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Speaker 1: So you know, I'm going to sit in with Cobra

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Speaker 1: Starship and they're like, you know, it's assumed I'm going

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Speaker 1: to be the front man. And they're like, well, so

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Speaker 1: you know, like here's your guitar and stuff.

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Speaker 2: And then I'm like, oh no, like I'll just wear

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Speaker 2: the drums. And so when I do, and you can

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Speaker 2: move around the stage, so then I have like the

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Speaker 2: the big bass kind of hanging around my belly, the

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Speaker 2: toms on my chest kind of, and the snare I'm

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Speaker 2: kind of holding under moms under my arm.

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Speaker 1: Yes, that was that was a big part of it.

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Speaker 1: You do a little dot in the center and then

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Speaker 1: it really looks like bazooms and then the symbols are

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Speaker 1: kind of on my shoulders. And to be like kind

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Speaker 1: of marching around the stage singing the song and also

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Speaker 1: playing this whole drum set on my on my body

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Speaker 1: and that's rare. That's rave culture to me.

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Speaker 2: That's that's a mind blowing piece of entertainment. Yeah, and

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Speaker 2: you do the snakes on the Plane song.

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Speaker 1: Yeah. I don't know the words really, but.

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Speaker 2: No one knows the words. But it's just if you

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Speaker 2: have the attitude. It's all attitude with them.

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Speaker 1: And saying I do know lines from the movie, and

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Speaker 1: so I was able to kind of sing, yeah, there's.

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Speaker 2: Snakes are there's big different lines from the movie.

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Speaker 1: Yes, that's a good example. I don't want to do

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Speaker 1: it like that in that kind of voice for the podcast.

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Speaker 2: Why are you uncomfortable doing it like that?

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Speaker 1: Oh it's a black voice, and you know, as a

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Speaker 1: white person, you know that seems like the kind of

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Speaker 1: thing that some people might get mad about it.

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Speaker 2: I mean, do you think I crossed the line? And no,

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Speaker 2: I'm not mad at all.

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Speaker 1: I just know a lot of other people would find

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Speaker 1: that really offensive. Is it be doing?

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Speaker 2: Is it offensive though? If someone if I am friends

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Speaker 2: with somebody who is a brother and they really talk

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Speaker 2: in that way, is it offensive for me to just

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Speaker 2: do an accurate because if I had a friend from London, yes,

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Speaker 2: and I do.

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Speaker 1: Or say, like Nigel, if you did like an Idris

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Speaker 1: Elba impression, for example, is that what you were getting at?

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Speaker 2: Well? Yeah, well what if I did do that? What

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Speaker 2: if what if I came in and doing impression of

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Speaker 2: Idris I said something like uh bone James bone, like,

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Speaker 2: is that now offensive? Because Idris, for all his refinement,

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Speaker 2: is in fact a cast member on the show The Wire.

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Speaker 2: M hmm.

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Speaker 1: I just know that there are a lot of people.

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Speaker 2: And The Wire's primarily brothers. You're right, you know you're right.

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Speaker 2: So I'm just wondering and I'm genuinely asking where the

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Speaker 2: line is because we touched on this a little bit

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Speaker 2: with they Tina stuff last week.

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Speaker 1: Cosby, and I've come all the way around. You've changed

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Speaker 1: my mind. I totally agree with you, and I think

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Speaker 1: you should do it again.

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Speaker 2: Well, if that's true, and you've come all the way around,

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Speaker 2: I'd like to hear you do. I think i'd like

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Speaker 2: to hear you say there's snakes out there this big.

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Speaker 2: I can't do it, and I think that I think

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Speaker 2: you should be the one.

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Speaker 3: What now.

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Speaker 2: I think you can really lean into its. On a

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Speaker 2: plane and ice Cube did something where he said there's

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Speaker 2: snakes out there this big about one of the snakes

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Speaker 2: he found on the plane that was huge, And I

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Speaker 2: would like to hear you say it, and that would

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Speaker 2: really make me.

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Speaker 1: I think it would be fun actually to give. Don't

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Speaker 1: you think Sam Sam does that opportunity? Sam Sam can

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Speaker 1: do it, and you just get on the microphone real

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Speaker 1: quick and and say there's snakes out there this big

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Speaker 1: in a way that you would imagine ice Cube would

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Speaker 1: in the movie Snakes on a Plane.

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Speaker 2: Okay, uh, there's snakes out there and they're big.

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Speaker 1: Doesn't sound like anything like as.

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Speaker 2: We didn't even know the line show Mount's done.

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Speaker 1: He's hey, welcome to Hollywood Handbook, and it's that he's

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Speaker 1: guide to kicking button dropping daves of the Red Carpet

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Speaker 1: line back always of this industry we call showbiz. Thank

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Speaker 1: you for listening to us now that you heard us

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Speaker 1: on with a special guest Lauren Lapkis this past week.

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Speaker 1: With this extra attention from that show comes listeners who

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Speaker 1: don't necessarily understand that we're trying what we're trying to do.

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Speaker 2: There's a negative side to getting new ears on you,

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Speaker 2: and it is that you get some uneducated people, yes,

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Speaker 2: who haven't had the same opportunities to learn that a

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Speaker 2: lot of us have, and don't understand what they're hearing.

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Speaker 2: And people get so angry when they're confused. If you

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Speaker 2: can picture a caveman when they first saw the Indians

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Speaker 2: ships coming over and they and they didn't know what

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Speaker 2: it was, and so they started throwing torches at the ships,

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Speaker 2: and you know, if you remember that old story from history,

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Speaker 2: they tried to eat them, well, they tried to eat

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Speaker 2: them and they succeeded in many cases. We want to

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Speaker 2: do a segment based on all the negative feedback we've

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Speaker 2: been getting from this week, in a segment called ant wrong.

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Speaker 1: It would be great to have a theme song for

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Speaker 1: this one. This We have this fan base that claims

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Speaker 1: to be very dedicated.

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Speaker 2: And they seem to like this segment too, and you'd

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Speaker 2: think if they want to hear it again, they would

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Speaker 2: make it easier for us to introduce it by putting

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Speaker 2: a song. And I don't want to write the song

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Speaker 2: for you. That's not what I do. I understand this

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Speaker 2: are called fifths very well, and it's pretty simple. Actually

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Speaker 2: see scale and then we're got to go up a

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Speaker 2: one fifth to G and that means you're going to

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Speaker 2: add a sharpen.

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Speaker 1: But as it is, what we have is just our

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Speaker 1: own voices saying this segment is called ant wrong. Let's

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Speaker 1: read a comment from iTunes first. The subject line of

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Speaker 1: the comment is a shame. It is a one star

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Speaker 1: review from user jcarpe dm, and jcarpe dm says, I

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Speaker 1: get the kind of humor they're going for, it's just weak.

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Speaker 1: Sean and Hayes are funny and great. I guess I

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Speaker 1: just want the reality show show back. I guess you

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Speaker 1: could call this an ant wrong sandwich ant wrong. Yes,

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Speaker 1: it's because, yes, because the pieces of ant wrong with

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Speaker 1: an okay, good job in the middle, Yes, two ant wrongs, Yes,

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Speaker 1: with the with an accurate piece of information in the center.

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Speaker 1: And I will say this, if Shawn and as are

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Speaker 1: funny and great, and if yes, that's very very high

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Speaker 1: and we appreciate it, and maybe the only thing you

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Speaker 1: should say. But if we're funny and great, and if

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Speaker 1: in fact you get the kind of humor we're going for,

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Speaker 1: isn't that at least a two star review, I mean

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Speaker 1: one star?

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Speaker 2: Doesn't it seem like you could? Now, Look, we've said

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Speaker 2: many times we only want five star reviews. Those are

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Speaker 2: the only ones we deserve. And that's what everyone should

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Speaker 2: be doing, or they should be just going and working

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Speaker 2: at the tire factory or whatever it is those freaking

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Speaker 2: Cretans do.

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Speaker 1: How can how is that the worst rating you can get?

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Speaker 2: Just that you can perceive what we're aiming at, even

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Speaker 2: if we miss by a lot.

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Speaker 1: Sure, and week I mean week is you know, it's

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Speaker 1: not good, but it's not bad either. It's just terrible.

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Speaker 1: It's just not very The worst thing you can do

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Speaker 1: week is just like that's two stars. Week is two stars.

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Speaker 1: Bad as one star A.

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Speaker 2: Week cup of coffee is a two star. Cups still

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Speaker 2: a cup of coffee, an empty cup that's one star

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Speaker 2: because I can't drink it.

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Speaker 1: It's not.

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Speaker 2: A cup of thumbtacks is one star. Oh hurts you.

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Speaker 1: But just a cup of coffee that's not very good

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Speaker 1: is two stars. It's still coffee. You get it. I

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Speaker 1: drink the coffee. I get what it's trying to do.

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Speaker 2: Honestly, we cup of coffee should be three stars because

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Speaker 2: a cup of water should be one should be two stars.

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Speaker 2: One star should be a.

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Speaker 1: Cup of thumb tops like you said, Yes, I don't

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Speaker 1: get what a cup of thumb tack is trying to Honestly,

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Speaker 1: a couple of bugs might be three stars because it's

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Speaker 1: a it's scary to eat it, but you can eat it.

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Speaker 2: So at that point we're four stars just for making

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Speaker 2: a weak cup of coffee, which by the way, we

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Speaker 2: didn't it's actually very strong.

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Speaker 1: So that was ant wrong, except for the part where

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Speaker 1: you do confess that we are funny and great. Oh

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Speaker 1: and you don't you actually do like us a lot,

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Speaker 1: and you don't miss the reality show show we should

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Speaker 1: get to the first in a series of comments from

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Speaker 1: a forum user, Delino Deshields a Delano Deshield's post on

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Speaker 1: the Best Betsy Sadaro episode, I don't get this show

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Speaker 1: or this corner of the forum. You fuckers are weird,

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Speaker 1: satire is lazy. Just wanted to say I love Betsy Sadero,

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Speaker 1: so that comment happens to be ant wrong to say, like,

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Speaker 1: I don't get this show. I don't understand it, but

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Speaker 1: here's like how I feel about.

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Speaker 2: It's it's okay to say it's okay to say you

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Speaker 2: don't get it. I don't get this, yes, but then

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Speaker 2: don't go on to say I would say, if you

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Speaker 2: don't get it, go, I don't get the show. Could

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Speaker 2: someone please tell me how funny, smart and good it is?

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Speaker 2: And why these guys are so cool and how they

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Speaker 2: got so cool? Yes, and why they're so nice. But

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Speaker 2: that is cool if you don't understand, like, it's just

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Speaker 2: like doesn't make sense to you, Like two smart, cool,

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Speaker 2: funny guys being nice and they're making the show like

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Speaker 2: that is confusing to people, I think.

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Speaker 1: But what you've chosen to do instead to say, I

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Speaker 1: don't get this. It confuses me. I listened to it

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Speaker 1: and it's going over my head. Here's here are my

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Speaker 1: thoughts on this thing that to me is very advanced

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Speaker 1: math that I'm not equipped to do. Yes, here's me

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Speaker 1: trying to do it. People don't want you to try

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Speaker 1: to do it like other people will will help you

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Speaker 1: with this.

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Speaker 2: Imagine. I saw Ill Postino and my review was I

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Speaker 2: don't speak Italian, but here's what I think about the

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Speaker 2: quality of the dialogue. Isn't that a good example I

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Speaker 2: just came up with? And isn't that the kind of

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Speaker 2: example that a smart, funny, cool guy who's nice would say?

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Speaker 2: And so, just in the fact that I made that example,

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Speaker 2: haven't we kind of proven this man's comment in the

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Speaker 2: forms to be wrong?

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Speaker 1: Moving on to another comment from Delana Deshields posted busy

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Speaker 1: boy posted a little later the same day on an

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Speaker 1: earlier episode thread to comment on our Paul F. Tompkins episode.

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Speaker 1: This user writes, PFT knows what's up. This was all

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Speaker 1: fun and fine, but every episode he's done stop podcasting

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Speaker 1: yourself was funnier better ever. I get the joke, guys,

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Speaker 1: but it's not enjoyable actual free conversation. Satire is lazy

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Speaker 1: and or for fifteen year olds. So the thing about

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Speaker 1: this comment is that it is an't wrong. First of all,

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Speaker 1: you don't get this. You say that you get the joke,

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Speaker 1: but you already admitted that you don't. You don't know

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Speaker 1: what the show is.

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Speaker 2: Yes, it's essentially to you. This show is ill Postino

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Speaker 2: to someone who does not speak Italian. So like you don't.

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Speaker 2: You can't say I get it. I mean I could

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Speaker 2: watch that movie and go I get it A postman,

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Speaker 2: you know the idea of watch, So it's like I

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Speaker 2: know it's you know that we're doing a joke. So

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Speaker 2: then you say I get the joke. You don't get

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Speaker 2: the joke. To watch, you'll postina without speaking Italian. The

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Speaker 2: postman shows up at the house and then they start

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Speaker 2: talking and then they kiss. You know, if I didn't

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Speaker 2: speak Italian, I would say that's weird the postman. Yeah,

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Speaker 2: I don't kiss my postman.

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Speaker 1: I get mail from them, and the woman receiving the

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Speaker 1: male should not be kissing. But then if you speak

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Speaker 1: Italian you would know what they're saying, which is like,

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Speaker 1: what you know, what are you going to do in

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Speaker 1: a big kiss?

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Speaker 2: And and she says, he here's the male, how about

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Speaker 2: a kiss instead? Can we have that? And that then

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Speaker 2: now all of a sudden they've walked you all the

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Speaker 2: way to it. And so this man who doesn't speak

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Speaker 2: our languid is saying he gets the joke, and he

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Speaker 2: clearly don't know what's good and stop podcasting yourself.

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Speaker 3: What is that?

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Speaker 1: Let's talk about satire, which I define as any honest conversation.

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Speaker 1: It's an honor, frankly, to be compared to some of

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Speaker 1: the satirical greats in the history of literature, like, for example,

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Speaker 1: George Orwell.

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Speaker 2: He is actually a real role model for us. If

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Speaker 2: you've actually read Orwell and we have, his satire is

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Speaker 2: so great and so Rando talking pigs. He's doing talking

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Speaker 2: pigs before skittles, before anybody, And that is so rando.

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Speaker 2: And it's in a book which usually books are dusty

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Speaker 2: and boring, and there's you know, Musketeers or something in there.

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Speaker 2: But this guy's got pigs. And so to me, that

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Speaker 2: is so good that the fact that he put us

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Speaker 2: in the same category is or well with his comment

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Speaker 2: thank you for doing that, but wrong you thought you

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Speaker 2: weren't being nice.

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Speaker 1: And the just the effect of a book like nineteen

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Speaker 1: eighty four when that scene when they're all in the

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Speaker 1: factory just like marching along and walk step and everything's

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Speaker 1: the same. And then when the hero comes in with

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Speaker 1: the javelin and reaches back and throws the javelin into

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Speaker 1: the face of the of the overlord. Yeah, yeah, it

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Speaker 1: destroys the overlord computer. And then everyone starts thinking different afterwards.

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Speaker 2: Yeah, I think different.

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Speaker 1: There is there is there a better expression of what

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Speaker 1: we're trying to do on the show. Yeah, I'm not

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Speaker 1: I'm not sure that there is.

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Speaker 2: No everyone is marching in lockstep and they're all the

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Speaker 2: little Musketeers out there, and we're able to actually break

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Speaker 2: that down.

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Speaker 1: And so to call a satire, I will say, you

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Speaker 1: actually are very right. And so side note.

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Speaker 2: A lot of people don't know that The Three Musketeers

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Speaker 2: was actually written by a brother. Mm hmm. Yeah, and

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Speaker 2: that's another British guy, that's another Idris type.

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Speaker 1: That's right, And so is it.

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Speaker 2: Question of him going saying like I think I'll have

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Speaker 2: d'ltagnan in this scene, like is that is that racist?

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Speaker 1: It is a good question because you hear people reading

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Speaker 1: that book all the time, but not as he would

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Speaker 1: be in that book.

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Speaker 2: I mean they made a movie at.

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Speaker 1: It HM without Eddie brothers, which is not the intention

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Speaker 1: of the writer. I mean, if he is a brother,

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Speaker 1: clearly he's expecting all these characters to be brothers as well.

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Speaker 1: We have another comment from the Lino Deshields to discuss a.

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Speaker 2: Lot of people think that he's a French guy. But

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Speaker 2: I think I'm right that I say he's a British guy,

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Speaker 2: but he is a French guy. You know, is it

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Speaker 2: okay for me to go like ooh bu Tall? You know,

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Speaker 2: like is that okay? Almost?

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Speaker 1: Deana Deshields also did a post in the thread for

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Speaker 1: or At Lapcus's show. He writes great showcase for how

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Speaker 1: Lapcus is playful and inventive and why she's so good

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Speaker 1: on CVB while Sewan and Hayes just stick to their

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Speaker 1: one note stick like they're scared or nervous somehow. They're

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Speaker 1: satire if you like satire, but zero versatility and a

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Speaker 1: joke that died a long time ago. I really don't

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Speaker 1: get why anyone likes them a wrong.

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Speaker 2: But I would like to comment on one part of this,

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Speaker 2: because this idea of us being scared has been brought

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Speaker 2: up before, and I would just like to say, Okay,

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Speaker 2: you've tapped into something. One thing is it's scary to

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Speaker 2: be so truthful and to speak against power in the

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Speaker 2: way that we do. A second thing is Hayes is

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Speaker 2: often smiling at me when he talks, And if you've

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Speaker 2: ever seen somebody smile, the teeth is part of the

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Speaker 2: skelington of your body that you can see. So in

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Speaker 2: a way, someone smiling is Hayes' skelington trying to get

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Speaker 2: out and get at me.

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Speaker 1: Delight. I hope you're listening. I'm doing it right now.

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Speaker 1: I got a big smile on my face right now

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Speaker 1: while I'm talking to you. Do I sound scared, buddy?

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Speaker 1: Got scared of anything?

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Speaker 2: I got scared a little bit because it is hard

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Speaker 2: for me not to think of seeing someone's teeth as

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Speaker 2: seeing their skelington trying to escape and get at me,

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Speaker 2: because it is the skelington peeking out of the body

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Speaker 2: through the gums to say, Hm, what do I see

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Speaker 2: out here? But if I were scared. They'd be chattering,

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Speaker 2: wouldn't they, Delida? Is that?

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Speaker 1: Would do you hear him chattering? Delino? No, he not scared,

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Speaker 1: And it's so it's pretty quieted here. I don't hear

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Speaker 1: anything like that, and I certainly don't hear my knees knocking.

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Speaker 2: Is what knees are knocking. His teeth aren't chattering. And

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Speaker 2: I wear a mouthguard during the podcast out of respect

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Speaker 2: for Hayes. I don't want to frighten him. One of

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Speaker 2: us has to be able to keep his cool. And please,

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Speaker 2: I urge you not to do what I've done and

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Speaker 2: start thinking about smiling and teeth as the skeleton creature

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Speaker 2: that leaves inside your friend's body trying to get at

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Speaker 2: you somehow and crawling out to the cums.

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Speaker 1: You'll start doing what Sean does, which is covering his

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Speaker 1: mouth when he smiles, which is off putting for people

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Speaker 1: who are trying to have a conversation with him when he's.

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Speaker 2: All I pretend to be eating. I pretend to be eating,

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Speaker 2: and I go, oh, no, that's interesting, And I shove

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Speaker 2: a Hammiger sandwich all the way into the mouth so

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Speaker 2: that it's all covering up every piece inside, so.

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Speaker 1: That was aarrong. We had some other we got some mail,

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Speaker 1: We asked for mail. We have a couple of notes

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Speaker 1: on the mail.

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Speaker 2: Yeah, great first effort in that you did do something.

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Speaker 1: We we got a letter from a listener named Nicole.

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Speaker 1: I do suggest that you, as a male listener, give

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Speaker 1: yourself a female name to you know, help us get

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Speaker 1: the word out there that we do have some female listeners.

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Speaker 1: So that that was a positive thing to do. It

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Speaker 1: is sent on a postcard.

