WEBVTT - Art Is the Missing Pillar of Your Health

0:00:00.600 --> 0:00:03.360
<v Speaker 1>Welcome to two percent. I'm your host, Michael Easter. Today

0:00:03.520 --> 0:00:05.880
<v Speaker 1>we're going to be talking about these science backed benefits

0:00:05.880 --> 0:00:09.240
<v Speaker 1>of art, whether that is creating it yourself, experiencing it,

0:00:09.440 --> 0:00:13.000
<v Speaker 1>or even just taking an artistic mindset to whatever you do. First,

0:00:13.000 --> 0:00:15.240
<v Speaker 1>we're going to speak to Daisy Fancourt. She's the world's

0:00:15.240 --> 0:00:18.720
<v Speaker 1>foremost researcher studying the benefits of art. She also wrote

0:00:18.720 --> 0:00:20.960
<v Speaker 1>a book called Art Cure. Then we're going to bring

0:00:20.960 --> 0:00:24.480
<v Speaker 1>on Jesse Albrick. He's one of my favorite artists. He

0:00:24.560 --> 0:00:28.320
<v Speaker 1>does ceramic work that is just mind blowing, beautiful, amazing.

0:00:28.640 --> 0:00:30.600
<v Speaker 1>He's also a veteran of the Iraq War, so he's

0:00:30.600 --> 0:00:32.159
<v Speaker 1>going to tell us his story. He's going to talk

0:00:32.159 --> 0:00:35.640
<v Speaker 1>to us about how the war influences work and why

0:00:35.680 --> 0:00:38.640
<v Speaker 1>creativity can be an outlet not only for veterans, with

0:00:38.760 --> 0:00:41.040
<v Speaker 1>everyone else. I'll take a quick break and we'll start

0:00:41.040 --> 0:00:53.479
<v Speaker 1>with Daisy. Well, Daisy Fancourt, thank you for coming on

0:00:53.520 --> 0:00:54.000
<v Speaker 1>two percent.

0:00:54.240 --> 0:00:55.600
<v Speaker 2>It's a pleasure. Thank you for having me.

0:00:55.760 --> 0:00:59.120
<v Speaker 1>Okay, here's where I want to start. John Adams said

0:01:00.440 --> 0:01:02.959
<v Speaker 1>I must study politics and war that my sons may

0:01:02.960 --> 0:01:07.000
<v Speaker 1>have liberty to study mathematics and philosophy. My sons ought

0:01:07.040 --> 0:01:10.000
<v Speaker 1>to study mathematics and philosophy in order to give their

0:01:10.080 --> 0:01:14.960
<v Speaker 1>children a right to study painting, poetry, music, architecture, statutary,

0:01:15.040 --> 0:01:18.759
<v Speaker 1>tapestry and porcelain, so Adams. In this quote, he seems

0:01:18.760 --> 0:01:22.440
<v Speaker 1>to be suggesting that art is the highest pursuit. Why

0:01:22.520 --> 0:01:25.160
<v Speaker 1>is art so important for our lives and our well being?

0:01:25.760 --> 0:01:29.840
<v Speaker 3>Arts engagement is a fundamental human behavior that's arguably one

0:01:29.880 --> 0:01:33.600
<v Speaker 3>of the pinnacles of our evolution as apecies. And we

0:01:33.680 --> 0:01:36.479
<v Speaker 3>see very clearly the impact that the arts have, whether

0:01:36.520 --> 0:01:39.720
<v Speaker 3>it's on us as individuals, on our to societies, ways

0:01:39.720 --> 0:01:42.480
<v Speaker 3>of challenging and developing our whole way of thinking as humans.

0:01:42.880 --> 0:01:45.320
<v Speaker 3>But it's funny hearing that, because I think many people

0:01:45.360 --> 0:01:48.640
<v Speaker 3>would really argue or with we're used in society to

0:01:48.680 --> 0:01:51.480
<v Speaker 3>thinking about the reverse that actually the arts courses are

0:01:51.520 --> 0:01:53.920
<v Speaker 3>the ones that are very much not the necessary, the

0:01:53.920 --> 0:01:55.880
<v Speaker 3>ones that can be cut because we should be focusing

0:01:55.880 --> 0:01:58.240
<v Speaker 3>all of our attention onto those other subjects instead.

0:01:58.600 --> 0:02:01.600
<v Speaker 1>Yeah, you mentioned evolution, So what is the history of

0:02:01.600 --> 0:02:04.120
<v Speaker 1>they art? How long has art been around in humanity?

0:02:04.320 --> 0:02:05.600
<v Speaker 2>It's a hard thing to figure out.

0:02:05.640 --> 0:02:08.760
<v Speaker 3>So actually some of the earliest tangible evidence of the

0:02:08.880 --> 0:02:11.679
<v Speaker 3>art comes from sort of forty odd thousand years ago,

0:02:11.720 --> 0:02:17.080
<v Speaker 3>where we've got things like bones, statues, bone flutes, cave paintings,

0:02:17.080 --> 0:02:20.280
<v Speaker 3>sort of rhythmic heal patterns that suggest dance in caves.

0:02:20.760 --> 0:02:24.280
<v Speaker 3>But actually there is some even earlier examples. We think

0:02:24.360 --> 0:02:27.160
<v Speaker 3>of the arts actually emerging as a way of supporting

0:02:27.200 --> 0:02:30.640
<v Speaker 3>social bonding, with some even arguing that singing evolved as

0:02:30.680 --> 0:02:34.040
<v Speaker 3>a way of helping us to connect before language.

0:02:33.680 --> 0:02:34.680
<v Speaker 2>Even came into being.

0:02:34.720 --> 0:02:37.600
<v Speaker 3>And if that's so, then the arts and some form

0:02:37.639 --> 0:02:39.160
<v Speaker 3>may have been with us for a couple of hundred

0:02:39.240 --> 0:02:42.120
<v Speaker 3>thousand years and actually playing a really important role in

0:02:42.160 --> 0:02:44.440
<v Speaker 3>our entire survival from the beginning that they emerged.

0:02:44.560 --> 0:02:47.360
<v Speaker 1>That's amazing because I think when people think of the

0:02:47.400 --> 0:02:50.480
<v Speaker 1>past and our hunter gatherer ancestors, they assume it was

0:02:50.520 --> 0:02:53.200
<v Speaker 1>all just drudgery. All you do is walk around looking

0:02:53.200 --> 0:02:55.560
<v Speaker 1>for food, hunting, and you just hope to survive. But

0:02:55.600 --> 0:02:58.480
<v Speaker 1>it turns out people were spending time on I think

0:02:58.520 --> 0:03:02.080
<v Speaker 1>what a lot of us today would consider leisure and

0:03:02.120 --> 0:03:04.760
<v Speaker 1>this sort of higher thing we can do with our

0:03:04.840 --> 0:03:05.320
<v Speaker 1>free time.

0:03:05.520 --> 0:03:08.320
<v Speaker 3>But what's interesting here is that when they were engaging

0:03:08.360 --> 0:03:10.839
<v Speaker 3>in arts, it seems to have had a purpose to it.

0:03:10.840 --> 0:03:13.480
<v Speaker 3>It was about social bonding or connection or some of

0:03:13.520 --> 0:03:16.880
<v Speaker 3>those early examples of the art, like the bone statues,

0:03:16.919 --> 0:03:19.639
<v Speaker 3>were of female figures that people think may have been

0:03:19.720 --> 0:03:21.760
<v Speaker 3>part of fertility rituals.

0:03:21.840 --> 0:03:22.600
<v Speaker 2>So it suggests that.

0:03:22.600 --> 0:03:26.000
<v Speaker 3>Arts were actually seen as a fundamental part of everyday

0:03:26.000 --> 0:03:29.480
<v Speaker 3>life rather than just to kind of flippant nice thing

0:03:29.600 --> 0:03:31.919
<v Speaker 3>to have. They were a necessity rather than luxury.

0:03:32.120 --> 0:03:34.200
<v Speaker 1>I love it all right, coach. So to set the stage,

0:03:34.560 --> 0:03:37.280
<v Speaker 1>you did a one hundred and forty six page report

0:03:37.600 --> 0:03:41.120
<v Speaker 1>for the World Health Organization reviewed all the research on

0:03:41.160 --> 0:03:43.240
<v Speaker 1>how art improves health and well being. You also have

0:03:43.320 --> 0:03:47.120
<v Speaker 1>a book called Archer How Art Saves Lives, So big

0:03:47.160 --> 0:03:50.600
<v Speaker 1>picture to set the stage, how does art save lives?

0:03:50.960 --> 0:03:53.640
<v Speaker 3>Arts engagement can have so many effects on our health.

0:03:53.680 --> 0:03:54.880
<v Speaker 3>One of the things that it can do is help

0:03:54.920 --> 0:03:56.880
<v Speaker 3>to enhance our well being, giving us a sense of

0:03:57.000 --> 0:03:59.400
<v Speaker 3>meaning and purpose in our lives, which is arguably what

0:03:59.480 --> 0:04:02.440
<v Speaker 3>most people are looking for in a good life. But

0:04:02.520 --> 0:04:05.600
<v Speaker 3>it can also actually impact every system in our body,

0:04:05.680 --> 0:04:09.480
<v Speaker 3>our brains, our immune system, our cardiovascular system, and actually

0:04:09.480 --> 0:04:13.720
<v Speaker 3>fundamentally impact our risk of developing illness from mental health

0:04:13.760 --> 0:04:17.440
<v Speaker 3>problems to physical illness. And if we do develop health challenges,

0:04:17.640 --> 0:04:19.520
<v Speaker 3>It can also play a really important role in the

0:04:19.520 --> 0:04:22.880
<v Speaker 3>management and even treatments of psychological and physical symptoms.

0:04:23.160 --> 0:04:25.640
<v Speaker 1>What do you think the mechanism is for mental health

0:04:25.720 --> 0:04:28.800
<v Speaker 1>benefits and what are those seemed to be You mentioned

0:04:29.279 --> 0:04:31.080
<v Speaker 1>sort of lightly on them, but what are some of

0:04:31.080 --> 0:04:33.920
<v Speaker 1>the specific benefits we find and what's happening there.

0:04:34.120 --> 0:04:36.039
<v Speaker 3>Well from day to day engagement in the arts. We

0:04:36.040 --> 0:04:38.320
<v Speaker 3>actually see that if people are regularly engaged, they have

0:04:38.360 --> 0:04:41.040
<v Speaker 3>about half the risk of developing depression over the next

0:04:41.120 --> 0:04:43.720
<v Speaker 3>ten years of their lives, and if they already.

0:04:43.360 --> 0:04:44.640
<v Speaker 2>Have symptoms of depression.

0:04:44.640 --> 0:04:48.160
<v Speaker 3>For example, ARTS engagement an hour a week for twelve

0:04:48.160 --> 0:04:51.599
<v Speaker 3>weeks tends to reduce symptoms by about thirty to forty

0:04:51.640 --> 0:04:54.120
<v Speaker 3>percent in people. These are the same effect sizes that

0:04:54.160 --> 0:04:57.599
<v Speaker 3>we actually see for other kinds of interventions like psychological

0:04:57.640 --> 0:05:00.680
<v Speaker 3>therapies and medication, and the effects to be quite long

0:05:00.800 --> 0:05:03.800
<v Speaker 3>lasting even after the end of finishing sort of three

0:05:03.839 --> 0:05:07.039
<v Speaker 3>months of regular ARTS engagements. And part of the reason

0:05:07.080 --> 0:05:10.719
<v Speaker 3>for it is that ARTS engagement helps to alter our moods.

0:05:10.720 --> 0:05:12.960
<v Speaker 3>It can help us to feel happier when we engage,

0:05:13.040 --> 0:05:17.440
<v Speaker 3>releasing neurotransmitters like dopamine that are involved in pleasure. It

0:05:17.440 --> 0:05:21.120
<v Speaker 3>can also reduce our stress response systems, so lowering our

0:05:21.120 --> 0:05:24.560
<v Speaker 3>heart rate, our blood pressure, stress hormones like cortisol. It

0:05:24.600 --> 0:05:27.760
<v Speaker 3>can also affect inflammation in our immune system, which is

0:05:27.800 --> 0:05:31.920
<v Speaker 3>actually very much linked in with depressive feelings, so our

0:05:32.000 --> 0:05:35.120
<v Speaker 3>mood has these correlates within our immune system. When we

0:05:35.120 --> 0:05:38.599
<v Speaker 3>can see arts engagement influencing both our feelings of moods

0:05:38.600 --> 0:05:41.720
<v Speaker 3>and also those biological markers, and it can also help

0:05:41.760 --> 0:05:44.400
<v Speaker 3>to give us a sense of community and a purpose

0:05:44.480 --> 0:05:47.560
<v Speaker 3>and feel good about ourselves to mastery within it as well,

0:05:47.600 --> 0:05:50.440
<v Speaker 3>so it can target multiple aspects of our well being.

0:05:50.920 --> 0:05:53.760
<v Speaker 1>And then physically, what are some of the benefits we'll

0:05:53.760 --> 0:05:54.200
<v Speaker 1>see there.

0:05:54.520 --> 0:05:57.279
<v Speaker 3>Physically, if people engage regularly in the arts, we can

0:05:57.320 --> 0:06:00.400
<v Speaker 3>see affecting different organ systems, like when we sing, for example,

0:06:00.400 --> 0:06:03.279
<v Speaker 3>that actually helps to improve the strength of respiratory muscles.

0:06:03.680 --> 0:06:06.400
<v Speaker 3>If we're regularly engaged in things like dance that have

0:06:06.440 --> 0:06:10.600
<v Speaker 3>got that physical components, we see improvements in cardiovascular outcomes

0:06:10.640 --> 0:06:14.320
<v Speaker 3>from blood pressure, cholesterol, triglycerides, which are kind of fatty

0:06:14.360 --> 0:06:16.320
<v Speaker 3>acids fatty fats.

0:06:16.160 --> 0:06:17.000
<v Speaker 2>In our blood.

0:06:17.880 --> 0:06:21.279
<v Speaker 3>We also see that regular engagement have muscular scaltal benefits.

0:06:21.320 --> 0:06:24.080
<v Speaker 3>It's literally getting us out and about and keeping us

0:06:24.560 --> 0:06:28.040
<v Speaker 3>physically active, so that has a lot of benefits as

0:06:28.080 --> 0:06:28.680
<v Speaker 3>we get older.

0:06:28.680 --> 0:06:30.159
<v Speaker 2>In particular, so people who.

0:06:30.000 --> 0:06:33.120
<v Speaker 3>Engage regularly in the art are less likely to become

0:06:33.200 --> 0:06:36.120
<v Speaker 3>frail or to develop age related signs of decline.

0:06:36.640 --> 0:06:37.479
<v Speaker 2>We also see.

0:06:37.320 --> 0:06:40.520
<v Speaker 3>Brain effects, so engaging in the art involves so many

0:06:40.560 --> 0:06:42.839
<v Speaker 3>regions of our brain. It really is a whole brain

0:06:42.960 --> 0:06:47.000
<v Speaker 3>workout which helps to strengthen connections between different regions of

0:06:47.040 --> 0:06:49.160
<v Speaker 3>the brain. And in fact we see that people who

0:06:49.200 --> 0:06:53.200
<v Speaker 3>are regularly engaged in the arts are actually younger biologically

0:06:53.440 --> 0:06:54.720
<v Speaker 3>and neurologically.

0:06:54.920 --> 0:06:56.719
<v Speaker 1>We're going to take a quick break and then Daisy

0:06:56.760 --> 0:06:59.160
<v Speaker 1>will explain to physical health benefits that can come from

0:06:59.279 --> 0:07:10.880
<v Speaker 1>art that don't involved movement like painting. Is there do

0:07:10.920 --> 0:07:15.160
<v Speaker 1>you get physical benefits from arts that don't have a

0:07:15.200 --> 0:07:17.800
<v Speaker 1>movement component like do we see? I don't know, for example,

0:07:17.840 --> 0:07:21.680
<v Speaker 1>benefits and heart health from people who are painting or

0:07:21.720 --> 0:07:23.400
<v Speaker 1>creating music or anything like that.

0:07:23.600 --> 0:07:25.520
<v Speaker 2>You do often through different pathways.

0:07:25.520 --> 0:07:27.840
<v Speaker 3>So obviously if you're dancing, it is a form of

0:07:27.840 --> 0:07:30.280
<v Speaker 3>aerobic exercise, so it's in a way it's not surprising

0:07:30.320 --> 0:07:34.160
<v Speaker 3>you see health physical health benefits, although interestingly, a lot

0:07:34.200 --> 0:07:37.560
<v Speaker 3>of the trials that compare dance to other aerobic exercise

0:07:37.640 --> 0:07:42.120
<v Speaker 3>actually see even greater improvements in many health outcomes from

0:07:42.160 --> 0:07:45.040
<v Speaker 3>the dance because it's not only the physical, it's also

0:07:45.160 --> 0:07:48.720
<v Speaker 3>bringing in the social and also the psychological benefits of

0:07:48.760 --> 0:07:51.560
<v Speaker 3>the creativity and the imagination that's involved in those mood

0:07:51.600 --> 0:07:54.520
<v Speaker 3>benefits too. But we do see benefits from other kinds

0:07:54.560 --> 0:07:57.880
<v Speaker 3>of non active arts as well. So in fact, my

0:07:57.920 --> 0:07:59.720
<v Speaker 3>team and I have just finished a study where we've

0:07:59.720 --> 0:08:03.600
<v Speaker 3>looked at how arts engagement affects patterns of gene expression,

0:08:04.320 --> 0:08:06.760
<v Speaker 3>and it actually looks at particular patterns that we call

0:08:06.800 --> 0:08:09.640
<v Speaker 3>epigenetic clocks, which are an indication of where the people

0:08:09.640 --> 0:08:14.280
<v Speaker 3>aging biologically faster or slower than their chronological age. And

0:08:14.320 --> 0:08:16.000
<v Speaker 3>we see that even the things that are the more

0:08:16.160 --> 0:08:19.920
<v Speaker 3>passive arts engagement, like sitting and reading regularly for pleasure,

0:08:20.040 --> 0:08:23.440
<v Speaker 3>or doing crafts or being involved in other arts groups,

0:08:23.480 --> 0:08:26.600
<v Speaker 3>these are all linked in with a lower epigenetic age,

0:08:26.600 --> 0:08:29.240
<v Speaker 3>the slower biological aging. And we think this is because

0:08:29.320 --> 0:08:33.240
<v Speaker 3>arts engagement has such diverse psychological benefits for things like

0:08:33.280 --> 0:08:36.320
<v Speaker 3>stress that we know really influence our physical health as well.

