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Speaker 1: So besides the critical role charity event that Will and

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Speaker 1: I got to do, which was so much fun, I

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Speaker 1: have not played D and D or like a role

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Speaker 1: playing game like for a long time, except this summer.

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Speaker 1: I discovered a role playing game that was like so

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Speaker 1: perfect for me. And if there's anybody out there who's

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Speaker 1: a fan of Stranger Things, there's a few, I'm sure

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Speaker 1: a few fans, and there's a and there's a crossover

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Speaker 1: too between D and D and Stranger Things obviously, because

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Speaker 1: like Stranger Things brought D and D back, well, there's

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Speaker 1: actually a role playing game built around the concept of

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Speaker 1: Stranger Things itself. It's called Kids on Bikes and the

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Speaker 1: whole idea is that you get to play kids on

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Speaker 1: bikes in a small town who are running around figuring

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Speaker 1: out a mystery or some sort of supernatural thing. It

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Speaker 1: is the most fun. And this is the only time

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Speaker 1: because I've never DMD, which is Dungeon Master if you

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Speaker 1: don't know, or G or GMS game that's a more

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Speaker 1: generic term, right, I've never done that until we discovered

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Speaker 1: this game, and it is so much fun.

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Speaker 2: Basically, actually have to get on a bike, no, but

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Speaker 2: your bike.

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Speaker 1: Gets to give you certain benefits, Like you pick your

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Speaker 1: bike based on you know, like it's color and whether

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Speaker 1: it has tassels, and that it's kind of like your spells,

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Speaker 1: you know, like in it gives you different abilities or

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Speaker 1: your class maybe is what you know.

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Speaker 2: But you basically the best part about it.

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Speaker 1: But the way the game works is you get together

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Speaker 1: and you build the town as a group. So like

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Speaker 1: I did this with Indy and two of his friends,

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Speaker 1: and I did it with Shiloh too for a session.

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Speaker 1: But like we get together and you all like answer

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Speaker 1: questions about the town. So like you go in an

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Speaker 1: order and you're like, what's the town like the high

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Speaker 1: school mascot? What is this town's industry?

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Speaker 2: What is this?

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Speaker 3: You know?

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Speaker 2: And the only real rule.

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Speaker 1: Like like before you start this is it has to

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Speaker 1: be before cell phones.

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Speaker 2: Oh the game, so you have to be kids.

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Speaker 1: On bikes before cell phones, so basically the nineties or earlier.

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Speaker 1: So you figure out what time period it is and

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Speaker 1: then you get together and then you build this town

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Speaker 1: and you all answer questions and the best part is

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Speaker 1: at a certain point after you know, like, oh, what's

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Speaker 1: the town, like the industry of the town, and where

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Speaker 1: do like what's the high school?

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Speaker 2: Like and where's all what are the things going on?

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Speaker 1: And then you go what are the rumors? And everybody

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Speaker 1: of all the players get to come up with like

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Speaker 1: I heard that the math teacher is an alien. I

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Speaker 1: heard that in the lake there's a dead body. And

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Speaker 1: then you so that's like session zero is you just

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Speaker 1: come up with the town and draw out a map,

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Speaker 1: and you all come up with the rumors. And then

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Speaker 1: as the GM, what I get to go and do

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Speaker 1: is like run off and take those rumors and create

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Speaker 1: a game built around a group of kids investigating like

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Speaker 1: the rumors or the myths of the town. It is

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Speaker 1: so much fun, and you can go kind of anywhere

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Speaker 1: you want. You can go like more horror, you can

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Speaker 1: go more supernatural, you can go like X FILESY. You

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Speaker 1: could go like straight just mystery, like you're just a

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Speaker 1: bunch of kids dealing with you know, some some bad

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Speaker 1: person in town or whatever. You can kind of build

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Speaker 1: it however you want. And it's not like it's not

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Speaker 1: like a fighting game. You know, it's not like D

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Speaker 1: and D, because sometimes D and D can get very

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Speaker 1: like yeah, it becomes like a video game whatever. It's

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Speaker 1: very much a storytelling game, and you and you get

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Speaker 1: to create, like you know that they have archetypes for

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Speaker 1: the kids. You get to be like the jock, the

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Speaker 1: new kid from out of town, you know. And so

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Speaker 1: you create this friend group and maybe you're not all friends,

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Speaker 1: maybe you like don't even really know each other. But

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Speaker 1: this mystery, this adventure is going to bring you together.

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Speaker 1: It is like the storytelling sweet spot for me, because

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Speaker 1: like I love like first season of Stranger Things is

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Speaker 1: still like one of my favorite things ever made. I

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Speaker 1: didn't really stick with it after seas what was that?

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Speaker 1: Will you don't like it?

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Speaker 4: It was? It was good to me if you pull

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Speaker 4: out the eighties aspect, it was just a totally basic

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Speaker 4: television show, and.

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Speaker 2: I kind of wish they had just pulled out the

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Speaker 2: referential Like to me, that was it was the nostalgia

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Speaker 2: that that people love more than it.

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Speaker 1: But see but see I love like Erie Indiana, remember

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Speaker 1: that show.

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Speaker 2: I love x Indiana.

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Speaker 1: Yeah, I love like any And I also of course

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Speaker 1: like going back to like stand by Me Gooney is

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Speaker 1: like I just love those kinds of stories, and I

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Speaker 1: feel like, you know, it hasn't still like they've tried

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Speaker 1: to bring back that like amblin Nix, but like to me,

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Speaker 1: when you do it so referential, I get less interested.

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Speaker 1: Like that's where The Stranger Things kind of lost me.

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Speaker 1: It was like this is cool, Like I love the characters.

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Speaker 1: I thought the actors were so good, but.

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Speaker 2: Like I didn't need everything to be like.

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Speaker 1: That movie poster from that thing you've seen this other Yeah,

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Speaker 1: I get over that too, But like actual storytelling, like

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Speaker 1: David Harber is so good and I just like I yeah,

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Speaker 1: and I just love the idea of like you know,

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Speaker 1: even like Super eight remember that movie. Yeah, it like

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Speaker 1: wasn't great, but I love the idea of the movie.

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Speaker 2: Like that's I just wanted to bring that Spielberg that

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Speaker 2: was the Spielberg. Well he produced it, but it was J. J.

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Speaker 2: Abrams with director.

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Speaker 4: Yeah, well I mean with with with kids on bikes?

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Speaker 4: Can Danielle still dress up in costume?

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Speaker 5: This idea as long as I as long as I

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Speaker 5: just get to kind of be like a kid in

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Speaker 5: a decade in town.

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Speaker 2: I don't have to be an elf.

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Speaker 1: You don't have to be a dryad or yeah no,

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Speaker 1: you can just be Can I be an help for

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Speaker 1: a dryad if I want to. The thing is the

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Speaker 1: game is flexible, but no, I like the idea that

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Speaker 1: you sort of keep it grounded, and like the whole thing.

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Speaker 2: Is that you're you know, you're you're still driven story.

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Speaker 2: Yeah exactly. Oh it's so fun.

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Speaker 4: Well nothing, but there's nothing like getting into a full

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Speaker 4: campaign whenever you're playing, when you're with a bunch of

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Speaker 4: people and it's a bunch of friends who are all

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Speaker 4: enjoying it and you're going for the same. I mean

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Speaker 4: even the night we had a critical role that one

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Speaker 4: the one shot we did, it's so much fun.

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Speaker 2: Nobody walked away from the table.

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Speaker 1: It was like Christine Lincoln was texting me the next

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Speaker 1: day being like, can we just do that for fun?

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Speaker 1: And I was like, yeah, people do this all the time. No,

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Speaker 1: I agree.

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Speaker 2: I think there's something about you know what. What it

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Speaker 2: harkens back.

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Speaker 1: To for me is like when you used to play

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Speaker 1: on the playground with your friends and just made to

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Speaker 1: believe together. And I think that's what I like about

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Speaker 1: kids on bikes is that it's literally your kids doing that,

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Speaker 1: you know, So there's something like childlike in that wonder

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Speaker 1: that for me like makes it even more fun.

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Speaker 2: Even when we do the critical role thing, we were

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Speaker 2: playing teenagers, you know, and I like that.

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Speaker 1: I like that aspect for some reason, that filter of

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Speaker 1: like we're not just like gonna be like a bunch

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Speaker 1: of wizards like real.

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Speaker 2: Adults in this fantasy world.

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Speaker 1: Like that's a little harder for my brain to make

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Speaker 1: that leap, especially when I'm playing with my son who's eleven,

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Speaker 1: Whereas if I'm like, we're a bunch of eleven year

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Speaker 1: olds and we're running around, I can sort of like

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Speaker 1: my suspension of disbelief is easier.

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Speaker 2: Right, Well, it's not like that.

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Speaker 4: It's also it's a license to play. It's like we're

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Speaker 4: all ten. Okay, great, let's let's just be ten.

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Speaker 2: You were a child who didn't play and didn't make believes,

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Speaker 2: come on, you never trust, you didn't have barbies and

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Speaker 2: they mess. I would play house. I was always the.

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Speaker 4: Mom, okay, telling everybody to start playing and work correct,

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Speaker 4: giving the house the whole.

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Speaker 2: Your mom got you to do housework. Yeah, you.

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Speaker 5: Playing, there's no time for that. That was literally it's

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Speaker 5: just always what I looked forward to doing. Yeah, that's

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Speaker 5: just it. That's what I thought being a grown up.

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Speaker 5: It's what being a grown up is.

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Speaker 4: Okay, you know what you know what we do for Danielle.

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Speaker 4: You know how we bring Danielle in. It's like you

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Speaker 4: fade up? Were all kids fade up? Nineteen ninety to

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Speaker 4: Panga Mall?

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Speaker 2: Something else? Yeah, there you go. That's yes, we're at

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Speaker 2: the mall.

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Speaker 5: I have an ice blendid, I've done my bra shopping

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Speaker 5: and now something.

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Speaker 2: A mystery occurs in the mall. There you go?

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Speaker 5: Or like the because there was the fall Brook Mall

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Speaker 5: right down the street from the Panga Mall, and that

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Speaker 5: mall is like basically remember when it was just empty

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Speaker 5: and you can still see through it and you could

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Speaker 5: tell that no one had done.

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Speaker 2: In thereund mall, run down mall, run down wall. That's

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Speaker 2: a great sight there was.

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Speaker 4: It was just one story leave, then another story we leave,

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Speaker 4: and the movie theater was still open, so you'd go

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Speaker 4: to the movies and then there was nothing.

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Speaker 5: They had plants and planters, no one had touched them.

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Speaker 5: They were overgrown, just dead and overgrown, and it was it's.

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Speaker 2: Just super creepy. We build our town around that. We

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Speaker 2: have man doing the kids on bike camp. So that's great,

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Speaker 2: that's that's awesome. It's a good idea.

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Speaker 4: Yeah, that's the one thing I did like about stranger

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Speaker 4: Things is the fact that anybody who plays D and

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Speaker 4: D understands the entire show is just a D and

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Speaker 4: D campaign. Yeah, you said that, there's all this that

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Speaker 4: it's a it's actually structured camp.

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Speaker 2: See I didn't stick with it after season two. It's good.

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Speaker 2: It's a show.

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Speaker 4: It really is a good show, and it ended great,

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Speaker 4: but it was just I mean, it ended okay, but

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Speaker 4: it was you know, it's one of those things where

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Speaker 4: it's just if you're a D.

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Speaker 2: And D fan, it's like, wow, this is amazing. YEA,

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Speaker 2: Welcome to Pod Meets World.

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Speaker 5: I'm Daniel Fishel, I'm Rader Strong, and I'm will fordll.

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Speaker 2: Oh to day.

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Speaker 5: We are recapping season seven, episode nine, The Honeymoon is

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Speaker 5: Over It original Dunn.

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Speaker 2: Wow.

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Speaker 1: This episode is a dun dundon Dunn definitely dun dundun

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Speaker 1: yep wow.

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Speaker 5: It originally aired November nineteenth, nineteen ninety nine. The synopsis

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Speaker 5: Corey and Tapega realize they are on their own when

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Speaker 5: Sean moves into the girl's apartment and Corey's parents refuse

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Speaker 5: to take them in. It was directed by Jody Binstock,

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Speaker 5: her second of three Boy Meets World episodes. That she

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Speaker 5: would direct. We Were the first show she ever directed.

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Speaker 5: She would later get an Emmy nomination for the Lisa

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Speaker 5: Kudro online series web Therapy, which she was the coep on,

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Speaker 5: and she also eped z Nation, a show that ran

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Speaker 5: from twenty fourteen to twenty eighteen. This episode was written

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Speaker 5: by Barry Safchak. And before I get into our guest stars,

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Speaker 5: which consists of two sets of triplets, do we want

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Speaker 5: to talk about our overall thoughts?

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Speaker 2: Go welco uh.

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Speaker 4: I liked the idea of the A story. The B

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Speaker 4: story was unwatchably horrible all the way around. It was

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Speaker 4: so bad everything about it. I'm bad, Matt's bad, the twin,

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Speaker 4: the triplets are bad.

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Speaker 2: Times six well to be.

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Speaker 5: I mean to cut you guys some slack. I can

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Speaker 5: see on your face that you know how bad this is.

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Speaker 2: It was.

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Speaker 4: It was just and I'm I'm struggling to like, I'm

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Speaker 4: going to make this as big as possible, to like,

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Speaker 4: if I can be on the corner tap dancing and

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Speaker 4: doing this and trying.

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Speaker 2: You're on the pool table basically tap dancing. Yes, to

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Speaker 2: try and make.

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Speaker 4: It fun, to try to do something, because the B

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Speaker 4: story is it's insufferably bad.

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Speaker 2: Again.

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Speaker 4: I thought parts of the a story could could have

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Speaker 4: been tweaked a little bit, but the actual story itself

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Speaker 4: of hey, now you're a married couple. Now you've got

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Speaker 4: to deal with your life. Now you've got to figure

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Speaker 4: this out, I thought was great.

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Speaker 2: Yeah, yeah, I totally agree.

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Speaker 6: Man.

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Speaker 2: I think that that that.

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Speaker 1: Message is so cool and it's so interesting because boy

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Speaker 1: Meet's world has been building up this marriage and you know,

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Speaker 1: the fantasy and celebrating this couple.

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Speaker 2: So to bring it crashing down and to have Rusty.

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Speaker 1: Do it the way he does at the end, really

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Speaker 1: like it almost saved the whole episode for me because

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Speaker 1: I was like I was left with such a profound

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Speaker 1: sense of like, oh god, they're really going there, which

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Speaker 1: was surprising, and so that almost makes it a great

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Speaker 1: episode because it's so profound. But up until then getting there,

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Speaker 1: I was just like, this is kind.

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Speaker 2: Of dumb, Like I just I don't know what's happened.

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Speaker 2: I don't know about this. I just it's weird. It's

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Speaker 2: it's a weird vibe. It's a really it's a I mean,

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Speaker 2: and maybe that's a point.

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Speaker 1: It's a buzzkill, right, Like it's so when it made

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Speaker 1: the buzz kill the point of the episode. I was

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Speaker 1: happy with it, but having my buzz killed throughout was

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Speaker 1: not fun.

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Speaker 2: So I was like, why are we doing this?

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Speaker 1: Like yeah, and I feel like there's a way you

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Speaker 1: could have done it more like when you guys were

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Speaker 1: stomping on the bugs.

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Speaker 2: I was like, I guess either trying to make this

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Speaker 2: fun or funny, but it's just not working for me.

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Speaker 2: It's not landing. So I don't know something was off.

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Speaker 5: Yeah, I agree with both of you.

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Speaker 2: Is not to sound redundant. I really though.

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Speaker 5: For me, the liking of the A storyline the only

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Speaker 5: thing I will complain about with the A storyline because

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Speaker 5: overall I just forget that the B storyline existed. And

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Speaker 5: what I walked away Yeah, what I walked away from

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Speaker 5: the episode with like, Oh, I actually liked it.

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Speaker 2: I liked that.

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Speaker 5: I liked the that come crashing down aspect of all right,

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Speaker 5: you said you wanted to do this, we supported you.

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Speaker 2: Here's reality. Love it.

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Speaker 5: Love the way it was handled with the parents. Love

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Speaker 5: the dynamic between mom wanting to be like, listen, maybe

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Speaker 5: we should and dad being like, I know that this

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Speaker 5: is hard for you, but we we've we talked about

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Speaker 5: how hard this was going to be told you, we

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Speaker 5: told you all of that was so great. What I

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Speaker 5: what I wish happened at the very beginning of the episode,

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Speaker 5: and I think is such a minor tweak that could

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Speaker 5: have changed all of it is I don't know why

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Speaker 5: Corey comes home so unlikable. I mean, there's many times

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Speaker 5: that Corey is unlikable. We know that, but like he

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Speaker 5: comes in and is like, where's my salami? And like,

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Speaker 5: had he come in on the high of what we

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Speaker 5: were just talking about that they've set up this marriage,

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Speaker 5: I'm so excited and one for back we get to start,

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Speaker 5: you know, honeymoon of real life honeymoon continues at college

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Speaker 5: and then it's like like but instead he comes home

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Speaker 5: already with like anger, demanding, and so that kind of

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Speaker 5: like I don't know. I would have loved to have

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Speaker 5: seen him more naive and innocent and happy and then

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Speaker 5: have the reality of But that's I would say. I honestly,

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Speaker 5: I think my only complaint overall with that a storyline.

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Speaker 5: Otherwise I really enjoyed it.

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Speaker 4: I would I would also just complain again, but I'm

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Speaker 4: now just used to it. Of the characters, so being

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Speaker 4: not the characters to Panga, who's a planner, never thought

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Speaker 4: about where they were going to live afterwards. This discussion

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Speaker 4: never happened once where we're going to live after we're married?

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Speaker 1: Man?

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Speaker 5: Yeah, I mean.

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Speaker 1: I mean that's the whole, the whole point of this

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Speaker 1: whole story, because like Topenga would be on it, by

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Speaker 1: the way, right to me established her as this capable person.

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Speaker 1: So even if she hadn't planned it and they didn't

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Speaker 1: were prepared, you don't think that she could just immediately

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Speaker 1: on a dime figure out the best apartment figure, you know.

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Speaker 1: But they but they really want to emphasize the power

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Speaker 1: of manhood and the father knows best, like you know, Rusty,

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Speaker 1: you know, and it's it's up to Ben or Corey

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Speaker 1: to be the man and to provide for his woman.

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Speaker 4: Yeah, because they literally have sitting on the stairs, not

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Speaker 4: even in the conversation.

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Speaker 1: Yeah, they sidelined to Penga intentionally. The whole point of

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Speaker 1: this is that the men men are supposed to and

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Speaker 1: that's what Corey needs to learn, right, Corey needs to

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Speaker 1: learn that it's his job to protect his woman and

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Speaker 1: to provide a security house. It's like a very very

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Speaker 1: you know, very tradition. It's a very patriarchal.

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Speaker 2: Yes, yeah, yeah, but hold on.

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Speaker 1: I wanted to say, Danielle, you seem like you're having

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Speaker 1: fun in this episode, and you're very good in it.

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Speaker 2: I think Danielle was having a blast. Partly. I know

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Speaker 2: that because we've seen some outtakes, we've seen.

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Speaker 1: Some loopers, and I know that you were having a blast,

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Speaker 1: and so I like that because I was like, oh

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Speaker 1: my god, like the whole like Corey Tapanga as like

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Speaker 1: a comedy.

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Speaker 2: Duo thing hasn't been activated enough in this show. You know,

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Speaker 2: it's usually Corey.

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Speaker 7: You see.

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Speaker 1: The two of you having this dynamic was cool. I

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Speaker 1: just wish it was better. But it seemed like you

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Speaker 1: were having fun. So I was like, oh man, this

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Speaker 1: must have been a good week for Danielle. On the

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Speaker 1: flip side, Ben did not look like.

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Speaker 2: He was having fun.

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Speaker 1: I know, I felt like he was unhappy about something,

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Speaker 1: like truly unhappy with something about the story or maybe

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Speaker 1: in his own life. I don't remember. I could just

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Speaker 1: tell that his energy level was not his you know,

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Speaker 1: he was not bringing something that he usually effortlessly brings.

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Speaker 1: And I don't know what that was, but I could

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Speaker 1: tell that you were having fun and I felt like

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Speaker 1: Ben was not. And I don't, you know, I don't

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Speaker 1: know what was going on there, but if I think

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Speaker 1: it hurt the episode.

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Speaker 5: Okay, so guest starring The Dom Triplets were played by

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Speaker 5: the Dom Triplets, Nicole, Erica and Jacqueline of Minnesota. The

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Speaker 5: trio became famous after appearing in the nineteen ninety eight

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Speaker 5: Big ten issue of Playboy, something they tried out for

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Speaker 5: on the suggestion of their father. Oddly, they were the

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Speaker 5: second set of triplets to ever be featured in the magazine.

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Speaker 5: They also appear in the movie Juwanna Man Fun Trivia.

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Speaker 5: Erica married Jay McGraw, the son of doctor Phil Okay, Okay.

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Speaker 5: The male triplets were played by Ted, Tim and Tom

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Speaker 5: de Philippo, also real life triplets. They played Tray of

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Speaker 5: Triforia Gold Zeo Ranger in Power Rangers Zeo Okay, Tom

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Speaker 5: was Tray of Courage, Tim was Tray of Heart, and

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Speaker 5: Ted was Tray of Wisdom. They also appeared on Step

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Speaker 5: by Step and in Major League Back to the Minors.

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Speaker 4: No play Girl, I was gonna say they had a

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Speaker 4: way less popular spread and Playboy way less popular.

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Speaker 2: Like people are like this recommended by their mother as

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Speaker 2: good as I thought.

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Speaker 5: Do you remember having two sets of tripless Oh?

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Speaker 2: Yes, I remember this week? Well, yes I do, will yes,

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Speaker 2: I do share the stories. I remember.

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Speaker 4: It was a very difficult week. It was very, very difficult, difficult,

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Speaker 4: I would.

