WEBVTT - Oh Daddy ("Jake vs Jake" S1 EP 17)

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And Daphne's Aniga and iHeartRadio podcast.

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<v Speaker 3>We're back for another Repat episode number seventeen.

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<v Speaker 2>Yes, we are a great episode. We're hurdling.

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<v Speaker 1>So much happened in this episode. Times like there were

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<v Speaker 1>like nine storylines in this episode.

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<v Speaker 2>It was really it.

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<v Speaker 3>Was They were really good. I feel like it's getting

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<v Speaker 3>really juicy. We're getting really close to Christmas. It's like

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<v Speaker 3>we're really getting into the meat of it, and we

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<v Speaker 3>finally have Joe and she's here to stay.

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<v Speaker 2>Yeah, and this one's called Jake Versus Jake, And it

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<v Speaker 2>was really a great episode for a grant I.

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<v Speaker 1>Terrific for it was such a good episode.

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<v Speaker 2>Yeah, and this is seventeen and next week will be eighteen,

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<v Speaker 2>which is our Christmas episode, Melrose's first Christmas episode that'll

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<v Speaker 2>air on December twenty third.

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<v Speaker 3>And right around then we're also going to have our producer,

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<v Speaker 3>Chip has is going to be coming, So we've got

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<v Speaker 3>lots of coming on.

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<v Speaker 1>Coming up that'll be fascinating. Get the behind the scenes.

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<v Speaker 3>Loves to talk about Melrose, so we can't wait to

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<v Speaker 3>see him.

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<v Speaker 2>He was great. We loved him and before we start.

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<v Speaker 2>I just want to remind everyone to follow us still

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<v Speaker 2>the place on Instagram and TikTok and Facebook. All right,

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<v Speaker 2>here we go. I'm going to start us off and

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<v Speaker 2>then when I get exhausted, I'm going to hand it

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<v Speaker 2>over to Laura. She's so good at this, but I

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<v Speaker 2>want to give it a go. Okay, Jake Versus Jake

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<v Speaker 2>Season one, episode seventeen. Air date was November twenty fifth,

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<v Speaker 2>nineteen ninety two. Everyone thinking of what yesterday, nineteen yesterday?

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<v Speaker 3>Well, I will point out one thousand years I that

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<v Speaker 3>November of nineteen ninety two was an election year.

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<v Speaker 1>Yes, it was, just saying because we start the episode

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<v Speaker 1>with Rick d.

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<v Speaker 2>Yes, Rick D's Kiss FM, and he is saying as

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<v Speaker 2>the camera pulls into the courtyard, Rick D's is in

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<v Speaker 2>the morning says that there was a call in asking

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<v Speaker 2>about the new leader in the White House, and Rick says,

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<v Speaker 2>I think she's going to be.

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<v Speaker 3>Fine because they think the reference to Hillary Clinton She's

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<v Speaker 3>going to be just fine would have been something Rickty's

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<v Speaker 3>could have just as well, saying that time so still there.

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<v Speaker 1>I believe probably doing his show like that's when your

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<v Speaker 1>shows like yeah popular used to be read just in

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<v Speaker 1>Kelly used to be Ready, Kathy Late and the Right,

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<v Speaker 1>one of the shows that you do every ten years.

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<v Speaker 2>Well, I.

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<v Speaker 3>So Rickty's was a huge morning show DJ.

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<v Speaker 2>Yeah, and that would be my guess. Maybe the fans

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<v Speaker 2>will let us know. We start off on Allison and

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<v Speaker 2>Billy's apartment in the morning, and Billy is making breakfast,

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<v Speaker 2>Allison's getting coffee, Billy is talking about taking a job

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<v Speaker 2>as Santa in a department.

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<v Speaker 1>Store, and Allison is being rude.

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<v Speaker 3>She's very preoccupied with something.

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<v Speaker 2>I feel like he's so exciting.

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<v Speaker 1>She's preoccupied because otherwise she's just a bitch. Hop.

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<v Speaker 2>I think she's preoccupied by He's adorable, wonderful Hawaiian shirt

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<v Speaker 2>already and red and I just he comes in with

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<v Speaker 2>such wonderful energy and you're such a buzz Still.

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<v Speaker 3>Give her a break. She's preoccupied.

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<v Speaker 2>And then he notices that Alison's not paying attention.

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<v Speaker 3>Well, he's trying to get her attention, and he feels

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<v Speaker 3>like he's trying to be upbeat and fun, and when

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<v Speaker 3>that's not working, he says something a little shocking, and

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<v Speaker 3>that doesn't work either, and then he knows something's really think.

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<v Speaker 2>Yeah, it's kind of like now I do that with

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<v Speaker 2>my husband. I'm like, are you like, He'll just nod

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<v Speaker 2>and he'll are you listening?

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<v Speaker 3>And then he's like, but he tries to be prerocative,

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<v Speaker 3>and that didn't even penetrate. So he's like, all right,

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<v Speaker 3>that's it.

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<v Speaker 2>So what she says, No, I'm thinking about work, and

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<v Speaker 2>I think she's thinking about something else, but she says work,

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<v Speaker 2>And Billy asks Allison if she's looking forward to going

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<v Speaker 2>home and seeing the snow, and she just gets up

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<v Speaker 2>and leaves for work. So, yeah, you better be be

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<v Speaker 2>preoccupied or he's going to be your therapist again. And

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<v Speaker 2>didn't those twelve steps, So getting over him work, Allison?

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<v Speaker 2>All right. So next we're in Jane and Michael's apartment

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<v Speaker 2>and Jane and Michael are packing for a trip to

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<v Speaker 2>San Francisco, and she's all excited about it, making it

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<v Speaker 2>a romantic weekend for two. She talked her boss k

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<v Speaker 2>Beacon to being a secret shopper, so she thought she'd

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<v Speaker 2>get away with Michael and up to the city by

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<v Speaker 2>the Bay.

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<v Speaker 1>And having that, as we're reading this, you think, oh, good,

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<v Speaker 1>we're gonna go on vacation with.

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<v Speaker 3>We get to see that. No, we don't and it just.

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<v Speaker 1>Kind of we don't get dandalone.

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<v Speaker 3>No, we get to hear about it. Yeah, yeah, And

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<v Speaker 3>this conversation is sort of like Michael lamenting, wait a minute,

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<v Speaker 3>did they give me the time off for this? Because

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<v Speaker 3>I'm not a good doctor and I don't.

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<v Speaker 1>Actually again maybe into the maybe we're planting seeds for

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<v Speaker 1>the next episode.

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<v Speaker 3>Why are they giving me this time off at all?

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<v Speaker 2>I think it's reversed. I think it's like she's in

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<v Speaker 2>the lead, she's in a good mood, her job got

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<v Speaker 2>them this trip. And he's like, well, well, I don't know,

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<v Speaker 2>I don't know. Maybe I should stick around for work.

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<v Speaker 2>And she's like, you know, I'm taking on a romantic weekend.

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<v Speaker 2>Deal with it. And she goes up suggestively and says

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<v Speaker 2>take off your pants or.

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<v Speaker 1>Some I think they know.

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<v Speaker 2>At this point, he's like, oh, honey, I don't know.

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<v Speaker 1>He's going to make that dark turn. So now they're

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<v Speaker 1>making him like super super sweet like person. Then he

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<v Speaker 1>was maybe he's about to take a turn.

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<v Speaker 3>Well, it's funny because he does have another one of

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<v Speaker 3>those moments after last episode where he's completely ignoring her

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<v Speaker 3>like romantic suggestions. You know, She's like, hey, honey, she's

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<v Speaker 3>kissing him. She says, take off your pants. He's like,

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<v Speaker 3>oh no, no, no, no, you know, I'm like.

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<v Speaker 1>Our entire casin people who can't read. I can't read

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<v Speaker 1>the scene, like you're you're pushing You're pushing Grant away

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<v Speaker 1>the entire last episode. I'm rude to Billy and Michael's like, oh,

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<v Speaker 1>I couldn't possibly, beautiful.

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<v Speaker 3>Girl, you better not kiss right now.

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<v Speaker 2>Backing for this, I just love to see Michael like,

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<v Speaker 2>oh no, what are you doing? Anyway, they end up

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<v Speaker 2>making out on the beds.

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<v Speaker 3>It doesn't it's so she wins him over, but yeah,

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<v Speaker 3>he's pushing back.

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<v Speaker 2>So then we're in the courtyard and Billy locks the

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<v Speaker 2>apartment and walks across the courtyard and Jake comes out

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<v Speaker 2>and says, hey, Billy, can I borrow twenty bucks like

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<v Speaker 2>some of the times? Because twenty bucks. She's like, why,

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<v Speaker 2>what do you need? And he's like, oh, my own girl, what.

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<v Speaker 1>You can have twenty bucks? I'm taking a lady out

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<v Speaker 1>to a fantom mounch.

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<v Speaker 2>Yeah, my old girlfriend called, and I don't want to

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<v Speaker 2>seem like a dead beat, So can I have twenty bucks?

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<v Speaker 3>But I'm broke?

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<v Speaker 2>I mean it was somewhere in nineteen ninety two, I.

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<v Speaker 1>Guess, so, I know, But why would he be Brokes

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<v Speaker 1>motorcycle shop.

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<v Speaker 2>No, he doesn't. He works there. It's not his shop yet.

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<v Speaker 2>It's not a shop yet, because that's a storyline. Sorry,

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<v Speaker 2>because Joe remembers, because Joe I have had scenes with him.

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<v Speaker 2>He gets the shop. It's a whole big deal.

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<v Speaker 3>But Billy has a cash even though he's Santa for the.

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<v Speaker 2>Season, even though he was borrowing anyway, I'm just who

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<v Speaker 2>has the money? Okay, it doesn't. So then we're at

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<v Speaker 2>the medical center and Allison is at the doctor who

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<v Speaker 2>says to Alison she has an enlargement of her.

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<v Speaker 1>Uterus, which is so weird and vague to say, little

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<v Speaker 1>like a large.

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<v Speaker 3>Further information, tell me more, and.

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<v Speaker 2>She asks, is there any possibility that Allison could be pregnant?

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<v Speaker 2>You know, we'll run some tests, and I think I

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<v Speaker 2>think the whole audience goes like, oh my god, not

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<v Speaker 2>with Keith. Right.

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<v Speaker 3>Well, I think that's what Alison's thinking too. Well, I

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<v Speaker 3>did just get out of this horrible relationship.

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<v Speaker 1>Well then she said, but we do use protection and

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<v Speaker 1>I got my period, So I think the odds are

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<v Speaker 1>going right, but it did.

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<v Speaker 3>Look like Allison was maybe like, could it be you know?

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<v Speaker 3>And the doctor says, well.

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<v Speaker 1>Maybe she just has an attractively large uterus.

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<v Speaker 3>Well, I think that's what it is. Tell me more

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<v Speaker 3>about my.

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<v Speaker 2>Popular It is nerve wracking, I would think to hear that.

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<v Speaker 3>And they do.

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<v Speaker 1>Conclude that she needs more tests to know what's going.

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<v Speaker 2>So again they don't know enough. So here we are

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<v Speaker 2>at the Farmer's Market parking lot day. Matt and Ronda

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<v Speaker 2>are loading fruit into a van for the halfway house

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<v Speaker 2>that he got his job back at, and they're missing

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<v Speaker 2>a flat of strawberries. So Ronda goes into the Farmer's

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<v Speaker 2>Market to grab the fruit. She's got the strawberries, and

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<v Speaker 2>some guy comes up and takes the box from Ronda's hands.

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<v Speaker 1>She gets so mad, so fast.

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<v Speaker 3>They get into a tussle over this slat of strawberries.

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<v Speaker 3>Their minds, their minds of strawberries. Yeah yeah, but he's like, no,

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<v Speaker 3>these are special order and I paid for these, these

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<v Speaker 3>are mine. He pulls it back, and she pulls it

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<v Speaker 3>back on their mind and they're for they're donated for

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<v Speaker 3>street kids, and no mind.

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<v Speaker 2>She calls them a bully. I just love how protective

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<v Speaker 2>she is of the kids in the home, you know,

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<v Speaker 2>and like, who are you know?

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<v Speaker 1>These markets can be dicey, like.

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<v Speaker 3>Yeah, can get into a.

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<v Speaker 2>Man that comes up he's is still a mace. And

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<v Speaker 2>then Matt comes in and tells Ronda, oh, no, I

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<v Speaker 2>found the strawberries. Ours were good, never mind, and she's

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<v Speaker 2>like she gives them back the flat of strawberries to

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<v Speaker 2>this stranger, but she's still angry.

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<v Speaker 1>Very handsome stranger to that's every answer.

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<v Speaker 3>It's then when he sort of takes a look at

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<v Speaker 3>her and she she goes to leave and he follows

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<v Speaker 3>her out and he's like, hmm.

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<v Speaker 2>Yeah, so he it's Terrence. By the way, this is

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<v Speaker 2>introducing a character that is going to she's gonna yeah,

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<v Speaker 2>he have a nice storyline with her. Yeah, so this

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<v Speaker 2>is the beginning of it, this kind of banter. So

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<v Speaker 2>he follows her and you know, there's a shot of

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<v Speaker 2>like him behind her, and she's like, leave me alone.

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<v Speaker 2>I'm not interested in you. You're a pain in my ass.

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<v Speaker 2>And he's like, well, I could be interesting too, and

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<v Speaker 2>I'm kind of shy. Actually, I'm realizing right now we

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<v Speaker 2>find out Okay, I know why he needed the strawberries. Oh,

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<v Speaker 2>Penny just dropped. Daphne watched this episode three times.