0:08:36.559 --> 0:08:39.640
<v Speaker 1>So sort of in totality, I would say, you know,

0:08:40.040 --> 0:08:41.800
<v Speaker 1>when people think of how do I improve my health?

0:08:42.240 --> 0:08:44.320
<v Speaker 1>They're often going, Okay, well I need to eat better,

0:08:44.720 --> 0:08:47.640
<v Speaker 1>probably should sleep better, I should probably exercise it. But

0:08:47.760 --> 0:08:49.760
<v Speaker 1>you know, go to the gym and do my three

0:08:50.160 --> 0:08:53.079
<v Speaker 1>sets of ten raps or whatever. But you argue that

0:08:53.559 --> 0:08:56.800
<v Speaker 1>the arts are a fifth pillar of health. They're just

0:08:56.840 --> 0:09:00.120
<v Speaker 1>as important of as all of these other things. How

0:09:00.200 --> 0:09:01.720
<v Speaker 1>string do you think the research on that?

0:09:01.840 --> 0:09:01.960
<v Speaker 4>Is?

0:09:02.320 --> 0:09:03.040
<v Speaker 2>The research is.

0:09:03.080 --> 0:09:06.120
<v Speaker 3>Really accumulating so rapidly now. I think people are often

0:09:06.120 --> 0:09:08.520
<v Speaker 3>surprise when they hear it's now tens of thousands of

0:09:08.559 --> 0:09:11.960
<v Speaker 3>scientific studies on the health benefits of the arts, and

0:09:12.000 --> 0:09:14.640
<v Speaker 3>actually a lot of these are increasingly pitting the arts

0:09:14.679 --> 0:09:18.240
<v Speaker 3>against other health behaviors that we're much more familiar with. So,

0:09:18.320 --> 0:09:21.040
<v Speaker 3>for example, the study I just mentioned on epigenetic aging,

0:09:21.440 --> 0:09:25.520
<v Speaker 3>we actually directly compared arts for epigenetic aging and physical activity.

0:09:25.840 --> 0:09:26.640
<v Speaker 2>They actually had.

0:09:26.480 --> 0:09:29.880
<v Speaker 3>The same sized effect on our raid of epigenetic aging,

0:09:29.960 --> 0:09:32.000
<v Speaker 3>which I think is just one example of so many

0:09:32.040 --> 0:09:35.320
<v Speaker 3>studies now that are showing these parallel effect sizes between

0:09:35.400 --> 0:09:38.120
<v Speaker 3>arts and other health behaviors, really highlighting that we need

0:09:38.160 --> 0:09:39.320
<v Speaker 3>to take the arts more seriously.

0:09:39.480 --> 0:09:42.640
<v Speaker 1>Absolutely, And so from my perspective, sort of going into

0:09:42.679 --> 0:09:44.640
<v Speaker 1>this and I thought there would be some benefits. I

0:09:44.679 --> 0:09:46.880
<v Speaker 1>was like, yeah, there's probably some research search on this,

0:09:47.640 --> 0:09:51.520
<v Speaker 1>and then I came across your massive WHL report and

0:09:51.559 --> 0:09:53.400
<v Speaker 1>it was kind of one of those your jaw drops

0:09:53.400 --> 0:09:55.840
<v Speaker 1>and goes, oh my god. I didn't realize there was

0:09:56.120 --> 0:09:58.920
<v Speaker 1>this much there there. I mean, it's just fascinating.

0:09:59.280 --> 0:10:00.199
<v Speaker 2>It's really exciting.

0:10:00.200 --> 0:10:02.160
<v Speaker 3>And actually, if you look at other health behaviors, though,

0:10:02.200 --> 0:10:06.040
<v Speaker 3>it's been a similar process of them not being taken

0:10:06.080 --> 0:10:07.719
<v Speaker 3>seriously at first, Like if you look back in the

0:10:07.800 --> 0:10:10.679
<v Speaker 3>nineteen eighties, there were still these debates about is exercise

0:10:10.760 --> 0:10:12.160
<v Speaker 3>good for our health, which.

0:10:12.000 --> 0:10:14.400
<v Speaker 2>Is such a hilarious concept to consider now.

0:10:14.800 --> 0:10:16.920
<v Speaker 3>And another example I talk about in my book as

0:10:16.920 --> 0:10:19.520
<v Speaker 3>well is seat beltsing cars. Like if you look back

0:10:19.559 --> 0:10:22.200
<v Speaker 3>before the nineteen nineties, nobody wore a seat belting cars.

0:10:22.240 --> 0:10:25.440
<v Speaker 3>People thought it was a ridiculous concept, and it took years,

0:10:25.480 --> 0:10:28.560
<v Speaker 3>decades of scientific research about the impact it has for

0:10:28.640 --> 0:10:32.480
<v Speaker 3>our health and survival and lobbying and like really public

0:10:32.480 --> 0:10:35.800
<v Speaker 3>awareness building before suddenly there was this huge sea change

0:10:35.800 --> 0:10:38.839
<v Speaker 3>in awareness and also in people's behaviors. And I think

0:10:38.840 --> 0:10:41.840
<v Speaker 3>that we're getting to that similar seatbelt moment or tipping

0:10:41.840 --> 0:10:46.120
<v Speaker 3>point with art engagement. People are actually increasingly becoming aware

0:10:46.480 --> 0:10:48.480
<v Speaker 3>of this evidence. It's why I've written this book to

0:10:48.559 --> 0:10:51.720
<v Speaker 3>really try and galvanize that public awareness. And I'm hoping

0:10:51.720 --> 0:10:54.000
<v Speaker 3>that we'll have that similar tipping point where suddenly, in

0:10:54.000 --> 0:10:56.680
<v Speaker 3>a few years everybody will be like, well, of course

0:10:56.800 --> 0:10:57.880
<v Speaker 3>art is good for our health and.

0:10:57.920 --> 0:10:58.640
<v Speaker 5>We should be doing it.

0:10:58.880 --> 0:10:59.160
<v Speaker 4>Yeah.

0:10:59.280 --> 0:11:03.520
<v Speaker 1>I love that question. Do you have to produce art

0:11:03.720 --> 0:11:06.400
<v Speaker 1>or make art yourself or can you just consume it

0:11:06.520 --> 0:11:08.920
<v Speaker 1>and get a lot of the benefits we're talking about here.

0:11:09.120 --> 0:11:11.679
<v Speaker 3>So both have benefits for us, and I'd say you

0:11:11.720 --> 0:11:13.680
<v Speaker 3>can think about it a little bit like thinking about

0:11:13.800 --> 0:11:15.840
<v Speaker 3>ingredients in a meal, because when we engage in different

0:11:15.920 --> 0:11:18.600
<v Speaker 3>arts activities, they all have different ingredients. Like some are

0:11:18.600 --> 0:11:23.080
<v Speaker 3>more social, some are involve more different sensory stimulations. Some

0:11:23.160 --> 0:11:25.599
<v Speaker 3>are involving our own creativity and imagination.

0:11:26.360 --> 0:11:29.920
<v Speaker 2>Some are more physical. So naturally, the things where we are.

0:11:29.720 --> 0:11:33.800
<v Speaker 3>Producing and having to really get involved ourselves, those can

0:11:33.840 --> 0:11:36.800
<v Speaker 3>bring additional benefits of their own. They might support our

0:11:36.800 --> 0:11:41.160
<v Speaker 3>feelings of mastery or self esteem if we're creating things ourselves.

0:11:41.400 --> 0:11:43.920
<v Speaker 3>But actually they're more sort of so called receptive things

0:11:43.960 --> 0:11:48.080
<v Speaker 3>like reading books or watching films or going to the theater.

0:11:48.920 --> 0:11:51.560
<v Speaker 3>These also have lots of benefits, particularly because they tend

0:11:51.559 --> 0:11:55.160
<v Speaker 3>to expose us to lots of new emotions, new storylines

0:11:55.200 --> 0:11:57.240
<v Speaker 3>that can challenge our way of thinking. So they might

0:11:57.280 --> 0:12:00.160
<v Speaker 3>influence us in different ways, but often we actually see

0:12:00.240 --> 0:12:03.600
<v Speaker 3>quite similar health outcomes, particularly for outcomes that are quite

0:12:03.600 --> 0:12:04.679
<v Speaker 3>broad like mental health.

0:12:05.000 --> 0:12:09.880
<v Speaker 1>Yeah, speaking of mental health, there's part of your report

0:12:09.960 --> 0:12:12.640
<v Speaker 1>and your work is looked at behavioral health, especially with

0:12:12.720 --> 0:12:13.840
<v Speaker 1>kids and teens and arts.

0:12:13.840 --> 0:12:14.760
<v Speaker 4>What have you found there.

0:12:15.200 --> 0:12:17.800
<v Speaker 3>Interestingly, there's a lot of research now growing about the

0:12:17.800 --> 0:12:21.480
<v Speaker 3>benefits the arts engagement has for supporting children in developing

0:12:21.480 --> 0:12:22.400
<v Speaker 3>their own behaviors.

0:12:22.720 --> 0:12:24.199
<v Speaker 2>So we see that young people who are.

0:12:24.200 --> 0:12:27.240
<v Speaker 3>Regularly engaged in the arts actually have better levels of

0:12:27.280 --> 0:12:30.839
<v Speaker 3>self control and self esteem, and they're actually less likely

0:12:31.040 --> 0:12:35.040
<v Speaker 3>to develop behavioral problems and also to get involved in

0:12:35.160 --> 0:12:38.520
<v Speaker 3>antisocial or criminalized behaviors. That some of this is probably

0:12:38.559 --> 0:12:41.240
<v Speaker 3>displacement effects. You know, if you're spending your time doing arts,

0:12:41.240 --> 0:12:43.199
<v Speaker 3>you might not have as much time to be sort

0:12:43.240 --> 0:12:45.240
<v Speaker 3>of staying out on the streets or getting into trouble

0:12:45.280 --> 0:12:48.040
<v Speaker 3>for example. But actually the fact that the artists do

0:12:48.360 --> 0:12:52.080
<v Speaker 3>nurture those core skills like empathy and helping to put

0:12:52.080 --> 0:12:54.520
<v Speaker 3>ourselves in other people's shoes, which is known as theory

0:12:54.520 --> 0:12:58.600
<v Speaker 3>of minds. Those are very very important psychological skills that

0:12:58.640 --> 0:13:02.400
<v Speaker 3>we build up through and interestingly, when we're looking at narrative,

0:13:02.440 --> 0:13:06.000
<v Speaker 3>at things that are involving stories, they're particularly important for

0:13:06.040 --> 0:13:08.280
<v Speaker 3>young people because it means that they are feeding their

0:13:08.280 --> 0:13:12.200
<v Speaker 3>brains with different scenarios, different emotions, and they're having to

0:13:12.240 --> 0:13:15.240
<v Speaker 3>practice how to manage those emotions, but also how to

0:13:15.320 --> 0:13:18.920
<v Speaker 3>imagine how they would respond to all of those different scenarios.

0:13:18.960 --> 0:13:21.959
<v Speaker 3>And that's what young people's brains are constantly doing, trying

0:13:22.040 --> 0:13:24.440
<v Speaker 3>to build up their repertswire of how they can respond

0:13:24.559 --> 0:13:28.079
<v Speaker 3>to really complex situations and be resilient in them as well.

0:13:28.440 --> 0:13:29.360
<v Speaker 2>And by giving us.

0:13:29.240 --> 0:13:32.079
<v Speaker 3>All of those different exposures through art, we're actually building

0:13:32.120 --> 0:13:36.160
<v Speaker 3>what's called the predictive coding abilities of young people's brains.

0:13:36.360 --> 0:13:39.600
<v Speaker 1>So what do you tell parents? What's the takeaway for parents?

0:13:40.760 --> 0:13:43.480
<v Speaker 1>Does it just get your kids involved in any art

0:13:43.559 --> 0:13:45.600
<v Speaker 1>at all, or what's the sort of path in the

0:13:45.600 --> 0:13:48.600
<v Speaker 1>basket There is there a specific dose the research findes,

0:13:48.720 --> 0:13:49.600
<v Speaker 1>or what does that look like?

0:13:50.160 --> 0:13:52.400
<v Speaker 3>So I think in young children the sort of main

0:13:52.440 --> 0:13:54.800
<v Speaker 3>message and I have young kids myself, so I've definitely

0:13:54.840 --> 0:13:57.360
<v Speaker 3>been learning this on a fly, But the main message

0:13:57.360 --> 0:13:59.920
<v Speaker 3>is just to embrace creativity across day to day whenever

0:13:59.920 --> 0:14:02.560
<v Speaker 3>you can. So kids are so naturally good at this,

0:14:02.679 --> 0:14:06.280
<v Speaker 3>like they're constantly singing or dancing, or acting out bits

0:14:06.320 --> 0:14:09.280
<v Speaker 3>of stories or wanting to read and doing crafts, and

0:14:09.320 --> 0:14:11.760
<v Speaker 3>I think really embracing those, even if they're just those

0:14:11.840 --> 0:14:14.960
<v Speaker 3>micro moments that get scattered across the day, because that's

0:14:15.000 --> 0:14:18.920
<v Speaker 3>so important for developing their creativity and giving them those

0:14:18.960 --> 0:14:20.760
<v Speaker 3>exposure to emotions.

0:14:20.880 --> 0:14:21.960
<v Speaker 2>And to storylines.

0:14:22.280 --> 0:14:24.120
<v Speaker 3>As young people get older, I think there are new

0:14:24.120 --> 0:14:27.400
<v Speaker 3>opportunities that can be added in, like giving them new

0:14:29.080 --> 0:14:32.080
<v Speaker 3>novel art experiences. So I love taking my kids to

0:14:32.120 --> 0:14:35.400
<v Speaker 3>watch street musicians buskers in our town because it's such

0:14:35.400 --> 0:14:38.040
<v Speaker 3>an easy way to be exposed to music. There's no

0:14:38.120 --> 0:14:39.920
<v Speaker 3>pressure to sit down for an hour or two. You

0:14:39.960 --> 0:14:42.280
<v Speaker 3>can just have those micro moments. But it's giving them

0:14:42.280 --> 0:14:45.680
<v Speaker 3>those fresh perspectives and starting to go to other shows

0:14:45.800 --> 0:14:48.960
<v Speaker 3>or gigs or festivals that can give them that exposure

0:14:49.040 --> 0:14:52.080
<v Speaker 3>is exciting. And if they can develop a creative hobby

0:14:52.120 --> 0:14:54.680
<v Speaker 3>that they have that chance to work at and build

0:14:54.720 --> 0:14:58.240
<v Speaker 3>that sense of self esteem and mastery, that can be

0:14:58.320 --> 0:15:00.960
<v Speaker 3>really really important in building a strong sense of self

0:15:01.000 --> 0:15:03.640
<v Speaker 3>and confidence in a strong community as well as they're

0:15:03.640 --> 0:15:04.560
<v Speaker 3>getting older.

0:15:04.520 --> 0:15:07.880
<v Speaker 1>So social media takes a lot of heat around kids

0:15:07.880 --> 0:15:10.760
<v Speaker 1>and mental health. At the same time, I think you

0:15:10.800 --> 0:15:14.720
<v Speaker 1>could argue that social media is a creative outlet. It

0:15:14.800 --> 0:15:19.200
<v Speaker 1>can be something where you're creating content that took creativity

0:15:19.240 --> 0:15:21.560
<v Speaker 1>and it's interesting and it's almost a form of art.

0:15:21.640 --> 0:15:23.440
<v Speaker 1>So what are your thoughts on that, How do you

0:15:23.480 --> 0:15:25.960
<v Speaker 1>see the balance and so a big question.

0:15:26.200 --> 0:15:26.680
<v Speaker 2>It's true.

0:15:26.720 --> 0:15:29.800
<v Speaker 3>I think social media is sometimes sort of demonized as

0:15:29.840 --> 0:15:32.080
<v Speaker 3>being a bad thing, but you're right that there can

0:15:32.120 --> 0:15:35.760
<v Speaker 3>be a creative content component here and they can also

0:15:36.160 --> 0:15:39.440
<v Speaker 3>I've increasingly seen this trend amongst young people which is

0:15:39.480 --> 0:15:43.640
<v Speaker 3>doing what's called granny hobbies, so things like textiles, approache,

0:15:43.800 --> 0:15:47.840
<v Speaker 3>these kinds of things, which is incredibly rude name for them,

0:15:46.960 --> 0:15:50.680
<v Speaker 3>but it's been really trending of young people actually getting

0:15:50.680 --> 0:15:53.720
<v Speaker 3>off their phones doing the crafting is a similar small

0:15:53.760 --> 0:15:55.080
<v Speaker 3>activity with your hands that.

0:15:55.040 --> 0:15:56.040
<v Speaker 2>You can do in a few minutes.

0:15:56.320 --> 0:15:59.400
<v Speaker 3>But then they've been sharing their outputs back on social media.

