WEBVTT - Living with Robots: Can we build a better bot?

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. And

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<v Speaker 1>we just finished talking about old people in robots a

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<v Speaker 1>little bit in our last Living with Robots podcast, because

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<v Speaker 1>as we discussed there, we're looking at a future full

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<v Speaker 1>of old people. I mean we will probably we're going

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<v Speaker 1>to be some of those old people properly and uh,

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<v Speaker 1>and somebody's gonna have to look after them, after them,

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<v Speaker 1>and they're gonna be fewer young people to take care

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<v Speaker 1>of all these old people. Young people will be busy

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<v Speaker 1>doing their stuff and you know, going into space and

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<v Speaker 1>all that, and they're gonna leave this this planet. Are

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<v Speaker 1>you saying they're the young people are going in the

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<v Speaker 1>generation ship and they're leaving off the old people behind. Yeah,

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<v Speaker 1>we'll have an oldie planet. I mean it'll be very peaceful,

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<v Speaker 1>lots of parks, lots of feeding scorel maybe maybe because

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<v Speaker 1>as we discussed in the last podcast, it could be

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<v Speaker 1>a bunch of rotting, uh, senior citizens with their exo

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<v Speaker 1>skeletons just skating right past you. You don't even you

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<v Speaker 1>don't know well, In this podcast, we're gonna explore this

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<v Speaker 1>topic a little a little closer, um, and a little

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<v Speaker 1>deeper and really get down into the nitty gritty of

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<v Speaker 1>our all Right, So we we want robots to help

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<v Speaker 1>take care of the elderly, or we want them to

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<v Speaker 1>take care of the elderly entirely. UM, let's start hashing

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<v Speaker 1>out some designs because, needless to say, you're common assembly

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<v Speaker 1>line robot is incapable of caring for Grandma. I mean

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<v Speaker 1>it there's a you go you you see like an

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<v Speaker 1>assembly line robot. It's gonna have barriers up around it

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<v Speaker 1>because it cannot work safely next to humans. And what

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<v Speaker 1>we're talking about here is is is a much I mean,

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<v Speaker 1>it's very far removed from that concept because it has

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<v Speaker 1>to be able to work around people without killing them.

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<v Speaker 1>Not only that, it has to be able to do

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<v Speaker 1>things like help a fragile individual with daily tasks such

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<v Speaker 1>as you know, get getting in and out of the bathtub,

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<v Speaker 1>using the restroom, helping them feed them, helping them to

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<v Speaker 1>know what kind of medication to take in any given time,

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<v Speaker 1>and anticipate their needs. That's huge, and do all this

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<v Speaker 1>while moving around in a human environment and potentially feeding

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<v Speaker 1>off of of human you know, these human cues and

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<v Speaker 1>human emotional cues. I mean, how hard is it to

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<v Speaker 1>understand what's going on in the mind of of of

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<v Speaker 1>the average person around you. Um, it's fairly difficult. But

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<v Speaker 1>but could we make a robot that could possibly at

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<v Speaker 1>least get some of those the subtle clues? Well if

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<v Speaker 1>they're trying, right, right, And that's that's what we're gonna

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<v Speaker 1>talk about today. Can we build a better bot? And

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<v Speaker 1>you know, what are some of the challenges? Um? And

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<v Speaker 1>and right now, I mean again, let's just talk about

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<v Speaker 1>the aging population again real quick. Particularly in Japan. It's

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<v Speaker 1>called the gray Yen. Um. It is called that because

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<v Speaker 1>it's providing a growing market in Japan for these services.

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<v Speaker 1>The Gray Yan almost of the population is over the

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<v Speaker 1>age of sixty five. And they can also this is

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<v Speaker 1>the other note to this, they can also afford a

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<v Speaker 1>bit more. The jet black Yen buys a lot of

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<v Speaker 1>toys though, and electronic gadgets, yes, yes. And the Sterling

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<v Speaker 1>it just means you get to hang out with Richard

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<v Speaker 1>Branson on one of his shuttle flights. It's called the

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<v Speaker 1>Gray Yen Shuttle flight Sterling. Alright, I like this. I

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<v Speaker 1>like this. The economy of the nation as divided up

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<v Speaker 1>into hair colors. Oh, I was thinking it was. I

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<v Speaker 1>was thinking it was more like the American Express card,

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<v Speaker 1>like the platinum and the red yen is is really adventurous?

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<v Speaker 1>Not going right? That dyed red hair. Yes, yeah, they're

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<v Speaker 1>all loose watch out with excess skeletons and the red yen. Yeah.

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<v Speaker 1>And then there's I guess the blonde yin because you

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<v Speaker 1>have the what there's a particular fad in Japan where

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<v Speaker 1>the women dress up like like dolls. Why is this

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<v Speaker 1>saluting me? Um? It's not. Is it part of kawaii?

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<v Speaker 1>It factors into kauai. But there's a there's this, yes,

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<v Speaker 1>and then there's a Lolita noir where they dressed up

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<v Speaker 1>like dark Lolita's. And there's a whole other by the way,

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<v Speaker 1>there's a whole they're like underground economy with the Lolita girls.

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<v Speaker 1>By the way, an older men, but we won't talk

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<v Speaker 1>about that today. Uh, getting back on track. Um, so yeah,

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<v Speaker 1>we're talking about you know this, this aging population of

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<v Speaker 1>old men looking for Lolita's. Um and just again to

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<v Speaker 1>put this in more context, by four out of ten,

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<v Speaker 1>Japanese will be classified as elderly. Okay, So it makes

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<v Speaker 1>sense that they're the ones that are really going after

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<v Speaker 1>this this problem of aging really um. And in fact

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<v Speaker 1>there's just so you know how they've been preparing. There's

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<v Speaker 1>actually a Tokyo based company called prop that has created

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<v Speaker 1>air bags for the elderly. Yes, you send me the

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<v Speaker 1>link to this, and it's it's pretty fascinating because it's

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<v Speaker 1>kind of exactly what it sounds like. It's like this

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<v Speaker 1>kind of robotic harness that you wear, and it had

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<v Speaker 1>as these air bags that will sort of shoot up

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<v Speaker 1>around the head and around the hips because these are

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<v Speaker 1>of course the most vulnerable areas of the old body. Um,

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<v Speaker 1>you don't want to hit your head, damns the brain,

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<v Speaker 1>you don't want to hit the hips. Very difficult to

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<v Speaker 1>deal with, you. So these are cushions that pop up.

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<v Speaker 1>They weigh two and a half pounds each enter tied

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<v Speaker 1>around the waist and then they're activated by electric sensors

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<v Speaker 1>that can feel a sudden change in movement as soon

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<v Speaker 1>as the alarm goes off. Fifteen liters of compressed air

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<v Speaker 1>inject into these inflatable pads, puff them up and then

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<v Speaker 1>ideally when you fall backwards, and you can only fall

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<v Speaker 1>backwards this right, by the way, never pitch forward. Right. Well,

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<v Speaker 1>I guess it's kind of like in um to bring

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<v Speaker 1>up pro wrestling again. Like a lot of those guys

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<v Speaker 1>like they trained to take bumps and they try they

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<v Speaker 1>generally you want to bump right on your back. And

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<v Speaker 1>I've I've heard some of these guys talk about like

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<v Speaker 1>they trained so this locker room talk. No, well, I

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<v Speaker 1>don't go to locker rooms, but room the bump, bump

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<v Speaker 1>on your back? What does that mean? To take a

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<v Speaker 1>bump is to fall Like any time in a wrestling mat,

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<v Speaker 1>for see a guy like take a punch or a

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<v Speaker 1>slam and he hits the canvas, He's taking a bump, okay,

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<v Speaker 1>And so they trained for this just to to take

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<v Speaker 1>the bump in an optimal fashion so that it doesn't

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<v Speaker 1>really do much damage. I mean, it will do a

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<v Speaker 1>lot of damage over time perhaps, but generally you want

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<v Speaker 1>to fall flat on your back and take this flat

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<v Speaker 1>bump on your back. And I've heard some of these

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<v Speaker 1>guys talk about to where they're they're trained to such

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<v Speaker 1>a point that if they were to slip on milk

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<v Speaker 1>in the grocery store, they would take up a back

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<v Speaker 1>bump because you don't want to fall on your side

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<v Speaker 1>or could be a useful skill. Right. So I'm thinking

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<v Speaker 1>you just need to train up the elderly. I think

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<v Speaker 1>the elderly professional wrestlers in Japan will will be the

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<v Speaker 1>really be the ones to try this out. Yeah, I'm

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<v Speaker 1>just thinking about whole Kogan, like, you know, uh, carrying

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<v Speaker 1>out these workshops for the elderly. Yeah. But you know,

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<v Speaker 1>here's the thing though, too, that that's so cool about

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<v Speaker 1>these airbags is that they can inflate in point one second,

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<v Speaker 1>the time it takes for an old person to topple. Yeah. Um,

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<v Speaker 1>so actually that's really helpful. I mean if you're going

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<v Speaker 1>to fall backward right um. And then there are partner

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<v Speaker 1>robots that toyota Is has been creating and getting into

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<v Speaker 1>the game of offering assistance for the elderly and the disabled. Yeah.

