey, they may

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<v Speaker 1>be available at l A. I think I know thee

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<v Speaker 1>Oh really, well, I'm just talking to Ramsey and Ramsey

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<v Speaker 1>about Yeah, you do know that one, but I don't

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<v Speaker 1>want to jink out, not at all. But I was like,

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<v Speaker 1>I'll go to l A for that. And there's another one.

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<v Speaker 1>Our head sales guy is trying to build a sales

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<v Speaker 1>pitch for a movie, uh, you know, to advertise on

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<v Speaker 1>this show and others. And he said, Hey, if it

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<v Speaker 1>came down to it, would you have this this director

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<v Speaker 1>and writer on I was like, uh, I certainly, what okay?

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<v Speaker 1>So I don't want to drink either one knows. I'm excited.

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<v Speaker 1>I know that everyone hates it when that one I

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<v Speaker 1>don't know about, so I'll be surprised as the rest

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<v Speaker 1>of us. All Right, nol. So what we're gonna do? Uh?

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<v Speaker 1>This week can tinuing the little Oscar bits here and there. Um,

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<v Speaker 1>this one is pretty Oscar heavy in different ways. But

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<v Speaker 1>I'm gonna explain to you all about the statuette. The

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<v Speaker 1>Oscar statuette the most maybe the most famous trophy in

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<v Speaker 1>the world. So I might say I saw a thing

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<v Speaker 1>about how they make the Super Bowl trophy. I think

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<v Speaker 1>Tiffany makes it the Tiffany Company, and it's like it's

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<v Speaker 1>all handmade in hand, you know, sanded and you know

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<v Speaker 1>forged in all this stuff, and it's a really great

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<v Speaker 1>video behind it. Um, and I think it's worth like,

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<v Speaker 1>I don't know, a hundred thousand dollars something crazy like that.

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<v Speaker 1>But is it a similar story with the Oscar trap? No,

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<v Speaker 1>I don't think. Uh, I don't think the actual value

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<v Speaker 1>of the individual piece of hardware is that much because

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<v Speaker 1>they're cranking out you know, yeah, this is just a

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<v Speaker 1>single trophy then for the entire game exactly. But they

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<v Speaker 1>have been giving this thing out since I believe nine.

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<v Speaker 1>They formed the academy in nineteen seven and uh, actually

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<v Speaker 1>it may have been uh no, no no, no, I think

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<v Speaker 1>the initial awards bank in twenty nine. Listen to me

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<v Speaker 1>stumbling through this already. Um. But they got together in

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<v Speaker 1>n is an academy and that's when they started, um,

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<v Speaker 1>kind of having organized talks about how they should do

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<v Speaker 1>these awards, like getting the plan together, and they met

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<v Speaker 1>in downtown l A. They said, I think we should

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<v Speaker 1>do you know, X, Y and Z, And of course

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<v Speaker 1>they said we gotta have a we gotta have a statue,

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<v Speaker 1>a statuette. I don't know what the difference is statuette

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<v Speaker 1>is just smaller, I guess, I think handheld. That's sort

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<v Speaker 1>of a diminutive statue. Uh So, so they said we

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<v Speaker 1>need a little handheld award. And there was an art

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<v Speaker 1>director at MGM named Cedric Gibbons who designed a night

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<v Speaker 1>with a with a reel of film, um and a

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<v Speaker 1>sword and everything. And then they got a sculptor named

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<v Speaker 1>George Stanley and actually actually formed this thing into a

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<v Speaker 1>into a real a little statuette that you could hold.

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<v Speaker 1>It was still sort of the the beta version, I guess,

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<v Speaker 1>but that's where it initially came from. And then the

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<v Speaker 1>first awards banquet was in May of ninety nine. Um

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<v Speaker 1>at the Hollywood Roosevelt where you've stayed, did the very

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<v Speaker 1>first Oscar ceremony. There is that, right, was it like

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<v Speaker 1>in is there a ball room that I might have missed? Yeah? Here, Yeah,

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<v Speaker 1>it was in the lobby, It was at the because

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<v Speaker 1>of your desk, it was in the blossom room. Um.

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<v Speaker 1>It was a pretty small affair back then though. Okay,

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<v Speaker 1>the Roosevelt is still okay, so cool though, Yeah, it's

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<v Speaker 1>it's still very much like it doesn't feel like they

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<v Speaker 1>just gutted it. Like it looks very much the same

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<v Speaker 1>as it ever did, kind of throwback. I like it, um,

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<v Speaker 1>and since then, I believe they've made about three thousand

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<v Speaker 1>of these statuettes over the years. And it's thirteen and

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<v Speaker 1>a half inches tall if you were ever curious about that,

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<v Speaker 1>and it weighs. You know how people always talk about

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<v Speaker 1>how heavy it is. It's eight and a half pounds.

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<v Speaker 1>It's it's dense. So now I got to know them

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<v Speaker 1>about the materials, Chuck, Well, they still love that film real.

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<v Speaker 1>First of all, they have five spokes on the wheel,

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<v Speaker 1>and it signifies its representative of the original five branches

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<v Speaker 1>the Academy acting, directing, producing, writing, and then the technicians.

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<v Speaker 1>They lumped all into one category, and this is sort

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<v Speaker 1>of true to its original design. Um. The base, actually

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<v Speaker 1>the big fat base, has varied a little bit over

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<v Speaker 1>the years, but I think they settled that in and

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<v Speaker 1>it has been exactly the same since then. Um. The

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<v Speaker 1>official name of it is not the Oscar, of course

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<v Speaker 1>that's a nickname. It's the Academy Award of merit Um.

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<v Speaker 1>But everyone calls it Oscar. And this is where it

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<v Speaker 1>gets a little murky, because there are a few competing

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<v Speaker 1>stories of where Oscar got its name, and one of

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<v Speaker 1>them is that the Academy Library. And I think this

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<v Speaker 1>is the most widely distributed story. But there was a

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<v Speaker 1>librarian at the Academy Um. Eventually she became executive director.

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<v Speaker 1>Her name was Margaret Herrick and and when she saw

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<v Speaker 1>the trophy for the first time, as the story goes,

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<v Speaker 1>she said, it looks like her uncle Oscar. So that's

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<v Speaker 1>sort of the leading story. But in nine they started,

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<v Speaker 1>you know, they officially adopted that name, the Oscars, And

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<v Speaker 1>that's pretty much the story. Man. Their solid bronze um

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<v Speaker 1>painted I'm sorry played it in twenty four carrot gold.

