WEBVTT - TGI – Episode 709 “The Honeymoon is Over”

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<v Speaker 1>So besides the critical role charity event that Will and

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<v Speaker 1>I got to do, which was so much fun, I

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<v Speaker 1>have not played D and D or like a role

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<v Speaker 1>playing game like for a long time, except this summer.

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<v Speaker 1>I discovered a role playing game that was like so

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<v Speaker 1>perfect for me. And if there's anybody out there who's

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<v Speaker 1>a fan of Stranger Things, there's a few, I'm sure

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<v Speaker 1>a few fans, and there's a and there's a crossover

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<v Speaker 1>too between D and D and Stranger Things obviously, because

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<v Speaker 1>like Stranger Things brought D and D back, well, there's

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<v Speaker 1>actually a role playing game built around the concept of

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<v Speaker 1>Stranger Things itself. It's called Kids on Bikes and the

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<v Speaker 1>whole idea is that you get to play kids on

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<v Speaker 1>bikes in a small town who are running around figuring

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<v Speaker 1>out a mystery or some sort of supernatural thing. It

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<v Speaker 1>is the most fun. And this is the only time

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<v Speaker 1>because I've never DMD, which is Dungeon Master if you

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<v Speaker 1>don't know, or G or GMS game that's a more

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<v Speaker 1>generic term, right, I've never done that until we discovered

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<v Speaker 1>this game, and it is so much fun.

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<v Speaker 2>Basically, actually have to get on a bike, no, but

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<v Speaker 2>your bike.

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<v Speaker 1>Gets to give you certain benefits, Like you pick your

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<v Speaker 1>bike based on you know, like it's color and whether

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<v Speaker 1>it has tassels, and that it's kind of like your spells,

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<v Speaker 1>you know, like in it gives you different abilities or

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<v Speaker 1>your class maybe is what you know.

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<v Speaker 2>But you basically the best part about it.

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<v Speaker 1>But the way the game works is you get together

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<v Speaker 1>and you build the town as a group. So like

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<v Speaker 1>I did this with Indy and two of his friends,

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<v Speaker 1>and I did it with Shiloh too for a session.

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<v Speaker 1>But like we get together and you all like answer

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<v Speaker 1>questions about the town. So like you go in an

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<v Speaker 1>order and you're like, what's the town like the high

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<v Speaker 1>school mascot? What is this town's industry?

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<v Speaker 2>What is this?

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<v Speaker 3>You know?

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<v Speaker 2>And the only real rule.

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<v Speaker 1>Like like before you start this is it has to

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<v Speaker 1>be before cell phones.

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<v Speaker 2>Oh the game, so you have to be kids.

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<v Speaker 1>On bikes before cell phones, so basically the nineties or earlier.

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<v Speaker 1>So you figure out what time period it is and

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<v Speaker 1>then you get together and then you build this town

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<v Speaker 1>and you all answer questions and the best part is

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<v Speaker 1>at a certain point after you know, like, oh, what's

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<v Speaker 1>the town, like the industry of the town, and where

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<v Speaker 1>do like what's the high school?

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<v Speaker 2>Like and where's all what are the things going on?

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<v Speaker 1>And then you go what are the rumors? And everybody

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<v Speaker 1>of all the players get to come up with like

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<v Speaker 1>I heard that the math teacher is an alien. I

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<v Speaker 1>heard that in the lake there's a dead body. And

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<v Speaker 1>then you so that's like session zero is you just

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<v Speaker 1>come up with the town and draw out a map,

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<v Speaker 1>and you all come up with the rumors. And then

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<v Speaker 1>as the GM, what I get to go and do

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<v Speaker 1>is like run off and take those rumors and create

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<v Speaker 1>a game built around a group of kids investigating like

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<v Speaker 1>the rumors or the myths of the town. It is

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<v Speaker 1>so much fun, and you can go kind of anywhere

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<v Speaker 1>you want. You can go like more horror, you can

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<v Speaker 1>go more supernatural, you can go like X FILESY. You

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<v Speaker 1>could go like straight just mystery, like you're just a

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<v Speaker 1>bunch of kids dealing with you know, some some bad

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<v Speaker 1>person in town or whatever. You can kind of build

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<v Speaker 1>it however you want. And it's not like it's not

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<v Speaker 1>like a fighting game. You know, it's not like D

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<v Speaker 1>and D, because sometimes D and D can get very

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<v Speaker 1>like yeah, it becomes like a video game whatever. It's

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<v Speaker 1>very much a storytelling game, and you and you get

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<v Speaker 1>to create, like you know that they have archetypes for

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<v Speaker 1>the kids. You get to be like the jock, the

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<v Speaker 1>new kid from out of town, you know. And so

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<v Speaker 1>you create this friend group and maybe you're not all friends,

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<v Speaker 1>maybe you like don't even really know each other. But

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<v Speaker 1>this mystery, this adventure is going to bring you together.

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<v Speaker 1>It is like the storytelling sweet spot for me, because

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<v Speaker 1>like I love like first season of Stranger Things is

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<v Speaker 1>still like one of my favorite things ever made. I

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<v Speaker 1>didn't really stick with it after seas what was that?

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<v Speaker 1>Will you don't like it?

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<v Speaker 4>It was? It was good to me if you pull

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<v Speaker 4>out the eighties aspect, it was just a totally basic

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<v Speaker 4>television show, and.

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<v Speaker 2>I kind of wish they had just pulled out the

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<v Speaker 2>referential Like to me, that was it was the nostalgia

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<v Speaker 2>that that people love more than it.

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<v Speaker 1>But see but see I love like Erie Indiana, remember

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<v Speaker 1>that show.

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<v Speaker 2>I love x Indiana.

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<v Speaker 1>Yeah, I love like any And I also of course

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<v Speaker 1>like going back to like stand by Me Gooney is

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<v Speaker 1>like I just love those kinds of stories, and I

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<v Speaker 1>feel like, you know, it hasn't still like they've tried

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<v Speaker 1>to bring back that like amblin Nix, but like to me,

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<v Speaker 1>when you do it so referential, I get less interested.

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<v Speaker 1>Like that's where The Stranger Things kind of lost me.

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<v Speaker 1>It was like this is cool, Like I love the characters.

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<v Speaker 1>I thought the actors were so good, but.

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<v Speaker 2>Like I didn't need everything to be like.

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<v Speaker 1>That movie poster from that thing you've seen this other Yeah,

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<v Speaker 1>I get over that too, But like actual storytelling, like

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<v Speaker 1>David Harber is so good and I just like I yeah,

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<v Speaker 1>and I just love the idea of like you know,

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<v Speaker 1>even like Super eight remember that movie. Yeah, it like

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<v Speaker 1>wasn't great, but I love the idea of the movie.

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<v Speaker 2>Like that's I just wanted to bring that Spielberg that

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<v Speaker 2>was the Spielberg. Well he produced it, but it was J. J.

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<v Speaker 2>Abrams with director.

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<v Speaker 4>Yeah, well I mean with with with kids on bikes?

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<v Speaker 4>Can Danielle still dress up in costume?

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<v Speaker 5>This idea as long as I as long as I

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<v Speaker 5>just get to kind of be like a kid in

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<v Speaker 5>a decade in town.

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<v Speaker 2>I don't have to be an elf.

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<v Speaker 1>You don't have to be a dryad or yeah no,

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<v Speaker 1>you can just be Can I be an help for

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<v Speaker 1>a dryad if I want to. The thing is the

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<v Speaker 1>game is flexible, but no, I like the idea that

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<v Speaker 1>you sort of keep it grounded, and like the whole thing.

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<v Speaker 2>Is that you're you know, you're you're still driven story.

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<v Speaker 2>Yeah exactly. Oh it's so fun.

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<v Speaker 4>Well nothing, but there's nothing like getting into a full

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<v Speaker 4>campaign whenever you're playing, when you're with a bunch of

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<v Speaker 4>people and it's a bunch of friends who are all

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<v Speaker 4>enjoying it and you're going for the same. I mean

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<v Speaker 4>even the night we had a critical role that one

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<v Speaker 4>the one shot we did, it's so much fun.

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<v Speaker 2>Nobody walked away from the table.

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<v Speaker 1>It was like Christine Lincoln was texting me the next

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<v Speaker 1>day being like, can we just do that for fun?

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<v Speaker 1>And I was like, yeah, people do this all the time. No,

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<v Speaker 1>I agree.

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<v Speaker 2>I think there's something about you know what. What it

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<v Speaker 2>harkens back.

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<v Speaker 1>To for me is like when you used to play

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<v Speaker 1>on the playground with your friends and just made to

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<v Speaker 1>believe together. And I think that's what I like about

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<v Speaker 1>kids on bikes is that it's literally your kids doing that,

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<v Speaker 1>you know, So there's something like childlike in that wonder

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<v Speaker 1>that for me like makes it even more fun.

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<v Speaker 2>Even when we do the critical role thing, we were

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<v Speaker 2>playing teenagers, you know, and I like that.

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<v Speaker 1>I like that aspect for some reason, that filter of

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<v Speaker 1>like we're not just like gonna be like a bunch

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<v Speaker 1>of wizards like real.

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<v Speaker 2>Adults in this fantasy world.

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<v Speaker 1>Like that's a little harder for my brain to make

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<v Speaker 1>that leap, especially when I'm playing with my son who's eleven,

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<v Speaker 1>Whereas if I'm like, we're a bunch of eleven year

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<v Speaker 1>olds and we're running around, I can sort of like

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<v Speaker 1>my suspension of disbelief is easier.

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<v Speaker 2>Right, Well, it's not like that.

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<v Speaker 4>It's also it's a license to play. It's like we're

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<v Speaker 4>all ten. Okay, great, let's let's just be ten.

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<v Speaker 2>You were a child who didn't play and didn't make believes,

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<v Speaker 2>come on, you never trust, you didn't have barbies and

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<v Speaker 2>they mess. I would play house. I was always the.

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<v Speaker 4>Mom, okay, telling everybody to start playing and work correct,

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<v Speaker 4>giving the house the whole.

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<v Speaker 2>Your mom got you to do housework. Yeah, you.

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<v Speaker 5>Playing, there's no time for that. That was literally it's

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<v Speaker 5>just always what I looked forward to doing. Yeah, that's

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<v Speaker 5>just it. That's what I thought being a grown up.

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<v Speaker 5>It's what being a grown up is.

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<v Speaker 4>Okay, you know what you know what we do for Danielle.

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<v Speaker 4>You know how we bring Danielle in. It's like you

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<v Speaker 4>fade up? Were all kids fade up? Nineteen ninety to

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<v Speaker 4>Panga Mall?

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<v Speaker 2>Something else? Yeah, there you go. That's yes, we're at

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<v Speaker 2>the mall.

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<v Speaker 5>I have an ice blendid, I've done my bra shopping

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<v Speaker 5>and now something.

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<v Speaker 2>A mystery occurs in the mall. There you go?

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<v Speaker 5>Or like the because there was the fall Brook Mall

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<v Speaker 5>right down the street from the Panga Mall, and that

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<v Speaker 5>mall is like basically remember when it was just empty

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<v Speaker 5>and you can still see through it and you could

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<v Speaker 5>tell that no one had done.

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<v Speaker 2>In thereund mall, run down mall, run down wall. That's

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<v Speaker 2>a great sight there was.

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<v Speaker 4>It was just one story leave, then another story we leave,

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<v Speaker 4>and the movie theater was still open, so you'd go

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<v Speaker 4>to the movies and then there was nothing.

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<v Speaker 5>They had plants and planters, no one had touched them.

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<v Speaker 5>They were overgrown, just dead and overgrown, and it was it's.

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<v Speaker 2>Just super creepy. We build our town around that. We

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<v Speaker 2>have man doing the kids on bike camp. So that's great,

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<v Speaker 2>that's that's awesome. It's a good idea.

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<v Speaker 4>Yeah, that's the one thing I did like about stranger

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<v Speaker 4>Things is the fact that anybody who plays D and

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<v Speaker 4>D understands the entire show is just a D and

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<v Speaker 4>D campaign. Yeah, you said that, there's all this that

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<v Speaker 4>it's a it's actually structured camp.

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<v Speaker 2>See I didn't stick with it after season two. It's good.

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<v Speaker 2>It's a show.

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<v Speaker 4>It really is a good show, and it ended great,

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<v Speaker 4>but it was just I mean, it ended okay, but

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<v Speaker 4>it was you know, it's one of those things where

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<v Speaker 4>it's just if you're a D.

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<v Speaker 2>And D fan, it's like, wow, this is amazing. YEA,

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<v Speaker 2>Welcome to Pod Meets World.

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<v Speaker 5>I'm Daniel Fishel, I'm Rader Strong, and I'm will fordll.

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<v Speaker 2>Oh to day.

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<v Speaker 5>We are recapping season seven, episode nine, The Honeymoon is

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<v Speaker 5>Over It original Dunn.

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<v Speaker 2>Wow.

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<v Speaker 1>This episode is a dun dundon Dunn definitely dun dundun

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<v Speaker 1>yep wow.

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<v Speaker 5>It originally aired November nineteenth, nineteen ninety nine. The synopsis

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<v Speaker 5>Corey and Tapega realize they are on their own when

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<v Speaker 5>Sean moves into the girl's apartment and Corey's parents refuse

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<v Speaker 5>to take them in. It was directed by Jody Binstock,

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<v Speaker 5>her second of three Boy Meets World episodes. That she

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<v Speaker 5>would direct. We Were the first show she ever directed.

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<v Speaker 5>She would later get an Emmy nomination for the Lisa

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<v Speaker 5>Kudro online series web Therapy, which she was the coep on,

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<v Speaker 5>and she also eped z Nation, a show that ran

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<v Speaker 5>from twenty fourteen to twenty eighteen. This episode was written

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<v Speaker 5>by Barry Safchak. And before I get into our guest stars,

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<v Speaker 5>which consists of two sets of triplets, do we want

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<v Speaker 5>to talk about our overall thoughts?

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<v Speaker 2>Go welco uh.

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<v Speaker 4>I liked the idea of the A story. The B

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<v Speaker 4>story was unwatchably horrible all the way around. It was

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<v Speaker 4>so bad everything about it. I'm bad, Matt's bad, the twin,

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<v Speaker 4>the triplets are bad.

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<v Speaker 2>Times six well to be.

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<v Speaker 5>I mean to cut you guys some slack. I can

0:10:25.960 --> 0:10:29.079
<v Speaker 5>see on your face that you know how bad this is.

0:10:29.200 --> 0:10:29.520
<v Speaker 2>It was.

0:10:29.600 --> 0:10:32.439
<v Speaker 4>It was just and I'm I'm struggling to like, I'm

0:10:32.480 --> 0:10:35.440
<v Speaker 4>going to make this as big as possible, to like,

0:10:35.480 --> 0:10:37.320
<v Speaker 4>if I can be on the corner tap dancing and

0:10:37.360 --> 0:10:42.199
<v Speaker 4>doing this and trying.

0:10:40.280 --> 0:10:43.400
<v Speaker 2>You're on the pool table basically tap dancing. Yes, to

0:10:43.440 --> 0:10:44.000
<v Speaker 2>try and make.

0:10:43.920 --> 0:10:45.760
<v Speaker 4>It fun, to try to do something, because the B

0:10:45.920 --> 0:10:48.240
<v Speaker 4>story is it's insufferably bad.

0:10:49.400 --> 0:10:49.679
<v Speaker 2>Again.

0:10:49.920 --> 0:10:52.600
<v Speaker 4>I thought parts of the a story could could have

0:10:52.640 --> 0:10:56.120
<v Speaker 4>been tweaked a little bit, but the actual story itself

0:10:56.160 --> 0:10:58.160
<v Speaker 4>of hey, now you're a married couple. Now you've got

0:10:58.160 --> 0:10:59.720
<v Speaker 4>to deal with your life. Now you've got to figure

0:10:59.720 --> 0:11:00.920
<v Speaker 4>this out, I thought was great.

0:11:01.280 --> 0:11:03.079
<v Speaker 2>Yeah, yeah, I totally agree.

0:11:03.120 --> 0:11:03.240
<v Speaker 6>Man.

0:11:03.320 --> 0:11:04.959
<v Speaker 2>I think that that that.

0:11:04.920 --> 0:11:09.760
<v Speaker 1>Message is so cool and it's so interesting because boy

0:11:09.800 --> 0:11:12.160
<v Speaker 1>Meet's world has been building up this marriage and you know,

0:11:12.200 --> 0:11:14.520
<v Speaker 1>the fantasy and celebrating this couple.

0:11:14.880 --> 0:11:18.439
<v Speaker 2>So to bring it crashing down and to have Rusty.

0:11:18.120 --> 0:11:20.760
<v Speaker 1>Do it the way he does at the end, really

0:11:21.000 --> 0:11:23.000
<v Speaker 1>like it almost saved the whole episode for me because

0:11:23.080 --> 0:11:25.559
<v Speaker 1>I was like I was left with such a profound

0:11:25.600 --> 0:11:29.480
<v Speaker 1>sense of like, oh god, they're really going there, which

0:11:29.559 --> 0:11:32.360
<v Speaker 1>was surprising, and so that almost makes it a great

0:11:32.360 --> 0:11:36.400
<v Speaker 1>episode because it's so profound. But up until then getting there,

0:11:36.720 --> 0:11:38.160
<v Speaker 1>I was just like, this is kind.

0:11:37.960 --> 0:11:40.280
<v Speaker 2>Of dumb, Like I just I don't know what's happened.

0:11:40.280 --> 0:11:42.079
<v Speaker 2>I don't know about this. I just it's weird. It's

0:11:42.240 --> 0:11:44.480
<v Speaker 2>it's a weird vibe. It's a really it's a I mean,

0:11:44.520 --> 0:11:45.320
<v Speaker 2>and maybe that's a point.

0:11:45.360 --> 0:11:49.560
<v Speaker 1>It's a buzzkill, right, Like it's so when it made

0:11:49.600 --> 0:11:51.760
<v Speaker 1>the buzz kill the point of the episode. I was

0:11:51.760 --> 0:11:54.960
<v Speaker 1>happy with it, but having my buzz killed throughout was

0:11:55.000 --> 0:11:55.439
<v Speaker 1>not fun.

0:11:55.679 --> 0:11:56.800
<v Speaker 2>So I was like, why are we doing this?

0:11:56.920 --> 0:11:58.280
<v Speaker 1>Like yeah, and I feel like there's a way you

0:11:58.320 --> 0:12:00.000
<v Speaker 1>could have done it more like when you guys were

0:12:00.080 --> 0:12:01.160
<v Speaker 1>stomping on the bugs.

0:12:02.120 --> 0:12:04.400
<v Speaker 2>I was like, I guess either trying to make this

0:12:04.520 --> 0:12:06.920
<v Speaker 2>fun or funny, but it's just not working for me.

0:12:06.920 --> 0:12:09.560
<v Speaker 2>It's not landing. So I don't know something was off.

0:12:09.679 --> 0:12:12.600
<v Speaker 5>Yeah, I agree with both of you.

0:12:13.080 --> 0:12:15.640
<v Speaker 2>Is not to sound redundant. I really though.

0:12:16.800 --> 0:12:21.079
<v Speaker 5>For me, the liking of the A storyline the only

0:12:21.160 --> 0:12:23.720
<v Speaker 5>thing I will complain about with the A storyline because

0:12:23.720 --> 0:12:27.720
<v Speaker 5>overall I just forget that the B storyline existed. And

0:12:27.760 --> 0:12:29.959
<v Speaker 5>what I walked away Yeah, what I walked away from

0:12:29.960 --> 0:12:31.920
<v Speaker 5>the episode with like, Oh, I actually liked it.

0:12:32.000 --> 0:12:32.560
<v Speaker 2>I liked that.

0:12:32.640 --> 0:12:36.200
<v Speaker 5>I liked the that come crashing down aspect of all right,

0:12:36.840 --> 0:12:39.720
<v Speaker 5>you said you wanted to do this, we supported you.

0:12:40.360 --> 0:12:42.280
<v Speaker 2>Here's reality. Love it.

0:12:42.679 --> 0:12:45.280
<v Speaker 5>Love the way it was handled with the parents. Love

0:12:45.360 --> 0:12:48.959
<v Speaker 5>the dynamic between mom wanting to be like, listen, maybe

0:12:49.000 --> 0:12:52.040
<v Speaker 5>we should and dad being like, I know that this

0:12:52.120 --> 0:12:54.680
<v Speaker 5>is hard for you, but we we've we talked about

0:12:54.679 --> 0:12:56.240
<v Speaker 5>how hard this was going to be told you, we

0:12:56.400 --> 0:12:59.199
<v Speaker 5>told you all of that was so great. What I

0:12:59.440 --> 0:13:01.840
<v Speaker 5>what I wish happened at the very beginning of the episode,

0:13:01.840 --> 0:13:03.480
<v Speaker 5>and I think is such a minor tweak that could

0:13:03.480 --> 0:13:05.680
<v Speaker 5>have changed all of it is I don't know why

0:13:05.760 --> 0:13:09.439
<v Speaker 5>Corey comes home so unlikable. I mean, there's many times

0:13:09.440 --> 0:13:11.960
<v Speaker 5>that Corey is unlikable. We know that, but like he

0:13:12.080 --> 0:13:15.000
<v Speaker 5>comes in and is like, where's my salami? And like,

0:13:16.080 --> 0:13:18.760
<v Speaker 5>had he come in on the high of what we

0:13:18.760 --> 0:13:21.120
<v Speaker 5>were just talking about that they've set up this marriage,

0:13:21.280 --> 0:13:25.400
<v Speaker 5>I'm so excited and one for back we get to start,

0:13:25.600 --> 0:13:30.120
<v Speaker 5>you know, honeymoon of real life honeymoon continues at college

0:13:30.360 --> 0:13:34.400
<v Speaker 5>and then it's like like but instead he comes home

0:13:34.520 --> 0:13:40.000
<v Speaker 5>already with like anger, demanding, and so that kind of

0:13:40.040 --> 0:13:41.640
<v Speaker 5>like I don't know. I would have loved to have

0:13:41.679 --> 0:13:45.199
<v Speaker 5>seen him more naive and innocent and happy and then

0:13:45.240 --> 0:13:47.960
<v Speaker 5>have the reality of But that's I would say. I honestly,

0:13:48.000 --> 0:13:52.559
<v Speaker 5>I think my only complaint overall with that a storyline.

0:13:52.679 --> 0:13:54.400
<v Speaker 5>Otherwise I really enjoyed it.

0:13:54.520 --> 0:13:56.680
<v Speaker 4>I would I would also just complain again, but I'm

0:13:56.720 --> 0:13:58.719
<v Speaker 4>now just used to it. Of the characters, so being

0:13:58.800 --> 0:14:02.240
<v Speaker 4>not the characters to Panga, who's a planner, never thought

0:14:02.240 --> 0:14:04.520
<v Speaker 4>about where they were going to live afterwards. This discussion

0:14:04.600 --> 0:14:10.679
<v Speaker 4>never happened once where we're going to live after we're married?

