WEBVTT - QLS Classic: Tracee Ellis Ross

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio, March Means

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<v Speaker 1>Women's History, Monk, and we're gonna celebrate here at QLs

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<v Speaker 1>as we travel back to twenty twenty one for this

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<v Speaker 1>mic drop episode with none other than Tracy Ellis Ross.

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<v Speaker 1>Whether you heard before or not, you're really gonna love

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<v Speaker 1>this one. I know, I do.

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<v Speaker 2>All right, enjoy your lighting designer should be paid?

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<v Speaker 1>He looks, yeah, I'm the job.

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<v Speaker 3>See you, guys. That means you would be paying Mother

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<v Speaker 3>Nature or God.

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<v Speaker 1>So I don't know, I tell Tracy, trying to tell

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<v Speaker 1>us that she's someone using juices and berries. I don't know.

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<v Speaker 3>I don't know if like, I don't know how invoices

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<v Speaker 3>come from Mother Nature. I don't know. I don't know

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<v Speaker 3>how to do.

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<v Speaker 4>That write A month later, it's gonna be a patterned

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<v Speaker 4>skin line.

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<v Speaker 1>I actually want to skip the want to skip the Injoe,

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<v Speaker 1>are you ready to go?

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<v Speaker 3>I'm recording. I'm recording, is recording, is recording right now?

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<v Speaker 1>All right, we're all recording. I'm recording right now. Ladies

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<v Speaker 1>and gentlemen. First of all, all all of the team

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<v Speaker 1>Supremer say hello at the same time. Hello, guys. Hello, Okay,

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<v Speaker 1>all right, today's a day. No, you're not a team supremer.

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<v Speaker 3>Sorry, sorry you guys responding to.

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<v Speaker 1>The hello as I You're not family yet. Hang on,

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<v Speaker 1>let's let's let.

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<v Speaker 3>Us Dutch you I apologize, apologize.

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<v Speaker 1>Yeah, today's the day of miracles. It's so miraculous. I

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<v Speaker 1>don't even I don't even I don't even want to

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<v Speaker 1>waste a nano second giving you good people are guest

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<v Speaker 1>impressive resident of the may we can reviewer life at

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<v Speaker 1>the same time, you know, as a group. Uh and

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<v Speaker 1>I'm not even being dramatic because I'm afraid she's going

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<v Speaker 1>to disappear. So blah blah blah blah blah, lyrics, lounges

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<v Speaker 1>blah blah blah, girlfriends, iconic parents blah blah blah, siblings, everybody, Yes,

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<v Speaker 1>I blah, please welcome Tracy Ellis Ross the Quest Love Supreme.

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<v Speaker 1>How did this moment happen? Blah blah blah blah blah

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<v Speaker 1>blah blah blah. I just want to say, Tracy, I've

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<v Speaker 1>never stalked as Yeah, I've never stalked a like a

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<v Speaker 1>person I consider a friend like be one thing when

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<v Speaker 1>I creep in Rihanna's DMS like, we don't have a

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<v Speaker 1>relationship like that. I've been I've been slowly poaching you

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<v Speaker 1>bit by bit, like I would do like tiny comments

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<v Speaker 1>on all your social media to be like, oh man,

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<v Speaker 1>let me follow him. Then I'm jumping in your dms

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<v Speaker 1>and trying to get and that would never happen. So

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<v Speaker 1>I don't know how this moment that that.

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<v Speaker 3>Is ridiculous because by the way, the moment I finally

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<v Speaker 3>saw your DM three years later. Three years later, but

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<v Speaker 3>I saw it and I was like, what do you

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<v Speaker 3>mean You've been trying to get I'm like, what are

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<v Speaker 3>you talking about? Of course I'll do that.

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<v Speaker 1>Look, I want to I want to let all all

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<v Speaker 1>polite stalkers know and I say this.

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<v Speaker 3>You ain't going to get to me.

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<v Speaker 1>Really, I'd like that just a little bit, a little

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<v Speaker 1>bit at a time. Persistence does work, but you know

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<v Speaker 1>I had to stalk here. How are you today, Trace?

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<v Speaker 3>I really like today. I'm really really good today. I

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<v Speaker 3>am back from Cabo and my first sort of foray away.

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<v Speaker 3>It's been a long time since I've had a break.

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<v Speaker 3>This pandemic, like for everybody, was just really challenging. And

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<v Speaker 3>I also didn't stop through the whole thing. I had

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<v Speaker 3>a movie that came out right at the beginning of

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<v Speaker 3>the pandemic, at the beginning of Lockdown, a week after

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<v Speaker 3>George Floyd's murder, and it just it just has not stopped.

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<v Speaker 1>So how was it being like business as usual?

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<v Speaker 3>There was no business as usual, and it was a

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<v Speaker 3>weird you know, leading up to the launch of the movie.

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<v Speaker 3>I mean, I was so excited. It was the first

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<v Speaker 3>time I sang like it was such a big moment

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<v Speaker 3>for me. I walked through one of my biggest fears

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<v Speaker 3>of my life. Like just it was so exciting. And

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<v Speaker 3>then they're like, we're not going to have a premiere.

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<v Speaker 3>I'm like, I'm so wanna, you know. So that was

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<v Speaker 3>the first like disappointment and also like, you know, small

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<v Speaker 3>disappointment considering the many disappointments everyone was having and the

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<v Speaker 3>genuine grief and loss that was occurring, but a personal disappointment. Nonetheless,

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<v Speaker 3>people had to you know, reschedule weddings and couldn't be

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<v Speaker 3>there with holding people's hands. So that was the first thing.

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<v Speaker 3>And then and then it was like who cares? It

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<v Speaker 3>just felt so it was like who cares? And then

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<v Speaker 3>it flipped back around to yes, because our freedom and

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<v Speaker 3>our joy and our reveling in who we are is

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<v Speaker 3>an important form of resistance in response to the systemic

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<v Speaker 3>oppression and the violence and the deaths. And so it's

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<v Speaker 3>just you know, like for everybody, we've been whirling around

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<v Speaker 3>with so much in our hearts and heads through this time, right,

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<v Speaker 3>I mean, that was such a not it's a heavy

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<v Speaker 3>how am I?

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<v Speaker 1>But bo wait, I will say probably the glass half

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<v Speaker 1>full answers. Also, I probably think that more people saw

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<v Speaker 1>the high new and the way that we saw it

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<v Speaker 1>because you know, there was there was this a period

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<v Speaker 1>where television and movies was just all of our escape,

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<v Speaker 1>you know what I mean.

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<v Speaker 5>Yeah, and so it was one of the first movies

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<v Speaker 5>to do the whole straight to.

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<v Speaker 3>It was it was the second.

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<v Speaker 1>Yeah, No, I definitely remember, like.

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<v Speaker 3>Like genuinely, they didn't even know how to price it,

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<v Speaker 3>Like that's how knew it was like no one knew

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<v Speaker 3>what to I didn't even know what VOD meant, do

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<v Speaker 3>you know what I mean? Like it was just no

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<v Speaker 3>one understood any of that at that point. Yeah.

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<v Speaker 1>Yeah. The weekend that you guys in Palm Springs came out,

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<v Speaker 1>that was like a happy weekend in the household, where

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<v Speaker 1>we just you didn't know if you were coming or going,

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<v Speaker 1>if we would be here next week or not here,

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<v Speaker 1>you know, just yeah, So that I definitely remember, like

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<v Speaker 1>just those first two months where just any new cinema

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<v Speaker 1>content was like relief.

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<v Speaker 3>It's so funny. I didn't watch any TV. Screens were

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<v Speaker 3>not my thing. I was reading at the beginning, reading

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<v Speaker 3>and cooking and listening to audio books like I couldn't.

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<v Speaker 3>I could, I don't. I couldn't find the right content

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<v Speaker 3>that made me feel okay, And so I was going

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<v Speaker 3>back to old books I'd already read. How'd you read? Uh?

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<v Speaker 3>The Bluest Eye is one of my favorite audio books

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<v Speaker 3>because it's read by Ruby d Antony. It's why it's

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<v Speaker 3>literally like going to the theater ordering that now. Incredible, incredible.

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<v Speaker 3>So I listened to that. I went back to all

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<v Speaker 3>the old David Sedari's books because they just made me

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<v Speaker 3>laugh and sort of took me completely out of what

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<v Speaker 3>we were in. And so I would cook and listen

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<v Speaker 3>to audio books, and and then I slowly crept myself

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<v Speaker 3>back to television. And you know, I remember watching The

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<v Speaker 3>Tiger King and thinking, I'm not sure that this is

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<v Speaker 3>a very soothing bomb. I don't know that my soul

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<v Speaker 3>is going, Ah, this is what I needed. I'm not

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<v Speaker 3>sure what's happening here. This is very much to take in.

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<v Speaker 3>His outfits were intense.

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<v Speaker 1>Was Tiger King. The lowest, I'll say, probably for me,

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<v Speaker 1>was Selling sun That Set was the lowest that I

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<v Speaker 1>went as far as like, what do you wait?

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<v Speaker 3>Wait? Can I just tell you something? Selling Sunset was

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<v Speaker 3>definitely lower and I actually watched it too, and then

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<v Speaker 3>I caught myself at a certain point and I was like,

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<v Speaker 3>oh this, I've got to stop this.

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<v Speaker 1>I can't great right, and then you're watching all three

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<v Speaker 1>seasons and.

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<v Speaker 5>My whole I did not watch all three seasons.

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<v Speaker 3>Here, you can go down with that.

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<v Speaker 1>So let me preface A friend of like, I'm a

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<v Speaker 1>thirty rock So a friend of mine at Saturday Night

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<v Speaker 1>Live was doing a Selling Sunset spoof for the show,

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<v Speaker 1>and I didn't know the other references. I was like,

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<v Speaker 1>all right, let me watch one episode, and then that's

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<v Speaker 1>how I got trapped, yeah, and then started just watching.

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<v Speaker 1>I still have not.

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<v Speaker 3>Watched an episode of the Kardashians.

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<v Speaker 5>Ever in your whole life.

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<v Speaker 3>No, I why really, none of y'all, I really.

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<v Speaker 1>Have gentlemen, I'm giving you the biggest side I right now,

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<v Speaker 1>come on, but no, I really haven't.

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<v Speaker 3>First of all, you do get enough of the snippets

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<v Speaker 3>on cram Ma'll come through? I did, I will. I

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<v Speaker 3>tried to watch this the was it the first episode

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<v Speaker 3>of this fight? Is this the final This is the

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<v Speaker 3>final season, right, Leslie.

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<v Speaker 5>I'm not supposed to know that, but yeah, that's what

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<v Speaker 5>they say. You know, that's what I heard.

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<v Speaker 1>Okay. I saw that.

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<v Speaker 3>I saw a piece of it, and I was watching

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<v Speaker 3>and I was like, this is just not for me,

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<v Speaker 3>you know, It's just it's just not this is the

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<v Speaker 3>same thing happens. When I opened TikTok, I go, oh,

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<v Speaker 3>I don't, I don't know what's happening. Oh god, you're

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<v Speaker 3>not wanting to Halloween did that on TikTok.

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<v Speaker 1>But when I I was about to say, you seem

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<v Speaker 1>like the prime candidate for it.

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<v Speaker 3>Yeah, my content can go on there. But when I

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<v Speaker 3>open that app, I feel like I'm being assaulted. I

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<v Speaker 3>just like it's like as an app crazy and I

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<v Speaker 3>feel like it's not meant for my generation.

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<v Speaker 5>I was like, that's okay, when do we start admitting

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<v Speaker 5>these things? I'm so ready for that.

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<v Speaker 3>I'm so right now, right now, yeah, right now, proud, proud,

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<v Speaker 3>proud of my age. I have earned every stripe, every wrinkle,

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<v Speaker 3>every cellulite, every droop, all of it. I've earned it all.

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<v Speaker 3>And I'm happy to say, No, that's not for me.

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<v Speaker 3>I'm good.

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<v Speaker 1>I will say that as a person that lives in

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<v Speaker 1>a hotel room, like I'm a lazy card desk, Like

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<v Speaker 1>I don't actively look for like the new episode, but

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<v Speaker 1>on Sundays the network will do that eight hour marathon,

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<v Speaker 1>and I just feel and I just like, sometimes I

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<v Speaker 1>like a good aquarium to be in my room for

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<v Speaker 1>like before my girlfriend moved in, Like I lived alone

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<v Speaker 1>for the longest, and you just have TV running on

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<v Speaker 1>the background. I normally, normally my fish, my aquarium was

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<v Speaker 1>was my Soul Trade episodes. But now, please, I'm just

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<v Speaker 1>saying that if it's on, I don't turn it off.

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<v Speaker 1>I don't actively watch it, but I also don't turn

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<v Speaker 1>it off.

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<v Speaker 3>So and by the way, I'm not I'm not hating,

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<v Speaker 3>as I said, it's just not for me, you know

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<v Speaker 3>what I mean. I'm not hating on that. I personally.

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<v Speaker 1>Other people have said.

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<v Speaker 3>Worse is the diplomatic way to It's totally quiet for

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<v Speaker 3>me in my home and in my life, Like I

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<v Speaker 3>don't I listen to music, but I don't have a

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<v Speaker 3>soundtrack that's always going or a TV not at all.

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<v Speaker 4>Do you get do you get overwhelmed by the music

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<v Speaker 4>like you do everything else? Because I don't know about you,

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<v Speaker 4>but yeah, well I don't.

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<v Speaker 3>I mean I talk for a living and so like

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<v Speaker 3>at a certain point, I'm just like move enough, like

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<v Speaker 3>shut it down, and I do like when I'm packing

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<v Speaker 3>or I need background information because I always get anxiety

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<v Speaker 3>when I'm packing to go somewhere. It's such an ordeal.

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<v Speaker 3>It's such an ordeal. And I'm such an overpacker, and

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<v Speaker 3>it's like I have lost I've let go of all

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<v Speaker 3>the shame about the overpack. It just is what it is.

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<v Speaker 3>I am. My friends find it hilarious and so annoying.

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<v Speaker 3>But while I'm packing, I like to listen to stand

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<v Speaker 3>up comedy.

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<v Speaker 1>We're the same person.

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<v Speaker 5>Who means, well, yes, what you are listening to?

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<v Speaker 3>Sure?

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<v Speaker 1>Well, let you talk you about myself like an aquarian.

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<v Speaker 3>And I like you. I just watched Raw again. I

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<v Speaker 3>just watched Richard Pryor when he's in the Red satin shirt,

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<v Speaker 3>and I'm like, do that shirt went from satin to velvet.

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<v Speaker 1>Sweat like sunset?

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<v Speaker 3>Right? Like it was, it went into like a sunset,

0:12:08.800 --> 0:12:10.240
<v Speaker 3>and then all of a sudden it looked velvet.

0:12:11.920 --> 0:12:14.839
<v Speaker 1>Wait have I have I ever admitted on the show

0:12:15.520 --> 0:12:19.079
<v Speaker 1>that he's Murphy Eddie's comedy never hit me?

0:12:19.520 --> 0:12:22.240
<v Speaker 5>Oh no, oh no, I don't think you said that

0:12:22.679 --> 0:12:24.400
<v Speaker 5>mister supposed to be a black person.

0:12:24.600 --> 0:12:28.719
<v Speaker 1>But let's get into it just because wait, because.

0:12:31.400 --> 0:12:33.079
<v Speaker 5>I never heard one say what that. I never heard

0:12:33.240 --> 0:12:33.439
<v Speaker 5>say that.

