Speaker 1: So besides the critical role charity event that Will and
Speaker 1: I got to do, which was so much fun, I
Speaker 1: have not played D and D or like a role
Speaker 1: playing game like for a long time, except this summer.
Speaker 1: I discovered a role playing game that was like so
Speaker 1: perfect for me. And if there's anybody out there who's
Speaker 1: a fan of Stranger Things, there's a few, I'm sure
Speaker 1: a few fans, and there's a and there's a crossover
Speaker 1: too between D and D and Stranger Things obviously, because
Speaker 1: like Stranger Things brought D and D back, well, there's
Speaker 1: actually a role playing game built around the concept of
Speaker 1: Stranger Things itself. It's called Kids on Bikes and the
Speaker 1: whole idea is that you get to play kids on
Speaker 1: bikes in a small town who are running around figuring
Speaker 1: out a mystery or some sort of supernatural thing. It
Speaker 1: is the most fun. And this is the only time
Speaker 1: because I've never DMD, which is Dungeon Master if you
Speaker 1: don't know, or G or GMS game that's a more
Speaker 1: generic term, right, I've never done that until we discovered
Speaker 1: this game, and it is so much fun.
Speaker 2: Basically, actually have to get on a bike, no, but
Speaker 2: your bike.
Speaker 1: Gets to give you certain benefits, Like you pick your
Speaker 1: bike based on you know, like it's color and whether
Speaker 1: it has tassels, and that it's kind of like your spells,
Speaker 1: you know, like in it gives you different abilities or
Speaker 1: your class maybe is what you know.
Speaker 2: But you basically the best part about it.
Speaker 1: But the way the game works is you get together
Speaker 1: and you build the town as a group. So like
Speaker 1: I did this with Indy and two of his friends,
Speaker 1: and I did it with Shiloh too for a session.
Speaker 1: But like we get together and you all like answer
Speaker 1: questions about the town. So like you go in an
Speaker 1: order and you're like, what's the town like the high
Speaker 1: school mascot? What is this town's industry?
Speaker 2: What is this?
Speaker 3: You know?
Speaker 2: And the only real rule.
Speaker 1: Like like before you start this is it has to
Speaker 1: be before cell phones.
Speaker 2: Oh the game, so you have to be kids.
Speaker 1: On bikes before cell phones, so basically the nineties or earlier.
Speaker 1: So you figure out what time period it is and
Speaker 1: then you get together and then you build this town
Speaker 1: and you all answer questions and the best part is
Speaker 1: at a certain point after you know, like, oh, what's
Speaker 1: the town, like the industry of the town, and where
Speaker 1: do like what's the high school?
Speaker 2: Like and where's all what are the things going on?
Speaker 1: And then you go what are the rumors? And everybody
Speaker 1: of all the players get to come up with like
Speaker 1: I heard that the math teacher is an alien. I
Speaker 1: heard that in the lake there's a dead body. And
Speaker 1: then you so that's like session zero is you just
Speaker 1: come up with the town and draw out a map,
Speaker 1: and you all come up with the rumors. And then
Speaker 1: as the GM, what I get to go and do
Speaker 1: is like run off and take those rumors and create
Speaker 1: a game built around a group of kids investigating like
Speaker 1: the rumors or the myths of the town. It is
Speaker 1: so much fun, and you can go kind of anywhere
Speaker 1: you want. You can go like more horror, you can
Speaker 1: go more supernatural, you can go like X FILESY. You
Speaker 1: could go like straight just mystery, like you're just a
Speaker 1: bunch of kids dealing with you know, some some bad
Speaker 1: person in town or whatever. You can kind of build
Speaker 1: it however you want. And it's not like it's not
Speaker 1: like a fighting game. You know, it's not like D
Speaker 1: and D, because sometimes D and D can get very
Speaker 1: like yeah, it becomes like a video game whatever. It's
Speaker 1: very much a storytelling game, and you and you get
Speaker 1: to create, like you know that they have archetypes for
Speaker 1: the kids. You get to be like the jock, the
Speaker 1: new kid from out of town, you know. And so
Speaker 1: you create this friend group and maybe you're not all friends,
Speaker 1: maybe you like don't even really know each other. But
Speaker 1: this mystery, this adventure is going to bring you together.
Speaker 1: It is like the storytelling sweet spot for me, because
Speaker 1: like I love like first season of Stranger Things is
Speaker 1: still like one of my favorite things ever made. I
Speaker 1: didn't really stick with it after seas what was that?
Speaker 1: Will you don't like it?
Speaker 4: It was? It was good to me if you pull
Speaker 4: out the eighties aspect, it was just a totally basic
Speaker 4: television show, and.
Speaker 2: I kind of wish they had just pulled out the
Speaker 2: referential Like to me, that was it was the nostalgia
Speaker 2: that that people love more than it.
Speaker 1: But see but see I love like Erie Indiana, remember
Speaker 1: that show.
Speaker 2: I love x Indiana.
Speaker 1: Yeah, I love like any And I also of course
Speaker 1: like going back to like stand by Me Gooney is
Speaker 1: like I just love those kinds of stories, and I
Speaker 1: feel like, you know, it hasn't still like they've tried
Speaker 1: to bring back that like amblin Nix, but like to me,
Speaker 1: when you do it so referential, I get less interested.
Speaker 1: Like that's where The Stranger Things kind of lost me.
Speaker 1: It was like this is cool, Like I love the characters.
Speaker 1: I thought the actors were so good, but.
Speaker 2: Like I didn't need everything to be like.
Speaker 1: That movie poster from that thing you've seen this other Yeah,
Speaker 1: I get over that too, But like actual storytelling, like
Speaker 1: David Harber is so good and I just like I yeah,
Speaker 1: and I just love the idea of like you know,
Speaker 1: even like Super eight remember that movie. Yeah, it like
Speaker 1: wasn't great, but I love the idea of the movie.
Speaker 2: Like that's I just wanted to bring that Spielberg that
Speaker 2: was the Spielberg. Well he produced it, but it was J. J.
Speaker 2: Abrams with director.
Speaker 4: Yeah, well I mean with with with kids on bikes?
Speaker 4: Can Danielle still dress up in costume?
Speaker 5: This idea as long as I as long as I
Speaker 5: just get to kind of be like a kid in
Speaker 5: a decade in town.
Speaker 2: I don't have to be an elf.
Speaker 1: You don't have to be a dryad or yeah no,
Speaker 1: you can just be Can I be an help for
Speaker 1: a dryad if I want to. The thing is the
Speaker 1: game is flexible, but no, I like the idea that
Speaker 1: you sort of keep it grounded, and like the whole thing.
Speaker 2: Is that you're you know, you're you're still driven story.
Speaker 2: Yeah exactly. Oh it's so fun.
Speaker 4: Well nothing, but there's nothing like getting into a full
Speaker 4: campaign whenever you're playing, when you're with a bunch of
Speaker 4: people and it's a bunch of friends who are all
Speaker 4: enjoying it and you're going for the same. I mean
Speaker 4: even the night we had a critical role that one
Speaker 4: the one shot we did, it's so much fun.
Speaker 2: Nobody walked away from the table.
Speaker 1: It was like Christine Lincoln was texting me the next
Speaker 1: day being like, can we just do that for fun?
Speaker 1: And I was like, yeah, people do this all the time. No,
Speaker 1: I agree.
Speaker 2: I think there's something about you know what. What it
Speaker 2: harkens back.
Speaker 1: To for me is like when you used to play
Speaker 1: on the playground with your friends and just made to
Speaker 1: believe together. And I think that's what I like about
Speaker 1: kids on bikes is that it's literally your kids doing that,
Speaker 1: you know, So there's something like childlike in that wonder
Speaker 1: that for me like makes it even more fun.
Speaker 2: Even when we do the critical role thing, we were
Speaker 2: playing teenagers, you know, and I like that.
Speaker 1: I like that aspect for some reason, that filter of
Speaker 1: like we're not just like gonna be like a bunch
Speaker 1: of wizards like real.
Speaker 2: Adults in this fantasy world.
Speaker 1: Like that's a little harder for my brain to make
Speaker 1: that leap, especially when I'm playing with my son who's eleven,
Speaker 1: Whereas if I'm like, we're a bunch of eleven year
Speaker 1: olds and we're running around, I can sort of like
Speaker 1: my suspension of disbelief is easier.
Speaker 2: Right, Well, it's not like that.
Speaker 4: It's also it's a license to play. It's like we're
Speaker 4: all ten. Okay, great, let's let's just be ten.
Speaker 2: You were a child who didn't play and didn't make believes,
Speaker 2: come on, you never trust, you didn't have barbies and
Speaker 2: they mess. I would play house. I was always the.
Speaker 4: Mom, okay, telling everybody to start playing and work correct,
Speaker 4: giving the house the whole.
Speaker 2: Your mom got you to do housework. Yeah, you.
Speaker 5: Playing, there's no time for that. That was literally it's
Speaker 5: just always what I looked forward to doing. Yeah, that's
Speaker 5: just it. That's what I thought being a grown up.
Speaker 5: It's what being a grown up is.
Speaker 4: Okay, you know what you know what we do for Danielle.
Speaker 4: You know how we bring Danielle in. It's like you
Speaker 4: fade up? Were all kids fade up? Nineteen ninety to
Speaker 4: Panga Mall?
Speaker 2: Something else? Yeah, there you go. That's yes, we're at
Speaker 2: the mall.
Speaker 5: I have an ice blendid, I've done my bra shopping
Speaker 5: and now something.
Speaker 2: A mystery occurs in the mall. There you go?
Speaker 5: Or like the because there was the fall Brook Mall
Speaker 5: right down the street from the Panga Mall, and that
Speaker 5: mall is like basically remember when it was just empty
Speaker 5: and you can still see through it and you could
Speaker 5: tell that no one had done.
Speaker 2: In thereund mall, run down mall, run down wall. That's
Speaker 2: a great sight there was.
Speaker 4: It was just one story leave, then another story we leave,
Speaker 4: and the movie theater was still open, so you'd go
Speaker 4: to the movies and then there was nothing.
Speaker 5: They had plants and planters, no one had touched them.
Speaker 5: They were overgrown, just dead and overgrown, and it was it's.
Speaker 2: Just super creepy. We build our town around that. We
Speaker 2: have man doing the kids on bike camp. So that's great,
Speaker 2: that's that's awesome. It's a good idea.
Speaker 4: Yeah, that's the one thing I did like about stranger
Speaker 4: Things is the fact that anybody who plays D and
Speaker 4: D understands the entire show is just a D and
Speaker 4: D campaign. Yeah, you said that, there's all this that
Speaker 4: it's a it's actually structured camp.
Speaker 2: See I didn't stick with it after season two. It's good.
Speaker 2: It's a show.
Speaker 4: It really is a good show, and it ended great,
Speaker 4: but it was just I mean, it ended okay, but
Speaker 4: it was you know, it's one of those things where
Speaker 4: it's just if you're a D.
Speaker 2: And D fan, it's like, wow, this is amazing. YEA,
Speaker 2: Welcome to Pod Meets World.
Speaker 5: I'm Daniel Fishel, I'm Rader Strong, and I'm will fordll.
Speaker 2: Oh to day.
Speaker 5: We are recapping season seven, episode nine, The Honeymoon is
Speaker 5: Over It original Dunn.
Speaker 2: Wow.
Speaker 1: This episode is a dun dundon Dunn definitely dun dundun
Speaker 1: yep wow.
Speaker 5: It originally aired November nineteenth, nineteen ninety nine. The synopsis
Speaker 5: Corey and Tapega realize they are on their own when
Speaker 5: Sean moves into the girl's apartment and Corey's parents refuse
Speaker 5: to take them in. It was directed by Jody Binstock,
Speaker 5: her second of three Boy Meets World episodes. That she
Speaker 5: would direct. We Were the first show she ever directed.
Speaker 5: She would later get an Emmy nomination for the Lisa
Speaker 5: Kudro online series web Therapy, which she was the coep on,
Speaker 5: and she also eped z Nation, a show that ran
Speaker 5: from twenty fourteen to twenty eighteen. This episode was written
Speaker 5: by Barry Safchak. And before I get into our guest stars,
Speaker 5: which consists of two sets of triplets, do we want
Speaker 5: to talk about our overall thoughts?
Speaker 2: Go welco uh.
Speaker 4: I liked the idea of the A story. The B
Speaker 4: story was unwatchably horrible all the way around. It was
Speaker 4: so bad everything about it. I'm bad, Matt's bad, the twin,
Speaker 4: the triplets are bad.
Speaker 2: Times six well to be.
Speaker 5: I mean to cut you guys some slack. I can
Speaker 5: see on your face that you know how bad this is.
Speaker 2: It was.
Speaker 4: It was just and I'm I'm struggling to like, I'm
Speaker 4: going to make this as big as possible, to like,
Speaker 4: if I can be on the corner tap dancing and
Speaker 4: doing this and trying.