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<v Speaker 3>But he apologizes, just figured out something right. I didn't

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<v Speaker 3>touch the fruit connection either when it came, when it comes,

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<v Speaker 3>But you're right, you know. What he does do is

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<v Speaker 3>like he notices, Hey, you're actually cute, and I wish

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<v Speaker 3>I hadn't, you know, come on so strong, and would

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<v Speaker 3>you be interested in going out? Sometimes in that scene,

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<v Speaker 3>I apologize for his behavior and ask.

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<v Speaker 2>Any kind of winds are over because she's like, okay,

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<v Speaker 2>but we're going to leave that little to the doctor's

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<v Speaker 2>office day and the doctor comes in and tells Alison

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<v Speaker 2>that she's not pregnant. But the doctor would like to

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<v Speaker 2>take some blood and do a sonogram figure out what's

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<v Speaker 2>going on.

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<v Speaker 1>And so here's my question. We haven't been a sonogram yet.

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<v Speaker 1>How visible is Allison's in large uterus.

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<v Speaker 3>There's a lot of questions here in this scene that

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<v Speaker 3>are very technical, and I don't think it serves us

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<v Speaker 3>to really open that door.

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<v Speaker 1>Your skirt's a little tighter, Notice you have a large

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<v Speaker 1>I don't think we should be asking all.

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<v Speaker 3>The questions right now. Keep going carry on, Carrie, except

0:11:02.640 --> 0:11:05.800
<v Speaker 3>accept the dialogue. Except circumstances.

0:11:05.880 --> 0:11:07.760
<v Speaker 1>This was written by a man. This is what first,

0:11:07.760 --> 0:11:09.960
<v Speaker 1>we say, margeaters, then we do a sonogram, and then

0:11:09.960 --> 0:11:11.120
<v Speaker 1>we're going to do a public.

0:11:10.800 --> 0:11:14.240
<v Speaker 3>Because we're just telling the story, folks.

0:11:14.679 --> 0:11:20.600
<v Speaker 2>He doesn't know what comes first. But Alison is, you know,

0:11:20.679 --> 0:11:23.920
<v Speaker 2>alarmed rightfully so and says, uh, do you know what's wrong?

0:11:23.960 --> 0:11:26.360
<v Speaker 2>And she's like, look, I don't know. We just need

0:11:26.400 --> 0:11:28.920
<v Speaker 2>to do some more tests. Could be any number of things.

0:11:29.000 --> 0:11:32.280
<v Speaker 2>And by the way, do you have insurance? And she's like, no,

0:11:32.360 --> 0:11:33.479
<v Speaker 2>by the way, I don't.

0:11:33.600 --> 0:11:37.120
<v Speaker 1>But she says specifically, I don't have hospitalization insurance. So

0:11:37.200 --> 0:11:37.719
<v Speaker 1>do I have?

0:11:38.160 --> 0:11:41.800
<v Speaker 3>She's talking about being a hospitalizer and like and the

0:11:41.920 --> 0:11:43.520
<v Speaker 3>operational insurance, like what.

0:11:43.400 --> 0:11:46.680
<v Speaker 1>The procedures sure is different than hospitalization. But anyway, we've

0:11:46.679 --> 0:11:49.320
<v Speaker 1>been talking about it. Yeah, we've been talking about insurance

0:11:49.559 --> 0:11:51.760
<v Speaker 1>and we're all up in arms about it. But any

0:11:51.800 --> 0:11:55.160
<v Speaker 1>insurance would include hospitalization. You might have a high deductible,

0:11:55.679 --> 0:11:58.000
<v Speaker 1>but you're not going to have insurance.

0:11:57.480 --> 0:12:01.120
<v Speaker 2>For well, I don't know some I mean, some policies

0:12:01.200 --> 0:12:02.560
<v Speaker 2>might not if you don't want to pay that much

0:12:02.640 --> 0:12:05.319
<v Speaker 2>or don't have that much because hospitals are so expensive.

0:12:05.640 --> 0:12:08.360
<v Speaker 3>Anyway, I think we're to we get in the weeds

0:12:08.360 --> 0:12:11.959
<v Speaker 3>if we actually ask these questions, because there's a lot

0:12:11.960 --> 0:12:15.040
<v Speaker 3>of it that doesn't quite make sense. But I think

0:12:15.040 --> 0:12:19.080
<v Speaker 3>the point is to say that, like the doctor is insinuating,

0:12:19.120 --> 0:12:23.240
<v Speaker 3>this could be really serious, and yeah, Alison has zero insurance.

0:12:23.440 --> 0:12:25.120
<v Speaker 1>It doesn't for any of it. And I think you're

0:12:25.160 --> 0:12:26.920
<v Speaker 1>right about not pulling you through because as the shows

0:12:26.960 --> 0:12:28.680
<v Speaker 1>get crazier and crazier, do not.

0:12:29.800 --> 0:12:33.160
<v Speaker 2>Do not The reality police know too early.

0:12:33.559 --> 0:12:37.240
<v Speaker 3>Don't ask wearing that, you don't ask, do not ask

0:12:37.240 --> 0:12:38.520
<v Speaker 3>why is she wearing a pillbox hat?

0:12:38.559 --> 0:12:41.440
<v Speaker 2>You don't ask? No, just go yeah, going with it.

0:12:41.559 --> 0:12:44.600
<v Speaker 3>Yeah, I will try to have an explanation, but I may.

0:12:44.679 --> 0:12:46.080
<v Speaker 2>We start now we're gonna be in trouble.

0:12:46.160 --> 0:12:49.760
<v Speaker 3>Yeah, so anyway, so anyway, now we're in the restaurant.

0:12:50.280 --> 0:12:53.480
<v Speaker 2>Yes, we're in the restaurant, and uh, Jake and his

0:12:53.520 --> 0:12:56.719
<v Speaker 2>ex girlfriend Colleen, they're having lunch at this nice restaurant

0:12:57.280 --> 0:13:00.200
<v Speaker 2>and reminiscing about the past. And Jake says, yeah, that

0:13:00.320 --> 0:13:02.560
<v Speaker 2>was all of five years ago, which today seems like

0:13:02.880 --> 0:13:06.000
<v Speaker 2>last week, you know, for me at my aide. For

0:13:06.000 --> 0:13:07.600
<v Speaker 2>someone to say, well that was five years ago, I'm

0:13:07.640 --> 0:13:11.200
<v Speaker 2>like five years ago went so fast but the point

0:13:11.320 --> 0:13:15.000
<v Speaker 2>is that this was a long time ago. That relationship's

0:13:15.000 --> 0:13:15.880
<v Speaker 2>over and gone.

0:13:16.440 --> 0:13:19.920
<v Speaker 1>But and did she you guys, this was Beth Toussaint.

0:13:20.160 --> 0:13:22.440
<v Speaker 1>She was on Dallas. Do you remember her from Dallas?

0:13:22.440 --> 0:13:25.840
<v Speaker 1>She looks she was on Dallas and Young and the Restless.

0:13:25.440 --> 0:13:27.280
<v Speaker 3>After after Moros was young in the wrestles.

0:13:27.400 --> 0:13:28.960
<v Speaker 1>Yea, I must have known her from Dallas. She was

0:13:29.080 --> 0:13:30.280
<v Speaker 1>so familiar to me.

0:13:30.960 --> 0:13:33.200
<v Speaker 2>Well she was great in this Yep, she was great.

0:13:33.360 --> 0:13:36.560
<v Speaker 2>So she says, by the way, I have a four

0:13:36.600 --> 0:13:40.439
<v Speaker 2>and a half year old son named David, and you, Jake,

0:13:40.520 --> 0:13:45.360
<v Speaker 2>are the biological father. And you know this guy Robert

0:13:45.480 --> 0:13:50.160
<v Speaker 2>to legally be David's dad since he's the only father

0:13:50.280 --> 0:13:55.640
<v Speaker 2>that the son has known. And Grant is just like gobsmacked,

0:13:55.800 --> 0:14:01.199
<v Speaker 2>slow the f downady, what I am and just launches

0:14:01.280 --> 0:14:05.440
<v Speaker 2>us into his story for this episode. So he ends

0:14:05.440 --> 0:14:08.240
<v Speaker 2>this by saying, no, I'm not signing it off. I'm

0:14:08.240 --> 0:14:09.720
<v Speaker 2>the father and I'm not going anywhere.

0:14:09.760 --> 0:14:11.760
<v Speaker 1>And she does make She does explain that she put

0:14:11.800 --> 0:14:13.160
<v Speaker 1>his name on the birth cert to fake. Because I

0:14:13.200 --> 0:14:15.520
<v Speaker 1>was thinking, why I tell him at all? She said this.

0:14:15.640 --> 0:14:18.240
<v Speaker 1>They did explain, Laura, they.

0:14:18.120 --> 0:14:19.360
<v Speaker 3>Did we have this information.

0:14:19.520 --> 0:14:23.840
<v Speaker 2>I thought this was so horrible of her. I can't

0:14:23.840 --> 0:14:26.240
<v Speaker 2>even imagine, Like, I mean, I don't know, but to

0:14:26.320 --> 0:14:28.240
<v Speaker 2>wait five years and then to go to the guy

0:14:28.240 --> 0:14:29.880
<v Speaker 2>and you're going to actually bring it up to him

0:14:29.920 --> 0:14:31.760
<v Speaker 2>and then say, oh, but you can have nothing to

0:14:31.800 --> 0:14:35.000
<v Speaker 2>do with him. Oh, like he doesn't even have a choice.

0:14:35.040 --> 0:14:37.040
<v Speaker 3>Well, it's also a little bit of a thread to pull,

0:14:37.240 --> 0:14:40.000
<v Speaker 3>to say, because we're going to learn that he's the

0:14:40.000 --> 0:14:43.760
<v Speaker 3>one who was leaving for California at the time when

0:14:43.800 --> 0:14:45.360
<v Speaker 3>she was finding out that she was pregnant, and she

0:14:45.520 --> 0:14:47.600
<v Speaker 3>chose not to tell him. She tells him that here,

0:14:47.680 --> 0:14:51.160
<v Speaker 3>so like, yeah, he was leaving for California. She also says,

0:14:51.160 --> 0:14:53.800
<v Speaker 3>you know, I loved you, but you were leaving and

0:14:53.840 --> 0:14:57.400
<v Speaker 3>so I couldn't tell you. And now five years have passed,

0:14:57.520 --> 0:15:01.080
<v Speaker 3>I'm married to a wonderful man who is very successful.

0:15:01.160 --> 0:15:04.280
<v Speaker 2>She mentions for my for me, though she didn't make

0:15:04.320 --> 0:15:07.360
<v Speaker 2>it clear that they weren't serious enough or they didn't

0:15:07.400 --> 0:15:10.280
<v Speaker 2>give it a go, right, and so that's too little

0:15:10.360 --> 0:15:13.440
<v Speaker 2>information for me to go, Okay, well, this is a

0:15:14.160 --> 0:15:16.440
<v Speaker 2>this is a you know, we have this kid, but

0:15:17.520 --> 0:15:21.400
<v Speaker 2>it doesn't justify enough how we broke up or you

0:15:21.480 --> 0:15:24.400
<v Speaker 2>left and you didn't want us to end or anything. Yeah,

0:15:24.480 --> 0:15:27.240
<v Speaker 2>I still thought it was very it's a little vague

0:15:27.440 --> 0:15:30.120
<v Speaker 2>shocking that she would come to him and say all this,

0:15:30.280 --> 0:15:31.720
<v Speaker 2>and so he's shocked.

0:15:31.920 --> 0:15:33.800
<v Speaker 3>He is justifiably also shocked.

0:15:33.880 --> 0:15:36.440
<v Speaker 2>So now we're at Shooters at night and Joe and

0:15:36.560 --> 0:15:38.840
<v Speaker 2>Jake are both at Shooters having a drink, and Jake

0:15:39.000 --> 0:15:41.200
<v Speaker 2>is like, I'd like to be left alone. He leaves.

0:15:41.760 --> 0:15:44.240
<v Speaker 2>She's like, no, wait a second. You know, just because

0:15:44.280 --> 0:15:47.040
<v Speaker 2>they can't be trusted doesn't mean I'm not a good listener.

0:15:47.480 --> 0:15:49.560
<v Speaker 2>So she follows him over to the bar and she,

0:15:49.760 --> 0:15:52.680
<v Speaker 2>you know, she's like, tell me, tell me, and he

0:15:52.880 --> 0:15:56.640
<v Speaker 2>tells her that his ex girlfriend from Washington showed up

0:15:57.080 --> 0:16:02.840
<v Speaker 2>and told him that he has a kid bomb and

0:16:02.920 --> 0:16:06.960
<v Speaker 2>she's wide eyed and we're all like what, And so

0:16:07.080 --> 0:16:10.000
<v Speaker 2>Joe's white eyed and asks Jake, wait a second, do

0:16:10.000 --> 0:16:12.480
<v Speaker 2>you know for sure that it's your kid?

0:16:12.920 --> 0:16:15.080
<v Speaker 3>Right? First things first need to know if that's yeah,

0:16:15.240 --> 0:16:15.760
<v Speaker 3>really right?