0:12:33.559 --> 0:12:35.800
<v Speaker 1>I wasn't allowed to watch it as a kid, and

0:12:35.920 --> 0:12:38.839
<v Speaker 1>so when I got it years like I got that

0:12:38.920 --> 0:12:41.360
<v Speaker 1>when I was on the tour bus and I only

0:12:41.440 --> 0:12:43.520
<v Speaker 1>knew the stuff based on what my friends did in

0:12:43.640 --> 0:12:46.199
<v Speaker 1>high school, like like I knew the ice cream joking

0:12:46.240 --> 0:12:50.439
<v Speaker 1>on that stuff, but watching raw and uh delirious for

0:12:50.520 --> 0:12:52.400
<v Speaker 1>the first time, like as a twenty year old on

0:12:52.480 --> 0:12:56.160
<v Speaker 1>the tour bus, like I didn't. I wasn't on the

0:12:56.200 --> 0:12:58.679
<v Speaker 1>floor like I was with Chris Rock or watching Chappelle.

0:12:59.000 --> 0:13:01.800
<v Speaker 1>I think it's one of those you had to be

0:13:01.880 --> 0:13:06.680
<v Speaker 1>there moments and then like a millennial watching Public Enemy right.

0:13:06.600 --> 0:13:08.880
<v Speaker 3>Now, like but let me ask you a question, though,

0:13:09.880 --> 0:13:11.760
<v Speaker 3>when you watch Richard Pryor, Does it hit.

0:13:11.720 --> 0:13:18.199
<v Speaker 1>You I snuck like I I snuck Richard Pryor, Like

0:13:18.360 --> 0:13:20.480
<v Speaker 1>my dad had those records and I'd sneak and listen

0:13:20.520 --> 0:13:23.360
<v Speaker 1>to those records. He didn't bring Eddie Murphy in the house,

0:13:23.440 --> 0:13:24.960
<v Speaker 1>so we didn't have cable.

0:13:25.520 --> 0:13:27.240
<v Speaker 5>Like, oh, so you're saying you didn't hear it in

0:13:27.320 --> 0:13:29.079
<v Speaker 5>its time because you heard it, right, Okay.

0:13:29.240 --> 0:13:29.959
<v Speaker 1>I don't know.

0:13:30.080 --> 0:13:32.320
<v Speaker 3>I think I think I don't know that it has

0:13:33.160 --> 0:13:35.280
<v Speaker 3>I don't know. I'm not your therapist, but I don't

0:13:35.360 --> 0:13:37.439
<v Speaker 3>know if it has to do with what you heard

0:13:37.480 --> 0:13:40.079
<v Speaker 3>as a kid, because I didn't hear Eddie Murphy or

0:13:40.240 --> 0:13:44.560
<v Speaker 3>Richard Pryor as a kid. And but that sensibility, particularly

0:13:44.679 --> 0:13:47.880
<v Speaker 3>Richard Pryor and his storytelling ability, I can't, like, I

0:13:48.000 --> 0:13:50.559
<v Speaker 3>can't get over it, like it I as I was.

0:13:50.679 --> 0:13:52.800
<v Speaker 3>I would be packing and I would stop and just

0:13:52.880 --> 0:13:56.560
<v Speaker 3>be like the crafting and it's not even crafting, it's

0:13:56.640 --> 0:13:59.000
<v Speaker 3>just the way his mind works, right, Like it just

0:13:59.440 --> 0:14:02.040
<v Speaker 3>blew my mind the way he would come back around.

0:14:02.840 --> 0:14:05.560
<v Speaker 3>You know, there's some comedians I watch and I think, uh,

0:14:06.400 --> 0:14:09.640
<v Speaker 3>there was more to that joke, Like you quite get

0:14:09.679 --> 0:14:12.160
<v Speaker 3>the rest out of that, Like you know, like the

0:14:12.360 --> 0:14:14.760
<v Speaker 3>the backseat driver who can say, like what the commedian

0:14:14.880 --> 0:14:17.079
<v Speaker 3>like he's on Netflix, Like clearly he's just fine. I

0:14:17.080 --> 0:14:20.240
<v Speaker 3>don't think he needs Tracy's commentary. But but that's the

0:14:20.280 --> 0:14:22.000
<v Speaker 3>beauty of watching it in your home. You can do

0:14:22.080 --> 0:14:24.680
<v Speaker 3>all that. But I will admit, no, I don't know

0:14:24.720 --> 0:14:25.480
<v Speaker 3>if I'm gonna admit.

0:14:25.400 --> 0:14:25.680
<v Speaker 4>What I was.

0:14:27.880 --> 0:14:30.800
<v Speaker 1>Good ahead, let it fly safe.

0:14:32.000 --> 0:14:35.760
<v Speaker 5>Oh bull crap, No, it is a safe well.

0:14:36.000 --> 0:14:36.320
<v Speaker 1>I don't know.

0:14:38.440 --> 0:14:39.320
<v Speaker 5>That's true. That's true.

0:14:39.520 --> 0:14:43.080
<v Speaker 3>No, there there is someone who people are shocked that

0:14:43.360 --> 0:14:46.760
<v Speaker 3>I do not have on in any of my music playlists.

0:14:46.760 --> 0:14:49.040
<v Speaker 3>And it's just not someone I listened to. I did

0:14:49.120 --> 0:14:51.120
<v Speaker 3>growing up, but it hasn't lasted for me.

0:14:52.920 --> 0:14:54.920
<v Speaker 1>I got it anyway.

0:14:55.720 --> 0:14:57.200
<v Speaker 3>No, it's it's Prince.

0:15:00.160 --> 0:15:03.440
<v Speaker 2>That's maybe this isn't a safe space.

0:15:05.240 --> 0:15:08.040
<v Speaker 1>I get it. Princess a niche artist, and so like

0:15:08.240 --> 0:15:09.440
<v Speaker 1>I very specific.

0:15:10.240 --> 0:15:11.840
<v Speaker 3>You know, it's interesting because like I grew up. I

0:15:11.880 --> 0:15:15.760
<v Speaker 3>remember when Darling Nikki came out, I would hide on

0:15:15.880 --> 0:15:18.240
<v Speaker 3>the backside of my bed on the floor with the

0:15:18.320 --> 0:15:21.800
<v Speaker 3>tape cassette thing opened up to look at the look

0:15:21.840 --> 0:15:25.400
<v Speaker 3>at the lyrics and I and I learned that song.

0:15:25.520 --> 0:15:30.840
<v Speaker 3>It was like this is fascinating. What is all this

0:15:31.040 --> 0:15:31.720
<v Speaker 3>he speaks of?

0:15:33.360 --> 0:15:34.760
<v Speaker 4>Was that something that you would have you would have

0:15:34.760 --> 0:15:36.440
<v Speaker 4>gotten in trouble and you would have got caught for

0:15:36.960 --> 0:15:37.160
<v Speaker 4>if that?

0:15:37.800 --> 0:15:41.920
<v Speaker 3>Probably? I mean my mom is anti violence and pro sex,

0:15:42.200 --> 0:15:44.760
<v Speaker 3>like she didn't have issue with love and sex and

0:15:45.000 --> 0:15:49.040
<v Speaker 3>us seeing that, but violence, like the Flintstones she had

0:15:49.120 --> 0:15:52.800
<v Speaker 3>issued with because of the violence and that like they're violence.

0:15:52.760 --> 0:15:55.320
<v Speaker 5>Bam bam, yeah seriously.

0:15:56.320 --> 0:15:58.760
<v Speaker 3>And the way he treated his wife was not great.

0:15:59.240 --> 0:16:04.200
<v Speaker 3>Fred Yeah, yeah, so but I don't think I mean

0:16:04.280 --> 0:16:07.440
<v Speaker 3>that's that song was really intense. No, it was.

0:16:08.120 --> 0:16:09.840
<v Speaker 5>I didn't know how old you were still.

0:16:09.680 --> 0:16:12.320
<v Speaker 3>Live and what year did that What year did that

0:16:12.440 --> 0:16:13.000
<v Speaker 3>song come out?

0:16:13.160 --> 0:16:14.360
<v Speaker 1>Eighty four, eighty four.

0:16:14.840 --> 0:16:15.920
<v Speaker 3>I was born in seventy two.

0:16:16.000 --> 0:16:19.120
<v Speaker 5>I was twelve, I mean yeah, yeah, yeah.

0:16:19.400 --> 0:16:21.720
<v Speaker 1>There was a period where like a lot of black

0:16:21.760 --> 0:16:27.480
<v Speaker 1>families became super Christian conservative, like between seventy nine and

0:16:27.920 --> 0:16:32.400
<v Speaker 1>eighty eight. So I caught hell like baby boomers. Yeah,

0:16:32.440 --> 0:16:33.840
<v Speaker 1>I mean, well, the thing is they did all the

0:16:33.920 --> 0:16:36.000
<v Speaker 1>sin and as as twenty year olds in the sixties

0:16:36.080 --> 0:16:38.960
<v Speaker 1>and all the Heatonistics shit in the seventies, and then

0:16:39.200 --> 0:16:41.000
<v Speaker 1>they had to atone for their sin when they returned

0:16:41.120 --> 0:16:44.760
<v Speaker 1>forty so yeah, I'm just saying, like I missed, I

0:16:45.320 --> 0:16:48.400
<v Speaker 1>got on punishment for prince, but for everything else, like

0:16:49.400 --> 0:16:53.000
<v Speaker 1>they were on my ass as far as like making

0:16:53.080 --> 0:16:55.800
<v Speaker 1>sure that I didn't see it even though like I

0:16:55.880 --> 0:16:58.240
<v Speaker 1>had cousins and whatnot. So that's why let me ask.

0:16:58.080 --> 0:17:02.000
<v Speaker 3>You a question. Were my forties supposed to be atoning

0:17:02.040 --> 0:17:10.360
<v Speaker 3>for my sinses.

0:17:06.400 --> 0:17:07.720
<v Speaker 5>Were different than their forties?

0:17:07.960 --> 0:17:08.280
<v Speaker 3>Okay?

0:17:08.800 --> 0:17:13.240
<v Speaker 1>But the thing is also I'll say that the the

0:17:14.520 --> 0:17:16.680
<v Speaker 1>silver lining of what we just went through this year

0:17:17.119 --> 0:17:21.879
<v Speaker 1>was that we have absolutely no doubt whatsoever that the

0:17:22.119 --> 0:17:27.480
<v Speaker 1>idea of the moral right majority is absolutely full of shit.

0:17:28.240 --> 0:17:31.440
<v Speaker 1>Like we have proof. Now, yeah, that's the thing that

0:17:31.760 --> 0:17:33.439
<v Speaker 1>that's the thing that everyone was hanging on, like they

0:17:33.560 --> 0:17:38.159
<v Speaker 1>actually believed in, like you know, Christian values and family

0:17:38.280 --> 0:17:40.560
<v Speaker 1>values and all these things and cleanliness and all that.

0:17:41.280 --> 0:17:47.880
<v Speaker 3>You know, drinking milk, Thank you cleanliness though, I really

0:17:48.400 --> 0:17:48.600
<v Speaker 3>like that.

0:17:49.480 --> 0:17:52.720
<v Speaker 1>But I'm just saying that in terms of what the

0:17:53.119 --> 0:17:57.040
<v Speaker 1>moral right has led us to think was, you know,

0:17:57.160 --> 0:18:00.680
<v Speaker 1>American moral right values in which i've in the last

0:18:00.680 --> 0:18:03.760
<v Speaker 1>four years of what we went through, has been absolutely

0:18:03.880 --> 0:18:07.199
<v Speaker 1>proven that it's bullshit. Like there really isn't a moral right.

0:18:07.280 --> 0:18:11.280
<v Speaker 6>It's just hiding behind the shield of Christianity to and

0:18:11.480 --> 0:18:13.240
<v Speaker 6>racism exactly.

0:18:13.520 --> 0:18:16.800
<v Speaker 3>I mean, morality is a tough one. I think values

0:18:17.560 --> 0:18:20.600
<v Speaker 3>are very different, but morality has a fundamentalism to it

0:18:20.800 --> 0:18:25.240
<v Speaker 3>that gets really complicated because somebody gets to decide what's

0:18:25.359 --> 0:18:29.840
<v Speaker 3>right and wrong. Obviously there is a baseline you know,

0:18:31.400 --> 0:18:34.960
<v Speaker 3>on those things, but it starts to get really complicated.

0:18:35.840 --> 0:18:40.760
<v Speaker 3>And yeah, I think that the moral right, so to speak,

0:18:41.040 --> 0:18:43.880
<v Speaker 3>is a different term and has been used to sort

0:18:43.880 --> 0:18:47.240
<v Speaker 3>of cloak racism, sexism, et cetera.

0:18:47.480 --> 0:18:50.000
<v Speaker 1>But that's just I think it's going to be a

0:18:50.119 --> 0:18:54.399
<v Speaker 1>long time before we get somebody that can pull what

0:18:54.600 --> 0:18:58.280
<v Speaker 1>Reagan pulled in terms of like really getting people to

0:18:58.320 --> 0:19:02.200
<v Speaker 1>turn around and at least we're black people, because you know,

0:19:02.840 --> 0:19:05.280
<v Speaker 1>people younger people are shocked when I tell them, like

0:19:05.440 --> 0:19:08.280
<v Speaker 1>everyone my parents' age were like Republicans because they thought, like,

0:19:09.200 --> 0:19:13.840
<v Speaker 1>you know, Republicans are closer to Christianity and abortion, so

0:19:14.280 --> 0:19:18.520
<v Speaker 1>you know, yeah, like people were really shocked that blacks

0:19:18.560 --> 0:19:23.160
<v Speaker 1>were as conservative as they were. I doubt that it'll

0:19:23.200 --> 0:19:26.400
<v Speaker 1>happen again. So yes, to answer your question, yeah, I don't.

0:19:26.400 --> 0:19:29.159
<v Speaker 1>I don't think forty and fifty year old people have

0:19:29.240 --> 0:19:31.000
<v Speaker 1>anything to worry about as far as hell.

0:19:31.080 --> 0:19:33.880
<v Speaker 3>I'm not atoning. I'm trying to get as free as

0:19:34.000 --> 0:19:38.280
<v Speaker 3>I can. Certed woman, listen into the world.

0:19:39.359 --> 0:19:48.480
<v Speaker 1>Hey man, talking shit. Okay, I have to ask you, obviously,

0:19:49.160 --> 0:19:51.040
<v Speaker 1>and I was wondering to shout to even burden you

0:19:51.119 --> 0:19:53.639
<v Speaker 1>about like the first ten years of your life, but

0:19:54.600 --> 0:19:57.800
<v Speaker 1>only because of my personal curiosity. I'll say that, you know,

0:19:58.160 --> 0:20:01.119
<v Speaker 1>I think I told you the story before that. Instead

0:20:01.119 --> 0:20:03.199
<v Speaker 1>of like reading me books, my parents would just put

0:20:03.280 --> 0:20:06.359
<v Speaker 1>records on and that would be my uh, what do

0:20:06.400 --> 0:20:09.440
<v Speaker 1>you call it? My lullaby And so they would often

0:20:09.480 --> 0:20:13.919
<v Speaker 1>play your mom's live records, her two live records at

0:20:13.960 --> 0:20:17.680
<v Speaker 1>Caesar's in Vegas as my that was. That was like

0:20:17.800 --> 0:20:21.840
<v Speaker 1>my my lullabye, you know whatever. And so she they'd

0:20:21.840 --> 0:20:24.560
<v Speaker 1>always put on side too, where she would tell the

0:20:24.640 --> 0:20:27.320
<v Speaker 1>stories of Ronda, Tracy and Chutney, which I guess to

0:20:27.400 --> 0:20:29.320
<v Speaker 1>like five year old me, you all were just like

0:20:29.520 --> 0:20:33.719
<v Speaker 1>one three headed monster. So Or she would always talk

0:20:33.760 --> 0:20:34.600
<v Speaker 1>about crazy.

