1 00:00:00,520 --> 00:00:03,160 Speaker 1: Hey, what's up everybody, thanks to checking out this bonus episode. 2 00:00:03,160 --> 00:00:04,680 Speaker 1: Before we get into it, I wanted to fill you 3 00:00:04,720 --> 00:00:06,720 Speaker 1: in on the great content, all the great content that 4 00:00:06,720 --> 00:00:08,240 Speaker 1: we got for you this week from the land of 5 00:00:08,280 --> 00:00:11,680 Speaker 1: Double Elvis here in Disgraceland, we just released a brand 6 00:00:11,760 --> 00:00:15,880 Speaker 1: new episode on Mariah Carey. Tomorrow, we're releasing a rewind 7 00:00:15,920 --> 00:00:19,520 Speaker 1: episode from our archive on Derek and the Dominoes, one 8 00:00:19,560 --> 00:00:22,120 Speaker 1: of Eric Clapton's old bands, and this has a heavy 9 00:00:22,600 --> 00:00:25,480 Speaker 1: Christmas slant to it. If you haven't heard this episode 10 00:00:25,960 --> 00:00:28,400 Speaker 1: and you want a little Christmas content, get into it. 11 00:00:28,920 --> 00:00:30,920 Speaker 1: Over in the bad Lands Feed check out our new 12 00:00:30,920 --> 00:00:34,159 Speaker 1: episode on Robert Blake in the murder of his wife 13 00:00:34,240 --> 00:00:38,400 Speaker 1: Bonnie Lee Bakley. And Yeah, just wanted to thank all 14 00:00:38,479 --> 00:00:40,680 Speaker 1: of you take this moment, Thank you all for your 15 00:00:40,720 --> 00:00:45,440 Speaker 1: amazing support of our brand new kids show, Music Land Stories. 16 00:00:45,960 --> 00:00:48,720 Speaker 1: This is a collaboration here at Double Elvis with our 17 00:00:48,760 --> 00:00:53,200 Speaker 1: friends at Star Glow Media. This show has developed quite 18 00:00:53,200 --> 00:00:55,120 Speaker 1: the audience right out of the gate. Cracked the Apple 19 00:00:55,160 --> 00:00:59,120 Speaker 1: podcast overall top ten last week, which I believe is 20 00:00:59,160 --> 00:01:03,040 Speaker 1: a first or a kids show. It's also as of 21 00:01:03,080 --> 00:01:05,720 Speaker 1: the recording of this episode, it's still number one on 22 00:01:05,800 --> 00:01:08,800 Speaker 1: the Kids in Family chart on Apple Podcasts. So my 23 00:01:08,880 --> 00:01:11,800 Speaker 1: point is other than to just brag about how incredibly 24 00:01:12,000 --> 00:01:14,040 Speaker 1: proud we are of this show, just to let you 25 00:01:14,080 --> 00:01:15,880 Speaker 1: guys know that it's easy to find. Just go to 26 00:01:15,880 --> 00:01:18,480 Speaker 1: the charts on Apple Podcasts, or it's available everywhere. It's 27 00:01:18,480 --> 00:01:22,640 Speaker 1: available on Spotify, wherever you get your podcasts, Amazon Music, iHeart, 28 00:01:22,680 --> 00:01:25,360 Speaker 1: you can find music Land Stories. Give it a follow. 29 00:01:25,560 --> 00:01:27,840 Speaker 1: We've got three episodes out right now. If you're in 30 00:01:27,880 --> 00:01:31,440 Speaker 1: About a Girl fan, you'll recognize the host, Nikki Linnette. 31 00:01:32,000 --> 00:01:34,360 Speaker 1: She's also the host of music Land Stories. All right, 32 00:01:34,560 --> 00:01:37,440 Speaker 1: more to come every Tuesday with music Land Stories. But 33 00:01:37,520 --> 00:01:44,720 Speaker 1: for now, let's get into this bonus episode here, shall we. Hey, discos, 34 00:01:45,080 --> 00:01:47,480 Speaker 1: need a little more disgrace Land in your life, just 35 00:01:47,520 --> 00:01:51,160 Speaker 1: to touch to get you through. Yeah, me too. This 36 00:01:51,200 --> 00:01:54,320 Speaker 1: is the podcast that comes after the podcast. Welcome to 37 00:01:54,360 --> 00:02:13,360 Speaker 1: Disgraceland the after Bernie, Welcome to the Disgraceland bonus episode. 38 00:02:13,440 --> 00:02:16,280 Speaker 1: A little thing we like to call the after party. 39 00:02:16,320 --> 00:02:18,640 Speaker 1: This is the show after the show, the party after 40 00:02:18,680 --> 00:02:20,880 Speaker 1: the party. The bridge to get you from one full 41 00:02:20,919 --> 00:02:24,120 Speaker 1: episode of Disgraceland to the other, the backyard to dig 42 00:02:24,160 --> 00:02:27,359 Speaker 1: into the dirt on this episode, we are talking, among 43 00:02:27,440 --> 00:02:31,160 Speaker 1: other things, about our new full episode on Mariah Carey, 44 00:02:31,400 --> 00:02:33,760 Speaker 1: a little bit on this week's rewind episode on Derek 45 00:02:33,800 --> 00:02:37,240 Speaker 1: and the Dominoes, and of course your voicemails, text, dms 46 00:02:37,240 --> 00:02:40,000 Speaker 1: and more, and is always a whole lot of rosie. 47 00:02:40,000 --> 00:02:53,640 Speaker 1: All right, just goes, let's get it here it all right? 48 00:02:54,040 --> 00:02:58,200 Speaker 1: This week in Disgraceland, we are coming upon Christmas. We 49 00:02:58,240 --> 00:03:01,800 Speaker 1: are here in the holiday see, and as such, we 50 00:03:01,880 --> 00:03:05,760 Speaker 1: have a brand new episode on Mariah Carey. Mariah Carey 51 00:03:05,880 --> 00:03:09,519 Speaker 1: in Disgraceland. Who would have thunk, Well, certainly not that 52 00:03:09,639 --> 00:03:11,440 Speaker 1: dude on Instagram who's always hitting me up to do 53 00:03:11,480 --> 00:03:14,080 Speaker 1: a replacements episode and is very pissed off that we 54 00:03:14,160 --> 00:03:16,480 Speaker 1: cover Mariah Carey before the replacements. And I gotta say, 55 00:03:16,480 --> 00:03:18,600 Speaker 1: I don't blame them. I don't blame them one bit. 56 00:03:19,320 --> 00:03:22,160 Speaker 1: But I wanted to do this Mariah Carey episode because 57 00:03:22,200 --> 00:03:25,040 Speaker 1: she is ubiquitous this time of year, and I wanted 58 00:03:25,080 --> 00:03:27,640 Speaker 1: to dig into her story because I knew it was 59 00:03:27,880 --> 00:03:30,360 Speaker 1: filled with drama, and I knew it would give me 60 00:03:30,360 --> 00:03:33,640 Speaker 1: an excuse to talk about her massive hit. All I 61 00:03:33,680 --> 00:03:36,560 Speaker 1: want for Christmas is you More on that later. But 62 00:03:36,640 --> 00:03:38,920 Speaker 1: here's the deal. With this one. We plan our release 63 00:03:38,960 --> 00:03:42,680 Speaker 1: schedule way out in advance. Okay, We've we got like 64 00:03:43,360 --> 00:03:46,360 Speaker 1: nine ten people who work on every episode, and as 65 00:03:46,360 --> 00:03:49,520 Speaker 1: you know, we're hammering out the content. And Matt Boden 66 00:03:49,560 --> 00:03:54,640 Speaker 1: here at Team Double Elvis has this sort of beautiful 67 00:03:54,680 --> 00:03:58,840 Speaker 1: mind schedule, a production schedule that lays everything out but 68 00:03:59,320 --> 00:04:01,040 Speaker 1: for all of us to work on. We're all working 69 00:04:01,040 --> 00:04:03,920 Speaker 1: on different parts of different episodes at different times. The 70 00:04:04,240 --> 00:04:06,360 Speaker 1: key to this, however, is planning, and we have to 71 00:04:06,360 --> 00:04:10,320 Speaker 1: plan way far in advance. I mentioned this when we 72 00:04:10,360 --> 00:04:13,120 Speaker 1: did the Ditty episode. And we try to tell stories 73 00:04:13,160 --> 00:04:16,800 Speaker 1: sometimes at dovetail nicely with different times of the year. Halloween, 74 00:04:16,839 --> 00:04:19,440 Speaker 1: you may recall the Misfits episode, or April Fool's Day, 75 00:04:20,560 --> 00:04:24,359 Speaker 1: you know, Jim Morrison, John Denver, Thanksgiving. We're working on 76 00:04:24,400 --> 00:04:26,960 Speaker 1: a good Thanksgiving episode already, or at least we're thinking 77 00:04:26,960 --> 00:04:28,320 Speaker 1: about it for next year. I know what we're going 78 00:04:28,400 --> 00:04:31,359 Speaker 1: to do. When you think about musicians and singers and 79 00:04:31,400 --> 00:04:34,000 Speaker 1: you think about Christmas, I don't know how in the 80 00:04:34,000 --> 00:04:36,920 Speaker 1: modern world you can't think about Mariah Carey and her 81 00:04:37,000 --> 00:04:40,520 Speaker 1: ubiquitous holiday anthem. All I want for Christmas is you, 82 00:04:41,200 --> 00:04:45,920 Speaker 1: which continues to charge and do big business twenty nine 83 00:04:46,000 --> 00:04:50,200 Speaker 1: years after its original release. Now you can say what 84 00:04:50,279 --> 00:04:53,279 Speaker 1: you want about this song. And I don't particularly love 85 00:04:53,360 --> 00:04:56,920 Speaker 1: this song. I've kind of grown to accept it in 86 00:04:56,960 --> 00:05:00,440 Speaker 1: my life. But there's one thing that we didn't upon 87 00:05:00,520 --> 00:05:03,359 Speaker 1: in the episode. And then I talked about this. I 88 00:05:03,360 --> 00:05:06,599 Speaker 1: did a little video on Instagram and TikTok about this 89 00:05:06,680 --> 00:05:10,000 Speaker 1: episode and about how much money it makes for Mariah, 90 00:05:10,040 --> 00:05:12,440 Speaker 1: and I didn't talk about it there either. In case 91 00:05:12,480 --> 00:05:16,080 Speaker 1: you're wondering, go to a disgrace landpod on Instagram. You'll 92 00:05:16,080 --> 00:05:18,440 Speaker 1: get the whole context. But basically, all I'm want for 93 00:05:18,480 --> 00:05:21,240 Speaker 1: Christmas is you. The single pulls in a cool three 94 00:05:21,279 --> 00:05:26,760 Speaker 1: million every December for Mariah Carey. Not bad stocking change. 