1 00:00:10,160 --> 00:00:10,880 Speaker 1: Hey there, folks. 2 00:00:10,920 --> 00:00:16,440 Speaker 2: It is Saturday, January thirty first, and it is finally 3 00:00:16,760 --> 00:00:21,800 Speaker 2: officially out. Millenia has hit movie theaters across the country. 4 00:00:22,320 --> 00:00:26,480 Speaker 2: The reviews are in. Some of them are through the roof, 5 00:00:26,880 --> 00:00:30,880 Speaker 2: others are below the belt. But it has provided us 6 00:00:31,160 --> 00:00:35,920 Speaker 2: one of the greatest disparities you will ever see on 7 00:00:36,080 --> 00:00:38,880 Speaker 2: Rotten Tomatoes for a movie between what the audience thinks 8 00:00:39,600 --> 00:00:42,080 Speaker 2: and what's the critics think. And with that, welcome to 9 00:00:42,120 --> 00:00:43,360 Speaker 2: this episode of Amy and TJ. 10 00:00:43,520 --> 00:00:43,760 Speaker 1: Roose. 11 00:00:43,800 --> 00:00:45,120 Speaker 2: We keep an eye on We do a lot of 12 00:00:45,159 --> 00:00:46,879 Speaker 2: movie stuff, horror movie stuff. We keep an eye on 13 00:00:46,920 --> 00:00:49,640 Speaker 2: Rotten Tomatoes. You ever seen a discrepancy this large? 14 00:00:49,760 --> 00:00:51,760 Speaker 3: No, that's just it period. 15 00:00:51,840 --> 00:00:55,960 Speaker 4: Now. Ever, it's almost impossible now to have it speaks 16 00:00:56,000 --> 00:00:58,520 Speaker 4: to where our country is right now, to have the 17 00:00:58,600 --> 00:01:02,520 Speaker 4: critics score on Tomatoes be what it is and then 18 00:01:02,600 --> 00:01:05,280 Speaker 4: have the audience score be what it is. 19 00:01:05,600 --> 00:01:09,280 Speaker 3: It actually makes me want to see this documentary even more. 20 00:01:09,360 --> 00:01:11,800 Speaker 4: I'm now I think we woke up this morning, we 21 00:01:11,840 --> 00:01:15,160 Speaker 4: saw the reviews, and we are officially obsessed. We want 22 00:01:15,200 --> 00:01:18,280 Speaker 4: to run, not walk, to the theaters to see this movie. 23 00:01:18,360 --> 00:01:20,880 Speaker 2: We're racing out to see it actually this weekend. The 24 00:01:20,880 --> 00:01:22,959 Speaker 2: only reason we aren't able to see it right now 25 00:01:23,040 --> 00:01:24,840 Speaker 2: is because we're traveling. We happen to be on the 26 00:01:24,880 --> 00:01:26,960 Speaker 2: roads that we're recording while we're on the road, but 27 00:01:27,080 --> 00:01:29,679 Speaker 2: we are first thing Monday, when we get back, we're 28 00:01:29,720 --> 00:01:30,600 Speaker 2: going to see this movie. 29 00:01:30,640 --> 00:01:31,479 Speaker 1: Now roads, we talk. 30 00:01:31,400 --> 00:01:35,319 Speaker 2: About the discrepancy before we even give that number. Doesn't 31 00:01:35,360 --> 00:01:37,600 Speaker 2: it make if you just take a moment, it makes 32 00:01:37,680 --> 00:01:40,240 Speaker 2: sense that the numbers would be this off. 33 00:01:40,400 --> 00:01:43,679 Speaker 4: It's even yes, it does, yes, but it's even more 34 00:01:44,280 --> 00:01:48,000 Speaker 4: extreme than I thought than I imagined. I was actually 35 00:01:48,040 --> 00:01:53,720 Speaker 4: surprised at just how vicious these reviews are. It's not 36 00:01:54,160 --> 00:01:57,480 Speaker 4: it's bad, it's boring. It these are I like, how 37 00:01:57,520 --> 00:01:58,840 Speaker 4: you put it below the belt? 38 00:01:59,280 --> 00:02:02,000 Speaker 2: Yeah, I think so, And whatever you think about Malania 39 00:02:02,280 --> 00:02:05,200 Speaker 2: read some of this stuff, you feel like nobody wants 40 00:02:05,200 --> 00:02:08,880 Speaker 2: to read something this negatively about yourself. But anyway they 41 00:02:08,880 --> 00:02:10,520 Speaker 2: put it out there. She wanted it out there. This 42 00:02:10,560 --> 00:02:13,560 Speaker 2: is her story. Knock yourself out now, Robes. The other 43 00:02:13,600 --> 00:02:15,320 Speaker 2: reason this is a big deal this morning and we're 44 00:02:15,320 --> 00:02:17,640 Speaker 2: talking about it is because we didn't know anything about 45 00:02:17,680 --> 00:02:22,720 Speaker 2: the movie. Because they kept critics away from any screenings. 46 00:02:22,760 --> 00:02:26,079 Speaker 2: Nobody and oftentimes we even get movie screenings, but they 47 00:02:26,120 --> 00:02:28,839 Speaker 2: did not allow press in to see it ahead of time, 48 00:02:28,919 --> 00:02:33,400 Speaker 2: so we haven't gotten critiques until the movie hit theaters, 49 00:02:33,440 --> 00:02:35,120 Speaker 2: and that's why this morning we're starting to get more 50 00:02:35,120 --> 00:02:35,560 Speaker 2: and more. 51 00:02:35,520 --> 00:02:37,799 Speaker 4: Yes, normally, before we even go see a movie, we'll 52 00:02:37,840 --> 00:02:42,000 Speaker 4: look at the critics reviews, because yes, most studios will 53 00:02:42,000 --> 00:02:46,080 Speaker 4: give screeners to critics, to members of the media so 54 00:02:46,120 --> 00:02:48,560 Speaker 4: that they can review the movie and then drum up 55 00:02:48,600 --> 00:02:51,040 Speaker 4: excitement about it. And a lot of times, if someone 56 00:02:51,080 --> 00:02:53,040 Speaker 4: thinks they've got a great film on their hands, they're 57 00:02:53,160 --> 00:02:56,040 Speaker 4: very eager to send this out to folks to get 58 00:02:56,080 --> 00:02:58,880 Speaker 4: people to say, you know, you've got to see this movie, 59 00:02:59,240 --> 00:03:02,240 Speaker 4: And certainly that makes us excited to go see something 60 00:03:02,280 --> 00:03:05,079 Speaker 4: based on what critics say. So by the mere fact 61 00:03:05,240 --> 00:03:09,680 Speaker 4: that they didn't give the film to critics, could say 62 00:03:09,760 --> 00:03:13,160 Speaker 4: you could infer that maybe they weren't that excited or 63 00:03:13,200 --> 00:03:14,760 Speaker 4: they were a little concerned about how it was going 64 00:03:14,800 --> 00:03:16,840 Speaker 4: to be received. But also you could just say they 65 00:03:16,840 --> 00:03:19,919 Speaker 4: don't trust the critics, They don't trust the mainstream media. 