0:20:34.680 --> 0:20:36.760
<v Speaker 3>You're not the only one. I can't remember who else,

0:20:37.400 --> 0:20:40.120
<v Speaker 3>Toronto Burke. She's always like Ron to Tracy Chutney.

0:20:40.680 --> 0:20:44.159
<v Speaker 1>Right right. I just knew you guys, like I was like, oh,

0:20:44.200 --> 0:20:47.080
<v Speaker 1>they're my friends. Because she and she always talked about

0:20:47.119 --> 0:20:48.760
<v Speaker 1>you three, like when she went on Dinah Shore and

0:20:48.840 --> 0:20:52.240
<v Speaker 1>when she went like the average, like the talks to circuits,

0:20:52.240 --> 0:20:54.960
<v Speaker 1>she would just talk about her children. But it was

0:20:55.080 --> 0:20:59.200
<v Speaker 1>like always one name. So I guess my question is like,

0:20:59.680 --> 0:21:04.160
<v Speaker 1>at what point does it register to you that you're

0:21:04.359 --> 0:21:09.280
<v Speaker 1>not in an average situation as far as your childhood's concerned.

0:21:09.400 --> 0:21:11.600
<v Speaker 1>Not to mention, your dad is like a supermanager of

0:21:11.720 --> 0:21:15.680
<v Speaker 1>like Rufus and Shaka Khan and Billy Preston and Franklin

0:21:15.720 --> 0:21:20.119
<v Speaker 1>Asi and all these other groups. Your father bob Ellis

0:21:20.160 --> 0:21:22.480
<v Speaker 1>who I just that's It never occurred to me that

0:21:23.000 --> 0:21:26.040
<v Speaker 1>the elis in your name was the bob Ellis.

0:21:26.240 --> 0:21:27.560
<v Speaker 3>And let me tell you why I put that in

0:21:27.640 --> 0:21:29.159
<v Speaker 3>my name. I have like three things to say of

0:21:29.200 --> 0:21:30.520
<v Speaker 3>what you said, so I want to answer your question,

0:21:30.600 --> 0:21:32.439
<v Speaker 3>but I would also want to say whatever we were

0:21:32.600 --> 0:21:37.600
<v Speaker 3>texting about. You mentioned the name of a group from

0:21:37.640 --> 0:21:39.600
<v Speaker 3>my dad that which he managed. It was like an

0:21:39.640 --> 0:21:41.760
<v Speaker 3>offshoot of some other group where they were back. I

0:21:41.800 --> 0:21:43.680
<v Speaker 3>don't know. But when I mentioned it to him, because

0:21:43.720 --> 0:21:46.200
<v Speaker 3>I read him the text right, he first time, my

0:21:46.320 --> 0:21:48.320
<v Speaker 3>dad is the best stories. But he went on this

0:21:48.520 --> 0:21:51.479
<v Speaker 3>whole long tangent about this group, and we thought they

0:21:51.520 --> 0:21:53.080
<v Speaker 3>were going to be the ones that I don't know.

0:21:53.359 --> 0:21:54.720
<v Speaker 3>He had this whole story and I was like that,

0:21:54.840 --> 0:21:57.159
<v Speaker 3>I have no idea what you're talking about. I'm not

0:21:57.240 --> 0:21:58.960
<v Speaker 3>going to remember know what you're talking about.

0:21:59.280 --> 0:22:02.480
<v Speaker 1>Okay, but by the way, we only got Tracy on

0:22:02.520 --> 0:22:04.000
<v Speaker 1>the show, so we can get to Bob.

0:22:04.240 --> 0:22:07.479
<v Speaker 5>Okay, happy to hear.

0:22:07.880 --> 0:22:10.240
<v Speaker 4>Yes, I have a legendary picture of him myself that

0:22:10.280 --> 0:22:12.240
<v Speaker 4>I'm saving for later. But please don't forget what your

0:22:12.280 --> 0:22:13.040
<v Speaker 4>points Tracy about.

0:22:13.040 --> 0:22:16.560
<v Speaker 3>Okay. So to answer your question about when did it

0:22:16.640 --> 0:22:18.879
<v Speaker 3>sort of dawnam did I realize who my mom was

0:22:20.000 --> 0:22:22.399
<v Speaker 3>in the in the context of life, and that it

0:22:22.680 --> 0:22:26.000
<v Speaker 3>was not I wasn't having the most ordinary experience of

0:22:26.119 --> 0:22:29.440
<v Speaker 3>being a child. So a couple of things to set

0:22:29.480 --> 0:22:32.879
<v Speaker 3>the stage. My mom is a mom before she's the

0:22:33.040 --> 0:22:37.879
<v Speaker 3>Diana Ross lady, so who the sort of extraordinariness of

0:22:37.960 --> 0:22:40.760
<v Speaker 3>Dinah Ross does not hold a candle to who she

0:22:40.920 --> 0:22:43.680
<v Speaker 3>is as a mom, Like she's really great as Diana Ross,

0:22:44.119 --> 0:22:47.359
<v Speaker 3>but like she's like exponentially great as a mom. So

0:22:47.840 --> 0:22:51.160
<v Speaker 3>we always came first. So she recorded at night while

0:22:51.200 --> 0:22:53.480
<v Speaker 3>she would put us in bed, get us to sleep,

0:22:53.640 --> 0:22:55.560
<v Speaker 3>then she would leave and go to the recording studio,

0:22:56.000 --> 0:22:58.000
<v Speaker 3>get home, wake us up for school, and then go

0:22:58.119 --> 0:23:00.600
<v Speaker 3>back to sleep. She never left for longer than a

0:23:00.680 --> 0:23:03.520
<v Speaker 3>week when we were in school, so and when she

0:23:03.720 --> 0:23:06.159
<v Speaker 3>was gone, she would call us at dinner time or

0:23:06.240 --> 0:23:10.480
<v Speaker 3>bedtime and in the morning sore. The sense of home

0:23:10.680 --> 0:23:14.479
<v Speaker 3>and normalcy that I grew up in was home and normal.

0:23:14.640 --> 0:23:17.600
<v Speaker 3>I wasn't carted all over the world in some crazy way.

0:23:18.160 --> 0:23:20.800
<v Speaker 3>And then on the summers we would go. She would

0:23:21.160 --> 0:23:23.800
<v Speaker 3>rent a home somewhere and have a home base. So

0:23:23.880 --> 0:23:26.520
<v Speaker 3>she would rent a home in London. We would live there.

0:23:26.680 --> 0:23:29.399
<v Speaker 3>She would charter out every night to go fly to

0:23:29.480 --> 0:23:32.840
<v Speaker 3>her gigs. I call them gigs still, it's really funny.

0:23:33.000 --> 0:23:36.200
<v Speaker 3>She would go fly to her shows and then come back.

0:23:36.320 --> 0:23:39.359
<v Speaker 3>So the sense of normalcy that I had, it wasn't

0:23:39.520 --> 0:23:41.960
<v Speaker 3>like I was, you know, I was going to school,

0:23:42.000 --> 0:23:43.880
<v Speaker 3>I was doing all the regular things. The other piece

0:23:43.920 --> 0:23:47.119
<v Speaker 3>of it is that I went to Dalton growing up,

0:23:47.840 --> 0:23:52.320
<v Speaker 3>and I went to school with Robert Redford's kids, the

0:23:52.440 --> 0:23:57.040
<v Speaker 3>Ralph Lauren children. I'm trying to think za Bar's children,

0:23:57.160 --> 0:24:00.399
<v Speaker 3>like all of these people who were part of the

0:24:00.560 --> 0:24:04.800
<v Speaker 3>fabric of American culture. So it was normalized for all

0:24:04.880 --> 0:24:07.840
<v Speaker 3>of us. We were just kids who our parents were.

0:24:08.080 --> 0:24:10.639
<v Speaker 3>Was not like a thing, and it didn't come up

0:24:11.080 --> 0:24:13.720
<v Speaker 3>like it wasn't a part of what was happening in

0:24:13.800 --> 0:24:17.920
<v Speaker 3>my dynamics as a kid. I started to realize it

0:24:18.080 --> 0:24:20.600
<v Speaker 3>and have really felt the impact of it later in

0:24:20.720 --> 0:24:23.920
<v Speaker 3>my life. But there were a couple of indicators that

0:24:24.119 --> 0:24:27.520
<v Speaker 3>shit was weird, Like when you would go with your

0:24:27.560 --> 0:24:33.119
<v Speaker 3>mom to work and leave and there would be throngs

0:24:33.160 --> 0:24:35.560
<v Speaker 3>of people banging on the outside of the car, and

0:24:35.800 --> 0:24:38.320
<v Speaker 3>like security would have to escort us with police to

0:24:38.320 --> 0:24:40.960
<v Speaker 3>wherever we went, and you know, like things like that

0:24:41.840 --> 0:24:44.639
<v Speaker 3>were you know clearly like I'm not a dummy, Like

0:24:44.760 --> 0:24:47.720
<v Speaker 3>I was like this can't be normal, Like this is

0:24:47.840 --> 0:24:51.760
<v Speaker 3>not this is not a normal thing. But because of

0:24:51.840 --> 0:24:54.320
<v Speaker 3>the groundedness of how we were raised, how I was,

0:24:54.440 --> 0:24:56.760
<v Speaker 3>I say, we too, like I'm a Roda Tracy Chutney.

0:24:58.280 --> 0:25:02.160
<v Speaker 3>So because of how we were raised that the magnitude

0:25:02.200 --> 0:25:04.320
<v Speaker 3>of that didn't quite dawn on me until I was

0:25:04.359 --> 0:25:09.400
<v Speaker 3>an adult and realized that I wouldn't even be doing

0:25:09.440 --> 0:25:11.080
<v Speaker 3>what I was doing were it not for what my

0:25:11.160 --> 0:25:13.480
<v Speaker 3>mom did and the way that she paved You know

0:25:13.720 --> 0:25:19.960
<v Speaker 3>that there there were places and spaces that I would

0:25:20.040 --> 0:25:22.480
<v Speaker 3>not be able to inhabit and certainly wouldn't have the

0:25:22.560 --> 0:25:25.800
<v Speaker 3>confidence in inhabiting had it not been not only for

0:25:25.920 --> 0:25:28.959
<v Speaker 3>the career of my mom, but also how I was raised.

0:25:30.080 --> 0:25:32.200
<v Speaker 3>And so you know, I don't know if that answers

0:25:32.240 --> 0:25:34.720
<v Speaker 3>your question. And then the third thing you asked, was.

0:25:36.480 --> 0:25:38.200
<v Speaker 1>I never had a meta rabbit hole before.

0:25:38.640 --> 0:25:43.639
<v Speaker 5>Yeah, it was so old points still like she stayed.

0:25:45.320 --> 0:25:47.200
<v Speaker 3>There was a third but anyway, so it's jogged another

0:25:47.280 --> 0:25:47.720
<v Speaker 3>thought for you.

0:25:48.400 --> 0:25:52.600
<v Speaker 1>All right, well, okay, can you I always tried to

0:25:52.680 --> 0:25:57.600
<v Speaker 1>imagine what it was like to grow up in Los

0:25:57.640 --> 0:25:59.879
<v Speaker 1>Angeles or Hollywood, assuming that you grew up.

0:26:00.000 --> 0:26:03.360
<v Speaker 3>I grew up in New York. Really, yeah, New York,

0:26:03.480 --> 0:26:05.560
<v Speaker 3>New York, and Europe. So I was born here in

0:26:05.760 --> 0:26:07.520
<v Speaker 3>La I went to the Center, and then we moved

0:26:07.520 --> 0:26:08.960
<v Speaker 3>to New York so my mom could do the WIZ

0:26:09.040 --> 0:26:13.960
<v Speaker 3>in seventy nine, and we left and started school in

0:26:14.040 --> 0:26:18.919
<v Speaker 3>New York in seventy nine and stayed there until seventh grade,

0:26:19.119 --> 0:26:21.560
<v Speaker 3>and I'm we moved to Paris and then Switzerland, so

0:26:21.680 --> 0:26:24.679
<v Speaker 3>I did eighth and ninth grade in Europe, which are

0:26:24.760 --> 0:26:28.960
<v Speaker 3>pivotal years, and then moved back to the East Coast

0:26:29.240 --> 0:26:30.080
<v Speaker 3>and then went to Brown.

0:26:31.000 --> 0:26:37.960
<v Speaker 5>You've got a couple of languages and maybe oh I

0:26:38.040 --> 0:26:38.960
<v Speaker 5>just forgot all my friends.

0:26:44.880 --> 0:26:47.920
<v Speaker 3>I have lost most of my vocabulary, but I have

0:26:48.040 --> 0:26:51.080
<v Speaker 3>a strong French accent that can, you know, get me

0:26:51.200 --> 0:26:53.760
<v Speaker 3>by and I can speak English with a French accent

0:26:53.880 --> 0:26:57.280
<v Speaker 3>like nobody's business. Then you have no idea because you

0:26:57.320 --> 0:26:59.920
<v Speaker 3>don't know that I speak English of conscience. Isn't about

0:26:59.920 --> 0:27:02.119
<v Speaker 3>to because the people they wander. I don't know how

0:27:02.160 --> 0:27:04.120
<v Speaker 3>you stay in English because the people are the wonder

0:27:04.200 --> 0:27:06.440
<v Speaker 3>all the time? You know how you say, how you say?

0:27:07.600 --> 0:27:07.679
<v Speaker 4>Uh?

0:27:08.359 --> 0:27:13.359
<v Speaker 5>You know, wait, I'm sorry, I'm mere almos, Tracy, Tracy?

0:27:13.440 --> 0:27:15.359
<v Speaker 7>Do you right? I do?

0:27:15.680 --> 0:27:16.639
<v Speaker 3>I write so me.

0:27:16.760 --> 0:27:18.560
<v Speaker 4>It's it's funny because I was just thinking you. I

0:27:18.640 --> 0:27:20.800
<v Speaker 4>know you've done improv. I seen you sketch comedy with

0:27:20.840 --> 0:27:22.760
<v Speaker 4>the lyricists lounge. Of course, you're a funny lady.

0:27:23.040 --> 0:27:25.119
<v Speaker 5>How come? And I know your ian a stand up?

0:27:25.200 --> 0:27:27.040
<v Speaker 5>Have you ever thought of like just doing.

0:27:26.960 --> 0:27:28.920
<v Speaker 3>I've not done stand up, but I have to tell

0:27:29.000 --> 0:27:32.199
<v Speaker 3>you I mean this. I'm forty eight years old. At

0:27:32.240 --> 0:27:35.600
<v Speaker 3>my forty eight, I'm forty eight, and I'm going through

0:27:36.400 --> 0:27:40.640
<v Speaker 3>the beginning of some changes, some perimenopause. And I've got

0:27:40.760 --> 0:27:42.879
<v Speaker 3>to tell you that I get to stand up on

0:27:43.000 --> 0:27:46.400
<v Speaker 3>this ship because I first of all, it's got Did

0:27:46.480 --> 0:27:51.360
<v Speaker 3>you see the that two second pool video I posted?

0:27:51.880 --> 0:27:55.240
<v Speaker 1>Yes, thoughts there.

0:27:57.119 --> 0:27:59.200
<v Speaker 5>I heard about that fool video. It's funny. I don't

0:27:59.200 --> 0:28:01.120
<v Speaker 5>think it's two seconds.