95 00:05:27,120 --> 00:05:29,599 Speaker 1: But the one thing, to my point, the one thing 96 00:05:30,000 --> 00:05:34,040 Speaker 1: that we haven't yet discussed is Okay, this song came 97 00:05:34,040 --> 00:05:36,000 Speaker 1: out twenty nine years ago. What's that put it at 98 00:05:36,080 --> 00:05:40,000 Speaker 1: like ninety four something like that. I think it was released, 99 00:05:41,120 --> 00:05:45,360 Speaker 1: and we have not talked about how timeless this song is. 100 00:05:46,000 --> 00:05:51,159 Speaker 1: It sounds timeless, you cannot place it. Was it written 101 00:05:51,160 --> 00:05:53,239 Speaker 1: in nineteen ninety four? Was it written in two thousand 102 00:05:53,240 --> 00:05:56,920 Speaker 1: and four, twenty twenty four, nineteen eighty four, Okay, it 103 00:05:56,960 --> 00:05:58,760 Speaker 1: sounds a little more modern, I guess, I guess, I 104 00:05:58,800 --> 00:06:01,919 Speaker 1: don't know. Maybe it could pass eighty four. It's definitely 105 00:06:01,920 --> 00:06:04,280 Speaker 1: of the modern world, but it is timeless, and I 106 00:06:04,279 --> 00:06:08,360 Speaker 1: think that pop stars, pop songwriters strive for a certain 107 00:06:08,400 --> 00:06:13,159 Speaker 1: amount of timelessness in their songs and in the records 108 00:06:13,160 --> 00:06:16,200 Speaker 1: they produce, and that is most certainly part of the 109 00:06:16,240 --> 00:06:18,440 Speaker 1: appeal here with All I Want for Christmas is You. 110 00:06:18,839 --> 00:06:20,920 Speaker 1: Plus Mariah Carey has kind of leaned into it. She's 111 00:06:20,960 --> 00:06:23,560 Speaker 1: kind of become the you know, the Christmas princess in 112 00:06:23,600 --> 00:06:27,200 Speaker 1: a way, and that's cool. Good for her. But I 113 00:06:27,240 --> 00:06:29,960 Speaker 1: can just even if I don't appreciate, even if I'm 114 00:06:30,000 --> 00:06:33,800 Speaker 1: not reaching, you know, for the search bar on Spotify 115 00:06:34,080 --> 00:06:37,080 Speaker 1: and banging in Mariah carry All I Want for Christmas 116 00:06:37,080 --> 00:06:41,080 Speaker 1: for You, I can still appreciate the craftsmanship of the song, 117 00:06:41,400 --> 00:06:46,040 Speaker 1: the production, the songwriting, and what it's actually done and 118 00:06:46,080 --> 00:06:50,000 Speaker 1: how it was able to achieve this massive success. Even 119 00:06:50,040 --> 00:06:52,159 Speaker 1: if you don't like it, and even if, like me, 120 00:06:53,040 --> 00:06:56,040 Speaker 1: hadn't I haven't liked it at times, you can't argue 121 00:06:56,040 --> 00:06:58,880 Speaker 1: with the results. You can't argue with the market, as 122 00:06:58,960 --> 00:07:03,000 Speaker 1: they say, people want this song. It's the biggest selling 123 00:07:03,040 --> 00:07:06,920 Speaker 1: Christmas song of all time beat that Bing Crosby. Speaking 124 00:07:06,920 --> 00:07:09,920 Speaker 1: of Bing Crosby, we also hit on some Bing Crosby stories, 125 00:07:09,960 --> 00:07:13,400 Speaker 1: some David Bowie bing Crosby stories over on Instagram. And 126 00:07:14,080 --> 00:07:16,800 Speaker 1: you know, if Mariah Carey ain't your thing, I get it. 127 00:07:17,200 --> 00:07:19,160 Speaker 1: You know, we get into the darkness here in the 128 00:07:19,200 --> 00:07:21,960 Speaker 1: episode with Tommy Mottola and her relationship with him and 129 00:07:22,040 --> 00:07:24,760 Speaker 1: just how bad shit that whole thing was and everything 130 00:07:24,760 --> 00:07:27,840 Speaker 1: that went down there, and it's ultimately the light here 131 00:07:27,960 --> 00:07:31,280 Speaker 1: is ultimately a story of resilience. Mariah Carrey a survivor 132 00:07:31,680 --> 00:07:37,120 Speaker 1: who goes beyond this incredibly. I don't even know. I 133 00:07:37,120 --> 00:07:40,560 Speaker 1: can't find the right adjective here to describe how fucked 134 00:07:40,640 --> 00:07:43,520 Speaker 1: up this relationship was with her boss, who was also 135 00:07:43,600 --> 00:07:47,800 Speaker 1: her husband. She persevered, and I love those stories. But 136 00:07:47,880 --> 00:07:50,160 Speaker 1: if this ain't your thing, I get it. So over 137 00:07:50,560 --> 00:07:54,160 Speaker 1: at disgracelandpod, on Instagram and on TikTok and probably on 138 00:07:54,440 --> 00:07:57,280 Speaker 1: X as well. I'm done qualifying X by the way 139 00:07:57,320 --> 00:07:59,000 Speaker 1: and saying that it used to be known as Twitter. 140 00:07:59,080 --> 00:08:01,640 Speaker 1: It's X Okay. From now on, it's X and over 141 00:08:01,680 --> 00:08:05,040 Speaker 1: on X as well. I'm going to be releasing these 142 00:08:05,640 --> 00:08:11,800 Speaker 1: daily little stories, little Christmas related music or iconic sort 143 00:08:11,840 --> 00:08:14,440 Speaker 1: of dark stories. Okay, to fill in the gaps here 144 00:08:14,520 --> 00:08:18,040 Speaker 1: between Mariah Carey and whatever we're doing on the other 145 00:08:18,080 --> 00:08:19,680 Speaker 1: side of the year with new content. I can't even 146 00:08:19,680 --> 00:08:21,640 Speaker 1: remember the next new episode we're doing, but it's coming, 147 00:08:22,120 --> 00:08:25,280 Speaker 1: all right, So is Mariah Carey? Is all I want 148 00:08:25,320 --> 00:08:25,760 Speaker 1: for Christmas? 149 00:08:25,800 --> 00:08:26,080 Speaker 2: For you? 150 00:08:26,160 --> 00:08:30,679 Speaker 1: Sentimental cheese? You bet? Absolutely? Are we allowed to enjoy 151 00:08:30,880 --> 00:08:34,920 Speaker 1: sentimental Christmas cheese every year? Sure thing? Why not? That's 152 00:08:34,920 --> 00:08:37,679 Speaker 1: part of what Christmas is all about being sentimental, isn't it. 153 00:08:38,080 --> 00:08:40,679 Speaker 1: You know, there's nothing wrong with being sentimental from time 154 00:08:40,720 --> 00:08:43,040 Speaker 1: to time. And I get a story for that as well. 155 00:08:43,080 --> 00:08:46,160 Speaker 1: That's going to hit soon, very soon on an in 156 00:08:46,240 --> 00:08:49,840 Speaker 1: short form and video on Instagram. You'll see that. But anyways, 157 00:08:49,960 --> 00:08:53,920 Speaker 1: this has, like I said, surveillance, armed guards, sabotage, and again, 158 00:08:54,120 --> 00:08:56,800 Speaker 1: like I said, resilience, the resilience of one of the 159 00:08:56,800 --> 00:08:59,880 Speaker 1: season's most enduring voices, Mariah Carey. So if you have 160 00:09:00,120 --> 00:09:02,920 Speaker 1: not heard it, check it out now. If you want darkness, 161 00:09:03,120 --> 00:09:06,800 Speaker 1: we got darkness. We got ultra darkness teed up for 162 00:09:06,840 --> 00:09:09,600 Speaker 1: you tomorrow in your feed, in the form of our 163 00:09:09,760 --> 00:09:14,640 Speaker 1: Derek and the Dominoes, eric Clapton's former band. The episode 164 00:09:14,640 --> 00:09:17,600 Speaker 1: we did on Derek and the Dominoes and their drummer 165 00:09:17,679 --> 00:09:24,480 Speaker 1: Jim Gordon, and just yeah, it's Christmas, It's madness. It's 166 00:09:24,480 --> 00:09:28,360 Speaker 1: a descent into madness and involves a hammer, a butcher knife, 167 00:09:28,760 --> 00:09:31,880 Speaker 1: and some dead family members. And that's all I'm going 168 00:09:31,920 --> 00:09:35,599 Speaker 1: to say there, but check it out. The score is beautiful. 