66 00:03:20,080 --> 00:03:21,920 Speaker 3: They don't trust because they know they have an. 67 00:03:21,840 --> 00:03:24,360 Speaker 4: Agenda against the Trump administration, and they didn't want to 68 00:03:24,360 --> 00:03:29,120 Speaker 4: give them any upper hand or any opportunity to trash 69 00:03:29,160 --> 00:03:30,839 Speaker 4: the film before it was released in theater. 70 00:03:30,919 --> 00:03:32,080 Speaker 3: So I understand that as well. 71 00:03:32,240 --> 00:03:34,840 Speaker 4: And if you look at the reviews, you can apply 72 00:03:34,880 --> 00:03:36,000 Speaker 4: it to either theory. 73 00:03:37,240 --> 00:03:38,840 Speaker 1: Yeah you can. This is something. 74 00:03:38,840 --> 00:03:40,760 Speaker 2: Look, I've read some reviews. We're going to go through them. 75 00:03:40,880 --> 00:03:43,400 Speaker 2: Some of them absolutely make some legitimate arguments. Some of 76 00:03:43,440 --> 00:03:45,960 Speaker 2: them I do think are below the belt. The reason again, 77 00:03:46,040 --> 00:03:48,280 Speaker 2: we didn't. It was a big premiere Thursday at the 78 00:03:48,360 --> 00:03:50,560 Speaker 2: Kennedy Center in New York. But it looked like a 79 00:03:50,600 --> 00:03:52,360 Speaker 2: cabinet meeting. It did not look like it was a 80 00:03:52,360 --> 00:03:55,360 Speaker 2: movie premiere. Oh that was a red carpet. Yeah, celebrities. 81 00:03:55,520 --> 00:03:58,560 Speaker 2: Nicki Minaj was there. Ah, I forgot, of course, Nicki 82 00:03:58,640 --> 00:04:02,240 Speaker 2: Minaj was there on the red car. Push you sorry, 83 00:04:02,520 --> 00:04:03,040 Speaker 2: But all the. 84 00:04:03,000 --> 00:04:05,440 Speaker 3: Members of the cabinet were there. 85 00:04:05,520 --> 00:04:09,480 Speaker 4: Yes, it looked like a yes, a work meeting maybe even, 86 00:04:09,520 --> 00:04:11,040 Speaker 4: but yes you got Nicki Minaj. 87 00:04:11,120 --> 00:04:13,320 Speaker 2: Okay, so we've teased it long enough. Now tell the 88 00:04:13,320 --> 00:04:15,680 Speaker 2: good people and make sure you say it loud enough 89 00:04:15,680 --> 00:04:19,360 Speaker 2: for the people in the back. The Rotten Tomatoes scores 90 00:04:20,240 --> 00:04:24,919 Speaker 2: for the New Milania documentary just in theaters this weekend. 91 00:04:25,040 --> 00:04:32,160 Speaker 4: Yes, so the score for the critics six percent. The 92 00:04:32,560 --> 00:04:35,920 Speaker 4: score for the verified audience ninety eight percent. 93 00:04:36,120 --> 00:04:38,880 Speaker 1: Boom, and there it is. That's amazing. 94 00:04:38,960 --> 00:04:42,200 Speaker 4: That's about as big of a disparity as you could 95 00:04:42,279 --> 00:04:43,000 Speaker 4: possibly see. 96 00:04:43,080 --> 00:04:46,479 Speaker 2: Somebody has got it wrong, Robes. You can't have this 97 00:04:46,680 --> 00:04:50,440 Speaker 2: much of a discrepancy. You can't disagree that much the 98 00:04:50,520 --> 00:04:51,159 Speaker 2: two groups. 99 00:04:51,440 --> 00:04:52,039 Speaker 1: Yes you can. 100 00:04:52,560 --> 00:04:55,400 Speaker 2: And it makes sense that right now, it seems that 101 00:04:55,440 --> 00:04:57,799 Speaker 2: the only people going to see the movie were probably 102 00:04:58,080 --> 00:05:03,320 Speaker 2: Trump supporters and journalists and movie critics, so those are 103 00:05:03,360 --> 00:05:05,440 Speaker 2: the only ones right now, it seems speaking so the 104 00:05:05,480 --> 00:05:07,120 Speaker 2: only people who have seen it as far as the 105 00:05:07,200 --> 00:05:10,200 Speaker 2: general audience or general public goes ropes that are hopping 106 00:05:10,279 --> 00:05:13,640 Speaker 2: on there, we're already Trump fans. Doesn't that make sense? 107 00:05:13,839 --> 00:05:14,680 Speaker 3: Yes it does. 108 00:05:15,279 --> 00:05:19,839 Speaker 4: And look, it is hard to take either review, whether 109 00:05:19,880 --> 00:05:22,039 Speaker 4: you're looking at the audience review or the critics review, 110 00:05:22,440 --> 00:05:27,599 Speaker 4: completely seriously because it does feel like there are agendas 111 00:05:27,640 --> 00:05:28,440 Speaker 4: on both sides. 112 00:05:29,160 --> 00:05:31,360 Speaker 2: It can't have that. We haven't seen numbers this low 113 00:05:31,440 --> 00:05:33,120 Speaker 2: since All's fair, which. 114 00:05:33,480 --> 00:05:35,720 Speaker 4: Yes, so I actually looked that up because you were saying, 115 00:05:35,760 --> 00:05:38,120 Speaker 4: you asked me before we jumped on to record this, 116 00:05:38,400 --> 00:05:41,400 Speaker 4: have you ever seen a disparity or a discrepancy like this? 117 00:05:41,440 --> 00:05:43,120 Speaker 4: And I said, the only thing that comes to mind, 118 00:05:43,200 --> 00:05:45,560 Speaker 4: is all's fair? I looked it up again. By the way, 119 00:05:45,760 --> 00:05:48,960 Speaker 4: we love the series for a lot of different reasons. 120 00:05:48,640 --> 00:05:51,920 Speaker 2: But we started watching it because we read the reviews 121 00:05:51,920 --> 00:05:54,120 Speaker 2: were so horrible always that we got to check this out, 122 00:05:54,160 --> 00:05:54,960 Speaker 2: and we love the show. 123 00:05:55,080 --> 00:05:58,159 Speaker 3: It's so bad. It's good in my humble opinion. 124 00:05:58,240 --> 00:06:02,080 Speaker 4: But yes, that got six percent again from the critics, 125 00:06:02,120 --> 00:06:06,000 Speaker 4: so very similar. But it got sixty five percent from 126 00:06:06,120 --> 00:06:09,040 Speaker 4: the audience score. So I you know, when you ever 127 00:06:09,080 --> 00:06:11,960 Speaker 4: see a big discrepancy like this, Honestly, you know what 128 00:06:12,040 --> 00:06:14,000 Speaker 4: I don't like to see when the when the critics 129 00:06:14,040 --> 00:06:15,839 Speaker 4: love it and the audience hates it, I don't even 130 00:06:15,839 --> 00:06:18,479 Speaker 4: bother because I figure it's too artsy and hybrow for me, 131 00:06:18,520 --> 00:06:20,120 Speaker 4: and that means I probably don't want to see it. 132 00:06:20,160 --> 00:06:24,159 Speaker 4: But when I see a really low critics score and 133 00:06:24,200 --> 00:06:26,160 Speaker 4: a really high audience score, I'm all in. 134 00:06:26,680 --> 00:06:29,680 Speaker 2: We're all we ran to the Hulu to watch all 135 00:06:29,800 --> 00:06:30,479 Speaker 2: sorts there. 