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Speaker 2: It's breaking bad news of baby animals, guy John Ralfhio

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Speaker 2: played by Ben Schwartz.

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Speaker 1: We already have these. We've we we have bought these,

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Speaker 1: like the idea that we wouldn't have bought the funniest

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Speaker 1: postcards that exist on the market today.

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Speaker 2: That I don't own, not only breaking bad news baby animals,

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Speaker 2: but also asking unquo questions with baby animals. Why is

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Speaker 2: daddy an address? And it's a little duckling something like that.

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Speaker 1: It is the idea that I could interpret it as

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Speaker 1: a little insult.

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Speaker 2: It is it is.

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Speaker 1: This is like a new thing that you're showing as

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Speaker 1: people who are in and we know what the funniest

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Speaker 1: postcards are. Yes, I almost want to send this back

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Speaker 1: to you, but I'll give it to Sam. I guess

359
00:19:10,440 --> 00:19:14,280
Speaker 1: you don't know these right, Yeah, see that that's the

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Speaker 1: kind of person that you send bring venue space.

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Speaker 2: Yeah, some give it to a Sam, to someone who

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Speaker 2: doesn't know what good stuff is.

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Speaker 1: Here is a letter from Anastasia Anastasia Vigo. It says, hi,

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00:19:26,960 --> 00:19:32,400
Speaker 1: this says hello, Sean and Hayes High Engineers don't need

365
00:19:32,440 --> 00:19:36,000
Speaker 1: that part. It talks about it. It says, here, I

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Speaker 1: am sending you a letter, which you don't have to say.

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00:19:38,560 --> 00:19:40,560
Speaker 1: It's uh, we are reading the letter.

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Speaker 2: Yeah, well, just to speak on what we've already heard.

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Speaker 2: There's just a lot of wasted space where it could be.

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Speaker 2: And at the end of compliments and at the end

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Speaker 2: it says, uh, I hope you never retire, which it's like, well,

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Speaker 2: what if we get old and too sick to do

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Speaker 2: the job and you want us to keep doing it?

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Speaker 2: I mean, I think we should have the right at

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Speaker 2: some point need to keep doing it if we if

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Speaker 2: we want to.

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00:20:04,720 --> 00:20:07,520
Speaker 1: Yeah, and then it says, uh, p s Gregy has

378
00:20:07,560 --> 00:20:09,000
Speaker 1: never received the pro version.

379
00:20:09,920 --> 00:20:12,800
Speaker 2: He hasn't paid for the provers Yeah, well I don't

380
00:20:12,880 --> 00:20:17,879
Speaker 2: understand if he never bought the proverb don't unless you

381
00:20:17,920 --> 00:20:20,240
Speaker 2: buy it. And we actually got a letter from Gregy

382
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Speaker 2: as well, Dear.

383
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Speaker 1: Has and Sean. He says he likes the show. Uh

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Speaker 1: and he uh. He drew us a picture with suggestions

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Speaker 1: from his son, it says, and it's a crayon drawing

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00:20:34,760 --> 00:20:38,919
Speaker 1: of the two of us. What is this called with

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00:20:38,960 --> 00:20:41,760
Speaker 1: the parachutes and the speedboat?

388
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Speaker 2: Oh?

389
00:20:42,600 --> 00:20:43,679
Speaker 1: Yes, what is that?

390
00:20:44,160 --> 00:20:48,359
Speaker 2: Shoots? Shoot shoot, shoot, slide and shoot shoot slide and

391
00:20:48,640 --> 00:20:50,919
Speaker 2: shoot shoot slide and shoot sliding.

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00:20:51,040 --> 00:20:56,399
Speaker 1: Yes, yes, and there's a shark and a submarine and

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Speaker 1: Gregy's driving the boat. Don't send us crayon drawings if

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Speaker 1: you are an adult.

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00:21:03,240 --> 00:21:05,560
Speaker 2: From an adult, yes, it can be drawn. If you

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00:21:05,640 --> 00:21:08,760
Speaker 2: have kids, the kid draw it in a crayon. Okay,

397
00:21:08,880 --> 00:21:10,320
Speaker 2: if your son is you get past.

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00:21:10,600 --> 00:21:13,640
Speaker 1: I don't tell us, especially that your son is present

399
00:21:14,200 --> 00:21:16,480
Speaker 1: watching you do a crayon.

400
00:21:16,520 --> 00:21:19,280
Speaker 2: Operate the crayons on his behalf.

401
00:21:19,000 --> 00:21:23,200
Speaker 1: For some fellow to send to some fellow adults. Yes,

402
00:21:23,440 --> 00:21:25,480
Speaker 1: give the crayons to your children.

403
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Speaker 2: You can draw with charcoal pencils, or a kid can

404
00:21:30,800 --> 00:21:34,280
Speaker 2: draw with a crayon. But if you're an adult, you

405
00:21:34,320 --> 00:21:35,919
Speaker 2: can't have the crayons. That's for the.

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Speaker 1: Kid because I can't put this on my fridge now

407
00:21:38,920 --> 00:21:41,840
Speaker 1: and have an adult man, Leona Lewis or somebody come

408
00:21:41,880 --> 00:21:43,480
Speaker 1: over to my house and say, oh, what is that from?

409
00:21:43,520 --> 00:21:46,600
Speaker 1: And I say like, oh, this is somebody's father drew

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Speaker 1: this for.

411
00:21:47,080 --> 00:21:51,680
Speaker 2: Me mm in front of their kid, like Leona. Would

412
00:21:52,400 --> 00:21:54,639
Speaker 2: you know there'd be a Leona Lewis shaped hole in

413
00:21:54,680 --> 00:21:57,800
Speaker 2: your door because she absolutely just disappeared. What you would

414
00:21:57,800 --> 00:22:02,280
Speaker 2: hear is a Doppler shriek, which I don't want to do.

415
00:22:02,400 --> 00:22:02,960
Speaker 2: She's my friend.

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00:22:04,000 --> 00:22:14,080
Speaker 3: So that was male male rail snail Kale mail the

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Speaker 3: male eel post.

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00:22:18,680 --> 00:22:22,000
Speaker 1: That was eel postin. Now we have a really great

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Speaker 1: guest today, Seth Morris is here and we have a

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Speaker 1: special announcement that is coming up regarding Seth and some

421
00:22:29,040 --> 00:22:29,639
Speaker 1: of our other.

422
00:22:29,520 --> 00:22:32,119
Speaker 2: Projects in the in the podcasting, and we hope our

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Speaker 2: announcement really freaks your bean.

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Speaker 1: On Hollywood Handbook.

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00:22:40,200 --> 00:22:44,800
Speaker 2: So now it's really getting tense. And at this point

426
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Speaker 2: they're in each other's face and Cat vundee.

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00:22:48,640 --> 00:22:50,560
Speaker 1: Yeah, yeah, slaps.

428
00:22:51,480 --> 00:22:56,879
Speaker 2: Cat Williams and I, by the grace of God, have

429
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Speaker 2: the presence of mind.

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Speaker 1: To go where.

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00:23:00,840 --> 00:23:04,520
Speaker 2: Totally diffuses it. They both love me. We go out

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Speaker 2: and everyone picked up on that just in the they

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Speaker 2: got it. I mean that was the thing is, like

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Speaker 2: they also are pretty sharp. The both of them are

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Speaker 2: very sharp in their own way.

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00:23:15,480 --> 00:23:18,600
Speaker 1: Because if you hadn't done something, oh, I don't know

437
00:23:18,640 --> 00:23:23,040
Speaker 1: where it would have gone, Yeah to the hospital. Hey, hey,

438
00:23:23,680 --> 00:23:26,400
Speaker 1: welcome to Hollywood Handbook and Insider's guy to kicking button

439
00:23:26,440 --> 00:23:28,560
Speaker 1: dropping names in the red carpet lineback hallways of this

440
00:23:28,600 --> 00:23:30,840
Speaker 1: industry we call showbiz what up?

441
00:23:30,840 --> 00:23:31,240
Speaker 2: What up?

442
00:23:31,640 --> 00:23:31,960
Speaker 1: Uh?

443
00:23:32,080 --> 00:23:34,760
Speaker 2: And and unapologetically what up? What up? And that's just

444
00:23:34,760 --> 00:23:35,520
Speaker 2: what I'm going to say.

445
00:23:36,240 --> 00:23:41,160
Speaker 1: Very exciting announcement today. Really, we have been in discussion

446
00:23:41,400 --> 00:23:46,480
Speaker 1: with Scott Ankerman for a while about setting up our

447
00:23:46,560 --> 00:23:47,920
Speaker 1: own production.

448
00:23:47,600 --> 00:23:52,320
Speaker 2: Shingle with the new guy. It's Scott and guy. Yeah,

449
00:23:52,359 --> 00:23:58,360
Speaker 2: there was Jeff, Jeff and then he and we used.

450
00:23:58,200 --> 00:24:00,560
Speaker 1: To, you know, talk to people about doing something about Jeff,

451
00:24:00,600 --> 00:24:01,320
Speaker 1: and I guess they did.

452
00:24:01,960 --> 00:24:04,120
Speaker 2: But the fact is there's Scott and this other guy and.

453
00:24:05,520 --> 00:24:07,800
Speaker 1: We have this one podcast, but we've been looking for

454
00:24:07,840 --> 00:24:13,160
Speaker 1: opportunities to set up a production facility and have sort

455
00:24:13,160 --> 00:24:15,000
Speaker 1: of a stable of other podcasts.

456
00:24:15,560 --> 00:24:18,399
Speaker 2: We have more ideas for shows than we are able

457
00:24:18,440 --> 00:24:22,320
Speaker 2: to host. So they've hooked us up with some very

458
00:24:22,359 --> 00:24:27,600
Speaker 2: exciting talent in the studio today who has recorded his

459
00:24:27,760 --> 00:24:30,800
Speaker 2: first pilot for our first new show coming out of

460
00:24:31,520 --> 00:24:34,040
Speaker 2: our shingle, which of course is called Hayes.

461
00:24:34,560 --> 00:24:38,840
Speaker 1: It's called Calvin and Hobbes Productions because we both are

462
00:24:38,880 --> 00:24:41,240
Speaker 1: big Calvin and Hobbes fans.

463
00:24:41,359 --> 00:24:44,040
Speaker 2: Well, they're not just funny, but they are funny. They're

464
00:24:44,080 --> 00:24:45,920
Speaker 2: not just funny, but there's a lot of philosophy.

465
00:24:46,000 --> 00:24:51,600
Speaker 1: We want something that captures that same childlike wonder but

466
00:24:51,680 --> 00:24:54,240
Speaker 1: also like kind of a sophisticated edge because those comics

467
00:24:54,240 --> 00:24:56,160
Speaker 1: were actually if you go back and read them, those

468
00:24:56,160 --> 00:24:57,639
Speaker 1: comics were actually really smart.

469
00:24:57,720 --> 00:25:06,160
Speaker 2: There was a lot of commentary on life society America,

470
00:25:06,240 --> 00:25:08,640
Speaker 2: and there was some pretty funny stuff in there.

471
00:25:10,960 --> 00:25:14,560
Speaker 1: And so you know, Paul, she got wolf Pop. Now

472
00:25:14,680 --> 00:25:17,080
Speaker 1: we have we should name our what our actual network

473
00:25:17,080 --> 00:25:20,960
Speaker 1: would be. That's our production Shingle, but like we need

474
00:25:20,960 --> 00:25:23,360
Speaker 1: a name for the network, Wolf Cool. So this will

475
00:25:23,400 --> 00:25:26,440
Speaker 1: be part of the Wolf Cool network. And Seth Morris

476
00:25:26,520 --> 00:25:29,880
Speaker 1: is here hey to debut his new podcast.

477
00:25:29,960 --> 00:25:32,679
Speaker 2: This is so exciting you guys. We're so happy with

478
00:25:32,760 --> 00:25:34,960
Speaker 2: what you've done and thank you for the opportunity.

479
00:25:35,119 --> 00:25:37,680
Speaker 4: Right off the bat, you know, it's it's not easy

480
00:25:37,720 --> 00:25:39,600
Speaker 4: to get a podcast off the ground these days.

481
00:25:40,000 --> 00:25:43,040
Speaker 2: Oh believe me, we know. And that's part of why

482
00:25:43,080 --> 00:25:45,280
Speaker 2: we're so excited about this is we see all this

483
00:25:45,760 --> 00:25:48,600
Speaker 2: talent out there and we go, these guys have nowhere

484
00:25:48,600 --> 00:25:49,520
Speaker 2: to put their voice.

485
00:25:49,600 --> 00:25:51,879
Speaker 4: And the thing is, as people out there listening, they

486
00:25:51,960 --> 00:25:53,840
Speaker 4: might not know. It's like it's you know, you need

487
00:25:53,840 --> 00:25:56,040
Speaker 4: a you need a structure, you need infrastructure put on

488
00:25:56,080 --> 00:25:58,399
Speaker 4: a podcast. Like, yeah, I've got ideas, but I'm not

489
00:25:58,720 --> 00:26:01,120
Speaker 4: I don't know how to get it from my head

490
00:26:01,160 --> 00:26:03,879
Speaker 4: out into the world, you know. And you guys have

491
00:26:04,160 --> 00:26:06,880
Speaker 4: you know, Page your dues here at Earwolf, so you

492
00:26:07,240 --> 00:26:10,120
Speaker 4: from that you got Calvin and Hopp's productions and then

493
00:26:10,280 --> 00:26:12,320
Speaker 4: Wolf Cool, which I do have to say it's a

494
00:26:12,320 --> 00:26:14,720
Speaker 4: little confusing because when I try to get Valeid there's like,

495
00:26:14,960 --> 00:26:16,919
Speaker 4: I guess, like three different things I have to go

496
00:26:17,040 --> 00:26:19,600
Speaker 4: through that's neither here nor there. But the point is

497
00:26:19,680 --> 00:26:21,680
Speaker 4: I'm excited to be here so I get to get

498
00:26:21,840 --> 00:26:24,520
Speaker 4: work with you guys because you've done the work. You

499
00:26:24,600 --> 00:26:26,879
Speaker 4: put the blood, sweat and tears into this, and then

500
00:26:26,920 --> 00:26:29,800
Speaker 4: they reward you with your own sort of engineers and everything.

501
00:26:29,840 --> 00:26:33,360
Speaker 4: And that's that's really exciting. That's a really cool opportunity

502
00:26:33,359 --> 00:26:34,199
Speaker 4: for for me.

503
00:26:34,520 --> 00:26:37,480
Speaker 1: Yeah, because you could just do you know, podcast into

504
00:26:37,520 --> 00:26:40,320
Speaker 1: your phone, yeah or whatever and just like do it

505
00:26:40,320 --> 00:26:41,800
Speaker 1: on a voice memo or.

506
00:26:41,760 --> 00:26:43,159
Speaker 4: You can do it on a voice memo and you

507
00:26:43,200 --> 00:26:45,000
Speaker 4: can set you can only do like twenty people at

508
00:26:45,040 --> 00:26:47,440
Speaker 4: a time though, because I have I have an iPhone too,

509
00:26:47,760 --> 00:26:49,840
Speaker 4: so I don't have like the capability to.

510
00:26:50,040 --> 00:26:52,520
Speaker 2: Just your contacts. Yes, and even then only well and

511
00:26:52,600 --> 00:26:56,119
Speaker 2: it has to be all one, unbroken take. Yeah, you know.

512
00:26:56,760 --> 00:26:59,639
Speaker 2: But what they have with the engineers and stuff is

513
00:26:59,640 --> 00:27:02,520
Speaker 2: the ability to stop and start and all these great

514
00:27:02,560 --> 00:27:06,359
Speaker 2: things and sounds and when the engineers are actually paying

515
00:27:06,359 --> 00:27:09,399
Speaker 2: attention and not just drinking pizza sauce. If everyone could, right,

516
00:27:09,640 --> 00:27:11,760
Speaker 2: if everyone could look at Sam's drinking, if Sam could

517
00:27:11,760 --> 00:27:13,840
Speaker 2: take a picture of his drink. He's halfway through a

518
00:27:13,880 --> 00:27:15,280
Speaker 2: briging jar pizza.

519
00:27:14,960 --> 00:27:19,320
Speaker 4: Sauce that looks like a food stamp, bluddy Mary right there.

520
00:27:19,520 --> 00:27:23,400
Speaker 4: It's like pizza sauce and and and and mouthwashers.

521
00:27:23,440 --> 00:27:24,840
Speaker 1: And he asked you to take a picture of your

522
00:27:24,920 --> 00:27:30,639
Speaker 1: drink very slow to the camera today.

523
00:27:31,160 --> 00:27:33,320
Speaker 2: So uh, I mean, before we get into I mean,

524
00:27:33,320 --> 00:27:37,280
Speaker 2: this podcast stuff is great, but just look you're in Hollywood.

525
00:27:37,400 --> 00:27:41,080
Speaker 2: It's Hollywood Handbook. What uh, what advice do you have

526
00:27:41,240 --> 00:27:43,320
Speaker 2: to young guys who want to put themselves in the

527
00:27:43,359 --> 00:27:47,080
Speaker 2: position to get tapped? Cool?

528
00:27:47,280 --> 00:27:49,320
Speaker 4: Yeah, and it goes without saying that none of this

529
00:27:49,359 --> 00:27:51,280
Speaker 4: stuff just happens, you know what I mean? Like, I

530
00:27:51,320 --> 00:27:56,040
Speaker 4: don't just get a show on the shingle of one

531
00:27:56,080 --> 00:28:00,719
Speaker 4: of the shingles that's related to a major you know,

532
00:28:01,160 --> 00:28:04,200
Speaker 4: mid tier podcast network. That doesn't happen my accent, It

533
00:28:04,240 --> 00:28:06,880
Speaker 4: happens because I work, I'm here, I'm doing it. And

534
00:28:07,920 --> 00:28:11,280
Speaker 4: more than anything else, I think that your show, this show,

535
00:28:11,560 --> 00:28:14,760
Speaker 4: it just saves people time. Like, if you listen, we

536
00:28:14,800 --> 00:28:16,840
Speaker 4: want to tell you guys out there, we want to

537
00:28:16,880 --> 00:28:18,760
Speaker 4: tell you, don't make the mistakes that we made.

538
00:28:18,880 --> 00:28:20,560
Speaker 2: Just get out there. We learned about this.

539
00:28:21,040 --> 00:28:24,840
Speaker 4: And so first thing come to Hollywood, and what you

540
00:28:24,920 --> 00:28:27,159
Speaker 4: have to keep in mind is that once you get.

541
00:28:27,040 --> 00:28:28,760
Speaker 2: Here, you got to be here. Okay.

542
00:28:28,960 --> 00:28:31,679
Speaker 4: That means your audition starts when you get off the plane.

543
00:28:31,720 --> 00:28:35,280
Speaker 4: The first step you take out into actual Hollywood air,

544
00:28:35,760 --> 00:28:38,760
Speaker 4: you're auditioning. You are trying to get noticed, you're trying

545
00:28:38,800 --> 00:28:42,240
Speaker 4: to make an appearance, You're trying to make connections.

546
00:28:42,400 --> 00:28:45,240
Speaker 2: Okay, second thing, when you land.

547
00:28:45,360 --> 00:28:50,360
Speaker 4: Get a podcast, it's podcasts are the new headshot, They're

548
00:28:50,360 --> 00:28:51,400
Speaker 4: the new IMDb.

549
00:28:51,480 --> 00:28:53,520
Speaker 2: There. You have to have a podcast.

550
00:28:53,560 --> 00:28:56,360
Speaker 4: So even if that means you used to do it

551
00:28:56,400 --> 00:28:58,640
Speaker 4: on your phone, you do it on your phone, dude.

552
00:28:58,760 --> 00:29:01,800
Speaker 1: The information kiosk at the airport, I think a lot

553
00:29:01,800 --> 00:29:04,120
Speaker 1: of times Ken will help you out with that at.

554
00:29:04,080 --> 00:29:08,520
Speaker 4: LA Oh, absolutely absolutely use them. There's a backstage West

555
00:29:08,600 --> 00:29:13,560
Speaker 4: kiosk at the Burbank Airport. Go check that out because

556
00:29:13,600 --> 00:29:15,200
Speaker 4: that's gonna be a great resource.