169 00:09:35,679 --> 00:09:38,600 Speaker 1: Matt Boden crushed the mix on this one. I'm pretty 170 00:09:38,600 --> 00:09:40,720 Speaker 1: sure he did the music as well. He killed it 171 00:09:41,520 --> 00:09:44,160 Speaker 1: all right, So to recap, that's Mariah Carey plus a 172 00:09:44,200 --> 00:09:47,000 Speaker 1: rewind on Derek in the Dominoes, all in your disgrace 173 00:09:47,000 --> 00:09:51,960 Speaker 1: sland feed this week, I have been super active lately 174 00:09:52,200 --> 00:09:56,800 Speaker 1: over on Instagram and TikTok, but you know, mainly Instagram first, 175 00:09:57,640 --> 00:10:01,360 Speaker 1: and I've been doing these little videos almost daily, trying 176 00:10:01,400 --> 00:10:06,800 Speaker 1: to get into these interesting, sort of holy shit moments 177 00:10:07,000 --> 00:10:10,160 Speaker 1: that are either in our episodes or adjacent to our episodes. 178 00:10:10,760 --> 00:10:12,640 Speaker 1: You know, the amount of money that Mariah Carey makes 179 00:10:12,679 --> 00:10:14,680 Speaker 1: for this song, that's an interesting thing. We didn't actually 180 00:10:14,720 --> 00:10:17,720 Speaker 1: hit on that in the episode the beef between Sting 181 00:10:18,040 --> 00:10:21,400 Speaker 1: and Diddy, you know, because we did this ditty episode 182 00:10:21,520 --> 00:10:25,000 Speaker 1: over the royalties and lots of back and forth about that. 183 00:10:25,080 --> 00:10:27,000 Speaker 1: I talked a little bit about in one of the videos, 184 00:10:27,640 --> 00:10:32,559 Speaker 1: the Jane's Addiction Dave Navarro story of Conne Navarro or 185 00:10:32,640 --> 00:10:37,440 Speaker 1: her murder, and that video is up over four hundred 186 00:10:37,440 --> 00:10:40,480 Speaker 1: thousand views at this point, and that I mean a 187 00:10:40,480 --> 00:10:42,280 Speaker 1: lot of them. The Diddy Sting video is over one 188 00:10:42,320 --> 00:10:45,000 Speaker 1: hundred thousand, you know, and we don't have that many followers, 189 00:10:45,520 --> 00:10:47,920 Speaker 1: but we're growing and growing fast now because of this, 190 00:10:48,440 --> 00:10:50,240 Speaker 1: so I'm gonna keep doing it. It's occurred to me 191 00:10:50,280 --> 00:10:53,439 Speaker 1: over the last two weeks and releasing these videos that 192 00:10:53,520 --> 00:10:55,280 Speaker 1: this is part of what you guys want. You guys 193 00:10:55,360 --> 00:11:00,000 Speaker 1: want these incredibly just I call them holy shit moments, 194 00:11:00,080 --> 00:11:03,400 Speaker 1: holy shit learning moments, just the stuff I come across 195 00:11:03,400 --> 00:11:08,320 Speaker 1: constantly when I'm researching these these subjects, and I try 196 00:11:08,360 --> 00:11:10,680 Speaker 1: to jam as many of them as I can into 197 00:11:10,679 --> 00:11:13,440 Speaker 1: the episodes, but oftentimes I can't be eucet. You know, we 198 00:11:13,480 --> 00:11:16,240 Speaker 1: do have a story to tell, and I'm just gonna 199 00:11:16,280 --> 00:11:18,719 Speaker 1: do more of it. The other thing I found that 200 00:11:18,720 --> 00:11:20,920 Speaker 1: that you guys really appreciate and really like. We released 201 00:11:20,920 --> 00:11:24,520 Speaker 1: that in excess episode and you know, the last sort 202 00:11:24,520 --> 00:11:27,280 Speaker 1: of five minutes of the episode are really a tribute 203 00:11:27,559 --> 00:11:31,160 Speaker 1: to Michael Hutchinson ascend Off, and I'm trying to figure 204 00:11:31,200 --> 00:11:33,760 Speaker 1: out a way to do that, not just in the episodes, 205 00:11:33,800 --> 00:11:37,120 Speaker 1: but do it elsewhere. Create content for you guys that's 206 00:11:37,160 --> 00:11:40,920 Speaker 1: based on these musicians and these icons. The pace tribute 207 00:11:40,920 --> 00:11:43,080 Speaker 1: to them in a way. And it really got me 208 00:11:43,120 --> 00:11:47,040 Speaker 1: thinking about how, you know, in these episodes they're dark, right, 209 00:11:47,120 --> 00:11:49,800 Speaker 1: we talk about this all the time, and they're dark stories, 210 00:11:50,280 --> 00:11:53,040 Speaker 1: but there's always light in almost all of them. There's 211 00:11:53,120 --> 00:11:55,719 Speaker 1: always always light, all right. Maybe not the Dirk and 212 00:11:55,760 --> 00:11:59,559 Speaker 1: the Dominoes one, but there's always light that I seek 213 00:11:59,600 --> 00:12:04,320 Speaker 1: out as a writer, a researcher, storyteller, and I feel 214 00:12:04,360 --> 00:12:06,280 Speaker 1: like that's part of what we do. I feel like 215 00:12:06,320 --> 00:12:08,320 Speaker 1: that's what keeps you guys, part of what keeps you 216 00:12:08,360 --> 00:12:11,000 Speaker 1: guys coming back. If I'm wrong, let me know six one, seven, 217 00:12:11,080 --> 00:12:15,679 Speaker 1: nine oh six sixty six three eight, voicemail or text. 218 00:12:16,200 --> 00:12:18,080 Speaker 1: I went long in this segment, so I'm gonna take 219 00:12:18,080 --> 00:12:20,480 Speaker 1: a quick break back on the other side with some 220 00:12:20,559 --> 00:12:44,480 Speaker 1: responses to your emails, to your text, to your voicemails. 221 00:12:46,280 --> 00:12:49,400 Speaker 1: All Right, we are back, and if you're listening to this, 222 00:12:49,800 --> 00:12:53,040 Speaker 1: you're new here. You're you're a new Disgrace Slam listener. 223 00:12:53,400 --> 00:12:55,160 Speaker 1: I gotta say I should have said this at the top. 224 00:12:55,200 --> 00:12:57,640 Speaker 1: This is a bonus episode. This isn't the real thing. Okay, 225 00:12:57,679 --> 00:13:00,240 Speaker 1: this is sort of the shirt after the shirt. This 226 00:13:00,280 --> 00:13:03,600 Speaker 1: is we're coming down after the full episode, the real episode, 227 00:13:03,840 --> 00:13:10,120 Speaker 1: the scripted, scored sound design, Edge of your Seat immersive 228 00:13:10,200 --> 00:13:14,079 Speaker 1: storytelling episode. We do those on Tuesdays. We do these 229 00:13:14,120 --> 00:13:18,320 Speaker 1: bonus episodes on Thursdays. The full episodes are the full episodes. 230 00:13:18,360 --> 00:13:21,599 Speaker 1: We call these the after parties. Pretty easy to understand. 231 00:13:21,800 --> 00:13:23,120 Speaker 1: So if you're new, and I know we have a 232 00:13:23,160 --> 00:13:25,120 Speaker 1: lot of new listeners over the last few weeks, I 233 00:13:25,200 --> 00:13:27,760 Speaker 1: appreciate you. I'm very stoked that you hear. Just giving 234 00:13:27,760 --> 00:13:29,680 Speaker 1: you a little lay of the land. Get an email 235 00:13:29,720 --> 00:13:33,680 Speaker 1: here from a new listener. This one from David Warden right, 236 00:13:33,720 --> 00:13:36,400 Speaker 1: sand Hey, Jake, I recommend you do a podcast on 237 00:13:36,600 --> 00:13:39,640 Speaker 1: Daryl or Phil from Pantera. Should be very polarized and 238 00:13:39,679 --> 00:13:42,000 Speaker 1: giving the Panteras back in the news and on the road, 239 00:13:42,400 --> 00:13:44,760 Speaker 1: and Daryl was shot to death on stage. I'm gonna 240 00:13:44,760 --> 00:13:47,720 Speaker 1: cut you off right there. David. We did do an 241 00:13:47,720 --> 00:13:53,680 Speaker 1: episode on Pantera, most specifically on Dinmbag darryl Abbit, So 242 00:13:53,800 --> 00:13:55,559 Speaker 1: check that out. You can find that in the Disgraced 243 00:13:55,600 --> 00:13:58,160 Speaker 1: Land archive. It's there, It's ready for you. You're gonna 244 00:13:58,160 --> 00:14:00,840 Speaker 1: love it. We don't touch on Phil that much because, 245 00:14:00,880 --> 00:14:05,080 Speaker 1: like you said, yeah, polarizing, and you know, maybe at 246 00:14:05,120 --> 00:14:06,959 Speaker 1: another time, but if you want your fill of the 247 00:14:06,960 --> 00:14:08,880 Speaker 1: Abbot Brothers, you're going to get him in this Pantera 248 00:14:08,920 --> 00:14:13,800 Speaker 1: episode that we did. Another email here from longtime listener Benedetto. 249 00:14:14,280 --> 00:14:16,640 Speaker 1: If I'm saying this wrong, I apologize, but I recognized 250 00:14:16,640 --> 00:14:21,720 Speaker 1: this dude's name from Instagram Benedetto Manzella or Benedetto Menzela, 251 00:14:22,040 --> 00:14:24,880 Speaker 1: however you pronounce it. I apologize if I got it wrong. 