Speaker 2: You're on the pool table basically tap dancing. Yes, to
Speaker 2: try and make.
Speaker 4: It fun, to try to do something, because the B
Speaker 4: story is it's insufferably bad.
Speaker 2: Again.
Speaker 4: I thought parts of the a story could could have
Speaker 4: been tweaked a little bit, but the actual story itself
Speaker 4: of hey, now you're a married couple. Now you've got
Speaker 4: to deal with your life. Now you've got to figure
Speaker 4: this out, I thought was great.
Speaker 2: Yeah, yeah, I totally agree.
Speaker 6: Man.
Speaker 2: I think that that that.
Speaker 1: Message is so cool and it's so interesting because boy
Speaker 1: Meet's world has been building up this marriage and you know,
Speaker 1: the fantasy and celebrating this couple.
Speaker 2: So to bring it crashing down and to have Rusty.
Speaker 1: Do it the way he does at the end, really
Speaker 1: like it almost saved the whole episode for me because
Speaker 1: I was like I was left with such a profound
Speaker 1: sense of like, oh god, they're really going there, which
Speaker 1: was surprising, and so that almost makes it a great
Speaker 1: episode because it's so profound. But up until then getting there,
Speaker 1: I was just like, this is kind.
Speaker 2: Of dumb, Like I just I don't know what's happened.
Speaker 2: I don't know about this. I just it's weird. It's
Speaker 2: it's a weird vibe. It's a really it's a I mean,
Speaker 2: and maybe that's a point.
Speaker 1: It's a buzzkill, right, Like it's so when it made
Speaker 1: the buzz kill the point of the episode. I was
Speaker 1: happy with it, but having my buzz killed throughout was
Speaker 1: not fun.
Speaker 2: So I was like, why are we doing this?
Speaker 1: Like yeah, and I feel like there's a way you
Speaker 1: could have done it more like when you guys were
Speaker 1: stomping on the bugs.
Speaker 2: I was like, I guess either trying to make this
Speaker 2: fun or funny, but it's just not working for me.
Speaker 2: It's not landing. So I don't know something was off.
Speaker 5: Yeah, I agree with both of you.
Speaker 2: Is not to sound redundant. I really though.
Speaker 5: For me, the liking of the A storyline the only
Speaker 5: thing I will complain about with the A storyline because
Speaker 5: overall I just forget that the B storyline existed. And
Speaker 5: what I walked away Yeah, what I walked away from
Speaker 5: the episode with like, Oh, I actually liked it.
Speaker 2: I liked that.
Speaker 5: I liked the that come crashing down aspect of all right,
Speaker 5: you said you wanted to do this, we supported you.
Speaker 2: Here's reality. Love it.
Speaker 5: Love the way it was handled with the parents. Love
Speaker 5: the dynamic between mom wanting to be like, listen, maybe
Speaker 5: we should and dad being like, I know that this
Speaker 5: is hard for you, but we we've we talked about
Speaker 5: how hard this was going to be told you, we
Speaker 5: told you all of that was so great. What I
Speaker 5: what I wish happened at the very beginning of the episode,
Speaker 5: and I think is such a minor tweak that could
Speaker 5: have changed all of it is I don't know why
Speaker 5: Corey comes home so unlikable. I mean, there's many times
Speaker 5: that Corey is unlikable. We know that, but like he
Speaker 5: comes in and is like, where's my salami? And like,
Speaker 5: had he come in on the high of what we
Speaker 5: were just talking about that they've set up this marriage,
Speaker 5: I'm so excited and one for back we get to start,
Speaker 5: you know, honeymoon of real life honeymoon continues at college
Speaker 5: and then it's like like but instead he comes home
Speaker 5: already with like anger, demanding, and so that kind of
Speaker 5: like I don't know. I would have loved to have
Speaker 5: seen him more naive and innocent and happy and then
Speaker 5: have the reality of But that's I would say. I honestly,
Speaker 5: I think my only complaint overall with that a storyline.
Speaker 5: Otherwise I really enjoyed it.
Speaker 4: I would I would also just complain again, but I'm
Speaker 4: now just used to it. Of the characters, so being
Speaker 4: not the characters to Panga, who's a planner, never thought
Speaker 4: about where they were going to live afterwards. This discussion
Speaker 4: never happened once where we're going to live after we're married?
Speaker 1: Man?
Speaker 5: Yeah, I mean.
Speaker 1: I mean that's the whole, the whole point of this
Speaker 1: whole story, because like Topenga would be on it, by
Speaker 1: the way, right to me established her as this capable person.
Speaker 1: So even if she hadn't planned it and they didn't
Speaker 1: were prepared, you don't think that she could just immediately
Speaker 1: on a dime figure out the best apartment figure, you know.
Speaker 1: But they but they really want to emphasize the power
Speaker 1: of manhood and the father knows best, like you know, Rusty,
Speaker 1: you know, and it's it's up to Ben or Corey
Speaker 1: to be the man and to provide for his woman.
Speaker 4: Yeah, because they literally have sitting on the stairs, not
Speaker 4: even in the conversation.
Speaker 1: Yeah, they sidelined to Penga intentionally. The whole point of
Speaker 1: this is that the men men are supposed to and
Speaker 1: that's what Corey needs to learn, right, Corey needs to
Speaker 1: learn that it's his job to protect his woman and
Speaker 1: to provide a security house. It's like a very very
Speaker 1: you know, very tradition. It's a very patriarchal.
Speaker 2: Yes, yeah, yeah, but hold on.
Speaker 1: I wanted to say, Danielle, you seem like you're having
Speaker 1: fun in this episode, and you're very good in it.
Speaker 2: I think Danielle was having a blast. Partly. I know
Speaker 2: that because we've seen some outtakes, we've seen.
Speaker 1: Some loopers, and I know that you were having a blast,
Speaker 1: and so I like that because I was like, oh
Speaker 1: my god, like the whole like Corey Tapanga as like
Speaker 1: a comedy.
Speaker 2: Duo thing hasn't been activated enough in this show. You know,
Speaker 2: it's usually Corey.
Speaker 7: You see.
Speaker 1: The two of you having this dynamic was cool. I
Speaker 1: just wish it was better. But it seemed like you
Speaker 1: were having fun. So I was like, oh man, this
Speaker 1: must have been a good week for Danielle. On the
Speaker 1: flip side, Ben did not look like.
Speaker 2: He was having fun.
Speaker 1: I know, I felt like he was unhappy about something,
Speaker 1: like truly unhappy with something about the story or maybe
Speaker 1: in his own life. I don't remember. I could just
Speaker 1: tell that his energy level was not his you know,
Speaker 1: he was not bringing something that he usually effortlessly brings.
Speaker 1: And I don't know what that was, but I could
Speaker 1: tell that you were having fun and I felt like
Speaker 1: Ben was not. And I don't, you know, I don't
Speaker 1: know what was going on there, but if I think
Speaker 1: it hurt the episode.
Speaker 5: Okay, so guest starring The Dom Triplets were played by
Speaker 5: the Dom Triplets, Nicole, Erica and Jacqueline of Minnesota. The
Speaker 5: trio became famous after appearing in the nineteen ninety eight
Speaker 5: Big ten issue of Playboy, something they tried out for
Speaker 5: on the suggestion of their father. Oddly, they were the
Speaker 5: second set of triplets to ever be featured in the magazine.
Speaker 5: They also appear in the movie Juwanna Man Fun Trivia.
Speaker 5: Erica married Jay McGraw, the son of doctor Phil Okay, Okay.
Speaker 5: The male triplets were played by Ted, Tim and Tom
Speaker 5: de Philippo, also real life triplets. They played Tray of
Speaker 5: Triforia Gold Zeo Ranger in Power Rangers Zeo Okay, Tom
Speaker 5: was Tray of Courage, Tim was Tray of Heart, and
Speaker 5: Ted was Tray of Wisdom. They also appeared on Step
Speaker 5: by Step and in Major League Back to the Minors.
Speaker 4: No play Girl, I was gonna say they had a
Speaker 4: way less popular spread and Playboy way less popular.
Speaker 2: Like people are like this recommended by their mother as
Speaker 2: good as I thought.
Speaker 5: Do you remember having two sets of tripless Oh?
Speaker 2: Yes, I remember this week? Well, yes I do, will yes,
Speaker 2: I do share the stories. I remember.
Speaker 4: It was a very difficult week. It was very, very difficult, difficult,
Speaker 4: I would.
Speaker 5: I think a very diplomatic answer for what we're trying
Speaker 5: to say here is that they didn't have a lot
Speaker 5: of acting experience.
Speaker 2: They weren't actors. We weren't actors weren't.
Speaker 5: And and a lot of the by the time we
Speaker 5: got to tape night, and by the time you see
Speaker 5: this episode, their lines had been significantly cut down. So
Speaker 5: throughout the week there were a lot of timing things.
Speaker 5: Of course, a lot of the comedy came from the
Speaker 5: three of them saying similar things, and timing is something
Speaker 5: that you can't necessarily teach to people, and so it
Speaker 5: was probably a very rough week of rehearsal with rough
Speaker 5: run throughs, and then it leading into a tape night
Speaker 5: and a pre tape and things weren't necessarily going. They
Speaker 5: weren't smooth sailing, and for the most part we were
Speaker 5: in a groove. So when it was something through a
Speaker 5: wrench into the groove, it was difficult it was.
Speaker 1: And for what, like, for the sake of a storyline
Speaker 1: that is just not that good.
Speaker 2: It's not that good. It's awful. I know.
Speaker 4: It's just I means whenever Boy Meets Call defaults to
Speaker 4: hot girls, I want to date hot girls.
Speaker 2: It's so dumb.
Speaker 1: And it's like, you know, it's like Desiree and season two.
Speaker 2: You know, it's like, just do better, guys, Like I want.
Speaker 4: To watch the craziness and ridiculousness of Desiree times.
Speaker 2: Over this storyline. Yeah, this story I just I did.
Speaker 4: And it was just Jack and Eric saying that like
Speaker 4: finishing each other's sentences about the hot girls there across
Speaker 4: the street.
Speaker 2: It was the.
Speaker 5: Only time I think it has worked in a storyline
Speaker 5: on Boy Meets World. I didn't mind Lonnie the outdoors
Speaker 5: woman character, but.
Speaker 2: It was about her personality. It was about like, you know,
Speaker 2: like he was.
Speaker 5: Eric was very interested in her because of her looks.
Speaker 5: Actually her personality scared him. She wanted to go eel
Speaker 5: wrestling and whatever. That's where we get the joke that
Speaker 5: the best women are men. But like that storyline where
Speaker 5: they have an outdoors store and there's an outdoorsy woman
Speaker 5: and Eric's like Oh, this hot piece of woman.
Speaker 2: I love her.
Speaker 5: It is the only time I feel like the storyline
Speaker 5: like worked well.
Speaker 1: It was it was more than one episodes. It was
Speaker 1: the three episodes at least where she was and we
Speaker 1: got to know her, yes, And the point was that,
Speaker 1: like he thought of her as an object, I had
Speaker 1: to deal with who she actually.
Speaker 2: Was as a human being. So it was she also
Speaker 2: wasn't interested in Eric at all.
Speaker 4: That's the thing that was, just like, I don't care
Speaker 4: about you even slightly in that way.
Speaker 2: Which I think was good.
Speaker 4: But the other thing I do remember about this week,
Speaker 4: and you're about to say her name, is how much
Speaker 4: we love the other guest star and how good she was.
Speaker 2: And I don't know Marisol Nichols.
Speaker 4: I distinctly remember this week. Is this her only episode
Speaker 4: or is she in the next week's episode?
Speaker 2: Sure, first of two Boy Meets World episodes.
Speaker 4: We I remember all of us as a cast having
Speaker 4: conversations about her, where we were like, damn, she's good,
Speaker 4: and I think you're gonna see it next week because
Speaker 4: I remember she came on screaming and I remember her name.
Speaker 4: I was like, oh, that's Marisol Nichols. I remember she's
Speaker 4: gone on to do some incredible things. But I remember
Speaker 4: us as a cast. It was like when what's his
Speaker 4: name came with the pencil through the head, and where
Speaker 4: all of us as a cast were like, he's great,
Speaker 4: Like we could work with this guy all the time.
Speaker 4: That's how we felt about her. And when she when
Speaker 4: we all walked away as a cast, we were like, man,
Speaker 4: she's really good. Yeah, And that's what I remember most
Speaker 4: about this week was those two things.
Speaker 7: Well.
Speaker 5: She is best known as Audrey Griswold in Vegas Vacation.
Speaker 5: She also played Hermione Lodge on the TV show Riverdale,
Speaker 5: and appeared in five episodes of the MTV version of
Speaker 5: teen Wolf. She appeared on Friends alias Charmed, and exactly
Speaker 5: twenty four episodes of twenty four.