0:16:16.160 --> 0:16:19.760
<v Speaker 2>A normal question, And then Jake says, yeah, yeah, Colleen

0:16:19.800 --> 0:16:22.560
<v Speaker 2>wouldn't lie about this. And then Jake says that Colleen

0:16:22.640 --> 0:16:26.120
<v Speaker 2>wants Jake out of the picture, which is devastating, Like

0:16:26.640 --> 0:16:28.720
<v Speaker 2>came all the way here to say, oh, you have

0:16:28.800 --> 0:16:30.840
<v Speaker 2>this kid you didn't know about, and I don't want

0:16:30.840 --> 0:16:33.080
<v Speaker 2>you to be the dad. It's a lot. It's I

0:16:33.120 --> 0:16:35.640
<v Speaker 2>was really shocked and felt for him, and I didn't

0:16:35.640 --> 0:16:37.840
<v Speaker 2>think it was right of her. But anyway, but then

0:16:37.920 --> 0:16:40.320
<v Speaker 2>Jake says to Joe, you know, it makes a difference

0:16:40.600 --> 0:16:42.520
<v Speaker 2>to him now that he knows he has a son

0:16:43.400 --> 0:16:45.760
<v Speaker 2>and he wants to bring the son home with him.

0:16:46.160 --> 0:16:48.840
<v Speaker 2>And Joe's like, wait a second, Jake, you might be

0:16:48.920 --> 0:16:52.040
<v Speaker 2>wrong about this and that they have a family. She's

0:16:52.200 --> 0:16:54.800
<v Speaker 2>you know, with someone else, and you might blow up

0:16:54.840 --> 0:16:57.520
<v Speaker 2>a family. And of course, the minute that comes out

0:16:57.520 --> 0:16:59.320
<v Speaker 2>of my mouth, by the way, I was like, no, no,

0:16:59.440 --> 0:17:00.040
<v Speaker 2>don't say this.

0:17:02.720 --> 0:17:02.840
<v Speaker 1>Thing.

0:17:02.920 --> 0:17:05.160
<v Speaker 3>Well, because he really objects to that. He's the word

0:17:05.200 --> 0:17:06.560
<v Speaker 3>family right, that doesn't have.

0:17:06.840 --> 0:17:07.520
<v Speaker 2>In the family.

0:17:07.680 --> 0:17:07.880
<v Speaker 3>Yeah.

0:17:08.440 --> 0:17:10.720
<v Speaker 2>Yeah, So he says like, you just don't understand. You

0:17:10.760 --> 0:17:14.639
<v Speaker 2>don't understand what guys feel. Joe says, yeah, well, I

0:17:14.720 --> 0:17:17.080
<v Speaker 2>just don't understand guys who feel because they love someone

0:17:17.720 --> 0:17:20.040
<v Speaker 2>feels like they own them. So that tells a little

0:17:20.040 --> 0:17:23.200
<v Speaker 2>bit about her past and her you know what, she's

0:17:23.240 --> 0:17:25.760
<v Speaker 2>exhibited a theme, yeah, that bit of olympus.

0:17:26.359 --> 0:17:27.000
<v Speaker 3>Yeah yeah.

0:17:27.040 --> 0:17:30.120
<v Speaker 2>So then he's like, I'm done talking to you.

0:17:30.200 --> 0:17:30.639
<v Speaker 3>I don't want to.

0:17:30.680 --> 0:17:32.720
<v Speaker 2>Basically, you suck, you can't be trusted, and you suck

0:17:32.760 --> 0:17:39.000
<v Speaker 2>as a listener. Okay, and then anyone, he wants me

0:17:39.080 --> 0:17:41.240
<v Speaker 2>alone and and so, but she gets up to leave.

0:17:41.320 --> 0:17:50.199
<v Speaker 2>So they're still trying to figure their stuff out. So

0:17:50.280 --> 0:17:54.080
<v Speaker 2>we are in Alison and Billy's apartment and Allison is

0:17:54.119 --> 0:17:56.280
<v Speaker 2>on the phone with her doctor and Billy comes in

0:17:56.359 --> 0:17:58.600
<v Speaker 2>and here's part of it and is like, hey, what's

0:17:58.680 --> 0:18:01.760
<v Speaker 2>that all about. She's says, no, nothing, I got I

0:18:01.840 --> 0:18:03.840
<v Speaker 2>got to take care of it myself. And he's like, no,

0:18:03.960 --> 0:18:05.920
<v Speaker 2>let me be a friend and I can help you out.

0:18:06.320 --> 0:18:11.600
<v Speaker 2>And she opens a refrigerator. She's still rebuffing him and says, oh,

0:18:11.720 --> 0:18:14.480
<v Speaker 2>you drink the last soda. You want to help get

0:18:14.520 --> 0:18:15.000
<v Speaker 2>some more?

0:18:15.520 --> 0:18:16.800
<v Speaker 1>And she goes to arm.

0:18:17.119 --> 0:18:19.919
<v Speaker 3>All of a sudden, she's so passionate about her soda.

0:18:20.000 --> 0:18:22.280
<v Speaker 3>She didn't strike me as a soda drinker until now.

0:18:22.720 --> 0:18:25.360
<v Speaker 2>I think it's a sign of like a big uterus

0:18:25.440 --> 0:18:29.680
<v Speaker 2>or something.

0:18:26.520 --> 0:18:32.480
<v Speaker 3>I think you need soda.

0:18:32.680 --> 0:18:36.000
<v Speaker 2>So she slams the door and he's left going what

0:18:36.040 --> 0:18:40.480
<v Speaker 2>that hell? And okay. So next we are in the restaurant,

0:18:40.600 --> 0:18:43.119
<v Speaker 2>so Ronda and the lovely guy from the Farmer's Market.

0:18:43.320 --> 0:18:46.119
<v Speaker 2>Terrence are out on a date at a very fancy

0:18:46.200 --> 0:18:50.600
<v Speaker 2>restaurant and they are at the front Majer D's stand

0:18:50.760 --> 0:18:51.440
<v Speaker 2>and she's.

0:18:51.200 --> 0:18:56.080
<v Speaker 1>Complaining, she's carrying right over from the Farmer's Market. She's

0:18:56.119 --> 0:18:56.800
<v Speaker 1>fired up again.

0:18:56.920 --> 0:18:59.080
<v Speaker 3>Yes, she's got your complaints.

0:18:59.320 --> 0:19:03.200
<v Speaker 2>She's complaining that the Mayor d is like where they're

0:19:03.440 --> 0:19:05.720
<v Speaker 2>taking them to the table, and how.

0:19:05.600 --> 0:19:08.119
<v Speaker 1>They're treating looking at them, they're getting ignored.

0:19:07.960 --> 0:19:10.959
<v Speaker 2>Treating them poorly. And he's like, you know, aren't they

0:19:11.000 --> 0:19:14.440
<v Speaker 2>all like that? And anyway, uh.

0:19:14.160 --> 0:19:16.080
<v Speaker 1>And they do take them to a table right by

0:19:16.080 --> 0:19:18.480
<v Speaker 1>the swinging doors to the kitchen, so every time you're

0:19:18.480 --> 0:19:20.479
<v Speaker 1>on her shot, the doors are swinging.

0:19:20.720 --> 0:19:22.760
<v Speaker 2>Yeah, she's not wrong's good.

0:19:22.800 --> 0:19:24.200
<v Speaker 1>Yeah.

0:19:24.280 --> 0:19:27.119
<v Speaker 2>And and so they sit down way back there and

0:19:27.119 --> 0:19:29.480
<v Speaker 2>he goes, well, that's fine. The food's the same all

0:19:29.520 --> 0:19:30.439
<v Speaker 2>over the restaurant.

0:19:30.600 --> 0:19:33.000
<v Speaker 1>And try actually says to her, are you implying that

0:19:33.119 --> 0:19:35.840
<v Speaker 1>this is racial? Or yeah? Because we're not dressed really well,

0:19:35.960 --> 0:19:36.640
<v Speaker 1>what is it you think?

0:19:36.840 --> 0:19:37.439
<v Speaker 2>What's happening?

0:19:37.680 --> 0:19:38.120
<v Speaker 3>Yeah?

0:19:38.240 --> 0:19:40.960
<v Speaker 2>Yeah? And so or do you think yeah? And she's

0:19:41.000 --> 0:19:45.239
<v Speaker 2>like probably both. Uh So then Ronda suggests that they go,

0:19:45.320 --> 0:19:47.840
<v Speaker 2>let's just go to Pinks and get some dogs and

0:19:48.000 --> 0:19:51.240
<v Speaker 2>go to the beach and yeah, famous la stand isn't

0:19:51.280 --> 0:19:52.240
<v Speaker 2>that on? Uh?

0:19:52.400 --> 0:19:53.720
<v Speaker 3>Lebria, Lebria.

0:19:53.760 --> 0:19:55.879
<v Speaker 2>And then the major d comes over and whispers into

0:19:55.960 --> 0:20:01.439
<v Speaker 2>Terrence's ear and Ronda says, now what so exasperated and

0:20:01.520 --> 0:20:04.080
<v Speaker 2>Tara says, well, the chef wants to talk to the

0:20:04.119 --> 0:20:07.080
<v Speaker 2>owner of the restaurant about the dinner.

0:20:07.920 --> 0:20:10.800
<v Speaker 3>And I'm the owner, by the.

0:20:10.760 --> 0:20:15.640
<v Speaker 1>Way, So she's like why he was testing her though? Seriously,

0:20:15.720 --> 0:20:17.199
<v Speaker 1>Like is it a test to put her at the

0:20:17.200 --> 0:20:19.159
<v Speaker 1>bat because obviously he's the owner, he should have the

0:20:19.200 --> 0:20:21.080
<v Speaker 1>best table in the house. Do you think he was

0:20:21.119 --> 0:20:21.639
<v Speaker 1>testing her?

0:20:21.840 --> 0:20:23.680
<v Speaker 2>I was thinking maybe he wanted privacy.

0:20:23.840 --> 0:20:25.720
<v Speaker 1>Yeah, nobody wants to sit by the swinging door.

0:20:26.359 --> 0:20:29.040
<v Speaker 3>I even noticed the swing door, Like I don't care

0:20:29.080 --> 0:20:31.080
<v Speaker 3>about this stuff, you know, like, look at me, I'm

0:20:31.359 --> 0:20:33.560
<v Speaker 3>I'm actually the owner. We're going to find out later.

0:20:33.560 --> 0:20:35.359
<v Speaker 3>He drives a fancy card, but that he's trying to

0:20:35.400 --> 0:20:37.440
<v Speaker 3>be like, I have all this stuff, but I don't

0:20:37.440 --> 0:20:39.639
<v Speaker 3>care about this stuff. Why do you care? What is

0:20:39.640 --> 0:20:40.880
<v Speaker 3>it that you think is happening here?

0:20:41.359 --> 0:20:43.160
<v Speaker 2>Like that's what he challenged, trying to win her over,

0:20:43.200 --> 0:20:45.560
<v Speaker 2>and he's got a big hurdle because she doesn't like him.

0:20:45.560 --> 0:20:47.160
<v Speaker 2>Already from the morning.

0:20:47.880 --> 0:20:50.119
<v Speaker 3>She's a little Yeah, she's just a little annoyed. But

0:20:50.160 --> 0:20:52.320
<v Speaker 3>he's like, hey, this is all and by the way,

0:20:52.359 --> 0:20:53.119
<v Speaker 3>I own this place.

0:20:54.440 --> 0:20:55.600
<v Speaker 1>She's a lovely surprise.

0:20:56.560 --> 0:20:59.960
<v Speaker 2>So next we're yeah, next we're at the hotel lobby

0:21:00.200 --> 0:21:03.760
<v Speaker 2>and I noticed where they This is where Jake. Jake

0:21:03.880 --> 0:21:06.560
<v Speaker 2>is here in the lobby and he's there in his

0:21:06.720 --> 0:21:08.560
<v Speaker 2>leather jacket holding a teddy bear.

0:21:08.720 --> 0:21:09.879
<v Speaker 1>Do you think was it shut flows?

0:21:10.480 --> 0:21:15.879
<v Speaker 2>Oh? The low lows down. It was so pretty, so pretty.

0:21:15.960 --> 0:21:17.480
<v Speaker 3>Yeah, he looks out of place because he's in his

0:21:17.560 --> 0:21:18.560
<v Speaker 3>leather jacket.

0:21:18.480 --> 0:21:22.119
<v Speaker 2>With holding a teddy bear holding So he walks through

0:21:22.160 --> 0:21:24.320
<v Speaker 2>the lobby into the back and there's a pool at

0:21:24.359 --> 0:21:30.760
<v Speaker 2>the back facing the ocean, and he watches. He watches

0:21:30.960 --> 0:21:36.320
<v Speaker 2>Colleen and Robert and David the kid playing in the.

0:21:36.320 --> 0:21:38.720
<v Speaker 1>Pool in a tiny speedo, which.

0:21:41.280 --> 0:21:42.800
<v Speaker 3>It was his nineteen ninety two speedo.

0:21:43.119 --> 0:21:47.000
<v Speaker 2>Yeah, so anyway, he Colleen sees Jake spying on them

0:21:47.320 --> 0:21:50.880
<v Speaker 2>and comes over and is like, what are you doing here?

0:21:51.359 --> 0:21:55.359
<v Speaker 2>Don't mess up my plan and don't be seen here.

0:21:55.480 --> 0:21:57.040
<v Speaker 2>If you want to talk to me, you call me.

0:21:57.400 --> 0:21:59.160
<v Speaker 2>Don't be macho, and don't ruin this.