557
00:29:15,320 --> 00:29:18,200
Speaker 2: You know. I would say, when you're even on the plane,

558
00:29:18,320 --> 00:29:21,400
Speaker 2: if you can get up into the cockpit area, the

559
00:29:21,440 --> 00:29:24,320
Speaker 2: pilot has a little thingy that he's talking to with.

560
00:29:24,320 --> 00:29:26,600
Speaker 4: Every dude here, How funny is it when you go

561
00:29:26,680 --> 00:29:30,040
Speaker 4: flying Southwest and they're funny? You know you remember, Oh,

562
00:29:30,040 --> 00:29:33,120
Speaker 4: that was a great experience. Yes, I encourage people to

563
00:29:33,160 --> 00:29:35,640
Speaker 4: elbow their way up to that that.

564
00:29:35,600 --> 00:29:39,600
Speaker 2: Microphone crack some fucking singers, because that is a podcast.

565
00:29:39,680 --> 00:29:42,560
Speaker 2: People don't like realize this, that's a kind of pod. Well,

566
00:29:42,600 --> 00:29:45,400
Speaker 2: the plane is a pod. Everyone's hearing you and you're

567
00:29:45,480 --> 00:29:46,959
Speaker 2: casting over those speakers.

568
00:29:47,040 --> 00:29:47,800
Speaker 1: If it's funny.

569
00:29:48,000 --> 00:29:49,640
Speaker 2: I'm of the belief that if you can hear it,

570
00:29:49,640 --> 00:29:52,920
Speaker 2: it's a podcast. If the first thing is you say

571
00:29:53,040 --> 00:29:54,720
Speaker 2: is funny. When you get on that mic and have

572
00:29:54,840 --> 00:29:57,600
Speaker 2: something good, they don't care how you got up there,

573
00:29:58,000 --> 00:30:00,880
Speaker 2: whether you elbowed through, whether you shoved us stewardess, or

574
00:30:00,920 --> 00:30:03,440
Speaker 2: whether you had a box cutter in your hand. Nobody shares.

575
00:30:03,560 --> 00:30:05,240
Speaker 4: And by the way, you know, I'm not saying everybody

576
00:30:05,280 --> 00:30:07,320
Speaker 4: who here comes here as a comedian. You might be

577
00:30:07,320 --> 00:30:10,760
Speaker 4: a dramatic actor. And if that's your thing, say something intense.

578
00:30:10,600 --> 00:30:13,760
Speaker 1: And once you get it's funny, you're serious.

579
00:30:13,880 --> 00:30:16,040
Speaker 4: Do a monologue about your kid that's dying with cancer

580
00:30:16,120 --> 00:30:16,719
Speaker 4: or something like that.

581
00:30:16,800 --> 00:30:19,880
Speaker 2: Do some black scenes? Do Blacklist? Yes? I mean if

582
00:30:19,880 --> 00:30:22,040
Speaker 2: you can do Blacklist, you can do anything.

583
00:30:22,320 --> 00:30:25,280
Speaker 4: I often I was doing Blacklist before a lot of people.

584
00:30:25,280 --> 00:30:27,520
Speaker 4: What I would do is every time I entered a building,

585
00:30:27,560 --> 00:30:28,960
Speaker 4: I would just get on my knees and put my

586
00:30:29,000 --> 00:30:29,960
Speaker 4: hands behind my head.

587
00:30:30,640 --> 00:30:33,000
Speaker 2: Yes, I remember seeing that. I remember that was the

588
00:30:33,040 --> 00:30:35,000
Speaker 2: first time I saw you. But I had this look

589
00:30:35,040 --> 00:30:38,320
Speaker 2: on my face like you're not catching me. I'm giving

590
00:30:38,360 --> 00:30:40,680
Speaker 2: myself to you. But you turned to me and I said,

591
00:30:40,680 --> 00:30:43,200
Speaker 2: who is this guy? And you said, if you recall,

592
00:30:43,520 --> 00:30:47,520
Speaker 2: I'm a criminal. And I thought and it's like, okay,

593
00:30:47,560 --> 00:30:48,880
Speaker 2: instead of what a criminal's soul.

594
00:30:49,320 --> 00:30:50,760
Speaker 4: I will say it took me a while to fight

595
00:30:50,800 --> 00:30:52,719
Speaker 4: the right size hat because in the beginning I had

596
00:30:52,720 --> 00:30:55,080
Speaker 4: a tiny fedora and it took away from the whole.

597
00:30:55,960 --> 00:30:58,400
Speaker 2: You know, Yeah, I made it seem comedics that it

598
00:30:58,440 --> 00:31:01,320
Speaker 2: seems comedic, But now I have just it's just right.

599
00:31:01,480 --> 00:31:03,120
Speaker 1: You were hole. You would put your hands on your

600
00:31:03,160 --> 00:31:05,600
Speaker 1: head to kind of hold the tiny hat, but it

601
00:31:05,600 --> 00:31:07,080
Speaker 1: would cover the yeah.

602
00:31:07,200 --> 00:31:09,000
Speaker 4: And then I got a chin strap to keep it,

603
00:31:09,000 --> 00:31:11,080
Speaker 4: but that made it worse. So then I just eventually

604
00:31:11,560 --> 00:31:13,480
Speaker 4: and actually it's the same hat I just built out

605
00:31:13,520 --> 00:31:14,600
Speaker 4: on the brim.

606
00:31:15,360 --> 00:31:18,320
Speaker 2: You could do that, Yeah, they can do that. Now,

607
00:31:18,360 --> 00:31:21,760
Speaker 2: it's just you add felt to the brim and so

608
00:31:21,880 --> 00:31:24,040
Speaker 2: it is just a little bump on top of your

609
00:31:24,040 --> 00:31:26,560
Speaker 2: head and then a big wine circle.

610
00:31:26,640 --> 00:31:28,640
Speaker 4: But you know what the point is that got me noticed,

611
00:31:28,680 --> 00:31:30,680
Speaker 4: that started to get me out there. So that's that's

612
00:31:30,680 --> 00:31:33,160
Speaker 4: something you gotta do. Of course, you gotta get headshots,

613
00:31:33,200 --> 00:31:36,400
Speaker 4: get color headshots, don't you know. And I don't care

614
00:31:36,400 --> 00:31:38,760
Speaker 4: about this digital bullshit that people are talking about. It's

615
00:31:38,840 --> 00:31:43,200
Speaker 4: the business is not done online. It's done with hard paper. Okay,

616
00:31:43,840 --> 00:31:48,760
Speaker 4: get a headshot, guys, lose your shirt. Let's show some skin,

617
00:31:48,840 --> 00:31:52,520
Speaker 4: Let's see some stuff. Everybody, guys or girls, get a

618
00:31:52,560 --> 00:31:53,880
Speaker 4: fucking brick wall behind you.

619
00:31:54,400 --> 00:31:55,040
Speaker 2: Do you know what I mean?

620
00:31:55,520 --> 00:31:59,280
Speaker 4: I don't if I'm going through headshots, I don't want

621
00:31:59,280 --> 00:32:01,120
Speaker 4: to see the same old shit. I want to see

622
00:32:01,160 --> 00:32:03,960
Speaker 4: a brick wall with some natural light, and I want

623
00:32:03,960 --> 00:32:05,880
Speaker 4: to see some something popping in the eyes.

624
00:32:06,160 --> 00:32:08,440
Speaker 1: Yes, thank you so much about the digital thing too,

625
00:32:08,480 --> 00:32:10,520
Speaker 1: because those are not shiny.

626
00:32:10,360 --> 00:32:10,800
Speaker 2: Not at all.

627
00:32:10,920 --> 00:32:12,800
Speaker 4: You look at the digital ones, not at all. You

628
00:32:12,880 --> 00:32:14,680
Speaker 4: got to do the legwork. You got to drop your

629
00:32:14,720 --> 00:32:18,280
Speaker 4: head shot off at all these different places, and you

630
00:32:18,280 --> 00:32:21,120
Speaker 4: know what, walk, don't drive around let them see that.

631
00:32:21,200 --> 00:32:25,000
Speaker 4: You mean this. You're putting some sweat into the game. Yeah, yeah, well.

632
00:32:25,080 --> 00:32:26,880
Speaker 2: Yeah, when people say how long take you to get

633
00:32:26,880 --> 00:32:29,400
Speaker 2: here or whatever, they want to hear a big number. Absolutely.

634
00:32:29,480 --> 00:32:31,960
Speaker 1: No folder, by the way, don't carry them in a

635
00:32:31,960 --> 00:32:33,600
Speaker 1: folder something they should be loose.

636
00:32:33,720 --> 00:32:35,320
Speaker 2: No you're holding it up, No you're holding it out.

637
00:32:35,480 --> 00:32:39,200
Speaker 2: And sorry, but just to stay on the digital thing

638
00:32:39,240 --> 00:32:41,840
Speaker 2: for a moment. I know these kids, like young kids

639
00:32:41,880 --> 00:32:43,960
Speaker 2: are coming out here and they're on their surface and

640
00:32:44,040 --> 00:32:46,920
Speaker 2: whatever else, and that's fine. But the people who make

641
00:32:46,960 --> 00:32:50,600
Speaker 2: the decisions in this business. Yep. The people who really

642
00:32:51,240 --> 00:32:54,320
Speaker 2: need to decide is this headshot good enough to give

643
00:32:54,360 --> 00:32:58,400
Speaker 2: them a Wolf Cool podcast or some equivalent opportunity. Those

644
00:32:58,440 --> 00:33:01,400
Speaker 2: people are not on the internet.

645
00:33:01,640 --> 00:33:04,040
Speaker 4: No, Those people are at Cannor's Deli with a three

646
00:33:04,080 --> 00:33:07,120
Speaker 4: foot stack of headshots that they're going through every day.

647
00:33:08,440 --> 00:33:08,760
Speaker 1: Busy.

648
00:33:08,840 --> 00:33:10,960
Speaker 2: They're too busy for yeah.

649
00:33:11,040 --> 00:33:13,320
Speaker 4: Yeah, And you know this is another thing. A lot

650
00:33:13,320 --> 00:33:16,360
Speaker 4: of people don't know this. Get your everybody has head shots,

651
00:33:16,520 --> 00:33:18,400
Speaker 4: Get them out there in an interesting way, you know,

652
00:33:19,080 --> 00:33:24,080
Speaker 4: send a singing telegram to to this casting re any

653
00:33:24,080 --> 00:33:26,520
Speaker 4: way that you can put them on the spot. I

654
00:33:26,560 --> 00:33:29,000
Speaker 4: know that you're casting on the road right now. Do

655
00:33:29,040 --> 00:33:33,640
Speaker 4: you have a Do you have a Dean Marriorty? Because

656
00:33:33,680 --> 00:33:35,200
Speaker 4: I'm your guy, yes or no?

657
00:33:35,600 --> 00:33:38,440
Speaker 2: And you yes, and you must decide now. And if

658
00:33:38,440 --> 00:33:40,920
Speaker 2: you decide to use me here in my demands, and

659
00:33:41,040 --> 00:33:42,280
Speaker 2: don't and don't say.

660
00:33:42,160 --> 00:33:44,400
Speaker 1: The character's name right because you don't want to like

661
00:33:44,800 --> 00:33:48,200
Speaker 1: Dean Yeah, say Mary, say Mary Ordy, like you like,

662
00:33:48,320 --> 00:33:49,560
Speaker 1: don't really carry that bay.

663
00:33:49,640 --> 00:33:53,920
Speaker 4: Dean Mordecai just because Dean Moreah.

664
00:33:53,400 --> 00:33:55,400
Speaker 2: Then you're tying in. Then you you're like it's a

665
00:33:55,440 --> 00:33:57,880
Speaker 2: little wink, like I know that that's a movie.

666
00:33:57,600 --> 00:34:01,800
Speaker 1: That then they might give you mort Nikai if you

667
00:34:01,840 --> 00:34:04,240
Speaker 1: know that's right, Say a bunch of characters name is

668
00:34:04,320 --> 00:34:05,440
Speaker 1: kind of in one, so they.

669
00:34:05,400 --> 00:34:07,840
Speaker 4: Might well, yeah, you don't limit yourself that way if

670
00:34:07,840 --> 00:34:09,799
Speaker 4: you just because I don't care just one thing. I'm

671
00:34:09,840 --> 00:34:12,279
Speaker 4: an act door I become different things, So like why

672
00:34:12,320 --> 00:34:13,440
Speaker 4: would I just say.

673
00:34:13,520 --> 00:34:16,040
Speaker 2: Yeah, the or part is I can't act, or I

674
00:34:16,040 --> 00:34:18,680
Speaker 2: can do whatever else you need exactly exactly.

675
00:34:18,760 --> 00:34:20,840
Speaker 4: Well, that's another thing. Learn all the different aspects of

676
00:34:20,840 --> 00:34:23,320
Speaker 4: the business. I encourage people, if you really want to

677
00:34:23,320 --> 00:34:25,920
Speaker 4: impress somebody on set, know how to tie a cable,

678
00:34:26,120 --> 00:34:28,240
Speaker 4: even if you have nothing to do with electra, because

679
00:34:28,280 --> 00:34:30,359
Speaker 4: no everybody sees that and goes, oh, that's cool, that's

680
00:34:30,360 --> 00:34:32,959
Speaker 4: pretty I bet you maybe two out of one hundred

681
00:34:32,960 --> 00:34:35,480
Speaker 4: people know how to do that, and so that is

682
00:34:35,520 --> 00:34:37,080
Speaker 4: for sure going to get yourself noticed.

683
00:34:37,160 --> 00:34:39,239
Speaker 2: Yeah, if you're on set as an extra or something,

684
00:34:39,280 --> 00:34:41,280
Speaker 2: you can bump somebody out of the way and start

685
00:34:41,320 --> 00:34:45,160
Speaker 2: moving equipment around. That is how you really make headway.

686
00:34:45,280 --> 00:34:46,719
Speaker 4: Hey man, you got your foot in the door, you

687
00:34:46,800 --> 00:34:49,120
Speaker 4: might as well get your whole body in there now.

688
00:34:49,200 --> 00:34:51,400
Speaker 4: Once you're in town, once you've sort of established some

689
00:34:51,440 --> 00:34:53,759
Speaker 4: of these things. Let's say you're starting to get some work.

690
00:34:53,840 --> 00:34:57,160
Speaker 4: God God willing you start getting some work. What you

691
00:34:57,200 --> 00:35:00,719
Speaker 4: want to do is is, uh, make demands you want

692
00:35:00,719 --> 00:35:03,399
Speaker 4: to You want them to know, Hey, I'm fucking here now.

693
00:35:03,640 --> 00:35:06,480
Speaker 4: So no matter how small your part is, it's like

694
00:35:06,520 --> 00:35:09,040
Speaker 4: going to prison where you beat, you smash the biggest

695
00:35:09,040 --> 00:35:10,640
Speaker 4: guy on the first day to show like I'm not

696
00:35:10,680 --> 00:35:12,759
Speaker 4: somebody to be fucked with. Let's say you get a

697
00:35:12,840 --> 00:35:15,520
Speaker 4: job as an extra or a stand in or whatever.

698
00:35:15,880 --> 00:35:18,520
Speaker 4: Make a scene. You want to get that second a

699
00:35:18,640 --> 00:35:21,719
Speaker 4: d to know who you are and that you mean business.

700
00:35:22,080 --> 00:35:25,400
Speaker 4: So make demands. My trailer is too small. You expect

701
00:35:25,440 --> 00:35:28,239
Speaker 4: me to eat this food. Hey I busted my ass

702
00:35:28,239 --> 00:35:30,160
Speaker 4: to get here. You know I don't. I don't go

703
00:35:30,200 --> 00:35:31,719
Speaker 4: to where you work and slap the dick out of

704
00:35:31,719 --> 00:35:35,080
Speaker 4: your mouth. You gotta get these things out there.

705
00:35:36,440 --> 00:35:42,799
Speaker 2: Job right? Right? Can I use that if you could

706
00:35:42,800 --> 00:35:49,400
Speaker 2: hold off? Okay, okay, fair enough, fair, But I like

707
00:35:49,480 --> 00:35:51,680
Speaker 2: to say, if you want a deal, you hear about

708
00:35:51,680 --> 00:35:53,800
Speaker 2: people signing these big deals. If you want a deal,

709
00:35:54,080 --> 00:35:56,960
Speaker 2: make them deal with you. You make them deal with you.

710
00:35:57,480 --> 00:35:58,439
Speaker 1: That's where it comes from.

711
00:35:58,760 --> 00:36:00,840
Speaker 2: Yeah, that's where it comes from. Just you're such a

712
00:36:00,880 --> 00:36:03,719
Speaker 2: problem and you're doing that, I won't do it. But

713
00:36:03,840 --> 00:36:07,439
Speaker 2: you're making them saying they're sick dick for their job. Yeah, yeah, yeah,

714
00:36:07,440 --> 00:36:10,439
Speaker 2: and stuff like this, yeah yeah, yeah. Isn't that funny though,

715
00:36:10,719 --> 00:36:13,400
Speaker 2: Oh gosh, I get if somebody says that to be

716
00:36:13,440 --> 00:36:14,879
Speaker 2: I'm like, uh uh no.

717
00:36:15,160 --> 00:36:17,640
Speaker 4: But as I when I used to do that joke

718
00:36:17,680 --> 00:36:20,200
Speaker 4: I started, I've been workshopping that for like seven months,

719
00:36:20,239 --> 00:36:21,400
Speaker 4: and I used to go, I don't go to your

720
00:36:21,440 --> 00:36:24,799
Speaker 4: work and slap you in the face. Okay, but you know,

721
00:36:24,800 --> 00:36:26,600
Speaker 4: because that that didn't tell that doesn't tell a story.

722
00:36:26,640 --> 00:36:28,239
Speaker 1: It's a good starting point for something.

723
00:36:28,280 --> 00:36:31,040
Speaker 2: It is. It is no, it is in the neighborhood

724
00:36:31,080 --> 00:36:32,719
Speaker 2: of something good. And I think you got all the

725
00:36:32,719 --> 00:36:34,719
Speaker 2: way there. Oh can we talk sorry? Can I just

726
00:36:34,719 --> 00:36:36,040
Speaker 2: back up a little bit and talk a little bit

727
00:36:36,040 --> 00:36:39,319
Speaker 2: more about headshots? Oh gosh, yeah, I had something about

728
00:36:39,360 --> 00:36:41,719
Speaker 2: them too. Oh good. I hope it's not this. Well

729
00:36:41,719 --> 00:36:43,040
Speaker 2: it could be the same. Well, I'll go, you go,

730
00:36:43,160 --> 00:36:44,480
Speaker 2: and then I'll tell you that's the same. I want

731
00:36:44,520 --> 00:36:47,920
Speaker 2: to talk about fonts. Okay, it wasn't this, but thank

732
00:36:48,120 --> 00:36:49,480
Speaker 2: god you said something.

733
00:36:49,520 --> 00:36:52,080
Speaker 4: Yeah, I mean, like, look at this is we're in

734
00:36:52,080 --> 00:36:58,400
Speaker 4: twenty fifteen. You gotta how Vetica is. That's that's a ghost. Okay,

735
00:36:58,400 --> 00:37:00,400
Speaker 4: you might as built be writing in lemon juice and

736
00:37:00,480 --> 00:37:04,319
Speaker 4: invisible ink. Nobody notices that you need to get how

737
00:37:04,360 --> 00:37:07,799
Speaker 4: about some Hawaii? How about how about some some Albertus

738
00:37:07,800 --> 00:37:11,960
Speaker 4: extra bold? How about some aerial black? Okay, what about season?

739
00:37:12,080 --> 00:37:13,040
Speaker 4: That's a fun font.

740
00:37:13,120 --> 00:37:15,680
Speaker 2: Here's a great way to remember great, here's a great

741
00:37:15,719 --> 00:37:18,400
Speaker 2: way to remember what you should be thinking about. Font

742
00:37:18,520 --> 00:37:21,640
Speaker 2: is only really one different vow and the omission of

743
00:37:21,680 --> 00:37:25,160
Speaker 2: a tee away from fun. So if your font's not fun,

744
00:37:25,239 --> 00:37:28,120
Speaker 2: then it's really not a font or close to it.