0:15:59.520 --> 0:16:02.280
<v Speaker 3>So I think for me, the really important component comes

0:16:02.320 --> 0:16:05.400
<v Speaker 3>down to, is there the creativity and the imagination involved

0:16:05.440 --> 0:16:08.520
<v Speaker 3>in this and also, what is it that you're trying

0:16:08.600 --> 0:16:11.800
<v Speaker 3>to share with this. If it's about sharing those creative products,

0:16:11.880 --> 0:16:14.880
<v Speaker 3>that's a little bit different from sharing self images. Is

0:16:14.880 --> 0:16:17.000
<v Speaker 3>this about putting your self esteem into the art that

0:16:17.000 --> 0:16:20.040
<v Speaker 3>you're involved in as supposed to about your own looks

0:16:20.160 --> 0:16:22.000
<v Speaker 3>or your own selfies that are sort of coming out

0:16:22.000 --> 0:16:24.160
<v Speaker 3>of this, And I think that can be a helpful

0:16:24.200 --> 0:16:28.160
<v Speaker 3>differentiator in what is undoubtedly quite a complex balance and

0:16:28.520 --> 0:16:29.160
<v Speaker 3>blurred line.

0:16:29.680 --> 0:16:33.640
<v Speaker 1>So one thing that I loved I'll be thinking about

0:16:33.640 --> 0:16:36.840
<v Speaker 1>this next time I visited a hospital is how you

0:16:37.160 --> 0:16:41.720
<v Speaker 1>wrote about how having art, different forms of art in

0:16:41.800 --> 0:16:44.320
<v Speaker 1>hospitals can help patient outcomes.

0:16:44.440 --> 0:16:45.520
<v Speaker 4>What have you found there?

0:16:45.840 --> 0:16:48.120
<v Speaker 3>So we've I used to work in hospitals in the UK,

0:16:48.360 --> 0:16:51.840
<v Speaker 3>so I actually came out of at LEAs clinical programs

0:16:51.880 --> 0:16:55.840
<v Speaker 3>and I was constantly really inspired by the impact that

0:16:55.880 --> 0:16:58.200
<v Speaker 3>these programs have. I got to see firsthand that actually

0:16:58.440 --> 0:17:01.640
<v Speaker 3>there were scenarios arts could offer things that actually medication couldn't.

0:17:02.320 --> 0:17:03.800
<v Speaker 3>And I talk about some of these in the book,

0:17:03.840 --> 0:17:05.600
<v Speaker 3>like the role that arts can play for example, and

0:17:05.680 --> 0:17:08.840
<v Speaker 3>end of life care and really connecting families and supporting

0:17:08.880 --> 0:17:13.520
<v Speaker 3>processes like bereavement and grief, which is such a complex topic,

0:17:13.560 --> 0:17:16.679
<v Speaker 3>but one where we actually instinctively turn to the arts

0:17:16.680 --> 0:17:18.680
<v Speaker 3>to support us in that time in societies all around

0:17:18.720 --> 0:17:21.080
<v Speaker 3>the world. But there are also some other really interesting

0:17:21.119 --> 0:17:24.520
<v Speaker 3>clinical contexts where I actually think we're being less safe

0:17:24.640 --> 0:17:26.560
<v Speaker 3>and less ethical by not.

0:17:26.480 --> 0:17:28.159
<v Speaker 2>Incorporating the arts and hospitals.

0:17:28.440 --> 0:17:31.919
<v Speaker 3>So one example of that is thinking about surgical settings,

0:17:32.000 --> 0:17:35.320
<v Speaker 3>where anxiety is naturally a big thing for people if

0:17:35.320 --> 0:17:38.080
<v Speaker 3>they're going in to have surgeries, and actually if we

0:17:38.200 --> 0:17:41.800
<v Speaker 3>do something as simple as play recorded music for people

0:17:41.920 --> 0:17:44.879
<v Speaker 3>before and after their surgeries, we actually see really marked

0:17:45.560 --> 0:17:48.240
<v Speaker 3>reductions in their own anxiety levels, but also in the

0:17:48.280 --> 0:17:50.879
<v Speaker 3>amount of sedatives that they need and the amount of

0:17:50.920 --> 0:17:54.560
<v Speaker 3>opioids that people need as well. And in fact, studies

0:17:54.560 --> 0:17:58.160
<v Speaker 3>that have directly compared playing music to giving people anti

0:17:58.240 --> 0:18:01.800
<v Speaker 3>anxiety meds show the music is more effective than the

0:18:01.840 --> 0:18:06.119
<v Speaker 3>meds at reducing surgical anxiety. And given with talking about

0:18:06.160 --> 0:18:09.320
<v Speaker 3>big issues like opoid crises and things which often can

0:18:09.359 --> 0:18:13.280
<v Speaker 3>be triggered by things like having opioids following routine surgeries,

0:18:13.800 --> 0:18:15.720
<v Speaker 3>using things like the arts as a way of helping

0:18:15.760 --> 0:18:20.200
<v Speaker 3>people with more organic analgusics in natural analgusics, which is

0:18:20.240 --> 0:18:24.560
<v Speaker 3>exactly what music provides, is a really powerful cost saving

0:18:24.600 --> 0:18:27.280
<v Speaker 3>and almoso potentially life saving things to be thinking about.

0:18:27.520 --> 0:18:30.199
<v Speaker 1>So should patients be advocating I want to take in

0:18:30.200 --> 0:18:32.000
<v Speaker 1>my favorite playlist before my surgery.

0:18:32.119 --> 0:18:33.680
<v Speaker 4>Is that how this plays out?

0:18:33.920 --> 0:18:34.080
<v Speaker 5>Well?

0:18:34.119 --> 0:18:35.840
<v Speaker 3>I think that's a great thing if people can remember

0:18:35.880 --> 0:18:37.760
<v Speaker 3>to be taking in those playlists. But I also think

0:18:37.760 --> 0:18:40.280
<v Speaker 3>it's something that we can be providing so easily in hospitals.

0:18:40.320 --> 0:18:43.040
<v Speaker 3>When I worked at Chelsea and Westminster Hospital in London,

0:18:43.359 --> 0:18:46.520
<v Speaker 3>we actually worked with Brian Eno, the composer, and he

0:18:46.600 --> 0:18:49.600
<v Speaker 3>developed this digital artwork that we placed in the booths

0:18:49.640 --> 0:18:52.399
<v Speaker 3>that patients waited in before their surgeries, and he had

0:18:52.440 --> 0:18:54.560
<v Speaker 3>his ambient music playing as well, and it was such

0:18:54.560 --> 0:18:56.600
<v Speaker 3>a lovely thing for the hospital then to be offering

0:18:57.359 --> 0:18:59.199
<v Speaker 3>that men. Even if people forgot to bring in their

0:18:59.200 --> 0:19:01.120
<v Speaker 3>own music or what sure what to listen to, they

0:19:01.160 --> 0:19:03.600
<v Speaker 3>had that really relaxing exposure before their operation.

0:19:03.920 --> 0:19:07.360
<v Speaker 1>That's incredible. You mentioned art in end of life care.

0:19:07.440 --> 0:19:09.080
<v Speaker 1>How does that actually play out? What does it look

0:19:09.119 --> 0:19:09.920
<v Speaker 1>like and what have you found?

0:19:10.160 --> 0:19:12.359
<v Speaker 3>So when I worked at Chelsea and Westminster, I remember

0:19:12.520 --> 0:19:14.879
<v Speaker 3>working on one of the wards, their palliative careward, where

0:19:15.040 --> 0:19:17.520
<v Speaker 3>there was a man who asked if he could have

0:19:17.640 --> 0:19:20.360
<v Speaker 3>music for his final hours, and his family were around him,

0:19:20.680 --> 0:19:22.760
<v Speaker 3>and we had a guitarist in the hospital that day,

0:19:23.080 --> 0:19:26.160
<v Speaker 3>So the guitarist went into the room and played loads

0:19:26.160 --> 0:19:28.160
<v Speaker 3>of his favorite music, and all of his family sang

0:19:28.200 --> 0:19:30.720
<v Speaker 3>along as they said goodbye, and they kept singing for

0:19:30.720 --> 0:19:33.119
<v Speaker 3>about an hour after he passed away. I felt like

0:19:33.160 --> 0:19:36.199
<v Speaker 3>that was such a poignant example, an incredible gift that

0:19:36.359 --> 0:19:38.840
<v Speaker 3>musician was able to give to that family in that

0:19:39.480 --> 0:19:42.280
<v Speaker 3>in his last moments together. And there are so many

0:19:42.320 --> 0:19:44.639
<v Speaker 3>examples that we see not just of music, but also

0:19:45.240 --> 0:19:48.840
<v Speaker 3>of physical artwork being used in similar processes. I'm thinking

0:19:48.840 --> 0:19:52.119
<v Speaker 3>of things like the HIV quilt, which has become like

0:19:52.200 --> 0:19:55.199
<v Speaker 3>the largest example of community art in the world and

0:19:55.280 --> 0:19:58.679
<v Speaker 3>has been such an important focal point for people to

0:19:58.680 --> 0:19:59.560
<v Speaker 3>be able to grieve.

0:20:00.160 --> 0:20:00.720
<v Speaker 4>Yeah.

0:20:00.760 --> 0:20:07.560
<v Speaker 1>Absolutely, with playing music, especially singing wind instruments, you found

0:20:07.560 --> 0:20:10.720
<v Speaker 1>some beneficial things around lung health.

0:20:10.760 --> 0:20:11.520
<v Speaker 4>Tell us about that.

0:20:12.000 --> 0:20:14.879
<v Speaker 3>This is a really interesting emerging area of evidence because

0:20:15.520 --> 0:20:17.919
<v Speaker 3>most of us actually don't tend to breathe correctly. We

0:20:18.000 --> 0:20:19.840
<v Speaker 3>tend to do a lot of focus on the in breath,

0:20:19.880 --> 0:20:22.240
<v Speaker 3>like deep breaths, but actually not so much on the exhale,

0:20:22.600 --> 0:20:25.080
<v Speaker 3>and actually the exhale is where we focus all of

0:20:25.080 --> 0:20:28.000
<v Speaker 3>our attention when we're doing wind instruments or singing. That's

0:20:28.000 --> 0:20:30.520
<v Speaker 3>how we make the music. So there's been a number

0:20:30.520 --> 0:20:33.840
<v Speaker 3>of studies saying, well, if we were to use singing

0:20:33.960 --> 0:20:37.520
<v Speaker 3>or playing instruments, can we actually improve lung function in people?

0:20:37.920 --> 0:20:41.840
<v Speaker 3>And certainly we see that professional singers and wind instrument

0:20:41.880 --> 0:20:45.879
<v Speaker 3>players have better. They have stronger long function, they have

0:20:45.920 --> 0:20:51.080
<v Speaker 3>stronger outbreaths what's called forced expiratory volume. But this is

0:20:51.119 --> 0:20:53.840
<v Speaker 3>an interesting one in people who have conditions like chronic

0:20:53.880 --> 0:20:57.200
<v Speaker 3>lung diseases like COPD for example, And actually a number

0:20:57.240 --> 0:21:00.879
<v Speaker 3>of studies now have suggested that singing can actually helped

0:21:00.880 --> 0:21:04.840
<v Speaker 3>to improve things like feelings of breathlessness and improve some

0:21:05.680 --> 0:21:09.080
<v Speaker 3>lung function outcomes. So there are a number of programs

0:21:09.119 --> 0:21:13.560
<v Speaker 3>that have been integrating singing as part of pulmonary rehabilitation

0:21:13.720 --> 0:21:15.160
<v Speaker 3>for people with lung diseases.

0:21:15.880 --> 0:21:19.639
<v Speaker 1>We had Andy Gaalpin, who's an American researcher on the

0:21:19.680 --> 0:21:23.600
<v Speaker 1>podcast recently and he referenced the study that found people

0:21:23.600 --> 0:21:28.360
<v Speaker 1>who had played the dju do they were experiencing sleep ATNA.

0:21:29.200 --> 0:21:32.280
<v Speaker 1>Researchers how to play the dj DO and it improved

0:21:32.320 --> 0:21:35.119
<v Speaker 1>their sleep ATNA outcomes because it sort of taught them

0:21:35.160 --> 0:21:38.240
<v Speaker 1>to push their breath out. What have you found around

0:21:40.000 --> 0:21:42.720
<v Speaker 1>cognitive benefits, especially for older adults and arts.

0:21:43.320 --> 0:21:45.600
<v Speaker 3>This is a really interesting area that we've done quite

0:21:45.600 --> 0:21:47.439
<v Speaker 3>a bit of work, and what we found is that

0:21:47.440 --> 0:21:49.800
<v Speaker 3>people who are regularly engaged in the arts actually have

0:21:49.880 --> 0:21:52.959
<v Speaker 3>better preservation of their cognition as they get oldest. They

0:21:53.000 --> 0:21:56.240
<v Speaker 3>have better memory and executive function as they age. But

0:21:56.280 --> 0:21:58.800
<v Speaker 3>we've also found that they have a longer time free

0:21:58.840 --> 0:22:01.760
<v Speaker 3>from dementia, so a longer time until they actually start

0:22:01.800 --> 0:22:04.760
<v Speaker 3>to show signs of dementia. And this is because arts

0:22:04.760 --> 0:22:07.879
<v Speaker 3>engagement can help to build what's called cognitive reserve, and

0:22:07.880 --> 0:22:10.720
<v Speaker 3>this is the resilience of the brain against cognitive decliente.

0:22:10.760 --> 0:22:13.879
<v Speaker 3>So even if you're starting to develop their plaques and

0:22:13.920 --> 0:22:17.840
<v Speaker 3>the tangles that are their physiological hallmarks of dementia, if

0:22:17.840 --> 0:22:20.360
<v Speaker 3>you've got higher levels of cognitive reserve, you can essentially

0:22:20.400 --> 0:22:23.760
<v Speaker 3>compensate for longer, so you can live with better cognitive

0:22:23.760 --> 0:22:27.360
<v Speaker 3>functioning before you start to show those symptoms. And actually,

0:22:27.359 --> 0:22:30.840
<v Speaker 3>increasingly we're starting to understand why and how art engagement

0:22:30.840 --> 0:22:33.320
<v Speaker 3>builds that cognitive reserve, and one of the things that

0:22:33.359 --> 0:22:37.760
<v Speaker 3>it does is it helps to build the connectivity between

0:22:37.800 --> 0:22:39.960
<v Speaker 3>regions of the brain that are vulnerable to aging, so

0:22:40.000 --> 0:22:43.080
<v Speaker 3>it helps them to talk strong better with each other,

0:22:43.359 --> 0:22:47.280
<v Speaker 3>and it also helps to build new neural pathways. And

0:22:47.359 --> 0:22:50.000
<v Speaker 3>in fact, people who are regularly engaged as professionals or

0:22:50.040 --> 0:22:53.560
<v Speaker 3>as amateurs in the arts actually have younger brain ages

0:22:53.880 --> 0:22:55.320
<v Speaker 3>to people who aren't engaging.

0:22:55.560 --> 0:22:59.600
<v Speaker 1>That's fascinating. What if you found around in benefits for sleep?

0:23:00.080 --> 0:23:02.760
<v Speaker 1>This I thought was interesting too, especially around music, because

0:23:02.760 --> 0:23:05.320
<v Speaker 1>I would think if I need to fall asleep, anything's

0:23:05.320 --> 0:23:08.320
<v Speaker 1>perfectly silent. But there is some evidence that suggests music

0:23:08.320 --> 0:23:10.400
<v Speaker 1>and also help us sleep. And I feel like probably

0:23:10.400 --> 0:23:12.399
<v Speaker 1>everyone listening to this podcast has gone, you know what,

0:23:12.440 --> 0:23:14.080
<v Speaker 1>I could have more of sleep?

0:23:14.280 --> 0:23:16.000
<v Speaker 4>So how do I find that a lot of.

0:23:15.920 --> 0:23:17.320
<v Speaker 2>This seems to be links to stress?

0:23:17.480 --> 0:23:19.440
<v Speaker 3>So actually, the studies that have looked at music and

0:23:19.480 --> 0:23:22.080
<v Speaker 3>sleep have often looked at people listening to music earlier

0:23:22.080 --> 0:23:24.440
<v Speaker 3>in the day, So it's not necessarily about changing a

0:23:24.480 --> 0:23:27.800
<v Speaker 3>sleep routine, but it's trying to provide ways of reducing

0:23:27.840 --> 0:23:30.360
<v Speaker 3>stress levels because as many people who have sleep problems

0:23:30.440 --> 0:23:33.240
<v Speaker 3>will be conscious the biggest barrier to sleep is stress,

0:23:33.760 --> 0:23:37.600
<v Speaker 3>and so that physiological relaxation that you can get through.

0:23:37.680 --> 0:23:39.320
<v Speaker 2>Art is really fundamental there.

0:23:39.359 --> 0:23:41.800
<v Speaker 3>So we do see that people who listen can actually

0:23:41.840 --> 0:23:44.280
<v Speaker 3>improve their sleep over several weeks, and if people who

0:23:44.520 --> 0:23:46.680
<v Speaker 3>are regularly engaged in the arts tend to have better

0:23:46.720 --> 0:23:50.720
<v Speaker 3>sleep over time anyway, largely because of those reductions in stress.

0:23:50.880 --> 0:23:54.520
<v Speaker 1>Yeah, it's just this overall reducing stress seems to help

0:23:55.600 --> 0:23:59.919
<v Speaker 1>nearly everything in the body that we suffer from today.

0:24:00.320 --> 0:24:04.200
<v Speaker 4>Bad sleep affects heart to use all these different systems,

0:24:04.440 --> 0:24:04.800
<v Speaker 4>it does.