136 00:06:30,560 --> 00:06:32,960 Speaker 3: We're all in. Can't wait for the second season. 137 00:06:33,680 --> 00:06:36,159 Speaker 2: But Milania, you've been hearing plenty plenty about it. It 138 00:06:36,240 --> 00:06:39,279 Speaker 2: is a documentary. It only covers the twenty days leading 139 00:06:39,400 --> 00:06:43,320 Speaker 2: up to the inauguration. So Brett Radner this controversial director. 140 00:06:43,320 --> 00:06:45,159 Speaker 2: He did the Rush Hour movies, but in the past 141 00:06:45,200 --> 00:06:48,159 Speaker 2: several years, almost eight to ten years, he's been caught 142 00:06:48,200 --> 00:06:50,719 Speaker 2: up in a bunch of sexual abuse allegations and kind 143 00:06:50,720 --> 00:06:54,159 Speaker 2: of lost his Hollywood fame. But he's coming back doing this. 144 00:06:54,200 --> 00:06:56,640 Speaker 2: When it was produced by Amazon that shelled out and 145 00:06:56,680 --> 00:07:00,240 Speaker 2: reported forty million dollars for this thing. Now, in terms 146 00:07:00,279 --> 00:07:02,960 Speaker 2: of how movies go these days, that not the worst 147 00:07:03,000 --> 00:07:05,400 Speaker 2: budget in the world, but for a documentary that is 148 00:07:05,640 --> 00:07:10,480 Speaker 2: fairly unprecedented. Twenty eight million of that Robes went to her. 149 00:07:11,920 --> 00:07:14,200 Speaker 2: Melania is making twenty eight million dollars off this deal. 150 00:07:14,360 --> 00:07:17,080 Speaker 1: Reportedly. Wow, that is I did not know. 151 00:07:17,120 --> 00:07:20,760 Speaker 4: She's gotten her business acumen from her husband. Apparently she 152 00:07:20,920 --> 00:07:24,160 Speaker 4: knows how to I guess the art of the deal. 153 00:07:24,360 --> 00:07:26,880 Speaker 4: She made hers and she did a very good job. 154 00:07:27,040 --> 00:07:29,720 Speaker 2: Apparently Tucker's an hour and forty four minutes long. They 155 00:07:29,720 --> 00:07:32,560 Speaker 2: did spend another thirty plus million to market this thing. 156 00:07:32,640 --> 00:07:35,440 Speaker 2: So again, Robes, seventy five million dollars for a documentary 157 00:07:35,520 --> 00:07:38,760 Speaker 2: is just unheard of. Even the best documentaries ever there 158 00:07:38,840 --> 00:07:41,520 Speaker 2: were they might make ten million at the box office, 159 00:07:41,520 --> 00:07:44,160 Speaker 2: and that's a good documentary. That's just it's kind of 160 00:07:44,240 --> 00:07:46,920 Speaker 2: unheard of did premiere already on Thursday. We told you 161 00:07:47,000 --> 00:07:50,400 Speaker 2: about that. It's in theaters projected. It was only projected 162 00:07:50,440 --> 00:07:52,520 Speaker 2: to make. Everybody's trying to out it's gonna be a bomb, 163 00:07:52,520 --> 00:07:54,760 Speaker 2: it's gonna flop. And all these reporters who are going 164 00:07:54,800 --> 00:07:58,920 Speaker 2: to theaters in New York are going, Wow, nobody's in 165 00:07:58,960 --> 00:07:59,440 Speaker 2: the theater. 166 00:08:00,280 --> 00:08:00,640 Speaker 1: Stop. 167 00:08:01,280 --> 00:08:03,320 Speaker 4: Yeah, I can't see a lot of like we probably 168 00:08:03,360 --> 00:08:05,240 Speaker 4: will have the theater to ourselves in New York to 169 00:08:05,280 --> 00:08:06,080 Speaker 4: go see Milania. 170 00:08:06,120 --> 00:08:08,400 Speaker 3: It's just yes, that's expected. It's New York City. 171 00:08:08,520 --> 00:08:09,840 Speaker 2: But that's one of the things where it seems like 172 00:08:09,880 --> 00:08:11,920 Speaker 2: they were taking a cheap shot because there are other 173 00:08:11,960 --> 00:08:14,680 Speaker 2: theaters in rural areas that are reportedly full yes with 174 00:08:14,920 --> 00:08:18,400 Speaker 2: watching this movie. So take but robes this morning and 175 00:08:18,720 --> 00:08:21,760 Speaker 2: update that the projections are up to eight to ten million. 176 00:08:21,920 --> 00:08:23,080 Speaker 1: It's gonna make this weekend. 177 00:08:23,320 --> 00:08:27,880 Speaker 2: If that's the case, that is a wildly successful documentary launch. Yes, 178 00:08:27,960 --> 00:08:31,040 Speaker 2: it just does not happen for a documentary to be 179 00:08:31,280 --> 00:08:33,719 Speaker 2: to do gangbusters in theaters. I know Fahrenheit nine to 180 00:08:33,720 --> 00:08:36,160 Speaker 2: one one sounds like a big hit, but that was 181 00:08:36,200 --> 00:08:37,240 Speaker 2: a long time ago. 182 00:08:38,160 --> 00:08:41,320 Speaker 4: And you know what, Look, here's the deal. Milania is 183 00:08:41,920 --> 00:08:45,440 Speaker 4: fascinating because she doesn't speak. I've even said, you know, 184 00:08:45,559 --> 00:08:47,920 Speaker 4: you barely hear her voice. We saw her live on 185 00:08:48,000 --> 00:08:50,640 Speaker 4: Fox News this week, which almost never happens. 186 00:08:50,880 --> 00:08:53,000 Speaker 3: I even said, I've never heard Baron's voice. 