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Speaker 5: I think a very diplomatic answer for what we're trying

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Speaker 5: to say here is that they didn't have a lot

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Speaker 5: of acting experience.

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Speaker 2: They weren't actors. We weren't actors weren't.

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Speaker 5: And and a lot of the by the time we

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Speaker 5: got to tape night, and by the time you see

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Speaker 5: this episode, their lines had been significantly cut down. So

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Speaker 5: throughout the week there were a lot of timing things.

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Speaker 5: Of course, a lot of the comedy came from the

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Speaker 5: three of them saying similar things, and timing is something

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Speaker 5: that you can't necessarily teach to people, and so it

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Speaker 5: was probably a very rough week of rehearsal with rough

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Speaker 5: run throughs, and then it leading into a tape night

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Speaker 5: and a pre tape and things weren't necessarily going. They

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Speaker 5: weren't smooth sailing, and for the most part we were

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Speaker 5: in a groove. So when it was something through a

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Speaker 5: wrench into the groove, it was difficult it was.

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Speaker 1: And for what, like, for the sake of a storyline

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Speaker 1: that is just not that good.

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Speaker 2: It's not that good. It's awful. I know.

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Speaker 4: It's just I means whenever Boy Meets Call defaults to

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Speaker 4: hot girls, I want to date hot girls.

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Speaker 2: It's so dumb.

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Speaker 1: And it's like, you know, it's like Desiree and season two.

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Speaker 2: You know, it's like, just do better, guys, Like I want.

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Speaker 4: To watch the craziness and ridiculousness of Desiree times.

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Speaker 2: Over this storyline. Yeah, this story I just I did.

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Speaker 4: And it was just Jack and Eric saying that like

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Speaker 4: finishing each other's sentences about the hot girls there across

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Speaker 4: the street.

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Speaker 2: It was the.

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Speaker 5: Only time I think it has worked in a storyline

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Speaker 5: on Boy Meets World. I didn't mind Lonnie the outdoors

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Speaker 5: woman character, but.

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Speaker 2: It was about her personality. It was about like, you know,

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Speaker 2: like he was.

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Speaker 5: Eric was very interested in her because of her looks.

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Speaker 5: Actually her personality scared him. She wanted to go eel

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Speaker 5: wrestling and whatever. That's where we get the joke that

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Speaker 5: the best women are men. But like that storyline where

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Speaker 5: they have an outdoors store and there's an outdoorsy woman

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Speaker 5: and Eric's like Oh, this hot piece of woman.

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Speaker 2: I love her.

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Speaker 5: It is the only time I feel like the storyline

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Speaker 5: like worked well.

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Speaker 1: It was it was more than one episodes. It was

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Speaker 1: the three episodes at least where she was and we

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Speaker 1: got to know her, yes, And the point was that,

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Speaker 1: like he thought of her as an object, I had

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Speaker 1: to deal with who she actually.

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Speaker 2: Was as a human being. So it was she also

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Speaker 2: wasn't interested in Eric at all.

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Speaker 4: That's the thing that was, just like, I don't care

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Speaker 4: about you even slightly in that way.

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Speaker 2: Which I think was good.

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Speaker 4: But the other thing I do remember about this week,

443
00:20:11,640 --> 00:20:13,000
Speaker 4: and you're about to say her name, is how much

444
00:20:13,040 --> 00:20:15,639
Speaker 4: we love the other guest star and how good she was.

445
00:20:15,680 --> 00:20:17,520
Speaker 2: And I don't know Marisol Nichols.

446
00:20:18,600 --> 00:20:21,040
Speaker 4: I distinctly remember this week. Is this her only episode

447
00:20:21,119 --> 00:20:22,159
Speaker 4: or is she in the next week's episode?

448
00:20:22,160 --> 00:20:24,720
Speaker 2: Sure, first of two Boy Meets World episodes.

449
00:20:24,920 --> 00:20:27,760
Speaker 4: We I remember all of us as a cast having

450
00:20:27,800 --> 00:20:32,520
Speaker 4: conversations about her, where we were like, damn, she's good,

451
00:20:33,320 --> 00:20:35,680
Speaker 4: and I think you're gonna see it next week because

452
00:20:35,720 --> 00:20:37,920
Speaker 4: I remember she came on screaming and I remember her name.

453
00:20:37,920 --> 00:20:39,880
Speaker 4: I was like, oh, that's Marisol Nichols. I remember she's

454
00:20:39,880 --> 00:20:42,040
Speaker 4: gone on to do some incredible things. But I remember

455
00:20:42,160 --> 00:20:44,280
Speaker 4: us as a cast. It was like when what's his

456
00:20:44,400 --> 00:20:47,280
Speaker 4: name came with the pencil through the head, and where

457
00:20:47,280 --> 00:20:49,240
Speaker 4: all of us as a cast were like, he's great,

458
00:20:49,359 --> 00:20:51,000
Speaker 4: Like we could work with this guy all the time.

459
00:20:51,080 --> 00:20:54,040
Speaker 4: That's how we felt about her. And when she when

460
00:20:53,840 --> 00:20:55,840
Speaker 4: we all walked away as a cast, we were like, man,

461
00:20:55,880 --> 00:20:58,320
Speaker 4: she's really good. Yeah, And that's what I remember most

462
00:20:58,359 --> 00:20:59,600
Speaker 4: about this week was those two things.

463
00:20:59,760 --> 00:20:59,920
Speaker 7: Well.

464
00:21:00,119 --> 00:21:03,520
Speaker 5: She is best known as Audrey Griswold in Vegas Vacation.

465
00:21:04,040 --> 00:21:07,359
Speaker 5: She also played Hermione Lodge on the TV show Riverdale,

466
00:21:07,440 --> 00:21:10,119
Speaker 5: and appeared in five episodes of the MTV version of

467
00:21:10,200 --> 00:21:13,960
Speaker 5: teen Wolf. She appeared on Friends alias Charmed, and exactly

468
00:21:14,200 --> 00:21:16,400
Speaker 5: twenty four episodes of twenty four.

469
00:21:16,680 --> 00:21:18,280
Speaker 2: Oh but she was there for a day.

470
00:21:18,600 --> 00:21:21,640
Speaker 5: Yeah, yeah, I do not want to ignore this footnote

471
00:21:21,680 --> 00:21:25,200
Speaker 5: in her bio. In twenty twelve, when her career slowed down,

472
00:21:25,320 --> 00:21:30,359
Speaker 5: Nichols began working with former FBI and CIA agents, Navy

473
00:21:30,400 --> 00:21:35,560
Speaker 5: seals and green berets to act as bait during sex

474
00:21:35,680 --> 00:21:37,000
Speaker 5: predator stings.

475
00:21:37,680 --> 00:21:41,439
Speaker 2: Wait, how does one get that job? You looking?

476
00:21:41,880 --> 00:21:42,120
Speaker 5: Hell?

477
00:21:42,320 --> 00:21:42,520
Speaker 2: Yes?

478
00:21:44,359 --> 00:21:44,600
Speaker 6: Hell?

479
00:21:44,760 --> 00:21:48,440
Speaker 2: Yes, that's so. She lost so young?

480
00:21:49,400 --> 00:21:51,679
Speaker 5: Wow, that that she was a that she was like,

481
00:21:51,840 --> 00:21:56,240
Speaker 5: I'll be an actor luring sex predators.

482
00:21:56,320 --> 00:21:57,400
Speaker 2: That's risky though.

483
00:21:57,200 --> 00:21:59,880
Speaker 4: Because you can easily be but you could also easily

484
00:21:59,920 --> 00:22:02,119
Speaker 4: be recognized. I mean, if you've got a sex predatoro's

485
00:22:02,160 --> 00:22:04,040
Speaker 4: like a fan of something she did.

486
00:22:04,320 --> 00:22:07,000
Speaker 2: Yeah, wow, what a cool job.

487
00:22:07,119 --> 00:22:07,280
Speaker 8: Though.

488
00:22:08,440 --> 00:22:09,919
Speaker 5: Hopefully we can try to get her on the podcast

489
00:22:10,000 --> 00:22:11,800
Speaker 5: if we can talk to her about it, we should,

490
00:22:12,160 --> 00:22:15,120
Speaker 5: and we get another Jacob's Kid cameo in this one,

491
00:22:15,480 --> 00:22:31,760
Speaker 5: Danny Jacobs as the kid who sees dead people. Yes, So,

492
00:22:32,040 --> 00:22:35,359
Speaker 5: jumping into our recap, we are in the girl's apartment. Corey,

493
00:22:35,480 --> 00:22:38,000
Speaker 5: still in a Hawaiian shirt and carrying luggage, bursts through

494
00:22:38,040 --> 00:22:41,480
Speaker 5: the door, with Tropical Topanga close by. He greets Angela

495
00:22:41,520 --> 00:22:43,959
Speaker 5: and Rachel by shouting I'm back from the honeymoon and

496
00:22:44,000 --> 00:22:46,280
Speaker 5: I want some salami.

497
00:22:46,359 --> 00:22:48,399
Speaker 2: Which I thought was going to be a double on Tandra.

498
00:22:51,080 --> 00:22:53,600
Speaker 2: Yeah barely a single, Rachel.

499
00:22:53,320 --> 00:22:55,800
Speaker 5: Says hi to Topanga, referring to her as married girl.

500
00:22:55,840 --> 00:22:57,440
Speaker 5: Topega smiles from ear to ear.

501
00:22:57,600 --> 00:22:58,040
Speaker 2: Hello.

502
00:22:58,560 --> 00:23:01,760
Speaker 5: Corey feverishly searches the fridge. Where's the salami. I'm back

503
00:23:01,760 --> 00:23:06,080
Speaker 5: from the honeymoon, so where's the honeymoon? Welcome Salami, we

504
00:23:06,119 --> 00:23:09,840
Speaker 5: are moving in here. A terrified Rachel turns to Angela.

505
00:23:10,000 --> 00:23:13,520
Speaker 5: He said, moving in. A stunned Angela responds, I am

506
00:23:13,560 --> 00:23:17,000
Speaker 5: equally troubled. Corey explains, I mean a man moves into

507
00:23:17,040 --> 00:23:20,120
Speaker 5: his new house, he expects to find a nice deli spread.

508
00:23:21,160 --> 00:23:25,400
Speaker 5: All of this it's just so unlikable, But.

509
00:23:25,359 --> 00:23:29,120
Speaker 1: It's also just like unbelievable, like what, well, no one

510
00:23:29,160 --> 00:23:29,760
Speaker 1: planned that.

511
00:23:30,240 --> 00:23:32,919
Speaker 5: Hold on, I actually I don't have a problem with

512
00:23:32,960 --> 00:23:34,840
Speaker 5: this aspect of it because it does come out in

513
00:23:34,920 --> 00:23:38,119
Speaker 5: just a second that like, at some point, Topanga and

514
00:23:38,160 --> 00:23:40,840
Speaker 5: Angela were talking about, well, what are you guys gonna do,

515
00:23:41,200 --> 00:23:44,040
Speaker 5: and Tapega said, well, we're gonna get our own apartment.

516
00:23:44,160 --> 00:23:46,199
Speaker 5: We'll move in, we'll get to decorate it, maybe have

517
00:23:46,240 --> 00:23:48,679
Speaker 5: a couple of kids. And in Ta Panga's mind, she

518
00:23:48,760 --> 00:23:51,240
Speaker 5: didn't think Angela was asking what are you gonna do

519
00:23:51,359 --> 00:23:54,879
Speaker 5: the day you come home from the honeymoon. So Angela

520
00:23:55,080 --> 00:23:57,320
Speaker 5: took that answer of we're going to move out to

521
00:23:57,400 --> 00:23:59,760
Speaker 5: mean right away. So they gave a way to Pega's

522
00:23:59,800 --> 00:24:04,359
Speaker 5: room immediately, and Topanga all this time has thought, we're

523
00:24:04,400 --> 00:24:08,040
Speaker 5: going back to move into my room together while we

524
00:24:08,119 --> 00:24:09,360
Speaker 5: look for a place.

525
00:24:10,840 --> 00:24:13,680
Speaker 4: Her best friend is okay with her boyfriend moving into

526
00:24:13,680 --> 00:24:16,480
Speaker 4: the room next door and packing up all of Tapanga's

527
00:24:16,480 --> 00:24:17,280
Speaker 4: stuff himself.

528
00:24:17,440 --> 00:24:21,480
Speaker 5: Also, the easiest solution is Sean move in with Angela.

529
00:24:21,560 --> 00:24:24,760
Speaker 2: You guys are together, and then we have separate rooms

530
00:24:24,800 --> 00:24:26,200
Speaker 2: in the same apartment together.

531
00:24:25,960 --> 00:24:29,960
Speaker 5: Correct, And there's no discussion of the fact that that's it's.

532
00:24:29,800 --> 00:24:31,639
Speaker 1: A big deal too for Sean to be moving in

533
00:24:31,680 --> 00:24:34,320
Speaker 1: with Angela but then also into a different room. I

534
00:24:34,320 --> 00:24:36,960
Speaker 1: think this is why I could never remember the dynamics

535
00:24:36,960 --> 00:24:38,240
Speaker 1: of the apartment, because I didn't.

536
00:24:38,280 --> 00:24:40,800
Speaker 2: I get kicked out, Yes, I get kicked out of

537
00:24:40,840 --> 00:24:41,920
Speaker 2: this apartment.

538
00:24:41,640 --> 00:24:46,800
Speaker 5: To have Maitland move in, and it became Maitland's apartment, remember,

539
00:24:46,800 --> 00:24:48,520
Speaker 5: and then it became the girls apartment.

540
00:24:49,040 --> 00:24:52,159
Speaker 4: And now because a professional wrestler came in and we

541
00:24:52,240 --> 00:24:53,360
Speaker 4: wrestled for the apartment.

542
00:24:53,480 --> 00:24:56,560
Speaker 2: Try to remember how this works? Writer, Okay, so.

543
00:24:56,520 --> 00:25:01,360
Speaker 4: The WWE mankind kicks in the door, you do, and

544
00:25:01,440 --> 00:25:04,720
Speaker 4: we wrestle for the apartment, which then, I think, legally

545
00:25:04,760 --> 00:25:08,360
Speaker 4: in Pennsylvania means the least transfers over to Rachel right

546
00:25:08,680 --> 00:25:09,800
Speaker 4: after a wrestling match.

547
00:25:09,920 --> 00:25:10,720
Speaker 2: I want to see.

548
00:25:10,720 --> 00:25:12,760
Speaker 1: I want to see the like the least agreement for

549
00:25:12,800 --> 00:25:16,480
Speaker 1: this scrim like there should be a document that's all

550
00:25:16,520 --> 00:25:20,440
Speaker 1: crossed out for the next six months.

551
00:25:20,440 --> 00:25:24,359
Speaker 4: Sean, No, no, no, yeah, So that to me, it

552
00:25:24,400 --> 00:25:27,120
Speaker 4: didn't Again, it doesn't figure. I get what you're saying,

553
00:25:27,200 --> 00:25:29,879
Speaker 4: Danielle where it's like, it's supposed to be a but

554
00:25:29,960 --> 00:25:31,639
Speaker 4: I thought you said this, and I thought you said that.

555
00:25:31,680 --> 00:25:32,320
Speaker 2: I thought you said this.

556
00:25:32,400 --> 00:25:34,880
Speaker 4: But the idea works, like, all right, they're on their honeymoon, Sean,

557
00:25:34,920 --> 00:25:37,320
Speaker 4: get in there and pack up all of her stuff

558
00:25:37,760 --> 00:25:39,000
Speaker 4: and leave it by the door.

559
00:25:39,040 --> 00:25:42,560
Speaker 2: It's like, I know, I know, it's so yeah, okay.

560
00:25:42,800 --> 00:25:46,320
Speaker 5: Topanga insists Silico grocery shopping together later it'll be fun.

561
00:25:46,440 --> 00:25:48,280
Speaker 5: Corey reveals, you know what I like to do at

562
00:25:48,320 --> 00:25:51,280
Speaker 5: the grocery store, ring the butcher bell and then run away.

563
00:25:51,560 --> 00:25:54,639
Speaker 5: He laughs to himself, there's nothing funnier than an angry butcher.

564
00:25:55,000 --> 00:25:58,159
Speaker 5: But no one is laughing. Corey quickly turns to Tapanga,

565
00:25:58,200 --> 00:25:59,639
Speaker 5: where's the magazine I got to do?

566
00:25:59,680 --> 00:26:05,919
Speaker 2: My miss is quite on. It's joke. We haven't a

567
00:26:05,920 --> 00:26:09,280
Speaker 2: good poop joke in a while. Come on, I mean yeah,

568
00:26:09,359 --> 00:26:12,240
Speaker 2: I mean, Cory is just doing this voice this entire.

569
00:26:12,560 --> 00:26:16,280
Speaker 4: What I mean, most of the episode until it gets

570
00:26:16,320 --> 00:26:18,560
Speaker 4: really serious. He's doing this kind of you know with

571
00:26:18,720 --> 00:26:20,600
Speaker 4: my where's where's my sausage?

572
00:26:20,680 --> 00:26:22,879
Speaker 1: Well, it's just Michael giving him line readings, right, I

573
00:26:22,880 --> 00:26:25,400
Speaker 1: mean that's Michael's just like and I bet you Ben

574
00:26:25,600 --> 00:26:27,600
Speaker 1: was like, why am I saying the salami?

575
00:26:27,640 --> 00:26:30,800
Speaker 2: Why? And Michael's because it's funny say it like this.

576
00:26:32,680 --> 00:26:34,040
Speaker 2: I gotta do my business.

577
00:26:34,760 --> 00:26:39,359
Speaker 5: Yeah, it's to Banga again for just no reason at all,

578
00:26:39,520 --> 00:26:45,320
Speaker 5: appears to love Cory's gross behavior and asks the ladies

579
00:26:45,400 --> 00:26:47,399
Speaker 5: and her roommates, isn't he cute?

580
00:26:48,160 --> 00:26:51,720
Speaker 2: Yeah?

581
00:26:51,760 --> 00:26:54,000
Speaker 5: But Angela is still stuck on the fact that he

582
00:26:54,040 --> 00:26:56,520
Speaker 5: thinks he's living in the apartment, and t Bega doubles down.

583
00:26:56,880 --> 00:26:58,919
Speaker 5: Of course he is. Where else would he be living? Silly?

584
00:26:59,280 --> 00:27:02,440
Speaker 5: Angela reminds you said that after you got married, you'd

585
00:27:02,440 --> 00:27:06,480
Speaker 5: be moving out to Pega insists we will be eventually.

586
00:27:07,119 --> 00:27:10,240
Speaker 5: Rachel and Angela sie, oh boy, and Topega wonders what

587
00:27:10,280 --> 00:27:13,000
Speaker 5: that means. Then on cue, Sean bursts out of the

588
00:27:13,040 --> 00:27:15,840
Speaker 5: bathroom with wet hair, wearing a robe. Angela, I tried

589
00:27:15,880 --> 00:27:19,359
Speaker 5: your body wash. I smell like peaches. Corey walks up

590
00:27:19,400 --> 00:27:22,240
Speaker 5: and sniffs him. You do you really do? Sean turns

591
00:27:22,240 --> 00:27:24,119
Speaker 5: his attention to to Panga. I packed up all your

592
00:27:24,119 --> 00:27:25,680
Speaker 5: stuff from your room and I put it by the door.

593
00:27:26,200 --> 00:27:28,439
Speaker 5: Pega doesn't get it. Why would he do that? It

594
00:27:28,520 --> 00:27:30,040
Speaker 5: was in the way when I moved into the room.

595
00:27:30,440 --> 00:27:34,080
Speaker 5: Tapega's even more confused. Why would he move into her room?

596
00:27:34,440 --> 00:27:38,000
Speaker 5: Sean reveals what he assumes is obvious, because I live

597
00:27:38,040 --> 00:27:41,600
Speaker 5: here now and you don't. Corey appears offended and starts

598
00:27:41,600 --> 00:27:44,679
Speaker 5: backing away from his best friend in horror. Oh, I

599
00:27:44,840 --> 00:27:48,320
Speaker 5: get it. They think we don't live here anymore. That's

600
00:27:48,359 --> 00:27:52,760
Speaker 5: why there's no salami to Pega is stunned. Sean moved

601
00:27:52,760 --> 00:27:55,359
Speaker 5: into her room. Corey tries to calm her down. They'll

602
00:27:55,400 --> 00:27:58,800
Speaker 5: find her a place to live. Angela points out, you

603
00:27:58,920 --> 00:28:01,800
Speaker 5: don't live here either. Corey lets that sing in and

604
00:28:01,880 --> 00:28:04,200
Speaker 5: bluntly tells Tapanga honeymoon's over.

605
00:28:04,600 --> 00:28:06,879
Speaker 2: Then the door is kicked in and Triple E just

606
00:28:06,880 --> 00:28:09,120
Speaker 2: standing there. Here we go.

607
00:28:09,000 --> 00:28:13,080
Speaker 3: Again, people the room again?

608
00:28:16,119 --> 00:28:17,280
Speaker 2: That was the season?

609
00:28:17,440 --> 00:28:17,640
Speaker 5: Right?

610
00:28:17,880 --> 00:28:21,679
Speaker 2: Yeah? This is so weird? O?

611
00:28:22,240 --> 00:28:29,000
Speaker 1: God, sorry, is so off the rails crazy?

612
00:28:29,119 --> 00:28:31,000
Speaker 2: What's a completely different thingion?

613
00:28:31,440 --> 00:28:34,000
Speaker 1: But I mean, like the wedding episode is really the

614
00:28:34,000 --> 00:28:35,760
Speaker 1: only one I can think of that. I'm like, yeah,

615
00:28:35,800 --> 00:28:38,160
Speaker 1: that was great start to finish well, I mean again,

616
00:28:38,200 --> 00:28:41,120
Speaker 1: you know, the stressed out about the wedding. So the

617
00:28:41,440 --> 00:28:44,440
Speaker 1: those two episodes six and seven, Yeah, we're like actual

618
00:28:44,480 --> 00:28:45,480
Speaker 1: episodes of television.