0:28:01.200 --> 0:28:04.359
<v Speaker 3>It's two seconds in that video, Tracy.

0:28:04.440 --> 0:28:05.959
<v Speaker 5>It don't matter. You was in a bathing suit. That's

0:28:06.000 --> 0:28:07.400
<v Speaker 5>what I heard. That's all I had in a pool.

0:28:09.640 --> 0:28:12.680
<v Speaker 3>I mean, you know, I have a like it wasn't

0:28:12.760 --> 0:28:16.240
<v Speaker 3>me in a bathing suit in the kitchen actually in

0:28:16.320 --> 0:28:16.680
<v Speaker 3>the pool.

0:28:17.880 --> 0:28:20.560
<v Speaker 1>Yeah, I just like, why is this two seconds?

0:28:20.720 --> 0:28:21.200
<v Speaker 5>You should do that?

0:28:21.200 --> 0:28:23.320
<v Speaker 4>Because a female comedian told me that female shouldn't talk

0:28:23.359 --> 0:28:25.159
<v Speaker 4>about female issues, so please do that.

0:28:25.840 --> 0:28:30.080
<v Speaker 3>Why I wish more people would talk about it. I

0:28:30.160 --> 0:28:32.879
<v Speaker 3>don't know about you, but some of the sexiest and

0:28:33.080 --> 0:28:36.720
<v Speaker 3>most admirable women that I look at are my age

0:28:36.760 --> 0:28:39.600
<v Speaker 3>and older. I want to know what's happening and.

0:28:40.160 --> 0:28:43.240
<v Speaker 5>It's still happening, and how it happens and what it is,

0:28:43.480 --> 0:28:43.760
<v Speaker 5>and like.

0:28:43.840 --> 0:28:45.760
<v Speaker 3>It should be demestified. And I don't think it should

0:28:45.760 --> 0:28:48.160
<v Speaker 3>be scary to men either. I think it's it's certainly

0:28:48.200 --> 0:28:50.120
<v Speaker 3>not the end of my life. I am not being

0:28:50.320 --> 0:28:53.160
<v Speaker 3>pushed out on a canoe out into nowhere. I'll tell

0:28:53.200 --> 0:28:55.440
<v Speaker 3>you that right now. I, as I said before, am

0:28:55.480 --> 0:28:58.400
<v Speaker 3>a liberated woman. I am out here living my life

0:28:58.480 --> 0:29:02.320
<v Speaker 3>in all of its fullness. And I think people we

0:29:02.400 --> 0:29:04.960
<v Speaker 3>should talk about it in that way so that we

0:29:05.160 --> 0:29:06.680
<v Speaker 3>let go of the stigma. It's the same thing like

0:29:06.720 --> 0:29:09.240
<v Speaker 3>on Blackish when we did that episode on postpartum depression.

0:29:09.560 --> 0:29:11.760
<v Speaker 3>Why are we not talking about these things when you're

0:29:11.840 --> 0:29:15.800
<v Speaker 3>siloed off by yourself, that's when you feel termally unique

0:29:15.880 --> 0:29:18.240
<v Speaker 3>and you don't think that you can you know, it's

0:29:18.480 --> 0:29:21.280
<v Speaker 3>just you that's in that situation. Nah, We're all doing it.

0:29:21.320 --> 0:29:23.520
<v Speaker 3>And by the way, men have their own version of

0:29:23.600 --> 0:29:26.320
<v Speaker 3>what's happening at this age as their home hormones are

0:29:26.320 --> 0:29:27.240
<v Speaker 3>shifting and changing.

0:29:27.680 --> 0:29:30.400
<v Speaker 1>Yeah yeah, hey, well yeah, I was about to say,

0:29:30.480 --> 0:29:33.880
<v Speaker 1>will set it off yesterday, even though this is coming

0:29:33.920 --> 0:29:34.480
<v Speaker 1>on way later.

0:29:34.600 --> 0:29:37.440
<v Speaker 3>Oh my god, that was so charming and lovely.

0:29:37.200 --> 0:29:39.760
<v Speaker 1>That he did that, and that was my favorite post. Yes,

0:29:40.200 --> 0:29:41.000
<v Speaker 1>it was so lovely.

0:29:41.080 --> 0:29:42.800
<v Speaker 3>But I also have to say, like a friend, so

0:29:42.920 --> 0:29:45.360
<v Speaker 3>many friends and me if text I did a video

0:29:45.440 --> 0:29:47.840
<v Speaker 3>on that on Instagram too, of people saying, you know,

0:29:47.840 --> 0:29:50.800
<v Speaker 3>I've gained so much weight. Good, bravo, thank your body.

0:29:50.960 --> 0:29:53.640
<v Speaker 3>You just made it through a pandemic. What else were

0:29:53.680 --> 0:29:55.920
<v Speaker 3>you supposed to do? And I'm sorry, but that layer

0:29:56.000 --> 0:30:00.080
<v Speaker 3>of softness welcome it because the shit was hard and

0:30:00.200 --> 0:30:01.920
<v Speaker 3>scary and sharp out there.

0:30:02.320 --> 0:30:03.360
<v Speaker 1>Everybody make it?

0:30:04.320 --> 0:30:07.880
<v Speaker 3>No, you know, and so and and our joy and

0:30:07.960 --> 0:30:11.720
<v Speaker 3>spontaneity was all funneled into very few spaces, most of

0:30:11.800 --> 0:30:15.560
<v Speaker 3>which involved food and drink. So what y'all thought was

0:30:15.560 --> 0:30:20.720
<v Speaker 3>gonna happen? Well, I've never done that, but you know that.

0:30:21.080 --> 0:30:24.400
<v Speaker 3>But don't worry. It's okay. I'm okay.

0:30:25.520 --> 0:30:28.480
<v Speaker 1>No truth, truth that you never had, no truth at all.

0:30:30.200 --> 0:30:32.840
<v Speaker 3>No, and my friends know. I call it the devil's lettuce.

0:30:34.640 --> 0:30:36.600
<v Speaker 5>Why did they let you in? The lyrics is lounge?

0:30:36.720 --> 0:30:39.120
<v Speaker 3>I don't I don't know, I don't.

0:30:38.960 --> 0:30:44.000
<v Speaker 1>Know it can happen. I'm gonna leave bloom or two trades. Yeah,

0:30:44.000 --> 0:30:45.520
<v Speaker 1>I will aide you through this.

0:30:46.080 --> 0:30:48.360
<v Speaker 3>Yeah, I've been I've been saying. I mean, I have

0:30:48.480 --> 0:30:50.720
<v Speaker 3>so many stories about me thinking I'm gonna walk that

0:30:50.800 --> 0:30:51.120
<v Speaker 3>way and.

0:30:51.520 --> 0:30:53.440
<v Speaker 5>Wait till fifty. Just go ahead of wait till fifty.

0:30:53.800 --> 0:30:55.880
<v Speaker 3>Okay, maybe it'll be my fiftieth birthday. You can send

0:30:55.880 --> 0:30:56.440
<v Speaker 3>me a package.

0:30:56.680 --> 0:30:58.880
<v Speaker 1>I'll leave the light one for you. Trust me, I

0:30:58.960 --> 0:31:04.000
<v Speaker 1>got you. I got okay. So I always wanted to know,

0:31:04.920 --> 0:31:06.880
<v Speaker 1>as far as you're growing up as concerned and that

0:31:07.840 --> 0:31:10.280
<v Speaker 1>you were paired with other kids that were sort of

0:31:10.320 --> 0:31:13.920
<v Speaker 1>in the same position as you, at what point, at

0:31:14.000 --> 0:31:17.240
<v Speaker 1>any point, did you ever had to adjust in a

0:31:17.320 --> 0:31:21.280
<v Speaker 1>world in which people weren't of that sort of cut

0:31:21.360 --> 0:31:26.040
<v Speaker 1>from that that same cloth, where you had to deal

0:31:26.120 --> 0:31:27.960
<v Speaker 1>with everyday people, Like, at what point.

0:31:27.800 --> 0:31:30.280
<v Speaker 3>Were you every day in life? I mean I was,

0:31:30.400 --> 0:31:33.240
<v Speaker 3>you know. I First of all, the way I was

0:31:33.360 --> 0:31:36.360
<v Speaker 3>raised again is everybody is a person. I am one

0:31:36.400 --> 0:31:39.040
<v Speaker 3>of people. I was not raised to think I was

0:31:39.120 --> 0:31:43.840
<v Speaker 3>better than anybody. I had certain different opportunities and experiences

0:31:44.360 --> 0:31:47.440
<v Speaker 3>than other people, but I was always taught to connect

0:31:47.640 --> 0:31:50.760
<v Speaker 3>on the places that we are the same. We've all

0:31:50.800 --> 0:31:54.200
<v Speaker 3>got blood running through our veins, and we all have feelings,

0:31:54.400 --> 0:31:57.280
<v Speaker 3>and we all most of us are getting up every

0:31:57.360 --> 0:31:59.640
<v Speaker 3>day trying to do our best and work our hardest

0:31:59.720 --> 0:32:02.800
<v Speaker 3>and and sort of make at least our lives work

0:32:03.040 --> 0:32:07.840
<v Speaker 3>and function properly. So I also come I don't know

0:32:07.920 --> 0:32:10.000
<v Speaker 3>if I was taught this, if I came up with this,

0:32:10.480 --> 0:32:14.440
<v Speaker 3>if you know, but to sort of put my my

0:32:14.640 --> 0:32:18.040
<v Speaker 3>humanness as the front runner of who I am not.

0:32:18.960 --> 0:32:20.480
<v Speaker 3>And first of all, I didn't do that. My mom

0:32:20.560 --> 0:32:23.600
<v Speaker 3>did all those things. Did she keep.

0:32:23.520 --> 0:32:25.520
<v Speaker 5>You around like a couple of Detroit cousins just to

0:32:25.600 --> 0:32:26.560
<v Speaker 5>make sure do y'all knew.

0:32:26.840 --> 0:32:30.920
<v Speaker 3>I went to Detroit every summer, and that's how you

0:32:31.040 --> 0:32:33.800
<v Speaker 3>do it. Yeah, on a palette on the floor, and

0:32:33.880 --> 0:32:38.040
<v Speaker 3>on Bobby's house up the street from Grandmammy, and Bobby

0:32:38.120 --> 0:32:39.880
<v Speaker 3>sat me between her legs and did my hair with

0:32:39.960 --> 0:32:43.840
<v Speaker 3>that goodie comb and tried to kill my scalp. And

0:32:44.320 --> 0:32:47.000
<v Speaker 3>you know, Grandmammy, my Grandma lined us up outside the

0:32:47.040 --> 0:32:50.200
<v Speaker 3>fancy bathroom downstairs and put all the cousins and put

0:32:50.240 --> 0:32:52.760
<v Speaker 3>mayonnaise in our hair on the on the laid on

0:32:52.800 --> 0:32:54.720
<v Speaker 3>the kitchen sink, put our head in the sink, and

0:32:54.800 --> 0:32:57.280
<v Speaker 3>then filled our hair with mayonnaise. You had to walk

0:32:57.320 --> 0:33:01.160
<v Speaker 3>around smell on like a sandwich forever to get your hair.

0:33:02.040 --> 0:33:04.480
<v Speaker 3>I mean, all all of our cousins and boys and girls.

0:33:04.560 --> 0:33:06.480
<v Speaker 3>It wasn't just the girl, the girls like the boys

0:33:06.520 --> 0:33:08.880
<v Speaker 3>and girl. We all got lined up step and Monica Kevin, Kevin,

0:33:09.200 --> 0:33:10.360
<v Speaker 3>we all just line up.

0:33:10.600 --> 0:33:13.040
<v Speaker 5>We see that in rainbow that is so beautiful. That's dope,

0:33:13.080 --> 0:33:13.560
<v Speaker 5>it's funny.

0:33:14.160 --> 0:33:17.240
<v Speaker 3>So so yeah, that's what I'm saying. Like, we weren't

0:33:17.400 --> 0:33:22.440
<v Speaker 3>sheltered to be up in some crystal palace somewhere, although

0:33:22.680 --> 0:33:26.959
<v Speaker 3>we lived, you know, in a hotel and I got

0:33:27.040 --> 0:33:29.200
<v Speaker 3>to work in a rolls at the school at a

0:33:29.280 --> 0:33:31.200
<v Speaker 3>Rolls rods every day with a driver by the name

0:33:31.200 --> 0:33:31.520
<v Speaker 3>of Bartha.

0:33:31.640 --> 0:33:32.160
<v Speaker 5>But that's.

0:33:35.800 --> 0:33:36.280
<v Speaker 1>As you do.

0:33:37.120 --> 0:33:41.080
<v Speaker 3>Wait a minute, okay, So yeah, I'm like, okay, so

0:33:41.240 --> 0:33:44.760
<v Speaker 3>these things also did happen. I'm not saying they didn't, but.

0:33:46.520 --> 0:33:51.280
<v Speaker 5>Wow, that's amazing Christmas a Ritz.

0:33:51.560 --> 0:33:53.640
<v Speaker 3>But then we were in Detroit in summers, so.

0:33:53.640 --> 0:34:00.760
<v Speaker 1>They did you. I know that singing at least when

0:34:00.920 --> 0:34:05.320
<v Speaker 1>when I first met you in the early arts, singing

0:34:05.480 --> 0:34:09.080
<v Speaker 1>was always a big passion of yours. With a household

0:34:09.239 --> 0:34:12.000
<v Speaker 1>like yours, in an environment like you grew up in,

0:34:12.920 --> 0:34:15.400
<v Speaker 1>how easy was it for you to express the desire

0:34:15.520 --> 0:34:18.360
<v Speaker 1>to want to do something in the arts or not

0:34:18.480 --> 0:34:19.560
<v Speaker 1>be shy about.

0:34:19.320 --> 0:34:25.680
<v Speaker 3>It, Like Harry, My mother supported us in finding our

0:34:25.840 --> 0:34:28.200
<v Speaker 3>version of expression in whatever that looked like.

0:34:28.800 --> 0:34:31.200
<v Speaker 1>But you know, are you the only singing Ross?

0:34:31.920 --> 0:34:36.040
<v Speaker 3>No, Ronda is a singer, Evan's a singer.

0:34:37.080 --> 0:34:40.440
<v Speaker 1>I'm the last I forgot your brother Evan Ross, that's okay, I'm.

0:34:40.320 --> 0:34:43.239
<v Speaker 3>The last to the party. And it's so funny because

0:34:43.280 --> 0:34:45.480
<v Speaker 3>I remember, I can't remember how many years ago it was,

0:34:45.520 --> 0:34:47.920
<v Speaker 3>but my mom was in Vegas and on stage and

0:34:48.040 --> 0:34:51.200
<v Speaker 3>she was like, you know, my children sing blah blah

0:34:51.200 --> 0:34:53.480
<v Speaker 3>blah whatever, and I want to bring someone up to

0:34:53.560 --> 0:34:56.479
<v Speaker 3>sing with me. And I'm like standing there, like, go ahead, Evan,

0:34:56.520 --> 0:34:58.719
<v Speaker 3>go ahead, you know whatever, and she said my name,

0:34:58.760 --> 0:35:01.960
<v Speaker 3>and I was like, with what's happening right now? I

0:35:02.120 --> 0:35:04.440
<v Speaker 3>was like, this is not my thing. I'm the funny one.