0:14:09.640 --> 0:14:09.800
<v Speaker 1>Man?

0:14:10.960 --> 0:14:11.839
<v Speaker 5>Yeah, I mean.

0:14:11.880 --> 0:14:13.880
<v Speaker 1>I mean that's the whole, the whole point of this

0:14:13.920 --> 0:14:16.320
<v Speaker 1>whole story, because like Topenga would be on it, by

0:14:16.360 --> 0:14:19.200
<v Speaker 1>the way, right to me established her as this capable person.

0:14:19.240 --> 0:14:21.400
<v Speaker 1>So even if she hadn't planned it and they didn't

0:14:21.480 --> 0:14:24.239
<v Speaker 1>were prepared, you don't think that she could just immediately

0:14:24.280 --> 0:14:26.640
<v Speaker 1>on a dime figure out the best apartment figure, you know.

0:14:26.960 --> 0:14:29.360
<v Speaker 1>But they but they really want to emphasize the power

0:14:29.400 --> 0:14:34.520
<v Speaker 1>of manhood and the father knows best, like you know, Rusty,

0:14:35.120 --> 0:14:37.600
<v Speaker 1>you know, and it's it's up to Ben or Corey

0:14:37.680 --> 0:14:40.320
<v Speaker 1>to be the man and to provide for his woman.

0:14:40.600 --> 0:14:44.240
<v Speaker 4>Yeah, because they literally have sitting on the stairs, not

0:14:44.360 --> 0:14:45.960
<v Speaker 4>even in the conversation.

0:14:46.640 --> 0:14:50.320
<v Speaker 1>Yeah, they sidelined to Penga intentionally. The whole point of

0:14:50.400 --> 0:14:52.440
<v Speaker 1>this is that the men men are supposed to and

0:14:52.480 --> 0:14:54.120
<v Speaker 1>that's what Corey needs to learn, right, Corey needs to

0:14:54.200 --> 0:14:56.400
<v Speaker 1>learn that it's his job to protect his woman and

0:14:56.440 --> 0:15:00.160
<v Speaker 1>to provide a security house. It's like a very very

0:15:00.240 --> 0:15:03.400
<v Speaker 1>you know, very tradition. It's a very patriarchal.

0:15:04.480 --> 0:15:06.040
<v Speaker 2>Yes, yeah, yeah, but hold on.

0:15:06.080 --> 0:15:08.160
<v Speaker 1>I wanted to say, Danielle, you seem like you're having

0:15:08.160 --> 0:15:09.960
<v Speaker 1>fun in this episode, and you're very good in it.

0:15:11.440 --> 0:15:14.480
<v Speaker 2>I think Danielle was having a blast. Partly. I know

0:15:14.520 --> 0:15:16.400
<v Speaker 2>that because we've seen some outtakes, we've seen.

0:15:16.200 --> 0:15:18.440
<v Speaker 1>Some loopers, and I know that you were having a blast,

0:15:18.480 --> 0:15:20.760
<v Speaker 1>and so I like that because I was like, oh

0:15:20.760 --> 0:15:23.040
<v Speaker 1>my god, like the whole like Corey Tapanga as like

0:15:23.080 --> 0:15:24.000
<v Speaker 1>a comedy.

0:15:23.680 --> 0:15:26.680
<v Speaker 2>Duo thing hasn't been activated enough in this show. You know,

0:15:26.720 --> 0:15:27.560
<v Speaker 2>it's usually Corey.

0:15:28.920 --> 0:15:29.200
<v Speaker 7>You see.

0:15:29.200 --> 0:15:32.400
<v Speaker 1>The two of you having this dynamic was cool. I

0:15:32.440 --> 0:15:34.560
<v Speaker 1>just wish it was better. But it seemed like you

0:15:34.600 --> 0:15:36.000
<v Speaker 1>were having fun. So I was like, oh man, this

0:15:36.040 --> 0:15:38.800
<v Speaker 1>must have been a good week for Danielle. On the

0:15:38.800 --> 0:15:40.600
<v Speaker 1>flip side, Ben did not look like.

0:15:40.560 --> 0:15:41.320
<v Speaker 2>He was having fun.

0:15:41.520 --> 0:15:44.240
<v Speaker 1>I know, I felt like he was unhappy about something,

0:15:44.600 --> 0:15:47.160
<v Speaker 1>like truly unhappy with something about the story or maybe

0:15:47.160 --> 0:15:49.480
<v Speaker 1>in his own life. I don't remember. I could just

0:15:49.520 --> 0:15:52.440
<v Speaker 1>tell that his energy level was not his you know,

0:15:52.480 --> 0:15:55.760
<v Speaker 1>he was not bringing something that he usually effortlessly brings.

0:15:55.840 --> 0:15:57.920
<v Speaker 1>And I don't know what that was, but I could

0:15:57.920 --> 0:15:59.680
<v Speaker 1>tell that you were having fun and I felt like

0:16:00.040 --> 0:16:02.440
<v Speaker 1>Ben was not. And I don't, you know, I don't

0:16:02.440 --> 0:16:04.400
<v Speaker 1>know what was going on there, but if I think

0:16:04.440 --> 0:16:05.320
<v Speaker 1>it hurt the episode.

0:16:06.080 --> 0:16:10.040
<v Speaker 5>Okay, so guest starring The Dom Triplets were played by

0:16:10.600 --> 0:16:16.400
<v Speaker 5>the Dom Triplets, Nicole, Erica and Jacqueline of Minnesota. The

0:16:16.480 --> 0:16:19.560
<v Speaker 5>trio became famous after appearing in the nineteen ninety eight

0:16:19.760 --> 0:16:23.680
<v Speaker 5>Big ten issue of Playboy, something they tried out for

0:16:23.840 --> 0:16:29.200
<v Speaker 5>on the suggestion of their father. Oddly, they were the

0:16:29.280 --> 0:16:32.880
<v Speaker 5>second set of triplets to ever be featured in the magazine.

0:16:33.360 --> 0:16:37.520
<v Speaker 5>They also appear in the movie Juwanna Man Fun Trivia.

0:16:38.080 --> 0:16:43.880
<v Speaker 5>Erica married Jay McGraw, the son of doctor Phil Okay, Okay.

0:16:44.320 --> 0:16:48.520
<v Speaker 5>The male triplets were played by Ted, Tim and Tom

0:16:48.680 --> 0:16:52.640
<v Speaker 5>de Philippo, also real life triplets. They played Tray of

0:16:52.720 --> 0:16:58.720
<v Speaker 5>Triforia Gold Zeo Ranger in Power Rangers Zeo Okay, Tom

0:16:58.880 --> 0:17:01.840
<v Speaker 5>was Tray of Courage, Tim was Tray of Heart, and

0:17:01.920 --> 0:17:05.159
<v Speaker 5>Ted was Tray of Wisdom. They also appeared on Step

0:17:05.160 --> 0:17:08.680
<v Speaker 5>by Step and in Major League Back to the Minors.

0:17:09.000 --> 0:17:11.119
<v Speaker 4>No play Girl, I was gonna say they had a

0:17:11.160 --> 0:17:14.720
<v Speaker 4>way less popular spread and Playboy way less popular.

0:17:14.760 --> 0:17:18.440
<v Speaker 2>Like people are like this recommended by their mother as

0:17:18.480 --> 0:17:20.240
<v Speaker 2>good as I thought.

0:17:20.600 --> 0:17:23.639
<v Speaker 5>Do you remember having two sets of tripless Oh?

0:17:23.720 --> 0:17:28.600
<v Speaker 2>Yes, I remember this week? Well, yes I do, will yes,

0:17:28.720 --> 0:17:32.200
<v Speaker 2>I do share the stories. I remember.

0:17:32.359 --> 0:17:38.800
<v Speaker 4>It was a very difficult week. It was very, very difficult, difficult,

0:17:38.920 --> 0:17:39.720
<v Speaker 4>I would.

0:17:39.520 --> 0:17:44.280
<v Speaker 5>I think a very diplomatic answer for what we're trying

0:17:44.320 --> 0:17:46.560
<v Speaker 5>to say here is that they didn't have a lot

0:17:46.560 --> 0:17:47.520
<v Speaker 5>of acting experience.

0:17:47.560 --> 0:17:51.240
<v Speaker 2>They weren't actors. We weren't actors weren't.

0:17:51.160 --> 0:17:54.040
<v Speaker 5>And and a lot of the by the time we

0:17:54.080 --> 0:17:56.120
<v Speaker 5>got to tape night, and by the time you see

0:17:56.119 --> 0:18:01.080
<v Speaker 5>this episode, their lines had been significantly cut down. So

0:18:01.320 --> 0:18:04.200
<v Speaker 5>throughout the week there were a lot of timing things.

0:18:04.240 --> 0:18:05.919
<v Speaker 5>Of course, a lot of the comedy came from the

0:18:05.960 --> 0:18:10.000
<v Speaker 5>three of them saying similar things, and timing is something

0:18:10.080 --> 0:18:14.280
<v Speaker 5>that you can't necessarily teach to people, and so it

0:18:14.320 --> 0:18:17.200
<v Speaker 5>was probably a very rough week of rehearsal with rough

0:18:17.280 --> 0:18:19.960
<v Speaker 5>run throughs, and then it leading into a tape night

0:18:20.040 --> 0:18:23.000
<v Speaker 5>and a pre tape and things weren't necessarily going. They

0:18:23.040 --> 0:18:25.520
<v Speaker 5>weren't smooth sailing, and for the most part we were

0:18:25.520 --> 0:18:29.919
<v Speaker 5>in a groove. So when it was something through a

0:18:29.920 --> 0:18:32.399
<v Speaker 5>wrench into the groove, it was difficult it was.

0:18:32.400 --> 0:18:35.760
<v Speaker 1>And for what, like, for the sake of a storyline

0:18:35.760 --> 0:18:37.440
<v Speaker 1>that is just not that good.

0:18:38.840 --> 0:18:41.879
<v Speaker 2>It's not that good. It's awful. I know.

0:18:42.119 --> 0:18:45.000
<v Speaker 4>It's just I means whenever Boy Meets Call defaults to

0:18:45.480 --> 0:18:47.919
<v Speaker 4>hot girls, I want to date hot girls.

0:18:47.920 --> 0:18:48.800
<v Speaker 2>It's so dumb.

0:18:48.840 --> 0:18:52.880
<v Speaker 1>And it's like, you know, it's like Desiree and season two.

0:18:53.040 --> 0:18:56.800
<v Speaker 2>You know, it's like, just do better, guys, Like I want.

0:18:56.640 --> 0:19:01.600
<v Speaker 4>To watch the craziness and ridiculousness of Desiree times.

0:19:01.040 --> 0:19:04.120
<v Speaker 2>Over this storyline. Yeah, this story I just I did.

0:19:04.320 --> 0:19:07.639
<v Speaker 4>And it was just Jack and Eric saying that like

0:19:08.040 --> 0:19:10.920
<v Speaker 4>finishing each other's sentences about the hot girls there across

0:19:10.960 --> 0:19:11.280
<v Speaker 4>the street.

0:19:12.280 --> 0:19:13.640
<v Speaker 2>It was the.

0:19:13.560 --> 0:19:17.840
<v Speaker 5>Only time I think it has worked in a storyline

0:19:17.880 --> 0:19:21.280
<v Speaker 5>on Boy Meets World. I didn't mind Lonnie the outdoors

0:19:21.359 --> 0:19:23.440
<v Speaker 5>woman character, but.

0:19:23.440 --> 0:19:26.639
<v Speaker 2>It was about her personality. It was about like, you know,

0:19:26.720 --> 0:19:27.560
<v Speaker 2>like he was.

0:19:27.880 --> 0:19:30.199
<v Speaker 5>Eric was very interested in her because of her looks.

0:19:30.240 --> 0:19:33.040
<v Speaker 5>Actually her personality scared him. She wanted to go eel

0:19:33.080 --> 0:19:35.600
<v Speaker 5>wrestling and whatever. That's where we get the joke that

0:19:35.640 --> 0:19:39.040
<v Speaker 5>the best women are men. But like that storyline where

0:19:39.040 --> 0:19:42.240
<v Speaker 5>they have an outdoors store and there's an outdoorsy woman

0:19:42.320 --> 0:19:45.200
<v Speaker 5>and Eric's like Oh, this hot piece of woman.

0:19:45.320 --> 0:19:45.920
<v Speaker 2>I love her.

0:19:46.400 --> 0:19:48.600
<v Speaker 5>It is the only time I feel like the storyline

0:19:48.640 --> 0:19:50.000
<v Speaker 5>like worked well.

0:19:50.080 --> 0:19:52.359
<v Speaker 1>It was it was more than one episodes. It was

0:19:52.359 --> 0:19:55.320
<v Speaker 1>the three episodes at least where she was and we

0:19:55.400 --> 0:19:57.560
<v Speaker 1>got to know her, yes, And the point was that,

0:19:57.720 --> 0:20:00.199
<v Speaker 1>like he thought of her as an object, I had

0:20:00.240 --> 0:20:01.880
<v Speaker 1>to deal with who she actually.

0:20:01.600 --> 0:20:03.080
<v Speaker 2>Was as a human being. So it was she also

0:20:03.200 --> 0:20:04.680
<v Speaker 2>wasn't interested in Eric at all.

0:20:04.760 --> 0:20:06.399
<v Speaker 4>That's the thing that was, just like, I don't care

0:20:06.440 --> 0:20:08.560
<v Speaker 4>about you even slightly in that way.

0:20:08.720 --> 0:20:09.600
<v Speaker 2>Which I think was good.

0:20:09.600 --> 0:20:11.640
<v Speaker 4>But the other thing I do remember about this week,

0:20:11.640 --> 0:20:13.000
<v Speaker 4>and you're about to say her name, is how much

0:20:13.040 --> 0:20:15.639
<v Speaker 4>we love the other guest star and how good she was.

0:20:15.680 --> 0:20:17.520
<v Speaker 2>And I don't know Marisol Nichols.

0:20:18.600 --> 0:20:21.040
<v Speaker 4>I distinctly remember this week. Is this her only episode

0:20:21.119 --> 0:20:22.159
<v Speaker 4>or is she in the next week's episode?

0:20:22.160 --> 0:20:24.720
<v Speaker 2>Sure, first of two Boy Meets World episodes.

0:20:24.920 --> 0:20:27.760
<v Speaker 4>We I remember all of us as a cast having

0:20:27.800 --> 0:20:32.520
<v Speaker 4>conversations about her, where we were like, damn, she's good,

0:20:33.320 --> 0:20:35.680
<v Speaker 4>and I think you're gonna see it next week because

0:20:35.720 --> 0:20:37.920
<v Speaker 4>I remember she came on screaming and I remember her name.

0:20:37.920 --> 0:20:39.880
<v Speaker 4>I was like, oh, that's Marisol Nichols. I remember she's

0:20:39.880 --> 0:20:42.040
<v Speaker 4>gone on to do some incredible things. But I remember

0:20:42.160 --> 0:20:44.280
<v Speaker 4>us as a cast. It was like when what's his

0:20:44.400 --> 0:20:47.280
<v Speaker 4>name came with the pencil through the head, and where

0:20:47.280 --> 0:20:49.240
<v Speaker 4>all of us as a cast were like, he's great,

0:20:49.359 --> 0:20:51.000
<v Speaker 4>Like we could work with this guy all the time.

0:20:51.080 --> 0:20:54.040
<v Speaker 4>That's how we felt about her. And when she when

0:20:53.840 --> 0:20:55.840
<v Speaker 4>we all walked away as a cast, we were like, man,

0:20:55.880 --> 0:20:58.320
<v Speaker 4>she's really good. Yeah, And that's what I remember most

0:20:58.359 --> 0:20:59.600
<v Speaker 4>about this week was those two things.

0:20:59.760 --> 0:20:59.920
<v Speaker 7>Well.

0:21:00.119 --> 0:21:03.520
<v Speaker 5>She is best known as Audrey Griswold in Vegas Vacation.

0:21:04.040 --> 0:21:07.359
<v Speaker 5>She also played Hermione Lodge on the TV show Riverdale,

0:21:07.440 --> 0:21:10.119
<v Speaker 5>and appeared in five episodes of the MTV version of

0:21:10.200 --> 0:21:13.960
<v Speaker 5>teen Wolf. She appeared on Friends alias Charmed, and exactly

0:21:14.200 --> 0:21:16.400
<v Speaker 5>twenty four episodes of twenty four.

0:21:16.680 --> 0:21:18.280
<v Speaker 2>Oh but she was there for a day.

0:21:18.600 --> 0:21:21.640
<v Speaker 5>Yeah, yeah, I do not want to ignore this footnote

0:21:21.680 --> 0:21:25.200
<v Speaker 5>in her bio. In twenty twelve, when her career slowed down,

0:21:25.320 --> 0:21:30.359
<v Speaker 5>Nichols began working with former FBI and CIA agents, Navy

0:21:30.400 --> 0:21:35.560
<v Speaker 5>seals and green berets to act as bait during sex

0:21:35.680 --> 0:21:37.000
<v Speaker 5>predator stings.

0:21:37.680 --> 0:21:41.439
<v Speaker 2>Wait, how does one get that job? You looking?

0:21:41.880 --> 0:21:42.120
<v Speaker 5>Hell?

0:21:42.320 --> 0:21:42.520
<v Speaker 2>Yes?

0:21:44.359 --> 0:21:44.600
<v Speaker 6>Hell?

0:21:44.760 --> 0:21:48.440
<v Speaker 2>Yes, that's so. She lost so young?

0:21:49.400 --> 0:21:51.679
<v Speaker 5>Wow, that that she was a that she was like,

0:21:51.840 --> 0:21:56.240
<v Speaker 5>I'll be an actor luring sex predators.

0:21:56.320 --> 0:21:57.400
<v Speaker 2>That's risky though.

0:21:57.200 --> 0:21:59.880
<v Speaker 4>Because you can easily be but you could also easily

0:21:59.920 --> 0:22:02.119
<v Speaker 4>be recognized. I mean, if you've got a sex predatoro's

0:22:02.160 --> 0:22:04.040
<v Speaker 4>like a fan of something she did.

0:22:04.320 --> 0:22:07.000
<v Speaker 2>Yeah, wow, what a cool job.

0:22:07.119 --> 0:22:07.280
<v Speaker 8>Though.

0:22:08.440 --> 0:22:09.919
<v Speaker 5>Hopefully we can try to get her on the podcast

0:22:10.000 --> 0:22:11.800
<v Speaker 5>if we can talk to her about it, we should,

0:22:12.160 --> 0:22:15.120
<v Speaker 5>and we get another Jacob's Kid cameo in this one,

0:22:15.480 --> 0:22:31.760
<v Speaker 5>Danny Jacobs as the kid who sees dead people. Yes, So,

0:22:32.040 --> 0:22:35.359
<v Speaker 5>jumping into our recap, we are in the girl's apartment. Corey,

0:22:35.480 --> 0:22:38.000
<v Speaker 5>still in a Hawaiian shirt and carrying luggage, bursts through

0:22:38.040 --> 0:22:41.480
<v Speaker 5>the door, with Tropical Topanga close by. He greets Angela

0:22:41.520 --> 0:22:43.959
<v Speaker 5>and Rachel by shouting I'm back from the honeymoon and

0:22:44.000 --> 0:22:46.280
<v Speaker 5>I want some salami.

0:22:46.359 --> 0:22:48.399
<v Speaker 2>Which I thought was going to be a double on Tandra.

0:22:51.080 --> 0:22:53.600
<v Speaker 2>Yeah barely a single, Rachel.

0:22:53.320 --> 0:22:55.800
<v Speaker 5>Says hi to Topanga, referring to her as married girl.

0:22:55.840 --> 0:22:57.440
<v Speaker 5>Topega smiles from ear to ear.

0:22:57.600 --> 0:22:58.040
<v Speaker 2>Hello.

0:22:58.560 --> 0:23:01.760
<v Speaker 5>Corey feverishly searches the fridge. Where's the salami. I'm back

0:23:01.760 --> 0:23:06.080
<v Speaker 5>from the honeymoon, so where's the honeymoon? Welcome Salami, we

0:23:06.119 --> 0:23:09.840
<v Speaker 5>are moving in here. A terrified Rachel turns to Angela.

0:23:10.000 --> 0:23:13.520
<v Speaker 5>He said, moving in. A stunned Angela responds, I am

0:23:13.560 --> 0:23:17.000
<v Speaker 5>equally troubled. Corey explains, I mean a man moves into

0:23:17.040 --> 0:23:20.120
<v Speaker 5>his new house, he expects to find a nice deli spread.

0:23:21.160 --> 0:23:25.400
<v Speaker 5>All of this it's just so unlikable, But.

0:23:25.359 --> 0:23:29.120
<v Speaker 1>It's also just like unbelievable, like what, well, no one

0:23:29.160 --> 0:23:29.760
<v Speaker 1>planned that.

0:23:30.240 --> 0:23:32.919
<v Speaker 5>Hold on, I actually I don't have a problem with

0:23:32.960 --> 0:23:34.840
<v Speaker 5>this aspect of it because it does come out in

0:23:34.920 --> 0:23:38.119
<v Speaker 5>just a second that like, at some point, Topanga and

0:23:38.160 --> 0:23:40.840
<v Speaker 5>Angela were talking about, well, what are you guys gonna do,

0:23:41.200 --> 0:23:44.040
<v Speaker 5>and Tapega said, well, we're gonna get our own apartment.

0:23:44.160 --> 0:23:46.199
<v Speaker 5>We'll move in, we'll get to decorate it, maybe have

0:23:46.240 --> 0:23:48.679
<v Speaker 5>a couple of kids. And in Ta Panga's mind, she

0:23:48.760 --> 0:23:51.240
<v Speaker 5>didn't think Angela was asking what are you gonna do

0:23:51.359 --> 0:23:54.879
<v Speaker 5>the day you come home from the honeymoon. So Angela

0:23:55.080 --> 0:23:57.320
<v Speaker 5>took that answer of we're going to move out to

0:23:57.400 --> 0:23:59.760
<v Speaker 5>mean right away. So they gave a way to Pega's

0:23:59.800 --> 0:24:04.359
<v Speaker 5>room immediately, and Topanga all this time has thought, we're

0:24:04.400 --> 0:24:08.040
<v Speaker 5>going back to move into my room together while we

0:24:08.119 --> 0:24:09.360
<v Speaker 5>look for a place.

0:24:10.840 --> 0:24:13.680
<v Speaker 4>Her best friend is okay with her boyfriend moving into

0:24:13.680 --> 0:24:16.480
<v Speaker 4>the room next door and packing up all of Tapanga's

0:24:16.480 --> 0:24:17.280
<v Speaker 4>stuff himself.

0:24:17.440 --> 0:24:21.480
<v Speaker 5>Also, the easiest solution is Sean move in with Angela.

0:24:21.560 --> 0:24:24.760
<v Speaker 2>You guys are together, and then we have separate rooms

0:24:24.800 --> 0:24:26.200
<v Speaker 2>in the same apartment together.

0:24:25.960 --> 0:24:29.960
<v Speaker 5>Correct, And there's no discussion of the fact that that's it's.

