WEBVTT - Cameron Avery

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<v Speaker 1>It's the Son of a Butch podcast. I'm your host,

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<v Speaker 1>Claude Harmon. So when I started the podcast, the idea

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<v Speaker 1>was to get people obviously in the golf space. Players, caddies, coaches,

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<v Speaker 1>people that everybody kind of knows are in the golf space.

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<v Speaker 1>But I also wanted to talk to people who aren't

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<v Speaker 1>necessarily golfers. They're in other walks of life, but golf

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<v Speaker 1>is a huge, huge part of their life. And so

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<v Speaker 1>I was down in Australia last week for the live

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<v Speaker 1>event in Adelaide and got to catch up with Cameron Avery.

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<v Speaker 1>Cameron is the bass player for one of my favorite bands,

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<v Speaker 1>Team and Paula. I'm a huge fan. And Cameron was

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<v Speaker 1>a very very good competitive amateur golfer. He talks about,

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<v Speaker 1>you know, kind of thinking about going to play Division

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<v Speaker 1>I college golf in America, but chose to forge a

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<v Speaker 1>career in music. And like I said, Tam and Paula

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<v Speaker 1>they headlined Glastonbury a couple of years ago, a huge

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<v Speaker 1>band out of Perth, Australia. And I mean, this guy's

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<v Speaker 1>got a very very good golf swing, played in the

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<v Speaker 1>US mid Am last year and loves golf. He's doing

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<v Speaker 1>some stuff in the golf space. So these are the

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<v Speaker 1>kind of podcasts that you know, when you have your

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<v Speaker 1>own podcast, you can kind of bring on people you want.

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<v Speaker 1>And Cameron, I'm a huge fan of what he does

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<v Speaker 1>in music and to get to talk to him about

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<v Speaker 1>kind of the merging of music and golf and kind

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<v Speaker 1>of that world that a lot of people are getting

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<v Speaker 1>into now content creation. So bass player for one of

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<v Speaker 1>the coolest bands around and loves golf and golf is

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<v Speaker 1>important to his life, So this is a cool one.

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<v Speaker 1>And Cameron Avery.

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<v Speaker 2>On The Son of a Butch podcast.

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<v Speaker 1>Cameron, first of all, when I started doing this podcast,

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<v Speaker 1>the idea was to get people in the golf space.

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<v Speaker 1>And one of the cool things about having your own

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<v Speaker 1>podcast is you can kind of do what the hell

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<v Speaker 1>you want. And so the fact that I'm actually going

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<v Speaker 1>to interview you and you love golf, but you're also

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<v Speaker 1>in Tam and Paula, which is one of my favorite bands,

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<v Speaker 1>is just kind of surreal to me. I think we're

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<v Speaker 1>in a really interesting time in golf to where there

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<v Speaker 1>seems to be like a crossover between like music, fashion

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<v Speaker 1>and people like yourself that are you know, on tour

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<v Speaker 1>in huge bands. I mean the fact that you guys

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<v Speaker 1>played Glastonbury headline Glastonbury, but you're also a scratch golfer

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<v Speaker 1>and golf is a huge part of your DNA, the

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<v Speaker 1>mix of golf and music for you.

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<v Speaker 2>What's that like?

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<v Speaker 3>Well at the beginning, in the beginning, it was only golf,

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<v Speaker 3>like it was up until I was probably eighteen. That's

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<v Speaker 3>all I wanted to be. I used to like buy

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<v Speaker 3>these sort of like Diet Burbery shirts. I wanted to

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<v Speaker 3>be Adam Scott much to like the you know, the

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<v Speaker 3>DNA of like your DNA, literally your DNA. I used

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<v Speaker 3>to just I would lord over. I mean I had

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<v Speaker 3>the same blades as him. I wanted to be Adam

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<v Speaker 3>Scott and Tiger Woods until I was like sixteen or seventeen,

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<v Speaker 3>and then I didn't play for like ten years, and

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<v Speaker 3>then I went through a pretty weird time in my life,

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<v Speaker 3>and golf sort of came back to me and sort of,

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<v Speaker 3>I don't want to say like propped me up, right,

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<v Speaker 3>but golf has this thing for me that it makes

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<v Speaker 3>me very self accountable, just sort of inherently because I

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<v Speaker 3>think there's no one else to blame, you know, the

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<v Speaker 3>allegory to life. I think is the most amazing thing

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<v Speaker 3>that I love about golf. That's the most amazing thing

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<v Speaker 3>I think take away from it.

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<v Speaker 1>I think we all want to be Adam Scott, right,

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<v Speaker 1>I mean I think everybody. I mean, I've known Scotty

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<v Speaker 1>for a long time. My dad and I worked with him.

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<v Speaker 1>You know, it's like sometimes I feel like he's a

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<v Speaker 1>member of the family, but he is just he's such

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<v Speaker 1>a unique character. And I think for those of us

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<v Speaker 1>that know him privately, as cool as everyone thinks he is,

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<v Speaker 1>like he's even cooler because there's so many things that

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<v Speaker 1>he's into. The vintage Rolex stuff. You know, he's big

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<v Speaker 1>into fashion. He loves kind of anything vintage. He's into

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<v Speaker 1>ye and that's kind of my vibe. I know you're

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<v Speaker 1>big into that too. He's always been kind of at

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<v Speaker 1>the forefront of golf fashion, from Burberry to Acquascutum to Uniclode. Now,

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<v Speaker 1>what do you think is kind of Scotty's style stuff

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<v Speaker 1>that everybody loves so much?

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<v Speaker 2>It's he is.

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<v Speaker 3>He has this thing, including his golf swing, including I

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<v Speaker 3>think the partnership, like the commercial partnership deals he does

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<v Speaker 3>with Rolex in Uniclo on Berby Before that he's just

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<v Speaker 3>utterly timeless. Everything he does, it's timeless, but somehow he's

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<v Speaker 3>timely as well, So like he's sort of pushing this

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<v Speaker 3>sort of yeah, and he's he's always stuck to his guns.

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<v Speaker 3>He's never he's never followed a trend. He's always worn

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<v Speaker 3>the same kind of tailored pant and the kind of

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<v Speaker 3>a silhouette that he's always cut. You can tell that

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<v Speaker 3>he puts a lot of thought into that. And I

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<v Speaker 3>was surprised when I got to play with him last

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<v Speaker 3>year at Castle Pines. I was probably didn't give myself

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<v Speaker 3>enough credit for how nervous I was because Bussy, his caddy,

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<v Speaker 3>was like I knew Bussy and buscoes, hey mate, are

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<v Speaker 3>you playing? And that pro am tomorrow? He goes, what

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<v Speaker 3>do you want to play with Scotty and I was

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<v Speaker 3>like and I sort of was like yeah, sure, just

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<v Speaker 3>sort of like palmed it off, like yeah, this is

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<v Speaker 3>gonna be great.

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<v Speaker 2>I'm gonna love this, and yeah.

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<v Speaker 3>I didn't realize how nervous I would be on that

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<v Speaker 3>first tea because I was kind of like, you know,

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<v Speaker 3>it's been I didn't play golf for ten years, so

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<v Speaker 3>I was very much out of the golf community. But

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<v Speaker 3>then when he was sending in front of me and

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<v Speaker 3>I had to hit a t shot in front of him,

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<v Speaker 3>I was kind of just like WHOA. But he definitely

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<v Speaker 3>has that aura, and I think it comes from his

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<v Speaker 3>attention to detail and his intention with his golf swing,

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<v Speaker 3>with what he's wearing. Like you said with you don't

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<v Speaker 3>become a collector of vintage rolex Is unless your attention

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<v Speaker 3>to detail is you know, unless you very have a

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<v Speaker 3>very high attention to detail.

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<v Speaker 1>And he's always kind of been this kind of international

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<v Speaker 1>amount of mystery. I mean the house in Switzerland, he

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<v Speaker 1>lives in the Bahamas. You know, he's married to a

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<v Speaker 1>Swedish you know, he used to have an appointment in Stockholm.

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<v Speaker 3>He's always I didn't know he lived in New York.

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<v Speaker 3>He justaid because I lived in Manhattan, and he's sort

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<v Speaker 3>of just going like he's like, oh, he used to

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<v Speaker 3>live there, and I was like what, so yeah, I

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<v Speaker 3>mean it's and I kind of love that, like I've

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<v Speaker 3>always you know, and I think it's in the age

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<v Speaker 3>of like social media. I think it's the opposite of

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<v Speaker 3>what we used to We used to love think about

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<v Speaker 3>rock stars or actors. We used to love when there

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<v Speaker 3>was a bit of mystery about them, you know. But

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<v Speaker 3>now these days people just stick cameras in front of

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<v Speaker 3>their faces every single day and broadcast themselves, you know.

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<v Speaker 3>So I think it's kind of nice to have someone who's,

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<v Speaker 3>you know, just lets his golf do the talking and

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<v Speaker 3>his brand identity and everything else that he does.

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<v Speaker 1>He kind of follows the old school model of Hollywood, right.

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<v Speaker 1>The worst thing in all Hollywood would be to be infamous.

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<v Speaker 1>You were trying to be famous, and Scotty has always

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<v Speaker 1>kind of managed this kind of cool. He's he's I mean,

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<v Speaker 1>I was with him a couple a month ago in Dubai.

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<v Speaker 1>I mean, like you said, he's timeless. He's aging well

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<v Speaker 1>and the golf swing is still amazing.

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<v Speaker 3>Getting better because I was looking, I mean, I was

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<v Speaker 3>just looking. I used to try and swing it like him.

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<v Speaker 3>I mean, I'm not as fit as I used to be,

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<v Speaker 3>but there's a lot of sort of his DNA in

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<v Speaker 3>my golf swing and watching how compact his swing is

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<v Speaker 3>becoming now, because I remember he used to have that

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<v Speaker 3>really really long high left arm that sort of went

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<v Speaker 3>up near his chin, and now he's really flattened it

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<v Speaker 3>out and his right arm is a lot closer, like

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<v Speaker 3>his hand are a lot more in front of his body,

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<v Speaker 3>and it's like he's getting stronger. I feel like, and

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<v Speaker 3>watching him hit balls for nine holes that day at

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<v Speaker 3>altitude was like with something else was incredible. I can't

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<v Speaker 3>believe the flight when it comes off the club base, Like,

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<v Speaker 3>how is that possible? The optimal spin with his driver

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<v Speaker 3>or his mini driver or whatever he's carrying right now.

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<v Speaker 1>And I think the other thing about Adam is there's

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<v Speaker 1>this like synergy with Roger Federer on the tennis side.

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<v Speaker 1>You know, they're both role ex ambassadors. They've always kind

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<v Speaker 1>of done things kind of in a very very classy way.

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<v Speaker 1>They're both uniclo ambassadors now and it's kind of like

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<v Speaker 1>they're the gold standard of Like I always say to

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<v Speaker 1>the young people that are playing professional golf for the

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<v Speaker 1>first time and they're starting out their career, I'm like,

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<v Speaker 1>if you could model your career off of an athlete,

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<v Speaker 1>especially in the golf space, Adam Scott would be a great,

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<v Speaker 1>great person to do.

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<v Speaker 2>Yeah, he's perfect.

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<v Speaker 1>You mentioned that you took up golf and you probably

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<v Speaker 1>could have played division. Did you ever think of going

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<v Speaker 1>to the US and trying to play Division one college golf.

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<v Speaker 2>Yeah, that's what I wanted to do.

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<v Speaker 3>I remember there was some conversations I had with U

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<v Speaker 3>and LV and a little bit with there was someone

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<v Speaker 3>and at one of the uzzy ams that was my

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<v Speaker 3>grades were terrible.

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<v Speaker 2>Let's get that out of the way.

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<v Speaker 3>I was already kind of like goofing around playing guitar

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<v Speaker 3>a little bit and surfing every day.

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<v Speaker 2>But yeah, I wanted to go.

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<v Speaker 3>I mean my dream was to like get into a

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<v Speaker 3>Division one college team and play golf and then graduate

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<v Speaker 3>and then going to the PGA too. That's that was

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<v Speaker 3>everything I wanted to be. That was everything I can

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<v Speaker 3>think about, so definitely, and then I guess music sort

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<v Speaker 3>of just became this thing that like, I think I

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<v Speaker 3>also realized I wasn't a killer like I needed to be.

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<v Speaker 1>And I think I read that you said that one

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<v Speaker 1>of the reasons why you didn't continue to pursue a

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<v Speaker 1>career in kind of professional golf is you looked at

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<v Speaker 1>the greatest players and they all have that kind of

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<v Speaker 1>killer instincts. Some of them wear that very much on

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<v Speaker 1>their sleeve, some kind of have that silent kind of

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<v Speaker 1>killer instinct. I think Scotty Scheffler has that right now.

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<v Speaker 1>He's such a great guy. The way he lives his

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<v Speaker 1>life on and off the golf course. He's kind of

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<v Speaker 1>like the Tom Hanks of golf. But he is a

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<v Speaker 1>stone cold killer. If he has chances to win, he

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<v Speaker 1>is going.

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<v Speaker 2>It in his way.

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<v Speaker 3>He'd off he WIT's what I mean like, And I

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<v Speaker 3>kind of recognized that I had, like some pers I

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<v Speaker 3>used to play against Jason Scrivner. I played against Danny

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<v Speaker 3>Lee a couple of times, and I remember, like I

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<v Speaker 3>was like the I think it was like the Lake

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<v Speaker 3>Macquarie Championship somewhere in New South Wales, like I'd played

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<v Speaker 3>a really great couple of days. Can remember what I shot.

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<v Speaker 3>I'm probably even or two one that I can't remember.

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<v Speaker 3>Danny won by like eight shots, shot like ten under

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<v Speaker 3>or something like that, and just absolutely destroyed, destroyed the field.

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<v Speaker 3>And I just was like, I'm watching his focus coming

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<v Speaker 3>up the fairway, and I was, you know, already having

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<v Speaker 3>a good time.

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<v Speaker 2>And I love having my friends, and I just never

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<v Speaker 2>really I loved hitting great golf.

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<v Speaker 3>Shots and I loved competing, But when I really came

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<v Speaker 3>down to it, I think I recognized that by the

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<v Speaker 3>time I was twenty one, twenty two, twenty three that

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<v Speaker 3>I didn't really have that like real killer thing that

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<v Speaker 3>I saw other people that other people had. And then

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<v Speaker 3>and music sort of just became you know. I think

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<v Speaker 3>I said to Brett Rumfort, I had to I felt

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<v Speaker 3>so nervous. I had to go to his you know,

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<v Speaker 3>went around to his house and we went hit golf balls,

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<v Speaker 3>and the ranger I said, I don't know if I

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<v Speaker 3>want to do this, and he'd sort of reared me

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<v Speaker 3>from a very young age to play golf, and I

0:09:49.880 --> 0:09:51.560
<v Speaker 3>sort of looked at him, and I think I remember saying, like,

0:09:51.880 --> 0:09:53.959
<v Speaker 3>I think I want to make things, not win things.