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<v Speaker 1>So solid gold. Oh sure, Well, the bronze is probably

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<v Speaker 1>what's where the heft comes from, right, I mean that's

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<v Speaker 1>a yeah, gold is probably heavier than bron so that's true.

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<v Speaker 1>I'm not I'm not a metal weight. I'm not a

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<v Speaker 1>metal or just I know that Mega Death is the

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<v Speaker 1>heaviest metal are they though. They're one of those bands

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<v Speaker 1>where their album covers are always much more like scary

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<v Speaker 1>than their music, kind of like they were like Iron Maiden. Yeah,

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<v Speaker 1>they weren't scary metal. Neither was Iron Maide. Yeah, exactly.

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<v Speaker 1>They like to evoke those things, but they weren't like

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<v Speaker 1>this ship. They're like opera metal. Yeah. Speaking of which,

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<v Speaker 1>have you seen the trailer for the new there's a

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<v Speaker 1>movie called The Lords of Chaos the Dark Metal about

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<v Speaker 1>the black metal band. Man. I want to see that. Yeah,

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<v Speaker 1>I don't know. It looks it looks uh. I have

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<v Speaker 1>high hopes for it. But it looks a little bit

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<v Speaker 1>like almost like a teen drama kind of thing, but

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<v Speaker 1>with the whole black metal frame story, but with human sacrifice,

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<v Speaker 1>hopefully in church burnings. Uh. During World War Two, no,

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<v Speaker 1>all the Oscar was painted plaster for three years because

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<v Speaker 1>of course, during the war they needed their medals. Times

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<v Speaker 1>were tight to make bombs and tanks and things. Uh.

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<v Speaker 1>And then after World War two ended, um, they said, hey,

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<v Speaker 1>if you got one of those shitty plaster oscars, why

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<v Speaker 1>don't you come on down here and trade it in.

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<v Speaker 1>And they would go down to the Academy office and

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<v Speaker 1>then get arrested because it was all a set up.

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<v Speaker 1>Do you remember that, Simpsons. No, that's a common thing

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<v Speaker 1>that police have done over the years, is is get

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<v Speaker 1>people with warrants out to come to them by having

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<v Speaker 1>some fake thing like you won the sweepstakes or whatever.

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<v Speaker 1>Like theyre dumb enough. And Homer did that one time

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<v Speaker 1>he thought he want to vote or something. That's so funny.

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<v Speaker 1>He went down to the police. I just realized that

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<v Speaker 1>Greg Daniels, who created The Office, American Office and Parks

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<v Speaker 1>and Wreck, he was a big Simpsons writer. I didn't

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<v Speaker 1>realize that. And I was just rewatching Parks and Wreck

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<v Speaker 1>of the Day and they did that exact same thing

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<v Speaker 1>to Ron Swanson, serving him with like a subpoena or

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<v Speaker 1>like a divorce papers or something. No, it was um.

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<v Speaker 1>He had won like a year's free gift certificates at

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<v Speaker 1>like his favorite steakhouse or something like that, and he

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<v Speaker 1>came up and they're like, you've been served, and he

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<v Speaker 1>was like, I don't like you, but I respect the effort. Oh.

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<v Speaker 1>I love that guy. To get him on one day,

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<v Speaker 1>what a dream, No serious, I just had no idea

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<v Speaker 1>he came because I actually heard Conan talking about him

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<v Speaker 1>on his his podcast, which is great, talking about how

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<v Speaker 1>they kind of came up together as writers on Saturday

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<v Speaker 1>Night Live. And I did not realize he went back

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<v Speaker 1>that far. Conan just snaps his fingers and he can

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<v Speaker 1>get a guest and all he doesn't have to struggle.

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<v Speaker 1>All right, we're gonna go into social studies. We're gonna

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<v Speaker 1>segue right into a very kind of straight ahead us

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<v Speaker 1>your question, um, what's your pick for Best Picture? And

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<v Speaker 1>give us one sentence why? And well, right away people

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<v Speaker 1>are naming things that aren't even nominated for Best Picture.

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<v Speaker 1>Well you didn't specify that it had to be nominating.

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<v Speaker 1>Oh no, be on my side. Okay, Chuck, who are

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<v Speaker 1>these fools? Cast them asunder? Are you gonna go with them?

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<v Speaker 1>Are you gonna you don't know. I'm only gonna do

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<v Speaker 1>the ones that are nominating. Because there's a follow up

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<v Speaker 1>question in another episode that where this is addressed. So

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<v Speaker 1>by by the rules, everyone, Jennifer call your Pelton says,

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<v Speaker 1>but he mean rhapsody. I truly enjoyed it, and when

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<v Speaker 1>it was over, I wanted to see it again. That's

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<v Speaker 1>all you gotta say. I saw it for the third

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<v Speaker 1>time the other night, did you really? I have not

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<v Speaker 1>seen it for the first time yet. I loved it.

0:11:45.880 --> 0:11:47.920
<v Speaker 1>I'm gonna do it. I really want to. Uh. Mary

0:11:47.960 --> 0:11:50.280
<v Speaker 1>O'donald's is the favorite no On one of yours. It

0:11:50.320 --> 0:11:54.720
<v Speaker 1>was beautifully shot, flawlessly acted, and compelling political intrigue and

0:11:54.760 --> 0:11:58.000
<v Speaker 1>almost entirely about women for once. Yeah, and women are

0:11:58.040 --> 0:12:00.840
<v Speaker 1>like badasses in it. All that the only I guess,

0:12:00.840 --> 0:12:03.640
<v Speaker 1>not problematic aspect, but it's it's like it's two women

0:12:03.760 --> 0:12:06.600
<v Speaker 1>beefing really hard against each other. It's like, why can't

0:12:06.600 --> 0:12:08.360
<v Speaker 1>you be friends and take over the world, But it's

0:12:08.400 --> 0:12:11.839
<v Speaker 1>also for the favor of another woman rather than like

0:12:11.960 --> 0:12:14.079
<v Speaker 1>you know, and the men are these kind of ancillary

0:12:14.160 --> 0:12:17.440
<v Speaker 1>idiot players in the story, which is kind of pretty cool.

0:12:17.600 --> 0:12:19.480
<v Speaker 1>So don't tell me any more. No, I might go

0:12:19.520 --> 0:12:21.880
<v Speaker 1>see that today. I think you should. It's fantastic. Is

0:12:21.880 --> 0:12:26.240
<v Speaker 1>today You're like day movie day? I think so, that's awesome. Yeah.