619
00:28:45,520 --> 00:28:47,479
Speaker 2: Everything else. I just feel like I'm on drugs when

620
00:28:47,520 --> 00:28:49,320
Speaker 2: I'm watching them, Like, I don't know, you know.

621
00:28:49,360 --> 00:28:51,560
Speaker 4: We just talked to one of our writers and and

622
00:28:51,680 --> 00:28:54,320
Speaker 4: he said that an older writer had called him and said,

623
00:28:54,600 --> 00:28:57,520
Speaker 4: you know, season four ish, when did it become a drama?

624
00:28:57,680 --> 00:28:59,760
Speaker 4: And it got me thinking that if you just watched

625
00:28:59,800 --> 00:29:02,920
Speaker 4: a random episode from season one, then say a random

626
00:29:02,960 --> 00:29:06,280
Speaker 4: episode from season three, then a random episode from season six,

627
00:29:06,320 --> 00:29:09,000
Speaker 4: and a random episode from season seven, it's four different

628
00:29:09,000 --> 00:29:12,360
Speaker 4: television shows. Yeah, so and this is this is by

629
00:29:12,400 --> 00:29:13,600
Speaker 4: far the one where it was just like.

630
00:29:13,600 --> 00:29:16,240
Speaker 2: Let's do voices to each other, let's just make each

631
00:29:16,240 --> 00:29:19,600
Speaker 2: other laugh. Nothing's going to make any sense. Go and

632
00:29:19,640 --> 00:29:23,160
Speaker 2: it wass were canceled anyway, right right? It seems like

633
00:29:23,160 --> 00:29:27,040
Speaker 2: this hire it's sais. This whole season seems like a

634
00:29:27,080 --> 00:29:29,280
Speaker 2: senioritis kind of season to me. He's like, yeah, let's

635
00:29:29,280 --> 00:29:32,280
Speaker 2: do this. It's like okay, well, we're.

636
00:29:32,120 --> 00:29:34,200
Speaker 5: Back at the dorm Topenga and Corey are walking down

637
00:29:34,200 --> 00:29:36,680
Speaker 5: the hall carrying their belongings and to Penga admits we

638
00:29:36,720 --> 00:29:39,520
Speaker 5: should have gotten a place before we left. Corey reminds

639
00:29:39,560 --> 00:29:41,040
Speaker 5: her they didn't have a whole lot of time between

640
00:29:41,080 --> 00:29:43,040
Speaker 5: getting married and then getting arrested and then going on

641
00:29:43,080 --> 00:29:43,720
Speaker 5: their honeymoon.

642
00:29:44,200 --> 00:29:46,400
Speaker 2: To Pega is at least happy. We have your old

643
00:29:46,440 --> 00:29:48,680
Speaker 2: dorm room to ourselves. Set up, set up?

644
00:29:48,760 --> 00:29:49,120
Speaker 7: Is that up?

645
00:29:49,240 --> 00:29:52,360
Speaker 2: There? I go as Corey unlocks his door, It swings open.

646
00:29:52,480 --> 00:29:53,320
Speaker 5: It's Eric and Jack.

647
00:29:53,400 --> 00:29:56,640
Speaker 2: Nope, Nope, all wrong, screwy, what's going on?

648
00:29:56,760 --> 00:29:59,320
Speaker 5: This is Corey's room? But Jack pulls out a long

649
00:29:59,360 --> 00:30:03,120
Speaker 5: contract that state's university bylaws forbid any married couple from

650
00:30:03,120 --> 00:30:05,680
Speaker 5: living in a dorm other than the one for married couples.

651
00:30:06,320 --> 00:30:09,520
Speaker 5: Corey leans in, maybe we just don't have to tell anybody.

652
00:30:09,800 --> 00:30:12,720
Speaker 5: The boys mock him. Maybe he's right, Maybe we don't

653
00:30:12,760 --> 00:30:13,600
Speaker 5: have to tell anyone.

654
00:30:13,640 --> 00:30:14,040
Speaker 2: Too late.

655
00:30:14,280 --> 00:30:16,160
Speaker 5: We sent a copy of your marriage certificate to the

656
00:30:16,160 --> 00:30:19,160
Speaker 5: office of the university president. Jack flaunts the paper in

657
00:30:19,200 --> 00:30:22,160
Speaker 5: their faces into Pega's flabbergasted how could you do this

658
00:30:22,200 --> 00:30:25,880
Speaker 5: to us? On cube, blonde triplets wearing only bathtowels pop

659
00:30:25,960 --> 00:30:29,080
Speaker 5: out of the dorm room across the hall. Hi Jack

660
00:30:29,720 --> 00:30:33,240
Speaker 5: High Professor Matthews. The trio cozy up to the boys

661
00:30:33,240 --> 00:30:35,080
Speaker 5: and Jack suggests they take a look at the co

662
00:30:35,240 --> 00:30:37,760
Speaker 5: ed bathroom, and the girls agree they could use a shower.

663
00:30:38,160 --> 00:30:41,719
Speaker 5: Jack pulls up his shirt to flaunt them abs and

664
00:30:41,840 --> 00:30:45,240
Speaker 5: to claim some non existent dirt to clean. The inmates

665
00:30:45,280 --> 00:30:47,600
Speaker 5: go crazy as Eric counts the number of sisters to

666
00:30:47,600 --> 00:30:51,000
Speaker 5: make sure everyone knows there are three. On their way

667
00:30:51,040 --> 00:30:53,480
Speaker 5: into the bathroom, he turns around one last time. You

668
00:30:53,480 --> 00:30:56,960
Speaker 5: can't live here anymore, so get out. Tapega can't believe it.

669
00:30:57,000 --> 00:30:58,680
Speaker 5: How could he do such a horrible thing to your

670
00:30:58,720 --> 00:31:02,120
Speaker 5: own brother? And Corey tells her believe me, Topanga, it

671
00:31:02,240 --> 00:31:04,320
Speaker 5: was the right move. She rolls her eyes.

672
00:31:04,760 --> 00:31:08,200
Speaker 4: College educated people here on this zoom, of which I

673
00:31:08,200 --> 00:31:08,720
Speaker 4: am not one?

674
00:31:09,160 --> 00:31:11,520
Speaker 2: Is this a thing? Are you not allowed to be

675
00:31:11,560 --> 00:31:12,960
Speaker 2: married in a dorm? Is that a thing?

676
00:31:13,080 --> 00:31:13,280
Speaker 4: Or?

677
00:31:14,120 --> 00:31:16,479
Speaker 2: Maybe? But it wouldn't it be a rule for like

678
00:31:16,520 --> 00:31:17,360
Speaker 2: across the board?

679
00:31:17,680 --> 00:31:22,760
Speaker 4: Correct meaning what like no no co like no yeah boy,

680
00:31:22,920 --> 00:31:24,040
Speaker 4: or just no married couples.

681
00:31:24,080 --> 00:31:27,680
Speaker 2: The idea that they have a married dorm is straight.

682
00:31:28,280 --> 00:31:33,880
Speaker 5: I could see them having a married dorm. Section four

683
00:31:33,960 --> 00:31:35,800
Speaker 5: people who are you have to be married to be

684
00:31:35,840 --> 00:31:37,959
Speaker 5: in there? Because they don't want just couples and then

685
00:31:38,000 --> 00:31:39,920
Speaker 5: breaking up and getting out of leases, so you actually

686
00:31:39,960 --> 00:31:41,600
Speaker 5: have to be married, even though of course you can

687
00:31:41,600 --> 00:31:45,200
Speaker 5: get a divorce. But maybe because it's going to be married,

688
00:31:45,240 --> 00:31:47,080
Speaker 5: couples are going to want it to be a little quieter.

689
00:31:47,360 --> 00:31:50,000
Speaker 5: They may have a baby, so they want family friendly

690
00:31:50,080 --> 00:31:53,840
Speaker 5: stuff versus like partying. There may be separate laws like that,

691
00:31:53,880 --> 00:31:56,320
Speaker 5: But it wouldn't be that married couples couldn't live in

692
00:31:56,400 --> 00:31:59,520
Speaker 5: other dorms, but it could seem that single people couldn't

693
00:31:59,520 --> 00:31:59,760
Speaker 5: live in.

694
00:31:59,720 --> 00:32:01,240
Speaker 2: Married it says yes.

695
00:32:01,280 --> 00:32:04,600
Speaker 4: Many colleges and universities offer on campus housing specifically for

696
00:32:04,640 --> 00:32:07,560
Speaker 4: married students, typically in the form of apartment style units

697
00:32:07,600 --> 00:32:10,400
Speaker 4: or townhouses rather than traditional dorm rooms. These options are

698
00:32:10,480 --> 00:32:13,520
Speaker 4: often available for legal married couples, domestic partners, and sometimes

699
00:32:13,600 --> 00:32:16,800
Speaker 4: single parents, with locations like UCLA and the University Wisconsin

700
00:32:16,840 --> 00:32:18,880
Speaker 4: system offering such accommodations.

701
00:32:19,440 --> 00:32:20,320
Speaker 2: But yeah, I.

702
00:32:20,360 --> 00:32:22,680
Speaker 4: Wonder if are I guess I should be asking you?

703
00:32:22,760 --> 00:32:24,840
Speaker 4: Are married people allowed to live in the dorms?

704
00:32:25,280 --> 00:32:25,480
Speaker 2: Right?

705
00:32:25,520 --> 00:32:27,920
Speaker 5: Why would that be a rule that like, yeah, you

706
00:32:28,040 --> 00:32:30,640
Speaker 5: have to only live in the section for married people

707
00:32:30,760 --> 00:32:34,600
Speaker 5: that that doesn't make sense. Yeah, I don't know, It's

708
00:32:34,640 --> 00:32:38,760
Speaker 5: like a senior living facility. You can you have to

709
00:32:38,760 --> 00:32:40,720
Speaker 5: be a senior to live there, you know what I mean? Like,

710
00:32:40,880 --> 00:32:43,360
Speaker 5: that's how it would normally work that singles couldn't live

711
00:32:43,400 --> 00:32:45,640
Speaker 5: in a married couple's dorm, but married couples should be

712
00:32:45,680 --> 00:32:48,360
Speaker 5: able to live in a regular dorm. There's no reason

713
00:32:48,360 --> 00:32:48,680
Speaker 5: they're not.

714
00:32:48,760 --> 00:32:49,120
Speaker 2: I don't know.

715
00:32:49,320 --> 00:32:52,040
Speaker 4: Oh no, it actually says married couples are generally allowed

716
00:32:52,040 --> 00:32:54,840
Speaker 4: to live together in campus housing, but usually within designated

717
00:32:54,920 --> 00:32:58,200
Speaker 4: family or married student housing units rather than standard shared

718
00:32:58,200 --> 00:32:58,840
Speaker 4: dorm rooms.

719
00:32:59,600 --> 00:33:01,400
Speaker 2: Oh so maybe that is a thing.

720
00:33:01,600 --> 00:33:05,440
Speaker 4: Well, some universities offer specialized apartments for couples. Typical dormitories

721
00:33:05,440 --> 00:33:08,640
Speaker 4: often have restrictions against non student partners living in standard

722
00:33:08,640 --> 00:33:11,640
Speaker 4: shared or single gender rooms.

723
00:33:12,080 --> 00:33:15,680
Speaker 1: Non student partners, right, because the idea is that if

724
00:33:15,720 --> 00:33:18,040
Speaker 1: you have a partner, that makes they.

725
00:33:17,960 --> 00:33:19,640
Speaker 2: Have to be a student there, right, you both have

726
00:33:19,720 --> 00:33:22,920
Speaker 2: to be students. You can't just be like six year

727
00:33:22,920 --> 00:33:23,480
Speaker 2: old girlfriends.

728
00:33:23,520 --> 00:33:27,040
Speaker 1: Doesn't really happen, you know how many eighteen to twenty

729
00:33:27,080 --> 00:33:29,120
Speaker 1: four year olds was what we're really talking about are

730
00:33:29,120 --> 00:33:30,400
Speaker 1: getting married and having I.

731
00:33:30,400 --> 00:33:33,120
Speaker 4: Would I would argue it would depend on where you are.

732
00:33:34,480 --> 00:33:36,840
Speaker 4: You've got a school like BYU, where there's a lot

733
00:33:36,880 --> 00:33:38,200
Speaker 4: of Mormons who get married early.

734
00:33:38,240 --> 00:33:38,360
Speaker 6: There.

735
00:33:38,440 --> 00:33:40,520
Speaker 4: You could have a lot of eighteen nineteen year olds

736
00:33:40,520 --> 00:33:41,320
Speaker 4: that are married a couple.

737
00:33:41,360 --> 00:33:41,720
Speaker 2: That's true.

738
00:33:42,000 --> 00:33:44,320
Speaker 5: My parents were married at twenty one and had me

739
00:33:44,360 --> 00:33:44,920
Speaker 5: at twenty three.

740
00:33:45,080 --> 00:33:47,080
Speaker 2: Three welds going to the same college.

741
00:33:47,160 --> 00:33:49,560
Speaker 5: My mom was not going to ASU, So I don't

742
00:33:49,560 --> 00:33:51,080
Speaker 5: think they lived. They didn't live on games.

743
00:33:51,120 --> 00:33:52,840
Speaker 1: So I think it's the idea that somebody who's not

744
00:33:52,920 --> 00:33:56,280
Speaker 1: a student, right right, can't just do it rousing because

745
00:33:56,280 --> 00:33:57,880
Speaker 1: they're married, right right.

746
00:33:58,400 --> 00:34:00,640
Speaker 2: Interesting, I just go to college.

747
00:34:00,640 --> 00:34:03,760
Speaker 5: It was easier, Yeah, to Penga rules her eyes. Well,

748
00:34:03,760 --> 00:34:06,960
Speaker 5: we're running out of options here, my husband and provider, Well,

749
00:34:07,000 --> 00:34:07,480
Speaker 5: I just want.

750
00:34:07,360 --> 00:34:10,600
Speaker 1: To say, like, I'm willing to buy whatever the rules

751
00:34:10,600 --> 00:34:13,080
Speaker 1: are that the university. But the reason for it to

752
00:34:13,120 --> 00:34:15,759
Speaker 1: real real problem is because the girls are moved. They

753
00:34:15,760 --> 00:34:18,480
Speaker 1: had to create a reason that they couldn't just move

754
00:34:18,520 --> 00:34:21,239
Speaker 1: into the Yeah, it's it's the triplets thing. It's just

755
00:34:21,280 --> 00:34:22,080
Speaker 1: so dumb.

756
00:34:22,640 --> 00:34:25,799
Speaker 4: Sees the lynchpin of the episode, writer is the two

757
00:34:25,800 --> 00:34:26,640
Speaker 4: sets of triplets.

758
00:34:27,600 --> 00:34:30,960
Speaker 5: Corey laughs. Now I'm the provider. What happened to equality?

759
00:34:30,960 --> 00:34:34,239
Speaker 5: What happened to partnership? Unaffected, she demands, get me a

760
00:34:34,280 --> 00:34:38,759
Speaker 5: place to live. He submits, yes, mommy, that gives him

761
00:34:38,760 --> 00:34:43,040
Speaker 5: an idea. Hmmm, mommy, and then there's a quick cut

762
00:34:43,080 --> 00:34:44,120
Speaker 5: to the Matthews living room.

763
00:34:44,200 --> 00:34:46,880
Speaker 4: I'm so glad that's what it meant me too, because

764
00:34:46,920 --> 00:34:48,359
Speaker 4: I thought it was a sex thing at first.

765
00:34:48,480 --> 00:34:52,839
Speaker 2: I did too. Oh. I was like, ugh, oh, that's

766
00:34:52,880 --> 00:34:53,719
Speaker 2: exactly what I did.

767
00:34:53,960 --> 00:34:56,640
Speaker 5: He's like, mommy, and then it was like, oh.

768
00:34:56,520 --> 00:34:58,879
Speaker 2: No, you're actually gonna go ask your mother there.

769
00:34:59,480 --> 00:35:03,000
Speaker 1: Yes, was immediately like, oh, we have to get to

770
00:35:03,040 --> 00:35:03,719
Speaker 1: the Matthew's house.

771
00:35:03,719 --> 00:35:07,120
Speaker 2: So that's what the mommy connection out. I immediately.

772
00:35:08,719 --> 00:35:12,960
Speaker 5: Yah, so funny. Quick cut to the Matthews living room.

773
00:35:13,040 --> 00:35:15,600
Speaker 5: Alan just says, no, Corey isn't happy with that. I

774
00:35:15,640 --> 00:35:17,760
Speaker 5: wasn't talking to you. I was talking to my mommy.

775
00:35:18,200 --> 00:35:20,040
Speaker 5: He looks to Amy with hope, and she pleads with

776
00:35:20,080 --> 00:35:22,320
Speaker 5: her husband it would only be until they got on

777
00:35:22,360 --> 00:35:26,160
Speaker 5: their feet. Alan is in budging. No, Corey can't believe him.

778
00:35:26,239 --> 00:35:29,279
Speaker 5: I'm your son. You don't tell your son. No. Alan

779
00:35:29,360 --> 00:35:32,920
Speaker 5: takes a deep breath and easily repeats himself no, but

780
00:35:33,080 --> 00:35:34,200
Speaker 5: Corey won't back down.

781
00:35:34,400 --> 00:35:34,799
Speaker 2: That's it.

782
00:35:34,920 --> 00:35:38,040
Speaker 5: We're moving in. You're lucky I even asked you, Alan warns, him,

783
00:35:38,120 --> 00:35:40,000
Speaker 5: don't make me beat you up in front of your

784
00:35:40,040 --> 00:35:43,680
Speaker 5: new wife. Amy can't believe Corey. Why didn't you give

785
00:35:43,719 --> 00:35:45,680
Speaker 5: any thought to where you were going to live? He

786
00:35:45,760 --> 00:35:48,319
Speaker 5: points out that they were a little busy, and it's

787
00:35:48,320 --> 00:35:51,319
Speaker 5: not like he's ever done this before. Alan chimes back in,

788
00:35:51,480 --> 00:35:54,080
Speaker 5: well you're gonna have to do it now. Corey shouts back,

789
00:35:54,120 --> 00:35:56,480
Speaker 5: I never asked to be the man in this relationship.

790
00:35:56,920 --> 00:35:59,600
Speaker 5: Tapega suggests that they should leave, but Corey doesn't get it.

791
00:35:59,760 --> 00:36:02,080
Speaker 5: Where do you go if you don't have your parents?

792
00:36:02,520 --> 00:36:05,000
Speaker 5: Amy tries again with Alan at least let them stay

793
00:36:05,040 --> 00:36:07,359
Speaker 5: for a couple days, but he points a finger at her.

794
00:36:07,440 --> 00:36:11,319
Speaker 5: Amy don't. She defiantly grabs his finger. Don't put your

795
00:36:11,320 --> 00:36:15,400
Speaker 5: finger out at me. Don't tell me. Don't the inmates.

796
00:36:15,040 --> 00:36:17,080
Speaker 2: Gas ooh, they were like they were in it.

797
00:36:17,120 --> 00:36:19,879
Speaker 4: There is a couple a couple scenes where you heard

798
00:36:19,920 --> 00:36:22,920
Speaker 4: them speaking. Did you hear the audience talking talking to themselves,

799
00:36:23,000 --> 00:36:26,120
Speaker 4: like talking to like oh no or uh oh, stuff

800
00:36:26,160 --> 00:36:28,080
Speaker 4: like that was like, oh, geez, okay, they're in At

801
00:36:28,080 --> 00:36:28,759
Speaker 4: this point.

802
00:36:29,440 --> 00:36:32,680
Speaker 5: Corey's jaw drops. He whispers to Panga. Mom's reved up,

803
00:36:32,719 --> 00:36:36,279
Speaker 5: Go get the luggage. Amy continues these are my children too,

804
00:36:36,400 --> 00:36:38,160
Speaker 5: and if I want them to stay here, they can

805
00:36:38,200 --> 00:36:42,080
Speaker 5: stay here. Alan transitions to a calmer tone, Amy, they

806
00:36:42,160 --> 00:36:45,759
Speaker 5: can't stay here. They're married. Now, it's Corey and Topanga,

807
00:36:45,880 --> 00:36:49,320
Speaker 5: not Corey and us. Remember, Corey feels the tide shifting,

808
00:36:49,320 --> 00:36:52,880
Speaker 5: so he jumps in. Mom, Mom, it's me. It's Corey.

809
00:36:53,239 --> 00:36:56,719
Speaker 5: You used to wipe my tushy. Oh you loved that, remember,

810
00:36:58,400 --> 00:36:59,359
Speaker 5: Amy shakes her head.

811
00:37:00,239 --> 00:37:03,799
Speaker 1: Very simple addition, like to help make this scene would

812
00:37:03,800 --> 00:37:06,520
Speaker 1: have been mentioning the baby, like, yeah, the fact that

813
00:37:06,520 --> 00:37:09,080
Speaker 1: we have a baby that's you know, has sleep issues,

814
00:37:09,239 --> 00:37:11,640
Speaker 1: or you you know, we already have a household that's

815
00:37:11,680 --> 00:37:13,239
Speaker 1: you know, like it just it would have been an

816
00:37:13,239 --> 00:37:16,520
Speaker 1: easy thing because, as it is, Alan doesn't have much

817
00:37:16,600 --> 00:37:19,360
Speaker 1: more of an argument other than principal. Right, that's the

818
00:37:19,360 --> 00:37:21,520
Speaker 1: whole point of this, right, Like, it's the principle that

819
00:37:21,600 --> 00:37:23,799
Speaker 1: you decided to get married that I'm gonna make your

820
00:37:24,040 --> 00:37:24,959
Speaker 1: life harder right.

821
00:37:24,880 --> 00:37:27,080
Speaker 2: Now, right, I mean, that's that's all they stand.