Speaker 2: Oh but she was there for a day.
Speaker 5: Yeah, yeah, I do not want to ignore this footnote
Speaker 5: in her bio. In twenty twelve, when her career slowed down,
Speaker 5: Nichols began working with former FBI and CIA agents, Navy
Speaker 5: seals and green berets to act as bait during sex
Speaker 5: predator stings.
Speaker 2: Wait, how does one get that job? You looking?
Speaker 5: Hell?
Speaker 2: Yes?
Speaker 6: Hell?
Speaker 2: Yes, that's so. She lost so young?
Speaker 5: Wow, that that she was a that she was like,
Speaker 5: I'll be an actor luring sex predators.
Speaker 2: That's risky though.
Speaker 4: Because you can easily be but you could also easily
Speaker 4: be recognized. I mean, if you've got a sex predatoro's
Speaker 4: like a fan of something she did.
Speaker 2: Yeah, wow, what a cool job.
Speaker 8: Though.
Speaker 5: Hopefully we can try to get her on the podcast
Speaker 5: if we can talk to her about it, we should,
Speaker 5: and we get another Jacob's Kid cameo in this one,
Speaker 5: Danny Jacobs as the kid who sees dead people. Yes, So,
Speaker 5: jumping into our recap, we are in the girl's apartment. Corey,
Speaker 5: still in a Hawaiian shirt and carrying luggage, bursts through
Speaker 5: the door, with Tropical Topanga close by. He greets Angela
Speaker 5: and Rachel by shouting I'm back from the honeymoon and
Speaker 5: I want some salami.
Speaker 2: Which I thought was going to be a double on Tandra.
Speaker 2: Yeah barely a single, Rachel.
Speaker 5: Says hi to Topanga, referring to her as married girl.
Speaker 5: Topega smiles from ear to ear.
Speaker 2: Hello.
Speaker 5: Corey feverishly searches the fridge. Where's the salami. I'm back
Speaker 5: from the honeymoon, so where's the honeymoon? Welcome Salami, we
Speaker 5: are moving in here. A terrified Rachel turns to Angela.
Speaker 5: He said, moving in. A stunned Angela responds, I am
Speaker 5: equally troubled. Corey explains, I mean a man moves into
Speaker 5: his new house, he expects to find a nice deli spread.
Speaker 5: All of this it's just so unlikable, But.
Speaker 1: It's also just like unbelievable, like what, well, no one
Speaker 1: planned that.
Speaker 5: Hold on, I actually I don't have a problem with
Speaker 5: this aspect of it because it does come out in
Speaker 5: just a second that like, at some point, Topanga and
Speaker 5: Angela were talking about, well, what are you guys gonna do,
Speaker 5: and Tapega said, well, we're gonna get our own apartment.
Speaker 5: We'll move in, we'll get to decorate it, maybe have
Speaker 5: a couple of kids. And in Ta Panga's mind, she
Speaker 5: didn't think Angela was asking what are you gonna do
Speaker 5: the day you come home from the honeymoon. So Angela
Speaker 5: took that answer of we're going to move out to
Speaker 5: mean right away. So they gave a way to Pega's
Speaker 5: room immediately, and Topanga all this time has thought, we're
Speaker 5: going back to move into my room together while we
Speaker 5: look for a place.
Speaker 4: Her best friend is okay with her boyfriend moving into
Speaker 4: the room next door and packing up all of Tapanga's
Speaker 4: stuff himself.
Speaker 5: Also, the easiest solution is Sean move in with Angela.
Speaker 2: You guys are together, and then we have separate rooms
Speaker 2: in the same apartment together.
Speaker 5: Correct, And there's no discussion of the fact that that's it's.
Speaker 1: A big deal too for Sean to be moving in
Speaker 1: with Angela but then also into a different room. I
Speaker 1: think this is why I could never remember the dynamics
Speaker 1: of the apartment, because I didn't.
Speaker 2: I get kicked out, Yes, I get kicked out of
Speaker 2: this apartment.
Speaker 5: To have Maitland move in, and it became Maitland's apartment, remember,
Speaker 5: and then it became the girls apartment.
Speaker 4: And now because a professional wrestler came in and we
Speaker 4: wrestled for the apartment.
Speaker 2: Try to remember how this works? Writer, Okay, so.
Speaker 4: The WWE mankind kicks in the door, you do, and
Speaker 4: we wrestle for the apartment, which then, I think, legally
Speaker 4: in Pennsylvania means the least transfers over to Rachel right
Speaker 4: after a wrestling match.
Speaker 2: I want to see.
Speaker 1: I want to see the like the least agreement for
Speaker 1: this scrim like there should be a document that's all
Speaker 1: crossed out for the next six months.
Speaker 4: Sean, No, no, no, yeah, So that to me, it
Speaker 4: didn't Again, it doesn't figure. I get what you're saying,
Speaker 4: Danielle where it's like, it's supposed to be a but
Speaker 4: I thought you said this, and I thought you said that.
Speaker 2: I thought you said this.
Speaker 4: But the idea works, like, all right, they're on their honeymoon, Sean,
Speaker 4: get in there and pack up all of her stuff
Speaker 4: and leave it by the door.
Speaker 2: It's like, I know, I know, it's so yeah, okay.
Speaker 5: Topanga insists Silico grocery shopping together later it'll be fun.
Speaker 5: Corey reveals, you know what I like to do at
Speaker 5: the grocery store, ring the butcher bell and then run away.
Speaker 5: He laughs to himself, there's nothing funnier than an angry butcher.
Speaker 5: But no one is laughing. Corey quickly turns to Tapanga,
Speaker 5: where's the magazine I got to do?
Speaker 2: My miss is quite on. It's joke. We haven't a
Speaker 2: good poop joke in a while. Come on, I mean yeah,
Speaker 2: I mean, Cory is just doing this voice this entire.
Speaker 4: What I mean, most of the episode until it gets
Speaker 4: really serious. He's doing this kind of you know with
Speaker 4: my where's where's my sausage?
Speaker 1: Well, it's just Michael giving him line readings, right, I
Speaker 1: mean that's Michael's just like and I bet you Ben
Speaker 1: was like, why am I saying the salami?
Speaker 2: Why? And Michael's because it's funny say it like this.
Speaker 2: I gotta do my business.
Speaker 5: Yeah, it's to Banga again for just no reason at all,
Speaker 5: appears to love Cory's gross behavior and asks the ladies
Speaker 5: and her roommates, isn't he cute?
Speaker 2: Yeah?
Speaker 5: But Angela is still stuck on the fact that he
Speaker 5: thinks he's living in the apartment, and t Bega doubles down.
Speaker 5: Of course he is. Where else would he be living? Silly?
Speaker 5: Angela reminds you said that after you got married, you'd
Speaker 5: be moving out to Pega insists we will be eventually.
Speaker 5: Rachel and Angela sie, oh boy, and Topega wonders what
Speaker 5: that means. Then on cue, Sean bursts out of the
Speaker 5: bathroom with wet hair, wearing a robe. Angela, I tried
Speaker 5: your body wash. I smell like peaches. Corey walks up
Speaker 5: and sniffs him. You do you really do? Sean turns
Speaker 5: his attention to to Panga. I packed up all your
Speaker 5: stuff from your room and I put it by the door.
Speaker 5: Pega doesn't get it. Why would he do that? It
Speaker 5: was in the way when I moved into the room.
Speaker 5: Tapega's even more confused. Why would he move into her room?
Speaker 5: Sean reveals what he assumes is obvious, because I live
Speaker 5: here now and you don't. Corey appears offended and starts
Speaker 5: backing away from his best friend in horror. Oh, I
Speaker 5: get it. They think we don't live here anymore. That's
Speaker 5: why there's no salami to Pega is stunned. Sean moved
Speaker 5: into her room. Corey tries to calm her down. They'll
Speaker 5: find her a place to live. Angela points out, you
Speaker 5: don't live here either. Corey lets that sing in and
Speaker 5: bluntly tells Tapanga honeymoon's over.
Speaker 2: Then the door is kicked in and Triple E just
Speaker 2: standing there. Here we go.
Speaker 3: Again, people the room again?
Speaker 2: That was the season?
Speaker 5: Right?
Speaker 2: Yeah? This is so weird? O?
Speaker 1: God, sorry, is so off the rails crazy?
Speaker 2: What's a completely different thingion?
Speaker 1: But I mean, like the wedding episode is really the
Speaker 1: only one I can think of that. I'm like, yeah,
Speaker 1: that was great start to finish well, I mean again,
Speaker 1: you know, the stressed out about the wedding. So the
Speaker 1: those two episodes six and seven, Yeah, we're like actual
Speaker 1: episodes of television.
Speaker 2: Everything else. I just feel like I'm on drugs when
Speaker 2: I'm watching them, Like, I don't know, you know.
Speaker 4: We just talked to one of our writers and and
Speaker 4: he said that an older writer had called him and said,
Speaker 4: you know, season four ish, when did it become a drama?
Speaker 4: And it got me thinking that if you just watched
Speaker 4: a random episode from season one, then say a random
Speaker 4: episode from season three, then a random episode from season six,
Speaker 4: and a random episode from season seven, it's four different
Speaker 4: television shows. Yeah, so and this is this is by
Speaker 4: far the one where it was just like.
Speaker 2: Let's do voices to each other, let's just make each
Speaker 2: other laugh. Nothing's going to make any sense. Go and
Speaker 2: it wass were canceled anyway, right right? It seems like
Speaker 2: this hire it's sais. This whole season seems like a
Speaker 2: senioritis kind of season to me. He's like, yeah, let's
Speaker 2: do this. It's like okay, well, we're.
Speaker 5: Back at the dorm Topenga and Corey are walking down
Speaker 5: the hall carrying their belongings and to Penga admits we
Speaker 5: should have gotten a place before we left. Corey reminds
Speaker 5: her they didn't have a whole lot of time between
Speaker 5: getting married and then getting arrested and then going on
Speaker 5: their honeymoon.
Speaker 2: To Pega is at least happy. We have your old
Speaker 2: dorm room to ourselves. Set up, set up?
Speaker 7: Is that up?
Speaker 2: There? I go as Corey unlocks his door, It swings open.
Speaker 5: It's Eric and Jack.
Speaker 2: Nope, Nope, all wrong, screwy, what's going on?
Speaker 5: This is Corey's room? But Jack pulls out a long
Speaker 5: contract that state's university bylaws forbid any married couple from
Speaker 5: living in a dorm other than the one for married couples.
Speaker 5: Corey leans in, maybe we just don't have to tell anybody.
Speaker 5: The boys mock him. Maybe he's right, Maybe we don't
Speaker 5: have to tell anyone.
Speaker 2: Too late.
Speaker 5: We sent a copy of your marriage certificate to the
Speaker 5: office of the university president. Jack flaunts the paper in
Speaker 5: their faces into Pega's flabbergasted how could you do this
Speaker 5: to us? On cube, blonde triplets wearing only bathtowels pop
Speaker 5: out of the dorm room across the hall. Hi Jack
Speaker 5: High Professor Matthews. The trio cozy up to the boys
Speaker 5: and Jack suggests they take a look at the co
Speaker 5: ed bathroom, and the girls agree they could use a shower.
Speaker 5: Jack pulls up his shirt to flaunt them abs and
Speaker 5: to claim some non existent dirt to clean. The inmates
Speaker 5: go crazy as Eric counts the number of sisters to
Speaker 5: make sure everyone knows there are three. On their way
Speaker 5: into the bathroom, he turns around one last time. You
Speaker 5: can't live here anymore, so get out. Tapega can't believe it.
Speaker 5: How could he do such a horrible thing to your
Speaker 5: own brother? And Corey tells her believe me, Topanga, it
Speaker 5: was the right move. She rolls her eyes.
Speaker 4: College educated people here on this zoom, of which I
Speaker 4: am not one?
Speaker 2: Is this a thing? Are you not allowed to be
Speaker 2: married in a dorm? Is that a thing?
Speaker 4: Or?
Speaker 2: Maybe? But it wouldn't it be a rule for like
Speaker 2: across the board?
Speaker 4: Correct meaning what like no no co like no yeah boy,
Speaker 4: or just no married couples.
Speaker 2: The idea that they have a married dorm is straight.
Speaker 5: I could see them having a married dorm. Section four
Speaker 5: people who are you have to be married to be
Speaker 5: in there? Because they don't want just couples and then
Speaker 5: breaking up and getting out of leases, so you actually
Speaker 5: have to be married, even though of course you can
Speaker 5: get a divorce. But maybe because it's going to be married,
Speaker 5: couples are going to want it to be a little quieter.
Speaker 5: They may have a baby, so they want family friendly
Speaker 5: stuff versus like partying. There may be separate laws like that,
Speaker 5: But it wouldn't be that married couples couldn't live in
Speaker 5: other dorms, but it could seem that single people couldn't
Speaker 5: live in.
