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Speaker 1: Okay, location, I'm at the Dueling Pianos Bar with Stephanie McMahon.

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Speaker 2: Uh.

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Speaker 1: There are the two guys are on stage. It's like

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Speaker 1: back and forth. It's like it's getting like very serious.

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Speaker 1: And I can feel my guy because you know, I

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Speaker 1: have my guy who I go to like cheer yes,

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Speaker 1: and like this is my guy there, and I can

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Speaker 1: feel him starting to like fall behind.

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Speaker 2: He's getting little gassed. And I have a lot invested

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Speaker 2: in this.

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Speaker 1: So I kind of start just because I'm right at

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Speaker 1: the stage, and I kind of take my hand and

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Speaker 1: I'm just like pulling on the other guy's piano a

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Speaker 1: little bit. Yeah, just lightly, just two fingers, dragging it

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Speaker 1: off the stage, just just a little.

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Speaker 2: And he sort of starts to lean on the bed.

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Speaker 2: I'm sure, playing further and further away from the body.

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Speaker 1: Yeah, and then suddenly, oh, piano falls off the stable.

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Speaker 2: Oops. Oops, the piano fell. Well, congrats man, that's huge.

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Speaker 2: And Stephanie McMahon thought these nefarious tricks were of course,

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Speaker 2: completely in bounds. She's from a.

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Speaker 1: Background early in line with the kind of stuff that

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Speaker 1: she that gets her very excited. Well, yeah, it's professionally,

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Speaker 1: just like a professional thing with her.

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Speaker 2: Yeah, yeah, between you two.

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Speaker 3: It's just professional, yes, yes, yes, yes, profess The excitement

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Speaker 3: fucking oh yeah, the excitement and all the sexuality is

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Speaker 3: there is very much part of our respective careers.

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Speaker 2: And yeah, yeah, it's a business transaction where one of

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Speaker 2: you happens to come not going to say who hey.

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Speaker 1: Welcome to Hollywood Handbook and incided guide to kicking button dropping.

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Speaker 2: Then into the red carpet lineback hallways of this industry

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Speaker 2: we call show show up. And he took the breath.

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Speaker 2: I just picked up. And it is about the give

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Speaker 2: and take. It is about breath control, so much of

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Speaker 2: it circular breathing. I don't know if you've ever played

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Speaker 2: the digeridoo, but yeah, I can do it right now.

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Speaker 2: You got here, please, he's really playing, and he's really playing.

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Speaker 2: And if you're listening and I'm done listening. So, uh,

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Speaker 2: we have a big guest here. What does he do?

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Speaker 1: Oh?

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Speaker 2: I don't know everything? Fuck you. So his name's Yasser Lester.

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Speaker 2: He's a certified badass. He's a Navy seal. He's what

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Speaker 2: else is it? He's hardcore. He'll fuck you up. He's hardcore,

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Speaker 2: will fuck you up. He's a lot like Xavier from

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Speaker 2: the Triple X movies, Heder Xander. Yeah, you're thinking of

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Speaker 2: the single X movies. Oh, behavior, he's a lot like Xavier,

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Speaker 2: Professor Professor Xander. Yeah, and uh, he's strong, but he's

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Speaker 2: also d g AF he can afford to be kind

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Speaker 2: because he's so powerful. He d g a F zero

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Speaker 2: fox given. That's his nameplate on his little desk where

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Speaker 2: it would normally say like mister boss man.

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Speaker 1: Yeah, and around his license plate it says I'd rather

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Speaker 1: be giving zero fox mm hmmmm m.

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Speaker 2: And then he's got and sports and he's got a

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Speaker 2: picture of like him, a woman, three kids, a cat,

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Speaker 2: a dog. And then there's a fuck being given and

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Speaker 2: there's a circle with a line.

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Speaker 1: Through it, and Calvi.

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Speaker 2: Is pissing on it so hard and it seems like

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Speaker 2: Calvin's maybe sick, like he's peeing too much, but it

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Speaker 2: looks like it's uncomfortable, and uh yeah, it's sort of

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Speaker 2: in a spring like rising up in the air, a

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Speaker 2: little biting too much. Yeah. And so so he's got

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Speaker 2: a nice car. But with your car, oh yeah, please,

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Speaker 2: what else is on it? Yeah? Just what else with it?

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Speaker 2: In general? Anything you want to tell us about your car.

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Speaker 2: This is a safe space for that.

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Speaker 4: Okay, yeah, okay, number one, thank you for asking. I

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Speaker 4: mean that genuinely.

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Speaker 2: Why do people don't ask? I know?

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Speaker 1: And honestly the thing for me is with cars, I

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Speaker 1: don't care about status.

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Speaker 2: I don't give a fuck about right now, drive a

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Speaker 2: Japanese car. I didn't. Oh yeah, no, who cares? And

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Speaker 2: I happen to not, but I would be willing to.

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Speaker 4: Okay, like you thought like maybe maybe I'll drive a

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Speaker 4: Japanese car.

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Speaker 2: I didn't personally think about it. But when I see

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Speaker 2: Hayes doing it, I'm not like pissed off, right, Okay,

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Speaker 2: well I drive an American car. Wow. But again, but

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Speaker 2: I don't care. You know what I'm saying. Yeah, it's

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Speaker 2: like I have it. It came.

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Speaker 4: It's not a statu yeah, showed up. Yeah, it was

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Speaker 4: that a bed bathroom beyond coupon. And I was like,

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Speaker 4: all right, well I'm gonna go with both. Yeah, I

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Speaker 4: know how to get to exactly went there, got some

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Speaker 4: seat covers for the car.

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Speaker 2: Okay, twenty percent off too. You live that. I'm are

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Speaker 2: you starting to suspect that you're tricking me? No? No, no, no,

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Speaker 2: wow twenty and these are towels, right, you call them

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Speaker 2: seat covers, but these are.

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Speaker 4: They're terry cloth seat covers. So it's kind of a blend.

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Speaker 1: Okay, So it's like, does it have sleeves and like

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Speaker 1: a little thing that you could tie it up?

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Speaker 2: Okay, Well I wouldn't say sleep.

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Speaker 4: It's more like, you know, like you know how cowboy

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Speaker 4: shirts have those clicking but snaps and yes instead of yeah.

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Speaker 4: So it's that so okay kind of it can snap

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Speaker 4: to a Japanese car.

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Speaker 2: Wow. Talk a little bit about cowboy culture, which I

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Speaker 2: know you're so passionate about that.

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Speaker 4: Well, one of the things about being a cowboy that's

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Speaker 4: always been very important to me is because I'm very

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Speaker 4: much a boot guy.

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Speaker 2: Yeah, I'm a boot guy.

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Speaker 4: And you see these dudes now it's like, you know,

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Speaker 4: we're in La, we're working. It's like you see guys

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Speaker 4: and they're out there and they're like, oh, these are boots,

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Speaker 4: and it's like, oh, those are not boot thank you.

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Speaker 2: Yeah, are not somebody's leather sneakers.

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Speaker 4: And I see you, homie, like I see you trying

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Speaker 4: to pass off boot culture as your own.

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Speaker 2: But it's like that's ours.

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Speaker 1: Yeah, you know what I'm it's like, pull up that

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Speaker 1: jeans like a little bit and show them and they're like, oh,

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Speaker 1: I can't right now, and it's like.

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Speaker 2: Yeah, no, I've got a itching too much, you know,

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Speaker 2: because they don't scratch, they don't know that, they don't

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Speaker 2: know that high.

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Speaker 4: And then you see these other guys and it's like

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Speaker 4: they tuck the jeans into the boots and you're like, okay,

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Speaker 4: so what's even the point, you know what I'm saying.

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Speaker 4: If you're not going to lace up the boot, get

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Speaker 4: the most stability you can, yes, yeah, and the most workout.

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Speaker 2: Of those somebody's finally getting these guys. You know what

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Speaker 2: I'm saying, it's you. You're doing it right now.

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Speaker 1: And I love thinking about them listening to this and

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Speaker 1: being like I'm fucked, you.

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Speaker 2: Know what I mean, Like somebody call out because they've

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Speaker 2: been thinking nobody's noticing. Yeah, right, but we've all seen it,

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Speaker 2: and yass finally taken the task the real cowboy here

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Speaker 2: And like a lot.

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Speaker 4: Of people come up to me and they're like, yeah,

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Speaker 4: I see that you're going after boot culture and how

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Speaker 4: does that affect you with someone who's the heir to

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Speaker 4: the Red Wings boots and I'm like, look, I'm not

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Speaker 4: here to make waves, but when I see something wrong,

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Speaker 4: I'm here to ride them. I'm gonna exactly you know.