745
00:37:28,200 --> 00:37:31,280
Speaker 4: I have the same thing but with fonds. Okay, yes,

746
00:37:31,800 --> 00:37:33,480
Speaker 4: a lot of people don't know that reference, but you

747
00:37:33,480 --> 00:37:34,239
Speaker 4: should google it.

748
00:37:34,320 --> 00:37:36,919
Speaker 1: Even without fonts, you can if you write your name

749
00:37:37,320 --> 00:37:39,799
Speaker 1: with an asterisk in between every letter and it's all

750
00:37:39,800 --> 00:37:42,680
Speaker 1: in caps, like mash that was a really big show.

751
00:37:42,920 --> 00:37:45,080
Speaker 1: That was a huge show, and then people will associate

752
00:37:45,160 --> 00:37:47,239
Speaker 1: you with the show that they it's like your name

753
00:37:47,440 --> 00:37:48,000
Speaker 1: is now.

754
00:37:48,000 --> 00:37:51,080
Speaker 4: Yeah, they're like, I grew up with this person a

755
00:37:51,080 --> 00:37:53,319
Speaker 4: couple of my other favorites, and you guys know this

756
00:37:53,880 --> 00:37:57,520
Speaker 4: Pickwick monotype. Oh yeah, that is a home run fund.

757
00:37:57,840 --> 00:37:59,600
Speaker 4: I'd like to say this about fonts.

758
00:37:59,640 --> 00:38:03,120
Speaker 2: If people are talking about fonts, one thing that's always funny,

759
00:38:03,280 --> 00:38:05,879
Speaker 2: you say wing dings first. If you bring up wing

760
00:38:05,960 --> 00:38:08,480
Speaker 2: dings before they bring up wing dings, then you're wearing

761
00:38:08,520 --> 00:38:09,319
Speaker 2: the comedy pant.

762
00:38:09,480 --> 00:38:11,759
Speaker 1: Almost an over said, I don't want to criticize you,

763
00:38:11,800 --> 00:38:14,680
Speaker 1: but in this case to not mention wing dings, yes,

764
00:38:14,719 --> 00:38:17,359
Speaker 1: because it's so funny because you can't read it.

765
00:38:17,400 --> 00:38:20,239
Speaker 2: And so to say that something's written in winga like

766
00:38:20,480 --> 00:38:22,200
Speaker 2: let's say you hit somebody your resume and you go,

767
00:38:22,360 --> 00:38:26,440
Speaker 2: it's in wing dings, right right, killer.

768
00:38:26,920 --> 00:38:29,040
Speaker 4: I want to just thank you for calling me out

769
00:38:29,080 --> 00:38:31,440
Speaker 4: on that, because this is another thing I know. You

770
00:38:31,440 --> 00:38:35,520
Speaker 4: got to always be learning. Yeah, you're always you're always learning. Okay,

771
00:38:36,320 --> 00:38:38,880
Speaker 4: you have made yourself my enemy by doing that, but

772
00:38:39,160 --> 00:38:40,160
Speaker 4: that just fuels me.

773
00:38:40,480 --> 00:38:45,680
Speaker 2: I learned something too. Yeah in this case. Yeah. Oh.

774
00:38:46,120 --> 00:38:47,080
Speaker 2: So let's say, so.

775
00:38:47,000 --> 00:38:48,640
Speaker 4: You're in town, you got your headshots, you're starting to

776
00:38:48,640 --> 00:38:52,400
Speaker 4: get some work. Take classes, Yeah, get out there, take classes.

777
00:38:52,480 --> 00:38:54,400
Speaker 4: And I'm of the belief it doesn't matter. You know,

778
00:38:54,520 --> 00:38:56,759
Speaker 4: it doesn't matter if it's an acting class or not,

779
00:38:56,920 --> 00:39:01,480
Speaker 4: because everybody in Los Angeles in the entertainment business that

780
00:39:01,640 --> 00:39:04,239
Speaker 4: is a fact. One of the people that live here

781
00:39:04,640 --> 00:39:07,160
Speaker 4: work in this business. So even if you're taking a

782
00:39:07,160 --> 00:39:10,280
Speaker 4: real estate class or typing class or whatever cooking class,

783
00:39:10,440 --> 00:39:11,920
Speaker 4: everybody in there is in the business.

784
00:39:11,960 --> 00:39:14,359
Speaker 2: They might be able to help you one day and

785
00:39:14,400 --> 00:39:17,680
Speaker 2: b being funny at that real estate Absolutely, and you

786
00:39:17,680 --> 00:39:19,359
Speaker 2: know what people are going to tell you, go take

787
00:39:19,360 --> 00:39:20,320
Speaker 2: a UCB class.

788
00:39:20,680 --> 00:39:22,759
Speaker 4: Don't take a UCB class. New You're not going to

789
00:39:22,840 --> 00:39:25,400
Speaker 4: be that good. It's hard to get classes. What you

790
00:39:25,440 --> 00:39:27,680
Speaker 4: want to do is find somebody somewhere small and be

791
00:39:27,719 --> 00:39:29,000
Speaker 4: a big fish in a small pond.

792
00:39:29,120 --> 00:39:31,759
Speaker 2: Yeah, if I could play Devil's advocate. One thing you

793
00:39:31,840 --> 00:39:35,960
Speaker 2: can do is take one UCB class and then when

794
00:39:35,960 --> 00:39:37,839
Speaker 2: people ask you what you're up to, you go, well,

795
00:39:37,880 --> 00:39:40,799
Speaker 2: I do UCB, I perform a UCB. I'm in the UCB. Yeah,

796
00:39:40,800 --> 00:39:42,920
Speaker 2: I'm in the UCB. And same with Groundleaks. Take one

797
00:39:42,960 --> 00:39:45,080
Speaker 2: ground Leaks class, sign up for it, and then withdraw

798
00:39:45,120 --> 00:39:47,640
Speaker 2: and then go like, no, I'm in the ground links. Absolutely.

799
00:39:48,040 --> 00:39:50,600
Speaker 1: So you're in the brigade is actually how they say it,

800
00:39:50,640 --> 00:39:54,560
Speaker 1: Like I'm I'm a brigader mm hmm is what those

801
00:39:54,600 --> 00:39:55,640
Speaker 1: guys tend to do that too.

802
00:39:55,640 --> 00:39:58,680
Speaker 4: And I'll wear like epaulets and like a like Apprussian

803
00:39:58,800 --> 00:39:59,960
Speaker 4: like general's.

804
00:40:00,360 --> 00:40:02,239
Speaker 1: And so if you just say like, I'm a UCB guy,

805
00:40:02,239 --> 00:40:04,239
Speaker 1: they'll be like, oh you really if you say like

806
00:40:04,239 --> 00:40:05,440
Speaker 1: I'm a brigadier.

807
00:40:05,080 --> 00:40:08,200
Speaker 2: Speaking of epaulets and a Prussian general's hat. When you're

808
00:40:08,239 --> 00:40:12,320
Speaker 2: getting headshots, wouldn't you say, look at the movie posters

809
00:40:12,360 --> 00:40:14,600
Speaker 2: and see what's coming out. So if there's a robot movie,

810
00:40:14,680 --> 00:40:18,560
Speaker 2: get a robot headshots. When Broke Bat Mountain came out,

811
00:40:18,600 --> 00:40:21,160
Speaker 2: if you didn't have a headshot with a cowboy hat, yes,

812
00:40:21,520 --> 00:40:23,359
Speaker 2: well good luck getting looked at.

813
00:40:23,520 --> 00:40:26,239
Speaker 1: Yeah, if you're a girl, like the fault in Our

814
00:40:26,280 --> 00:40:28,799
Speaker 1: Stars thing, the two little tubes going up the nose,

815
00:40:29,400 --> 00:40:31,239
Speaker 1: you got to have those in your.

816
00:40:31,160 --> 00:40:34,920
Speaker 4: Headshot absolutely, because you convey not only that you know

817
00:40:35,120 --> 00:40:38,839
Speaker 4: which movies are out, but a vulnerability you're you're talking about. Hey,

818
00:40:38,880 --> 00:40:40,920
Speaker 4: like my comedy or whatever it is, it's grounded in

819
00:40:40,960 --> 00:40:43,160
Speaker 4: the real world. And in the real world, beautiful girls

820
00:40:43,200 --> 00:40:47,240
Speaker 4: die every day, yes, right, And guys talk.

821
00:40:47,200 --> 00:40:50,600
Speaker 2: Like weird huh, Like that guy really talks strange in

822
00:40:50,640 --> 00:40:54,000
Speaker 2: that he's talking like he's in Shakespeare, but everyone else

823
00:40:54,040 --> 00:40:56,640
Speaker 2: is in a normal world. Wow, Hey he was sick.

824
00:40:56,840 --> 00:40:59,160
Speaker 1: But you I don't spoil it. Oh he was sick

825
00:40:59,200 --> 00:40:59,960
Speaker 1: because he had a break.

826
00:41:00,200 --> 00:41:03,200
Speaker 2: Well is this before this measles stuff? Yeah?

827
00:41:03,320 --> 00:41:07,480
Speaker 4: Boy boy, But you know, speaking of that, I'm a

828
00:41:07,480 --> 00:41:09,839
Speaker 4: big fan of the composite headshot. You know, you get

829
00:41:09,840 --> 00:41:13,120
Speaker 4: a bunch of different costumes. You have six little small

830
00:41:13,160 --> 00:41:16,480
Speaker 4: panels on one eight by eight by eleven eight and

831
00:41:16,520 --> 00:41:20,439
Speaker 4: a half by eleven photo. So then people get to see, Hey,

832
00:41:20,480 --> 00:41:22,759
Speaker 4: you know what, this guy's a cowboy. This guy can

833
00:41:22,840 --> 00:41:25,640
Speaker 4: be a tennis player, this guy can be a nurse,

834
00:41:25,680 --> 00:41:26,560
Speaker 4: this guy can be a cop.

835
00:41:26,680 --> 00:41:26,960
Speaker 3: Cop.

836
00:41:27,120 --> 00:41:31,120
Speaker 2: Yeah, gonna say cap Yeah, and it tells a story. Yeah,

837
00:41:31,200 --> 00:41:32,000
Speaker 2: if you can afford it.

838
00:41:32,040 --> 00:41:34,480
Speaker 4: As soon as you land in La, get a doctor's outfit,

839
00:41:34,640 --> 00:41:38,919
Speaker 4: a cops outfit, captain's hat, sea captain's hat, sea captains, yes,

840
00:41:39,640 --> 00:41:42,640
Speaker 4: captain's hat yeah, and uh, and a race car driver

841
00:41:42,800 --> 00:41:44,440
Speaker 4: outfit because those.

842
00:41:44,640 --> 00:41:46,360
Speaker 2: The middle of the country, those are going to be

843
00:41:46,400 --> 00:41:47,120
Speaker 2: the first couple drop.

844
00:41:47,200 --> 00:41:50,360
Speaker 4: Yeah, flyover states are filled with doctors, cops, race car drivers,

845
00:41:50,360 --> 00:41:53,919
Speaker 4: and sea captains. They get sick a lot. They can't

846
00:41:53,960 --> 00:41:56,879
Speaker 4: relate to that. Who can't relate to that? So those

847
00:41:56,920 --> 00:41:59,799
Speaker 4: are just a couple other things. You know, Well, boy,

848
00:41:59,840 --> 00:42:00,520
Speaker 4: that's helpful.

849
00:42:00,520 --> 00:42:02,200
Speaker 2: And so if you do all those steps, you might

850
00:42:02,200 --> 00:42:04,960
Speaker 2: find yourself sitting in the very same seed as a

851
00:42:05,040 --> 00:42:08,520
Speaker 2: mister said Morris. He's got his new wolf Cool podcast

852
00:42:08,800 --> 00:42:12,040
Speaker 2: coming out of Calvin and Hobbs Productions, which is an

853
00:42:12,080 --> 00:42:15,160
Speaker 2: offshoot of wolf Pop, which comes from the Ear Wolf

854
00:42:15,280 --> 00:42:18,040
Speaker 2: parent tree. Actually, while we're on that, can you guys stamp? Like?

855
00:42:18,080 --> 00:42:20,200
Speaker 4: Can I get like I need four validations? I got

856
00:42:20,200 --> 00:42:22,640
Speaker 4: four different parking ticket or validations for these.

857
00:42:22,760 --> 00:42:25,440
Speaker 1: You're gonna need the other ones first? Did they explain

858
00:42:25,520 --> 00:42:25,960
Speaker 1: that to you?

859
00:42:27,280 --> 00:42:28,120
Speaker 2: You guys don't.

860
00:42:28,160 --> 00:42:30,840
Speaker 1: We can't stamp it first ours, Oh you have to.

861
00:42:31,120 --> 00:42:36,880
Speaker 1: It can't be covered up by the by the ear Wolf, it's.

862
00:42:35,760 --> 00:42:38,280
Speaker 2: The biggest one. And then it's like it's nesting stamps.

863
00:42:38,320 --> 00:42:42,040
Speaker 2: You guys do that time released ink thing? Yes? Right, Okay, Unfortunately,

864
00:42:42,520 --> 00:42:45,760
Speaker 2: we'd love to do it, and we've asked them, but.

865
00:42:45,160 --> 00:42:47,319
Speaker 4: Because that's the weekend, I have to I'll have to

866
00:42:47,320 --> 00:42:50,839
Speaker 4: come back on Monday and get the ear Wolf uh

867
00:42:51,360 --> 00:42:54,520
Speaker 4: stamp right? Yes, I don't think wolf Pop is here

868
00:42:54,600 --> 00:42:56,480
Speaker 4: till Wednesday, So I get.

869
00:42:56,360 --> 00:42:59,440
Speaker 2: That there, yes, and then I can get the Wednesday

870
00:42:59,640 --> 00:43:01,560
Speaker 2: maybe week I'll just leave my car here.

871
00:43:02,560 --> 00:43:04,640
Speaker 1: Yeah, I think that's probably best, and then you will

872
00:43:04,680 --> 00:43:07,120
Speaker 1: have to pay I guess, But then just check in

873
00:43:07,200 --> 00:43:09,799
Speaker 1: with your bank to make sure that it's processed. It

874
00:43:09,800 --> 00:43:12,960
Speaker 1: comes back once you do get the validation.

875
00:43:12,840 --> 00:43:14,800
Speaker 2: And what is that like four to six weeks or something.

876
00:43:15,320 --> 00:43:16,920
Speaker 1: I mean, it depends on your bank. I don't know

877
00:43:17,320 --> 00:43:18,680
Speaker 1: what's going on with your fan.

878
00:43:18,840 --> 00:43:20,200
Speaker 2: Are you paying from you or you're going through your

879
00:43:20,239 --> 00:43:21,879
Speaker 2: loan out. I'm going through my loan out.

880
00:43:22,040 --> 00:43:24,040
Speaker 1: Okay, what's the name of your loan out?

881
00:43:24,480 --> 00:43:32,160
Speaker 2: It's called What's up with That? Oh really? Oh yeah? Yeah? Yeah,

882
00:43:32,160 --> 00:43:34,560
Speaker 2: well you oh yeah, Like was it is that just

883
00:43:34,600 --> 00:43:36,920
Speaker 2: a coincidence that it's that? Oh no, no, it's it

884
00:43:37,000 --> 00:43:38,920
Speaker 2: is that you can't use what up with That? I

885
00:43:38,920 --> 00:43:40,680
Speaker 2: guess because that is the snl' sketch.

886
00:43:40,800 --> 00:43:42,920
Speaker 1: But that is probably the closest thing you could do.

887
00:43:43,160 --> 00:43:44,759
Speaker 2: I don't want to. I mean, I do love that.

888
00:43:45,520 --> 00:43:47,239
Speaker 4: I love that sketch, and to me, it's like a

889
00:43:47,280 --> 00:43:49,120
Speaker 4: sign of like commitment, because part of the joke of

890
00:43:49,200 --> 00:43:51,040
Speaker 4: that is like it just keeps going and going, and

891
00:43:51,080 --> 00:43:55,440
Speaker 4: that's me in this business in this town. But actually

892
00:43:55,480 --> 00:43:58,480
Speaker 4: it's it's uh. I had a harsh experience when I

893
00:43:58,560 --> 00:44:04,040
Speaker 4: was getting incorporated somebody that the guy or not Republic

894
00:44:04,120 --> 00:44:06,480
Speaker 4: or whoever he was. He went crazy, He's spit in

895
00:44:06,560 --> 00:44:07,120
Speaker 4: my eyeball.

896
00:44:10,080 --> 00:44:12,319
Speaker 2: Oh okay, so it was an accident that that was

897
00:44:12,360 --> 00:44:13,080
Speaker 2: just written down.

898
00:44:13,200 --> 00:44:16,480
Speaker 4: That was an action. He spit in my face on purpose. Okay.

899
00:44:16,640 --> 00:44:18,480
Speaker 2: He was like it was like a jew, what's up

900
00:44:18,520 --> 00:44:18,839
Speaker 2: with that?

901
00:44:18,960 --> 00:44:21,960
Speaker 4: And then he writes that down and now that's your company. Yeah,

902
00:44:22,880 --> 00:44:26,200
Speaker 4: so anyway, but yeah, I'll leave my car here. I

903
00:44:26,000 --> 00:44:28,279
Speaker 4: I we took a huge change of but if I could,

904
00:44:28,320 --> 00:44:30,160
Speaker 4: if as long as I get validated because it all

905
00:44:30,600 --> 00:44:32,160
Speaker 4: you know, the tax money.

906
00:44:32,200 --> 00:44:36,040
Speaker 2: Baby, Oh yeah me yes, ses, Uncle Sam's got his.

907
00:44:37,800 --> 00:44:38,560
Speaker 1: Quarters of the way.

908
00:44:38,760 --> 00:44:44,239
Speaker 2: Oh yeah, sure, yeah, his dick tentacles. Uh huh.

909
00:44:44,280 --> 00:44:47,520
Speaker 4: Anyway, but I'm so psyched to it about this this podcast,

910
00:44:47,600 --> 00:44:48,120
Speaker 4: and you know.

911
00:44:48,040 --> 00:44:50,200
Speaker 2: I'm sure people. Yeah, we just wanted to play some classes.

912
00:44:50,520 --> 00:44:52,520
Speaker 2: Yeah yeah, just this is a little bit of a

913
00:44:52,560 --> 00:44:54,600
Speaker 2: sneak preview and this American Life has done this a

914
00:44:54,600 --> 00:44:57,600
Speaker 2: couple of times lately where they sort of launched Cereal

915
00:44:57,760 --> 00:45:00,480
Speaker 2: and start Up through just playing these clips from the

916
00:45:00,480 --> 00:45:03,440
Speaker 2: first episode and that took off. So we're going to

917
00:45:03,560 --> 00:45:10,200
Speaker 2: use our huge show to launch this one. And Hayes,

918
00:45:10,239 --> 00:45:11,640
Speaker 2: do you want to talk a little bit about the

919
00:45:11,680 --> 00:45:14,959
Speaker 2: concept behind the show. I mean this came to you.

920
00:45:15,239 --> 00:45:17,319
Speaker 1: Yeah, we looked at I looked at the top two

921
00:45:17,360 --> 00:45:21,640
Speaker 1: hundred comedy podcast, informational podcast, just seeing what was out there,

922
00:45:21,800 --> 00:45:23,200
Speaker 1: what wasn't out there.

923
00:45:23,320 --> 00:45:25,560
Speaker 2: It's kind of like when Gordon Ramsay on Kitchen Nightmares,

924
00:45:25,600 --> 00:45:27,719
Speaker 2: walks around all the restaurants and says, well, there's a

925
00:45:27,760 --> 00:45:30,319
Speaker 2: hot dog place, Well, there's a Hamburger place. Well, but

926
00:45:30,400 --> 00:45:32,719
Speaker 2: there's no onion rings here, and then it goes goes,

927
00:45:32,719 --> 00:45:35,279
Speaker 2: you're an onion ring place now, yes, And what I

928
00:45:35,360 --> 00:45:38,600
Speaker 2: didn't see there's no podcast about Thanksgiving, and you think

929
00:45:38,640 --> 00:45:43,359
Speaker 2: about it, Thanksgiving holiday everybody, which everybody true.

