1 00:00:03,680 --> 00:00:08,480 Speaker 1: What's up everybody. Welcome back to w WF Wrestling with Freddy, 2 00:00:08,880 --> 00:00:11,680 Speaker 1: and I want to get to our guest right away, 3 00:00:11,920 --> 00:00:14,760 Speaker 1: so let's start the show. Welcome to Wrestling with Freddy. 4 00:00:15,440 --> 00:00:19,120 Speaker 1: Now stuffing up for the mic. The Hope of Wrestling 5 00:00:19,120 --> 00:00:25,159 Speaker 1: with Freddie Freddie Prince June Yah. We didn't get to 6 00:00:25,200 --> 00:00:30,120 Speaker 1: work together a ton, but two of the experiences that 7 00:00:30,160 --> 00:00:35,000 Speaker 1: we had are literally my two favorite experiences in the company. 8 00:00:35,200 --> 00:00:37,639 Speaker 1: You guys know him by many different names. Today you're 9 00:00:37,640 --> 00:00:40,000 Speaker 1: gonna know him by what he works as today, which 10 00:00:40,080 --> 00:00:43,760 Speaker 1: is his name, the wonderful Mr Paul White. Welcome to 11 00:00:43,760 --> 00:00:46,479 Speaker 1: the show, sir, Thank Freddie. How are you my man? 12 00:00:46,640 --> 00:00:50,280 Speaker 1: Thank you good man. We were talking before the show 13 00:00:51,080 --> 00:00:54,640 Speaker 1: and I just discovered that you're the world's biggest nerd. 14 00:00:54,840 --> 00:00:57,200 Speaker 1: So I want to get to that at the end 15 00:00:57,240 --> 00:01:00,680 Speaker 1: of this episode because I'm like the world middle size 16 00:01:00,720 --> 00:01:04,559 Speaker 1: nerd and uh, we have to we have to bond 17 00:01:04,600 --> 00:01:07,120 Speaker 1: on that. But I want to get into this right 18 00:01:07,120 --> 00:01:10,800 Speaker 1: away because the way I met you is hysterical and 19 00:01:10,840 --> 00:01:14,360 Speaker 1: I was terrified, and I hope you'll remember this and 20 00:01:14,400 --> 00:01:17,920 Speaker 1: I want to hear your side. So I was working 21 00:01:17,920 --> 00:01:21,280 Speaker 1: for the company and I was a month in and 22 00:01:21,520 --> 00:01:26,679 Speaker 1: Michael Hayes and Christopher to Joseph had a segment where 23 00:01:26,800 --> 00:01:30,560 Speaker 1: a new match was gonna be described in the promo 24 00:01:30,760 --> 00:01:33,399 Speaker 1: and the Big Show was gonna do it. And the 25 00:01:33,480 --> 00:01:36,399 Speaker 1: segment gets approved and I'm in the little writer's room 26 00:01:36,800 --> 00:01:41,200 Speaker 1: and all of a sudden, the door swings open and 27 00:01:41,240 --> 00:01:44,640 Speaker 1: you come in, and all I hear is who the 28 00:01:44,920 --> 00:01:51,360 Speaker 1: fuck wrote me war in Peace? Literally my face like 29 00:01:51,600 --> 00:01:55,360 Speaker 1: filled full of blood. I was so embarrassed, and I 30 00:01:55,400 --> 00:01:57,360 Speaker 1: wrote my hand up. I was like, yeah, that was 31 00:01:57,840 --> 00:01:59,920 Speaker 1: that was me. And you were like, what the fund 32 00:02:00,080 --> 00:02:02,560 Speaker 1: just this? And I was like, Yo, it's my bad. 33 00:02:03,080 --> 00:02:05,920 Speaker 1: We're gonna work on this. We're gonna cut whatever you want. 34 00:02:06,320 --> 00:02:08,800 Speaker 1: I'll show you how memorized stuff. But we're gonna We're 35 00:02:08,840 --> 00:02:12,160 Speaker 1: gonna get through this. And so you now, now you 36 00:02:12,919 --> 00:02:15,720 Speaker 1: can you just is that an accurate description of the 37 00:02:15,760 --> 00:02:19,519 Speaker 1: beginning of this That's exactly what happened, Because now I 38 00:02:19,600 --> 00:02:22,000 Speaker 1: understand at the time Freddie I talked in w to 39 00:02:22,120 --> 00:02:26,840 Speaker 1: be once in a while. Um, for whatever reason, I guess, 40 00:02:26,919 --> 00:02:29,080 Speaker 1: Vince didn't like the way I did Promosh didn't like 41 00:02:29,120 --> 00:02:32,120 Speaker 1: the fact that a giant talk. Whatever the reason was, 42 00:02:32,600 --> 00:02:35,280 Speaker 1: I didn't talk that much. I didn't have promo segments 43 00:02:35,280 --> 00:02:38,760 Speaker 1: every row. That wasn't my my gig. So when I 44 00:02:38,800 --> 00:02:41,600 Speaker 1: got this promo, I was like, are you are you 45 00:02:41,639 --> 00:02:44,239 Speaker 1: ef a kidding me? Like I haven't done a promo 46 00:02:44,280 --> 00:02:46,680 Speaker 1: in like four months, and now I've got four fucking 47 00:02:46,720 --> 00:02:49,720 Speaker 1: pages to try to memorize, and I've got you know, 48 00:02:49,800 --> 00:02:52,280 Speaker 1: I've got segments of a wrestling I've got to do, 49 00:02:52,560 --> 00:02:56,800 Speaker 1: like who the funk wrote this? And why? Like is 50 00:02:56,840 --> 00:03:00,240 Speaker 1: this just bound to light me on fire? And it 51 00:03:00,280 --> 00:03:02,160 Speaker 1: was funny because when we when I found out you 52 00:03:02,160 --> 00:03:03,600 Speaker 1: wrote it, it it was kind of cool because it was 53 00:03:03,600 --> 00:03:05,200 Speaker 1: like when Freddie wrote it. So I need to get 54 00:03:05,240 --> 00:03:07,640 Speaker 1: a better attitude because pretty so I'm gonna come in 55 00:03:07,760 --> 00:03:10,000 Speaker 1: day one and try to cut my head off because 56 00:03:10,000 --> 00:03:12,920 Speaker 1: there I was always worried about a bunch of silly ship. 57 00:03:13,480 --> 00:03:15,600 Speaker 1: So uh, when we put it together, I did it. 58 00:03:15,680 --> 00:03:18,760 Speaker 1: I just remember franking the tank out of it like crazy, 59 00:03:18,960 --> 00:03:21,480 Speaker 1: you know, I remember us. I don't remember doing it. 60 00:03:21,600 --> 00:03:24,440 Speaker 1: I don't remember other things than it couldn't have been 61 00:03:24,480 --> 00:03:26,399 Speaker 1: better how it turned out. We did a great job 62 00:03:26,440 --> 00:03:28,520 Speaker 1: with it, and I don't think I remember one thing. 