252 00:14:25,560 --> 00:14:28,040 Speaker 1: Subject Bordain message, Hey Jake, been meaning to write this 253 00:14:28,080 --> 00:14:29,800 Speaker 1: all week, but my head has been a mess in 254 00:14:29,880 --> 00:14:32,880 Speaker 1: my computer was down for the count, and typing on 255 00:14:32,920 --> 00:14:35,080 Speaker 1: the touch screen of a phone with my white thumbs 256 00:14:35,200 --> 00:14:37,640 Speaker 1: is a crime scene of mafia proportions. So I'll spare 257 00:14:37,680 --> 00:14:40,880 Speaker 1: you anyhow. As we messaged about on Instagram, I'm eagerly 258 00:14:40,920 --> 00:14:43,560 Speaker 1: looking forward to your episode on Anthony Bourdain and when 259 00:14:43,560 --> 00:14:46,240 Speaker 1: you recently asked about your favorite episodes, I knew I 260 00:14:46,280 --> 00:14:48,320 Speaker 1: needed to write you directly. I think one of the 261 00:14:48,320 --> 00:14:51,400 Speaker 1: trademarks of Bordain in his appeal is he had a 262 00:14:51,400 --> 00:14:53,760 Speaker 1: way of reintroducing people to things and places they had 263 00:14:53,880 --> 00:14:56,600 Speaker 1: established ideas about. I could easily say episodes in a 264 00:14:56,640 --> 00:14:58,880 Speaker 1: variety of international locales and I May Never See You 265 00:14:58,880 --> 00:15:01,080 Speaker 1: were my favorite for open my eyes to the life 266 00:15:01,080 --> 00:15:03,720 Speaker 1: I'm unfamiliar with. But I found that is two episodes 267 00:15:03,760 --> 00:15:06,880 Speaker 1: in Los Angeles memorably hit me. Growing up in a 268 00:15:06,920 --> 00:15:09,600 Speaker 1: suburb of LA thirty miles south of downtown, the city 269 00:15:09,640 --> 00:15:11,920 Speaker 1: and all it's sprawl has never been something I feel 270 00:15:11,920 --> 00:15:14,840 Speaker 1: connected to. I never felt connected to the port Town 271 00:15:14,920 --> 00:15:17,520 Speaker 1: suburb of San Pedro where I grew up. Either shout 272 00:15:17,560 --> 00:15:20,240 Speaker 1: out to the minimum that's me doing the shadow, but 273 00:15:20,320 --> 00:15:23,480 Speaker 1: that is a different story altogether. LA was always talked 274 00:15:23,480 --> 00:15:25,720 Speaker 1: about as a monolith of sorts, and with a poorly 275 00:15:25,760 --> 00:15:27,840 Speaker 1: maintained bus system, it was always just out of reach. 276 00:15:28,040 --> 00:15:31,880 Speaker 1: I'm endlessly grateful for a new perspective on Los Angeles 277 00:15:32,000 --> 00:15:35,320 Speaker 1: that has helped me appreciate where I'm from rather than 278 00:15:35,360 --> 00:15:37,720 Speaker 1: outright resented. And I may not ever be a fan 279 00:15:37,760 --> 00:15:40,680 Speaker 1: of LA, but mister Bourdain conquered my stubbornness, which is 280 00:15:40,680 --> 00:15:44,200 Speaker 1: something few have succeeded at. Hopefully this makes sense and 281 00:15:44,320 --> 00:15:48,800 Speaker 1: is even a bit entertaining. Cheers. Hey love this, You're 282 00:15:48,880 --> 00:15:52,400 Speaker 1: so right. This is why I love Bourdain. This is 283 00:15:52,400 --> 00:15:56,680 Speaker 1: why I love most of the sort of adventure writers 284 00:15:56,920 --> 00:15:59,480 Speaker 1: who I've read in the past. It's a weird way 285 00:15:59,520 --> 00:16:02,320 Speaker 1: of describing them, but you know what I mean. I 286 00:16:02,320 --> 00:16:04,720 Speaker 1: feel like we're all looking for a different perspective, aren't we. 287 00:16:05,280 --> 00:16:07,200 Speaker 1: Maybe not all of us, but I am. I don't 288 00:16:07,240 --> 00:16:10,280 Speaker 1: want to just be coddled in my views. I don't 289 00:16:10,280 --> 00:16:13,600 Speaker 1: want to just be shown the same thing that I'm 290 00:16:13,600 --> 00:16:16,000 Speaker 1: known to love over and over again. I want to 291 00:16:16,040 --> 00:16:21,440 Speaker 1: be challenged and to be totally honest with you. You know, 292 00:16:21,480 --> 00:16:24,400 Speaker 1: I felt this way about the Boston episode that Boordain did. 293 00:16:24,680 --> 00:16:27,840 Speaker 1: He showed places that I knew existed, some might even 294 00:16:27,880 --> 00:16:31,080 Speaker 1: been to before, but showed them in a way that 295 00:16:31,280 --> 00:16:34,400 Speaker 1: was had a new light, in a new perspective, and 296 00:16:34,560 --> 00:16:39,120 Speaker 1: sort of reinvigorated my feeling for the city at the time, 297 00:16:39,360 --> 00:16:42,960 Speaker 1: and definitely for some of those locales. And I'm deep 298 00:16:43,040 --> 00:16:45,160 Speaker 1: into Bordain at the moment in the research. I'll talk 299 00:16:45,160 --> 00:16:46,960 Speaker 1: about this later, talk about it maybe in the rap 300 00:16:47,000 --> 00:16:49,840 Speaker 1: Party episode as well. For those new listeners. That's the 301 00:16:49,880 --> 00:16:52,640 Speaker 1: other bonus episode we do in our other podcast feed 302 00:16:52,720 --> 00:16:56,320 Speaker 1: for our other podcasts called bad Lands, which is Hollywood 303 00:16:56,320 --> 00:16:58,520 Speaker 1: and true crime, not just music and true crime here 304 00:16:58,520 --> 00:17:03,040 Speaker 1: and Disgrace that. But anyways, appreciate your email. Thank you. Guys. 305 00:17:03,080 --> 00:17:06,520 Speaker 1: Want to email me Disgrace lamdpod at gmail dot com. 306 00:17:06,880 --> 00:17:09,840 Speaker 1: As you know, you can also call me leave a voicemail. 307 00:17:10,240 --> 00:17:11,960 Speaker 1: You can send me a text as well. Six one 308 00:17:12,040 --> 00:17:15,480 Speaker 1: seven nine six six six three eight. I want to 309 00:17:15,520 --> 00:17:19,080 Speaker 1: dive into these voicemails and texts right here. All right, 310 00:17:19,160 --> 00:17:21,760 Speaker 1: let's hear from our boy ish in the seven to eight. 311 00:17:21,680 --> 00:17:26,200 Speaker 2: One Jake, what up your boy ish? Uh? 312 00:17:26,440 --> 00:17:28,160 Speaker 3: Talking about Christmas movies? 313 00:17:28,200 --> 00:17:31,160 Speaker 4: A little Disgraceland bad Lands crossover. 314 00:17:32,119 --> 00:17:35,240 Speaker 2: I'm sure you know and we all know that David 315 00:17:35,320 --> 00:17:38,760 Speaker 2: Johanson of New York Dolls is in the movie Scrooge. 316 00:17:39,480 --> 00:17:41,240 Speaker 2: So yeah, that's it. 317 00:17:42,000 --> 00:17:45,719 Speaker 1: Disco love the crossover, dude. I might play this on 318 00:17:45,760 --> 00:17:49,920 Speaker 1: the wrap party as well, because you're so right, the 319 00:17:50,000 --> 00:17:53,439 Speaker 1: David Johansson New York Dolls in the movie Scrooge. And 320 00:17:53,520 --> 00:17:55,880 Speaker 1: also it's a time to shout out the David Johansson 321 00:17:55,920 --> 00:17:59,520 Speaker 1: documentary that's on Showtime. It's been planned now Scorsese produced 322 00:17:59,560 --> 00:18:03,119 Speaker 1: it fantastic. Check that out, David Johansson from The New 323 00:18:03,200 --> 00:18:05,120 Speaker 1: York Dolls And if any of you have not heard 324 00:18:05,119 --> 00:18:07,480 Speaker 1: the New York Dolls episode of Disgrace, and it is 325 00:18:07,520 --> 00:18:10,240 Speaker 1: ready and it is waiting for you. All right, let's 326 00:18:10,240 --> 00:18:12,080 Speaker 1: hear this message from the four oh two. 327 00:18:13,040 --> 00:18:17,000 Speaker 3: Hi, Jake calling from the four oh two. I just 328 00:18:17,160 --> 00:18:23,080 Speaker 3: wanted to leave a message about this week's after party. 329 00:18:24,040 --> 00:18:28,520 Speaker 3: I am a huge fan. I've been a fan since 330 00:18:28,600 --> 00:18:33,160 Speaker 3: day one. I'm a disco through and through. I think 331 00:18:33,160 --> 00:18:37,400 Speaker 3: that you've done a great job with navigating, not offending 332 00:18:37,480 --> 00:18:43,240 Speaker 3: people and being a little sensitive to the causes that be, 333 00:18:43,440 --> 00:18:49,080 Speaker 3: whether it be kiddos or women or crossing boundaries of 334 00:18:49,119 --> 00:18:53,160 Speaker 3: some of the more aggressive crimes. I feel like Diddy completed, 335 00:18:53,800 --> 00:18:58,560 Speaker 3: uh not completed. I feel like, in my opinion, he 336 00:18:58,800 --> 00:19:03,560 Speaker 3: is guilty of some of the things that he has done. 337 00:19:04,680 --> 00:19:10,040 Speaker 3: I graduated in ninety three and I was around different people, 338 00:19:10,680 --> 00:19:14,360 Speaker 3: and let's just say that, uh, he's not the best guy. 339 00:19:14,640 --> 00:19:17,040 Speaker 3: So one of the things I just wanted to say 340 00:19:17,119 --> 00:19:24,080 Speaker 3: is when you worded it as he forcefully denies the allegations, 341 00:19:24,119 --> 00:19:29,199 Speaker 3: forcefully is not really the best word. Maybe vehemently or 342 00:19:29,240 --> 00:19:34,840 Speaker 3: what have you. But I'm sure, irregardless for those of 343 00:19:34,920 --> 00:19:42,119 Speaker 3: us with past trauma, that forcefully denies maybe isn't the 344 00:19:42,160 --> 00:19:44,719 Speaker 3: best wording. So I know you have the best of intentions. 