0:21:59.119 --> 0:22:01.160
<v Speaker 1>Which is a good point. By the way, the kid

0:22:01.359 --> 0:22:04.879
<v Speaker 1>is Miko Hughes, who was in pet Cemetery and also

0:22:04.960 --> 0:22:05.760
<v Speaker 1>Full House.

0:22:05.760 --> 0:22:08.120
<v Speaker 2>And then a bunch of I looked him up and

0:22:08.200 --> 0:22:10.080
<v Speaker 2>I saw people saying, I think it was on a

0:22:10.119 --> 0:22:13.080
<v Speaker 2>podcast how a child actor became a horror star. So

0:22:13.119 --> 0:22:16.440
<v Speaker 2>he did a bunch of horror films. Yeah, I guess

0:22:16.480 --> 0:22:19.080
<v Speaker 2>his experience set him on his way, and he was

0:22:19.080 --> 0:22:20.040
<v Speaker 2>probably like six.

0:22:20.320 --> 0:22:24.040
<v Speaker 1>Here was adorable, right, Yeah, my little young to can act.

0:22:24.119 --> 0:22:26.520
<v Speaker 2>They just pound, Yeah, he was really really good. He

0:22:26.560 --> 0:22:29.840
<v Speaker 2>was adorable. So the little kid, David looks back at

0:22:29.920 --> 0:22:32.080
<v Speaker 2>Jake as they walk away.

0:22:32.280 --> 0:22:34.959
<v Speaker 3>He walks away holding his dad's hand and yeah, and

0:22:35.080 --> 0:22:39.640
<v Speaker 3>Jake just watches. He's holding out ty baron painful, pretty.

0:22:39.320 --> 0:22:42.160
<v Speaker 2>Heart break, pretty heard. And then we all have come

0:22:42.200 --> 0:22:45.840
<v Speaker 2>to know and love Jake. I mean, yeah, grant Jake.

0:22:46.480 --> 0:22:48.040
<v Speaker 2>And so it is I think as hard as an

0:22:48.080 --> 0:22:50.520
<v Speaker 2>audience member to just see because he's such a good guy,

0:22:50.640 --> 0:22:53.639
<v Speaker 2>is my point, right, We're always pointing that out. So

0:22:53.760 --> 0:22:57.640
<v Speaker 2>now Ronda is walking down the street in workout gear

0:22:57.680 --> 0:23:00.000
<v Speaker 2>when Terrence pulls up and a Mercedes convertible.

0:23:00.440 --> 0:23:00.800
<v Speaker 1>Nice.

0:23:01.040 --> 0:23:04.359
<v Speaker 2>He's a very wealthy guy, clearly, and he says, hey,

0:23:06.000 --> 0:23:08.480
<v Speaker 2>Matt told me that you would see you around here.

0:23:08.680 --> 0:23:12.680
<v Speaker 2>I'd see you here, and Terence says, come to Catalina

0:23:12.720 --> 0:23:16.639
<v Speaker 2>with me, and she's like, well, I'd love to, but

0:23:16.680 --> 0:23:19.480
<v Speaker 2>I have errands to run and a Saturday class to teach,

0:23:19.520 --> 0:23:24.800
<v Speaker 2>and he Terence asks to chauffeur Randa to her class.

0:23:25.359 --> 0:23:28.359
<v Speaker 2>Ronda notices that it's not the same car Terence drove

0:23:28.440 --> 0:23:32.159
<v Speaker 2>on date night, and she's like, what you have like

0:23:32.200 --> 0:23:35.280
<v Speaker 2>all these cars and he's like, yeah, that was for

0:23:35.359 --> 0:23:36.360
<v Speaker 2>the schlepping around.

0:23:36.600 --> 0:23:39.560
<v Speaker 3>His Toyota is just for schlepping vegetables. And apparently for

0:23:39.640 --> 0:23:40.359
<v Speaker 3>first dates.

0:23:40.560 --> 0:23:43.199
<v Speaker 1>Maybe it was a test. Yeah, the bad table and

0:23:43.240 --> 0:23:45.119
<v Speaker 1>everything to sort of read her, and he told everything

0:23:45.280 --> 0:23:47.040
<v Speaker 1>to make a big deal. So probably the maitreat. He

0:23:47.119 --> 0:23:49.600
<v Speaker 1>wasn't looking at him because he said, don't make a

0:23:49.640 --> 0:23:50.680
<v Speaker 1>big deal because he wanted to.

0:23:50.920 --> 0:23:54.879
<v Speaker 2>Yes for him, very good, very good putting all the

0:23:54.960 --> 0:23:59.400
<v Speaker 2>pots together. But now now I want to get over stuff.

0:24:01.720 --> 0:24:04.800
<v Speaker 3>So now he's got his fancy Mercedes convertible and he says,

0:24:04.840 --> 0:24:06.280
<v Speaker 3>this one is for town.

0:24:07.200 --> 0:24:10.080
<v Speaker 2>And I want to take you to Catalina. Ronda asked

0:24:10.119 --> 0:24:12.200
<v Speaker 2>Harence if he wants to go tomorrow night. While he's

0:24:12.240 --> 0:24:15.560
<v Speaker 2>getting in the car and he says, yes, you bet.

0:24:16.200 --> 0:24:19.520
<v Speaker 2>Alison and Billy's apartment. Billy walks into the room in

0:24:19.640 --> 0:24:22.879
<v Speaker 2>full Santa costume where Alison is getting coffee.

0:24:22.520 --> 0:24:26.359
<v Speaker 1>Because he needs to be more adorable. Yeah, let's just

0:24:26.520 --> 0:24:27.200
<v Speaker 1>up the volume.

0:24:28.280 --> 0:24:31.040
<v Speaker 2>Yes, you're not gonna let me. Actually, you're going to

0:24:31.080 --> 0:24:33.639
<v Speaker 2>say everything's fine. I'm going to act like everything's fine.

0:24:33.720 --> 0:24:40.360
<v Speaker 2>I'm going to ignore the passive aggression. So she goes, oh, good,

0:24:40.400 --> 0:24:45.600
<v Speaker 2>you got the job. Totally less than thrilled. Alison goes

0:24:45.640 --> 0:24:47.720
<v Speaker 2>into the living room and all of a sudden starts

0:24:47.720 --> 0:24:50.560
<v Speaker 2>crying on the couch and Billy.

0:24:50.680 --> 0:24:53.679
<v Speaker 3>Like from zero to a thousand, he's goofing around in

0:24:53.720 --> 0:24:56.560
<v Speaker 3>his in his best Santa voice, and he sits down

0:24:56.600 --> 0:24:59.239
<v Speaker 3>next to her. She's turned away, and he says, what

0:24:59.280 --> 0:25:02.520
<v Speaker 3>do you want for Christmas? And she just and that's

0:25:02.720 --> 0:25:05.120
<v Speaker 3>that was the final She loses.

0:25:04.800 --> 0:25:08.359
<v Speaker 2>It starts to cry. So He's notices that she's upset

0:25:08.400 --> 0:25:11.200
<v Speaker 2>and takes off the Santa beard and says, hey, what

0:25:11.359 --> 0:25:16.000
<v Speaker 2>is going on? And she tells them they found a

0:25:16.200 --> 0:25:21.639
<v Speaker 2>benign tumor in my uterus and that is rapidly growing,

0:25:21.960 --> 0:25:25.119
<v Speaker 2>and he is absolutely shocked. But that she says she

0:25:25.160 --> 0:25:28.040
<v Speaker 2>needs an operation to have it removed. It's not cancer,

0:25:28.400 --> 0:25:30.560
<v Speaker 2>but it could mess up having children.

0:25:30.880 --> 0:25:33.639
<v Speaker 1>My mom called this my Stella Dallas speech because Stella

0:25:33.680 --> 0:25:35.800
<v Speaker 1>Dallas is like a soap person in the fifty there's

0:25:35.800 --> 0:25:38.280
<v Speaker 1>always something and it was like of a benign tumor.

0:25:38.320 --> 0:25:41.520
<v Speaker 1>It's rapidly growing. It's an operations up my kids of

0:25:41.560 --> 0:25:45.119
<v Speaker 1>having children. Oh be sure, there's another thing. I get there.

0:25:45.960 --> 0:25:48.800
<v Speaker 3>It was just like single, I have to tell you

0:25:48.840 --> 0:25:50.600
<v Speaker 3>all the things that's hilarious.

0:25:52.240 --> 0:25:53.879
<v Speaker 1>Ye peel him out of it.

0:25:53.920 --> 0:25:55.360
<v Speaker 2>Did your mom watch us with you?

0:25:56.480 --> 0:25:59.120
<v Speaker 1>Not with me? But she talked to me after she did.

0:25:59.160 --> 0:26:01.240
<v Speaker 2>She watched it was is one more thing?

0:26:01.480 --> 0:26:05.000
<v Speaker 1>Yeah, also, and then the worst part.

0:26:04.880 --> 0:26:07.240
<v Speaker 3>Is and the thing is you have to do as

0:26:07.320 --> 0:26:10.159
<v Speaker 3>the actor. You have to do that a million times.

0:26:10.280 --> 0:26:12.399
<v Speaker 3>You have to keep saying these lines and after a

0:26:12.400 --> 0:26:14.640
<v Speaker 3>while you're like, okay, yeah, it's hard.

0:26:14.720 --> 0:26:17.159
<v Speaker 2>You must have been like, you know, like, oh, I

0:26:17.160 --> 0:26:21.160
<v Speaker 2>gotta do this again from the side and.

0:26:20.000 --> 0:26:22.240
<v Speaker 1>I remember listening to tory Amos like I found a

0:26:22.280 --> 0:26:24.879
<v Speaker 1>really sad song. I remember again prepping for this, and

0:26:24.920 --> 0:26:26.439
<v Speaker 1>then I think by the time we did it, I

0:26:26.480 --> 0:26:29.399
<v Speaker 1>just couldn't stop crying, Like I have a prepared I

0:26:29.560 --> 0:26:33.320
<v Speaker 1>want you going built. But I didn't build it. I

0:26:33.440 --> 0:26:37.720
<v Speaker 1>just just whatever I was like, Yeah, whatever I was

0:26:37.760 --> 0:26:41.520
<v Speaker 1>working on just completely took over because as a yeah,

0:26:41.560 --> 0:26:44.399
<v Speaker 1>Alison is crying and crying, faying, well this like maybe

0:26:44.720 --> 0:26:47.000
<v Speaker 1>wait and start crying on I can't have children, but

0:26:47.040 --> 0:26:49.240
<v Speaker 1>I start crying, I haven't benign tumor.

0:26:51.200 --> 0:26:54.960
<v Speaker 3>I well, it's a long scene and there's a lot

0:26:55.040 --> 0:26:57.320
<v Speaker 3>she has to get out, and you sustained.

0:26:56.880 --> 0:26:58.960
<v Speaker 2>It for the whole scene and it was great.

0:26:59.160 --> 0:27:01.639
<v Speaker 1>I was very sweet, but it didn't start but you

0:27:01.680 --> 0:27:03.320
<v Speaker 1>had a like you can tell like I was off

0:27:03.359 --> 0:27:05.679
<v Speaker 1>camera listening and I'm like go, I'm read go.

0:27:06.800 --> 0:27:07.440
<v Speaker 2>Just like.

0:27:09.359 --> 0:27:12.440
<v Speaker 3>You had a lot of information to tell Billy too.

0:27:12.359 --> 0:27:16.320
<v Speaker 2>Yeah, and upset about all of it was my parents

0:27:16.359 --> 0:27:17.800
<v Speaker 2>can't afford.

0:27:16.920 --> 0:27:18.720
<v Speaker 3>You Santa suit.

0:27:21.680 --> 0:27:23.920
<v Speaker 2>And then he goes, you'll it'll be okay, and he

0:27:24.040 --> 0:27:26.480
<v Speaker 2>leans over in that Santa suit gives you a big hug.

0:27:26.760 --> 0:27:29.720
<v Speaker 3>Yeah, he says, and that that's what that's when she

0:27:29.760 --> 0:27:31.880
<v Speaker 3>also reveals that she doesn't have health insurance and that's

0:27:31.920 --> 0:27:32.639
<v Speaker 3>the real thing.

0:27:32.560 --> 0:27:35.160
<v Speaker 1>She's And is this when he said because this line

0:27:35.280 --> 0:27:37.960
<v Speaker 1>killed me, but maybe it was when he goes, I'm

0:27:37.960 --> 0:27:40.200
<v Speaker 1>going to do everything I can to help you everything,

0:27:40.280 --> 0:27:42.560
<v Speaker 1>so get used to it was that this Because he

0:27:42.560 --> 0:27:47.879
<v Speaker 1>said that, I was like, ever, isn't that sweet? No,

0:27:47.920 --> 0:27:50.600
<v Speaker 1>I think that that's coming up.

0:27:50.680 --> 0:27:52.520
<v Speaker 3>He also says we'll find a way, We'll find a

0:27:52.560 --> 0:27:55.000
<v Speaker 3>way to make this work, and then she's like she

0:27:55.119 --> 0:27:57.880
<v Speaker 3>smiles through. It's like, you know, somehow sitting there looking

0:27:57.920 --> 0:28:01.200
<v Speaker 3>at you as Santa. I believe if Santa says it,

0:28:01.400 --> 0:28:03.280
<v Speaker 3>I actually believe it's very sweet. And that's when he

0:28:03.359 --> 0:28:05.000
<v Speaker 3>hugs her in his big risks again. You know, we've

0:28:05.000 --> 0:28:06.280
<v Speaker 3>always noticed that she cries.