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<v Speaker 1>In fact, this is just like we're recording this what

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<v Speaker 1>this is the second week in November the first I

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<v Speaker 1>really can't keep track of this, okay, and and I

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<v Speaker 1>have no idea when it's actually publishing, like the third

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<v Speaker 1>or fourth week. Yeah, for you, it's like Halloween and

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<v Speaker 1>then nothing else right, I'm getting it. Yeah, after Halloween

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<v Speaker 1>is just this busy mess of holidays. Yeah, visits and

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<v Speaker 1>trips and da da dada. Yeah. But um but but anyway,

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<v Speaker 1>so that this first week of November actually a two

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<v Speaker 1>thousand eleven Toyota Motor Corporation in Toyota City in Japan.

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<v Speaker 1>I somehow was not aware that they Toyota had its

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<v Speaker 1>own city in Japan. It's pretty um they were. They

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<v Speaker 1>were really launching forward with this idea that Toyota is

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<v Speaker 1>really concerned about about working on these bots, making a

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<v Speaker 1>making a priority and partner bots are a big deal,

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<v Speaker 1>and and and not just in nursing and healthcare, but

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<v Speaker 1>also in personal transport, manufacturing, domestic duties like this all

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<v Speaker 1>goes into the idea of if we are going to

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<v Speaker 1>develop a future of work where robots are doing work

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<v Speaker 1>for us, we want to develop robots that can learn

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<v Speaker 1>tasks alongside humans and then eventually do them on their own.

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<v Speaker 1>Can you get that peanut butter for me? Right? So, so,

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<v Speaker 1>like the first logical step, well maybe not the first,

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<v Speaker 1>but one of the first logical steps definitely a stopover

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<v Speaker 1>on the way to this future is the reality of

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<v Speaker 1>helper bots. A bot that's going to help a human

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<v Speaker 1>with various tasks. So you end up with basically like

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<v Speaker 1>four different areas that that are essential as laid out

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<v Speaker 1>by Toyota. One independent walk assist all right, and this

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<v Speaker 1>is the idea of just supporting independent walking for people

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<v Speaker 1>whose ability has been impaired. UM. So these are sort

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<v Speaker 1>of like you fit your legs into this device, yes,

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<v Speaker 1>and it will actually help you. It's it's kind of

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<v Speaker 1>has some sort of nomadic device in it, but it

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<v Speaker 1>will help you actually get upstairs, walk around. Yeah, it's

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<v Speaker 1>like an exosuth skeleton, or at least a limited exo skeleton. Um.

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<v Speaker 1>No nanocarbon tubes in it. Strength, No like super Terminator

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<v Speaker 1>power armor with with power axes and all that. But

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<v Speaker 1>but but still you know it's it's the the the

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<v Speaker 1>idea is that say the legs are weak or inoperable,

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<v Speaker 1>but the exo skeleton around them can help do the

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<v Speaker 1>walking or do the walking for them. Um. While training

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<v Speaker 1>assists this is uh, this is a similar Balanced training assists.

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<v Speaker 1>This is like robots developed to support balance function training

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<v Speaker 1>with people with impaired balance. So it's think a combination

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<v Speaker 1>of a two wheeled self balancing type deal with game

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<v Speaker 1>elements aimed at making this kind of training enjoyable, right,

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<v Speaker 1>So I mean that would be actually really helpful if

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<v Speaker 1>you're if you're going through physical therapy as well, right,

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<v Speaker 1>we're trying to regain and also bear in mind you're

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<v Speaker 1>like gaming old people. But come on, we're talking about

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<v Speaker 1>a lot. We're talking in a large part about today's uh,

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<v Speaker 1>young or middle aged people, many of whom are gamers especially.

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<v Speaker 1>You know, Japan has a big gaming culture as well.

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<v Speaker 1>So imagine in the future, Yeah, there's gonna be Gamification

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<v Speaker 1>of physical therapy is just a no brainer. Right. So

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<v Speaker 1>right now there would be like a bingo program, right,

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<v Speaker 1>but in the future it would be like, uh, I

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<v Speaker 1>don't know what like World of Warcraft for for our generation, yeah,

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<v Speaker 1>or whatever, these retro games whatever is big in Japan.

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<v Speaker 1>I don't know, the World of Warcraft is big in Japan. Yeah,

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<v Speaker 1>but I'm just saying, like we're like Futson around in

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<v Speaker 1>our sunset years will be like, oh, let me just

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<v Speaker 1>program this World Warcraft and and think about those great

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<v Speaker 1>fuzzy memories of playing in my yester year yeah years. Uh.

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<v Speaker 1>And then the fourth area is patient Transfer assist and

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<v Speaker 1>this is really I found this would be the most exciting.

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<v Speaker 1>And this is the the idea that a lot of

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<v Speaker 1>caring for not only the elderly, but anyone who, like,

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<v Speaker 1>even people were just really sick before hospital for various things.

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<v Speaker 1>A lot of the caregiving comes down to moving the

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<v Speaker 1>patient around. Yeah, and it's physically demanding forge because yeah,

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<v Speaker 1>because you're having to move. Just if you're moving a person,

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<v Speaker 1>say they're not even particularly fragile, they don't have anything

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<v Speaker 1>particularly wrong with them, you're still talking about moving a

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<v Speaker 1>sizeable person from say their bad to a bathtub, from

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<v Speaker 1>their bed to a toilet, moving them around just enough

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<v Speaker 1>to even uh uh you know, to bathe them with

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<v Speaker 1>a sponge bath or or or administer or bed pan

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<v Speaker 1>type situation, or just to prevent bed sores and really

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<v Speaker 1>immobile people. Um. The idea is that you have a

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<v Speaker 1>robot with like a weight supporting arm that actually helps out.

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<v Speaker 1>And some some really cool pictures of this um also

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<v Speaker 1>surfaced from this Toyota event. And and then they're they're

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<v Speaker 1>really cool because and I'm not I mean, they're also

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<v Speaker 1>easy to kind of make fun of because it's like

0:11:50.520 --> 0:11:52.560
<v Speaker 1>it's a robot helping a dude set on a toilet

0:11:52.559 --> 0:11:54.800
<v Speaker 1>while a nurse helps. But but the thing is, like,

0:11:54.920 --> 0:11:57.040
<v Speaker 1>if you put yourself in the in the mindset of

0:11:57.040 --> 0:11:59.760
<v Speaker 1>that dude or that nurse, like this is awesome because

0:12:00.080 --> 0:12:03.400
<v Speaker 1>suddenly you have a situation where only one nurse has

0:12:03.440 --> 0:12:06.920
<v Speaker 1>to help this guy go to the bathroom, which is

0:12:06.920 --> 0:12:09.400
<v Speaker 1>great for the nurses, great for the guy, and eventually

0:12:09.400 --> 0:12:11.400
<v Speaker 1>could lead to the situation where this dude can have

0:12:11.440 --> 0:12:15.720
<v Speaker 1>assistance using the restroom. Um, you know, the very private

0:12:15.720 --> 0:12:18.400
<v Speaker 1>act that none of us want help with. I mean,

0:12:18.520 --> 0:12:20.400
<v Speaker 1>most of us don't want We don't want help with

0:12:20.440 --> 0:12:23.959
<v Speaker 1>it unless we're we're very young or very weird. We

0:12:24.160 --> 0:12:28.160
<v Speaker 1>don't judge fetish. Okay, all right, right, if you like

0:12:28.280 --> 0:12:31.200
<v Speaker 1>help going to the bathroom, that's great. But and if

0:12:31.240 --> 0:12:33.360
<v Speaker 1>you but if you, but the idea is if the

0:12:33.480 --> 0:12:35.880
<v Speaker 1>robot is helping you, then every I think more people

0:12:35.920 --> 0:12:41.760
<v Speaker 1>can get into the idea. And independence two, which is

0:12:41.800 --> 0:12:45.120
<v Speaker 1>a really important um you know when you're aging and

0:12:45.520 --> 0:12:48.360
<v Speaker 1>um And again importantly, also if you're staffing a hospital

0:12:48.400 --> 0:12:51.200
<v Speaker 1>to care for older people, the idea that one person

0:12:52.000 --> 0:12:55.080
<v Speaker 1>or even zero actual humans are having to help with

0:12:55.080 --> 0:12:59.320
<v Speaker 1>this task and they can therefore apply their skills elsewhere well,

0:12:59.360 --> 0:13:02.560
<v Speaker 1>you know that I that I love potty humor and um,

0:13:02.640 --> 0:13:04.600
<v Speaker 1>so of course when you showed me the video, I

0:13:04.640 --> 0:13:06.720
<v Speaker 1>was going to react to it. But it wasn't just

0:13:06.760 --> 0:13:09.040
<v Speaker 1>because the guy was being you know, I was sitting

0:13:09.040 --> 0:13:13.080
<v Speaker 1>on the toilet with assistance. It was that he was

0:13:13.120 --> 0:13:16.920
<v Speaker 1>wearing like like we're jogging pants, like you know, the

0:13:16.920 --> 0:13:19.800
<v Speaker 1>ones that are really tight, and they were black and shiny,

0:13:19.920 --> 0:13:22.320
<v Speaker 1>and then as you described, like this this sort of

0:13:22.600 --> 0:13:26.719
<v Speaker 1>prison yellow and white striped shirt and pants over that. Well, yeah,

0:13:26.760 --> 0:13:28.800
<v Speaker 1>well Toyota didn't want to actually bring a guy in

0:13:28.920 --> 0:13:31.920
<v Speaker 1>stage and have a robot with pants down. I appreciate that.