0:24:04.840 --> 0:24:06.480
<v Speaker 3>And one of the things that music is so good

0:24:06.480 --> 0:24:09.159
<v Speaker 3>at as a temporal art form is that if you

0:24:09.240 --> 0:24:12.240
<v Speaker 3>pick music with a slow beat, we tend to synchronize

0:24:12.480 --> 0:24:14.400
<v Speaker 3>our heart rate and our breathing to that beat.

0:24:14.440 --> 0:24:15.840
<v Speaker 2>It's a process called entrainment.

0:24:16.400 --> 0:24:19.440
<v Speaker 3>So it means that gradually we will calm ourselves down

0:24:19.520 --> 0:24:22.560
<v Speaker 3>because we will automatically want to synchronize, and that means

0:24:22.560 --> 0:24:24.840
<v Speaker 3>that music is not just a kind of mood relaxer,

0:24:24.880 --> 0:24:27.920
<v Speaker 3>but it is also physiological relaxer for us. Another sort

0:24:27.920 --> 0:24:30.479
<v Speaker 3>of classic example is that people often feel better if

0:24:30.480 --> 0:24:32.480
<v Speaker 3>they're feeling sad and they listen to really sad music.

0:24:32.480 --> 0:24:34.400
<v Speaker 3>That can often make you feel better because it means

0:24:34.440 --> 0:24:37.480
<v Speaker 3>you feel validated emotionally, and it can help you to

0:24:37.560 --> 0:24:38.800
<v Speaker 3>understand your own emotions.

0:24:39.160 --> 0:24:40.359
<v Speaker 2>But equally, if.

0:24:40.240 --> 0:24:43.119
<v Speaker 3>You keep listening and keep listening to really downbeat or

0:24:43.160 --> 0:24:46.840
<v Speaker 3>sad things, then that could actually perpetuate negative emotions.

0:24:47.000 --> 0:24:48.399
<v Speaker 2>So there is a balance here.

0:24:48.440 --> 0:24:50.000
<v Speaker 3>I mean, I talk in the book about some of

0:24:50.040 --> 0:24:52.920
<v Speaker 3>the strategies that people might want to know that might

0:24:52.960 --> 0:24:54.960
<v Speaker 3>help them with this. So things like if you're listening

0:24:55.000 --> 0:24:57.359
<v Speaker 3>to that really sad music and it's helping you initially,

0:24:57.680 --> 0:25:00.480
<v Speaker 3>there's a lovely thing which is called the isoprinciple, where

0:25:00.600 --> 0:25:02.960
<v Speaker 3>gradually each piece that you listen to, you try and

0:25:03.000 --> 0:25:05.200
<v Speaker 3>shift it a bit more towards the mood you want

0:25:05.240 --> 0:25:08.040
<v Speaker 3>to be in. So you're initially indulging that emotion, but

0:25:08.040 --> 0:25:10.240
<v Speaker 3>you're also gradually trying to shift.

0:25:09.920 --> 0:25:10.840
<v Speaker 2>That mood profile.

0:25:11.080 --> 0:25:13.199
<v Speaker 3>And there are some really great examples like that that

0:25:13.240 --> 0:25:16.800
<v Speaker 3>can inform people so they don't accidentally make themselves feel worse.

0:25:17.040 --> 0:25:19.520
<v Speaker 3>But feeling bad or worse is very much the minority

0:25:19.520 --> 0:25:22.080
<v Speaker 3>outcome compared to all the benefits the arts usually bring.

0:25:22.240 --> 0:25:23.240
<v Speaker 4>Yeah, that's interesting.

0:25:23.280 --> 0:25:26.679
<v Speaker 1>We had a lady named Taylor Lorenz on the podcast,

0:25:26.760 --> 0:25:30.160
<v Speaker 1>and she's sort of an expert in internet culture and algorithms,

0:25:30.840 --> 0:25:33.879
<v Speaker 1>and she mentioned that one of the most powerful and

0:25:34.000 --> 0:25:37.640
<v Speaker 1>tuned up algorithms is actually in Spotify. Surprisingly, people think

0:25:37.680 --> 0:25:40.080
<v Speaker 1>that it's social media. No, it's actually Spotify. And she

0:25:40.119 --> 0:25:42.320
<v Speaker 1>had a friend that was going through a divorce, you know,

0:25:42.400 --> 0:25:44.480
<v Speaker 1>So she starts to listen to one sad song, and

0:25:44.480 --> 0:25:46.720
<v Speaker 1>then it starts feeding her more sad songs and more

0:25:46.760 --> 0:25:49.360
<v Speaker 1>sad songs, and eventually this lady was like, I think

0:25:49.400 --> 0:25:53.520
<v Speaker 1>that my Spotify algorithm is actually making me more sad

0:25:53.560 --> 0:25:55.159
<v Speaker 1>and sort of pushing me down the drain. So it's

0:25:55.160 --> 0:25:56.480
<v Speaker 1>almost like she had to be all right, I have

0:25:56.560 --> 0:25:58.960
<v Speaker 1>to consciously start to listen to upbeat stuff so the

0:25:59.000 --> 0:26:01.320
<v Speaker 1>algorithm will go, okay, well, maybe the divorce is going

0:26:01.359 --> 0:26:03.200
<v Speaker 1>a little better now, maybe you've got a big sallement

0:26:03.320 --> 0:26:03.959
<v Speaker 1>or whatever it is.

0:26:04.160 --> 0:26:06.640
<v Speaker 3>Well, I think that's why it's good to be more

0:26:06.640 --> 0:26:08.760
<v Speaker 3>aware of the science, because you're right, those are algorithms

0:26:08.840 --> 0:26:11.879
<v Speaker 3>that won't know this science. These are algorithms that just think, oh,

0:26:11.920 --> 0:26:13.600
<v Speaker 3>you're enjoying this, I can leap you in and get

0:26:13.600 --> 0:26:13.880
<v Speaker 3>you to.

0:26:13.800 --> 0:26:14.440
<v Speaker 2>Do more of it.

0:26:14.800 --> 0:26:16.640
<v Speaker 3>But I think that's where people need to know how

0:26:16.640 --> 0:26:19.960
<v Speaker 3>they can they can take control of their engagement.

0:26:20.000 --> 0:26:22.320
<v Speaker 2>And I think that things that are ai led in

0:26:22.359 --> 0:26:24.000
<v Speaker 2>that way probably the things.

0:26:23.760 --> 0:26:26.959
<v Speaker 3>That are most likely to cause harm because they're not

0:26:27.000 --> 0:26:28.840
<v Speaker 3>considering the well being of the person at the core

0:26:28.920 --> 0:26:29.200
<v Speaker 3>of it.

0:26:29.640 --> 0:26:31.280
<v Speaker 1>We're going to take a break and then Daisy is

0:26:31.280 --> 0:26:34.359
<v Speaker 1>going to explain whether we engage with art more or

0:26:34.440 --> 0:26:44.639
<v Speaker 1>less today or in the past. Do you think that

0:26:44.680 --> 0:26:49.399
<v Speaker 1>people engage in arts less often today compared to the

0:26:49.400 --> 0:26:50.200
<v Speaker 1>past or is it?

0:26:50.240 --> 0:26:52.679
<v Speaker 2>Oh, we know they do way less. We did a

0:26:52.720 --> 0:26:53.840
<v Speaker 2>study last year.

0:26:53.640 --> 0:26:56.320
<v Speaker 3>In the US looking at adults in the US, and

0:26:56.320 --> 0:26:58.560
<v Speaker 3>we found that only one in twenty adults will say

0:26:58.560 --> 0:27:01.919
<v Speaker 3>that they did any arts yesterday. And if you go

0:27:02.000 --> 0:27:04.520
<v Speaker 3>back a few hundred years, like everybody was singing, dancing,

0:27:04.600 --> 0:27:08.040
<v Speaker 3>telling stories as part of everyday life. We were looking

0:27:08.080 --> 0:27:10.080
<v Speaker 3>and juststed it had to be the primary thing you

0:27:10.080 --> 0:27:12.760
<v Speaker 3>were doing, so you couldn't count plugging in headphones and

0:27:12.760 --> 0:27:14.560
<v Speaker 3>then multitasking. It had to be the thing you were

0:27:14.600 --> 0:27:16.800
<v Speaker 3>giving your attention to. But only five percent of adults

0:27:16.800 --> 0:27:17.280
<v Speaker 3>were doing.

0:27:17.119 --> 0:27:18.919
<v Speaker 4>It, only five percent.

0:27:19.240 --> 0:27:22.200
<v Speaker 3>And for reference, like in high income countries, fifty seven

0:27:22.200 --> 0:27:25.280
<v Speaker 3>percent will say they ate vegetables yesterday and forty percent

0:27:25.280 --> 0:27:27.680
<v Speaker 3>will say they did their physical activity. So compared to

0:27:27.760 --> 0:27:30.520
<v Speaker 3>other health promoting behaviors, arts is really coming out bottom.

0:27:30.840 --> 0:27:33.199
<v Speaker 1>Yeah, So we go back to this is almost like

0:27:33.240 --> 0:27:35.879
<v Speaker 1>we were talking about how the thinking on these things

0:27:35.880 --> 0:27:39.120
<v Speaker 1>has shifted, where if you looked at say, people exercising,

0:27:39.160 --> 0:27:40.800
<v Speaker 1>which is moving for the sake of movement.

0:27:41.520 --> 0:27:43.240
<v Speaker 4>Forty years ago, when we.

0:27:43.359 --> 0:27:46.320
<v Speaker 1>Thought maybe exercise is good, maybe not like probably not

0:27:46.400 --> 0:27:48.720
<v Speaker 1>many people were doing it. And then as we've sort

0:27:48.720 --> 0:27:50.560
<v Speaker 1>of increased the awareness on night you see a small

0:27:50.600 --> 0:27:54.639
<v Speaker 1>upartic I will say more people should exercise, but still

0:27:54.640 --> 0:27:57.480
<v Speaker 1>it kind of suggests that arts is, to your point,

0:27:57.520 --> 0:27:59.560
<v Speaker 1>one of these things where the research is really growing,

0:28:00.040 --> 0:28:03.480
<v Speaker 1>it's really strong, yet we haven't quite caught up in

0:28:03.520 --> 0:28:05.879
<v Speaker 1>the discourse to get everyone on board.

0:28:06.240 --> 0:28:06.440
<v Speaker 2>Yeah.

0:28:06.520 --> 0:28:08.040
<v Speaker 3>I mean we can look at things like running as

0:28:08.040 --> 0:28:09.800
<v Speaker 3>a kind of parallel example. If you look back a

0:28:09.840 --> 0:28:13.560
<v Speaker 3>few decades compared to now, the average speed that adults

0:28:13.680 --> 0:28:16.280
<v Speaker 3>ran a five k and a ten k was faster,

0:28:16.760 --> 0:28:19.600
<v Speaker 3>not because people are getting slower now, but because more

0:28:19.640 --> 0:28:21.679
<v Speaker 3>and more people are getting into running, even if they

0:28:21.720 --> 0:28:24.160
<v Speaker 3>didn't think of themselves as a runner before. And that's

0:28:24.160 --> 0:28:26.400
<v Speaker 3>such a wonderful success story because it's saying that we're

0:28:26.400 --> 0:28:29.399
<v Speaker 3>actually managing to broaden the appeal of such a simple

0:28:29.760 --> 0:28:32.280
<v Speaker 3>exercise like running, And I think it would be amazing

0:28:32.280 --> 0:28:34.360
<v Speaker 3>if we saw a similar thing with the arts. It's

0:28:34.359 --> 0:28:35.480
<v Speaker 3>not got to be You've not got to be a

0:28:35.480 --> 0:28:38.280
<v Speaker 3>great artist to be doing arts. It's not about that,

0:28:38.480 --> 0:28:41.240
<v Speaker 3>it's about participating. So i'd love to see a similar

0:28:41.280 --> 0:28:43.320
<v Speaker 3>statistic in a couple of decades showing that more and

0:28:43.360 --> 0:28:45.400
<v Speaker 3>more people have been engaging in the art and it's

0:28:45.440 --> 0:28:47.240
<v Speaker 3>become much more accessible as a.

0:28:47.160 --> 0:28:47.640
<v Speaker 2>Thing to do.

0:28:48.520 --> 0:28:52.440
<v Speaker 4>What do you think holds people back from trying art?

0:28:52.960 --> 0:28:55.640
<v Speaker 3>Many people don't think they're artistic or creative, and I

0:28:55.640 --> 0:28:57.880
<v Speaker 3>think this is the biggest barrier people face, and it

0:28:57.960 --> 0:29:01.080
<v Speaker 3>was sort of perpetuating it because whether you feel artistic

0:29:01.120 --> 0:29:03.280
<v Speaker 3>will come down to whether you did arts in school

0:29:03.320 --> 0:29:05.120
<v Speaker 3>and therefore you felt that you were good at it,

0:29:05.200 --> 0:29:08.600
<v Speaker 3>and arts is getting more like less and less accessible in.

0:29:08.560 --> 0:29:10.920
<v Speaker 2>Schools, so we're creating more and more of this problem.

0:29:11.600 --> 0:29:13.400
<v Speaker 3>But I think there's also another issue, which is it

0:29:13.400 --> 0:29:16.880
<v Speaker 3>can feel sometimes like something that's a bit inaccessible, like

0:29:17.040 --> 0:29:18.680
<v Speaker 3>is it expensive or if you do you need an

0:29:18.760 --> 0:29:21.680
<v Speaker 3>arts venue, is it something that you feel is socially

0:29:22.160 --> 0:29:24.240
<v Speaker 3>the norm where you live. So I think there were

0:29:24.280 --> 0:29:26.520
<v Speaker 3>lots of different barriers that we need to break down

0:29:26.560 --> 0:29:28.880
<v Speaker 3>because at the moment, there is quite a strong social gradient.

0:29:29.000 --> 0:29:31.520
<v Speaker 3>Yet people who engage in the arts are typically people

0:29:31.520 --> 0:29:34.360
<v Speaker 3>who are wealthier, or got more education, or come from

0:29:34.480 --> 0:29:36.800
<v Speaker 3>backgrounds where they did arts themselves as a child.

0:29:37.280 --> 0:29:42.480
<v Speaker 1>Yeah, big question. What counts as art? I think when

0:29:42.480 --> 0:29:46.440
<v Speaker 1>people hear art, they go, Okay, it's painting, it's probably music,

0:29:46.560 --> 0:29:50.760
<v Speaker 1>it's sculpting. Opera, yes, opera, Everyone get into opera. But

0:29:50.800 --> 0:29:51.880
<v Speaker 1>what counts as art?

0:29:52.040 --> 0:29:52.120
<v Speaker 5>So?

0:29:52.280 --> 0:29:56.720
<v Speaker 3>I define arts engagement as creative activities that people do

0:29:57.120 --> 0:29:59.960
<v Speaker 3>that have the core artistic ingredients and for me though,

0:30:00.160 --> 0:30:05.920
<v Speaker 3>are multisensory stimulation, creativity, esthetics, imagination. So yes, that includes

0:30:06.000 --> 0:30:09.920
<v Speaker 3>things like performing arts, visual arts, literature, going to cultural

0:30:10.000 --> 0:30:13.040
<v Speaker 3>venues and festivals. But I also think it should include

0:30:13.040 --> 0:30:16.640
<v Speaker 3>things like horticultural arts like growing and arranging flowers, or

0:30:16.640 --> 0:30:19.240
<v Speaker 3>culinary arts like baking and decorating cakes.

0:30:19.600 --> 0:30:20.880
<v Speaker 2>Those contain all of those.

0:30:20.720 --> 0:30:24.880
<v Speaker 3>Same ingredients as to things like carpentry and woodwork, which

0:30:24.880 --> 0:30:27.640
<v Speaker 3>have got exactly those same creative processes. And I think

0:30:27.720 --> 0:30:30.600
<v Speaker 3>that can also make it a slightly more accessible definition

0:30:30.680 --> 0:30:33.160
<v Speaker 3>that people actually might realize they already are engaging in

0:30:33.200 --> 0:30:34.960
<v Speaker 3>these things and they're not giving it their label, or

0:30:35.000 --> 0:30:38.560
<v Speaker 3>they might find activities that might be less common, but

0:30:38.640 --> 0:30:40.280
<v Speaker 3>actually ones that really speak to them.

0:30:40.640 --> 0:30:43.920
<v Speaker 1>Yeah, I wonder if this is sort of akin to exercise,

0:30:44.000 --> 0:30:47.000
<v Speaker 1>where the best exercise is the one that you enjoy

0:30:47.040 --> 0:30:49.360
<v Speaker 1>and we'll actually do, and that sort of applies to art.

0:30:49.400 --> 0:30:52.880
<v Speaker 1>It's just find something that hits those boxes that you

0:30:53.000 --> 0:30:55.479
<v Speaker 1>just mentioned and then try it up, see what happens,

0:30:55.480 --> 0:30:56.680
<v Speaker 1>and if you like it, stick to it.

0:30:57.080 --> 0:30:58.120
<v Speaker 2>I think that's exactly right.

0:30:58.160 --> 0:30:59.600
<v Speaker 3>And there are plenty of people who would hate the

0:30:59.600 --> 0:31:02.040
<v Speaker 3>idea of going to a gym, but actually we get

0:31:02.120 --> 0:31:07.760
<v Speaker 3>massively into really quirky sports or physical activity hobbies and

0:31:07.800 --> 0:31:10.120
<v Speaker 3>that's brilliant and that's exactly the attitude that we want

0:31:10.160 --> 0:31:11.640
<v Speaker 3>to have with arts. You've not got to go to

0:31:11.680 --> 0:31:13.920
<v Speaker 3>the opera. You need to find that creative practice that

0:31:14.000 --> 0:31:14.760
<v Speaker 3>you really enjoy.