0:28:06.720 --> 0:28:09.680
<v Speaker 2>We've always noticed the drama versus the humor. I mean,

0:28:09.760 --> 0:28:11.720
<v Speaker 2>you know, the stuff that these writers. This isn't just

0:28:11.720 --> 0:28:16.480
<v Speaker 2>a straight drama. This is a very out there show.

0:28:16.520 --> 0:28:18.359
<v Speaker 2>And I just love how the writers like have it

0:28:18.520 --> 0:28:20.520
<v Speaker 2>you pouring all this out and he's in a big

0:28:20.560 --> 0:28:23.679
<v Speaker 2>Santa alfad, I'm going to take care of you, And

0:28:23.840 --> 0:28:25.679
<v Speaker 2>there's always that lightness in that humor.

0:28:29.960 --> 0:28:32.119
<v Speaker 3>We're in the courtyard where Joe is knocking on Jake's

0:28:32.160 --> 0:28:34.239
<v Speaker 3>door with a bag of groceries she's carrying him. When

0:28:34.280 --> 0:28:36.760
<v Speaker 3>Jake answers the door, Joe says she came to apologize

0:28:36.800 --> 0:28:39.840
<v Speaker 3>for last night at Shooters. She asks if Jake will

0:28:39.840 --> 0:28:42.720
<v Speaker 3>accept the peace offerings she has brought, including the baggette

0:28:42.720 --> 0:28:45.120
<v Speaker 3>that's sticking out of the bag, and she says they

0:28:45.120 --> 0:28:47.480
<v Speaker 3>don't have to talk about anything, and so he agrees

0:28:47.520 --> 0:28:49.760
<v Speaker 3>to let her in, and then inside the apartment, she's

0:28:49.840 --> 0:28:53.920
<v Speaker 3>pouring wine while Jake tells her that he's thinking about

0:28:53.920 --> 0:28:56.680
<v Speaker 3>seeing a lawyer and getting some form of custody for

0:28:56.720 --> 0:28:59.680
<v Speaker 3>his son, saying he's angry that Colleen lied to him.

0:29:00.680 --> 0:29:04.280
<v Speaker 3>Joe notices the teddy Bear. Jake then tells Joe about

0:29:04.320 --> 0:29:07.360
<v Speaker 3>trying to go to meet David and that things didn't

0:29:07.400 --> 0:29:11.360
<v Speaker 3>go well. Jake says he thinks he could be a

0:29:11.360 --> 0:29:13.800
<v Speaker 3>really good dad. It's another scene of him just going

0:29:13.920 --> 0:29:17.200
<v Speaker 3>I think I could do this, but he doesn't want

0:29:17.240 --> 0:29:21.520
<v Speaker 3>to be like his own recent visit from his own mom.

0:29:21.600 --> 0:29:24.959
<v Speaker 3>He doesn't want David to think that he's pathetic, and

0:29:25.080 --> 0:29:29.840
<v Speaker 3>Joe says that's a completely different situation. Jake says he

0:29:29.880 --> 0:29:33.160
<v Speaker 3>doesn't feel good enough at anything adult and he really

0:29:33.240 --> 0:29:36.360
<v Speaker 3>wants to take care of his kid, and she asks him, well,

0:29:36.400 --> 0:29:37.920
<v Speaker 3>have you thought about what it would be like to

0:29:37.920 --> 0:29:39.640
<v Speaker 3>have a kid in your life and what life would

0:29:39.640 --> 0:29:42.840
<v Speaker 3>be like for the kid, including the expense she points out,

0:29:43.400 --> 0:29:45.920
<v Speaker 3>and this just kisses Jake off. He gets angry, walks

0:29:45.920 --> 0:29:47.520
<v Speaker 3>out of the room, saying, thanks for the wine, Joe,

0:29:47.960 --> 0:29:51.240
<v Speaker 3>And you just don't understand me anything. You don't understand

0:29:51.240 --> 0:29:51.760
<v Speaker 3>this or me.

0:29:52.120 --> 0:29:54.000
<v Speaker 1>He's not super good at difficult conversation.

0:29:54.080 --> 0:29:56.800
<v Speaker 3>He didn't want to be told that there was another

0:29:56.920 --> 0:29:57.640
<v Speaker 3>point of view on this.

0:29:57.760 --> 0:30:00.640
<v Speaker 2>Yeah, well, I feel like Jake has again this is

0:30:00.640 --> 0:30:02.880
<v Speaker 2>getting to the story of his self worth. I also

0:30:03.000 --> 0:30:05.720
<v Speaker 2>forgot to mention that this was directed by Victoria Hawkberg,

0:30:06.160 --> 0:30:09.960
<v Speaker 2>and Victoria was really good, Yeah at bringing out the

0:30:09.960 --> 0:30:13.560
<v Speaker 2>emotional story, bringing that to the forefront. So she uses

0:30:13.600 --> 0:30:17.120
<v Speaker 2>the camera, she directs the actors in a way that

0:30:17.520 --> 0:30:20.720
<v Speaker 2>isn't sort of like cookie cutter or expected. So the

0:30:20.800 --> 0:30:26.160
<v Speaker 2>blocking this scene ends with this wonderful I'm in the foreground,

0:30:26.880 --> 0:30:29.600
<v Speaker 2>you know. He comes to Joe and says, you don't

0:30:29.720 --> 0:30:33.040
<v Speaker 2>understand and you don't understand me, and turns and walks

0:30:33.160 --> 0:30:35.360
<v Speaker 2>back to the kitchen. And then the last shot of

0:30:35.400 --> 0:30:39.440
<v Speaker 2>this is me turning towards camera going oh, and then

0:30:39.480 --> 0:30:41.280
<v Speaker 2>he's in the background turn the other way.

0:30:41.600 --> 0:30:41.800
<v Speaker 1>Yeah.

0:30:41.800 --> 0:30:45.040
<v Speaker 2>And so there tells a story and that is the difference,

0:30:45.040 --> 0:30:47.000
<v Speaker 2>and that's what I really liked about Victoria. I really

0:30:47.080 --> 0:30:49.080
<v Speaker 2>loved working with her because she really worked with you

0:30:49.200 --> 0:30:49.720
<v Speaker 2>and your emotion.

0:30:49.880 --> 0:30:52.560
<v Speaker 1>I remember that long. I do remember her. The hours

0:30:52.560 --> 0:30:55.320
<v Speaker 1>were long, but she really cared. Yes.

0:30:55.400 --> 0:30:58.560
<v Speaker 2>And then this is a very emotional, you know, high stakes,

0:30:58.800 --> 0:31:02.200
<v Speaker 2>and I think it really came across. Yeah, so that's

0:31:03.040 --> 0:31:04.800
<v Speaker 2>that's the director as well. Yeah.

0:31:04.840 --> 0:31:08.000
<v Speaker 3>So then we're back at the hospital with Alison and Billy.

0:31:08.160 --> 0:31:10.360
<v Speaker 3>He's gone with her and they're in the intake office

0:31:10.360 --> 0:31:13.120
<v Speaker 3>where a hospital administrator is telling them that Allison cannot

0:31:13.120 --> 0:31:14.880
<v Speaker 3>be admitted without insurance.

0:31:15.120 --> 0:31:17.920
<v Speaker 1>And did you notice the body language I have Billy

0:31:17.920 --> 0:31:20.360
<v Speaker 1>and Allison, like if you were in couple's therapey, like

0:31:20.480 --> 0:31:22.720
<v Speaker 1>that's a happy couple. We were leaned in. I don't

0:31:22.720 --> 0:31:25.040
<v Speaker 1>know if she directed us because of the shot, like

0:31:25.080 --> 0:31:28.000
<v Speaker 1>we were leaned intoward each other, like subtle body language

0:31:28.000 --> 0:31:30.000
<v Speaker 1>you're basically touching each other.

0:31:30.160 --> 0:31:32.080
<v Speaker 2>Was like to me, it looked like two kids trying

0:31:32.120 --> 0:31:33.840
<v Speaker 2>to play grown up, Like they're in a you know

0:31:33.880 --> 0:31:36.320
<v Speaker 2>what I mean, Like this is big life stuff and

0:31:36.920 --> 0:31:39.040
<v Speaker 2>health stuff and they're in a hospital, and it seemed

0:31:39.040 --> 0:31:41.840
<v Speaker 2>like two not kids, but two a young couple, you know,

0:31:41.880 --> 0:31:45.800
<v Speaker 2>trying to figure this out in this big ominous place, and.

0:31:45.720 --> 0:31:46.880
<v Speaker 1>His leministrator was great.

0:31:46.920 --> 0:31:50.920
<v Speaker 3>He was super sweeby, but like also very condescending to

0:31:51.000 --> 0:31:53.040
<v Speaker 3>these idiot children who didn't.

0:31:52.760 --> 0:31:57.640
<v Speaker 2>Know that they very high insurance. Yeah, yeah, isn't this

0:31:57.680 --> 0:31:59.800
<v Speaker 2>where Billy says, I want you know, my dad still

0:32:00.360 --> 0:32:03.440
<v Speaker 2>pays his bills in person, and we got to make

0:32:03.480 --> 0:32:05.840
<v Speaker 2>them know that you're a person. Well, that one overwhelmed.

0:32:05.880 --> 0:32:08.880
<v Speaker 1>Yes, I was like his objective was nice, like it

0:32:09.680 --> 0:32:10.520
<v Speaker 1>he has good advice.

0:32:10.640 --> 0:32:12.080
<v Speaker 2>Don't work with this guy though.

0:32:12.000 --> 0:32:14.200
<v Speaker 3>Like, I'm sure if we appeal to them in person,

0:32:14.240 --> 0:32:18.400
<v Speaker 3>they'll just let us to schedule you for surgery pinched glasses.

0:32:18.480 --> 0:32:21.720
<v Speaker 1>It's fifteen thousand dollars prepaid, which you know, I can

0:32:21.760 --> 0:32:23.440
<v Speaker 1>do my in today's dollars.

0:32:23.120 --> 0:32:25.320
<v Speaker 3>That kind of money she'd be she would have gone

0:32:25.360 --> 0:32:29.280
<v Speaker 3>insurance exactly. So fifteen thousand dollars in today's dollars is

0:32:29.440 --> 0:32:32.360
<v Speaker 3>very much money. And they realized they're going to go

0:32:32.400 --> 0:32:34.600
<v Speaker 3>try other hospitals. And he says, well, good luck with that.

0:32:34.840 --> 0:32:36.600
<v Speaker 1>It's thirty four thousand dollars.

0:32:36.360 --> 0:32:38.400
<v Speaker 3>All right, no way, and she's going to come up

0:32:38.440 --> 0:32:39.880
<v Speaker 3>with that for the surgery. So they try all these

0:32:39.880 --> 0:32:42.200
<v Speaker 3>other hospitals there now were cut to the parking lot

0:32:42.200 --> 0:32:44.240
<v Speaker 3>where they're coming out in the rain out of one

0:32:44.280 --> 0:32:47.040
<v Speaker 3>more hospital. They're clearly exhausted. They've been to all of them,

0:32:47.240 --> 0:32:49.160
<v Speaker 3>and Allison says, maybe she just won't have the surgery

0:32:49.200 --> 0:32:51.600
<v Speaker 3>at all. Maybe the fibroids would just go away.

0:32:51.880 --> 0:32:53.000
<v Speaker 1>And it's like real rain.

0:32:53.600 --> 0:32:56.040
<v Speaker 2>Yeah, it was real rain. Nobody got in the rain.

0:32:56.320 --> 0:33:01.040
<v Speaker 2>They got a hut shoe. We have to get our day, ye, And.

0:33:02.080 --> 0:33:03.880
<v Speaker 1>Do you remember when they'd have to cover the cameras,

0:33:03.880 --> 0:33:06.080
<v Speaker 1>like you had to put plastic over all the times

0:33:06.120 --> 0:33:08.800
<v Speaker 1>when it rained. Yeah, it's a very big deal.

0:33:08.960 --> 0:33:11.320
<v Speaker 3>But here is where Billy says, well, listen, if you

0:33:11.360 --> 0:33:13.640
<v Speaker 3>can't come up with the money by tomorrow and figure

0:33:13.680 --> 0:33:17.240
<v Speaker 3>this out, I'm going to ask my parents for the money.

0:33:17.280 --> 0:33:19.560
<v Speaker 3>And Allison says, you're a great friend, but this is

0:33:19.640 --> 0:33:24.000
<v Speaker 3>my problem. And this is where Billy says to Alison

0:33:24.280 --> 0:33:29.440
<v Speaker 3>that you're my best end. That's super sweet. So she

0:33:29.520 --> 0:33:32.280
<v Speaker 3>kisses him on the cheek and she says, I still

0:33:32.320 --> 0:33:35.200
<v Speaker 3>will not borrow the money from your parents. So then

0:33:35.200 --> 0:33:38.240
<v Speaker 3>we're into the courtyard at night where Matt is with

0:33:38.320 --> 0:33:40.959
<v Speaker 3>Jane and Michael opening a box of Christmas decorations and

0:33:41.000 --> 0:33:43.600
<v Speaker 3>he drapes a tinsel garland around his neck as Jane

0:33:43.640 --> 0:33:47.240
<v Speaker 3>says it's her first Christmas with palm trees, and she

0:33:47.280 --> 0:33:49.240
<v Speaker 3>and Michael tell Matt about the decorations that were beautiful

0:33:49.240 --> 0:33:50.520
<v Speaker 3>on Gary Street in San Francisco.