0:13:32.080 --> 0:13:34.080
<v Speaker 1>It was just really distracting because I was like, I

0:13:34.080 --> 0:13:36.840
<v Speaker 1>don't get it. Is he going to go running after this?

0:13:37.000 --> 0:13:40.560
<v Speaker 1>Is he in prison both? I don't know. Yeah, well

0:13:40.559 --> 0:13:42.120
<v Speaker 1>they could have gone more in the direction of the

0:13:42.800 --> 0:13:51.120
<v Speaker 1>fire toilet. Remember the gator, that's that's what's coming home. Yeah. Yeah,

0:13:51.120 --> 0:13:54.120
<v Speaker 1>but you're right. This was just in case anybody's never

0:13:54.160 --> 0:13:56.959
<v Speaker 1>seen this, you can go onto YouTube and see this

0:13:57.080 --> 0:14:00.000
<v Speaker 1>and uh, there is a woman that is using a toilet.

0:14:00.040 --> 0:14:03.600
<v Speaker 1>It that is uh, it's the fire toilet, right is Yeah,

0:14:03.640 --> 0:14:07.000
<v Speaker 1>it's basically a fire toilet. It's gas powered or gas

0:14:07.000 --> 0:14:11.679
<v Speaker 1>powered flames down there that incinerate the the waste product

0:14:11.800 --> 0:14:14.280
<v Speaker 1>that the one produces on the toilet. And again, this

0:14:14.320 --> 0:14:16.719
<v Speaker 1>is fine, this is great, it's actually using navy ships.

0:14:16.760 --> 0:14:20.240
<v Speaker 1>But again I take issue with the aesthetics of it

0:14:20.280 --> 0:14:24.000
<v Speaker 1>because the woman, uh, she starts this video and she's

0:14:24.040 --> 0:14:26.040
<v Speaker 1>got like, I don't know, maybe like a hundred keys

0:14:26.040 --> 0:14:27.680
<v Speaker 1>on a ring, So you're kind of like, what's the deal,

0:14:27.720 --> 0:14:29.960
<v Speaker 1>why do you have a hundred keys? And then she's

0:14:30.000 --> 0:14:33.320
<v Speaker 1>got you know, maybe some sort of like Eastern block accent. Fine,

0:14:33.720 --> 0:14:35.720
<v Speaker 1>but it just sort of adds to this ap like

0:14:35.760 --> 0:14:38.280
<v Speaker 1>there's no nudity in it, but she's like visibly she's

0:14:38.280 --> 0:14:41.520
<v Speaker 1>obviously dropping pants. She's not wearing some sort of black

0:14:41.560 --> 0:14:45.000
<v Speaker 1>garment underneath. And and then there's actual flaming poosh shown,

0:14:45.160 --> 0:14:47.920
<v Speaker 1>the flaming poush shown. They cut to a shot of

0:14:47.960 --> 0:14:50.280
<v Speaker 1>her with all you know, her pants DOWMP, but then

0:14:50.320 --> 0:14:53.360
<v Speaker 1>she's taken her boots and her socks off. It's all

0:14:53.480 --> 0:14:55.760
<v Speaker 1>very It just gets weirder and weirder the longer this

0:14:55.840 --> 0:14:59.160
<v Speaker 1>video goes on, a little bit like this podcast right now, well,

0:14:59.240 --> 0:15:02.200
<v Speaker 1>you can go weird either way with with um with

0:15:02.280 --> 0:15:05.120
<v Speaker 1>some sort of toilet technology demo, and that is to

0:15:05.160 --> 0:15:08.840
<v Speaker 1>either go realistic or go um with a black body

0:15:08.840 --> 0:15:11.360
<v Speaker 1>suit underneath your clothing. Yeah yeah, so okay, I got

0:15:11.360 --> 0:15:14.800
<v Speaker 1>my attention. Nonetheless, so let's let's talk nuts and bolts

0:15:14.800 --> 0:15:17.160
<v Speaker 1>about this too. Like, you know what, when we're talking

0:15:17.200 --> 0:15:19.840
<v Speaker 1>about building a better boty and we're really thinking about

0:15:19.880 --> 0:15:22.880
<v Speaker 1>it more as you know, we're gonna anthropomorphise it and

0:15:22.920 --> 0:15:25.720
<v Speaker 1>think about it as us. Right, this is this version

0:15:25.720 --> 0:15:28.640
<v Speaker 1>of ourselves. What are we thinking about? Well, one of

0:15:28.640 --> 0:15:31.840
<v Speaker 1>the big things is sensitivity to the environment that the

0:15:31.920 --> 0:15:34.640
<v Speaker 1>robot is working in and um on one level, that

0:15:34.880 --> 0:15:36.800
<v Speaker 1>involves just being able to move through it, being able

0:15:36.800 --> 0:15:39.120
<v Speaker 1>to navigate it, but also being able to just think

0:15:39.120 --> 0:15:42.160
<v Speaker 1>of your sense of touch. Um. Like. The best example

0:15:42.200 --> 0:15:45.680
<v Speaker 1>of this for me would be astronaut gloves. Like, one

0:15:45.680 --> 0:15:48.000
<v Speaker 1>of the big issues with astronaut gloves has been you

0:15:48.000 --> 0:15:49.600
<v Speaker 1>you put these guys up in space and they're gonna

0:15:49.600 --> 0:15:52.360
<v Speaker 1>be working on something really delicate, but they can't just

0:15:52.400 --> 0:15:55.080
<v Speaker 1>take their gloves off and work with their bare hands. Obviously,

0:15:55.160 --> 0:15:58.200
<v Speaker 1>they have to wear gloves, and you cannot wear normal gloves,

0:15:58.600 --> 0:16:02.040
<v Speaker 1>especially normal big thick gloves or space without losing a

0:16:02.080 --> 0:16:04.760
<v Speaker 1>certain amount of sensitivity. Now, with a robot you're building,

0:16:04.920 --> 0:16:06.680
<v Speaker 1>you're just building it all up from the bottom up.

0:16:06.840 --> 0:16:08.280
<v Speaker 1>So like where do you where do you put the

0:16:08.280 --> 0:16:11.280
<v Speaker 1>sensors on the on the feelers or on the body itself? Uh?

0:16:11.440 --> 0:16:14.280
<v Speaker 1>Could you give it a skin that enables it to

0:16:14.360 --> 0:16:16.840
<v Speaker 1>feel all over like a person? Right, so if it

0:16:16.880 --> 0:16:18.760
<v Speaker 1>bumped into you, it would know, It would know if

0:16:18.760 --> 0:16:22.440
<v Speaker 1>you bumped into it. And I also just think of manipulation,

0:16:22.640 --> 0:16:24.720
<v Speaker 1>Like even just imagine that the robot just had the

0:16:24.760 --> 0:16:28.680
<v Speaker 1>feeling of a human hand on its manipulators. It would

0:16:28.800 --> 0:16:32.680
<v Speaker 1>enable it to be far more delicate with something. Uh.

0:16:32.760 --> 0:16:35.520
<v Speaker 1>And in this case, it would be handling delicate things.

0:16:35.520 --> 0:16:38.400
<v Speaker 1>It would be handling us sponge bath for instance. Right,

0:16:38.520 --> 0:16:42.120
<v Speaker 1>you don't want something that's just a big metal um

0:16:42.360 --> 0:16:44.440
<v Speaker 1>claw on the end of a of an arm. You

0:16:44.480 --> 0:16:47.160
<v Speaker 1>want something that has a certain amount of sensitivity to it. Right,

0:16:47.160 --> 0:16:48.400
<v Speaker 1>you don't want to get bashed over the head with

0:16:48.400 --> 0:16:50.840
<v Speaker 1>a bar of soap. Yeah. Um. So yeah, there's this

0:16:50.880 --> 0:16:53.080
<v Speaker 1>thing called robot skin. And this says this is from

0:16:53.080 --> 0:16:57.360
<v Speaker 1>a Fast Companies article. Robot skin can feel touched, sense chemicals,

0:16:57.360 --> 0:17:00.120
<v Speaker 1>and soak up solar power. It says, what we're talking

0:17:00.120 --> 0:17:04.040
<v Speaker 1>about is a super intelligent skin designed by Stanford University researcher.