822
00:37:27,080 --> 00:37:28,920
Speaker 4: But I also get it. I get where he's coming from.

823
00:37:28,920 --> 00:37:32,440
Speaker 4: Where it's like, we told you from the beginning how

824
00:37:32,440 --> 00:37:34,000
Speaker 4: hard it was going to be. You can't now just

825
00:37:34,080 --> 00:37:36,160
Speaker 4: jump in and live with us and let us take.

826
00:37:35,960 --> 00:37:36,360
Speaker 2: Care of you.

827
00:37:36,960 --> 00:37:39,560
Speaker 1: Yeah, I mean I chose that's the principle, right, it's

828
00:37:39,840 --> 00:37:44,000
Speaker 1: it's that's all. It's not there's no and but I

829
00:37:44,000 --> 00:37:46,960
Speaker 1: also think, wouldn't that be benet wouldn't that also be

830
00:37:47,000 --> 00:37:49,640
Speaker 1: bolstered by like the reality of like, no, we have

831
00:37:49,719 --> 00:37:52,839
Speaker 1: other things, but they never even mention it, they never

832
00:37:52,920 --> 00:37:56,840
Speaker 1: even want it's. It's it's it's it's an interesting choice.

833
00:37:56,840 --> 00:38:00,640
Speaker 1: It's like it's it's leaning so heavily on like the lesson.

834
00:38:00,960 --> 00:38:02,600
Speaker 2: You know, I would teach.

835
00:38:02,440 --> 00:38:05,680
Speaker 1: You your lesson at the expense of my love for you.

836
00:38:05,800 --> 00:38:08,719
Speaker 1: It's gonna you know, my my feelings or your mother

837
00:38:09,160 --> 00:38:10,160
Speaker 1: and her feelings.

838
00:38:10,320 --> 00:38:14,000
Speaker 2: We're going to just make this a big, bold lesson.

839
00:38:14,120 --> 00:38:15,920
Speaker 1: And like, like I said, it does land at the

840
00:38:16,040 --> 00:38:18,680
Speaker 1: end of the episode pretty well, I think, And but

841
00:38:18,760 --> 00:38:19,960
Speaker 1: it's I don't know.

842
00:38:20,239 --> 00:38:23,319
Speaker 4: I would have later later in the episode, like here

843
00:38:23,320 --> 00:38:25,320
Speaker 4: in the beginning, I got where he was going. Later

844
00:38:25,400 --> 00:38:27,800
Speaker 4: in the episode, after they find the apartment, I would

845
00:38:27,840 --> 00:38:30,479
Speaker 4: like to have seen Rusty with logistical help.

846
00:38:31,160 --> 00:38:31,879
Speaker 2: Well, then, like.

847
00:38:31,840 --> 00:38:33,640
Speaker 4: I'm chewing on the water, well, I'm gonna come over,

848
00:38:33,680 --> 00:38:35,439
Speaker 4: I'm gonna tell I'm gonna teach you how to fix

849
00:38:35,440 --> 00:38:38,200
Speaker 4: the plumbing, let's paint the let me we're gonna work

850
00:38:38,200 --> 00:38:39,800
Speaker 4: get there's stuff I can't help you with that.

851
00:38:39,880 --> 00:38:41,600
Speaker 2: I'm gonna be here to help you with but you're

852
00:38:41,640 --> 00:38:45,000
Speaker 2: not living here, right, I'm not ripping away my parental support.

853
00:38:45,280 --> 00:38:48,200
Speaker 5: I'm just not going to give you.

854
00:38:48,600 --> 00:38:52,280
Speaker 1: Yes, yeah, I'm just drawing a very healthy boundary, right, Yes, yeah.

855
00:38:52,160 --> 00:38:54,160
Speaker 2: I wish that was where it went at the end.

856
00:38:54,200 --> 00:38:54,359
Speaker 7: Work.

857
00:38:55,480 --> 00:38:57,080
Speaker 2: It's rusty answering stuff.

858
00:38:56,800 --> 00:38:58,400
Speaker 9: Like, yeah, we're gonna work on the plumbing that we

859
00:38:58,480 --> 00:39:01,400
Speaker 9: can access. You're right, but you're not living here to

860
00:39:01,440 --> 00:39:04,279
Speaker 9: get some bug spray. Let's you know, yeah we yeah,

861
00:39:04,480 --> 00:39:08,120
Speaker 9: you're right. That would have made the world of a difference.

862
00:39:08,320 --> 00:39:08,560
Speaker 2: Yeah.

863
00:39:08,600 --> 00:39:10,480
Speaker 4: I think Sue is getting frustrated to me because by

864
00:39:10,480 --> 00:39:11,399
Speaker 4: the fifth time I was like.

865
00:39:11,600 --> 00:39:14,600
Speaker 2: Paint the place, and she's like, Okay, they're gonna paint it.

866
00:39:14,640 --> 00:39:16,799
Speaker 2: Like relax, It's like, there's got to be something you

867
00:39:16,840 --> 00:39:18,440
Speaker 2: can fix some stuff.

868
00:39:18,040 --> 00:39:20,040
Speaker 4: You know. So that would have been I think a

869
00:39:20,080 --> 00:39:20,840
Speaker 4: little bit helpful.

870
00:39:20,920 --> 00:39:21,560
Speaker 2: Yeah yeah.

871
00:39:22,480 --> 00:39:26,160
Speaker 5: Amy shakes her head. You can't stay here, Corey. I'm sorry.

872
00:39:26,680 --> 00:39:30,920
Speaker 5: Corey scowls and threatens I'm telling Grandma. Topanga lingers behind

873
00:39:30,960 --> 00:39:34,200
Speaker 5: and finally follows after her husband, Amy offers a sorry

874
00:39:34,200 --> 00:39:37,680
Speaker 5: and Topanga admits I know. And then we're in the

875
00:39:37,680 --> 00:39:40,880
Speaker 5: student union. Corey storms in with Tapanga and their luggage.

876
00:39:40,960 --> 00:39:43,320
Speaker 5: My father's a jerk. I have a jerk for a father.

877
00:39:43,800 --> 00:39:46,319
Speaker 5: Topega looks defeated. I'm sure he has a very good

878
00:39:46,360 --> 00:39:49,719
Speaker 5: reason for not. Corey finishes her sentence for abandoning us.

879
00:39:50,239 --> 00:39:53,400
Speaker 5: She insists, we don't need them, we need us. We

880
00:39:53,440 --> 00:39:55,399
Speaker 5: need to stand on our own feet and figure out

881
00:39:55,400 --> 00:39:58,719
Speaker 5: our situation. Corey says he's already figured it out their

882
00:39:58,800 --> 00:40:01,120
Speaker 5: upper middle class home less college students.

883
00:40:01,320 --> 00:40:06,760
Speaker 2: There's a very small pity factor here, great, very self

884
00:40:06,760 --> 00:40:07,399
Speaker 2: aware line.

885
00:40:09,920 --> 00:40:12,120
Speaker 5: In fact, I wouldn't feel sorry for us if I

886
00:40:12,239 --> 00:40:14,839
Speaker 5: wasn't us to Pega needs to know how much money

887
00:40:14,880 --> 00:40:16,920
Speaker 5: they have, so Corey calculates how much they got for

888
00:40:16,960 --> 00:40:18,400
Speaker 5: their wedding and subtract how much.

889
00:40:18,239 --> 00:40:21,879
Speaker 2: They spent on the honeymoon. They have seven blenders, another

890
00:40:22,040 --> 00:40:23,640
Speaker 2: great line, so funny.

891
00:40:23,800 --> 00:40:25,719
Speaker 5: Tapega admits it'd be nice to have a kitchen to

892
00:40:25,760 --> 00:40:28,600
Speaker 5: put them in. Corey shouts to stop pressuring him. To

893
00:40:28,680 --> 00:40:31,680
Speaker 5: Pega reasons with him, Corey, we have to live somewhere,

894
00:40:31,960 --> 00:40:33,640
Speaker 5: and in return he mocks her, I.

895
00:40:33,560 --> 00:40:35,600
Speaker 2: Want a roof over my head. I want a roof

896
00:40:35,640 --> 00:40:37,280
Speaker 2: over my head, you baby.

897
00:40:38,040 --> 00:40:40,560
Speaker 5: Then Sean Angela walk in and Corey greets them in

898
00:40:40,560 --> 00:40:44,480
Speaker 5: an overly cheery tone. He sarcastically asks them well rested.

899
00:40:45,520 --> 00:40:48,440
Speaker 5: Angela tells Topanga they have very good news. Mike and

900
00:40:48,520 --> 00:40:52,760
Speaker 5: Debbie Fefferman had a fight. Angela explains he criticized her salad,

901
00:40:52,840 --> 00:40:56,760
Speaker 5: so she shot him. Wait was it Fefferman? Hap Jennifer

902
00:40:56,800 --> 00:41:00,400
Speaker 5: love Fefferman? I means another, it says. It may be

903
00:41:01,239 --> 00:41:03,120
Speaker 5: the way it's spelled is f a f e er?

904
00:41:03,239 --> 00:41:05,960
Speaker 5: It could be Feiferman, But I mean it looks like Fferman.

905
00:41:06,080 --> 00:41:08,680
Speaker 2: Yeah, I think I would have recognized so too. I

906
00:41:08,680 --> 00:41:10,920
Speaker 2: didn't hear it either. Yeah, Okay.

907
00:41:11,239 --> 00:41:14,000
Speaker 5: Topanga doesn't see the good news here, So Angela breaks

908
00:41:14,040 --> 00:41:17,600
Speaker 5: it down because she's gonna do time and the dorm

909
00:41:17,640 --> 00:41:21,360
Speaker 5: is gonna be available, Sean ads and those married dorms

910
00:41:21,360 --> 00:41:23,480
Speaker 5: have gotta be great. You know how married people live,

911
00:41:23,640 --> 00:41:26,719
Speaker 5: very sophisticated, very posh. Corey likes the sound of.

912
00:41:26,680 --> 00:41:32,440
Speaker 2: That posh set up, set up. Then we get optical

913
00:41:33,640 --> 00:41:35,360
Speaker 2: to the married dorms.

914
00:41:35,920 --> 00:41:38,759
Speaker 5: Dramatic music plays as Corey and Topanga make their way

915
00:41:38,800 --> 00:41:42,040
Speaker 5: down a dimly lit hallway with children's toys littered everywhere.

916
00:41:42,239 --> 00:41:45,160
Speaker 5: A girl yells, I got a mid term in physiology. Tomorrow,

917
00:41:45,239 --> 00:41:49,120
Speaker 5: make your own dinner. Her husband responds, fine, Kimberly, I'll

918
00:41:49,160 --> 00:41:52,280
Speaker 5: make you a deal. I'll cook dinner. You stop talking.

919
00:41:52,840 --> 00:41:55,279
Speaker 5: A baby starts loudly crying, and the woman begs it

920
00:41:55,320 --> 00:41:55,760
Speaker 5: to stop.

921
00:41:55,960 --> 00:41:58,640
Speaker 2: Did you guys recognize any voices here? I was trying

922
00:41:58,640 --> 00:41:59,879
Speaker 2: to listen to see who they were.

923
00:42:00,200 --> 00:42:02,200
Speaker 1: I wanted to Chris Kier, but of course he was

924
00:42:02,239 --> 00:42:03,200
Speaker 1: gone by now, but I wanted.

925
00:42:03,440 --> 00:42:05,799
Speaker 2: I was interested. I was like, who are these? You know?

926
00:42:05,880 --> 00:42:09,000
Speaker 2: Do you think it's Marisol? At any point? I don't know.

927
00:42:09,040 --> 00:42:11,000
Speaker 4: But one of the things that as a voiceover actor,

928
00:42:11,040 --> 00:42:13,719
Speaker 4: I literally just got one two days ago. You're they

929
00:42:13,840 --> 00:42:17,040
Speaker 4: cast voiceover actors for this and that. Like two days ago,

930
00:42:17,120 --> 00:42:19,759
Speaker 4: I got an audition for to play a cop quote

931
00:42:19,840 --> 00:42:23,319
Speaker 4: unquote on a sitcom and part of the job is

932
00:42:23,400 --> 00:42:25,120
Speaker 4: you go to the set for two days and you

933
00:42:25,239 --> 00:42:26,240
Speaker 4: yell the line from.

934
00:42:26,160 --> 00:42:26,719
Speaker 2: Off the set.

935
00:42:27,040 --> 00:42:29,840
Speaker 4: Oh interesting, So as of these could have been hired

936
00:42:29,920 --> 00:42:34,080
Speaker 4: voiceover actors that are literally there with microphones saying the

937
00:42:34,120 --> 00:42:34,839
Speaker 4: lines off the set.

938
00:42:34,920 --> 00:42:37,120
Speaker 1: Wait, I just tried to hear like Matt Kirkwood or

939
00:42:37,160 --> 00:42:39,680
Speaker 1: somebody that you know, because so often I don't think he.

940
00:42:39,760 --> 00:42:42,520
Speaker 2: Was there season seven, Yeah he was, he was, did

941
00:42:42,520 --> 00:42:45,799
Speaker 2: he Kirkwood? No, he left. He talked about how he left.

942
00:42:46,880 --> 00:42:49,440
Speaker 2: Are you sure? Pretty sure? Yeah? Remember he said he

943
00:42:49,480 --> 00:42:50,360
Speaker 2: took off At one point.

944
00:42:50,680 --> 00:42:52,759
Speaker 5: I wonder if that if those names would have been

945
00:42:52,880 --> 00:42:55,719
Speaker 5: in the list where it said Danny oh maybe yeah,

946
00:42:55,760 --> 00:42:56,600
Speaker 5: Daniel Jacobs.

947
00:42:56,640 --> 00:42:59,319
Speaker 4: Did anybody else have kind of a problem that when

948
00:42:59,400 --> 00:43:01,800
Speaker 4: you moved to the married dorm that meant that every

949
00:43:01,840 --> 00:43:02,840
Speaker 4: marriage sucked.

950
00:43:03,440 --> 00:43:06,359
Speaker 5: Well, they're trying to talk about the reality of being

951
00:43:06,400 --> 00:43:07,799
Speaker 5: a married college kid.

952
00:43:08,120 --> 00:43:14,360
Speaker 3: Everybody's yelling everybody, don't slam the door you. It's like god, like,

953
00:43:14,440 --> 00:43:17,759
Speaker 3: oh my god, my god, these are married twenty year

954
00:43:17,800 --> 00:43:21,240
Speaker 3: old likes they made the mistake.

955
00:43:21,800 --> 00:43:26,600
Speaker 2: Yeah right, they had baby's too young. It's like, God, terrible,

956
00:43:26,840 --> 00:43:28,879
Speaker 2: it's the latter name name.

957
00:43:29,080 --> 00:43:33,480
Speaker 1: Why the slum suddenly right, It's like the college just

958
00:43:33,600 --> 00:43:35,960
Speaker 1: doesn't paint these dorms awful.

959
00:43:36,200 --> 00:43:38,600
Speaker 2: Yeah, the other dorms are all take care, but they

960
00:43:38,640 --> 00:43:41,480
Speaker 2: just don't give this where you got married, it's not

961
00:43:41,520 --> 00:43:43,640
Speaker 2: on us anymore. It's like what the hell.

962
00:43:44,120 --> 00:43:46,239
Speaker 1: But I mean that's the man the lie of this

963
00:43:46,520 --> 00:43:52,160
Speaker 1: entire episode. They really, yeah, that's that's literally what Rusty says. Yeah, yeah,

964
00:43:52,200 --> 00:43:53,960
Speaker 1: and that's what the whole show is saying.

965
00:43:54,440 --> 00:43:59,560
Speaker 2: It's so weird. Debbie's last name is Fefferman. Just why

966
00:44:00,200 --> 00:44:02,440
Speaker 2: Jefferman's sister there she is.

967
00:44:03,320 --> 00:44:06,000
Speaker 5: Corey and Topanga are deservedly rattled as they turn the

968
00:44:06,000 --> 00:44:08,919
Speaker 5: corner and another couple is arguing over a barking dog.

969
00:44:09,400 --> 00:44:10,000
Speaker 2: Shut the door.

970
00:44:10,040 --> 00:44:12,440
Speaker 5: If you're gonna do that. A door slams, and he

971
00:44:12,560 --> 00:44:16,240
Speaker 5: eggs his wife on that's it, break it. Tapanga points

972
00:44:16,239 --> 00:44:19,439
Speaker 5: out it sounds like we have very colorful neighbors. Corey

973
00:44:19,520 --> 00:44:21,680
Speaker 5: sees a little boy standing alone and says hi to

974
00:44:21,719 --> 00:44:22,400
Speaker 5: the little fella.

975
00:44:22,719 --> 00:44:25,240
Speaker 2: The boy whispers back, I say dead people.

976
00:44:26,880 --> 00:44:31,840
Speaker 5: Corey fake smiles back, that's nice. He aggressively whispers to Tapanga,

977
00:44:32,000 --> 00:44:34,719
Speaker 5: let's get out of here, but Tapega points out that

978
00:44:34,760 --> 00:44:37,319
Speaker 5: they're right in front of Room two thirty six. This

979
00:44:37,440 --> 00:44:39,280
Speaker 5: is going to be their home for the next three years.

980
00:44:39,719 --> 00:44:42,480
Speaker 5: They bravely open the door and they are stunned at

981
00:44:42,520 --> 00:44:43,160
Speaker 5: what they see.

982
00:44:43,680 --> 00:44:46,600
Speaker 4: I have a logistical directing question for the two sitcom

983
00:44:46,600 --> 00:44:49,720
Speaker 4: directors here that I'm talking to Is there a reason

984
00:44:49,840 --> 00:44:53,719
Speaker 4: why basically every dorm room or everything we do is

985
00:44:53,760 --> 00:44:56,560
Speaker 4: you walk down the hall and take a rite. Is

986
00:44:56,600 --> 00:44:59,279
Speaker 4: there some kind of Is there a camera reason for

987
00:44:59,360 --> 00:45:01,839
Speaker 4: that or a block reason for that? Why there never

988
00:45:01,960 --> 00:45:04,239
Speaker 4: seems to go and take the left, like the room

989
00:45:04,320 --> 00:45:06,919
Speaker 4: is never on the left, it's always on the right.

990
00:45:07,040 --> 00:45:08,200
Speaker 2: Is there a reason for that?

991
00:45:08,920 --> 00:45:09,080
Speaker 7: No?

992
00:45:09,239 --> 00:45:13,760
Speaker 5: I think just this just where the set was exactly construction.

993
00:45:14,320 --> 00:45:14,520
Speaker 2: Okay.

994
00:45:14,520 --> 00:45:15,799
Speaker 4: I didn't know if there was some like, well, if

995
00:45:15,840 --> 00:45:18,399
Speaker 4: you shoot this way then you can't see into the whatever.

996
00:45:18,280 --> 00:45:19,719
Speaker 2: Kind of we never go to the left in the

997
00:45:19,719 --> 00:45:23,520
Speaker 2: other the left, but no dorm like all the rooms

998
00:45:23,520 --> 00:45:27,560
Speaker 2: are always to the right. Yeah, And so I didn't

999
00:45:27,560 --> 00:45:28,880
Speaker 2: know if that was that there was a reason for

1000
00:45:28,920 --> 00:45:30,120
Speaker 2: that or not. Okay, I guess not.

1001
00:45:30,239 --> 00:45:32,760
Speaker 5: Okay, to Pega and Angela's room is to the left,

1002
00:45:32,880 --> 00:45:35,759
Speaker 5: when when in that hallway their rooms are, there's you know,

1003
00:45:35,840 --> 00:45:39,279
Speaker 5: the boys was over to the right. Triplet came out, Yeah,

1004
00:45:39,320 --> 00:45:42,040
Speaker 5: that I think that was their room, right? Was it

1005
00:45:42,120 --> 00:45:43,920
Speaker 5: that room where I was actually picturing it more like

1006
00:45:43,960 --> 00:45:45,120
Speaker 5: where the bathroom is.

1007
00:45:45,200 --> 00:45:48,480
Speaker 2: But you're right, I didn't know if there was a

1008
00:45:48,480 --> 00:45:49,000
Speaker 2: reason for that.

1009
00:45:50,360 --> 00:45:55,680
Speaker 5: Okay, it's disgusting, tattered furniture, dirty appliances, stained carpet, police

1010
00:45:55,719 --> 00:45:58,560
Speaker 5: sirens blair as Topanga composes herself.

1011
00:45:58,200 --> 00:45:59,440
Speaker 2: It's the worst place.

1012
00:45:59,520 --> 00:46:03,239
Speaker 1: It's like, where are the bloodstains? Though, this is where

1013
00:46:03,239 --> 00:46:06,640
Speaker 1: Tapega's dad ended up. We need the bloodstains on the wall.

1014
00:46:06,760 --> 00:46:10,680
Speaker 1: It's just like that bad, chockoutable body.

1015
00:46:10,960 --> 00:46:11,759
Speaker 2: That's what we need.

1016
00:46:12,880 --> 00:46:14,320
Speaker 5: I did actually think that there was going to be

1017
00:46:14,320 --> 00:46:15,960
Speaker 5: a chalk line when the door opened. I thought, oh God,

1018
00:46:15,960 --> 00:46:17,239
Speaker 5: please let there still be a chalk line.

1019
00:46:17,320 --> 00:46:18,240
Speaker 2: That would be great.

1020
00:46:19,040 --> 00:46:21,239
Speaker 5: We cut to a commercial because it is, in fact

1021
00:46:21,560 --> 00:46:24,480
Speaker 5: not nice, but then we returned to the new room.