930
00:45:43,360 --> 00:45:47,240
Speaker 4: I'm still tripped out by that that there is no Thanksgiving.

931
00:45:47,360 --> 00:45:50,040
Speaker 1: That's what I was saying. And I checked over and

932
00:45:50,080 --> 00:45:51,960
Speaker 1: over and over again. I never even sew one once.

933
00:45:51,960 --> 00:45:52,839
Speaker 1: I listened at all of them.

934
00:45:52,840 --> 00:45:54,880
Speaker 2: Did you make sure they try different search engines, a

935
00:45:54,920 --> 00:45:57,440
Speaker 2: couple of different surch engines, because sometimes that makes a difference.

936
00:45:57,920 --> 00:46:02,919
Speaker 2: I tried differ browsers, and just to quickly the wing

937
00:46:03,040 --> 00:46:05,440
Speaker 2: things of search engines is of course ask jeeves, and

938
00:46:05,480 --> 00:46:07,319
Speaker 2: you do want to get there first. If people start

939
00:46:07,400 --> 00:46:09,720
Speaker 2: naming search engines I know we didn't go down that road,

940
00:46:09,760 --> 00:46:13,520
Speaker 2: but if you can do that first, then you win. Yeah, yeah,

941
00:46:13,719 --> 00:46:14,120
Speaker 2: believe me.

942
00:46:14,160 --> 00:46:18,440
Speaker 4: These little singers are these are these are extra feet

943
00:46:18,480 --> 00:46:20,920
Speaker 4: in extra doors. We're giving you guys a shortcut to

944
00:46:20,960 --> 00:46:22,720
Speaker 4: how to get successful in this business.

945
00:46:23,320 --> 00:46:26,800
Speaker 1: So the Thanksgiving show, we thought, you know, talking Turkey

946
00:46:26,880 --> 00:46:29,360
Speaker 1: is a funny name, that's not that's not taken by anything,

947
00:46:30,440 --> 00:46:33,640
Speaker 1: and it got me and just to talk about the

948
00:46:33,719 --> 00:46:36,880
Speaker 1: experience of having Thanksgiving and to be funny, to be funny,

949
00:46:37,000 --> 00:46:41,239
Speaker 1: also tell a story about family. And maybe sometime Thanksgiving

950
00:46:41,520 --> 00:46:45,520
Speaker 1: can be sad, sure somebody make an announcement that is scary,

951
00:46:45,880 --> 00:46:49,320
Speaker 1: or or maybe your family doesn't get along at the beginning,

952
00:46:49,560 --> 00:46:51,160
Speaker 1: they they do at the end.

953
00:46:51,239 --> 00:46:56,319
Speaker 2: So it's politics, politics, and the food and the dog

954
00:46:56,360 --> 00:46:59,439
Speaker 2: could steal a turkey. Yeah, And so wherever it goes,

955
00:46:59,480 --> 00:47:02,160
Speaker 2: we don't like. As long as it does pertain to Thanksgiving.

956
00:47:02,200 --> 00:47:05,560
Speaker 2: We don't want to limit the conversation with our future guests.

957
00:47:05,600 --> 00:47:08,799
Speaker 2: But I mean, that's your show now. You gave it

958
00:47:08,840 --> 00:47:10,640
Speaker 2: to me. You told me explicitly that I had to

959
00:47:10,680 --> 00:47:12,600
Speaker 2: do a show about this. But it is my show

960
00:47:12,640 --> 00:47:15,000
Speaker 2: and I'm trying to you know, as long as it Thanksgiving.

961
00:47:15,040 --> 00:47:15,839
Speaker 1: It's whatever you use.

962
00:47:15,920 --> 00:47:17,799
Speaker 2: And do you feel silly now because you had some

963
00:47:17,840 --> 00:47:20,160
Speaker 2: other shows that you wanted to do well, I thought it.

964
00:47:20,200 --> 00:47:22,440
Speaker 4: I want to do a show called actor Parking, and

965
00:47:22,480 --> 00:47:24,600
Speaker 4: it's you know, just because it's one of the most

966
00:47:24,600 --> 00:47:26,839
Speaker 4: practical things in this business. You're always in your car,

967
00:47:27,000 --> 00:47:29,000
Speaker 4: always having to part and parking is always a pain

968
00:47:29,040 --> 00:47:30,920
Speaker 4: in the butt. So I just thought we could again

969
00:47:31,040 --> 00:47:34,680
Speaker 4: help people cut some cut some of the bs out

970
00:47:34,680 --> 00:47:36,640
Speaker 4: of their lives when they're first landing in LA to

971
00:47:36,680 --> 00:47:38,720
Speaker 4: try to make it here and give them some insider

972
00:47:38,800 --> 00:47:40,600
Speaker 4: tips about you know, wordy part.

973
00:47:40,680 --> 00:47:42,799
Speaker 1: But you guys can think you agree now that that

974
00:47:42,880 --> 00:47:45,640
Speaker 1: we should be doing that's more for us, for Sean

975
00:47:45,719 --> 00:47:46,040
Speaker 1: and I.

976
00:47:46,840 --> 00:47:48,759
Speaker 2: That's it is a good idea. But doesn't it make

977
00:47:48,800 --> 00:47:50,040
Speaker 2: sense for us to do that I did.

978
00:47:50,080 --> 00:47:52,200
Speaker 4: I got all your emails and your calls. I'm convinced again,

979
00:47:52,200 --> 00:47:54,440
Speaker 4: I don't know how to tell you this more clearly.

980
00:47:54,440 --> 00:47:57,080
Speaker 4: I'm convinced you don't need to keep you know, reminding

981
00:47:57,120 --> 00:47:57,319
Speaker 4: me that.

982
00:47:57,360 --> 00:47:59,719
Speaker 2: But yes, and yeah, and we don't want to keep

983
00:47:59,760 --> 00:48:02,319
Speaker 2: going into it. But from the guy who didn't know

984
00:48:02,360 --> 00:48:05,120
Speaker 2: that he had to get the other three validation stamps

985
00:48:05,160 --> 00:48:07,600
Speaker 2: first before he got our It's like, now you're host

986
00:48:07,600 --> 00:48:09,359
Speaker 2: and the active person done.

987
00:48:09,480 --> 00:48:12,799
Speaker 1: Really makes sense, and so now it's like we have

988
00:48:12,840 --> 00:48:14,839
Speaker 1: our great idea and we make you do that, and

989
00:48:14,920 --> 00:48:16,680
Speaker 1: you have your good idea and we make you give

990
00:48:16,719 --> 00:48:19,320
Speaker 1: it to us. Yes, so it's like it's just as

991
00:48:19,360 --> 00:48:19,760
Speaker 1: a trade.

992
00:48:19,880 --> 00:48:22,920
Speaker 2: Well to set up the podcast very quickly. A lot

993
00:48:22,960 --> 00:48:25,520
Speaker 2: of people are probably listening to us having come from

994
00:48:25,880 --> 00:48:28,600
Speaker 2: the Lauren Lappus podcast we did, where she is of

995
00:48:28,640 --> 00:48:31,040
Speaker 2: course the host, but the guest is the host and

996
00:48:31,120 --> 00:48:36,400
Speaker 2: the host is the guest. We wanted to because that

997
00:48:36,560 --> 00:48:40,560
Speaker 2: is such a popular format, play this podcast from our

998
00:48:40,600 --> 00:48:44,040
Speaker 2: guest who were hosting, where he's hosting another podcast and

999
00:48:44,120 --> 00:48:46,840
Speaker 2: we are his first guests. That's not going to be

1000
00:48:46,840 --> 00:48:49,319
Speaker 2: a long standing format for us, but that will be

1001
00:48:49,400 --> 00:48:51,880
Speaker 2: what's played. And then we'll pop back out of that

1002
00:48:52,000 --> 00:48:54,239
Speaker 2: podcast that he hosted where we were the guests, and

1003
00:48:54,320 --> 00:48:56,440
Speaker 2: we will be hosting our own podcast talking to our

1004
00:48:56,480 --> 00:49:00,000
Speaker 2: guests about posting job that we hosted, which is great

1005
00:49:00,200 --> 00:49:02,920
Speaker 2: because it's essentially like a little note session, so people

1006
00:49:02,920 --> 00:49:04,439
Speaker 2: are going to get to hear how you know, we're

1007
00:49:04,480 --> 00:49:06,879
Speaker 2: we're showing how the how the sausage is made.

1008
00:49:07,400 --> 00:49:09,879
Speaker 1: They love the story and they love feeling like they're

1009
00:49:09,880 --> 00:49:12,680
Speaker 1: in the room with us, and that potentially they closed

1010
00:49:12,760 --> 00:49:15,879
Speaker 1: they close your eyes with their friends. Right, Sam, do

1011
00:49:15,880 --> 00:49:19,560
Speaker 1: you you have all the clips queued up ready to go? Okay,

1012
00:49:21,320 --> 00:49:23,879
Speaker 1: if you will just set it in motion?

1013
00:49:24,040 --> 00:49:29,920
Speaker 2: Please? Is it going to be like this every time?

1014
00:49:32,000 --> 00:49:33,439
Speaker 2: At what point did you want the song?

1015
00:49:33,520 --> 00:49:37,680
Speaker 1: And when I asked for it from the end of

1016
00:49:37,719 --> 00:49:39,400
Speaker 1: my sentence asking for the song.

1017
00:49:42,160 --> 00:49:44,720
Speaker 2: Love to Eat Turkey?

1018
00:49:45,840 --> 00:49:48,879
Speaker 4: Hello, and welcome to Let's Talk Turkey. I'm your host,

1019
00:49:48,960 --> 00:49:52,200
Speaker 4: Seth Morris. I'm very excited about the launch of this show,

1020
00:49:53,239 --> 00:49:55,120
Speaker 4: so launch of a couple things. Actually, let me get

1021
00:49:55,160 --> 00:49:57,920
Speaker 4: right to my guest. We have Sean and Hayes from

1022
00:49:58,080 --> 00:50:00,919
Speaker 4: Hollywood Handbook and they are not only my first guests,

1023
00:50:00,920 --> 00:50:04,600
Speaker 4: but they're also sort of my bosses, right, you know,

1024
00:50:04,680 --> 00:50:05,839
Speaker 4: we're co workers.

1025
00:50:05,880 --> 00:50:08,520
Speaker 1: Well you know and today you know for now, like

1026
00:50:08,600 --> 00:50:10,640
Speaker 1: it's all you like your show.

1027
00:50:10,640 --> 00:50:12,960
Speaker 2: You're running in and I just say it's called talking

1028
00:50:12,960 --> 00:50:17,840
Speaker 2: turns you're right and talking if you just put a

1029
00:50:17,840 --> 00:50:21,040
Speaker 2: little folks see you know.

1030
00:50:21,360 --> 00:50:23,880
Speaker 4: So, so these guys are are are have launched a

1031
00:50:23,920 --> 00:50:27,719
Speaker 4: shingle on ear Wolf. Now is it officially an ear

1032
00:50:27,760 --> 00:50:30,080
Speaker 4: Wolf shingle or is it is it a wolf Pop shingle.

1033
00:50:30,760 --> 00:50:36,799
Speaker 1: It is a wolf Pop subsidiary Okay, okay, partnered with

1034
00:50:37,600 --> 00:50:42,840
Speaker 1: the ear Wolf Network, right, which is itself on iTunes?

1035
00:50:43,120 --> 00:50:46,839
Speaker 4: Okay, So anyway, this is a podcast about Thanksgiving. All

1036
00:50:46,880 --> 00:50:51,680
Speaker 4: thanks Thanksgiving. You guys crunch the numbers and convinced me

1037
00:50:51,760 --> 00:50:54,399
Speaker 4: that this is a better idea than mine. So I'm

1038
00:50:54,400 --> 00:50:56,759
Speaker 4: excited to dive right into it today. I thought we'd

1039
00:50:56,800 --> 00:50:59,200
Speaker 4: just get things started, and I think a lot of

1040
00:50:59,239 --> 00:51:02,680
Speaker 4: people can relate to this. Why once a year do

1041
00:51:02,719 --> 00:51:04,440
Speaker 4: we have stuffing in cranberry sauce?

1042
00:51:05,000 --> 00:51:08,440
Speaker 2: Thank you? Can eat all year in different forms, but

1043
00:51:08,640 --> 00:51:13,120
Speaker 2: even yams sometimes. Oh yes, seth, thank you. I gotta

1044
00:51:13,160 --> 00:51:19,040
Speaker 2: say this. Everyone loved Thanksgiving dinner and the foods, but

1045
00:51:19,239 --> 00:51:21,839
Speaker 2: why wait all year to eat it? And can't we

1046
00:51:21,960 --> 00:51:24,760
Speaker 2: have the dinner on a day that's not Thanksgiving?

1047
00:51:25,200 --> 00:51:28,680
Speaker 1: Absolutely, they sell it at the store all year round, yes,

1048
00:51:28,719 --> 00:51:31,239
Speaker 1: And so what I'm asking is what do they do

1049
00:51:31,320 --> 00:51:35,560
Speaker 1: at the store when the like when they only sell

1050
00:51:35,560 --> 00:51:37,719
Speaker 1: what type of year they have it? What do they

1051
00:51:37,719 --> 00:51:39,560
Speaker 1: do at the store when they have it at July

1052
00:51:40,600 --> 00:51:42,680
Speaker 1: and they have all those crabberries? No do wants to

1053
00:51:42,680 --> 00:51:46,919
Speaker 1: eat the cranberries, but why yeah, yeah, do you know why?

1054
00:51:48,000 --> 00:51:50,040
Speaker 1: And sorry, I just want to step out and comment

1055
00:51:50,080 --> 00:51:52,839
Speaker 1: on that thing. What we're sort of hoping is that,

1056
00:51:53,239 --> 00:51:55,759
Speaker 1: as you know, that that will become that conversation will

1057
00:51:55,800 --> 00:51:57,799
Speaker 1: be something that everyone is kind of having.

1058
00:51:58,200 --> 00:52:01,640
Speaker 2: Right. Yes, ideally episode will open with you saying that

1059
00:52:01,680 --> 00:52:05,920
Speaker 2: people like the food, and then your guest or guests

1060
00:52:05,960 --> 00:52:09,200
Speaker 2: as it were also saying they like the food but

1061
00:52:09,840 --> 00:52:13,439
Speaker 2: having some questions. I should have some questions. No, no,

1062
00:52:13,600 --> 00:52:16,080
Speaker 2: they had like I had a question of like why

1063
00:52:16,160 --> 00:52:17,759
Speaker 2: do we have to wait? And then Hayes had a

1064
00:52:17,760 --> 00:52:19,800
Speaker 2: great question of what they do in the store.

1065
00:52:19,920 --> 00:52:23,240
Speaker 4: Oh yes, yes, yes, yes, yeah yeah. Should we explain

1066
00:52:23,280 --> 00:52:25,240
Speaker 4: that we're not in my podcast anymore?

1067
00:52:25,600 --> 00:52:26,280
Speaker 2: Oh sorry?

1068
00:52:26,400 --> 00:52:26,640
Speaker 1: Yes?

1069
00:52:27,280 --> 00:52:31,080
Speaker 2: Yeah. So that tone that you heard, the little tone sound,

1070
00:52:31,239 --> 00:52:34,800
Speaker 2: was us ending the clip, and the clip will always

1071
00:52:34,880 --> 00:52:35,800
Speaker 2: end with that sound.

1072
00:52:36,160 --> 00:52:37,160
Speaker 1: This is Hollywood hand.

1073
00:52:37,280 --> 00:52:39,359
Speaker 4: This is and if you listen close, you can tell

1074
00:52:39,400 --> 00:52:41,760
Speaker 4: on my podcast it's a different tone because we shoot

1075
00:52:41,760 --> 00:52:44,200
Speaker 4: it in Redondo by the airport.

1076
00:52:44,360 --> 00:52:46,600
Speaker 2: It's a whole different and it is filmed. I don't

1077
00:52:46,640 --> 00:52:48,200
Speaker 2: know what we're gonna do with those videos.

1078
00:52:48,440 --> 00:52:50,319
Speaker 1: And I sound a little weird in that other one.

1079
00:52:50,360 --> 00:52:53,560
Speaker 1: I'm just you don't sound like no, I had a

1080
00:52:53,560 --> 00:52:56,279
Speaker 1: lot of shampoo in my hair that I had not

1081
00:52:56,520 --> 00:52:57,680
Speaker 1: washed out the shampoo.

1082
00:52:58,400 --> 00:53:01,319
Speaker 2: Nobody mentioned. I thought that was so odd.

1083
00:53:01,520 --> 00:53:04,080
Speaker 4: You introduced me to dry shampoo. Yeah, there's that's I

1084
00:53:04,160 --> 00:53:05,760
Speaker 4: think that's so great for camping.

1085
00:53:06,160 --> 00:53:09,400
Speaker 1: Hm. But it looks, you know, a little unusual.

1086
00:53:09,560 --> 00:53:12,000
Speaker 2: The mouth that you use, I think is incorrect. I

1087
00:53:12,040 --> 00:53:14,440
Speaker 2: think that as a product it's fine. Yeah, but I

1088
00:53:14,480 --> 00:53:16,600
Speaker 2: think that you are going to want a bottle to

1089
00:53:16,719 --> 00:53:19,880
Speaker 2: last you, maybe a whole month, and your bottles the

1090
00:53:19,880 --> 00:53:22,879
Speaker 2: way you use it last you. I mean they're one use,

1091
00:53:22,920 --> 00:53:25,200
Speaker 2: their one time usage because you just pour it out.

1092
00:53:25,480 --> 00:53:28,440
Speaker 1: I didn't know when to stop. And so when it

1093
00:53:28,560 --> 00:53:29,799
Speaker 1: hurts is when you.

1094
00:53:29,760 --> 00:53:32,080
Speaker 4: Carry bottles of dry shampoo the way other people carry

1095
00:53:32,120 --> 00:53:34,960
Speaker 4: water in their backpacks, Like you've always got an analgene.

1096
00:53:35,120 --> 00:53:38,040
Speaker 1: Yeah, and so it doesn't really spray out. It just

1097
00:53:38,120 --> 00:53:41,200
Speaker 1: kind of slowly pours because the mouth is so big. Anyway,

1098
00:53:41,280 --> 00:53:43,000
Speaker 1: let's let's go back to the clip.

1099
00:53:42,760 --> 00:53:47,360
Speaker 4: Okay, And my aunt puts you there's like some orange

1100
00:53:47,600 --> 00:53:50,440
Speaker 4: in the cranberry, and it's just that right amount of

1101
00:53:50,680 --> 00:53:54,520
Speaker 4: tart and sweet. Now that is something that I don't know.

1102
00:53:54,560 --> 00:53:56,880
Speaker 4: I can't force my aunt to make cranberry sauce all

1103
00:53:57,000 --> 00:53:57,480
Speaker 4: year long.

1104
00:53:58,160 --> 00:54:01,279
Speaker 2: You know, I wish I could. But how do you

1105
00:54:01,280 --> 00:54:06,880
Speaker 2: guys do your green beans? Well, this is kind of

1106
00:54:06,920 --> 00:54:11,840
Speaker 2: a sensitive subject around my house because I like slice almonds,

1107
00:54:13,520 --> 00:54:19,560
Speaker 2: but my dad is scared of them. And so what

1108
00:54:19,840 --> 00:54:21,760
Speaker 2: has to happen is there has to be a secret

1109
00:54:21,840 --> 00:54:24,640
Speaker 2: set of green beans for me hidden somewhere in the house,

1110
00:54:24,840 --> 00:54:27,799
Speaker 2: and then I will at one point excuse myself or

1111
00:54:28,440 --> 00:54:32,399
Speaker 2: have an animal created distraction outside, and then I will

1112
00:54:32,440 --> 00:54:34,919
Speaker 2: sneak around and scoop some of those green beans into

1113
00:54:34,920 --> 00:54:36,400
Speaker 2: my mouth so that I feel like I've had my

1114
00:54:36,480 --> 00:54:39,319
Speaker 2: Thanksgiving dinner. But if my dad does catch me, it

1115
00:54:39,520 --> 00:54:40,920
Speaker 2: is a real problem.