0:09:54.840 --> 0:09:56.280
<v Speaker 3>You know, like if I make a song or an

0:09:56.280 --> 0:09:58.679
<v Speaker 3>album or a film or or like something like, then

0:09:59.320 --> 0:10:01.199
<v Speaker 3>you know that's mine forever. Whereas I feel like someone's

0:10:01.200 --> 0:10:03.120
<v Speaker 3>gonna win that tournament next year, and I don't know,

0:10:03.160 --> 0:10:04.880
<v Speaker 3>I just that's the way I thought when I was

0:10:05.040 --> 0:10:07.680
<v Speaker 3>seventeen or eighteen, and you know, up into my twenties,

0:10:07.800 --> 0:10:09.040
<v Speaker 3>that's sort of Yeah.

0:10:08.840 --> 0:10:12.280
<v Speaker 1>The Melville Glades Championship. You were supposed to play in

0:10:12.320 --> 0:10:13.680
<v Speaker 1>that big tournament.

0:10:14.040 --> 0:10:15.520
<v Speaker 2>Yeah, I mean, like so there's this thing called how

0:10:15.520 --> 0:10:16.040
<v Speaker 2>old were you?

0:10:16.840 --> 0:10:20.600
<v Speaker 3>That was probably when I was twenty one or twenty two,

0:10:21.160 --> 0:10:23.280
<v Speaker 3>and so I was already into the senior division and

0:10:23.320 --> 0:10:26.559
<v Speaker 3>there was this your state Packston Averages and I needed

0:10:26.559 --> 0:10:29.520
<v Speaker 3>to maintain a certain level to qualify for the West

0:10:29.520 --> 0:10:34.120
<v Speaker 3>Australian state team or qualify for playing interstate events and

0:10:34.120 --> 0:10:37.080
<v Speaker 3>things like that, and I just remember I was teetering.

0:10:37.120 --> 0:10:39.959
<v Speaker 3>I was wavering on, like the golf thing, and then

0:10:40.200 --> 0:10:41.880
<v Speaker 3>I hadn't told Brett that I don't think I want

0:10:41.880 --> 0:10:44.960
<v Speaker 3>to compete anymore. I was trying to pick a job,

0:10:45.040 --> 0:10:46.920
<v Speaker 3>you know, I was trying to I had these grand

0:10:46.920 --> 0:10:48.440
<v Speaker 3>ideas of I had to pick something that I had

0:10:48.480 --> 0:10:49.560
<v Speaker 3>to do with the rest of my life. And I

0:10:49.559 --> 0:10:52.480
<v Speaker 3>remember like Oasis was playing. It was like I think

0:10:52.520 --> 0:10:54.120
<v Speaker 3>it was one of their last shows. I'll have to

0:10:54.160 --> 0:10:56.000
<v Speaker 3>find out when exactly what year this was, because I

0:10:56.080 --> 0:10:57.560
<v Speaker 3>think it was like one of their last shows in

0:10:57.600 --> 0:11:00.200
<v Speaker 3>Australia before they broke up. And they were playing with

0:11:01.120 --> 0:11:02.920
<v Speaker 3>I want to say wolf Mother or either them on

0:11:03.040 --> 0:11:05.280
<v Speaker 3>kings Leon at this big vestival called Rocket in Jodle

0:11:05.360 --> 0:11:07.679
<v Speaker 3>Up and I remember just going like, yeah, I'm going

0:11:07.720 --> 0:11:09.040
<v Speaker 3>to go to the Oasis concert.

0:11:09.679 --> 0:11:12.160
<v Speaker 1>So an Oasis concert instead of going and play an

0:11:12.200 --> 0:11:15.319
<v Speaker 1>amateur golf from Is that the one where Liam Gallagher

0:11:15.360 --> 0:11:17.520
<v Speaker 1>got arrested on the flight coming down to Australia. You

0:11:17.520 --> 0:11:21.800
<v Speaker 1>got arrested for drinking excessively on a flight, I think

0:11:21.840 --> 0:11:23.240
<v Speaker 1>on a virgin flight down to Australia.

0:11:23.280 --> 0:11:25.280
<v Speaker 3>That's a weird thing to do between England and Australia

0:11:25.280 --> 0:11:27.400
<v Speaker 3>because I feel like at the Ash isn't coming to

0:11:27.440 --> 0:11:29.680
<v Speaker 3>talk about cricket now. I feel like they have competitions

0:11:29.840 --> 0:11:32.560
<v Speaker 3>who can drink the most amount of beers between here

0:11:32.600 --> 0:11:34.720
<v Speaker 3>in London. I don't I can't imagine. I mean, I mean,

0:11:34.760 --> 0:11:37.880
<v Speaker 3>I don't remember that him getting arrested, but I'm not surprised.

0:11:37.960 --> 0:11:40.280
<v Speaker 3>Back then, we'll get back to golf in a minute.

0:11:40.840 --> 0:11:43.360
<v Speaker 1>Music. How did you get into music?

0:11:43.880 --> 0:11:46.880
<v Speaker 3>I guess it was my mom was a singer. My

0:11:46.960 --> 0:11:49.840
<v Speaker 3>mom sang on the boats. That's how she met my dad.

0:11:50.200 --> 0:11:51.840
<v Speaker 3>My dad drove the boat, my mum sang on the boat.

0:11:51.880 --> 0:11:53.760
<v Speaker 3>My mom was a musician. What kind of it was

0:11:53.800 --> 0:11:55.640
<v Speaker 3>like in these wine cruises they have in Perth, they

0:11:55.679 --> 0:11:57.600
<v Speaker 3>have these like wine cruises and my dad drove the

0:11:57.600 --> 0:11:59.880
<v Speaker 3>boat and my mom sang on the boat, and that's

0:11:59.880 --> 0:12:01.640
<v Speaker 3>the really how they met. So my mom would do

0:12:01.679 --> 0:12:03.280
<v Speaker 3>these like floor shows at the end of the like

0:12:03.320 --> 0:12:04.760
<v Speaker 3>on the wine cruiser, when everyone had a bit to

0:12:04.840 --> 0:12:06.200
<v Speaker 3>drink that you drop them off at a winery. They

0:12:06.240 --> 0:12:08.079
<v Speaker 3>get a bit pissed and on the way back, my

0:12:08.160 --> 0:12:10.440
<v Speaker 3>mom would you know, start singing these sort of like

0:12:10.440 --> 0:12:13.440
<v Speaker 3>show tunes. I eventually got that job, by the way,

0:12:13.559 --> 0:12:15.920
<v Speaker 3>because I needed money when I was trying to be

0:12:16.000 --> 0:12:16.600
<v Speaker 3>a pro golfer.

0:12:17.080 --> 0:12:18.559
<v Speaker 1>So you sing while you were trying to be a

0:12:18.559 --> 0:12:20.679
<v Speaker 1>pro golfer. Your singing a wine.

0:12:20.520 --> 0:12:23.520
<v Speaker 3>Cruise, Yeah, I was singing on this little riverboat. Yeah, yeah,

0:12:23.600 --> 0:12:24.160
<v Speaker 3>riverboat cruise.

0:12:24.200 --> 0:12:25.560
<v Speaker 1>What kind of music were you singing?

0:12:25.920 --> 0:12:28.000
<v Speaker 3>I can't remember. I think it was like Sinatra songs.

0:12:28.440 --> 0:12:30.280
<v Speaker 3>My mom like raised me on that kind of stuff. So,

0:12:30.600 --> 0:12:32.600
<v Speaker 3>I mean, but before then, like I would sing in

0:12:32.600 --> 0:12:36.640
<v Speaker 3>the car, and I didn't realize how much I was

0:12:36.679 --> 0:12:38.120
<v Speaker 3>into music. When I was a kid. I was like, no,

0:12:38.200 --> 0:12:39.760
<v Speaker 3>I always wanted to be a sportsman, she's And then

0:12:39.800 --> 0:12:43.200
<v Speaker 3>she sent me these pictures I'd turned like tennis rackets

0:12:43.200 --> 0:12:45.679
<v Speaker 3>into guitars by putting shoelaces over the thing. And then

0:12:45.760 --> 0:12:47.760
<v Speaker 3>like she says, you always wanted to sing, She saying,

0:12:47.760 --> 0:12:49.400
<v Speaker 3>when you were little, you would like sing the same

0:12:49.440 --> 0:12:51.600
<v Speaker 3>song to a party of people when you would. You know,

0:12:51.640 --> 0:12:53.520
<v Speaker 3>I always loved it. I think it's the performing thing.

0:12:53.760 --> 0:12:55.720
<v Speaker 3>I don't know if that's egomaniacle or not, but I was.

0:12:55.720 --> 0:12:57.520
<v Speaker 3>It was kind of like I always wanted to perform,

0:12:57.679 --> 0:13:00.199
<v Speaker 3>you know. And then as I got older, I think

0:13:00.240 --> 0:13:02.040
<v Speaker 3>I was a weird looking kid. I was like this big,

0:13:02.080 --> 0:13:05.640
<v Speaker 3>sort of lanky, goofy where braces, kind of chubby and weird.

0:13:06.160 --> 0:13:08.720
<v Speaker 3>And I figured if I got a guitar and I

0:13:08.720 --> 0:13:11.720
<v Speaker 3>could play guitar like at house parties or wherever I was,

0:13:12.200 --> 0:13:13.360
<v Speaker 3>I might get a girlfriend.

0:13:13.559 --> 0:13:15.840
<v Speaker 2>You know. It was just a big ploy. This is

0:13:15.840 --> 0:13:17.040
<v Speaker 2>a big ploy to get girls.

0:13:17.080 --> 0:13:18.600
<v Speaker 3>And then I ended up doing it for the rest

0:13:18.600 --> 0:13:20.120
<v Speaker 3>of my life, you know, for the next eighteen years

0:13:20.120 --> 0:13:21.880
<v Speaker 3>of my life. So I got into that. And then

0:13:21.960 --> 0:13:23.679
<v Speaker 3>there's a guy called Adam sort of taught me how

0:13:23.679 --> 0:13:26.200
<v Speaker 3>to play. I used to go into the music groom

0:13:26.200 --> 0:13:27.920
<v Speaker 3>at lunch times and when he would just teach me.

0:13:27.840 --> 0:13:30.800
<v Speaker 2>Stuff and guitar, guitano, guitar.

0:13:30.800 --> 0:13:33.400
<v Speaker 3>I had piano lessons when I was eight, and I

0:13:33.440 --> 0:13:35.680
<v Speaker 3>can't read music, and I'm like dyslexic, so I can't

0:13:35.720 --> 0:13:38.400
<v Speaker 3>really I could never get the eg BDF kind of

0:13:38.440 --> 0:13:40.839
<v Speaker 3>stay I can't still to this day, I still can'try music.

0:13:40.920 --> 0:13:43.200
<v Speaker 1>How many instruments do you play?

0:13:43.480 --> 0:13:46.240
<v Speaker 3>Just the basic like I played guitar first, and then

0:13:46.280 --> 0:13:49.360
<v Speaker 3>I started playing piano, and then I played drums for

0:13:49.400 --> 0:13:52.200
<v Speaker 3>a ban called Pond, and then I played bass.

0:13:52.240 --> 0:13:53.120
<v Speaker 2>Bass was the last one.

0:13:53.240 --> 0:13:56.240
<v Speaker 3>Was the last instrument that I sort of really got into,

0:13:56.400 --> 0:13:58.840
<v Speaker 3>and that's probably I'm probably the best at bass now,

0:13:59.360 --> 0:14:02.360
<v Speaker 3>just from learn Kevin Parker's basslines for the last you

0:14:02.400 --> 0:14:02.960
<v Speaker 3>know whatever.

0:14:03.000 --> 0:14:04.040
<v Speaker 2>It is twelve years or so.

0:14:04.160 --> 0:14:06.640
<v Speaker 1>When you're on on tour, when you are playing with

0:14:06.679 --> 0:14:09.760
<v Speaker 1>Team and Parla, how many instruments in the show when

0:14:09.800 --> 0:14:12.360
<v Speaker 1>you are playing live? How many instruments will you play?

0:14:12.800 --> 0:14:15.360
<v Speaker 2>Mate? It's pretty wiry up there. We've got like.

0:14:15.280 --> 0:14:16.800
<v Speaker 1>How many people are For people that don't know, how

0:14:16.840 --> 0:14:17.760
<v Speaker 1>many people are in the band.

0:14:17.800 --> 0:14:19.680
<v Speaker 3>I think there's five of us, and then there's two

0:14:19.800 --> 0:14:22.760
<v Speaker 3>drum kits for starters, which is there's only one drummer.

0:14:22.840 --> 0:14:23.840
<v Speaker 2>It's two drum kits.

0:14:23.960 --> 0:14:26.480
<v Speaker 3>Jay has something like three or four synths on his

0:14:26.560 --> 0:14:30.480
<v Speaker 3>side and kronos like a keyboard. Dom has I want

0:14:30.480 --> 0:14:32.720
<v Speaker 3>to say three or four, maybe five, and then he

0:14:32.880 --> 0:14:36.800
<v Speaker 3>has five or six guitar lines. I can't remember it's

0:14:36.840 --> 0:14:38.760
<v Speaker 3>it's somewhere around that number five or six guitar lines.

0:14:38.840 --> 0:14:39.680
<v Speaker 2>I have a.

0:14:39.640 --> 0:14:42.960
<v Speaker 3>Bass line and a bass synth line. Kevin has two

0:14:43.080 --> 0:14:45.280
<v Speaker 3>or three guitar lines, So there's like I guess on

0:14:45.400 --> 0:14:46.400
<v Speaker 3>stage there'd be something.

0:14:46.680 --> 0:14:47.960
<v Speaker 2>I know there's something like.

0:14:49.160 --> 0:14:52.480
<v Speaker 3>Forty channels get like for five guys, like forty channels

0:14:52.480 --> 0:14:53.320
<v Speaker 3>going to the mixing console.

0:14:53.320 --> 0:14:55.520
<v Speaker 2>It's probably more. I can't remember, and most bands would

0:14:55.560 --> 0:14:56.200
<v Speaker 2>have white if there is.

0:14:56.400 --> 0:14:57.320
<v Speaker 1>Let's listen, we've got five.

0:14:57.760 --> 0:14:59.360
<v Speaker 3>You go think there's like ten mics and a drum kit,

0:15:00.160 --> 0:15:02.960
<v Speaker 3>you know, and there's five. There's there'd be you know,

0:15:03.080 --> 0:15:05.320
<v Speaker 3>someone playing guitar. There's another channel, and then you've got

0:15:05.360 --> 0:15:07.240
<v Speaker 3>someone playing bass. There's another channel, and then you've got

0:15:07.240 --> 0:15:09.320
<v Speaker 3>someone playing and then a singer, you know, So you'd

0:15:09.320 --> 0:15:13.680
<v Speaker 3>probably have twenty maybe twenty twenty five. We have so

0:15:13.880 --> 0:15:16.960
<v Speaker 3>many it's absurd. But I think that's literally one of

0:15:17.000 --> 0:15:19.040
<v Speaker 3>the funnest things I've been able to do over the

0:15:19.120 --> 0:15:21.000
<v Speaker 3>last like ten years is playing in that band is

0:15:21.040 --> 0:15:22.640
<v Speaker 3>like they're the best musicians in the world that I've

0:15:22.640 --> 0:15:24.480
<v Speaker 3>ever played with in my life, the most talented ones

0:15:24.480 --> 0:15:27.920
<v Speaker 3>I've ever met. Like playing bass along to Julian Barbeguello's drums.