0:24:29.800 --> 0:24:31.639
<v Speaker 1>A big deal too for Sean to be moving in

0:24:31.680 --> 0:24:34.320
<v Speaker 1>with Angela but then also into a different room. I

0:24:34.320 --> 0:24:36.960
<v Speaker 1>think this is why I could never remember the dynamics

0:24:36.960 --> 0:24:38.240
<v Speaker 1>of the apartment, because I didn't.

0:24:38.280 --> 0:24:40.800
<v Speaker 2>I get kicked out, Yes, I get kicked out of

0:24:40.840 --> 0:24:41.920
<v Speaker 2>this apartment.

0:24:41.640 --> 0:24:46.800
<v Speaker 5>To have Maitland move in, and it became Maitland's apartment, remember,

0:24:46.800 --> 0:24:48.520
<v Speaker 5>and then it became the girls apartment.

0:24:49.040 --> 0:24:52.159
<v Speaker 4>And now because a professional wrestler came in and we

0:24:52.240 --> 0:24:53.360
<v Speaker 4>wrestled for the apartment.

0:24:53.480 --> 0:24:56.560
<v Speaker 2>Try to remember how this works? Writer, Okay, so.

0:24:56.520 --> 0:25:01.360
<v Speaker 4>The WWE mankind kicks in the door, you do, and

0:25:01.440 --> 0:25:04.720
<v Speaker 4>we wrestle for the apartment, which then, I think, legally

0:25:04.760 --> 0:25:08.360
<v Speaker 4>in Pennsylvania means the least transfers over to Rachel right

0:25:08.680 --> 0:25:09.800
<v Speaker 4>after a wrestling match.

0:25:09.920 --> 0:25:10.720
<v Speaker 2>I want to see.

0:25:10.720 --> 0:25:12.760
<v Speaker 1>I want to see the like the least agreement for

0:25:12.800 --> 0:25:16.480
<v Speaker 1>this scrim like there should be a document that's all

0:25:16.520 --> 0:25:20.440
<v Speaker 1>crossed out for the next six months.

0:25:20.440 --> 0:25:24.359
<v Speaker 4>Sean, No, no, no, yeah, So that to me, it

0:25:24.400 --> 0:25:27.120
<v Speaker 4>didn't Again, it doesn't figure. I get what you're saying,

0:25:27.200 --> 0:25:29.879
<v Speaker 4>Danielle where it's like, it's supposed to be a but

0:25:29.960 --> 0:25:31.639
<v Speaker 4>I thought you said this, and I thought you said that.

0:25:31.680 --> 0:25:32.320
<v Speaker 2>I thought you said this.

0:25:32.400 --> 0:25:34.880
<v Speaker 4>But the idea works, like, all right, they're on their honeymoon, Sean,

0:25:34.920 --> 0:25:37.320
<v Speaker 4>get in there and pack up all of her stuff

0:25:37.760 --> 0:25:39.000
<v Speaker 4>and leave it by the door.

0:25:39.040 --> 0:25:42.560
<v Speaker 2>It's like, I know, I know, it's so yeah, okay.

0:25:42.800 --> 0:25:46.320
<v Speaker 5>Topanga insists Silico grocery shopping together later it'll be fun.

0:25:46.440 --> 0:25:48.280
<v Speaker 5>Corey reveals, you know what I like to do at

0:25:48.320 --> 0:25:51.280
<v Speaker 5>the grocery store, ring the butcher bell and then run away.

0:25:51.560 --> 0:25:54.639
<v Speaker 5>He laughs to himself, there's nothing funnier than an angry butcher.

0:25:55.000 --> 0:25:58.159
<v Speaker 5>But no one is laughing. Corey quickly turns to Tapanga,

0:25:58.200 --> 0:25:59.639
<v Speaker 5>where's the magazine I got to do?

0:25:59.680 --> 0:26:05.919
<v Speaker 2>My miss is quite on. It's joke. We haven't a

0:26:05.920 --> 0:26:09.280
<v Speaker 2>good poop joke in a while. Come on, I mean yeah,

0:26:09.359 --> 0:26:12.240
<v Speaker 2>I mean, Cory is just doing this voice this entire.

0:26:12.560 --> 0:26:16.280
<v Speaker 4>What I mean, most of the episode until it gets

0:26:16.320 --> 0:26:18.560
<v Speaker 4>really serious. He's doing this kind of you know with

0:26:18.720 --> 0:26:20.600
<v Speaker 4>my where's where's my sausage?

0:26:20.680 --> 0:26:22.879
<v Speaker 1>Well, it's just Michael giving him line readings, right, I

0:26:22.880 --> 0:26:25.400
<v Speaker 1>mean that's Michael's just like and I bet you Ben

0:26:25.600 --> 0:26:27.600
<v Speaker 1>was like, why am I saying the salami?

0:26:27.640 --> 0:26:30.800
<v Speaker 2>Why? And Michael's because it's funny say it like this.

0:26:32.680 --> 0:26:34.040
<v Speaker 2>I gotta do my business.

0:26:34.760 --> 0:26:39.359
<v Speaker 5>Yeah, it's to Banga again for just no reason at all,

0:26:39.520 --> 0:26:45.320
<v Speaker 5>appears to love Cory's gross behavior and asks the ladies

0:26:45.400 --> 0:26:47.399
<v Speaker 5>and her roommates, isn't he cute?

0:26:48.160 --> 0:26:51.720
<v Speaker 2>Yeah?

0:26:51.760 --> 0:26:54.000
<v Speaker 5>But Angela is still stuck on the fact that he

0:26:54.040 --> 0:26:56.520
<v Speaker 5>thinks he's living in the apartment, and t Bega doubles down.

0:26:56.880 --> 0:26:58.919
<v Speaker 5>Of course he is. Where else would he be living? Silly?

0:26:59.280 --> 0:27:02.440
<v Speaker 5>Angela reminds you said that after you got married, you'd

0:27:02.440 --> 0:27:06.480
<v Speaker 5>be moving out to Pega insists we will be eventually.

0:27:07.119 --> 0:27:10.240
<v Speaker 5>Rachel and Angela sie, oh boy, and Topega wonders what

0:27:10.280 --> 0:27:13.000
<v Speaker 5>that means. Then on cue, Sean bursts out of the

0:27:13.040 --> 0:27:15.840
<v Speaker 5>bathroom with wet hair, wearing a robe. Angela, I tried

0:27:15.880 --> 0:27:19.359
<v Speaker 5>your body wash. I smell like peaches. Corey walks up

0:27:19.400 --> 0:27:22.240
<v Speaker 5>and sniffs him. You do you really do? Sean turns

0:27:22.240 --> 0:27:24.119
<v Speaker 5>his attention to to Panga. I packed up all your

0:27:24.119 --> 0:27:25.680
<v Speaker 5>stuff from your room and I put it by the door.

0:27:26.200 --> 0:27:28.439
<v Speaker 5>Pega doesn't get it. Why would he do that? It

0:27:28.520 --> 0:27:30.040
<v Speaker 5>was in the way when I moved into the room.

0:27:30.440 --> 0:27:34.080
<v Speaker 5>Tapega's even more confused. Why would he move into her room?

0:27:34.440 --> 0:27:38.000
<v Speaker 5>Sean reveals what he assumes is obvious, because I live

0:27:38.040 --> 0:27:41.600
<v Speaker 5>here now and you don't. Corey appears offended and starts

0:27:41.600 --> 0:27:44.679
<v Speaker 5>backing away from his best friend in horror. Oh, I

0:27:44.840 --> 0:27:48.320
<v Speaker 5>get it. They think we don't live here anymore. That's

0:27:48.359 --> 0:27:52.760
<v Speaker 5>why there's no salami to Pega is stunned. Sean moved

0:27:52.760 --> 0:27:55.359
<v Speaker 5>into her room. Corey tries to calm her down. They'll

0:27:55.400 --> 0:27:58.800
<v Speaker 5>find her a place to live. Angela points out, you

0:27:58.920 --> 0:28:01.800
<v Speaker 5>don't live here either. Corey lets that sing in and

0:28:01.880 --> 0:28:04.200
<v Speaker 5>bluntly tells Tapanga honeymoon's over.

0:28:04.600 --> 0:28:06.879
<v Speaker 2>Then the door is kicked in and Triple E just

0:28:06.880 --> 0:28:09.120
<v Speaker 2>standing there. Here we go.

0:28:09.000 --> 0:28:13.080
<v Speaker 3>Again, people the room again?

0:28:16.119 --> 0:28:17.280
<v Speaker 2>That was the season?

0:28:17.440 --> 0:28:17.640
<v Speaker 5>Right?

0:28:17.880 --> 0:28:21.679
<v Speaker 2>Yeah? This is so weird? O?

0:28:22.240 --> 0:28:29.000
<v Speaker 1>God, sorry, is so off the rails crazy?

0:28:29.119 --> 0:28:31.000
<v Speaker 2>What's a completely different thingion?

0:28:31.440 --> 0:28:34.000
<v Speaker 1>But I mean, like the wedding episode is really the

0:28:34.000 --> 0:28:35.760
<v Speaker 1>only one I can think of that. I'm like, yeah,

0:28:35.800 --> 0:28:38.160
<v Speaker 1>that was great start to finish well, I mean again,

0:28:38.200 --> 0:28:41.120
<v Speaker 1>you know, the stressed out about the wedding. So the

0:28:41.440 --> 0:28:44.440
<v Speaker 1>those two episodes six and seven, Yeah, we're like actual

0:28:44.480 --> 0:28:45.480
<v Speaker 1>episodes of television.

0:28:45.520 --> 0:28:47.479
<v Speaker 2>Everything else. I just feel like I'm on drugs when

0:28:47.520 --> 0:28:49.320
<v Speaker 2>I'm watching them, Like, I don't know, you know.

0:28:49.360 --> 0:28:51.560
<v Speaker 4>We just talked to one of our writers and and

0:28:51.680 --> 0:28:54.320
<v Speaker 4>he said that an older writer had called him and said,

0:28:54.600 --> 0:28:57.520
<v Speaker 4>you know, season four ish, when did it become a drama?

0:28:57.680 --> 0:28:59.760
<v Speaker 4>And it got me thinking that if you just watched

0:28:59.800 --> 0:29:02.920
<v Speaker 4>a random episode from season one, then say a random

0:29:02.960 --> 0:29:06.280
<v Speaker 4>episode from season three, then a random episode from season six,

0:29:06.320 --> 0:29:09.000
<v Speaker 4>and a random episode from season seven, it's four different

0:29:09.000 --> 0:29:12.360
<v Speaker 4>television shows. Yeah, so and this is this is by

0:29:12.400 --> 0:29:13.600
<v Speaker 4>far the one where it was just like.

0:29:13.600 --> 0:29:16.240
<v Speaker 2>Let's do voices to each other, let's just make each

0:29:16.240 --> 0:29:19.600
<v Speaker 2>other laugh. Nothing's going to make any sense. Go and

0:29:19.640 --> 0:29:23.160
<v Speaker 2>it wass were canceled anyway, right right? It seems like

0:29:23.160 --> 0:29:27.040
<v Speaker 2>this hire it's sais. This whole season seems like a

0:29:27.080 --> 0:29:29.280
<v Speaker 2>senioritis kind of season to me. He's like, yeah, let's

0:29:29.280 --> 0:29:32.280
<v Speaker 2>do this. It's like okay, well, we're.

0:29:32.120 --> 0:29:34.200
<v Speaker 5>Back at the dorm Topenga and Corey are walking down

0:29:34.200 --> 0:29:36.680
<v Speaker 5>the hall carrying their belongings and to Penga admits we

0:29:36.720 --> 0:29:39.520
<v Speaker 5>should have gotten a place before we left. Corey reminds

0:29:39.560 --> 0:29:41.040
<v Speaker 5>her they didn't have a whole lot of time between

0:29:41.080 --> 0:29:43.040
<v Speaker 5>getting married and then getting arrested and then going on

0:29:43.080 --> 0:29:43.720
<v Speaker 5>their honeymoon.

0:29:44.200 --> 0:29:46.400
<v Speaker 2>To Pega is at least happy. We have your old

0:29:46.440 --> 0:29:48.680
<v Speaker 2>dorm room to ourselves. Set up, set up?

0:29:48.760 --> 0:29:49.120
<v Speaker 7>Is that up?

0:29:49.240 --> 0:29:52.360
<v Speaker 2>There? I go as Corey unlocks his door, It swings open.

0:29:52.480 --> 0:29:53.320
<v Speaker 5>It's Eric and Jack.

0:29:53.400 --> 0:29:56.640
<v Speaker 2>Nope, Nope, all wrong, screwy, what's going on?

0:29:56.760 --> 0:29:59.320
<v Speaker 5>This is Corey's room? But Jack pulls out a long

0:29:59.360 --> 0:30:03.120
<v Speaker 5>contract that state's university bylaws forbid any married couple from

0:30:03.120 --> 0:30:05.680
<v Speaker 5>living in a dorm other than the one for married couples.

0:30:06.320 --> 0:30:09.520
<v Speaker 5>Corey leans in, maybe we just don't have to tell anybody.

0:30:09.800 --> 0:30:12.720
<v Speaker 5>The boys mock him. Maybe he's right, Maybe we don't

0:30:12.760 --> 0:30:13.600
<v Speaker 5>have to tell anyone.

0:30:13.640 --> 0:30:14.040
<v Speaker 2>Too late.

0:30:14.280 --> 0:30:16.160
<v Speaker 5>We sent a copy of your marriage certificate to the

0:30:16.160 --> 0:30:19.160
<v Speaker 5>office of the university president. Jack flaunts the paper in

0:30:19.200 --> 0:30:22.160
<v Speaker 5>their faces into Pega's flabbergasted how could you do this

0:30:22.200 --> 0:30:25.880
<v Speaker 5>to us? On cube, blonde triplets wearing only bathtowels pop

0:30:25.960 --> 0:30:29.080
<v Speaker 5>out of the dorm room across the hall. Hi Jack

0:30:29.720 --> 0:30:33.240
<v Speaker 5>High Professor Matthews. The trio cozy up to the boys

0:30:33.240 --> 0:30:35.080
<v Speaker 5>and Jack suggests they take a look at the co

0:30:35.240 --> 0:30:37.760
<v Speaker 5>ed bathroom, and the girls agree they could use a shower.

0:30:38.160 --> 0:30:41.719
<v Speaker 5>Jack pulls up his shirt to flaunt them abs and

0:30:41.840 --> 0:30:45.240
<v Speaker 5>to claim some non existent dirt to clean. The inmates

0:30:45.280 --> 0:30:47.600
<v Speaker 5>go crazy as Eric counts the number of sisters to

0:30:47.600 --> 0:30:51.000
<v Speaker 5>make sure everyone knows there are three. On their way

0:30:51.040 --> 0:30:53.480
<v Speaker 5>into the bathroom, he turns around one last time. You

0:30:53.480 --> 0:30:56.960
<v Speaker 5>can't live here anymore, so get out. Tapega can't believe it.

0:30:57.000 --> 0:30:58.680
<v Speaker 5>How could he do such a horrible thing to your

0:30:58.720 --> 0:31:02.120
<v Speaker 5>own brother? And Corey tells her believe me, Topanga, it

0:31:02.240 --> 0:31:04.320
<v Speaker 5>was the right move. She rolls her eyes.

0:31:04.760 --> 0:31:08.200
<v Speaker 4>College educated people here on this zoom, of which I

0:31:08.200 --> 0:31:08.720
<v Speaker 4>am not one?

0:31:09.160 --> 0:31:11.520
<v Speaker 2>Is this a thing? Are you not allowed to be

0:31:11.560 --> 0:31:12.960
<v Speaker 2>married in a dorm? Is that a thing?

0:31:13.080 --> 0:31:13.280
<v Speaker 4>Or?

0:31:14.120 --> 0:31:16.479
<v Speaker 2>Maybe? But it wouldn't it be a rule for like

0:31:16.520 --> 0:31:17.360
<v Speaker 2>across the board?

0:31:17.680 --> 0:31:22.760
<v Speaker 4>Correct meaning what like no no co like no yeah boy,

0:31:22.920 --> 0:31:24.040
<v Speaker 4>or just no married couples.

0:31:24.080 --> 0:31:27.680
<v Speaker 2>The idea that they have a married dorm is straight.

0:31:28.280 --> 0:31:33.880
<v Speaker 5>I could see them having a married dorm. Section four

0:31:33.960 --> 0:31:35.800
<v Speaker 5>people who are you have to be married to be

0:31:35.840 --> 0:31:37.959
<v Speaker 5>in there? Because they don't want just couples and then

0:31:38.000 --> 0:31:39.920
<v Speaker 5>breaking up and getting out of leases, so you actually

0:31:39.960 --> 0:31:41.600
<v Speaker 5>have to be married, even though of course you can

0:31:41.600 --> 0:31:45.200
<v Speaker 5>get a divorce. But maybe because it's going to be married,

0:31:45.240 --> 0:31:47.080
<v Speaker 5>couples are going to want it to be a little quieter.

0:31:47.360 --> 0:31:50.000
<v Speaker 5>They may have a baby, so they want family friendly

0:31:50.080 --> 0:31:53.840
<v Speaker 5>stuff versus like partying. There may be separate laws like that,

0:31:53.880 --> 0:31:56.320
<v Speaker 5>But it wouldn't be that married couples couldn't live in

0:31:56.400 --> 0:31:59.520
<v Speaker 5>other dorms, but it could seem that single people couldn't

0:31:59.520 --> 0:31:59.760
<v Speaker 5>live in.

0:31:59.720 --> 0:32:01.240
<v Speaker 2>Married it says yes.

0:32:01.280 --> 0:32:04.600
<v Speaker 4>Many colleges and universities offer on campus housing specifically for

0:32:04.640 --> 0:32:07.560
<v Speaker 4>married students, typically in the form of apartment style units

0:32:07.600 --> 0:32:10.400
<v Speaker 4>or townhouses rather than traditional dorm rooms. These options are

0:32:10.480 --> 0:32:13.520
<v Speaker 4>often available for legal married couples, domestic partners, and sometimes

0:32:13.600 --> 0:32:16.800
<v Speaker 4>single parents, with locations like UCLA and the University Wisconsin

0:32:16.840 --> 0:32:18.880
<v Speaker 4>system offering such accommodations.

0:32:19.440 --> 0:32:20.320
<v Speaker 2>But yeah, I.

0:32:20.360 --> 0:32:22.680
<v Speaker 4>Wonder if are I guess I should be asking you?

0:32:22.760 --> 0:32:24.840
<v Speaker 4>Are married people allowed to live in the dorms?

0:32:25.280 --> 0:32:25.480
<v Speaker 2>Right?

0:32:25.520 --> 0:32:27.920
<v Speaker 5>Why would that be a rule that like, yeah, you

0:32:28.040 --> 0:32:30.640
<v Speaker 5>have to only live in the section for married people

0:32:30.760 --> 0:32:34.600
<v Speaker 5>that that doesn't make sense. Yeah, I don't know, It's

0:32:34.640 --> 0:32:38.760
<v Speaker 5>like a senior living facility. You can you have to

0:32:38.760 --> 0:32:40.720
<v Speaker 5>be a senior to live there, you know what I mean? Like,

0:32:40.880 --> 0:32:43.360
<v Speaker 5>that's how it would normally work that singles couldn't live

0:32:43.400 --> 0:32:45.640
<v Speaker 5>in a married couple's dorm, but married couples should be

0:32:45.680 --> 0:32:48.360
<v Speaker 5>able to live in a regular dorm. There's no reason

0:32:48.360 --> 0:32:48.680
<v Speaker 5>they're not.

0:32:48.760 --> 0:32:49.120
<v Speaker 2>I don't know.

0:32:49.320 --> 0:32:52.040
<v Speaker 4>Oh no, it actually says married couples are generally allowed

0:32:52.040 --> 0:32:54.840
<v Speaker 4>to live together in campus housing, but usually within designated

0:32:54.920 --> 0:32:58.200
<v Speaker 4>family or married student housing units rather than standard shared

0:32:58.200 --> 0:32:58.840
<v Speaker 4>dorm rooms.

0:32:59.600 --> 0:33:01.400
<v Speaker 2>Oh so maybe that is a thing.

0:33:01.600 --> 0:33:05.440
<v Speaker 4>Well, some universities offer specialized apartments for couples. Typical dormitories

0:33:05.440 --> 0:33:08.640
<v Speaker 4>often have restrictions against non student partners living in standard

0:33:08.640 --> 0:33:11.640
<v Speaker 4>shared or single gender rooms.

0:33:12.080 --> 0:33:15.680
<v Speaker 1>Non student partners, right, because the idea is that if

0:33:15.720 --> 0:33:18.040
<v Speaker 1>you have a partner, that makes they.

0:33:17.960 --> 0:33:19.640
<v Speaker 2>Have to be a student there, right, you both have

0:33:19.720 --> 0:33:22.920
<v Speaker 2>to be students. You can't just be like six year

0:33:22.920 --> 0:33:23.480
<v Speaker 2>old girlfriends.

0:33:23.520 --> 0:33:27.040
<v Speaker 1>Doesn't really happen, you know how many eighteen to twenty

0:33:27.080 --> 0:33:29.120
<v Speaker 1>four year olds was what we're really talking about are

0:33:29.120 --> 0:33:30.400
<v Speaker 1>getting married and having I.

0:33:30.400 --> 0:33:33.120
<v Speaker 4>Would I would argue it would depend on where you are.

0:33:34.480 --> 0:33:36.840
<v Speaker 4>You've got a school like BYU, where there's a lot

0:33:36.880 --> 0:33:38.200
<v Speaker 4>of Mormons who get married early.

0:33:38.240 --> 0:33:38.360
<v Speaker 6>There.

0:33:38.440 --> 0:33:40.520
<v Speaker 4>You could have a lot of eighteen nineteen year olds

0:33:40.520 --> 0:33:41.320
<v Speaker 4>that are married a couple.

0:33:41.360 --> 0:33:41.720
<v Speaker 2>That's true.

0:33:42.000 --> 0:33:44.320
<v Speaker 5>My parents were married at twenty one and had me

0:33:44.360 --> 0:33:44.920
<v Speaker 5>at twenty three.

0:33:45.080 --> 0:33:47.080
<v Speaker 2>Three welds going to the same college.

0:33:47.160 --> 0:33:49.560
<v Speaker 5>My mom was not going to ASU, So I don't

0:33:49.560 --> 0:33:51.080
<v Speaker 5>think they lived. They didn't live on games.

0:33:51.120 --> 0:33:52.840
<v Speaker 1>So I think it's the idea that somebody who's not

0:33:52.920 --> 0:33:56.280
<v Speaker 1>a student, right right, can't just do it rousing because

0:33:56.280 --> 0:33:57.880
<v Speaker 1>they're married, right right.

0:33:58.400 --> 0:34:00.640
<v Speaker 2>Interesting, I just go to college.