1116
00:54:41,000 --> 00:54:43,240
Speaker 4: Now is that a cultural thing or did something happen

1117
00:54:43,280 --> 00:54:45,360
Speaker 4: specifically to your dad, Like you know, I know different

1118
00:54:45,360 --> 00:54:47,080
Speaker 4: families with different ethnic back If you.

1119
00:54:47,000 --> 00:54:49,359
Speaker 2: Can get that out of him, if you can get

1120
00:54:49,400 --> 00:54:50,920
Speaker 2: that story, I would love that.

1121
00:54:51,000 --> 00:54:53,920
Speaker 1: It really shuts off. Yeah, when you start getting into

1122
00:54:53,960 --> 00:54:55,960
Speaker 1: the sliced almonds thing and he kind of looks out

1123
00:54:56,000 --> 00:54:59,320
Speaker 1: the window and you can see.

1124
00:54:59,120 --> 00:55:03,200
Speaker 2: He becomes very yes and uh. And when he did

1125
00:55:03,280 --> 00:55:05,960
Speaker 2: the one year where he did see me eating them,

1126
00:55:06,040 --> 00:55:08,359
Speaker 2: he did then, I mean he tried to burn the.

1127
00:55:08,360 --> 00:55:10,560
Speaker 4: House I keep saying it, but you and your dad

1128
00:55:10,600 --> 00:55:14,320
Speaker 4: need to sit down and watch the Judge. That's a

1129
00:55:14,560 --> 00:55:16,680
Speaker 4: that's that's that you guys are going to get so

1130
00:55:16,840 --> 00:55:18,399
Speaker 4: much out of that. I'm not going to say it's

1131
00:55:18,400 --> 00:55:21,440
Speaker 4: gonna be easy, but I am telling you that your

1132
00:55:21,480 --> 00:55:23,440
Speaker 4: relationship is going to be better for doing it.

1133
00:55:23,680 --> 00:55:28,440
Speaker 2: The conversations that I know would result from seeing that film,

1134
00:55:28,440 --> 00:55:31,040
Speaker 2: and if you guys haven't seen it, Dobkin is on

1135
00:55:31,360 --> 00:55:35,960
Speaker 2: top of his game once again. Uh uh duval Downy Jr.

1136
00:55:36,160 --> 00:55:41,640
Speaker 2: And the whole team. Uh what a casto. I could

1137
00:55:41,719 --> 00:55:45,200
Speaker 2: keep going Vira for me go it's But anyway, the

1138
00:55:45,200 --> 00:55:49,080
Speaker 2: conversations I know would result, Yes, they'd be productive. But

1139
00:55:49,160 --> 00:55:50,160
Speaker 2: am I ready for them?

1140
00:55:50,719 --> 00:55:54,520
Speaker 4: Well yeah, that's uh. I don't know if we're ever

1141
00:55:54,719 --> 00:55:58,040
Speaker 4: ready for that kind of work. M And let's be honest,

1142
00:55:58,080 --> 00:56:00,000
Speaker 4: that's that kind of stuff comes up at Thanksgiving all

1143
00:56:00,000 --> 00:56:02,880
Speaker 4: all the time. It's a hotbed of emotional stuff because

1144
00:56:03,040 --> 00:56:06,879
Speaker 4: you're with your family of origin and you are you

1145
00:56:06,920 --> 00:56:09,440
Speaker 4: are back at the place that made you you and

1146
00:56:09,640 --> 00:56:12,319
Speaker 4: for for for better or for worse, you know, and

1147
00:56:12,360 --> 00:56:15,160
Speaker 4: there's I always I was thinking, I always call Thanksgiving

1148
00:56:15,200 --> 00:56:18,480
Speaker 4: haunted because it's like everybody's ghosts, all these psychological ghosts,

1149
00:56:18,480 --> 00:56:21,160
Speaker 4: things from your past and their past are coming together.

1150
00:56:21,480 --> 00:56:27,920
Speaker 1: No, and so you know that, you know, Seth did

1151
00:56:28,000 --> 00:56:31,080
Speaker 1: start talking about ghosts there, and that's like a first

1152
00:56:31,080 --> 00:56:35,759
Speaker 1: episode thing. Yeah, that like that's the kind of kicks

1153
00:56:35,760 --> 00:56:37,719
Speaker 1: that we hired out at the first one and we're, yeah,

1154
00:56:37,960 --> 00:56:39,600
Speaker 1: we're trying to do He laid.

1155
00:56:39,440 --> 00:56:41,640
Speaker 4: It into me pretty good for for for bringing and

1156
00:56:41,680 --> 00:56:43,080
Speaker 4: I'm you know, I didn't see it at the time,

1157
00:56:43,080 --> 00:56:45,640
Speaker 4: but I get it now that that's not a you

1158
00:56:45,680 --> 00:56:47,040
Speaker 4: don't go off on that tangent.

1159
00:56:47,160 --> 00:56:50,239
Speaker 1: Well, they Halloween kind of a time to forget about Halloween,

1160
00:56:50,400 --> 00:56:51,120
Speaker 1: isn't it. Fact.

1161
00:56:51,160 --> 00:56:53,200
Speaker 4: I think it might be interesting and people could hear

1162
00:56:53,680 --> 00:56:56,400
Speaker 4: what he when he went off on me. You know,

1163
00:56:56,480 --> 00:56:58,200
Speaker 4: I think that I think that could be a use.

1164
00:56:58,280 --> 00:56:59,439
Speaker 1: Do we have that in the raw?

1165
00:57:00,080 --> 00:57:00,600
Speaker 2: In the raw?

1166
00:57:00,719 --> 00:57:05,280
Speaker 4: Sam, Okay, I'm sorry scaring people so bad they're pissing

1167
00:57:05,280 --> 00:57:05,719
Speaker 4: their hand.

1168
00:57:05,760 --> 00:57:08,680
Speaker 2: He's talking about Ghosts's supposed to be a family time.

1169
00:57:09,200 --> 00:57:11,440
Speaker 2: Let go on my shirt, man, I'm sorry.

1170
00:57:11,560 --> 00:57:12,720
Speaker 1: I make my shirt.

1171
00:57:13,000 --> 00:57:16,800
Speaker 2: Everything you have is mine. Okay, Billy, I gave you

1172
00:57:16,840 --> 00:57:20,120
Speaker 2: this podcast. Can I have a turn in? Seth?

1173
00:57:21,040 --> 00:57:24,280
Speaker 1: You asked Sean about the green beans. Yeah, and you

1174
00:57:24,360 --> 00:57:27,320
Speaker 1: didn't ask me about what I do with the green beans.

1175
00:57:27,640 --> 00:57:29,520
Speaker 1: And so when you have two guests on the show,

1176
00:57:30,320 --> 00:57:32,720
Speaker 1: like a lot of times, you'll ask one something and

1177
00:57:32,760 --> 00:57:35,000
Speaker 1: then the other one will kind of like, you know,

1178
00:57:35,200 --> 00:57:37,920
Speaker 1: prepare his answer and like kind of get really excited

1179
00:57:37,960 --> 00:57:38,360
Speaker 1: about it.

1180
00:57:38,400 --> 00:57:42,760
Speaker 2: I just felt like, unless somebody fucks up, it starts

1181
00:57:42,800 --> 00:57:43,480
Speaker 2: talking about it.

1182
00:57:43,720 --> 00:57:44,760
Speaker 3: I mean, Jesus.

1183
00:57:44,560 --> 00:57:48,440
Speaker 2: Christ Man, are you fucking crazy? No, I'm not. I'm sorry.

1184
00:57:48,480 --> 00:57:51,880
Speaker 4: I just I had that theory about the emotional aspect

1185
00:57:51,920 --> 00:57:54,320
Speaker 4: of it. I wasn't even talking about real ghosts three.

1186
00:57:54,200 --> 00:57:56,280
Speaker 2: Weeks after Hell, it's like when you finally can put

1187
00:57:56,280 --> 00:58:00,200
Speaker 2: that behind you, finally take the decorations, it's it's talk

1188
00:58:00,240 --> 00:58:04,600
Speaker 2: to him. You're okay, sweetie, talk to him. That was

1189
00:58:04,640 --> 00:58:06,680
Speaker 2: hard to hear, you know, that was hard for me

1190
00:58:06,760 --> 00:58:09,080
Speaker 2: to hear. But I and.

1191
00:58:09,480 --> 00:58:12,480
Speaker 4: I sort of feel like it proves I was like,

1192
00:58:13,160 --> 00:58:15,440
Speaker 4: listening to that just now, I was back in that moment.

1193
00:58:15,640 --> 00:58:19,520
Speaker 4: I can feel my heart is increasing. I'm like my

1194
00:58:19,880 --> 00:58:20,480
Speaker 4: dander's up.

1195
00:58:20,480 --> 00:58:22,920
Speaker 1: I'm it was almost like being scared by a ghost,

1196
00:58:23,080 --> 00:58:23,520
Speaker 1: wasn't it.

1197
00:58:24,800 --> 00:58:26,400
Speaker 2: That's a good point mm hm.

1198
00:58:26,400 --> 00:58:27,880
Speaker 1: And how did it was that good?

1199
00:58:27,920 --> 00:58:32,560
Speaker 2: When that happened. No, we don't like that feeling. No,

1200
00:58:32,960 --> 00:58:35,400
Speaker 2: and that's the only reason, and I don't I hate

1201
00:58:35,440 --> 00:58:37,760
Speaker 2: to get No. Man, it is not your fault. I

1202
00:58:37,760 --> 00:58:40,400
Speaker 2: do not apologize. No, I wasn't going to. I was

1203
00:58:40,440 --> 00:58:43,960
Speaker 2: just saying I hate having to do that. Oh yeah, okay,

1204
00:58:44,040 --> 00:58:47,160
Speaker 2: but it's the right thing to do. I just hate

1205
00:58:47,200 --> 00:58:48,480
Speaker 2: when it and I don't want to do it. I

1206
00:58:48,520 --> 00:58:49,600
Speaker 2: don't want to confuse things.

1207
00:58:49,640 --> 00:58:51,360
Speaker 4: But now that we're on Hollywood hand book, I did

1208
00:58:51,440 --> 00:58:54,480
Speaker 4: I Can we talk about your views on green beans now?

1209
00:58:54,600 --> 00:58:57,360
Speaker 2: Or do we miss that? Has that ship sailed? God?

1210
00:58:57,400 --> 00:58:59,200
Speaker 1: I'm trying to remember what it was. What I was

1211
00:58:59,240 --> 00:59:03,280
Speaker 1: going to do was so funny, Oh man, it was

1212
00:59:03,360 --> 00:59:07,640
Speaker 1: about Oh you told me right after yes, because I

1213
00:59:07,680 --> 00:59:10,760
Speaker 1: was so excited about it when you were asking Sean

1214
00:59:10,760 --> 00:59:13,240
Speaker 1: about the green beans and he was doing something good

1215
00:59:13,240 --> 00:59:15,040
Speaker 1: and I was like, oh, I have something really good

1216
00:59:15,040 --> 00:59:15,360
Speaker 1: for that.

1217
00:59:15,560 --> 00:59:18,960
Speaker 2: Was it about the jolly green giant? These guys are

1218
00:59:19,000 --> 00:59:23,920
Speaker 2: trying to help you to something with that?

1219
00:59:23,920 --> 00:59:27,560
Speaker 4: That would be funny if it was it was Sprout

1220
00:59:27,640 --> 00:59:28,200
Speaker 4: was a little guy.

1221
00:59:28,280 --> 00:59:33,640
Speaker 1: Okay, he got a buddy. Who is that to make

1222
00:59:33,680 --> 00:59:37,960
Speaker 1: that thing? Was it his friend or his son or

1223
00:59:37,960 --> 00:59:38,880
Speaker 1: his friend's son.

1224
00:59:39,960 --> 00:59:41,760
Speaker 2: Okay, it's his friend's son.

1225
00:59:42,520 --> 00:59:46,080
Speaker 4: Yeah, showing the best of the jolly green giant is

1226
00:59:46,080 --> 00:59:48,360
Speaker 4: sleeping with Sprout's mom and they say, oh, this is

1227
00:59:48,360 --> 00:59:51,160
Speaker 4: your uncle. You know, she probably lives in a trailer

1228
00:59:51,200 --> 00:59:54,000
Speaker 4: on the outside of town. It's like, oh, your uncle's here, yes,

1229
00:59:54,200 --> 00:59:54,560
Speaker 4: you know.

1230
00:59:54,640 --> 00:59:57,520
Speaker 2: And see this would have been great for yes, heyes,

1231
00:59:57,600 --> 00:59:59,440
Speaker 2: might have gotten us there. I don't think it was.

1232
00:59:59,480 --> 01:00:01,120
Speaker 2: I think it was that you make a rosta wig

1233
01:00:01,160 --> 01:00:02,760
Speaker 2: out of the green beans, and that was sort of

1234
01:00:02,840 --> 01:00:06,720
Speaker 2: your that was yes, and you did a pretty funny

1235
01:00:07,760 --> 01:00:09,080
Speaker 2: Jamaican green bean mom.

1236
01:00:09,880 --> 01:00:14,200
Speaker 1: Yes, that's it. Yeah, it's it. That's the whole thing. Ye,

1237
01:00:14,400 --> 01:00:16,919
Speaker 1: Jamaican green bean mom was the end of the thing.

1238
01:00:17,760 --> 01:00:19,720
Speaker 1: But seeing it in Hollywood hand but you can see

1239
01:00:19,720 --> 01:00:21,200
Speaker 1: how it doesn't have the same Yeah, this.

1240
01:00:21,160 --> 01:00:25,760
Speaker 2: Is a Jamaican Thanksgiving the mom you were doing that? Yeah? Yeah,

1241
01:00:25,840 --> 01:00:29,600
Speaker 2: what else did you say? That is an awesome Jamaican accent.

1242
01:00:29,680 --> 01:00:33,280
Speaker 1: By the way, thank you, he's mine.

1243
01:00:33,480 --> 01:00:37,680
Speaker 2: So I'm doing hayes. He's doing an impression of my ads. Oh, okay,

1244
01:00:38,000 --> 01:00:38,320
Speaker 2: thank you.

1245
01:00:38,920 --> 01:00:41,120
Speaker 1: I appreciate that. Imagine if you'd heard the real thing anyway,

1246
01:00:41,120 --> 01:00:42,280
Speaker 1: this is what we did instead.

1247
01:00:44,680 --> 01:00:46,440
Speaker 4: I don't know how I would say it again. I'm

1248
01:00:46,520 --> 01:00:49,200
Speaker 4: really sorry, I'm really really sorry.

1249
01:00:50,160 --> 01:00:52,560
Speaker 2: Well you should find a new way to say it,

1250
01:00:52,560 --> 01:00:54,080
Speaker 2: because that obviously didn't work.

1251
01:00:54,160 --> 01:00:56,800
Speaker 4: Okay, can you guys just get off of me? Like

1252
01:00:56,880 --> 01:00:58,920
Speaker 4: my chest hurts because we're both sitting on my chest.

1253
01:00:59,120 --> 01:01:00,920
Speaker 2: If I let you up, how do I know you're

1254
01:01:00,960 --> 01:01:03,200
Speaker 2: not going to do it again, because you've made it

1255
01:01:03,200 --> 01:01:07,560
Speaker 2: clear to me that that's not cool. Please, all right,

1256
01:01:07,640 --> 01:01:13,200
Speaker 2: get up, clean your shit up. This is a network launch.

1257
01:01:13,280 --> 01:01:14,160
Speaker 2: Wipe yourself off.

1258
01:01:14,200 --> 01:01:21,040
Speaker 1: This is the launch of a podcast network talking. Okay,

1259
01:01:22,240 --> 01:01:27,440
Speaker 1: you know, just like Thanksgiving stories, asking about childhood stuff.

1260
01:01:27,480 --> 01:01:31,439
Speaker 2: The kids table, isn't the kids table? Yeah? I wanted

1261
01:01:31,480 --> 01:01:33,320
Speaker 2: to ask you guys a little bit about the kids table.

1262
01:01:33,360 --> 01:01:33,960
Speaker 2: Do you remember that?

1263
01:01:34,040 --> 01:01:35,520
Speaker 4: You know, like, I don't know if they still do this,

1264
01:01:35,600 --> 01:01:38,400
Speaker 4: but if there's enough kids in the family, they'll put

1265
01:01:38,440 --> 01:01:40,440
Speaker 4: them at a small like a fold out card table.

1266
01:01:40,560 --> 01:01:42,680
Speaker 2: And there's all that's a whole other world.

1267
01:01:42,880 --> 01:01:45,280
Speaker 4: You know, you got cousins, you got all sorts of

1268
01:01:45,880 --> 01:01:48,880
Speaker 4: you guys, have any fun cousins stories or.

1269
01:01:49,080 --> 01:01:54,800
Speaker 1: Well, well, we's to in my family there would be

1270
01:01:54,840 --> 01:01:59,240
Speaker 1: the adults table, huh and uh? And what they would

1271
01:01:59,280 --> 01:02:01,480
Speaker 1: do with the kids table is they would dress us up.

1272
01:02:01,800 --> 01:02:03,880
Speaker 1: Two of us would be the bride and groom, and

1273
01:02:03,920 --> 01:02:06,720
Speaker 1: so my cousin would be dressed up as like a bride,

1274
01:02:07,280 --> 01:02:09,480
Speaker 1: and then sometimes I would be the groom and it

1275
01:02:09,520 --> 01:02:12,280
Speaker 1: would be set up like a wedding table, and they'd

1276
01:02:12,280 --> 01:02:14,800
Speaker 1: have us give a toast and like kind of get

1277
01:02:14,920 --> 01:02:19,080
Speaker 1: like do a little whole wedding. Sarah, Wow at Thanksgiving. Yes,

1278
01:02:19,160 --> 01:02:22,360
Speaker 1: that's incredible. I've never what does that ritual come out

1279
01:02:22,360 --> 01:02:28,360
Speaker 1: of kids wedding? I think it was because my grandmother

1280
01:02:29,600 --> 01:02:35,520
Speaker 1: had a wedding experience that did not Her husband passed

1281
01:02:35,600 --> 01:02:39,400
Speaker 1: during the wedding, and so I think the experience of

1282
01:02:39,520 --> 01:02:42,560
Speaker 1: watching other, like watching little kids go through a wedding

1283
01:02:42,600 --> 01:02:46,080
Speaker 1: helps replace that memory for her of her husband dying

1284
01:02:46,800 --> 01:02:48,000
Speaker 1: while they were getting married.

1285
01:02:48,320 --> 01:02:50,520
Speaker 2: I see, Now, this is a great thing about this

1286
01:02:50,520 --> 01:02:52,640
Speaker 2: by it, I never knew about this part of your

1287
01:02:52,680 --> 01:02:54,960
Speaker 2: family history. And we know we didn't do anything weird

1288
01:02:55,080 --> 01:02:59,240
Speaker 2: like that. We just dressed up like rebel soldiers, you know,

1289
01:02:59,520 --> 01:03:03,960
Speaker 2: just because it's about early American times and and we

1290
01:03:04,240 --> 01:03:07,680
Speaker 2: you know, reenact sort of an idealized version of the

1291
01:03:07,720 --> 01:03:08,800
Speaker 2: War of Northern Aggression.

1292
01:03:09,440 --> 01:03:11,280
Speaker 4: I mean that that almost seems like a like a

1293
01:03:11,320 --> 01:03:14,480
Speaker 4: whole Poltergeist inspired.

1294
01:03:16,840 --> 01:03:20,320
Speaker 2: I'm so sorry, I'm so fuck are you? That is

1295
01:03:20,520 --> 01:03:25,360
Speaker 2: a sto kind of ghost seth. But doesn't that seem

1296
01:03:25,440 --> 01:03:27,400
Speaker 2: like a like a thing that that that that that

1297
01:03:27,520 --> 01:03:31,240
Speaker 2: maybe the spirit of your of your grandfather feels like

1298
01:03:31,400 --> 01:03:34,120
Speaker 2: you want me to hit you. I don't that what

1299
01:03:34,200 --> 01:03:36,320
Speaker 2: this is? No, no, no, no, no, no, am I playing right

1300
01:03:36,360 --> 01:03:38,480
Speaker 2: into your hand? No, I mean he's some kind of

1301
01:03:38,560 --> 01:03:40,439
Speaker 2: sick fuck this is gets you off?