0:35:04.520 --> 0:35:07.480
<v Speaker 3>What are we doing? What's happening? And she made me

0:35:07.640 --> 0:35:10.680
<v Speaker 3>sing on stage and it was so hilarious because if

0:35:10.719 --> 0:35:14.440
<v Speaker 3>you watch the video, you see my mom turn into

0:35:14.600 --> 0:35:19.759
<v Speaker 3>my mom and think, oh no, did I just put

0:35:19.880 --> 0:35:22.920
<v Speaker 3>Tracy put my baby in a position that she didn't

0:35:23.040 --> 0:35:26.400
<v Speaker 3>want to be in inadvertently, like did I make her

0:35:26.719 --> 0:35:29.160
<v Speaker 3>put her, you know, too exposed on something that makes

0:35:29.200 --> 0:35:32.479
<v Speaker 3>her shy? And she sort of she got this tone

0:35:32.520 --> 0:35:34.839
<v Speaker 3>in her voice that was such my mom's tone of Okay,

0:35:34.880 --> 0:35:38.480
<v Speaker 3>everybody be quiet because this is important, like quiet, we need,

0:35:38.680 --> 0:35:40.520
<v Speaker 3>we need to support this moment. Be quiet?

0:35:41.680 --> 0:35:44.040
<v Speaker 1>Are you speaking of the infamous? When she puts people

0:35:44.040 --> 0:35:46.520
<v Speaker 1>on the spot to sing reach Out and touch No.

0:35:46.800 --> 0:35:48.920
<v Speaker 3>She put me on stage and had me sing this

0:35:49.080 --> 0:35:51.360
<v Speaker 3>sing like Billie Holiday.

0:35:51.680 --> 0:35:52.960
<v Speaker 1>Oh, Like I.

0:35:54.640 --> 0:35:58.680
<v Speaker 3>Sing that around the house and she was like, go ahead,

0:35:58.719 --> 0:36:01.080
<v Speaker 3>did you? Because every time I mean I sang in

0:36:01.200 --> 0:36:03.320
<v Speaker 3>high school and whatever, every time I sang. When I

0:36:03.440 --> 0:36:07.160
<v Speaker 3>was twenty two, my mom said to me, all right, Tracy,

0:36:07.600 --> 0:36:09.080
<v Speaker 3>it's time. And I was like, it's time for what.

0:36:09.200 --> 0:36:10.719
<v Speaker 3>She's like, it's time for you to record an album.

0:36:10.760 --> 0:36:13.800
<v Speaker 3>And I was like hell, no, no, no, no, no, no,

0:36:13.880 --> 0:36:18.080
<v Speaker 3>no no no, I'm gonna go the other way. It's like, nope,

0:36:18.120 --> 0:36:19.879
<v Speaker 3>we're gonna make people laugh and we're just gonna keep

0:36:19.880 --> 0:36:21.319
<v Speaker 3>them at arm's length and that'll be good.

0:36:22.640 --> 0:36:26.320
<v Speaker 1>But why, Okay, in hindsight, why do you think that

0:36:26.560 --> 0:36:27.240
<v Speaker 1>was your decision?

0:36:28.200 --> 0:36:31.960
<v Speaker 3>Uh, for a lot of reasons. I think unconsciously, I

0:36:33.320 --> 0:36:35.640
<v Speaker 3>the idea of being compared to my mom was just

0:36:36.120 --> 0:36:42.000
<v Speaker 3>too much to think of. I had also seen children

0:36:42.120 --> 0:36:46.800
<v Speaker 3>of be obliterated in the press, just shredded, and you

0:36:46.960 --> 0:36:50.840
<v Speaker 3>think back to that time and being the child of

0:36:51.080 --> 0:36:52.880
<v Speaker 3>or any of those things, that's not that was not

0:36:53.080 --> 0:36:56.120
<v Speaker 3>cool then, that was not something. That was also the

0:36:56.239 --> 0:37:00.040
<v Speaker 3>time when you didn't move from TV to movies, and

0:37:00.080 --> 0:37:02.520
<v Speaker 3>you didn't move from being a host to an actor,

0:37:03.080 --> 0:37:07.360
<v Speaker 3>like everything was very pigeonholed. And there certainly wasn't this

0:37:08.239 --> 0:37:11.839
<v Speaker 3>spirit of oh, you're Dona Ross's child. Maybe you want

0:37:11.880 --> 0:37:15.279
<v Speaker 3>to say, no, not at all. And I look like

0:37:15.400 --> 0:37:17.239
<v Speaker 3>my mom, And the truth is I sound kind of

0:37:17.320 --> 0:37:21.560
<v Speaker 3>like her. So you know there was no you put

0:37:21.719 --> 0:37:24.000
<v Speaker 3>you as soon as you put a sparkly dress on me.

0:37:25.080 --> 0:37:27.720
<v Speaker 3>I mean, I've seen it now. I want a golden globe.

0:37:28.080 --> 0:37:31.399
<v Speaker 3>I've been doing working in the I'm forty eight years old.

0:37:31.480 --> 0:37:34.920
<v Speaker 3>I'm not a child anymore, and I still cannot do

0:37:35.080 --> 0:37:39.759
<v Speaker 3>anything without my mom's name. Like maybe my mom's just

0:37:39.880 --> 0:37:43.080
<v Speaker 3>like it's she's larger, she's an.

0:37:42.960 --> 0:37:47.120
<v Speaker 1>Interesting let me but let me, let me interject. I

0:37:47.680 --> 0:37:53.919
<v Speaker 1>definitely now feel as though, you know, to Dinah Ross,

0:37:54.000 --> 0:37:56.879
<v Speaker 1>it's like, yo, Tracy Ellis is your daughter, Like, yeah,

0:37:57.920 --> 0:38:02.279
<v Speaker 1>you've done You've definitely done something that is I don't

0:38:02.360 --> 0:38:06.839
<v Speaker 1>know if any person, maybe Janet Overcoming who her her

0:38:06.920 --> 0:38:10.799
<v Speaker 1>brothers were, to be in her own right, but yeah,

0:38:11.080 --> 0:38:13.680
<v Speaker 1>like you've made your own name though. Yeah, yeah, you're

0:38:14.239 --> 0:38:17.680
<v Speaker 1>when history books are written, like you know, you have

0:38:17.840 --> 0:38:20.880
<v Speaker 1>your own and not even to compare like.

0:38:20.920 --> 0:38:23.279
<v Speaker 3>That, you know, like we can all well, that was

0:38:23.400 --> 0:38:25.640
<v Speaker 3>part of what I came to I mean and understood

0:38:25.680 --> 0:38:28.600
<v Speaker 3>it's like and an adult mind can look at it

0:38:28.640 --> 0:38:31.680
<v Speaker 3>that way, but a kid cannot. And so now I know,

0:38:31.880 --> 0:38:36.439
<v Speaker 3>like I'm not my mom right, Like I'm not trying

0:38:36.480 --> 0:38:39.040
<v Speaker 3>to be here, I'm not like never, that's not what's happening.

0:38:39.120 --> 0:38:42.920
<v Speaker 3>But as a kid, you think you know and you have.

0:38:42.960 --> 0:38:44.240
<v Speaker 5>Something that's really super special.

0:38:44.280 --> 0:38:46.880
<v Speaker 4>I was gonna ask you because your production company is

0:38:46.960 --> 0:38:50.880
<v Speaker 4>named Joy Mills, but I'm assuming that you're aware that

0:38:50.960 --> 0:38:54.320
<v Speaker 4>you have that superpower and that's why you named it that.

0:38:54.520 --> 0:38:57.640
<v Speaker 4>Are you aware that, like Tracy Ellen's Ross is a

0:38:57.840 --> 0:38:58.919
<v Speaker 4>joy bringer.

0:39:01.160 --> 0:39:03.279
<v Speaker 3>That like makes my heart very very full.

0:39:03.520 --> 0:39:04.520
<v Speaker 5>I'm just trying to tell you.

0:39:06.440 --> 0:39:11.480
<v Speaker 3>My I was born Tracy Joy Silverstein. That's my name,

0:39:12.200 --> 0:39:13.560
<v Speaker 3>so right.

0:39:13.560 --> 0:39:17.759
<v Speaker 5>Now, so because I'm like, well what about mister Ellen.

0:39:17.840 --> 0:39:20.080
<v Speaker 3>Okay, okay, go ahead, Okay, So this is and that

0:39:20.360 --> 0:39:23.759
<v Speaker 3>was the third point, okay about my dad. So when

0:39:23.800 --> 0:39:26.960
<v Speaker 3>I joined so like many kids, uh so, then I

0:39:27.120 --> 0:39:29.640
<v Speaker 3>was Tracy Joy Ross Silberstein all through growing up. T

0:39:29.800 --> 0:39:31.920
<v Speaker 3>j R s were my initials all through growing up.

0:39:32.920 --> 0:39:35.759
<v Speaker 3>But then, like so many people, you dropped this name.

0:39:35.840 --> 0:39:36.759
<v Speaker 5>That name is too long.

0:39:36.880 --> 0:39:38.640
<v Speaker 3>I was Tracy Joy Ross. You know what I mean,

0:39:39.320 --> 0:39:41.920
<v Speaker 3>drop these names too many names. So I became Tracy

0:39:42.000 --> 0:39:45.160
<v Speaker 3>Joy Ross. And then when I joined SAG there was

0:39:45.239 --> 0:39:50.040
<v Speaker 3>another Tracy Ross in the Union. Remember Tracy Ross.

0:39:50.160 --> 0:39:50.560
<v Speaker 4>She was.

0:39:54.760 --> 0:39:54.960
<v Speaker 3>Yes.

0:39:55.400 --> 0:39:59.919
<v Speaker 5>I thought, yeah, very.

0:40:00.280 --> 0:40:00.799
<v Speaker 3>She grew up.

0:40:00.960 --> 0:40:04.680
<v Speaker 1>Wow, I didn't know you were my age.

0:40:04.719 --> 0:40:06.799
<v Speaker 5>I thought, like, you know, we don't all look alike.

0:40:06.840 --> 0:40:07.840
<v Speaker 5>They with nothing alive.

0:40:10.280 --> 0:40:12.680
<v Speaker 1>I heard the name Tracy Ellis. I remember watching that

0:40:12.760 --> 0:40:14.359
<v Speaker 1>Tracy Ross on Star Search.

0:40:14.520 --> 0:40:15.040
<v Speaker 5>He was a hero.

0:40:15.520 --> 0:40:18.960
<v Speaker 1>And then she thought like, oh, that's Dinah Ross's daughter.

0:40:19.000 --> 0:40:20.399
<v Speaker 1>That's the one she talked about.

0:40:20.960 --> 0:40:23.600
<v Speaker 3>When I joined the Union, there was another Tracy Ross.

0:40:23.680 --> 0:40:25.440
<v Speaker 3>So they were like, uh, do you want to be

0:40:25.520 --> 0:40:28.600
<v Speaker 3>Tracy Joy Ross in the Union? And I was like yes,

0:40:28.880 --> 0:40:32.760
<v Speaker 3>But everybody like I look like my mom, and people

0:40:32.920 --> 0:40:35.560
<v Speaker 3>know I'm my mom's child and I'm so much a

0:40:35.640 --> 0:40:37.920
<v Speaker 3>product of both of my parents, Like I am my

0:40:38.040 --> 0:40:41.560
<v Speaker 3>dad's child and I'm my mom's child. And I wanted

0:40:41.719 --> 0:40:44.680
<v Speaker 3>him to have a steak. You know, it's so crazy

0:40:44.800 --> 0:40:48.800
<v Speaker 3>because I talk so much about women and women of color,

0:40:48.880 --> 0:40:52.680
<v Speaker 3>and particularly black and brown women, that we historically have

0:40:52.840 --> 0:40:54.919
<v Speaker 3>not had a steak in what we make, and even

0:40:55.000 --> 0:40:57.279
<v Speaker 3>with our children, we give up our name, and so

0:40:57.400 --> 0:41:00.960
<v Speaker 3>there's often this you can't even follow our bloodline because

0:41:01.000 --> 0:41:04.640
<v Speaker 3>of that. But we have been at the center of economic, cultural,

0:41:04.719 --> 0:41:08.479
<v Speaker 3>political revolutions in this country, and we are often doing

0:41:08.560 --> 0:41:12.160
<v Speaker 3>the work, but not centered in the prize from that work.

0:41:12.760 --> 0:41:17.960
<v Speaker 3>And strangely enough, I was worried about my dad having

0:41:18.600 --> 0:41:21.799
<v Speaker 3>a piece of what he made, and so I put

0:41:21.880 --> 0:41:24.279
<v Speaker 3>Ellis in my name and I became Tracy Ellis Ross

0:41:24.280 --> 0:41:27.440
<v Speaker 3>at the beginning of my career, and my first you know,

0:41:27.640 --> 0:41:30.960
<v Speaker 3>SAG card was Tracy Ellis Ross And now you know,

0:41:31.320 --> 0:41:33.640
<v Speaker 3>my name goes up there and people go and Bob

0:41:33.719 --> 0:41:34.399
<v Speaker 3>Elis's kid.

0:41:35.400 --> 0:41:40.360
<v Speaker 1>Okay, what was the first major creative thing that you

0:41:40.840 --> 0:41:43.920
<v Speaker 1>at least for you, What was the first major creative

0:41:43.920 --> 0:41:48.239
<v Speaker 1>thing that you did as far as doing television or

0:41:48.239 --> 0:41:49.399
<v Speaker 1>commercials or well.

0:41:49.440 --> 0:41:52.160
<v Speaker 3>The first big thing I did was the gap ad

0:41:52.640 --> 0:41:56.320
<v Speaker 3>with my mom. Yeah, and I remember it was on

0:41:56.600 --> 0:41:59.799
<v Speaker 3>billboards and it was like a big wall and an airport.

0:42:00.040 --> 0:42:02.000
<v Speaker 3>I walked through and I was just like, oh my god,

0:42:02.080 --> 0:42:04.480
<v Speaker 3>I made fifteen hundred dollars and I thought I had

0:42:04.600 --> 0:42:10.359
<v Speaker 3>made I was like, I'm rich. God, I don't meet

0:42:10.400 --> 0:42:16.200
<v Speaker 3>my mother I'm rich. It's like, that was so amazing.

0:42:16.280 --> 0:42:19.400
<v Speaker 3>I could pay my own doctor's fees. I can just

0:42:19.640 --> 0:42:23.279
<v Speaker 3>I can make my own food. Was a crud. I

0:42:23.440 --> 0:42:27.360
<v Speaker 3>was so much money. I was like, I was like,

0:42:27.719 --> 0:42:35.360
<v Speaker 3>I will never work again. I actually think it was

0:42:35.840 --> 0:42:37.680
<v Speaker 3>it was seven hundred and fifty dollars and then I

0:42:37.760 --> 0:42:39.839
<v Speaker 3>think I made fifteen hundred on the first show I did.

0:42:39.960 --> 0:42:44.080
<v Speaker 3>But then the next thing was I did an Infinity commercial.

0:42:44.160 --> 0:42:48.600
<v Speaker 3>So I was modeling with Wilhelmine Agency and I went

0:42:48.760 --> 0:42:54.640
<v Speaker 3>in for a modeling like commercial job and go see

0:42:55.239 --> 0:42:58.200
<v Speaker 3>and at the place where they were doing it, they

0:42:58.239 --> 0:43:01.520
<v Speaker 3>were like the people that are doing and it was

0:43:01.600 --> 0:43:06.040
<v Speaker 3>a secret deodorant ad I went in for and there

0:43:06.160 --> 0:43:08.640
<v Speaker 3>was a sign in sheet next to it for Infinity

0:43:08.760 --> 0:43:12.759
<v Speaker 3>car commercial and whoever ran the commercial audition place was

0:43:12.840 --> 0:43:15.200
<v Speaker 3>like you should go in and try for the Infinity commercial.