63 00:03:28,600 --> 00:03:31,560 Speaker 1: Five minutes after I said, Paul, we worked on this 64 00:03:31,919 --> 00:03:34,960 Speaker 1: for We didn't have much time. It was about twenty 65 00:03:35,000 --> 00:03:38,120 Speaker 1: five minutes, and you had me kind of trimmed the 66 00:03:38,160 --> 00:03:43,520 Speaker 1: fat off of all three descriptions. And I remember specifically saying, listen, 67 00:03:43,560 --> 00:03:46,080 Speaker 1: I I can demonstrate this part. We don't need to 68 00:03:46,120 --> 00:03:48,240 Speaker 1: say this whole bit right here. I was like, yeah, 69 00:03:48,240 --> 00:03:50,200 Speaker 1: you're right right, And you know, I was writing it 70 00:03:50,240 --> 00:03:52,480 Speaker 1: like it was an episode of Law and Order some crap, 71 00:03:52,600 --> 00:03:54,320 Speaker 1: and I was trying to get everything I could with 72 00:03:54,480 --> 00:03:57,440 Speaker 1: physical stuff. I can demonstrate. Let me, let me try 73 00:03:57,480 --> 00:04:02,480 Speaker 1: to remember the woods do. We get backstage and I'm 74 00:04:02,560 --> 00:04:06,320 Speaker 1: sitting next to Vince and the three locals come and 75 00:04:06,360 --> 00:04:08,800 Speaker 1: I'm sorry, I do not remember your gentleman's name. There's 76 00:04:08,800 --> 00:04:12,040 Speaker 1: a long time ago, and I remember you coming backstage 77 00:04:12,520 --> 00:04:14,760 Speaker 1: and you kind of breaking it down to these gentlemen, 78 00:04:14,760 --> 00:04:16,760 Speaker 1: and you were so good. You're like, don't worry, I'm 79 00:04:16,760 --> 00:04:19,200 Speaker 1: gonna protect you. I'm gonna look out for you this 80 00:04:19,279 --> 00:04:21,359 Speaker 1: and that, and you're really putting him at ease. And 81 00:04:21,400 --> 00:04:24,280 Speaker 1: the segment starts, and dude, you were first of all, 82 00:04:25,120 --> 00:04:28,280 Speaker 1: you were word for word like it was creepy. You 83 00:04:28,400 --> 00:04:31,240 Speaker 1: like you said, Frank the take when he is just 84 00:04:31,680 --> 00:04:34,320 Speaker 1: kills Carville and that in that debate, like I'm sitting 85 00:04:34,360 --> 00:04:36,800 Speaker 1: there watching it and Vince is looking and nodding and 86 00:04:36,839 --> 00:04:40,160 Speaker 1: so freebirds like excited and shaking right, and I hear 87 00:04:40,240 --> 00:04:42,599 Speaker 1: Kevin putting it over in the truck, and I'm sitting 88 00:04:42,640 --> 00:04:44,159 Speaker 1: there like, all right, all right. And the first guy 89 00:04:44,240 --> 00:04:46,880 Speaker 1: comes out and you submit him, you put him in 90 00:04:47,200 --> 00:04:49,400 Speaker 1: what was it like a sleeper hole kind of like, 91 00:04:52,160 --> 00:04:54,000 Speaker 1: and he goes out, and I was like, oh, yeah, 92 00:04:54,080 --> 00:04:57,440 Speaker 1: that's great, that's great. And then the next one was 93 00:04:57,520 --> 00:05:00,360 Speaker 1: like a table match and the local come is out 94 00:05:00,920 --> 00:05:04,280 Speaker 1: and you picked this man up and you smashed him 95 00:05:04,279 --> 00:05:07,600 Speaker 1: through the table. And I remember saying on the mic 96 00:05:07,720 --> 00:05:11,839 Speaker 1: oh ship and it looked like he died like it looked, 97 00:05:11,880 --> 00:05:13,960 Speaker 1: And I was new to the business, okay, so I 98 00:05:14,120 --> 00:05:16,240 Speaker 1: was like, I was like, oh my god. In my head, 99 00:05:16,240 --> 00:05:18,320 Speaker 1: I'm like, he said he was gonna protect this man, 100 00:05:18,440 --> 00:05:21,480 Speaker 1: and and the man is he's dead, and they they're 101 00:05:21,560 --> 00:05:24,680 Speaker 1: dragging the guy backstage, and I get up when he 102 00:05:24,720 --> 00:05:27,800 Speaker 1: comes back into Gorilla. Right up to that, I was like, 103 00:05:27,800 --> 00:05:29,480 Speaker 1: oh my god, man, are you are you all right? 104 00:05:29,480 --> 00:05:32,760 Speaker 1: Are you okay? And he's like, yeah, I'm good, I'm fine, man, 105 00:05:32,839 --> 00:05:35,680 Speaker 1: And I was like, no, you're good, and he's like, hey, 106 00:05:35,720 --> 00:05:37,760 Speaker 1: I'm good, and I turned around and NX is just 107 00:05:37,880 --> 00:05:42,240 Speaker 1: laughing at me, right, like I'm just a complete rookie moron. 108 00:05:42,400 --> 00:05:45,520 Speaker 1: And then the last guy you hit with this massive right, 109 00:05:45,560 --> 00:05:48,400 Speaker 1: and this was the bit we cut. You said in 110 00:05:48,440 --> 00:05:52,640 Speaker 1: the last match is a knockout match, boh man. You 111 00:05:52,800 --> 00:05:55,359 Speaker 1: just smashed this dude and he gets the kale and 112 00:05:55,400 --> 00:05:58,320 Speaker 1: you came backstage. I love that you said Frank the 113 00:05:58,360 --> 00:06:02,680 Speaker 1: tank and you literally really you reminded me of me, 114 00:06:03,480 --> 00:06:06,159 Speaker 1: unlike my first movie after a take when I said like, 115 00:06:06,600 --> 00:06:09,240 Speaker 1: did I do a good job? And you came back 116 00:06:09,279 --> 00:06:11,560 Speaker 1: and it was such an honest question. You were just like, hey, 117 00:06:11,600 --> 00:06:13,960 Speaker 1: did I do a good job? And Vince gave us 118 00:06:13,960 --> 00:06:17,839 Speaker 1: the nod and like a grunt, and I was just like, yeah, 119 00:06:17,839 --> 00:06:21,559 Speaker 1: bro that you were like off book. That was sick 120 00:06:22,320 --> 00:06:25,919 Speaker 1: and it blew me away and it it was the 121 00:06:25,960 --> 00:06:29,000 Speaker 1: first like time I got to write for like a 122 00:06:29,120 --> 00:06:33,160 Speaker 1: talent at your level, right, So, and I grew up 123 00:06:33,200 --> 00:06:35,960 Speaker 1: watching you and I was talking about this with friends 124 00:06:35,960 --> 00:06:39,080 Speaker 1: one time. I was saying, you know, Paul's the unicorn 125 00:06:39,279 --> 00:06:43,279 Speaker 1: of professional wrestling, and we throw that word around a lot, 126 00:06:43,440 --> 00:06:46,720 Speaker 1: like with Port zingis playing for in basketball. I was like, no, 127 00:06:46,839 --> 00:06:50,400 Speaker 1: he's just a tall dude. To can shoot unicorn is 128 00:06:50,400 --> 00:06:55,240 Speaker 1: a special thing. It's rare. You came into business a giant, 129 00:06:56,360 --> 00:07:00,599 Speaker 1: and you could have had that your whole career. But 130 00:07:00,720 --> 00:07:03,360 Speaker 1: on top of that, you could move like a dude 131 00:07:04,040 --> 00:07:08,040 Speaker 1: a hundred fifty pounds smaller than you. And then and 132 00:07:08,040 --> 00:07:11,320 Speaker 1: this is your horn, right, people learned that you could 133 00:07:11,440 --> 00:07:14,000 Speaker 1: act your ass off and could be a top dude 134 00:07:14,000 --> 00:07:17,560 Speaker 1: on the mic too. So you've been able to evolve 135 00:07:18,520 --> 00:07:23,160 Speaker 1: as wrestling has evolved in a much more effective way 136 00:07:23,200 --> 00:07:25,960 Speaker 1: than most people. I mean you, I'm sure you don't 137 00:07:25,960 --> 00:07:27,640 Speaker 1: want to blow smoke up your own ass, and I'm 138 00:07:27,640 --> 00:07:31,400 Speaker 1: not trying to, but it's it's a unique situation where 139 00:07:31,440 --> 00:07:37,920 Speaker 1: you've gotten to see, teach, learn, and experience with multiple 140 00:07:38,080 --> 00:07:42,680 Speaker 1: generations of wrestlers now at a very high level. And 141 00:07:42,720 --> 00:07:45,760 Speaker 1: I you know that's a one hand I can count 142 00:07:45,840 --> 00:07:48,200 Speaker 1: on the amount of people that have done that. I 143 00:07:48,360 --> 00:07:51,200 Speaker 1: just wonder if you have any thoughts on from the 144 00:07:51,280 --> 00:07:54,680 Speaker 1: first time you came in you won the damn World Championship. 