Speaker 2: Married it says yes.
Speaker 4: Many colleges and universities offer on campus housing specifically for
Speaker 4: married students, typically in the form of apartment style units
Speaker 4: or townhouses rather than traditional dorm rooms. These options are
Speaker 4: often available for legal married couples, domestic partners, and sometimes
Speaker 4: single parents, with locations like UCLA and the University Wisconsin
Speaker 4: system offering such accommodations.
Speaker 2: But yeah, I.
Speaker 4: Wonder if are I guess I should be asking you?
Speaker 4: Are married people allowed to live in the dorms?
Speaker 2: Right?
Speaker 5: Why would that be a rule that like, yeah, you
Speaker 5: have to only live in the section for married people
Speaker 5: that that doesn't make sense. Yeah, I don't know, It's
Speaker 5: like a senior living facility. You can you have to
Speaker 5: be a senior to live there, you know what I mean? Like,
Speaker 5: that's how it would normally work that singles couldn't live
Speaker 5: in a married couple's dorm, but married couples should be
Speaker 5: able to live in a regular dorm. There's no reason
Speaker 5: they're not.
Speaker 2: I don't know.
Speaker 4: Oh no, it actually says married couples are generally allowed
Speaker 4: to live together in campus housing, but usually within designated
Speaker 4: family or married student housing units rather than standard shared
Speaker 4: dorm rooms.
Speaker 2: Oh so maybe that is a thing.
Speaker 4: Well, some universities offer specialized apartments for couples. Typical dormitories
Speaker 4: often have restrictions against non student partners living in standard
Speaker 4: shared or single gender rooms.
Speaker 1: Non student partners, right, because the idea is that if
Speaker 1: you have a partner, that makes they.
Speaker 2: Have to be a student there, right, you both have
Speaker 2: to be students. You can't just be like six year
Speaker 2: old girlfriends.
Speaker 1: Doesn't really happen, you know how many eighteen to twenty
Speaker 1: four year olds was what we're really talking about are
Speaker 1: getting married and having I.
Speaker 4: Would I would argue it would depend on where you are.
Speaker 4: You've got a school like BYU, where there's a lot
Speaker 4: of Mormons who get married early.
Speaker 6: There.
Speaker 4: You could have a lot of eighteen nineteen year olds
Speaker 4: that are married a couple.
Speaker 2: That's true.
Speaker 5: My parents were married at twenty one and had me
Speaker 5: at twenty three.
Speaker 2: Three welds going to the same college.
Speaker 5: My mom was not going to ASU, So I don't
Speaker 5: think they lived. They didn't live on games.
Speaker 1: So I think it's the idea that somebody who's not
Speaker 1: a student, right right, can't just do it rousing because
Speaker 1: they're married, right right.
Speaker 2: Interesting, I just go to college.
Speaker 5: It was easier, Yeah, to Penga rules her eyes. Well,
Speaker 5: we're running out of options here, my husband and provider, Well,
Speaker 5: I just want.
Speaker 1: To say, like, I'm willing to buy whatever the rules
Speaker 1: are that the university. But the reason for it to
Speaker 1: real real problem is because the girls are moved. They
Speaker 1: had to create a reason that they couldn't just move
Speaker 1: into the Yeah, it's it's the triplets thing. It's just
Speaker 1: so dumb.
Speaker 4: Sees the lynchpin of the episode, writer is the two
Speaker 4: sets of triplets.
Speaker 5: Corey laughs. Now I'm the provider. What happened to equality?
Speaker 5: What happened to partnership? Unaffected, she demands, get me a
Speaker 5: place to live. He submits, yes, mommy, that gives him
Speaker 5: an idea. Hmmm, mommy, and then there's a quick cut
Speaker 5: to the Matthews living room.
Speaker 4: I'm so glad that's what it meant me too, because
Speaker 4: I thought it was a sex thing at first.
Speaker 2: I did too. Oh. I was like, ugh, oh, that's
Speaker 2: exactly what I did.
Speaker 5: He's like, mommy, and then it was like, oh.
Speaker 2: No, you're actually gonna go ask your mother there.
Speaker 1: Yes, was immediately like, oh, we have to get to
Speaker 1: the Matthew's house.
Speaker 2: So that's what the mommy connection out. I immediately.
Speaker 5: Yah, so funny. Quick cut to the Matthews living room.
Speaker 5: Alan just says, no, Corey isn't happy with that. I
Speaker 5: wasn't talking to you. I was talking to my mommy.
Speaker 5: He looks to Amy with hope, and she pleads with
Speaker 5: her husband it would only be until they got on
Speaker 5: their feet. Alan is in budging. No, Corey can't believe him.
Speaker 5: I'm your son. You don't tell your son. No. Alan
Speaker 5: takes a deep breath and easily repeats himself no, but
Speaker 5: Corey won't back down.
Speaker 2: That's it.
Speaker 5: We're moving in. You're lucky I even asked you, Alan warns, him,
Speaker 5: don't make me beat you up in front of your
Speaker 5: new wife. Amy can't believe Corey. Why didn't you give
Speaker 5: any thought to where you were going to live? He
Speaker 5: points out that they were a little busy, and it's
Speaker 5: not like he's ever done this before. Alan chimes back in,
Speaker 5: well you're gonna have to do it now. Corey shouts back,
Speaker 5: I never asked to be the man in this relationship.
Speaker 5: Tapega suggests that they should leave, but Corey doesn't get it.
Speaker 5: Where do you go if you don't have your parents?
Speaker 5: Amy tries again with Alan at least let them stay
Speaker 5: for a couple days, but he points a finger at her.
Speaker 5: Amy don't. She defiantly grabs his finger. Don't put your
Speaker 5: finger out at me. Don't tell me. Don't the inmates.
Speaker 2: Gas ooh, they were like they were in it.
Speaker 4: There is a couple a couple scenes where you heard
Speaker 4: them speaking. Did you hear the audience talking talking to themselves,
Speaker 4: like talking to like oh no or uh oh, stuff
Speaker 4: like that was like, oh, geez, okay, they're in At
Speaker 4: this point.
Speaker 5: Corey's jaw drops. He whispers to Panga. Mom's reved up,
Speaker 5: Go get the luggage. Amy continues these are my children too,
Speaker 5: and if I want them to stay here, they can
Speaker 5: stay here. Alan transitions to a calmer tone, Amy, they
Speaker 5: can't stay here. They're married. Now, it's Corey and Topanga,
Speaker 5: not Corey and us. Remember, Corey feels the tide shifting,
Speaker 5: so he jumps in. Mom, Mom, it's me. It's Corey.
Speaker 5: You used to wipe my tushy. Oh you loved that, remember,
Speaker 5: Amy shakes her head.
Speaker 1: Very simple addition, like to help make this scene would
Speaker 1: have been mentioning the baby, like, yeah, the fact that
Speaker 1: we have a baby that's you know, has sleep issues,
Speaker 1: or you you know, we already have a household that's
Speaker 1: you know, like it just it would have been an
Speaker 1: easy thing because, as it is, Alan doesn't have much
Speaker 1: more of an argument other than principal. Right, that's the
Speaker 1: whole point of this, right, Like, it's the principle that
Speaker 1: you decided to get married that I'm gonna make your
Speaker 1: life harder right.
Speaker 2: Now, right, I mean, that's that's all they stand.
Speaker 4: But I also get it. I get where he's coming from.
Speaker 4: Where it's like, we told you from the beginning how
Speaker 4: hard it was going to be. You can't now just
Speaker 4: jump in and live with us and let us take.
Speaker 2: Care of you.
Speaker 1: Yeah, I mean I chose that's the principle, right, it's
Speaker 1: it's that's all. It's not there's no and but I
Speaker 1: also think, wouldn't that be benet wouldn't that also be
Speaker 1: bolstered by like the reality of like, no, we have
Speaker 1: other things, but they never even mention it, they never
Speaker 1: even want it's. It's it's it's it's an interesting choice.
Speaker 1: It's like it's it's leaning so heavily on like the lesson.
Speaker 2: You know, I would teach.
Speaker 1: You your lesson at the expense of my love for you.
Speaker 1: It's gonna you know, my my feelings or your mother
Speaker 1: and her feelings.
Speaker 2: We're going to just make this a big, bold lesson.
Speaker 1: And like, like I said, it does land at the
Speaker 1: end of the episode pretty well, I think, And but
Speaker 1: it's I don't know.
Speaker 4: I would have later later in the episode, like here
Speaker 4: in the beginning, I got where he was going. Later
Speaker 4: in the episode, after they find the apartment, I would
Speaker 4: like to have seen Rusty with logistical help.
Speaker 2: Well, then, like.
Speaker 4: I'm chewing on the water, well, I'm gonna come over,
Speaker 4: I'm gonna tell I'm gonna teach you how to fix
Speaker 4: the plumbing, let's paint the let me we're gonna work
Speaker 4: get there's stuff I can't help you with that.
Speaker 2: I'm gonna be here to help you with but you're
Speaker 2: not living here, right, I'm not ripping away my parental support.
Speaker 5: I'm just not going to give you.
Speaker 1: Yes, yeah, I'm just drawing a very healthy boundary, right, Yes, yeah.
Speaker 2: I wish that was where it went at the end.
Speaker 7: Work.
Speaker 2: It's rusty answering stuff.
Speaker 9: Like, yeah, we're gonna work on the plumbing that we
Speaker 9: can access. You're right, but you're not living here to
Speaker 9: get some bug spray. Let's you know, yeah we yeah,
Speaker 9: you're right. That would have made the world of a difference.
Speaker 2: Yeah.
Speaker 4: I think Sue is getting frustrated to me because by
Speaker 4: the fifth time I was like.
Speaker 2: Paint the place, and she's like, Okay, they're gonna paint it.
Speaker 2: Like relax, It's like, there's got to be something you
Speaker 2: can fix some stuff.
Speaker 4: You know. So that would have been I think a
Speaker 4: little bit helpful.
Speaker 2: Yeah yeah.
Speaker 5: Amy shakes her head. You can't stay here, Corey. I'm sorry.
Speaker 5: Corey scowls and threatens I'm telling Grandma. Topanga lingers behind
Speaker 5: and finally follows after her husband, Amy offers a sorry
Speaker 5: and Topanga admits I know. And then we're in the
Speaker 5: student union. Corey storms in with Tapanga and their luggage.
Speaker 5: My father's a jerk. I have a jerk for a father.
Speaker 5: Topega looks defeated. I'm sure he has a very good
Speaker 5: reason for not. Corey finishes her sentence for abandoning us.
Speaker 5: She insists, we don't need them, we need us. We
Speaker 5: need to stand on our own feet and figure out
Speaker 5: our situation. Corey says he's already figured it out their
Speaker 5: upper middle class home less college students.
Speaker 2: There's a very small pity factor here, great, very self
Speaker 2: aware line.
Speaker 5: In fact, I wouldn't feel sorry for us if I
Speaker 5: wasn't us to Pega needs to know how much money
Speaker 5: they have, so Corey calculates how much they got for
Speaker 5: their wedding and subtract how much.
Speaker 2: They spent on the honeymoon. They have seven blenders, another
Speaker 2: great line, so funny.
Speaker 5: Tapega admits it'd be nice to have a kitchen to
Speaker 5: put them in. Corey shouts to stop pressuring him. To
Speaker 5: Pega reasons with him, Corey, we have to live somewhere,
Speaker 5: and in return he mocks her, I.
Speaker 2: Want a roof over my head. I want a roof
Speaker 2: over my head, you baby.
Speaker 5: Then Sean Angela walk in and Corey greets them in
Speaker 5: an overly cheery tone. He sarcastically asks them well rested.
Speaker 5: Angela tells Topanga they have very good news. Mike and
Speaker 5: Debbie Fefferman had a fight. Angela explains he criticized her salad,
Speaker 5: so she shot him. Wait was it Fefferman? Hap Jennifer
Speaker 5: love Fefferman? I means another, it says. It may be
Speaker 5: the way it's spelled is f a f e er?
Speaker 5: It could be Feiferman, But I mean it looks like Fferman.
Speaker 2: Yeah, I think I would have recognized so too. I
Speaker 2: didn't hear it either. Yeah, Okay.
Speaker 5: Topanga doesn't see the good news here, So Angela breaks
Speaker 5: it down because she's gonna do time and the dorm
Speaker 5: is gonna be available, Sean ads and those married dorms
Speaker 5: have gotta be great. You know how married people live,
Speaker 5: very sophisticated, very posh. Corey likes the sound of.
Speaker 2: That posh set up, set up. Then we get optical
Speaker 2: to the married dorms.
Speaker 5: Dramatic music plays as Corey and Topanga make their way
Speaker 5: down a dimly lit hallway with children's toys littered everywhere.