0:12:26.280 --> 0:12:27.520
<v Speaker 1>I looked at it because I was supposed to be

0:12:27.520 --> 0:12:29.679
<v Speaker 1>in New York right now, so I cleared my schedule.

0:12:37.080 --> 0:12:42.000
<v Speaker 1>Darryl Murphy says Roma not just deeply h and profoundly moving,

0:12:42.160 --> 0:12:45.240
<v Speaker 1>but also glorious cinematography. I did not agree more with

0:12:45.320 --> 0:12:50.480
<v Speaker 1>my friend John Hoskin says Black Panther because it was

0:12:50.480 --> 0:12:53.360
<v Speaker 1>the only one he saw. That's yeah, you got to

0:12:53.360 --> 0:12:56.000
<v Speaker 1>appreciate the honesty there. I like it. The Gooch David

0:12:56.040 --> 0:12:58.240
<v Speaker 1>Gooch says, I haven't seen all of them yet, but

0:12:58.280 --> 0:13:00.680
<v Speaker 1>Black Klansman was the best directed in a powerful movie

0:13:00.679 --> 0:13:05.320
<v Speaker 1>I saw this year. Uh. Kristin Egan says, a second

0:13:05.440 --> 0:13:09.240
<v Speaker 1>Black Klansman powerful, sure, but also wildly entertaining. It's funny,

0:13:09.480 --> 0:13:11.960
<v Speaker 1>it's I mean, and it's like just does a good

0:13:12.040 --> 0:13:15.160
<v Speaker 1>job of like balancing those elements. Yeah, even when it

0:13:15.200 --> 0:13:17.400
<v Speaker 1>gets heavy, it doesn't get heavy handed. It gets it's

0:13:17.400 --> 0:13:19.520
<v Speaker 1>just kind of like really dials it in and like

0:13:19.559 --> 0:13:22.520
<v Speaker 1>really hits it. It's home. Yeah, agreed. Dylan Or says

0:13:22.559 --> 0:13:26.040
<v Speaker 1>the favorite was his favorite Karen Schlump Hughes is Bohemian

0:13:26.080 --> 0:13:29.839
<v Speaker 1>Rhapsody for its repeat watchability. I love it, Mortgage time,

0:13:29.880 --> 0:13:32.000
<v Speaker 1>I see it, Karen, I was just talking about that.

0:13:32.840 --> 0:13:36.280
<v Speaker 1>Greta Koni says the favorite so quirky and those ladies,

0:13:37.880 --> 0:13:40.760
<v Speaker 1>The Death of Stalin. I saw it. Yeah, what do

0:13:40.840 --> 0:13:44.760
<v Speaker 1>you think, dude, It's it's fantastic, right o. Man, just so.

0:13:45.320 --> 0:13:47.920
<v Speaker 1>And that's another one that's so funny, but it's also

0:13:48.000 --> 0:13:51.480
<v Speaker 1>gets kind of heavy for we like here and there. Yeah. Man,

0:13:51.600 --> 0:13:55.280
<v Speaker 1>just such a great idea to like tell this truly

0:13:55.600 --> 0:14:00.800
<v Speaker 1>true historical story. Uh, and just cast britt and Americans

0:14:00.880 --> 0:14:02.960
<v Speaker 1>and just do your accent. You had to kind of

0:14:02.960 --> 0:14:04.719
<v Speaker 1>wrap your head around that I know, but like you

0:14:04.800 --> 0:14:08.840
<v Speaker 1>didn't want to see screw Chef. No, it's perfect. Oh god,

0:14:08.880 --> 0:14:10.920
<v Speaker 1>I loved it and it's loved it. It's a foil

0:14:11.000 --> 0:14:13.120
<v Speaker 1>that you don't even have to like lean into that hard.

0:14:13.200 --> 0:14:15.920
<v Speaker 1>It's just you know what I mean. And everything else

0:14:16.000 --> 0:14:18.800
<v Speaker 1>was so pitch perfect, but in terms of historical accuracy

0:14:18.880 --> 0:14:21.200
<v Speaker 1>and like the sets and the cost and then it's

0:14:21.240 --> 0:14:24.480
<v Speaker 1>like someone might see it and be like, literally screwed

0:14:24.520 --> 0:14:27.360
<v Speaker 1>that one up. That acting was horrible, But no, it's

0:14:27.400 --> 0:14:30.920
<v Speaker 1>totally it's it's perfect. The the makers of that, I

0:14:30.960 --> 0:14:33.400
<v Speaker 1>think that the people that did veep um it's in

0:14:33.480 --> 0:14:36.200
<v Speaker 1>Innucci is his name. Yeah, I want him to just

0:14:36.320 --> 0:14:41.080
<v Speaker 1>keep doing these movies, just keep doing historical um comedies

0:14:41.600 --> 0:14:44.280
<v Speaker 1>and exactly in this style. I want like five more.

0:14:44.880 --> 0:14:47.320
<v Speaker 1>It's certainly a thing you could recreate. Yeah, you could

0:14:47.360 --> 0:14:49.640
<v Speaker 1>just pick any like you know you do ridiculous history.

0:14:49.720 --> 0:14:52.680
<v Speaker 1>Just pick any cool historical thing that's absolutely true. How

0:14:52.680 --> 0:14:55.240
<v Speaker 1>it would love it? So anyway, Mike Dickinson says, the

0:14:55.280 --> 0:14:58.120
<v Speaker 1>Death of Stalin, I don't think that's nominated for Best

0:14:58.120 --> 0:14:59.680
<v Speaker 1>Picture though, is it? I didn't see it? Was it

0:14:59.720 --> 0:15:03.320
<v Speaker 1>not think it was nominated a handful of times, but

0:15:03.360 --> 0:15:05.800
<v Speaker 1>it was in smaller categories. If anything, he snuck through. Mike,

0:15:05.880 --> 0:15:08.200
<v Speaker 1>I'm gonna start reading even if they're not nominated, because

0:15:08.240 --> 0:15:10.840
<v Speaker 1>Mike Doyle says, if Beale Street could talk, I have

0:15:10.960 --> 0:15:12.880
<v Speaker 1>not seen that yet. I've heard it's really really great, though,

0:15:12.840 --> 0:15:15.200
<v Speaker 1>I want to see it. And that's the Moonlight director. Yeah,