0:17:04.080 --> 0:17:07.360
<v Speaker 1>It's solar powered and when the skin is subjected to pressure,

0:17:07.400 --> 0:17:10.800
<v Speaker 1>the current flowing through the embedded transistors is modified as

0:17:10.840 --> 0:17:15.400
<v Speaker 1>tiny pyramid shapes molded into the polymer layer compress, resulting

0:17:15.440 --> 0:17:19.320
<v Speaker 1>in a super sensitive transducer that can apparently detect the

0:17:19.359 --> 0:17:23.439
<v Speaker 1>pressure from a house flies feet So cool criss cross

0:17:23.520 --> 0:17:26.000
<v Speaker 1>nanimator scale wires talk with a thin rubber sheet. I

0:17:26.040 --> 0:17:28.199
<v Speaker 1>like it. Yeah, yeah, I mean, I just think that

0:17:28.240 --> 0:17:31.760
<v Speaker 1>it's it's an amazing technology in and of itself. And

0:17:31.760 --> 0:17:33.479
<v Speaker 1>of course they think that too, because it's not just

0:17:33.880 --> 0:17:37.399
<v Speaker 1>for androids all that that's what was intended for um,

0:17:37.640 --> 0:17:40.920
<v Speaker 1>they can also use it to coat cars or military

0:17:41.000 --> 0:17:45.280
<v Speaker 1>vehicles or even soldiers uniforms could act as biosensors and

0:17:45.480 --> 0:17:50.359
<v Speaker 1>solar power generators. And also think of the possibilities for prosthetics. Yeah,

0:17:50.400 --> 0:17:54.120
<v Speaker 1>and again for um, for astronaut gloves or or even

0:17:54.400 --> 0:17:58.879
<v Speaker 1>like forget the astronaut, for um, like a robotic exploring

0:17:58.920 --> 0:18:01.400
<v Speaker 1>probe where a person could say, put on a pair

0:18:01.440 --> 0:18:05.840
<v Speaker 1>of a pair of gloves on Earth and feel with

0:18:06.000 --> 0:18:10.400
<v Speaker 1>the very human tactile response. Uh An object on another planet, right,

0:18:10.440 --> 0:18:12.800
<v Speaker 1>and try to describe that in the texture of it

0:18:12.840 --> 0:18:15.800
<v Speaker 1>and so on and so forth. Um, of course I

0:18:15.840 --> 0:18:17.960
<v Speaker 1>can't help but think that it's going to be used

0:18:18.000 --> 0:18:22.520
<v Speaker 1>on Roxy the robot. This is the sex spot. Yeah,

0:18:22.560 --> 0:18:25.680
<v Speaker 1>but that's on the market right now. Yeah, but that's

0:18:25.720 --> 0:18:31.160
<v Speaker 1>in the words of of Arkin, the professor. Arkin, that's

0:18:31.160 --> 0:18:33.919
<v Speaker 1>a bad robot. That's just not like a very good robot.

0:18:34.160 --> 0:18:37.679
<v Speaker 1>I know, but it's something that could sor But I

0:18:37.720 --> 0:18:41.480
<v Speaker 1>don't see Roxy getting the kind of funding where she

0:18:41.600 --> 0:18:43.600
<v Speaker 1>can benefit from this kind of Seah. They're going to

0:18:43.640 --> 0:18:48.200
<v Speaker 1>have to do something about that tinny voice first. Yeah,

0:18:48.240 --> 0:18:50.960
<v Speaker 1>you know it says things like that gets me hot. Well,

0:18:51.080 --> 0:18:53.199
<v Speaker 1>well you bring up Roxy. As I recall, Roxy was

0:18:53.240 --> 0:18:56.480
<v Speaker 1>originally a nursing project and then they decided that they

0:18:56.560 --> 0:19:00.240
<v Speaker 1>wanted to make some fast cash on it. Yeah, that's

0:19:00.320 --> 0:19:03.840
<v Speaker 1>how all innovation seems to be generated these days. But

0:19:03.920 --> 0:19:06.000
<v Speaker 1>let's talk about let's talk about this thing called the

0:19:06.080 --> 0:19:10.480
<v Speaker 1>jazz robot and mirror neurons, because this is really important, um,

0:19:10.520 --> 0:19:13.960
<v Speaker 1>in terms of how we communicate with one another, right, Yeah,

0:19:14.080 --> 0:19:16.120
<v Speaker 1>and this comes down to it again. We're talking about

0:19:16.119 --> 0:19:18.040
<v Speaker 1>you want to robot that can live in a human environment,

0:19:18.040 --> 0:19:20.639
<v Speaker 1>which is not just dealing with a human space in

0:19:20.640 --> 0:19:22.560
<v Speaker 1>a safe way, but also dealing with the presence of

0:19:22.640 --> 0:19:27.000
<v Speaker 1>humans and being able to read them and uh and

0:19:27.040 --> 0:19:29.639
<v Speaker 1>so this this is something that just comes naturally to

0:19:29.720 --> 0:19:32.520
<v Speaker 1>humans because we have we we grow up around other humans,

0:19:32.560 --> 0:19:35.560
<v Speaker 1>most humans anyway. Um, we we have this theory of mind.

0:19:35.920 --> 0:19:38.399
<v Speaker 1>And anytime you're encountering somebody, you're you're picking up in

0:19:38.440 --> 0:19:41.120
<v Speaker 1>so many different things. You're picking up on on what

0:19:41.160 --> 0:19:45.040
<v Speaker 1>they're saying, their tone there there, what their eyes are doing,

0:19:45.080 --> 0:19:47.480
<v Speaker 1>what their hands are doing, what they're you know, their

0:19:47.520 --> 0:19:51.960
<v Speaker 1>basic expression, their body language, all these different factories because

0:19:51.960 --> 0:19:55.320
<v Speaker 1>you're trying to get into their head, right, which inadvertently

0:19:55.440 --> 0:19:58.680
<v Speaker 1>allows you to empathize with another person. Right, yeah, right,

0:19:58.720 --> 0:20:01.280
<v Speaker 1>And so like if you smile, than then you know,

0:20:01.359 --> 0:20:04.080
<v Speaker 1>somewhere in my muscles I start to smile back, and

0:20:04.080 --> 0:20:05.840
<v Speaker 1>I started to start to send these signals to my

0:20:05.960 --> 0:20:08.240
<v Speaker 1>brain that this is funny or we're having fun or

0:20:08.760 --> 0:20:11.440
<v Speaker 1>or something along those lines, right, And that's how that's

0:20:11.440 --> 0:20:13.560
<v Speaker 1>how we communicate with one another, right, We we read

0:20:13.640 --> 0:20:16.800
<v Speaker 1>so many different signals. So could you could you create

0:20:16.840 --> 0:20:19.280
<v Speaker 1>a robot create more to the point, could you create

0:20:19.320 --> 0:20:23.040
<v Speaker 1>an artificial intelligence, so it's capable of quickly analyzing all

0:20:23.080 --> 0:20:25.920
<v Speaker 1>that data and at least getting some somewhats of what

0:20:26.040 --> 0:20:30.359
<v Speaker 1>the mood is because uh, and imagine in a nursing environment. Uh,

0:20:30.440 --> 0:20:33.280
<v Speaker 1>this would in theory enable a robot to tell if

0:20:33.400 --> 0:20:36.520
<v Speaker 1>an individual was having some sort of an episode, if

0:20:36.560 --> 0:20:38.760
<v Speaker 1>they were they were distraught over something, if they were

0:20:38.800 --> 0:20:42.879
<v Speaker 1>in pain. Uh. I mean, especially with I'm thinking of

0:20:43.240 --> 0:20:46.240
<v Speaker 1>like Alzheimer's patients. Uh, you know, off hand, because a

0:20:46.240 --> 0:20:48.800
<v Speaker 1>lot of times these are people who aren't in a

0:20:48.960 --> 0:20:53.000
<v Speaker 1>condition anymore to really express what they're feelings, you know,

0:20:53.040 --> 0:20:54.560
<v Speaker 1>so you really need a human to be able to

0:20:54.640 --> 0:20:57.680
<v Speaker 1>check on them. But if the human is not immediately available,

0:20:57.760 --> 0:20:58.960
<v Speaker 1>then it would be nice to have a robot that

0:20:59.000 --> 0:21:00.480
<v Speaker 1>would be able to say, oh, well, this person is

0:21:00.600 --> 0:21:03.800
<v Speaker 1>experiencing some degree of pain. Um, we need to get

0:21:03.800 --> 0:21:05.679
<v Speaker 1>somebody here to check on them, right, right. And so

0:21:05.800 --> 0:21:08.560
<v Speaker 1>this is the the idea of this Jazz robot, which

0:21:08.600 --> 0:21:11.160
<v Speaker 1>is by the way funded by the European Union because

0:21:11.160 --> 0:21:13.760
<v Speaker 1>they've got some interest in this right into creating this

0:21:13.800 --> 0:21:17.040
<v Speaker 1>technology to help the population as a whole. And it

0:21:17.480 --> 0:21:21.480
<v Speaker 1>is um it's predicated on the notion of mirror neurons, right,

0:21:21.920 --> 0:21:26.639
<v Speaker 1>it's trying to use the same sort of circuitry model, okay,

0:21:26.680 --> 0:21:30.480
<v Speaker 1>and the way that the robot can predict behavior. So

0:21:30.520 --> 0:21:33.840
<v Speaker 1>it's actually trying to analyze the person's behavior and figure

0:21:33.880 --> 0:21:35.720
<v Speaker 1>out when there's been an error. Of course, when we

0:21:35.720 --> 0:21:39.520
<v Speaker 1>talk about UM, you know the more complex things like

0:21:39.600 --> 0:21:41.920
<v Speaker 1>checking in on a person and seeing if they're emotionally okay,

0:21:41.960 --> 0:21:44.280
<v Speaker 1>this is not something that the robot can do quite yet,

0:21:44.720 --> 0:21:47.399
<v Speaker 1>but these are the first steps. And so, for instance,

0:21:47.440 --> 0:21:49.879
<v Speaker 1>the robots were programmed to help a person assemble a

0:21:49.920 --> 0:21:53.959
<v Speaker 1>complicated toy UM. These robots could analyze the person's actions

0:21:53.960 --> 0:21:56.679
<v Speaker 1>as a person worked on the assemblage and then offer

0:21:56.760 --> 0:21:59.840
<v Speaker 1>suggestions by locating the proper tool to complete the assembly.