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Speaker 4: And that's another thing, like with my new surfing boot line.

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Speaker 2: Yeah, yeah, I'm so glad we're getting into this and

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Speaker 2: like it's been a passion project for a long time. Well,

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Speaker 2: we're saying.

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Speaker 1: The fact that they're attached to the board, I find

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Speaker 1: using it it makes them a lot easier. I also

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Speaker 1: find sometimes when if I am upside down on the board,

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Speaker 1: I am almost dying a lot because I.

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Speaker 2: Wanted to talk about how heavy they are.

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Speaker 1: And unlacing them underwater because they are attached to the

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Speaker 1: board and the laces do go up so high, it

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Speaker 1: can take so long that I am almost dead by

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Speaker 1: the time the laces are undone and I can escape

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Speaker 1: the water.

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Speaker 4: Okay, But again, like we have, we have suggestion boxes,

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Speaker 4: we have a whole FAQ section on the website.

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Speaker 2: There's a contact email right that you can actually get

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Speaker 2: from the website. Yes, okay, is there a question. It's

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Speaker 2: one of the fau questions.

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Speaker 1: I am underwater and the boots are taking a little too.

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Speaker 4: And it's like, okay, but it seems like your real

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Speaker 4: problem is that you're underwater and on your phone that

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Speaker 4: has nothing to do with is called out.

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Speaker 2: That's not me problem. Yeah, I'm sorry. And then I

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Speaker 2: don't mean to go after you personally. No. He he

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Speaker 2: deserves it, he knows better. Don't you hate? No, it

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Speaker 2: is that.

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Speaker 1: Yes, I am being unfair. Uh, and especially to take

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Speaker 1: it to someone like you who does d g F.

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Speaker 1: I actually like being on the other end of this

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Speaker 1: A to that FAQ.

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Speaker 2: By the way, if you are underwater and you are

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Speaker 2: drowning and it has taken too long to unlast, the

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Speaker 2: boots is yeah, hold your breath. Yeah, that's a out

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Speaker 2: to pull your nose or something, you know, No shame, Wait,

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Speaker 2: what is the the A?

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Speaker 1: F a Q stands for what? Hmm you said the A,

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Speaker 1: and that f a Q is hold your breath. I

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Speaker 1: guess I just I thought FAU stood for frequently asked.

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Speaker 2: Questions, frequently answered questions, Oh wow, frequently answered questions, and

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Speaker 2: this and this one the answered this holds your breath.

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Speaker 4: Yeah, but it also stands for old, like old langs

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Speaker 4: on right, yeah, frequently old. Yeah, but it's like old

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Speaker 4: your breath, you know, old down there also.

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Speaker 2: The Guardians and Ghoul or whatever. Yeah, we do want

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Speaker 2: to talk more about We do want to talk more

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Speaker 2: about boots.

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Speaker 1: Yes, please, But stand up it is the purest art form.

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Speaker 1: It is comedy without a net. It is just one

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Speaker 1: man on a microphone. Continue describing stand up. It's honest,

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Speaker 1: it's dishonest. It's pure. It's very unpure. You know, it's curse, it's.

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Speaker 2: Filthy, it's stupid. It's as dirty and grimy as it gets.

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Speaker 2: And you have to be a little insane to do it,

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Speaker 2: don't you.

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Speaker 4: Because truly it's a waste of time. Like, no one

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Speaker 4: likes it. The performers don't like it. The people that

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Speaker 4: are there just didn't have anything else to do.

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Speaker 2: I despise it, Yeah, I despise it. Yeah. Yeah. It's

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Speaker 2: like you go, it's expensive. It's so expensive.

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Speaker 4: You walk in, Like, let's say you're just a normal

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Speaker 4: dude on a Saturday night.

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Speaker 2: You're like, I'm trying to picture it, Okay, just imagine.

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Speaker 4: Right, So if you're a normal dude in this situation,

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Speaker 4: you're wearing a hurly T shirt, right, You're wearing quick

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Speaker 4: silver shorts, and you walk I got surf boots. Yeah,

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Speaker 4: you got your surf boots on. But again, that's stupid

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Speaker 4: because it's like you had to solve.

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Speaker 2: Them off the door. But that's a status center. Yeah.

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Speaker 4: So you're you know, you're a normal dude in your

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Speaker 4: Hurly shirt and your Quicksilver shorts, you know, and you're

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Speaker 4: huff Early from Lost. Yeah yeah, oh yeah, yeah, So

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Speaker 4: you're Hurley from Lost in your weed socks, you know,

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Speaker 4: and you're going to smash Mouths Comedy club, right and.

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Speaker 2: My weed you say, my weed socks? Yeah, the huff

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Speaker 2: Weed socks is you're the one dude. Oh yeah with

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Speaker 2: Justin Kirkman. Oh right, yes, yeah, you're talking about the

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Speaker 2: special edition once. I was just talking about Yeah, you

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Speaker 2: called Justin, but you called Justin kirk Justin kirk Man.

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Speaker 4: Yeah, yeah, there was a common I'm sorry, I don't

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Speaker 4: know Justin kirk Man.

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Speaker 2: Did you hear it? Hey? Did? Did he not? The Kirkman? Yeah?

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Speaker 1: Yeah, okay, God, I'm so I'm brilliant in the weeds here.

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Speaker 1: I guess it's just like, I don't know, I'm usually

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Speaker 1: more on the same page with you, but to certain

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Speaker 1: things I'm not understanding as well.

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Speaker 2: Sorry, I'm not. Yeah, and I should say just full disclosure.

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Speaker 2: I'm fucked up right now, Like I'm sick, I'm on

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Speaker 2: a lot of stuff. I'm on a lot of pills, drugs, whatever. Right, Yeah,

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Speaker 2: And let's.

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Speaker 4: Say let's say you were like, okay, I want to

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Speaker 4: sell some of this stuff, like oh yeah, like what

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Speaker 4: would one hundred bucks? Hundred bucks? And then like what

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Speaker 4: would that stuff be like would it be a mix

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Speaker 4: of things? Would it be Oh, I don't know what's

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Speaker 4: in it. I don't know what's in it.

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Speaker 2: No, No, I just want you know. I was just

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Speaker 2: asking it's.

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Speaker 1: A bag of powder, like the pills have been opened

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Speaker 1: and the powder has been released already. Okay, so it's

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Speaker 1: just a paper bag, right, grocery bag.

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Speaker 2: Okay.

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Speaker 4: So it's like it's almost like one of those things,

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Speaker 4: like those charity things where they're like, make the shoe

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Speaker 4: box and send it to like, you know, some troops overseas.

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Speaker 2: So it's like that, yeah, make the shoe box, right,

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Speaker 2: so you make the shoebox, send to the troops, run

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Speaker 2: it back again. One thing I want to talk about

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Speaker 2: was stand up is how when you get up there,

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Speaker 2: you usually go I dare you to laugh at this? Yeah?

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Speaker 4: Yeah, yeah, and uh that actually came because I was

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Speaker 4: a volunteer at DARE for a very long time.

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Speaker 2: Wow.

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Speaker 4: And so I was just like, you know, because so

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Speaker 4: many people get up there and they're like this is

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Speaker 4: for them, this is for the audience, And I was

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Speaker 4: just like, Okay, what's braver than that?

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Speaker 2: You know what I'm saying. Yeah, you can get about

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Speaker 2: me making braveness.

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Speaker 1: Dude, And also thank you for doing for volunteering like that,

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Speaker 1: because actually being straight edge is so hardcore. It's actually

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Speaker 1: more tough, right than doing drugs, which is which is

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Speaker 1: pussy show.

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Speaker 2: Oh yeah. And even though I am on drugs right now,

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Speaker 2: I totally agree and a lot of the back of

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Speaker 2: pills that I are.

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Speaker 1: When you say that you're sick, I mean it is

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Speaker 1: because you are in withdrawal because you're not on enough drugs,

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Speaker 1: which is basically what DARE is saying, is like, don't

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Speaker 1: do enough to make yourself feel good.

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Speaker 2: Yeah. No, it's fine to do drugs as long as

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Speaker 2: you're not like taking it over the edge where you're

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Speaker 2: out of withdrawal now, you know. And I interrupted you

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Speaker 2: with some of that. You were to describing me as

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Speaker 2: a normal guy, and I was imagining I was him

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Speaker 2: what is that? Where were you going with that? Did

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Speaker 2: you have anything? I did?