0:15:28.480 --> 0:15:29.520
<v Speaker 2>Every night is a dream.

0:15:29.720 --> 0:15:31.720
<v Speaker 3>And part of the fun is like we take these

0:15:31.720 --> 0:15:35.200
<v Speaker 3>like opuses that Kevin writes and pull them apart and

0:15:35.200 --> 0:15:36.720
<v Speaker 3>every rehearsal and go, how are we going to play

0:15:36.720 --> 0:15:39.200
<v Speaker 3>this song that Sometimes it's something that Kevin came up

0:15:39.240 --> 0:15:41.280
<v Speaker 3>with it, like in the middle of the night after

0:15:41.360 --> 0:15:43.280
<v Speaker 3>drinking a bottle of wine, you know, like so and

0:15:43.320 --> 0:15:45.360
<v Speaker 3>so we sort of, you know, I learn all the

0:15:45.360 --> 0:15:47.400
<v Speaker 3>bass lines, and then Dom will help, like Dom the

0:15:47.480 --> 0:15:50.720
<v Speaker 3>keyboard player will help, like synthesize the sounds, like he'll

0:15:50.720 --> 0:15:51.960
<v Speaker 3>recreate a synth sound.

0:15:52.360 --> 0:15:53.680
<v Speaker 2>If we can't take that synth.

0:15:53.400 --> 0:15:55.880
<v Speaker 3>On the road, Dom will help recreate it, and you know,

0:15:55.960 --> 0:15:57.880
<v Speaker 3>and putting these songs sort of it sounds silly, but

0:15:57.920 --> 0:16:01.800
<v Speaker 3>putting these songs back together from these like yeah, amazing

0:16:01.880 --> 0:16:04.240
<v Speaker 3>arrangements that Kevin puts on the albums and figuring out

0:16:04.280 --> 0:16:07.040
<v Speaker 3>how to make those sounds so that the crowd isn't

0:16:07.120 --> 0:16:09.440
<v Speaker 3>disappointed when you know, so they can bring these songs

0:16:09.440 --> 0:16:09.840
<v Speaker 3>to life.

0:16:09.960 --> 0:16:10.960
<v Speaker 2>Is what I'm trying to say.

0:16:11.200 --> 0:16:13.920
<v Speaker 3>Is one of the funnest things, Like the rehearsal is

0:16:14.360 --> 0:16:18.320
<v Speaker 3>nearly just as fun for the for then the shows.

0:16:20.080 --> 0:16:23.920
<v Speaker 1>How much do you think learning music, practicing music, being

0:16:23.960 --> 0:16:29.040
<v Speaker 1>obsessed with music is kind of similar to the obsession

0:16:29.080 --> 0:16:31.480
<v Speaker 1>that you and a lot of people who listen to

0:16:31.520 --> 0:16:34.480
<v Speaker 1>the pod have about golf. Are they similar?

0:16:34.800 --> 0:16:38.640
<v Speaker 3>I would say golf helped me become a better musician

0:16:38.800 --> 0:16:41.400
<v Speaker 3>in the sense that because I can't read music, but

0:16:41.640 --> 0:16:44.680
<v Speaker 3>I learned how to break down tasks. I remember I

0:16:44.680 --> 0:16:47.120
<v Speaker 3>got taught at ver at young age about like practice schedules,

0:16:47.160 --> 0:16:49.360
<v Speaker 3>but which obviously we could talk about that for hours,

0:16:49.400 --> 0:16:51.160
<v Speaker 3>like in the morning. It would be like, if I'm

0:16:51.200 --> 0:16:53.360
<v Speaker 3>trying to learn a skill, you know, like if you're

0:16:53.360 --> 0:16:55.080
<v Speaker 3>trying to make a swing change, you need to, you know,

0:16:55.320 --> 0:16:57.160
<v Speaker 3>first start doing with like, you know, a fifty percent

0:16:57.160 --> 0:16:58.920
<v Speaker 3>shot on the range, and then start speeding it up

0:16:58.920 --> 0:17:00.840
<v Speaker 3>a bit, and then eventually you can take it out

0:17:00.880 --> 0:17:02.680
<v Speaker 3>into practice rounds, and then eventually.

0:17:02.280 --> 0:17:03.800
<v Speaker 2>You can use it in competition, you know.

0:17:04.320 --> 0:17:09.040
<v Speaker 3>So basically golf helped me become obsessively specific about certain things.

0:17:09.080 --> 0:17:10.800
<v Speaker 3>So if I'm trying to learn a song, maybe it's

0:17:10.800 --> 0:17:14.160
<v Speaker 3>a baseline that's quite tricky, I will play it two

0:17:14.160 --> 0:17:16.199
<v Speaker 3>different tempos and then I'll play it I'll play it

0:17:16.200 --> 0:17:18.280
<v Speaker 3>really slow, and then I'll play it really fast. I'll

0:17:18.280 --> 0:17:20.520
<v Speaker 3>play it in a swung way, I'll play it in

0:17:20.520 --> 0:17:23.639
<v Speaker 3>a different rhythm, and it gives me this ability to

0:17:24.040 --> 0:17:28.760
<v Speaker 3>moti memorize songs. So like I think obsessive specificity is

0:17:28.800 --> 0:17:32.760
<v Speaker 3>something that golfers and musicians have in kind. Is that

0:17:32.920 --> 0:17:35.000
<v Speaker 3>like there's a broad stroke and a broad goal, but

0:17:35.040 --> 0:17:36.880
<v Speaker 3>being able to break that task down or that song

0:17:36.920 --> 0:17:39.560
<v Speaker 3>down into different sounds and different channels and different techniques

0:17:39.680 --> 0:17:43.200
<v Speaker 3>is something that there's massive crossover I think between musicians

0:17:43.240 --> 0:17:45.280
<v Speaker 3>and golfers in that sense. Mentally, I think the mental

0:17:45.280 --> 0:17:47.760
<v Speaker 3>approach to making a great song or for me, it's

0:17:47.800 --> 0:17:51.879
<v Speaker 3>like learning a great song or achieving something on stage. Weirdly,

0:17:52.080 --> 0:17:53.960
<v Speaker 3>I like performing a lot more than being in studio.

0:17:54.040 --> 0:17:56.120
<v Speaker 3>So if I'm trying to learn a performance, whether it's

0:17:56.160 --> 0:17:58.439
<v Speaker 3>me playing solo piano or playing in tamapala or anything,

0:17:59.240 --> 0:18:01.880
<v Speaker 3>I think learn a performance and learning how to swing

0:18:01.880 --> 0:18:05.879
<v Speaker 3>a golf club became very It came very naturally to

0:18:05.920 --> 0:18:07.639
<v Speaker 3>me because of that. Kevin I think even said that

0:18:07.680 --> 0:18:09.440
<v Speaker 3>once He's like Cam's more of like a musical jock

0:18:09.520 --> 0:18:10.560
<v Speaker 3>than anything else.

0:18:10.960 --> 0:18:15.960
<v Speaker 1>Writing music versus making music, like writing songs and stuff.

0:18:16.000 --> 0:18:18.919
<v Speaker 1>I read once you said you don't try and write songs.

0:18:18.920 --> 0:18:21.160
<v Speaker 1>You wait for the songs to come to.

0:18:21.040 --> 0:18:24.080
<v Speaker 3>You said me, Yeah, I mean it's it's it's a

0:18:24.080 --> 0:18:27.520
<v Speaker 3>weird one. I'm not like like spiritual, but it's a

0:18:27.560 --> 0:18:30.920
<v Speaker 3>funny thing like I sort of wait for I feel

0:18:30.960 --> 0:18:32.960
<v Speaker 3>like sometimes if I like smash my head up against

0:18:33.000 --> 0:18:35.280
<v Speaker 3>a wall, like I'm going like write a song, write

0:18:35.320 --> 0:18:35.720
<v Speaker 3>a song.

0:18:35.560 --> 0:18:36.000
<v Speaker 2>Write a hit.

0:18:36.080 --> 0:18:37.800
<v Speaker 3>Right, Maybe that's why I would never be a great

0:18:37.840 --> 0:18:40.000
<v Speaker 3>like sort of you know, one of those like Max

0:18:40.040 --> 0:18:42.040
<v Speaker 3>Martin kind of like pop song churning them out, churning

0:18:42.040 --> 0:18:43.359
<v Speaker 3>them ot, churing them out. I wouldn't be great at

0:18:43.400 --> 0:18:45.120
<v Speaker 3>that because I get no joy out of this kind

0:18:45.119 --> 0:18:47.480
<v Speaker 3>of like sitting there and kind of like trying to

0:18:47.520 --> 0:18:49.560
<v Speaker 3>write a pop song. And it never really works for

0:18:49.600 --> 0:18:52.560
<v Speaker 3>me either. So I think, like I write down lots

0:18:52.560 --> 0:18:54.439
<v Speaker 3>of bits and pieces. So if I'm writing a song,

0:18:54.480 --> 0:18:56.280
<v Speaker 3>it usually starts with lyrics. Like last night, but right

0:18:56.320 --> 0:18:57.960
<v Speaker 3>before I went to bed, I had a couple of

0:18:57.960 --> 0:19:00.960
<v Speaker 3>glasses of white and like these lyric came to me.

0:19:01.119 --> 0:19:02.600
<v Speaker 3>I was like, I can't remember what it was. I

0:19:02.640 --> 0:19:04.240
<v Speaker 3>could probably pull it up on my phone and I

0:19:04.359 --> 0:19:05.960
<v Speaker 3>write down three or four more lines that have to

0:19:06.000 --> 0:19:07.919
<v Speaker 3>do with that. And so that it's kind of just

0:19:07.960 --> 0:19:11.720
<v Speaker 3>like capturing like a feeling or a vibe about the

0:19:11.760 --> 0:19:13.479
<v Speaker 3>way I'm feeling, and how do I put into words

0:19:13.600 --> 0:19:16.480
<v Speaker 3>about a moment or something I'm feeling. And then usually

0:19:16.480 --> 0:19:18.040
<v Speaker 3>a melody will come after that, and then I'll try

0:19:18.080 --> 0:19:20.080
<v Speaker 3>and fit chords around that. So I kind of wait

0:19:20.119 --> 0:19:22.000
<v Speaker 3>for it to come and then sometimes man, I can

0:19:22.200 --> 0:19:24.480
<v Speaker 3>like I'll pull this up. I know the people listening

0:19:24.480 --> 0:19:26.000
<v Speaker 3>won't be able to see it, but like these are

0:19:26.040 --> 0:19:30.119
<v Speaker 3>all just like bits, bits and pieces of songs like

0:19:30.600 --> 0:19:34.600
<v Speaker 3>just this like tiny like yeah, like I guess like

0:19:34.640 --> 0:19:36.200
<v Speaker 3>how I'm trying to find one like there go this

0:19:36.400 --> 0:19:38.640
<v Speaker 3>is this is sort of how it sort of comes out.

0:19:38.760 --> 0:19:40.880
<v Speaker 3>This one says there's a river in a city. They're

0:19:40.920 --> 0:19:43.320
<v Speaker 3>all like broken verses and it doesn't make any sense,

0:19:43.320 --> 0:19:45.440
<v Speaker 3>but I start with the lyrics because that words have made.

0:19:45.480 --> 0:19:48.320
<v Speaker 3>My heroes are Tom Waits and Nick Cave and Leonard Cohen.

0:19:48.400 --> 0:19:49.920
<v Speaker 1>And I read that you were a big Tom Waits

0:19:49.920 --> 0:19:52.840
<v Speaker 1>fan when when I was in college, down by Law

0:19:52.880 --> 0:19:55.080
<v Speaker 1>of the Jim jur Mooch film, That's What's favorite film

0:19:55.200 --> 0:19:57.840
<v Speaker 1>was my favorite film in college. We watched that role

0:19:57.880 --> 0:20:00.399
<v Speaker 1>That's religiously I loves.

0:20:00.359 --> 0:20:02.200
<v Speaker 2>To have a poster on the wall, and I lost all.

0:20:02.119 --> 0:20:04.680
<v Speaker 1>Of Jim Joy Mussa's stuff, that whole kind of static

0:20:04.760 --> 0:20:08.040
<v Speaker 1>that black and white and Tom Waits was his music

0:20:08.200 --> 0:20:09.639
<v Speaker 1>was always in those films.

0:20:09.680 --> 0:20:12.360
<v Speaker 2>Yeah, yeah, this happens with Jockie Philip Bourbon and there's.

0:20:12.200 --> 0:20:14.600
<v Speaker 1>That great scene where they're in the prison cell and

0:20:14.640 --> 0:20:20.080
<v Speaker 1>he's like ice Ice scream and they also scream, and they're.

0:20:19.920 --> 0:20:23.360
<v Speaker 3>Like because his character is that guy is Roberta. Bernini's

0:20:23.359 --> 0:20:25.280
<v Speaker 3>one of my favorite actors of all time as well.

0:20:25.840 --> 0:20:27.840
<v Speaker 3>That's my favorite film because John Lewie was in the

0:20:27.880 --> 0:20:30.480
<v Speaker 3>Lounge Deards absolutely and Waits is one of my heros.

0:20:30.640 --> 0:20:33.480
<v Speaker 3>And Benini is a master. He's the best physical actor

0:20:33.520 --> 0:20:35.879
<v Speaker 3>I've ever seen in my life. But I remember, like

0:20:36.000 --> 0:20:38.280
<v Speaker 3>I had the poster in my first apartment in New York.

0:20:38.280 --> 0:20:40.240
<v Speaker 3>I had this big poster of that scene when they're

0:20:40.240 --> 0:20:42.920
<v Speaker 3>all leaning on the bars. Because one of the funniest things,

0:20:42.960 --> 0:20:45.960
<v Speaker 3>I made this neon sign that said because he says

0:20:46.440 --> 0:20:49.240
<v Speaker 3>I am no criminal, and he says I have a

0:20:49.280 --> 0:20:51.520
<v Speaker 3>good egg, and so like I always love I have

0:20:51.680 --> 0:20:53.320
<v Speaker 3>a good egg, So I made this sign that said

0:20:53.400 --> 0:20:55.960
<v Speaker 3>I have a good egg. Anyway, Waits was like he's

0:20:56.000 --> 0:20:58.600
<v Speaker 3>still still like I have a proverbial go bag in

0:20:58.680 --> 0:21:00.640
<v Speaker 3>my bank account. Like if we were sitting right now

0:21:00.640 --> 0:21:02.960
<v Speaker 3>and someone said Tom Waits is playing in Switzerland tomorrow,

0:21:03.000 --> 0:21:05.119
<v Speaker 3>I go see you, claude, have a nice rest of

0:21:05.160 --> 0:21:06.800
<v Speaker 3>your day, and would just leave. I'd give my left

0:21:06.880 --> 0:21:08.000
<v Speaker 3>arm to see that guy play again.

0:21:08.160 --> 0:21:11.159
<v Speaker 1>You had an apartment in New York that had a

0:21:11.200 --> 0:21:14.199
<v Speaker 1>bed and just a piano, and that was it. You

0:21:14.240 --> 0:21:16.440
<v Speaker 1>told me the story yesterday, But you've got to tell

0:21:16.440 --> 0:21:16.760
<v Speaker 1>the story.

0:21:16.800 --> 0:21:18.879
<v Speaker 2>It's amazing. Well it was I was.