345 00:19:44,880 --> 00:19:49,240 Speaker 3: I love you guys over there, the whole staff says everyone. 346 00:19:49,400 --> 00:19:52,239 Speaker 3: I just wanted to say that I know that you 347 00:19:52,240 --> 00:19:54,280 Speaker 3: did your best to put the episode out with care, 348 00:19:54,960 --> 00:19:59,399 Speaker 3: and I will continue to be a fan. And I 349 00:19:59,440 --> 00:20:03,919 Speaker 3: just think he's he's a bad guy and doesn't deserve 350 00:20:04,000 --> 00:20:08,920 Speaker 3: any any benefit of the doubt because he is guilty. 351 00:20:09,359 --> 00:20:11,120 Speaker 3: Thank you, all right? 352 00:20:11,160 --> 00:20:14,880 Speaker 1: Four oh two point taken. I totally get the difference 353 00:20:14,880 --> 00:20:21,040 Speaker 1: between forcefully and vehemently in this situation, and appreciate the message. 354 00:20:22,000 --> 00:20:25,440 Speaker 1: We're going to get more information, more real, more hard information. 355 00:20:25,600 --> 00:20:28,359 Speaker 1: I don't want to say more real, let's just say 356 00:20:29,240 --> 00:20:33,240 Speaker 1: more provable, perhaps information on Diddy, And when we do, 357 00:20:33,440 --> 00:20:36,800 Speaker 1: we will dive back into this story and tell it 358 00:20:36,840 --> 00:20:40,439 Speaker 1: as fully as we can. Thanks again for listening, Thanks 359 00:20:40,480 --> 00:20:44,639 Speaker 1: for being open minded, and appreciate the voicemail. All right, 360 00:20:44,680 --> 00:20:47,280 Speaker 1: let's check out this voicemail from the nine seventy. 361 00:20:47,080 --> 00:20:50,680 Speaker 2: Three yod Jake, how are you? This is Jerry from Planners. 362 00:20:51,200 --> 00:20:55,000 Speaker 2: I just heard the episode about the Canadian star the 363 00:20:55,240 --> 00:20:58,840 Speaker 2: young lady who was killed by the coyotes. Creepy and brutal, 364 00:20:59,400 --> 00:21:02,320 Speaker 2: but I still have I said something once before about this. 365 00:21:02,320 --> 00:21:04,919 Speaker 2: I'm going to say it again. There's a great story 366 00:21:04,960 --> 00:21:07,840 Speaker 2: about a gentleman named Les Harvey. He was in a 367 00:21:07,840 --> 00:21:11,720 Speaker 2: Scottish rock band called Stone the Crows. The lead singer 368 00:21:11,840 --> 00:21:16,280 Speaker 2: was Maggie Bell and during a concert, an indoor concert 369 00:21:16,560 --> 00:21:19,800 Speaker 2: that the audience screwed around with the crowns and stuff 370 00:21:19,840 --> 00:21:23,199 Speaker 2: like that, the gentlemen walked up to the microphone to 371 00:21:23,280 --> 00:21:26,480 Speaker 2: do a sound check, and we know that European current 372 00:21:26,560 --> 00:21:30,200 Speaker 2: is two twenty. He electrocuted himself on stage in front 373 00:21:30,240 --> 00:21:33,280 Speaker 2: of the audience. That's a great story. Come on, all right, 374 00:21:33,320 --> 00:21:33,960 Speaker 2: thank you very much. 375 00:21:33,960 --> 00:21:37,800 Speaker 1: Bye, Hey nine to seven three, Jerry, he's sick, bastard, 376 00:21:37,880 --> 00:21:41,760 Speaker 1: appreciate the text. Jerry's talking about the story of Taylor Mitchell, 377 00:21:41,760 --> 00:21:44,679 Speaker 1: which wasn't actually a podcast episode. It was a video 378 00:21:44,840 --> 00:21:48,400 Speaker 1: that we just did on Instagram. It's only about sixty 379 00:21:48,440 --> 00:21:51,359 Speaker 1: seconds long and it's the story. We're eventually going to 380 00:21:51,400 --> 00:21:53,679 Speaker 1: do an episode on it. It's a story of this 381 00:21:53,880 --> 00:21:57,120 Speaker 1: young woman, a Canadian folk artist, who goes this wasn't 382 00:21:57,160 --> 00:21:58,920 Speaker 1: too long ago. It was about ten fifteen years ago. 383 00:21:58,920 --> 00:22:02,200 Speaker 1: Who goes for a walk in a Canadian national forest 384 00:22:02,280 --> 00:22:06,879 Speaker 1: and she's she's attacked and eaten alive. I'll let you 385 00:22:06,920 --> 00:22:09,680 Speaker 1: guys find out the rest over at this Grace LAMD pod. 386 00:22:10,760 --> 00:22:15,600 Speaker 1: There's the story that Jerry's lobbying for here. I don't 387 00:22:15,640 --> 00:22:19,160 Speaker 1: remember this Jerry. Perhaps you called him before and I'm 388 00:22:19,480 --> 00:22:22,840 Speaker 1: I'm blanking on it. But this is fascinating and if 389 00:22:22,880 --> 00:22:25,400 Speaker 1: it doesn't warn a full thirty minute episode, perhaps there's 390 00:22:25,400 --> 00:22:28,200 Speaker 1: something I can do in video and get that out there. 391 00:22:28,240 --> 00:22:31,680 Speaker 1: I will look into it. I promise you as someone 392 00:22:31,680 --> 00:22:34,280 Speaker 1: who has had something very similar happened to him. You know, 393 00:22:34,320 --> 00:22:36,760 Speaker 1: I've sang in bands my whole life pretty much, and 394 00:22:38,200 --> 00:22:40,200 Speaker 1: when you're a singer in a band, you get electrocuted. 395 00:22:40,320 --> 00:22:44,320 Speaker 1: It's just cost of doing business, occupational hazard. It happens, 396 00:22:45,480 --> 00:22:47,439 Speaker 1: and I remember it was one of those things that 397 00:22:47,480 --> 00:22:49,760 Speaker 1: would when it would happen to me, it would it 398 00:22:49,800 --> 00:22:55,480 Speaker 1: would just put me in the absolute worst mood, the 399 00:22:55,760 --> 00:23:01,239 Speaker 1: worst mood. There's something about the electrocution, the electricity that 400 00:23:01,400 --> 00:23:05,720 Speaker 1: just it just made me angry and in ornery more 401 00:23:05,800 --> 00:23:07,320 Speaker 1: so than I was at the time. And I was 402 00:23:07,320 --> 00:23:10,600 Speaker 1: a pretty angry kid. But I remember once it happened 403 00:23:10,600 --> 00:23:12,640 Speaker 1: so bad in a studio. There was this old studio 404 00:23:12,680 --> 00:23:16,400 Speaker 1: that up in Revere, Revere Beach that my buddy Paul 405 00:23:16,440 --> 00:23:19,119 Speaker 1: Colderi had taken over for a while and he was 406 00:23:19,119 --> 00:23:21,080 Speaker 1: trying to get it back into shape. And I think 407 00:23:21,119 --> 00:23:23,240 Speaker 1: it might have been like some like you know, mafia 408 00:23:23,280 --> 00:23:26,040 Speaker 1: front back in the day when the mafia was really 409 00:23:26,119 --> 00:23:28,920 Speaker 1: running things up in Revere, was a huge studio, Fleetwood 410 00:23:28,960 --> 00:23:32,440 Speaker 1: that was the name of it. If it wasn't mafia fronted, 411 00:23:32,520 --> 00:23:35,159 Speaker 1: then I apologize to anyone who may be involved or 412 00:23:35,200 --> 00:23:37,439 Speaker 1: may have been involved with Fleetwood pre Paul Colderie. But 413 00:23:37,440 --> 00:23:39,479 Speaker 1: I remember we were there and and Paul was kind 414 00:23:39,520 --> 00:23:41,919 Speaker 1: of using myself because I was a friend of his 415 00:23:42,160 --> 00:23:44,000 Speaker 1: and in my band at the time, as sort of 416 00:23:44,040 --> 00:23:47,240 Speaker 1: guinea pigs to figure out the kinks in the studio. 