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Speaker 4: It was about stand up right? So right, so now

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Speaker 4: you are, so you're in your Hurly T shirt and

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Speaker 4: look silver shorts, your Hurly socks and your DC shoes.

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Speaker 4: You're a normal guy. Wow, you know what I'm saying.

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Speaker 2: You want to take out? You are grinding rails at all?

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Speaker 1: I mean, I'm sorry, I don't know that we're normal guys.

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Speaker 2: Yeah. How do you think you got there? You idiot?

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Speaker 2: Would you? Would you? I don't know this club.

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Speaker 1: I don't know the club specifically, so I don't know

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Speaker 1: if there is like a network of rails that could

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Speaker 1: get you right to the.

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Speaker 4: Well, it's called skates and shakes, and everyone skates. They

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Speaker 4: actually there's like smash Mouth Comedy Club.

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Speaker 2: Is they own it? Okay, they own it.

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Speaker 4: So that's that's me speaking about the parent company, right.

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Speaker 2: I mean, And it's called skates and shakes.

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Speaker 4: Skates and shakes because you skate there and then you're

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Speaker 4: shaking from laughter.

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Speaker 2: Yeah, and you have the shakes because you're in withdrawal.

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Speaker 4: Right, and so when you when you grind into the

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Speaker 4: comedy club with your girl, and you know.

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Speaker 2: The rails go right, into the club. Yeah, it's actually

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Speaker 2: pretty sick. I worked for The Grinder. Oh did you

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Speaker 2: yea on Netflix?

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Speaker 5: Now?

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Speaker 2: Oh? Cool?

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Speaker 4: Well I worked for the Grinder, but it was a

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Speaker 4: Tony Hawk skateboarding instructional video.

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Speaker 2: Oh yeah that's right. Yeah yeah. But you were saying,

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Speaker 2: I'm a normal guy. So you're in the club, Now,

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Speaker 2: I got it. You grind it into the club and

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Speaker 2: you sit down. Cover? Is it a Bringer show? No,

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Speaker 2: there's a cover, That's what That's what we're talking about.

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Speaker 4: So first of all, there's a cover, you know, and

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Speaker 4: then secondly you got to buy drinks. And then thirdly

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Speaker 4: you have to laugh at someone you don't know, and

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Speaker 4: you're like, okay, so wait am I Like? Am I

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Speaker 4: gonna have sex? And then that's the prevailing thought over everything,

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Speaker 4: and then like, am I ever gonna get gonna take

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Speaker 4: that box? And the thing is like, I'm not you

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Speaker 4: know what I'm saying. I know I'm not going to

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Speaker 4: have sex. Yeah, And that's why.

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Speaker 2: I do stand the straight edge. Yeah yeah, straight edge.

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Speaker 4: Yeah yeah, And that's why the Dare thing came from that,

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Speaker 4: because it's like abstaining from drugs, abstaining from sex.

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Speaker 2: Because you're a big NoFap guy, right, Yeah, yeah, yeah.

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Speaker 4: Because it think about just think about things in general,

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Speaker 4: like if someone came to you with a bag of drugs. Right,

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Speaker 4: Let's say you Sean, like you roll up on me,

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Speaker 4: right and you're wearing a cowboy snap flannel shirt like yo,

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Speaker 4: my man, like, let's do these drugs. And then Hayes

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Speaker 4: you walk up and you're like, yeah, I'm down, you know,

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Speaker 4: And then me and.

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Speaker 2: With Stephanie McMahon and they're about to have sex, right, which.

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Speaker 4: Is also and then he's got his keyboard on his

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Speaker 4: back because.

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Speaker 1: Well you said, you know one of us is coming,

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Speaker 1: but you didn't want to say who. My My thing

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Speaker 1: about that, about the like no FAP stuff, I'm totally

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Speaker 1: on board with that because that's mine, you know what

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Speaker 1: I mean. That's like kind of the source, the energy

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Speaker 1: source for me. Yeah, going to give that just like

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Speaker 1: distributing that around freely, you know what I mean.

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Speaker 2: That's for me too. You know we talked about this

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Speaker 2: on the show before. But you are of course saving

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Speaker 2: your load for marriage. Right.

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Speaker 4: But the thing and what they don't tell you is

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Speaker 4: that when you don't like because again like I haven't,

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Speaker 4: I've never done it. I have no idea what that

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Speaker 4: feels like, but it causes bloat.

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Speaker 2: It does.

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Speaker 4: So now I'm like I've got a little bit of

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Speaker 4: a tummy and people are like, oh, this guy is

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Speaker 4: like I'm.

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Speaker 2: Not eating right, No, no, no, no, yeah. And so

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Speaker 2: it's and women are really turned on by the And

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Speaker 2: Kevin actually, who just walked in, could talk a lot

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Speaker 2: about this. Yeah, and of course I've talked about this

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Speaker 2: on the show before, but it's not the size of

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Speaker 2: the boat. It's the motion of the ocean of load

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Speaker 2: that you've saved up right, that really gets girls going right.

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Speaker 4: Uh, And that's why we actually at Red Wings have

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Speaker 4: started a new line of surf surf boots, but their

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Speaker 4: condoms and like, please talk about this right, Okay, so

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Speaker 4: you know the surf boots, Yeah.

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Speaker 2: They're stripped to the board. Figure them out. But most

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Speaker 2: people can in the FA use the frequent answer questions, Well.

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Speaker 4: We actually have a patent on a printed condom. Because

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Speaker 4: now a lot of people, you know, you see a

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Speaker 4: lot of custom socks, you know, you see a lot

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Speaker 4: of custom shoes. Yeah, We're like, why is no one

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Speaker 4: like think about how fun that is to see a

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Speaker 4: surfboot enter someone like it goes in them. It's like

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Speaker 4: you're actually you're physically kicking you know.

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Speaker 2: Speaking of custom, did this slang term ever get to

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Speaker 2: you calling people custy? Custy? Yeah, I'm from the South,

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Speaker 2: so they used to call people custy where I was from.

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Speaker 2: Really yeah, Okay, Kevin, what do we do? You remember

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Speaker 2: the conversation we had last time? Yes? Do you want

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Speaker 2: to say so? Tell me the conversation we had back

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Speaker 2: to me first?

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Speaker 5: Okay it is Ben said that it is creepy when

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Speaker 5: I entered the room, and uh hi, yeah, sir, I'm

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Speaker 5: supposed to at first apologize sorry that.

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Speaker 2: I didn't ask. Yeah, super weird.

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Speaker 5: Can I can I take your photo for the website?

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Speaker 5: I promise it's going to look great.

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Speaker 2: Okay, no, okay, just let.

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Speaker 5: Me delete these really quick.

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Speaker 4: Okay, So thanks Kevin. Now you guys he works for you.

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Speaker 2: Uh I guess that's technically what's going on.

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Speaker 5: Go ahead, I was gonna say it's turned into that

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Speaker 5: since I've started at Earwolf.

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Speaker 1: Yeah, yeah, we did end up annexing Kevin at some point. Okay,

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Speaker 1: we haven't talked, Like initially Kevin wasn't Earwolf, but since then.

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Speaker 2: We absorbed him into wolf. Cool. Yeah he has been

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Speaker 2: osmosis then too.

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Speaker 4: Okay, but I'm sorry, like we're Hollywood power brokers. And

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Speaker 4: then you just have some dude like roll.

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Speaker 2: In like that's that's.

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Speaker 4: More so than like losing your fat to you know,

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Speaker 4: the the masses. It's like again like I was raised

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Speaker 4: by six aborigines, and the one thing we know is

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Speaker 4: that when you get your picture taken, like that's the

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Speaker 4: fap of your soul.

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Speaker 2: Yeah, that's you blasting the load of your soul yeah

402
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Speaker 2: into the camera. And so it's so interesting.

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Speaker 1: This is so interesting because you are a model, right,

404
00:20:28,600 --> 00:20:29,960
Speaker 1: we do want to talk about model.

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Speaker 2: Yeah, yeah, we were going to talk about that, but

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Speaker 2: you won't be photographed.

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Speaker 4: Yeah, and that's and that's why it's so interesting.

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00:20:38,000 --> 00:20:41,480
Speaker 2: Yeah, because it's like that's a good way.

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Speaker 4: But okay, but did you guys see that big did

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Speaker 4: you guys see that big nord Strum campaign with me?

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Speaker 2: Yeah? And was right or you? Yeah? The entrance of

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00:20:54,000 --> 00:20:56,400
Speaker 2: every story Yeah, you're awesome. Yeah. Yeah.