0:34:00.640 --> 0:34:03.760
<v Speaker 5>It was easier, Yeah, to Penga rules her eyes. Well,

0:34:03.760 --> 0:34:06.960
<v Speaker 5>we're running out of options here, my husband and provider, Well,

0:34:07.000 --> 0:34:07.480
<v Speaker 5>I just want.

0:34:07.360 --> 0:34:10.600
<v Speaker 1>To say, like, I'm willing to buy whatever the rules

0:34:10.600 --> 0:34:13.080
<v Speaker 1>are that the university. But the reason for it to

0:34:13.120 --> 0:34:15.759
<v Speaker 1>real real problem is because the girls are moved. They

0:34:15.760 --> 0:34:18.480
<v Speaker 1>had to create a reason that they couldn't just move

0:34:18.520 --> 0:34:21.239
<v Speaker 1>into the Yeah, it's it's the triplets thing. It's just

0:34:21.280 --> 0:34:22.080
<v Speaker 1>so dumb.

0:34:22.640 --> 0:34:25.799
<v Speaker 4>Sees the lynchpin of the episode, writer is the two

0:34:25.800 --> 0:34:26.640
<v Speaker 4>sets of triplets.

0:34:27.600 --> 0:34:30.960
<v Speaker 5>Corey laughs. Now I'm the provider. What happened to equality?

0:34:30.960 --> 0:34:34.239
<v Speaker 5>What happened to partnership? Unaffected, she demands, get me a

0:34:34.280 --> 0:34:38.759
<v Speaker 5>place to live. He submits, yes, mommy, that gives him

0:34:38.760 --> 0:34:43.040
<v Speaker 5>an idea. Hmmm, mommy, and then there's a quick cut

0:34:43.080 --> 0:34:44.120
<v Speaker 5>to the Matthews living room.

0:34:44.200 --> 0:34:46.880
<v Speaker 4>I'm so glad that's what it meant me too, because

0:34:46.920 --> 0:34:48.359
<v Speaker 4>I thought it was a sex thing at first.

0:34:48.480 --> 0:34:52.839
<v Speaker 2>I did too. Oh. I was like, ugh, oh, that's

0:34:52.880 --> 0:34:53.719
<v Speaker 2>exactly what I did.

0:34:53.960 --> 0:34:56.640
<v Speaker 5>He's like, mommy, and then it was like, oh.

0:34:56.520 --> 0:34:58.879
<v Speaker 2>No, you're actually gonna go ask your mother there.

0:34:59.480 --> 0:35:03.000
<v Speaker 1>Yes, was immediately like, oh, we have to get to

0:35:03.040 --> 0:35:03.719
<v Speaker 1>the Matthew's house.

0:35:03.719 --> 0:35:07.120
<v Speaker 2>So that's what the mommy connection out. I immediately.

0:35:08.719 --> 0:35:12.960
<v Speaker 5>Yah, so funny. Quick cut to the Matthews living room.

0:35:13.040 --> 0:35:15.600
<v Speaker 5>Alan just says, no, Corey isn't happy with that. I

0:35:15.640 --> 0:35:17.760
<v Speaker 5>wasn't talking to you. I was talking to my mommy.

0:35:18.200 --> 0:35:20.040
<v Speaker 5>He looks to Amy with hope, and she pleads with

0:35:20.080 --> 0:35:22.320
<v Speaker 5>her husband it would only be until they got on

0:35:22.360 --> 0:35:26.160
<v Speaker 5>their feet. Alan is in budging. No, Corey can't believe him.

0:35:26.239 --> 0:35:29.279
<v Speaker 5>I'm your son. You don't tell your son. No. Alan

0:35:29.360 --> 0:35:32.920
<v Speaker 5>takes a deep breath and easily repeats himself no, but

0:35:33.080 --> 0:35:34.200
<v Speaker 5>Corey won't back down.

0:35:34.400 --> 0:35:34.799
<v Speaker 2>That's it.

0:35:34.920 --> 0:35:38.040
<v Speaker 5>We're moving in. You're lucky I even asked you, Alan warns, him,

0:35:38.120 --> 0:35:40.000
<v Speaker 5>don't make me beat you up in front of your

0:35:40.040 --> 0:35:43.680
<v Speaker 5>new wife. Amy can't believe Corey. Why didn't you give

0:35:43.719 --> 0:35:45.680
<v Speaker 5>any thought to where you were going to live? He

0:35:45.760 --> 0:35:48.319
<v Speaker 5>points out that they were a little busy, and it's

0:35:48.320 --> 0:35:51.319
<v Speaker 5>not like he's ever done this before. Alan chimes back in,

0:35:51.480 --> 0:35:54.080
<v Speaker 5>well you're gonna have to do it now. Corey shouts back,

0:35:54.120 --> 0:35:56.480
<v Speaker 5>I never asked to be the man in this relationship.

0:35:56.920 --> 0:35:59.600
<v Speaker 5>Tapega suggests that they should leave, but Corey doesn't get it.

0:35:59.760 --> 0:36:02.080
<v Speaker 5>Where do you go if you don't have your parents?

0:36:02.520 --> 0:36:05.000
<v Speaker 5>Amy tries again with Alan at least let them stay

0:36:05.040 --> 0:36:07.359
<v Speaker 5>for a couple days, but he points a finger at her.

0:36:07.440 --> 0:36:11.319
<v Speaker 5>Amy don't. She defiantly grabs his finger. Don't put your

0:36:11.320 --> 0:36:15.400
<v Speaker 5>finger out at me. Don't tell me. Don't the inmates.

0:36:15.040 --> 0:36:17.080
<v Speaker 2>Gas ooh, they were like they were in it.

0:36:17.120 --> 0:36:19.879
<v Speaker 4>There is a couple a couple scenes where you heard

0:36:19.920 --> 0:36:22.920
<v Speaker 4>them speaking. Did you hear the audience talking talking to themselves,

0:36:23.000 --> 0:36:26.120
<v Speaker 4>like talking to like oh no or uh oh, stuff

0:36:26.160 --> 0:36:28.080
<v Speaker 4>like that was like, oh, geez, okay, they're in At

0:36:28.080 --> 0:36:28.759
<v Speaker 4>this point.

0:36:29.440 --> 0:36:32.680
<v Speaker 5>Corey's jaw drops. He whispers to Panga. Mom's reved up,

0:36:32.719 --> 0:36:36.279
<v Speaker 5>Go get the luggage. Amy continues these are my children too,

0:36:36.400 --> 0:36:38.160
<v Speaker 5>and if I want them to stay here, they can

0:36:38.200 --> 0:36:42.080
<v Speaker 5>stay here. Alan transitions to a calmer tone, Amy, they

0:36:42.160 --> 0:36:45.759
<v Speaker 5>can't stay here. They're married. Now, it's Corey and Topanga,

0:36:45.880 --> 0:36:49.320
<v Speaker 5>not Corey and us. Remember, Corey feels the tide shifting,

0:36:49.320 --> 0:36:52.880
<v Speaker 5>so he jumps in. Mom, Mom, it's me. It's Corey.

0:36:53.239 --> 0:36:56.719
<v Speaker 5>You used to wipe my tushy. Oh you loved that, remember,

0:36:58.400 --> 0:36:59.359
<v Speaker 5>Amy shakes her head.

0:37:00.239 --> 0:37:03.799
<v Speaker 1>Very simple addition, like to help make this scene would

0:37:03.800 --> 0:37:06.520
<v Speaker 1>have been mentioning the baby, like, yeah, the fact that

0:37:06.520 --> 0:37:09.080
<v Speaker 1>we have a baby that's you know, has sleep issues,

0:37:09.239 --> 0:37:11.640
<v Speaker 1>or you you know, we already have a household that's

0:37:11.680 --> 0:37:13.239
<v Speaker 1>you know, like it just it would have been an

0:37:13.239 --> 0:37:16.520
<v Speaker 1>easy thing because, as it is, Alan doesn't have much

0:37:16.600 --> 0:37:19.360
<v Speaker 1>more of an argument other than principal. Right, that's the

0:37:19.360 --> 0:37:21.520
<v Speaker 1>whole point of this, right, Like, it's the principle that

0:37:21.600 --> 0:37:23.799
<v Speaker 1>you decided to get married that I'm gonna make your

0:37:24.040 --> 0:37:24.959
<v Speaker 1>life harder right.

0:37:24.880 --> 0:37:27.080
<v Speaker 2>Now, right, I mean, that's that's all they stand.

0:37:27.080 --> 0:37:28.920
<v Speaker 4>But I also get it. I get where he's coming from.

0:37:28.920 --> 0:37:32.440
<v Speaker 4>Where it's like, we told you from the beginning how

0:37:32.440 --> 0:37:34.000
<v Speaker 4>hard it was going to be. You can't now just

0:37:34.080 --> 0:37:36.160
<v Speaker 4>jump in and live with us and let us take.

0:37:35.960 --> 0:37:36.360
<v Speaker 2>Care of you.

0:37:36.960 --> 0:37:39.560
<v Speaker 1>Yeah, I mean I chose that's the principle, right, it's

0:37:39.840 --> 0:37:44.000
<v Speaker 1>it's that's all. It's not there's no and but I

0:37:44.000 --> 0:37:46.960
<v Speaker 1>also think, wouldn't that be benet wouldn't that also be

0:37:47.000 --> 0:37:49.640
<v Speaker 1>bolstered by like the reality of like, no, we have

0:37:49.719 --> 0:37:52.839
<v Speaker 1>other things, but they never even mention it, they never

0:37:52.920 --> 0:37:56.840
<v Speaker 1>even want it's. It's it's it's it's an interesting choice.

0:37:56.840 --> 0:38:00.640
<v Speaker 1>It's like it's it's leaning so heavily on like the lesson.

0:38:00.960 --> 0:38:02.600
<v Speaker 2>You know, I would teach.

0:38:02.440 --> 0:38:05.680
<v Speaker 1>You your lesson at the expense of my love for you.

0:38:05.800 --> 0:38:08.719
<v Speaker 1>It's gonna you know, my my feelings or your mother

0:38:09.160 --> 0:38:10.160
<v Speaker 1>and her feelings.

0:38:10.320 --> 0:38:14.000
<v Speaker 2>We're going to just make this a big, bold lesson.

0:38:14.120 --> 0:38:15.920
<v Speaker 1>And like, like I said, it does land at the

0:38:16.040 --> 0:38:18.680
<v Speaker 1>end of the episode pretty well, I think, And but

0:38:18.760 --> 0:38:19.960
<v Speaker 1>it's I don't know.

0:38:20.239 --> 0:38:23.319
<v Speaker 4>I would have later later in the episode, like here

0:38:23.320 --> 0:38:25.320
<v Speaker 4>in the beginning, I got where he was going. Later

0:38:25.400 --> 0:38:27.800
<v Speaker 4>in the episode, after they find the apartment, I would

0:38:27.840 --> 0:38:30.479
<v Speaker 4>like to have seen Rusty with logistical help.

0:38:31.160 --> 0:38:31.879
<v Speaker 2>Well, then, like.

0:38:31.840 --> 0:38:33.640
<v Speaker 4>I'm chewing on the water, well, I'm gonna come over,

0:38:33.680 --> 0:38:35.439
<v Speaker 4>I'm gonna tell I'm gonna teach you how to fix

0:38:35.440 --> 0:38:38.200
<v Speaker 4>the plumbing, let's paint the let me we're gonna work

0:38:38.200 --> 0:38:39.800
<v Speaker 4>get there's stuff I can't help you with that.

0:38:39.880 --> 0:38:41.600
<v Speaker 2>I'm gonna be here to help you with but you're

0:38:41.640 --> 0:38:45.000
<v Speaker 2>not living here, right, I'm not ripping away my parental support.

0:38:45.280 --> 0:38:48.200
<v Speaker 5>I'm just not going to give you.

0:38:48.600 --> 0:38:52.280
<v Speaker 1>Yes, yeah, I'm just drawing a very healthy boundary, right, Yes, yeah.

0:38:52.160 --> 0:38:54.160
<v Speaker 2>I wish that was where it went at the end.

0:38:54.200 --> 0:38:54.359
<v Speaker 7>Work.

0:38:55.480 --> 0:38:57.080
<v Speaker 2>It's rusty answering stuff.

0:38:56.800 --> 0:38:58.400
<v Speaker 9>Like, yeah, we're gonna work on the plumbing that we

0:38:58.480 --> 0:39:01.400
<v Speaker 9>can access. You're right, but you're not living here to

0:39:01.440 --> 0:39:04.279
<v Speaker 9>get some bug spray. Let's you know, yeah we yeah,

0:39:04.480 --> 0:39:08.120
<v Speaker 9>you're right. That would have made the world of a difference.

0:39:08.320 --> 0:39:08.560
<v Speaker 2>Yeah.

0:39:08.600 --> 0:39:10.480
<v Speaker 4>I think Sue is getting frustrated to me because by

0:39:10.480 --> 0:39:11.399
<v Speaker 4>the fifth time I was like.

0:39:11.600 --> 0:39:14.600
<v Speaker 2>Paint the place, and she's like, Okay, they're gonna paint it.

0:39:14.640 --> 0:39:16.799
<v Speaker 2>Like relax, It's like, there's got to be something you

0:39:16.840 --> 0:39:18.440
<v Speaker 2>can fix some stuff.

0:39:18.040 --> 0:39:20.040
<v Speaker 4>You know. So that would have been I think a

0:39:20.080 --> 0:39:20.840
<v Speaker 4>little bit helpful.

0:39:20.920 --> 0:39:21.560
<v Speaker 2>Yeah yeah.

0:39:22.480 --> 0:39:26.160
<v Speaker 5>Amy shakes her head. You can't stay here, Corey. I'm sorry.

0:39:26.680 --> 0:39:30.920
<v Speaker 5>Corey scowls and threatens I'm telling Grandma. Topanga lingers behind

0:39:30.960 --> 0:39:34.200
<v Speaker 5>and finally follows after her husband, Amy offers a sorry

0:39:34.200 --> 0:39:37.680
<v Speaker 5>and Topanga admits I know. And then we're in the

0:39:37.680 --> 0:39:40.880
<v Speaker 5>student union. Corey storms in with Tapanga and their luggage.

0:39:40.960 --> 0:39:43.320
<v Speaker 5>My father's a jerk. I have a jerk for a father.

0:39:43.800 --> 0:39:46.319
<v Speaker 5>Topega looks defeated. I'm sure he has a very good

0:39:46.360 --> 0:39:49.719
<v Speaker 5>reason for not. Corey finishes her sentence for abandoning us.

0:39:50.239 --> 0:39:53.400
<v Speaker 5>She insists, we don't need them, we need us. We

0:39:53.440 --> 0:39:55.399
<v Speaker 5>need to stand on our own feet and figure out

0:39:55.400 --> 0:39:58.719
<v Speaker 5>our situation. Corey says he's already figured it out their

0:39:58.800 --> 0:40:01.120
<v Speaker 5>upper middle class home less college students.

0:40:01.320 --> 0:40:06.760
<v Speaker 2>There's a very small pity factor here, great, very self

0:40:06.760 --> 0:40:07.399
<v Speaker 2>aware line.

0:40:09.920 --> 0:40:12.120
<v Speaker 5>In fact, I wouldn't feel sorry for us if I

0:40:12.239 --> 0:40:14.839
<v Speaker 5>wasn't us to Pega needs to know how much money

0:40:14.880 --> 0:40:16.920
<v Speaker 5>they have, so Corey calculates how much they got for

0:40:16.960 --> 0:40:18.400
<v Speaker 5>their wedding and subtract how much.

0:40:18.239 --> 0:40:21.879
<v Speaker 2>They spent on the honeymoon. They have seven blenders, another

0:40:22.040 --> 0:40:23.640
<v Speaker 2>great line, so funny.

0:40:23.800 --> 0:40:25.719
<v Speaker 5>Tapega admits it'd be nice to have a kitchen to

0:40:25.760 --> 0:40:28.600
<v Speaker 5>put them in. Corey shouts to stop pressuring him. To

0:40:28.680 --> 0:40:31.680
<v Speaker 5>Pega reasons with him, Corey, we have to live somewhere,

0:40:31.960 --> 0:40:33.640
<v Speaker 5>and in return he mocks her, I.

0:40:33.560 --> 0:40:35.600
<v Speaker 2>Want a roof over my head. I want a roof

0:40:35.640 --> 0:40:37.280
<v Speaker 2>over my head, you baby.

0:40:38.040 --> 0:40:40.560
<v Speaker 5>Then Sean Angela walk in and Corey greets them in

0:40:40.560 --> 0:40:44.480
<v Speaker 5>an overly cheery tone. He sarcastically asks them well rested.

0:40:45.520 --> 0:40:48.440
<v Speaker 5>Angela tells Topanga they have very good news. Mike and

0:40:48.520 --> 0:40:52.760
<v Speaker 5>Debbie Fefferman had a fight. Angela explains he criticized her salad,

0:40:52.840 --> 0:40:56.760
<v Speaker 5>so she shot him. Wait was it Fefferman? Hap Jennifer

0:40:56.800 --> 0:41:00.400
<v Speaker 5>love Fefferman? I means another, it says. It may be

0:41:01.239 --> 0:41:03.120
<v Speaker 5>the way it's spelled is f a f e er?

0:41:03.239 --> 0:41:05.960
<v Speaker 5>It could be Feiferman, But I mean it looks like Fferman.

0:41:06.080 --> 0:41:08.680
<v Speaker 2>Yeah, I think I would have recognized so too. I

0:41:08.680 --> 0:41:10.920
<v Speaker 2>didn't hear it either. Yeah, Okay.

0:41:11.239 --> 0:41:14.000
<v Speaker 5>Topanga doesn't see the good news here, So Angela breaks

0:41:14.040 --> 0:41:17.600
<v Speaker 5>it down because she's gonna do time and the dorm

0:41:17.640 --> 0:41:21.360
<v Speaker 5>is gonna be available, Sean ads and those married dorms

0:41:21.360 --> 0:41:23.480
<v Speaker 5>have gotta be great. You know how married people live,

0:41:23.640 --> 0:41:26.719
<v Speaker 5>very sophisticated, very posh. Corey likes the sound of.

0:41:26.680 --> 0:41:32.440
<v Speaker 2>That posh set up, set up. Then we get optical

0:41:33.640 --> 0:41:35.360
<v Speaker 2>to the married dorms.

0:41:35.920 --> 0:41:38.759
<v Speaker 5>Dramatic music plays as Corey and Topanga make their way

0:41:38.800 --> 0:41:42.040
<v Speaker 5>down a dimly lit hallway with children's toys littered everywhere.

0:41:42.239 --> 0:41:45.160
<v Speaker 5>A girl yells, I got a mid term in physiology. Tomorrow,

0:41:45.239 --> 0:41:49.120
<v Speaker 5>make your own dinner. Her husband responds, fine, Kimberly, I'll

0:41:49.160 --> 0:41:52.280
<v Speaker 5>make you a deal. I'll cook dinner. You stop talking.

0:41:52.840 --> 0:41:55.279
<v Speaker 5>A baby starts loudly crying, and the woman begs it

0:41:55.320 --> 0:41:55.760
<v Speaker 5>to stop.

0:41:55.960 --> 0:41:58.640
<v Speaker 2>Did you guys recognize any voices here? I was trying

0:41:58.640 --> 0:41:59.879
<v Speaker 2>to listen to see who they were.

0:42:00.200 --> 0:42:02.200
<v Speaker 1>I wanted to Chris Kier, but of course he was

0:42:02.239 --> 0:42:03.200
<v Speaker 1>gone by now, but I wanted.

0:42:03.440 --> 0:42:05.799
<v Speaker 2>I was interested. I was like, who are these? You know?

0:42:05.880 --> 0:42:09.000
<v Speaker 2>Do you think it's Marisol? At any point? I don't know.

0:42:09.040 --> 0:42:11.000
<v Speaker 4>But one of the things that as a voiceover actor,

0:42:11.040 --> 0:42:13.719
<v Speaker 4>I literally just got one two days ago. You're they

0:42:13.840 --> 0:42:17.040
<v Speaker 4>cast voiceover actors for this and that. Like two days ago,

0:42:17.120 --> 0:42:19.759
<v Speaker 4>I got an audition for to play a cop quote

0:42:19.840 --> 0:42:23.319
<v Speaker 4>unquote on a sitcom and part of the job is

0:42:23.400 --> 0:42:25.120
<v Speaker 4>you go to the set for two days and you

0:42:25.239 --> 0:42:26.240
<v Speaker 4>yell the line from.

0:42:26.160 --> 0:42:26.719
<v Speaker 2>Off the set.

0:42:27.040 --> 0:42:29.840
<v Speaker 4>Oh interesting, So as of these could have been hired

0:42:29.920 --> 0:42:34.080
<v Speaker 4>voiceover actors that are literally there with microphones saying the

0:42:34.120 --> 0:42:34.839
<v Speaker 4>lines off the set.

0:42:34.920 --> 0:42:37.120
<v Speaker 1>Wait, I just tried to hear like Matt Kirkwood or

0:42:37.160 --> 0:42:39.680
<v Speaker 1>somebody that you know, because so often I don't think he.

0:42:39.760 --> 0:42:42.520
<v Speaker 2>Was there season seven, Yeah he was, he was, did

0:42:42.520 --> 0:42:45.799
<v Speaker 2>he Kirkwood? No, he left. He talked about how he left.

0:42:46.880 --> 0:42:49.440
<v Speaker 2>Are you sure? Pretty sure? Yeah? Remember he said he

0:42:49.480 --> 0:42:50.360
<v Speaker 2>took off At one point.

0:42:50.680 --> 0:42:52.759
<v Speaker 5>I wonder if that if those names would have been

0:42:52.880 --> 0:42:55.719
<v Speaker 5>in the list where it said Danny oh maybe yeah,

0:42:55.760 --> 0:42:56.600
<v Speaker 5>Daniel Jacobs.

0:42:56.640 --> 0:42:59.319
<v Speaker 4>Did anybody else have kind of a problem that when

0:42:59.400 --> 0:43:01.800
<v Speaker 4>you moved to the married dorm that meant that every

0:43:01.840 --> 0:43:02.840
<v Speaker 4>marriage sucked.

0:43:03.440 --> 0:43:06.359
<v Speaker 5>Well, they're trying to talk about the reality of being

0:43:06.400 --> 0:43:07.799
<v Speaker 5>a married college kid.

0:43:08.120 --> 0:43:14.360
<v Speaker 3>Everybody's yelling everybody, don't slam the door you. It's like god, like,

0:43:14.440 --> 0:43:17.759
<v Speaker 3>oh my god, my god, these are married twenty year

0:43:17.800 --> 0:43:21.240
<v Speaker 3>old likes they made the mistake.

0:43:21.800 --> 0:43:26.600
<v Speaker 2>Yeah right, they had baby's too young. It's like, God, terrible,

0:43:26.840 --> 0:43:28.879
<v Speaker 2>it's the latter name name.

0:43:29.080 --> 0:43:33.480
<v Speaker 1>Why the slum suddenly right, It's like the college just

0:43:33.600 --> 0:43:35.960
<v Speaker 1>doesn't paint these dorms awful.