1022
00:46:25,040 --> 00:46:27,800
Speaker 5: Now inside, Tapanga opens a cabinet door and it falls

1023
00:46:27,880 --> 00:46:30,319
Speaker 5: right off the hinges. Okay, so it needs a little

1024
00:46:30,320 --> 00:46:32,840
Speaker 5: bit of work. Corey has an idea. I think we

1025
00:46:32,880 --> 00:46:35,239
Speaker 5: should think about the worst moment in our lives, and

1026
00:46:35,320 --> 00:46:38,000
Speaker 5: it'll only make us feel better about this one. They

1027
00:46:38,080 --> 00:46:40,800
Speaker 5: stand in silence for a moment, trying to think. Finally,

1028
00:46:40,920 --> 00:46:44,960
Speaker 5: Corey realizes it's this isn't it. To Pega nods in agreement,

1029
00:46:45,200 --> 00:46:47,959
Speaker 5: yeah it is, but she reminds him things are never

1030
00:46:48,000 --> 00:46:51,200
Speaker 5: as bad as they seem. Corey sarcastically responds, you're right,

1031
00:46:51,480 --> 00:46:56,240
Speaker 5: everything's terrific. It's just fabulous. And then back in the hallway,

1032
00:46:56,320 --> 00:46:59,280
Speaker 5: another fresh, young married couple has arrived with their luggage,

1033
00:46:59,280 --> 00:47:00,760
Speaker 5: and here Corey, I.

1034
00:47:00,640 --> 00:47:03,120
Speaker 2: Hate my parents and we live in a crack house.

1035
00:47:03,800 --> 00:47:06,680
Speaker 5: A couple share a nervous glance and scurry down the hall.

1036
00:47:07,680 --> 00:47:11,800
Speaker 2: It's a pretty funny bit, you know, already there a couple.

1037
00:47:11,920 --> 00:47:15,480
Speaker 5: Yeah, back inside Corey, into Pega's new trap house. Corey

1038
00:47:15,520 --> 00:47:18,520
Speaker 5: continues to wallow in the sadness. But why don't we

1039
00:47:18,600 --> 00:47:20,960
Speaker 5: find the good? To Panga, let's find the good because

1040
00:47:21,040 --> 00:47:23,359
Speaker 5: I don't know where it is. He scans the room

1041
00:47:23,520 --> 00:47:26,279
Speaker 5: and asks, is it underneath that pizza box? I don't know,

1042
00:47:26,600 --> 00:47:28,719
Speaker 5: it could be. He bends down to pick it up,

1043
00:47:28,760 --> 00:47:31,480
Speaker 5: and he finds a group of cockroaches hiding underneath it.

1044
00:47:31,680 --> 00:47:33,680
Speaker 2: Do you remember having cockroaches on set like this?

1045
00:47:34,000 --> 00:47:34,160
Speaker 6: No?

1046
00:47:34,239 --> 00:47:35,040
Speaker 2: But I also don't.

1047
00:47:35,200 --> 00:47:37,480
Speaker 5: I didn't think they were real. They I mean, although

1048
00:47:37,480 --> 00:47:40,920
Speaker 5: they were moving, it looked fake to me.

1049
00:47:41,040 --> 00:47:41,839
Speaker 2: Yeah, I couldn't tell.

1050
00:47:41,960 --> 00:47:43,680
Speaker 5: I don't know. I think they were battery operated.

1051
00:47:45,600 --> 00:47:47,640
Speaker 1: Seems a lot of like a lot more work than

1052
00:47:47,640 --> 00:47:49,560
Speaker 1: just find tyttle batteries.

1053
00:47:51,040 --> 00:47:53,799
Speaker 5: It was probably real cockroaches, but I don't remember. I

1054
00:47:53,840 --> 00:47:56,680
Speaker 5: have no fear of cockroaches. We had Madagascan hissing cockroaches,

1055
00:47:56,960 --> 00:47:59,279
Speaker 5: so it would not have bothered me at all to

1056
00:47:59,320 --> 00:48:02,120
Speaker 5: have them there, So I don't remember them. Corey jumps

1057
00:48:02,160 --> 00:48:04,400
Speaker 5: onto the couch and fear. Nope, that's where the vermin

1058
00:48:04,440 --> 00:48:07,040
Speaker 5: are hiding. She calls him a baby and stomps on

1059
00:48:07,080 --> 00:48:10,000
Speaker 5: the insects without hesitation, repeating the move as Corey points out,

1060
00:48:10,040 --> 00:48:13,640
Speaker 5: they're still alive and they're drunken. Cousins from Louisiana have arrived,

1061
00:48:14,000 --> 00:48:16,440
Speaker 5: and now they're both stomping on the floor with ferocity.

1062
00:48:16,520 --> 00:48:19,200
Speaker 5: When a woman opens the door, she's holding a baby

1063
00:48:19,200 --> 00:48:22,080
Speaker 5: and staring at the crazy couple jumping around. Corey and

1064
00:48:22,120 --> 00:48:23,360
Speaker 5: t Benga finally noticed.

1065
00:48:23,080 --> 00:48:26,880
Speaker 2: That just opened the door. Oh, this seems like a

1066
00:48:26,880 --> 00:48:27,680
Speaker 2: safe neighborhood.

1067
00:48:27,760 --> 00:48:31,920
Speaker 5: No knockings like the police iron anchorage.

1068
00:48:32,000 --> 00:48:36,880
Speaker 2: That I mean, I understand it, like you knock.

1069
00:48:37,120 --> 00:48:39,640
Speaker 5: Why wouldn't the door just be open? Why not just

1070
00:48:39,719 --> 00:48:41,800
Speaker 5: keep the door open? So she's standing in an open door.

1071
00:48:41,640 --> 00:48:43,680
Speaker 1: Because they needed to have the joke of the shouting

1072
00:48:43,719 --> 00:48:45,400
Speaker 1: match that the other couple scared of.

1073
00:48:46,000 --> 00:48:49,200
Speaker 2: But we could have shown them up. The hall door.

1074
00:48:49,000 --> 00:48:50,040
Speaker 5: Could be open up.

1075
00:48:50,080 --> 00:48:52,040
Speaker 2: They could be up the hall and turn around and

1076
00:48:52,040 --> 00:48:54,879
Speaker 2: not walk. Yeah. They're like, yeah, but the.

1077
00:48:54,840 --> 00:48:57,399
Speaker 5: Door, the door open would have saved everything. Yes, because yes,

1078
00:48:57,440 --> 00:49:00,240
Speaker 5: it's very weird that she's like.

1079
00:48:59,480 --> 00:49:01,360
Speaker 2: Hi, my baby.

1080
00:49:02,680 --> 00:49:04,919
Speaker 4: By the way, I know they weren't allowed to speak

1081
00:49:04,960 --> 00:49:07,120
Speaker 4: because they were background, but a great joke would have

1082
00:49:07,160 --> 00:49:10,640
Speaker 4: been the couple. As they're walking about to leave, the

1083
00:49:10,800 --> 00:49:12,880
Speaker 4: Cory turns to the Tapanga and says like, man, my

1084
00:49:12,960 --> 00:49:16,160
Speaker 4: dad's a jerk, you know, something like that, to show

1085
00:49:16,200 --> 00:49:17,120
Speaker 4: that it's the same cupboard.

1086
00:49:17,640 --> 00:49:20,439
Speaker 2: They couldn't couldn't have them talk right right.

1087
00:49:21,880 --> 00:49:24,279
Speaker 5: Corey and Tapanga finally noticed the visitor and stop. He

1088
00:49:24,320 --> 00:49:26,640
Speaker 5: explains they were just doing the dance of their people.

1089
00:49:27,120 --> 00:49:31,120
Speaker 5: The woman introduces herself as Kelly Aragon, a little nod

1090
00:49:31,120 --> 00:49:32,840
Speaker 5: to Carlos Aragon.

1091
00:49:33,160 --> 00:49:36,920
Speaker 2: Or Lord of the Rings. Okay, sure, and.

1092
00:49:36,800 --> 00:49:41,239
Speaker 5: The baby is Samantha, who never sleeps ever. As their

1093
00:49:41,239 --> 00:49:43,440
Speaker 5: new neighbor, she welcomes them to the dorm to Penga

1094
00:49:43,520 --> 00:49:45,600
Speaker 5: gushes over the tiny baby and asks if she can

1095
00:49:45,640 --> 00:49:48,240
Speaker 5: hold her. So Kelly hands over Samantha and to Panga

1096
00:49:48,320 --> 00:49:50,120
Speaker 5: turns to Corey with the baby in her arms.

1097
00:49:50,440 --> 00:49:54,520
Speaker 4: Oh your face, And that reaction is great.

1098
00:49:54,880 --> 00:49:55,960
Speaker 2: It's so real.

1099
00:49:56,360 --> 00:50:00,439
Speaker 4: Oh my god, Yeah that was a great This whole

1100
00:50:00,440 --> 00:50:01,200
Speaker 4: beat is awesome.

1101
00:50:01,520 --> 00:50:06,080
Speaker 5: Yeah, that's really cute. Corey immediately responds, no, put it back,

1102
00:50:06,160 --> 00:50:10,080
Speaker 5: put it back. Topega returns the baby and Kelly explains, well,

1103
00:50:10,120 --> 00:50:11,960
Speaker 5: she'd be a lot cuter if she would just sleep

1104
00:50:12,120 --> 00:50:15,279
Speaker 5: for like a minute. I mean, other babies sleep, right.

1105
00:50:15,440 --> 00:50:17,400
Speaker 5: I don't think I can stay awake much longer. And

1106
00:50:17,440 --> 00:50:19,399
Speaker 5: at this moment, I'm like, why is Japanga not saying,

1107
00:50:19,480 --> 00:50:21,160
Speaker 5: let me take the baby for a little bit to

1108
00:50:21,239 --> 00:50:21,800
Speaker 5: let you sleep?

1109
00:50:21,800 --> 00:50:24,680
Speaker 2: But she's just like, cool, can't sleep, haven't slept in days?

1110
00:50:26,719 --> 00:50:27,000
Speaker 1: Sad?

1111
00:50:27,680 --> 00:50:28,800
Speaker 2: Maybe don't be a whore?

1112
00:50:34,880 --> 00:50:38,759
Speaker 5: My gosh, Corey wonders, just out of curiosity, the bed

1113
00:50:38,800 --> 00:50:41,520
Speaker 5: where your baby doesn't sleep all night? That's not located

1114
00:50:41,520 --> 00:50:44,040
Speaker 5: behind these paper thin walls, is it? Because the only

1115
00:50:44,080 --> 00:50:46,759
Speaker 5: crying I want to hear is my own. Topega gives

1116
00:50:46,800 --> 00:50:48,960
Speaker 5: him a look and Kelly assures them it's all right.

1117
00:50:49,080 --> 00:50:51,839
Speaker 5: At least he's here. My husband's a med student. They

1118
00:50:51,960 --> 00:50:57,799
Speaker 5: never come home, Hocully. She turns to leave, but stops her.

1119
00:50:57,840 --> 00:51:02,840
Speaker 2: She's not a cooler, she's scary to a med student.

1120
00:51:03,000 --> 00:51:05,960
Speaker 4: Exactly who's gonna leave her? The second he passes the board.

1121
00:51:06,120 --> 00:51:09,640
Speaker 4: Everybody knows that she puts him through college. He takes off.

1122
00:51:09,680 --> 00:51:11,239
Speaker 2: It's the old story.

1123
00:51:13,120 --> 00:51:16,680
Speaker 5: You two are newly weds, aren't you, she says. Topega responds, Yeah,

1124
00:51:16,719 --> 00:51:19,719
Speaker 5: we are, and Kelly wishes them a sincere good luck.

1125
00:51:20,320 --> 00:51:24,760
Speaker 5: Just as Samantha starts to fuss now alone, Topanga tells Corey, Okay,

1126
00:51:25,160 --> 00:51:27,560
Speaker 5: let's just look at this as a true test of character.

1127
00:51:27,719 --> 00:51:29,640
Speaker 5: Now we can either run from this or we can

1128
00:51:29,680 --> 00:51:32,359
Speaker 5: be stronger than this. Corey places a hand on her

1129
00:51:32,360 --> 00:51:35,200
Speaker 5: shoulder and says good luck before sprinting to the door,

1130
00:51:35,440 --> 00:51:37,880
Speaker 5: But when he grabs the handle for refuge, it comes

1131
00:51:37,960 --> 00:51:41,680
Speaker 5: right off cod. He turns to Tapanga nervously explains, I

1132
00:51:41,800 --> 00:51:44,640
Speaker 5: wasn't really gonna run. He stammers through his words and

1133
00:51:44,680 --> 00:51:47,120
Speaker 5: places the doorknob in her hand. This is for you,

1134
00:51:48,160 --> 00:51:49,840
Speaker 5: and then we're in Phoenix.

1135
00:51:52,680 --> 00:51:59,400
Speaker 2: If I say it like everyone, fais a lummy.

1136
00:52:05,120 --> 00:52:05,319
Speaker 4: Yeah.

1137
00:52:05,480 --> 00:52:08,279
Speaker 2: They needed another week with the script, at least another week.

1138
00:52:08,440 --> 00:52:12,640
Speaker 4: Yeah, maybe quadruplets would have made it funny.

1139
00:52:13,120 --> 00:52:14,360
Speaker 2: Oh that's so good.

1140
00:52:14,280 --> 00:52:14,440
Speaker 4: Ye.

1141
00:52:17,040 --> 00:52:21,600
Speaker 1: Payboy model, Yeah exactly, Yeah, that would have done it.

1142
00:52:21,600 --> 00:52:29,120
Speaker 2: It's the knife thing.

1143
00:52:31,280 --> 00:52:37,200
Speaker 5: Octuplets, Now that's hilarious. Corey and t Banka are slumped

1144
00:52:37,200 --> 00:52:40,320
Speaker 5: down in the front row, looking absolutely exhausted. Feene lectures

1145
00:52:40,360 --> 00:52:44,000
Speaker 5: about the Black Plague, detailing the maggot infested rotting corpses

1146
00:52:44,000 --> 00:52:45,360
Speaker 5: that littered the streets of Europe.

1147
00:52:45,520 --> 00:52:47,920
Speaker 2: Can I think? Is it again? Not having gone to college?

1148
00:52:49,640 --> 00:52:51,799
Speaker 4: Is there a reason why they're still in a high

1149
00:52:51,840 --> 00:52:53,040
Speaker 4: school history class.

1150
00:52:54,120 --> 00:52:56,520
Speaker 2: It's like, let's talk about World War two?

1151
00:52:56,800 --> 00:53:01,920
Speaker 1: Like okay, textbook reading, like we can all read at this,

1152
00:53:02,120 --> 00:53:04,160
Speaker 1: like we know, like the history is just.

1153
00:53:05,960 --> 00:53:07,080
Speaker 2: I know it. Yeah it was.

1154
00:53:07,160 --> 00:53:10,560
Speaker 4: It's so strange Poene teaching you a class where it's

1155
00:53:10,560 --> 00:53:13,000
Speaker 4: like this could have been the same exact lesson from

1156
00:53:13,000 --> 00:53:13,560
Speaker 4: season one.

1157
00:53:13,840 --> 00:53:18,440
Speaker 5: Yes, yes, exactly. Corey glances at to Panga he's talking

1158
00:53:18,480 --> 00:53:21,640
Speaker 5: about us. Tapanga half heartedly raises her hand in wines,

1159
00:53:22,160 --> 00:53:25,640
Speaker 5: I have a bath. Phoene asks that she reserve her

1160
00:53:25,640 --> 00:53:28,640
Speaker 5: personal matters for after class, but toa Panga continues.

1161
00:53:28,239 --> 00:53:31,799
Speaker 2: To complain, our water is brown. Phoene tries to stop her,

1162
00:53:31,800 --> 00:53:38,200
Speaker 2: but Corey chimes in and you have to chew it.

1163
00:53:34,840 --> 00:53:41,360
Speaker 2: As they both.

1164
00:53:41,200 --> 00:53:44,080
Speaker 5: Fester in their depression, Phoenie announces to the class, I

1165
00:53:44,200 --> 00:53:46,280
Speaker 5: rarely do this, but I'm going to dismiss the class

1166
00:53:46,320 --> 00:53:51,280
Speaker 5: on account of well pathetic. Everyone leaves except the pathetic

1167
00:53:51,360 --> 00:53:54,279
Speaker 5: couple in question. Corey points a finger at Phoenian says

1168
00:53:54,280 --> 00:53:57,920
Speaker 5: in a gravelly New York accent, he got a big house, Phoene,

1169
00:53:58,400 --> 00:54:03,239
Speaker 5: no children to Pega mimics the voice. What do you

1170
00:54:03,320 --> 00:54:04,920
Speaker 5: do in that house? Phoene?

1171
00:54:05,280 --> 00:54:08,719
Speaker 2: You eat this totally? You guys doing like the bake sale. Huh,

1172
00:54:10,080 --> 00:54:13,160
Speaker 2: it's just bits and it's great, Like this is great.

1173
00:54:13,719 --> 00:54:14,279
Speaker 3: Yeah.

1174
00:54:14,440 --> 00:54:16,960
Speaker 5: Phoene is shocked. What's the matter with you two? And

1175
00:54:16,960 --> 00:54:21,320
Speaker 5: why are you so unkempt? Corey fake laughs, Ah, we're unkempt.

1176
00:54:21,480 --> 00:54:24,200
Speaker 5: You hear that, Topanga. Then he raises his voice. You'd

1177
00:54:24,239 --> 00:54:26,120
Speaker 5: be unkempt too if you lived in an apartment with

1178
00:54:26,160 --> 00:54:28,160
Speaker 5: only one washing machine and no dryer.

1179
00:54:28,440 --> 00:54:32,239
Speaker 2: And you know how the baby cries like this, wha, wha,

1180
00:54:32,920 --> 00:54:34,439
Speaker 2: whaa all night.

1181
00:54:35,000 --> 00:54:36,799
Speaker 5: Phoene tries to get a word, and but Corey won't

1182
00:54:36,800 --> 00:54:39,600
Speaker 5: stop crying like a baby. Phoene says, he gets it,

1183
00:54:39,600 --> 00:54:43,240
Speaker 5: it's unpleasant. Topenga gets down to business. Quit stalin Phoene,

1184
00:54:43,239 --> 00:54:45,160
Speaker 5: we stay in with you or not, and he quickly

1185
00:54:45,160 --> 00:54:48,080
Speaker 5: responds not. So They both get up without another word,

1186
00:54:48,200 --> 00:54:50,920
Speaker 5: dodging a hug Phoene tries to assure them, from the

1187
00:54:50,920 --> 00:54:53,520
Speaker 5: bottom of my heart, I would do anything for you too,

1188
00:54:53,840 --> 00:54:56,919
Speaker 5: if it's anything short of actually moving in anything at all.

1189
00:54:57,440 --> 00:55:00,560
Speaker 5: Back in the gravelly voice of struggle, Cory asks, now,

1190
00:55:00,600 --> 00:55:03,640
Speaker 5: how about some of your million's fella and he tries

1191
00:55:03,680 --> 00:55:06,120
Speaker 5: to reason with Topanga, but she just shouts to her husband,

1192
00:55:06,239 --> 00:55:09,200
Speaker 5: hold him down, I'll get his wallet. Corey suddenly has

1193
00:55:09,200 --> 00:55:11,319
Speaker 5: a change of heart. No, that would be wrong. This

1194
00:55:11,400 --> 00:55:14,600
Speaker 5: man is an educator. Topanga agrees you're right. What could

1195
00:55:14,640 --> 00:55:14,880
Speaker 5: he have?

1196
00:55:14,960 --> 00:55:15,000
Speaker 8: Like?

1197
00:55:15,120 --> 00:55:22,040
Speaker 5: Nine bucks? Phoene proudly adds and a Blockbuster card. Very

1198
00:55:22,040 --> 00:55:27,080
Speaker 5: happy with that, yep. Then he grabs the two Ruffians

1199
00:55:27,080 --> 00:55:29,760
Speaker 5: and says, let me tell you something about life. Corey

1200
00:55:29,800 --> 00:55:32,520
Speaker 5: begs him, no, please, no more words. You have been

1201
00:55:32,520 --> 00:55:35,000
Speaker 5: telling me about life since the first grade. How come

1202
00:55:35,000 --> 00:55:38,760
Speaker 5: you never prepared us for this? Phoene gets serious. Although

1203
00:55:38,800 --> 00:55:41,439
Speaker 5: you can't see it now, your reward is yet to come.

1204
00:55:41,920 --> 00:55:44,440
Speaker 5: Corey is fed up. What are you a fortune cookie?

1205
00:55:44,640 --> 00:55:46,720
Speaker 5: And Topanga perks up, who has cookies?

1206
00:55:48,960 --> 00:55:49,680
Speaker 2: So funny?

1207
00:55:50,200 --> 00:55:53,120
Speaker 1: I mean it is the dialog here is funny.

1208
00:55:52,600 --> 00:55:54,759
Speaker 2: It's not quite working for me. I'm not sure what

1209
00:55:54,880 --> 00:55:55,200
Speaker 2: it is.

1210
00:55:55,360 --> 00:55:57,080
Speaker 5: I agree, I don't know what it is, but there is.

1211
00:55:57,200 --> 00:56:01,600
Speaker 5: It's funny, but it's not working. Yeah, Phoene resents the sentiment.

1212
00:56:01,800 --> 00:56:05,120
Speaker 5: My words are heartfelt and highly original. To be reduced

1213
00:56:05,160 --> 00:56:08,400
Speaker 5: to a whimsical jocularity that's stuffed into a cracker is

1214
00:56:08,440 --> 00:56:10,520
Speaker 5: in a front to the very essence of my character.

1215
00:56:14,080 --> 00:56:17,520
Speaker 2: How do we say this as fancily as possible? Fancy

1216
00:56:17,560 --> 00:56:18,200
Speaker 2: words speak.

1217
00:56:19,080 --> 00:56:21,680
Speaker 5: Tapanga sticks her tongue out and blows a raspberry in

1218
00:56:21,719 --> 00:56:22,120
Speaker 5: his face.

1219
00:56:22,280 --> 00:56:25,480
Speaker 2: Corey is proud, Well put, honey, well put? Can you

1220
00:56:25,520 --> 00:56:30,680
Speaker 2: demanded the raspberry? No? I don't either. I want to know.