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Speaker 4: And so when you brought in because again I don't

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Speaker 4: have headshots, I've never auditioned for anything.

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Speaker 2: Yeah, I walked in for this campaign and.

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Speaker 1: Where are you walking into and is it a studio

417
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Speaker 1: or is it Yeah, yeah, it's a warehouse.

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Speaker 2: Oh wow.

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Speaker 4: And you know my homieu, Trege runs it. His name

420
00:21:16,880 --> 00:21:22,239
Speaker 4: is talk about t well trede Is. It's actually a

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00:21:22,280 --> 00:21:26,200
Speaker 4: mix of the names Terry and Reggie. His dad's name

422
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Speaker 4: was Terry and his dad's name was Reggie.

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Speaker 2: Yeah.

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Speaker 4: Yeah, And so when I walked in, you know, Trege

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Speaker 4: like showed me around.

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Speaker 2: It was a new space for him. And uh then

427
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Speaker 2: he introduced me to.

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Speaker 4: Uh Correll and Correll no, no, no, this is actually

429
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Speaker 4: Corel Stevens.

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Speaker 2: Oh. So it's a different guy.

431
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Speaker 4: And you can see how people would be freaking out

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Speaker 4: about that, you know, and they're like, all right, we're

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Speaker 4: ready to shoot. And I said, cool, let's do it.

434
00:21:56,640 --> 00:21:58,680
Speaker 4: And I took my shirt off and then they pulled

435
00:21:58,680 --> 00:22:02,520
Speaker 4: out a camera and I was like whoa what what

436
00:22:02,640 --> 00:22:09,000
Speaker 4: is not? And so instead, so when they tried to

437
00:22:09,040 --> 00:22:10,520
Speaker 4: do that, you know, I'd said.

438
00:22:10,280 --> 00:22:12,800
Speaker 2: You know, no, no, no, no, no no, and then

439
00:22:12,800 --> 00:22:16,399
Speaker 2: I said what's my name and they were like yes, sir.

440
00:22:16,560 --> 00:22:21,000
Speaker 2: They had to say yeah, God give them at that point. Yeah.

441
00:22:21,080 --> 00:22:21,840
Speaker 2: So I did that.

442
00:22:22,840 --> 00:22:25,440
Speaker 4: Yeah, and then like it was so cool because like

443
00:22:25,800 --> 00:22:27,760
Speaker 4: I did that a few times, I was like kept

444
00:22:27,760 --> 00:22:28,560
Speaker 4: saying like, what's my name?

445
00:22:28,560 --> 00:22:30,159
Speaker 2: What's my name? And they're like yes, And then I

446
00:22:30,200 --> 00:22:30,680
Speaker 2: was just like.

447
00:22:32,119 --> 00:22:37,600
Speaker 1: Wow, that sound you yeah, like like using your heelies

448
00:22:37,640 --> 00:22:38,280
Speaker 1: to get out of there?

449
00:22:38,600 --> 00:22:42,200
Speaker 4: N me like because I was like like, I am

450
00:22:42,760 --> 00:22:52,040
Speaker 4: a bird, you know what I'm saying, right, Yes, sirude brave.

451
00:22:52,480 --> 00:22:56,000
Speaker 2: And so it's like that's that's when I leave here today.

452
00:22:56,160 --> 00:22:59,119
Speaker 4: That's what you guys should be thinking about yourselves, like yo,

453
00:22:59,520 --> 00:23:04,720
Speaker 4: like yeah, honest, yeah, yeah.

454
00:23:03,760 --> 00:23:05,679
Speaker 1: Yeah, Like a pigeon really is kind of what it

455
00:23:05,720 --> 00:23:08,800
Speaker 1: sounds like, right, you can choose the bird, you know.

456
00:23:08,880 --> 00:23:10,920
Speaker 2: Kevin, I did want to talk to you a little

457
00:23:10,960 --> 00:23:13,800
Speaker 2: bit about what we were saying before, which is and

458
00:23:13,880 --> 00:23:16,919
Speaker 2: y'alls are talking a lot about shooting headshots. All this

459
00:23:17,040 --> 00:23:20,639
Speaker 2: must make you think of loads. I was going to

460
00:23:20,720 --> 00:23:24,240
Speaker 2: say that, I know you've been saving up a big

461
00:23:24,280 --> 00:23:27,879
Speaker 2: blast for the right one. Are we any closer to

462
00:23:27,960 --> 00:23:32,119
Speaker 2: meeting that lady? I would say, two steps back? Okay,

463
00:23:32,200 --> 00:23:34,080
Speaker 2: So it's been two steps back, and the last time

464
00:23:34,080 --> 00:23:36,200
Speaker 2: we met him it was three steps back, so he's

465
00:23:36,240 --> 00:23:38,280
Speaker 2: now five steps back. Yeah.

466
00:23:38,600 --> 00:23:41,439
Speaker 5: I'm watching from a distance, but not like in the

467
00:23:41,440 --> 00:23:44,520
Speaker 5: way where I take photos here. I asked for permission

468
00:23:45,440 --> 00:23:49,399
Speaker 5: and like, y'ah, sir, I gotta know. Okay, catching up guys.

469
00:23:49,560 --> 00:23:51,560
Speaker 2: Good to see you Kevin, and thanks so much for

470
00:23:51,640 --> 00:23:54,679
Speaker 2: coming in, and now please leave. I mean, why would like,

471
00:23:54,760 --> 00:23:57,239
Speaker 2: it's so crazy you guys would allow someone like that

472
00:23:57,280 --> 00:24:00,320
Speaker 2: in here? Well, you know, I see that that is

473
00:24:00,520 --> 00:24:02,600
Speaker 2: similar to the sort of charity work that you did

474
00:24:02,640 --> 00:24:08,800
Speaker 2: with Dare, Like we're taking someone under our wing. We're birds,

475
00:24:09,240 --> 00:24:15,400
Speaker 2: so we got wings. Yeah, and finally the bird thing. Yeah,

476
00:24:16,160 --> 00:24:21,080
Speaker 2: just taking a while back. Yeah cool, Yeah, it feels good. No,

477
00:24:21,320 --> 00:24:22,280
Speaker 2: Kevin is.

478
00:24:22,440 --> 00:24:27,520
Speaker 1: Bad for sure. Why why is it? Why do we

479
00:24:28,040 --> 00:24:29,359
Speaker 1: why do we do this?

480
00:24:29,920 --> 00:24:32,000
Speaker 2: I started to say why, and then I realized that

481
00:24:32,040 --> 00:24:33,280
Speaker 2: I myself don't really know.

482
00:24:33,400 --> 00:24:38,000
Speaker 1: I think I always thought it was your thing, sort

483
00:24:38,000 --> 00:24:41,080
Speaker 1: of a Sean thing, And I wonder if you thought

484
00:24:41,160 --> 00:24:41,840
Speaker 1: that it was.

485
00:24:42,000 --> 00:24:45,960
Speaker 2: Me that was like Hayes's friend was doing the Kevin thing. Yes,

486
00:24:46,119 --> 00:24:52,720
Speaker 2: I thought you knew Kevin right from before. Yeah, okay, now, Cody,

487
00:24:52,720 --> 00:24:55,040
Speaker 2: does it make you upset that you are notorious like

488
00:24:55,160 --> 00:24:58,359
Speaker 2: traditionally the one who's so bad and nobody likes you.

489
00:24:58,600 --> 00:25:00,040
Speaker 2: Kevin's on your corner a little.

490
00:24:59,800 --> 00:25:02,280
Speaker 1: Bit now people are talking about that Kevin is the

491
00:25:02,280 --> 00:25:04,520
Speaker 1: one who's bad and is doing a bad job.

492
00:25:04,880 --> 00:25:08,080
Speaker 6: I try really hard to not have much of an

493
00:25:08,600 --> 00:25:14,600
Speaker 6: emotional attachment to any thing in particular at all at

494
00:25:14,640 --> 00:25:19,280
Speaker 6: any time, so I can't answer that question about sorry.

495
00:25:19,480 --> 00:25:21,560
Speaker 2: I mean, the thing that's true about what you said

496
00:25:21,600 --> 00:25:24,240
Speaker 2: is that you try really hard. Like that part of

497
00:25:24,240 --> 00:25:25,560
Speaker 2: your sentence I agree with.

498
00:25:25,640 --> 00:25:29,480
Speaker 4: Right, But also it's like, again, you guys invited me here,

499
00:25:29,920 --> 00:25:31,520
Speaker 4: and all we're doing is.

500
00:25:31,520 --> 00:25:33,639
Speaker 2: And we're talking to code more people?