0:43:36.200 --> 0:43:38.600
<v Speaker 2>Yeah, the other dorms are all take care, but they

0:43:38.640 --> 0:43:41.480
<v Speaker 2>just don't give this where you got married, it's not

0:43:41.520 --> 0:43:43.640
<v Speaker 2>on us anymore. It's like what the hell.

0:43:44.120 --> 0:43:46.239
<v Speaker 1>But I mean that's the man the lie of this

0:43:46.520 --> 0:43:52.160
<v Speaker 1>entire episode. They really, yeah, that's that's literally what Rusty says. Yeah, yeah,

0:43:52.200 --> 0:43:53.960
<v Speaker 1>and that's what the whole show is saying.

0:43:54.440 --> 0:43:59.560
<v Speaker 2>It's so weird. Debbie's last name is Fefferman. Just why

0:44:00.200 --> 0:44:02.440
<v Speaker 2>Jefferman's sister there she is.

0:44:03.320 --> 0:44:06.000
<v Speaker 5>Corey and Topanga are deservedly rattled as they turn the

0:44:06.000 --> 0:44:08.919
<v Speaker 5>corner and another couple is arguing over a barking dog.

0:44:09.400 --> 0:44:10.000
<v Speaker 2>Shut the door.

0:44:10.040 --> 0:44:12.440
<v Speaker 5>If you're gonna do that. A door slams, and he

0:44:12.560 --> 0:44:16.240
<v Speaker 5>eggs his wife on that's it, break it. Tapanga points

0:44:16.239 --> 0:44:19.439
<v Speaker 5>out it sounds like we have very colorful neighbors. Corey

0:44:19.520 --> 0:44:21.680
<v Speaker 5>sees a little boy standing alone and says hi to

0:44:21.719 --> 0:44:22.400
<v Speaker 5>the little fella.

0:44:22.719 --> 0:44:25.240
<v Speaker 2>The boy whispers back, I say dead people.

0:44:26.880 --> 0:44:31.840
<v Speaker 5>Corey fake smiles back, that's nice. He aggressively whispers to Tapanga,

0:44:32.000 --> 0:44:34.719
<v Speaker 5>let's get out of here, but Tapega points out that

0:44:34.760 --> 0:44:37.319
<v Speaker 5>they're right in front of Room two thirty six. This

0:44:37.440 --> 0:44:39.280
<v Speaker 5>is going to be their home for the next three years.

0:44:39.719 --> 0:44:42.480
<v Speaker 5>They bravely open the door and they are stunned at

0:44:42.520 --> 0:44:43.160
<v Speaker 5>what they see.

0:44:43.680 --> 0:44:46.600
<v Speaker 4>I have a logistical directing question for the two sitcom

0:44:46.600 --> 0:44:49.720
<v Speaker 4>directors here that I'm talking to Is there a reason

0:44:49.840 --> 0:44:53.719
<v Speaker 4>why basically every dorm room or everything we do is

0:44:53.760 --> 0:44:56.560
<v Speaker 4>you walk down the hall and take a rite. Is

0:44:56.600 --> 0:44:59.279
<v Speaker 4>there some kind of Is there a camera reason for

0:44:59.360 --> 0:45:01.839
<v Speaker 4>that or a block reason for that? Why there never

0:45:01.960 --> 0:45:04.239
<v Speaker 4>seems to go and take the left, like the room

0:45:04.320 --> 0:45:06.919
<v Speaker 4>is never on the left, it's always on the right.

0:45:07.040 --> 0:45:08.200
<v Speaker 2>Is there a reason for that?

0:45:08.920 --> 0:45:09.080
<v Speaker 7>No?

0:45:09.239 --> 0:45:13.760
<v Speaker 5>I think just this just where the set was exactly construction.

0:45:14.320 --> 0:45:14.520
<v Speaker 2>Okay.

0:45:14.520 --> 0:45:15.799
<v Speaker 4>I didn't know if there was some like, well, if

0:45:15.840 --> 0:45:18.399
<v Speaker 4>you shoot this way then you can't see into the whatever.

0:45:18.280 --> 0:45:19.719
<v Speaker 2>Kind of we never go to the left in the

0:45:19.719 --> 0:45:23.520
<v Speaker 2>other the left, but no dorm like all the rooms

0:45:23.520 --> 0:45:27.560
<v Speaker 2>are always to the right. Yeah, And so I didn't

0:45:27.560 --> 0:45:28.880
<v Speaker 2>know if that was that there was a reason for

0:45:28.920 --> 0:45:30.120
<v Speaker 2>that or not. Okay, I guess not.

0:45:30.239 --> 0:45:32.760
<v Speaker 5>Okay, to Pega and Angela's room is to the left,

0:45:32.880 --> 0:45:35.759
<v Speaker 5>when when in that hallway their rooms are, there's you know,

0:45:35.840 --> 0:45:39.279
<v Speaker 5>the boys was over to the right. Triplet came out, Yeah,

0:45:39.320 --> 0:45:42.040
<v Speaker 5>that I think that was their room, right? Was it

0:45:42.120 --> 0:45:43.920
<v Speaker 5>that room where I was actually picturing it more like

0:45:43.960 --> 0:45:45.120
<v Speaker 5>where the bathroom is.

0:45:45.200 --> 0:45:48.480
<v Speaker 2>But you're right, I didn't know if there was a

0:45:48.480 --> 0:45:49.000
<v Speaker 2>reason for that.

0:45:50.360 --> 0:45:55.680
<v Speaker 5>Okay, it's disgusting, tattered furniture, dirty appliances, stained carpet, police

0:45:55.719 --> 0:45:58.560
<v Speaker 5>sirens blair as Topanga composes herself.

0:45:58.200 --> 0:45:59.440
<v Speaker 2>It's the worst place.

0:45:59.520 --> 0:46:03.239
<v Speaker 1>It's like, where are the bloodstains? Though, this is where

0:46:03.239 --> 0:46:06.640
<v Speaker 1>Tapega's dad ended up. We need the bloodstains on the wall.

0:46:06.760 --> 0:46:10.680
<v Speaker 1>It's just like that bad, chockoutable body.

0:46:10.960 --> 0:46:11.759
<v Speaker 2>That's what we need.

0:46:12.880 --> 0:46:14.320
<v Speaker 5>I did actually think that there was going to be

0:46:14.320 --> 0:46:15.960
<v Speaker 5>a chalk line when the door opened. I thought, oh God,

0:46:15.960 --> 0:46:17.239
<v Speaker 5>please let there still be a chalk line.

0:46:17.320 --> 0:46:18.240
<v Speaker 2>That would be great.

0:46:19.040 --> 0:46:21.239
<v Speaker 5>We cut to a commercial because it is, in fact

0:46:21.560 --> 0:46:24.480
<v Speaker 5>not nice, but then we returned to the new room.

0:46:25.040 --> 0:46:27.800
<v Speaker 5>Now inside, Tapanga opens a cabinet door and it falls

0:46:27.880 --> 0:46:30.319
<v Speaker 5>right off the hinges. Okay, so it needs a little

0:46:30.320 --> 0:46:32.840
<v Speaker 5>bit of work. Corey has an idea. I think we

0:46:32.880 --> 0:46:35.239
<v Speaker 5>should think about the worst moment in our lives, and

0:46:35.320 --> 0:46:38.000
<v Speaker 5>it'll only make us feel better about this one. They

0:46:38.080 --> 0:46:40.800
<v Speaker 5>stand in silence for a moment, trying to think. Finally,

0:46:40.920 --> 0:46:44.960
<v Speaker 5>Corey realizes it's this isn't it. To Pega nods in agreement,

0:46:45.200 --> 0:46:47.959
<v Speaker 5>yeah it is, but she reminds him things are never

0:46:48.000 --> 0:46:51.200
<v Speaker 5>as bad as they seem. Corey sarcastically responds, you're right,

0:46:51.480 --> 0:46:56.240
<v Speaker 5>everything's terrific. It's just fabulous. And then back in the hallway,

0:46:56.320 --> 0:46:59.280
<v Speaker 5>another fresh, young married couple has arrived with their luggage,

0:46:59.280 --> 0:47:00.760
<v Speaker 5>and here Corey, I.

0:47:00.640 --> 0:47:03.120
<v Speaker 2>Hate my parents and we live in a crack house.

0:47:03.800 --> 0:47:06.680
<v Speaker 5>A couple share a nervous glance and scurry down the hall.

0:47:07.680 --> 0:47:11.800
<v Speaker 2>It's a pretty funny bit, you know, already there a couple.

0:47:11.920 --> 0:47:15.480
<v Speaker 5>Yeah, back inside Corey, into Pega's new trap house. Corey

0:47:15.520 --> 0:47:18.520
<v Speaker 5>continues to wallow in the sadness. But why don't we

0:47:18.600 --> 0:47:20.960
<v Speaker 5>find the good? To Panga, let's find the good because

0:47:21.040 --> 0:47:23.359
<v Speaker 5>I don't know where it is. He scans the room

0:47:23.520 --> 0:47:26.279
<v Speaker 5>and asks, is it underneath that pizza box? I don't know,

0:47:26.600 --> 0:47:28.719
<v Speaker 5>it could be. He bends down to pick it up,

0:47:28.760 --> 0:47:31.480
<v Speaker 5>and he finds a group of cockroaches hiding underneath it.

0:47:31.680 --> 0:47:33.680
<v Speaker 2>Do you remember having cockroaches on set like this?

0:47:34.000 --> 0:47:34.160
<v Speaker 6>No?

0:47:34.239 --> 0:47:35.040
<v Speaker 2>But I also don't.

0:47:35.200 --> 0:47:37.480
<v Speaker 5>I didn't think they were real. They I mean, although

0:47:37.480 --> 0:47:40.920
<v Speaker 5>they were moving, it looked fake to me.

0:47:41.040 --> 0:47:41.839
<v Speaker 2>Yeah, I couldn't tell.

0:47:41.960 --> 0:47:43.680
<v Speaker 5>I don't know. I think they were battery operated.

0:47:45.600 --> 0:47:47.640
<v Speaker 1>Seems a lot of like a lot more work than

0:47:47.640 --> 0:47:49.560
<v Speaker 1>just find tyttle batteries.

0:47:51.040 --> 0:47:53.799
<v Speaker 5>It was probably real cockroaches, but I don't remember. I

0:47:53.840 --> 0:47:56.680
<v Speaker 5>have no fear of cockroaches. We had Madagascan hissing cockroaches,

0:47:56.960 --> 0:47:59.279
<v Speaker 5>so it would not have bothered me at all to

0:47:59.320 --> 0:48:02.120
<v Speaker 5>have them there, So I don't remember them. Corey jumps

0:48:02.160 --> 0:48:04.400
<v Speaker 5>onto the couch and fear. Nope, that's where the vermin

0:48:04.440 --> 0:48:07.040
<v Speaker 5>are hiding. She calls him a baby and stomps on

0:48:07.080 --> 0:48:10.000
<v Speaker 5>the insects without hesitation, repeating the move as Corey points out,

0:48:10.040 --> 0:48:13.640
<v Speaker 5>they're still alive and they're drunken. Cousins from Louisiana have arrived,

0:48:14.000 --> 0:48:16.440
<v Speaker 5>and now they're both stomping on the floor with ferocity.

0:48:16.520 --> 0:48:19.200
<v Speaker 5>When a woman opens the door, she's holding a baby

0:48:19.200 --> 0:48:22.080
<v Speaker 5>and staring at the crazy couple jumping around. Corey and

0:48:22.120 --> 0:48:23.360
<v Speaker 5>t Benga finally noticed.

0:48:23.080 --> 0:48:26.880
<v Speaker 2>That just opened the door. Oh, this seems like a

0:48:26.880 --> 0:48:27.680
<v Speaker 2>safe neighborhood.

0:48:27.760 --> 0:48:31.920
<v Speaker 5>No knockings like the police iron anchorage.

0:48:32.000 --> 0:48:36.880
<v Speaker 2>That I mean, I understand it, like you knock.

0:48:37.120 --> 0:48:39.640
<v Speaker 5>Why wouldn't the door just be open? Why not just

0:48:39.719 --> 0:48:41.800
<v Speaker 5>keep the door open? So she's standing in an open door.

0:48:41.640 --> 0:48:43.680
<v Speaker 1>Because they needed to have the joke of the shouting

0:48:43.719 --> 0:48:45.400
<v Speaker 1>match that the other couple scared of.

0:48:46.000 --> 0:48:49.200
<v Speaker 2>But we could have shown them up. The hall door.

0:48:49.000 --> 0:48:50.040
<v Speaker 5>Could be open up.

0:48:50.080 --> 0:48:52.040
<v Speaker 2>They could be up the hall and turn around and

0:48:52.040 --> 0:48:54.879
<v Speaker 2>not walk. Yeah. They're like, yeah, but the.

0:48:54.840 --> 0:48:57.399
<v Speaker 5>Door, the door open would have saved everything. Yes, because yes,

0:48:57.440 --> 0:49:00.240
<v Speaker 5>it's very weird that she's like.

0:48:59.480 --> 0:49:01.360
<v Speaker 2>Hi, my baby.

0:49:02.680 --> 0:49:04.919
<v Speaker 4>By the way, I know they weren't allowed to speak

0:49:04.960 --> 0:49:07.120
<v Speaker 4>because they were background, but a great joke would have

0:49:07.160 --> 0:49:10.640
<v Speaker 4>been the couple. As they're walking about to leave, the

0:49:10.800 --> 0:49:12.880
<v Speaker 4>Cory turns to the Tapanga and says like, man, my

0:49:12.960 --> 0:49:16.160
<v Speaker 4>dad's a jerk, you know, something like that, to show

0:49:16.200 --> 0:49:17.120
<v Speaker 4>that it's the same cupboard.

0:49:17.640 --> 0:49:20.439
<v Speaker 2>They couldn't couldn't have them talk right right.

0:49:21.880 --> 0:49:24.279
<v Speaker 5>Corey and Tapanga finally noticed the visitor and stop. He

0:49:24.320 --> 0:49:26.640
<v Speaker 5>explains they were just doing the dance of their people.

0:49:27.120 --> 0:49:31.120
<v Speaker 5>The woman introduces herself as Kelly Aragon, a little nod

0:49:31.120 --> 0:49:32.840
<v Speaker 5>to Carlos Aragon.

0:49:33.160 --> 0:49:36.920
<v Speaker 2>Or Lord of the Rings. Okay, sure, and.

0:49:36.800 --> 0:49:41.239
<v Speaker 5>The baby is Samantha, who never sleeps ever. As their

0:49:41.239 --> 0:49:43.440
<v Speaker 5>new neighbor, she welcomes them to the dorm to Penga

0:49:43.520 --> 0:49:45.600
<v Speaker 5>gushes over the tiny baby and asks if she can

0:49:45.640 --> 0:49:48.240
<v Speaker 5>hold her. So Kelly hands over Samantha and to Panga

0:49:48.320 --> 0:49:50.120
<v Speaker 5>turns to Corey with the baby in her arms.

0:49:50.440 --> 0:49:54.520
<v Speaker 4>Oh your face, And that reaction is great.

0:49:54.880 --> 0:49:55.960
<v Speaker 2>It's so real.

0:49:56.360 --> 0:50:00.439
<v Speaker 4>Oh my god, Yeah that was a great This whole

0:50:00.440 --> 0:50:01.200
<v Speaker 4>beat is awesome.

0:50:01.520 --> 0:50:06.080
<v Speaker 5>Yeah, that's really cute. Corey immediately responds, no, put it back,

0:50:06.160 --> 0:50:10.080
<v Speaker 5>put it back. Topega returns the baby and Kelly explains, well,

0:50:10.120 --> 0:50:11.960
<v Speaker 5>she'd be a lot cuter if she would just sleep

0:50:12.120 --> 0:50:15.279
<v Speaker 5>for like a minute. I mean, other babies sleep, right.

0:50:15.440 --> 0:50:17.400
<v Speaker 5>I don't think I can stay awake much longer. And

0:50:17.440 --> 0:50:19.399
<v Speaker 5>at this moment, I'm like, why is Japanga not saying,

0:50:19.480 --> 0:50:21.160
<v Speaker 5>let me take the baby for a little bit to

0:50:21.239 --> 0:50:21.800
<v Speaker 5>let you sleep?

0:50:21.800 --> 0:50:24.680
<v Speaker 2>But she's just like, cool, can't sleep, haven't slept in days?

0:50:26.719 --> 0:50:27.000
<v Speaker 1>Sad?

0:50:27.680 --> 0:50:28.800
<v Speaker 2>Maybe don't be a whore?

0:50:34.880 --> 0:50:38.759
<v Speaker 5>My gosh, Corey wonders, just out of curiosity, the bed

0:50:38.800 --> 0:50:41.520
<v Speaker 5>where your baby doesn't sleep all night? That's not located

0:50:41.520 --> 0:50:44.040
<v Speaker 5>behind these paper thin walls, is it? Because the only

0:50:44.080 --> 0:50:46.759
<v Speaker 5>crying I want to hear is my own. Topega gives

0:50:46.800 --> 0:50:48.960
<v Speaker 5>him a look and Kelly assures them it's all right.

0:50:49.080 --> 0:50:51.839
<v Speaker 5>At least he's here. My husband's a med student. They

0:50:51.960 --> 0:50:57.799
<v Speaker 5>never come home, Hocully. She turns to leave, but stops her.

0:50:57.840 --> 0:51:02.840
<v Speaker 2>She's not a cooler, she's scary to a med student.

0:51:03.000 --> 0:51:05.960
<v Speaker 4>Exactly who's gonna leave her? The second he passes the board.

0:51:06.120 --> 0:51:09.640
<v Speaker 4>Everybody knows that she puts him through college. He takes off.

0:51:09.680 --> 0:51:11.239
<v Speaker 2>It's the old story.

0:51:13.120 --> 0:51:16.680
<v Speaker 5>You two are newly weds, aren't you, she says. Topega responds, Yeah,

0:51:16.719 --> 0:51:19.719
<v Speaker 5>we are, and Kelly wishes them a sincere good luck.

0:51:20.320 --> 0:51:24.760
<v Speaker 5>Just as Samantha starts to fuss now alone, Topanga tells Corey, Okay,

0:51:25.160 --> 0:51:27.560
<v Speaker 5>let's just look at this as a true test of character.

0:51:27.719 --> 0:51:29.640
<v Speaker 5>Now we can either run from this or we can

0:51:29.680 --> 0:51:32.359
<v Speaker 5>be stronger than this. Corey places a hand on her

0:51:32.360 --> 0:51:35.200
<v Speaker 5>shoulder and says good luck before sprinting to the door,

0:51:35.440 --> 0:51:37.880
<v Speaker 5>But when he grabs the handle for refuge, it comes

0:51:37.960 --> 0:51:41.680
<v Speaker 5>right off cod. He turns to Tapanga nervously explains, I

0:51:41.800 --> 0:51:44.640
<v Speaker 5>wasn't really gonna run. He stammers through his words and

0:51:44.680 --> 0:51:47.120
<v Speaker 5>places the doorknob in her hand. This is for you,

0:51:48.160 --> 0:51:49.840
<v Speaker 5>and then we're in Phoenix.

0:51:52.680 --> 0:51:59.400
<v Speaker 2>If I say it like everyone, fais a lummy.

0:52:05.120 --> 0:52:05.319
<v Speaker 4>Yeah.

0:52:05.480 --> 0:52:08.279
<v Speaker 2>They needed another week with the script, at least another week.

0:52:08.440 --> 0:52:12.640
<v Speaker 4>Yeah, maybe quadruplets would have made it funny.

0:52:13.120 --> 0:52:14.360
<v Speaker 2>Oh that's so good.

0:52:14.280 --> 0:52:14.440
<v Speaker 4>Ye.

0:52:17.040 --> 0:52:21.600
<v Speaker 1>Payboy model, Yeah exactly, Yeah, that would have done it.

0:52:21.600 --> 0:52:29.120
<v Speaker 2>It's the knife thing.

0:52:31.280 --> 0:52:37.200
<v Speaker 5>Octuplets, Now that's hilarious. Corey and t Banka are slumped

0:52:37.200 --> 0:52:40.320
<v Speaker 5>down in the front row, looking absolutely exhausted. Feene lectures

0:52:40.360 --> 0:52:44.000
<v Speaker 5>about the Black Plague, detailing the maggot infested rotting corpses

0:52:44.000 --> 0:52:45.360
<v Speaker 5>that littered the streets of Europe.

0:52:45.520 --> 0:52:47.920
<v Speaker 2>Can I think? Is it again? Not having gone to college?

0:52:49.640 --> 0:52:51.799
<v Speaker 4>Is there a reason why they're still in a high

0:52:51.840 --> 0:52:53.040
<v Speaker 4>school history class.

0:52:54.120 --> 0:52:56.520
<v Speaker 2>It's like, let's talk about World War two?

0:52:56.800 --> 0:53:01.920
<v Speaker 1>Like okay, textbook reading, like we can all read at this,

0:53:02.120 --> 0:53:04.160
<v Speaker 1>like we know, like the history is just.

0:53:05.960 --> 0:53:07.080
<v Speaker 2>I know it. Yeah it was.

0:53:07.160 --> 0:53:10.560
<v Speaker 4>It's so strange Poene teaching you a class where it's

0:53:10.560 --> 0:53:13.000
<v Speaker 4>like this could have been the same exact lesson from

0:53:13.000 --> 0:53:13.560
<v Speaker 4>season one.

0:53:13.840 --> 0:53:18.440
<v Speaker 5>Yes, yes, exactly. Corey glances at to Panga he's talking

0:53:18.480 --> 0:53:21.640
<v Speaker 5>about us. Tapanga half heartedly raises her hand in wines,

0:53:22.160 --> 0:53:25.640
<v Speaker 5>I have a bath. Phoene asks that she reserve her

0:53:25.640 --> 0:53:28.640
<v Speaker 5>personal matters for after class, but toa Panga continues.

0:53:28.239 --> 0:53:31.799
<v Speaker 2>To complain, our water is brown. Phoene tries to stop her,

0:53:31.800 --> 0:53:38.200
<v Speaker 2>but Corey chimes in and you have to chew it.

0:53:34.840 --> 0:53:41.360
<v Speaker 2>As they both.

0:53:41.200 --> 0:53:44.080
<v Speaker 5>Fester in their depression, Phoenie announces to the class, I

0:53:44.200 --> 0:53:46.280
<v Speaker 5>rarely do this, but I'm going to dismiss the class

0:53:46.320 --> 0:53:51.280
<v Speaker 5>on account of well pathetic. Everyone leaves except the pathetic

0:53:51.360 --> 0:53:54.279
<v Speaker 5>couple in question. Corey points a finger at Phoenian says

0:53:54.280 --> 0:53:57.920
<v Speaker 5>in a gravelly New York accent, he got a big house, Phoene,

0:53:58.400 --> 0:54:03.239
<v Speaker 5>no children to Pega mimics the voice. What do you

0:54:03.320 --> 0:54:04.920
<v Speaker 5>do in that house? Phoene?