0:33:50.560 --> 0:33:51.600
<v Speaker 1>You guys should have seen it.

0:33:52.040 --> 0:33:55.720
<v Speaker 3>Yeah, yeahs I wish we could have brought cameras and.

0:33:55.680 --> 0:33:59.760
<v Speaker 2>Gary Street and Union Square was so beautiful and so funny.

0:33:59.800 --> 0:34:05.000
<v Speaker 2>Chris Smith, remember Union Square and the tree and the caroling. Gorgeous.

0:34:05.040 --> 0:34:07.240
<v Speaker 3>And then Alison Billy walk into the courtyard and Billy

0:34:07.240 --> 0:34:09.640
<v Speaker 3>makes a snide comment to Michael about like, ah, yeah,

0:34:09.719 --> 0:34:11.920
<v Speaker 3>right when you were up there hobnobbing with your medical

0:34:12.000 --> 0:34:15.120
<v Speaker 3>thieves and you guys are all greedy. Yeah, he says,

0:34:15.120 --> 0:34:19.160
<v Speaker 3>he's SICA doctors their rules and regulations. Michael's like, well,

0:34:19.280 --> 0:34:22.120
<v Speaker 3>Michael's like, whoa what Trana to take that personally, And

0:34:22.200 --> 0:34:25.120
<v Speaker 3>Jane says Jane sort of defends them and says, you know,

0:34:25.160 --> 0:34:27.800
<v Speaker 3>the people at the conference were very concerned about improving healthcare.

0:34:28.440 --> 0:34:32.120
<v Speaker 3>But Billy just scoffs and goes into his apartment. So

0:34:32.239 --> 0:34:35.000
<v Speaker 3>then Ronda and Terrence all of a sudden enter the scene,

0:34:35.040 --> 0:34:37.560
<v Speaker 3>coming walking down the stairs from her apartment. They're very

0:34:37.640 --> 0:34:38.200
<v Speaker 3>dressed up.

0:34:38.320 --> 0:34:40.479
<v Speaker 1>They look so gorgeous. She has on this silver dress

0:34:40.480 --> 0:34:42.279
<v Speaker 1>and I took a picture of it to send and.

0:34:42.239 --> 0:34:44.520
<v Speaker 3>He's in a like full black tie event.

0:34:44.560 --> 0:34:45.000
<v Speaker 1>Gorgeous.

0:34:45.160 --> 0:34:48.920
<v Speaker 3>Yeah, she looks lovely. And Ronda introduces Terrence to all

0:34:48.960 --> 0:34:53.040
<v Speaker 3>of the friends and they head out, and Michael follows.

0:34:53.080 --> 0:34:55.759
<v Speaker 3>Allison says, what's going on with Billy. Allison says he's

0:34:55.800 --> 0:34:57.760
<v Speaker 3>just trying to help her, and he says, well, listen,

0:34:57.760 --> 0:35:01.160
<v Speaker 3>if what you're needing help with is medical problem, maybe

0:35:01.200 --> 0:35:01.840
<v Speaker 3>I can help.

0:35:02.440 --> 0:35:04.720
<v Speaker 1>And this is another good shot you're talking about Victoria

0:35:04.760 --> 0:35:07.239
<v Speaker 1>where it's me in the foreground and Billy just be

0:35:07.400 --> 0:35:08.480
<v Speaker 1>furious in the back.

0:35:08.560 --> 0:35:09.080
<v Speaker 2>Yeah.

0:35:09.520 --> 0:35:10.719
<v Speaker 1>I love at when you.

0:35:10.680 --> 0:35:13.320
<v Speaker 2>Both get to be actually yes, and you're moving yeah,

0:35:13.400 --> 0:35:14.120
<v Speaker 2>natural movement.

0:35:14.760 --> 0:35:17.240
<v Speaker 3>So yeah, So Michael is in Allison and Billy's apartment

0:35:17.480 --> 0:35:19.360
<v Speaker 3>listening about Allison's situations.

0:35:19.440 --> 0:35:21.440
<v Speaker 1>Again, this lovely version of Michael.

0:35:21.480 --> 0:35:24.120
<v Speaker 2>He could not be like, maybe I can like take

0:35:24.160 --> 0:35:25.280
<v Speaker 2>it now, we'll last.

0:35:25.760 --> 0:35:28.279
<v Speaker 1>Yeah, it's just like he said, must be about to turn.

0:35:28.280 --> 0:35:29.000
<v Speaker 1>They're making him.

0:35:29.200 --> 0:35:31.759
<v Speaker 2>Yeah, he's like, let me help.

0:35:31.840 --> 0:35:34.719
<v Speaker 3>Yeah, but right now he's mister nice guy. So he

0:35:34.800 --> 0:35:36.960
<v Speaker 3>offers to help. Maybe he can get her in for surgery,

0:35:37.040 --> 0:35:39.840
<v Speaker 3>and when he leaves, Allison goes to the fridge and

0:35:40.000 --> 0:35:42.520
<v Speaker 3>is touched to see that Billy has stocked it with

0:35:42.600 --> 0:35:44.880
<v Speaker 3>soda uh huh for her uterus.

0:35:45.760 --> 0:35:47.759
<v Speaker 2>But she did it, she said to fix this and

0:35:47.800 --> 0:35:48.160
<v Speaker 2>he's like.

0:35:48.120 --> 0:35:51.920
<v Speaker 3>Okay, yeah, And this is where Billy tells Allison that

0:35:52.000 --> 0:35:54.000
<v Speaker 3>he's going to stick by her and see her through this,

0:35:54.360 --> 0:35:56.280
<v Speaker 3>and he kind of goes in for a hug, maybe

0:35:56.360 --> 0:35:58.040
<v Speaker 3>right in front of the fridge here, and she she

0:35:58.120 --> 0:35:59.880
<v Speaker 3>kind of deflects, did you notice that I had to go?

0:36:00.000 --> 0:36:02.040
<v Speaker 3>I can watch a couple of times he kind of

0:36:02.040 --> 0:36:03.600
<v Speaker 3>goes in for hug and she kind of goes, you

0:36:03.600 --> 0:36:05.080
<v Speaker 3>don't have to do that, like you just got me.

0:36:05.520 --> 0:36:07.400
<v Speaker 3>You kind of go you have to do that. I

0:36:07.440 --> 0:36:10.759
<v Speaker 3>was like, what is happening in this moment because then

0:36:11.160 --> 0:36:16.040
<v Speaker 3>she says it's kind of coy. I don't know, maybe

0:36:16.440 --> 0:36:18.439
<v Speaker 3>maybe I'm just imagining it, but this is what I saw.

0:36:18.480 --> 0:36:20.200
<v Speaker 3>And then she tells him there's a silver lining to

0:36:20.200 --> 0:36:22.600
<v Speaker 3>all this and that I got a real best friend.

0:36:23.760 --> 0:36:26.040
<v Speaker 3>And I was like, is she trying to sort of

0:36:26.080 --> 0:36:27.960
<v Speaker 3>like tease him about.

0:36:27.680 --> 0:36:29.359
<v Speaker 2>That maybe happening?

0:36:29.400 --> 0:36:31.719
<v Speaker 3>Because she's like, because you kind of like you kind

0:36:31.719 --> 0:36:33.680
<v Speaker 3>of go to your room and he's left there smiling

0:36:33.680 --> 0:36:34.319
<v Speaker 3>thinking about that.

0:36:34.640 --> 0:36:36.319
<v Speaker 1>Well, the other thing is, is there something more more

0:36:36.360 --> 0:36:38.440
<v Speaker 1>the best for her to accept help. It's hard for

0:36:38.480 --> 0:36:41.040
<v Speaker 1>her to accept he's being so great, she does need him,

0:36:41.400 --> 0:36:43.960
<v Speaker 1>and he's showing up for her. I think that's terrifying.

0:36:44.520 --> 0:36:46.719
<v Speaker 3>I also just think it's one of these examples where

0:36:46.719 --> 0:36:51.040
<v Speaker 3>what we're seeing is Courtney and Andrew underneath the Billy

0:36:51.120 --> 0:36:53.960
<v Speaker 3>and Alison of it all. So like there's some other

0:36:54.040 --> 0:36:56.560
<v Speaker 3>little colors here, and or maybe I'm just reading into

0:36:56.600 --> 0:37:00.719
<v Speaker 3>it because I know anyway, So we got to the

0:37:00.719 --> 0:37:04.719
<v Speaker 3>motorcycle service shop where Jake is working at night. He

0:37:04.800 --> 0:37:07.439
<v Speaker 3>opens the door to find Colleen has knocked on the door.

0:37:07.760 --> 0:37:10.719
<v Speaker 3>Jake tells her he's busy. She says, maybe I can help.

0:37:10.760 --> 0:37:12.880
<v Speaker 3>She walks into the shop and they start talking a

0:37:12.920 --> 0:37:15.759
<v Speaker 3>little bit. We see here that like they do have

0:37:15.800 --> 0:37:17.480
<v Speaker 3>some things in common. She does know a thing or

0:37:17.480 --> 0:37:20.320
<v Speaker 3>two about motorcycles.

0:37:19.360 --> 0:37:21.359
<v Speaker 2>How to help them with the motorcycle, and.

0:37:21.280 --> 0:37:24.560
<v Speaker 3>She says in this moment it she's sorry that they

0:37:24.680 --> 0:37:26.560
<v Speaker 3>didn't get to settle down together, that she thinks she

0:37:26.600 --> 0:37:29.839
<v Speaker 3>maybe would have been happy in a trailer. So at

0:37:29.920 --> 0:37:32.000
<v Speaker 3>sort of a glimpse into their younger selves, I think.

0:37:32.080 --> 0:37:34.480
<v Speaker 3>And then Jake says, you know that was over four

0:37:34.520 --> 0:37:38.239
<v Speaker 3>years ago. This is now, and Colleen again asks him

0:37:38.280 --> 0:37:40.040
<v Speaker 3>to do what's best for David and sign the yeah,

0:37:40.040 --> 0:37:40.600
<v Speaker 3>and it's.

0:37:40.480 --> 0:37:42.799
<v Speaker 2>Just like, you know, I saw this as one more

0:37:42.840 --> 0:37:46.799
<v Speaker 2>scene of another woman telling Jake how to feel and

0:37:46.840 --> 0:37:51.399
<v Speaker 2>what to do about this hugely profound situation he's in,

0:37:51.960 --> 0:37:55.759
<v Speaker 2>right Like, Joe's like, well, I don't think you should,

0:37:55.920 --> 0:37:58.719
<v Speaker 2>you know, you know, be careful about taking him on

0:37:58.840 --> 0:38:01.759
<v Speaker 2>as your son and watch out. And then well then

0:38:01.800 --> 0:38:04.799
<v Speaker 2>she comes back and with her bag at and says, oh,

0:38:04.800 --> 0:38:07.200
<v Speaker 2>I'm gonna here to make peace, but also she has

0:38:07.239 --> 0:38:09.960
<v Speaker 2>this opinion no one's listening to him. And then Colleen

0:38:10.000 --> 0:38:12.120
<v Speaker 2>comes back and she's like, oh, we had so much

0:38:12.120 --> 0:38:13.960
<v Speaker 2>in common and stuff, but she really just wants him

0:38:13.960 --> 0:38:16.400
<v Speaker 2>to like are you going to sign the page? The papers?

0:38:16.880 --> 0:38:19.360
<v Speaker 2>And I just felt for Jake. I just felt like Jesus,

0:38:19.560 --> 0:38:23.160
<v Speaker 2>no one has any empathy for this guy, pissed and her.

0:38:23.320 --> 0:38:25.239
<v Speaker 2>Of course he's pissed by that, and he says that

0:38:25.280 --> 0:38:27.880
<v Speaker 2>I'm pissed at you. You got what you want and

0:38:27.920 --> 0:38:31.120
<v Speaker 2>I didn't get what I wanted. Yeah, it's very rightfully pissed.

0:38:30.840 --> 0:38:32.279
<v Speaker 3>And he said, I think he makes a good point,

0:38:32.320 --> 0:38:32.880
<v Speaker 3>he says, and.

0:38:32.920 --> 0:38:34.600
<v Speaker 2>Then he says, well hold on, but then he says,

0:38:34.680 --> 0:38:38.359
<v Speaker 2>don't push me, Colleen, I'm trying. Just give me a day.

0:38:38.640 --> 0:38:41.719
<v Speaker 2>And then she leaves, right, but he's like, back off

0:38:41.960 --> 0:38:44.200
<v Speaker 2>because he's just I just thought it was really well

0:38:44.239 --> 0:38:46.440
<v Speaker 2>written and I felt for him.

0:38:46.520 --> 0:38:49.520
<v Speaker 3>So then the next morning, jam in the shop. He's

0:38:49.560 --> 0:38:51.480
<v Speaker 3>wearing the same T shirt. Did he spend the whole

0:38:51.560 --> 0:38:55.400
<v Speaker 3>night working? I wonder? But he uses a payphone on

0:38:55.440 --> 0:38:57.359
<v Speaker 3>the wall in the shop and he calls Colleen. He's

0:38:57.400 --> 0:39:00.000
<v Speaker 3>been thinking about it all night, and apparently David Ann's

0:39:00.120 --> 0:39:03.959
<v Speaker 3>is the phone because we hear Jake say Hi. He's like, Hi,

0:39:05.000 --> 0:39:05.680
<v Speaker 3>you just see him go?