0:21:59.880 --> 0:22:02.879
<v Speaker 1>So at this point it's more like a helper a

0:22:02.920 --> 0:22:05.120
<v Speaker 1>partner robot, which I think is really interesting by the way,

0:22:05.119 --> 0:22:08.160
<v Speaker 1>the semantics of that a partner robot UM. But it's

0:22:08.200 --> 0:22:09.959
<v Speaker 1>not necessarily something that can be like, hey, how are

0:22:10.000 --> 0:22:13.000
<v Speaker 1>you feeling today? You know, would you like some soup?

0:22:13.520 --> 0:22:16.600
<v Speaker 1>It's cold outside? But maybe I mean these again, these

0:22:16.600 --> 0:22:19.080
<v Speaker 1>are the first steps to try and to get robots

0:22:19.119 --> 0:22:21.800
<v Speaker 1>to be able to deal with the complex machines that

0:22:21.880 --> 0:22:24.720
<v Speaker 1>we are right, of course, this would make us want

0:22:24.720 --> 0:22:27.520
<v Speaker 1>to dress up our robots, right well, yeah, and you

0:22:27.520 --> 0:22:30.359
<v Speaker 1>can already dress up your household robots to certain degree.

0:22:30.440 --> 0:22:33.080
<v Speaker 1>You can buy these, uh like furry covers to put

0:22:33.119 --> 0:22:36.679
<v Speaker 1>over your yea, And we're going to talk about that

0:22:36.720 --> 0:22:41.840
<v Speaker 1>and a bit right after this. This podcast is brought

0:22:41.880 --> 0:22:45.240
<v Speaker 1>to you by Intel, the sponsors of Tomorrow and the

0:22:45.320 --> 0:22:49.639
<v Speaker 1>Discovery Channel. At Intel, we believe curiosity is the spark

0:22:49.680 --> 0:22:53.919
<v Speaker 1>which drives innovation. Join us at curiosity dot com and

0:22:54.000 --> 0:22:59.679
<v Speaker 1>explore the answers to life's questions. So we're dressing up

0:22:59.680 --> 0:23:03.160
<v Speaker 1>our robe, yes, putting furry costumes in our room bas

0:23:03.200 --> 0:23:08.520
<v Speaker 1>so that they look like circular mice or something I

0:23:08.520 --> 0:23:11.360
<v Speaker 1>don't know, with faces on top. Maybe we just want

0:23:11.400 --> 0:23:12.800
<v Speaker 1>them to you know, buddy up to the cat more.

0:23:12.840 --> 0:23:14.920
<v Speaker 1>I don't know, Yeah, a little friend for the cat.

0:23:15.080 --> 0:23:17.760
<v Speaker 1>Let's not forget the pets out there, right And and

0:23:17.880 --> 0:23:19.439
<v Speaker 1>there is the you know, the whole idea. Do you

0:23:19.440 --> 0:23:21.560
<v Speaker 1>want to make the to make it more the ro

0:23:21.640 --> 0:23:24.760
<v Speaker 1>about more relatable? A do we make it look more

0:23:24.800 --> 0:23:27.679
<v Speaker 1>human and be does the the operator, the owner or

0:23:27.720 --> 0:23:30.840
<v Speaker 1>the beneficiary of its service have some input into how

0:23:30.840 --> 0:23:34.439
<v Speaker 1>it dresses well, Okay, so the Swedish Institute of Computer

0:23:34.480 --> 0:23:36.399
<v Speaker 1>Science has actually been studying how much we have the

0:23:36.440 --> 0:23:43.439
<v Speaker 1>ability to anthropomorphize robots by dressing up some off the

0:23:43.480 --> 0:23:46.640
<v Speaker 1>shelf bots they are available right now, which I think

0:23:46.720 --> 0:23:50.399
<v Speaker 1>is funny. Right, So they're taking um, you know, something

0:23:50.480 --> 0:23:56.200
<v Speaker 1>like the pleio the pet dinosaur, and they've been giving

0:23:56.520 --> 0:23:59.119
<v Speaker 1>or that actually have been programming it so that you know,

0:23:59.160 --> 0:24:01.920
<v Speaker 1>if you if you change the outfit, it will actually

0:24:02.080 --> 0:24:05.200
<v Speaker 1>act differently accordingly to how you dress up your your

0:24:05.280 --> 0:24:07.840
<v Speaker 1>pet dinosaur. So also, you know, just keep in mind

0:24:07.920 --> 0:24:10.600
<v Speaker 1>that the that pleo is able to learn as you play,

0:24:11.160 --> 0:24:14.640
<v Speaker 1>and uh so you know, you can manipulate its behavior

0:24:14.680 --> 0:24:17.800
<v Speaker 1>a bit. So if you give Cleo a special watchdog necklace,

0:24:17.800 --> 0:24:20.840
<v Speaker 1>the robot remains active and on guard and putting you know,

0:24:20.880 --> 0:24:23.560
<v Speaker 1>air quotes on on guard. You can change the costume

0:24:23.760 --> 0:24:27.920
<v Speaker 1>from um that necklace to pajamas and the robot would

0:24:28.000 --> 0:24:32.639
<v Speaker 1>slowly switch into sleep mode. The costumes or accessors you

0:24:32.760 --> 0:24:38.040
<v Speaker 1>choose communicate electronically with robots program and just behavior follows suit. Okay,

0:24:38.080 --> 0:24:40.199
<v Speaker 1>so these are just a couple of things that you

0:24:40.240 --> 0:24:43.880
<v Speaker 1>can do. And they've also experimented with the roomba, which

0:24:43.920 --> 0:24:46.080
<v Speaker 1>I think is really interesting. They have these patches that

0:24:46.119 --> 0:24:48.639
<v Speaker 1>they put on the roomba and again it will behave

0:24:49.640 --> 0:24:53.400
<v Speaker 1>accordingly to to whatever this patch is displaying. So they've

0:24:53.400 --> 0:24:56.760
<v Speaker 1>got a patch that can make the ruma seem aggressive

0:24:57.840 --> 0:25:02.320
<v Speaker 1>or curious or shy. It'll actually like hide under the sofa.

0:25:02.400 --> 0:25:04.680
<v Speaker 1>And the whole idea is that robots can seem more

0:25:04.800 --> 0:25:07.000
<v Speaker 1>natural like these are the first steps again to trying

0:25:07.000 --> 0:25:09.280
<v Speaker 1>to you know, make us feel a little bit more

0:25:09.320 --> 0:25:12.240
<v Speaker 1>comfortable with robots in our atmosphere and too, and to

0:25:13.080 --> 0:25:16.000
<v Speaker 1>study how we behave and how we really project our

0:25:16.040 --> 0:25:19.760
<v Speaker 1>feelings onto these inanimate objects. And as we discussed in

0:25:19.760 --> 0:25:22.480
<v Speaker 1>the last podcasts, sometimes that is people just taking out

0:25:22.480 --> 0:25:26.200
<v Speaker 1>their aggressions on the robots. Yes, yeah, yeah, And again

0:25:26.240 --> 0:25:28.880
<v Speaker 1>I think that this is also in conjunction with lyric program,

0:25:28.960 --> 0:25:32.080
<v Speaker 1>which is the living with Robots program that we talked

0:25:32.080 --> 0:25:35.000
<v Speaker 1>about before. Robot House. Robot House. Yeah again, that a

0:25:35.119 --> 0:25:37.840
<v Speaker 1>great reality series just you know, waiting to be made.