187 00:08:53,280 --> 00:08:57,480 Speaker 4: There is where we hear the other Trumps, all the 188 00:08:57,520 --> 00:09:01,560 Speaker 4: other children, and Trump himself talking, not stop. You don't 189 00:09:01,720 --> 00:09:04,960 Speaker 4: hear Malania and Baron ever. So there is a fascination 190 00:09:05,240 --> 00:09:08,680 Speaker 4: with what she like. We see her. She seems perfect 191 00:09:08,760 --> 00:09:11,240 Speaker 4: from head to toe, and that is we'll get into 192 00:09:11,240 --> 00:09:13,240 Speaker 4: some of the criticisms, but that is some of the 193 00:09:13,240 --> 00:09:16,280 Speaker 4: criticism that we still see her in this documentary, perfect 194 00:09:16,679 --> 00:09:17,679 Speaker 4: from head to toe. 195 00:09:17,600 --> 00:09:19,319 Speaker 2: And don't know a damn thing about it more than 196 00:09:19,320 --> 00:09:21,760 Speaker 2: we already did. You just said something that made me 197 00:09:21,920 --> 00:09:28,520 Speaker 2: think of this line from one of the reviews, Robes 198 00:09:28,559 --> 00:09:31,600 Speaker 2: to your point, the fascination. She's one of the most 199 00:09:31,600 --> 00:09:34,720 Speaker 2: famous people in the world. This I didn't think was mean. 200 00:09:35,440 --> 00:09:40,760 Speaker 2: Quote from the Decider, the movie mistakes its subjects fame 201 00:09:41,320 --> 00:09:46,200 Speaker 2: for star quality and mistakes a life of leisure for 202 00:09:46,320 --> 00:09:50,440 Speaker 2: one of accomplishment and importance. Wow, now it can sound mean, 203 00:09:50,679 --> 00:09:53,080 Speaker 2: but that is now. We read a lot of reviews 204 00:09:53,240 --> 00:09:56,360 Speaker 2: and we go, okay, we see a theme emerging. That 205 00:09:56,480 --> 00:10:00,960 Speaker 2: theme did emerge that she does want to elevate her 206 00:10:01,000 --> 00:10:03,079 Speaker 2: and she is accomplished in a bunch of stuff she's 207 00:10:03,120 --> 00:10:05,920 Speaker 2: done in her life, but it's elevating or trying to 208 00:10:06,000 --> 00:10:10,000 Speaker 2: elevate her to a level of Princess Die by only 209 00:10:10,080 --> 00:10:16,000 Speaker 2: showing her doing fittings and following her heels and doing 210 00:10:16,160 --> 00:10:22,760 Speaker 2: very small, fashionable, all's fair episode type things. 211 00:10:22,840 --> 00:10:27,199 Speaker 4: It's almost like she's wanting that iconic fashion distinction of 212 00:10:27,320 --> 00:10:31,320 Speaker 4: Jackie O, like she's going after that sort of a 213 00:10:31,480 --> 00:10:34,240 Speaker 4: narrative or an aesthetic. She even I believe, talks about 214 00:10:34,240 --> 00:10:38,200 Speaker 4: her her mother being a pattern designer for clothing and 215 00:10:38,240 --> 00:10:40,480 Speaker 4: that inspired her to be into fashion. 216 00:10:40,880 --> 00:10:44,240 Speaker 3: And yeah, the issue is we all want. 217 00:10:44,080 --> 00:10:46,360 Speaker 4: To learn more, We all want to know what does 218 00:10:46,400 --> 00:10:50,120 Speaker 4: she think, what does she feel? How is she relatable 219 00:10:50,240 --> 00:10:53,000 Speaker 4: to us, even as women to go and watch this, 220 00:10:53,640 --> 00:10:56,240 Speaker 4: and that is what you don't get. And I think 221 00:10:56,280 --> 00:10:58,400 Speaker 4: that's the thing. If you want, you go to want 222 00:10:58,440 --> 00:11:00,720 Speaker 4: to learn more and you don't. I don't learn much. 223 00:11:00,800 --> 00:11:03,839 Speaker 4: Is the criticism that I actually think probably feels fair 224 00:11:04,600 --> 00:11:08,079 Speaker 4: and not mean, because I do think there is this fascination, 225 00:11:08,160 --> 00:11:11,600 Speaker 4: significant interest in her and what she is really like, 226 00:11:12,320 --> 00:11:15,720 Speaker 4: I'm dying to sit down and just have a take 227 00:11:15,760 --> 00:11:18,400 Speaker 4: you just take a load off conversation. 228 00:11:17,920 --> 00:11:20,280 Speaker 3: Which he seems like a martini a martini kind of 229 00:11:20,400 --> 00:11:21,280 Speaker 3: Oh oh my goodness. 230 00:11:21,320 --> 00:11:24,720 Speaker 2: Several But let's get into what they What the critics 231 00:11:24,720 --> 00:11:27,920 Speaker 2: did say again will remind you we are only sharing 232 00:11:28,040 --> 00:11:32,040 Speaker 2: right now, at least what the reviews are saying. We 233 00:11:32,120 --> 00:11:34,280 Speaker 2: have not gone to see it ourselves. None of these 234 00:11:34,280 --> 00:11:37,240 Speaker 2: opinions are ours at all. Let's start here with NPR rows. 235 00:11:37,240 --> 00:11:39,320 Speaker 2: We can fly through it because there was a bunch here. 236 00:11:39,679 --> 00:11:45,280 Speaker 2: Amazon's airbrushed and astronomically pricey portrait of the First Lady 237 00:11:45,360 --> 00:11:48,600 Speaker 2: airbrush is a is a relevant word. That theme kind 238 00:11:48,640 --> 00:11:51,120 Speaker 2: of stays throughout a lot of these reviews. Yes Variety 239 00:11:51,160 --> 00:11:53,920 Speaker 2: says they had several reviews from several different people. 240 00:11:53,920 --> 00:11:55,319 Speaker 1: That's why so many quotes in here by Oh. 241 00:11:55,280 --> 00:11:57,440 Speaker 4: Yeah, okay, we'll go through some of the ones that 242 00:11:57,720 --> 00:12:01,480 Speaker 4: really stood out. Brett Ratner's First Lady documentary is a 243 00:12:01,600 --> 00:12:07,160 Speaker 4: cheeseball infomercial of staggering Inertia. Went on to say, it 244 00:12:07,160 --> 00:12:10,080 Speaker 4: feels like it's been stitched together out of the most 245 00:12:10,080 --> 00:12:14,320 Speaker 4: innocuous outtakes from a reality show. There's no drama to it. 246 00:12:14,320 --> 00:12:17,360 Speaker 4: It should have been called Day of the Living trad Wife. 247 00:12:18,480 --> 00:12:20,640 Speaker 2: This next one I thought was mean and what they 248 00:12:20,679 --> 00:12:21,920 Speaker 2: decided to call her, I didn't like that. 249 00:12:22,040 --> 00:12:24,240 Speaker 4: I think this is pretty mean too. Trump walks from 250 00:12:24,320 --> 00:12:27,880 Speaker 4: event to event holding hands with Milania, who knows just 251 00:12:28,000 --> 00:12:32,360 Speaker 4: how to comport herself as America's first arm candy. She 252 00:12:32,440 --> 00:12:35,120 Speaker 4: and her husband have been together long enough now that 253 00:12:35,160 --> 00:12:39,760 Speaker 4: they have matching scowls and matching frozen robot grins. 254 00:12:40,240 --> 00:12:42,120 Speaker 1: That seems a little bit of a low blow. 255 00:12:42,480 --> 00:12:43,640 Speaker 3: Was it is interesting. 