145 00:07:55,320 --> 00:07:57,480 Speaker 1: How does that not go to your head? And how 146 00:07:57,480 --> 00:08:00,800 Speaker 1: do you how are you here talking to me right now? Uh, 147 00:08:00,800 --> 00:08:05,560 Speaker 1: it doesn't go to your head because it's not um 148 00:08:05,600 --> 00:08:07,560 Speaker 1: and I mean it's in the kindest way possible. I 149 00:08:07,600 --> 00:08:10,280 Speaker 1: never went to my head because it's not real. You know, 150 00:08:10,360 --> 00:08:12,920 Speaker 1: it's entertainment. I'm playing a character, and I all I 151 00:08:12,960 --> 00:08:16,160 Speaker 1: ever wanted to do was to whatever character I was 152 00:08:16,200 --> 00:08:17,840 Speaker 1: in play the best that I could. I mean, I 153 00:08:17,840 --> 00:08:20,960 Speaker 1: remember when I started as a giant, I was talking 154 00:08:21,080 --> 00:08:24,360 Speaker 1: like this and Hope and and the Dungeon of dool 155 00:08:24,640 --> 00:08:26,680 Speaker 1: And I had this really because I thought, well, that's 156 00:08:26,680 --> 00:08:29,520 Speaker 1: what a big, masty guy would talk like, you know. 157 00:08:29,600 --> 00:08:32,200 Speaker 1: And then I spend enough time around Randy Savage, God 158 00:08:32,200 --> 00:08:35,520 Speaker 1: blessing Randy Savage had such a unique way of talking. 159 00:08:35,640 --> 00:08:38,960 Speaker 1: But that was Randy all the time. Like that wasn't 160 00:08:39,040 --> 00:08:42,439 Speaker 1: Randy's character voice, like Randy Tortey did all the doing, 161 00:08:42,960 --> 00:08:46,559 Speaker 1: you know. So, um, you wanted to try to do something. 162 00:08:46,640 --> 00:08:49,720 Speaker 1: As the business progressed, we got out of some of 163 00:08:49,720 --> 00:08:52,520 Speaker 1: the gimmicky characters that were in the nineties and in 164 00:08:52,640 --> 00:08:56,240 Speaker 1: the attitude there come around and and things got a 165 00:08:56,280 --> 00:09:00,839 Speaker 1: little bit more uh legit or in and so to speak, 166 00:09:00,840 --> 00:09:04,000 Speaker 1: with Stone Coast, Steve Austin being the anti hero and 167 00:09:04,000 --> 00:09:06,400 Speaker 1: flipping the bird and drinking beers and you've gotta limpic 168 00:09:06,440 --> 00:09:09,640 Speaker 1: gold medals like Kurt angle out there wrestling, So things 169 00:09:09,679 --> 00:09:11,760 Speaker 1: had to evolve a little bit. I mean, even the 170 00:09:11,800 --> 00:09:14,840 Speaker 1: Undertaker's character, who takers one of my favorites of all time, 171 00:09:14,880 --> 00:09:18,080 Speaker 1: how he was able to evolve and state current tease 172 00:09:18,120 --> 00:09:20,120 Speaker 1: it a little bit with the American Badass so he 173 00:09:20,160 --> 00:09:23,160 Speaker 1: can incorporate some m m A fighting And then when 174 00:09:23,200 --> 00:09:25,680 Speaker 1: he went back to old school Taker, he still carried 175 00:09:25,679 --> 00:09:27,640 Speaker 1: the m m A fighting that he introduced. Is the 176 00:09:27,679 --> 00:09:31,400 Speaker 1: American Badass. He brought that all together. It's really brilliant 177 00:09:31,440 --> 00:09:34,720 Speaker 1: to to see some of these guys that have had 178 00:09:34,720 --> 00:09:37,320 Speaker 1: that impact for so long. And I think I've definitely 179 00:09:37,400 --> 00:09:41,520 Speaker 1: been one of the luckiest guys walking to the way 180 00:09:41,559 --> 00:09:43,679 Speaker 1: I came into the business, who I got to work with, 181 00:09:43,720 --> 00:09:47,120 Speaker 1: who I got to learn from, um just and and 182 00:09:47,200 --> 00:09:50,800 Speaker 1: now it's I'm in a completely different company now, the 183 00:09:50,960 --> 00:09:54,120 Speaker 1: e W that's got a completely different style than w 184 00:09:54,120 --> 00:09:56,319 Speaker 1: W style. I mean, you know, w V is a 185 00:09:56,800 --> 00:09:59,560 Speaker 1: it's very much production and everything they put into it 186 00:09:59,600 --> 00:10:03,640 Speaker 1: has so much excellence written all over, from the packages 187 00:10:03,720 --> 00:10:06,480 Speaker 1: and the videos and the way they present each talent 188 00:10:06,640 --> 00:10:10,559 Speaker 1: and the way the talent looks and um and how 189 00:10:10,559 --> 00:10:12,960 Speaker 1: the talent performs. Then you come to a e W 190 00:10:13,200 --> 00:10:17,599 Speaker 1: and it's there's not fifteen or twenty writers backstage the 191 00:10:17,720 --> 00:10:20,000 Speaker 1: writer promo for you and a e W. If you've 192 00:10:20,040 --> 00:10:25,600 Speaker 1: got a promo, guess what? You got a promo? You know, 193 00:10:25,720 --> 00:10:28,600 Speaker 1: So you try to take all the all the lessons 194 00:10:28,720 --> 00:10:30,920 Speaker 1: that that you've learned, and it's just like you know, 195 00:10:31,000 --> 00:10:33,000 Speaker 1: we had we were forced at sam Punk came back 196 00:10:33,000 --> 00:10:36,240 Speaker 1: and I watched that first interview that Sampunk addressed that 197 00:10:36,280 --> 00:10:40,240 Speaker 1: crowd in Chicago, and I just man, that's his composure 198 00:10:40,360 --> 00:10:42,439 Speaker 1: and his time. And when you think about the guys 199 00:10:42,480 --> 00:10:45,960 Speaker 1: that cut great promos, that had those long, great promos, 200 00:10:46,000 --> 00:10:48,520 Speaker 1: their composure and their time, and they're telling your story 201 00:10:48,600 --> 00:10:51,600 Speaker 1: just like a like a grandpa by the fire who's 202 00:10:51,640 --> 00:10:54,800 Speaker 1: telling you the story and your visualizing everything. The story 203 00:10:55,080 --> 00:10:57,200 Speaker 1: keeps you along as the beginning in middle and an end, 204 00:10:57,320 --> 00:10:59,400 Speaker 