0:25:37.960 --> 0:25:41.040
<v Speaker 1>Well if this leads us in inevitably to the Uncanny

0:25:41.119 --> 0:25:44.600
<v Speaker 1>Valley and discussion of the Uncanny Valley um, This term,

0:25:44.640 --> 0:25:47.840
<v Speaker 1>of course, is thrown around a lot, especially in terms

0:25:48.000 --> 0:25:53.400
<v Speaker 1>of Hollywood animated films, video games. We we've all seen

0:25:53.440 --> 0:25:56.480
<v Speaker 1>it before. You're they're trying to create a lifelike semblance

0:25:56.520 --> 0:25:58.480
<v Speaker 1>of a human being saying, you know, a cut scene

0:25:58.480 --> 0:26:01.520
<v Speaker 1>in a game or or what was it the Polar

0:26:01.560 --> 0:26:04.280
<v Speaker 1>Express movie with Tom Hanks? Oh yeah, which apparently that

0:26:04.400 --> 0:26:09.680
<v Speaker 1>was just a tragedy, a huge mistake, right because everybody

0:26:09.960 --> 0:26:13.720
<v Speaker 1>or most people know who Tom Hanks is very warm

0:26:13.720 --> 0:26:16.320
<v Speaker 1>and engaging person, right at least that's the perstpona that

0:26:16.720 --> 0:26:18.399
<v Speaker 1>comes off, and all of a sudden you have a

0:26:18.400 --> 0:26:22.840
<v Speaker 1>dead eyed Tom Hanks and it's very wearing his face

0:26:22.960 --> 0:26:26.880
<v Speaker 1>or something. Yeah, yes, yes, leather face in a Christmas tail. Yeah,

0:26:26.920 --> 0:26:29.400
<v Speaker 1>it's uh. This this all goes back to the paper

0:26:29.640 --> 0:26:34.280
<v Speaker 1>in the journal Energy where roboticist Masahiro Mori proposed that

0:26:34.359 --> 0:26:37.240
<v Speaker 1>robots that are too human light can veer into unsettling

0:26:37.400 --> 0:26:42.640
<v Speaker 1>territory and basically to get real like number centric about it, Um,

0:26:42.680 --> 0:26:46.600
<v Speaker 1>you can make a robot up to realistic theory, says

0:26:47.280 --> 0:26:50.359
<v Speaker 1>and it's great, like, oh, this robot is looks like

0:26:50.359 --> 0:26:53.439
<v Speaker 1>a person. That's amazing, that's awesome. But then once you

0:26:53.480 --> 0:26:58.159
<v Speaker 1>hit that the like the the the space between and

0:26:58.200 --> 0:27:02.280
<v Speaker 1>a human look is just creepy that's the that's the theory.

0:27:02.640 --> 0:27:04.280
<v Speaker 1>That's the theory. And the theory is that on a

0:27:04.320 --> 0:27:07.400
<v Speaker 1>psychological level of minds are perceiving the robot human effects

0:27:07.400 --> 0:27:12.240
<v Speaker 1>similar as as dead right or an unhealthy human or

0:27:12.280 --> 0:27:15.960
<v Speaker 1>you know, on some I guess primal level, like it's decaying,

0:27:16.040 --> 0:27:19.400
<v Speaker 1>it's not alive, and so we back away. Again. This

0:27:19.480 --> 0:27:22.280
<v Speaker 1>is the theory. There's so there's some disagreements on it.

0:27:22.480 --> 0:27:26.119
<v Speaker 1>I mean, especially when you get outside of its applications

0:27:26.119 --> 0:27:29.160
<v Speaker 1>in entertainment and really start looking at robotics again where

0:27:29.160 --> 0:27:33.560
<v Speaker 1>where the term was originally um, you know, discussed and

0:27:33.960 --> 0:27:36.359
<v Speaker 1>there there's some studies that have found that that really

0:27:36.400 --> 0:27:39.520
<v Speaker 1>it's more about the mismatch. It's about it has really

0:27:39.560 --> 0:27:42.000
<v Speaker 1>cool looking skin scan looks very human, but they the

0:27:42.160 --> 0:27:46.280
<v Speaker 1>eyes are obviously mechanical, are too big and so they're

0:27:46.280 --> 0:27:48.840
<v Speaker 1>not matching up to the rest of your expectation, and

0:27:48.880 --> 0:27:52.879
<v Speaker 1>that's what's unsettling. There's a there's an interesting book called

0:27:53.280 --> 0:27:55.080
<v Speaker 1>The wind Up Girl. I think I may mention it

0:27:55.119 --> 0:27:58.440
<v Speaker 1>before Sci Fi book tied for Hugo Award last year,

0:27:58.480 --> 0:28:02.040
<v Speaker 1>I think and uh. The title character, the wind Up Girl,

0:28:02.160 --> 0:28:05.400
<v Speaker 1>is an artificial human that is created by Japanese scientists,

0:28:05.400 --> 0:28:06.919
<v Speaker 1>and this is in the future and all. But they

0:28:07.000 --> 0:28:09.720
<v Speaker 1>end up programming um they call him heard the wind

0:28:09.760 --> 0:28:12.240
<v Speaker 1>wind up girl, or they call them wind up girls

0:28:12.680 --> 0:28:15.400
<v Speaker 1>because they have programmed in and um it kind of

0:28:15.480 --> 0:28:20.000
<v Speaker 1>wind up movement to their bodies that they can't quite control.

0:28:20.240 --> 0:28:24.280
<v Speaker 1>Oh so they don't have smooth motor coordinations, right, because

0:28:24.320 --> 0:28:26.560
<v Speaker 1>they didn't want them to look too human. They wanted

0:28:26.600 --> 0:28:30.080
<v Speaker 1>to keep the uncanny valley um in place to a

0:28:30.080 --> 0:28:35.200
<v Speaker 1>certain degree so that they would be marked. Uh uh okay.

0:28:35.240 --> 0:28:36.760
<v Speaker 1>So this is sort of like the whole problem in

0:28:36.840 --> 0:28:40.840
<v Speaker 1>Blade Runner with replicants, right, figure out which is a replicant? Yeah,

0:28:40.840 --> 0:28:43.280
<v Speaker 1>who's the human? Who's They said, instead of giving it

0:28:43.320 --> 0:28:46.000
<v Speaker 1>a complicated test about a turtle on offense post to

0:28:46.040 --> 0:28:48.480
<v Speaker 1>bring the whole empathy thing into play, let's just watch

0:28:48.560 --> 0:28:50.320
<v Speaker 1>him walk down the street and you'll be able to

0:28:50.320 --> 0:28:53.600
<v Speaker 1>tell right away. Um. So, So anyway, there's the one

0:28:53.640 --> 0:28:55.400
<v Speaker 1>idea that it's a mismatch. It's like, oh, it looks

0:28:55.440 --> 0:28:59.280
<v Speaker 1>like a person, but it's moving weird uncanny valley um.

0:28:59.320 --> 0:29:01.640
<v Speaker 1>But then there have been some other recent studies, like

0:29:01.640 --> 0:29:04.600
<v Speaker 1>there was one study by Carl McDorman, director of Android

0:29:04.640 --> 0:29:08.200
<v Speaker 1>Science Center at Indiana University, and uh, he found that

0:29:08.240 --> 0:29:11.520
<v Speaker 1>the uncanny effects seemed to be tied to gender. They

0:29:11.520 --> 0:29:15.000
<v Speaker 1>found that they yeah, they rolled out some various robots

0:29:15.520 --> 0:29:18.560
<v Speaker 1>and uh, and they found that women subjects were sympathetic

0:29:18.640 --> 0:29:23.920
<v Speaker 1>to UM the the to the requests of the robot um,

0:29:24.040 --> 0:29:27.320
<v Speaker 1>whether they were represented as a person or poorly poorly

0:29:27.400 --> 0:29:30.760
<v Speaker 1>rendered computer animation. Okay, this is this the scenario where

0:29:30.760 --> 0:29:33.880
<v Speaker 1>they're they're acting at this role as doctor and these

0:29:33.880 --> 0:29:36.040
<v Speaker 1>are patients. So one is a human patient on one

0:29:36.160 --> 0:29:40.560
<v Speaker 1>is UM a computer value. Well that's right, they're not

0:29:40.560 --> 0:29:42.360
<v Speaker 1>really robots, but it's you know, it's the idea of

0:29:42.400 --> 0:29:46.480
<v Speaker 1>here's here's a person, here's a facsimile of a person UM,

0:29:46.560 --> 0:29:48.520
<v Speaker 1>and then let's see how they respond to it. And

0:29:48.760 --> 0:29:51.080
<v Speaker 1>the men sided with the real patient, but not the

0:29:51.160 --> 0:29:53.680
<v Speaker 1>uncanny computer generated one, where the women were far more

0:29:53.720 --> 0:29:56.480
<v Speaker 1>likely to side with the sympathetic one because they had

0:29:56.720 --> 0:30:00.560
<v Speaker 1>empathy across the board, right, which interesting enough, I think

0:30:00.560 --> 0:30:04.080
<v Speaker 1>ties in nicely something we discussed in the one of

0:30:04.080 --> 0:30:06.920
<v Speaker 1>our early episodes about a year ago. Uh, the idea

0:30:07.040 --> 0:30:10.160
<v Speaker 1>that in the future the human race will be composed

0:30:10.360 --> 0:30:14.400
<v Speaker 1>entirely of women in their robotic partners that's right, ready

0:30:14.400 --> 0:30:18.360
<v Speaker 1>to talk about that, yes, Uh, and for for many,

0:30:18.400 --> 0:30:21.719
<v Speaker 1>many many reasons. Uh, this is not actually probably going

0:30:21.760 --> 0:30:24.240
<v Speaker 1>to come to fruition, but I think I think it might.

0:30:25.560 --> 0:30:27.960
<v Speaker 1>I think I think it will because look at it.

0:30:27.960 --> 0:30:29.680
<v Speaker 1>The men can't get along with anybody. They can't get

0:30:29.680 --> 0:30:31.040
<v Speaker 1>along with the men, they can't get along with the

0:30:31.040 --> 0:30:32.600
<v Speaker 1>women all that well, and they can't get along with

0:30:32.640 --> 0:30:34.880
<v Speaker 1>the robots. Well. But you know, I always take issue

0:30:34.920 --> 0:30:36.600
<v Speaker 1>with it because I think, well, yeah, women are great.