501
00:25:33,840 --> 00:25:35,639
Speaker 4: Do we need more people? I'm sorry, I would have

502
00:25:35,680 --> 00:25:37,960
Speaker 4: brought my friends and family. Or are you here to

503
00:25:38,000 --> 00:25:41,760
Speaker 4: talk to one of the purest, most honest stand up

504
00:25:41,800 --> 00:25:42,879
Speaker 4: slash models.

505
00:25:43,200 --> 00:25:44,320
Speaker 2: MM.

506
00:25:45,440 --> 00:25:47,719
Speaker 4: A lot of people would kill for this kind of opportunity,

507
00:25:47,760 --> 00:25:48,640
Speaker 4: you know, And I feel like.

508
00:25:48,800 --> 00:25:50,399
Speaker 2: No, it's big for us, and I think we're just

509
00:25:50,520 --> 00:25:53,359
Speaker 2: nervous a little bit because we haven't had a stand

510
00:25:53,440 --> 00:25:55,960
Speaker 2: up slash model who if you have his picture taken right?

511
00:25:56,000 --> 00:25:58,720
Speaker 4: Well, But don't be nervous. It's like you, guys, I'm

512
00:25:59,040 --> 00:26:03,080
Speaker 4: just like you. Like I wear regular boxers, you know,

513
00:26:03,520 --> 00:26:05,680
Speaker 4: that are a little loose in the waistband.

514
00:26:06,000 --> 00:26:09,359
Speaker 2: Yeah, you know. I wear a white V neck T shirt.

515
00:26:10,359 --> 00:26:15,280
Speaker 4: I wear six to seven wooden necklaces at any given time.

516
00:26:16,200 --> 00:26:19,760
Speaker 2: So it's like I look, okay, so that's what's under

517
00:26:19,760 --> 00:26:20,560
Speaker 2: the T shirt. Yeah.

518
00:26:20,640 --> 00:26:22,800
Speaker 4: Yeah, so I have two gold necklaces and that's so

519
00:26:22,880 --> 00:26:23,919
Speaker 4: people are comfortable.

520
00:26:24,320 --> 00:26:29,359
Speaker 2: But then what sounds like a bamboo wind.

521
00:26:29,160 --> 00:26:32,520
Speaker 4: Chime when I walk is actually the wooden necklaces under

522
00:26:32,520 --> 00:26:32,960
Speaker 4: my shirt.

523
00:26:33,440 --> 00:26:36,200
Speaker 2: Okay, good. That explains the sound and the appearance of

524
00:26:36,240 --> 00:26:39,200
Speaker 2: your chest which is bulky, right, but in the center

525
00:26:39,280 --> 00:26:41,280
Speaker 2: and the stomach is bulky too. Because of what we

526
00:26:41,359 --> 00:26:46,000
Speaker 2: talked about, there's a lot of fat. Yeah. Are you

527
00:26:46,080 --> 00:26:49,280
Speaker 2: doing any Thanksgiving modeling? Okay?

528
00:26:49,320 --> 00:26:51,439
Speaker 4: And this is a question I've gotten a lot and

529
00:26:51,520 --> 00:26:54,359
Speaker 4: people are like, so are you gonna when you carve

530
00:26:54,440 --> 00:26:54,879
Speaker 4: the turkey?

531
00:26:54,920 --> 00:26:57,359
Speaker 2: Are you posing with it? Or you know, what are

532
00:26:57,400 --> 00:26:58,720
Speaker 2: you gonna do with that? You're gonna do a mister

533
00:26:58,760 --> 00:27:01,359
Speaker 2: Bean style head inside the turk? Yeah?

534
00:27:01,400 --> 00:27:04,679
Speaker 4: Like, am I gonna hold on to a ring of

535
00:27:04,760 --> 00:27:07,159
Speaker 4: pineapple from the ham and like hold it like a

536
00:27:07,200 --> 00:27:10,639
Speaker 4: watch in a Leonardo DiCaprio watch ad, you know, and

537
00:27:10,680 --> 00:27:15,280
Speaker 4: it's like do I get a day off? Am I

538
00:27:15,320 --> 00:27:16,240
Speaker 4: gonna get a day off?

539
00:27:16,280 --> 00:27:17,800
Speaker 2: From like?

540
00:27:18,040 --> 00:27:20,120
Speaker 4: And it's like the idea that my mom would even

541
00:27:20,160 --> 00:27:21,280
Speaker 4: ask me something like that.

542
00:27:21,359 --> 00:27:25,639
Speaker 2: It's like you need to chill. Like I've done more

543
00:27:25,680 --> 00:27:26,240
Speaker 2: than enough.

544
00:27:26,359 --> 00:27:31,200
Speaker 4: I've brought like I've brought a real legacy, A real

545
00:27:31,280 --> 00:27:34,679
Speaker 4: legacy is his family. And instead it's like, what's Yaster

546
00:27:34,840 --> 00:27:37,760
Speaker 4: gonna do? What's Yaster're gonna do with Thanksgiving? Is he

547
00:27:37,840 --> 00:27:42,120
Speaker 4: gonna pour cranberry sauce all over him? And like, you know,

548
00:27:42,320 --> 00:27:45,520
Speaker 4: like is it going to be like that Tupac bathtub

549
00:27:45,520 --> 00:27:47,880
Speaker 4: photo where he's covered in gold chains and his genitals

550
00:27:47,920 --> 00:27:51,960
Speaker 4: but it's standburry yeah, or mashed potatoes, you know, And

551
00:27:52,000 --> 00:27:54,400
Speaker 4: it's just like and there's no photo of it, right,

552
00:27:54,520 --> 00:27:57,360
Speaker 4: and it's just like I don't want to ruin the holiday.

553
00:27:57,400 --> 00:27:59,159
Speaker 4: It's like, yes, I'll be sitting in a bathtub for

554
00:27:59,240 --> 00:28:02,120
Speaker 4: six hours while people come in and out to see it,

555
00:28:02,160 --> 00:28:06,720
Speaker 4: because it's like live modeling. Is some people were like,

556
00:28:07,200 --> 00:28:10,720
Speaker 4: you know, it kaufmanesque or whatever, and it's not. It's

557
00:28:10,720 --> 00:28:15,840
Speaker 4: actually it's it's real. There's nothing ironic about it. It's

558
00:28:16,000 --> 00:28:17,400
Speaker 4: it's a thing that you so.

559
00:28:17,440 --> 00:28:21,359
Speaker 2: You think Kaufman was being ironic, Well this is a

560
00:28:21,400 --> 00:28:27,320
Speaker 2: good thing too. Whether he was a scoundrel or a genius,

561
00:28:27,359 --> 00:28:32,879
Speaker 2: a scoundrel, a sage, a rat, think an imp okay

562
00:28:33,520 --> 00:28:38,080
Speaker 2: an outlaw a pan figure. I don't know.

563
00:28:38,400 --> 00:28:40,760
Speaker 4: I mean, here's the thing. I made that reference without

564
00:28:40,800 --> 00:28:44,120
Speaker 4: knowing who he is. Uh huh, who are we talking?

565
00:28:44,160 --> 00:28:48,200
Speaker 4: Who's Andy Okay.

566
00:28:47,680 --> 00:28:52,520
Speaker 2: Andy Kaufman. Yeah, yeah, that's who I was picturing. It's

567
00:28:52,520 --> 00:28:56,120
Speaker 2: so interesting because it was so dead on. Oh does

568
00:28:56,160 --> 00:28:58,360
Speaker 2: that happen a lot that you like accidentally get something.

569
00:28:58,400 --> 00:29:00,920
Speaker 2: You're almost channeling something. Well you know what it is.

570
00:29:01,000 --> 00:29:06,120
Speaker 4: I speak a lot, just like hearing words in context,

571
00:29:06,240 --> 00:29:09,160
Speaker 4: and I'll remember that later, like things.

572
00:29:08,960 --> 00:29:10,520
Speaker 2: Other people have said things other people.

573
00:29:10,560 --> 00:29:12,520
Speaker 1: Sorry, I thought what you just said was really funny.

574
00:29:12,560 --> 00:29:18,200
Speaker 1: I'm sorry that you are triggering this sound effect the crickets,

575
00:29:18,360 --> 00:29:19,520
Speaker 1: especially to a stand up.

576
00:29:19,920 --> 00:29:23,400
Speaker 2: Yeah, yeah, I mean that seems like something personal. I

577
00:29:23,440 --> 00:29:25,360
Speaker 2: guess wait, what did you just show me on a

578
00:29:25,520 --> 00:29:26,480
Speaker 2: sheet of paper coding?