1: like you know some of the promo stuff that we 205 00:10:59,440 --> 00:11:01,280 Speaker 1: went through learn and promo class has got to have 206 00:11:01,280 --> 00:11:03,959 Speaker 1: a big finish and the beginning in the middle and 207 00:11:04,000 --> 00:11:08,200 Speaker 1: an end and get somewhere with it. I remember taking 208 00:11:08,280 --> 00:11:12,200 Speaker 1: Vince's promo class, and I think the only promo that 209 00:11:12,240 --> 00:11:14,840 Speaker 1: I ever did for Vince that he ever actually liked 210 00:11:15,920 --> 00:11:18,120 Speaker 1: was the promo and promo class. I don't know if 211 00:11:18,120 --> 00:11:20,319 Speaker 1: you were there for that one, but I basically talked 212 00:11:20,320 --> 00:11:22,520 Speaker 1: about going to something why you shouldn't let me come 213 00:11:22,520 --> 00:11:29,280 Speaker 1: to your house? I was not well, it was you know, basically, 214 00:11:29,360 --> 00:11:32,959 Speaker 1: the premise was why if I'm your enemy, why you 215 00:11:33,000 --> 00:11:35,960 Speaker 1: shouldn't invite me to your house? And I basically said, 216 00:11:35,960 --> 00:11:37,960 Speaker 1: because I'm gonna go to your master bathroom and I'm 217 00:11:38,000 --> 00:11:40,679 Speaker 1: gonna go blow your bathroom up and I'm gonna clog 218 00:11:40,720 --> 00:11:42,720 Speaker 1: the toilet. I mean, it was some just you know, 219 00:11:42,760 --> 00:11:46,600 Speaker 1: because Vince loves that ship humor, you know. But it 220 00:11:46,640 --> 00:11:49,040 Speaker 1: was a good story of how I'm gonna get close 221 00:11:49,080 --> 00:11:50,800 Speaker 1: to you, how I'm gonna be your friend, and when 222 00:11:50,800 --> 00:11:53,319 Speaker 1: you're not looking, I'm gonna go in your bathroom and 223 00:11:53,640 --> 00:11:55,560 Speaker 1: you know, in the main bathroom and I'm gonna just 224 00:11:55,679 --> 00:11:59,559 Speaker 1: destroy it. So, um, that was the only problem I 225 00:11:59,559 --> 00:12:02,600 Speaker 1: think I've ever done it he liked. So I think 226 00:12:02,640 --> 00:12:05,520 Speaker 1: my biggest promise I got a little bit into um 227 00:12:06,000 --> 00:12:08,120 Speaker 1: in the cadence, which is a big thing because Stone 228 00:12:08,160 --> 00:12:11,760 Speaker 1: Cold changed everybody doing promos because now a few pausit 229 00:12:11,840 --> 00:12:15,640 Speaker 1: a promo. Now they'll go what they'll kill you. They'll 230 00:12:15,760 --> 00:12:19,520 Speaker 1: kill you. It happened to me when I first got 231 00:12:19,559 --> 00:12:22,480 Speaker 1: there and I literally was talking about moment to moment work, 232 00:12:23,120 --> 00:12:26,040 Speaker 1: and like a month in the promo class, I was like, 233 00:12:26,080 --> 00:12:28,600 Speaker 1: everything I said about moment to moment work, throw all 234 00:12:28,600 --> 00:12:31,080 Speaker 1: that away unless're auditioning for a movie. We gotta burn 235 00:12:31,160 --> 00:12:34,319 Speaker 1: through this or they're gonna kill you dead. And it 236 00:12:34,480 --> 00:12:37,600 Speaker 1: was it was. I literally sat there, I was like, 237 00:12:37,640 --> 00:12:39,760 Speaker 1: you know, the closest I've been to that is theater. 238 00:12:40,240 --> 00:12:44,200 Speaker 1: The crowd in the theater isn't gonna be like hey, 239 00:12:44,640 --> 00:12:47,400 Speaker 1: what like they're not. They're there for their performance. The 240 00:12:47,440 --> 00:12:51,079 Speaker 1: crowd and wrestling has been a part of wrestling since 241 00:12:51,120 --> 00:12:54,200 Speaker 1: the first comeback in a wrestling match ever happened. So 242 00:12:54,320 --> 00:12:57,599 Speaker 1: they have that power and one stone cold hit it 243 00:12:57,760 --> 00:13:01,040 Speaker 1: once it like unlocked this door and now you guys 244 00:13:01,080 --> 00:13:03,760 Speaker 1: have to go bananas. I want to talk about promo 245 00:13:03,800 --> 00:13:06,240 Speaker 1: class because you brought this up and you may not 246 00:13:06,360 --> 00:13:09,720 Speaker 1: know this, but you were personally responsible for sort of 247 00:13:09,840 --> 00:13:13,400 Speaker 1: opening up the amount of people and the level of 248 00:13:13,440 --> 00:13:17,760 Speaker 1: talent that was coming into the promo class. So before 249 00:13:17,800 --> 00:13:21,920 Speaker 1: you all, I had a little acting class that we 250 00:13:21,960 --> 00:13:25,760 Speaker 1: did they just called the promo class. But yes, um, 251 00:13:25,880 --> 00:13:28,280 Speaker 1: they fear changed, so the name didn't change, just what 252 00:13:28,280 --> 00:13:36,320 Speaker 1: we were doing change. They do so named exactly. So 253 00:13:36,480 --> 00:13:39,720 Speaker 1: it was all young bucks. They had. They had Windham 254 00:13:40,000 --> 00:13:42,520 Speaker 1: who was husky hair. They had a guy named Wyndham 255 00:13:42,640 --> 00:13:46,319 Speaker 1: and they called him Husky Harris. Um, they had Cordona 256 00:13:46,480 --> 00:13:50,200 Speaker 1: was in there. All these like young gunners were in there. Uh, 257 00:13:50,240 --> 00:13:53,240 Speaker 1: Brian Danielson was in there. A j was in there. 258 00:13:53,280 --> 00:13:55,720 Speaker 1: Like it was all the young gunners and all of 259 00:13:55,720 --> 00:13:59,760 Speaker 1: a sudden and we would do, you know, monologues from movies, 260 00:14:00,120 --> 00:14:03,439 Speaker 1: scenes from movies they liked. And then you come in 261 00:14:04,520 --> 00:14:08,120 Speaker 1: and you say, hey, man, I'm gonna do the watch 262 00:14:08,200 --> 00:14:11,360 Speaker 1: speech from Pulp Fiction. Is that cool? And I was like, 263 00:14:11,400 --> 00:14:15,600 Speaker 1: oh dude, what, yes, yeah, you're doing a watch speech. 264 00:14:16,040 --> 00:14:18,720 Speaker 1: And so I printed it up for you and gave 265 00:14:18,800 --> 00:14:21,320 Speaker 1: it to you. And the next week you come in 266 00:14:22,280 --> 00:14:24,760 Speaker 1: and it's your You and me are the oldest cats 267 00:14:25,040 --> 00:14:28,720 Speaker 1: in the acting class for this one. It eventually had 268 00:14:28,720 --> 00:14:32,360 Speaker 1: been broad and uh, so you and I are there, 269 00:14:32,680 --> 00:14:36,080 Speaker 1: everybody else comes in and you go, okay, I'm gonna 270 00:14:36,120 --> 00:14:39,720 Speaker 1: do the Christopher Walking speech from Paul Fiction. I need 271 00:14:39,800 --> 00:14:43,880 Speaker 1: somebody to be the young Bruce Willis and Dilan Harnswaggle 272 00:14:44,000 --> 00:14:47,000 Speaker 1: was in there, and you don't even let anyone volunteer. 