0:30:36.720 --> 0:30:39.040
<v Speaker 1>Don't get me wrong, I'm one of them. But that

0:30:39.080 --> 0:30:42.120
<v Speaker 1>does not make us like altruistic, like you know, the

0:30:42.160 --> 0:30:45.040
<v Speaker 1>best humans on the earth. I mean, I'm going to

0:30:45.160 --> 0:30:47.360
<v Speaker 1>say it, we're a little bit flawed. Well wait, way

0:30:47.360 --> 0:30:52.720
<v Speaker 1>to cover up for the female in so many different ways. Anyway,

0:30:53.400 --> 0:30:55.840
<v Speaker 1>I'm I'm digging myself in here a little bit. Agreading

0:30:55.880 --> 0:30:58.120
<v Speaker 1>a really interesting article in Popular Mechanics called the Truth

0:30:58.120 --> 0:31:01.240
<v Speaker 1>about Robotic Robotics on Kenny Valley, and they discussed several

0:31:01.240 --> 0:31:04.680
<v Speaker 1>of these different studies and scenarios, and they ended up

0:31:04.880 --> 0:31:07.520
<v Speaker 1>making the case that that when it comes to robots,

0:31:08.080 --> 0:31:11.800
<v Speaker 1>this the Uncanny Valley is largely hypothetical, and it largely

0:31:12.880 --> 0:31:15.600
<v Speaker 1>becomes less of an issue when humans are actually face

0:31:15.680 --> 0:31:17.560
<v Speaker 1>to face with the robots and dealing with the robots

0:31:17.600 --> 0:31:19.760
<v Speaker 1>on a on a on a one on one basis. Yeah,

0:31:19.760 --> 0:31:21.320
<v Speaker 1>that's what I read too, is that you know, it's

0:31:21.360 --> 0:31:24.000
<v Speaker 1>just the uncanny Valley is just a big sweeping generalization

0:31:24.240 --> 0:31:27.920
<v Speaker 1>and that um, you know, it's basically a short lived

0:31:28.040 --> 0:31:31.440
<v Speaker 1>psychological state that we're in when we're looking at the ropebot.

0:31:31.480 --> 0:31:33.640
<v Speaker 1>But once you get comfortable with it, that all of

0:31:33.680 --> 0:31:36.200
<v Speaker 1>that sort of falls away and you begin to project

0:31:36.200 --> 0:31:38.440
<v Speaker 1>your feelings onto it no matter what it's I mean,

0:31:38.440 --> 0:31:42.280
<v Speaker 1>it's like anytime we humans deal with with other humans

0:31:42.280 --> 0:31:44.920
<v Speaker 1>and encounter a little bit of the uncanny valley, which

0:31:45.880 --> 0:31:47.720
<v Speaker 1>if you if you're ever talking to somebody for the

0:31:47.720 --> 0:31:49.840
<v Speaker 1>first time and they maybe have like one of their

0:31:49.840 --> 0:31:52.200
<v Speaker 1>eyes is you know, pointing out a little to the side,

0:31:52.280 --> 0:31:54.239
<v Speaker 1>kind of like a Forest Whittaker type of thing. You know,

0:31:55.160 --> 0:31:57.000
<v Speaker 1>you know, it can be it can be a little

0:31:57.080 --> 0:31:58.800
<v Speaker 1>like off putting it first, but then you get used

0:31:58.840 --> 0:32:00.959
<v Speaker 1>to it, and because it's as the person you know

0:32:01.080 --> 0:32:04.040
<v Speaker 1>and uh and you uh, you sort of jive with

0:32:04.080 --> 0:32:07.600
<v Speaker 1>their particular appearance and their particular energy, or even if

0:32:07.600 --> 0:32:09.200
<v Speaker 1>it's just something as weird as like somebody's got a

0:32:09.240 --> 0:32:14.400
<v Speaker 1>strange scar or strange blemish on their face, or you know,

0:32:14.440 --> 0:32:17.040
<v Speaker 1>a satan goatee or something, I don't know. Yeah, so

0:32:17.080 --> 0:32:20.000
<v Speaker 1>you think that Unkenny Valley underestimates our ability to to

0:32:20.520 --> 0:32:25.560
<v Speaker 1>be adaptable and flexible and and actually our empathy to right. Yeah, yeah,

0:32:25.600 --> 0:32:28.320
<v Speaker 1>I think we tend to overcome a lot of these things.

0:32:28.360 --> 0:32:30.640
<v Speaker 1>It's kind of like with noise. You know, people were like, oh,

0:32:30.800 --> 0:32:33.440
<v Speaker 1>how can somebody live next to train tracks or how

0:32:33.600 --> 0:32:35.480
<v Speaker 1>or next to an airport, But people do live next

0:32:35.480 --> 0:32:38.800
<v Speaker 1>train stations and airports, etcetera. And they get used to

0:32:38.840 --> 0:32:42.280
<v Speaker 1>it because humans can adapt to to not everything, but

0:32:42.400 --> 0:32:47.200
<v Speaker 1>to almost anything. So this, this is something that I've

0:32:47.240 --> 0:32:50.720
<v Speaker 1>been wondering about. I know that the voice recognition is

0:32:50.760 --> 0:32:52.720
<v Speaker 1>a big problem with robots right now, at least a

0:32:52.760 --> 0:32:58.200
<v Speaker 1>technology that exists that something along the lines of of

0:32:58.280 --> 0:33:02.440
<v Speaker 1>these programs can success fully take what you're saying and

0:33:02.520 --> 0:33:06.520
<v Speaker 1>actually understand it and respond accordingly. So that's something that

0:33:06.680 --> 0:33:11.520
<v Speaker 1>in the future, obviously that it's gonna will be, you know, solved. Yeah, well,

0:33:11.560 --> 0:33:14.880
<v Speaker 1>I feel like maybe I only here what I'm listening to,

0:33:15.000 --> 0:33:17.160
<v Speaker 1>so well, yeah, exactly, I know, right, So it could

0:33:17.160 --> 0:33:20.680
<v Speaker 1>be as good as any caregiver out there. Um, but

0:33:20.760 --> 0:33:24.320
<v Speaker 1>I sort of wondered, like now that that Surrey is

0:33:25.080 --> 0:33:29.080
<v Speaker 1>on the new iPhone, like, is this you know apparently

0:33:29.400 --> 0:33:33.240
<v Speaker 1>like this voice of recognition technology is great and we'll

0:33:33.240 --> 0:33:35.000
<v Speaker 1>only get better. So I would like to hear from

0:33:35.000 --> 0:33:37.320
<v Speaker 1>people who have Surrey right now and see, you know,

0:33:37.440 --> 0:33:40.280
<v Speaker 1>would you say that she has an eight or better

0:33:41.280 --> 0:33:43.720
<v Speaker 1>chance at guessing what you're saying? And why is she

0:33:43.800 --> 0:33:47.440
<v Speaker 1>named after Tom Cruise's child right exactly? Why why his daughter?

0:33:48.440 --> 0:33:50.560
<v Speaker 1>I'm sure there's some sort of Steve Jobs joke in

0:33:50.600 --> 0:33:54.040
<v Speaker 1>there that that that's a great unsolved mystery. So yeah,

0:33:54.040 --> 0:33:58.280
<v Speaker 1>so there's some ideas about where caregiving robots are going

0:33:58.280 --> 0:34:00.240
<v Speaker 1>in the future, what the technology is looking like now,

0:34:00.280 --> 0:34:02.600
<v Speaker 1>how it's shaping up, and what it might look like.

0:34:02.640 --> 0:34:05.960
<v Speaker 1>So I would be very interested to hear from everyone

0:34:05.960 --> 0:34:08.040
<v Speaker 1>out there, I mean, what you think about this, uh,

0:34:08.400 --> 0:34:12.880
<v Speaker 1>through yourselves going forward, and especially anybody who has dealt

0:34:12.920 --> 0:34:16.600
<v Speaker 1>with caregiving situations, you know, be it a you know,

0:34:16.960 --> 0:34:20.600
<v Speaker 1>a parent or a grandparent, um, you know for yourself

0:34:20.719 --> 0:34:23.760
<v Speaker 1>or I mean yeah, so, um, and also your robot,

0:34:24.000 --> 0:34:27.960
<v Speaker 1>your caregiving robot naked or dressed up. That's what I

0:34:28.000 --> 0:34:30.000
<v Speaker 1>want to know well or yeah, or more to the point,

0:34:30.160 --> 0:34:32.680
<v Speaker 1>So a robot, say, robots helping you use the restroom

0:34:32.960 --> 0:34:35.640
<v Speaker 1>in your in your your golden years. Do you do

0:34:35.680 --> 0:34:37.279
<v Speaker 1>you want it to look like a person? Do you

0:34:37.320 --> 0:34:39.560
<v Speaker 1>want it to look like a bear? You wanted to

0:34:39.600 --> 0:34:42.520
<v Speaker 1>look like just a thing? Do you want it to

0:34:42.560 --> 0:34:45.120
<v Speaker 1>basically look like a you know, a side table that

0:34:45.719 --> 0:34:48.839
<v Speaker 1>you know that lifts up and down. I don't know well,

0:34:48.920 --> 0:34:50.719
<v Speaker 1>and you know, do you want the sort of end

0:34:50.800 --> 0:34:53.000
<v Speaker 1>user features that your iPhone has so that you can change,