0:15:15.240 --> 0:15:19.560
<v Speaker 1>man for sure. Uh a menace. Stimmler's is Black Klansman

0:15:19.560 --> 0:15:24.080
<v Speaker 1>against Spike Lee because seriously, it's about time. Karen Drombowski says,

0:15:24.080 --> 0:15:26.760
<v Speaker 1>a star is born as a former aspiring musician. It

0:15:26.800 --> 0:15:30.640
<v Speaker 1>made me cry the drive home, and I generally have

0:15:30.720 --> 0:15:33.680
<v Speaker 1>a cold, dead heart. I just watched the music video

0:15:33.680 --> 0:15:35.720
<v Speaker 1>for one of those big songs that Bradley Cooper does

0:15:35.720 --> 0:15:39.360
<v Speaker 1>with Lady Gaga's Good Shallow. It's fantastic, and the video

0:15:39.440 --> 0:15:41.200
<v Speaker 1>is all clips from the movie. He just hopped up

0:15:41.240 --> 0:15:43.360
<v Speaker 1>on stage. Whether they're in Vegas, I saw that, Yeah,

0:15:43.360 --> 0:15:46.320
<v Speaker 1>I saw that. These things all right, Well, it's he's

0:15:46.360 --> 0:15:48.280
<v Speaker 1>great in the song. I don't know if they, you know,

0:15:48.720 --> 0:15:50.920
<v Speaker 1>auto tuned him or something, but he sounds fantastic. Well,

0:15:50.960 --> 0:15:54.160
<v Speaker 1>everyone's auto tune that day. I got some tradition on that,

0:15:54.240 --> 0:15:59.200
<v Speaker 1>except a Dell never a del Chuck, never Adele meaning

0:15:59.280 --> 0:16:03.280
<v Speaker 1>always Adele, never a Delma. She's great. Zack Pointer Old

0:16:03.280 --> 0:16:06.360
<v Speaker 1>Friends is Black Panther because the voice it gives to

0:16:06.440 --> 0:16:10.600
<v Speaker 1>many um J J. Verbino. Another nod for Beel Street

0:16:10.600 --> 0:16:13.000
<v Speaker 1>Cat Talk, which was not nominate, but Ashley Reynolds loved

0:16:13.040 --> 0:16:14.560
<v Speaker 1>that movie as well. You think they'll do that thing

0:16:14.560 --> 0:16:16.680
<v Speaker 1>where they give it to Spike just because of that

0:16:16.760 --> 0:16:22.160
<v Speaker 1>about time logic. Sometimes people doesn't feel like career Oscar,

0:16:22.280 --> 0:16:25.480
<v Speaker 1>sort of like, hey, you you know, done this for

0:16:25.520 --> 0:16:30.040
<v Speaker 1>so long and probably been ignored unfairly. Um, but I

0:16:30.080 --> 0:16:33.560
<v Speaker 1>think it would be deserved for Black Klansman It at

0:16:33.600 --> 0:16:35.560
<v Speaker 1>this point in his career to still bring the heat

0:16:35.600 --> 0:16:38.040
<v Speaker 1>like you did in that movie. All for It. Ian

0:16:38.120 --> 0:16:40.520
<v Speaker 1>lyons his Green Book, it's a near perfect film that

0:16:40.600 --> 0:16:44.440
<v Speaker 1>tackles still so sadly relevant issues in an extremely entertaining

0:16:44.440 --> 0:16:48.480
<v Speaker 1>and thoughtful manner with Vigo right, Yeah, I want to

0:16:48.480 --> 0:16:51.800
<v Speaker 1>see that. I haven't seen that either. Uh. Vassi Papadopoulos

0:16:51.920 --> 0:16:55.360
<v Speaker 1>is roma perfectly shot and moving, and a couple more

0:16:55.400 --> 0:16:57.720
<v Speaker 1>for the favorite. Tina Wright and Caleb Bryant both loved

0:16:57.760 --> 0:17:01.120
<v Speaker 1>the Favorite. I gotta go see it today. No, it's

0:17:01.120 --> 0:17:04.520
<v Speaker 1>a it's a very it's its own thing. Uh. I

0:17:04.560 --> 0:17:06.159
<v Speaker 1>mean the closer thing I compared to is like a

0:17:06.240 --> 0:17:10.119
<v Speaker 1>Kubrick kind of very Linden thing, but much more absurd,

0:17:10.720 --> 0:17:14.000
<v Speaker 1>but not over the top. It's really hard to describe

0:17:14.000 --> 0:17:16.959
<v Speaker 1>because it is very, very bizarre and psychedelic, but it's

0:17:16.960 --> 0:17:20.520
<v Speaker 1>also a very formally like on the perfect kind of

0:17:20.600 --> 0:17:23.960
<v Speaker 1>historical period peace like it's it's it's it's very You

0:17:24.000 --> 0:17:25.239
<v Speaker 1>just gotta see it to God so we can talk

0:17:25.240 --> 0:17:27.960
<v Speaker 1>about it. I can't wait no more, Noel, that's it.

0:17:28.359 --> 0:17:31.240
<v Speaker 1>Karen Knox. One final vote for a black panther because

0:17:31.240 --> 0:17:36.000
<v Speaker 1>it would blow most people's minds if it won the award.

0:17:36.359 --> 0:17:38.840
<v Speaker 1>It would blow people's minds. Oh, I think that's probably

0:17:38.880 --> 0:17:40.840
<v Speaker 1>what she meant. That would definitely blow some minds. Think

0:17:40.840 --> 0:17:44.720
<v Speaker 1>it would too. I'm all about mind blowing. Uh. And finally, everyone,

0:17:44.760 --> 0:17:47.760
<v Speaker 1>we are going to finish up with comment card Oscar,

0:17:47.880 --> 0:17:55.320
<v Speaker 1>a dish I asked specifically for for Oscar related questions

0:17:55.359 --> 0:17:58.120
<v Speaker 1>for me and Mr Noel over there. All right, We're

0:17:58.119 --> 0:18:00.280
<v Speaker 1>gonna start with our old friend Vanessa Lopez. Are there

0:18:00.320 --> 0:18:02.960
<v Speaker 1>any it is a great question. Are there any categories

0:18:03.000 --> 0:18:05.320
<v Speaker 1>you feel deserved more attention or a category you feel

0:18:05.359 --> 0:18:10.200
<v Speaker 1>should be created, she said, I think casting directors should

0:18:10.240 --> 0:18:15.280
<v Speaker 1>get an award. That's a good point. Let's think about

0:18:15.280 --> 0:18:17.080
<v Speaker 1>this now. I have a question for you. You're always

0:18:17.119 --> 0:18:21.560
<v Speaker 1>doing these kind of behind the curtain Hollywood reveals. Surely

0:18:21.600 --> 0:18:25.760
<v Speaker 1>the casting director interfaces with the director, like the director,

0:18:25.760 --> 0:18:27.280
<v Speaker 1>could you know it's going to be like it's got

0:18:27.280 --> 0:18:29.320
<v Speaker 1>to be this person, especially if it's like a writer director.