273 00:14:47,280 --> 00:14:50,080 Speaker 1: You go, Dil's you're you're you're a kid, and he's 274 00:14:50,120 --> 00:14:53,440 Speaker 1: like yeah, yeah, okay whatever. So he sits there and 275 00:14:53,520 --> 00:14:57,360 Speaker 1: I watch you cut this promo which I will call 276 00:14:57,440 --> 00:15:00,119 Speaker 1: a monologue, but it was a promo for for wrestling, 277 00:15:00,840 --> 00:15:07,080 Speaker 1: and you did it in this like tender, like very 278 00:15:07,200 --> 00:15:11,400 Speaker 1: paternal So it was like, you know, I had this 279 00:15:11,480 --> 00:15:16,920 Speaker 1: watch in my ass for two years and you were 280 00:15:16,920 --> 00:15:19,400 Speaker 1: allowed to take these pauses because it's not in front 281 00:15:19,440 --> 00:15:21,800 Speaker 1: of a live crowd, and we didn't record any of these. 282 00:15:22,160 --> 00:15:24,560 Speaker 1: And I remember when you finished, it was the first 283 00:15:24,600 --> 00:15:27,640 Speaker 1: time like everyone kind of lost their ship and they 284 00:15:27,640 --> 00:15:29,520 Speaker 1: were all cheering, and then Dylan was like I didn't 285 00:15:29,520 --> 00:15:36,280 Speaker 1: even get a fucking line or something like that. M 286 00:15:42,920 --> 00:15:46,320 Speaker 1: dude can Before I talked about the aftermath of that, 287 00:15:46,720 --> 00:15:50,440 Speaker 1: were you even nervous going into that? Were you confident 288 00:15:50,440 --> 00:15:52,520 Speaker 1: because it was young bucks and they looked up to 289 00:15:52,520 --> 00:15:56,040 Speaker 1: you like what was do you remember even Yeah, I 290 00:15:56,120 --> 00:15:59,480 Speaker 1: remember seeing an opportunity. My thing was as I always 291 00:15:59,480 --> 00:16:02,000 Speaker 1: want to do home in TV, you know with w B. 292 00:16:02,200 --> 00:16:04,520 Speaker 1: But I worked so much. There were so many things 293 00:16:04,560 --> 00:16:07,080 Speaker 1: that I just I couldn't do. I mean, I worked, 294 00:16:07,280 --> 00:16:10,720 Speaker 1: ran SmackDown. I worked, you know, usually work from Fridays 295 00:16:10,760 --> 00:16:13,400 Speaker 1: to Tuesdays. I was home Wednesdays and Thursdays, you know, 296 00:16:13,520 --> 00:16:16,040 Speaker 1: like it was just you know, flew about Thursday nights 297 00:16:16,040 --> 00:16:17,760 Speaker 1: for show Fridays. I mean that was just the way 298 00:16:17,760 --> 00:16:20,960 Speaker 1: it worked if TV was alive. So I didn't get 299 00:16:21,000 --> 00:16:24,360 Speaker 1: a lot of the opportunities. Um, I made a choice 300 00:16:24,800 --> 00:16:26,640 Speaker 1: when I was a wrestler. I was a wrestler. I 301 00:16:26,640 --> 00:16:29,560 Speaker 1: gave a hundred dead percent to w W. But in 302 00:16:29,600 --> 00:16:31,280 Speaker 1: the back of my mind, I always knew that I 303 00:16:31,320 --> 00:16:33,440 Speaker 1: want to do other things. I want to do comedy. 304 00:16:33,480 --> 00:16:37,080 Speaker 1: I wanted to do something with some guts. I call 305 00:16:37,120 --> 00:16:39,640 Speaker 1: it guts, like you know, like that speech that watch 306 00:16:39,680 --> 00:16:42,640 Speaker 1: speak to me, to me that that monologue was a 307 00:16:42,640 --> 00:16:44,320 Speaker 1: great monol because I had a lot of guts. This 308 00:16:44,360 --> 00:16:47,240 Speaker 1: guy that had the spots for his best friend to 309 00:16:47,320 --> 00:16:49,760 Speaker 1: give it to us son went through one a hell 310 00:16:49,840 --> 00:16:53,000 Speaker 1: asis environment that would change you forever. But also the 311 00:16:53,040 --> 00:16:55,000 Speaker 1: only thing he worried about was making sure that Sun 312 00:16:55,120 --> 00:16:58,240 Speaker 1: got that watch, you know. So that's what I call 313 00:16:58,400 --> 00:17:02,960 Speaker 1: something with guts that monologue and trying to convince people 314 00:17:03,200 --> 00:17:06,639 Speaker 1: at seven ft five pounds at the time. But no, no, 315 00:17:06,760 --> 00:17:08,479 Speaker 1: I can I can do this. I can do this, 316 00:17:08,960 --> 00:17:12,320 Speaker 1: you know. And it's it's hard to to to get 317 00:17:12,680 --> 00:17:14,679 Speaker 1: people to see that, like because they see you a 318 00:17:14,720 --> 00:17:18,440 Speaker 1: certain way. You're you're you're the Russian you know, bodyguard, 319 00:17:18,520 --> 00:17:21,760 Speaker 1: You're the you know, you're you're the bad guy, You're this, 320 00:17:21,880 --> 00:17:25,560 Speaker 1: you're that. Um No, you're not a sensitive guy with feelings. 321 00:17:25,560 --> 00:17:28,600 Speaker 1: You're not a funny TV dad, you know. And I 322 00:17:28,640 --> 00:17:30,879 Speaker 1: got the chance to do that, that big show show 323 00:17:30,920 --> 00:17:34,199 Speaker 1: and have the family comedy. I mean, dude, I was learning. 324 00:17:35,280 --> 00:17:37,320 Speaker 1: I was learning on the fly. But talking about our 325 00:17:37,600 --> 00:17:40,760 Speaker 1: our acting class, I saw an opportunity You're coming in 326 00:17:40,800 --> 00:17:42,920 Speaker 1: because you were like a real cat that had done 327 00:17:42,960 --> 00:17:46,399 Speaker 1: real stuff in Hollywood, you know. So my thing was 328 00:17:47,320 --> 00:17:51,160 Speaker 1: you always try to to find somebody that you can 329 00:17:51,240 --> 00:17:54,080 Speaker 1: learn something from. Somebody's had more experience as something to you. 330 00:17:54,440 --> 00:17:56,080 Speaker 1: You want to listen to them. Some people are full 331 00:17:56,080 --> 00:17:58,400 Speaker 1: of ship. You know that, but you figured that out later. 