0:21:19.240 --> 0:21:21.159
<v Speaker 3>I moved to New York and my upstairs neighbor is

0:21:21.160 --> 0:21:24.240
<v Speaker 3>an amazing producer call Lauren Humphrey, and he said I

0:21:24.240 --> 0:21:25.919
<v Speaker 3>said to him. I was like, hey, dude, I had

0:21:25.920 --> 0:21:27.960
<v Speaker 3>this big sort of twelve hundred square foot loft that

0:21:28.080 --> 0:21:30.480
<v Speaker 3>I got off another musician friend of ours, and I said, hey, man,

0:21:30.520 --> 0:21:32.520
<v Speaker 3>do you have a doing one with an upright And

0:21:32.520 --> 0:21:34.720
<v Speaker 3>he goes, no, no, no. But I know poor Kostavi

0:21:34.920 --> 0:21:36.480
<v Speaker 3>is selling a grand He's a guy from a bank

0:21:36.480 --> 0:21:37.040
<v Speaker 3>called Colts.

0:21:37.760 --> 0:21:38.480
<v Speaker 2>So I went up there.

0:21:38.520 --> 0:21:40.520
<v Speaker 3>I wrote in the back the trunk of someone's like

0:21:40.560 --> 0:21:42.760
<v Speaker 3>Honda Odyssey, and went up there and checked out this

0:21:42.840 --> 0:21:45.399
<v Speaker 3>piano and it's probably. You know, I can't remember what

0:21:45.480 --> 0:21:47.280
<v Speaker 3>it was worth, but you know, he said to me,

0:21:47.359 --> 0:21:48.639
<v Speaker 3>and he was, so he's the best.

0:21:48.680 --> 0:21:49.200
<v Speaker 2>I love Paul.

0:21:49.240 --> 0:21:51.439
<v Speaker 3>And he was like, I probably need four grand for it,

0:21:51.440 --> 0:21:52.800
<v Speaker 3>and I think I said. I was like, well, I've

0:21:52.840 --> 0:21:54.840
<v Speaker 3>got three thousand in my bank account. This is everything

0:21:54.880 --> 0:21:57.480
<v Speaker 3>I had, and I just I just paid rent, so

0:21:57.560 --> 0:22:00.840
<v Speaker 3>I had and it was cheap back then, and I said,

0:22:01.359 --> 0:22:03.560
<v Speaker 3>I'll give you two. So I gave him two thousand

0:22:03.560 --> 0:22:05.439
<v Speaker 3>dollars for this piano. And then luckily I had a

0:22:05.440 --> 0:22:07.720
<v Speaker 3>freight elevator. I was on tour when they put it

0:22:07.760 --> 0:22:09.560
<v Speaker 3>up there. So I got home and all I had

0:22:09.600 --> 0:22:11.359
<v Speaker 3>in my bedroom I'm not even drinking. I had a bed,

0:22:11.520 --> 0:22:14.959
<v Speaker 3>it's tempopedic mattress and a shag rug and this piano

0:22:15.200 --> 0:22:17.000
<v Speaker 3>and that was it. There was nothing in there. It

0:22:17.040 --> 0:22:18.560
<v Speaker 3>looked like and people would come over and it was like,

0:22:18.680 --> 0:22:20.919
<v Speaker 3>is this an art installation? Like this is literally what

0:22:20.960 --> 0:22:23.320
<v Speaker 3>it looked like. So but I was happy then, you know, like,

0:22:23.359 --> 0:22:25.760
<v Speaker 3>and I had an ashtray full of cigarette butts. I

0:22:25.840 --> 0:22:27.320
<v Speaker 3>used to smoke like a chimney and I would just

0:22:27.320 --> 0:22:29.159
<v Speaker 3>sit there. I was really good at piano for that

0:22:29.240 --> 0:22:30.680
<v Speaker 3>year because all I would do was sit around and

0:22:30.680 --> 0:22:34.400
<v Speaker 3>play piano. So like that was like my best bowhome impression.

0:22:34.520 --> 0:22:37.439
<v Speaker 3>You know, you live now in Los Angeles. What's the

0:22:37.480 --> 0:22:40.520
<v Speaker 3>difference you think in the vibe between New York and LA.

0:22:40.560 --> 0:22:42.880
<v Speaker 3>My daughter's just moved to New York. She's twenty one,

0:22:42.920 --> 0:22:44.880
<v Speaker 3>she's just out of college. She's living in Murray Hill.

0:22:44.920 --> 0:22:46.880
<v Speaker 3>And I am all I ever wanted to do. When

0:22:46.880 --> 0:22:49.240
<v Speaker 3>I was twenty one years old was living in New

0:22:49.359 --> 0:22:53.560
<v Speaker 3>York City. So I am living vicariously through being young.

0:22:53.960 --> 0:22:54.960
<v Speaker 3>Living in Manhattan.

0:22:55.000 --> 0:22:56.240
<v Speaker 2>You got to do it young, you have to.

0:22:56.760 --> 0:23:00.800
<v Speaker 1>Manhattan has a very specific feel and buzz to it.

0:23:00.840 --> 0:23:02.400
<v Speaker 1>I've never lived in New York City, but I lived

0:23:02.400 --> 0:23:06.240
<v Speaker 1>in LA and LA has a completely different vibe as well. Yeah,

0:23:06.240 --> 0:23:08.440
<v Speaker 1>And I think people in LA look at New York

0:23:08.480 --> 0:23:10.880
<v Speaker 1>like it's another planet, and people in New York look

0:23:10.880 --> 0:23:13.760
<v Speaker 1>at LA like it's another planet. Yeah, but what do

0:23:13.840 --> 0:23:18.320
<v Speaker 1>you feel is kind of idiosyncratic about living in New

0:23:18.359 --> 0:23:20.520
<v Speaker 1>York and then living in LA.

0:23:20.600 --> 0:23:23.400
<v Speaker 3>I think it's it's tough. I've seen people come and go.

0:23:24.920 --> 0:23:27.240
<v Speaker 3>I've come and gone a couple of times in New York,

0:23:27.320 --> 0:23:29.080
<v Speaker 3>but New York's my favorite place in the whole world.

0:23:29.119 --> 0:23:31.400
<v Speaker 3>I think it's because you've got like, you know, the population,

0:23:31.840 --> 0:23:33.920
<v Speaker 3>you know, three quarters of the population of Australia living

0:23:33.920 --> 0:23:36.160
<v Speaker 3>on an island that's eleven miles long.

0:23:37.320 --> 0:23:38.359
<v Speaker 2>And then when you count all.

0:23:38.240 --> 0:23:39.840
<v Speaker 3>The burrows, I think it's what is it, twenty something

0:23:39.880 --> 0:23:42.840
<v Speaker 3>a million people and you've got everyone all these walks

0:23:42.840 --> 0:23:44.360
<v Speaker 3>of life living on top of each other.

0:23:44.480 --> 0:23:45.120
<v Speaker 1>You feel it.

0:23:45.440 --> 0:23:47.040
<v Speaker 2>You can in New York. You can feel in the

0:23:47.119 --> 0:23:48.399
<v Speaker 2>city and you can feel the pace.

0:23:48.600 --> 0:23:51.000
<v Speaker 3>And I think, like we always just say the rules

0:23:51.000 --> 0:23:53.359
<v Speaker 3>are like ten years sandy or nine to eleven, and

0:23:53.440 --> 0:23:54.960
<v Speaker 3>you're kind of in New Yorker like, and I sort

0:23:54.960 --> 0:23:57.879
<v Speaker 3>of consider myself part of that DNA. But I feel

0:23:57.880 --> 0:24:03.480
<v Speaker 3>like it's like everyone's very everyone in LA. And I

0:24:03.480 --> 0:24:06.040
<v Speaker 3>don't like shitting on LA, but I do sometimes because

0:24:06.040 --> 0:24:08.879
<v Speaker 3>I feel like everyone's nice, but they're not necessarily kind,

0:24:09.600 --> 0:24:11.960
<v Speaker 3>whereas no one in New York is nice, but they're

0:24:12.080 --> 0:24:13.919
<v Speaker 3>very kind. Like you can always sell when someone's from

0:24:14.000 --> 0:24:15.359
<v Speaker 3>LA and they moved to New York or not from

0:24:15.400 --> 0:24:16.800
<v Speaker 3>New York and they move, they're out in the morning.

0:24:17.240 --> 0:24:19.320
<v Speaker 3>I think christ To Stephano, amazing comedian, talks about this,

0:24:19.359 --> 0:24:21.399
<v Speaker 3>where people go like you're in the coffee shop, and

0:24:21.440 --> 0:24:22.880
<v Speaker 3>I used to go in if I have to wait

0:24:22.920 --> 0:24:25.480
<v Speaker 3>more than five seconds. There is Oslo, this coffee shop

0:24:25.480 --> 0:24:27.359
<v Speaker 3>across the road from my apartment on West tenth Street.

0:24:27.560 --> 0:24:29.280
<v Speaker 3>I'd walk in there and they would start making it

0:24:29.280 --> 0:24:30.480
<v Speaker 3>for me while I was in the line, and I'd

0:24:30.520 --> 0:24:32.040
<v Speaker 3>grab out and go thanks guys, and I would walk

0:24:32.080 --> 0:24:34.399
<v Speaker 3>out of there. And then Christi Stefano makes a joke

0:24:34.480 --> 0:24:36.200
<v Speaker 3>that everyone's like, if you got someone who's like, hy,

0:24:36.320 --> 0:24:38.760
<v Speaker 3>good morning, You're like, don't talk. We're not talking here,

0:24:38.840 --> 0:24:41.960
<v Speaker 3>give you the coffee. Go back it, Like I just

0:24:42.000 --> 0:24:43.240
<v Speaker 3>I came out here to get cofee. I'm not having

0:24:43.240 --> 0:24:46.359
<v Speaker 3>a great conversation. Whereas you know, New Yorkers can be

0:24:46.760 --> 0:24:47.320
<v Speaker 3>very harsh.

0:24:47.400 --> 0:24:47.920
<v Speaker 2>Rule them too.

0:24:47.960 --> 0:24:49.600
<v Speaker 3>Don't even get in the way of New Yorker while

0:24:49.600 --> 0:24:51.080
<v Speaker 3>they're walking. You have people go like, hey, can I

0:24:51.080 --> 0:24:52.600
<v Speaker 3>talk to you for a second, like get the out

0:24:52.680 --> 0:24:54.840
<v Speaker 3>of my way. But New Yorkers are very kind in

0:24:54.840 --> 0:24:56.359
<v Speaker 3>the way that like if you're running towards an elevator,

0:24:56.400 --> 0:24:58.000
<v Speaker 3>they'll hold the door open because they know we're all

0:24:58.040 --> 0:25:01.359
<v Speaker 3>in the same boat together or the subway, you know,

0:25:01.400 --> 0:25:03.400
<v Speaker 3>and we're all in the same boat and we all need.

0:25:03.359 --> 0:25:04.040
<v Speaker 2>To help each other. Out.

0:25:04.080 --> 0:25:08.359
<v Speaker 3>I feel like everyone really cares deep down, everyone really

0:25:08.359 --> 0:25:09.359
<v Speaker 3>cares for everybody in New York.

0:25:09.400 --> 0:25:10.919
<v Speaker 2>And I think that's what I like the most about it.

0:25:11.000 --> 0:25:11.360
<v Speaker 2>I'm there.

0:25:11.520 --> 0:25:13.600
<v Speaker 1>Obviously, if you're a golfer, you want to win a major,

0:25:13.640 --> 0:25:15.800
<v Speaker 1>and I think a lot of people the Masters would

0:25:15.800 --> 0:25:18.600
<v Speaker 1>be the holy grail of that. As a band is

0:25:18.680 --> 0:25:23.200
<v Speaker 1>headlining Glastonbury the top of the mountain, Yes, but without

0:25:23.240 --> 0:25:24.639
<v Speaker 1>a doubt, without a doubt.

0:25:24.720 --> 0:25:26.240
<v Speaker 3>I wrote an article a couple of years ago for

0:25:26.280 --> 0:25:29.560
<v Speaker 3>publication for Monster Children. It was called, Wasn't the greatest

0:25:29.640 --> 0:25:31.920
<v Speaker 3>festival in the mouth, It wasn't the greatest show on Earth.

0:25:31.960 --> 0:25:34.480
<v Speaker 3>It's the greatest place on earth. It's my favorite place.

0:25:34.640 --> 0:25:38.000
<v Speaker 3>I've never felt anything like I have when I've played

0:25:38.000 --> 0:25:40.560
<v Speaker 3>Glastonbury being at Glastonbury. I go every year, whether I'm

0:25:40.560 --> 0:25:43.440
<v Speaker 3>playing or not. It's just there's like myths about it

0:25:43.480 --> 0:25:46.080
<v Speaker 3>because the festival is never moved. It sits in between

0:25:46.080 --> 0:25:48.920
<v Speaker 3>these two lay lines, these religious lay lines, and it's

0:25:48.960 --> 0:25:51.760
<v Speaker 3>just something about it's still non for profit, like the

0:25:51.760 --> 0:25:53.760
<v Speaker 3>Eves family have been running that for fifty years now,

0:25:53.840 --> 0:25:57.840
<v Speaker 3>fifty one years now. And yeah, Glastonbury is for me anyway.

0:25:57.960 --> 0:26:00.119
<v Speaker 3>I mean, I could take or leave a Grammy. But

0:26:00.359 --> 0:26:03.359
<v Speaker 3>playing Glastonbury is Headlining Glastonbury is probably the greatest, one

0:26:03.400 --> 0:26:04.760
<v Speaker 3>of the greatest things I've ever done in my life,

0:26:04.840 --> 0:26:05.760
<v Speaker 3>if not the greatest.

0:26:05.920 --> 0:26:09.240
<v Speaker 1>You know, I told you yesterday I watched the YouTube

0:26:09.280 --> 0:26:11.960
<v Speaker 1>of when you all played Glastonbury Let it Happen the

0:26:12.000 --> 0:26:13.360
<v Speaker 1>first I mean, it is so.

0:26:13.480 --> 0:26:16.359
<v Speaker 2>Good, Like it's so good, it's fun.

0:26:16.560 --> 0:26:18.840
<v Speaker 3>It's fun. I mean like that's like the feeling you get.

0:26:19.400 --> 0:26:22.720
<v Speaker 3>And I remember Kevin, one of my best friends, the

0:26:22.720 --> 0:26:24.920
<v Speaker 3>mother of my godson, Gillian.

0:26:25.040 --> 0:26:26.760
<v Speaker 2>She's she's been going since she was thirteen.

0:26:26.920 --> 0:26:29.800
<v Speaker 3>She's from England, and she said Kevin was there and

0:26:29.840 --> 0:26:31.560
<v Speaker 3>she and we were like, we're going to headline Glassy

0:26:31.640 --> 0:26:34.080
<v Speaker 3>and Kevin, I think he did something like I don't

0:26:34.080 --> 0:26:36.800
<v Speaker 3>even really know what to say. And Gillian, who was

0:26:36.840 --> 0:26:38.520
<v Speaker 3>backstage with us is one of my best friends, turned

0:26:38.560 --> 0:26:41.560
<v Speaker 3>to Kevin and says, just say Glastonbury at the top

0:26:41.640 --> 0:26:43.320
<v Speaker 3>of your lungs, and sure enough he gets out there.