0:18:29.480 --> 0:18:34.600
<v Speaker 1>Oh yeah, The casting director is is fielding, is sinning

0:18:34.600 --> 0:18:38.360
<v Speaker 1>the herd and finding people to present to the director

0:18:38.400 --> 0:18:41.760
<v Speaker 1>to choose um or whoever is doing the choosing if

0:18:41.840 --> 0:18:46.200
<v Speaker 1>you know, generally director, but sometimes if it's a big

0:18:46.280 --> 0:18:48.960
<v Speaker 1>studio and a huge producer, they might have more say

0:18:49.000 --> 0:18:52.040
<v Speaker 1>even than a low level director. And also we're talking

0:18:52.040 --> 0:18:55.720
<v Speaker 1>about like some so often a smaller role that might

0:18:55.720 --> 0:18:58.760
<v Speaker 1>not be on the director's radar. The casting makes a

0:18:58.840 --> 0:19:01.120
<v Speaker 1>huge obviously, is that everything you know? And that because

0:19:01.160 --> 0:19:03.000
<v Speaker 1>sometimes you go into it knowing like I wrote this

0:19:03.040 --> 0:19:05.479
<v Speaker 1>movie firs whoever, like I know who my leads are,

0:19:05.760 --> 0:19:09.480
<v Speaker 1>but we gotta fill this picture out. And casting directing

0:19:09.560 --> 0:19:12.840
<v Speaker 1>is a is very much an art form to be

0:19:12.880 --> 0:19:14.919
<v Speaker 1>able to sit through all and it's tough in that

0:19:15.040 --> 0:19:17.720
<v Speaker 1>room to be able to see that magic, you know. Yeah,

0:19:17.760 --> 0:19:20.919
<v Speaker 1>but it is why is that not a category? I

0:19:20.920 --> 0:19:25.919
<v Speaker 1>don't know, man, best casting, and it could be. Yeah,

0:19:26.000 --> 0:19:28.080
<v Speaker 1>that's not a bad category. No, it really isn't, because

0:19:28.080 --> 0:19:30.240
<v Speaker 1>there are so many other categories, like aren't there's best

0:19:31.000 --> 0:19:34.119
<v Speaker 1>Like what are some of the job type oscars you

0:19:34.119 --> 0:19:36.480
<v Speaker 1>know that are associated with like the sound designer obviously

0:19:36.480 --> 0:19:39.760
<v Speaker 1>and like you know sound editing and editing like that,

0:19:40.040 --> 0:19:43.199
<v Speaker 1>an editor, sound designer. It's almost like they're limiting it

0:19:43.240 --> 0:19:45.680
<v Speaker 1>more to the people that actually put their hands directly

0:19:45.800 --> 0:19:49.000
<v Speaker 1>on the product, which I would argue that's still something

0:19:49.000 --> 0:19:51.959
<v Speaker 1>a casting director is doing. Yeah, And some of these

0:19:52.000 --> 0:19:57.840
<v Speaker 1>awards are group awards, like best Cinematography. Um, while the

0:19:57.880 --> 0:20:01.760
<v Speaker 1>director of photography is calling the shots, um, there's a

0:20:01.880 --> 0:20:04.439
<v Speaker 1>large team of grips and electrics who are making that

0:20:04.480 --> 0:20:07.320
<v Speaker 1>shot look the way it looks so uh and that's

0:20:07.320 --> 0:20:10.960
<v Speaker 1>why you will see. In fact, cinematographers are I think

0:20:11.520 --> 0:20:15.200
<v Speaker 1>more commonly noted than a lot of winners for thanking

0:20:15.200 --> 0:20:18.400
<v Speaker 1>their crew and the camera assistance in the scripts and electrics.

0:20:18.240 --> 0:20:20.840
<v Speaker 1>And so, I don't know, I think I agree with Vanessa.

0:20:21.680 --> 0:20:32.119
<v Speaker 1>Best casting in a film that would be great. All right,

0:20:32.119 --> 0:20:34.080
<v Speaker 1>we'll move right on to Ian Lyons because this is

0:20:34.160 --> 0:20:36.520
<v Speaker 1>kind of similar. He says, do you think stunt people

0:20:36.520 --> 0:20:42.040
<v Speaker 1>should have their own category? Um, do they get a

0:20:42.119 --> 0:20:44.679
<v Speaker 1>technical OSCAR? I don't know if it's because that's a

0:20:44.680 --> 0:20:46.360
<v Speaker 1>whole other thing. It would be a whole other thing.

0:20:47.040 --> 0:20:48.800
<v Speaker 1>But now you know the technical Oscars, the ones they

0:20:48.840 --> 0:20:50.680
<v Speaker 1>host the day before. Oh no, no, no, no no, I

0:20:50.720 --> 0:20:52.280
<v Speaker 1>don't know. I think, yeah, they always get up at

0:20:52.280 --> 0:20:54.800
<v Speaker 1>some point during the Oscars and say, you know, they

0:20:54.840 --> 0:20:57.560
<v Speaker 1>have their Technical Achievements Awards, which is a whole other

0:20:57.640 --> 0:21:00.560
<v Speaker 1>list that doesn't get like, they have their own ceremony

0:21:00.560 --> 0:21:04.400
<v Speaker 1>on a different day and they it's just a much

0:21:04.400 --> 0:21:06.880
<v Speaker 1>smaller affair, but a lot of like smaller tech tech

0:21:06.920 --> 0:21:09.880
<v Speaker 1>awards go out there. Yeah, there's all kinds of ways

0:21:09.880 --> 0:21:13.960
<v Speaker 1>to want to OSCAR. Then surely stunt coordination and things

0:21:14.040 --> 0:21:16.280
<v Speaker 1>like that would be part of part of that, I

0:21:16.280 --> 0:21:19.080
<v Speaker 1>would think, I bet you it is. Like the inventor

0:21:19.080 --> 0:21:22.359
<v Speaker 1>of the steadicam won an OSCAR, like for inventing the steadicam.