0:54:05.280 --> 0:54:08.719
<v Speaker 2>You eat this totally? You guys doing like the bake sale. Huh,

0:54:10.080 --> 0:54:13.160
<v Speaker 2>it's just bits and it's great, Like this is great.

0:54:13.719 --> 0:54:14.279
<v Speaker 3>Yeah.

0:54:14.440 --> 0:54:16.960
<v Speaker 5>Phoene is shocked. What's the matter with you two? And

0:54:16.960 --> 0:54:21.320
<v Speaker 5>why are you so unkempt? Corey fake laughs, Ah, we're unkempt.

0:54:21.480 --> 0:54:24.200
<v Speaker 5>You hear that, Topanga. Then he raises his voice. You'd

0:54:24.239 --> 0:54:26.120
<v Speaker 5>be unkempt too if you lived in an apartment with

0:54:26.160 --> 0:54:28.160
<v Speaker 5>only one washing machine and no dryer.

0:54:28.440 --> 0:54:32.239
<v Speaker 2>And you know how the baby cries like this, wha, wha,

0:54:32.920 --> 0:54:34.439
<v Speaker 2>whaa all night.

0:54:35.000 --> 0:54:36.799
<v Speaker 5>Phoene tries to get a word, and but Corey won't

0:54:36.800 --> 0:54:39.600
<v Speaker 5>stop crying like a baby. Phoene says, he gets it,

0:54:39.600 --> 0:54:43.240
<v Speaker 5>it's unpleasant. Topenga gets down to business. Quit stalin Phoene,

0:54:43.239 --> 0:54:45.160
<v Speaker 5>we stay in with you or not, and he quickly

0:54:45.160 --> 0:54:48.080
<v Speaker 5>responds not. So They both get up without another word,

0:54:48.200 --> 0:54:50.920
<v Speaker 5>dodging a hug Phoene tries to assure them, from the

0:54:50.920 --> 0:54:53.520
<v Speaker 5>bottom of my heart, I would do anything for you too,

0:54:53.840 --> 0:54:56.919
<v Speaker 5>if it's anything short of actually moving in anything at all.

0:54:57.440 --> 0:55:00.560
<v Speaker 5>Back in the gravelly voice of struggle, Cory asks, now,

0:55:00.600 --> 0:55:03.640
<v Speaker 5>how about some of your million's fella and he tries

0:55:03.680 --> 0:55:06.120
<v Speaker 5>to reason with Topanga, but she just shouts to her husband,

0:55:06.239 --> 0:55:09.200
<v Speaker 5>hold him down, I'll get his wallet. Corey suddenly has

0:55:09.200 --> 0:55:11.319
<v Speaker 5>a change of heart. No, that would be wrong. This

0:55:11.400 --> 0:55:14.600
<v Speaker 5>man is an educator. Topanga agrees you're right. What could

0:55:14.640 --> 0:55:14.880
<v Speaker 5>he have?

0:55:14.960 --> 0:55:15.000
<v Speaker 8>Like?

0:55:15.120 --> 0:55:22.040
<v Speaker 5>Nine bucks? Phoene proudly adds and a Blockbuster card. Very

0:55:22.040 --> 0:55:27.080
<v Speaker 5>happy with that, yep. Then he grabs the two Ruffians

0:55:27.080 --> 0:55:29.760
<v Speaker 5>and says, let me tell you something about life. Corey

0:55:29.800 --> 0:55:32.520
<v Speaker 5>begs him, no, please, no more words. You have been

0:55:32.520 --> 0:55:35.000
<v Speaker 5>telling me about life since the first grade. How come

0:55:35.000 --> 0:55:38.760
<v Speaker 5>you never prepared us for this? Phoene gets serious. Although

0:55:38.800 --> 0:55:41.439
<v Speaker 5>you can't see it now, your reward is yet to come.

0:55:41.920 --> 0:55:44.440
<v Speaker 5>Corey is fed up. What are you a fortune cookie?

0:55:44.640 --> 0:55:46.720
<v Speaker 5>And Topanga perks up, who has cookies?

0:55:48.960 --> 0:55:49.680
<v Speaker 2>So funny?

0:55:50.200 --> 0:55:53.120
<v Speaker 1>I mean it is the dialog here is funny.

0:55:52.600 --> 0:55:54.759
<v Speaker 2>It's not quite working for me. I'm not sure what

0:55:54.880 --> 0:55:55.200
<v Speaker 2>it is.

0:55:55.360 --> 0:55:57.080
<v Speaker 5>I agree, I don't know what it is, but there is.

0:55:57.200 --> 0:56:01.600
<v Speaker 5>It's funny, but it's not working. Yeah, Phoene resents the sentiment.

0:56:01.800 --> 0:56:05.120
<v Speaker 5>My words are heartfelt and highly original. To be reduced

0:56:05.160 --> 0:56:08.400
<v Speaker 5>to a whimsical jocularity that's stuffed into a cracker is

0:56:08.440 --> 0:56:10.520
<v Speaker 5>in a front to the very essence of my character.

0:56:14.080 --> 0:56:17.520
<v Speaker 2>How do we say this as fancily as possible? Fancy

0:56:17.560 --> 0:56:18.200
<v Speaker 2>words speak.

0:56:19.080 --> 0:56:21.680
<v Speaker 5>Tapanga sticks her tongue out and blows a raspberry in

0:56:21.719 --> 0:56:22.120
<v Speaker 5>his face.

0:56:22.280 --> 0:56:25.480
<v Speaker 2>Corey is proud, Well put, honey, well put? Can you

0:56:25.520 --> 0:56:30.680
<v Speaker 2>demanded the raspberry? No? I don't either. I want to know.

0:56:33.080 --> 0:56:35.680
<v Speaker 5>He demands that Phoene give them something they can actually use.

0:56:35.960 --> 0:56:38.880
<v Speaker 5>Phoene thinks for a moment and lands on persevere and

0:56:39.120 --> 0:56:42.760
<v Speaker 5>prosperity shall be yours. They both frown at his meaningless

0:56:42.840 --> 0:56:44.879
<v Speaker 5>mumbo jumbo and storm out of the room with another

0:56:44.960 --> 0:56:48.399
<v Speaker 5>without another word. Once they're gone, Feene admits, all right,

0:56:48.440 --> 0:56:49.400
<v Speaker 5>I'm a fortune cookie.

0:56:49.880 --> 0:56:59.920
<v Speaker 7>Great line, it's so funny.

0:57:04.680 --> 0:57:06.800
<v Speaker 2>And then we're in the student union, Eric and Jacker

0:57:06.920 --> 0:57:09.560
<v Speaker 2>jabbing pool balls at each other. Why aren't you guys

0:57:09.600 --> 0:57:12.719
<v Speaker 2>just playing pool? Because we're playing pockey.

0:57:12.960 --> 0:57:15.880
<v Speaker 4>This is what we started playing, all of us on

0:57:15.920 --> 0:57:18.840
<v Speaker 4>the set started playing this game that we called pockey,

0:57:19.040 --> 0:57:21.000
<v Speaker 4>and this is the first time that they actually put

0:57:21.000 --> 0:57:22.800
<v Speaker 4>it in the show. So it was pool hockey and

0:57:22.800 --> 0:57:24.560
<v Speaker 4>we'd have one ball and you try to snap it

0:57:24.560 --> 0:57:27.120
<v Speaker 4>to the thing, and we all started playing this like rider.

0:57:27.640 --> 0:57:30.480
<v Speaker 2>All of us were grabbing this. So it's like, what's

0:57:30.560 --> 0:57:35.720
<v Speaker 2>the one with a hockey? Yeah, or air hockey, bastball, foosball.

0:57:37.440 --> 0:57:41.040
<v Speaker 4>And you've got your one ball and you and you

0:57:41.080 --> 0:57:42.800
<v Speaker 4>actually don't remember doing this.

0:57:42.880 --> 0:57:43.800
<v Speaker 2>Oh yeah, we played.

0:57:43.880 --> 0:57:46.560
<v Speaker 4>We played all the time we have, we had pockey

0:57:46.640 --> 0:57:48.680
<v Speaker 4>tournaments going on, so this is the first time we

0:57:48.720 --> 0:57:50.800
<v Speaker 4>got to see it. I was like, hey, pocky, Yeah,

0:57:50.920 --> 0:57:53.600
<v Speaker 4>it's so funny. Probably ruined the hell out of the table,

0:57:53.680 --> 0:57:54.960
<v Speaker 4>but it was Yeah, when that.

0:57:54.920 --> 0:57:57.200
<v Speaker 5>Table had been ruined already with all the people jumping

0:57:57.280 --> 0:58:00.520
<v Speaker 5>up on it. Yeah, Eric and Jacker jabby pool balls

0:58:00.560 --> 0:58:02.560
<v Speaker 5>at each other. With the cues, when Rachel walks up

0:58:02.560 --> 0:58:05.400
<v Speaker 5>and realizes, I haven't seen you guys in days. How's

0:58:05.480 --> 0:58:10.160
<v Speaker 5>life been treating you? I needed a reminder about why

0:58:10.960 --> 0:58:15.040
<v Speaker 5>any of this storyline is going on, Like it's so

0:58:15.320 --> 0:58:19.400
<v Speaker 5>long ago, but we like, why why are they trying

0:58:19.400 --> 0:58:20.400
<v Speaker 5>to make her jealous?

0:58:20.480 --> 0:58:21.960
<v Speaker 1>Like do you know what I mean, I know, well

0:58:22.120 --> 0:58:25.120
<v Speaker 1>this is also where I was like, God, she's she's

0:58:25.480 --> 0:58:28.640
<v Speaker 1>Matt's X, like she and Jack, and they're not even

0:58:28.680 --> 0:58:32.080
<v Speaker 1>acknowledging that, Like now we just completely drop that they

0:58:32.120 --> 0:58:34.800
<v Speaker 1>were in a relationship, like they they had like one

0:58:34.840 --> 0:58:37.760
<v Speaker 1>of the most like profound.

0:58:37.520 --> 0:58:39.840
<v Speaker 2>Kisses on the show. Yeah, and then just act like

0:58:39.880 --> 0:58:41.240
<v Speaker 2>it never freaking happens.

0:58:41.280 --> 0:58:42.920
<v Speaker 4>Well no, but I think what they were trying to

0:58:42.960 --> 0:58:47.000
<v Speaker 4>show was that Maitland is one pretty girl and the

0:58:47.080 --> 0:58:48.200
<v Speaker 4>others are three.

0:58:51.120 --> 0:58:56.040
<v Speaker 5>You know what now when okay, when I get yeah,

0:58:56.280 --> 0:58:59.560
<v Speaker 5>you see what I'm saying, and that is funny, like

0:58:59.640 --> 0:59:02.320
<v Speaker 5>you know, one versus three.

0:59:02.280 --> 0:59:07.560
<v Speaker 4>Right, because again Maitland one, but the dom Triplets, thanks

0:59:07.560 --> 0:59:09.440
<v Speaker 4>to their dad, are three.

0:59:09.320 --> 0:59:13.080
<v Speaker 5>Three right gosh Okay, well so I think now I

0:59:13.480 --> 0:59:14.760
<v Speaker 5>feel silly now, thank you?

0:59:14.880 --> 0:59:17.160
<v Speaker 2>Yeah, and then incomes Triple.

0:59:16.840 --> 0:59:25.000
<v Speaker 5>E, another triplet. The boys trade smiles. She wants to

0:59:25.040 --> 0:59:28.040
<v Speaker 5>know how life has been treating them. Eric explains life,

0:59:28.120 --> 0:59:31.560
<v Speaker 5>which has up until now treated us terribly, has decided

0:59:31.600 --> 0:59:34.640
<v Speaker 5>to pay us back. On cue, the blonde triplets walk in,

0:59:34.840 --> 0:59:39.800
<v Speaker 5>once again wearing matching outfits as full grown adults. Eric

0:59:39.840 --> 0:59:44.560
<v Speaker 5>announces these are the domb Triplets, then places himself between them,

0:59:44.640 --> 0:59:47.800
<v Speaker 5>and they're the best dumb triplets I've ever seen.

0:59:54.160 --> 0:59:55.840
<v Speaker 2>God, is this.

0:59:55.800 --> 0:59:58.440
<v Speaker 4>One of Could you argue this is one of the

0:59:58.440 --> 1:00:00.960
<v Speaker 4>worst and useless, most useless the stories in the history

1:00:01.000 --> 1:00:03.760
<v Speaker 4>of the show. For sure, I think you could some

1:00:04.320 --> 1:00:06.360
<v Speaker 4>that are weird, but this one is just like what

1:00:06.760 --> 1:00:08.120
<v Speaker 4>it's actually happening?

1:00:08.280 --> 1:00:10.360
<v Speaker 2>Yeah, we should keep it Tally.

1:00:10.400 --> 1:00:11.840
<v Speaker 1>I wanted because I feel like we've had a couple

1:00:11.880 --> 1:00:13.600
<v Speaker 1>of these where we're just like, yeah, it's like.

1:00:13.560 --> 1:00:16.040
<v Speaker 2>What is going on? But this has the triplets have

1:00:16.040 --> 1:00:16.360
<v Speaker 2>to be up.

1:00:16.880 --> 1:00:20.040
<v Speaker 5>Yeah, the don Triplets is pretty bad. Jack explains there

1:00:20.040 --> 1:00:22.800
<v Speaker 5>are neighbors, all three of them. Eric jumps up on

1:00:22.840 --> 1:00:26.760
<v Speaker 5>the pool table and again counts them one, two, three.

1:00:27.640 --> 1:00:32.640
<v Speaker 2>Let's trike so hard. Oh man, hello, my baby, Hello

1:00:32.800 --> 1:00:33.160
<v Speaker 2>my dog.

1:00:33.480 --> 1:00:35.760
<v Speaker 1>I just want you to put on the top and

1:00:35.840 --> 1:00:38.960
<v Speaker 1>a bow tie.

1:00:40.560 --> 1:00:42.760
<v Speaker 2>Do your best Marsel the monkey.

1:00:44.320 --> 1:00:45.280
<v Speaker 5>Trying out.

1:00:53.440 --> 1:01:07.959
<v Speaker 8>Comedy. Just say it loud and big, so hard. Heart

1:01:08.040 --> 1:01:08.720
<v Speaker 8>breaks for you.

1:01:08.880 --> 1:01:11.280
<v Speaker 5>You're like, oh god, I'll do it, I'll do it,

1:01:11.400 --> 1:01:12.600
<v Speaker 5>I watch it, I'll save it.

1:01:12.680 --> 1:01:15.280
<v Speaker 2>Guys. Oh god, I was gonna hit the wall. I'm

1:01:15.320 --> 1:01:18.440
<v Speaker 2>gonna run into a full speed what's gonna happen?

1:01:21.800 --> 1:01:26.040
<v Speaker 5>He just loves to count them. Rachel awkwardly says hello,

1:01:26.160 --> 1:01:30.240
<v Speaker 5>and Jack asks, aren't they just the greatest girls? Eric reemphasizes,

1:01:30.280 --> 1:01:35.600
<v Speaker 5>because there's three one, two, three, and there's only one

1:01:35.640 --> 1:01:38.920
<v Speaker 5>of you and three of them, and you lose.

1:01:42.200 --> 1:01:46.240
<v Speaker 4>I'd like to thank my parents for standing behind me

1:01:46.280 --> 1:01:46.919
<v Speaker 4>this entire time.

1:01:46.960 --> 1:01:48.640
<v Speaker 2>I didn't think i'd be standing up there tonight. This

1:01:48.680 --> 1:01:54.680
<v Speaker 2>is really unexpected. Yeah, just to be nominated, yeah, just

1:01:54.720 --> 1:01:56.680
<v Speaker 2>to be nominated. But this is crazy.

1:01:57.040 --> 1:02:00.160
<v Speaker 5>Rachel points out, well, there's three of them and there's

1:02:00.160 --> 1:02:03.320
<v Speaker 5>only two of you, So what's up with that? One

1:02:03.360 --> 1:02:05.880
<v Speaker 5>of the triplets, and since they are not distinguished in

1:02:05.920 --> 1:02:08.919
<v Speaker 5>the captions, I do not know which one responds they

1:02:08.960 --> 1:02:12.160
<v Speaker 5>promised they'd find us a third guy. Then another continues

1:02:12.320 --> 1:02:14.960
<v Speaker 5>so we can all go out together, and the last

1:02:14.960 --> 1:02:19.320
<v Speaker 5>one adds we always do everything together. Jack and Eric

1:02:19.360 --> 1:02:24.200
<v Speaker 5>emphasize everything the triplets to tell the boys.

1:02:24.480 --> 1:02:26.000
<v Speaker 1>I think I've talked about this before, but you know,

1:02:26.200 --> 1:02:30.160
<v Speaker 1>when I do the like screenplay teaching that I do

1:02:30.240 --> 1:02:32.800
<v Speaker 1>with the fifth grade the kids when I go, I've

1:02:32.840 --> 1:02:34.520
<v Speaker 1>done it at multiple schools, but now I do it

1:02:34.520 --> 1:02:37.920
<v Speaker 1>at Indie School. One of the things that the kids

1:02:37.960 --> 1:02:42.400
<v Speaker 1>always do is they write dialogue at the characters say

1:02:42.400 --> 1:02:43.560
<v Speaker 1>the same dialogue.

1:02:43.160 --> 1:02:46.240
<v Speaker 2>At the same course like in real life. Exactly.

1:02:46.320 --> 1:02:48.240
<v Speaker 1>It's like it's one of those things that, for whatever reason,

1:02:48.280 --> 1:02:50.800
<v Speaker 1>it's like a kid brain just automatically it's like, oh,

1:02:50.800 --> 1:02:52.320
<v Speaker 1>and then this side of the you know, these three

1:02:52.320 --> 1:02:54.680
<v Speaker 1>people will say this thing, especially if they're like sisters

1:02:54.760 --> 1:02:57.480
<v Speaker 1>or brothers, they'll have them be like we were hungry,

1:02:57.760 --> 1:02:59.760
<v Speaker 1>and you're like, nobody can do that, Like that's human

1:02:59.840 --> 1:03:03.080
<v Speaker 1>the not humanly. This is one of those moments. Yes, oh,

1:03:03.120 --> 1:03:06.280
<v Speaker 1>they're just we are triplets. We finish each other.

1:03:07.680 --> 1:03:12.160
<v Speaker 2>Yeah, looks like it's fifth grade writing. It worked for me.

1:03:15.480 --> 1:03:16.120
<v Speaker 2>There's three of them.

1:03:16.160 --> 1:03:18.320
<v Speaker 4>There's one Maitland. I don't think you guys are following me.

1:03:19.160 --> 1:03:19.920
<v Speaker 4>One Maitland.

1:03:20.320 --> 1:03:22.760
<v Speaker 2>She's tall, thought three of the top three of the blonds.

1:03:23.080 --> 1:03:26.000
<v Speaker 5>Yeah all right, yeah, I don't thank you for the reminder.

1:03:26.160 --> 1:03:29.080
<v Speaker 4>Well, what's funnier before you go any farther than one

1:03:29.080 --> 1:03:34.760
<v Speaker 4>set of triplets? Take it away, Daniellelet here we go.

1:03:36.080 --> 1:03:38.520
<v Speaker 5>The triplets tell the boys they've been so nice in

1:03:38.600 --> 1:03:41.160
<v Speaker 5>helping them find their dorm room. They owe them a party.

1:03:41.840 --> 1:03:44.200
<v Speaker 5>Eric shrieks, they owe us a party. And so the

1:03:44.240 --> 1:03:46.680
<v Speaker 5>girls ask did they find the other guy. Jack and

1:03:46.800 --> 1:03:49.600
<v Speaker 5>Eric excuse themselves to figure out a plan. Eric panics,

1:03:49.680 --> 1:03:51.960
<v Speaker 5>third guy, Third guy party. Then he points to a

1:03:52.040 --> 1:03:54.720
<v Speaker 5>random guy in the corner. I choose you a student

1:03:55.000 --> 1:03:57.200
<v Speaker 5>who looks just like Scott Bayo?

1:03:57.840 --> 1:03:59.600
<v Speaker 2>Does he even really notice that?

1:03:59.680 --> 1:03:59.760
<v Speaker 8>Oh?

1:03:59.800 --> 1:04:01.440
<v Speaker 2>Yeah, it's it's wild?

1:04:01.840 --> 1:04:04.320
<v Speaker 5>Perks up and asks him, Hey, do you want to

1:04:04.360 --> 1:04:07.160
<v Speaker 5>go out with one of these beautiful women? Without missing

1:04:07.200 --> 1:04:09.920
<v Speaker 5>a beat, he asks, can my brothers come with me?

1:04:10.280 --> 1:04:13.520
<v Speaker 5>The camera zooms out to reveal two other guys who

1:04:13.560 --> 1:04:17.000
<v Speaker 5>look a lot like Scott Bayo, and they're all dressed

1:04:17.160 --> 1:04:20.640
<v Speaker 5>the same again as adults.

1:04:21.560 --> 1:04:23.960
<v Speaker 1>I totally forgot, and I can't believe I forget. I'm

1:04:23.960 --> 1:04:25.960
<v Speaker 1>looking at Danielle's curtains.

1:04:26.200 --> 1:04:29.520
<v Speaker 2>Do you guys, did it bother you that Ben's sweatshirt

1:04:29.600 --> 1:04:33.960
<v Speaker 2>blended in with the cabinets in the classroom? Exactly? Do

1:04:34.000 --> 1:04:34.480
<v Speaker 2>you remember this?

1:04:36.040 --> 1:04:38.880
<v Speaker 1>It's it's like almost the same color as Danielle's curtains,

1:04:38.960 --> 1:04:42.760
<v Speaker 1>and he, for whatever is his sweatshirt matches the cabinets.

1:04:42.800 --> 1:04:46.000
<v Speaker 2>It's so bad, It's like it's the weirdest thing. And

1:04:46.080 --> 1:04:48.880
<v Speaker 2>I was like, why wouldn't they change this? Like how

1:04:48.880 --> 1:04:50.520
<v Speaker 2>did nobody notice that that? Is?

1:04:50.640 --> 1:04:52.760
<v Speaker 5>By the way for our dear listeners who don't know

1:04:52.880 --> 1:04:56.200
<v Speaker 5>that is a large part of what the wardrobe stylists

1:04:56.240 --> 1:05:00.680
<v Speaker 5>are supposed to do is to take into account the set, colors, fabrics,

1:05:00.720 --> 1:05:02.160
<v Speaker 5>the couch. You don't want to put somebody in a

1:05:02.160 --> 1:05:05.640
<v Speaker 5>floral dress on the floral couch. So that's like a big,

1:05:05.720 --> 1:05:07.440
<v Speaker 5>you know, a big thing. So that should have been

1:05:07.480 --> 1:05:09.880
<v Speaker 5>a consideration, Like, hey, this color too close to the

1:05:09.880 --> 1:05:10.640
<v Speaker 5>color of the set.

1:05:10.800 --> 1:05:12.120
<v Speaker 2>I found so distracted.