0:34:53.239 --> 0:34:56.160
<v Speaker 1>you know, certain aspects of its appearance. You know it's

0:34:56.160 --> 0:34:59.799
<v Speaker 1>screen um, particularly when you go to the to the

0:34:59.800 --> 0:35:02.239
<v Speaker 1>red stroum. Yeah. And then and then this also ties

0:35:02.280 --> 0:35:03.680
<v Speaker 1>in you have a robot is helping you go to

0:35:03.719 --> 0:35:07.040
<v Speaker 1>the restroom. Yeah. Privacy issues coming to play too, because

0:35:07.080 --> 0:35:08.960
<v Speaker 1>if you have a robot that, in order to navigate

0:35:09.000 --> 0:35:12.760
<v Speaker 1>your space is constantly recording, constantly taking note of everything,

0:35:13.040 --> 0:35:15.840
<v Speaker 1>you don't want your bathroom helper robot to get a

0:35:15.920 --> 0:35:19.600
<v Speaker 1>virus or get hated. You know that's right, Ryan, Then

0:35:19.640 --> 0:35:22.560
<v Speaker 1>just you know, all of a sudden updates your Facebook

0:35:22.760 --> 0:35:25.240
<v Speaker 1>page and whatever that's going to be in the future

0:35:25.360 --> 0:35:28.600
<v Speaker 1>to say, yeah, my charge just went to the bathroom.

0:35:28.640 --> 0:35:30.920
<v Speaker 1>Ha ha ha, Yeah, you don't want it tweeting about like,

0:35:31.120 --> 0:35:32.600
<v Speaker 1>I don't know what I mean. Maybe people was coming

0:35:32.600 --> 0:35:35.120
<v Speaker 1>from the right place. The robots like yeah, another successful

0:35:35.120 --> 0:35:37.440
<v Speaker 1>batt movement, and then it tweets it. I don't know,

0:35:37.880 --> 0:35:39.200
<v Speaker 1>I don't know. I don't know if that these are

0:35:39.239 --> 0:35:42.040
<v Speaker 1>missives that we need to care about. Maybe in the

0:35:42.080 --> 0:35:44.879
<v Speaker 1>future that's what people will want. All right, Well, let's

0:35:44.920 --> 0:35:49.239
<v Speaker 1>have our helper bought hand us a listener mail. Thank you,

0:35:49.280 --> 0:35:53.160
<v Speaker 1>helper boy. So we heard this time from I listened

0:35:53.200 --> 0:35:55.600
<v Speaker 1>by the name of Mark Healing, and I'm using his

0:35:55.680 --> 0:35:58.319
<v Speaker 1>full name because Mark is an artist and uh he

0:35:58.400 --> 0:36:00.279
<v Speaker 1>has a fan page on Facebook. You can check it

0:36:00.280 --> 0:36:02.640
<v Speaker 1>out and as all all his art shared there. It's

0:36:02.640 --> 0:36:06.239
<v Speaker 1>pretty awesome, uh Mark Mark Wrightson and says, I just

0:36:06.360 --> 0:36:08.719
<v Speaker 1>finished listening to your most recent episode about art. This

0:36:08.760 --> 0:36:10.640
<v Speaker 1>would be this. U is your brand on art, and

0:36:10.680 --> 0:36:12.440
<v Speaker 1>I was very pleased to hear a different perspective on

0:36:12.480 --> 0:36:13.840
<v Speaker 1>some of the artists that I've been setting for the

0:36:13.840 --> 0:36:16.120
<v Speaker 1>past few years. Currently, I'm a student at Emily car

0:36:16.200 --> 0:36:18.600
<v Speaker 1>University of Art and Design in Vancouver, where I'm in

0:36:18.640 --> 0:36:20.560
<v Speaker 1>my final year. For a while now, I've been thinking

0:36:20.560 --> 0:36:23.280
<v Speaker 1>about the idea of an eight beauty. A concept like symmetry,

0:36:23.280 --> 0:36:26.000
<v Speaker 1>for example, expresses itself as a visual that has been

0:36:26.200 --> 0:36:29.160
<v Speaker 1>that has an inherent appeal in biological terms, a mate,

0:36:29.160 --> 0:36:32.640
<v Speaker 1>of course, is more attractive if their features appear more symmetrical. Uh.

0:36:32.680 --> 0:36:35.800
<v Speaker 1>This idea is pretty straightforward. Beyond just the sexual appeal

0:36:35.800 --> 0:36:39.000
<v Speaker 1>of symmetry, however, there is also the specific optical effect

0:36:39.000 --> 0:36:41.840
<v Speaker 1>which occurs when an image, whether very simply or complex,

0:36:41.920 --> 0:36:44.400
<v Speaker 1>is near. In regards to my practice, I attempt to

0:36:44.400 --> 0:36:47.680
<v Speaker 1>be very conscious of these notions notions of an eight beauty.

0:36:48.040 --> 0:36:50.239
<v Speaker 1>Um and he goes on. He shares a lot of

0:36:50.239 --> 0:36:52.359
<v Speaker 1>really cool ideas with us, and he says that I'd

0:36:52.360 --> 0:36:53.759
<v Speaker 1>be very pleased to be able to look at my

0:36:53.760 --> 0:36:56.279
<v Speaker 1>Facebook page. Hopefully some of what I am talking about

0:36:56.320 --> 0:36:58.360
<v Speaker 1>will become a little more apparent. If you go to

0:36:58.400 --> 0:37:00.239
<v Speaker 1>the first image in my galery, you will find find

0:37:00.560 --> 0:37:02.640
<v Speaker 1>my biggest project so far, which is taking about a

0:37:02.680 --> 0:37:04.920
<v Speaker 1>hundred and seventy four hours at this point. What he's

0:37:04.960 --> 0:37:08.839
<v Speaker 1>done with point zero zero three millimeter dots in order

0:37:08.880 --> 0:37:12.160
<v Speaker 1>to further pursue visual complexity, which has its own specific

0:37:12.239 --> 0:37:15.280
<v Speaker 1>capacity for drawing interviewer at least I hope. So anyways,

0:37:15.480 --> 0:37:18.239
<v Speaker 1>that is it. I really appreciate your podcast and I

0:37:18.239 --> 0:37:20.400
<v Speaker 1>have been a regular listener since way back when you

0:37:20.440 --> 0:37:22.520
<v Speaker 1>were still stuff in the Science leave. The show just

0:37:22.560 --> 0:37:25.160
<v Speaker 1>gets getting better and better. Thank you very much, Mark.

0:37:25.560 --> 0:37:28.000
<v Speaker 1>Thanks Mark. I was so pleased that we heard from

0:37:28.000 --> 0:37:30.960
<v Speaker 1>an artist on this because you know, you and I

0:37:31.000 --> 0:37:34.720
<v Speaker 1>are artists with words and the written page. I guess

0:37:34.840 --> 0:37:36.719
<v Speaker 1>I don't know that might be going a little too far,

0:37:37.120 --> 0:37:39.080
<v Speaker 1>but I did want to hear from a visual artist,

0:37:39.160 --> 0:37:42.719
<v Speaker 1>to hear their take on what beauty is and symmetry

0:37:42.880 --> 0:37:45.960
<v Speaker 1>and some of these different ideas that we were talking about. Yeah, totally,

0:37:46.239 --> 0:37:48.320
<v Speaker 1>And and do check out his Facebook page if you

0:37:48.360 --> 0:37:50.920
<v Speaker 1>want to see his art. I think it's like facebook

0:37:50.960 --> 0:37:55.279
<v Speaker 1>dot com slash m r k uh dot I l

0:37:55.480 --> 0:37:59.600
<v Speaker 1>l I check that out, and certainly any other artists

0:37:59.600 --> 0:38:01.920
<v Speaker 1>out there that are listening to us. So we'd love

0:38:01.960 --> 0:38:03.919
<v Speaker 1>to hear what you had to say about the art

0:38:03.920 --> 0:38:06.120
<v Speaker 1>on the Brain podcast. And you know, we'd love to

0:38:06.120 --> 0:38:08.120
<v Speaker 1>share our examples of your work on our Facebook page,

0:38:08.200 --> 0:38:11.239
<v Speaker 1>so let us know. And if you would like to

0:38:11.320 --> 0:38:14.200
<v Speaker 1>share any of that u with us, be it on

0:38:14.239 --> 0:38:15.960
<v Speaker 1>Facebook or Twitter. And if you have anything to say

0:38:16.000 --> 0:38:20.400
<v Speaker 1>about help our robots and the future against Facebook, Twitter.

0:38:20.800 --> 0:38:22.640
<v Speaker 1>Blow the mind on both of this, and you can

0:38:22.680 --> 0:38:24.799
<v Speaker 1>always drop us a line at blow of the Mind

0:38:24.800 --> 0:38:32.160
<v Speaker 1>at how stuff worth dot com. Be sure to check

0:38:32.200 --> 0:38:35.319
<v Speaker 1>out our new video podcast, Stuff from the Future. Join

0:38:35.400 --> 0:38:37.920
<v Speaker 1>how Stuff Work staff as we explore the most promising

0:38:38.000 --> 0:38:40.320
<v Speaker 1>and perplexing possibilities of tomorrow.