Speaker 5: A girl yells, I got a mid term in physiology. Tomorrow,
Speaker 5: make your own dinner. Her husband responds, fine, Kimberly, I'll
Speaker 5: make you a deal. I'll cook dinner. You stop talking.
Speaker 5: A baby starts loudly crying, and the woman begs it
Speaker 5: to stop.
Speaker 2: Did you guys recognize any voices here? I was trying
Speaker 2: to listen to see who they were.
Speaker 1: I wanted to Chris Kier, but of course he was
Speaker 1: gone by now, but I wanted.
Speaker 2: I was interested. I was like, who are these? You know?
Speaker 2: Do you think it's Marisol? At any point? I don't know.
Speaker 4: But one of the things that as a voiceover actor,
Speaker 4: I literally just got one two days ago. You're they
Speaker 4: cast voiceover actors for this and that. Like two days ago,
Speaker 4: I got an audition for to play a cop quote
Speaker 4: unquote on a sitcom and part of the job is
Speaker 4: you go to the set for two days and you
Speaker 4: yell the line from.
Speaker 2: Off the set.
Speaker 4: Oh interesting, So as of these could have been hired
Speaker 4: voiceover actors that are literally there with microphones saying the
Speaker 4: lines off the set.
Speaker 1: Wait, I just tried to hear like Matt Kirkwood or
Speaker 1: somebody that you know, because so often I don't think he.
Speaker 2: Was there season seven, Yeah he was, he was, did
Speaker 2: he Kirkwood? No, he left. He talked about how he left.
Speaker 2: Are you sure? Pretty sure? Yeah? Remember he said he
Speaker 2: took off At one point.
Speaker 5: I wonder if that if those names would have been
Speaker 5: in the list where it said Danny oh maybe yeah,
Speaker 5: Daniel Jacobs.
Speaker 4: Did anybody else have kind of a problem that when
Speaker 4: you moved to the married dorm that meant that every
Speaker 4: marriage sucked.
Speaker 5: Well, they're trying to talk about the reality of being
Speaker 5: a married college kid.
Speaker 3: Everybody's yelling everybody, don't slam the door you. It's like god, like,
Speaker 3: oh my god, my god, these are married twenty year
Speaker 3: old likes they made the mistake.
Speaker 2: Yeah right, they had baby's too young. It's like, God, terrible,
Speaker 2: it's the latter name name.
Speaker 1: Why the slum suddenly right, It's like the college just
Speaker 1: doesn't paint these dorms awful.
Speaker 2: Yeah, the other dorms are all take care, but they
Speaker 2: just don't give this where you got married, it's not
Speaker 2: on us anymore. It's like what the hell.
Speaker 1: But I mean that's the man the lie of this
Speaker 1: entire episode. They really, yeah, that's that's literally what Rusty says. Yeah, yeah,
Speaker 1: and that's what the whole show is saying.
Speaker 2: It's so weird. Debbie's last name is Fefferman. Just why
Speaker 2: Jefferman's sister there she is.
Speaker 5: Corey and Topanga are deservedly rattled as they turn the
Speaker 5: corner and another couple is arguing over a barking dog.
Speaker 2: Shut the door.
Speaker 5: If you're gonna do that. A door slams, and he
Speaker 5: eggs his wife on that's it, break it. Tapanga points
Speaker 5: out it sounds like we have very colorful neighbors. Corey
Speaker 5: sees a little boy standing alone and says hi to
Speaker 5: the little fella.
Speaker 2: The boy whispers back, I say dead people.
Speaker 5: Corey fake smiles back, that's nice. He aggressively whispers to Tapanga,
Speaker 5: let's get out of here, but Tapega points out that
Speaker 5: they're right in front of Room two thirty six. This
Speaker 5: is going to be their home for the next three years.
Speaker 5: They bravely open the door and they are stunned at
Speaker 5: what they see.
Speaker 4: I have a logistical directing question for the two sitcom
Speaker 4: directors here that I'm talking to Is there a reason
Speaker 4: why basically every dorm room or everything we do is
Speaker 4: you walk down the hall and take a rite. Is
Speaker 4: there some kind of Is there a camera reason for
Speaker 4: that or a block reason for that? Why there never
Speaker 4: seems to go and take the left, like the room
Speaker 4: is never on the left, it's always on the right.
Speaker 2: Is there a reason for that?
Speaker 7: No?
Speaker 5: I think just this just where the set was exactly construction.
Speaker 2: Okay.
Speaker 4: I didn't know if there was some like, well, if
Speaker 4: you shoot this way then you can't see into the whatever.
Speaker 2: Kind of we never go to the left in the
Speaker 2: other the left, but no dorm like all the rooms
Speaker 2: are always to the right. Yeah, And so I didn't
Speaker 2: know if that was that there was a reason for
Speaker 2: that or not. Okay, I guess not.
Speaker 5: Okay, to Pega and Angela's room is to the left,
Speaker 5: when when in that hallway their rooms are, there's you know,
Speaker 5: the boys was over to the right. Triplet came out, Yeah,
Speaker 5: that I think that was their room, right? Was it
Speaker 5: that room where I was actually picturing it more like
Speaker 5: where the bathroom is.
Speaker 2: But you're right, I didn't know if there was a
Speaker 2: reason for that.
Speaker 5: Okay, it's disgusting, tattered furniture, dirty appliances, stained carpet, police
Speaker 5: sirens blair as Topanga composes herself.
Speaker 2: It's the worst place.
Speaker 1: It's like, where are the bloodstains? Though, this is where
Speaker 1: Tapega's dad ended up. We need the bloodstains on the wall.
Speaker 1: It's just like that bad, chockoutable body.
Speaker 2: That's what we need.
Speaker 5: I did actually think that there was going to be
Speaker 5: a chalk line when the door opened. I thought, oh God,
Speaker 5: please let there still be a chalk line.
Speaker 2: That would be great.
Speaker 5: We cut to a commercial because it is, in fact
Speaker 5: not nice, but then we returned to the new room.
Speaker 5: Now inside, Tapanga opens a cabinet door and it falls
Speaker 5: right off the hinges. Okay, so it needs a little
Speaker 5: bit of work. Corey has an idea. I think we
Speaker 5: should think about the worst moment in our lives, and
Speaker 5: it'll only make us feel better about this one. They
Speaker 5: stand in silence for a moment, trying to think. Finally,
Speaker 5: Corey realizes it's this isn't it. To Pega nods in agreement,
Speaker 5: yeah it is, but she reminds him things are never
Speaker 5: as bad as they seem. Corey sarcastically responds, you're right,
Speaker 5: everything's terrific. It's just fabulous. And then back in the hallway,
Speaker 5: another fresh, young married couple has arrived with their luggage,
Speaker 5: and here Corey, I.
Speaker 2: Hate my parents and we live in a crack house.
Speaker 5: A couple share a nervous glance and scurry down the hall.
Speaker 2: It's a pretty funny bit, you know, already there a couple.
Speaker 5: Yeah, back inside Corey, into Pega's new trap house. Corey
Speaker 5: continues to wallow in the sadness. But why don't we
Speaker 5: find the good? To Panga, let's find the good because
Speaker 5: I don't know where it is. He scans the room
Speaker 5: and asks, is it underneath that pizza box? I don't know,
Speaker 5: it could be. He bends down to pick it up,
Speaker 5: and he finds a group of cockroaches hiding underneath it.
Speaker 2: Do you remember having cockroaches on set like this?
Speaker 6: No?
Speaker 2: But I also don't.
Speaker 5: I didn't think they were real. They I mean, although
Speaker 5: they were moving, it looked fake to me.
Speaker 2: Yeah, I couldn't tell.
Speaker 5: I don't know. I think they were battery operated.
Speaker 1: Seems a lot of like a lot more work than
Speaker 1: just find tyttle batteries.
Speaker 5: It was probably real cockroaches, but I don't remember. I
Speaker 5: have no fear of cockroaches. We had Madagascan hissing cockroaches,
Speaker 5: so it would not have bothered me at all to
Speaker 5: have them there, So I don't remember them. Corey jumps
Speaker 5: onto the couch and fear. Nope, that's where the vermin
Speaker 5: are hiding. She calls him a baby and stomps on
Speaker 5: the insects without hesitation, repeating the move as Corey points out,
Speaker 5: they're still alive and they're drunken. Cousins from Louisiana have arrived,
Speaker 5: and now they're both stomping on the floor with ferocity.
Speaker 5: When a woman opens the door, she's holding a baby
Speaker 5: and staring at the crazy couple jumping around. Corey and
Speaker 5: t Benga finally noticed.
Speaker 2: That just opened the door. Oh, this seems like a
Speaker 2: safe neighborhood.
Speaker 5: No knockings like the police iron anchorage.
Speaker 2: That I mean, I understand it, like you knock.
Speaker 5: Why wouldn't the door just be open? Why not just
Speaker 5: keep the door open? So she's standing in an open door.
Speaker 1: Because they needed to have the joke of the shouting
Speaker 1: match that the other couple scared of.
Speaker 2: But we could have shown them up. The hall door.
Speaker 5: Could be open up.
Speaker 2: They could be up the hall and turn around and
Speaker 2: not walk. Yeah. They're like, yeah, but the.
Speaker 5: Door, the door open would have saved everything. Yes, because yes,
Speaker 5: it's very weird that she's like.
Speaker 2: Hi, my baby.
Speaker 4: By the way, I know they weren't allowed to speak
Speaker 4: because they were background, but a great joke would have
Speaker 4: been the couple. As they're walking about to leave, the
Speaker 4: Cory turns to the Tapanga and says like, man, my
Speaker 4: dad's a jerk, you know, something like that, to show
Speaker 4: that it's the same cupboard.
Speaker 2: They couldn't couldn't have them talk right right.
Speaker 5: Corey and Tapanga finally noticed the visitor and stop. He
Speaker 5: explains they were just doing the dance of their people.
Speaker 5: The woman introduces herself as Kelly Aragon, a little nod
Speaker 5: to Carlos Aragon.
Speaker 2: Or Lord of the Rings. Okay, sure, and.
Speaker 5: The baby is Samantha, who never sleeps ever. As their
Speaker 5: new neighbor, she welcomes them to the dorm to Penga
Speaker 5: gushes over the tiny baby and asks if she can
Speaker 5: hold her. So Kelly hands over Samantha and to Panga
Speaker 5: turns to Corey with the baby in her arms.
Speaker 4: Oh your face, And that reaction is great.
Speaker 2: It's so real.
Speaker 4: Oh my god, Yeah that was a great This whole
Speaker 4: beat is awesome.
Speaker 5: Yeah, that's really cute. Corey immediately responds, no, put it back,
Speaker 5: put it back. Topega returns the baby and Kelly explains, well,
Speaker 5: she'd be a lot cuter if she would just sleep
Speaker 5: for like a minute. I mean, other babies sleep, right.
Speaker 5: I don't think I can stay awake much longer. And
Speaker 5: at this moment, I'm like, why is Japanga not saying,
Speaker 5: let me take the baby for a little bit to
Speaker 5: let you sleep?
Speaker 2: But she's just like, cool, can't sleep, haven't slept in days?
Speaker 1: Sad?
Speaker 2: Maybe don't be a whore?
Speaker 5: My gosh, Corey wonders, just out of curiosity, the bed
Speaker 5: where your baby doesn't sleep all night? That's not located
Speaker 5: behind these paper thin walls, is it? Because the only
Speaker 5: crying I want to hear is my own. Topega gives
Speaker 5: him a look and Kelly assures them it's all right.
Speaker 5: At least he's here. My husband's a med student. They
Speaker 5: never come home, Hocully. She turns to leave, but stops her.
Speaker 2: She's not a cooler, she's scary to a med student.
Speaker 4: Exactly who's gonna leave her? The second he passes the board.
Speaker 4: Everybody knows that she puts him through college. He takes off.
Speaker 2: It's the old story.
Speaker 5: You two are newly weds, aren't you, she says. Topega responds, Yeah,
Speaker 5: we are, and Kelly wishes them a sincere good luck.
Speaker 5: Just as Samantha starts to fuss now alone, Topanga tells Corey, Okay,
Speaker 5: let's just look at this as a true test of character.
Speaker 5: Now we can either run from this or we can
Speaker 5: be stronger than this. Corey places a hand on her
Speaker 5: shoulder and says good luck before sprinting to the door,
Speaker 5: But when he grabs the handle for refuge, it comes
Speaker 5: right off cod. He turns to Tapanga nervously explains, I
Speaker 5: wasn't really gonna run. He stammers through his words and
Speaker 5: places the doorknob in her hand. This is for you,
Speaker 5: and then we're in Phoenix.
Speaker 2: If I say it like everyone, fais a lummy.
Speaker 4: Yeah.
Speaker 2: They needed another week with the script, at least another week.