0:43:15.239 --> 0:43:18.080
<v Speaker 3>And I was like, oh, yes, of course I'll drive.

0:43:18.719 --> 0:43:21.360
<v Speaker 3>So I went in and that was the job that

0:43:21.520 --> 0:43:25.000
<v Speaker 3>Taft Heart lead me into SAG, which is the job

0:43:25.080 --> 0:43:27.879
<v Speaker 3>that will pay the money to get you into SAG.

0:43:28.640 --> 0:43:32.200
<v Speaker 8>And yeah, I just love the idea that Tracy Els

0:43:32.520 --> 0:43:34.239
<v Speaker 8>had to Taft Hartley. I mean, I've done that and

0:43:34.320 --> 0:43:36.360
<v Speaker 8>it just just makes me laugh. That's okay, keep continuing,

0:43:37.600 --> 0:43:40.640
<v Speaker 8>doesn't But also also, why are there not people with

0:43:40.800 --> 0:43:43.840
<v Speaker 8>multiple names in SAG? Couldn't there be multiple Tracy?

0:43:44.760 --> 0:43:45.040
<v Speaker 1>Really?

0:43:45.360 --> 0:43:48.000
<v Speaker 5>But Nesa Williams remember William.

0:43:49.160 --> 0:43:49.200
<v Speaker 3>L.

0:43:49.320 --> 0:43:54.719
<v Speaker 1>Williams Vanessa Williams. Yeah, well ship okay? Cool? Yeah, I

0:43:55.000 --> 0:43:55.919
<v Speaker 1>learned something again.

0:43:57.280 --> 0:44:00.120
<v Speaker 3>So I got taft Heart lead in. I did that

0:44:00.280 --> 0:44:04.080
<v Speaker 3>commercial and then I don't know. I mean, it has

0:44:04.160 --> 0:44:07.279
<v Speaker 3>not been a fast and easy road for me. I

0:44:07.400 --> 0:44:11.800
<v Speaker 3>remember there was a movie called Mixing Nia that Karen

0:44:11.920 --> 0:44:17.360
<v Speaker 3>Parsons from Fresh She ended up getting that movie, and

0:44:17.480 --> 0:44:19.480
<v Speaker 3>I've never been more devastated in my life.

0:44:20.120 --> 0:44:20.359
<v Speaker 8>Really.

0:44:20.800 --> 0:44:23.560
<v Speaker 3>I was like, I mean, I was sure.

0:44:23.880 --> 0:44:26.840
<v Speaker 7>I mean that this was going to launch me into

0:44:27.000 --> 0:44:30.759
<v Speaker 7>the stratosphere of the Boscar. I was going to the

0:44:30.880 --> 0:44:34.920
<v Speaker 7>Academy Awards with my seven hundred and fifty dollars from

0:44:34.960 --> 0:44:38.040
<v Speaker 7>my gap ad. I was going to march my way

0:44:38.080 --> 0:44:41.880
<v Speaker 7>into Hollywood and be received with open arms for a

0:44:42.040 --> 0:44:43.920
<v Speaker 7>career that would last a lifetime.

0:44:44.280 --> 0:44:44.839
<v Speaker 3>Didn't happen.

0:44:46.120 --> 0:44:48.759
<v Speaker 1>What is that process like, like your version of the

0:44:48.840 --> 0:44:53.759
<v Speaker 1>Hollywood Shuffle As far as callbacks near missus, what did

0:44:53.800 --> 0:44:55.319
<v Speaker 1>you audition for that you didn't get?

0:44:56.160 --> 0:44:56.279
<v Speaker 7>Oh?

0:44:56.360 --> 0:44:58.719
<v Speaker 3>My God, I don't even remember. I had a three

0:44:58.840 --> 0:45:01.360
<v Speaker 3>ring binder, like one of the those Whopper three refinders

0:45:01.440 --> 0:45:03.400
<v Speaker 3>of like every audition I had auditioned for.

0:45:04.680 --> 0:45:05.399
<v Speaker 5>I didn't care.

0:45:05.920 --> 0:45:07.480
<v Speaker 1>You keep all the receipts of everything.

0:45:07.880 --> 0:45:12.440
<v Speaker 4>I didn't get nothing, really, because according to us, it's

0:45:12.520 --> 0:45:13.359
<v Speaker 4>like Daddy's Girls.

0:45:13.400 --> 0:45:16.400
<v Speaker 5>And I know, in right, like I'm trying to think no.

0:45:16.520 --> 0:45:18.960
<v Speaker 3>No, no, no there from from the time that I

0:45:19.160 --> 0:45:23.359
<v Speaker 3>did I did Far Harbor, that first movie I did

0:45:23.880 --> 0:45:27.400
<v Speaker 3>with Jennifer Connolly and Marshall Harden. Okay, so I did that,

0:45:28.120 --> 0:45:31.480
<v Speaker 3>and then I did the show and before that, I

0:45:31.600 --> 0:45:35.720
<v Speaker 3>did the show The Dish on Lifetime. That was because

0:45:35.760 --> 0:45:39.279
<v Speaker 3>I'm a TV girl. I live in your TV and

0:45:39.480 --> 0:45:43.880
<v Speaker 3>I'm a TV girl, like and it was like a

0:45:44.040 --> 0:45:46.520
<v Speaker 3>magazine show about TV shows.

0:45:49.080 --> 0:45:54.120
<v Speaker 5>What nothing? He ain't say nothing, he said.

0:45:54.120 --> 0:45:55.920
<v Speaker 1>At first I.

0:45:57.760 --> 0:45:59.040
<v Speaker 5>Started watching Lifetime.

0:45:59.600 --> 0:46:03.440
<v Speaker 3>Yeah, okay, you know. And and then I got an

0:46:03.520 --> 0:46:08.800
<v Speaker 3>agent and auditioned and auditioned and auditioned and auditioned and

0:46:08.920 --> 0:46:14.480
<v Speaker 3>auditioned and auditioned and auditioned and auditioned, and I auditioned

0:46:14.560 --> 0:46:17.080
<v Speaker 3>some more and I didn't get many callbacks, and then

0:46:17.120 --> 0:46:20.160
<v Speaker 3>they dropped me. And this is what they said. It

0:46:20.320 --> 0:46:23.680
<v Speaker 3>stuck with me for a really long time. Listen, Tracy,

0:46:24.600 --> 0:46:27.719
<v Speaker 3>we're gonna let you go because you come with all

0:46:27.880 --> 0:46:30.400
<v Speaker 3>these bells and whistles, but then you get in the

0:46:30.480 --> 0:46:32.360
<v Speaker 3>room and you just don't pop.

0:46:33.600 --> 0:46:38.440
<v Speaker 5>Wow face bitch.

0:46:39.840 --> 0:46:42.320
<v Speaker 3>You know what. It was a turning point for that's crazy.

0:46:42.960 --> 0:46:45.800
<v Speaker 3>I could not get out of there without those you know,

0:46:45.880 --> 0:46:48.640
<v Speaker 3>those tears they sit there.

0:46:52.760 --> 0:46:54.000
<v Speaker 5>Because you're so ha.

0:46:56.200 --> 0:46:59.560
<v Speaker 3>You know those office chairs with the wheels, the wheels

0:46:59.600 --> 0:47:02.120
<v Speaker 3>on the box of them. I felt like my heart

0:47:02.280 --> 0:47:04.759
<v Speaker 3>had come out and it was like stuck underneath the

0:47:04.800 --> 0:47:07.719
<v Speaker 3>wheel and she kept moving the chair and it was

0:47:07.880 --> 0:47:10.800
<v Speaker 3>just getting all tangled in there with my heart and

0:47:10.880 --> 0:47:13.440
<v Speaker 3>then there was blood and stuff and then the tears,

0:47:13.880 --> 0:47:16.960
<v Speaker 3>and I couldn't get out fast enough. But I made

0:47:16.960 --> 0:47:19.640
<v Speaker 3>a decision at that point. I remember calling my sister.

0:47:19.680 --> 0:47:25.640
<v Speaker 3>I called her. I was like, you know, I don't pop,

0:47:26.040 --> 0:47:33.279
<v Speaker 3>I don't wow, I know, no popper.

0:47:35.719 --> 0:47:36.279
<v Speaker 5>That stand up.

0:47:36.320 --> 0:47:40.800
<v Speaker 1>At any point, did you ever consider dropping the ross

0:47:41.840 --> 0:47:42.440
<v Speaker 1>from your name?

0:47:43.520 --> 0:47:44.120
<v Speaker 3>It was too late.

0:47:44.560 --> 0:47:48.120
<v Speaker 1>The thought that like, okay, maybe they're holding that against me,

0:47:48.320 --> 0:47:49.680
<v Speaker 1>like my lineage.

0:47:49.239 --> 0:47:51.759
<v Speaker 9>And well, you know, I used to say that. People

0:47:51.800 --> 0:47:54.400
<v Speaker 9>were like, well, doesn't being done roses or open doors

0:47:54.440 --> 0:47:54.640
<v Speaker 9>for you.

0:47:54.719 --> 0:47:56.200
<v Speaker 3>And I was like, no, what it does is and

0:47:56.320 --> 0:47:58.200
<v Speaker 3>unlocks the door, and then people sit on the other

0:47:58.320 --> 0:48:00.640
<v Speaker 3>side like this going, how you going to walk in?

0:48:01.760 --> 0:48:02.000
<v Speaker 1>Oh?

0:48:02.960 --> 0:48:06.200
<v Speaker 3>They're like, okay, show us what. But I don't think

0:48:06.239 --> 0:48:08.160
<v Speaker 3>that had anything to do with it. I think I sucked.

0:48:09.800 --> 0:48:12.640
<v Speaker 3>I think I didn't know how to bring the person

0:48:12.719 --> 0:48:16.880
<v Speaker 3>that I was inside myself and in the privacy of

0:48:16.960 --> 0:48:20.480
<v Speaker 3>my home out into the world. And I needed that

0:48:20.880 --> 0:48:25.239
<v Speaker 3>hit in order to ask myself, did I have the

0:48:25.320 --> 0:48:28.879
<v Speaker 3>courage to do what it took to bring that person out?

0:48:30.080 --> 0:48:32.560
<v Speaker 3>Or did I just want to go back into my

0:48:32.680 --> 0:48:37.320
<v Speaker 3>hole and and sort of live privately as I chose.

0:48:37.440 --> 0:48:39.680
<v Speaker 1>You know, do you think girlfriends is what you learned

0:48:39.719 --> 0:48:41.320
<v Speaker 1>to kind of be that person?

0:48:42.040 --> 0:48:46.000
<v Speaker 3>No, I learned before girlfriends. It's the reason I got girlfriends.

0:48:46.239 --> 0:48:50.640
<v Speaker 1>Actually, am I assuming? Well, I'm assuming that for I

0:48:50.840 --> 0:48:54.800
<v Speaker 1>first saw you as an adult in Lyris's lounge. So

0:48:55.000 --> 0:48:57.439
<v Speaker 1>how did how did that come to be? Yeah?

0:48:57.440 --> 0:49:03.520
<v Speaker 3>I'm so good Lyris Lounge. Okay, So there was a

0:49:03.600 --> 0:49:09.280
<v Speaker 3>coming out and turning point in my journey towards courageousness.

0:49:11.440 --> 0:49:14.000
<v Speaker 3>I don't remember when because I'm bad at timelines, but

0:49:15.280 --> 0:49:19.160
<v Speaker 3>I had been dropped by my agents. I moved to

0:49:19.360 --> 0:49:21.360
<v Speaker 3>la and one of the things I did was I

0:49:22.120 --> 0:49:25.320
<v Speaker 3>every person that I met that helped me or offered

0:49:25.360 --> 0:49:27.680
<v Speaker 3>me some information, I would write them a thank you note.

0:49:27.719 --> 0:49:29.200
<v Speaker 3>And if they said you should meet so and so,

0:49:29.400 --> 0:49:31.600
<v Speaker 3>I would say, can you call them for me? And

0:49:31.719 --> 0:49:35.600
<v Speaker 3>I would constantly do that, and that's how my career started.

0:49:36.080 --> 0:49:39.200
<v Speaker 3>So like Marcia gay Harden said you should meet my agents,

0:49:39.200 --> 0:49:39.919
<v Speaker 3>and I was like please.

0:49:39.960 --> 0:49:41.400
<v Speaker 9>And I met her agents and they were like, we

0:49:41.480 --> 0:49:43.480
<v Speaker 9>can't represent you, but you should meet so and so,

0:49:43.560 --> 0:49:44.680
<v Speaker 9>and I was like, thank you so much.

0:49:44.680 --> 0:49:46.440
<v Speaker 3>I would write a handwritten thank you note and then

0:49:46.440 --> 0:49:48.440
<v Speaker 3>they would call the person. Then I would go meet them.

0:49:48.760 --> 0:49:52.560
<v Speaker 3>And that's just how my career started. And I booked

0:49:52.760 --> 0:49:56.279
<v Speaker 3>a movie of the Week, an NBC Movie of the Week,

0:49:56.400 --> 0:49:58.960
<v Speaker 3>and then Lyricist Lounge came up and I wanted that

0:49:59.040 --> 0:50:01.600
<v Speaker 3>show so badly, and somewhere after the Movie of the Week,

0:50:02.000 --> 0:50:03.680
<v Speaker 3>as you guys can hear, I do a lot of

0:50:03.680 --> 0:50:07.600
<v Speaker 3>different voices and characters, and I love dressing up. I

0:50:07.719 --> 0:50:10.840
<v Speaker 3>love clothes. I love playing dress up. So my closet

0:50:11.680 --> 0:50:13.759
<v Speaker 3>is my happy place and I go in there and

0:50:13.840 --> 0:50:16.040
<v Speaker 3>sometimes I make a really good outfit and sometimes an

0:50:16.080 --> 0:50:20.960
<v Speaker 3>outfit turns into a character, and my mom had I was.

0:50:21.440 --> 0:50:24.760
<v Speaker 3>My mom had given a high eight video camera one Christmas,

0:50:25.320 --> 0:50:29.160
<v Speaker 3>so I set it up in my kitchen and I

0:50:29.760 --> 0:50:31.759
<v Speaker 3>stayed up until three o'clock in the morning and I

0:50:31.920 --> 0:50:34.319
<v Speaker 3>played dress up and I made a video of all

0:50:34.440 --> 0:50:38.839
<v Speaker 3>of these characters that I had been telling stories as

0:50:39.040 --> 0:50:41.920
<v Speaker 3>for years, and I called it my holiday It was

0:50:42.000 --> 0:50:44.680
<v Speaker 3>my holiday gift. And I sent it out to anybody

0:50:44.719 --> 0:50:46.200
<v Speaker 3>that wouldn't think I was trying to get a job.

0:50:46.280 --> 0:50:48.600
<v Speaker 3>I sent it out with a note that said, I

0:50:48.719 --> 0:50:51.640
<v Speaker 3>am sharing joy with you this holiday season. This is

0:50:51.719 --> 0:50:55.040
<v Speaker 3>my version and it was me like I was like

0:50:55.120 --> 0:50:58.920
<v Speaker 3>a crazy person, and then it said no judgment, Happy Holidays.