0:26:43.320 --> 0:26:45.399
<v Speaker 3>It was like midway through I would have been let

0:26:45.400 --> 0:26:46.960
<v Speaker 3>it happen or whatever we'd opened with them.

0:26:47.040 --> 0:26:48.520
<v Speaker 2>We've played a bunch of times. I can't remeber which

0:26:48.560 --> 0:26:51.800
<v Speaker 2>time it was that Kevin just goes glasson bray and

0:26:51.800 --> 0:26:55.240
<v Speaker 2>the crowd just goes and then it works.

0:26:55.240 --> 0:26:57.440
<v Speaker 1>So when I watched, he's like, wow, look at this.

0:26:58.000 --> 0:27:00.800
<v Speaker 3>Yeah, but it was like, oh yeah, it's I mean,

0:27:00.840 --> 0:27:02.879
<v Speaker 3>it's like it's a magical feeling. Like I was just

0:27:02.920 --> 0:27:07.159
<v Speaker 3>talking about it with Christian Crosby. They're one of the

0:27:07.160 --> 0:27:10.560
<v Speaker 3>hosts for Live and just that feeling you get when

0:27:10.600 --> 0:27:12.520
<v Speaker 3>you're when you're on the grounds that you get we get,

0:27:12.520 --> 0:27:15.040
<v Speaker 3>really I get excited a week out from Glastonbury and

0:27:15.080 --> 0:27:17.439
<v Speaker 3>the crowd when they paying respect to one of your

0:27:17.440 --> 0:27:19.280
<v Speaker 3>favorite songs. You'll see like five or six at night,

0:27:19.359 --> 0:27:21.199
<v Speaker 3>five or six flares will go up in the crowd,

0:27:21.760 --> 0:27:25.360
<v Speaker 3>and it's just this kind of everyone's there. No one's

0:27:25.359 --> 0:27:28.160
<v Speaker 3>there for Instagram, no one's there for you know, there's

0:27:28.160 --> 0:27:29.840
<v Speaker 3>none of that. Everyone you bring your wellies and you

0:27:29.840 --> 0:27:32.320
<v Speaker 3>bring your barber coat and you you know, just and

0:27:32.359 --> 0:27:34.600
<v Speaker 3>you're out there with your friends and it's still I

0:27:34.640 --> 0:27:36.840
<v Speaker 3>don't know, it's I could go on for hours. If

0:27:36.840 --> 0:27:38.760
<v Speaker 3>you've got to stop me talking about Glastonbury, I'll just

0:27:38.800 --> 0:27:39.359
<v Speaker 3>keep going.

0:27:39.640 --> 0:27:42.240
<v Speaker 1>For those of us that are not rock stars, like

0:27:42.800 --> 0:27:45.520
<v Speaker 1>and not in a band, what is it like when

0:27:45.560 --> 0:27:49.600
<v Speaker 1>you play a song and the crowd. Really that's to me,

0:27:50.440 --> 0:27:54.120
<v Speaker 1>that to me would probably have to be the it could.

0:27:54.200 --> 0:27:55.480
<v Speaker 2>It's got to be the coolest feeling.

0:27:55.800 --> 0:27:58.160
<v Speaker 3>Yeah, I mean it's like when you play in Latin America,

0:27:58.440 --> 0:28:00.720
<v Speaker 3>it's like they sing the lyrics back to you as

0:28:00.760 --> 0:28:03.040
<v Speaker 3>loud as you're playing it, like when you're in Buenos

0:28:03.040 --> 0:28:07.000
<v Speaker 3>Aires or Brazil or Mexico, like Mexico City. We played

0:28:07.000 --> 0:28:08.919
<v Speaker 3>a massive show in Mexico a couple of years ago,

0:28:09.560 --> 0:28:13.040
<v Speaker 3>and it's yeah, I mean it's like it's you don't

0:28:13.040 --> 0:28:15.160
<v Speaker 3>really sort of think about it until it happens, but yeah,

0:28:15.160 --> 0:28:17.720
<v Speaker 3>it's stuff that you it's memories that you take.

0:28:17.760 --> 0:28:19.680
<v Speaker 1>You make eye contact with people in your crowd while

0:28:19.680 --> 0:28:20.840
<v Speaker 1>you're playing. Are you watching?

0:28:21.080 --> 0:28:21.960
<v Speaker 2>Absolutely? Yeah.

0:28:22.040 --> 0:28:24.760
<v Speaker 3>Yeah, especially like I'm like where I sit. I sort

0:28:24.800 --> 0:28:27.760
<v Speaker 3>of sit in the background next to Julian and I

0:28:27.760 --> 0:28:29.600
<v Speaker 3>have a I have a really great vantage point actually,

0:28:29.680 --> 0:28:30.960
<v Speaker 3>so I can I can kind of see the people

0:28:31.000 --> 0:28:33.200
<v Speaker 3>in the front row and I don't know, it sounds

0:28:33.200 --> 0:28:34.800
<v Speaker 3>a bit cheesy, but you know, you make eye contact

0:28:34.800 --> 0:28:37.159
<v Speaker 3>with someone and like you can kind of thumbs them

0:28:37.280 --> 0:28:39.320
<v Speaker 3>up or you know, if you have that just must

0:28:39.360 --> 0:28:41.880
<v Speaker 3>make them So yeah, the joy is like that's I

0:28:41.920 --> 0:28:43.960
<v Speaker 3>think that's why you do it. It's like it's cheesy

0:28:44.000 --> 0:28:46.560
<v Speaker 3>as it sounds. It's like it's you perform because you

0:28:46.720 --> 0:28:49.320
<v Speaker 3>it's it's got it ends up having at that level

0:28:49.320 --> 0:28:51.120
<v Speaker 3>when they're singing back to you, It's got nothing to

0:28:51.120 --> 0:28:53.920
<v Speaker 3>do with you. It's got to do with making them happy,

0:28:54.000 --> 0:28:57.120
<v Speaker 3>you know. Performing Making their day is kind of that's

0:28:57.120 --> 0:28:59.800
<v Speaker 3>what you kind of feed off. And it sounds for

0:28:59.880 --> 0:29:02.120
<v Speaker 3>me anyway, like it's like it sounds so stupid, but

0:29:02.160 --> 0:29:04.240
<v Speaker 3>it's like it becomes very I feel like it becomes

0:29:04.320 --> 0:29:04.880
<v Speaker 3>very selfless.

0:29:04.880 --> 0:29:05.280
<v Speaker 2>At that point.

0:29:05.400 --> 0:29:07.440
<v Speaker 3>You're kind of like, what do I do to make

0:29:07.480 --> 0:29:09.000
<v Speaker 3>sure that you guys are having the best time. It's

0:29:09.000 --> 0:29:11.000
<v Speaker 3>not like clap for me, but it's like I want

0:29:11.040 --> 0:29:13.200
<v Speaker 3>you to have a great time. I mean the byproduct is, yeah,

0:29:13.440 --> 0:29:15.520
<v Speaker 3>you have one hundred thousand people singing along to one

0:29:15.520 --> 0:29:18.920
<v Speaker 3>of your songs, But you know, it's more like I

0:29:18.960 --> 0:29:21.160
<v Speaker 3>feel like in those moments, I get so excited to

0:29:21.240 --> 0:29:23.760
<v Speaker 3>make them feel great.

0:29:24.000 --> 0:29:26.520
<v Speaker 1>You know. Last music question, because I could literally do

0:29:26.560 --> 0:29:29.640
<v Speaker 1>a four hour podcast about team and polin music. What's

0:29:29.640 --> 0:29:31.640
<v Speaker 1>your favorite song to play live?

0:29:32.120 --> 0:29:32.239
<v Speaker 2>Oh?

0:29:32.320 --> 0:29:34.920
<v Speaker 3>Let it happened? Yeah, Yeah, it's definitely that. How did

0:29:34.920 --> 0:29:37.840
<v Speaker 3>that song come about that or Elephant. I mean, they're

0:29:37.840 --> 0:29:43.760
<v Speaker 3>both fun to play, but I remember Kevin working on it.

0:29:43.880 --> 0:29:46.400
<v Speaker 3>I had moved to the States, I think I think

0:29:46.400 --> 0:29:48.600
<v Speaker 3>I'd moved to the States. Yeah, And we hadn't put

0:29:48.600 --> 0:29:51.120
<v Speaker 3>out Currents yet. Pretty soon after I joined the band

0:29:51.160 --> 0:29:53.840
<v Speaker 3>in probably in twenty thirteen or something like that. And

0:29:53.960 --> 0:29:56.560
<v Speaker 3>I remember were driving to this music store to go

0:29:56.600 --> 0:29:59.840
<v Speaker 3>pick up something for the studio, and he goes, what

0:29:59.840 --> 0:30:01.360
<v Speaker 3>do you think of this? And he showed me like,

0:30:01.440 --> 0:30:04.360
<v Speaker 3>let it the like the bones or like probably it

0:30:04.400 --> 0:30:06.800
<v Speaker 3>was probably half cooked version of and I just and

0:30:06.840 --> 0:30:09.200
<v Speaker 3>if you think about that song, it's so obvious.

0:30:08.840 --> 0:30:09.440
<v Speaker 2>When you hear it.

0:30:09.480 --> 0:30:11.800
<v Speaker 3>Now, when you hear that song about all the different

0:30:12.120 --> 0:30:15.680
<v Speaker 3>stages and chapters. So you were listening in the car, Yeah, yeah,

0:30:15.720 --> 0:30:17.920
<v Speaker 3>it's the best. It's you always do the car test.

0:30:18.000 --> 0:30:22.160
<v Speaker 1>But once the movie, once they make the record, you know,

0:30:22.200 --> 0:30:24.160
<v Speaker 1>they go into the studio and everything, and they he's like,

0:30:24.160 --> 0:30:25.880
<v Speaker 1>all right, we got to do the car test always,

0:30:25.960 --> 0:30:26.520
<v Speaker 1>and then you go in.

0:30:26.960 --> 0:30:29.200
<v Speaker 3>You have to have to do the car test. There's

0:30:29.280 --> 0:30:30.880
<v Speaker 3>there's rules to the two things. On a team to

0:30:30.880 --> 0:30:32.840
<v Speaker 3>set the last thing and saying about music. I remember

0:30:32.880 --> 0:30:34.040
<v Speaker 3>him showing it to me, and I was like and

0:30:34.080 --> 0:30:37.680
<v Speaker 3>it was just so unique and so and it was

0:30:37.720 --> 0:30:39.520
<v Speaker 3>really when I went like whoa, and he'd already done.

0:30:39.600 --> 0:30:41.320
<v Speaker 3>If you think about it, Elephant feels like we only

0:30:41.320 --> 0:30:43.480
<v Speaker 3>go backwards and da da da da da. But the

0:30:43.480 --> 0:30:45.640
<v Speaker 3>first time I ever heard that, I was like, Wow,

0:30:45.880 --> 0:30:48.360
<v Speaker 3>this is like so different. And I was like in

0:30:48.400 --> 0:30:50.240
<v Speaker 3>the back of my mind. And I've said this to

0:30:50.320 --> 0:30:52.560
<v Speaker 3>his face a couple of times, probably upset him as well,

0:30:52.560 --> 0:30:53.960
<v Speaker 3>like a couple I was like, is this gonna work?

0:30:54.480 --> 0:30:57.040
<v Speaker 2>But that's that's what takes. That's what great artists are.

0:30:57.080 --> 0:30:59.840
<v Speaker 3>They're brave and they go on fearlessly into the thing

0:30:59.880 --> 0:31:02.040
<v Speaker 3>that makes them feel great. They make it for themselves.

0:31:02.240 --> 0:31:05.040
<v Speaker 3>I've never had that much as much artistry as someone

0:31:05.080 --> 0:31:08.400
<v Speaker 3>like a Kevin Parker, but it's like it takes extreme,

0:31:08.640 --> 0:31:11.080
<v Speaker 3>extreme bravery to do that. Think about like the success

0:31:11.080 --> 0:31:13.720
<v Speaker 3>of a song like Elephant and the difference between that

0:31:14.160 --> 0:31:17.280
<v Speaker 3>and let It Happen. They're two completely different speeds songs.

0:31:17.320 --> 0:31:19.960
<v Speaker 3>If you think about it, one is like cocaine Sabbath

0:31:20.080 --> 0:31:21.760
<v Speaker 3>and the other one is like this sort of odyssey

0:31:22.120 --> 0:31:24.640
<v Speaker 3>that ends up sounding like a dance song, you know,

0:31:24.880 --> 0:31:28.240
<v Speaker 3>And so you've got to that's that's the genius. That's

0:31:28.240 --> 0:31:31.160
<v Speaker 3>why he's amazing, because he's sort of like he would

0:31:31.160 --> 0:31:32.520
<v Speaker 3>never admit it. I've said that to him, like you're

0:31:32.520 --> 0:31:35.560
<v Speaker 3>incredibly patient and incredibly brave at what he does. So

0:31:35.560 --> 0:31:37.840
<v Speaker 3>I remember hearing that and just going like, wow, I

0:31:37.880 --> 0:31:39.680
<v Speaker 3>don't know if it's going to work, but I trust you,

0:31:39.720 --> 0:31:41.360
<v Speaker 3>so yeah, I think it's great.

0:31:41.440 --> 0:31:43.520
<v Speaker 1>And then back to the core test. What is the

0:31:43.560 --> 0:31:45.240
<v Speaker 1>core test for a musician?

0:31:45.360 --> 0:31:47.200
<v Speaker 3>You get to experience what everyone else gets. You can

0:31:47.280 --> 0:31:49.440
<v Speaker 3>drive them down wherever you are, it's at the highway

0:31:49.520 --> 0:31:51.400
<v Speaker 3>or the avenue or whatever, and you're blasting it.

0:31:51.680 --> 0:31:53.360
<v Speaker 2>You're like, does this feel good? This feels good?

0:31:53.400 --> 0:31:55.840
<v Speaker 3>Right, put the windows down, let's go just see how

0:31:55.880 --> 0:31:57.200
<v Speaker 3>this sounds, see how it feels in the car.

0:31:57.240 --> 0:31:57.920
<v Speaker 2>I think it's that.

0:31:58.040 --> 0:32:00.680
<v Speaker 3>And I always say when people are naming bands, before

0:32:00.760 --> 0:32:03.320
<v Speaker 3>you decide on it, you've got to ask yourself two things,

0:32:03.360 --> 0:32:07.680
<v Speaker 3>and you go, ah, hello, we are x whatever whatever

0:32:07.720 --> 0:32:10.960
<v Speaker 3>it is, and are you going to see whatever? And

0:32:11.000 --> 0:32:12.560
<v Speaker 3>if it passed those two things, and you can call

0:32:12.600 --> 0:32:13.200
<v Speaker 3>your van manet.

0:32:13.360 --> 0:32:14.000
<v Speaker 2>That's what I think.

0:32:16.720 --> 0:32:19.480
<v Speaker 1>Back to golf, you're in the golf space now, and

0:32:20.520 --> 0:32:22.320
<v Speaker 1>talk to me about what you're trying to do and

0:32:23.320 --> 0:32:25.920
<v Speaker 1>what you want to try and do in golf.