1:05:13.240 --> 1:05:15.880
<v Speaker 4>Oh okay, well I was looking at the triplets, the

1:05:15.880 --> 1:05:16.880
<v Speaker 4>two sets of triplets.

1:05:16.960 --> 1:05:19.760
<v Speaker 5>Well yeah, I mean, another good looking set of triplets

1:05:19.760 --> 1:05:22.400
<v Speaker 5>at this tiny school. What are the odds?

1:05:22.800 --> 1:05:24.960
<v Speaker 2>I also in this in the student union.

1:05:24.960 --> 1:05:28.840
<v Speaker 1>In one of the scenes, it was so fun Shiloh's

1:05:28.880 --> 1:05:33.439
<v Speaker 1>girlfriend Darcy and it's like right on camera, like she's

1:05:33.480 --> 1:05:35.640
<v Speaker 1>walking with another guy like towards the camera, and I

1:05:35.680 --> 1:05:37.920
<v Speaker 1>was like, oh, my heart just was like oh, because yeah,

1:05:37.960 --> 1:05:40.760
<v Speaker 1>she was living with Shiloh at the end. Yeah, they

1:05:40.760 --> 1:05:43.040
<v Speaker 1>were together for like five years and and so so

1:05:43.120 --> 1:05:44.040
<v Speaker 1>fun to see.

1:05:43.800 --> 1:05:48.840
<v Speaker 2>Her like right, yeah, cool.

1:05:49.080 --> 1:05:49.280
<v Speaker 7>Yeah.

1:05:49.840 --> 1:05:52.880
<v Speaker 5>Well, the audience loves the big reveal, and Eric and

1:05:52.960 --> 1:05:56.040
<v Speaker 5>Jack know this is bad news. The dom triplets are

1:05:56.280 --> 1:06:00.840
<v Speaker 5>immediately ensoorcelled. By the other guy's tripletness and they say

1:06:00.840 --> 1:06:03.800
<v Speaker 5>goodbye to Eric and Jack two by two as they

1:06:04.080 --> 1:06:05.040
<v Speaker 5>walk out the door.

1:06:05.520 --> 1:06:07.919
<v Speaker 2>Well took, yeah.

1:06:07.600 --> 1:06:12.760
<v Speaker 5>Forever, it took because it was all about bye no

1:06:12.760 --> 1:06:13.480
<v Speaker 5>no hi hi no.

1:06:13.840 --> 1:06:16.920
<v Speaker 4>Hi high no Hi yeah hi hi no hi hi

1:06:17.160 --> 1:06:19.880
<v Speaker 4>no no hi high no no. And it was all

1:06:19.920 --> 1:06:24.400
<v Speaker 4>about the timing, timing.

1:06:25.080 --> 1:06:28.240
<v Speaker 2>So here, writer, let's do it. Let's do it.

1:06:28.280 --> 1:06:30.480
<v Speaker 5>Will you be the no al ready okay, but we're

1:06:30.480 --> 1:06:31.880
<v Speaker 5>gonna do it. We're gonna do it the way. It

1:06:31.920 --> 1:06:35.240
<v Speaker 5>took a long time, ready, okay, hi.

1:06:35.320 --> 1:06:36.360
<v Speaker 2>Hi no.

1:06:37.920 --> 1:06:46.480
<v Speaker 5>Hi hi no hi hi no. And it took, and

1:06:46.560 --> 1:06:48.959
<v Speaker 5>we must have done it fifteen times. I mean, okay,

1:06:49.240 --> 1:06:52.800
<v Speaker 5>just now, let's do it. Well ready hi hi no

1:06:53.480 --> 1:06:58.440
<v Speaker 5>hi hi no hi hie no, there you go, thank you.

1:06:59.080 --> 1:06:59.520
<v Speaker 2>And it took.

1:07:00.160 --> 1:07:01.960
<v Speaker 4>It became one of our famous bloopers that we have

1:07:02.080 --> 1:07:04.600
<v Speaker 4>because it just we couldn't get it. And then, to

1:07:04.680 --> 1:07:09.280
<v Speaker 4>make matters worse, we finally got it and I turn

1:07:09.760 --> 1:07:12.760
<v Speaker 4>and I say, Maitland instead of Rachel.

1:07:12.840 --> 1:07:15.640
<v Speaker 2>Yeah, and I hear Michael go you you had it.

1:07:18.440 --> 1:07:18.640
<v Speaker 6>Run.

1:07:20.200 --> 1:07:22.040
<v Speaker 2>So it was just but it just took.

1:07:22.320 --> 1:07:23.880
<v Speaker 4>I mean, by the end, Matt and I were literally

1:07:23.920 --> 1:07:25.800
<v Speaker 4>staring at the camera, like, what the hell is going on?

1:07:25.840 --> 1:07:28.160
<v Speaker 4>They just they couldn't get the timing. They just couldn't

1:07:28.240 --> 1:07:28.920
<v Speaker 4>get the timing.

1:07:29.200 --> 1:07:41.680
<v Speaker 6>Yeah.

1:07:41.720 --> 1:07:44.800
<v Speaker 5>Well, Realizing they have been disinvited to the party, they

1:07:44.920 --> 1:07:47.680
<v Speaker 5>turned back to Rachel, who's happily lounging on the pool table.

1:07:48.080 --> 1:07:50.880
<v Speaker 5>Eric notes, we appear to have a gaping hole in

1:07:50.920 --> 1:07:53.640
<v Speaker 5>our social calendar, so if you're not doing anything later,

1:07:53.760 --> 1:07:57.200
<v Speaker 5>maybe we could. Rachel cuts him off. You know, I wasn't,

1:07:57.240 --> 1:07:59.200
<v Speaker 5>but now I think I'm just going to go home

1:07:59.240 --> 1:08:01.480
<v Speaker 5>and laugh, laugh and laugh.

1:08:01.800 --> 1:08:04.680
<v Speaker 2>Laugh three times three? Get it?

1:08:05.440 --> 1:08:09.080
<v Speaker 5>Eric's cracking up it, admits, No, just very funny.

1:08:09.120 --> 1:08:10.880
<v Speaker 2>I think it's funny.

1:08:10.920 --> 1:08:13.840
<v Speaker 5>It's cute. She pats his leg and leaves Eric and

1:08:13.920 --> 1:08:16.720
<v Speaker 5>Jack sit in silence until Eric coffers, you want to

1:08:16.760 --> 1:08:18.120
<v Speaker 5>go volunteer to be experimented on?

1:08:20.640 --> 1:08:26.160
<v Speaker 2>I don't think so. I think that Jack goes sure,

1:08:26.439 --> 1:08:28.240
<v Speaker 2>can we walk out now?

1:08:28.439 --> 1:08:30.839
<v Speaker 5>Later on, in the student union, Sean grabs a coffee

1:08:30.840 --> 1:08:32.799
<v Speaker 5>and takes it over to his table with Angela Topanga

1:08:32.840 --> 1:08:35.800
<v Speaker 5>and Corey. He asks, how are the married dorms pretty

1:08:35.800 --> 1:08:39.400
<v Speaker 5>sweet setup? I'm guessing. Corey bluntly answers, we have bugs.

1:08:39.720 --> 1:08:43.200
<v Speaker 5>Sean shugs it off. Everyone has bugs. Corey counters our

1:08:43.240 --> 1:08:47.320
<v Speaker 5>bugs have cars. Do you guys remember shooting the scene

1:08:48.120 --> 1:08:50.760
<v Speaker 5>we have the bloopers.

1:08:50.840 --> 1:08:52.800
<v Speaker 2>Could not get through this scene.

1:08:52.680 --> 1:08:57.200
<v Speaker 5>No, no, another one where we just just.

1:09:02.000 --> 1:09:05.280
<v Speaker 2>I don't know, because I just I couldn't. I couldn't,

1:09:05.400 --> 1:09:08.040
<v Speaker 2>I could laugh. So I just started making a run.

1:09:13.439 --> 1:09:15.120
<v Speaker 4>Well what set us off in the first place, I

1:09:15.120 --> 1:09:17.719
<v Speaker 4>don't remember. One of the starts was you turning around

1:09:17.840 --> 1:09:18.880
<v Speaker 4>and you hit the chair.

1:09:19.920 --> 1:09:22.000
<v Speaker 2>A chair, it's a chair. There's that.

1:09:22.240 --> 1:09:25.679
<v Speaker 4>But then you guys, and I remember distinctly watching from

1:09:25.720 --> 1:09:29.000
<v Speaker 4>off camera and you guy, it was just so funny

1:09:29.040 --> 1:09:32.240
<v Speaker 4>because you just you, especially Danielle.

1:09:31.800 --> 1:09:38.280
<v Speaker 2>Were down just lose it over funny. It was great

1:09:38.280 --> 1:09:39.679
<v Speaker 2>to watch man.

1:09:40.160 --> 1:09:41.120
<v Speaker 5>That was Yeah.

1:09:41.160 --> 1:09:43.160
<v Speaker 2>So this was been a big tape night.

1:09:43.360 --> 1:09:46.479
<v Speaker 5>This was a big show for us, A big show

1:09:47.439 --> 1:09:50.840
<v Speaker 5>and probably very stressful. And I think at this point

1:09:51.080 --> 1:09:57.160
<v Speaker 5>I started just maniacally giggling at pressure. When things were stressful.

1:09:57.160 --> 1:10:01.639
<v Speaker 5>It was just like here comes the cackles. Just nothing.

1:10:01.840 --> 1:10:04.559
<v Speaker 5>I don't know what else to do. Sean shakes his head.

1:10:04.600 --> 1:10:08.000
<v Speaker 5>Your worst problem should be bugs, Corey nods, true, but

1:10:08.120 --> 1:10:10.800
<v Speaker 5>it's not Tapega begs him to change the subject and

1:10:10.840 --> 1:10:13.439
<v Speaker 5>not bring up plumbing, crying babies, or the fact that

1:10:13.479 --> 1:10:15.960
<v Speaker 5>there was a guy shot in their apartment over a salad,

1:10:16.160 --> 1:10:19.120
<v Speaker 5>the remains of which are still on the wall. Angela

1:10:19.200 --> 1:10:22.720
<v Speaker 5>asks the guy or the salad, and Tapega admits she

1:10:22.760 --> 1:10:25.479
<v Speaker 5>doesn't really want to know. She ate it anyway.

1:10:26.240 --> 1:10:27.880
<v Speaker 2>It's a great line.

1:10:28.479 --> 1:10:31.400
<v Speaker 5>Sean does decide to change the subject. Let's talk about

1:10:31.439 --> 1:10:34.280
<v Speaker 5>the married thing. What's the biggest difference. Corey puts his

1:10:34.400 --> 1:10:37.559
<v Speaker 5>arm around to Panga. Well, we're together in everything. We're

1:10:37.560 --> 1:10:40.240
<v Speaker 5>there for each other, and even though everything we're going

1:10:40.240 --> 1:10:43.040
<v Speaker 5>through right now may not be ideal, we're getting through it.

1:10:43.400 --> 1:10:45.880
<v Speaker 5>I think we're handling it well, you know. But Angela

1:10:45.920 --> 1:10:49.080
<v Speaker 5>has focused on Topanga and asks if she's crying. Topanga's

1:10:49.120 --> 1:10:52.240
<v Speaker 5>voice cracks while asking why she'd say that. Angela states

1:10:52.280 --> 1:10:55.360
<v Speaker 5>the obvious, because tears are coming out of your eyes

1:10:55.400 --> 1:10:58.920
<v Speaker 5>and your face is all scrunched up. Topega wonders this

1:10:58.960 --> 1:11:02.439
<v Speaker 5>is crying, and Angela says it is. Then Topenga admits,

1:11:02.840 --> 1:11:06.519
<v Speaker 5>then I've been crying for three days. The inmates are

1:11:06.640 --> 1:11:12.040
<v Speaker 5>bummed as Sean catches on and asks what's wrong. Tapega

1:11:12.080 --> 1:11:15.040
<v Speaker 5>assures them it's nothing, then gets up and walks out,

1:11:15.520 --> 1:11:17.840
<v Speaker 5>Angela chases after her, and Sean asks Corey if he

1:11:17.880 --> 1:11:20.960
<v Speaker 5>wants to talk about it. Cory sarcastically wonders, talk about,

1:11:21.000 --> 1:11:22.960
<v Speaker 5>what how I've been married for one week and I

1:11:23.000 --> 1:11:25.839
<v Speaker 5>already can't protect my wife. Talk about how I believed

1:11:25.880 --> 1:11:28.360
<v Speaker 5>love would get us through anything. Talk about what an

1:11:28.439 --> 1:11:31.799
<v Speaker 5>unprepared idiot I am. Sean tells him he's not an idiot,

1:11:31.840 --> 1:11:34.719
<v Speaker 5>it's just new, but Corey reminds him to peg is crying.

1:11:35.120 --> 1:11:38.160
<v Speaker 5>Sean begs to let him help, and Corey shakes his head. Thanks,

1:11:38.240 --> 1:11:41.240
<v Speaker 5>but I don't think you can on this one. Although

1:11:41.280 --> 1:11:44.680
<v Speaker 5>I wanted to be like, you could just stay with

1:11:44.720 --> 1:11:49.479
<v Speaker 5>Angela for a couple of days, and so why not?

1:11:49.640 --> 1:11:49.920
<v Speaker 2>Why not?

1:11:52.320 --> 1:11:55.240
<v Speaker 1>Why you grab a gallon of paint, help us paint

1:11:55.240 --> 1:11:58.479
<v Speaker 1>something up. That's part of being a man too, is

1:11:59.120 --> 1:12:01.840
<v Speaker 1>network people. But no, he somehow has got to do

1:12:01.880 --> 1:12:03.439
<v Speaker 1>it by himself on principle.

1:12:03.479 --> 1:12:07.519
<v Speaker 2>But it's fine with it being his dad. He still

1:12:08.320 --> 1:12:08.640
<v Speaker 2>you're right.

1:12:08.680 --> 1:12:12.880
<v Speaker 5>Why why doesn't he actually say I have too much

1:12:12.920 --> 1:12:13.400
<v Speaker 5>pride to.

1:12:13.320 --> 1:12:18.280
<v Speaker 4>Go to my dad or foe by the way, because yeah,

1:12:18.640 --> 1:12:19.960
<v Speaker 4>just not Sean, now all of a.

1:12:19.960 --> 1:12:24.679
<v Speaker 5>Sudden can't take any help. Sean insists, of course I can.

1:12:24.920 --> 1:12:28.080
<v Speaker 5>I'm your friend. Corey breaks it to him. Yeah, but

1:12:28.160 --> 1:12:30.800
<v Speaker 5>i'm her husband. I have to take care of this.

1:12:31.479 --> 1:12:32.080
<v Speaker 5>I have to.

1:12:33.640 --> 1:12:36.599
<v Speaker 2>Which when he goes back to his dad, that's his dad.

1:12:36.439 --> 1:12:39.720
<v Speaker 5>Taking care of it again, Like I don't understand this patriarchy.

1:12:40.080 --> 1:12:42.639
<v Speaker 2>Yeah you can. You can accept help from your father

1:12:42.840 --> 1:12:47.559
<v Speaker 2>maybe or your teacher, but not from your best friend.

1:12:47.640 --> 1:12:49.200
<v Speaker 2>You don't know what it's like to be a man, Danielle.

1:12:49.200 --> 1:12:51.680
<v Speaker 2>You know you're right. You're right. You don't get it.

1:12:51.760 --> 1:12:56.919
<v Speaker 2>How many Maitlands are there? One? There's just just but three?

1:12:56.960 --> 1:12:57.799
<v Speaker 2>Dom Triplet.

1:12:58.120 --> 1:13:01.639
<v Speaker 5>Right back in the Matthew's living room, Corey is pacing

1:13:01.640 --> 1:13:03.920
<v Speaker 5>the room while Alan reminds him, I can't help you

1:13:04.000 --> 1:13:06.679
<v Speaker 5>with this. Corey assures him he's not asking for help.

1:13:06.840 --> 1:13:09.439
<v Speaker 5>This isn't about me. This is about Tapanga. The minute

1:13:09.479 --> 1:13:12.080
<v Speaker 5>I married her, she became more important than me. She

1:13:12.160 --> 1:13:14.880
<v Speaker 5>became more important than anything. And I know mom is

1:13:14.880 --> 1:13:18.599
<v Speaker 5>more important to you than anything. Right, Alan agrees, she is,

1:13:19.080 --> 1:13:22.160
<v Speaker 5>and you are as well, and so is Topanga. Corey's

1:13:22.200 --> 1:13:24.839
<v Speaker 5>relieved to hear that, because he wasn't getting that feeling before,

1:13:25.080 --> 1:13:27.080
<v Speaker 5>but now he's happy to hear that his dad is

1:13:27.120 --> 1:13:31.200
<v Speaker 5>finally coming around. Alan bursts that bubble quickly. I'm not

1:13:31.400 --> 1:13:33.800
<v Speaker 5>coming around. I can't help the way you want me to,

1:13:33.920 --> 1:13:36.920
<v Speaker 5>and I'm not going to. Corey raises his voice, Hey,

1:13:37.280 --> 1:13:40.839
<v Speaker 5>we're drowning here. Alan shakes his head. You're not drowning,

1:13:41.360 --> 1:13:43.080
<v Speaker 5>Corey shouts. Then what do you call living in an

1:13:43.120 --> 1:13:45.599
<v Speaker 5>awful dorm with no money? And the washing machine's broken

1:13:45.600 --> 1:13:47.360
<v Speaker 5>in the laundry room and there's some kind of soup

1:13:47.439 --> 1:13:51.679
<v Speaker 5>coming out of the faucet. Alan scoffs. Marriage, I call

1:13:51.720 --> 1:13:56.280
<v Speaker 5>it marriage. Corey stammers, Well, it's hard. It's just hard, dad,

1:13:56.640 --> 1:13:58.920
<v Speaker 5>Alan clarifies, and you want me to make it not

1:13:59.080 --> 1:14:02.000
<v Speaker 5>so hard. Corey loses it. You're supposed to do that

1:14:02.080 --> 1:14:05.640
<v Speaker 5>for me, But Alan yell's back. I can't. Corey screams, well,

1:14:05.640 --> 1:14:08.200
<v Speaker 5>then what good are you? The audience feels that one

1:14:08.240 --> 1:14:09.120
<v Speaker 5>and throws back, and.

1:14:10.240 --> 1:14:12.839
<v Speaker 2>Now was I wrong? This was weird to me? Didn't

1:14:12.880 --> 1:14:13.439
<v Speaker 2>they say?

1:14:13.520 --> 1:14:13.680
<v Speaker 7>Well?

1:14:13.720 --> 1:14:14.680
<v Speaker 2>Then what good are you?

1:14:14.720 --> 1:14:19.680
<v Speaker 4>But they were on Rusty when Corey says it, like

1:14:19.720 --> 1:14:21.920
<v Speaker 4>I think, if you watch it again, it's not a

1:14:21.960 --> 1:14:24.680
<v Speaker 4>close up of Corey saying, well, then what good are you?

1:14:24.720 --> 1:14:28.200
<v Speaker 2>They're on Rusty? Then what good are you? Do you

1:14:28.200 --> 1:14:31.120
<v Speaker 2>think it was like an headed Yeah, they was waiting something.

1:14:31.240 --> 1:14:33.160
<v Speaker 4>Yeah, I could be wrong, but I sort of got

1:14:33.200 --> 1:14:35.400
<v Speaker 4>it was like on Rusty when you hear what good

1:14:35.400 --> 1:14:35.640
<v Speaker 4>are you?

1:14:35.680 --> 1:14:37.400
<v Speaker 2>And it was like, oh, that was a weird choice

1:14:37.400 --> 1:14:39.519
<v Speaker 2>to not have it on. I wonder if he said.

1:14:39.320 --> 1:14:46.000
<v Speaker 1>Something more harsh, oh, and the too harsh right, and

1:14:46.040 --> 1:14:47.160
<v Speaker 1>then just changed it.

1:14:47.479 --> 1:14:49.599
<v Speaker 5>Oh great, Yeah, maybe that would have been a good

1:14:49.680 --> 1:14:50.960
<v Speaker 5>That would have been a reason they would want to

1:14:51.200 --> 1:14:53.400
<v Speaker 5>make that coverage change. It could have also been that

1:14:53.680 --> 1:14:55.800
<v Speaker 5>Ben said it on his turn to walk out of

1:14:55.840 --> 1:14:57.960
<v Speaker 5>the room, and it was the back of his on

1:14:58.040 --> 1:14:59.960
<v Speaker 5>his back, and they wanted to see Rusty's reaction.

1:15:00.400 --> 1:15:01.040
<v Speaker 2>Gotcha.

1:15:01.400 --> 1:15:04.320
<v Speaker 4>You could also tell just knowing the set. All the

1:15:04.360 --> 1:15:06.280
<v Speaker 4>doors are closed because obviously they hadn't go to the.

1:15:06.320 --> 1:15:09.519
<v Speaker 1>Kitchen when you were like when the back up er

1:15:09.600 --> 1:15:12.599
<v Speaker 1>one especially was liked because I don't remember that having

1:15:12.600 --> 1:15:14.960
<v Speaker 1>to close, like any ability to close before.

1:15:15.000 --> 1:15:21.960
<v Speaker 5>Oh yeah it did, okay, Yeah, they didn't build the kitchen.

1:15:22.000 --> 1:15:23.479
<v Speaker 2>They the kitchen.

1:15:24.120 --> 1:15:26.040
<v Speaker 5>We noticed a stressed out Amy is sitting at the

1:15:26.080 --> 1:15:29.280
<v Speaker 5>top of the stairs listening in. Corey begins to storm out,

1:15:29.320 --> 1:15:32.200
<v Speaker 5>but Alan stands up and yells after him, Hey, you

1:15:32.240 --> 1:15:34.680
<v Speaker 5>made a choice. You decided that you were old enough

1:15:34.680 --> 1:15:37.440
<v Speaker 5>to get married. You decided to take on the responsibility

1:15:37.439 --> 1:15:39.680
<v Speaker 5>of a new life because you believed you could handle it,

1:15:39.920 --> 1:15:42.920
<v Speaker 5>and this family supported that decision. After we told you

1:15:42.960 --> 1:15:45.880
<v Speaker 5>that it was going to be very difficult. Corey is silent.

1:15:46.160 --> 1:15:48.960
<v Speaker 5>Alan asks what did you think we were kidding? Did

1:15:48.960 --> 1:15:50.639
<v Speaker 5>you go into this marriage thinking you were just going

1:15:50.680 --> 1:15:52.160
<v Speaker 5>to play house and we were going to bail you

1:15:52.160 --> 1:15:52.799
<v Speaker 5>out of trouble?

1:15:53.240 --> 1:15:56.759
<v Speaker 2>Corey, this is your life. Deal with your life.

1:15:57.720 --> 1:15:59.640
<v Speaker 5>Corey stares at the ground for a few seconds and

1:15:59.640 --> 1:16:02.599
<v Speaker 5>then finally looks up at his dad and admits, all

1:16:02.680 --> 1:16:03.720
<v Speaker 5>you had to say was no.