0:21:22.400 --> 0:21:25.440
<v Speaker 1>Like you can get awards in many, many different ways.

0:21:26.880 --> 0:21:28.600
<v Speaker 1>But if it's not, I bet it is. But if

0:21:28.640 --> 0:21:31.720
<v Speaker 1>it's not, then stunt stunt work should totally be recognized.

0:21:31.800 --> 0:21:34.000
<v Speaker 1>You know, it's funny. There's an article on Indie Wire

0:21:34.320 --> 0:21:39.320
<v Speaker 1>called seven new Oscar categories the Academy needs to create. Interesting.

0:21:39.359 --> 0:21:42.560
<v Speaker 1>One of them is suggested is stunt coordinator. What else,

0:21:43.640 --> 0:21:48.919
<v Speaker 1>first time film? Just ideas, breakthrough performer, which is a

0:21:48.920 --> 0:21:51.919
<v Speaker 1>little bit of a loaded thing. Um, best voice performance

0:21:52.200 --> 0:21:55.840
<v Speaker 1>that yeah, oh like for animated film, for animated stuff

0:21:56.119 --> 0:21:58.640
<v Speaker 1>that that's basically best acting done in your warm up pants.

0:21:58.680 --> 0:22:02.359
<v Speaker 1>That's very true. Um, let's see the best original soundtrack. Okay,

0:22:02.680 --> 0:22:04.359
<v Speaker 1>these are not that great point being is this is

0:22:04.359 --> 0:22:06.560
<v Speaker 1>a question. Soundtrack is not bad, but it's not bad

0:22:06.560 --> 0:22:08.240
<v Speaker 1>because I guess they only get best song, which is

0:22:08.280 --> 0:22:11.400
<v Speaker 1>maybe just like a historical carryover thing. But best soundtrack

0:22:11.520 --> 0:22:13.720
<v Speaker 1>is I don't know, man, it's kind of like giving

0:22:13.720 --> 0:22:16.040
<v Speaker 1>an award for putting it together a mixtape. Man, But

0:22:16.080 --> 0:22:18.040
<v Speaker 1>that's you know, but what about like the Wes Anderson

0:22:18.440 --> 0:22:22.520
<v Speaker 1>soundtracks and stuff. You're right, but you get an award

0:22:22.560 --> 0:22:26.240
<v Speaker 1>for that for putting for basically compiling someone else's work.

0:22:27.320 --> 0:22:28.760
<v Speaker 1>You know what I'm saying that it's all about like

0:22:28.800 --> 0:22:31.960
<v Speaker 1>little suiting the style and you know, having a match

0:22:32.040 --> 0:22:35.760
<v Speaker 1>up and an aesthetic choice. I like hanky hanky is

0:22:35.760 --> 0:22:38.280
<v Speaker 1>a thing that like detectives saying when things don't smell

0:22:38.400 --> 0:22:43.639
<v Speaker 1>quite rise say things are a little hanky. That's true. Uh,

0:22:43.840 --> 0:22:49.280
<v Speaker 1>Caroline Gaston says, asks this. Jack O'Brien, our our colleague

0:22:49.480 --> 0:22:53.320
<v Speaker 1>over Daily Zeitgeist, often insists that OSCAR should be given

0:22:53.359 --> 0:22:57.399
<v Speaker 1>out five years later so they can accurately award movies

0:22:57.440 --> 0:23:01.119
<v Speaker 1>that have have more of a cultural impact. That's not

0:23:01.160 --> 0:23:05.399
<v Speaker 1>a bad idea, Yeah, but the logistics of that sound

0:23:05.640 --> 0:23:08.000
<v Speaker 1>You're not gonna do that. Jack is is, you know,

0:23:08.200 --> 0:23:10.280
<v Speaker 1>talking crazy talk. No, it's true, but I mean, but

0:23:10.320 --> 0:23:12.320
<v Speaker 1>I see his point. We've but but but we are.

0:23:12.400 --> 0:23:15.720
<v Speaker 1>We already know that the oscars aren't necessarily based on

0:23:15.760 --> 0:23:19.480
<v Speaker 1>which movies the most cultural impact, and they've been coming

0:23:19.560 --> 0:23:21.639
<v Speaker 1>less and less that over time. It's much more of

0:23:21.680 --> 0:23:25.119
<v Speaker 1>a popularity contest and the whole who does the best

0:23:25.560 --> 0:23:28.520
<v Speaker 1>you know, um for your consideration camp and all that.

0:23:28.640 --> 0:23:31.440
<v Speaker 1>I agreed, agreed, And she says, maybe have Jack on

0:23:31.520 --> 0:23:34.000
<v Speaker 1>as a guest. I am definitely gonna have Jack when

0:23:34.040 --> 0:23:36.320
<v Speaker 1>I go to l A next time. He's already picked

0:23:36.320 --> 0:23:38.879
<v Speaker 1>out pulp fiction. He's earmarked that and I told him

0:23:38.880 --> 0:23:42.679
<v Speaker 1>I would save it for him. Matthew Gilbert asks, should

0:23:42.800 --> 0:23:46.080
<v Speaker 1>the Departed have won an Oscar? I reckon? So, of

0:23:46.119 --> 0:23:49.280
<v Speaker 1>course I remain baffled as to why Scorsese's other works

0:23:49.280 --> 0:23:52.800
<v Speaker 1>didn't win him Oscars by this stage. I think maybe

0:23:52.800 --> 0:23:56.119
<v Speaker 1>for the reason we just said, yeah, I don't you know,

0:23:56.280 --> 0:23:58.800
<v Speaker 1>I mean, because they're weren't there, Like, you know, Leonardo

0:23:58.800 --> 0:24:01.000
<v Speaker 1>DiCaprio is in a tech Nicolson was in. It was

0:24:01.040 --> 0:24:03.240
<v Speaker 1>just like a big and it also could have been

0:24:03.280 --> 0:24:06.320
<v Speaker 1>one of those like it's about time things. Yeah, for sure,

0:24:06.320 --> 0:24:09.200
<v Speaker 1>the whole you know, maybe maybe Spike Lee will get

0:24:09.200 --> 0:24:12.760
<v Speaker 1>it this year. Maybe. So, Oh, this is a good question.

