WEBVTT - S3/E12 | The Haunted House

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<v Speaker 1>M Thirteen Days of Halloween, Devil's Night, a production of

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<v Speaker 1>I Heart three D audio, Blumhouse Television, and Grim and

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<v Speaker 1>Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Where

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<v Speaker 1>is everybody? I'm glad for some peace finally, but this

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<v Speaker 1>is too quiet? MS? Hello, Hello? Wait zero? Is that

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<v Speaker 1>no way avery in the house. I can't believe it.

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<v Speaker 1>I thought we never get here. We must have walked

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<v Speaker 1>longer than I thought, But finally, finally we're home. You

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<v Speaker 1>are not where you think you are best. You are here.

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<v Speaker 1>This is not your home? What of course it is?

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<v Speaker 1>See this m on the rail? I carved it the

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<v Speaker 1>day Dad got me a pocket night and he went

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<v Speaker 1>me up for it. You are being tricked. Oh yeah.

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<v Speaker 1>If this isn't my house, then why would there be

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<v Speaker 1>a key under the mat right where it always is?

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<v Speaker 1>What do you say? We get out of the storm

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<v Speaker 1>and you can tell me more about how this isn't

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<v Speaker 1>my house. Even if it were possible, I would not enter,

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<v Speaker 1>nor should you suit yourself. It requires sacrifice. Lighten up,

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<v Speaker 1>would you? I'm cold, I'm tired, and we're finally home.

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<v Speaker 1>Come on arrow. What the the womens of bluen. The

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<v Speaker 1>door shut, but it looks like home to me. Boy,

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<v Speaker 1>mom Dan, maybe they went to bed. Hello, Hello, anyone?

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<v Speaker 1>What the there's a little Can you hear me from here?

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<v Speaker 1>I can? You are right, there's something wrong here. I

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<v Speaker 1>warned you. It didn't help us. Let us out. I

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<v Speaker 1>wish I could, what just kick the door down? If

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<v Speaker 1>I could, I would, But it will not work. Max,

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<v Speaker 1>Why not? You may pass but I cannot. Then what

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<v Speaker 1>do we do? You must go through what I will

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<v Speaker 1>do what I can to guide you from outside? Okay, okay, rol,

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<v Speaker 1>let's go around here. What's your step? I don't know

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<v Speaker 1>what this place is, but I hope nobody else's well,

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<v Speaker 1>I'm definitely not getting that. Let's find another door, So heart,

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<v Speaker 1>there's got to be a light switch here somewhere. Ah,

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<v Speaker 1>got it? Well, I'm definitely definitely not getting that. M Okay, Okay,

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<v Speaker 1>it's got to be a backdoor. Come on, m hm ah,

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<v Speaker 1>it's so dark. I can't see anything. How what was that?

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<v Speaker 1>H It's so dark, I really can't see anything. It

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<v Speaker 1>won't okay, so we need to be more careful, but

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<v Speaker 1>we also need to get out of here. If you've

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<v Speaker 1>ever seen a hallway like this with no doors. It's

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<v Speaker 1>just bizarre. Yeah, what is this place? Hello? Is somebody there?

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<v Speaker 1>I can hear you there. Come in now and say

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<v Speaker 1>hello to old Geraldine. Oh wherever did you come from?

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<v Speaker 1>I'm so sorry your house inside is it's quite different,

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<v Speaker 1>but outside it looks well, exactly like my mom and dad.

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<v Speaker 1>We just walked in the wrong door. Mm hmm. Wrong doors.

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<v Speaker 1>There's a lot of those around here. I would have

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<v Speaker 1>left already, but I'm having trouble finding the exit, the

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<v Speaker 1>what the way out? How to leave? M whyever would

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<v Speaker 1>you want to do that? Please? Miss, I'm just trying

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<v Speaker 1>to get home to my house. Can you help me?

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<v Speaker 1>Let me think it's been so long since I've left

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<v Speaker 1>while we think, care for some tea? Um, no, thank you? No,

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<v Speaker 1>oh nonsense, I have a spot where you've got nothing.

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<v Speaker 1>What time? We'll just have to find the wrong way out.

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<v Speaker 1>But it seems like this goes on forever. Hello, Oh

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<v Speaker 1>it's you. Hold on, let me get him. Yeah and

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<v Speaker 1>no who Hello? Oh it's you. Yes, he's right here.

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<v Speaker 1>Telephone for you. Mh no, we'll staying We for me upstairs.

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<v Speaker 1>Maybe there's a window. Why are you there's so many steps.