0:39:06.280 --> 0:39:07.280
<v Speaker 2>Can I talk to your mom?

0:39:07.680 --> 0:39:07.839
<v Speaker 3>Hi?

0:39:08.360 --> 0:39:09.480
<v Speaker 2>Let's work something out.

0:39:09.640 --> 0:39:11.080
<v Speaker 3>And then he gets Calleen on the phone and says

0:39:11.080 --> 0:39:13.040
<v Speaker 3>he wants to work something out. He says he doesn't

0:39:13.040 --> 0:39:16.320
<v Speaker 3>need her to tell David that Jake is his father,

0:39:16.400 --> 0:39:17.360
<v Speaker 3>but he does want.

0:39:17.360 --> 0:39:20.480
<v Speaker 2>To hang out with in person. Yeah.

0:39:20.560 --> 0:39:22.600
<v Speaker 3>So then we cut to a really cute scene where

0:39:22.640 --> 0:39:24.879
<v Speaker 3>Jake is getting ready in the mirror. He's getting ready

0:39:24.880 --> 0:39:27.120
<v Speaker 3>to meet David. He's combing his hair and he's changing.

0:39:26.840 --> 0:39:31.920
<v Speaker 2>His such a cute little montage, right, it's like getting

0:39:31.920 --> 0:39:34.120
<v Speaker 2>ready for like a rom com. Yeah, they do those

0:39:34.200 --> 0:39:35.360
<v Speaker 2>quick cuts.

0:39:34.920 --> 0:39:38.320
<v Speaker 1>In the mirror, is Victoria's idea?

0:39:38.560 --> 0:39:40.600
<v Speaker 3>Yes, totally, really super up.

0:39:40.640 --> 0:39:42.439
<v Speaker 2>So he puts the jacket on and a button down.

0:39:42.520 --> 0:39:44.879
<v Speaker 2>Oh the tie, Nope, too much, takes it off. Yeah

0:39:44.960 --> 0:39:45.680
<v Speaker 2>no that's good.

0:39:45.920 --> 0:39:49.000
<v Speaker 3>Yeah, he's all nervous, super cute and he's excited. I

0:39:49.080 --> 0:39:51.000
<v Speaker 3>love the tone of that scene. So then we see

0:39:51.080 --> 0:39:53.600
<v Speaker 3>him walking out in the courtyard. He passes Joe on

0:39:53.600 --> 0:39:57.000
<v Speaker 3>his way out, and he's definitely like hopeful and enthusiastic

0:39:57.040 --> 0:39:58.520
<v Speaker 3>as he's going, and he tells her he's on his

0:39:58.560 --> 0:40:01.360
<v Speaker 3>way to meet David, and Joe tells Jake have a

0:40:01.360 --> 0:40:01.719
<v Speaker 3>good time.

0:40:01.800 --> 0:40:03.880
<v Speaker 2>Yeah, have fun, and then she turns and then the

0:40:04.280 --> 0:40:07.560
<v Speaker 2>camera hangs on me. He leaves the courtyard, and then

0:40:08.320 --> 0:40:11.880
<v Speaker 2>Joe like she's happy for him, like some Oh no,

0:40:11.960 --> 0:40:17.560
<v Speaker 2>I know what she's clocking. She's going to maybe follow them, follow.

0:40:17.360 --> 0:40:20.040
<v Speaker 3>Him, right, because he says very intention I.

0:40:19.920 --> 0:40:22.760
<v Speaker 2>Saw that moment, like why would she turn and smile?

0:40:22.880 --> 0:40:25.040
<v Speaker 2>But this is a moment that's telling of what's to come.

0:40:25.160 --> 0:40:27.680
<v Speaker 3>She's thinking she's something because she's.

0:40:27.560 --> 0:40:33.680
<v Speaker 2>Got her equipment with her because she's a photographer. I

0:40:33.800 --> 0:40:34.360
<v Speaker 2>never heard that.

0:40:35.760 --> 0:40:38.120
<v Speaker 3>So then we go to the restaurant where Colleen, David,

0:40:38.160 --> 0:40:40.920
<v Speaker 3>and Jake are having lunch together outside a nice restaurant

0:40:40.920 --> 0:40:45.200
<v Speaker 3>and Jake is watching David and smiling. David is asking Jake, hey,

0:40:45.200 --> 0:40:47.200
<v Speaker 3>were you and my mom yelling at each other yesterday?

0:40:47.239 --> 0:40:49.680
<v Speaker 3>And he says, yeah, but you know that didn't mean anything.

0:40:49.840 --> 0:40:52.880
<v Speaker 3>And Jake and David then get into their own little, lighthearted,

0:40:53.120 --> 0:40:56.560
<v Speaker 3>little disagreement about superheroes, and David said, well, you know,

0:40:56.600 --> 0:40:59.240
<v Speaker 3>it's okay that we're arguing because you're my mom's friend,

0:41:00.080 --> 0:41:03.080
<v Speaker 3>and that's sort of a bittersweet thing for Jake to hear,

0:41:03.320 --> 0:41:07.120
<v Speaker 3>is like, yeah, friends friend, but yeah.

0:41:07.160 --> 0:41:09.319
<v Speaker 2>And then at one point the little kid says, hey,

0:41:09.400 --> 0:41:12.680
<v Speaker 2>mom is dad? Where's dad? Is he is? Where's my dad?

0:41:12.800 --> 0:41:16.080
<v Speaker 2>Is he joining us for lunch? And she has to

0:41:16.400 --> 0:41:18.399
<v Speaker 2>look at Jake and go, no, he's not.

0:41:18.800 --> 0:41:20.960
<v Speaker 3>And it was just like for Jake, it was right

0:41:21.000 --> 0:41:24.640
<v Speaker 3>after the moment where he sees his kid like having

0:41:24.640 --> 0:41:28.920
<v Speaker 3>the same habit as him, is he's And he's very

0:41:28.960 --> 0:41:32.000
<v Speaker 3>deliberately he wants to know to Colleen, is that something

0:41:32.000 --> 0:41:35.759
<v Speaker 3>that you guys do or Robert do or and She's like, no,

0:41:35.960 --> 0:41:37.880
<v Speaker 3>that's just David. So it's like, oh my gosh, my

0:41:37.960 --> 0:41:41.120
<v Speaker 3>kid has the same biological thing whatever. He has this

0:41:41.160 --> 0:41:44.000
<v Speaker 3>like happy feeling on his face and he's so proud

0:41:44.040 --> 0:41:45.720
<v Speaker 3>and just chiling.

0:41:45.320 --> 0:41:47.839
<v Speaker 2>On the poignancy and the connection, aren't they?

0:41:47.960 --> 0:41:51.880
<v Speaker 3>And then the reality about calling Robert Dad was like

0:41:52.120 --> 0:41:54.640
<v Speaker 3>that's when he says, all right, give me the papers

0:41:54.800 --> 0:41:59.279
<v Speaker 3>to sign. Super bittersweet. So then at d and D

0:41:59.800 --> 0:42:01.560
<v Speaker 3>al And is working at her desk. Michael comes in

0:42:01.600 --> 0:42:04.720
<v Speaker 3>and tells her that he's arranged to have her admitted

0:42:04.719 --> 0:42:06.839
<v Speaker 3>to the hospital as a teaching patient and there will

0:42:06.880 --> 0:42:10.160
<v Speaker 3>be no charge. Alison is super grateful. Michael gives her

0:42:10.160 --> 0:42:13.160
<v Speaker 3>the consent forms to sign, and she asks him a

0:42:13.160 --> 0:42:15.000
<v Speaker 3>little nervously if he knows what they're going to do

0:42:15.160 --> 0:42:18.040
<v Speaker 3>to her, and he says, you're in great hands and

0:42:18.080 --> 0:42:21.880
<v Speaker 3>your surgery scheduled for next week. I mean nice, like

0:42:22.080 --> 0:42:24.359
<v Speaker 3>boom got her and he made it work. And so

0:42:25.200 --> 0:42:28.600
<v Speaker 3>then we're out at the hotel Valet. Colleen and David

0:42:28.600 --> 0:42:31.400
<v Speaker 3>are going to be leaving, so they're saying goodbye. Jake's

0:42:31.400 --> 0:42:33.880
<v Speaker 3>bike is there and they're saying goodbye to Jake. Colleen

0:42:33.960 --> 0:42:36.120
<v Speaker 3>says she always knew Jake was a terrific guy.

0:42:36.200 --> 0:42:38.960
<v Speaker 2>He says, by motorcycle man, did you guys tear up?

0:42:39.320 --> 0:42:43.839
<v Speaker 2>I totally was like, I mean, I was just like

0:42:44.080 --> 0:42:47.440
<v Speaker 2>lost it for this guy. Got to build up his

0:42:48.480 --> 0:42:51.520
<v Speaker 2>inner conflict, like this is my boy. I just but

0:42:51.640 --> 0:42:53.840
<v Speaker 2>he doesn't. He doesn't, he doesn't say anything, and he

0:42:54.040 --> 0:42:57.719
<v Speaker 2>picks the boy up, you know, and they touch foeheads

0:42:57.760 --> 0:42:58.520
<v Speaker 2>and you're just like.

0:42:58.719 --> 0:43:01.960
<v Speaker 3>A, yeah, they have the sweetest girl.

0:43:02.040 --> 0:43:05.000
<v Speaker 2>And then there's that wonderful freeze and it turns to

0:43:05.040 --> 0:43:05.680
<v Speaker 2>black and white.

0:43:05.680 --> 0:43:08.040
<v Speaker 3>I think, yeah, because as they're saying goodbye and they

0:43:08.120 --> 0:43:11.279
<v Speaker 3>do that sweet little bi motorcycle man moment, we hear

0:43:11.280 --> 0:43:13.000
<v Speaker 3>a camera click and you cut away and you see

0:43:13.080 --> 0:43:16.800
<v Speaker 3>Joe is out there hidden and she's snapped a photo

0:43:16.840 --> 0:43:19.000
<v Speaker 3>of this very moment and she's captured this moment of

0:43:19.080 --> 0:43:19.920
<v Speaker 3>Jake and David.

0:43:20.239 --> 0:43:21.000
<v Speaker 2>It's beautiful.

0:43:21.560 --> 0:43:24.480
<v Speaker 3>So then in her apartment, Joe is developing the photos

0:43:24.480 --> 0:43:26.160
<v Speaker 3>in her dark room. She hangs one up to dry

0:43:26.200 --> 0:43:29.800
<v Speaker 3>and looks at it smiling. And then at Jake's apartment,

0:43:29.920 --> 0:43:32.040
<v Speaker 3>he's standing in his kitchen counter eating a piece of pizza,

0:43:32.080 --> 0:43:34.680
<v Speaker 3>having a beer when Joe knocks on the door and

0:43:34.680 --> 0:43:36.560
<v Speaker 3>she hands him an envelope and he opens it to

0:43:36.600 --> 0:43:39.360
<v Speaker 3>find the photo that she took of him with David,

0:43:39.400 --> 0:43:43.319
<v Speaker 3>and he's absolutely speechless and asks Joe how she got

0:43:43.320 --> 0:43:46.160
<v Speaker 3>this lovely photo. Joe admits that she followed him, and

0:43:46.200 --> 0:43:49.480
<v Speaker 3>he thanks her, saying he owes her big time. Joe says,

0:43:49.640 --> 0:43:50.439
<v Speaker 3>I'll collect later.

0:43:50.560 --> 0:43:53.000
<v Speaker 2>She smiles at him, and she very suggestively. I don't

0:43:53.040 --> 0:43:55.080
<v Speaker 2>know how to say, but you know, I'll collect later.

0:43:55.600 --> 0:43:57.880
<v Speaker 3>But she doesn't stick around. She like lets him have

0:43:57.920 --> 0:44:00.560
<v Speaker 3>this moment. Yeah, he goes back, and so he puts

0:44:00.560 --> 0:44:02.440
<v Speaker 3>the photo on his fridge and he steps back to

0:44:02.480 --> 0:44:04.919
<v Speaker 3>look at it, and the episode ends with him looking

0:44:04.920 --> 0:44:08.560
<v Speaker 3>at this photo and saying, you're gonna be okay kid.

0:44:08.680 --> 0:44:11.080
<v Speaker 1>Yeah, were you guys thinking get a nice frame?

0:44:11.200 --> 0:44:13.960
<v Speaker 2>I know I was beautiful picture.

0:44:14.040 --> 0:44:15.719
<v Speaker 3>I also just thought it was such like a dad

0:44:15.760 --> 0:44:17.920
<v Speaker 3>thing to do to put the photo on the fridge.

0:44:17.960 --> 0:44:21.160
<v Speaker 2>It was such a thing to take a little magnet

0:44:21.200 --> 0:44:23.040
<v Speaker 2>and put it right there in center. Yeah.

0:44:23.120 --> 0:44:25.640
<v Speaker 3>Yeah, so he has a photo on the fridge, and.

0:44:26.080 --> 0:44:28.160
<v Speaker 1>You remember, does the kid come back? Is this a

0:44:28.239 --> 0:44:29.440
<v Speaker 1>recurring storyline?

0:44:29.480 --> 0:44:31.560
<v Speaker 2>He looked from well, yeah, okay, So I was a

0:44:31.560 --> 0:44:34.560
<v Speaker 2>little confused because don't you remember I thought Colleen was

0:44:34.600 --> 0:44:35.800
<v Speaker 2>played by another actress.