0:31:15.240 --> 0:31:19.600
<v Speaker 1>Given what we've talked about on all these emerging benefits,

0:31:20.480 --> 0:31:24.560
<v Speaker 1>what is your thoughts on should we have better policies

0:31:24.600 --> 0:31:27.360
<v Speaker 1>to promote art and what is the role of I

0:31:27.360 --> 0:31:31.560
<v Speaker 1>guess communities, governments, different groups and getting art to the

0:31:31.560 --> 0:31:33.840
<v Speaker 1>forefront Because you did mention only five percent of people

0:31:33.840 --> 0:31:35.520
<v Speaker 1>are actually engaging every day.

0:31:35.840 --> 0:31:38.840
<v Speaker 3>Well, it's actually a United Nations human right that everyone

0:31:38.880 --> 0:31:41.320
<v Speaker 3>has access to the arts and we know it's one

0:31:41.360 --> 0:31:43.560
<v Speaker 3>of the only UN human rights that is not monitored,

0:31:43.640 --> 0:31:46.120
<v Speaker 3>and we know it as far from being achieved. So

0:31:46.160 --> 0:31:48.320
<v Speaker 3>I think there definitely is a role for governments and

0:31:48.360 --> 0:31:51.680
<v Speaker 3>thinking well, actually, how can we make arts accessible to

0:31:51.720 --> 0:31:54.200
<v Speaker 3>try and break down some of those barriers. And actually

0:31:54.200 --> 0:31:57.000
<v Speaker 3>we're seeing at international levels, like bodies like UNESCO and

0:31:57.040 --> 0:32:00.960
<v Speaker 3>Weld Health Organization are getting really behind trying to encourage

0:32:01.360 --> 0:32:04.640
<v Speaker 3>people to recognize arts as a health promoting behavior because

0:32:04.680 --> 0:32:07.000
<v Speaker 3>actually at national levels we see that investing in the

0:32:07.080 --> 0:32:09.479
<v Speaker 3>arts is not a nice thing. I mean it is,

0:32:09.520 --> 0:32:12.120
<v Speaker 3>but it's not just a nice thing. We actually see

0:32:12.200 --> 0:32:15.480
<v Speaker 3>really strong returns on investments. So in the UK, for example,

0:32:15.760 --> 0:32:18.800
<v Speaker 3>for every pound that goes in via Arts Council budgets

0:32:18.920 --> 0:32:22.440
<v Speaker 3>to fund arts in communities, we see around eleven pounds

0:32:22.480 --> 0:32:25.200
<v Speaker 3>return on investment in terms of the well being benefits,

0:32:25.480 --> 0:32:29.480
<v Speaker 3>reductions and health and social care utilization and improvements in productivity.

0:32:30.240 --> 0:32:32.040
<v Speaker 3>And those are just the health benefits. We know there

0:32:32.040 --> 0:32:35.200
<v Speaker 3>are other ways that the arts producer return on investment too,

0:32:35.560 --> 0:32:36.960
<v Speaker 3>So I think a lot of this is actually getting

0:32:37.000 --> 0:32:40.520
<v Speaker 3>governments to realize it's actually an investment putting money.

0:32:40.280 --> 0:32:42.800
<v Speaker 2>Into the arts. But there's also a really important role.

0:32:42.840 --> 0:32:45.000
<v Speaker 3>I think about how we think about the arts in

0:32:45.040 --> 0:32:47.960
<v Speaker 3>terms of curriculum and educational policies, making sure all the

0:32:47.960 --> 0:32:50.920
<v Speaker 3>young people have that opportunity to engage, both for their

0:32:50.960 --> 0:32:54.120
<v Speaker 3>own mental health now and to support future engagements, and

0:32:54.200 --> 0:32:57.200
<v Speaker 3>also seeing how we can perhaps value artists a bit

0:32:57.240 --> 0:33:02.320
<v Speaker 3>differently because artists have such precarious working situations often and.

0:33:01.680 --> 0:33:03.080
<v Speaker 2>Like fluctuating pay.

0:33:03.400 --> 0:33:05.920
<v Speaker 3>My parents are both freelance artists, so I very much

0:33:06.200 --> 0:33:08.720
<v Speaker 3>see this world and I think we could be reconsidering

0:33:09.120 --> 0:33:12.280
<v Speaker 3>actually how important artists are in communities and how important

0:33:12.320 --> 0:33:14.600
<v Speaker 3>their work is, and seeing how we can support them more.

0:33:15.480 --> 0:33:18.640
<v Speaker 1>I just want to put a pin in that one

0:33:19.200 --> 0:33:23.560
<v Speaker 1>pound invested returns eleven pounds in.

0:33:23.600 --> 0:33:24.840
<v Speaker 2>Terms of well being benefits.

0:33:24.880 --> 0:33:25.080
<v Speaker 5>Yeah.

0:33:25.120 --> 0:33:27.560
<v Speaker 3>So this is work we've carried out in the UK

0:33:27.640 --> 0:33:31.400
<v Speaker 3>where we've used the government's own Treasury Green Book, which

0:33:31.400 --> 0:33:33.920
<v Speaker 3>is kind of about economic book to value this. And

0:33:33.960 --> 0:33:36.560
<v Speaker 3>basically each point improvement in well being that we see

0:33:36.640 --> 0:33:39.120
<v Speaker 3>is monetized because we know if you have higher well being,

0:33:39.560 --> 0:33:42.160
<v Speaker 3>you can be more independent, you can contribute more to society,

0:33:42.200 --> 0:33:44.040
<v Speaker 3>and these are the returns on investment that come out

0:33:44.040 --> 0:33:45.120
<v Speaker 3>at a population level.

0:33:45.800 --> 0:33:49.200
<v Speaker 1>I believe that investors call anything that gives any more

0:33:49.200 --> 0:33:51.640
<v Speaker 1>than a ten x return a unicorn, and that's like

0:33:51.840 --> 0:33:54.840
<v Speaker 1>the best thing you can hope for in investments. That's

0:33:54.880 --> 0:33:56.760
<v Speaker 1>pretty phenomenal. I thought you were going to say maybe

0:33:56.960 --> 0:33:58.800
<v Speaker 1>two or three, but eleven.

0:33:58.880 --> 0:33:58.920
<v Speaker 5>Is.

0:33:59.360 --> 0:34:02.160
<v Speaker 3>The challenge is that these values are often recuperated across

0:34:02.160 --> 0:34:03.360
<v Speaker 3>different government departments.

0:34:03.920 --> 0:34:05.680
<v Speaker 2>So this is where the challenge comes in.

0:34:05.720 --> 0:34:08.200
<v Speaker 3>Because government departments often want something that will produce a

0:34:08.239 --> 0:34:10.960
<v Speaker 3>direct return to their department, they won't care so much

0:34:11.040 --> 0:34:13.719
<v Speaker 3>if it goes to a different government department, and that

0:34:13.719 --> 0:34:15.920
<v Speaker 3>can be a challenge. But there's another really nice example

0:34:15.920 --> 0:34:19.200
<v Speaker 3>actually recently, which was looking at Ireland and they have

0:34:19.280 --> 0:34:22.879
<v Speaker 3>been implementing a universal basic income for artists. So they've

0:34:22.920 --> 0:34:26.280
<v Speaker 3>just been given a salary to artists and they've been saying, well, actually,

0:34:26.280 --> 0:34:28.560
<v Speaker 3>what happens, And they've found that the artists not only

0:34:28.560 --> 0:34:31.400
<v Speaker 3>have improvements themselves and mental health well being, but they

0:34:31.440 --> 0:34:34.239
<v Speaker 3>actually produce more art, they involve more members of the

0:34:34.239 --> 0:34:37.400
<v Speaker 3>public in their art, and they actually manage to generate

0:34:37.480 --> 0:34:41.359
<v Speaker 3>more income for themselves and also for society through their

0:34:41.480 --> 0:34:44.440
<v Speaker 3>art if they have that basic income. So we're seeing

0:34:44.440 --> 0:34:47.240
<v Speaker 3>these sort of returns coming back in so many different ways.

0:34:47.280 --> 0:34:49.120
<v Speaker 3>Across different kinds of economic modeling.

0:34:49.719 --> 0:34:51.440
<v Speaker 4>How do you think the US does and all this

0:34:51.560 --> 0:34:52.200
<v Speaker 4>kind of stuff.

0:34:52.600 --> 0:34:57.080
<v Speaker 3>The US, it's got a convex set up because you've

0:34:57.080 --> 0:35:00.799
<v Speaker 3>got different policies across states as well as nationally, so

0:35:00.840 --> 0:35:03.000
<v Speaker 3>it can be I guess harder in that way to

0:35:03.080 --> 0:35:06.920
<v Speaker 3>see massive change in people's engagement. But I think the

0:35:07.000 --> 0:35:09.520
<v Speaker 3>US has been really innovative recently in having arts on

0:35:09.600 --> 0:35:13.200
<v Speaker 3>prescription programs in eighteen different parts of the US, and

0:35:13.239 --> 0:35:15.719
<v Speaker 3>I've been involved in the evaluation of this program, and

0:35:15.760 --> 0:35:19.440
<v Speaker 3>it's been really incredible, actually even seeing insurance companies actually

0:35:19.440 --> 0:35:22.839
<v Speaker 3>putting money into this, recognizing that actually, if people can

0:35:22.880 --> 0:35:26.319
<v Speaker 3>be given referrals to arts by healthcare professionals, it can

0:35:26.360 --> 0:35:28.880
<v Speaker 3>support their well being and their functioning and actually mean

0:35:28.880 --> 0:35:32.200
<v Speaker 3>that they're not necessarily they're needing to draw on health

0:35:32.239 --> 0:35:34.800
<v Speaker 3>services in the same way. So it can actually produce

0:35:34.840 --> 0:35:37.160
<v Speaker 3>returns on investment for those insurers too.

0:35:37.600 --> 0:35:40.359
<v Speaker 1>That's really cool. Okay, we're going to start to land

0:35:40.400 --> 0:35:43.680
<v Speaker 1>the plane. Someone hears this conversation, they're kind of interested.

0:35:44.200 --> 0:35:45.719
<v Speaker 1>Where would you tell them to start.

0:35:45.520 --> 0:35:47.600
<v Speaker 2>Well, reading my book is definitely a good place to start.

0:35:47.600 --> 0:35:49.960
<v Speaker 1>As I second that as a fellow author, I will

0:35:49.960 --> 0:35:53.880
<v Speaker 1>say yes, read more books. Final question, So we started

0:35:53.880 --> 0:35:57.400
<v Speaker 1>this conversation with the John Adams quote about art. The

0:35:57.440 --> 0:36:00.400
<v Speaker 1>thing is he didn't actually study art, and you do

0:36:00.800 --> 0:36:04.560
<v Speaker 1>with the foremost researcher in the world on art. So, enclosing,

0:36:04.640 --> 0:36:08.080
<v Speaker 1>what would your big quote about art be, I'd.

0:36:07.880 --> 0:36:10.359
<v Speaker 3>Say arts are not a luxury in our lives, there

0:36:10.400 --> 0:36:12.400
<v Speaker 3>in necessity, and I really believe that they are a

0:36:12.440 --> 0:36:13.800
<v Speaker 3>missing pillar of our health.

0:36:14.560 --> 0:36:16.680
<v Speaker 4>I love it. Well, Daisy, thanks so much for coming

0:36:16.719 --> 0:36:17.160
<v Speaker 4>on the show.

0:36:17.480 --> 0:36:18.399
<v Speaker 2>Thanks for having me on.

0:36:19.800 --> 0:36:20.600
<v Speaker 4>Thanks to Daisy.

0:36:20.680 --> 0:36:22.960
<v Speaker 1>Now we're going to talk to Jesse Albrech about war

0:36:23.160 --> 0:36:25.440
<v Speaker 1>and a ceramic work right after the break.

0:36:32.520 --> 0:36:33.840
<v Speaker 4>All right, Jesse, thanks for coming on.

0:36:33.880 --> 0:36:36.600
<v Speaker 5>Man. Yeah, thanks for having me. Stoked to be here.

0:36:36.880 --> 0:36:40.000
<v Speaker 1>So you joined the military when you were studying art

0:36:40.120 --> 0:36:43.759
<v Speaker 1>in college. You get in How did the military guys

0:36:43.800 --> 0:36:44.840
<v Speaker 1>take your art background?

0:36:45.320 --> 0:36:47.680
<v Speaker 6>Well, initially as a youngster, there was a little bit

0:36:47.719 --> 0:36:51.600
<v Speaker 6>of scrap and that had to earn that placeholder for

0:36:51.640 --> 0:36:54.640
<v Speaker 6>me when I was, you know, an eighteen nineteen year

0:36:54.680 --> 0:36:59.080
<v Speaker 6>old kid in the field artillery. But yeah, it was

0:36:59.120 --> 0:37:03.319
<v Speaker 6>all kind of good need shured, hardcore Wisconsin ribbing. And

0:37:03.360 --> 0:37:06.560
<v Speaker 6>then when I joined the other unit down in Iowa City.

0:37:07.480 --> 0:37:10.640
<v Speaker 6>I was a little bit older, and I think being

0:37:10.640 --> 0:37:12.200
<v Speaker 6>the fact that it was a medical unit, there was

0:37:12.239 --> 0:37:15.879
<v Speaker 6>a little bit more grace given to varying backgrounds.

0:37:16.160 --> 0:37:19.799
<v Speaker 4>Yeah, that makes sense. So you what year did you join?

0:37:20.400 --> 0:37:21.319
<v Speaker 5>Nineteen ninety six.

0:37:21.360 --> 0:37:25.080
<v Speaker 1>I enlisted, Okay, and then eventually nine to eleven happens

0:37:25.160 --> 0:37:27.600
<v Speaker 1>you went over to Iraq, right, correct?

0:37:27.880 --> 0:37:31.720
<v Speaker 6>So I I just started my third semester of graduate school.

0:37:31.719 --> 0:37:35.560
<v Speaker 6>I was in my MFA program in the ceramics program

0:37:35.600 --> 0:37:40.040
<v Speaker 6>at the University of Iowa and Iowa City, and it

0:37:40.200 --> 0:37:43.600
<v Speaker 6>was February when we got put on active duties. So

0:37:43.640 --> 0:37:48.279
<v Speaker 6>I withdrew from that semester and we deployed out of

0:37:48.520 --> 0:37:52.120
<v Speaker 6>Fort McCoy in Wisconsin in February. It was pretty cold.

0:37:52.680 --> 0:37:56.200
<v Speaker 6>We ended up loading art all of our equipment. We

0:37:56.239 --> 0:38:00.040
<v Speaker 6>had ambulances and stuff like that. Home vs and and

0:38:00.360 --> 0:38:03.000
<v Speaker 6>inducing a half trucks on the trains that went down

0:38:03.040 --> 0:38:05.160
<v Speaker 6>to Florida got loaded on boats. But we went over

0:38:05.239 --> 0:38:09.640
<v Speaker 6>on a plane. So we landed Kuwait, and you know,

0:38:09.719 --> 0:38:12.840
<v Speaker 6>I think it was the idea was to have people

0:38:12.840 --> 0:38:16.000
<v Speaker 6>there and when our equipment got there, you know, it

0:38:16.040 --> 0:38:17.840
<v Speaker 6>took a while for the boats to get there, so

0:38:18.480 --> 0:38:21.360
<v Speaker 6>there was an adjustment period sitting in the desert waiting.

0:38:21.680 --> 0:38:26.200
<v Speaker 6>The actual ground assault ended then and then there was

0:38:26.239 --> 0:38:28.359
<v Speaker 6>a lot of unknowing, a lot of like I said,

0:38:28.360 --> 0:38:30.440
<v Speaker 6>a lot of waiting, a lot of rumors, and then

0:38:30.480 --> 0:38:34.840
<v Speaker 6>we ended up after probably a month or two in Kuwait.

0:38:35.280 --> 0:38:38.760
<v Speaker 6>We then drove into Iraq and got up to northern Iraq.

0:38:38.760 --> 0:38:42.680
<v Speaker 6>We were just south of Mosul, and pretty quickly then

0:38:44.160 --> 0:38:48.440
<v Speaker 6>a buddy of mine and a PA spent about a

0:38:48.480 --> 0:38:51.280
<v Speaker 6>month on the Turkish border in a town called Zako

0:38:52.360 --> 0:38:53.520
<v Speaker 6>provide medical.

0:38:53.160 --> 0:38:54.600
<v Speaker 5>Support for.

0:38:56.000 --> 0:39:00.200
<v Speaker 6>The folks that were escorting pro paint tanks tankers coming into.

0:39:00.400 --> 0:39:03.240
<v Speaker 5>Iraq, and then spent most of the time in Mosel.

0:39:03.640 --> 0:39:08.120
<v Speaker 1>Yeah, Mosel was a pretty hot area right it started.

0:39:08.280 --> 0:39:11.279
<v Speaker 6>It started very chill, and then pretty quickly it got

0:39:11.400 --> 0:39:14.480
<v Speaker 6>it got exciting, and then it got much more exciting

0:39:14.520 --> 0:39:17.440
<v Speaker 6>as time went on. So, uh, there was there was

0:39:17.480 --> 0:39:20.160
<v Speaker 6>like a brief lull where it was kind of like hey, oh,

0:39:20.440 --> 0:39:23.920
<v Speaker 6>you know, everything's great, and then pretty quickly things were

0:39:23.960 --> 0:39:24.440
<v Speaker 6>not great.

0:39:24.880 --> 0:39:28.480
<v Speaker 1>Yeah, what was the So we were effectively trying to

0:39:29.320 --> 0:39:32.600
<v Speaker 1>take Mosl and obviously facing a lot of resistance.