0:24:12.800 --> 0:24:15.240
<v Speaker 1>Fred Nurk says, if you could go to the Oscars,

0:24:15.280 --> 0:24:18.800
<v Speaker 1>but only as a seat filler, would you do it? Oh?

0:24:18.800 --> 0:24:21.640
<v Speaker 1>Hell yes I would. Yeah, that would be fun as ship.

0:24:23.160 --> 0:24:26.240
<v Speaker 1>It's a big time commitment though, Now getting off the

0:24:26.240 --> 0:24:29.359
<v Speaker 1>ball up, sitting down around with different people just scooting around.

0:24:30.119 --> 0:24:31.560
<v Speaker 1>You think they'd move you do you think you like

0:24:31.600 --> 0:24:33.879
<v Speaker 1>you'd be like they do that. Yeah, they move you

0:24:33.920 --> 0:24:36.439
<v Speaker 1>around and fill seats. My first experience with anything like

0:24:36.480 --> 0:24:38.800
<v Speaker 1>that was our I Heart Radio podcast Awards. That just

0:24:38.800 --> 0:24:41.879
<v Speaker 1>happened that you you gave a miss to you couldn't

0:24:41.880 --> 0:24:43.880
<v Speaker 1>be there elsewhere but it was. It was a much

0:24:43.920 --> 0:24:46.600
<v Speaker 1>smaller affair, but it was very much that same vibe

0:24:46.640 --> 0:24:48.920
<v Speaker 1>where it was like very selective as to who sat

0:24:48.960 --> 0:24:51.120
<v Speaker 1>where and who was used to fill what space. Said

0:24:51.119 --> 0:24:54.800
<v Speaker 1>at Jerry's stable, Mike Tyson, Mike Dyson, she told me

0:24:54.800 --> 0:24:56.520
<v Speaker 1>that it was so mad they gave him my seat.

0:24:56.640 --> 0:25:00.800
<v Speaker 1>Oh god, did they really? That's that a story? It's

0:25:00.800 --> 0:25:04.920
<v Speaker 1>a story. Did you get kicked out of your seat?

0:25:05.000 --> 0:25:06.560
<v Speaker 1>I never had a seat in the first place? Job,

0:25:06.680 --> 0:25:09.439
<v Speaker 1>Oh no, I was relegated to a back room. Now

0:25:09.480 --> 0:25:11.080
<v Speaker 1>I ended up in the balcony. It was fun. We

0:25:11.080 --> 0:25:13.800
<v Speaker 1>had a good time. Interesting. I fear more about the story.

0:25:13.840 --> 0:25:16.920
<v Speaker 1>I'll tell you uh Ian lines. By the way, um,

0:25:17.000 --> 0:25:20.119
<v Speaker 1>one of our question askers actually was an oscar seat filler.

0:25:20.400 --> 0:25:21.840
<v Speaker 1>He says he's done it twice and it was a

0:25:21.880 --> 0:25:25.720
<v Speaker 1>lot of fun. So Ian knows everybody. I bet it's fun.

0:25:25.960 --> 0:25:29.240
<v Speaker 1>I wonder. I mean, I'm sure you have specific instructions

0:25:29.280 --> 0:25:33.920
<v Speaker 1>to like not bother the people that much. Oh yeah,

0:25:33.960 --> 0:25:35.600
<v Speaker 1>you can't like sit down next to Clooney, be like

0:25:36.359 --> 0:25:39.680
<v Speaker 1>cloons dude, Now that Cluons is cool to the seat

0:25:39.680 --> 0:25:41.760
<v Speaker 1>fillers though, Oh I'm sure. Yeah, you let them talk

0:25:41.800 --> 0:25:43.360
<v Speaker 1>it's sort of like I probably you let them talk

0:25:43.400 --> 0:25:46.600
<v Speaker 1>to you. Yeah, kind of absolutely, and even then don't

0:25:46.640 --> 0:25:52.520
<v Speaker 1>don't push it. All right, let's finish up with one more.

0:25:52.960 --> 0:25:55.920
<v Speaker 1>All right, we'll finish up with Katherine Blair. If there

0:25:56.000 --> 0:25:57.919
<v Speaker 1>was one thing you could change about the way the

0:25:57.960 --> 0:26:05.200
<v Speaker 1>Oscars are run and organize, what would it be, Well,

0:26:05.520 --> 0:26:09.239
<v Speaker 1>they should shorten it up a bit. Uh. And they

0:26:09.280 --> 0:26:11.600
<v Speaker 1>have actually, because the one thing I was gonna say

0:26:11.720 --> 0:26:16.119
<v Speaker 1>is just get rid of the fluff and the nonsense,

0:26:16.400 --> 0:26:19.399
<v Speaker 1>too many dumb bits, and um, they've been doing that

0:26:19.440 --> 0:26:22.120
<v Speaker 1>more and more. They have streamlined it a bit over

0:26:22.119 --> 0:26:25.280
<v Speaker 1>the recent years. I I got tricked. I thought that

0:26:25.680 --> 0:26:28.600
<v Speaker 1>it was true that, um, Nick Kroll and John mulaney

0:26:28.600 --> 0:26:32.240
<v Speaker 1>We're going to host the Oscars as Hello guys, because they,

0:26:32.359 --> 0:26:34.160
<v Speaker 1>you know, the dudes from Too Much Tuna or whatever,

0:26:34.200 --> 0:26:36.800
<v Speaker 1>they Hello Broadway show or whatever. They're like these two

0:26:36.880 --> 0:26:40.600
<v Speaker 1>kind of grizzled New York Upper West Side, like weird,

0:26:40.680 --> 0:26:44.040
<v Speaker 1>weird dudes, lifer roommates. It's great. I saw the show

0:26:44.080 --> 0:26:46.080
<v Speaker 1>on Broadways. Fantastic. Now it's on Netflix. We haven't seen it.

0:26:46.080 --> 0:26:48.800
<v Speaker 1>You should watch, but I did see them host I

0:26:48.840 --> 0:26:51.159
<v Speaker 1>think the independent Spirit words. Yeah, well, there you go.