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<v Speaker 1>I can see the top. Why can't we get there? Now?

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<v Speaker 1>We can see the bottom? There another hallway or hallways? Great?

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<v Speaker 1>Which where do we go? Yeah? You know, at this point,

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<v Speaker 1>I don't think it even matters. What was that? I

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<v Speaker 1>don't like this? Oh god, oh what's that? Wait? Row roun.

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<v Speaker 1>There's no way out. We're trapped in here. No, no,

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<v Speaker 1>these no, no, there's no way out. I've got to

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<v Speaker 1>block the door. Hey uh yeah, chair, Oh god, please

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<v Speaker 1>hold Oh, I've got to blot the door work and

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<v Speaker 1>do swing one way to get out of this room? Arrow,

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<v Speaker 1>come here, can lap this side of the door, slip

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<v Speaker 1>us open and then do run? Okay, ready, how is

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<v Speaker 1>this even possible? There must be a hundred doors, fucked fucked,

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<v Speaker 1>fucked fucked. Oh where does it end? Oh no, no, no,

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<v Speaker 1>no, no no, Errol here the bathroom, Yeah, no, Erro. This

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<v Speaker 1>has to end. We're gonna be able to figure this out.

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<v Speaker 1>But there just doesn't seem to be any logic to it.

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<v Speaker 1>Who on earth designed this house? It's like the architect

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<v Speaker 1>lost their mind. Hey, up ahead, I see I see

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<v Speaker 1>see outside. It's it's a widow or a skylight. I

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<v Speaker 1>don't know however reached up there or through Johnny Good,

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<v Speaker 1>This is not the way, Max, Where have you been?

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<v Speaker 1>I told you I cannot come with you. There is

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<v Speaker 1>no entrance for me, but there is an exit for you.

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<v Speaker 1>Then tell me where it is. I've been looking all over,

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<v Speaker 1>but this house doesn't make any sense. The question is

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<v Speaker 1>not where, Max, it is what. What are you willing

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<v Speaker 1>to give? And who? Who? Who are you willing to sacrifice?

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<v Speaker 1>I don't know what that means. I don't know what

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<v Speaker 1>to believe anymore. Is any of this even real? It

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<v Speaker 1>depends on what you mean by real. I mean real

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<v Speaker 1>at true true. The things that happened to me in

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<v Speaker 1>here would never happen in the real world, only in

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<v Speaker 1>a nightmare. Then I would say, no, Max, it is

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<v Speaker 1>not really. Don't Why am I trapped? Because in another

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<v Speaker 1>less physical way it is all too real, not real

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<v Speaker 1>enough for me to break this window, but really enough

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<v Speaker 1>for you. Imagine it this way. This house, like you,

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<v Speaker 1>is a being. You are in its body, and like

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<v Speaker 1>any being, it has a brain. Geraldy. To slay the beast,

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<v Speaker 1>you must have a connection to the brain. No, I

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<v Speaker 1>can't do that. You promise no more debts. It is

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<v Speaker 1>not up to me. It is up to you on

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<v Speaker 1>earth designed this house. It's like they started building it

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<v Speaker 1>and just gave up. Hey, off ahead, I see I

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<v Speaker 1>see the skylight. That's a well, that's a well. I'm

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<v Speaker 1>not gonna do it. I'm a you Geraldine, Geraldine? Oh

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<v Speaker 1>you again? Did you ever finish your phone? Call? Um? No, listen,

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<v Speaker 1>can we just talk about this? Of course? Child? No,

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<v Speaker 1>thank you? I nonsense, I have a spot. We've got

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<v Speaker 1>nothing but time. Listen. It's simple. Why are you keeping

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<v Speaker 1>me here? Keeping you here? Whatever? Do you mean? Looked everywhere,

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<v Speaker 1>well everywhere I can find for we out, but everything

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<v Speaker 1>just keeps repeating. How did you get here in the

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<v Speaker 1>first place? The front door? There you go. No one's

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<v Speaker 1>keeping you here. Child, You're trapped. How did you say

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<v Speaker 1>you got here? Again? You're not real? What's that? Child?

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<v Speaker 1>You're not real? You're not real? Yes, love, you've ridden

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<v Speaker 1>my mind. Do throw another log on the fire. You're

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<v Speaker 1>not real? What you are? Not real? What the terrible

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<v Speaker 1>thing to say? You have no chrome with me, boy,

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<v Speaker 1>I'm not the one who brought you here. You brought

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<v Speaker 1>this upon yourself. No, you can't lie to me anymore.