0:51:00.120 --> 0:51:03.840
<v Speaker 3>I did like an improv to Broadway song Madame Vera

0:51:04.040 --> 0:51:06.480
<v Speaker 3>was on there, Callipe Champignelle, like all of these characters

0:51:06.520 --> 0:51:11.200
<v Speaker 3>that still exist. And my agents ended up seeing it

0:51:11.360 --> 0:51:14.320
<v Speaker 3>after the holidays and sent it to the producers of

0:51:14.400 --> 0:51:17.759
<v Speaker 3>Lyrisis Lounge. I got an audition for Lyris Lounge, but

0:51:17.840 --> 0:51:22.720
<v Speaker 3>they did not cast me. They cast Sarah Jones. Sarah

0:51:23.520 --> 0:51:32.000
<v Speaker 3>Sarah Jones. Yeah. Sarah Jones had a values conflict with

0:51:32.200 --> 0:51:35.640
<v Speaker 3>the subject matter of the show. She felt that some

0:51:35.760 --> 0:51:37.640
<v Speaker 3>of the sketches. It didn't work for her, so she

0:51:37.800 --> 0:51:41.080
<v Speaker 3>left and they brought me in.

0:51:42.680 --> 0:51:46.760
<v Speaker 1>Wow, man, that is crazy. Does Sarah know that story?

0:51:47.320 --> 0:51:51.359
<v Speaker 3>Yeah? And Sarah and I for years we had never met,

0:51:51.400 --> 0:51:54.759
<v Speaker 3>and a whole thing. And then she and I came

0:51:54.880 --> 0:51:58.440
<v Speaker 3>back together and met each other at the White House

0:51:58.560 --> 0:52:03.400
<v Speaker 3>with the Obamas for Missus Obama's first mentoring weekend. We

0:52:03.560 --> 0:52:06.160
<v Speaker 3>were walking to the White House together. We came down

0:52:06.239 --> 0:52:08.480
<v Speaker 3>in the elevator, walked to the White House together, and

0:52:08.560 --> 0:52:11.640
<v Speaker 3>we were like, can you believe this shit?

0:52:12.080 --> 0:52:14.400
<v Speaker 5>That's beautiful circle. That's a beautiful circle.

0:52:14.719 --> 0:52:16.680
<v Speaker 3>It was that amazing because I thought she hated me

0:52:16.840 --> 0:52:19.439
<v Speaker 3>for all those years. I was like, she left because

0:52:19.440 --> 0:52:20.960
<v Speaker 3>she couldn't do it. And then I took it, and

0:52:21.880 --> 0:52:24.000
<v Speaker 3>you know, it was a joy for me. I had

0:52:24.160 --> 0:52:27.080
<v Speaker 3>a ball doing it. And everybody has a different compass

0:52:27.160 --> 0:52:30.279
<v Speaker 3>on how they feel connected to material and it didn't

0:52:30.320 --> 0:52:32.279
<v Speaker 3>work for her, and I had no judgment of that,

0:52:34.200 --> 0:52:36.760
<v Speaker 3>but it changed my career. And then the interesting story

0:52:37.040 --> 0:52:40.640
<v Speaker 3>is that Lerisis Lounge left us hanging. We didn't know

0:52:40.680 --> 0:52:42.680
<v Speaker 3>if we were picked up or not. It had been ages.

0:52:42.719 --> 0:52:44.880
<v Speaker 3>We had no idea what was happening. And I auditioned

0:52:44.920 --> 0:52:48.000
<v Speaker 3>for girlfriends and we had a window. They wanted me

0:52:48.160 --> 0:52:50.839
<v Speaker 3>for Joan, and we had a window of like three

0:52:50.960 --> 0:52:53.800
<v Speaker 3>days that if we couldn't get the sign off and

0:52:53.880 --> 0:52:57.520
<v Speaker 3>the approval by the head of MTV, they would have

0:52:57.640 --> 0:53:00.840
<v Speaker 3>to move to their second choice for Joe and Clayton

0:53:01.400 --> 0:53:03.920
<v Speaker 3>and tell me, do you know? And the head that

0:53:04.200 --> 0:53:07.920
<v Speaker 3>head of MTV was on vacation in Italy and we

0:53:08.000 --> 0:53:10.080
<v Speaker 3>couldn't get a hold of him. And I remember just

0:53:10.280 --> 0:53:15.880
<v Speaker 3>laying on my bed like frozen for hours, like for

0:53:16.080 --> 0:53:19.480
<v Speaker 3>twelve hours, just waiting to hear if I was going

0:53:19.560 --> 0:53:21.279
<v Speaker 3>to get this role that was going to change my

0:53:21.360 --> 0:53:25.600
<v Speaker 3>life and it worked out in my favor, but I

0:53:25.680 --> 0:53:26.760
<v Speaker 3>didn't know apparently.

0:53:26.840 --> 0:53:31.319
<v Speaker 1>So Wow, having entered what you did at MTV, at

0:53:31.360 --> 0:53:37.560
<v Speaker 1>any point, were you interested in sort of sort of

0:53:37.719 --> 0:53:41.200
<v Speaker 1>honing your skill at say like uh, Second City in

0:53:41.280 --> 0:53:45.400
<v Speaker 1>Chicago or upright Citizens Brigade or any of those like.

0:53:45.440 --> 0:53:49.160
<v Speaker 3>Improv You know what's so funny? As you were talking,

0:53:49.239 --> 0:53:51.200
<v Speaker 3>I thought you were going to say, did you ever

0:53:51.280 --> 0:53:53.520
<v Speaker 3>cross your mind on your skills as a rapper?

0:53:54.520 --> 0:53:58.040
<v Speaker 5>Well too career now, that.

0:53:58.200 --> 0:54:00.799
<v Speaker 3>Did not cross my mind. I was so bad at

0:54:00.840 --> 0:54:03.520
<v Speaker 3>that that I was in that sketch with most deaf

0:54:03.760 --> 0:54:08.000
<v Speaker 3>and and master Fool, and they had to I mean,

0:54:08.600 --> 0:54:10.880
<v Speaker 3>because you know sometimes I get the one three really

0:54:10.960 --> 0:54:15.880
<v Speaker 3>fast and they were like no, and so they they

0:54:16.040 --> 0:54:18.600
<v Speaker 3>had to coach me on when to come in. No,

0:54:18.800 --> 0:54:19.240
<v Speaker 3>I didn't.

0:54:19.440 --> 0:54:20.400
<v Speaker 2>I had.

0:54:21.880 --> 0:54:25.680
<v Speaker 3>Bennetts. What is it called out here the improv u.

0:54:27.280 --> 0:54:28.200
<v Speaker 1>Not the comedy store.

0:54:31.600 --> 0:54:34.040
<v Speaker 3>So I was in an improv troop in college at

0:54:34.120 --> 0:54:39.200
<v Speaker 3>Brown and strangely enough with Marty Blafsky, who was also

0:54:39.280 --> 0:54:44.960
<v Speaker 3>on Lyrisis Lounge. And I loved improv. And then I

0:54:45.080 --> 0:54:48.600
<v Speaker 3>went to Groundlings and they wouldn't move me from the

0:54:49.200 --> 0:54:52.000
<v Speaker 3>you know, one level to level two because they said

0:54:52.080 --> 0:54:57.360
<v Speaker 3>I was too sticky and I wasn't funny enough. So

0:54:57.480 --> 0:55:00.320
<v Speaker 3>I told Groundlings, I said, you know what, Groundlings.

0:55:00.680 --> 0:55:02.799
<v Speaker 5>They kind of THEI and me. They like the uji

0:55:02.920 --> 0:55:03.520
<v Speaker 5>of the mprov.

0:55:04.040 --> 0:55:06.040
<v Speaker 3>Well either way, I was like, I was told to

0:55:06.080 --> 0:55:07.799
<v Speaker 3>go where the love is, and I do not feel

0:55:07.840 --> 0:55:12.280
<v Speaker 3>the love here how facts And then I booked Larry's Lounge,

0:55:12.960 --> 0:55:15.240
<v Speaker 3>So no, I didn't think of that at all, mostly

0:55:15.360 --> 0:55:18.719
<v Speaker 3>because what I thought I was gonna I thought I

0:55:18.800 --> 0:55:22.240
<v Speaker 3>was going to stick in sketch comedy after Lyricsi's Lounge.

0:55:22.560 --> 0:55:25.480
<v Speaker 3>But because of Girlfriends, which I thought was gonna happen

0:55:25.560 --> 0:55:27.840
<v Speaker 3>later in my life. I was living out the Lucy

0:55:27.960 --> 0:55:30.680
<v Speaker 3>fantasy for me. So Larius's Lounge was my Carol Burnette

0:55:30.680 --> 0:55:36.600
<v Speaker 3>fantasy and dream, and then Girlfriends was my my Lucy foray.

0:55:37.080 --> 0:55:41.640
<v Speaker 6>So what do you think My wife, she loves she

0:55:41.760 --> 0:55:44.520
<v Speaker 6>loves you. She watches Girlfriends on Netflix, like all the time.

0:55:44.880 --> 0:55:47.880
<v Speaker 6>She was curious to know, do y'all leave what stories

0:55:47.880 --> 0:55:49.600
<v Speaker 6>did y'all leave on the table for girlfriends?

0:55:49.640 --> 0:55:51.800
<v Speaker 1>And like when that ended, what was that like for you?

0:55:52.840 --> 0:55:57.839
<v Speaker 3>It was horrible, Yeah, devastating. It was really hard when

0:55:57.880 --> 0:56:03.440
<v Speaker 3>Jill left and that also changed storylines because that uh

0:56:03.880 --> 0:56:07.600
<v Speaker 3>just it was just such a hard adjustment. And then

0:56:07.640 --> 0:56:10.879
<v Speaker 3>when the show ended, you know, the last episode we shot,

0:56:11.080 --> 0:56:13.440
<v Speaker 3>I directed, and it was during the strike, so we

0:56:13.560 --> 0:56:18.120
<v Speaker 3>didn't even we didn't even have our family together. The

0:56:18.200 --> 0:56:20.960
<v Speaker 3>producers weren't there, Marra wasn't there, So it was it

0:56:21.080 --> 0:56:24.880
<v Speaker 3>was such a strange odd end the courthouse.

0:56:24.960 --> 0:56:27.520
<v Speaker 5>It was like a location shot too, right, That's what

0:56:27.840 --> 0:56:28.360
<v Speaker 5>feels like.

0:56:28.480 --> 0:56:30.440
<v Speaker 3>It was the end. That was not the end. That

0:56:30.640 --> 0:56:32.719
<v Speaker 3>was the end of the season with Tony.

0:56:33.080 --> 0:56:35.120
<v Speaker 5>Oh, that's right and right, and then it came back

0:56:35.120 --> 0:56:38.160
<v Speaker 5>with and we had had two more after that. So

0:56:38.360 --> 0:56:39.080
<v Speaker 5>what did it feel like.

0:56:39.080 --> 0:56:40.920
<v Speaker 4>When you you got the call from ABC the job

0:56:40.960 --> 0:56:42.840
<v Speaker 4>we're going to be bringing the girls to Blackish?

0:56:44.080 --> 0:56:46.000
<v Speaker 3>Oh? Oh no, that's not how that went.

0:56:46.120 --> 0:56:47.040
<v Speaker 5>Okay, What did it feel like.

0:56:47.040 --> 0:56:48.640
<v Speaker 1>When you told that?

0:56:48.880 --> 0:56:52.919
<v Speaker 3>We said we have so Courtney came to me and said,

0:56:52.960 --> 0:56:54.879
<v Speaker 3>we have an idea. What do you think? And I said,

0:56:54.920 --> 0:56:59.759
<v Speaker 3>this is the best idea ever. But before I said,

0:56:59.800 --> 0:57:02.120
<v Speaker 3>tell tell me when it's an actual green light that

0:57:02.239 --> 0:57:05.000
<v Speaker 3>you guys feel like it can actually happen, and then

0:57:05.120 --> 0:57:07.680
<v Speaker 3>let me call the girls first and find out if

0:57:07.719 --> 0:57:11.560
<v Speaker 3>they're interested and comfortable. I don't want to make this

0:57:11.719 --> 0:57:14.080
<v Speaker 3>a thing until I know if they want to do this.

0:57:14.760 --> 0:57:17.440
<v Speaker 3>So I called each of them individually, even though we're

0:57:17.520 --> 0:57:20.160
<v Speaker 3>on a group thread, but I wanted to call each

0:57:20.200 --> 0:57:22.800
<v Speaker 3>of them individually so that no one felt pressured by

0:57:22.880 --> 0:57:25.760
<v Speaker 3>somebody else or you know, so that everybody just felt

0:57:25.760 --> 0:57:28.560
<v Speaker 3>comfortable to answer. And I said, you don't have to

0:57:28.600 --> 0:57:30.920
<v Speaker 3>answer me now, like it was an immediate yes for everybody,

0:57:31.000 --> 0:57:33.360
<v Speaker 3>but we I mean, by the way, everybody at Blackish

0:57:33.480 --> 0:57:35.360
<v Speaker 3>was like, what is going on?

0:57:36.400 --> 0:57:37.600
<v Speaker 5>How much as love was it?

0:57:38.520 --> 0:57:41.920
<v Speaker 3>I just got launched into another world like and you know,

0:57:42.120 --> 0:57:44.320
<v Speaker 3>some people on our crew have no idea what Girlfriends was.

0:57:44.360 --> 0:57:46.200
<v Speaker 3>They were like, I don't understand what's happening, Like we've

0:57:46.280 --> 0:57:49.000
<v Speaker 3>never seen Tracy like this. I don't know what's going on.

0:57:49.560 --> 0:57:52.240
<v Speaker 3>But we would not We did not stop talking. It

0:57:52.400 --> 0:57:55.360
<v Speaker 3>was as if we were right back on girl. It

0:57:55.480 --> 0:57:58.600
<v Speaker 3>was so delicious. It was so good.

0:57:59.120 --> 0:58:01.760
<v Speaker 4>We had so much and the storyline that you made

0:58:01.800 --> 0:58:05.320
<v Speaker 4>around that y'all created around it was really dope. It

0:58:05.440 --> 0:58:07.880
<v Speaker 4>was really consistently yes, yeah.

0:58:08.240 --> 0:58:08.600
<v Speaker 3>So good.

0:58:13.560 --> 0:58:16.560
<v Speaker 6>My niece wants to know when they because I have

0:58:16.920 --> 0:58:18.080
<v Speaker 6>Alice Ross, we get it.

0:58:19.040 --> 0:58:19.640
<v Speaker 1>You already know.

0:58:20.720 --> 0:58:23.480
<v Speaker 6>When they saw her name was on QLs calendar, they

0:58:23.560 --> 0:58:25.320
<v Speaker 6>was just like, my text was blowing up.

0:58:25.360 --> 0:58:27.720
<v Speaker 1>Everybody want to so I'm trying to answer my family's

0:58:27.800 --> 0:58:30.400
<v Speaker 1>questions sofully. So my niece wants to know. How do

0:58:30.480 --> 0:58:32.080
<v Speaker 1>you navigate the LA dating scene?

0:58:32.440 --> 0:58:35.600
<v Speaker 5>Oh girl? Please thank you Ni Sepool, because I live

0:58:35.640 --> 0:58:36.120
<v Speaker 5>in l A.

0:58:36.240 --> 0:58:39.080
<v Speaker 3>To what you mean, I don't, I don't, I don't

0:58:39.120 --> 0:58:43.560
<v Speaker 3>know or do you even care? I mean, well, the

0:58:43.640 --> 0:58:45.840
<v Speaker 3>beauty of it is it's not an l A dating scene.

0:58:45.840 --> 0:58:49.240
<v Speaker 3>The world is so small now that you know there

0:58:49.320 --> 0:58:52.000
<v Speaker 3>was no dating scene during the pandemic, yeah.

0:58:53.200 --> 0:58:53.520
<v Speaker 1>I don't know.