0:32:26.120 --> 0:32:29.600
<v Speaker 3>I mean, I just think golf has created such a

0:32:29.960 --> 0:32:32.880
<v Speaker 3>like I said, a stabilizing thing in my life unintentionally,

0:32:33.240 --> 0:32:35.120
<v Speaker 3>Like I didn't. I didn't think I'd end up back

0:32:35.120 --> 0:32:37.120
<v Speaker 3>in the golf space. If you told me six years

0:32:37.120 --> 0:32:38.720
<v Speaker 3>ago that I'd be back playing golf, if you told

0:32:38.720 --> 0:32:40.160
<v Speaker 3>me that I'd be sitting and doing a podcast with

0:32:40.200 --> 0:32:43.240
<v Speaker 3>Claude Harmon, you know, six years ago, I would have

0:32:43.240 --> 0:32:44.320
<v Speaker 3>said bullshit.

0:32:44.680 --> 0:32:44.880
<v Speaker 1>You know.

0:32:45.440 --> 0:32:48.600
<v Speaker 3>So you know, I think golf what i've the fade,

0:32:48.640 --> 0:32:50.200
<v Speaker 3>the company that I've just sort of founded over the

0:32:50.280 --> 0:32:52.480
<v Speaker 3>last year. I want people to be able to look

0:32:52.560 --> 0:32:55.720
<v Speaker 3>in on golf and see it asuse of create these

0:32:55.760 --> 0:33:00.160
<v Speaker 3>little like quote unquote on ramps by creating two golf

0:33:00.760 --> 0:33:02.360
<v Speaker 3>and the right kind of on ramp I think, and

0:33:02.440 --> 0:33:04.560
<v Speaker 3>the right sort of vend diagram. I think about lifestyle,

0:33:04.760 --> 0:33:07.880
<v Speaker 3>I think about culture, and I think about performance in

0:33:07.920 --> 0:33:08.320
<v Speaker 3>your life.

0:33:08.400 --> 0:33:11.000
<v Speaker 2>You know, there's a lot of there's a lot of.

0:33:11.040 --> 0:33:13.960
<v Speaker 3>I mean, I mean, I love the Bobdos sports guys,

0:33:13.960 --> 0:33:15.760
<v Speaker 3>and I love the barstool guys. I think they're incredible,

0:33:15.800 --> 0:33:18.000
<v Speaker 3>Like that's one style of golf and the way they

0:33:18.000 --> 0:33:20.280
<v Speaker 3>talk about golf, a lot of punditry, a lot of instruction,

0:33:20.480 --> 0:33:22.440
<v Speaker 3>a lot of gear reviews and things like that. And

0:33:22.440 --> 0:33:23.760
<v Speaker 3>then on the other end of there's a lot of

0:33:23.760 --> 0:33:26.640
<v Speaker 3>biohacking when you have two men's other men's interests. Whereas

0:33:26.840 --> 0:33:30.400
<v Speaker 3>I just think, if I can help everyone get not

0:33:30.480 --> 0:33:32.440
<v Speaker 3>in a preachy way, but it's twenty percent better at

0:33:32.440 --> 0:33:34.000
<v Speaker 3>everything that they do. Like if I talk to you

0:33:34.080 --> 0:33:36.000
<v Speaker 3>about you know, we were talking about cycling, ass say,

0:33:36.000 --> 0:33:38.680
<v Speaker 3>one of my best friends is an amazing cyclist. If

0:33:38.680 --> 0:33:40.560
<v Speaker 3>I can ask a cyclist what they get out of

0:33:40.560 --> 0:33:43.480
<v Speaker 3>golf and why they love golf and the allegories, because

0:33:43.480 --> 0:33:45.480
<v Speaker 3>I think there's so many allegories between life and golf

0:33:45.520 --> 0:33:49.480
<v Speaker 3>that nobody thinks about. That's when I started writing about.

0:33:49.520 --> 0:33:51.640
<v Speaker 3>Like if I think about just the last three or

0:33:51.680 --> 0:33:54.040
<v Speaker 3>four articles that I wrote about golf, which turned into

0:33:54.080 --> 0:33:57.840
<v Speaker 3>podcasts where like, you know, a game of millimeters, think

0:33:57.880 --> 0:34:00.520
<v Speaker 3>about there's a hole in the ground five hundred and

0:34:00.560 --> 0:34:02.800
<v Speaker 3>fifty yards away and you've only got five shots to

0:34:02.800 --> 0:34:05.479
<v Speaker 3>get it in there. Like that sounds ridiculous, but you know,

0:34:05.680 --> 0:34:08.520
<v Speaker 3>and like a one millimeter part a tap in because

0:34:08.520 --> 0:34:10.760
<v Speaker 3>you've lipped something out, is the same number of points

0:34:10.800 --> 0:34:12.360
<v Speaker 3>as the three hundred and twenty yard drive that you

0:34:12.480 --> 0:34:16.040
<v Speaker 3>just busted down the fairway. I was just saying to Christian, like,

0:34:16.200 --> 0:34:18.359
<v Speaker 3>you can tell me, I think the other thing. I'm

0:34:18.400 --> 0:34:19.880
<v Speaker 3>rambling a little bit, but I'll land the plane in

0:34:19.880 --> 0:34:23.759
<v Speaker 3>a second. Think about this like golf a round of golf.

0:34:23.800 --> 0:34:26.520
<v Speaker 3>For me, it's this journey that's for you. The only

0:34:26.520 --> 0:34:28.560
<v Speaker 3>thing that anybody else cares about is the number you

0:34:28.560 --> 0:34:31.080
<v Speaker 3>go on this saga. You were behind the tree, you

0:34:31.160 --> 0:34:33.000
<v Speaker 3>were in the trap, you were in the fairway, doing

0:34:33.000 --> 0:34:35.160
<v Speaker 3>all this stuff, and you I can tell you all these,

0:34:35.600 --> 0:34:37.960
<v Speaker 3>like you know, fishing stories about golf. At the end

0:34:37.960 --> 0:34:38.920
<v Speaker 3>of the day, you're going to look at me like

0:34:38.960 --> 0:34:41.320
<v Speaker 3>a would you shoot? So there's a finite thing to

0:34:41.400 --> 0:34:43.960
<v Speaker 3>golf like I love storytelling, don't get me wrong, but

0:34:44.000 --> 0:34:47.360
<v Speaker 3>I think I love the finite number of golf of

0:34:47.440 --> 0:34:49.520
<v Speaker 3>self betterment. And it's like the only game in the

0:34:49.520 --> 0:34:52.239
<v Speaker 3>world where we actively make it harder for ourselves as

0:34:52.280 --> 0:34:54.399
<v Speaker 3>we get better. I'm going to go further back if

0:34:54.400 --> 0:34:56.360
<v Speaker 3>you and me go play golf tomorrow and someone turns

0:34:56.360 --> 0:34:59.520
<v Speaker 3>to us and goes the greens are so firm, so fast,

0:34:59.640 --> 0:35:01.680
<v Speaker 3>because is playing so tough and they grew the rough up.

0:35:01.680 --> 0:35:02.920
<v Speaker 2>You and me get excited by that.

0:35:03.560 --> 0:35:05.520
<v Speaker 3>We get excited by how hard it's going to be

0:35:05.560 --> 0:35:07.840
<v Speaker 3>and the challenge, and it's it's the only game of

0:35:07.840 --> 0:35:10.120
<v Speaker 3>the where where we like, we welcome the adversity. So

0:35:10.160 --> 0:35:12.279
<v Speaker 3>I think there's so much allegory to life, and so

0:35:12.520 --> 0:35:14.640
<v Speaker 3>every now and again, like that's why I started Words

0:35:14.640 --> 0:35:16.120
<v Speaker 3>for the Weekend was the first thing I did. These

0:35:16.160 --> 0:35:21.359
<v Speaker 3>weekly articles I was writing on the Fade just became Yeah,

0:35:21.920 --> 0:35:25.200
<v Speaker 3>I just started seeing all these big crossovers between golf

0:35:25.239 --> 0:35:28.160
<v Speaker 3>and life, and I think I'd love to share that

0:35:28.320 --> 0:35:31.080
<v Speaker 3>with a demographic of people that love golf, and it

0:35:31.160 --> 0:35:33.560
<v Speaker 3>just gets typecast this thing it's for old, fat, white guys,

0:35:33.600 --> 0:35:36.560
<v Speaker 3>And I think it's the game is changing and evolving.

0:35:36.560 --> 0:35:38.160
<v Speaker 3>Look where we are, like we're sitting at a live

0:35:38.160 --> 0:35:40.440
<v Speaker 3>golf event. You know, it's one of the most disruptive

0:35:40.480 --> 0:35:42.959
<v Speaker 3>things that's ever happened to golf. But you know where

0:35:42.960 --> 0:35:45.640
<v Speaker 3>it comes out is we will never know. Nobody knows

0:35:45.719 --> 0:35:47.920
<v Speaker 3>at this point, but I don't know. That's That's what

0:35:48.040 --> 0:35:50.080
<v Speaker 3>I'm trying to do with the Fade, trying to create

0:35:50.120 --> 0:35:52.360
<v Speaker 3>some culture around the game and the right type of

0:35:52.360 --> 0:35:53.440
<v Speaker 3>culture and I.

0:35:53.440 --> 0:35:56.160
<v Speaker 1>Think right now we're at a really interesting time kind

0:35:56.160 --> 0:35:58.960
<v Speaker 1>of retro golf fashion, the stuff that Steve Marlbarne's doing.

0:35:59.320 --> 0:36:03.400
<v Speaker 1>Our friend John, he's big, he's doing retro kind of

0:36:03.440 --> 0:36:06.439
<v Speaker 1>stuff for foot Joy. And I think there are these.

0:36:06.360 --> 0:36:07.680
<v Speaker 2>Yes by John Mimi all Week.

0:36:07.800 --> 0:36:11.120
<v Speaker 1>There are these people that are kind of they love golf,

0:36:11.200 --> 0:36:14.839
<v Speaker 1>but they're kind of in like a cool hip world.

0:36:15.520 --> 0:36:18.160
<v Speaker 1>I mean the fact that everybody's freaking out about Jason

0:36:18.239 --> 0:36:21.000
<v Speaker 1>Day what he's dressed like, I'm like, that's the way

0:36:21.000 --> 0:36:22.960
<v Speaker 1>my dad dressed when he played the PGA Tour, right,

0:36:23.200 --> 0:36:25.960
<v Speaker 1>that's all the clothes that he wore.

0:36:26.600 --> 0:36:30.160
<v Speaker 3>Favorite golf courses, My favorite golf courses, Fish's Island, this

0:36:30.239 --> 0:36:32.279
<v Speaker 3>is probably at the top of my list. Friend of mine,

0:36:32.280 --> 0:36:35.400
<v Speaker 3>Mateo Birrs, remember out there and he I met him

0:36:35.400 --> 0:36:38.279
<v Speaker 3>at the Bill Murray Caddyshack Tournament about five years ago

0:36:38.480 --> 0:36:39.200
<v Speaker 3>when I got back.

0:36:39.040 --> 0:36:41.400
<v Speaker 1>Into Grandfather might have the course record at Fisher's Island.

0:36:41.400 --> 0:36:43.839
<v Speaker 2>Oh really, I think he's got one of these.

0:36:44.360 --> 0:36:46.320
<v Speaker 1>I mean Seminal obviously he's got the course record.

0:36:46.320 --> 0:36:46.920
<v Speaker 2>They're sixty.

0:36:47.080 --> 0:36:50.000
<v Speaker 1>He's got sixty one on both courses at Wingfoot, But

0:36:50.120 --> 0:36:52.840
<v Speaker 1>I think Fisher's Island he might have sixty or sixty

0:36:52.840 --> 0:36:55.319
<v Speaker 1>one at that. I don't know why that rings a

0:36:55.320 --> 0:36:56.000
<v Speaker 1>bell in my head.

0:36:56.000 --> 0:36:58.759
<v Speaker 3>Wingfoot's on my list. I've never played wing Foot. I'd

0:36:58.760 --> 0:37:02.800
<v Speaker 3>say it's fishes. Love National Golf Links of America. That's

0:37:02.840 --> 0:37:05.960
<v Speaker 3>just a dream and like just and the challenge, that's

0:37:05.960 --> 0:37:08.440
<v Speaker 3>what I need. I feel like who designed that course?

0:37:09.239 --> 0:37:12.560
<v Speaker 3>I'm I don't know someone's gonna like tweet at me

0:37:12.719 --> 0:37:15.080
<v Speaker 3>saying how stupid, how stupid I am for not known,

0:37:15.120 --> 0:37:16.360
<v Speaker 3>but I love National Golf Links.

0:37:16.840 --> 0:37:19.439
<v Speaker 1>Have you done any of the Core Crunchhaw, Friar's Head,

0:37:19.640 --> 0:37:21.080
<v Speaker 1>sand Hills, any of that stuff?

0:37:21.120 --> 0:37:21.440
<v Speaker 2>No?

0:37:21.440 --> 0:37:22.799
<v Speaker 3>No, I mean, like, like I said, I only got

0:37:22.840 --> 0:37:25.439
<v Speaker 3>back into golf about five years ago, and I've only

0:37:25.480 --> 0:37:27.560
<v Speaker 3>just started playing that tier of sort of golf courses

0:37:27.680 --> 0:37:28.839
<v Speaker 3>in the last like two or three.

0:37:28.880 --> 0:37:31.360
<v Speaker 1>You played the Midam last year, Yeah, Yeah, I played it.

0:37:31.400 --> 0:37:33.560
<v Speaker 3>I played at elmcrest and the qualifier and missed by

0:37:33.560 --> 0:37:35.839
<v Speaker 3>a shot bergie the last three hundred and twenty yard

0:37:35.840 --> 0:37:37.279
<v Speaker 3>part four I should have hit a part four iron

0:37:37.360 --> 0:37:40.160
<v Speaker 3>down there or maybe it's three fifty and then got

0:37:40.160 --> 0:37:41.799
<v Speaker 3>it on the green and I missed by a shot.

0:37:41.880 --> 0:37:44.480
<v Speaker 3>I think qualifying you figured just smoke driver and yeah,

0:37:44.520 --> 0:37:47.480
<v Speaker 3>and pulled it onto the range and made burgie and yeah.

0:37:47.560 --> 0:37:47.680
<v Speaker 2>No.

0:37:47.719 --> 0:37:50.960
<v Speaker 3>So I've started playing competitively again. I mean golf for me,

0:37:51.200 --> 0:37:53.400
<v Speaker 3>that's what I mean. It keeps me really self accountable,

0:37:53.480 --> 0:37:55.520
<v Speaker 3>keeps my mind in the right place. If I want

0:37:55.560 --> 0:37:59.120
<v Speaker 3>to play great golf, I have to really really I

0:38:00.080 --> 0:38:03.160
<v Speaker 3>like I said, it's like planning. I have to plan things.