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<v Speaker 1>I know that none of this is real. I just

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<v Speaker 1>need to end it. Put that down. I'm sorry. No, no, Hello,

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<v Speaker 1>are you still there? Hello? Hello, Hello, Geraldine, Geraldine, she's gone.

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<v Speaker 1>I know it wasn't real. I mean I think it wasn't,

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<v Speaker 1>but it sure felt real. Yeah, well we'll see if

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<v Speaker 1>that worked. Come on, Arrow, what's that window there before?

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<v Speaker 1>Is it really? Yes? Finally, Oh we did it. There

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<v Speaker 1>was so much easier than I thought it would be.

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<v Speaker 1>It's awful high up. We could look for another way,

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<v Speaker 1>but this might be our only chance. Underneath us, there's

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<v Speaker 1>a little patio. We can go out onto the roof

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<v Speaker 1>and then climb down. It's gonna be tricky for you, Arrow,

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<v Speaker 1>but I think we can make it. Let me go

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<v Speaker 1>out first and I'll help you. You're gonna have to

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<v Speaker 1>jump to me. Okay, here goes nothing. Yeah, errow Errol,

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<v Speaker 1>it's okay, it's okay. It's stuck. Calm down, boy, he

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<v Speaker 1>calmed down. I'll get you out. You just don't break it, fat, hero, fat,

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<v Speaker 1>it's a good talk. That's a good talk. Careful, Max,

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<v Speaker 1>do not hurt yourself. That's all. He's trapped. Arrows still

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<v Speaker 1>trapped in the house. I know. I am sorry. I

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<v Speaker 1>tried to warn you of what it required a sacrifice. No,

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<v Speaker 1>I won't leave him here. I can't. That will not work.

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<v Speaker 1>Didn't you break it? I cannot bullshit watch this. He

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<v Speaker 1>isn't fair. No, it is not errow. I I can't. Okay,

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<v Speaker 1>I'm outside, but this is still the house. What do

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<v Speaker 1>you mean if this is still part of the house.

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<v Speaker 1>Maybe I have another chance, let's hope. So buddy, what

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<v Speaker 1>are you thinking? Max? If I told you you would

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<v Speaker 1>try to stop me, I do not like the sound

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<v Speaker 1>of that, but I have to. That's a well, Yes, Max,

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<v Speaker 1>I need to ask you something, anything, and I need

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<v Speaker 1>you to follow my instruction exactly. Okay, Max, I will try.

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<v Speaker 1>It's time. Do not save me? What? Thirteen Days of

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<v Speaker 1>Halloween Devil's Night, starring Carter Rockwood and Clancy Brown. Episode twelve,

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<v Speaker 1>The Haunted House. Written by Matthew Riddle, Matt Frederick and

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<v Speaker 1>Alexander Williams, Edited by so Sha. Sound designed by Jesse Funk,

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<v Speaker 1>featuring the voices of Gina Rikiki and Lauren Vogelbaum. Directed

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<v Speaker 1>by Alexander Williams, Script supervision by Nicholas Takoski. Casting by

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<v Speaker 1>Sunday Bowling C. S A and Meg Mormon C. S

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<v Speaker 1>A Production coordinator Wayna Calderon. Production assistants Zoe Shay and

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<v Speaker 1>Amber Ferris. Animal recording by Ben James, closing theme by

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<v Speaker 1>Rose Azerti. Loyalty Freak Music dot Com. Recorded at d

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<v Speaker 1>G Entertainment in Los Angeles, California. Engineered by Gary Forbes

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<v Speaker 1>and Jody Abbott. Additional recording by SoundBite Inc. In Atlanta, Georgia.

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<v Speaker 1>Engineered by Chase Nixon, Studio manager Kathy Roberts. Executive producers

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<v Speaker 1>Aaron Mankey, Noah Fineberg, Chris Dicky, Matt Frederick and Alexander Williams.

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<v Speaker 1>Supervising producers Trevor Young and Josh Than. Producers Jesse Funk

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<v Speaker 1>and rema Il Kali. Thirteen Days of Halloween was created

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<v Speaker 1>by Matt Frederick and Alexander Williams and is a production

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<v Speaker 1>of iHeart three D Audio, Blumhouse Television and Grim and

0:19:42.320 --> 0:19:45.359
<v Speaker 1>Mild from Aaron Mackey. Learn more about the show at

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<v Speaker 1>Grim and Mild dot com slash thirteen Days and find

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<v Speaker 1>more podcasts from iHeart Radio by visiting the iHeart Radio app,

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<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.