579
00:29:26,720 --> 00:29:30,640
Speaker 6: We need to take a break at some point, why, Okay,

580
00:29:30,720 --> 00:29:32,200
Speaker 6: so you can play your ads.

581
00:29:32,480 --> 00:29:34,400
Speaker 2: But we never we always just put it in later.

582
00:29:34,400 --> 00:29:35,560
Speaker 2: We've never done this before.

583
00:29:35,640 --> 00:29:38,840
Speaker 6: Well, last time, the interview was really long and there

584
00:29:38,880 --> 00:29:42,400
Speaker 6: was no break and I had to scrill through meticulously

585
00:29:42,640 --> 00:29:43,920
Speaker 6: to find somewhere to put it.

586
00:29:43,960 --> 00:29:46,320
Speaker 4: Okay, but see again, like, why are you saying the

587
00:29:46,320 --> 00:29:47,280
Speaker 4: word meticulous.

588
00:29:47,600 --> 00:29:51,040
Speaker 2: You know, like that's like why would why would someone

589
00:29:51,160 --> 00:29:53,480
Speaker 2: in front of your Now, where is that coming from?

590
00:29:53,520 --> 00:29:57,760
Speaker 4: That's such an aggressive act in it, and it rhymes

591
00:29:57,800 --> 00:30:01,960
Speaker 4: with ridiculous. Say yeah, and you're saying.

592
00:30:01,680 --> 00:30:05,640
Speaker 2: That meticulousness with Robin big right, and that show can

593
00:30:05,640 --> 00:30:10,440
Speaker 2: get tedious. You know, I prefer ridiculous. And they're just scouring.

594
00:30:11,080 --> 00:30:12,880
Speaker 4: It's like they watch the clip and then they just

595
00:30:12,960 --> 00:30:15,200
Speaker 4: go through every second and they're like, okay, this frame.

596
00:30:15,240 --> 00:30:19,480
Speaker 2: They're like copy editor shaving frames. Yeah.

597
00:30:19,560 --> 00:30:23,280
Speaker 4: Yeah, So anyway, this is actually pretty embarrassing for you.

598
00:30:23,320 --> 00:30:24,360
Speaker 2: I'm sorry that you would.

599
00:30:24,440 --> 00:30:26,560
Speaker 1: That's all right, So Cody, we are not going to

600
00:30:26,640 --> 00:30:29,160
Speaker 1: do a break Okay, okay, can you cross off what

601
00:30:29,320 --> 00:30:29,880
Speaker 1: you wrote break?

602
00:30:29,880 --> 00:30:33,040
Speaker 2: I'll bet you'd a paper place. Yeah, sure, thank you

603
00:30:33,120 --> 00:30:38,240
Speaker 2: very much, Thanks Cody. You guys live modeling. I've decided

604
00:30:38,280 --> 00:30:41,560
Speaker 2: I am doing it all the time. Yeah. I realized

605
00:30:41,600 --> 00:30:46,959
Speaker 2: that I am uh, I am a model because I

606
00:30:47,000 --> 00:30:48,680
Speaker 2: am actually in a pose.

607
00:30:49,280 --> 00:30:52,160
Speaker 4: Okay, now think about this and you guys, really I

608
00:30:52,320 --> 00:30:54,120
Speaker 4: want you to make sure you're focused.

609
00:30:53,800 --> 00:30:57,720
Speaker 2: On the things I'm saying. Okay, thank you. Now have

610
00:30:57,880 --> 00:31:02,400
Speaker 2: you ever stood before? No? No, no, no, okay, yeah,

611
00:31:02,560 --> 00:31:04,120
Speaker 2: have you ever sat before.

612
00:31:04,600 --> 00:31:08,240
Speaker 4: Oh no, no, no, no, no, no, have you ever laid down before?

613
00:31:08,280 --> 00:31:08,440
Speaker 2: Now?

614
00:31:09,840 --> 00:31:15,200
Speaker 1: Yes, now you know those times you're laying down? Yes,

615
00:31:16,480 --> 00:31:21,360
Speaker 1: that's it. Intimately, I'm very familiar. That's you've been doing

616
00:31:21,440 --> 00:31:23,120
Speaker 1: live hashtag gurney life.

617
00:31:23,200 --> 00:31:31,080
Speaker 2: Yeah. Oh oh oh because you're sick, yeah, or they are?

618
00:31:31,560 --> 00:31:35,040
Speaker 2: You know, the standards are which of us is sick? Yeah?

619
00:31:35,200 --> 00:31:41,320
Speaker 2: You know? Yeah? Actually again I don't know what R means.

620
00:31:41,640 --> 00:31:47,880
Speaker 2: So oh wow, so you are doing so right? Yeah?

621
00:31:48,400 --> 00:31:51,640
Speaker 2: Yeah for not knowing this stuff. Huh yeah.

622
00:31:51,760 --> 00:31:54,560
Speaker 1: No, like with the standards, it's like, are they sick

623
00:31:54,600 --> 00:31:56,920
Speaker 1: for like trying to get places so quickly?

624
00:31:57,440 --> 00:32:02,080
Speaker 2: Yeah? I mean I guess when if I'm on a slope,

625
00:32:02,080 --> 00:32:05,720
Speaker 2: I am going very fast right, oh god, yes, on

626
00:32:05,760 --> 00:32:07,480
Speaker 2: the gurney terrifyingly fast.

627
00:32:08,000 --> 00:32:11,800
Speaker 1: But but I don't know. I'm still like, I'm not

628
00:32:12,080 --> 00:32:13,640
Speaker 1: like like.

629
00:32:13,640 --> 00:32:16,480
Speaker 2: Weird about it. I am he wheeling guys from Return

630
00:32:16,520 --> 00:32:19,840
Speaker 2: to Oz, Yes, wheelers.

631
00:32:20,000 --> 00:32:23,479
Speaker 1: Yeah, but explain it to Yaser because I do know,

632
00:32:23,560 --> 00:32:24,440
Speaker 1: but explain it to him.

633
00:32:24,440 --> 00:32:28,120
Speaker 2: In Return to Oz, She's gone back to Oz. Okay,

634
00:32:29,400 --> 00:32:35,120
Speaker 2: and there's men with wheels on hands and feet? Okay,

635
00:32:35,280 --> 00:32:44,040
Speaker 2: so they are cars? Yes? I love that movie. Oops,

636
00:32:44,720 --> 00:32:47,640
Speaker 2: that is Cody texting you? Cody just texted me I

637
00:32:48,000 --> 00:32:50,600
Speaker 2: have to take a break. Interesting.

638
00:32:50,720 --> 00:32:52,560
Speaker 6: I didn't want to say it again, but I was

639
00:32:52,600 --> 00:32:53,720
Speaker 6: hoping to quietly.

640
00:32:54,080 --> 00:32:56,640
Speaker 2: But Cody, it's so long into it now, why would

641
00:32:56,680 --> 00:32:57,400
Speaker 2: we take a break?

642
00:32:57,520 --> 00:32:57,600
Speaker 4: Like?

643
00:32:57,680 --> 00:33:01,320
Speaker 2: How long have we been recording? Forty eight hours? No?

644
00:33:01,840 --> 00:33:02,760
Speaker 2: Come on, all right?

645
00:33:03,040 --> 00:33:05,120
Speaker 1: I mean, I know, I'm gonna say that the forty

646
00:33:05,160 --> 00:33:06,840
Speaker 1: eight is right because I don't think you have the

647
00:33:06,840 --> 00:33:10,360
Speaker 1: break appency to make up two things. So I'm gonna

648
00:33:10,360 --> 00:33:12,400
Speaker 1: say it's forty eight minutes. That's a terrible time to

649
00:33:12,440 --> 00:33:17,160
Speaker 1: take a break. And also, Cody, like, when's the last time.

650
00:33:17,120 --> 00:33:21,040
Speaker 2: You took a break? You know? Oh, you know, Cody's

651
00:33:21,080 --> 00:33:23,760
Speaker 2: getting it. You know what, I'm gonna step back. I'm

652
00:33:23,760 --> 00:33:25,240
Speaker 2: gonna step back from this. Is that okay?

653
00:33:25,280 --> 00:33:27,960
Speaker 1: Because I do I do want to watch this play out.

654
00:33:27,960 --> 00:33:29,360
Speaker 1: I want to give it my full attention. I'm not

655
00:33:29,360 --> 00:33:31,200
Speaker 1: going to be contributing, but I do want to watch

656
00:33:31,360 --> 00:33:32,760
Speaker 1: Sean what about what about you?