417 00:23:47,240 --> 00:23:49,920 Speaker 1: And we had done this before when he opened Camp Street, 418 00:23:49,960 --> 00:23:53,400 Speaker 1: which was the old Fort Apache, and we were there, 419 00:23:53,400 --> 00:23:55,040 Speaker 1: we were recording, and I loved it because there were 420 00:23:55,080 --> 00:23:57,320 Speaker 1: so many rooms in this place and it was huge, 421 00:23:57,560 --> 00:24:01,200 Speaker 1: massive live room and and a tonne of old gear, 422 00:24:01,640 --> 00:24:03,920 Speaker 1: and we were recording in one of the smaller rooms 423 00:24:04,119 --> 00:24:06,120 Speaker 1: on this night. And I don't even know if Paul 424 00:24:06,240 --> 00:24:09,879 Speaker 1: was there. It was with our friend Adam, who Adam Taylor, 425 00:24:09,880 --> 00:24:12,480 Speaker 1: who was engineering for Paul and Adam was involved with 426 00:24:12,480 --> 00:24:15,159 Speaker 1: this podcast back in the beginning. And I remember I 427 00:24:15,200 --> 00:24:17,720 Speaker 1: stepped to the mic and Adam will remember this and 428 00:24:17,840 --> 00:24:20,520 Speaker 1: U my lips hit it and it shocked me so bad. 429 00:24:20,680 --> 00:24:23,760 Speaker 1: I it was like fucking h you know, Michael J. 430 00:24:23,920 --> 00:24:27,000 Speaker 1: Fox and back to the future. Like I literally I 431 00:24:27,119 --> 00:24:31,040 Speaker 1: left the ground and I fell back off my feet, 432 00:24:31,240 --> 00:24:34,640 Speaker 1: and uh it was brutal. It was scared the hell 433 00:24:34,640 --> 00:24:37,440 Speaker 1: out of everyone. I was too angry to be scared. 434 00:24:38,520 --> 00:24:41,040 Speaker 1: But uh yeah, I didn't die, thankfully. That did not 435 00:24:41,080 --> 00:24:46,160 Speaker 1: happen in Europe. It happened in Revere. Uh the uh yeah, 436 00:24:46,359 --> 00:24:50,120 Speaker 1: North Shore Riviera. Anyways, I'm digressing big time. Six one 437 00:24:50,160 --> 00:24:52,880 Speaker 1: seven nine six six six three eight. You guys want 438 00:24:52,920 --> 00:24:54,479 Speaker 1: to leave a voicemail or send me a text. I'll 439 00:24:54,520 --> 00:24:56,760 Speaker 1: do a couple of texts here real quick. This one 440 00:24:56,760 --> 00:24:59,000 Speaker 1: from the seven to three. Hey, I needed to just 441 00:24:59,040 --> 00:25:01,240 Speaker 1: write in and tell you and how much Disgraceland has 442 00:25:01,280 --> 00:25:03,840 Speaker 1: helped me. I first discovered you in the spring of 443 00:25:03,880 --> 00:25:07,639 Speaker 1: twenty eighteen. My dad lived in Florida and was diagnosed 444 00:25:07,640 --> 00:25:10,639 Speaker 1: with Alzheimer's disease. I would visit monthly at first, and 445 00:25:10,680 --> 00:25:13,359 Speaker 1: as he declined, I would go as often as weekly 446 00:25:13,480 --> 00:25:17,200 Speaker 1: until he passed away on July third, twenty nineteen. Your 447 00:25:17,200 --> 00:25:20,120 Speaker 1: podcast helped me through the seven hour drive each way 448 00:25:20,200 --> 00:25:23,080 Speaker 1: from Charleston, South Carolina to his home in Florida. You 449 00:25:23,160 --> 00:25:26,600 Speaker 1: provided entertainment and distraction during the darkest times of my life. 450 00:25:26,640 --> 00:25:28,280 Speaker 1: I still listen every time I go on the road 451 00:25:28,280 --> 00:25:31,159 Speaker 1: trip and recommend you to everyone I know. Thank you, 452 00:25:31,240 --> 00:25:35,600 Speaker 1: Jake Love A huge fan, Jennifer, Jennifer, thank you so much. 453 00:25:37,119 --> 00:25:39,040 Speaker 1: I don't even know what to say. This makes me, 454 00:25:39,560 --> 00:25:43,560 Speaker 1: It makes me very grateful and humbled to hear you 455 00:25:43,600 --> 00:25:47,000 Speaker 1: say this, and yeah, I hope you're doing well. I 456 00:25:47,040 --> 00:25:49,439 Speaker 1: hope you're set up for a good holiday season here. 457 00:25:49,480 --> 00:25:51,440 Speaker 1: I'm sad to hear about the passing of your dad, 458 00:25:51,760 --> 00:25:54,040 Speaker 1: and I'm glad that we here at Double Elvis were 459 00:25:54,080 --> 00:25:59,520 Speaker 1: able to provide some sort of distraction or comfort. All right, 460 00:25:59,560 --> 00:26:03,680 Speaker 1: guys On seven nine oh six six six, three eight 461 00:26:04,000 --> 00:26:07,360 Speaker 1: text or voicemail this one from the three to one, 462 00:26:07,440 --> 00:26:10,119 Speaker 1: Oh What's up? Jake and the Jans after party in 463 00:26:10,160 --> 00:26:12,919 Speaker 1: the bonus episode. After the Jans Addiction full episode, you 464 00:26:12,960 --> 00:26:15,360 Speaker 1: were talking about how you like some of the more 465 00:26:15,400 --> 00:26:18,880 Speaker 1: obscure suggestions for band content, Like you, my music tastes 466 00:26:18,920 --> 00:26:21,920 Speaker 1: are all over. Back when grunge was coming on the scene, 467 00:26:21,920 --> 00:26:23,560 Speaker 1: I lived in Seattle and I was not a fan, 468 00:26:23,600 --> 00:26:26,679 Speaker 1: and I generally still am not. But what about an 469 00:26:26,680 --> 00:26:29,280 Speaker 1: episode on Mother Lovebone in Temple of the Dog. Lots 470 00:26:29,320 --> 00:26:31,000 Speaker 1: of guys from those lineups went on to form some 471 00:26:31,080 --> 00:26:32,960 Speaker 1: of the biggest bands of the era. Reminds me of 472 00:26:33,000 --> 00:26:35,000 Speaker 1: what was happening in LA in the late seventies and 473 00:26:35,040 --> 00:26:37,879 Speaker 1: early eighties when some collabs led to bands like Guns n' Roses, 474 00:26:37,880 --> 00:26:40,760 Speaker 1: et cetera. Just a thought, and yeah, man, I did 475 00:26:40,800 --> 00:26:45,040 Speaker 1: combine in the feeds so much crossover content to explore 476 00:26:45,119 --> 00:26:48,080 Speaker 1: rock a rolla from Ryan out in the three to one. Oh, 477 00:26:48,320 --> 00:26:50,560 Speaker 1: We're definitely gonna do a Mother Love Bone. I do 478 00:26:50,560 --> 00:26:53,760 Speaker 1: you know what? You're right? There's so much Seattle stuff. 479 00:26:54,080 --> 00:26:58,960 Speaker 1: There's the Andrew Woods stuff, there's Chris Cornell, there's Lane Staley. 480 00:27:00,000 --> 00:27:02,159 Speaker 1: Almost don't even know how to organize my thoughts around it, 481 00:27:02,160 --> 00:27:03,560 Speaker 1: but we are going to do it at some point, 482 00:27:04,520 --> 00:27:06,280 Speaker 1: and I want to try to get away without making 483 00:27:06,280 --> 00:27:08,359 Speaker 1: a whole other series here and just do a couple 484 00:27:08,320 --> 00:27:11,000 Speaker 1: of great episodes for you guys. Six one seven nine 485 00:27:11,040 --> 00:27:12,840 Speaker 1: oh six six six three eight, Hit me up, what 486 00:27:12,880 --> 00:27:14,159 Speaker 1: do you want to hear? What do you want in 487 00:27:14,200 --> 00:27:17,320 Speaker 1: the new year? What episodes do you want? Text me voicemail? 488 00:27:17,480 --> 00:27:34,760 Speaker 1: Take quick break back in flash. All right, we are 489 00:27:34,920 --> 00:27:37,800 Speaker 1: back in. This is the recommendations part, the part of 490 00:27:37,840 --> 00:27:39,960 Speaker 1: the show we recommend the things they need recommending the 491 00:27:40,000 --> 00:27:43,080 Speaker 1: recommendations part. Here in the after Party, we're talking music mainly. 492 00:27:43,119 --> 00:27:44,920 Speaker 1: Those are the types of recommendations we do. We save 493 00:27:44,960 --> 00:27:49,200 Speaker 1: the movie content for over in the Rap Party Bonus episode, unless, 494 00:27:49,320 --> 00:27:52,960 Speaker 1: of course, it is a music related movie. And I 495 00:27:53,000 --> 00:27:56,200 Speaker 1: am not prepared to talk about any music related movies 496 00:27:56,280 --> 00:28:00,960 Speaker 1: right now, because my, my, my brim, I'm full. I'm 497 00:28:01,040 --> 00:28:04,040 Speaker 1: totally filled up here with what I'm watching, and I'm 498 00:28:04,040 --> 00:28:05,600 Speaker 1: not going to get into it here. But I have 499 00:28:05,680 --> 00:28:08,840 Speaker 1: been listening to a lot of stuff, and I've been 500 00:28:08,880 --> 00:28:13,520 Speaker 1: trying to organize my thoughts on my favorite Christmas music, 501 00:28:13,760 --> 00:28:17,320 Speaker 1: and it's fucking hard because I love Christmas music and 502 00:28:17,400 --> 00:28:20,159 Speaker 1: I know you guys do too. Based on the insane 503 00:28:20,240 --> 00:28:25,320 Speaker 1: engagement we're seeing over on the Disgraceland Instagram page right now. 504 00:28:25,600 --> 00:28:30,240 Speaker 1: The video specifically about the Mariah Carey song All I 505 00:28:30,240 --> 00:28:33,359 Speaker 1: Want for Christmas Is You, it being the highest selling, 506 00:28:33,400 --> 00:28:36,720 Speaker 1: most successful Christmas song of all time. I asked you, guys, 507 00:28:36,880 --> 00:28:39,760 Speaker 1: is it your favorite? And I'm getting inundated with your 508 00:28:39,800 --> 00:28:43,400 Speaker 1: favorite so many of them, So I thought, what are 509 00:28:43,440 --> 00:28:45,440 Speaker 1: my favorites? And I've been thinking about it all week? 510 00:28:45,440 --> 00:28:51,080 Speaker 1: And it's damn hard to answer. Okay, just generally speaking, 511 00:28:51,600 --> 00:28:55,160 Speaker 1: as fucking basic as it is, I have to say 512 00:28:55,800 --> 00:28:59,200 Speaker 1: that the Vince Giraldi stuff just I mean, it's like 513 00:29:00,640 --> 00:29:03,080 Speaker 1: I put the turkey away on Thanksgiving night and I 514 00:29:03,200 --> 00:29:06,120 Speaker 1: just reach for that album. It's like the first one 515 00:29:05,840 --> 00:29:08,880 Speaker 1: to get me in the spirit. But then, if I'm 516 00:29:09,040 --> 00:29:12,600 Speaker 1: actually being honest with myself, once that wears off, once 517 00:29:12,640 --> 00:29:15,640 Speaker 1: I'm through the Charlie Brown Melancholy and I'm just in 518 00:29:15,760 --> 00:29:18,560 Speaker 1: the spirit and I'm sitting up late at night and 519 00:29:18,640 --> 00:29:21,640 Speaker 1: I'm cozy with my stereo and my glass of bourbon. 