1221
00:56:33,080 --> 00:56:35,680
Speaker 5: He demands that Phoene give them something they can actually use.

1222
00:56:35,960 --> 00:56:38,880
Speaker 5: Phoene thinks for a moment and lands on persevere and

1223
00:56:39,120 --> 00:56:42,760
Speaker 5: prosperity shall be yours. They both frown at his meaningless

1224
00:56:42,840 --> 00:56:44,879
Speaker 5: mumbo jumbo and storm out of the room with another

1225
00:56:44,960 --> 00:56:48,399
Speaker 5: without another word. Once they're gone, Feene admits, all right,

1226
00:56:48,440 --> 00:56:49,400
Speaker 5: I'm a fortune cookie.

1227
00:56:49,880 --> 00:56:59,920
Speaker 7: Great line, it's so funny.

1228
00:57:04,680 --> 00:57:06,800
Speaker 2: And then we're in the student union, Eric and Jacker

1229
00:57:06,920 --> 00:57:09,560
Speaker 2: jabbing pool balls at each other. Why aren't you guys

1230
00:57:09,600 --> 00:57:12,719
Speaker 2: just playing pool? Because we're playing pockey.

1231
00:57:12,960 --> 00:57:15,880
Speaker 4: This is what we started playing, all of us on

1232
00:57:15,920 --> 00:57:18,840
Speaker 4: the set started playing this game that we called pockey,

1233
00:57:19,040 --> 00:57:21,000
Speaker 4: and this is the first time that they actually put

1234
00:57:21,000 --> 00:57:22,800
Speaker 4: it in the show. So it was pool hockey and

1235
00:57:22,800 --> 00:57:24,560
Speaker 4: we'd have one ball and you try to snap it

1236
00:57:24,560 --> 00:57:27,120
Speaker 4: to the thing, and we all started playing this like rider.

1237
00:57:27,640 --> 00:57:30,480
Speaker 2: All of us were grabbing this. So it's like, what's

1238
00:57:30,560 --> 00:57:35,720
Speaker 2: the one with a hockey? Yeah, or air hockey, bastball, foosball.

1239
00:57:37,440 --> 00:57:41,040
Speaker 4: And you've got your one ball and you and you

1240
00:57:41,080 --> 00:57:42,800
Speaker 4: actually don't remember doing this.

1241
00:57:42,880 --> 00:57:43,800
Speaker 2: Oh yeah, we played.

1242
00:57:43,880 --> 00:57:46,560
Speaker 4: We played all the time we have, we had pockey

1243
00:57:46,640 --> 00:57:48,680
Speaker 4: tournaments going on, so this is the first time we

1244
00:57:48,720 --> 00:57:50,800
Speaker 4: got to see it. I was like, hey, pocky, Yeah,

1245
00:57:50,920 --> 00:57:53,600
Speaker 4: it's so funny. Probably ruined the hell out of the table,

1246
00:57:53,680 --> 00:57:54,960
Speaker 4: but it was Yeah, when that.

1247
00:57:54,920 --> 00:57:57,200
Speaker 5: Table had been ruined already with all the people jumping

1248
00:57:57,280 --> 00:58:00,520
Speaker 5: up on it. Yeah, Eric and Jacker jabby pool balls

1249
00:58:00,560 --> 00:58:02,560
Speaker 5: at each other. With the cues, when Rachel walks up

1250
00:58:02,560 --> 00:58:05,400
Speaker 5: and realizes, I haven't seen you guys in days. How's

1251
00:58:05,480 --> 00:58:10,160
Speaker 5: life been treating you? I needed a reminder about why

1252
00:58:10,960 --> 00:58:15,040
Speaker 5: any of this storyline is going on, Like it's so

1253
00:58:15,320 --> 00:58:19,400
Speaker 5: long ago, but we like, why why are they trying

1254
00:58:19,400 --> 00:58:20,400
Speaker 5: to make her jealous?

1255
00:58:20,480 --> 00:58:21,960
Speaker 1: Like do you know what I mean, I know, well

1256
00:58:22,120 --> 00:58:25,120
Speaker 1: this is also where I was like, God, she's she's

1257
00:58:25,480 --> 00:58:28,640
Speaker 1: Matt's X, like she and Jack, and they're not even

1258
00:58:28,680 --> 00:58:32,080
Speaker 1: acknowledging that, Like now we just completely drop that they

1259
00:58:32,120 --> 00:58:34,800
Speaker 1: were in a relationship, like they they had like one

1260
00:58:34,840 --> 00:58:37,760
Speaker 1: of the most like profound.

1261
00:58:37,520 --> 00:58:39,840
Speaker 2: Kisses on the show. Yeah, and then just act like

1262
00:58:39,880 --> 00:58:41,240
Speaker 2: it never freaking happens.

1263
00:58:41,280 --> 00:58:42,920
Speaker 4: Well no, but I think what they were trying to

1264
00:58:42,960 --> 00:58:47,000
Speaker 4: show was that Maitland is one pretty girl and the

1265
00:58:47,080 --> 00:58:48,200
Speaker 4: others are three.

1266
00:58:51,120 --> 00:58:56,040
Speaker 5: You know what now when okay, when I get yeah,

1267
00:58:56,280 --> 00:58:59,560
Speaker 5: you see what I'm saying, and that is funny, like

1268
00:58:59,640 --> 00:59:02,320
Speaker 5: you know, one versus three.

1269
00:59:02,280 --> 00:59:07,560
Speaker 4: Right, because again Maitland one, but the dom Triplets, thanks

1270
00:59:07,560 --> 00:59:09,440
Speaker 4: to their dad, are three.

1271
00:59:09,320 --> 00:59:13,080
Speaker 5: Three right gosh Okay, well so I think now I

1272
00:59:13,480 --> 00:59:14,760
Speaker 5: feel silly now, thank you?

1273
00:59:14,880 --> 00:59:17,160
Speaker 2: Yeah, and then incomes Triple.

1274
00:59:16,840 --> 00:59:25,000
Speaker 5: E, another triplet. The boys trade smiles. She wants to

1275
00:59:25,040 --> 00:59:28,040
Speaker 5: know how life has been treating them. Eric explains life,

1276
00:59:28,120 --> 00:59:31,560
Speaker 5: which has up until now treated us terribly, has decided

1277
00:59:31,600 --> 00:59:34,640
Speaker 5: to pay us back. On cue, the blonde triplets walk in,

1278
00:59:34,840 --> 00:59:39,800
Speaker 5: once again wearing matching outfits as full grown adults. Eric

1279
00:59:39,840 --> 00:59:44,560
Speaker 5: announces these are the domb Triplets, then places himself between them,

1280
00:59:44,640 --> 00:59:47,800
Speaker 5: and they're the best dumb triplets I've ever seen.

1281
00:59:54,160 --> 00:59:55,840
Speaker 2: God, is this.

1282
00:59:55,800 --> 00:59:58,440
Speaker 4: One of Could you argue this is one of the

1283
00:59:58,440 --> 01:00:00,960
Speaker 4: worst and useless, most useless the stories in the history

1284
01:00:01,000 --> 01:00:03,760
Speaker 4: of the show. For sure, I think you could some

1285
01:00:04,320 --> 01:00:06,360
Speaker 4: that are weird, but this one is just like what

1286
01:00:06,760 --> 01:00:08,120
Speaker 4: it's actually happening?

1287
01:00:08,280 --> 01:00:10,360
Speaker 2: Yeah, we should keep it Tally.

1288
01:00:10,400 --> 01:00:11,840
Speaker 1: I wanted because I feel like we've had a couple

1289
01:00:11,880 --> 01:00:13,600
Speaker 1: of these where we're just like, yeah, it's like.

1290
01:00:13,560 --> 01:00:16,040
Speaker 2: What is going on? But this has the triplets have

1291
01:00:16,040 --> 01:00:16,360
Speaker 2: to be up.

1292
01:00:16,880 --> 01:00:20,040
Speaker 5: Yeah, the don Triplets is pretty bad. Jack explains there

1293
01:00:20,040 --> 01:00:22,800
Speaker 5: are neighbors, all three of them. Eric jumps up on

1294
01:00:22,840 --> 01:00:26,760
Speaker 5: the pool table and again counts them one, two, three.

1295
01:00:27,640 --> 01:00:32,640
Speaker 2: Let's trike so hard. Oh man, hello, my baby, Hello

1296
01:00:32,800 --> 01:00:33,160
Speaker 2: my dog.

1297
01:00:33,480 --> 01:00:35,760
Speaker 1: I just want you to put on the top and

1298
01:00:35,840 --> 01:00:38,960
Speaker 1: a bow tie.

1299
01:00:40,560 --> 01:00:42,760
Speaker 2: Do your best Marsel the monkey.

1300
01:00:44,320 --> 01:00:45,280
Speaker 5: Trying out.

1301
01:00:53,440 --> 01:01:07,959
Speaker 8: Comedy. Just say it loud and big, so hard. Heart

1302
01:01:08,040 --> 01:01:08,720
Speaker 8: breaks for you.

1303
01:01:08,880 --> 01:01:11,280
Speaker 5: You're like, oh god, I'll do it, I'll do it,

1304
01:01:11,400 --> 01:01:12,600
Speaker 5: I watch it, I'll save it.

1305
01:01:12,680 --> 01:01:15,280
Speaker 2: Guys. Oh god, I was gonna hit the wall. I'm

1306
01:01:15,320 --> 01:01:18,440
Speaker 2: gonna run into a full speed what's gonna happen?

1307
01:01:21,800 --> 01:01:26,040
Speaker 5: He just loves to count them. Rachel awkwardly says hello,

1308
01:01:26,160 --> 01:01:30,240
Speaker 5: and Jack asks, aren't they just the greatest girls? Eric reemphasizes,

1309
01:01:30,280 --> 01:01:35,600
Speaker 5: because there's three one, two, three, and there's only one

1310
01:01:35,640 --> 01:01:38,920
Speaker 5: of you and three of them, and you lose.

1311
01:01:42,200 --> 01:01:46,240
Speaker 4: I'd like to thank my parents for standing behind me

1312
01:01:46,280 --> 01:01:46,919
Speaker 4: this entire time.

1313
01:01:46,960 --> 01:01:48,640
Speaker 2: I didn't think i'd be standing up there tonight. This

1314
01:01:48,680 --> 01:01:54,680
Speaker 2: is really unexpected. Yeah, just to be nominated, yeah, just

1315
01:01:54,720 --> 01:01:56,680
Speaker 2: to be nominated. But this is crazy.

1316
01:01:57,040 --> 01:02:00,160
Speaker 5: Rachel points out, well, there's three of them and there's

1317
01:02:00,160 --> 01:02:03,320
Speaker 5: only two of you, So what's up with that? One

1318
01:02:03,360 --> 01:02:05,880
Speaker 5: of the triplets, and since they are not distinguished in

1319
01:02:05,920 --> 01:02:08,919
Speaker 5: the captions, I do not know which one responds they

1320
01:02:08,960 --> 01:02:12,160
Speaker 5: promised they'd find us a third guy. Then another continues

1321
01:02:12,320 --> 01:02:14,960
Speaker 5: so we can all go out together, and the last

1322
01:02:14,960 --> 01:02:19,320
Speaker 5: one adds we always do everything together. Jack and Eric

1323
01:02:19,360 --> 01:02:24,200
Speaker 5: emphasize everything the triplets to tell the boys.

1324
01:02:24,480 --> 01:02:26,000
Speaker 1: I think I've talked about this before, but you know,

1325
01:02:26,200 --> 01:02:30,160
Speaker 1: when I do the like screenplay teaching that I do

1326
01:02:30,240 --> 01:02:32,800
Speaker 1: with the fifth grade the kids when I go, I've

1327
01:02:32,840 --> 01:02:34,520
Speaker 1: done it at multiple schools, but now I do it

1328
01:02:34,520 --> 01:02:37,920
Speaker 1: at Indie School. One of the things that the kids

1329
01:02:37,960 --> 01:02:42,400
Speaker 1: always do is they write dialogue at the characters say

1330
01:02:42,400 --> 01:02:43,560
Speaker 1: the same dialogue.

1331
01:02:43,160 --> 01:02:46,240
Speaker 2: At the same course like in real life. Exactly.

1332
01:02:46,320 --> 01:02:48,240
Speaker 1: It's like it's one of those things that, for whatever reason,

1333
01:02:48,280 --> 01:02:50,800
Speaker 1: it's like a kid brain just automatically it's like, oh,

1334
01:02:50,800 --> 01:02:52,320
Speaker 1: and then this side of the you know, these three

1335
01:02:52,320 --> 01:02:54,680
Speaker 1: people will say this thing, especially if they're like sisters

1336
01:02:54,760 --> 01:02:57,480
Speaker 1: or brothers, they'll have them be like we were hungry,

1337
01:02:57,760 --> 01:02:59,760
Speaker 1: and you're like, nobody can do that, Like that's human

1338
01:02:59,840 --> 01:03:03,080
Speaker 1: the not humanly. This is one of those moments. Yes, oh,

1339
01:03:03,120 --> 01:03:06,280
Speaker 1: they're just we are triplets. We finish each other.

1340
01:03:07,680 --> 01:03:12,160
Speaker 2: Yeah, looks like it's fifth grade writing. It worked for me.

1341
01:03:15,480 --> 01:03:16,120
Speaker 2: There's three of them.

1342
01:03:16,160 --> 01:03:18,320
Speaker 4: There's one Maitland. I don't think you guys are following me.

1343
01:03:19,160 --> 01:03:19,920
Speaker 4: One Maitland.

1344
01:03:20,320 --> 01:03:22,760
Speaker 2: She's tall, thought three of the top three of the blonds.

1345
01:03:23,080 --> 01:03:26,000
Speaker 5: Yeah all right, yeah, I don't thank you for the reminder.

1346
01:03:26,160 --> 01:03:29,080
Speaker 4: Well, what's funnier before you go any farther than one

1347
01:03:29,080 --> 01:03:34,760
Speaker 4: set of triplets? Take it away, Daniellelet here we go.

1348
01:03:36,080 --> 01:03:38,520
Speaker 5: The triplets tell the boys they've been so nice in

1349
01:03:38,600 --> 01:03:41,160
Speaker 5: helping them find their dorm room. They owe them a party.

1350
01:03:41,840 --> 01:03:44,200
Speaker 5: Eric shrieks, they owe us a party. And so the

1351
01:03:44,240 --> 01:03:46,680
Speaker 5: girls ask did they find the other guy. Jack and

1352
01:03:46,800 --> 01:03:49,600
Speaker 5: Eric excuse themselves to figure out a plan. Eric panics,

1353
01:03:49,680 --> 01:03:51,960
Speaker 5: third guy, Third guy party. Then he points to a

1354
01:03:52,040 --> 01:03:54,720
Speaker 5: random guy in the corner. I choose you a student

1355
01:03:55,000 --> 01:03:57,200
Speaker 5: who looks just like Scott Bayo?

1356
01:03:57,840 --> 01:03:59,600
Speaker 2: Does he even really notice that?

1357
01:03:59,680 --> 01:03:59,760
Speaker 8: Oh?

1358
01:03:59,800 --> 01:04:01,440
Speaker 2: Yeah, it's it's wild?

1359
01:04:01,840 --> 01:04:04,320
Speaker 5: Perks up and asks him, Hey, do you want to

1360
01:04:04,360 --> 01:04:07,160
Speaker 5: go out with one of these beautiful women? Without missing

1361
01:04:07,200 --> 01:04:09,920
Speaker 5: a beat, he asks, can my brothers come with me?

1362
01:04:10,280 --> 01:04:13,520
Speaker 5: The camera zooms out to reveal two other guys who

1363
01:04:13,560 --> 01:04:17,000
Speaker 5: look a lot like Scott Bayo, and they're all dressed

1364
01:04:17,160 --> 01:04:20,640
Speaker 5: the same again as adults.

1365
01:04:21,560 --> 01:04:23,960
Speaker 1: I totally forgot, and I can't believe I forget. I'm

1366
01:04:23,960 --> 01:04:25,960
Speaker 1: looking at Danielle's curtains.

1367
01:04:26,200 --> 01:04:29,520
Speaker 2: Do you guys, did it bother you that Ben's sweatshirt

1368
01:04:29,600 --> 01:04:33,960
Speaker 2: blended in with the cabinets in the classroom? Exactly? Do

1369
01:04:34,000 --> 01:04:34,480
Speaker 2: you remember this?

1370
01:04:36,040 --> 01:04:38,880
Speaker 1: It's it's like almost the same color as Danielle's curtains,

1371
01:04:38,960 --> 01:04:42,760
Speaker 1: and he, for whatever is his sweatshirt matches the cabinets.

1372
01:04:42,800 --> 01:04:46,000
Speaker 2: It's so bad, It's like it's the weirdest thing. And

1373
01:04:46,080 --> 01:04:48,880
Speaker 2: I was like, why wouldn't they change this? Like how

1374
01:04:48,880 --> 01:04:50,520
Speaker 2: did nobody notice that that? Is?

1375
01:04:50,640 --> 01:04:52,760
Speaker 5: By the way for our dear listeners who don't know

1376
01:04:52,880 --> 01:04:56,200
Speaker 5: that is a large part of what the wardrobe stylists

1377
01:04:56,240 --> 01:05:00,680
Speaker 5: are supposed to do is to take into account the set, colors, fabrics,

1378
01:05:00,720 --> 01:05:02,160
Speaker 5: the couch. You don't want to put somebody in a

1379
01:05:02,160 --> 01:05:05,640
Speaker 5: floral dress on the floral couch. So that's like a big,

1380
01:05:05,720 --> 01:05:07,440
Speaker 5: you know, a big thing. So that should have been

1381
01:05:07,480 --> 01:05:09,880
Speaker 5: a consideration, Like, hey, this color too close to the

1382
01:05:09,880 --> 01:05:10,640
Speaker 5: color of the set.

1383
01:05:10,800 --> 01:05:12,120
Speaker 2: I found so distracted.

1384
01:05:13,240 --> 01:05:15,880
Speaker 4: Oh okay, well I was looking at the triplets, the

1385
01:05:15,880 --> 01:05:16,880
Speaker 4: two sets of triplets.

1386
01:05:16,960 --> 01:05:19,760
Speaker 5: Well yeah, I mean, another good looking set of triplets

1387
01:05:19,760 --> 01:05:22,400
Speaker 5: at this tiny school. What are the odds?

1388
01:05:22,800 --> 01:05:24,960
Speaker 2: I also in this in the student union.

1389
01:05:24,960 --> 01:05:28,840
Speaker 1: In one of the scenes, it was so fun Shiloh's

1390
01:05:28,880 --> 01:05:33,439
Speaker 1: girlfriend Darcy and it's like right on camera, like she's

1391
01:05:33,480 --> 01:05:35,640
Speaker 1: walking with another guy like towards the camera, and I

1392
01:05:35,680 --> 01:05:37,920
Speaker 1: was like, oh, my heart just was like oh, because yeah,

1393
01:05:37,960 --> 01:05:40,760
Speaker 1: she was living with Shiloh at the end. Yeah, they

1394
01:05:40,760 --> 01:05:43,040
Speaker 1: were together for like five years and and so so

1395
01:05:43,120 --> 01:05:44,040
Speaker 1: fun to see.

1396
01:05:43,800 --> 01:05:48,840
Speaker 2: Her like right, yeah, cool.

1397
01:05:49,080 --> 01:05:49,280
Speaker 7: Yeah.

1398
01:05:49,840 --> 01:05:52,880
Speaker 5: Well, the audience loves the big reveal, and Eric and

1399
01:05:52,960 --> 01:05:56,040
Speaker 5: Jack know this is bad news. The dom triplets are

1400
01:05:56,280 --> 01:06:00,840
Speaker 5: immediately ensoorcelled. By the other guy's tripletness and they say

1401
01:06:00,840 --> 01:06:03,800
Speaker 5: goodbye to Eric and Jack two by two as they

1402
01:06:04,080 --> 01:06:05,040
Speaker 5: walk out the door.

1403
01:06:05,520 --> 01:06:07,919
Speaker 2: Well took, yeah.

1404
01:06:07,600 --> 01:06:12,760
Speaker 5: Forever, it took because it was all about bye no

1405
01:06:12,760 --> 01:06:13,480
Speaker 5: no hi hi no.

1406
01:06:13,840 --> 01:06:16,920
Speaker 4: Hi high no Hi yeah hi hi no hi hi

1407
01:06:17,160 --> 01:06:19,880
Speaker 4: no no hi high no no. And it was all

1408
01:06:19,920 --> 01:06:24,400
Speaker 4: about the timing, timing.

1409
01:06:25,080 --> 01:06:28,240
Speaker 2: So here, writer, let's do it. Let's do it.

1410
01:06:28,280 --> 01:06:30,480
Speaker 5: Will you be the no al ready okay, but we're

1411
01:06:30,480 --> 01:06:31,880
Speaker 5: gonna do it. We're gonna do it the way. It

1412
01:06:31,920 --> 01:06:35,240
Speaker 5: took a long time, ready, okay, hi.

1413
01:06:35,320 --> 01:06:36,360
Speaker 2: Hi no.

1414
01:06:37,920 --> 01:06:46,480
Speaker 5: Hi hi no hi hi no. And it took, and

1415
01:06:46,560 --> 01:06:48,959
Speaker 5: we must have done it fifteen times. I mean, okay,

1416
01:06:49,240 --> 01:06:52,800
Speaker 5: just now, let's do it. Well ready hi hi no

1417
01:06:53,480 --> 01:06:58,440
Speaker 5: hi hi no hi hie no, there you go, thank you.

1418
01:06:59,080 --> 01:06:59,520
Speaker 2: And it took.

1419
01:07:00,160 --> 01:07:01,960
Speaker 4: It became one of our famous bloopers that we have

1420
01:07:02,080 --> 01:07:04,600
Speaker 4: because it just we couldn't get it. And then, to

1421
01:07:04,680 --> 01:07:09,280
Speaker 4: make matters worse, we finally got it and I turn

1422
01:07:09,760 --> 01:07:12,760
Speaker 4: and I say, Maitland instead of Rachel.