0:39:33.120 --> 0:39:36.120
<v Speaker 6>No, so in a sense like it was like, hey,

0:39:36.160 --> 0:39:37.759
<v Speaker 6>you know, we won the war. It was kind of

0:39:37.800 --> 0:39:41.120
<v Speaker 6>like the initial thing. So the battle for Mosel wasn't

0:39:41.160 --> 0:39:44.839
<v Speaker 6>happening when I was there. It was it was like,

0:39:45.400 --> 0:39:49.239
<v Speaker 6>you know, things were in a sense chill, and then

0:39:51.080 --> 0:39:55.200
<v Speaker 6>things started, you know, the the insurgency started picking up

0:39:55.239 --> 0:40:01.880
<v Speaker 6>steam with IED's rocket mortar attacks, you know, grenades and

0:40:02.120 --> 0:40:05.759
<v Speaker 6>and those type of attacks in the city while while

0:40:05.760 --> 0:40:06.360
<v Speaker 6>we were there.

0:40:06.920 --> 0:40:08.600
<v Speaker 4>Yeah, so you were on the medical unit.

0:40:09.040 --> 0:40:09.440
<v Speaker 5>Correct.

0:40:09.480 --> 0:40:12.920
<v Speaker 6>We were an area support medical battalion, and so the

0:40:12.960 --> 0:40:17.799
<v Speaker 6>advantage of that is we had ambulances and so we

0:40:17.840 --> 0:40:21.160
<v Speaker 6>could ground evac and then quickly that turned into uh

0:40:22.200 --> 0:40:27.920
<v Speaker 6>just evaking to metavacts once, you know, very very quickly

0:40:28.000 --> 0:40:31.960
<v Speaker 6>it became unsafe to drive around town very much.

0:40:32.080 --> 0:40:34.720
<v Speaker 5>And uh yeah.

0:40:34.800 --> 0:40:37.480
<v Speaker 6>And then also like there was one time where I

0:40:37.520 --> 0:40:40.840
<v Speaker 6>did one uh we were at the Palace, which is

0:40:40.880 --> 0:40:43.640
<v Speaker 6>in the northern part, and then the there was a

0:40:43.680 --> 0:40:47.480
<v Speaker 6>hospital that was at the airfield, and you know, I

0:40:47.600 --> 0:40:51.279
<v Speaker 6>drove one time with there was just two of us

0:40:51.280 --> 0:40:56.080
<v Speaker 6>in an ambulance across Mosel to do an evacuation of

0:40:56.120 --> 0:40:59.239
<v Speaker 6>a of a of a routine patient and I was

0:40:59.280 --> 0:41:02.399
<v Speaker 6>just like, this is bananas. And that was the last

0:41:02.480 --> 0:41:05.520
<v Speaker 6>time we did that. I mean, nothing happened, but like

0:41:05.920 --> 0:41:08.600
<v Speaker 6>you know, two kids with pistols could have killed us easily.

0:41:08.719 --> 0:41:11.719
<v Speaker 1>You know, like there was just so much risk and

0:41:11.880 --> 0:41:14.160
<v Speaker 1>threat that even just moving from point to a point

0:41:14.200 --> 0:41:16.760
<v Speaker 1>bre just like out and felt like out in the open,

0:41:16.880 --> 0:41:17.920
<v Speaker 1>like anything could happen.

0:41:18.160 --> 0:41:22.480
<v Speaker 6>Well, yeah, I mean it's yes and no, Like you know,

0:41:22.920 --> 0:41:26.040
<v Speaker 6>I think there was enough where pretty quickly, you know,

0:41:26.120 --> 0:41:28.800
<v Speaker 6>there was there was a there was a pretty uh

0:41:29.400 --> 0:41:32.279
<v Speaker 6>pretty legit attack with some grenades right outside of the

0:41:32.400 --> 0:41:34.040
<v Speaker 6>of the gate of where we were at, and so

0:41:34.080 --> 0:41:38.399
<v Speaker 6>we saw those combat h casualties right away, treated them.

0:41:38.440 --> 0:41:41.360
<v Speaker 6>And then you know, the hundred and first Airborne is

0:41:41.360 --> 0:41:43.560
<v Speaker 6>who we got attached to, and they have a lot

0:41:43.560 --> 0:41:47.440
<v Speaker 6>of helicopters, and so the chief medical officer that was

0:41:49.080 --> 0:41:51.239
<v Speaker 6>that was there made the decision quickly like hey, we

0:41:51.280 --> 0:41:56.160
<v Speaker 6>have all these helicopters, we're going to air evac you know, casualties.

0:41:56.160 --> 0:41:57.200
<v Speaker 5>And so that's what we did.

0:41:57.600 --> 0:42:00.319
<v Speaker 6>Now within that, we did so part of what we

0:42:00.360 --> 0:42:02.520
<v Speaker 6>did is we ran an aid station. We had a

0:42:02.560 --> 0:42:05.840
<v Speaker 6>medical professional with us, which was a huge asset, and

0:42:05.920 --> 0:42:10.200
<v Speaker 6>so we ran the aid station with sick call, so

0:42:10.239 --> 0:42:12.600
<v Speaker 6>all your medical stuff and then also all your emergency

0:42:12.640 --> 0:42:15.920
<v Speaker 6>stuff for this base that we were at, and then

0:42:15.960 --> 0:42:19.440
<v Speaker 6>we also provided security for the Division surgeon and the

0:42:19.440 --> 0:42:21.759
<v Speaker 6>Division chaplain for the one hundred and first Airborne, So

0:42:21.800 --> 0:42:25.000
<v Speaker 6>those are the top officers that oversee all those kind

0:42:25.040 --> 0:42:29.120
<v Speaker 6>of operations, and so we quickly became their security detachment

0:42:29.239 --> 0:42:36.160
<v Speaker 6>with only M sixteen's and we weren't issued the ceramic

0:42:36.160 --> 0:42:40.000
<v Speaker 6>plates that would stop bullets until right before redeployed. So

0:42:40.800 --> 0:42:45.520
<v Speaker 6>these soft skin humbies quickly became mad Max with sandbags

0:42:45.600 --> 0:42:46.919
<v Speaker 6>and everything else.

0:42:47.000 --> 0:42:52.920
<v Speaker 5>Ratchet strapped on and things were exciting, and it was quickly.

0:42:54.600 --> 0:42:58.000
<v Speaker 6>I was just terrified because we were trained as medics,

0:42:58.840 --> 0:43:02.200
<v Speaker 6>and I think the mentality was kind of like, well,

0:43:02.719 --> 0:43:05.400
<v Speaker 6>you know, it's going to be okay with some folks,

0:43:05.400 --> 0:43:07.520
<v Speaker 6>and I didn't have that feeling. I was like, well,

0:43:07.560 --> 0:43:10.280
<v Speaker 6>we need to do stuff, and by we that quickly

0:43:10.320 --> 0:43:11.359
<v Speaker 6>meant okay, I'm going.

0:43:11.360 --> 0:43:12.560
<v Speaker 5>To go figure out I'm going to.

0:43:12.600 --> 0:43:15.279
<v Speaker 6>Go talk to folks that are their job is to

0:43:16.040 --> 0:43:19.520
<v Speaker 6>have that aggressive posture and to not take the fight

0:43:19.600 --> 0:43:21.960
<v Speaker 6>to the enemy, and we need to have that mentality

0:43:22.000 --> 0:43:22.759
<v Speaker 6>when we go out.

0:43:22.800 --> 0:43:24.480
<v Speaker 5>We need to figure out our radios, we need to

0:43:24.520 --> 0:43:25.000
<v Speaker 5>figure out.

0:43:24.920 --> 0:43:28.239
<v Speaker 6>Our maps, we need to have a plan if you know,

0:43:29.120 --> 0:43:32.839
<v Speaker 6>things go bad, and so, you know, it was it

0:43:32.880 --> 0:43:35.880
<v Speaker 6>was quickly like hey, look around, is this happening. No,

0:43:36.000 --> 0:43:38.279
<v Speaker 6>it's like okay, well, this is what I'm going to do.

0:43:38.440 --> 0:43:42.000
<v Speaker 6>And so it was through just being terrified that I

0:43:42.640 --> 0:43:44.440
<v Speaker 6>kind of looked around and said, hey, this this just

0:43:44.680 --> 0:43:47.440
<v Speaker 6>is not right. There's a lot more we could and

0:43:47.560 --> 0:43:50.279
<v Speaker 6>should be doing. And so it took that initiative and

0:43:50.960 --> 0:43:52.600
<v Speaker 6>you got to do everything you can, even when you

0:43:52.640 --> 0:43:53.320
<v Speaker 6>don't have a lot.

0:43:53.600 --> 0:43:58.040
<v Speaker 1>Now when you got back, you've told me that military

0:43:58.040 --> 0:43:59.840
<v Speaker 1>sort of sighte you down in the room and plage

0:43:59.880 --> 0:44:03.879
<v Speaker 1>you VHS tape like, Karen, now you watched this VHS tape.

0:44:03.920 --> 0:44:07.279
<v Speaker 1>Now you'll leave this experience, fine, tell us about that.

0:44:07.640 --> 0:44:09.200
<v Speaker 4>Yeah, So you know it was.

0:44:09.680 --> 0:44:13.279
<v Speaker 6>It was April in two thousand and four when we redeployed,

0:44:13.440 --> 0:44:15.680
<v Speaker 6>and I mean you could look around and just know

0:44:15.920 --> 0:44:18.600
<v Speaker 6>things were not going good and you're like, I'm stoked

0:44:18.600 --> 0:44:22.399
<v Speaker 6>to be out of here and to redeploy again through

0:44:22.400 --> 0:44:26.840
<v Speaker 6>Fort McCoy and which was a base that was mainly

0:44:26.880 --> 0:44:29.799
<v Speaker 6>World War Two. The National Guard uses it a lot,

0:44:30.640 --> 0:44:33.840
<v Speaker 6>and so we were still in the first wave of

0:44:33.920 --> 0:44:35.920
<v Speaker 6>really people getting redeployed from that.

0:44:36.040 --> 0:44:38.640
<v Speaker 5>It was in this room with a chaplain.

0:44:38.760 --> 0:44:42.920
<v Speaker 6>A VHS tape was played of a horse whisper, like

0:44:43.680 --> 0:44:48.520
<v Speaker 6>a documentary kind of that was it was an abstract concept,

0:44:48.600 --> 0:44:51.080
<v Speaker 6>right of like they used to break horses with violence.

0:44:52.239 --> 0:44:55.640
<v Speaker 6>Now they learned how to use communication to better understand

0:44:55.640 --> 0:44:58.960
<v Speaker 6>this animal and not use violence. You just spent a

0:44:59.040 --> 0:45:02.239
<v Speaker 6>year using violence to stay alive and to solve your problems.

0:45:02.560 --> 0:45:05.480
<v Speaker 6>Now is not the time to use that violence anymore.

0:45:05.520 --> 0:45:08.040
<v Speaker 6>Now you should use communication in these other cues, and

0:45:08.080 --> 0:45:10.839
<v Speaker 6>you're breathing to solve your problems. Well, none of those

0:45:10.880 --> 0:45:13.480
<v Speaker 6>dots were connected. It was play the tape, you know,

0:45:13.560 --> 0:45:16.840
<v Speaker 6>horse whisper. The joke was that's good looking and chewing

0:45:17.000 --> 0:45:19.719
<v Speaker 6>was like one of the repetitious things that he kept

0:45:19.760 --> 0:45:22.080
<v Speaker 6>saying in the video with horse training, which I don't

0:45:22.080 --> 0:45:25.120
<v Speaker 6>know anything about. And so a bunch of you know,

0:45:25.280 --> 0:45:29.000
<v Speaker 6>twenty year olds that are just jacked and stoked to

0:45:29.040 --> 0:45:32.600
<v Speaker 6>be not in Iraq anymore, we're left loose in the world,

0:45:32.680 --> 0:45:34.600
<v Speaker 6>and kind of that was it like, hey, good luck,

0:45:34.760 --> 0:45:37.160
<v Speaker 6>you know. So it was a pretty much you're kind

0:45:37.160 --> 0:45:41.920
<v Speaker 6>of reintroduced into your original environment with a much different

0:45:43.040 --> 0:45:45.359
<v Speaker 6>You're not the same person, and so it was it

0:45:45.400 --> 0:45:48.040
<v Speaker 6>was definitely left a lot to be desired, and I

0:45:48.080 --> 0:45:50.520
<v Speaker 6>think everybody figured it out kind of the hard way

0:45:50.560 --> 0:45:53.719
<v Speaker 6>of like we need to be more thoughtful and take

0:45:53.760 --> 0:45:57.319
<v Speaker 6>a lot more approaches to better integrate, and it's still

0:45:57.360 --> 0:46:02.239
<v Speaker 6>really hard better integrate soldiers and people coming back from

0:46:02.320 --> 0:46:02.920
<v Speaker 6>war zones.

0:46:03.239 --> 0:46:07.880
<v Speaker 1>Yeah, what do you feel most helped you reintegrate? I

0:46:07.920 --> 0:46:11.000
<v Speaker 1>know you mentioned that you found some guys in the

0:46:11.120 --> 0:46:12.600
<v Speaker 1>art world who were also Vats.

0:46:12.960 --> 0:46:15.040
<v Speaker 5>Yeah, and it took a while for me to find

0:46:15.080 --> 0:46:15.720
<v Speaker 5>those folks.

0:46:15.719 --> 0:46:18.719
<v Speaker 6>It was pre internet and so up until so I

0:46:18.800 --> 0:46:22.440
<v Speaker 6>was able to luckily have the infrastructure of ceramics and

0:46:22.480 --> 0:46:26.080
<v Speaker 6>that community in my corner, having gone to undergrad for

0:46:26.200 --> 0:46:30.200
<v Speaker 6>it and was in graduate school and a friend of

0:46:30.239 --> 0:46:36.040
<v Speaker 6>mine was going to fire this woodkiln in Arizona, and

0:46:36.120 --> 0:46:40.640
<v Speaker 6>so so having that has something to go into as

0:46:40.760 --> 0:46:44.879
<v Speaker 6>just because I was I just felt so uncomfortable being

0:46:44.920 --> 0:46:52.680
<v Speaker 6>back and doing anything besides being in Iraq. Felt comically

0:46:52.760 --> 0:46:55.879
<v Speaker 6>silly in terms of like life and death decisions every day,

0:46:57.080 --> 0:47:01.759
<v Speaker 6>you know, gave you meaning and and a really pointed

0:47:02.280 --> 0:47:03.319
<v Speaker 6>daily activity.

0:47:03.440 --> 0:47:03.640
<v Speaker 5>Right.

0:47:03.719 --> 0:47:07.600
<v Speaker 6>Yeah, So coming back and just being totally like, hey,

0:47:08.440 --> 0:47:10.239
<v Speaker 6>figure it out now, I was like, I mean, that's

0:47:10.280 --> 0:47:12.840
<v Speaker 6>what happens, right, And so it was like all my

0:47:12.920 --> 0:47:18.080
<v Speaker 6>friends were graduating, and so yeah, thankfully I had that

0:47:18.239 --> 0:47:21.279
<v Speaker 6>opportunity with Straam because to kind of get me an

0:47:21.320 --> 0:47:25.160
<v Speaker 6>opportunity as like you know, like the cops put the

0:47:25.200 --> 0:47:27.799
<v Speaker 6>safety strips out as I'm going one hundred miles an hour,

0:47:28.080 --> 0:47:30.560
<v Speaker 6>I hit those and the safety strips were ceramics.

0:47:30.840 --> 0:47:33.080
<v Speaker 1>What kind of conversations you have with other vets who

0:47:33.120 --> 0:47:36.160
<v Speaker 1>are in the art space, specifically ceramics and some of

0:47:36.160 --> 0:47:37.960
<v Speaker 1>the guys you've worked under and with.

0:47:38.200 --> 0:47:41.000
<v Speaker 6>Like back in that that time, So like the conversations

0:47:41.040 --> 0:47:43.880
<v Speaker 6>I have now versus the conversations and you know, this

0:47:44.000 --> 0:47:47.400
<v Speaker 6>is like two thousand and four is when I got back. Yeah,

0:47:47.480 --> 0:47:51.600
<v Speaker 6>I was so so the conversations in two thousand and four.

0:47:52.160 --> 0:47:55.320
<v Speaker 6>I didn't even know you just kind of think everything

0:47:55.480 --> 0:47:58.280
<v Speaker 6>is fine, And I was trying to go on pretending

0:47:58.320 --> 0:48:00.839
<v Speaker 6>that like kind of nothing happened, even though it was

0:48:00.920 --> 0:48:05.000
<v Speaker 6>so like I didn't know how much I changed at

0:48:05.000 --> 0:48:07.200
<v Speaker 6>that time. Yeah, and so that's where I was going

0:48:07.239 --> 0:48:10.319
<v Speaker 6>from that mindset of like, oh yeah, I'm still in

0:48:10.400 --> 0:48:12.880
<v Speaker 6>my mind, Okay, now I'm back to that old person

0:48:12.920 --> 0:48:16.760
<v Speaker 6>that was, you know, in the National Guard.

0:48:16.800 --> 0:48:17.759
<v Speaker 5>But also was.

0:48:19.440 --> 0:48:23.920
<v Speaker 6>An artist and going through my my my ceramics program

0:48:24.000 --> 0:48:28.000
<v Speaker 6>as a graduate student. So the conversations at that time

0:48:28.120 --> 0:48:31.960
<v Speaker 6>were they were kind of like I think it was

0:48:32.000 --> 0:48:35.640
<v Speaker 6>apparent to everybody that knew me before, and also people

0:48:35.680 --> 0:48:38.239
<v Speaker 6>seeing me like this, this guy's really changed a lot,

0:48:38.320 --> 0:48:40.879
<v Speaker 6>but I still couldn't see it because I was in it.