520 00:29:22,560 --> 00:29:25,320 Speaker 1: The thing I almost always go to more often than 521 00:29:25,320 --> 00:29:30,520 Speaker 1: not is the Ella Fitzgerald Swinging Christmas Album. It's actually 522 00:29:30,800 --> 00:29:35,280 Speaker 1: not called the Swinging Christmas album. It's called a Swinging 523 00:29:35,400 --> 00:29:38,200 Speaker 1: Christmas and Ella Fitzgerald has a lot of Christmas content 524 00:29:38,240 --> 00:29:41,600 Speaker 1: out there, so don't get it twisted. It's this record, specifically, 525 00:29:41,920 --> 00:29:47,840 Speaker 1: a swinging Christmas with Ella Fitzgerald. You cannot go wrong. Okay. 526 00:29:48,080 --> 00:29:50,040 Speaker 1: The other thing I need to talk about here the 527 00:29:50,080 --> 00:29:54,200 Speaker 1: Dean Martin Christmas album. Again, another guy with a ton 528 00:29:54,560 --> 00:29:57,400 Speaker 1: of Christmas content out there, but his version of Blue 529 00:29:57,440 --> 00:30:01,040 Speaker 1: Christmas on this record. I'm gonna say something here that 530 00:30:01,160 --> 00:30:03,720 Speaker 1: no one's going to agree with me on. It's better 531 00:30:03,760 --> 00:30:07,000 Speaker 1: than Elvis's version. And I guarantee you if you asked 532 00:30:07,040 --> 00:30:10,200 Speaker 1: Elvis Presley if it was better, he would agree with me. 533 00:30:10,800 --> 00:30:14,520 Speaker 1: It's unbelievably cool Dean Martin. I don't know how he 534 00:30:14,560 --> 00:30:15,840 Speaker 1: did it. He was one of these guys who was 535 00:30:15,840 --> 00:30:20,080 Speaker 1: from that incredibly you know, at the time uncool generation, 536 00:30:20,520 --> 00:30:24,000 Speaker 1: the World War two generation, which was extremely uncool to 537 00:30:24,200 --> 00:30:27,360 Speaker 1: the you know, to the boomers, the sixties, the hippies, 538 00:30:27,440 --> 00:30:31,120 Speaker 1: all that. But he survived all that through the rap 539 00:30:31,160 --> 00:30:35,080 Speaker 1: pack years with Frank Sinatra. But even even though that 540 00:30:35,120 --> 00:30:37,480 Speaker 1: stuff was for another generation, Dean kind of had this 541 00:30:37,640 --> 00:30:43,280 Speaker 1: coolness that I feel like just it it transcended. Maybe 542 00:30:43,280 --> 00:30:46,280 Speaker 1: it didn't. Maybe I'm projecting how cool I think Dean 543 00:30:46,320 --> 00:30:50,200 Speaker 1: Martin is with this opinion, but I don't know. 544 00:30:50,280 --> 00:30:50,400 Speaker 2: Man. 545 00:30:50,520 --> 00:30:53,280 Speaker 1: Listen to the vocal on Blue Christmas, his version of it, 546 00:30:53,320 --> 00:30:55,480 Speaker 1: and again he's probably got multiple versions of it. I'm 547 00:30:55,520 --> 00:30:58,800 Speaker 1: talking about the version on the Dean Martin Christmas album 548 00:30:59,360 --> 00:31:03,720 Speaker 1: Beyond Cool, also Christmas Baby, Please Come Home, the Darlene 549 00:31:03,800 --> 00:31:08,920 Speaker 1: Love Phil Spector produced Darlene Love Unbelievable all the Letterman. 550 00:31:09,240 --> 00:31:11,320 Speaker 1: I went through a fucking I want into a rabbit 551 00:31:11,320 --> 00:31:14,560 Speaker 1: hole on Instagram on stories and posted a bunch of 552 00:31:14,600 --> 00:31:18,160 Speaker 1: her performances from Letterman doing that song. He would have 553 00:31:18,200 --> 00:31:23,000 Speaker 1: her back most every year. Uh, just fantastic. That might 554 00:31:23,040 --> 00:31:28,200 Speaker 1: be my favorite, but my real favorite, my real favorite, 555 00:31:28,200 --> 00:31:31,720 Speaker 1: I think my favorite of all time right now is this. 556 00:31:31,720 --> 00:31:52,080 Speaker 4: Song every Day will be Like Holiday? 557 00:31:53,680 --> 00:32:05,400 Speaker 1: Oh killing me? William Bell. Every Day will be Like 558 00:32:05,480 --> 00:32:08,920 Speaker 1: a Holiday by William Bell. Okay, apologies for the shitty 559 00:32:08,920 --> 00:32:11,400 Speaker 1: sound quality. That's literally me holding my phone up to 560 00:32:11,440 --> 00:32:16,240 Speaker 1: the microphone in my closet studio here, all right, But 561 00:32:16,320 --> 00:32:18,960 Speaker 1: that song every Day will be Like a Holiday by 562 00:32:18,960 --> 00:32:21,760 Speaker 1: William Bell. Again, there are multiple versions of this, but 563 00:32:21,840 --> 00:32:24,480 Speaker 1: it is the William Bell version that is the best, 564 00:32:24,480 --> 00:32:26,360 Speaker 1: and I think he only has one and just to 565 00:32:26,400 --> 00:32:28,160 Speaker 1: be shit sure. I'm going to tell you what record 566 00:32:28,160 --> 00:32:32,080 Speaker 1: it's on. It's on an album called the Very Best 567 00:32:32,080 --> 00:32:34,960 Speaker 1: of William Bell. So there you go. William Bell Stax guy, 568 00:32:35,000 --> 00:32:36,800 Speaker 1: I think, yes, Stax Records, and you can kind of 569 00:32:36,800 --> 00:32:39,560 Speaker 1: hear it in the horns. There just a great, great, 570 00:32:39,600 --> 00:32:43,160 Speaker 1: great song. So there are a few of my faves. 571 00:32:43,200 --> 00:32:45,960 Speaker 1: I could go on and on and on. I want 572 00:32:45,960 --> 00:32:48,280 Speaker 1: to tell you a little bit about White Christmas though. Okay, 573 00:32:49,160 --> 00:32:51,480 Speaker 1: I'm dreaming. You know, the Irving Berlin one, the one 574 00:32:51,480 --> 00:32:55,040 Speaker 1: that Bing Crosby had the massive hit with. That song 575 00:32:55,120 --> 00:32:56,960 Speaker 1: is not what you think it is. And I'm gonna 576 00:32:56,960 --> 00:32:58,520 Speaker 1: tell you what that song is, but I'm gonna do 577 00:32:58,520 --> 00:32:59,800 Speaker 1: it in video form, and I'm gonna do it on 578 00:32:59,840 --> 00:33:02,640 Speaker 1: inst at this grace lampod. By the time you hear this, 579 00:33:02,680 --> 00:33:05,560 Speaker 1: it's probably going to be up. And it's an incredible story. 