0:38:03.280 --> 0:38:04.560
<v Speaker 3>I have to check my ego at the door. I

0:38:04.560 --> 0:38:07.279
<v Speaker 3>play so much a ballet country club. The part five

0:38:07.320 --> 0:38:11.160
<v Speaker 3>there is at fourteen just absolutely torments me because it's

0:38:11.400 --> 0:38:13.719
<v Speaker 3>it's a fading hole. I hit a draw, you know,

0:38:13.760 --> 0:38:16.200
<v Speaker 3>I fly my driver what three ten maybe three fifteen,

0:38:16.280 --> 0:38:19.000
<v Speaker 3>So I can't really like, I can't hit driver up

0:38:19.000 --> 0:38:20.399
<v Speaker 3>the right hand side because everything is going to run

0:38:20.400 --> 0:38:21.520
<v Speaker 3>down into the water. If I hit a draw, it's

0:38:21.520 --> 0:38:23.000
<v Speaker 3>going to run into that water. So I'd have to

0:38:23.080 --> 0:38:24.719
<v Speaker 3>hit a cut, which I'd struggle with. If I hit

0:38:24.719 --> 0:38:26.480
<v Speaker 3>it straight, it's going to go in the water. Then

0:38:26.760 --> 0:38:28.399
<v Speaker 3>even if I do hit a good drive, I've still

0:38:28.400 --> 0:38:30.200
<v Speaker 3>got to hit like a I've still got a two

0:38:30.280 --> 0:38:32.040
<v Speaker 3>hundred and forty yard shot in and there's like about

0:38:32.040 --> 0:38:33.880
<v Speaker 3>six feet in front of that green. But my ego

0:38:33.880 --> 0:38:35.239
<v Speaker 3>wants to get let me get on the green. It's

0:38:35.239 --> 0:38:37.520
<v Speaker 3>all running downhill, down green. What I really should do

0:38:37.640 --> 0:38:39.120
<v Speaker 3>is it a three iron, a three iron, A love

0:38:39.120 --> 0:38:40.440
<v Speaker 3>words and trying to make birdie.

0:38:40.200 --> 0:38:41.919
<v Speaker 2>Or five at worse and then get the buck out

0:38:41.920 --> 0:38:42.959
<v Speaker 2>of there. But I can't.

0:38:43.080 --> 0:38:46.759
<v Speaker 3>So like, golf keeps me very humble, and I think

0:38:46.800 --> 0:38:49.080
<v Speaker 3>it'll continue to do that for like forever. So like

0:38:49.160 --> 0:38:51.279
<v Speaker 3>and the whole comeback thing that we're doing now.

0:38:51.360 --> 0:38:52.440
<v Speaker 2>So talk about the combat.

0:38:52.520 --> 0:38:55.560
<v Speaker 3>Okay, what I'm doing at here is I think with

0:38:55.640 --> 0:38:58.319
<v Speaker 3>the help of people like yourself and some of the

0:38:58.320 --> 0:39:00.200
<v Speaker 3>best players in the world, I can get to a

0:39:00.280 --> 0:39:03.480
<v Speaker 3>level where I can compete it at least US amateur level,

0:39:04.120 --> 0:39:05.880
<v Speaker 3>because when I know when I'm playing well, I know

0:39:06.480 --> 0:39:08.360
<v Speaker 3>I can feel it again. I can feel that it

0:39:08.480 --> 0:39:10.360
<v Speaker 3>was like playing in that USGA event last year. Was

0:39:10.400 --> 0:39:12.080
<v Speaker 3>it was like holding onto an electric fence and I

0:39:12.120 --> 0:39:14.680
<v Speaker 3>loved it, you know. So I love that feeling of

0:39:14.680 --> 0:39:17.719
<v Speaker 3>competing again. So basically this year I'll be out with

0:39:18.520 --> 0:39:20.880
<v Speaker 3>I'm aiming to be out at every live event with

0:39:21.120 --> 0:39:23.319
<v Speaker 3>a live team and they you know, like this week

0:39:23.360 --> 0:39:26.239
<v Speaker 3>I played I had a putting lesson with Herbert on

0:39:26.480 --> 0:39:30.279
<v Speaker 3>Tuesday with Lucas Herbert from Ripeater Smith Cam Smith Team

0:39:30.280 --> 0:39:32.840
<v Speaker 3>rep A GC and then I got to play with

0:39:32.880 --> 0:39:35.399
<v Speaker 3>Bryson de Shamba the next day, which you think about that,

0:39:36.120 --> 0:39:38.440
<v Speaker 3>I've never seen anyone with such a low spin rate

0:39:38.520 --> 0:39:40.800
<v Speaker 3>control a ball that's traveling three hundred and twenty yards

0:39:40.800 --> 0:39:41.160
<v Speaker 3>in the year.

0:39:41.320 --> 0:39:42.879
<v Speaker 2>I was like, it looks like it's fake.

0:39:43.680 --> 0:39:45.120
<v Speaker 3>Just the first thing I said to him, And you know,

0:39:45.200 --> 0:39:46.880
<v Speaker 3>he loves talking numbers, and I was like, what is

0:39:46.920 --> 0:39:47.879
<v Speaker 3>that spin rate on that driver?

0:39:47.960 --> 0:39:49.799
<v Speaker 2>He's like, I don't know, like two thousand, and I

0:39:49.840 --> 0:39:50.640
<v Speaker 2>was like, that's nuts.

0:39:50.719 --> 0:39:52.879
<v Speaker 1>DJ's around the same. DJ when he plays his best,

0:39:53.080 --> 0:39:55.040
<v Speaker 1>it's kind of under twenty two hundred. He's like eighteen

0:39:55.120 --> 0:39:56.920
<v Speaker 1>hundred to twenty two hundred's the sweet.

0:39:56.680 --> 0:39:59.400
<v Speaker 2>Such as knuckling, Well, just what they do, right, It's just.

0:39:59.400 --> 0:40:02.440
<v Speaker 1>The way that you know their kind of movement. You know,

0:40:02.520 --> 0:40:05.680
<v Speaker 1>DJ's got you know, really flat little the boat lefters,

0:40:05.719 --> 0:40:08.480
<v Speaker 1>but then he threw impact. He's got what the move

0:40:08.560 --> 0:40:10.600
<v Speaker 1>they call the cobra where he's got a lot of

0:40:10.640 --> 0:40:13.959
<v Speaker 1>forward chafflin and then after that, but yeah, and where

0:40:13.960 --> 0:40:16.000
<v Speaker 1>Brooks is kind of in that twenty five to twenty

0:40:16.040 --> 0:40:20.279
<v Speaker 1>six range. So everybody's ballflight's different. It's been fascinating to

0:40:20.320 --> 0:40:28.040
<v Speaker 1>watch Bryson kind of change his public persona. You know,

0:40:28.440 --> 0:40:30.920
<v Speaker 1>he's become a fan favorite. And when he came out

0:40:30.960 --> 0:40:35.520
<v Speaker 1>on tour, he was really divisive and he was kind

0:40:35.520 --> 0:40:38.239
<v Speaker 1>of the odd ball, like nobody could really relate to him.

0:40:38.280 --> 0:40:40.400
<v Speaker 1>He had these weird clubs, he had all this stuff.

0:40:40.480 --> 0:40:41.319
<v Speaker 1>What do you like about it?

0:40:41.520 --> 0:40:43.840
<v Speaker 3>What do I like about Bryson? His attention to detail,

0:40:44.320 --> 0:40:47.520
<v Speaker 3>his anything. Man, I've spent my life around you know.

0:40:48.040 --> 0:40:50.000
<v Speaker 3>The mixing engineer who helped Kevin mix the first two

0:40:50.000 --> 0:40:53.120
<v Speaker 3>albums said, the changes that you were making, Dave Fridman

0:40:53.160 --> 0:40:54.839
<v Speaker 3>said this. He said, Kevin, the changes you are making

0:40:54.920 --> 0:40:57.160
<v Speaker 3>is like changing taking a piece of lint off the

0:40:57.160 --> 0:40:57.839
<v Speaker 3>back of the sun.

0:40:59.200 --> 0:40:59.960
<v Speaker 2>That's what he said.

0:41:00.120 --> 0:41:01.919
<v Speaker 3>And I think Bryson does that, and I think it's

0:41:01.920 --> 0:41:04.160
<v Speaker 3>because his attention to detail has got to do with him.

0:41:04.320 --> 0:41:06.600
<v Speaker 3>He needs to make those checks and balances in order

0:41:06.640 --> 0:41:08.000
<v Speaker 3>for him to be mentally in the right place to

0:41:08.000 --> 0:41:10.759
<v Speaker 3>play the game. And that's your thing, man, that's swing.

0:41:10.960 --> 0:41:13.040
<v Speaker 3>I wrote a thing called swing your swing. You've got

0:41:13.080 --> 0:41:14.640
<v Speaker 3>to be able to do what you need to do

0:41:14.920 --> 0:41:17.680
<v Speaker 3>to win, like whatever your tick is, and like him

0:41:17.719 --> 0:41:21.479
<v Speaker 3>being that obsessive, compulsive about you know, soaking his golf

0:41:21.480 --> 0:41:23.960
<v Speaker 3>balls and have some salts, and his attention to detail

0:41:24.000 --> 0:41:27.600
<v Speaker 3>is is phenomenal. I wish I could have that much intention.

0:41:27.640 --> 0:41:29.400
<v Speaker 3>I'm more of like a feel kind of guy. I'm

0:41:29.440 --> 0:41:31.600
<v Speaker 3>a bit robotic with my golf swing. Herbie was trying

0:41:31.600 --> 0:41:33.480
<v Speaker 3>to get me to use even more feel with my putting.

0:41:33.480 --> 0:41:35.120
<v Speaker 3>He's like, you're very artistic and everything else you do

0:41:35.160 --> 0:41:35.960
<v Speaker 3>in your life except.

0:41:35.719 --> 0:41:38.360
<v Speaker 1>For you're trying to paint by numbers when you put Yeah.

0:41:38.200 --> 0:41:38.920
<v Speaker 2>Well that's what I mean.

0:41:38.920 --> 0:41:40.680
<v Speaker 3>He was trying to get me to He's like, embrace

0:41:40.719 --> 0:41:42.080
<v Speaker 3>that sort of artistic side where.

0:41:41.920 --> 0:41:43.280
<v Speaker 2>He's stopped trying to be so rigid.

0:41:43.400 --> 0:41:45.080
<v Speaker 3>You know, that's the reason why you're probably missing putts,

0:41:45.080 --> 0:41:46.680
<v Speaker 3>because you're thinking about what's going on at your feet

0:41:46.840 --> 0:41:48.640
<v Speaker 3>instead of what's going on up at the holt. He

0:41:48.719 --> 0:41:50.320
<v Speaker 3>was trying to get me to work on capture speed.

0:41:50.600 --> 0:41:51.759
<v Speaker 3>It's like, do you want it to hit the back

0:41:51.800 --> 0:41:52.839
<v Speaker 3>of the cup or do you want it to fall

0:41:52.840 --> 0:41:54.960
<v Speaker 3>in the front, things like that, because it changes your entire.

0:41:54.840 --> 0:41:58.760
<v Speaker 1>Part capture speed. I've never heard anyone say that about

0:41:58.800 --> 0:42:02.439
<v Speaker 1>that concept of speed control. We call it speed control. Yeah,

0:42:02.880 --> 0:42:07.719
<v Speaker 1>distance control but capture speed is a really really interesting

0:42:07.920 --> 0:42:12.719
<v Speaker 1>kind of way to talk about putting. Yeah, because the

0:42:12.760 --> 0:42:14.120
<v Speaker 1>hall is capturing the ball.

0:42:14.200 --> 0:42:16.000
<v Speaker 3>Yeah, I'd never heard it before, and I was like, hmm,

0:42:16.120 --> 0:42:18.800
<v Speaker 3>capture speed. So I was working with Herbie. I was

0:42:18.800 --> 0:42:21.279
<v Speaker 3>working with him on capture speed earlier this week. But

0:42:21.440 --> 0:42:23.480
<v Speaker 3>I mean, bryceon you can just see that. I mean,

0:42:23.520 --> 0:42:26.160
<v Speaker 3>he's he's so athletic. The exploit where I was talking

0:42:26.200 --> 0:42:27.600
<v Speaker 3>to him about the other sports he said, I played

0:42:27.640 --> 0:42:28.920
<v Speaker 3>volleyball when I was young. I was like, that's going

0:42:28.960 --> 0:42:30.920
<v Speaker 3>to help you with your fast witch stuff I was

0:42:30.960 --> 0:42:33.480
<v Speaker 3>talking with about. Nearly every sport he did was like

0:42:33.520 --> 0:42:34.440
<v Speaker 3>an explosion.

0:42:34.600 --> 0:42:35.640
<v Speaker 2>He was a long jumper, That's right.

0:42:35.640 --> 0:42:37.960
<v Speaker 3>He was a long two explosion, which makes you and

0:42:37.960 --> 0:42:39.279
<v Speaker 3>that's what I have, Like I'm not a very good

0:42:39.320 --> 0:42:40.919
<v Speaker 3>long distance runner. I have a lot of fast switch

0:42:41.000 --> 0:42:43.360
<v Speaker 3>Like I boxed really good baseball player, and then golf

0:42:43.400 --> 0:42:46.040
<v Speaker 3>came really naturally to me because I could just swing

0:42:46.080 --> 0:42:48.040
<v Speaker 3>the golf club really fast and it was trying to

0:42:48.040 --> 0:42:48.759
<v Speaker 3>slow everything down.

0:42:48.760 --> 0:42:51.319
<v Speaker 2>So Bryson, the most impressive thing is his like utter

0:42:51.400 --> 0:42:52.280
<v Speaker 2>attention to detail.

0:42:52.320 --> 0:42:55.680
<v Speaker 3>And I always say, the best people at any job,

0:42:56.280 --> 0:42:59.360
<v Speaker 3>whether it's music or golf or motor sport or anything

0:42:59.400 --> 0:42:59.680
<v Speaker 3>like that.

0:43:00.320 --> 0:43:03.520
<v Speaker 2>Is your attention to intention how focused.

0:43:03.160 --> 0:43:05.239
<v Speaker 3>You are and how intentionally you are being, the better

0:43:05.239 --> 0:43:06.440
<v Speaker 3>you're going to be at anything that you do.

0:43:06.760 --> 0:43:09.520
<v Speaker 1>Lastly, where can people find all the stuff you do? Obviously,

0:43:09.520 --> 0:43:11.280
<v Speaker 1>Team and Paula, how many records? How many albums?

0:43:12.600 --> 0:43:14.480
<v Speaker 3>I should know this? We've had four. I think the

0:43:14.520 --> 0:43:17.239
<v Speaker 3>fifth one is the fifth one. Katy is probably working

0:43:17.239 --> 0:43:18.480
<v Speaker 3>on a fifth one right now, would imagine.

0:43:18.520 --> 0:43:20.560
<v Speaker 1>And you do your own music as well, Spotify people

0:43:20.560 --> 0:43:21.000
<v Speaker 1>to find you that.

0:43:21.120 --> 0:43:24.080
<v Speaker 3>Yeah, I've been I'm working passively on an album right now.

0:43:24.120 --> 0:43:25.719
<v Speaker 3>I just had a meeting with my publisher the other day,

0:43:25.719 --> 0:43:28.120
<v Speaker 3>so I'll be putting out solo stuff over the next year.

0:43:28.480 --> 0:43:29.840
<v Speaker 3>I'm actually going to try and put something out in

0:43:29.840 --> 0:43:30.279
<v Speaker 3>the next month.

0:43:30.600 --> 0:43:31.920
<v Speaker 1>The Fade people can find that.