332 00:17:58,440 --> 00:18:01,160 Speaker 1: But it's still an inn site that you can learn, 333 00:18:01,240 --> 00:18:04,760 Speaker 1: whether you agree whether or not. Um and to learn 334 00:18:04,840 --> 00:18:07,280 Speaker 1: female everything, it's like gesturing. I still tell you from 335 00:18:07,320 --> 00:18:09,440 Speaker 1: that class. The biggest thing. Oh yeah, it's over there, 336 00:18:09,920 --> 00:18:14,119 Speaker 1: like indicating that. That was one of my bad habits 337 00:18:14,200 --> 00:18:16,720 Speaker 1: that the actor called me out on and taught me about, 338 00:18:16,720 --> 00:18:19,960 Speaker 1: and I was like, yo, I do that all the time. Yeah, 339 00:18:20,320 --> 00:18:23,480 Speaker 1: but it's funny that the indicating thing taking that out 340 00:18:23,600 --> 00:18:27,000 Speaker 1: so you don't have to you know, she's over there. Yeah, 341 00:18:27,119 --> 00:18:29,439 Speaker 1: you can relax on your eyes and the way and 342 00:18:29,520 --> 00:18:33,080 Speaker 1: the motivation behind the line instead of having to physically 343 00:18:33,480 --> 00:18:35,800 Speaker 1: gesture to what you're trying to convey. You know, have 344 00:18:35,800 --> 00:18:38,320 Speaker 1: to physically, especially as big as I am, because like 345 00:18:38,640 --> 00:18:40,200 Speaker 1: you know, if I'm on a big screen, I'm on 346 00:18:40,320 --> 00:18:43,680 Speaker 1: a uh sixty or seventy ft screen. However big the 347 00:18:43,720 --> 00:18:46,000 Speaker 1: screens are in the movie theater. So if I move 348 00:18:46,080 --> 00:18:49,119 Speaker 1: my giant hand across the screen, like the entire audience 349 00:18:49,200 --> 00:18:51,880 Speaker 1: is probably kind of point. So I know, the movements 350 00:18:51,920 --> 00:18:54,200 Speaker 1: and gestures are a lot smaller, and it makes sense 351 00:18:54,400 --> 00:18:56,639 Speaker 1: a great example of that, and this is a little 352 00:18:56,640 --> 00:18:59,840 Speaker 1: side quest. When they made Rogue one, they had to 353 00:18:59,840 --> 00:19:02,959 Speaker 1: read cast Darth Vader obviously, and as we all know, 354 00:19:03,080 --> 00:19:06,720 Speaker 1: Darth Vader only moves with purpose, right. If he moves, 355 00:19:06,880 --> 00:19:10,440 Speaker 1: you're usually dying or his his lightsabers getting drawn or 356 00:19:10,480 --> 00:19:13,040 Speaker 1: he's leaving the room. And I don't know if I 357 00:19:13,080 --> 00:19:14,960 Speaker 1: can tell this story, but I'm gonna tell it. The 358 00:19:15,000 --> 00:19:19,359 Speaker 1: actor they originally hired um was Italian. And they showed 359 00:19:19,400 --> 00:19:21,960 Speaker 1: the movie to some of the execs and they were 360 00:19:21,960 --> 00:19:25,480 Speaker 1: watching it and this person who's a friend of mine said, yo, 361 00:19:25,600 --> 00:19:28,760 Speaker 1: what Darth Vader doesn't talk with his hands, And it 362 00:19:28,800 --> 00:19:31,199 Speaker 1: was basically every line was like this, and he's like, 363 00:19:31,240 --> 00:19:34,320 Speaker 1: he's not Italian. You clearly cast an Italian, but he's not. 364 00:19:34,840 --> 00:19:38,280 Speaker 1: And so they had to reshoot all that because Vader 365 00:19:38,359 --> 00:19:41,760 Speaker 1: moves when Vader needs to move, he never has been 366 00:19:42,000 --> 00:19:44,600 Speaker 1: wasted waste of movement. And that's part of the stuff 367 00:19:44,640 --> 00:19:46,760 Speaker 1: that made Vader creepy, because he was like a Jason 368 00:19:46,840 --> 00:19:50,119 Speaker 1: borghese type of movement, the same type of deal. Like, 369 00:19:50,200 --> 00:19:53,359 Speaker 1: he didn't bury much, so you you took in his 370 00:19:53,520 --> 00:19:57,120 Speaker 1: presence and is that just that evilness that came off 371 00:19:57,160 --> 00:19:59,040 Speaker 1: of him? Which you know, I, like me, were always 372 00:19:59,080 --> 00:20:01,760 Speaker 1: a Darth Vader fan anyway, So you know, I was 373 00:20:01,800 --> 00:20:03,800 Speaker 1: always a Dark Vader fans Star Wars, I was thought 374 00:20:03,880 --> 00:20:06,199 Speaker 1: Luke as a pump so okay, so I always like 375 00:20:06,280 --> 00:20:09,400 Speaker 1: the bad guys even as a kid. Now, we didn't 376 00:20:09,400 --> 00:20:11,720 Speaker 1: have a lot of money growing up, and Vince was slick. 377 00:20:12,160 --> 00:20:15,040 Speaker 1: The bad guys always won on TV, and you had 378 00:20:15,080 --> 00:20:16,639 Speaker 1: to pay on the pay per view to see your 379 00:20:16,680 --> 00:20:19,600 Speaker 1: good guy go over. I never watched pay per views 380 00:20:19,600 --> 00:20:21,879 Speaker 1: because my mom wasn't gonna spread money on that, So 381 00:20:21,920 --> 00:20:24,160 Speaker 1: I always was rooting for the dude, the one right 382 00:20:24,320 --> 00:20:26,800 Speaker 1: like I wanted. I didn't want al Pacino to get 383 00:20:26,880 --> 00:20:29,160 Speaker 1: Robert de Niro and heat. I wanted Robert de Niro 384 00:20:29,240 --> 00:20:32,240 Speaker 1: to get away. So I love the bad guys. But 385 00:20:32,280 --> 00:20:35,159 Speaker 1: we're nerding out, and this is a good transition into 386 00:20:35,200 --> 00:20:37,760 Speaker 1: a passion that both you and I have, and I 387 00:20:37,800 --> 00:20:42,560 Speaker 1: think we both recently rediscovered a few years in recent years, 388 00:20:43,040 --> 00:20:47,280 Speaker 1: and that is table top role play gaming or Dungeons 389 00:20:47,280 --> 00:20:52,320 Speaker 1: and Dragons. You're actively in a game, and I just 390 00:20:52,359 --> 00:20:55,639 Speaker 1: want to freak everyone out. Please tell everyone what class 391 00:20:55,640 --> 00:20:59,399 Speaker 1: and race your character is. My My character is a 392 00:20:59,720 --> 00:21:02,600 Speaker 1: character to the Mike Merles created for me for a stream. 393 00:21:02,840 --> 00:21:05,200 Speaker 1: It's from the Dark Sun universe. I'm a half Stone Giant, 394 00:21:05,600 --> 00:21:10,080 Speaker 1: so it's uh um. I'm playing Eldred's Night, which has 395 00:21:10,080 --> 00:21:12,720 Speaker 1: got a little bit of magic and a whole lot 396 00:21:12,760 --> 00:21:15,399 Speaker 1: of a whole lot of fump. So I'm kind of 397 00:21:15,440 --> 00:21:18,959 Speaker 1: a good with the way my character is built up. 398 00:21:19,000 --> 00:21:20,920 Speaker 1: Now I can take a pretty good bit of parlishment. 399 00:21:20,960 --> 00:21:24,199 Speaker 1: But I got some pretty big dps uh for for 400 00:21:24,280 --> 00:21:26,639 Speaker 1: doing my mom and stuff. I've gotta I've gotta plus 401 00:21:26,680 --> 00:21:29,880 Speaker 1: two mall and at the level on that now I've 402 00:21:29,920 --> 00:21:34,440 Speaker 1: got you know, three D six plus seven per hits 403 00:21:34,480 --> 00:21:37,280 Speaker 1: and I've got three chances to swing. If I'm not 404 00:21:37,960 --> 00:21:40,520 Speaker 1: take my action surge, which will give me six sets, 405 00:21:40,640 --> 00:21:42,919 Speaker 1: which if I have I'm hasted, which give me seven. 