256 00:12:43,720 --> 00:12:45,400 Speaker 4: I saw that, and then I was looking at some 257 00:12:45,440 --> 00:12:47,880 Speaker 4: of the pictures from the red carpet from the premiere 258 00:12:47,880 --> 00:12:51,240 Speaker 4: on Thursday at the Kennedy Center, and they did have 259 00:12:51,559 --> 00:12:57,200 Speaker 4: scowls on their faces. They're just very serious people. When 260 00:12:57,200 --> 00:13:00,000 Speaker 4: it comes she is a serious She has a serious 261 00:13:00,000 --> 00:13:02,120 Speaker 4: look on her face. It might be cultural. She is 262 00:13:02,160 --> 00:13:03,920 Speaker 4: not a you know, she's not. 263 00:13:04,240 --> 00:13:06,760 Speaker 2: She doesn't lose warmth just from a distance and what 264 00:13:06,800 --> 00:13:09,560 Speaker 2: we see of her. So I was, I'm actually dying 265 00:13:09,559 --> 00:13:11,480 Speaker 2: to see it because I was wanting to see some 266 00:13:11,520 --> 00:13:14,320 Speaker 2: of that warmth seeing something behind the scenes, and from 267 00:13:14,640 --> 00:13:16,600 Speaker 2: all accounts, robes every review. 268 00:13:16,640 --> 00:13:17,720 Speaker 1: So it's just not there. 269 00:13:17,960 --> 00:13:19,880 Speaker 4: It's like curated, and I think, you know, I think 270 00:13:19,920 --> 00:13:22,319 Speaker 4: it's interesting because when you see it, when you hear documentary, 271 00:13:22,320 --> 00:13:25,480 Speaker 4: and especially in these days of social media, there's so 272 00:13:25,640 --> 00:13:29,520 Speaker 4: much interest in people pulling back the curtains and showing 273 00:13:29,559 --> 00:13:33,240 Speaker 4: themselves without makeup, showing themselves this is how I wake up, 274 00:13:33,320 --> 00:13:35,160 Speaker 4: this is me with the ZiT on my face, whatever, 275 00:13:35,320 --> 00:13:39,120 Speaker 4: and so people, I think are really into people being real. 276 00:13:39,600 --> 00:13:42,080 Speaker 4: And one of the things about Malania is she is 277 00:13:42,160 --> 00:13:45,080 Speaker 4: just always curated. And that was the hope maybe that 278 00:13:45,160 --> 00:13:49,199 Speaker 4: this documentary would let some of those curtains back, let 279 00:13:49,240 --> 00:13:49,760 Speaker 4: some light in. 280 00:13:50,840 --> 00:13:52,520 Speaker 1: And that goes with this next line. 281 00:13:52,600 --> 00:13:56,360 Speaker 2: It never lets the air of experience in it. And 282 00:13:58,559 --> 00:14:01,320 Speaker 2: this is that should tell you something. Milania, like the 283 00:14:01,360 --> 00:14:05,199 Speaker 2: Trump regime, is a designed from the top down reality 284 00:14:05,240 --> 00:14:08,959 Speaker 2: show that's devoted to shutting reality out. 285 00:14:09,160 --> 00:14:10,000 Speaker 1: Goes on another line. 286 00:14:10,000 --> 00:14:13,160 Speaker 2: If you were making a movie that parodied the current 287 00:14:13,240 --> 00:14:15,679 Speaker 2: first Lady of the United States, I'm not sure what 288 00:14:15,800 --> 00:14:16,680 Speaker 2: you do differently. 289 00:14:16,800 --> 00:14:17,320 Speaker 1: That's tough. 290 00:14:17,760 --> 00:14:22,160 Speaker 4: Wow wowow wow, The Hollywood reporter says Brett Ratner's Malania 291 00:14:22,160 --> 00:14:26,360 Speaker 4: Trump documentary is an unabashed fly on the gilded wall. 292 00:14:26,560 --> 00:14:28,359 Speaker 3: Fawn job woo. 293 00:14:28,400 --> 00:14:31,720 Speaker 4: The rap says the rush Hour director returns with a 294 00:14:31,760 --> 00:14:37,360 Speaker 4: shameful cinematic suck up masquerading as a real documentary and 295 00:14:37,440 --> 00:14:38,320 Speaker 4: goes on to say. 296 00:14:38,160 --> 00:14:46,000 Speaker 5: A tasteless, tedious, criminally shallow propaganda puff piece whoa Milania 297 00:14:46,120 --> 00:14:50,720 Speaker 5: is nearly a two hours of self congratulatory torture. 298 00:14:50,920 --> 00:14:54,800 Speaker 2: This next line was maybe insightful into their relationship, because 299 00:14:54,800 --> 00:14:56,880 Speaker 2: so I am waiting to see you know what it was? 300 00:14:57,200 --> 00:14:58,400 Speaker 1: It was Carter's funeral. 301 00:14:58,440 --> 00:15:00,560 Speaker 2: I think was when they were kind of a little 302 00:15:00,600 --> 00:15:03,800 Speaker 2: banter and they look dare I say cute for a second, 303 00:15:03,840 --> 00:15:06,360 Speaker 2: at least very familiar in a way we don't. We're 304 00:15:06,360 --> 00:15:08,040 Speaker 2: not used to seeing this kind of. 305 00:15:08,000 --> 00:15:09,160 Speaker 1: Hints at it woo. 306 00:15:09,200 --> 00:15:14,360 Speaker 4: They said this Ratner had on precedented access and yet 307 00:15:14,600 --> 00:15:19,000 Speaker 4: he couldn't find a single interaction between Donald and Milania 308 00:15:19,040 --> 00:15:22,040 Speaker 4: Trump where it looks like they're interested in each other. 309 00:15:22,120 --> 00:15:22,800 Speaker 1: That's interesting. 310 00:15:22,920 --> 00:15:25,520 Speaker 2: I think that's really really an interesting take. We'll find 311 00:15:25,520 --> 00:15:27,760 Speaker 2: out for ourselves. It goes on here. The rap continues. 312 00:15:28,040 --> 00:15:30,640 Speaker 2: Rapner made a film that makes Ratner look more invested 313 00:15:30,680 --> 00:15:34,680 Speaker 2: in Milania Trump than her husband, which is a really 314 00:15:34,680 --> 00:15:38,160 Speaker 2: weird vibe to shoot for. And then there's this critical 315 00:15:38,200 --> 00:15:40,200 Speaker 2: of Ratner just his movie making saying he couldn't find 316 00:15:40,200 --> 00:15:44,320 Speaker 2: the humanity in a funeral. Whoo, so this is it's harsh. 