0:48:41.400 --> 0:48:44.160
<v Speaker 4>Yeah, I feel like that's probably pretty common.

0:48:44.600 --> 0:48:47.480
<v Speaker 6>Yep, yeah, and so and so in like, you know,

0:48:47.560 --> 0:48:49.600
<v Speaker 6>to the to the question of it was like two

0:48:49.600 --> 0:48:52.120
<v Speaker 6>thousand and six when I first kind of heard of

0:48:52.160 --> 0:48:56.719
<v Speaker 6>some other people that were more recent veterans. There was

0:48:56.840 --> 0:48:59.320
<v Speaker 6>one of my professors, Bunny McBride, was in the Army.

0:49:00.080 --> 0:49:04.520
<v Speaker 6>He's definitely an older gentleman at that time. And you know,

0:49:04.560 --> 0:49:09.040
<v Speaker 6>I had my other professor, Chuck Hines, wasn't in the service,

0:49:09.080 --> 0:49:11.920
<v Speaker 6>but you know, those that generation kind of those.

0:49:13.640 --> 0:49:16.600
<v Speaker 5>You know, the numbers of how old those folks would

0:49:16.640 --> 0:49:17.279
<v Speaker 5>be today.

0:49:17.040 --> 0:49:20.040
<v Speaker 6>Would be in their eighties, you know, or nineties, but

0:49:20.200 --> 0:49:23.280
<v Speaker 6>they had seen, you know, so Chuck was great about

0:49:23.320 --> 0:49:26.080
<v Speaker 6>having friends that came back from Vietnam, and so a

0:49:26.160 --> 0:49:30.040
<v Speaker 6>lot of that generation of those professors had seen, you know,

0:49:30.120 --> 0:49:33.320
<v Speaker 6>had friends that had served and came back and knew

0:49:33.360 --> 0:49:34.840
<v Speaker 6>how to kind.

0:49:34.560 --> 0:49:37.480
<v Speaker 5>Of just say, hey, we're here for you.

0:49:37.920 --> 0:49:40.480
<v Speaker 6>I don't know what you went through, but we're going

0:49:40.560 --> 0:49:42.200
<v Speaker 6>to do what we can to take care of you here.

0:49:42.239 --> 0:49:45.120
<v Speaker 6>And that was huge, you know. It actually took until

0:49:45.640 --> 0:49:49.719
<v Speaker 6>two thousand maybe fourteen, the first time I had a

0:49:49.840 --> 0:49:55.320
<v Speaker 6>chance to really have a ceramics residency with other other veterans.

0:49:55.760 --> 0:49:57.840
<v Speaker 6>And backing up, I was also able to kind of

0:49:57.840 --> 0:50:02.560
<v Speaker 6>connect with some other veteran artists, but again after I

0:50:02.600 --> 0:50:07.239
<v Speaker 6>was done with school and and the conversations really were

0:50:07.520 --> 0:50:11.440
<v Speaker 6>about I think how kind of messed up it was

0:50:11.480 --> 0:50:15.440
<v Speaker 6>in that first era of OIF one of what it

0:50:15.560 --> 0:50:20.680
<v Speaker 6>was in Iraq and how it was like so you know,

0:50:20.960 --> 0:50:23.720
<v Speaker 6>like you're kind of trying to like you're really figuring

0:50:23.760 --> 0:50:28.839
<v Speaker 6>it out what's happening as things are changing drastically by

0:50:28.880 --> 0:50:32.600
<v Speaker 6>the day. And and and also that was the time

0:50:32.719 --> 0:50:36.120
<v Speaker 6>I think where one thing.

0:50:36.120 --> 0:50:37.799
<v Speaker 5>Was said that got us there.

0:50:38.120 --> 0:50:42.319
<v Speaker 6>We quickly could see I could see like what was

0:50:42.400 --> 0:50:44.920
<v Speaker 6>said at what got us here? And and everybody I

0:50:44.960 --> 0:50:47.560
<v Speaker 6>talked to was like, yeah, no, this isn't there's no

0:50:47.719 --> 0:50:53.600
<v Speaker 6>WMTS there, And so there was a huge disillusionment in

0:50:53.719 --> 0:50:58.200
<v Speaker 6>terms of the integrity of the whole mission kind of

0:50:58.239 --> 0:51:00.400
<v Speaker 6>felt in question. So that's what a lot of the

0:51:01.239 --> 0:51:04.520
<v Speaker 6>conversations that I had early on with folks was.

0:51:06.040 --> 0:51:10.799
<v Speaker 5>Just this deep feeling of betrayal of the ideas that

0:51:10.880 --> 0:51:11.560
<v Speaker 5>I had.

0:51:12.040 --> 0:51:17.280
<v Speaker 6>Of being like a fourth generation or sixth generation, depending

0:51:17.360 --> 0:51:19.440
<v Speaker 6>how accurate the numbers are, combat veteran.

0:51:19.920 --> 0:51:22.799
<v Speaker 5>And I had this idea in my mind of like, hey,

0:51:22.800 --> 0:51:25.600
<v Speaker 5>I'm a good guy. We're here to get the bad guys.

0:51:25.719 --> 0:51:28.440
<v Speaker 6>It's black and white, cut and dry, and so the

0:51:28.719 --> 0:51:33.560
<v Speaker 6>they're trying to reconcile this idea I had in my

0:51:33.680 --> 0:51:37.200
<v Speaker 6>head and the reality was really really hard.

0:51:37.239 --> 0:51:38.840
<v Speaker 5>That took me a long time to kind of come

0:51:38.880 --> 0:51:39.520
<v Speaker 5>to terms with that.

0:51:40.000 --> 0:51:44.520
<v Speaker 1>Yeah, how did that come out in your art? And

0:51:44.560 --> 0:51:46.200
<v Speaker 1>I know you've told me your artist kind of shifted

0:51:46.200 --> 0:51:47.799
<v Speaker 1>in the last tenful of years, but how did that

0:51:47.880 --> 0:51:50.319
<v Speaker 1>initially kind of manifest itself in the work you're doing.

0:51:50.680 --> 0:51:54.040
<v Speaker 6>Initially it was, you know, I mentioned I'm like a

0:51:54.120 --> 0:51:59.320
<v Speaker 6>fourth fourth generation combat veteran, so Vietnam, Pearl Harbor, Terowa,

0:51:59.520 --> 0:52:00.960
<v Speaker 6>New Guinea, and then the First.

0:52:00.840 --> 0:52:05.960
<v Speaker 5>World War were folks that I knew in my family.

0:52:06.680 --> 0:52:10.759
<v Speaker 6>Is that I was trying to express the human what

0:52:10.880 --> 0:52:15.520
<v Speaker 6>I was, the human experience of being a soldier in combat,

0:52:15.560 --> 0:52:18.719
<v Speaker 6>and then also the conversations that I wish I would

0:52:18.760 --> 0:52:22.200
<v Speaker 6>have had with my grandfather died when right before I

0:52:22.239 --> 0:52:26.120
<v Speaker 6>came back home. He was a medic and actually an

0:52:26.120 --> 0:52:28.200
<v Speaker 6>ambulance driver, so the same kind of job title I

0:52:28.239 --> 0:52:30.959
<v Speaker 6>actually had. He was a medic and an ambulance driver

0:52:31.000 --> 0:52:35.160
<v Speaker 6>in New Guinea and the Second World War. So it

0:52:35.360 --> 0:52:41.560
<v Speaker 6>was like really violent, angry, dark was the work that

0:52:41.600 --> 0:52:46.640
<v Speaker 6>I was making. The Abu Gree pictures of the torture

0:52:46.680 --> 0:52:50.760
<v Speaker 6>images came out right kind of as we were getting home,

0:52:51.040 --> 0:52:55.440
<v Speaker 6>and those were really a I mean, it was heartbreaking

0:52:56.520 --> 0:53:00.680
<v Speaker 6>and just so kind of disgusting to see at that

0:53:00.680 --> 0:53:04.120
<v Speaker 6>that that was done under you know, by by our soldiers.

0:53:04.160 --> 0:53:07.200
<v Speaker 6>And but but it also for me became a really

0:53:07.280 --> 0:53:09.839
<v Speaker 6>powerful image of like this is this is what war

0:53:10.000 --> 0:53:13.480
<v Speaker 6>does to people, and it opens this door for the

0:53:13.520 --> 0:53:17.399
<v Speaker 6>most horrible things that people do to each other. And

0:53:17.480 --> 0:53:21.279
<v Speaker 6>so I got stuck on that track of trying to

0:53:22.080 --> 0:53:24.560
<v Speaker 6>and this is such a kind of a naive and

0:53:24.920 --> 0:53:28.240
<v Speaker 6>it makes me a naive thought of like, well maybe

0:53:28.280 --> 0:53:31.120
<v Speaker 6>if I just make work that shows people, then they'll

0:53:31.160 --> 0:53:33.719
<v Speaker 6>know and then there won't be any more war, you know.

0:53:33.960 --> 0:53:36.839
<v Speaker 5>Like that's that was like truly where I was coming from.

0:53:36.880 --> 0:53:39.719
<v Speaker 6>And it makes me Yeah, I mean it's I think

0:53:39.760 --> 0:53:41.800
<v Speaker 6>it's a noble thing and I think it's worth doing.

0:53:42.080 --> 0:53:44.680
<v Speaker 5>Yeah, But I also it sucked me in, you know.

0:53:45.560 --> 0:53:47.880
<v Speaker 1>And then your work you said your work shifted was

0:53:48.000 --> 0:53:50.360
<v Speaker 1>like five years ago and kind of took on. I

0:53:50.360 --> 0:53:52.720
<v Speaker 1>don't know if you use the word a more positive

0:53:52.719 --> 0:53:54.640
<v Speaker 1>bent or what, but like tell us about that. How

0:53:54.640 --> 0:53:57.200
<v Speaker 1>did the work change, and then also what prompted that change?

0:53:57.360 --> 0:54:00.200
<v Speaker 5>So my work changed in twenty two.

0:54:02.040 --> 0:54:04.840
<v Speaker 6>In a huge way because I got to a place

0:54:04.840 --> 0:54:06.960
<v Speaker 6>where I spent two months in the VA Hospital in

0:54:06.960 --> 0:54:10.520
<v Speaker 6>Montana in the Trauma Recovery program, which is an impatient

0:54:10.560 --> 0:54:14.960
<v Speaker 6>PTSD program, And that really saved me for a lot

0:54:15.000 --> 0:54:17.920
<v Speaker 6>of reasons in a lot of ways. And so I

0:54:17.960 --> 0:54:20.880
<v Speaker 6>went from only being able to focus on the negative

0:54:21.400 --> 0:54:23.600
<v Speaker 6>and that so that started in like two thousand and

0:54:23.600 --> 0:54:29.160
<v Speaker 6>four of really focusing and examining and thinking about my actions,

0:54:29.200 --> 0:54:32.480
<v Speaker 6>my family's actions in these in these wars, and I

0:54:32.520 --> 0:54:36.920
<v Speaker 6>conducted myself with honor and integrity. Did I make some mistakes, absolutely,

0:54:36.920 --> 0:54:40.120
<v Speaker 6>but nothing in a really horrific way.

0:54:41.400 --> 0:54:42.640
<v Speaker 5>But that overall.

0:54:42.239 --> 0:54:45.480
<v Speaker 6>Feeling of being a part of something that wasn't didn't

0:54:45.480 --> 0:54:50.719
<v Speaker 6>have integrity to start pulled me in and then I

0:54:50.800 --> 0:54:55.480
<v Speaker 6>just it became a just such a negative spiral. That's

0:54:55.520 --> 0:54:57.840
<v Speaker 6>all I focused on. And that's what I became is

0:54:57.880 --> 0:55:00.799
<v Speaker 6>more and more negative by focusing on that. So in

0:55:00.840 --> 0:55:04.280
<v Speaker 6>twenty twenty I got into this program. Despite my best efforts,

0:55:04.320 --> 0:55:06.680
<v Speaker 6>you know, my life became unmanageable. And that was in

0:55:06.719 --> 0:55:11.560
<v Speaker 6>the terms of war and PTSD. And I was able to,

0:55:12.440 --> 0:55:14.160
<v Speaker 6>through a lot of hard work and help from a

0:55:14.160 --> 0:55:16.640
<v Speaker 6>lot of other people along the way, and all of this,

0:55:17.600 --> 0:55:20.200
<v Speaker 6>be able to come to a place where, I mean

0:55:20.440 --> 0:55:24.520
<v Speaker 6>the real point was in a you know, through prayer

0:55:24.640 --> 0:55:28.919
<v Speaker 6>and in a sweat lodge Fort Harrison that's contracted through

0:55:28.960 --> 0:55:33.680
<v Speaker 6>the Helena Indian Alliance, you know, with about twenty five

0:55:33.719 --> 0:55:35.360
<v Speaker 6>percent of the folks I was in the program with

0:55:35.480 --> 0:55:41.319
<v Speaker 6>were Native Americans. And through the combination of that of

0:55:41.400 --> 0:55:47.239
<v Speaker 6>like that spiritual powerful experience in addition to doing under

0:55:47.280 --> 0:55:50.319
<v Speaker 6>the kind of Western eggheads sitting in fluorescent lights with

0:55:50.440 --> 0:55:56.200
<v Speaker 6>tile in a institution of you know, these cognitive behavioral

0:55:56.200 --> 0:55:59.520
<v Speaker 6>therapy worksheets. Okay, what you know to see all my

0:55:59.520 --> 0:56:03.160
<v Speaker 6>corrupt thought patterns and see how I just distorted my

0:56:03.239 --> 0:56:05.840
<v Speaker 6>distorted thinking and the negative patterns that I have. I

0:56:05.880 --> 0:56:10.799
<v Speaker 6>was able through that break that experience apart, and it

0:56:10.880 --> 0:56:14.359
<v Speaker 6>was truly like being reborn to be able to come

0:56:14.360 --> 0:56:17.239
<v Speaker 6>out and watch the sun come up and the sun set.

0:56:17.880 --> 0:56:21.600
<v Speaker 6>And it's like I remember thinking and just being overwhelmed

0:56:21.600 --> 0:56:23.600
<v Speaker 6>with emotion of like how beautiful this place is, but

0:56:23.640 --> 0:56:25.840
<v Speaker 6>I wasn't able to see it, feel it, or experience

0:56:25.880 --> 0:56:32.360
<v Speaker 6>it because I was so I'd become so in just

0:56:32.800 --> 0:56:36.520
<v Speaker 6>choked off in this negativity that I did to myself.

0:56:37.920 --> 0:56:38.680
<v Speaker 5>And so my work.

0:56:38.719 --> 0:56:42.640
<v Speaker 6>Then after that, like it's before that, it was just

0:56:42.760 --> 0:56:47.320
<v Speaker 6>one note of like dark, horrible, people are bad, everything's terrible,

0:56:48.239 --> 0:56:51.040
<v Speaker 6>and it had that aesthetic and it was aggressive and

0:56:51.160 --> 0:56:56.239
<v Speaker 6>violent and really dark. So then after the fact, so

0:56:56.320 --> 0:56:59.239
<v Speaker 6>the other note that that is in this is like

0:56:59.320 --> 0:57:02.960
<v Speaker 6>my daughter is probably six years old or no, she

0:57:03.080 --> 0:57:05.120
<v Speaker 6>was five, I think at this time, and I realized

0:57:06.480 --> 0:57:09.239
<v Speaker 6>it wasn't for myself. It was for my daughter that

0:57:09.560 --> 0:57:13.080
<v Speaker 6>I decided I needed I needed more help, Like I.

0:57:13.040 --> 0:57:15.640
<v Speaker 5>Could see my you know, my.

0:57:17.080 --> 0:57:20.200
<v Speaker 6>Experiences and who I'd become because of my service and

0:57:20.520 --> 0:57:25.120
<v Speaker 6>inability to recover from it was having a negative impact

0:57:25.160 --> 0:57:29.840
<v Speaker 6>on her. And I was able to you know to

0:57:30.920 --> 0:57:33.160
<v Speaker 6>through some things that you know, find my way into

0:57:33.160 --> 0:57:36.200
<v Speaker 6>this program. That really saved me and and the work

0:57:36.240 --> 0:57:38.600
<v Speaker 6>shifted and I was able to I made a body

0:57:38.640 --> 0:57:42.440
<v Speaker 6>of work that was focused on recovery and also could

0:57:42.480 --> 0:57:44.840
<v Speaker 6>have aspects of beauty in it.

0:57:45.240 --> 0:57:47.960
<v Speaker 5>And so so that was huge.

0:57:49.200 --> 0:57:50.760
<v Speaker 4>That's a super powerful story.

0:57:51.040 --> 0:57:53.400
<v Speaker 1>Like you go in this place one way and like

0:57:53.440 --> 0:57:56.720
<v Speaker 1>through these experiences with other people, Yes you've got the science,

0:57:56.720 --> 0:58:00.080
<v Speaker 1>but then you've also have like the actual experience and

0:58:00.200 --> 0:58:02.880
<v Speaker 1>just totally shift and then that changes things moving forward.

0:58:02.880 --> 0:58:06.680
<v Speaker 1>So we had we talked to this researcher whose name

0:58:06.720 --> 0:58:10.640
<v Speaker 1>is Daisy Fancoork and she said that art is healing.

0:58:11.120 --> 0:58:13.520
<v Speaker 1>And I know when we had a conversation you were

0:58:13.640 --> 0:58:16.480
<v Speaker 1>somewhat skeptical of that. So and and based on what

0:58:16.560 --> 0:58:19.280
<v Speaker 1>you just told us, what's your take on that opinion?

0:58:19.720 --> 0:58:21.440
<v Speaker 5>I think it. I think it can be for a

0:58:21.480 --> 0:58:22.080
<v Speaker 5>lot of people.