657
00:33:32,880 --> 00:33:35,680
Speaker 2: I want to give you guys room to do something. Obviously,

658
00:33:35,680 --> 00:33:38,880
Speaker 2: I'm reading something on my phone, so I don't want

659
00:33:38,880 --> 00:33:42,040
Speaker 2: to sort of get in the middle. And it's like,

660
00:33:42,520 --> 00:33:45,200
Speaker 2: you know, when you don't want to break up a

661
00:33:45,280 --> 00:33:47,320
Speaker 2: dog fight because you could get your finger a bit.

662
00:33:47,720 --> 00:33:50,040
Speaker 2: You know, I'm about to watch these two titans go

663
00:33:50,200 --> 00:33:51,800
Speaker 2: at it now, But.

664
00:33:52,000 --> 00:33:54,840
Speaker 4: If you're having a dog fight, you're gonna bite another

665
00:33:55,160 --> 00:33:59,240
Speaker 4: person's finger from a different airplane, like you get you

666
00:33:59,320 --> 00:34:02,280
Speaker 4: swoop in close enough to bite them.

667
00:34:02,480 --> 00:34:04,040
Speaker 2: I've never the red bearon you.

668
00:34:04,280 --> 00:34:09,040
Speaker 4: Okay, cool now, Cody, dar Now, Cody. Yeah, I was

669
00:34:09,120 --> 00:34:11,720
Speaker 4: asking you earlier, and I'm sorry that these two hijacked

670
00:34:11,719 --> 00:34:15,719
Speaker 4: the podcast. But when I asked you, when's the last

671
00:34:15,719 --> 00:34:16,680
Speaker 4: time you took a break?

672
00:34:16,719 --> 00:34:22,080
Speaker 2: You did like a like a like a Now when

673
00:34:22,080 --> 00:34:26,480
Speaker 2: I say it was not like that. When I ask you.

674
00:34:26,440 --> 00:34:29,640
Speaker 4: A question like that, I'm not asking as a dude

675
00:34:29,640 --> 00:34:32,520
Speaker 4: who can change your life and career whatever. I'm asking

676
00:34:32,560 --> 00:34:35,480
Speaker 4: as a dude who is from the same collective consciousness

677
00:34:35,480 --> 00:34:38,520
Speaker 4: as you and wants to see you do better and

678
00:34:38,560 --> 00:34:42,080
Speaker 4: live better. So I'm going to ask again, and without

679
00:34:42,120 --> 00:34:46,760
Speaker 4: any cynicism, answer me, all right, when is the last

680
00:34:46,800 --> 00:34:50,080
Speaker 4: time you took a break?

681
00:34:50,719 --> 00:34:50,919
Speaker 6: Man?

682
00:34:51,040 --> 00:34:54,000
Speaker 4: Like, I'm like holding that is so stupid, you guys.

683
00:34:54,400 --> 00:34:58,200
Speaker 4: It's like he can't I've never met someone who's like,

684
00:34:58,640 --> 00:35:02,680
Speaker 4: I don't know, I don't know break, I don't know

685
00:35:02,840 --> 00:35:03,800
Speaker 4: the word break.

686
00:35:03,960 --> 00:35:07,480
Speaker 2: Yeah, I never met anyone who did that, and I

687
00:35:07,520 --> 00:35:10,880
Speaker 2: am not meeting one right now, you know. Yeah, it's

688
00:35:11,520 --> 00:35:14,640
Speaker 2: like that's frustrated. Yeah, it's like, I'm what, am I

689
00:35:14,640 --> 00:35:17,560
Speaker 2: going to meet that guy so I can give him

690
00:35:17,560 --> 00:35:22,320
Speaker 2: my fat? Oh? I dare you to give him your fat?

691
00:35:23,000 --> 00:35:26,319
Speaker 2: But you were just daring me to laugh. Do you

692
00:35:26,560 --> 00:35:29,480
Speaker 2: find that daring people in danger is a big part

693
00:35:29,520 --> 00:35:30,080
Speaker 2: of your life?

694
00:35:30,719 --> 00:35:35,239
Speaker 4: Yeah, Well, like when I was an extra on the

695
00:35:35,239 --> 00:35:36,200
Speaker 4: film Cliffhanger.

696
00:35:36,360 --> 00:35:39,120
Speaker 2: Oh gosh, yes, we're getting into this. I wondered if

697
00:35:39,120 --> 00:35:40,560
Speaker 2: you'd be willing to talk about it.

698
00:35:40,719 --> 00:35:42,799
Speaker 4: Yeah, it was so long ago, and it feels kind

699
00:35:42,800 --> 00:35:44,560
Speaker 4: of stupid at this point to be like that's where

700
00:35:44,560 --> 00:35:44,960
Speaker 4: I got.

701
00:35:44,800 --> 00:35:48,400
Speaker 2: My start, you know. Yeah, But you don't want to

702
00:35:48,520 --> 00:35:52,080
Speaker 2: erase your past? Wow, Okay, I never thought of it

703
00:35:52,120 --> 00:35:52,440
Speaker 2: that way.

704
00:35:52,560 --> 00:35:54,839
Speaker 4: You shouldn't because a lot of people physically go in

705
00:35:54,880 --> 00:35:58,759
Speaker 4: with an eraser and with and it's like we're going

706
00:35:58,800 --> 00:35:59,759
Speaker 4: to break into.

707
00:35:59,520 --> 00:36:02,200
Speaker 1: The city hall, And it doesn't work on a movie

708
00:36:02,280 --> 00:36:05,400
Speaker 1: in my experience, right, you can't erase some.

709
00:36:05,440 --> 00:36:08,080
Speaker 2: Movies a lot of computer screen either, Because I've been

710
00:36:08,360 --> 00:36:09,840
Speaker 2: trying to erase a lot of my past, like a

711
00:36:09,840 --> 00:36:11,960
Speaker 2: lot of the sites where I'm registered on and I've

712
00:36:11,960 --> 00:36:14,160
Speaker 2: been going like, I don't really want people to see this,

713
00:36:14,280 --> 00:36:16,800
Speaker 2: and I'm trying to erase in my experience, you cannot

714
00:36:16,800 --> 00:36:19,560
Speaker 2: do it that way. Right in my experience, you can.

715
00:36:19,920 --> 00:36:23,279
Speaker 1: Oh wow, but don't do it. It is possible, but

716
00:36:23,320 --> 00:36:26,959
Speaker 1: it's impossible. Okay, anything is possible, you know. And that's

717
00:36:26,960 --> 00:36:31,040
Speaker 1: something I learned from working at Adidas also that impossible

718
00:36:31,080 --> 00:36:31,760
Speaker 1: is also nothing.

719
00:36:33,040 --> 00:36:36,879
Speaker 4: But when I was working on Cliffhanger, people were like, hey,

720
00:36:37,040 --> 00:36:42,480
Speaker 4: I don't dare you to keep working on this dangerous movie.

721
00:36:42,640 --> 00:36:45,800
Speaker 4: And I said, okay, well how about I dare myself?

722
00:36:46,040 --> 00:36:49,719
Speaker 2: God, sir, you did that to yourself. Yeah, and you know,

723
00:36:49,880 --> 00:36:53,120
Speaker 2: like I want a Tony for that movie. Yeah, sir,

724
00:36:53,320 --> 00:36:55,920
Speaker 2: you won the award. What does it feel like for

725
00:36:55,960 --> 00:36:57,799
Speaker 2: a man to dare himself and win the Tony for

726
00:36:57,880 --> 00:36:58,360
Speaker 2: that movie?

727
00:36:58,600 --> 00:37:03,440
Speaker 4: I mean, it was invigorating because it was always my

728
00:37:03,600 --> 00:37:07,120
Speaker 4: dream to wake up one day and when the Tony

729
00:37:07,160 --> 00:37:07,920
Speaker 4: Parker Award.

730
00:37:08,200 --> 00:37:12,160
Speaker 1: Wow, that's right, that ceremony. That ceremony is in the morning.

731
00:37:12,280 --> 00:37:13,200
Speaker 2: Yeah. Yeah.

732
00:37:13,239 --> 00:37:15,560
Speaker 4: And like the weird thing about because like you go

733
00:37:15,600 --> 00:37:17,240
Speaker 4: to the awards and it's like you wear the tucks

734
00:37:17,239 --> 00:37:20,120
Speaker 4: and there's the glitz and the glamour, and then you know,

735
00:37:20,160 --> 00:37:22,440
Speaker 4: you get inside and you think they're just going to

736
00:37:22,520 --> 00:37:23,560
Speaker 4: put you in the seats.