406 00:21:43,000 --> 00:21:45,399 Speaker 1: So right off the bat, if I'm hasted and acts 407 00:21:45,400 --> 00:21:47,960 Speaker 1: and serge, I can do seven attacks with the three 408 00:21:48,000 --> 00:21:50,640 Speaker 1: D six plus seven mall, so I can usually get 409 00:21:50,640 --> 00:21:53,320 Speaker 1: some of his attention pretty quick, pretty hard. And now 410 00:21:53,359 --> 00:21:56,200 Speaker 1: at I'm at level fifteen. So my elders Knight now 411 00:21:56,240 --> 00:21:59,879 Speaker 1: has a kind of like a shade step. I just 412 00:22:00,160 --> 00:22:02,160 Speaker 1: got it, so I haven't used it in gameplay yet 413 00:22:02,160 --> 00:22:04,160 Speaker 1: and you do some research on it, but I can 414 00:22:04,400 --> 00:22:07,720 Speaker 1: basically teleport anywhere I think within like thirty ft, which 415 00:22:07,760 --> 00:22:10,520 Speaker 1: is going to be ridiculous for Jack and Duto. So 416 00:22:10,880 --> 00:22:14,399 Speaker 1: that's that's my character. Um, it's an Eldritch Night that 417 00:22:14,480 --> 00:22:16,440 Speaker 1: was a pretty sick promo as far as D and 418 00:22:16,480 --> 00:22:27,480 Speaker 1: D goes, I used to play in a D and 419 00:22:27,520 --> 00:22:31,119 Speaker 1: D Monster wrestling league and it was it was a 420 00:22:31,160 --> 00:22:34,560 Speaker 1: professional wrestling and only monsters were allowed, and I literally 421 00:22:34,600 --> 00:22:38,439 Speaker 1: modeled my character after you. His name was Horace. He 422 00:22:38,520 --> 00:22:41,320 Speaker 1: was an Albart and he was a total beast and 423 00:22:41,359 --> 00:22:43,600 Speaker 1: he was an indie champion and they put it on 424 00:22:43,720 --> 00:22:46,560 Speaker 1: stream and the match I was in, I won their championship, 425 00:22:47,080 --> 00:22:50,359 Speaker 1: and so honest the Albart and I basically did like 426 00:22:51,200 --> 00:22:53,560 Speaker 1: an old school like big show voice, but if you 427 00:22:53,640 --> 00:22:57,080 Speaker 1: were British, so everything he said sounded like this, and 428 00:22:57,160 --> 00:22:59,920 Speaker 1: it was like my deepest, my deepest giant voice that 429 00:23:00,040 --> 00:23:02,600 Speaker 1: I could do. But he literally was inspired, and because 430 00:23:02,640 --> 00:23:05,480 Speaker 1: of the pandemic, it got shut down. So technically I'm 431 00:23:05,560 --> 00:23:09,879 Speaker 1: the reigning champion of D and D. You and I 432 00:23:10,119 --> 00:23:13,399 Speaker 1: I'm gonna pitch you a game off air. I'll just 433 00:23:13,640 --> 00:23:18,840 Speaker 1: message you. I created it in partnership with Fantasy Flight, 434 00:23:18,960 --> 00:23:20,879 Speaker 1: who does like all the Star Wars stuff with their 435 00:23:20,960 --> 00:23:25,000 Speaker 1: die system, and it's uh, it's a t TRPG where 436 00:23:25,000 --> 00:23:30,040 Speaker 1: I run multiple groups and it's basically cyberpunk street racing 437 00:23:30,160 --> 00:23:33,400 Speaker 1: league where it's different street race crews but with all 438 00:23:33,480 --> 00:23:36,840 Speaker 1: cybernetics and technology and hacks and things like this, and 439 00:23:36,920 --> 00:23:38,800 Speaker 1: you guys are basically if you ever saw that show 440 00:23:38,920 --> 00:23:41,680 Speaker 1: Street out Laws, it's like that, but in like New 441 00:23:41,760 --> 00:23:46,240 Speaker 1: Detroit basically, or Sant Angeles Street out Laws meets um 442 00:23:47,200 --> 00:23:50,000 Speaker 1: what was that kind? I read for that movie too. Yeah, 443 00:23:50,119 --> 00:23:55,760 Speaker 1: and Angelita. Oh yeah wait what was it called lead 444 00:23:55,800 --> 00:23:59,920 Speaker 1: a Battle angel Yeah, Betton Gil they had some great 445 00:24:00,080 --> 00:24:02,720 Speaker 1: a great what are they called hunters or something like that. 446 00:24:05,600 --> 00:24:07,359 Speaker 1: I actually read for that movie because it was a 447 00:24:07,400 --> 00:24:10,040 Speaker 1: really big character. And then they ended up going c 448 00:24:10,240 --> 00:24:13,920 Speaker 1: G I with everything, which, oh, you would be that giant, 449 00:24:14,480 --> 00:24:18,359 Speaker 1: beastly c g I rob liifeld. Look. I read for 450 00:24:18,440 --> 00:24:19,879 Speaker 1: that one. But then once they went to c G 451 00:24:20,040 --> 00:24:22,399 Speaker 1: I with it, it just looked better. You know, you 452 00:24:22,520 --> 00:24:24,760 Speaker 1: kind of gotta give it, you know, Yeah, that looked 453 00:24:24,760 --> 00:24:26,760 Speaker 1: pretty cool they did. They did smooth c g I 454 00:24:26,920 --> 00:24:30,000 Speaker 1: in that. My kids watched the Matthew Rogerick Godzilla and 455 00:24:30,080 --> 00:24:31,720 Speaker 1: they hated the c G I because I was like, 456 00:24:31,800 --> 00:24:33,520 Speaker 1: you guys, give it a break. Its old, and they're like, no, 457 00:24:34,000 --> 00:24:37,359 Speaker 1: it sucks, turn it off. Yeah. Yeah, well, I mean, 458 00:24:37,400 --> 00:24:40,040 Speaker 1: you dude, have you seen like one of my favorite 459 00:24:40,040 --> 00:24:43,960 Speaker 1: movies throwing up was Firefox Clint Eastwood. You know, I'd 460 00:24:44,000 --> 00:24:45,960 Speaker 1: love the Plane. Have you seen the c G I 461 00:24:46,119 --> 00:24:47,680 Speaker 1: on that now when you go back in time to 462 00:24:47,760 --> 00:24:50,080 Speaker 1: watch it? Oh dude. I try to excel people on 463 00:24:50,200 --> 00:24:53,359 Speaker 1: like old school anime like goll Go thirteen the Professional 464 00:24:53,520 --> 00:24:56,720 Speaker 1: and they're like, dude, they're like bro. They edited in 465 00:24:56,920 --> 00:25:00,920 Speaker 1: like a cinema, like a like a rehearsal cinema animatronic 466 00:25:01,040 --> 00:25:03,000 Speaker 1: that made the movie like they didn't even finish. I 467 00:25:03,080 --> 00:25:05,119 Speaker 1: was like, oh yeah, I forgot about that part. The 468 00:25:05,200 --> 00:25:08,280 Speaker 1: old it's tough to hold up, man, it's tough like 469 00:25:08,400 --> 00:25:11,359 Speaker 1: the old, the old movies that would come on, like 470 00:25:11,520 --> 00:25:15,879 Speaker 1: the Um with Kirk Douglas where he was fighting the 471 00:25:15,960 --> 00:25:18,320 Speaker 1: cyclops and all that. I didn't get hip to him 472 00:25:18,359 --> 00:25:20,679 Speaker 1: until I was in my thirties and twin like looking 473 00:25:20,720 --> 00:25:23,440 Speaker 1: back to appreciate, like, you know, history of films old 474 00:25:23,480 --> 00:25:26,760 Speaker 1: and stop animation? Is that what they called it? Stop? Yeah? Man? 475 00:25:27,680 --> 00:25:30,720 Speaker 1: Argonauts Jason and the Argonauts, which now Seth Green basically 476 00:25:30,800 --> 00:25:35,560 Speaker 1: does with Robot Chicken. Yeah, you should be voicing someone 477 00:25:35,720 --> 00:25:38,920 Speaker 1: Robot Chicken. Have you done his show? I haven't done 478 00:25:38,960 --> 00:25:41,600 Speaker 1: it yet. I was willing to do it. Yeah, you 479 00:25:41,680 --> 00:25:44,359 Speaker 1: do know. I just did uh voiceovers for Fast and 480 00:25:44,480 --> 00:25:46,960 Speaker 1: Furious Spy Racers. I played a character in that called 481 00:25:47,000 --> 00:25:49,800 Speaker 1: Palin Drome. Voice overs so much more fun. You don't 482 00:25:49,800 --> 00:25:53,840 Speaker 1: have to go through makeup, nobody's fooling costume anything. But 483 00:25:53,920 --> 00:25:55,680 Speaker 1: it's it's high energy though, like when I did the 484 00:25:55,720 --> 00:25:59,080 Speaker 1: flint Stones and me, man, it's it's it's high and 485 00:25:59,200 --> 00:26:02,560 Speaker 1: I'm not flint Stone. I did um um the Jetsons. 486 00:26:03,320 --> 00:26:05,600 Speaker 1: It's high energy, like that whole thing. I did the 487 00:26:05,760 --> 00:26:08,560 Speaker 1: entire Jetson's movie and one day and by the by 488 00:26:08,640 --> 00:26:10,639 Speaker 1: the end of it, I was doing some sound effects 489 00:26:10,680 --> 00:26:14,120 Speaker 1: for some stuff and my voice, my voice finally cracked, 490 00:26:14,359 --> 00:26:17,679 Speaker 1: like after eight hours of yelling, it finally snapped. Sarah 491 00:26:17,800 --> 00:26:21,119 Speaker 1: did the Kevin Smith Knew he Man one. She's She's 492 00:26:21,600 --> 00:26:26,080 Speaker 1: Sheira or Tela, She's Tela and they busted out at 493 00:26:26,080 --> 00:26:28,080 Speaker 1: the end of the day, like she couldn't talk, her 494 00:26:28,160 --> 00:26:31,760 Speaker 1: voice was shattered. That's pretty impressive for me because I've 495 00:26:31,800 --> 00:26:35,080 Speaker 1: got a really good, strong, deep voice, and you know, 496 00:26:35,240 --> 00:26:37,640 Speaker 1: and the producer, you know, during the Jetsons, She's like, yeah, 497 00:26:37,680 --> 00:26:40,920 Speaker 1: high energy the whole time, and I'm like, I'm pretty 498 00:26:41,000 --> 00:26:44,120 Speaker 1: I'm pushing it, you know, and about eight hours it took. 499 00:26:44,160 --> 00:26:46,560 Speaker 1: And then finally I was doing the grunts some sound effects. 500 00:26:46,640 --> 00:26:52,000 Speaker 1: I was about to ask, these are the funniest, but 501 00:26:52,119 --> 00:26:54,639 Speaker 1: by the end of it, my voice was like, and 502 00:26:54,760 --> 00:26:56,720 Speaker 1: that was the end of it. It'll be like, this 503 00:26:56,920 --> 00:26:59,280 Speaker 1: is a small jump, this is a medium jump. Now 504 00:26:59,320 --> 00:27:02,280 Speaker 1: I need a big jump. And you're just like, is 505 00:27:02,320 --> 00:27:05,760 Speaker 1: there a difference? Okay, breathing heavy, you're running breathing heavy, 506 00:27:06,040 --> 00:27:11,280 Speaker 1: white breathing heavy, breathing, you know, breathing well on one leg. Yeah, yeah, yeah, 507 00:27:11,400 --> 00:27:14,879 Speaker 1: that's that's the most taxing part of any v O session. 508 00:27:15,160 --> 00:27:18,720 Speaker 1: Well listen, man, I'm gonna let you go. You've used 509 00:27:18,720 --> 00:27:21,240 Speaker 1: your voice enough today and you probably have to go 510 00:27:21,359 --> 00:27:23,480 Speaker 1: do jets in season eight. Now, I didn't even know 511 00:27:23,520 --> 00:27:26,600 Speaker 1: they made a new Jetsons and that's a while ago. 512 00:27:26,840 --> 00:27:29,680 Speaker 1: So I'm good, man, I'm good, just living the dream, 513 00:27:29,800 --> 00:27:33,640 Speaker 1: working a w doing the commentary, still working a little 514 00:27:33,680 --> 00:27:36,800 Speaker 1: bit at my age. I'm actually on I'm on our 515 00:27:36,880 --> 00:27:39,640 Speaker 1: YouTube elevation show. HOWSNNA say you're not just doing commentary 516 00:27:39,640 --> 00:27:41,600 Speaker 1: because I saw you beating people up. Yeah, I was 517 00:27:41,680 --> 00:27:43,000 Speaker 1: in our pay per view or all out pay per 518 00:27:43,080 --> 00:27:46,320 Speaker 1: view in Chicago's in that it's not, you know, anywhere 519 00:27:46,359 --> 00:27:49,320 Speaker 1: near the competitiveness that the other guys in aw have. 520 00:27:49,520 --> 00:27:51,560 Speaker 1: It's just a little attraction fund match. It's kind of 521 00:27:51,600 --> 00:27:54,800 Speaker 1: oh yeah, that guy is still alive. The giants. The 522 00:27:54,920 --> 00:27:59,399 Speaker 1: giants are always the best. Man. I love you so much, Paul, 523 00:28:00,040 --> 00:28:03,120 Speaker 1: Thank you artist. Backslap I ever received in my life 524 00:28:03,280 --> 00:28:05,040 Speaker 1: was from you at a summer slam out here in 525 00:28:05,240 --> 00:28:07,840 Speaker 1: l A. I think you ruptured a disk. I did 526 00:28:07,920 --> 00:28:11,760 Speaker 1: have surgery, um, but it I love I love you 527 00:28:11,920 --> 00:28:14,280 Speaker 1: so much, bro, and I thank you so much for 528 00:28:14,359 --> 00:28:17,560 Speaker 1: being on the show. Brother. I'll see you, brother, says man. 529 00:28:17,600 --> 00:28:19,120 Speaker 1: I'll catch you down the road. You too, Man, catch 530 00:28:19,160 --> 00:28:21,920 Speaker 1: you down the road. Everybody, thank you for listening. I 531 00:28:21,960 --> 00:28:24,920 Speaker 1: appreciate you hanging around and listening to us tell stories 532 00:28:25,240 --> 00:28:26,920 Speaker 1: and being a part of this. I hope you're having 533 00:28:26,960 --> 00:28:28,960 Speaker 1: as much fun listening as I am getting to do 534 00:28:29,119 --> 00:28:31,600 Speaker 1: this and remember all these stories. And I know I 535 00:28:31,680 --> 00:28:34,320 Speaker 1: get sidetracked sometimes, but hopefully that's a part of the fun. 536 00:28:35,320 --> 00:28:37,520 Speaker 1: This has been a production of I Heart Radio's Michael 537 00:28:37,560 --> 00:28:40,840 Speaker 1: Tour podcast Network. For more podcasts for my heart Radio, 538 00:28:40,960 --> 00:28:43,960 Speaker 1: visit the I heart Radio app, Apple Podcasts or wherever 539 00:28:44,040 --> 00:28:48,480 Speaker 1: you listen to your favorite shows. Yeah,