0:58:23.200 --> 0:58:27.520
<v Speaker 6>I think the reason that I kind of, I guess

0:58:27.920 --> 0:58:30.400
<v Speaker 6>get a little tight in my chest is that I've

0:58:30.400 --> 0:58:33.080
<v Speaker 6>seen it in a couple of ways that like, again

0:58:33.560 --> 0:58:36.360
<v Speaker 6>one hundred percent, absolutely it can be for a lot

0:58:36.400 --> 0:58:40.360
<v Speaker 6>of people. I've seen it use in a kind of

0:58:40.360 --> 0:58:44.080
<v Speaker 6>a way to be dismissive and as a pejorative in

0:58:44.560 --> 0:58:46.960
<v Speaker 6>the art world to say, well, that's just that therapy art,

0:58:47.000 --> 0:58:50.240
<v Speaker 6>that's just you know, as in like a really really

0:58:50.360 --> 0:58:55.520
<v Speaker 6>kind of negative way interesting. That is so disgusting to

0:58:55.600 --> 0:59:01.960
<v Speaker 6>me that it just dismisses it completely. And again I'm

0:59:01.960 --> 0:59:04.560
<v Speaker 6>able to see now that that's not about me, that's

0:59:04.560 --> 0:59:08.440
<v Speaker 6>about whatever that person and the people that make those comments.

0:59:08.880 --> 0:59:10.960
<v Speaker 6>That has to do with issues that they're that they're

0:59:10.960 --> 0:59:15.440
<v Speaker 6>dealing with. I've never actually done our therapy, it's the

0:59:15.480 --> 0:59:18.480
<v Speaker 6>other thing. It's like I've done you know, therapy, therapy,

0:59:18.560 --> 0:59:23.960
<v Speaker 6>individual group, you know. And so in terms of like

0:59:25.120 --> 0:59:28.520
<v Speaker 6>the other thing is that I through what I focused

0:59:28.560 --> 0:59:31.720
<v Speaker 6>on and was trying to communicate through my art, I

0:59:31.760 --> 0:59:35.000
<v Speaker 6>actually think at a certain point, well, I know, I

0:59:35.080 --> 0:59:39.760
<v Speaker 6>made myself sicker because because I became we become what

0:59:39.800 --> 0:59:43.160
<v Speaker 6>we focus on, and I was focusing on the negative

0:59:43.160 --> 0:59:47.720
<v Speaker 6>at trying to communicate the negative aspects of myself and

0:59:47.760 --> 0:59:51.520
<v Speaker 6>the experience in war overlaid with my family history and

0:59:51.560 --> 0:59:54.400
<v Speaker 6>then you know, going back and forth in that regard,

0:59:54.480 --> 0:59:58.840
<v Speaker 6>that's how I focused on and that that was such

0:59:58.840 --> 1:00:01.040
<v Speaker 6>a terrifying thing to be able to look back and

1:00:01.080 --> 1:00:03.560
<v Speaker 6>see I did this to myself by what I focused on,

1:00:04.160 --> 1:00:05.960
<v Speaker 6>and I was focusing on that to put it in

1:00:06.000 --> 1:00:06.400
<v Speaker 6>my art.

1:00:06.800 --> 1:00:09.120
<v Speaker 5>So it's it's like it's a really in it. I've

1:00:09.120 --> 1:00:09.880
<v Speaker 5>thought about.

1:00:09.680 --> 1:00:12.040
<v Speaker 6>It, like it's hard to know at what point it

1:00:12.120 --> 1:00:15.680
<v Speaker 6>became a great way to kind of have a catharsis

1:00:15.800 --> 1:00:18.040
<v Speaker 6>and to express myself and to find a voice and

1:00:18.120 --> 1:00:18.480
<v Speaker 6>have that.

1:00:18.560 --> 1:00:21.360
<v Speaker 5>So then it became that's what was pulling me in.

1:00:21.480 --> 1:00:21.640
<v Speaker 5>You know.

1:00:21.720 --> 1:00:23.440
<v Speaker 6>I say, like I looked into the void, will the

1:00:23.560 --> 1:00:27.000
<v Speaker 6>void pulled me back into it and it is terrifying.

1:00:27.080 --> 1:00:27.960
<v Speaker 6>It was like terrifying.

1:00:28.760 --> 1:00:32.320
<v Speaker 1>So it's almost like to a certain point it potentially

1:00:32.400 --> 1:00:35.960
<v Speaker 1>helped you initially and then sucked you in and you

1:00:36.040 --> 1:00:38.520
<v Speaker 1>needed to point it in a more positive direction for

1:00:38.600 --> 1:00:41.320
<v Speaker 1>that art to actually have enhance your life.

1:00:41.960 --> 1:00:45.240
<v Speaker 6>Absolutely absolutely, And it was just me. I mean, this

1:00:45.320 --> 1:00:49.000
<v Speaker 6>is like the silliest thing. It was me not understanding

1:00:49.600 --> 1:00:53.640
<v Speaker 6>how powerful what my focus is or was. But the

1:00:53.720 --> 1:00:57.120
<v Speaker 6>thing too, going back with that is to say, you know,

1:00:57.720 --> 1:01:00.960
<v Speaker 6>again through all this, I have amazing friends, and that

1:01:01.040 --> 1:01:04.640
<v Speaker 6>most of them that are artists. You know, the two

1:01:04.680 --> 1:01:07.520
<v Speaker 6>friend groups are veterans and artists or people in the military,

1:01:07.640 --> 1:01:12.720
<v Speaker 6>and the artists friends like unbelievably like I can't say

1:01:12.800 --> 1:01:16.200
<v Speaker 6>enough of how grateful I am for them, but would say,

1:01:16.360 --> 1:01:18.880
<v Speaker 6>you know, like, hey, maybe sometime you could try making

1:01:18.920 --> 1:01:22.280
<v Speaker 6>something beautiful, And I would almost get angry in not

1:01:22.520 --> 1:01:26.160
<v Speaker 6>allowing myself to feel like I felt like I had

1:01:26.200 --> 1:01:30.120
<v Speaker 6>to try to express this experience about war so deeply

1:01:30.160 --> 1:01:33.960
<v Speaker 6>and powerfully that to try to focus on anything beautiful

1:01:34.040 --> 1:01:36.960
<v Speaker 6>felt like it was that like self punishment thing in

1:01:37.000 --> 1:01:40.480
<v Speaker 6>a way, like I just couldn't give myself permission to

1:01:40.520 --> 1:01:40.800
<v Speaker 6>do that.

1:01:41.240 --> 1:01:43.240
<v Speaker 1>Well, take a break, and then Jesse is going to

1:01:43.280 --> 1:01:46.000
<v Speaker 1>explain how you can start making art even if you

1:01:46.040 --> 1:01:48.800
<v Speaker 1>feel as lost as I do with that whole world.

1:01:57.200 --> 1:02:00.760
<v Speaker 1>So if someone's listening to this, they're interested in art.

1:02:01.400 --> 1:02:03.920
<v Speaker 4>But it's also like how do you start? What do

1:02:03.920 --> 1:02:04.480
<v Speaker 4>you tell people?

1:02:04.640 --> 1:02:07.640
<v Speaker 1>Like where do you start for inchance, whether it's pottery, weather, whatever,

1:02:07.760 --> 1:02:09.840
<v Speaker 1>Like what the hell should people do? I find myself

1:02:09.840 --> 1:02:11.960
<v Speaker 1>in that where I'm like, pottery sounds awesome, but I'm like,

1:02:12.000 --> 1:02:13.760
<v Speaker 1>how the hell do you start pottery?

1:02:14.240 --> 1:02:19.000
<v Speaker 6>Yeah, well, so you start by starting, And I think

1:02:18.840 --> 1:02:23.080
<v Speaker 6>the biggest thing is to just say, you know, learning

1:02:23.080 --> 1:02:26.720
<v Speaker 6>to throw in the wheel is it's it takes a

1:02:26.720 --> 1:02:29.800
<v Speaker 6>long time. So but working with clay, you can build

1:02:29.880 --> 1:02:33.720
<v Speaker 6>stuff quicker faster, you can you know, within I just

1:02:33.800 --> 1:02:37.200
<v Speaker 6>did a workshop in Great Falls with veterans and in

1:02:37.240 --> 1:02:39.000
<v Speaker 6>a couple of hours you can build a pretty big

1:02:39.040 --> 1:02:41.680
<v Speaker 6>piece that you can then decorate, but not on the wheel.

1:02:41.880 --> 1:02:45.920
<v Speaker 6>And so I would say if find you in your

1:02:45.920 --> 1:02:52.480
<v Speaker 6>local community, community center museum, definitely with ceramics, you're gonna

1:02:52.520 --> 1:02:56.960
<v Speaker 6>need some infrastructure at kiln now if and then drawing

1:02:56.960 --> 1:02:57.600
<v Speaker 6>and painting and.

1:02:57.520 --> 1:02:58.280
<v Speaker 5>Stuff like that.

1:02:58.440 --> 1:03:01.000
<v Speaker 6>There's a ton of stuff right that you can find

1:03:01.040 --> 1:03:05.120
<v Speaker 6>online as resources. But I think one of the great

1:03:05.160 --> 1:03:07.120
<v Speaker 6>things is to sit around with a couple of friends

1:03:07.800 --> 1:03:10.400
<v Speaker 6>and to draw and laugh and then have your friend

1:03:10.480 --> 1:03:12.640
<v Speaker 6>draw on it, because then it takes the pressure off

1:03:12.640 --> 1:03:14.120
<v Speaker 6>that you have to make something and then you can

1:03:14.120 --> 1:03:17.120
<v Speaker 6>try to make something funny. That collaborative thing can be

1:03:17.160 --> 1:03:19.760
<v Speaker 6>a way to do it. That is amazing. The other

1:03:19.800 --> 1:03:23.640
<v Speaker 6>thing is like going back to my days as a teacher.

1:03:24.280 --> 1:03:28.000
<v Speaker 6>It's kind of like interval training. Uh, blind contour drawing.

1:03:28.040 --> 1:03:30.560
<v Speaker 6>If you want to work on your observational drawing skills,

1:03:31.280 --> 1:03:33.120
<v Speaker 6>look up blind contour drawing.

1:03:33.200 --> 1:03:34.920
<v Speaker 5>It's like where you you.

1:03:34.520 --> 1:03:36.400
<v Speaker 6>So the biggest thing if you want to learn how

1:03:36.400 --> 1:03:38.880
<v Speaker 6>to observationally draw is that you have to change the

1:03:38.920 --> 1:03:41.480
<v Speaker 6>way you see because when you look at something, your brain,

1:03:42.120 --> 1:03:44.320
<v Speaker 6>you know, you can't take in all the information. So

1:03:44.360 --> 1:03:47.280
<v Speaker 6>your brain takes this quick snapshot and says fuck it,

1:03:48.560 --> 1:03:52.439
<v Speaker 6>you know, bowl TV. So that's why the initial drawing

1:03:52.520 --> 1:03:55.080
<v Speaker 6>is like, wow, why does this look so simple? It's

1:03:55.120 --> 1:03:57.240
<v Speaker 6>like because that's what your brain is telling you. It

1:03:57.240 --> 1:04:00.560
<v Speaker 6>looks like because you would not just be overwhelmed. So

1:04:00.600 --> 1:04:02.840
<v Speaker 6>it's really blind conto or drawing shows you how to

1:04:02.960 --> 1:04:06.040
<v Speaker 6>see the relationship of parts of things because you just

1:04:06.160 --> 1:04:10.160
<v Speaker 6>look at the piece and you don't move your pencil

1:04:10.240 --> 1:04:13.200
<v Speaker 6>or your pen and so you're you're having you're building

1:04:13.240 --> 1:04:20.200
<v Speaker 6>a connection between your hand and your eye moves and

1:04:20.280 --> 1:04:22.600
<v Speaker 6>your hand moves. You know, you're trying to trace it

1:04:22.640 --> 1:04:24.680
<v Speaker 6>with your hand as your eye moves around it. So

1:04:24.760 --> 1:04:27.760
<v Speaker 6>blind contrue or drawing is that kind of got sucked

1:04:27.760 --> 1:04:28.160
<v Speaker 6>into that.

1:04:28.720 --> 1:04:30.080
<v Speaker 4>That's great, it's a good tip.

1:04:30.680 --> 1:04:33.640
<v Speaker 1>So with when we interviewed that woman I mentioned earlier,

1:04:33.680 --> 1:04:38.880
<v Speaker 1>the researcher, our final question was what would your one

1:04:38.960 --> 1:04:42.120
<v Speaker 1>big quote about art be? So now we're throwing that

1:04:42.160 --> 1:04:44.640
<v Speaker 1>one to you. What is your one big quote about art?

1:04:44.680 --> 1:04:46.120
<v Speaker 1>If you had to end on one.

1:04:46.000 --> 1:04:50.160
<v Speaker 6>I think I know art is a human need. It's

1:04:50.240 --> 1:04:52.800
<v Speaker 6>it's a fundamental aspect of who we are now, whether

1:04:52.840 --> 1:04:58.800
<v Speaker 6>it's dance, whether it's you know, drawing, painting, sculpture, you know,

1:04:58.880 --> 1:05:02.840
<v Speaker 6>cooking can be you know, decoration, adornment like so, so

1:05:03.040 --> 1:05:07.160
<v Speaker 6>I think I know that that's a fundamental aspect of

1:05:07.160 --> 1:05:09.360
<v Speaker 6>who we are. And so when people you know, so

1:05:09.440 --> 1:05:10.560
<v Speaker 6>back to kind of that art.

1:05:10.520 --> 1:05:11.200
<v Speaker 5>Is healing thing.

1:05:12.080 --> 1:05:14.840
<v Speaker 6>I've known since I've been a little kid that that's

1:05:14.920 --> 1:05:17.360
<v Speaker 6>the one thing that kind of I can soothe myself

1:05:17.480 --> 1:05:21.760
<v Speaker 6>with or also destroy myself with. But back to the

1:05:21.760 --> 1:05:25.240
<v Speaker 6>the soothing myself with by making stuff, by drawing, and

1:05:26.440 --> 1:05:30.880
<v Speaker 6>I think it's a it's a universal Okay, here's the quote.

1:05:30.920 --> 1:05:35.360
<v Speaker 6>I think, you know, art is a universal, fundamental aspect

1:05:35.680 --> 1:05:39.880
<v Speaker 6>art that makes us human. And so every every single person,

1:05:40.000 --> 1:05:43.959
<v Speaker 6>like I know that you know in your heart something

1:05:43.960 --> 1:05:46.560
<v Speaker 6>that really fires you up and go for that live music,

1:05:46.600 --> 1:05:49.240
<v Speaker 6>it can be you know, those things, and that's.

1:05:49.120 --> 1:05:53.520
<v Speaker 5>That's a place where where just the static.

1:05:53.200 --> 1:05:58.240
<v Speaker 6>And the anxiety and the depression and the divisiveness falls away.

1:05:58.320 --> 1:06:00.960
<v Speaker 6>And that's that's where you kind we get connected to

1:06:01.000 --> 1:06:03.320
<v Speaker 6>who we are in our environments and other people in

1:06:04.200 --> 1:06:07.360
<v Speaker 6>and what I believe is a core thing like art

1:06:07.440 --> 1:06:10.240
<v Speaker 6>is that thread that connects us, you know, to ourselves,

1:06:10.320 --> 1:06:14.960
<v Speaker 6>to our our environment, to other people. It's just it's

1:06:15.000 --> 1:06:16.960
<v Speaker 6>the thing that when I came back and when when

1:06:17.000 --> 1:06:19.800
<v Speaker 6>I was just so angry at our country and the

1:06:19.800 --> 1:06:22.360
<v Speaker 6>people that sent us to war, the thing that I

1:06:22.360 --> 1:06:24.439
<v Speaker 6>I had to come up with, why did what?

1:06:24.720 --> 1:06:25.600
<v Speaker 5>Why did I do that?

1:06:25.720 --> 1:06:28.720
<v Speaker 6>It was for the freedom to make our like And

1:06:28.760 --> 1:06:31.440
<v Speaker 6>that's that's the power of where I stand with it

1:06:31.520 --> 1:06:33.360
<v Speaker 6>in my heart of like I know to be true.

1:06:33.920 --> 1:06:37.120
<v Speaker 1>That's a wonderful answer, Jesse. I appreciate you coming on. Man,

1:06:37.160 --> 1:06:38.920
<v Speaker 1>this is really cool with the chat, dude, this is

1:06:38.960 --> 1:06:39.560
<v Speaker 1>this is great.

1:06:39.800 --> 1:06:40.840
<v Speaker 5>Keep up the good work man.

1:06:42.480 --> 1:06:44.840
<v Speaker 1>Thanks for checking out the show, and thanks to Daisy

1:06:44.960 --> 1:06:48.080
<v Speaker 1>and Jesse for jumping on. Daisy's book is Art Cure,

1:06:48.200 --> 1:06:50.520
<v Speaker 1>and you can find Jesse's work on Instagram.

1:06:50.640 --> 1:06:52.439
<v Speaker 4>It's absolutely amazing. Check it out.

1:06:53.080 --> 1:06:56.040
<v Speaker 1>As always, do not forget to hit subscribe and leave

1:06:56.080 --> 1:06:58.520
<v Speaker 1>us a review. That definitely helps the show and that'll

1:06:58.520 --> 1:07:02.000
<v Speaker 1>help you get those updates. It's right when the episodes drop.

1:07:02.880 --> 1:07:05.520
<v Speaker 1>Check out the iHeart video app if you want to

1:07:05.520 --> 1:07:08.720
<v Speaker 1>watch it on that and as always, half on, don't

1:07:08.800 --> 1:07:17.920
<v Speaker 1>die and make some art Glas