1423
01:07:12,840 --> 01:07:15,640
Speaker 2: Yeah, and I hear Michael go you you had it.

1424
01:07:18,440 --> 01:07:18,640
Speaker 6: Run.

1425
01:07:20,200 --> 01:07:22,040
Speaker 2: So it was just but it just took.

1426
01:07:22,320 --> 01:07:23,880
Speaker 4: I mean, by the end, Matt and I were literally

1427
01:07:23,920 --> 01:07:25,800
Speaker 4: staring at the camera, like, what the hell is going on?

1428
01:07:25,840 --> 01:07:28,160
Speaker 4: They just they couldn't get the timing. They just couldn't

1429
01:07:28,240 --> 01:07:28,920
Speaker 4: get the timing.

1430
01:07:29,200 --> 01:07:41,680
Speaker 6: Yeah.

1431
01:07:41,720 --> 01:07:44,800
Speaker 5: Well, Realizing they have been disinvited to the party, they

1432
01:07:44,920 --> 01:07:47,680
Speaker 5: turned back to Rachel, who's happily lounging on the pool table.

1433
01:07:48,080 --> 01:07:50,880
Speaker 5: Eric notes, we appear to have a gaping hole in

1434
01:07:50,920 --> 01:07:53,640
Speaker 5: our social calendar, so if you're not doing anything later,

1435
01:07:53,760 --> 01:07:57,200
Speaker 5: maybe we could. Rachel cuts him off. You know, I wasn't,

1436
01:07:57,240 --> 01:07:59,200
Speaker 5: but now I think I'm just going to go home

1437
01:07:59,240 --> 01:08:01,480
Speaker 5: and laugh, laugh and laugh.

1438
01:08:01,800 --> 01:08:04,680
Speaker 2: Laugh three times three? Get it?

1439
01:08:05,440 --> 01:08:09,080
Speaker 5: Eric's cracking up it, admits, No, just very funny.

1440
01:08:09,120 --> 01:08:10,880
Speaker 2: I think it's funny.

1441
01:08:10,920 --> 01:08:13,840
Speaker 5: It's cute. She pats his leg and leaves Eric and

1442
01:08:13,920 --> 01:08:16,720
Speaker 5: Jack sit in silence until Eric coffers, you want to

1443
01:08:16,760 --> 01:08:18,120
Speaker 5: go volunteer to be experimented on?

1444
01:08:20,640 --> 01:08:26,160
Speaker 2: I don't think so. I think that Jack goes sure,

1445
01:08:26,439 --> 01:08:28,240
Speaker 2: can we walk out now?

1446
01:08:28,439 --> 01:08:30,839
Speaker 5: Later on, in the student union, Sean grabs a coffee

1447
01:08:30,840 --> 01:08:32,799
Speaker 5: and takes it over to his table with Angela Topanga

1448
01:08:32,840 --> 01:08:35,800
Speaker 5: and Corey. He asks, how are the married dorms pretty

1449
01:08:35,800 --> 01:08:39,400
Speaker 5: sweet setup? I'm guessing. Corey bluntly answers, we have bugs.

1450
01:08:39,720 --> 01:08:43,200
Speaker 5: Sean shugs it off. Everyone has bugs. Corey counters our

1451
01:08:43,240 --> 01:08:47,320
Speaker 5: bugs have cars. Do you guys remember shooting the scene

1452
01:08:48,120 --> 01:08:50,760
Speaker 5: we have the bloopers.

1453
01:08:50,840 --> 01:08:52,800
Speaker 2: Could not get through this scene.

1454
01:08:52,680 --> 01:08:57,200
Speaker 5: No, no, another one where we just just.

1455
01:09:02,000 --> 01:09:05,280
Speaker 2: I don't know, because I just I couldn't. I couldn't,

1456
01:09:05,400 --> 01:09:08,040
Speaker 2: I could laugh. So I just started making a run.

1457
01:09:13,439 --> 01:09:15,120
Speaker 4: Well what set us off in the first place, I

1458
01:09:15,120 --> 01:09:17,719
Speaker 4: don't remember. One of the starts was you turning around

1459
01:09:17,840 --> 01:09:18,880
Speaker 4: and you hit the chair.

1460
01:09:19,920 --> 01:09:22,000
Speaker 2: A chair, it's a chair. There's that.

1461
01:09:22,240 --> 01:09:25,679
Speaker 4: But then you guys, and I remember distinctly watching from

1462
01:09:25,720 --> 01:09:29,000
Speaker 4: off camera and you guy, it was just so funny

1463
01:09:29,040 --> 01:09:32,240
Speaker 4: because you just you, especially Danielle.

1464
01:09:31,800 --> 01:09:38,280
Speaker 2: Were down just lose it over funny. It was great

1465
01:09:38,280 --> 01:09:39,679
Speaker 2: to watch man.

1466
01:09:40,160 --> 01:09:41,120
Speaker 5: That was Yeah.

1467
01:09:41,160 --> 01:09:43,160
Speaker 2: So this was been a big tape night.

1468
01:09:43,360 --> 01:09:46,479
Speaker 5: This was a big show for us, A big show

1469
01:09:47,439 --> 01:09:50,840
Speaker 5: and probably very stressful. And I think at this point

1470
01:09:51,080 --> 01:09:57,160
Speaker 5: I started just maniacally giggling at pressure. When things were stressful.

1471
01:09:57,160 --> 01:10:01,639
Speaker 5: It was just like here comes the cackles. Just nothing.

1472
01:10:01,840 --> 01:10:04,559
Speaker 5: I don't know what else to do. Sean shakes his head.

1473
01:10:04,600 --> 01:10:08,000
Speaker 5: Your worst problem should be bugs, Corey nods, true, but

1474
01:10:08,120 --> 01:10:10,800
Speaker 5: it's not Tapega begs him to change the subject and

1475
01:10:10,840 --> 01:10:13,439
Speaker 5: not bring up plumbing, crying babies, or the fact that

1476
01:10:13,479 --> 01:10:15,960
Speaker 5: there was a guy shot in their apartment over a salad,

1477
01:10:16,160 --> 01:10:19,120
Speaker 5: the remains of which are still on the wall. Angela

1478
01:10:19,200 --> 01:10:22,720
Speaker 5: asks the guy or the salad, and Tapega admits she

1479
01:10:22,760 --> 01:10:25,479
Speaker 5: doesn't really want to know. She ate it anyway.

1480
01:10:26,240 --> 01:10:27,880
Speaker 2: It's a great line.

1481
01:10:28,479 --> 01:10:31,400
Speaker 5: Sean does decide to change the subject. Let's talk about

1482
01:10:31,439 --> 01:10:34,280
Speaker 5: the married thing. What's the biggest difference. Corey puts his

1483
01:10:34,400 --> 01:10:37,559
Speaker 5: arm around to Panga. Well, we're together in everything. We're

1484
01:10:37,560 --> 01:10:40,240
Speaker 5: there for each other, and even though everything we're going

1485
01:10:40,240 --> 01:10:43,040
Speaker 5: through right now may not be ideal, we're getting through it.

1486
01:10:43,400 --> 01:10:45,880
Speaker 5: I think we're handling it well, you know. But Angela

1487
01:10:45,920 --> 01:10:49,080
Speaker 5: has focused on Topanga and asks if she's crying. Topanga's

1488
01:10:49,120 --> 01:10:52,240
Speaker 5: voice cracks while asking why she'd say that. Angela states

1489
01:10:52,280 --> 01:10:55,360
Speaker 5: the obvious, because tears are coming out of your eyes

1490
01:10:55,400 --> 01:10:58,920
Speaker 5: and your face is all scrunched up. Topega wonders this

1491
01:10:58,960 --> 01:11:02,439
Speaker 5: is crying, and Angela says it is. Then Topenga admits,

1492
01:11:02,840 --> 01:11:06,519
Speaker 5: then I've been crying for three days. The inmates are

1493
01:11:06,640 --> 01:11:12,040
Speaker 5: bummed as Sean catches on and asks what's wrong. Tapega

1494
01:11:12,080 --> 01:11:15,040
Speaker 5: assures them it's nothing, then gets up and walks out,

1495
01:11:15,520 --> 01:11:17,840
Speaker 5: Angela chases after her, and Sean asks Corey if he

1496
01:11:17,880 --> 01:11:20,960
Speaker 5: wants to talk about it. Cory sarcastically wonders, talk about,

1497
01:11:21,000 --> 01:11:22,960
Speaker 5: what how I've been married for one week and I

1498
01:11:23,000 --> 01:11:25,839
Speaker 5: already can't protect my wife. Talk about how I believed

1499
01:11:25,880 --> 01:11:28,360
Speaker 5: love would get us through anything. Talk about what an

1500
01:11:28,439 --> 01:11:31,799
Speaker 5: unprepared idiot I am. Sean tells him he's not an idiot,

1501
01:11:31,840 --> 01:11:34,719
Speaker 5: it's just new, but Corey reminds him to peg is crying.

1502
01:11:35,120 --> 01:11:38,160
Speaker 5: Sean begs to let him help, and Corey shakes his head. Thanks,

1503
01:11:38,240 --> 01:11:41,240
Speaker 5: but I don't think you can on this one. Although

1504
01:11:41,280 --> 01:11:44,680
Speaker 5: I wanted to be like, you could just stay with

1505
01:11:44,720 --> 01:11:49,479
Speaker 5: Angela for a couple of days, and so why not?

1506
01:11:49,640 --> 01:11:49,920
Speaker 2: Why not?

1507
01:11:52,320 --> 01:11:55,240
Speaker 1: Why you grab a gallon of paint, help us paint

1508
01:11:55,240 --> 01:11:58,479
Speaker 1: something up. That's part of being a man too, is

1509
01:11:59,120 --> 01:12:01,840
Speaker 1: network people. But no, he somehow has got to do

1510
01:12:01,880 --> 01:12:03,439
Speaker 1: it by himself on principle.

1511
01:12:03,479 --> 01:12:07,519
Speaker 2: But it's fine with it being his dad. He still

1512
01:12:08,320 --> 01:12:08,640
Speaker 2: you're right.

1513
01:12:08,680 --> 01:12:12,880
Speaker 5: Why why doesn't he actually say I have too much

1514
01:12:12,920 --> 01:12:13,400
Speaker 5: pride to.

1515
01:12:13,320 --> 01:12:18,280
Speaker 4: Go to my dad or foe by the way, because yeah,

1516
01:12:18,640 --> 01:12:19,960
Speaker 4: just not Sean, now all of a.

1517
01:12:19,960 --> 01:12:24,679
Speaker 5: Sudden can't take any help. Sean insists, of course I can.

1518
01:12:24,920 --> 01:12:28,080
Speaker 5: I'm your friend. Corey breaks it to him. Yeah, but

1519
01:12:28,160 --> 01:12:30,800
Speaker 5: i'm her husband. I have to take care of this.

1520
01:12:31,479 --> 01:12:32,080
Speaker 5: I have to.

1521
01:12:33,640 --> 01:12:36,599
Speaker 2: Which when he goes back to his dad, that's his dad.

1522
01:12:36,439 --> 01:12:39,720
Speaker 5: Taking care of it again, Like I don't understand this patriarchy.

1523
01:12:40,080 --> 01:12:42,639
Speaker 2: Yeah you can. You can accept help from your father

1524
01:12:42,840 --> 01:12:47,559
Speaker 2: maybe or your teacher, but not from your best friend.

1525
01:12:47,640 --> 01:12:49,200
Speaker 2: You don't know what it's like to be a man, Danielle.

1526
01:12:49,200 --> 01:12:51,680
Speaker 2: You know you're right. You're right. You don't get it.

1527
01:12:51,760 --> 01:12:56,919
Speaker 2: How many Maitlands are there? One? There's just just but three?

1528
01:12:56,960 --> 01:12:57,799
Speaker 2: Dom Triplet.

1529
01:12:58,120 --> 01:13:01,639
Speaker 5: Right back in the Matthew's living room, Corey is pacing

1530
01:13:01,640 --> 01:13:03,920
Speaker 5: the room while Alan reminds him, I can't help you

1531
01:13:04,000 --> 01:13:06,679
Speaker 5: with this. Corey assures him he's not asking for help.

1532
01:13:06,840 --> 01:13:09,439
Speaker 5: This isn't about me. This is about Tapanga. The minute

1533
01:13:09,479 --> 01:13:12,080
Speaker 5: I married her, she became more important than me. She

1534
01:13:12,160 --> 01:13:14,880
Speaker 5: became more important than anything. And I know mom is

1535
01:13:14,880 --> 01:13:18,599
Speaker 5: more important to you than anything. Right, Alan agrees, she is,

1536
01:13:19,080 --> 01:13:22,160
Speaker 5: and you are as well, and so is Topanga. Corey's

1537
01:13:22,200 --> 01:13:24,839
Speaker 5: relieved to hear that, because he wasn't getting that feeling before,

1538
01:13:25,080 --> 01:13:27,080
Speaker 5: but now he's happy to hear that his dad is

1539
01:13:27,120 --> 01:13:31,200
Speaker 5: finally coming around. Alan bursts that bubble quickly. I'm not

1540
01:13:31,400 --> 01:13:33,800
Speaker 5: coming around. I can't help the way you want me to,

1541
01:13:33,920 --> 01:13:36,920
Speaker 5: and I'm not going to. Corey raises his voice, Hey,

1542
01:13:37,280 --> 01:13:40,839
Speaker 5: we're drowning here. Alan shakes his head. You're not drowning,

1543
01:13:41,360 --> 01:13:43,080
Speaker 5: Corey shouts. Then what do you call living in an

1544
01:13:43,120 --> 01:13:45,599
Speaker 5: awful dorm with no money? And the washing machine's broken

1545
01:13:45,600 --> 01:13:47,360
Speaker 5: in the laundry room and there's some kind of soup

1546
01:13:47,439 --> 01:13:51,679
Speaker 5: coming out of the faucet. Alan scoffs. Marriage, I call

1547
01:13:51,720 --> 01:13:56,280
Speaker 5: it marriage. Corey stammers, Well, it's hard. It's just hard, dad,

1548
01:13:56,640 --> 01:13:58,920
Speaker 5: Alan clarifies, and you want me to make it not

1549
01:13:59,080 --> 01:14:02,000
Speaker 5: so hard. Corey loses it. You're supposed to do that

1550
01:14:02,080 --> 01:14:05,640
Speaker 5: for me, But Alan yell's back. I can't. Corey screams, well,

1551
01:14:05,640 --> 01:14:08,200
Speaker 5: then what good are you? The audience feels that one

1552
01:14:08,240 --> 01:14:09,120
Speaker 5: and throws back, and.

1553
01:14:10,240 --> 01:14:12,839
Speaker 2: Now was I wrong? This was weird to me? Didn't

1554
01:14:12,880 --> 01:14:13,439
Speaker 2: they say?

1555
01:14:13,520 --> 01:14:13,680
Speaker 7: Well?

1556
01:14:13,720 --> 01:14:14,680
Speaker 2: Then what good are you?

1557
01:14:14,720 --> 01:14:19,680
Speaker 4: But they were on Rusty when Corey says it, like

1558
01:14:19,720 --> 01:14:21,920
Speaker 4: I think, if you watch it again, it's not a

1559
01:14:21,960 --> 01:14:24,680
Speaker 4: close up of Corey saying, well, then what good are you?

1560
01:14:24,720 --> 01:14:28,200
Speaker 2: They're on Rusty? Then what good are you? Do you

1561
01:14:28,200 --> 01:14:31,120
Speaker 2: think it was like an headed Yeah, they was waiting something.

1562
01:14:31,240 --> 01:14:33,160
Speaker 4: Yeah, I could be wrong, but I sort of got

1563
01:14:33,200 --> 01:14:35,400
Speaker 4: it was like on Rusty when you hear what good

1564
01:14:35,400 --> 01:14:35,640
Speaker 4: are you?

1565
01:14:35,680 --> 01:14:37,400
Speaker 2: And it was like, oh, that was a weird choice

1566
01:14:37,400 --> 01:14:39,519
Speaker 2: to not have it on. I wonder if he said.

1567
01:14:39,320 --> 01:14:46,000
Speaker 1: Something more harsh, oh, and the too harsh right, and

1568
01:14:46,040 --> 01:14:47,160
Speaker 1: then just changed it.

1569
01:14:47,479 --> 01:14:49,599
Speaker 5: Oh great, Yeah, maybe that would have been a good

1570
01:14:49,680 --> 01:14:50,960
Speaker 5: That would have been a reason they would want to

1571
01:14:51,200 --> 01:14:53,400
Speaker 5: make that coverage change. It could have also been that

1572
01:14:53,680 --> 01:14:55,800
Speaker 5: Ben said it on his turn to walk out of

1573
01:14:55,840 --> 01:14:57,960
Speaker 5: the room, and it was the back of his on

1574
01:14:58,040 --> 01:14:59,960
Speaker 5: his back, and they wanted to see Rusty's reaction.

1575
01:15:00,400 --> 01:15:01,040
Speaker 2: Gotcha.

1576
01:15:01,400 --> 01:15:04,320
Speaker 4: You could also tell just knowing the set. All the

1577
01:15:04,360 --> 01:15:06,280
Speaker 4: doors are closed because obviously they hadn't go to the.

1578
01:15:06,320 --> 01:15:09,519
Speaker 1: Kitchen when you were like when the back up er

1579
01:15:09,600 --> 01:15:12,599
Speaker 1: one especially was liked because I don't remember that having

1580
01:15:12,600 --> 01:15:14,960
Speaker 1: to close, like any ability to close before.

1581
01:15:15,000 --> 01:15:21,960
Speaker 5: Oh yeah it did, okay, Yeah, they didn't build the kitchen.

1582
01:15:22,000 --> 01:15:23,479
Speaker 2: They the kitchen.

1583
01:15:24,120 --> 01:15:26,040
Speaker 5: We noticed a stressed out Amy is sitting at the

1584
01:15:26,080 --> 01:15:29,280
Speaker 5: top of the stairs listening in. Corey begins to storm out,

1585
01:15:29,320 --> 01:15:32,200
Speaker 5: but Alan stands up and yells after him, Hey, you

1586
01:15:32,240 --> 01:15:34,680
Speaker 5: made a choice. You decided that you were old enough

1587
01:15:34,680 --> 01:15:37,440
Speaker 5: to get married. You decided to take on the responsibility

1588
01:15:37,439 --> 01:15:39,680
Speaker 5: of a new life because you believed you could handle it,

1589
01:15:39,920 --> 01:15:42,920
Speaker 5: and this family supported that decision. After we told you

1590
01:15:42,960 --> 01:15:45,880
Speaker 5: that it was going to be very difficult. Corey is silent.

1591
01:15:46,160 --> 01:15:48,960
Speaker 5: Alan asks what did you think we were kidding? Did

1592
01:15:48,960 --> 01:15:50,639
Speaker 5: you go into this marriage thinking you were just going

1593
01:15:50,680 --> 01:15:52,160
Speaker 5: to play house and we were going to bail you

1594
01:15:52,160 --> 01:15:52,799
Speaker 5: out of trouble?

1595
01:15:53,240 --> 01:15:56,759
Speaker 2: Corey, this is your life. Deal with your life.

1596
01:15:57,720 --> 01:15:59,640
Speaker 5: Corey stares at the ground for a few seconds and

1597
01:15:59,640 --> 01:16:02,599
Speaker 5: then finally looks up at his dad and admits, all

1598
01:16:02,680 --> 01:16:03,720
Speaker 5: you had to say was no.

1599
01:16:04,640 --> 01:16:06,760
Speaker 2: It's a great scene between the two of them.

1600
01:16:06,960 --> 01:16:09,479
Speaker 5: I love it. Yeah, but why does he say all

1601
01:16:09,520 --> 01:16:10,880
Speaker 5: you had to say was no? When if you go

1602
01:16:10,960 --> 01:16:12,120
Speaker 5: back to the first scene.

1603
01:16:12,200 --> 01:16:13,120
Speaker 2: All he said was no.

1604
01:16:13,200 --> 01:16:13,920
Speaker 5: All he says is no.

1605
01:16:14,120 --> 01:16:18,559
Speaker 2: Yeah no yeah yeah no literally yeah no no.

1606
01:16:18,680 --> 01:16:18,800
Speaker 7: Right.

1607
01:16:19,320 --> 01:16:22,120
Speaker 4: Also, I don't entirely understand why Betsy had to be

1608
01:16:22,160 --> 01:16:24,000
Speaker 4: sitting at the top of the stairs.

1609
01:16:23,800 --> 01:16:29,920
Speaker 2: Well as a mom.

1610
01:16:28,280 --> 01:16:34,280
Speaker 5: Who would probably also understand and agree, like I think

1611
01:16:34,320 --> 01:16:37,599
Speaker 5: Amy does. I think in that last scene where with

1612
01:16:37,680 --> 01:16:41,479
Speaker 5: Corey and them, we do see that she's not just

1613
01:16:41,640 --> 01:16:45,160
Speaker 5: saying it because she's, you know, acquiescing to her husband.

1614
01:16:45,320 --> 01:16:51,280
Speaker 5: She's she agrees, Yeah, you cannot stay here if one

1615
01:16:51,360 --> 01:16:56,040
Speaker 5: person finds it harder when you're I'm going to put

1616
01:16:56,080 --> 01:16:57,439
Speaker 5: it like to like sleep training.

1617
01:16:57,880 --> 01:16:59,760
Speaker 2: When you're maybe going to sleep train your.