Speaker 4: Yeah, maybe quadruplets would have made it funny.
Speaker 2: Oh that's so good.
Speaker 4: Ye.
Speaker 1: Payboy model, Yeah exactly, Yeah, that would have done it.
Speaker 2: It's the knife thing.
Speaker 5: Octuplets, Now that's hilarious. Corey and t Banka are slumped
Speaker 5: down in the front row, looking absolutely exhausted. Feene lectures
Speaker 5: about the Black Plague, detailing the maggot infested rotting corpses
Speaker 5: that littered the streets of Europe.
Speaker 2: Can I think? Is it again? Not having gone to college?
Speaker 4: Is there a reason why they're still in a high
Speaker 4: school history class.
Speaker 2: It's like, let's talk about World War two?
Speaker 1: Like okay, textbook reading, like we can all read at this,
Speaker 1: like we know, like the history is just.
Speaker 2: I know it. Yeah it was.
Speaker 4: It's so strange Poene teaching you a class where it's
Speaker 4: like this could have been the same exact lesson from
Speaker 4: season one.
Speaker 5: Yes, yes, exactly. Corey glances at to Panga he's talking
Speaker 5: about us. Tapanga half heartedly raises her hand in wines,
Speaker 5: I have a bath. Phoene asks that she reserve her
Speaker 5: personal matters for after class, but toa Panga continues.
Speaker 2: To complain, our water is brown. Phoene tries to stop her,
Speaker 2: but Corey chimes in and you have to chew it.
Speaker 2: As they both.
Speaker 5: Fester in their depression, Phoenie announces to the class, I
Speaker 5: rarely do this, but I'm going to dismiss the class
Speaker 5: on account of well pathetic. Everyone leaves except the pathetic
Speaker 5: couple in question. Corey points a finger at Phoenian says
Speaker 5: in a gravelly New York accent, he got a big house, Phoene,
Speaker 5: no children to Pega mimics the voice. What do you
Speaker 5: do in that house? Phoene?
Speaker 2: You eat this totally? You guys doing like the bake sale. Huh,
Speaker 2: it's just bits and it's great, Like this is great.
Speaker 3: Yeah.
Speaker 5: Phoene is shocked. What's the matter with you two? And
Speaker 5: why are you so unkempt? Corey fake laughs, Ah, we're unkempt.
Speaker 5: You hear that, Topanga. Then he raises his voice. You'd
Speaker 5: be unkempt too if you lived in an apartment with
Speaker 5: only one washing machine and no dryer.
Speaker 2: And you know how the baby cries like this, wha, wha,
Speaker 2: whaa all night.
Speaker 5: Phoene tries to get a word, and but Corey won't
Speaker 5: stop crying like a baby. Phoene says, he gets it,
Speaker 5: it's unpleasant. Topenga gets down to business. Quit stalin Phoene,
Speaker 5: we stay in with you or not, and he quickly
Speaker 5: responds not. So They both get up without another word,
Speaker 5: dodging a hug Phoene tries to assure them, from the
Speaker 5: bottom of my heart, I would do anything for you too,
Speaker 5: if it's anything short of actually moving in anything at all.
Speaker 5: Back in the gravelly voice of struggle, Cory asks, now,
Speaker 5: how about some of your million's fella and he tries
Speaker 5: to reason with Topanga, but she just shouts to her husband,
Speaker 5: hold him down, I'll get his wallet. Corey suddenly has
Speaker 5: a change of heart. No, that would be wrong. This
Speaker 5: man is an educator. Topanga agrees you're right. What could
Speaker 5: he have?
Speaker 8: Like?
Speaker 5: Nine bucks? Phoene proudly adds and a Blockbuster card. Very
Speaker 5: happy with that, yep. Then he grabs the two Ruffians
Speaker 5: and says, let me tell you something about life. Corey
Speaker 5: begs him, no, please, no more words. You have been
Speaker 5: telling me about life since the first grade. How come
Speaker 5: you never prepared us for this? Phoene gets serious. Although
Speaker 5: you can't see it now, your reward is yet to come.
Speaker 5: Corey is fed up. What are you a fortune cookie?
Speaker 5: And Topanga perks up, who has cookies?
Speaker 2: So funny?
Speaker 1: I mean it is the dialog here is funny.
Speaker 2: It's not quite working for me. I'm not sure what
Speaker 2: it is.
Speaker 5: I agree, I don't know what it is, but there is.
Speaker 5: It's funny, but it's not working. Yeah, Phoene resents the sentiment.
Speaker 5: My words are heartfelt and highly original. To be reduced
Speaker 5: to a whimsical jocularity that's stuffed into a cracker is
Speaker 5: in a front to the very essence of my character.
Speaker 2: How do we say this as fancily as possible? Fancy
Speaker 2: words speak.
Speaker 5: Tapanga sticks her tongue out and blows a raspberry in
Speaker 5: his face.
Speaker 2: Corey is proud, Well put, honey, well put? Can you
Speaker 2: demanded the raspberry? No? I don't either. I want to know.
Speaker 5: He demands that Phoene give them something they can actually use.
Speaker 5: Phoene thinks for a moment and lands on persevere and
Speaker 5: prosperity shall be yours. They both frown at his meaningless
Speaker 5: mumbo jumbo and storm out of the room with another
Speaker 5: without another word. Once they're gone, Feene admits, all right,
Speaker 5: I'm a fortune cookie.
Speaker 7: Great line, it's so funny.
Speaker 2: And then we're in the student union, Eric and Jacker
Speaker 2: jabbing pool balls at each other. Why aren't you guys
Speaker 2: just playing pool? Because we're playing pockey.
Speaker 4: This is what we started playing, all of us on
Speaker 4: the set started playing this game that we called pockey,
Speaker 4: and this is the first time that they actually put
Speaker 4: it in the show. So it was pool hockey and
Speaker 4: we'd have one ball and you try to snap it
Speaker 4: to the thing, and we all started playing this like rider.
Speaker 2: All of us were grabbing this. So it's like, what's
Speaker 2: the one with a hockey? Yeah, or air hockey, bastball, foosball.
Speaker 4: And you've got your one ball and you and you
Speaker 4: actually don't remember doing this.
Speaker 2: Oh yeah, we played.
Speaker 4: We played all the time we have, we had pockey
Speaker 4: tournaments going on, so this is the first time we
Speaker 4: got to see it. I was like, hey, pocky, Yeah,
Speaker 4: it's so funny. Probably ruined the hell out of the table,
Speaker 4: but it was Yeah, when that.
Speaker 5: Table had been ruined already with all the people jumping
Speaker 5: up on it. Yeah, Eric and Jacker jabby pool balls
Speaker 5: at each other. With the cues, when Rachel walks up
Speaker 5: and realizes, I haven't seen you guys in days. How's
Speaker 5: life been treating you? I needed a reminder about why
Speaker 5: any of this storyline is going on, Like it's so
Speaker 5: long ago, but we like, why why are they trying
Speaker 5: to make her jealous?
Speaker 1: Like do you know what I mean, I know, well
Speaker 1: this is also where I was like, God, she's she's
Speaker 1: Matt's X, like she and Jack, and they're not even
Speaker 1: acknowledging that, Like now we just completely drop that they
Speaker 1: were in a relationship, like they they had like one
Speaker 1: of the most like profound.
Speaker 2: Kisses on the show. Yeah, and then just act like
Speaker 2: it never freaking happens.
Speaker 4: Well no, but I think what they were trying to
Speaker 4: show was that Maitland is one pretty girl and the
Speaker 4: others are three.
Speaker 5: You know what now when okay, when I get yeah,
Speaker 5: you see what I'm saying, and that is funny, like
Speaker 5: you know, one versus three.
Speaker 4: Right, because again Maitland one, but the dom Triplets, thanks
Speaker 4: to their dad, are three.
Speaker 5: Three right gosh Okay, well so I think now I
Speaker 5: feel silly now, thank you?
Speaker 2: Yeah, and then incomes Triple.
Speaker 5: E, another triplet. The boys trade smiles. She wants to
Speaker 5: know how life has been treating them. Eric explains life,
Speaker 5: which has up until now treated us terribly, has decided
Speaker 5: to pay us back. On cue, the blonde triplets walk in,
Speaker 5: once again wearing matching outfits as full grown adults. Eric
Speaker 5: announces these are the domb Triplets, then places himself between them,
Speaker 5: and they're the best dumb triplets I've ever seen.
Speaker 2: God, is this.
Speaker 4: One of Could you argue this is one of the
Speaker 4: worst and useless, most useless the stories in the history
Speaker 4: of the show. For sure, I think you could some
Speaker 4: that are weird, but this one is just like what
Speaker 4: it's actually happening?
Speaker 2: Yeah, we should keep it Tally.
Speaker 1: I wanted because I feel like we've had a couple
Speaker 1: of these where we're just like, yeah, it's like.
Speaker 2: What is going on? But this has the triplets have
Speaker 2: to be up.
Speaker 5: Yeah, the don Triplets is pretty bad. Jack explains there
Speaker 5: are neighbors, all three of them. Eric jumps up on
Speaker 5: the pool table and again counts them one, two, three.
Speaker 2: Let's trike so hard. Oh man, hello, my baby, Hello
Speaker 2: my dog.
Speaker 1: I just want you to put on the top and
Speaker 1: a bow tie.
Speaker 2: Do your best Marsel the monkey.
Speaker 5: Trying out.
Speaker 8: Comedy. Just say it loud and big, so hard. Heart
Speaker 8: breaks for you.
Speaker 5: You're like, oh god, I'll do it, I'll do it,
Speaker 5: I watch it, I'll save it.
Speaker 2: Guys. Oh god, I was gonna hit the wall. I'm
Speaker 2: gonna run into a full speed what's gonna happen?
Speaker 5: He just loves to count them. Rachel awkwardly says hello,
Speaker 5: and Jack asks, aren't they just the greatest girls? Eric reemphasizes,
Speaker 5: because there's three one, two, three, and there's only one
Speaker 5: of you and three of them, and you lose.
Speaker 4: I'd like to thank my parents for standing behind me
Speaker 4: this entire time.
Speaker 2: I didn't think i'd be standing up there tonight. This
Speaker 2: is really unexpected. Yeah, just to be nominated, yeah, just
Speaker 2: to be nominated. But this is crazy.
Speaker 5: Rachel points out, well, there's three of them and there's
Speaker 5: only two of you, So what's up with that? One
Speaker 5: of the triplets, and since they are not distinguished in
Speaker 5: the captions, I do not know which one responds they
Speaker 5: promised they'd find us a third guy. Then another continues
Speaker 5: so we can all go out together, and the last
Speaker 5: one adds we always do everything together. Jack and Eric
Speaker 5: emphasize everything the triplets to tell the boys.
Speaker 1: I think I've talked about this before, but you know,
Speaker 1: when I do the like screenplay teaching that I do
Speaker 1: with the fifth grade the kids when I go, I've
Speaker 1: done it at multiple schools, but now I do it
Speaker 1: at Indie School. One of the things that the kids
Speaker 1: always do is they write dialogue at the characters say
Speaker 1: the same dialogue.
Speaker 2: At the same course like in real life. Exactly.
Speaker 1: It's like it's one of those things that, for whatever reason,
Speaker 1: it's like a kid brain just automatically it's like, oh,
Speaker 1: and then this side of the you know, these three
Speaker 1: people will say this thing, especially if they're like sisters
Speaker 1: or brothers, they'll have them be like we were hungry,
Speaker 1: and you're like, nobody can do that, Like that's human
Speaker 1: the not humanly. This is one of those moments. Yes, oh,
Speaker 1: they're just we are triplets. We finish each other.
Speaker 2: Yeah, looks like it's fifth grade writing. It worked for me.
Speaker 2: There's three of them.
Speaker 4: There's one Maitland. I don't think you guys are following me.
Speaker 4: One Maitland.
Speaker 2: She's tall, thought three of the top three of the blonds.
Speaker 5: Yeah all right, yeah, I don't thank you for the reminder.
Speaker 4: Well, what's funnier before you go any farther than one
Speaker 4: set of triplets? Take it away, Daniellelet here we go.
Speaker 5: The triplets tell the boys they've been so nice in
Speaker 5: helping them find their dorm room. They owe them a party.
Speaker 5: Eric shrieks, they owe us a party. And so the
Speaker 5: girls ask did they find the other guy. Jack and
Speaker 5: Eric excuse themselves to figure out a plan. Eric panics,
Speaker 5: third guy, Third guy party. Then he points to a
Speaker 5: random guy in the corner. I choose you a student
Speaker 5: who looks just like Scott Bayo?
Speaker 2: Does he even really notice that?
Speaker 8: Oh?
Speaker 2: Yeah, it's it's wild?
Speaker 5: Perks up and asks him, Hey, do you want to
Speaker 5: go out with one of these beautiful women? Without missing
Speaker 5: a beat, he asks, can my brothers come with me?