0:44:35.880 --> 0:44:39.320
<v Speaker 3>Later we will have to find out. We're so lucky

0:44:39.440 --> 0:44:41.520
<v Speaker 3>we get to watch these episodes and find all these

0:44:41.520 --> 0:44:41.799
<v Speaker 3>things that.

0:44:41.880 --> 0:44:44.880
<v Speaker 2>I do believe we see this or another kid to

0:44:44.920 --> 0:44:45.640
<v Speaker 2>play David.

0:44:45.880 --> 0:44:47.520
<v Speaker 3>I think it's I mean, I think it's talked about.

0:44:47.560 --> 0:44:51.000
<v Speaker 3>I'm not sure if he actually makes We will have

0:44:51.080 --> 0:44:52.960
<v Speaker 3>to find out, ladies, We will have to find out.

0:44:53.040 --> 0:44:56.440
<v Speaker 1>Joe printed jeans and half like photographs.

0:44:55.719 --> 0:45:00.600
<v Speaker 2>Of yeah printed yeah, yeah printed Verry artsy down and

0:45:00.640 --> 0:45:03.520
<v Speaker 2>they were black for Joe to be wearing black. And

0:45:03.560 --> 0:45:06.640
<v Speaker 2>I love the little I've always loved the black long

0:45:06.680 --> 0:45:08.399
<v Speaker 2>sleep with the little cutouts that she wore.

0:45:08.480 --> 0:45:10.600
<v Speaker 3>Yeah, that was out. But when you showed up at

0:45:10.600 --> 0:45:13.960
<v Speaker 3>the door with your shoulders showing, huh, all cute. And

0:45:14.560 --> 0:45:16.120
<v Speaker 3>the other sign of the times is, of course the

0:45:16.160 --> 0:45:18.840
<v Speaker 3>payphone on the wall. It's at his workplace and he

0:45:18.920 --> 0:45:21.279
<v Speaker 3>has to like stick a corder in to make a call.

0:45:21.440 --> 0:45:23.120
<v Speaker 1>Have you guys talked about another shop for a second?

0:45:23.160 --> 0:45:25.719
<v Speaker 1>Have you watched The Americans? So it's a spy that

0:45:25.760 --> 0:45:28.160
<v Speaker 1>takes place in the eighties, and they're like being chased

0:45:28.160 --> 0:45:29.839
<v Speaker 1>by bad guys with guns and they have to find

0:45:29.840 --> 0:45:34.759
<v Speaker 1>a pay Oh god, Yeah, bones love it.

0:45:35.040 --> 0:45:37.280
<v Speaker 2>Remember they went from a dime to a quarter?

0:45:37.960 --> 0:45:38.600
<v Speaker 3>Yeah too.

0:45:39.680 --> 0:45:40.440
<v Speaker 2>Yeah.

0:45:40.480 --> 0:45:43.680
<v Speaker 3>Well, we also had some fan comments recently. One of

0:45:43.719 --> 0:45:47.319
<v Speaker 3>the one of our fans commented on our socials that

0:45:47.400 --> 0:45:49.680
<v Speaker 3>she loves the Newest Recap episode and that she was

0:45:49.680 --> 0:45:52.200
<v Speaker 3>born in nineteen ninety one, so getting context about what

0:45:52.239 --> 0:45:54.360
<v Speaker 3>was going on in the world is extremely interesting. She

0:45:54.360 --> 0:45:57.400
<v Speaker 3>said she also loves hearing Courtney share her opinions on

0:45:57.480 --> 0:45:58.560
<v Speaker 3>Allison's wardrobe.

0:45:58.719 --> 0:46:02.319
<v Speaker 1>How did you like your wardrobe this one, Courtney, I

0:46:02.440 --> 0:46:04.480
<v Speaker 1>was not a huge fan, but I think with the

0:46:04.560 --> 0:46:05.960
<v Speaker 1>enlarged uterus.

0:46:05.680 --> 0:46:08.319
<v Speaker 3>I think I think the wardrobe was really based around

0:46:08.320 --> 0:46:08.720
<v Speaker 3>the uterus.

0:46:08.800 --> 0:46:10.960
<v Speaker 2>Yeah, I thought that for this laser in the opening

0:46:11.080 --> 0:46:14.640
<v Speaker 2>with the it was like the nice embroidery and it

0:46:14.719 --> 0:46:16.600
<v Speaker 2>was kind of a purple thing with the shoulder pads.

0:46:16.960 --> 0:46:20.160
<v Speaker 3>You make it sound like shoulder pads, and it was

0:46:20.320 --> 0:46:21.280
<v Speaker 3>nice in the day.

0:46:21.520 --> 0:46:25.560
<v Speaker 1>No, that was that was a designer that Denise Wingate

0:46:25.640 --> 0:46:28.600
<v Speaker 1>found that we wore a lot of oka beautiful blazers.

0:46:28.719 --> 0:46:32.640
<v Speaker 1>Who else wore them? Juliuis Dreyfus wore a lot of them. Okay,

0:46:32.800 --> 0:46:35.840
<v Speaker 1>I felt, yes, we have to find out the designer,

0:46:35.920 --> 0:46:38.160
<v Speaker 1>but like that, if I mentioned that in the nineties

0:46:38.280 --> 0:46:38.879
<v Speaker 1>that looked like.

0:46:38.840 --> 0:46:42.000
<v Speaker 3>Something that she would wear. Elaine would wear it anyway.

0:46:42.040 --> 0:46:44.480
<v Speaker 2>I thought that was I thought that you looked perfectly lovely.

0:46:44.520 --> 0:46:48.520
<v Speaker 2>I thought Billy looked like Billy. But no, no pink

0:46:48.640 --> 0:46:51.040
<v Speaker 2>pants with the tucked in with the belt t shirt.

0:46:51.120 --> 0:46:52.359
<v Speaker 2>He's starting to look up.

0:46:52.400 --> 0:46:56.439
<v Speaker 1>He was dressed as Santa. He was so insanely adorable,

0:46:57.040 --> 0:47:00.880
<v Speaker 1>amantic leading and I'll take care of things, let me,

0:47:01.840 --> 0:47:02.919
<v Speaker 1>I'll be there for you.

0:47:03.120 --> 0:47:04.840
<v Speaker 2>Yeah, and I went home together.

0:47:05.000 --> 0:47:08.319
<v Speaker 1>Alison did soften a bit, thank god, because if she

0:47:08.520 --> 0:47:10.279
<v Speaker 1>kept up her Yeah, she.

0:47:10.360 --> 0:47:11.960
<v Speaker 3>Had a lot going on. She had a lot on

0:47:12.000 --> 0:47:13.800
<v Speaker 3>her mind, a lot of pressure, a lot of stress.

0:47:13.840 --> 0:47:15.160
<v Speaker 1>I don't know. If I mentioned she had a tumor,

0:47:15.200 --> 0:47:16.440
<v Speaker 1>it was benign, but it would have to be a

0:47:16.440 --> 0:47:19.040
<v Speaker 1>moving I did notice her enlarged insurance I don't know.

0:47:19.440 --> 0:47:22.120
<v Speaker 2>And the parents were struggling and didn't have extra money.

0:47:21.920 --> 0:47:23.040
<v Speaker 1>And my dad lost his job.

0:47:23.920 --> 0:47:26.600
<v Speaker 3>Yeah, and they're living off their savings.

0:47:28.520 --> 0:47:31.080
<v Speaker 1>They really covered all the bases why I had no option.

0:47:31.200 --> 0:47:35.160
<v Speaker 3>There's a lot. We had another comment from a listener

0:47:35.719 --> 0:47:41.160
<v Speaker 3>and on Reddit, actually someone noticed and observed maybe Jane's

0:47:41.560 --> 0:47:45.120
<v Speaker 3>back into referencing the Jane's baby storeline. Maybe Jane's baby

0:47:45.400 --> 0:47:48.640
<v Speaker 3>is a metaphor for Melrose one point zero, and when

0:47:48.640 --> 0:47:51.560
<v Speaker 3>the baby dies, so too does that version of the show.

0:47:51.640 --> 0:47:55.280
<v Speaker 3>So right when that transition is happening, the show is transitioned.

0:47:55.320 --> 0:47:59.200
<v Speaker 3>I thought, what a very profoundation.

0:48:00.040 --> 0:48:03.160
<v Speaker 1>Although this one felt like the original episodes better, like

0:48:03.280 --> 0:48:06.680
<v Speaker 1>more happened, like we're getting but it hasn't gone Yeah,

0:48:06.880 --> 0:48:10.160
<v Speaker 1>these are gone off, like there's one about insurance and

0:48:10.200 --> 0:48:13.759
<v Speaker 1>healthcare problems and one about Jake's child like these are.

0:48:14.440 --> 0:48:16.799
<v Speaker 1>And then a date, a lovely date of romantic date.

0:48:16.920 --> 0:48:18.600
<v Speaker 1>So it's still sort of standard.

0:48:19.239 --> 0:48:22.400
<v Speaker 2>Starting to change, yeah, the process, but I like that

0:48:22.480 --> 0:48:26.280
<v Speaker 2>point too. I love that people are, you know, thinking

0:48:26.320 --> 0:48:28.719
<v Speaker 2>about it and pulling out because as we're doing for

0:48:28.719 --> 0:48:31.520
<v Speaker 2>the first time undiscovering, like yeah, you know, it's like

0:48:31.640 --> 0:48:35.040
<v Speaker 2>archaeology daycare, like remember this, remember that. I love that

0:48:35.040 --> 0:48:36.239
<v Speaker 2>the fans are doing that with us.

0:48:36.840 --> 0:48:39.840
<v Speaker 1>So do you remember, Laura, when you came on, was

0:48:39.880 --> 0:48:42.479
<v Speaker 1>it still sort of sweet? And then when you came

0:48:42.640 --> 0:48:44.920
<v Speaker 1>back is when it started to get crazy.

0:48:45.080 --> 0:48:47.920
<v Speaker 3>I mean I didn't really have a sense of it

0:48:48.120 --> 0:48:51.160
<v Speaker 3>being of like the before times or whatever. So just

0:48:51.239 --> 0:48:53.560
<v Speaker 3>me coming on, my little bubble of storyline was I

0:48:53.600 --> 0:48:55.960
<v Speaker 3>was already there to like mix it up a little bit,

0:48:56.040 --> 0:48:57.919
<v Speaker 3>you know, so you did too.

0:48:58.400 --> 0:48:59.600
<v Speaker 1>How long were you gone?

0:48:59.880 --> 0:49:02.000
<v Speaker 3>I'm going to be gone for the rest of season

0:49:02.040 --> 0:49:04.480
<v Speaker 3>one and then just going to come in for these

0:49:04.560 --> 0:49:05.320
<v Speaker 3>thirsion two.

0:49:05.560 --> 0:49:07.320
<v Speaker 1>Were you hired as a series regular?

0:49:07.680 --> 0:49:11.160
<v Speaker 3>I can't. I don't think I was a series regular

0:49:12.040 --> 0:49:14.600
<v Speaker 3>by title, but I was there for every episode.

0:49:15.280 --> 0:49:18.840
<v Speaker 1>So you started off recurring and then they did a contract.

0:49:18.400 --> 0:49:21.960
<v Speaker 3>They yes, I think so, and again, let's like await

0:49:22.040 --> 0:49:22.600
<v Speaker 3>or you could.

0:49:22.560 --> 0:49:25.160
<v Speaker 2>Keep recurring the whole five years, right.

0:49:25.200 --> 0:49:28.720
<v Speaker 3>And it's like also you're credited for being a regular.

0:49:29.200 --> 0:49:32.080
<v Speaker 3>That also just sort of means a different pay scale too,

0:49:32.239 --> 0:49:34.640
<v Speaker 3>you know exactly, that's right. So yeah, so I think

0:49:34.680 --> 0:49:37.319
<v Speaker 3>I came back as like I don't remember, but I

0:49:37.360 --> 0:49:40.520
<v Speaker 3>think I came back as a guest by title. But

0:49:40.600 --> 0:49:43.480
<v Speaker 3>I was there for kind of every episode for season

0:49:43.480 --> 0:49:44.240
<v Speaker 3>two and beyond.

0:49:44.640 --> 0:49:49.680
<v Speaker 2>Again, eighteen is our Christmas Christmas December twenty third, and

0:49:49.719 --> 0:49:52.640
<v Speaker 2>then you'll when we come back in January, yep, we'll

0:49:52.640 --> 0:49:54.839
<v Speaker 2>be watching you yep, so you won't have to feel

0:49:54.880 --> 0:49:55.800
<v Speaker 2>left out anymore.

0:49:56.000 --> 0:49:58.720
<v Speaker 1>So we're looking forward to our next weekend. For a minute,

0:49:58.760 --> 0:50:00.160
<v Speaker 1>you're going to be a part of her min it

0:50:00.200 --> 0:50:01.120
<v Speaker 1>and then you get booted out.

0:50:01.200 --> 0:50:03.120
<v Speaker 2>Well too, you do too, right, I just do.

0:50:03.880 --> 0:50:10.520
<v Speaker 3>And then it's Laurele, I'm gonna go back to narrating.

0:50:12.719 --> 0:50:15.560
<v Speaker 2>Well, basically, you come in and then this this. By

0:50:15.600 --> 0:50:17.640
<v Speaker 2>the time you come back, the show is just like

0:50:17.960 --> 0:50:23.400
<v Speaker 2>what Yeah, see you guys next. Ye bye.