0:26:51.160 --> 0:26:53.199
<v Speaker 1>So they've they've got experience. So I kind of assumed

0:26:53.200 --> 0:26:55.760
<v Speaker 1>that it was true. Um, and I guess they were

0:26:55.800 --> 0:26:57.879
<v Speaker 1>just trolling and joking about it because I apparently they

0:26:57.920 --> 0:27:00.400
<v Speaker 1>haven't picked a new host yet, because Kevin har kind

0:27:00.400 --> 0:27:02.840
<v Speaker 1>of was problematic or made some tweet that was offensive

0:27:02.880 --> 0:27:05.800
<v Speaker 1>and then he got like a homophobic tweet of some kind,

0:27:05.840 --> 0:27:08.040
<v Speaker 1>and he got he got kicked off, He got kicked off,

0:27:08.080 --> 0:27:12.040
<v Speaker 1>and then uh there then there were calls for people

0:27:12.040 --> 0:27:14.680
<v Speaker 1>to put him back on, like Ellen de generous even,

0:27:14.720 --> 0:27:17.040
<v Speaker 1>I think, is that right? Yeah, So they have no

0:27:17.119 --> 0:27:18.719
<v Speaker 1>host right now. I don't know what the deal is they.

0:27:18.760 --> 0:27:21.800
<v Speaker 1>I think they might go hostless and just have a

0:27:21.800 --> 0:27:24.680
<v Speaker 1>series of people coming up and running the bits. Well

0:27:24.680 --> 0:27:26.040
<v Speaker 1>that's sort of what I was getting to is how

0:27:26.040 --> 0:27:28.359
<v Speaker 1>important do you think the host is? Does that make

0:27:28.400 --> 0:27:30.640
<v Speaker 1>a difference for how much you enjoy? Isn't the host

0:27:30.680 --> 0:27:32.840
<v Speaker 1>almost like it's total filler. You're just there to see

0:27:32.840 --> 0:27:34.560
<v Speaker 1>who wins the awards, like who care? Yeah, And the

0:27:34.600 --> 0:27:36.440
<v Speaker 1>main role of the host is sort of that beginning

0:27:36.480 --> 0:27:39.639
<v Speaker 1>bit and then the rest of the show they do

0:27:39.840 --> 0:27:41.879
<v Speaker 1>like a couple of various comedy bits, but it's mainly

0:27:41.880 --> 0:27:46.199
<v Speaker 1>just to say who's coming up next? Um, And admittedly

0:27:46.280 --> 0:27:48.280
<v Speaker 1>back in the day when Billy Crystal was doing his

0:27:48.400 --> 0:27:53.000
<v Speaker 1>thing and had a nice run of hosting uh like

0:27:53.119 --> 0:27:55.880
<v Speaker 1>kind of pretty pretty creative intro bits. Those are Those

0:27:55.880 --> 0:27:59.040
<v Speaker 1>are good? But I don't know, man, Like I've complained

0:27:59.200 --> 0:28:02.439
<v Speaker 1>last week about sort of the shine being lost for

0:28:02.480 --> 0:28:05.920
<v Speaker 1>the Oscars. The older I get. Just just give him out,

0:28:06.160 --> 0:28:08.919
<v Speaker 1>give him out, do it all off the air, do

0:28:08.960 --> 0:28:10.919
<v Speaker 1>it do it all on the red carpet. Let's just

0:28:10.960 --> 0:28:12.359
<v Speaker 1>have a red carpet and no a word. If I

0:28:12.440 --> 0:28:13.960
<v Speaker 1>bet to the people that go would probably love that.

0:28:14.000 --> 0:28:16.199
<v Speaker 1>Let's just do it over email. That way, no one

0:28:16.240 --> 0:28:18.160
<v Speaker 1>has to see anyone. Everyone I hear talking about going

0:28:18.200 --> 0:28:19.840
<v Speaker 1>to the Oscars as much as they say, it's like, oh,

0:28:19.840 --> 0:28:21.960
<v Speaker 1>it's so glamorous and Fabo's also like, you're there for

0:28:22.119 --> 0:28:24.720
<v Speaker 1>five hours and it's a total chore. When you don't

0:28:24.800 --> 0:28:26.720
<v Speaker 1>you can't drink. It's not like the Golden Globes get

0:28:26.760 --> 0:28:28.840
<v Speaker 1>all lickered up at the Golden Globe, Is that right? Yeah,

0:28:28.840 --> 0:28:30.720
<v Speaker 1>they have booze at the table. I didn't know that. Yeah,

0:28:31.000 --> 0:28:32.880
<v Speaker 1>the Oscars, you can't, Like I think you can run

0:28:33.440 --> 0:28:38.360
<v Speaker 1>quickly to the bar in between commercial breaks, but uh, yeah,

0:28:38.400 --> 0:28:42.120
<v Speaker 1>they can't expect people Hollywood elites to sit there for

0:28:42.160 --> 0:28:44.640
<v Speaker 1>six hours or not drink, and yet they do. Who

0:28:44.680 --> 0:28:46.560
<v Speaker 1>was it? Sarah Silverman had her little weed pin in

0:28:46.600 --> 0:28:49.640
<v Speaker 1>her purse that right, yeah, on the red carpet a

0:28:49.640 --> 0:28:51.240
<v Speaker 1>couple of years ago, it may have been last year.

0:28:51.680 --> 0:28:53.280
<v Speaker 1>They were like, what are you wearing? What's you know?

0:28:53.400 --> 0:28:55.680
<v Speaker 1>All that stupid shit? And she said, oh, this is

0:28:55.720 --> 0:28:57.200
<v Speaker 1>my dress of blah blah blah. And she said, and

0:28:57.200 --> 0:28:59.280
<v Speaker 1>what about your accessories? And she went, well, and she

0:28:59.360 --> 0:29:01.440
<v Speaker 1>opened her purse. She went, I have my weed pin

0:29:01.880 --> 0:29:04.720
<v Speaker 1>in my purse. And this is before I was legalized

0:29:04.720 --> 0:29:07.040
<v Speaker 1>in California too. Yeah. I was like, good for you,

0:29:07.120 --> 0:29:11.600
<v Speaker 1>Sarah Silverman. She ain't scared. All right, No, I think

0:29:11.600 --> 0:29:14.400
<v Speaker 1>that's all we have for this week. It seems reasonable.

0:29:14.400 --> 0:29:17.080
<v Speaker 1>Are you good? We're in a solid thirty my friend?

0:29:17.160 --> 0:29:18.640
<v Speaker 1>All right, well, let's do it. Then. I don't want

0:29:18.640 --> 0:29:32.360
<v Speaker 1>to reach thirty two minutes, so good bye,