Speaker 5: The camera zooms out to reveal two other guys who
Speaker 5: look a lot like Scott Bayo, and they're all dressed
Speaker 5: the same again as adults.
Speaker 1: I totally forgot, and I can't believe I forget. I'm
Speaker 1: looking at Danielle's curtains.
Speaker 2: Do you guys, did it bother you that Ben's sweatshirt
Speaker 2: blended in with the cabinets in the classroom? Exactly? Do
Speaker 2: you remember this?
Speaker 1: It's it's like almost the same color as Danielle's curtains,
Speaker 1: and he, for whatever is his sweatshirt matches the cabinets.
Speaker 2: It's so bad, It's like it's the weirdest thing. And
Speaker 2: I was like, why wouldn't they change this? Like how
Speaker 2: did nobody notice that that? Is?
Speaker 5: By the way for our dear listeners who don't know
Speaker 5: that is a large part of what the wardrobe stylists
Speaker 5: are supposed to do is to take into account the set, colors, fabrics,
Speaker 5: the couch. You don't want to put somebody in a
Speaker 5: floral dress on the floral couch. So that's like a big,
Speaker 5: you know, a big thing. So that should have been
Speaker 5: a consideration, Like, hey, this color too close to the
Speaker 5: color of the set.
Speaker 2: I found so distracted.
Speaker 4: Oh okay, well I was looking at the triplets, the
Speaker 4: two sets of triplets.
Speaker 5: Well yeah, I mean, another good looking set of triplets
Speaker 5: at this tiny school. What are the odds?
Speaker 2: I also in this in the student union.
Speaker 1: In one of the scenes, it was so fun Shiloh's
Speaker 1: girlfriend Darcy and it's like right on camera, like she's
Speaker 1: walking with another guy like towards the camera, and I
Speaker 1: was like, oh, my heart just was like oh, because yeah,
Speaker 1: she was living with Shiloh at the end. Yeah, they
Speaker 1: were together for like five years and and so so
Speaker 1: fun to see.
Speaker 2: Her like right, yeah, cool.
Speaker 7: Yeah.
Speaker 5: Well, the audience loves the big reveal, and Eric and
Speaker 5: Jack know this is bad news. The dom triplets are
Speaker 5: immediately ensoorcelled. By the other guy's tripletness and they say
Speaker 5: goodbye to Eric and Jack two by two as they
Speaker 5: walk out the door.
Speaker 2: Well took, yeah.
Speaker 5: Forever, it took because it was all about bye no
Speaker 5: no hi hi no.
Speaker 4: Hi high no Hi yeah hi hi no hi hi
Speaker 4: no no hi high no no. And it was all
Speaker 4: about the timing, timing.
Speaker 2: So here, writer, let's do it. Let's do it.
Speaker 5: Will you be the no al ready okay, but we're
Speaker 5: gonna do it. We're gonna do it the way. It
Speaker 5: took a long time, ready, okay, hi.
Speaker 2: Hi no.
Speaker 5: Hi hi no hi hi no. And it took, and
Speaker 5: we must have done it fifteen times. I mean, okay,
Speaker 5: just now, let's do it. Well ready hi hi no
Speaker 5: hi hi no hi hie no, there you go, thank you.
Speaker 2: And it took.
Speaker 4: It became one of our famous bloopers that we have
Speaker 4: because it just we couldn't get it. And then, to
Speaker 4: make matters worse, we finally got it and I turn
Speaker 4: and I say, Maitland instead of Rachel.
Speaker 2: Yeah, and I hear Michael go you you had it.
Speaker 6: Run.
Speaker 2: So it was just but it just took.
Speaker 4: I mean, by the end, Matt and I were literally
Speaker 4: staring at the camera, like, what the hell is going on?
Speaker 4: They just they couldn't get the timing. They just couldn't
Speaker 4: get the timing.
Speaker 6: Yeah.
Speaker 5: Well, Realizing they have been disinvited to the party, they
Speaker 5: turned back to Rachel, who's happily lounging on the pool table.
Speaker 5: Eric notes, we appear to have a gaping hole in
Speaker 5: our social calendar, so if you're not doing anything later,
Speaker 5: maybe we could. Rachel cuts him off. You know, I wasn't,
Speaker 5: but now I think I'm just going to go home
Speaker 5: and laugh, laugh and laugh.
Speaker 2: Laugh three times three? Get it?
Speaker 5: Eric's cracking up it, admits, No, just very funny.
Speaker 2: I think it's funny.
Speaker 5: It's cute. She pats his leg and leaves Eric and
Speaker 5: Jack sit in silence until Eric coffers, you want to
Speaker 5: go volunteer to be experimented on?
Speaker 2: I don't think so. I think that Jack goes sure,
Speaker 2: can we walk out now?
Speaker 5: Later on, in the student union, Sean grabs a coffee
Speaker 5: and takes it over to his table with Angela Topanga
Speaker 5: and Corey. He asks, how are the married dorms pretty
Speaker 5: sweet setup? I'm guessing. Corey bluntly answers, we have bugs.
Speaker 5: Sean shugs it off. Everyone has bugs. Corey counters our
Speaker 5: bugs have cars. Do you guys remember shooting the scene
Speaker 5: we have the bloopers.
Speaker 2: Could not get through this scene.
Speaker 5: No, no, another one where we just just.
Speaker 2: I don't know, because I just I couldn't. I couldn't,
Speaker 2: I could laugh. So I just started making a run.
Speaker 4: Well what set us off in the first place, I
Speaker 4: don't remember. One of the starts was you turning around
Speaker 4: and you hit the chair.
Speaker 2: A chair, it's a chair. There's that.
Speaker 4: But then you guys, and I remember distinctly watching from
Speaker 4: off camera and you guy, it was just so funny
Speaker 4: because you just you, especially Danielle.
Speaker 2: Were down just lose it over funny. It was great
Speaker 2: to watch man.
Speaker 5: That was Yeah.
Speaker 2: So this was been a big tape night.
Speaker 5: This was a big show for us, A big show
Speaker 5: and probably very stressful. And I think at this point
Speaker 5: I started just maniacally giggling at pressure. When things were stressful.
Speaker 5: It was just like here comes the cackles. Just nothing.
Speaker 5: I don't know what else to do. Sean shakes his head.
Speaker 5: Your worst problem should be bugs, Corey nods, true, but
Speaker 5: it's not Tapega begs him to change the subject and
Speaker 5: not bring up plumbing, crying babies, or the fact that
Speaker 5: there was a guy shot in their apartment over a salad,
Speaker 5: the remains of which are still on the wall. Angela
Speaker 5: asks the guy or the salad, and Tapega admits she
Speaker 5: doesn't really want to know. She ate it anyway.
Speaker 2: It's a great line.
Speaker 5: Sean does decide to change the subject. Let's talk about
Speaker 5: the married thing. What's the biggest difference. Corey puts his
Speaker 5: arm around to Panga. Well, we're together in everything. We're
Speaker 5: there for each other, and even though everything we're going
Speaker 5: through right now may not be ideal, we're getting through it.
Speaker 5: I think we're handling it well, you know. But Angela
Speaker 5: has focused on Topanga and asks if she's crying. Topanga's
Speaker 5: voice cracks while asking why she'd say that. Angela states
Speaker 5: the obvious, because tears are coming out of your eyes
Speaker 5: and your face is all scrunched up. Topega wonders this
Speaker 5: is crying, and Angela says it is. Then Topenga admits,
Speaker 5: then I've been crying for three days. The inmates are
Speaker 5: bummed as Sean catches on and asks what's wrong. Tapega
Speaker 5: assures them it's nothing, then gets up and walks out,
Speaker 5: Angela chases after her, and Sean asks Corey if he
Speaker 5: wants to talk about it. Cory sarcastically wonders, talk about,
Speaker 5: what how I've been married for one week and I
Speaker 5: already can't protect my wife. Talk about how I believed
Speaker 5: love would get us through anything. Talk about what an
Speaker 5: unprepared idiot I am. Sean tells him he's not an idiot,
Speaker 5: it's just new, but Corey reminds him to peg is crying.
Speaker 5: Sean begs to let him help, and Corey shakes his head. Thanks,
Speaker 5: but I don't think you can on this one. Although
Speaker 5: I wanted to be like, you could just stay with
Speaker 5: Angela for a couple of days, and so why not?
Speaker 2: Why not?
Speaker 1: Why you grab a gallon of paint, help us paint
Speaker 1: something up. That's part of being a man too, is
Speaker 1: network people. But no, he somehow has got to do
Speaker 1: it by himself on principle.
Speaker 2: But it's fine with it being his dad. He still
Speaker 2: you're right.
Speaker 5: Why why doesn't he actually say I have too much
Speaker 5: pride to.
Speaker 4: Go to my dad or foe by the way, because yeah,
Speaker 4: just not Sean, now all of a.
Speaker 5: Sudden can't take any help. Sean insists, of course I can.
Speaker 5: I'm your friend. Corey breaks it to him. Yeah, but
Speaker 5: i'm her husband. I have to take care of this.
Speaker 5: I have to.
Speaker 2: Which when he goes back to his dad, that's his dad.
Speaker 5: Taking care of it again, Like I don't understand this patriarchy.
Speaker 2: Yeah you can. You can accept help from your father
Speaker 2: maybe or your teacher, but not from your best friend.
Speaker 2: You don't know what it's like to be a man, Danielle.
Speaker 2: You know you're right. You're right. You don't get it.
Speaker 2: How many Maitlands are there? One? There's just just but three?
Speaker 2: Dom Triplet.
Speaker 5: Right back in the Matthew's living room, Corey is pacing
Speaker 5: the room while Alan reminds him, I can't help you
Speaker 5: with this. Corey assures him he's not asking for help.
Speaker 5: This isn't about me. This is about Tapanga. The minute
Speaker 5: I married her, she became more important than me. She
Speaker 5: became more important than anything. And I know mom is
Speaker 5: more important to you than anything. Right, Alan agrees, she is,
Speaker 5: and you are as well, and so is Topanga. Corey's
Speaker 5: relieved to hear that, because he wasn't getting that feeling before,
Speaker 5: but now he's happy to hear that his dad is
Speaker 5: finally coming around. Alan bursts that bubble quickly. I'm not
Speaker 5: coming around. I can't help the way you want me to,
Speaker 5: and I'm not going to. Corey raises his voice, Hey,
Speaker 5: we're drowning here. Alan shakes his head. You're not drowning,
Speaker 5: Corey shouts. Then what do you call living in an
Speaker 5: awful dorm with no money? And the washing machine's broken
Speaker 5: in the laundry room and there's some kind of soup
Speaker 5: coming out of the faucet. Alan scoffs. Marriage, I call
Speaker 5: it marriage. Corey stammers, Well, it's hard. It's just hard, dad,
Speaker 5: Alan clarifies, and you want me to make it not
Speaker 5: so hard. Corey loses it. You're supposed to do that
Speaker 5: for me, But Alan yell's back. I can't. Corey screams, well,
Speaker 5: then what good are you? The audience feels that one
Speaker 5: and throws back, and.
Speaker 2: Now was I wrong? This was weird to me? Didn't
Speaker 2: they say?
Speaker 7: Well?
Speaker 2: Then what good are you?
Speaker 4: But they were on Rusty when Corey says it, like
Speaker 4: I think, if you watch it again, it's not a
Speaker 4: close up of Corey saying, well, then what good are you?
Speaker 2: They're on Rusty? Then what good are you? Do you
Speaker 2: think it was like an headed Yeah, they was waiting something.
Speaker 4: Yeah, I could be wrong, but I sort of got
Speaker 4: it was like on Rusty when you hear what good
Speaker 4: are you?
Speaker 2: And it was like, oh, that was a weird choice
Speaker 2: to not have it on. I wonder if he said.
Speaker 1: Something more harsh, oh, and the too harsh right, and
Speaker 1: then just changed it.
Speaker 5: Oh great, Yeah, maybe that would have been a good
Speaker 5: That would have been a reason they would want to
Speaker 5: make that coverage change. It could have also been that
Speaker 5: Ben said it on his turn to walk out of
Speaker 5: the room, and it was the back of his on
Speaker 5: his back, and they wanted to see Rusty's reaction.
Speaker 2: Gotcha.
Speaker 4: You could also tell just knowing the set. All the
Speaker 4: doors are closed because obviously they hadn't go to the.
Speaker 1: Kitchen when you were like when the back up er
Speaker 1: one especially was liked because I don't remember that having
Speaker 1: to close, like any ability to close before.
Speaker 5: Oh yeah it did, okay, Yeah, they didn't build the kitchen.
Speaker 2: They the kitchen.