580 00:33:05,800 --> 00:33:09,160 Speaker 1: It's incredibly dark, and I think you're gonna dig it. 581 00:33:09,240 --> 00:33:11,840 Speaker 1: So search that out all right, six one seven nine 582 00:33:11,840 --> 00:33:14,720 Speaker 1: oh six six six three eight Hit me back. Let 583 00:33:14,720 --> 00:33:16,840 Speaker 1: me know how your Christmas is were, what you did 584 00:33:16,880 --> 00:33:19,840 Speaker 1: to celebrate, where you went, what you listened to when 585 00:33:19,880 --> 00:33:22,880 Speaker 1: you traveled to wherever it was you were going all right, 586 00:33:23,040 --> 00:33:24,880 Speaker 1: I want to know, did you listen to the new 587 00:33:24,880 --> 00:33:27,760 Speaker 1: Mariah Carey episode? Did you listen to the rewind Derek 588 00:33:27,760 --> 00:33:30,520 Speaker 1: and the Dominoes episode. We originally released this one. We 589 00:33:30,600 --> 00:33:33,960 Speaker 1: intentionally did this on December fourteenth, twenty twenty one, as 590 00:33:34,000 --> 00:33:36,000 Speaker 1: part of season eight. It was intentionally done as a 591 00:33:36,040 --> 00:33:38,880 Speaker 1: Christmas episode. You're going to hear that when you listen 592 00:33:38,920 --> 00:33:41,800 Speaker 1: to it. As I mentioned earlier, it's a dark one, 593 00:33:42,520 --> 00:33:44,680 Speaker 1: not just because of the tragedy the band's drummer Jim 594 00:33:44,720 --> 00:33:47,480 Speaker 1: Gordon or the cocaine addiction of Eric Clapton. By the way, 595 00:33:47,600 --> 00:33:51,160 Speaker 1: Eric Clapton, I like Eric Clapton. I don't love Eric 596 00:33:51,200 --> 00:33:56,160 Speaker 1: Clapton and the stuff I love. Actually at there's parts 597 00:33:56,200 --> 00:33:57,800 Speaker 1: I do love about Eric Clapton. The things I love 598 00:33:57,840 --> 00:33:59,360 Speaker 1: about Eric Clapton, I think are the things that most 599 00:33:59,400 --> 00:34:02,240 Speaker 1: people hate about Eric Clapton. I like Eric Clapton when 600 00:34:02,240 --> 00:34:05,000 Speaker 1: he's making like pop songs. I don't like Eric Clapton 601 00:34:05,040 --> 00:34:09,160 Speaker 1: when he's fucking whining over George Harrison's wife and you 602 00:34:09,200 --> 00:34:11,160 Speaker 1: know what I mean, Like, come on, dude, it just 603 00:34:11,200 --> 00:34:15,239 Speaker 1: it got so dark with that dude, and later I 604 00:34:15,280 --> 00:34:16,960 Speaker 1: got it. I mean, you know, you lose a kid. 605 00:34:17,000 --> 00:34:19,359 Speaker 1: All I hear, I hear you. I have a lot 606 00:34:19,400 --> 00:34:21,760 Speaker 1: of respect for Eric Clapton in a lot of different ways, 607 00:34:22,719 --> 00:34:25,240 Speaker 1: but so much of the things that the whole Clapton 608 00:34:25,320 --> 00:34:27,239 Speaker 1: is god thing that was never my thing. I'm not 609 00:34:27,239 --> 00:34:31,440 Speaker 1: not into that, all right. But anyways, this episode about 610 00:34:31,520 --> 00:34:34,760 Speaker 1: Eric Clapton, about Derek and the Dominoes, is also about 611 00:34:35,000 --> 00:34:38,239 Speaker 1: the murder of the Lawson family in Germantown, North Carolina, 612 00:34:38,880 --> 00:34:42,680 Speaker 1: which happened at Christmas back in nineteen twenty nine. And 613 00:34:42,880 --> 00:34:44,440 Speaker 1: you might be saying, what the hell does any of 614 00:34:44,440 --> 00:34:45,880 Speaker 1: that have to do with Eric Clapton. We can just 615 00:34:45,920 --> 00:34:48,080 Speaker 1: get to listen to the episode, okay, and this is 616 00:34:48,520 --> 00:34:52,160 Speaker 1: one of the best produced disgrace Land episodes ever. You're 617 00:34:52,160 --> 00:34:54,839 Speaker 1: gonna be on the edge of your seat right where 618 00:34:54,840 --> 00:34:56,719 Speaker 1: we intended to put you. Six one seven nine oh 619 00:34:56,800 --> 00:34:59,719 Speaker 1: six six six three eight. Leave me a voicemail, semi 620 00:34:59,800 --> 00:35:01,000 Speaker 1: tech so let me know what you think. I'm gonna 621 00:35:01,000 --> 00:35:19,200 Speaker 1: be back in a quick moment. All right, Welcome back again. 622 00:35:19,320 --> 00:35:21,640 Speaker 1: Six one seven nine oh six six six three eight. 623 00:35:21,640 --> 00:35:25,000 Speaker 1: You can hit me up on Instagram at disgracelam pod x, 624 00:35:25,600 --> 00:35:30,360 Speaker 1: Facebook as well TikTok. We are on TikTok daily multiple 625 00:35:30,360 --> 00:35:34,320 Speaker 1: times a day now. Also YouTube at Disgrace Slam Pod. 626 00:35:34,960 --> 00:35:38,359 Speaker 1: Let's recap All right, number one, Wait, before I get 627 00:35:38,360 --> 00:35:40,840 Speaker 1: into this, I just want to say, I hope you 628 00:35:40,920 --> 00:35:46,560 Speaker 1: all have an incredible holiday. I hope you get to stop, pause, breathe, 629 00:35:46,960 --> 00:35:51,680 Speaker 1: take a moment, feel real joy, feel the hope, feel 630 00:35:51,719 --> 00:35:54,720 Speaker 1: the gratitude for those in your life that you love, 631 00:35:55,120 --> 00:35:58,080 Speaker 1: and for the abundance that you have, which, even if 632 00:35:58,120 --> 00:36:03,160 Speaker 1: it's not material, I'm sure you have it in other ways, spiritually, creatively, 633 00:36:03,520 --> 00:36:06,800 Speaker 1: whatever it may be. We are lucky to be above 634 00:36:06,840 --> 00:36:10,160 Speaker 1: ground every day. Feel that, and know that I am 635 00:36:10,239 --> 00:36:13,799 Speaker 1: grateful for all of your support. I truly am this 636 00:36:13,880 --> 00:36:17,080 Speaker 1: conversation that we have, this community that we've built and 637 00:36:17,080 --> 00:36:20,480 Speaker 1: that we are continuing to build. It is very much 638 00:36:20,840 --> 00:36:22,720 Speaker 1: part of what makes me get up in the morning. 639 00:36:23,040 --> 00:36:25,960 Speaker 1: It is very much part of what makes me happy, 640 00:36:26,400 --> 00:36:29,800 Speaker 1: provides me with real happiness, and I am very grateful 641 00:36:29,840 --> 00:36:32,400 Speaker 1: to all of you for that. And I sincerely hope 642 00:36:32,560 --> 00:36:35,880 Speaker 1: you're having a great holiday season and I'm looking forward 643 00:36:36,040 --> 00:36:37,880 Speaker 1: to next year. We got a lot of great stuff 644 00:36:37,880 --> 00:36:40,880 Speaker 1: in store for you guys. All right, So Merry Christmas, 645 00:36:41,120 --> 00:36:43,279 Speaker 1: Happy holidays, and if I don't catch you by the 646 00:36:43,320 --> 00:36:46,760 Speaker 1: New Year. Happy New Year as well. Okay, let's recap 647 00:36:46,880 --> 00:36:49,160 Speaker 1: number one right now on your feed. A brand new 648 00:36:49,280 --> 00:36:53,400 Speaker 1: episode Christmas episode on Mariah Carey. Number two coming tomorrow. 649 00:36:53,440 --> 00:36:56,719 Speaker 1: A rewind episode on Derek in the Dominoes. Number three 650 00:36:56,880 --> 00:36:58,640 Speaker 1: over in the bad Lands Feed. We've got a new 651 00:36:58,680 --> 00:37:02,000 Speaker 1: episode on Robert Blair. Number four next week in the 652 00:37:02,000 --> 00:37:05,560 Speaker 1: Disgraceland Feed. Some more episodes from our archive. We're going 653 00:37:05,680 --> 00:37:07,840 Speaker 1: way back during this holiday break and we're going to 654 00:37:07,920 --> 00:37:09,920 Speaker 1: bring to all the newbies out there who are just 655 00:37:10,040 --> 00:37:13,880 Speaker 1: joining Disgraceland some of our first and finest episodes, the 656 00:37:13,960 --> 00:37:17,839 Speaker 1: Jerry Lee Lewis episode, the Norwegian black Metal episode, and 657 00:37:18,040 --> 00:37:21,080 Speaker 1: our episode on Prince and do not Dismay. We have 658 00:37:21,280 --> 00:37:25,000 Speaker 1: more brand new Disgraceland episodes coming at you in January 659 00:37:25,080 --> 00:37:27,879 Speaker 1: as well. Okay, number five, My number is six one seven, 660 00:37:27,960 --> 00:37:30,279 Speaker 1: nine oh six sixty six three eight. Call me on 661 00:37:30,320 --> 00:37:33,120 Speaker 1: the telephone or text me and number six. Remember no 662 00:37:33,120 --> 00:37:35,000 Speaker 1: one cares about the music you love more than you do. 663 00:37:35,080 --> 00:37:37,799 Speaker 1: And well that's a disgrace, all right. My moment of 664 00:37:37,800 --> 00:37:40,520 Speaker 1: blisten in honor of this week's Disgraceland episode. Ah Mariah 665 00:37:40,560 --> 00:37:43,080 Speaker 1: carry me, switching it up and reading you. The current 666 00:37:43,200 --> 00:37:49,080 Speaker 1: Billboard Hot one hundred chart number one All I Want 667 00:37:49,120 --> 00:37:53,680 Speaker 1: for Christmas is You? Last week number two, peak position 668 00:37:54,160 --> 00:37:59,640 Speaker 1: one weeks on Churt sixty three, Number two Rocking Around 669 00:37:59,680 --> 00:38:04,440 Speaker 1: the Chris Smith Tree Brenda Lee last week one, peak 670 00:38:04,480 --> 00:38:10,640 Speaker 1: position one weeks on chart fifty six, Number three Jingle 671 00:38:10,680 --> 00:38:16,919 Speaker 1: Bell Rock Bobby Helms last week three, peak position three 672 00:38:17,000 --> 00:38:23,799 Speaker 1: weeks on chart fifty four, number four Last Christmas last 673 00:38:23,840 --> 00:38:28,359 Speaker 1: week last last week peak position weeks on chart. 674 00:38:28,440 --> 00:38:33,120 Speaker 5: Weeks in Art five number five number Hollyway Jaw Jingle 675 00:38:33,239 --> 00:38:40,480 Speaker 5: Christmas Bribes last week six peak positions on art. 676 00:38:42,960 --> 00:38:45,440 Speaker 1: Quit talking and start mixing.