317 00:15:44,400 --> 00:15:47,520 Speaker 2: USA Today new documentary offers a flattering view of Milania 318 00:15:47,560 --> 00:15:52,000 Speaker 2: Trump without shedding any light on who the first lady is. 319 00:15:53,280 --> 00:15:56,680 Speaker 2: Again it's look, it's a weird comparison, but we love 320 00:15:56,720 --> 00:16:01,920 Speaker 2: all's fair. But there is a near there is a gloss, 321 00:16:01,960 --> 00:16:05,360 Speaker 2: there is a sheene. There is a complete filter over 322 00:16:05,440 --> 00:16:07,080 Speaker 2: that show start to finish. 323 00:16:07,160 --> 00:16:08,040 Speaker 3: It's unattainable. 324 00:16:08,120 --> 00:16:11,520 Speaker 2: It's completely curated. There's not a loose moment, nane a 325 00:16:11,560 --> 00:16:12,080 Speaker 2: loose hair. 326 00:16:12,560 --> 00:16:13,200 Speaker 3: It's so true. 327 00:16:13,240 --> 00:16:14,560 Speaker 1: This is what I'm hearing about. 328 00:16:14,640 --> 00:16:17,600 Speaker 2: This we'll see for ourselves, but this is consistent through 329 00:16:17,640 --> 00:16:18,480 Speaker 2: these reviews. 330 00:16:18,560 --> 00:16:20,800 Speaker 3: Yeah, and that last one by USA Today was not 331 00:16:20,920 --> 00:16:21,480 Speaker 3: mean at all. 332 00:16:21,680 --> 00:16:24,400 Speaker 4: That felt like a very honest assessment of what that 333 00:16:24,480 --> 00:16:27,080 Speaker 4: reviewer thought. Now Business Insider, I thought this was also 334 00:16:27,200 --> 00:16:29,520 Speaker 4: a really good way to put it. The best way 335 00:16:29,560 --> 00:16:32,320 Speaker 4: I can describe this one is something akin to a 336 00:16:32,360 --> 00:16:35,520 Speaker 4: wedding video. Maybe the subjects of the video will want 337 00:16:35,560 --> 00:16:38,160 Speaker 4: to watch it. It's hard to imagine anyone else. 338 00:16:38,200 --> 00:16:40,480 Speaker 1: Well, it's interesting analogy. I thought that was. 339 00:16:40,880 --> 00:16:43,920 Speaker 3: I actually really appreciated that one that could relate sense. 340 00:16:44,000 --> 00:16:46,400 Speaker 2: It makes sense to you. But stay here, folks, We've 341 00:16:46,400 --> 00:16:48,840 Speaker 2: got the last few to share with you. Also gonna 342 00:16:48,880 --> 00:16:52,080 Speaker 2: remind you this movie was supposed to be an absolute 343 00:16:52,160 --> 00:16:55,920 Speaker 2: bomb of flop. Well right now it's doing okay at 344 00:16:55,920 --> 00:16:56,560 Speaker 2: the box office. 345 00:16:56,560 --> 00:17:07,000 Speaker 6: Stay here, all. 346 00:17:06,960 --> 00:17:09,360 Speaker 2: Right, We continue here on Amy and TJ. We are 347 00:17:09,520 --> 00:17:13,160 Speaker 2: buying tickets to see Milania as soon as we get back. Yes, 348 00:17:13,200 --> 00:17:15,879 Speaker 2: we absolutely are curious about this movie now that the 349 00:17:15,920 --> 00:17:18,720 Speaker 2: reviews are in. Didn't get critic reviews ahead of time 350 00:17:18,720 --> 00:17:21,760 Speaker 2: because it was not critics were not allowed to see 351 00:17:21,760 --> 00:17:23,480 Speaker 2: it ahead of time in any of the screeners. So 352 00:17:23,560 --> 00:17:25,840 Speaker 2: it's come out this weekend. A lot of journalists went 353 00:17:25,840 --> 00:17:27,320 Speaker 2: to see it, and a lot of reviews are up 354 00:17:27,320 --> 00:17:30,520 Speaker 2: in robes. We always put people on the spot like this. 355 00:17:32,320 --> 00:17:36,320 Speaker 2: Give me one word to describe the reviews we've seen 356 00:17:36,760 --> 00:17:37,640 Speaker 2: of Milania. 357 00:17:38,840 --> 00:17:40,720 Speaker 3: Ghastly, Jesus. 358 00:17:40,800 --> 00:17:43,679 Speaker 2: Okay, that's better than I thought. But that is as 359 00:17:43,720 --> 00:17:46,679 Speaker 2: accurate as it gets. Jesus. They are coming after this. 360 00:17:46,960 --> 00:17:49,119 Speaker 2: You can tell some of them that seem a little 361 00:17:49,240 --> 00:17:51,600 Speaker 2: going too far and not you know what, going beyond 362 00:17:51,640 --> 00:17:54,200 Speaker 2: reviewing a movie, and it seems taking some personal shots, 363 00:17:54,359 --> 00:17:58,000 Speaker 2: I mean. But then others consistently robed. It seems like 364 00:17:58,040 --> 00:18:00,399 Speaker 2: have the same criticism that this woman that we don't 365 00:18:00,400 --> 00:18:02,359 Speaker 2: know a lot about see every day, one of the 366 00:18:02,400 --> 00:18:04,000 Speaker 2: most famous women in the world. We don't know a 367 00:18:04,000 --> 00:18:06,479 Speaker 2: lot about. But finally we got a documentary and we 368 00:18:06,560 --> 00:18:07,400 Speaker 2: still don't know shit. 369 00:18:07,920 --> 00:18:11,280 Speaker 4: Yeah, the Decider you mentioned, the one about mistaking star 370 00:18:11,400 --> 00:18:17,920 Speaker 4: quality for a life of leisure, this one. They also 371 00:18:17,960 --> 00:18:21,520 Speaker 4: said the primary purpose of Milania is a form of 372 00:18:21,600 --> 00:18:24,359 Speaker 4: public money laundering that is. 373 00:18:25,880 --> 00:18:26,560 Speaker 3: Very vicious. 374 00:18:28,880 --> 00:18:33,919 Speaker 2: Yeah, it is, but if you go through I mean, okay, 375 00:18:34,000 --> 00:18:34,800 Speaker 2: let's put it together. 376 00:18:35,520 --> 00:18:38,280 Speaker 1: Jeff Bezos, those Amazon. 377 00:18:38,200 --> 00:18:40,320 Speaker 3: I was gonna I was gonna go there, but I'm 378 00:18:40,320 --> 00:18:41,080 Speaker 3: glad you just did. 379 00:18:41,280 --> 00:18:42,440 Speaker 1: Okay, it's not complicated. 380 00:18:42,600 --> 00:18:44,240 Speaker 3: It's kissing the ring, is what they're saying. 381 00:18:44,480 --> 00:18:49,360 Speaker 2: Yes, you know how much business Jeff Bezos has around 382 00:18:49,400 --> 00:18:53,440 Speaker 2: the world that needs all kind of regulatory approval. There's 383 00:18:54,200 --> 00:18:57,680 Speaker 2: this NonStop stuff we don't hear about at all. Didn't 384 00:18:57,720 --> 00:19:00,320 Speaker 2: Amazon just lay off sixteen thousand folks, Yes they did, 385 00:19:00,359 --> 00:19:04,720 Speaker 2: is okay, but they shelled out seventy five million. Yes, 386 00:19:04,880 --> 00:19:09,120 Speaker 2: it's widely being talked about as he's just buying favor. 