1:16:04.640 --> 1:16:06.760
<v Speaker 2>It's a great scene between the two of them.

1:16:06.960 --> 1:16:09.479
<v Speaker 5>I love it. Yeah, but why does he say all

1:16:09.520 --> 1:16:10.880
<v Speaker 5>you had to say was no? When if you go

1:16:10.960 --> 1:16:12.120
<v Speaker 5>back to the first scene.

1:16:12.200 --> 1:16:13.120
<v Speaker 2>All he said was no.

1:16:13.200 --> 1:16:13.920
<v Speaker 5>All he says is no.

1:16:14.120 --> 1:16:18.559
<v Speaker 2>Yeah no yeah yeah no literally yeah no no.

1:16:18.680 --> 1:16:18.800
<v Speaker 7>Right.

1:16:19.320 --> 1:16:22.120
<v Speaker 4>Also, I don't entirely understand why Betsy had to be

1:16:22.160 --> 1:16:24.000
<v Speaker 4>sitting at the top of the stairs.

1:16:23.800 --> 1:16:29.920
<v Speaker 2>Well as a mom.

1:16:28.280 --> 1:16:34.280
<v Speaker 5>Who would probably also understand and agree, like I think

1:16:34.320 --> 1:16:37.599
<v Speaker 5>Amy does. I think in that last scene where with

1:16:37.680 --> 1:16:41.479
<v Speaker 5>Corey and them, we do see that she's not just

1:16:41.640 --> 1:16:45.160
<v Speaker 5>saying it because she's, you know, acquiescing to her husband.

1:16:45.320 --> 1:16:51.280
<v Speaker 5>She's she agrees, Yeah, you cannot stay here if one

1:16:51.360 --> 1:16:56.040
<v Speaker 5>person finds it harder when you're I'm going to put

1:16:56.080 --> 1:16:57.439
<v Speaker 5>it like to like sleep training.

1:16:57.880 --> 1:16:59.760
<v Speaker 2>When you're maybe going to sleep train your.

1:16:59.680 --> 1:17:01.719
<v Speaker 5>Baby, you have to now teach them how to soothe

1:17:01.760 --> 1:17:06.799
<v Speaker 5>themselves to sleep. Sometimes one parent is stronger at listening

1:17:06.880 --> 1:17:11.439
<v Speaker 5>to the baby cry than another parent. And you say, listen,

1:17:12.080 --> 1:17:13.960
<v Speaker 5>I know that we need to do this. I want

1:17:13.960 --> 1:17:15.360
<v Speaker 5>to do this. I know this is a skill set

1:17:15.360 --> 1:17:16.960
<v Speaker 5>I want my kid to learn. I don't want them

1:17:17.000 --> 1:17:20.840
<v Speaker 5>sleeping with us. Whatever I physically cannot do it, I'm

1:17:20.880 --> 1:17:23.400
<v Speaker 5>going to run in there. And sometimes that's the man,

1:17:23.600 --> 1:17:27.880
<v Speaker 5>and sometimes it's the mom. In this situation, I don't

1:17:27.920 --> 1:17:31.080
<v Speaker 5>Actually I didn't feel like it was because she has

1:17:31.120 --> 1:17:36.040
<v Speaker 5>been removed. She has removed herself from it because it

1:17:36.120 --> 1:17:38.719
<v Speaker 5>is just too difficult for her, and yet she's there

1:17:39.240 --> 1:17:43.280
<v Speaker 5>in what I view kind of as a supportive way.

1:17:43.360 --> 1:17:46.760
<v Speaker 5>It's painful for her, but I view it as she

1:17:46.920 --> 1:17:50.200
<v Speaker 5>is there kind of supporting Alan. I'm here with you

1:17:51.000 --> 1:17:55.519
<v Speaker 5>while technically not being right next to you. So I

1:17:55.560 --> 1:18:01.360
<v Speaker 5>didn't quite take it as a patriarchal or misogynistic.

1:18:01.439 --> 1:18:03.240
<v Speaker 4>Yeah, I don't take a misogynistic I just didn't I

1:18:03.240 --> 1:18:05.200
<v Speaker 4>didn't get why she was necesss why you needed to

1:18:05.200 --> 1:18:05.760
<v Speaker 4>cut to her at all.

1:18:05.800 --> 1:18:08.960
<v Speaker 1>I'm really curious how this plays out in the next episode, right,

1:18:09.040 --> 1:18:12.360
<v Speaker 1>I'm really curious, like because it seems like we're setting

1:18:12.400 --> 1:18:13.879
<v Speaker 1>up more story.

1:18:14.000 --> 1:18:15.679
<v Speaker 2>It doesn't it like it doesn't really resolve.

1:18:15.800 --> 1:18:18.040
<v Speaker 4>I think I think they they do fix up the

1:18:18.080 --> 1:18:20.880
<v Speaker 4>apartment if memory serves, because it's like a nice balance show.

1:18:20.920 --> 1:18:24.200
<v Speaker 2>Eventually. That's what I'm hoping, is that. I think so man, because.

1:18:25.560 --> 1:18:27.800
<v Speaker 4>Alan and Sean and everybody shows up to like, fix

1:18:27.880 --> 1:18:29.519
<v Speaker 4>up the apartment is what I hope happens.

1:18:29.640 --> 1:18:31.120
<v Speaker 2>Yeah, yeah, I just don't.

1:18:30.960 --> 1:18:33.360
<v Speaker 5>Know that is what should happen. Also, I would have

1:18:33.439 --> 1:18:35.400
<v Speaker 5>loved in like, but you know, they didn't want to

1:18:35.400 --> 1:18:37.400
<v Speaker 5>get to a solution too soon. But like, oh, the

1:18:37.560 --> 1:18:39.960
<v Speaker 5>washing machine is broken and there's a dryer, Bring your

1:18:40.000 --> 1:18:42.960
<v Speaker 5>laundry over here. That's something that happened, you know, Bring

1:18:43.000 --> 1:18:45.559
<v Speaker 5>your laundry over here until the until the place fixes there.

1:18:45.800 --> 1:18:47.280
<v Speaker 5>And by the way, I'm not going to do your laundry.

1:18:47.280 --> 1:18:49.240
<v Speaker 5>I'm not saying bring your laundry to your mommy but

1:18:49.360 --> 1:18:51.280
<v Speaker 5>do your laundry at our in our washing machine. That

1:18:51.360 --> 1:18:53.080
<v Speaker 5>those are things that you know that would have been

1:18:53.080 --> 1:18:55.000
<v Speaker 5>but they also wanted to really set it up that

1:18:55.040 --> 1:18:58.600
<v Speaker 5>this they don't want to make it too easy. He

1:18:58.720 --> 1:19:01.759
<v Speaker 5>leaves and sad accoustic guitar music plays as Alan buries

1:19:01.760 --> 1:19:04.519
<v Speaker 5>his face in his hands. Amy is still silently sitting

1:19:04.560 --> 1:19:07.719
<v Speaker 5>on the stairs, and then back at the married dorm

1:19:07.760 --> 1:19:10.000
<v Speaker 5>to Panga's in the kitchen making a sandwich. When Corey

1:19:10.040 --> 1:19:12.920
<v Speaker 5>walks in holding a single sunflower, She lets out a

1:19:12.920 --> 1:19:13.639
<v Speaker 5>sigh of relief.

1:19:13.800 --> 1:19:14.479
<v Speaker 2>Where was he?

1:19:14.640 --> 1:19:18.040
<v Speaker 5>She's been worried sick. He hands her the sunflower and admits,

1:19:18.479 --> 1:19:19.840
<v Speaker 5>I think it's just going to be you and me.

1:19:20.439 --> 1:19:22.120
<v Speaker 5>They take a seat into Penga says she made them

1:19:22.160 --> 1:19:24.640
<v Speaker 5>a tuna fish sandwich. He picks up his half of

1:19:24.680 --> 1:19:27.360
<v Speaker 5>the sandwich and she stares at the sunflower. He calmly

1:19:27.400 --> 1:19:29.720
<v Speaker 5>tells her he loves her, and she responds, I know,

1:19:30.360 --> 1:19:32.479
<v Speaker 5>I know you do. She reaches out of here.

1:19:32.520 --> 1:19:37.080
<v Speaker 2>Stand why Sean couldn't help friends? I think you're right.

1:19:37.120 --> 1:19:38.960
<v Speaker 2>Hopefully in the next episode everybody does.

1:19:39.520 --> 1:19:43.280
<v Speaker 1>Yeah, I know, but why but Corey actively refuses Sean's help.

1:19:43.520 --> 1:19:45.280
<v Speaker 2>Yeah, and then he comes in here says it looks

1:19:45.280 --> 1:19:46.240
<v Speaker 2>like it's just us.

1:19:47.200 --> 1:19:49.760
<v Speaker 1>Why why are you defeated? Like if you need help,

1:19:49.800 --> 1:19:54.920
<v Speaker 1>if you're hungry, Sean offered and you refused, what for pride?

1:19:55.040 --> 1:19:58.400
<v Speaker 5>I don't like, I know, it's really weird, especially because

1:19:58.479 --> 1:20:01.040
<v Speaker 5>immediately after he says that, no, this time it needs

1:20:01.080 --> 1:20:03.160
<v Speaker 5>to be just me, the next scene is him back

1:20:03.240 --> 1:20:06.600
<v Speaker 5>talking to his dad about protect it fine, don't help me,

1:20:06.680 --> 1:20:07.360
<v Speaker 5>help to panga?

1:20:08.400 --> 1:20:11.519
<v Speaker 1>Right, Yeah, I think it's one of those examples of like,

1:20:12.120 --> 1:20:18.840
<v Speaker 1>you know, a really strong scene or image motivating the

1:20:18.960 --> 1:20:21.720
<v Speaker 1>entire episode. Right the idea of like they split one

1:20:21.760 --> 1:20:25.160
<v Speaker 1>sandwich in a dirty apartment and they're alone, marriage is

1:20:25.200 --> 1:20:25.840
<v Speaker 1>not what they.

1:20:25.720 --> 1:20:26.519
<v Speaker 2>Imagined it would be.

1:20:26.600 --> 1:20:28.960
<v Speaker 1>Like that's a powerful image to end the episode on.

1:20:29.520 --> 1:20:31.599
<v Speaker 1>So then like you just write to that as much

1:20:31.600 --> 1:20:33.639
<v Speaker 1>as you can. But it kind of doesn't make sense,

1:20:33.720 --> 1:20:36.720
<v Speaker 1>you know. So I feel like this episode is doing

1:20:36.760 --> 1:20:40.960
<v Speaker 1>some weird you know, mental or scene gymnastics in order

1:20:41.040 --> 1:20:44.759
<v Speaker 1>to make that work or to arrive at that place.

1:20:44.800 --> 1:20:47.040
<v Speaker 1>And it's like, ugh, I don't it doesn't make sense,

1:20:47.120 --> 1:20:48.920
<v Speaker 1>Like it could have easily been that Shawn is strapped

1:20:48.960 --> 1:20:50.960
<v Speaker 1>for money too, and he can help Corey. Yeah, and

1:20:51.000 --> 1:20:52.439
<v Speaker 1>he's like, man, I would love to help you out,

1:20:52.439 --> 1:20:53.240
<v Speaker 1>but I really can.

1:20:53.160 --> 1:20:55.240
<v Speaker 4>And it's like, oh, but instance, here's the thing I

1:20:55.280 --> 1:21:00.439
<v Speaker 4>didn't understand is so beforehand they didn't have any getting

1:21:00.439 --> 1:21:02.519
<v Speaker 4>food before they got married.

1:21:03.040 --> 1:21:05.840
<v Speaker 2>Why now that they're married can they not eat? I know,

1:21:05.880 --> 1:21:10.240
<v Speaker 2>were their parents giving them money for food before and

1:21:10.280 --> 1:21:10.960
<v Speaker 2>now that you're married.

1:21:11.000 --> 1:21:13.120
<v Speaker 1>I'm just you could have actually explained some of this

1:21:13.160 --> 1:21:15.200
<v Speaker 1>because yeah, you see a bill. You see the bill

1:21:15.240 --> 1:21:17.400
<v Speaker 1>of like the wedding and like because they had to

1:21:17.439 --> 1:21:19.600
<v Speaker 1>bail Eric out of jail or yeah, you could have

1:21:19.600 --> 1:21:21.840
<v Speaker 1>even been funny stuff. Yeah, but the point could have

1:21:21.880 --> 1:21:24.160
<v Speaker 1>been like, oh, wow, we thought we would have this

1:21:24.320 --> 1:21:25.280
<v Speaker 1>planned and we didn't.

1:21:25.479 --> 1:21:27.719
<v Speaker 2>Yeah. Instead it's like, I don't know, it's yeah.

1:21:27.760 --> 1:21:32.000
<v Speaker 5>I could also see how if you are a parent

1:21:32.120 --> 1:21:34.280
<v Speaker 5>of a college age kid, and let's say the Matthews

1:21:34.320 --> 1:21:37.519
<v Speaker 5>are helping pay for Corey to go to college when

1:21:37.560 --> 1:21:41.400
<v Speaker 5>he was single, not married, I could see them being like,

1:21:41.800 --> 1:21:45.519
<v Speaker 5>part of your school budget is an allowance for food.

1:21:45.600 --> 1:21:48.400
<v Speaker 5>You have to stay within it. You know, it's thirty

1:21:48.439 --> 1:21:50.519
<v Speaker 5>dollars a week or whatever it is, but that's what

1:21:50.600 --> 1:21:52.760
<v Speaker 5>you have to buy groceries or eat out, and like

1:21:52.800 --> 1:21:55.720
<v Speaker 5>that's what you have but now that you're used to

1:21:55.760 --> 1:21:58.240
<v Speaker 5>so grown up, you're married, that's going to be on

1:21:58.320 --> 1:22:01.559
<v Speaker 5>you now. And they they have they're still paying off

1:22:01.600 --> 1:22:04.080
<v Speaker 5>the wedding, they spent too much on the honeymoon. They whatever,

1:22:04.439 --> 1:22:07.240
<v Speaker 5>oh my gosh, we didn't allow for this, Like but

1:22:07.280 --> 1:22:10.120
<v Speaker 5>you're even just a little bit of that explanation, like

1:22:10.200 --> 1:22:13.639
<v Speaker 5>for Alan to say in the in that first scene,

1:22:14.360 --> 1:22:16.240
<v Speaker 5>what about the money, Like, what about the money you

1:22:16.240 --> 1:22:19.000
<v Speaker 5>got for your wedding, Well, we spent it on the honeymoon.

1:22:19.320 --> 1:22:20.760
<v Speaker 5>Why would you do that? Right?

1:22:21.479 --> 1:22:23.720
<v Speaker 1>And I like strengthen the principal part because then it's like,

1:22:24.080 --> 1:22:26.599
<v Speaker 1>I'm teaching you this lesson because you screwed up.

1:22:26.920 --> 1:22:29.080
<v Speaker 2>Yeah, whereas right now he's just teaching.

1:22:28.760 --> 1:22:31.719
<v Speaker 1>Them a lesson for no, just to teach him a lesson,

1:22:31.720 --> 1:22:33.519
<v Speaker 1>and it's just like you need to learn this, Corey.

1:22:33.720 --> 1:22:33.960
<v Speaker 8>Yeah.

1:22:33.960 --> 1:22:36.000
<v Speaker 1>And it's like, well, I mean, the strongest argument is

1:22:36.200 --> 1:22:38.040
<v Speaker 1>you're the one who said you were old enough to

1:22:38.080 --> 1:22:39.800
<v Speaker 1>get married, so you've got to deal with that. Sure,

1:22:39.840 --> 1:22:41.880
<v Speaker 1>But it would have been so much stronger if they had, yeah,

1:22:41.920 --> 1:22:43.880
<v Speaker 1>they had screwed something up, if Corey de Bega had

1:22:43.920 --> 1:22:46.479
<v Speaker 1>like blown they flew first class and.

1:22:46.640 --> 1:22:49.400
<v Speaker 2>You know, made some bad choices, and then it's like yeah.

1:22:49.280 --> 1:22:51.040
<v Speaker 4>Yeah, and also they could you could have made it

1:22:51.080 --> 1:22:52.639
<v Speaker 4>funnier with Sean who He's like, well, let me help,

1:22:52.640 --> 1:22:54.519
<v Speaker 4>and they're like, great, can we have some money?

1:22:54.520 --> 1:22:56.640
<v Speaker 2>Oh, I don't have any money. I don't have any exactly, well,

1:22:56.640 --> 1:22:57.519
<v Speaker 2>do you have any food?

1:22:57.720 --> 1:23:01.400
<v Speaker 4>Well no, Angela gives me a do you know any plumbing?

1:23:01.520 --> 1:23:03.280
<v Speaker 2>Yeah? Now can you help us?

1:23:04.360 --> 1:23:07.280
<v Speaker 5>I can take a picture of you something you could

1:23:07.280 --> 1:23:07.519
<v Speaker 5>have made it.

1:23:08.439 --> 1:23:10.559
<v Speaker 2>Want me to write your poem? Yeah, exactly, Like yeah,

1:23:10.640 --> 1:23:12.240
<v Speaker 2>let me write you home something you could have done

1:23:12.280 --> 1:23:14.280
<v Speaker 2>some comedy with exactly like.

1:23:14.320 --> 1:23:16.000
<v Speaker 5>Yeah, I can't actually help you.

1:23:16.080 --> 1:23:18.160
<v Speaker 4>I can't Actually you're right. No, you're right, I can't

1:23:18.200 --> 1:23:21.000
<v Speaker 4>help you. Oh yeah, like so many ways you could

1:23:21.000 --> 1:23:22.880
<v Speaker 4>have done it. But he's just like, no, I've got

1:23:22.920 --> 1:23:25.200
<v Speaker 4>to do it myself. Until the next scene when I've

1:23:25.200 --> 1:23:26.080
<v Speaker 4>got to ask others.

1:23:26.080 --> 1:23:27.720
<v Speaker 2>My daddy salami.

1:23:27.960 --> 1:23:30.919
<v Speaker 4>Yeah, but again he walked in trying to get salami.

1:23:30.960 --> 1:23:33.840
<v Speaker 4>So who's been buying your salami for up to the

1:23:33.880 --> 1:23:34.920
<v Speaker 4>marriage is my question?

1:23:38.840 --> 1:23:39.080
<v Speaker 2>Wow.

1:23:39.320 --> 1:23:41.519
<v Speaker 5>So then as the tag, we're in the married dorm

1:23:41.560 --> 1:23:44.880
<v Speaker 5>hallway and we get bloopers. It's a handful of blown

1:23:44.960 --> 1:23:47.280
<v Speaker 5>takes from the scene where coreyin t Benga find Michael's

1:23:47.320 --> 1:23:50.240
<v Speaker 5>son standing outside their dorm. Corey says hi to the

1:23:50.280 --> 1:23:52.599
<v Speaker 5>little fella, and the boy laughs and fumbles his line,

1:23:52.960 --> 1:23:55.240
<v Speaker 5>and then I start laughing and the boy tries again,

1:23:55.320 --> 1:23:56.599
<v Speaker 5>but he can't stop laughing either.

1:23:56.600 --> 1:24:03.000
<v Speaker 1>You guys, remember evil Baby, an evil baby. So Michael

1:24:03.120 --> 1:24:07.719
<v Speaker 1>and his this is Michael's son. He could say, Danny

1:24:07.760 --> 1:24:11.200
<v Speaker 1>do evil baby, and Danny would make this like evil.

1:24:11.400 --> 1:24:13.559
<v Speaker 2>He had like a face that they did. It was

1:24:13.600 --> 1:24:15.719
<v Speaker 2>his stare. I thought it was gonna be in the bloopers.

1:24:15.720 --> 1:24:17.000
<v Speaker 1>I was like, oh, we get to see it because

1:24:17.000 --> 1:24:19.280
<v Speaker 1>I had distinctly remember us all.

1:24:19.240 --> 1:24:23.000
<v Speaker 2>Dying when Michael would just call it d evil baby.

1:24:23.360 --> 1:24:27.280
<v Speaker 2>Danny would just make this face. It was so cute.

1:24:27.360 --> 1:24:29.360
<v Speaker 2>It was like there, you know, he was only three

1:24:29.439 --> 1:24:32.759
<v Speaker 2>or four whenever he was, obviously he was so cute.

1:24:33.160 --> 1:24:36.400
<v Speaker 1>Yeah, but they didn't include the outtakes. I don't know why.

1:24:36.920 --> 1:24:39.720
<v Speaker 1>I just remember evil Baby, evil Baby.

1:24:40.120 --> 1:24:43.000
<v Speaker 2>That is so funny. Yeah, it was so cute.

1:24:43.560 --> 1:24:45.120
<v Speaker 5>Well, then we get a few more takes where he

1:24:45.160 --> 1:24:48.000
<v Speaker 5>almost nails it, and then he looks at the studio audience, but.

1:24:48.000 --> 1:24:49.840
<v Speaker 2>Then finally he gets it.

1:24:50.040 --> 1:24:52.200
<v Speaker 5>And then right after he hits the line, He looks

1:24:52.200 --> 1:24:55.200
<v Speaker 5>off stage to his dad and giggles, I I got

1:24:55.240 --> 1:25:01.640
<v Speaker 5>it right right. Everyone breaks into laughter and another Jacobs

1:25:01.720 --> 1:25:06.280
<v Speaker 5>gets his sagcard. So join us for our next episode,

1:25:06.280 --> 1:25:10.559
<v Speaker 5>recap Season seven episode ten, Picket Fences. It originally aired

1:25:10.560 --> 1:25:14.400
<v Speaker 5>November twenty first, nineteen ninety nine. Thank you all for

1:25:14.520 --> 1:25:16.960
<v Speaker 5>joining us for this episode of Pod Meets World. As always,

1:25:17.000 --> 1:25:19.280
<v Speaker 5>you can follow us on Instagram pod Meets World Show.

1:25:19.400 --> 1:25:21.880
<v Speaker 5>You can send us your emails Podmeets Worldshow at gmail

1:25:21.920 --> 1:25:23.880
<v Speaker 5>dot com. And we've got March.

1:25:24.600 --> 1:25:27.559
<v Speaker 4>Originating in the late nineteenth early twentieth century in London,

1:25:27.600 --> 1:25:31.520
<v Speaker 4>Blowing a raspberry comes from Cockney rhyming slang where raspberry

1:25:31.600 --> 1:25:34.559
<v Speaker 4>is short for raspberry tart, which rhymes with fart.

1:25:35.840 --> 1:25:42.840
<v Speaker 5>March all right, Podmeetsworldshow dot com will send us out.

1:25:43.120 --> 1:25:46.960
<v Speaker 2>We love you all, is it? Dad Babo pod dismissed.

1:25:48.680 --> 1:25:51.280
<v Speaker 4>Pod Meets World is n iHeart podcast producer and hosted

1:25:51.280 --> 1:25:53.759
<v Speaker 4>by Danielle Fischel, Wilfordell and Ryder Strong.

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1:26:04.240 --> 1:26:07.120
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