1302
01:03:40,640 --> 01:03:43,680
Speaker 4: No, man, this does not get me off. Listen, give

1303
01:03:43,680 --> 01:03:47,720
Speaker 4: me another chance. Let's just talk about yams. Can we

1304
01:03:47,760 --> 01:03:48,600
Speaker 4: talk about yams?

1305
01:03:48,840 --> 01:03:51,800
Speaker 2: I can trust you to talk about yams. Yeah, well

1306
01:03:51,840 --> 01:03:53,640
Speaker 2: I think they're too sweet. What do you want? Yeah?

1307
01:03:53,680 --> 01:03:54,600
Speaker 1: What is there to talk about?

1308
01:03:54,800 --> 01:03:57,560
Speaker 2: Well, that's that's one thing. How many? How many marshmallows?

1309
01:03:57,640 --> 01:04:00,640
Speaker 2: Is too many marshmallows? That is a good question. Actually,

1310
01:04:00,760 --> 01:04:03,520
Speaker 2: actually yeah, that's great. I mean just talking about the

1311
01:04:03,520 --> 01:04:08,680
Speaker 2: different numbers. I mean, you know, ratio wise, yea melody?

1312
01:04:08,760 --> 01:04:13,200
Speaker 2: Yam minis are minis? Are jumbos mini minis?

1313
01:04:13,200 --> 01:04:13,360
Speaker 1: Oh?

1314
01:04:13,400 --> 01:04:15,480
Speaker 2: I don't know anybody uses jumbos in their yams? Do

1315
01:04:15,560 --> 01:04:19,240
Speaker 2: you not? Anymore? That seems kind of, I don't know,

1316
01:04:20,360 --> 01:04:21,480
Speaker 2: kind of white trashy to me.

1317
01:04:21,800 --> 01:04:22,200
Speaker 3: Mm hmm.

1318
01:04:22,280 --> 01:04:29,360
Speaker 2: Yeah, the remember that old marshmallow bag with the stay

1319
01:04:29,400 --> 01:04:30,520
Speaker 2: off marshmallow man on it.

1320
01:04:31,240 --> 01:04:39,000
Speaker 4: Oh, like from Ghostbusters too, Oh, it's from Goodbusters one.

1321
01:04:40,960 --> 01:04:42,560
Speaker 4: They made it, he made it. They're supposed to be

1322
01:04:43,880 --> 01:04:44,760
Speaker 4: You're supposed.

1323
01:04:46,120 --> 01:04:48,240
Speaker 2: Ghost the guy. I thought that. Oh no, you're right

1324
01:04:49,880 --> 01:04:52,520
Speaker 2: five and two. You're right. Now. That movie is fine

1325
01:04:52,520 --> 01:04:54,360
Speaker 2: to talk about because they're actually busting ghosts in that,

1326
01:04:54,400 --> 01:04:57,840
Speaker 2: which is what I wish someone would do. Although this

1327
01:04:57,920 --> 01:05:02,240
Speaker 2: female version, they're bucking up the wrong cat.

1328
01:05:02,320 --> 01:05:05,240
Speaker 1: That's more for we should talk about on the other

1329
01:05:05,840 --> 01:05:06,920
Speaker 1: that on the other show.

1330
01:05:07,200 --> 01:05:13,640
Speaker 4: Okay, So that's why I think it's a terrible idea,

1331
01:05:14,680 --> 01:05:16,920
Speaker 4: you know, because it's like, you get it.

1332
01:05:16,920 --> 01:05:17,480
Speaker 2: I made all my.

1333
01:05:17,600 --> 01:05:19,480
Speaker 1: Well you wanted to give your you did want to

1334
01:05:19,480 --> 01:05:22,400
Speaker 1: give your dream cast.

1335
01:05:22,200 --> 01:05:27,040
Speaker 2: My dream cast of Ghostbusters. And we do a segment

1336
01:05:27,080 --> 01:05:30,000
Speaker 2: called Dreamcast where we talk about, yeah.

1337
01:05:29,840 --> 01:05:33,480
Speaker 1: Uh huh, you're remaking Ghostbusters today.

1338
01:05:33,560 --> 01:05:43,440
Speaker 4: Martin Lawrence, Kat Williams, Eddie Murphy. You got uh uh

1339
01:05:43,960 --> 01:05:49,560
Speaker 4: Lonnie Love as the secretary. And then in the Sigourney

1340
01:05:49,680 --> 01:05:54,680
Speaker 4: Sigourney Weaver part, Taraji p Henson and then for the

1341
01:05:54,720 --> 01:05:57,360
Speaker 4: guy that the role that Ernie Hudson played in the

1342
01:05:57,400 --> 01:06:02,440
Speaker 4: original You Have You Have a what is his name?

1343
01:06:02,960 --> 01:06:08,400
Speaker 4: DJ Walls exactly exactly that I think would be funny

1344
01:06:08,400 --> 01:06:12,560
Speaker 4: because Hollywood has a long tradition, let's be honest, of

1345
01:06:13,480 --> 01:06:15,520
Speaker 4: how African Americans respond to.

1346
01:06:16,280 --> 01:06:17,760
Speaker 1: The supernatural in general.

1347
01:06:17,880 --> 01:06:18,680
Speaker 2: It's funny.

1348
01:06:19,160 --> 01:06:23,200
Speaker 4: It is funny because they wouldn't stay in the house

1349
01:06:24,160 --> 01:06:27,200
Speaker 4: white people. They're like, oh, no, there's a ghost here.

1350
01:06:27,640 --> 01:06:29,200
Speaker 4: I mean, we've got to try to make friends with

1351
01:06:29,720 --> 01:06:32,520
Speaker 4: black people. Be like, I'm getting out of this house

1352
01:06:32,560 --> 01:06:35,520
Speaker 4: right now. They through this, So to me, that's a

1353
01:06:35,520 --> 01:06:36,680
Speaker 4: more interesting starting point.

1354
01:06:37,040 --> 01:06:44,640
Speaker 2: Yeah, a brother is not necessarily going to endure as much.

1355
01:06:44,720 --> 01:06:49,439
Speaker 4: They're not going to take that from a ghost. They'll

1356
01:06:49,480 --> 01:06:52,160
Speaker 4: be like, this is enough for me. I'm I'm I'm leaving,

1357
01:06:52,160 --> 01:06:54,400
Speaker 4: I'm out of here. Perhaps feats don't fail me now

1358
01:06:54,880 --> 01:06:55,280
Speaker 4: or something.

1359
01:06:55,480 --> 01:07:01,080
Speaker 2: Yeah, It's something I've noticed is the brothers are less

1360
01:07:01,400 --> 01:07:05,080
Speaker 2: likely to sort of go investigate a scary noise because

1361
01:07:05,080 --> 01:07:10,040
Speaker 2: if you did grow up in the hood, you know

1362
01:07:10,120 --> 01:07:12,600
Speaker 2: that the scary noisy here or something you want to

1363
01:07:12,600 --> 01:07:14,320
Speaker 2: stay away from, right, Yes, And you know what.

1364
01:07:14,360 --> 01:07:16,920
Speaker 4: The other thing I think is funny about this, inherently

1365
01:07:17,000 --> 01:07:21,080
Speaker 4: funny is that DJ qualls. He's not African American. He's

1366
01:07:21,280 --> 01:07:24,720
Speaker 4: very thin, he's very tall, and he's very sort of

1367
01:07:25,600 --> 01:07:30,000
Speaker 4: he doesn't seem tough. So they're gonna make him, you know,

1368
01:07:30,160 --> 01:07:31,480
Speaker 4: go and check out these places.

1369
01:07:31,560 --> 01:07:33,720
Speaker 1: Yes, it's all kind of crouching behind him and pushing

1370
01:07:33,800 --> 01:07:34,960
Speaker 1: him forwards, and.

1371
01:07:34,920 --> 01:07:37,160
Speaker 2: I bet he'll be hesitant. But one thing is when

1372
01:07:37,200 --> 01:07:39,840
Speaker 2: you see a guy like that and everyone he's dealing

1373
01:07:39,880 --> 01:07:46,160
Speaker 2: with is a brother, I think that they will have

1374
01:07:46,200 --> 01:07:49,000
Speaker 2: sort of an authority over him that will be enjoyable

1375
01:07:49,040 --> 01:07:51,240
Speaker 2: to watch. Yeah, so he's not going to have much

1376
01:07:51,240 --> 01:07:52,160
Speaker 2: of a choice. Yeah.

1377
01:07:52,440 --> 01:07:56,520
Speaker 4: Yeah, But anyway, I still think Katie Dipple should write

1378
01:07:56,560 --> 01:07:57,200
Speaker 4: this new script.

1379
01:07:58,400 --> 01:08:00,560
Speaker 1: But let's go back to the Thanksgiving. I'm glad we

1380
01:08:00,600 --> 01:08:02,120
Speaker 1: did cover this. Mm hmm.

1381
01:08:02,760 --> 01:08:09,680
Speaker 2: Wait, so we're back here at Let's Talk Turkey.

1382
01:08:09,880 --> 01:08:15,240
Speaker 4: And and it is we're talking turkey. I'm so sorry

1383
01:08:15,240 --> 01:08:19,880
Speaker 4: this is the pilot episode. Let's talk silver War? Do

1384
01:08:19,960 --> 01:08:23,080
Speaker 4: you guys give us any fun at like antique silver

1385
01:08:23,120 --> 01:08:25,840
Speaker 4: war serving utensils at Thanksgiving? The kind that only come

1386
01:08:25,880 --> 01:08:27,679
Speaker 4: out once a year, Because that was always a big

1387
01:08:27,720 --> 01:08:30,200
Speaker 4: thing in my family. We made a big ceremony out

1388
01:08:30,240 --> 01:08:33,200
Speaker 4: of it. Out of it, you know, they're serving the

1389
01:08:33,280 --> 01:08:36,120
Speaker 4: ladles and and the carving knives had their own boxes,

1390
01:08:36,160 --> 01:08:38,760
Speaker 4: and that was always just you know, it's like for us.

1391
01:08:39,280 --> 01:08:40,519
Speaker 4: I'm sure it was like in every family.

1392
01:08:40,560 --> 01:08:43,120
Speaker 2: When do we get to open the.

1393
01:08:42,280 --> 01:08:45,519
Speaker 4: The utensils, it's like Christmas Day when just one present,

1394
01:08:45,800 --> 01:08:47,680
Speaker 4: you know, the night before for Thanksgivings.

1395
01:08:47,760 --> 01:08:49,719
Speaker 2: Oh, can we just please look at the salad talking

1396
01:08:50,040 --> 01:08:55,760
Speaker 2: one yeah, the ones either spatulo or yes. Yeah. I

1397
01:08:55,800 --> 01:08:57,280
Speaker 2: had that exact same experience.

1398
01:08:57,760 --> 01:09:00,440
Speaker 4: That's why I'm not on board with all this bamboo utensils,

1399
01:09:00,479 --> 01:09:03,280
Speaker 4: because that is just I get the environment thing, I

1400
01:09:03,320 --> 01:09:06,800
Speaker 4: get it, but those are meant to fade away and

1401
01:09:06,840 --> 01:09:07,799
Speaker 4: to not leave an impact.

1402
01:09:07,920 --> 01:09:11,479
Speaker 1: It's very difficult to eat something with a stalk of bamboo.

1403
01:09:11,520 --> 01:09:13,639
Speaker 1: And I care about the environment as much as anyone

1404
01:09:13,640 --> 01:09:15,920
Speaker 1: else More, I would say, really, all you can do

1405
01:09:16,080 --> 01:09:18,559
Speaker 1: is I mean, like you can use it as a

1406
01:09:18,640 --> 01:09:22,280
Speaker 1: huge straw, I guess for pretty much any drink, But

1407
01:09:22,320 --> 01:09:25,080
Speaker 1: then it's so big the liquid is like shooting into

1408
01:09:25,120 --> 01:09:27,800
Speaker 1: your mouth and to swallow it you have to take

1409
01:09:27,840 --> 01:09:30,400
Speaker 1: your lips off the bamboo. It's just like.

1410
01:09:30,840 --> 01:09:35,000
Speaker 4: There's just no history there, there's no you know, we

1411
01:09:35,280 --> 01:09:37,680
Speaker 4: we we you know, there's a story for each of

1412
01:09:37,680 --> 01:09:42,360
Speaker 4: our utensils and our family you know, different different, and

1413
01:09:42,400 --> 01:09:44,200
Speaker 4: it really tells the story of America.

1414
01:09:44,640 --> 01:09:44,840
Speaker 5: You know.

1415
01:09:46,280 --> 01:09:50,080
Speaker 4: One of the utensils was was forged from an old

1416
01:09:50,160 --> 01:09:52,920
Speaker 4: cannon from the Revolutionary War.

1417
01:09:53,120 --> 01:09:53,280
Speaker 2: Mm.

1418
01:09:53,880 --> 01:09:54,400
Speaker 1: Wow.

1419
01:09:54,680 --> 01:09:55,000
Speaker 2: You know.

1420
01:09:56,560 --> 01:09:59,799
Speaker 4: One of the carving knife this is an old electric

1421
01:09:59,840 --> 01:10:03,920
Speaker 4: car harving knife is from the set of Madmen.

1422
01:10:03,680 --> 01:10:05,240
Speaker 2: Is my family for years? Yeah?

1423
01:10:05,439 --> 01:10:09,200
Speaker 1: Yeah, who in your family was involved?

1424
01:10:10,200 --> 01:10:16,519
Speaker 4: Well, my my great grandfather is Matthew Weiner's assistant.

1425
01:10:17,760 --> 01:10:21,519
Speaker 2: Really, oh wow, what a great position. He must be

1426
01:10:21,600 --> 01:10:22,400
Speaker 2: learning so much.

1427
01:10:22,760 --> 01:10:24,600
Speaker 4: And you know Winer. The thing about Winer is he

1428
01:10:24,800 --> 01:10:29,920
Speaker 4: is so he pays so much attention to detail. Everything

1429
01:10:30,000 --> 01:10:33,559
Speaker 4: on that set has you know, has been touched by

1430
01:10:33,640 --> 01:10:36,880
Speaker 4: him physically or or or emotionally.

1431
01:10:37,280 --> 01:10:39,960
Speaker 2: He makes sure that everything is to that period.

1432
01:10:40,520 --> 01:10:43,800
Speaker 1: Well that's why he gets his name on every script absolutely.

1433
01:10:43,439 --> 01:10:48,000
Speaker 2: Because he was like, well I chose yeah. It was like, hey,

1434
01:10:48,360 --> 01:10:50,320
Speaker 2: remember I yelled at you about that chair from that

1435
01:10:50,400 --> 01:10:53,559
Speaker 2: last episode. Put my name on the script. This is yeah.

1436
01:10:53,680 --> 01:10:55,640
Speaker 2: We actually we carve our turkey with one of the

1437
01:10:55,640 --> 01:10:59,559
Speaker 2: scalpels from the Mob Doctor. Oh and so you know

1438
01:10:59,600 --> 01:11:03,639
Speaker 2: similar it is like an old Hollywood thing where yes,

1439
01:11:03,680 --> 01:11:05,320
Speaker 2: it's been in our family for a long time. Yes,

1440
01:11:05,360 --> 01:11:10,440
Speaker 2: it's a tradition, but it also does relate to entertainment

1441
01:11:10,720 --> 01:11:13,720
Speaker 2: and and my life currently, and so it's sort of

1442
01:11:13,760 --> 01:11:16,280
Speaker 2: a nice melding of past and present.

1443
01:11:16,439 --> 01:11:18,840
Speaker 4: All of our place mats in my family are from

1444
01:11:19,360 --> 01:11:24,439
Speaker 4: from operating scrubs, from that one season of Jekyll and Hyde.

1445
01:11:24,920 --> 01:11:29,439
Speaker 1: Mmmm oh really, the corn we eat is from is

1446
01:11:29,439 --> 01:11:31,080
Speaker 1: from the actual field of dreams.

1447
01:11:31,640 --> 01:11:35,160
Speaker 2: Oh yeah, the corn weed? The corn we eat? Oh,

1448
01:11:35,200 --> 01:11:37,920
Speaker 2: corn you eat? Okay?

1449
01:11:39,880 --> 01:11:45,600
Speaker 1: And this is another that like we talked about it yet.

1450
01:11:45,280 --> 01:11:47,800
Speaker 4: Now I did get I did hear corn we eat? Sorry,

1451
01:11:48,080 --> 01:11:49,280
Speaker 4: I just went on for so long.

1452
01:11:49,280 --> 01:11:51,479
Speaker 1: And it's also like what else have I got to

1453
01:11:51,520 --> 01:11:54,519
Speaker 1: be saying, you know, like the corn that we eat.

1454
01:11:54,479 --> 01:11:56,400
Speaker 2: And correct me if I'm wrong, Xeth. But I think

1455
01:11:56,439 --> 01:12:00,760
Speaker 2: that everyone knows that weed is funny, just basically referencing

1456
01:12:00,880 --> 01:12:01,679
Speaker 2: smoking pot.

1457
01:12:01,800 --> 01:12:04,400
Speaker 1: And I do think you deny this, but I still

1458
01:12:04,439 --> 01:12:06,160
Speaker 1: do think that's kind of what you were trying to do.

1459
01:12:06,240 --> 01:12:08,200
Speaker 2: I think you were trying to backdoor in some of

1460
01:12:08,240 --> 01:12:10,840
Speaker 2: the humor that is like literally just talking about being

1461
01:12:10,920 --> 01:12:13,839
Speaker 2: stoned a lot of people is comedy.

1462
01:12:13,960 --> 01:12:17,320
Speaker 4: I mean, you know, I had some some some pot

1463
01:12:17,720 --> 01:12:20,760
Speaker 4: observations that I was trying to shoehorn in but it didn't.

1464
01:12:20,800 --> 01:12:23,400
Speaker 2: Okay, well, well this might be a good place for them.

1465
01:12:23,520 --> 01:12:27,799
Speaker 2: Is like, you know, how is it different to be stoned? Honestly,

1466
01:12:27,840 --> 01:12:29,720
Speaker 2: if I if I don't, hopefully I'm not overstepping. But

1467
01:12:29,760 --> 01:12:34,439
Speaker 2: I think that's for the other podcast. Honestly, Seth, I

1468
01:12:34,800 --> 01:12:36,479
Speaker 2: really don't think that's for this podcast.

1469
01:12:36,560 --> 01:12:41,000
Speaker 1: I mean honestly, like we having the munchies around your mom.

1470
01:12:41,160 --> 01:12:45,080
Speaker 1: This is a family show. It's about families. It's for families.

1471
01:12:45,560 --> 01:12:47,639
Speaker 2: You know that Turkey Smoked month.

1472
01:12:49,360 --> 01:12:52,240
Speaker 1: And see what ended up happening after that, Seth is

1473
01:12:52,360 --> 01:12:56,680
Speaker 1: we got the red e next to the name of

1474
01:12:56,720 --> 01:12:59,200
Speaker 1: the podcast. Okay, so now that red e is on there,

1475
01:12:59,439 --> 01:13:01,680
Speaker 1: and now no kids can listen to it.

1476
01:13:01,800 --> 01:13:03,439
Speaker 4: See I didn't realize that because I went off of

1477
01:13:03,720 --> 01:13:06,479
Speaker 4: Sean Shamking voice and I, well, hey, s Jamaking voice.

1478
01:13:06,720 --> 01:13:10,679
Speaker 4: I was like the Dynamite voice. I I do see

1479
01:13:10,680 --> 01:13:12,400
Speaker 4: where I do see. You know, this is why I'm

1480
01:13:12,479 --> 01:13:15,320
Speaker 4: learning so much from you guys. This is this is

1481
01:13:15,360 --> 01:13:18,639
Speaker 4: really great. And for those few people out there, you know, hey,

1482
01:13:18,760 --> 01:13:20,800
Speaker 4: this is it. This is how you get your grind on.