0:43:32.200 --> 0:43:34.399
<v Speaker 2>So the Fade we're sort of going out. You can see.

0:43:34.440 --> 0:43:36.359
<v Speaker 3>The Fade is on Instagram. I have a sub stack.

0:43:37.200 --> 0:43:38.680
<v Speaker 3>The Fade dot com will probably up in the next

0:43:38.760 --> 0:43:40.839
<v Speaker 3>couple of months. It might be lived and how when

0:43:40.880 --> 0:43:42.400
<v Speaker 3>this is going to come out? But the Fade is

0:43:42.719 --> 0:43:45.239
<v Speaker 3>on Instagram. And The Comeback is the show that I've

0:43:45.239 --> 0:43:47.759
<v Speaker 3>been developing with Convicts, the production company from Australia, my

0:43:47.800 --> 0:43:51.440
<v Speaker 3>friend Pete made and Tom Law So I'm partnering.

0:43:51.520 --> 0:43:52.680
<v Speaker 2>That's what I'm doing here this week.

0:43:52.719 --> 0:43:55.439
<v Speaker 3>I'm partnering with Convicts Australia to work and The Fade

0:43:55.440 --> 0:43:57.520
<v Speaker 3>are getting together developed the show The Comeback.

0:43:57.600 --> 0:44:01.080
<v Speaker 1>So because we're living in a great time for content, right,

0:44:01.080 --> 0:44:05.400
<v Speaker 1>there's so many different avenues for people to get whatever

0:44:05.800 --> 0:44:08.480
<v Speaker 1>content they want out. You can get it on YouTube

0:44:08.520 --> 0:44:11.280
<v Speaker 1>and get it on Instagram, I mean all the different channels.

0:44:12.080 --> 0:44:14.840
<v Speaker 1>I think there is a lot of content for people

0:44:14.920 --> 0:44:18.959
<v Speaker 1>that want to see maybe something different in the golf space.

0:44:18.960 --> 0:44:20.680
<v Speaker 2>Well, you're able to live. Especially.

0:44:20.680 --> 0:44:22.880
<v Speaker 3>The best thing about the way that's going where content

0:44:22.920 --> 0:44:25.839
<v Speaker 3>and where consumption media consumption is going is you can

0:44:25.880 --> 0:44:29.080
<v Speaker 3>live in a niche within a niche, and I think

0:44:29.120 --> 0:44:31.600
<v Speaker 3>that's the best thing about it. Like, I'm a bass

0:44:31.640 --> 0:44:33.640
<v Speaker 3>player who also likes playing golf, So that's the first

0:44:33.719 --> 0:44:35.680
<v Speaker 3>question I get asked when someone comes out here, they go,

0:44:35.719 --> 0:44:37.359
<v Speaker 3>like the guy from Taman Pilot as a scratch hand,

0:44:37.400 --> 0:44:40.560
<v Speaker 3>he gap, that's a bit weird, but you know that's

0:44:40.680 --> 0:44:43.640
<v Speaker 3>but And my voice, my voice in golf and in

0:44:43.640 --> 0:44:45.600
<v Speaker 3>the Fade, the Fades voice is very different to.

0:44:47.080 --> 0:44:47.600
<v Speaker 2>Your voice.

0:44:47.640 --> 0:44:49.640
<v Speaker 3>Anyone else's voice because you're talking a lot about more

0:44:49.680 --> 0:44:52.040
<v Speaker 3>instruction or like I'm going to go have a talk

0:44:52.040 --> 0:44:53.239
<v Speaker 3>to Jonah now and Joan is going to talk to

0:44:53.239 --> 0:44:55.160
<v Speaker 3>me about sports psychology. Mine comes from this sort of

0:44:55.160 --> 0:44:58.320
<v Speaker 3>cultural artistic side and how I think that can impact

0:44:58.360 --> 0:44:59.399
<v Speaker 3>your golf and impact your.

0:44:59.320 --> 0:45:05.080
<v Speaker 1>Life frustrated art, fashion, music. So to get the opportunity

0:45:05.120 --> 0:45:08.680
<v Speaker 1>to speak with somebody like you is amazing. And when

0:45:08.680 --> 0:45:10.880
<v Speaker 1>I started the podcast, this was my idea. Yeah, I

0:45:10.920 --> 0:45:13.040
<v Speaker 1>want to talk to the best players in the world,

0:45:13.040 --> 0:45:14.880
<v Speaker 1>the best coaches in the world, the best caddies and

0:45:14.920 --> 0:45:18.480
<v Speaker 1>people in the golf space. But I'm fascinated how important

0:45:18.840 --> 0:45:22.680
<v Speaker 1>and how much a part of people's lives golf is

0:45:22.719 --> 0:45:25.799
<v Speaker 1>because I have to take time away from golf right

0:45:25.880 --> 0:45:27.799
<v Speaker 1>because it's so all encompassing for me.

0:45:27.960 --> 0:45:29.959
<v Speaker 2>Yeah, and it's like mad with music.

0:45:30.080 --> 0:45:34.040
<v Speaker 1>John George, keyboard player for Rufus Dasol. I've been spending

0:45:34.080 --> 0:45:35.759
<v Speaker 1>some time with him. They're about to go on a

0:45:35.760 --> 0:45:38.400
<v Speaker 1>two year tour. Yeah, I've hooked him up with a

0:45:38.480 --> 0:45:40.840
<v Speaker 1>rap Sodo Launch monitor. He's got a net. He was

0:45:40.880 --> 0:45:42.360
<v Speaker 1>trying to get a simulator and he was like, the

0:45:42.440 --> 0:45:44.440
<v Speaker 1>roadies are like, dude, we're gonna have to tear this

0:45:44.480 --> 0:45:46.520
<v Speaker 1>thing down. Where's it gonna say? So? I got him

0:45:46.520 --> 0:45:49.560
<v Speaker 1>the rap Sodo, he's got the Bryson return net, he

0:45:49.640 --> 0:45:52.279
<v Speaker 1>got a matt and he's got a little iPad. And

0:45:52.320 --> 0:45:54.719
<v Speaker 1>I said, you can play golf courses. So he on

0:45:54.800 --> 0:45:55.640
<v Speaker 1>tour is going.

0:45:55.520 --> 0:45:59.200
<v Speaker 2>To be taken. Man, I'm what's John, i'mna be hitting

0:45:59.239 --> 0:45:59.720
<v Speaker 2>you up, buddy.

0:46:00.040 --> 0:46:02.120
<v Speaker 3>Let's play. Let's play. That's the best thing is the

0:46:02.160 --> 0:46:03.680
<v Speaker 3>last thing I'll finished. Like one of my best friends,

0:46:03.719 --> 0:46:05.200
<v Speaker 3>I've become really good friends with a guy called Dom

0:46:05.280 --> 0:46:08.040
<v Speaker 3>Cursier and he, you know, found Googenheim Bank. And we

0:46:08.040 --> 0:46:09.680
<v Speaker 3>were talking to each other the other day and Dom's

0:46:09.760 --> 0:46:12.759
<v Speaker 3>I think he's probably in his late fifties. And Dom's like,

0:46:13.000 --> 0:46:16.000
<v Speaker 3>in what world there's a guy who grew up you know,

0:46:16.600 --> 0:46:19.080
<v Speaker 3>lower middle class, you know, lower glower class, if I'm

0:46:19.080 --> 0:46:22.439
<v Speaker 3>being honest, in Australia from Perth, from Freemantle, Australia, and

0:46:22.520 --> 0:46:25.800
<v Speaker 3>someone like yourself who's very self major Cargan, who built

0:46:25.800 --> 0:46:27.600
<v Speaker 3>his way up into in what world do we see

0:46:27.600 --> 0:46:29.560
<v Speaker 3>eye to I? And we want to spend hours and

0:46:29.560 --> 0:46:31.279
<v Speaker 3>hours and hours and hours and hours of time together.

0:46:31.280 --> 0:46:33.759
<v Speaker 3>And I love picking his brain about work, you know,

0:46:34.080 --> 0:46:36.200
<v Speaker 3>but it all comes from this relationship we built around

0:46:36.200 --> 0:46:38.840
<v Speaker 3>playing golf. Let's go play golf and talk about whatever

0:46:38.880 --> 0:46:40.440
<v Speaker 3>we're going to talk about. And I think that's that's

0:46:40.440 --> 0:46:43.120
<v Speaker 3>the best thing. You would mean, the same thing it brings.

0:46:43.880 --> 0:46:45.680
<v Speaker 3>It makes the world a lot smaller when you play golf.

0:46:45.680 --> 0:46:48.279
<v Speaker 1>I'll say that my wife's brother lives in Perth and

0:46:49.040 --> 0:46:52.440
<v Speaker 1>he's an avid golfer. So listen, man, really great to

0:46:52.480 --> 0:46:54.759
<v Speaker 1>talk to you. I'm excited to see all the cool

0:46:54.760 --> 0:46:58.280
<v Speaker 1>stuff you're doing and team and Pola is in heavy,

0:46:58.360 --> 0:47:02.239
<v Speaker 1>heavy rotation. Arena Alex one of the golfers I teach,

0:47:02.239 --> 0:47:04.840
<v Speaker 1>she just retired from the LPGA. She saw the picture

0:47:04.880 --> 0:47:07.200
<v Speaker 1>of you and I together, She's like, you're kidding me, right.

0:47:07.960 --> 0:47:10.520
<v Speaker 1>They're one of my favorite bands. So I've got a

0:47:10.560 --> 0:47:12.920
<v Speaker 1>lot of street credit for having you. And my daughter

0:47:13.160 --> 0:47:15.960
<v Speaker 1>is insanely jealous because she's like, you're gonna meet the

0:47:15.960 --> 0:47:16.839
<v Speaker 1>guy from Taman Paula.

0:47:17.480 --> 0:47:20.200
<v Speaker 2>Yeah, great talking to you. I thank thank you so much. Man.

0:47:20.880 --> 0:47:23.800
<v Speaker 1>So that was Cameron Avery from tam and Paula And listen,

0:47:23.960 --> 0:47:25.719
<v Speaker 1>I could have talked to that guy all day. I mean,

0:47:25.960 --> 0:47:28.480
<v Speaker 1>you know, we share a passion for not only golf,

0:47:28.520 --> 0:47:31.799
<v Speaker 1>but music, art, fashion and stuff, and those are the

0:47:31.800 --> 0:47:35.799
<v Speaker 1>people that I absolutely love talking to because golf is

0:47:35.840 --> 0:47:38.279
<v Speaker 1>such an important part of everyone's life. And you know,

0:47:38.320 --> 0:47:41.600
<v Speaker 1>there are people that do other things and are famous

0:47:41.640 --> 0:47:44.480
<v Speaker 1>for other things. But to listen to to Cameron, I mean,

0:47:44.520 --> 0:47:46.200
<v Speaker 1>he only wanted to talk about golf and all I

0:47:46.239 --> 0:47:48.919
<v Speaker 1>want to do is talk about music. So really really

0:47:48.920 --> 0:47:51.920
<v Speaker 1>cool and uh, I think he's doing some cool stuff.

0:47:51.960 --> 0:47:54.080
<v Speaker 1>Check out the projects that he's got, check out the

0:47:54.160 --> 0:47:56.920
<v Speaker 1>music that he does, and I don't think you'll be disappointed.

0:47:57.280 --> 0:47:58.959
<v Speaker 1>So it was down at the Live event last week

0:47:59.000 --> 0:48:02.759
<v Speaker 1>in Adelaide, over one hundred thousand people and listen, it

0:48:02.800 --> 0:48:04.759
<v Speaker 1>was a great event. Dom Dalla one of the best

0:48:04.840 --> 0:48:07.319
<v Speaker 1>DJs on the planet right now. He played Friday night

0:48:07.400 --> 0:48:08.960
<v Speaker 1>and it was crazy. I got to give him a

0:48:08.960 --> 0:48:11.160
<v Speaker 1>golf lesson, which was pretty damn cool for me. I

0:48:11.160 --> 0:48:14.360
<v Speaker 1>gotta be honest with you. Fisher closed the show. The

0:48:14.440 --> 0:48:18.160
<v Speaker 1>golf course is great. A lot of unbelievable bunkering down

0:48:18.160 --> 0:48:21.480
<v Speaker 1>in Australia and listen to the fans came out and

0:48:22.600 --> 0:48:24.440
<v Speaker 1>it's the third year we've been down there. For the

0:48:24.480 --> 0:48:26.560
<v Speaker 1>people that are on the Live tour and it just

0:48:26.600 --> 0:48:28.640
<v Speaker 1>gets better and better. They announced the deal that they're

0:48:28.640 --> 0:48:31.440
<v Speaker 1>signing to twenty thirty one, and I think it just

0:48:31.480 --> 0:48:34.000
<v Speaker 1>shows that Australia is starving to see the best players

0:48:34.000 --> 0:48:37.719
<v Speaker 1>in the world, and hopefully the best players in the

0:48:37.719 --> 0:48:39.520
<v Speaker 1>world can get down there more often because it is

0:48:39.560 --> 0:48:42.360
<v Speaker 1>a very very cool place to go. I got to

0:48:42.400 --> 0:48:45.280
<v Speaker 1>do a dinner over at Royal Adelaide across the street

0:48:45.800 --> 0:48:47.520
<v Speaker 1>there's a train that goes through the middle of the

0:48:47.520 --> 0:48:51.680
<v Speaker 1>golf course and again it looks cool. The golf courses

0:48:51.680 --> 0:48:53.400
<v Speaker 1>down there are some of my favorites, and the bunkering

0:48:53.400 --> 0:48:56.480
<v Speaker 1>I think in Australia in the sand Belt golf courses

0:48:57.239 --> 0:48:59.480
<v Speaker 1>are some of the best anywhere in the world. So

0:48:59.719 --> 0:49:03.000
<v Speaker 1>really really cool week. And I can't say enough about

0:49:03.520 --> 0:49:07.560
<v Speaker 1>Ludwig Oberg winning at Torrey Pines and the Genesis Kids

0:49:07.560 --> 0:49:11.279
<v Speaker 1>stud I'd be absolutely shocked if he doesn't win a

0:49:11.320 --> 0:49:13.400
<v Speaker 1>major this year. I mean, that's how good the talent is.

0:49:13.880 --> 0:49:16.520
<v Speaker 1>We've had Joe Scavern on the podcast before, longtime caddy

0:49:16.560 --> 0:49:19.560
<v Speaker 1>for Ricky Fowler who's now caddying for Ludwig and see,

0:49:19.600 --> 0:49:21.080
<v Speaker 1>I think he's got one of the best golf swings

0:49:21.080 --> 0:49:24.120
<v Speaker 1>in the game. And I just think that the future

0:49:24.480 --> 0:49:28.279
<v Speaker 1>is beyond bright for Ludwig and I think you're going

0:49:28.320 --> 0:49:30.440
<v Speaker 1>to see him win majors. I think you're going to

0:49:30.480 --> 0:49:33.440
<v Speaker 1>continue to see him win big tournaments because with that

0:49:33.520 --> 0:49:36.680
<v Speaker 1>kind of golf swing, the sky is the limit. Rate review,

0:49:36.760 --> 0:49:40.640
<v Speaker 1>Subscribe wherever you get your podcasts. It's the Son of

0:49:40.640 --> 0:49:41.560
<v Speaker 1>a Butch podcast