Speaker 5: We noticed a stressed out Amy is sitting at the
Speaker 5: top of the stairs listening in. Corey begins to storm out,
Speaker 5: but Alan stands up and yells after him, Hey, you
Speaker 5: made a choice. You decided that you were old enough
Speaker 5: to get married. You decided to take on the responsibility
Speaker 5: of a new life because you believed you could handle it,
Speaker 5: and this family supported that decision. After we told you
Speaker 5: that it was going to be very difficult. Corey is silent.
Speaker 5: Alan asks what did you think we were kidding? Did
Speaker 5: you go into this marriage thinking you were just going
Speaker 5: to play house and we were going to bail you
Speaker 5: out of trouble?
Speaker 2: Corey, this is your life. Deal with your life.
Speaker 5: Corey stares at the ground for a few seconds and
Speaker 5: then finally looks up at his dad and admits, all
Speaker 5: you had to say was no.
Speaker 2: It's a great scene between the two of them.
Speaker 5: I love it. Yeah, but why does he say all
Speaker 5: you had to say was no? When if you go
Speaker 5: back to the first scene.
Speaker 2: All he said was no.
Speaker 5: All he says is no.
Speaker 2: Yeah no yeah yeah no literally yeah no no.
Speaker 7: Right.
Speaker 4: Also, I don't entirely understand why Betsy had to be
Speaker 4: sitting at the top of the stairs.
Speaker 2: Well as a mom.
Speaker 5: Who would probably also understand and agree, like I think
Speaker 5: Amy does. I think in that last scene where with
Speaker 5: Corey and them, we do see that she's not just
Speaker 5: saying it because she's, you know, acquiescing to her husband.
Speaker 5: She's she agrees, Yeah, you cannot stay here if one
Speaker 5: person finds it harder when you're I'm going to put
Speaker 5: it like to like sleep training.
Speaker 2: When you're maybe going to sleep train your.
Speaker 5: Baby, you have to now teach them how to soothe
Speaker 5: themselves to sleep. Sometimes one parent is stronger at listening
Speaker 5: to the baby cry than another parent. And you say, listen,
Speaker 5: I know that we need to do this. I want
Speaker 5: to do this. I know this is a skill set
Speaker 5: I want my kid to learn. I don't want them
Speaker 5: sleeping with us. Whatever I physically cannot do it, I'm
Speaker 5: going to run in there. And sometimes that's the man,
Speaker 5: and sometimes it's the mom. In this situation, I don't
Speaker 5: Actually I didn't feel like it was because she has
Speaker 5: been removed. She has removed herself from it because it
Speaker 5: is just too difficult for her, and yet she's there
Speaker 5: in what I view kind of as a supportive way.
Speaker 5: It's painful for her, but I view it as she
Speaker 5: is there kind of supporting Alan. I'm here with you
Speaker 5: while technically not being right next to you. So I
Speaker 5: didn't quite take it as a patriarchal or misogynistic.
Speaker 4: Yeah, I don't take a misogynistic I just didn't I
Speaker 4: didn't get why she was necesss why you needed to
Speaker 4: cut to her at all.
Speaker 1: I'm really curious how this plays out in the next episode, right,
Speaker 1: I'm really curious, like because it seems like we're setting
Speaker 1: up more story.
Speaker 2: It doesn't it like it doesn't really resolve.
Speaker 4: I think I think they they do fix up the
Speaker 4: apartment if memory serves, because it's like a nice balance show.
Speaker 2: Eventually. That's what I'm hoping, is that. I think so man, because.
Speaker 4: Alan and Sean and everybody shows up to like, fix
Speaker 4: up the apartment is what I hope happens.
Speaker 2: Yeah, yeah, I just don't.
Speaker 5: Know that is what should happen. Also, I would have
Speaker 5: loved in like, but you know, they didn't want to
Speaker 5: get to a solution too soon. But like, oh, the
Speaker 5: washing machine is broken and there's a dryer, Bring your
Speaker 5: laundry over here. That's something that happened, you know, Bring
Speaker 5: your laundry over here until the until the place fixes there.
Speaker 5: And by the way, I'm not going to do your laundry.
Speaker 5: I'm not saying bring your laundry to your mommy but
Speaker 5: do your laundry at our in our washing machine. That
Speaker 5: those are things that you know that would have been
Speaker 5: but they also wanted to really set it up that
Speaker 5: this they don't want to make it too easy. He
Speaker 5: leaves and sad accoustic guitar music plays as Alan buries
Speaker 5: his face in his hands. Amy is still silently sitting
Speaker 5: on the stairs, and then back at the married dorm
Speaker 5: to Panga's in the kitchen making a sandwich. When Corey
Speaker 5: walks in holding a single sunflower, She lets out a
Speaker 5: sigh of relief.
Speaker 2: Where was he?
Speaker 5: She's been worried sick. He hands her the sunflower and admits,
Speaker 5: I think it's just going to be you and me.
Speaker 5: They take a seat into Penga says she made them
Speaker 5: a tuna fish sandwich. He picks up his half of
Speaker 5: the sandwich and she stares at the sunflower. He calmly
Speaker 5: tells her he loves her, and she responds, I know,
Speaker 5: I know you do. She reaches out of here.
Speaker 2: Stand why Sean couldn't help friends? I think you're right.
Speaker 2: Hopefully in the next episode everybody does.
Speaker 1: Yeah, I know, but why but Corey actively refuses Sean's help.
Speaker 2: Yeah, and then he comes in here says it looks
Speaker 2: like it's just us.
Speaker 1: Why why are you defeated? Like if you need help,
Speaker 1: if you're hungry, Sean offered and you refused, what for pride?
Speaker 5: I don't like, I know, it's really weird, especially because
Speaker 5: immediately after he says that, no, this time it needs
Speaker 5: to be just me, the next scene is him back
Speaker 5: talking to his dad about protect it fine, don't help me,
Speaker 5: help to panga?
Speaker 1: Right, Yeah, I think it's one of those examples of like,
Speaker 1: you know, a really strong scene or image motivating the
Speaker 1: entire episode. Right the idea of like they split one
Speaker 1: sandwich in a dirty apartment and they're alone, marriage is
Speaker 1: not what they.
Speaker 2: Imagined it would be.
Speaker 1: Like that's a powerful image to end the episode on.
Speaker 1: So then like you just write to that as much
Speaker 1: as you can. But it kind of doesn't make sense,
Speaker 1: you know. So I feel like this episode is doing
Speaker 1: some weird you know, mental or scene gymnastics in order
Speaker 1: to make that work or to arrive at that place.
Speaker 1: And it's like, ugh, I don't it doesn't make sense,
Speaker 1: Like it could have easily been that Shawn is strapped
Speaker 1: for money too, and he can help Corey. Yeah, and
Speaker 1: he's like, man, I would love to help you out,
Speaker 1: but I really can.
Speaker 4: And it's like, oh, but instance, here's the thing I
Speaker 4: didn't understand is so beforehand they didn't have any getting
Speaker 4: food before they got married.
Speaker 2: Why now that they're married can they not eat? I know,
Speaker 2: were their parents giving them money for food before and
Speaker 2: now that you're married.
Speaker 1: I'm just you could have actually explained some of this
Speaker 1: because yeah, you see a bill. You see the bill
Speaker 1: of like the wedding and like because they had to
Speaker 1: bail Eric out of jail or yeah, you could have
Speaker 1: even been funny stuff. Yeah, but the point could have
Speaker 1: been like, oh, wow, we thought we would have this
Speaker 1: planned and we didn't.
Speaker 2: Yeah. Instead it's like, I don't know, it's yeah.
Speaker 5: I could also see how if you are a parent
Speaker 5: of a college age kid, and let's say the Matthews
Speaker 5: are helping pay for Corey to go to college when
Speaker 5: he was single, not married, I could see them being like,
Speaker 5: part of your school budget is an allowance for food.
Speaker 5: You have to stay within it. You know, it's thirty
Speaker 5: dollars a week or whatever it is, but that's what
Speaker 5: you have to buy groceries or eat out, and like
Speaker 5: that's what you have but now that you're used to
Speaker 5: so grown up, you're married, that's going to be on
Speaker 5: you now. And they they have they're still paying off
Speaker 5: the wedding, they spent too much on the honeymoon. They whatever,
Speaker 5: oh my gosh, we didn't allow for this, Like but
Speaker 5: you're even just a little bit of that explanation, like
Speaker 5: for Alan to say in the in that first scene,
Speaker 5: what about the money, Like, what about the money you
Speaker 5: got for your wedding, Well, we spent it on the honeymoon.
Speaker 5: Why would you do that? Right?
Speaker 1: And I like strengthen the principal part because then it's like,
Speaker 1: I'm teaching you this lesson because you screwed up.
Speaker 2: Yeah, whereas right now he's just teaching.
Speaker 1: Them a lesson for no, just to teach him a lesson,
Speaker 1: and it's just like you need to learn this, Corey.
Speaker 8: Yeah.
Speaker 1: And it's like, well, I mean, the strongest argument is
Speaker 1: you're the one who said you were old enough to
Speaker 1: get married, so you've got to deal with that. Sure,
Speaker 1: But it would have been so much stronger if they had, yeah,
Speaker 1: they had screwed something up, if Corey de Bega had
Speaker 1: like blown they flew first class and.
Speaker 2: You know, made some bad choices, and then it's like yeah.
Speaker 4: Yeah, and also they could you could have made it
Speaker 4: funnier with Sean who He's like, well, let me help,
Speaker 4: and they're like, great, can we have some money?
Speaker 2: Oh, I don't have any money. I don't have any exactly, well,
Speaker 2: do you have any food?
Speaker 4: Well no, Angela gives me a do you know any plumbing?
Speaker 2: Yeah? Now can you help us?
Speaker 5: I can take a picture of you something you could
Speaker 5: have made it.
Speaker 2: Want me to write your poem? Yeah, exactly, Like yeah,
Speaker 2: let me write you home something you could have done
Speaker 2: some comedy with exactly like.
Speaker 5: Yeah, I can't actually help you.
Speaker 4: I can't Actually you're right. No, you're right, I can't
Speaker 4: help you. Oh yeah, like so many ways you could
Speaker 4: have done it. But he's just like, no, I've got
Speaker 4: to do it myself. Until the next scene when I've
Speaker 4: got to ask others.
Speaker 2: My daddy salami.
Speaker 4: Yeah, but again he walked in trying to get salami.
Speaker 4: So who's been buying your salami for up to the
Speaker 4: marriage is my question?
Speaker 2: Wow.
Speaker 5: So then as the tag, we're in the married dorm
Speaker 5: hallway and we get bloopers. It's a handful of blown
Speaker 5: takes from the scene where coreyin t Benga find Michael's
Speaker 5: son standing outside their dorm. Corey says hi to the
Speaker 5: little fella, and the boy laughs and fumbles his line,
Speaker 5: and then I start laughing and the boy tries again,
Speaker 5: but he can't stop laughing either.
Speaker 1: You guys, remember evil Baby, an evil baby. So Michael
Speaker 1: and his this is Michael's son. He could say, Danny
Speaker 1: do evil baby, and Danny would make this like evil.
Speaker 2: He had like a face that they did. It was
Speaker 2: his stare. I thought it was gonna be in the bloopers.
Speaker 1: I was like, oh, we get to see it because
Speaker 1: I had distinctly remember us all.
Speaker 2: Dying when Michael would just call it d evil baby.
Speaker 2: Danny would just make this face. It was so cute.
Speaker 2: It was like there, you know, he was only three
Speaker 2: or four whenever he was, obviously he was so cute.
Speaker 1: Yeah, but they didn't include the outtakes. I don't know why.
Speaker 1: I just remember evil Baby, evil Baby.
Speaker 2: That is so funny. Yeah, it was so cute.
Speaker 5: Well, then we get a few more takes where he
Speaker 5: almost nails it, and then he looks at the studio audience, but.
Speaker 2: Then finally he gets it.
Speaker 5: And then right after he hits the line, He looks
Speaker 5: off stage to his dad and giggles, I I got
Speaker 5: it right right. Everyone breaks into laughter and another Jacobs
Speaker 5: gets his sagcard. So join us for our next episode,
Speaker 5: recap Season seven episode ten, Picket Fences. It originally aired
Speaker 5: November twenty first, nineteen ninety nine. Thank you all for
Speaker 5: joining us for this episode of Pod Meets World. As always,
Speaker 5: you can follow us on Instagram pod Meets World Show.
Speaker 5: You can send us your emails Podmeets Worldshow at gmail
Speaker 5: dot com. And we've got March.
Speaker 4: Originating in the late nineteenth early twentieth century in London,
Speaker 4: Blowing a raspberry comes from Cockney rhyming slang where raspberry
Speaker 4: is short for raspberry tart, which rhymes with fart.
Speaker 5: March all right, Podmeetsworldshow dot com will send us out.
Speaker 2: We love you all, is it? Dad Babo pod dismissed.
Speaker 4: Pod Meets World is n iHeart podcast producer and hosted
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