1618
01:16:59,680 --> 01:17:01,719
Speaker 5: Baby, you have to now teach them how to soothe

1619
01:17:01,760 --> 01:17:06,799
Speaker 5: themselves to sleep. Sometimes one parent is stronger at listening

1620
01:17:06,880 --> 01:17:11,439
Speaker 5: to the baby cry than another parent. And you say, listen,

1621
01:17:12,080 --> 01:17:13,960
Speaker 5: I know that we need to do this. I want

1622
01:17:13,960 --> 01:17:15,360
Speaker 5: to do this. I know this is a skill set

1623
01:17:15,360 --> 01:17:16,960
Speaker 5: I want my kid to learn. I don't want them

1624
01:17:17,000 --> 01:17:20,840
Speaker 5: sleeping with us. Whatever I physically cannot do it, I'm

1625
01:17:20,880 --> 01:17:23,400
Speaker 5: going to run in there. And sometimes that's the man,

1626
01:17:23,600 --> 01:17:27,880
Speaker 5: and sometimes it's the mom. In this situation, I don't

1627
01:17:27,920 --> 01:17:31,080
Speaker 5: Actually I didn't feel like it was because she has

1628
01:17:31,120 --> 01:17:36,040
Speaker 5: been removed. She has removed herself from it because it

1629
01:17:36,120 --> 01:17:38,719
Speaker 5: is just too difficult for her, and yet she's there

1630
01:17:39,240 --> 01:17:43,280
Speaker 5: in what I view kind of as a supportive way.

1631
01:17:43,360 --> 01:17:46,760
Speaker 5: It's painful for her, but I view it as she

1632
01:17:46,920 --> 01:17:50,200
Speaker 5: is there kind of supporting Alan. I'm here with you

1633
01:17:51,000 --> 01:17:55,519
Speaker 5: while technically not being right next to you. So I

1634
01:17:55,560 --> 01:18:01,360
Speaker 5: didn't quite take it as a patriarchal or misogynistic.

1635
01:18:01,439 --> 01:18:03,240
Speaker 4: Yeah, I don't take a misogynistic I just didn't I

1636
01:18:03,240 --> 01:18:05,200
Speaker 4: didn't get why she was necesss why you needed to

1637
01:18:05,200 --> 01:18:05,760
Speaker 4: cut to her at all.

1638
01:18:05,800 --> 01:18:08,960
Speaker 1: I'm really curious how this plays out in the next episode, right,

1639
01:18:09,040 --> 01:18:12,360
Speaker 1: I'm really curious, like because it seems like we're setting

1640
01:18:12,400 --> 01:18:13,879
Speaker 1: up more story.

1641
01:18:14,000 --> 01:18:15,679
Speaker 2: It doesn't it like it doesn't really resolve.

1642
01:18:15,800 --> 01:18:18,040
Speaker 4: I think I think they they do fix up the

1643
01:18:18,080 --> 01:18:20,880
Speaker 4: apartment if memory serves, because it's like a nice balance show.

1644
01:18:20,920 --> 01:18:24,200
Speaker 2: Eventually. That's what I'm hoping, is that. I think so man, because.

1645
01:18:25,560 --> 01:18:27,800
Speaker 4: Alan and Sean and everybody shows up to like, fix

1646
01:18:27,880 --> 01:18:29,519
Speaker 4: up the apartment is what I hope happens.

1647
01:18:29,640 --> 01:18:31,120
Speaker 2: Yeah, yeah, I just don't.

1648
01:18:30,960 --> 01:18:33,360
Speaker 5: Know that is what should happen. Also, I would have

1649
01:18:33,439 --> 01:18:35,400
Speaker 5: loved in like, but you know, they didn't want to

1650
01:18:35,400 --> 01:18:37,400
Speaker 5: get to a solution too soon. But like, oh, the

1651
01:18:37,560 --> 01:18:39,960
Speaker 5: washing machine is broken and there's a dryer, Bring your

1652
01:18:40,000 --> 01:18:42,960
Speaker 5: laundry over here. That's something that happened, you know, Bring

1653
01:18:43,000 --> 01:18:45,559
Speaker 5: your laundry over here until the until the place fixes there.

1654
01:18:45,800 --> 01:18:47,280
Speaker 5: And by the way, I'm not going to do your laundry.

1655
01:18:47,280 --> 01:18:49,240
Speaker 5: I'm not saying bring your laundry to your mommy but

1656
01:18:49,360 --> 01:18:51,280
Speaker 5: do your laundry at our in our washing machine. That

1657
01:18:51,360 --> 01:18:53,080
Speaker 5: those are things that you know that would have been

1658
01:18:53,080 --> 01:18:55,000
Speaker 5: but they also wanted to really set it up that

1659
01:18:55,040 --> 01:18:58,600
Speaker 5: this they don't want to make it too easy. He

1660
01:18:58,720 --> 01:19:01,759
Speaker 5: leaves and sad accoustic guitar music plays as Alan buries

1661
01:19:01,760 --> 01:19:04,519
Speaker 5: his face in his hands. Amy is still silently sitting

1662
01:19:04,560 --> 01:19:07,719
Speaker 5: on the stairs, and then back at the married dorm

1663
01:19:07,760 --> 01:19:10,000
Speaker 5: to Panga's in the kitchen making a sandwich. When Corey

1664
01:19:10,040 --> 01:19:12,920
Speaker 5: walks in holding a single sunflower, She lets out a

1665
01:19:12,920 --> 01:19:13,639
Speaker 5: sigh of relief.

1666
01:19:13,800 --> 01:19:14,479
Speaker 2: Where was he?

1667
01:19:14,640 --> 01:19:18,040
Speaker 5: She's been worried sick. He hands her the sunflower and admits,

1668
01:19:18,479 --> 01:19:19,840
Speaker 5: I think it's just going to be you and me.

1669
01:19:20,439 --> 01:19:22,120
Speaker 5: They take a seat into Penga says she made them

1670
01:19:22,160 --> 01:19:24,640
Speaker 5: a tuna fish sandwich. He picks up his half of

1671
01:19:24,680 --> 01:19:27,360
Speaker 5: the sandwich and she stares at the sunflower. He calmly

1672
01:19:27,400 --> 01:19:29,720
Speaker 5: tells her he loves her, and she responds, I know,

1673
01:19:30,360 --> 01:19:32,479
Speaker 5: I know you do. She reaches out of here.

1674
01:19:32,520 --> 01:19:37,080
Speaker 2: Stand why Sean couldn't help friends? I think you're right.

1675
01:19:37,120 --> 01:19:38,960
Speaker 2: Hopefully in the next episode everybody does.

1676
01:19:39,520 --> 01:19:43,280
Speaker 1: Yeah, I know, but why but Corey actively refuses Sean's help.

1677
01:19:43,520 --> 01:19:45,280
Speaker 2: Yeah, and then he comes in here says it looks

1678
01:19:45,280 --> 01:19:46,240
Speaker 2: like it's just us.

1679
01:19:47,200 --> 01:19:49,760
Speaker 1: Why why are you defeated? Like if you need help,

1680
01:19:49,800 --> 01:19:54,920
Speaker 1: if you're hungry, Sean offered and you refused, what for pride?

1681
01:19:55,040 --> 01:19:58,400
Speaker 5: I don't like, I know, it's really weird, especially because

1682
01:19:58,479 --> 01:20:01,040
Speaker 5: immediately after he says that, no, this time it needs

1683
01:20:01,080 --> 01:20:03,160
Speaker 5: to be just me, the next scene is him back

1684
01:20:03,240 --> 01:20:06,600
Speaker 5: talking to his dad about protect it fine, don't help me,

1685
01:20:06,680 --> 01:20:07,360
Speaker 5: help to panga?

1686
01:20:08,400 --> 01:20:11,519
Speaker 1: Right, Yeah, I think it's one of those examples of like,

1687
01:20:12,120 --> 01:20:18,840
Speaker 1: you know, a really strong scene or image motivating the

1688
01:20:18,960 --> 01:20:21,720
Speaker 1: entire episode. Right the idea of like they split one

1689
01:20:21,760 --> 01:20:25,160
Speaker 1: sandwich in a dirty apartment and they're alone, marriage is

1690
01:20:25,200 --> 01:20:25,840
Speaker 1: not what they.

1691
01:20:25,720 --> 01:20:26,519
Speaker 2: Imagined it would be.

1692
01:20:26,600 --> 01:20:28,960
Speaker 1: Like that's a powerful image to end the episode on.

1693
01:20:29,520 --> 01:20:31,599
Speaker 1: So then like you just write to that as much

1694
01:20:31,600 --> 01:20:33,639
Speaker 1: as you can. But it kind of doesn't make sense,

1695
01:20:33,720 --> 01:20:36,720
Speaker 1: you know. So I feel like this episode is doing

1696
01:20:36,760 --> 01:20:40,960
Speaker 1: some weird you know, mental or scene gymnastics in order

1697
01:20:41,040 --> 01:20:44,759
Speaker 1: to make that work or to arrive at that place.

1698
01:20:44,800 --> 01:20:47,040
Speaker 1: And it's like, ugh, I don't it doesn't make sense,

1699
01:20:47,120 --> 01:20:48,920
Speaker 1: Like it could have easily been that Shawn is strapped

1700
01:20:48,960 --> 01:20:50,960
Speaker 1: for money too, and he can help Corey. Yeah, and

1701
01:20:51,000 --> 01:20:52,439
Speaker 1: he's like, man, I would love to help you out,

1702
01:20:52,439 --> 01:20:53,240
Speaker 1: but I really can.

1703
01:20:53,160 --> 01:20:55,240
Speaker 4: And it's like, oh, but instance, here's the thing I

1704
01:20:55,280 --> 01:21:00,439
Speaker 4: didn't understand is so beforehand they didn't have any getting

1705
01:21:00,439 --> 01:21:02,519
Speaker 4: food before they got married.

1706
01:21:03,040 --> 01:21:05,840
Speaker 2: Why now that they're married can they not eat? I know,

1707
01:21:05,880 --> 01:21:10,240
Speaker 2: were their parents giving them money for food before and

1708
01:21:10,280 --> 01:21:10,960
Speaker 2: now that you're married.

1709
01:21:11,000 --> 01:21:13,120
Speaker 1: I'm just you could have actually explained some of this

1710
01:21:13,160 --> 01:21:15,200
Speaker 1: because yeah, you see a bill. You see the bill

1711
01:21:15,240 --> 01:21:17,400
Speaker 1: of like the wedding and like because they had to

1712
01:21:17,439 --> 01:21:19,600
Speaker 1: bail Eric out of jail or yeah, you could have

1713
01:21:19,600 --> 01:21:21,840
Speaker 1: even been funny stuff. Yeah, but the point could have

1714
01:21:21,880 --> 01:21:24,160
Speaker 1: been like, oh, wow, we thought we would have this

1715
01:21:24,320 --> 01:21:25,280
Speaker 1: planned and we didn't.

1716
01:21:25,479 --> 01:21:27,719
Speaker 2: Yeah. Instead it's like, I don't know, it's yeah.

1717
01:21:27,760 --> 01:21:32,000
Speaker 5: I could also see how if you are a parent

1718
01:21:32,120 --> 01:21:34,280
Speaker 5: of a college age kid, and let's say the Matthews

1719
01:21:34,320 --> 01:21:37,519
Speaker 5: are helping pay for Corey to go to college when

1720
01:21:37,560 --> 01:21:41,400
Speaker 5: he was single, not married, I could see them being like,

1721
01:21:41,800 --> 01:21:45,519
Speaker 5: part of your school budget is an allowance for food.

1722
01:21:45,600 --> 01:21:48,400
Speaker 5: You have to stay within it. You know, it's thirty

1723
01:21:48,439 --> 01:21:50,519
Speaker 5: dollars a week or whatever it is, but that's what

1724
01:21:50,600 --> 01:21:52,760
Speaker 5: you have to buy groceries or eat out, and like

1725
01:21:52,800 --> 01:21:55,720
Speaker 5: that's what you have but now that you're used to

1726
01:21:55,760 --> 01:21:58,240
Speaker 5: so grown up, you're married, that's going to be on

1727
01:21:58,320 --> 01:22:01,559
Speaker 5: you now. And they they have they're still paying off

1728
01:22:01,600 --> 01:22:04,080
Speaker 5: the wedding, they spent too much on the honeymoon. They whatever,

1729
01:22:04,439 --> 01:22:07,240
Speaker 5: oh my gosh, we didn't allow for this, Like but

1730
01:22:07,280 --> 01:22:10,120
Speaker 5: you're even just a little bit of that explanation, like

1731
01:22:10,200 --> 01:22:13,639
Speaker 5: for Alan to say in the in that first scene,

1732
01:22:14,360 --> 01:22:16,240
Speaker 5: what about the money, Like, what about the money you

1733
01:22:16,240 --> 01:22:19,000
Speaker 5: got for your wedding, Well, we spent it on the honeymoon.

1734
01:22:19,320 --> 01:22:20,760
Speaker 5: Why would you do that? Right?

1735
01:22:21,479 --> 01:22:23,720
Speaker 1: And I like strengthen the principal part because then it's like,

1736
01:22:24,080 --> 01:22:26,599
Speaker 1: I'm teaching you this lesson because you screwed up.

1737
01:22:26,920 --> 01:22:29,080
Speaker 2: Yeah, whereas right now he's just teaching.

1738
01:22:28,760 --> 01:22:31,719
Speaker 1: Them a lesson for no, just to teach him a lesson,

1739
01:22:31,720 --> 01:22:33,519
Speaker 1: and it's just like you need to learn this, Corey.

1740
01:22:33,720 --> 01:22:33,960
Speaker 8: Yeah.

1741
01:22:33,960 --> 01:22:36,000
Speaker 1: And it's like, well, I mean, the strongest argument is

1742
01:22:36,200 --> 01:22:38,040
Speaker 1: you're the one who said you were old enough to

1743
01:22:38,080 --> 01:22:39,800
Speaker 1: get married, so you've got to deal with that. Sure,

1744
01:22:39,840 --> 01:22:41,880
Speaker 1: But it would have been so much stronger if they had, yeah,

1745
01:22:41,920 --> 01:22:43,880
Speaker 1: they had screwed something up, if Corey de Bega had

1746
01:22:43,920 --> 01:22:46,479
Speaker 1: like blown they flew first class and.

1747
01:22:46,640 --> 01:22:49,400
Speaker 2: You know, made some bad choices, and then it's like yeah.

1748
01:22:49,280 --> 01:22:51,040
Speaker 4: Yeah, and also they could you could have made it

1749
01:22:51,080 --> 01:22:52,639
Speaker 4: funnier with Sean who He's like, well, let me help,

1750
01:22:52,640 --> 01:22:54,519
Speaker 4: and they're like, great, can we have some money?

1751
01:22:54,520 --> 01:22:56,640
Speaker 2: Oh, I don't have any money. I don't have any exactly, well,

1752
01:22:56,640 --> 01:22:57,519
Speaker 2: do you have any food?

1753
01:22:57,720 --> 01:23:01,400
Speaker 4: Well no, Angela gives me a do you know any plumbing?

1754
01:23:01,520 --> 01:23:03,280
Speaker 2: Yeah? Now can you help us?

1755
01:23:04,360 --> 01:23:07,280
Speaker 5: I can take a picture of you something you could

1756
01:23:07,280 --> 01:23:07,519
Speaker 5: have made it.

1757
01:23:08,439 --> 01:23:10,559
Speaker 2: Want me to write your poem? Yeah, exactly, Like yeah,

1758
01:23:10,640 --> 01:23:12,240
Speaker 2: let me write you home something you could have done

1759
01:23:12,280 --> 01:23:14,280
Speaker 2: some comedy with exactly like.

1760
01:23:14,320 --> 01:23:16,000
Speaker 5: Yeah, I can't actually help you.

1761
01:23:16,080 --> 01:23:18,160
Speaker 4: I can't Actually you're right. No, you're right, I can't

1762
01:23:18,200 --> 01:23:21,000
Speaker 4: help you. Oh yeah, like so many ways you could

1763
01:23:21,000 --> 01:23:22,880
Speaker 4: have done it. But he's just like, no, I've got

1764
01:23:22,920 --> 01:23:25,200
Speaker 4: to do it myself. Until the next scene when I've

1765
01:23:25,200 --> 01:23:26,080
Speaker 4: got to ask others.

1766
01:23:26,080 --> 01:23:27,720
Speaker 2: My daddy salami.

1767
01:23:27,960 --> 01:23:30,919
Speaker 4: Yeah, but again he walked in trying to get salami.

1768
01:23:30,960 --> 01:23:33,840
Speaker 4: So who's been buying your salami for up to the

1769
01:23:33,880 --> 01:23:34,920
Speaker 4: marriage is my question?

1770
01:23:38,840 --> 01:23:39,080
Speaker 2: Wow.

1771
01:23:39,320 --> 01:23:41,519
Speaker 5: So then as the tag, we're in the married dorm

1772
01:23:41,560 --> 01:23:44,880
Speaker 5: hallway and we get bloopers. It's a handful of blown

1773
01:23:44,960 --> 01:23:47,280
Speaker 5: takes from the scene where coreyin t Benga find Michael's

1774
01:23:47,320 --> 01:23:50,240
Speaker 5: son standing outside their dorm. Corey says hi to the

1775
01:23:50,280 --> 01:23:52,599
Speaker 5: little fella, and the boy laughs and fumbles his line,

1776
01:23:52,960 --> 01:23:55,240
Speaker 5: and then I start laughing and the boy tries again,

1777
01:23:55,320 --> 01:23:56,599
Speaker 5: but he can't stop laughing either.

1778
01:23:56,600 --> 01:24:03,000
Speaker 1: You guys, remember evil Baby, an evil baby. So Michael

1779
01:24:03,120 --> 01:24:07,719
Speaker 1: and his this is Michael's son. He could say, Danny

1780
01:24:07,760 --> 01:24:11,200
Speaker 1: do evil baby, and Danny would make this like evil.

1781
01:24:11,400 --> 01:24:13,559
Speaker 2: He had like a face that they did. It was

1782
01:24:13,600 --> 01:24:15,719
Speaker 2: his stare. I thought it was gonna be in the bloopers.

1783
01:24:15,720 --> 01:24:17,000
Speaker 1: I was like, oh, we get to see it because

1784
01:24:17,000 --> 01:24:19,280
Speaker 1: I had distinctly remember us all.

1785
01:24:19,240 --> 01:24:23,000
Speaker 2: Dying when Michael would just call it d evil baby.

1786
01:24:23,360 --> 01:24:27,280
Speaker 2: Danny would just make this face. It was so cute.

1787
01:24:27,360 --> 01:24:29,360
Speaker 2: It was like there, you know, he was only three

1788
01:24:29,439 --> 01:24:32,759
Speaker 2: or four whenever he was, obviously he was so cute.

1789
01:24:33,160 --> 01:24:36,400
Speaker 1: Yeah, but they didn't include the outtakes. I don't know why.

1790
01:24:36,920 --> 01:24:39,720
Speaker 1: I just remember evil Baby, evil Baby.

1791
01:24:40,120 --> 01:24:43,000
Speaker 2: That is so funny. Yeah, it was so cute.

1792
01:24:43,560 --> 01:24:45,120
Speaker 5: Well, then we get a few more takes where he

1793
01:24:45,160 --> 01:24:48,000
Speaker 5: almost nails it, and then he looks at the studio audience, but.

1794
01:24:48,000 --> 01:24:49,840
Speaker 2: Then finally he gets it.

1795
01:24:50,040 --> 01:24:52,200
Speaker 5: And then right after he hits the line, He looks

1796
01:24:52,200 --> 01:24:55,200
Speaker 5: off stage to his dad and giggles, I I got

1797
01:24:55,240 --> 01:25:01,640
Speaker 5: it right right. Everyone breaks into laughter and another Jacobs

1798
01:25:01,720 --> 01:25:06,280
Speaker 5: gets his sagcard. So join us for our next episode,

1799
01:25:06,280 --> 01:25:10,559
Speaker 5: recap Season seven episode ten, Picket Fences. It originally aired

1800
01:25:10,560 --> 01:25:14,400
Speaker 5: November twenty first, nineteen ninety nine. Thank you all for

1801
01:25:14,520 --> 01:25:16,960
Speaker 5: joining us for this episode of Pod Meets World. As always,

1802
01:25:17,000 --> 01:25:19,280
Speaker 5: you can follow us on Instagram pod Meets World Show.

1803
01:25:19,400 --> 01:25:21,880
Speaker 5: You can send us your emails Podmeets Worldshow at gmail

1804
01:25:21,920 --> 01:25:23,880
Speaker 5: dot com. And we've got March.

1805
01:25:24,600 --> 01:25:27,559
Speaker 4: Originating in the late nineteenth early twentieth century in London,

1806
01:25:27,600 --> 01:25:31,520
Speaker 4: Blowing a raspberry comes from Cockney rhyming slang where raspberry

1807
01:25:31,600 --> 01:25:34,559
Speaker 4: is short for raspberry tart, which rhymes with fart.

1808
01:25:35,840 --> 01:25:42,840
Speaker 5: March all right, Podmeetsworldshow dot com will send us out.

1809
01:25:43,120 --> 01:25:46,960
Speaker 2: We love you all, is it? Dad Babo pod dismissed.

1810
01:25:48,680 --> 01:25:51,280
Speaker 4: Pod Meets World is n iHeart podcast producer and hosted

1811
01:25:51,280 --> 01:25:53,759
Speaker 4: by Danielle Fischel, Wilfordell and Ryder Strong.

1812
01:25:54,080 --> 01:25:56,519
Speaker 2: Executive producers Jensen Karp and Amy Sugarman.

1813
01:25:56,800 --> 01:26:00,360
Speaker 4: Executive in charge of production, Danielle Romo, Producer and editor

1814
01:26:00,400 --> 01:26:04,240
Speaker 4: Tara Sudbaksh producer, Maddy Moore, engineer and Boy Meets World

1815
01:26:04,240 --> 01:26:07,120
Speaker 4: superfan Easton Allen. Our theme song is by Kyle Morton

1816
01:26:07,160 --> 01:26:09,320
Speaker 4: of Typhoon and you can follow us on Instagram at

1817
01:26:09,320 --> 01:26:12,799
Speaker 4: Podmets World Show or email us at Podmetsworldshow at gmail

1818
01:26:12,840 --> 01:26:15,120
Speaker 4: dot com