737
00:37:23,920 --> 00:37:25,160
Speaker 2: Yeah, sir, you thought that.

738
00:37:25,480 --> 00:37:28,080
Speaker 4: Yeah, but they put a harness on you and hang

739
00:37:28,160 --> 00:37:32,440
Speaker 4: you from the ceiling and you watch the show.

740
00:37:32,680 --> 00:37:38,960
Speaker 1: And it's like, oh, okay. I like those early award

741
00:37:38,960 --> 00:37:41,799
Speaker 1: shows because then you still have your whole day once

742
00:37:41,840 --> 00:37:43,399
Speaker 1: it's over, you know, like you.

743
00:37:43,360 --> 00:37:45,160
Speaker 2: Can actually do your own stuff. Yeah.

744
00:37:45,160 --> 00:37:48,799
Speaker 4: Well, you know, the the slogan to the award show

745
00:37:48,920 --> 00:37:51,560
Speaker 4: is come early so you can hang out later.

746
00:37:52,480 --> 00:37:54,200
Speaker 2: Wow. We were laughing, dude.

747
00:37:54,200 --> 00:37:57,240
Speaker 1: We were like when you're up there, you're like, okay,

748
00:37:57,320 --> 00:37:58,080
Speaker 1: all right.

749
00:38:00,160 --> 00:38:00,640
Speaker 2: Up. Yeah.

750
00:38:00,680 --> 00:38:03,319
Speaker 4: I get a writer's name was Cliff, and I was like,

751
00:38:03,320 --> 00:38:03,920
Speaker 4: oh wow.

752
00:38:04,120 --> 00:38:07,879
Speaker 2: This was just like is this coincidence? Is this you know? Yeah?

753
00:38:07,920 --> 00:38:10,640
Speaker 4: It was Doug that was and granted I was seven,

754
00:38:10,920 --> 00:38:12,480
Speaker 4: but I was just like, okay.

755
00:38:12,400 --> 00:38:15,359
Speaker 2: Cliff Bemis was the head writer of the show within

756
00:38:15,400 --> 00:38:20,000
Speaker 2: the show on the Grinder. Yeah yeah that. Now, how

757
00:38:20,040 --> 00:38:23,800
Speaker 2: many of these words as you're talking? What which percentage

758
00:38:23,800 --> 00:38:24,879
Speaker 2: the words do you know? Yeah?

759
00:38:24,960 --> 00:38:26,880
Speaker 1: Which ones are you just kind of guessing at and

760
00:38:26,920 --> 00:38:31,239
Speaker 1: which ones are you like fully knowing what they mean?

761
00:38:31,400 --> 00:38:31,560
Speaker 2: Right?

762
00:38:31,640 --> 00:38:34,520
Speaker 4: Well, if we're gonna go with per do you want

763
00:38:34,520 --> 00:38:37,000
Speaker 4: to go with percentages or like an actual count?

764
00:38:37,040 --> 00:38:40,320
Speaker 2: Because the last sentence I said, I knew three words okay,

765
00:38:40,320 --> 00:38:42,200
Speaker 2: oh wow, and it was a long sentence. It was

766
00:38:42,239 --> 00:38:46,160
Speaker 2: a run on actually yeah, so yeah, so that's got

767
00:38:46,160 --> 00:38:49,920
Speaker 2: to be. Wow, you're functioning at such a high level,

768
00:38:51,520 --> 00:38:54,319
Speaker 2: just cold guessing what sounds you should make with your

769
00:38:54,360 --> 00:38:55,719
Speaker 2: mouth at almost every turn.

770
00:38:56,000 --> 00:38:58,399
Speaker 4: Yeah, so it's like that, I'm good at that. I'm

771
00:38:58,400 --> 00:39:01,160
Speaker 4: also good at cup stacking. Those are the two things

772
00:39:01,160 --> 00:39:05,120
Speaker 4: that like I've that big man just picked up. Yeah,

773
00:39:05,160 --> 00:39:06,440
Speaker 4: I just picked that up.

774
00:39:06,520 --> 00:39:09,840
Speaker 2: That's the future of entertainment really, because we've kind of

775
00:39:09,880 --> 00:39:12,719
Speaker 2: tapped into almost every other avenue. Obviously, people aren't going

776
00:39:12,800 --> 00:39:15,080
Speaker 2: to be watching TV or going to a feet er anymore,

777
00:39:15,640 --> 00:39:18,160
Speaker 2: but cup stacking cup stacks.

778
00:39:17,880 --> 00:39:20,040
Speaker 1: And it's getting democratized to the point where it used

779
00:39:20,040 --> 00:39:23,680
Speaker 1: to be like the just the Ivory Tower cup stackers,

780
00:39:23,719 --> 00:39:27,240
Speaker 1: but now you see lots of people just like kids

781
00:39:27,239 --> 00:39:27,960
Speaker 1: are doing well.

782
00:39:27,960 --> 00:39:31,000
Speaker 2: There was such a barrier to entry before where really

783
00:39:31,160 --> 00:39:33,200
Speaker 2: people were only allowed to have two or.

784
00:39:33,200 --> 00:39:36,320
Speaker 4: Three cups, right, and now it's like we're I think

785
00:39:37,120 --> 00:39:40,840
Speaker 4: my last count I saw seven, Wow, and I was like.

786
00:39:40,840 --> 00:39:44,239
Speaker 2: Okay, are we building the pyramids? Yeah? And how many

787
00:39:44,239 --> 00:39:47,319
Speaker 2: of those are you able to actually stack? Me? Yeah?

788
00:39:47,400 --> 00:39:50,000
Speaker 2: The seven? Yeah? Four? Okay.

789
00:39:50,800 --> 00:39:53,839
Speaker 4: Just the sad thing is that I don't know how

790
00:39:53,840 --> 00:39:57,600
Speaker 4: to stack them. So it actually is just two cups

791
00:39:58,000 --> 00:39:59,279
Speaker 4: with two cups under them.

792
00:40:00,040 --> 00:40:03,960
Speaker 2: Okay, I can picture this. Yeah, that's pretty strong.

793
00:40:04,200 --> 00:40:05,920
Speaker 4: So when you see that, you're like, oh, there's two

794
00:40:05,920 --> 00:40:07,799
Speaker 4: cups on the table, and then I have to be like,

795
00:40:07,800 --> 00:40:09,800
Speaker 4: oh no, it's actually like a sculpture.

796
00:40:10,880 --> 00:40:13,279
Speaker 2: So okay, we are going to take a break. Now.

797
00:40:14,400 --> 00:40:16,000
Speaker 2: Is there anything you had to plug before we go

798
00:40:16,040 --> 00:40:18,160
Speaker 2: to the break? Yeah?

799
00:40:18,239 --> 00:40:21,600
Speaker 4: I again, a lot of people know that I work

800
00:40:21,640 --> 00:40:27,160
Speaker 4: at ge, so actually weirdly want to plug surge protectors.

801
00:40:27,719 --> 00:40:31,600
Speaker 4: So if anybody at home needs a surge protector, tweet

802
00:40:31,600 --> 00:40:34,879
Speaker 4: at me at yaes or the plug and that's th

803
00:40:35,120 --> 00:40:36,160
Speaker 4: h a plug?

804
00:40:36,440 --> 00:40:38,680
Speaker 2: So you are a plug? Nice? Right?

805
00:40:39,280 --> 00:40:44,520
Speaker 4: And okay, I'm sorry, are we gonna are we're gonna

806
00:40:44,560 --> 00:40:48,560
Speaker 4: take this break dude? Because like anyway, so yes, or

807
00:40:48,600 --> 00:40:49,000
Speaker 4: the plug?

808
00:40:49,080 --> 00:40:49,239
Speaker 6: Yeah?

809
00:40:49,440 --> 00:40:54,080
Speaker 2: Or the plug? Yeah? Is that a play on anything? No? No, no, no, no, okay, yeah,

810
00:40:54,120 --> 00:40:56,480
Speaker 2: oh wow, okay, so we are.

811
00:40:56,680 --> 00:40:58,160
Speaker 1: We do have a couple of ads to take care

812
00:40:58,160 --> 00:41:00,960
Speaker 1: of and then we're gonna be right back on Hollywood Handbook.

813
00:41:01,000 --> 00:41:10,520
Speaker 2: Bye. Hollywood Handbook is brought to you by Wolf Cool Productions,

814
00:41:10,520 --> 00:41:20,120
Speaker 2: a subsidiary of Calvin N. Hibbs. Our Baby m