1483
01:13:20,960 --> 01:13:23,480
Speaker 4: You keep your ears open, you keep your mouth shut,

1484
01:13:23,680 --> 01:13:24,920
Speaker 4: and and you try to learn.

1485
01:13:30,360 --> 01:13:36,479
Speaker 2: He man, these grandberries is cashed. I should have stopped

1486
01:13:36,520 --> 01:13:38,479
Speaker 2: after the first You know, you guys made it clear

1487
01:13:38,520 --> 01:13:44,360
Speaker 2: that I wasn't that wasn't cool. I mean I came

1488
01:13:44,400 --> 01:13:47,800
Speaker 2: around to it ultimately in the moment, but just in

1489
01:13:48,160 --> 01:13:49,479
Speaker 2: the podcast as a whole.

1490
01:13:49,720 --> 01:13:50,400
Speaker 1: Yeah, we gotta.

1491
01:13:50,400 --> 01:13:52,439
Speaker 2: I don't think it was good. I'm getting some distance

1492
01:13:52,479 --> 01:13:53,800
Speaker 2: from it. I don't think it was good. But you

1493
01:13:53,880 --> 01:13:54,960
Speaker 2: got into it. You got it.

1494
01:13:55,160 --> 01:13:57,320
Speaker 1: What's funny for us is not necessary. I mean we

1495
01:13:57,360 --> 01:14:01,000
Speaker 1: got a call from iTunes, you know, Yeah, yes we did,

1496
01:14:01,640 --> 01:14:04,120
Speaker 1: because they call us seth. When you do stuff like that,

1497
01:14:04,200 --> 01:14:05,919
Speaker 1: it's us that has to deal with iTunes.

1498
01:14:06,120 --> 01:14:10,519
Speaker 2: Yeah, you know, I'm sorry, you know I do. And

1499
01:14:10,720 --> 01:14:13,000
Speaker 2: ready he gets bigger and bigger the more you do

1500
01:14:13,040 --> 01:14:13,599
Speaker 2: that stuff.

1501
01:14:13,600 --> 01:14:15,200
Speaker 4: You know what it is when you have a joke

1502
01:14:15,240 --> 01:14:17,040
Speaker 4: and you're sitting up the night before, like what's.

1503
01:14:16,920 --> 01:14:18,439
Speaker 2: Gonna be funny? What's gonna be funny? How am I

1504
01:14:18,439 --> 01:14:20,400
Speaker 2: gonna do that? And you think it and it's comes

1505
01:14:20,400 --> 01:14:26,519
Speaker 2: to you and you think, oh this, I'm smoking himself

1506
01:14:26,560 --> 01:14:32,760
Speaker 2: to my book slip And I am sorry that I

1507
01:14:32,800 --> 01:14:35,200
Speaker 2: got that. I got so involved in it, Hayes, And

1508
01:14:35,200 --> 01:14:36,920
Speaker 2: I know you were trying to get us back on

1509
01:14:37,000 --> 01:14:39,679
Speaker 2: track in that moment, and also you took his voice

1510
01:14:40,200 --> 01:14:41,040
Speaker 2: and I appreciate.

1511
01:14:41,240 --> 01:14:44,400
Speaker 1: Yes, yes, I have been telling Sean in the past.

1512
01:14:44,400 --> 01:14:46,000
Speaker 1: I don't blame you because I've been telling you to

1513
01:14:46,080 --> 01:14:48,559
Speaker 1: let the podcast come to you more off.

1514
01:14:48,800 --> 01:14:49,760
Speaker 2: Yes, I do need to do that.

1515
01:14:50,080 --> 01:14:54,120
Speaker 1: And so that's assuming that we have a host who

1516
01:14:54,200 --> 01:14:57,519
Speaker 1: is capable of leading a podcast that doesn't get us

1517
01:14:57,520 --> 01:15:01,519
Speaker 1: in trouble with the biggest podcast provider that there is

1518
01:15:02,720 --> 01:15:05,839
Speaker 1: at the launch of our yeah, of our big network.

1519
01:15:05,920 --> 01:15:09,200
Speaker 2: Yeah, but you know, a good learning experience all around,

1520
01:15:09,240 --> 01:15:10,880
Speaker 2: and I think we we wound up coming out with

1521
01:15:10,920 --> 01:15:13,599
Speaker 2: a killer pilot that needs some editing. I mean, once

1522
01:15:13,840 --> 01:15:15,600
Speaker 2: all the notes are done, it's only going to be

1523
01:15:15,840 --> 01:15:17,720
Speaker 2: a couple of minutes. You've got to be ready to make.

1524
01:15:17,920 --> 01:15:20,559
Speaker 4: If I may give a little Hollywood insider tip her,

1525
01:15:20,680 --> 01:15:22,640
Speaker 4: you got to be willing to fail, you know.

1526
01:15:23,479 --> 01:15:25,360
Speaker 2: Michael Jordan, you know.

1527
01:15:25,640 --> 01:15:30,280
Speaker 1: Yeah, yeah, he's yeah, yes, Einstein, Yeah, I mean, all

1528
01:15:30,320 --> 01:15:33,320
Speaker 1: of these people, Quentin Tarantino, Bill.

1529
01:15:33,520 --> 01:15:36,480
Speaker 2: Gates, yeah, boy.

1530
01:15:35,720 --> 01:15:38,639
Speaker 4: Man, Yeah, for me, these are all these are all people,

1531
01:15:38,800 --> 01:15:39,320
Speaker 4: uh huh.

1532
01:15:39,400 --> 01:15:43,320
Speaker 2: Yeah, So it's you got to keep your mind open.

1533
01:15:43,360 --> 01:15:45,320
Speaker 2: None of them are necessarily Hollywood people.

1534
01:15:45,400 --> 01:15:46,000
Speaker 1: But it does.

1535
01:15:46,720 --> 01:15:49,360
Speaker 2: But it's all yeah.

1536
01:15:48,560 --> 01:15:51,280
Speaker 1: And I don't consider Quentin Tarantino a Hollywood person. Oh

1537
01:15:51,320 --> 01:15:53,200
Speaker 1: we can have that conversation.

1538
01:15:52,920 --> 01:15:57,479
Speaker 2: Right right, the original Hollywood outsider. He's an industry bad

1539
01:15:57,479 --> 01:16:02,000
Speaker 2: boy to the bump. Yeah. Yeah, and he by the way,

1540
01:16:02,040 --> 01:16:04,920
Speaker 2: he'd be a great one for the All African American

1541
01:16:05,000 --> 01:16:08,160
Speaker 2: Ghostbusters cast. Well, I yes, I do like when because

1542
01:16:08,200 --> 01:16:11,800
Speaker 2: he can do it. He's basically a brother. Yeah, well

1543
01:16:11,840 --> 01:16:13,720
Speaker 2: he's yeah, he's he.

1544
01:16:13,680 --> 01:16:15,840
Speaker 1: Can use the word as far as as far as

1545
01:16:15,880 --> 01:16:18,080
Speaker 1: I'm concerned, he's allowed to use the word use any

1546
01:16:18,680 --> 01:16:19,439
Speaker 1: word that he wants.

1547
01:16:19,880 --> 01:16:21,280
Speaker 2: He let me ask you a question. Do I have

1548
01:16:21,360 --> 01:16:24,280
Speaker 2: a sign that said dead Brothers over my garage? No?

1549
01:16:24,760 --> 01:16:26,800
Speaker 2: Then why are you bringing dead brothers? I can't say

1550
01:16:26,800 --> 01:16:28,000
Speaker 2: the word, but you know the way.

1551
01:16:28,200 --> 01:16:30,280
Speaker 1: The way he does it, and he does it quite

1552
01:16:30,280 --> 01:16:32,920
Speaker 1: a bit. It's better than when they do it. I think, yes,

1553
01:16:32,920 --> 01:16:34,920
Speaker 1: and I love when they do it. I yes, and

1554
01:16:35,000 --> 01:16:36,720
Speaker 1: oh I love when they do it. But I did

1555
01:16:36,760 --> 01:16:38,320
Speaker 1: watch and uh it was.

1556
01:16:39,840 --> 01:16:44,320
Speaker 2: A Director's Guild Q and A with Tarantino, and he

1557
01:16:44,439 --> 01:16:46,840
Speaker 2: had this story from the set of Django of sort

1558
01:16:46,840 --> 01:16:49,920
Speaker 2: of upgrading an extra to a principle and when he

1559
01:16:49,960 --> 01:16:52,519
Speaker 2: did that guy's half of the conversation. I was like,

1560
01:16:52,560 --> 01:16:59,320
Speaker 2: where did Quentin go? Because he was becoming a brother? Yeah, Sam,

1561
01:16:59,360 --> 01:17:01,960
Speaker 2: is that pizza? So us coming back up on you say?

1562
01:17:02,120 --> 01:17:04,439
Speaker 2: For anyone who didn't hear that, and you probably did,

1563
01:17:04,760 --> 01:17:08,160
Speaker 2: a noise came out of Sam's body just now. M h.

1564
01:17:08,880 --> 01:17:12,080
Speaker 2: That was like a like a marsh or a bog

1565
01:17:12,400 --> 01:17:14,040
Speaker 2: when a bullfrog is mating.

1566
01:17:14,280 --> 01:17:16,439
Speaker 4: I can't wait for the next Thanksgiving podcast because I'm

1567
01:17:16,439 --> 01:17:18,800
Speaker 4: going to talk about those body sounds, you know.

1568
01:17:19,800 --> 01:17:20,200
Speaker 2: Next week.

1569
01:17:20,200 --> 01:17:22,920
Speaker 4: I want to talk about the body sounds you know,

1570
01:17:22,960 --> 01:17:25,200
Speaker 4: because you know what like when you're when you're hungry

1571
01:17:25,240 --> 01:17:27,080
Speaker 4: and you're like, can't wait, and then also when the

1572
01:17:27,080 --> 01:17:28,040
Speaker 4: food is digesting.

1573
01:17:28,400 --> 01:17:31,640
Speaker 2: Yeah, m and oh, and maybe something about how it

1574
01:17:31,640 --> 01:17:33,000
Speaker 2: makes you sleepy to eat turkey.

1575
01:17:33,160 --> 01:17:36,000
Speaker 1: Yes, and see that I think is maybe for the

1576
01:17:36,040 --> 01:17:38,640
Speaker 1: next one. I mean, yours could be good for like

1577
01:17:38,680 --> 01:17:40,519
Speaker 1: once we're farther down the road and everyone's kind of

1578
01:17:40,520 --> 01:17:41,200
Speaker 1: comfortable with it.

1579
01:17:41,160 --> 01:17:42,519
Speaker 2: But yeah, you got to you don't want to run

1580
01:17:42,560 --> 01:17:42,960
Speaker 2: into road.

1581
01:17:43,040 --> 01:17:45,200
Speaker 1: You don't want to run. Let's sleep.

1582
01:17:45,439 --> 01:17:45,800
Speaker 2: I'm ready.

1583
01:17:45,840 --> 01:17:46,920
Speaker 1: We'll do sleeping next week and.

1584
01:17:47,000 --> 01:17:49,160
Speaker 2: Then we'll do the body sounds and uh, and you

1585
01:17:49,200 --> 01:17:50,720
Speaker 2: guys think it's a good idea for you guys to

1586
01:17:50,720 --> 01:17:53,720
Speaker 2: be the guests again next week because I could get

1587
01:17:54,120 --> 01:17:55,920
Speaker 2: the I mean, do you want to listen? I mean,

1588
01:17:55,920 --> 01:17:57,240
Speaker 2: first of all, we didn't get to talk about being

1589
01:17:57,240 --> 01:17:58,920
Speaker 2: sleepy and we and that's kind of our idea. We

1590
01:17:58,920 --> 01:17:59,439
Speaker 2: could agree.

1591
01:18:00,680 --> 01:18:04,160
Speaker 1: Yeah, we have a lot of material for that, and

1592
01:18:04,240 --> 01:18:06,760
Speaker 1: so to the most of what I prepared you, I'm

1593
01:18:06,800 --> 01:18:08,880
Speaker 1: just like putting it in a drawer or something. Why

1594
01:18:08,920 --> 01:18:10,040
Speaker 1: not put it on the show?

1595
01:18:10,040 --> 01:18:14,599
Speaker 2: You right? You're right? And again and uh Sam, that

1596
01:18:14,640 --> 01:18:18,960
Speaker 2: came from inside you? Yes it did. What happened?

1597
01:18:19,160 --> 01:18:21,400
Speaker 4: Are you paying for all your food with your shelf

1598
01:18:21,439 --> 01:18:22,960
Speaker 4: station credit card?

1599
01:18:23,479 --> 01:18:27,600
Speaker 2: It's all I have and hot pockets and pringles.

1600
01:18:27,960 --> 01:18:30,920
Speaker 1: This is a sound show. You are the sound engineer

1601
01:18:32,320 --> 01:18:36,880
Speaker 1: the idea that you would drink something that is guaranteed

1602
01:18:37,200 --> 01:18:40,799
Speaker 1: to make your body produce a weird sound right before

1603
01:18:40,840 --> 01:18:42,960
Speaker 1: the show. I mean, it just seems like it's it

1604
01:18:43,080 --> 01:18:45,519
Speaker 1: seems intentional to me. I can't get around.

1605
01:18:45,680 --> 01:18:47,960
Speaker 2: I don't know if you're drinking that or eating it

1606
01:18:48,120 --> 01:18:50,640
Speaker 2: like it's so thick, it's so visc you have to

1607
01:18:51,200 --> 01:18:52,599
Speaker 2: if you'll have to lip.

1608
01:18:52,400 --> 01:18:56,280
Speaker 1: It into your mouth like it like it sludges towards

1609
01:18:56,320 --> 01:18:58,400
Speaker 1: your lip when you when you tip the glass and

1610
01:18:58,400 --> 01:18:59,840
Speaker 1: then you have to use your upper lip to kind

1611
01:18:59,840 --> 01:19:00,760
Speaker 1: of goop it in.

1612
01:19:00,840 --> 01:19:03,080
Speaker 2: You couldn't use a straw. It should be a spoon.

1613
01:19:03,520 --> 01:19:06,200
Speaker 1: Yes, it looks like eating to me, but it's coming

1614
01:19:06,200 --> 01:19:06,920
Speaker 1: from a glass.

1615
01:19:08,520 --> 01:19:12,200
Speaker 2: It's just V eight. Sim. We don't want to hear

1616
01:19:12,200 --> 01:19:17,600
Speaker 2: about your motorcycle engines right now. The guy's always talking motorcycles. No,

1617
01:19:17,680 --> 01:19:21,759
Speaker 2: it's a popular tomato drink. Okay, to see you later, Sam,

1618
01:19:21,920 --> 01:19:26,760
Speaker 2: Tomatoes is food. Sam and Sam play the turkey theme

1619
01:19:26,840 --> 01:19:33,599
Speaker 2: song again to eat turkey. Thank you.

1620
01:19:34,200 --> 01:19:39,680
Speaker 1: So check out Talking Turkey on Uh. This will give

1621
01:19:39,680 --> 01:19:40,599
Speaker 1: you the chance to your show.

1622
01:19:40,800 --> 01:19:42,759
Speaker 2: Check out Talking Turkey on Wolf. Cool.

1623
01:19:43,400 --> 01:19:46,720
Speaker 4: Uh and uh now can they actually get that on

1624
01:19:46,800 --> 01:19:48,680
Speaker 4: ear wolf or is it a separate It's still not

1625
01:19:48,720 --> 01:19:49,120
Speaker 4: clear to me.

1626
01:19:49,160 --> 01:19:52,040
Speaker 2: The platform okay, the infrastructure, the infrastructure is still getting

1627
01:19:52,040 --> 01:19:52,799
Speaker 2: put into place.

1628
01:19:53,520 --> 01:19:59,680
Speaker 1: Coding dearlf dot com, slash wolf, pop slash podcasts dot

1629
01:20:00,320 --> 01:20:04,639
Speaker 1: dot limos and that'll get you to a direct snail

1630
01:20:04,680 --> 01:20:07,800
Speaker 1: mail address to which you'll get a ZIP drive of

1631
01:20:07,840 --> 01:20:08,200
Speaker 1: the show.

1632
01:20:08,680 --> 01:20:12,080
Speaker 4: Each person. Right now, we have to do it individually. Yes,

1633
01:20:12,200 --> 01:20:15,400
Speaker 4: and some things that we're sorry thumb drive. Thumb drivers

1634
01:20:15,479 --> 01:20:18,719
Speaker 4: will actually mail you a thumb drive, not a zip drive.

1635
01:20:18,600 --> 01:20:22,599
Speaker 2: And it's so funny. One it looks like a banana. So, uh,

1636
01:20:22,960 --> 01:20:24,360
Speaker 2: anything else you want to plug while you're here.

1637
01:20:26,560 --> 01:20:29,160
Speaker 4: Let's see, uh not really, you know, I'd also have

1638
01:20:29,360 --> 01:20:31,800
Speaker 4: a my Bob Duka podcast that I do on.

1639
01:20:32,280 --> 01:20:34,519
Speaker 2: Is it okay to talk about your wolf stuff? Really?

1640
01:20:34,600 --> 01:20:34,800
Speaker 1: Yeah?

1641
01:20:34,920 --> 01:20:40,080
Speaker 2: I mean okay, okay, the then then no, I'm gonna uh,

1642
01:20:40,640 --> 01:20:44,080
Speaker 2: I'm gonna be actually I'm gonna be polishing the silver

1643
01:20:44,160 --> 01:20:45,680
Speaker 2: war for for next Thanksgiving.

1644
01:20:47,200 --> 01:20:48,519
Speaker 1: They see this is good.

1645
01:20:48,760 --> 01:20:53,720
Speaker 2: Yes, you are the Thanksgiving you talk about it more popular.

1646
01:20:53,520 --> 01:20:54,719
Speaker 1: You talk about giving.

1647
01:20:54,840 --> 01:20:57,840
Speaker 2: Okay, okay, no, you're right. Anyway, I'll be cleaning out.

1648
01:20:57,880 --> 01:21:01,280
Speaker 4: I'll be uh polishing silver laid and serving utensils at

1649
01:21:01,360 --> 01:21:06,360
Speaker 4: Kings Road Cafe under Monday, probably around three and I'll

1650
01:21:06,400 --> 01:21:10,080
Speaker 4: probably get a veggie scramble omelet even though it's three.

1651
01:21:10,240 --> 01:21:13,320
Speaker 4: I probably am gonna sleep in on Monday and took

1652
01:21:13,360 --> 01:21:15,519
Speaker 4: the talk out. Yeah, I like to have a late

1653
01:21:15,640 --> 01:21:16,280
Speaker 4: late breakfast.

1654
01:21:16,280 --> 01:21:22,360
Speaker 2: So points. Yes, grate us on iTunes, like us on

1655
01:21:22,400 --> 01:21:24,680
Speaker 2: the forum, like us on Facebook, talk to us on

1656
01:21:24,720 --> 01:21:30,519
Speaker 2: the forums, leave reviews. Tell your friends the pro version

1657
01:21:30,760 --> 01:21:36,639
Speaker 2: was purchased by Chefski this week. Okay, and I guess

1658
01:21:36,680 --> 01:21:42,760
Speaker 2: one last bonus clip from Talking Turkey that mentions Chefski.

1659
01:21:43,040 --> 01:21:45,040
Speaker 2: We slipped a little something into the end of the

1660
01:21:45,040 --> 01:21:48,920
Speaker 2: podcast for you. Thank you for buying the proversion. Look

1661
01:21:48,960 --> 01:21:58,200
Speaker 2: at it, are man, It's a ghost of Jetski. Goodbye.

1662
01:22:01,360 --> 01:22:04,320
Speaker 5: This has been an Earwolf Media production executive producers Jeff

1663
01:22:04,360 --> 01:22:16,920
Speaker 5: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

1664
01:22:12,080 --> 01:22:22,839
Speaker 2: Ear Warf Radio Boom dot com, The worf Dead