387 00:19:09,560 --> 00:19:13,159 Speaker 4: Okay, and this happens, this has been happening in the 388 00:19:13,200 --> 00:19:14,880 Speaker 4: world since the beginning of time. 389 00:19:15,000 --> 00:19:17,159 Speaker 3: It's just really obvious, right. 390 00:19:17,040 --> 00:19:20,200 Speaker 1: Yes, unapologetic about it. They're not a hiding end. 391 00:19:20,280 --> 00:19:23,119 Speaker 4: I guess that's the difference. This is just like, yeah, 392 00:19:23,240 --> 00:19:25,600 Speaker 4: what you gonna do about it? Whereas before I think 393 00:19:25,720 --> 00:19:28,600 Speaker 4: maybe we didn't see how things work, but we always 394 00:19:28,800 --> 00:19:32,080 Speaker 4: knew how things work because it is always about. 395 00:19:32,040 --> 00:19:33,080 Speaker 3: Money in the end. 396 00:19:33,480 --> 00:19:38,240 Speaker 4: And well, now it's just really obvious and out there, and. 397 00:19:38,240 --> 00:19:40,080 Speaker 2: This is something Trump's done. This is that I don't 398 00:19:40,240 --> 00:19:42,280 Speaker 2: this is how it works. I'm telling all y'all what 399 00:19:42,320 --> 00:19:43,320 Speaker 2: you're gonna do about it? 400 00:19:43,320 --> 00:19:44,639 Speaker 1: It's nothing to do here. It's fine. 401 00:19:44,640 --> 00:19:46,960 Speaker 2: Now there are arguments being made that Amazon Prime could 402 00:19:46,960 --> 00:19:48,560 Speaker 2: get some of that money back, because now, what do 403 00:19:48,600 --> 00:19:50,679 Speaker 2: you do. You have this big movie that's gonna go 404 00:19:50,760 --> 00:19:54,440 Speaker 2: to Amazon Prime Video that now maybe you might start 405 00:19:54,480 --> 00:19:58,359 Speaker 2: attracting a different, more diverse or conservative audience to this. 406 00:19:58,560 --> 00:20:01,200 Speaker 2: It could start to possibly pay off in that way. Yes, 407 00:20:01,280 --> 00:20:01,560 Speaker 2: don't know. 408 00:20:01,720 --> 00:20:04,560 Speaker 4: You make a good point because this is in theatrical release, 409 00:20:04,600 --> 00:20:06,280 Speaker 4: they said, but for like three to four weeks I 410 00:20:06,280 --> 00:20:07,399 Speaker 4: believe is the time frime. 411 00:20:07,320 --> 00:20:10,480 Speaker 3: They gave it for being in movie theaters singularly. 412 00:20:10,840 --> 00:20:13,679 Speaker 4: But after that, so it looks like some At some 413 00:20:13,800 --> 00:20:18,159 Speaker 4: point either March end of February March, if you are 414 00:20:18,200 --> 00:20:21,359 Speaker 4: an Amazon Prime member, you will be able to watch 415 00:20:21,400 --> 00:20:26,960 Speaker 4: Milania on from your couch, streaming it on Amazon Prime. 416 00:20:27,040 --> 00:20:29,679 Speaker 2: It could pay off that way. But generally, yes, this 417 00:20:29,800 --> 00:20:32,920 Speaker 2: is being just seen as yes, doing a favor for 418 00:20:33,320 --> 00:20:36,359 Speaker 2: the president, to win favor. A last few lines will 419 00:20:36,400 --> 00:20:41,159 Speaker 2: give you from the Independent heregar vulgar, gilded lifestyle of 420 00:20:41,200 --> 00:20:45,520 Speaker 2: the Trumps makes them look like Marie Antoinette skulking in 421 00:20:45,600 --> 00:20:48,480 Speaker 2: her cake field chateau Woo's. 422 00:20:48,640 --> 00:20:49,080 Speaker 3: That's mean. 423 00:20:49,800 --> 00:20:53,240 Speaker 2: This is American history through the idiosyncratic prism of a 424 00:20:53,280 --> 00:20:57,880 Speaker 2: woman who is part puppet of the regime, part delusional creative, 425 00:20:58,280 --> 00:21:03,480 Speaker 2: and part symbol of America because immigrant community. Hmm yeah, 426 00:21:03,680 --> 00:21:06,240 Speaker 2: part puppet for the regime. You get what they're trying 427 00:21:06,280 --> 00:21:09,400 Speaker 2: to say, even though some harsh language, part delusional creative 428 00:21:09,480 --> 00:21:12,880 Speaker 2: that seems like an attack on her, like you're you're 429 00:21:12,920 --> 00:21:15,679 Speaker 2: not this thing you think you are, but part symbol 430 00:21:15,720 --> 00:21:20,040 Speaker 2: of America's immigrant community. Is there a better immigrant success 431 00:21:20,160 --> 00:21:22,959 Speaker 2: story just on paper? People will take issue with how 432 00:21:23,000 --> 00:21:25,000 Speaker 2: they met, and she was too young, all these things, 433 00:21:25,000 --> 00:21:26,440 Speaker 2: but this is a woman who came here with nothing. 434 00:21:26,440 --> 00:21:29,119 Speaker 2: She's the first lady the United States and is not 435 00:21:29,240 --> 00:21:30,720 Speaker 2: the best English speaker. 436 00:21:30,760 --> 00:21:33,680 Speaker 4: We have no she came from Slovenia. Look and look 437 00:21:33,720 --> 00:21:36,159 Speaker 4: at her now. Yeah, she's got a documentary about her. 438 00:21:36,200 --> 00:21:38,440 Speaker 4: She's living in the White House for the second time, 439 00:21:39,119 --> 00:21:43,080 Speaker 4: and she could be Yes, she is living the American 440 00:21:43,160 --> 00:21:46,159 Speaker 4: dream and it is interesting too, like we we obviously, 441 00:21:46,640 --> 00:21:49,600 Speaker 4: there were so many negative. 442 00:21:50,640 --> 00:21:53,119 Speaker 3: Critic reviews that you just pulled, probably the most. 443 00:21:54,520 --> 00:21:57,400 Speaker 1: I guess I didn't have all morning to. 444 00:21:57,320 --> 00:21:58,959 Speaker 4: Do this right, but it didn't take long for you 445 00:21:59,040 --> 00:22:02,000 Speaker 4: to look all together. And then you asked me to 446 00:22:02,040 --> 00:22:05,360 Speaker 4: take a look at the verified audience reviews because they 447 00:22:05,440 --> 00:22:08,639 Speaker 4: also weigh in on what they saw. And it's just 448 00:22:08,720 --> 00:22:12,199 Speaker 4: so interesting when you juxtapose what we just told you 449 00:22:12,760 --> 00:22:15,760 Speaker 4: that critics wrote about this documentary, and then you hear 450 00:22:16,080 --> 00:22:18,680 Speaker 4: what verified audience members had to say. 451 00:22:18,720 --> 00:22:21,600 Speaker 2: Who went to go see this the essentially movie fans 452 00:22:21,720 --> 00:22:23,960 Speaker 2: who chose to go see this movie? 453 00:22:24,000 --> 00:22:25,359 Speaker 1: Correct, Yes, all right. 454 00:22:25,760 --> 00:22:29,960 Speaker 4: Here we go, Jen writes a fantastic flick. Our theater 455 00:22:30,160 --> 00:22:33,199 Speaker 4: was sold out and erupted in applause and cheers at 456 00:22:33,240 --> 00:22:36,280 Speaker 4: the end of the show. Milania is a wonderful human, 457 00:22:36,400 --> 00:22:39,600 Speaker 4: a class act and America is blessed. She is once 458 00:22:39,600 --> 00:22:42,600 Speaker 4: again our first lady is the one. 459 00:22:42,640 --> 00:22:44,960 Speaker 3: I'm true, she said, no, this one doesn't have Yeah. 460 00:22:45,520 --> 00:22:48,080 Speaker 4: This behind the scenes sneak peek was so well done 461 00:22:48,520 --> 00:22:49,920 Speaker 4: and such a wonderful watch. 462 00:22:50,040 --> 00:22:51,240 Speaker 3: A must see. 463 00:22:51,720 --> 00:22:54,040 Speaker 4: It only says that they're verified, so I can't see 464 00:22:54,080 --> 00:22:58,159 Speaker 4: where they're from. Rebecca says, great glimpse into flotus. Beautifully done. 465 00:22:58,560 --> 00:23:02,119 Speaker 4: Bob Tutt says, very well done. Movie showing details of 466 00:23:02,160 --> 00:23:06,040 Speaker 4: the inauguration from Milania's perspective. If you liked Milania, you'll 467 00:23:06,080 --> 00:23:07,520 Speaker 4: love her after this movie. 468 00:23:07,600 --> 00:23:08,920 Speaker 1: Are we talking about the same movie? 469 00:23:10,119 --> 00:23:11,240 Speaker 3: Apparently yes. 470 00:23:12,560 --> 00:23:15,359 Speaker 4: Jenny em says, what a beautiful first lady we are 471 00:23:15,440 --> 00:23:19,119 Speaker 4: so blessed to have in the White House. Such composure, kindness, 472 00:23:19,440 --> 00:23:25,160 Speaker 4: and grace. Teresa most elegant first lady we have ever had. 473 00:23:25,359 --> 00:23:28,320 Speaker 4: Her attention to detail was on full display. This was 474 00:23:28,359 --> 00:23:31,679 Speaker 4: a fascinating movie to watch and the music was great. 475 00:23:31,960 --> 00:23:32,360 Speaker 1: Wow. 476 00:23:32,560 --> 00:23:36,200 Speaker 3: Okay, Peggy b really liked it. 477 00:23:36,600 --> 00:23:40,080 Speaker 4: Donald he will never change, he is who he is 478 00:23:40,240 --> 00:23:42,399 Speaker 4: and very funny. I felt like you got to know 479 00:23:42,480 --> 00:23:45,320 Speaker 4: the first Lady and she is really very charming and 480 00:23:45,400 --> 00:23:47,040 Speaker 4: smart and adores her family. 481 00:23:47,520 --> 00:23:50,520 Speaker 3: I think it's a must see so that. 482 00:23:50,280 --> 00:23:51,960 Speaker 1: That's why we have to go see it. 483 00:23:52,760 --> 00:23:55,200 Speaker 3: Well, of course we do have to see this movie. 484 00:23:55,240 --> 00:23:57,840 Speaker 4: We can't weigh in and look, we will weigh in 485 00:23:58,000 --> 00:24:00,520 Speaker 4: on what we thought about the movie without being political 486 00:24:00,560 --> 00:24:06,120 Speaker 4: and without being mean. But I cannot wait to see 487 00:24:06,160 --> 00:24:07,880 Speaker 4: it for ourselves and. 488 00:24:09,280 --> 00:24:12,520 Speaker 3: See where we fall. Maybe somewhere in between. 489 00:24:13,560 --> 00:24:16,400 Speaker 1: Who knows. I bet it's beautifully shot. I bet it's 490 00:24:16,600 --> 00:24:19,800 Speaker 1: impressive to see, and she's impressive to I don't know. 491 00:24:20,119 --> 00:24:20,680 Speaker 1: We will wait. 492 00:24:20,760 --> 00:24:23,240 Speaker 2: I am not gonna speculate, but I do want to 493 00:24:23,280 --> 00:24:26,080 Speaker 2: tell you a Hollywood Reporter headline this morning from the 494 00:24:26,119 --> 00:24:30,800 Speaker 2: Hollywood Reporter box office Milana, Milania heading for a surprise 495 00:24:31,160 --> 00:24:34,600 Speaker 2: eight million dollar opening in North America? 496 00:24:34,720 --> 00:24:37,080 Speaker 3: Do you know that is music to Donald Trump's ears? 497 00:24:37,119 --> 00:24:41,119 Speaker 2: It could possibly end up number three at the box office. 498 00:24:41,240 --> 00:24:43,560 Speaker 2: Something weird could happen and she could end up number 499 00:24:43,640 --> 00:24:47,239 Speaker 2: two at the box office. Everybody's talking about it. They 500 00:24:47,280 --> 00:24:51,040 Speaker 2: are organizing, they are grassrootsing this thing. Is it possible 501 00:24:51,119 --> 00:24:55,919 Speaker 2: they could pull off an election night type surprise with 502 00:24:56,080 --> 00:24:56,639 Speaker 2: this movie? 503 00:24:56,760 --> 00:24:58,800 Speaker 3: Who knows? We'll be watching how about that? 504 00:24:58,880 --> 00:25:01,080 Speaker 4: We will be watching the movie, but we will also 505 00:25:01,119 --> 00:25:05,080 Speaker 4: be watching the continuing reviews and those box office numbers 506 00:25:05,080 --> 00:25:07,680 Speaker 4: because she's got all day today and when does the 507 00:25:07,720 --> 00:25:08,439 Speaker 4: box office end? 508 00:25:08,480 --> 00:25:09,120 Speaker 3: Tomorrow? 509 00:25:09,600 --> 00:25:12,640 Speaker 2: Tomorrow, But they all have the predictions out. By midday tomorrow, 510 00:25:12,920 --> 00:25:15,000 Speaker 2: they'll have an idea of how it's going to land, 511 00:25:15,040 --> 00:25:16,200 Speaker 2: so will know tomorrow. 512 00:25:16,280 --> 00:25:17,959 Speaker 4: Yeah, we may hop back on if we get some 513 00:25:18,000 --> 00:25:22,119 Speaker 4: surprising results, but until then, everyone, yes, thank you so 514 00:25:22,280 --> 00:25:24,320 Speaker 4: much as always for listening to us. 515 00:25:24,320 --> 00:25:27,359 Speaker 3: I made me Roebuck alongside TJ. Holmes. We hope you 516 00:25:27,359 --> 00:25:40,120 Speaker 3: have a great day today.