0:58:53.560 --> 0:58:56.800
<v Speaker 5>I don't know, if you heard.

0:58:56.840 --> 0:58:59.000
<v Speaker 4>I think NIE's asking from the perspective of it's hard

0:58:59.000 --> 0:59:01.120
<v Speaker 4>for a black woman to day in LA But maybe

0:59:01.160 --> 0:59:01.840
<v Speaker 4>I'm just stripping.

0:59:01.960 --> 0:59:02.360
<v Speaker 5>I don't know.

0:59:02.640 --> 0:59:05.120
<v Speaker 3>I think it's I think dating is hard no matter

0:59:05.160 --> 0:59:07.320
<v Speaker 3>who you are, where you are, and if you're a

0:59:07.400 --> 0:59:10.160
<v Speaker 3>man or a woman. I think there's good men out there.

0:59:10.480 --> 0:59:12.520
<v Speaker 5>Oh, I wasn't. Oh, that wasn't the argument. It was

0:59:12.600 --> 0:59:15.040
<v Speaker 5>just that they are they around unavailable, That's.

0:59:15.320 --> 0:59:17.640
<v Speaker 3>Oh, I don't know if they are. I don't I

0:59:17.720 --> 0:59:21.280
<v Speaker 3>don't know that they are. I don't know. I don't

0:59:21.320 --> 0:59:24.800
<v Speaker 3>have major, major sort of theories and beliefs and and

0:59:25.320 --> 0:59:28.480
<v Speaker 3>I don't I don't have any answers. What I know

0:59:28.800 --> 0:59:31.720
<v Speaker 3>is that someone's gonna either make my life better or

0:59:31.960 --> 0:59:34.960
<v Speaker 3>I'm gonna keep rolling with this wonderful life that I've

0:59:34.960 --> 0:59:36.640
<v Speaker 3>built for myself, you know.

0:59:37.960 --> 0:59:40.760
<v Speaker 1>And I found my happiness at fifty, So I mean,

0:59:41.560 --> 0:59:42.600
<v Speaker 1>oh my god, speaking of.

0:59:42.640 --> 0:59:46.120
<v Speaker 3>Which I Meir, you said at fifty you found your life.

0:59:46.200 --> 0:59:46.840
<v Speaker 3>How old are you now?

0:59:47.400 --> 0:59:48.480
<v Speaker 1>Fifty fifty fifty?

0:59:49.920 --> 0:59:51.800
<v Speaker 3>I was with the way you said it. I was like,

0:59:51.960 --> 0:59:53.080
<v Speaker 3>what are you sixty? Like what.

0:59:54.560 --> 0:59:58.440
<v Speaker 1>You just found last week? I'm just saying that a

0:59:58.520 --> 1:00:03.919
<v Speaker 1>few other things. Flowers flowers around, no around like forty seven,

1:00:04.040 --> 1:00:06.120
<v Speaker 1>forty eight. I was just like, maybe I'm just going

1:00:06.160 --> 1:00:09.240
<v Speaker 1>to be a serial bachelor for life, and you know whatever.

1:00:09.600 --> 1:00:11.600
<v Speaker 1>And then, you know, as with all of us with

1:00:11.720 --> 1:00:15.240
<v Speaker 1>the pandemic, like this, pivot happens and you get a

1:00:15.320 --> 1:00:19.800
<v Speaker 1>new either heed to the calling or you uh, succumb

1:00:19.880 --> 1:00:23.760
<v Speaker 1>to the inside of your voice. And no, I mean

1:00:23.800 --> 1:00:27.560
<v Speaker 1>it's it's possible to have a turnaround for you.

1:00:27.880 --> 1:00:29.320
<v Speaker 5>Most men get their sense at fifty.

1:00:29.480 --> 1:00:31.800
<v Speaker 3>So first of all because we done.

1:00:31.720 --> 1:00:32.320
<v Speaker 1>Made out money.

1:00:32.800 --> 1:00:34.440
<v Speaker 3>But well some of it's that.

1:00:36.440 --> 1:00:39.880
<v Speaker 1>That's no, it's also about just being open.

1:00:40.360 --> 1:00:42.680
<v Speaker 3>But wait, the thing that's so interesting, I mean you

1:00:42.800 --> 1:00:45.200
<v Speaker 3>just said the sound inside my voice is that you said,

1:00:45.200 --> 1:00:46.560
<v Speaker 3>that's the most beautiful thing I've ever heard.

1:00:47.120 --> 1:00:50.760
<v Speaker 1>Well, just inside my heads. You know, oftentimes we hear

1:00:50.960 --> 1:00:53.800
<v Speaker 1>the the I mean, the voice inside of our head

1:00:53.960 --> 1:00:57.760
<v Speaker 1>says the most mean shit to us all the time.

1:00:57.880 --> 1:01:00.640
<v Speaker 1>We say stuff. We say shit to ourselves. Yeah, we

1:01:00.720 --> 1:01:03.640
<v Speaker 1>say ship to ourselves that you know, we wouldn't allow

1:01:03.680 --> 1:01:06.040
<v Speaker 1>anyone to say to us. And oftentimes we listen to

1:01:06.120 --> 1:01:11.000
<v Speaker 1>that voice more than anything. So introspective of mer my favorite.

1:01:10.720 --> 1:01:14.120
<v Speaker 5>But understand a year and a half, maybe.

1:01:20.040 --> 1:01:21.560
<v Speaker 1>This is Crystal, I'm not.

1:01:23.120 --> 1:01:25.600
<v Speaker 5>Friend, it's a beautiful woman named woman.

1:01:26.520 --> 1:01:29.680
<v Speaker 3>But this is a look at him rolling his eyes. Well,

1:01:29.800 --> 1:01:30.800
<v Speaker 3>something's happened there.

1:01:30.920 --> 1:01:32.840
<v Speaker 1>So just this episode is not about me. We only

1:01:32.880 --> 1:01:35.800
<v Speaker 1>got fifteen minutes whether I can't even get the.

1:01:35.800 --> 1:01:39.120
<v Speaker 3>Blackish Okay, So that's okay, Okay. So let me just

1:01:39.200 --> 1:01:44.000
<v Speaker 3>say that I I think there's really good men out there,

1:01:44.360 --> 1:01:48.640
<v Speaker 3>and I don't know how to navigate any dating scene.

1:01:48.720 --> 1:01:52.520
<v Speaker 3>Dating is just awkward and weird. And it's even more

1:01:52.560 --> 1:01:57.520
<v Speaker 3>awkward when you like being in your house. Yes, and

1:01:57.640 --> 1:01:59.400
<v Speaker 3>you know, you get to a certain age where you're like,

1:01:59.440 --> 1:02:01.439
<v Speaker 3>I don't't do that, Like you know what I'm saying.

1:02:01.800 --> 1:02:03.520
<v Speaker 3>I don't want to go there. You know what I mean.

1:02:03.800 --> 1:02:06.760
<v Speaker 3>I'm happier right here on my couch. So huh.

1:02:07.920 --> 1:02:08.800
<v Speaker 1>What one thing?

1:02:08.920 --> 1:02:11.160
<v Speaker 6>One thing I will say about about you, Tracy, Like

1:02:11.280 --> 1:02:14.560
<v Speaker 6>I've always admired you, seen for your celebrity and the

1:02:14.600 --> 1:02:16.680
<v Speaker 6>status of all things you've done. You are like one

1:02:16.720 --> 1:02:21.640
<v Speaker 6>of the most regular celebrities like and I mean yeah,

1:02:21.640 --> 1:02:23.720
<v Speaker 6>and the like and the sweetest way possible you were

1:02:23.800 --> 1:02:26.120
<v Speaker 6>just you know, you just always just exude just kind

1:02:26.160 --> 1:02:28.080
<v Speaker 6>of just a realness about you.

1:02:28.160 --> 1:02:29.440
<v Speaker 1>And I was just curious to know how do you

1:02:29.560 --> 1:02:32.520
<v Speaker 1>maintain that in Hollywood? How do you keep your identity?

1:02:32.640 --> 1:02:33.520
<v Speaker 1>She stays off the couch.

1:02:35.160 --> 1:02:37.560
<v Speaker 3>I think, I think it's that my identity is not

1:02:37.800 --> 1:02:40.080
<v Speaker 3>wrapped up in what I do. It's it's who I

1:02:40.200 --> 1:02:42.760
<v Speaker 3>am and how I show up for my friends and

1:02:42.800 --> 1:02:44.320
<v Speaker 3>how they show up for me, and the kind of

1:02:44.440 --> 1:02:47.360
<v Speaker 3>daughter and sister I am. Like that's where that's what

1:02:47.560 --> 1:02:49.840
<v Speaker 3>has meaning to me, how I am of service in

1:02:49.920 --> 1:02:53.240
<v Speaker 3>the world, particularly to those I love and even more

1:02:53.280 --> 1:02:59.000
<v Speaker 3>importantly to those I don't know. And so I that's

1:02:59.040 --> 1:03:02.040
<v Speaker 3>what right sizes is my life. And I really like

1:03:02.200 --> 1:03:05.760
<v Speaker 3>being a people among people. It's my humanity is my

1:03:05.880 --> 1:03:09.440
<v Speaker 3>favorite part. It's also the most uncomfortable part of me,

1:03:09.600 --> 1:03:11.200
<v Speaker 3>you know what I mean, Like sometimes I'm like, oh ah,

1:03:11.520 --> 1:03:13.960
<v Speaker 3>can I stop being such a human being? You know

1:03:14.040 --> 1:03:17.200
<v Speaker 3>what I mean? Like what better? And not do better? What?

1:03:17.320 --> 1:03:18.880
<v Speaker 3>You know, Like I wake up every day, try to

1:03:18.920 --> 1:03:21.040
<v Speaker 3>do my best. Why did this day suck so bad?

1:03:21.640 --> 1:03:25.040
<v Speaker 3>Like you know what I mean, Like how did that happen?

1:03:25.240 --> 1:03:27.480
<v Speaker 3>Like I didn't try to go left, but somehow I

1:03:27.640 --> 1:03:28.280
<v Speaker 3>am left?

1:03:28.920 --> 1:03:31.400
<v Speaker 5>So so a human being?

1:03:32.040 --> 1:03:35.080
<v Speaker 3>Yeah, I also think I'm not. I'm not really invested

1:03:35.360 --> 1:03:38.800
<v Speaker 3>in I don't know. I mean, look, I love sparkly things.

1:03:39.360 --> 1:03:42.840
<v Speaker 3>I love pretty clothes, I love shoes, I love great restaurants.

1:03:43.400 --> 1:03:48.640
<v Speaker 3>But I'm also not My compass is not money. My

1:03:48.760 --> 1:03:51.840
<v Speaker 3>compass is not fame. It's having an opportunity to do

1:03:51.960 --> 1:03:54.120
<v Speaker 3>the things that I love and to connect with people

1:03:55.000 --> 1:03:58.000
<v Speaker 3>and to make people laugh and to make people feel

1:03:58.080 --> 1:04:01.160
<v Speaker 3>comfortable in their own skin. You know, I know what

1:04:01.320 --> 1:04:03.600
<v Speaker 3>it feels like for me when I'm around people that

1:04:03.720 --> 1:04:05.520
<v Speaker 3>I leave and I'm like, oh, I just feel so

1:04:05.640 --> 1:04:08.000
<v Speaker 3>much like myself around them, Not like I want to

1:04:08.080 --> 1:04:10.680
<v Speaker 3>be them, but like, I just feel so safe and

1:04:10.840 --> 1:04:14.200
<v Speaker 3>like myself around them. And I hope that I can

1:04:14.280 --> 1:04:15.960
<v Speaker 3>bring that to the world and to other people, and

1:04:16.080 --> 1:04:17.439
<v Speaker 3>so maybe that keeps it right side.

1:04:17.480 --> 1:04:17.920
<v Speaker 1>But I don't know.

1:04:18.440 --> 1:04:18.800
<v Speaker 3>I don't know.

1:04:19.360 --> 1:04:22.560
<v Speaker 1>Are there okay? Now that you have the platform and

1:04:22.600 --> 1:04:27.440
<v Speaker 1>the position that you do have, what's on your bucket

1:04:27.480 --> 1:04:29.920
<v Speaker 1>list as far as things that you really want to do,

1:04:30.600 --> 1:04:33.960
<v Speaker 1>cross off and sort of manifest and bring out there

1:04:34.000 --> 1:04:36.960
<v Speaker 1>that maybe ten years ago you weren't able to develop.

1:04:37.520 --> 1:04:39.640
<v Speaker 3>I think a lot of those things are in process

1:04:39.720 --> 1:04:41.560
<v Speaker 3>right now, and I'm not one of those people like,

1:04:41.600 --> 1:04:43.560
<v Speaker 3>you're not going to see me post about the idea

1:04:43.640 --> 1:04:46.640
<v Speaker 3>of doing something, You're going to still post when it's

1:04:47.520 --> 1:04:53.200
<v Speaker 3>is having it. So I pattern was a just it

1:04:53.280 --> 1:04:55.120
<v Speaker 3>was a ten year dream. It took me ten years

1:04:55.160 --> 1:04:58.680
<v Speaker 3>to launch that company. And I love being a CEO.

1:04:58.920 --> 1:05:01.360
<v Speaker 3>I love being a fan under of a company company.

1:05:01.560 --> 1:05:05.320
<v Speaker 3>I love using my mind in that way. The access

1:05:05.400 --> 1:05:08.400
<v Speaker 3>that it has given me to be able to sit

1:05:09.120 --> 1:05:13.160
<v Speaker 3>in boardrooms and talk to people who don't usually get

1:05:13.200 --> 1:05:17.960
<v Speaker 3>somebody who's not afraid to say, yeah, that doesn't work, like,

1:05:18.280 --> 1:05:23.600
<v Speaker 3>actually that's not effective. Actually that's actually detrimental to the

1:05:23.680 --> 1:05:27.240
<v Speaker 3>people you say you're helping. Oh, I'm sorry, it's not

1:05:27.400 --> 1:05:33.320
<v Speaker 3>called d and it's diversity, equity and inclusion. I'm sorry, gatekeeper, sir.

1:05:33.760 --> 1:05:36.320
<v Speaker 3>If you don't make changes, there's never going to be

1:05:36.440 --> 1:05:42.200
<v Speaker 3>fundamental change. You know. I didn't know that so much

1:05:42.440 --> 1:05:45.600
<v Speaker 3>of what so many things that I was experiencing that

1:05:45.800 --> 1:05:50.120
<v Speaker 3>caused frustration and disappointment had to do with the systemic

1:05:51.480 --> 1:05:54.320
<v Speaker 3>problems that were happening in the world. I took them personally,

1:05:54.560 --> 1:05:57.240
<v Speaker 3>you know, And so when you realize it, then you're like, oh,

1:05:57.720 --> 1:06:00.360
<v Speaker 3>what can I do to help make this change? Pattern

1:06:00.400 --> 1:06:04.040
<v Speaker 3>has given me access not only to a particular and

1:06:04.200 --> 1:06:07.320
<v Speaker 3>different kind of platform, but also a courage inside me

1:06:07.880 --> 1:06:10.440
<v Speaker 3>to not be a person that gets plugged in places,

1:06:10.840 --> 1:06:13.840
<v Speaker 3>but actually can create more real estate, not just for me,

1:06:13.960 --> 1:06:18.360
<v Speaker 3>but for others, to help other people find how to

1:06:18.480 --> 1:06:21.400
<v Speaker 3>have their own equity in what they make. So I

1:06:21.680 --> 1:06:25.000
<v Speaker 3>have a production deal with ABC Signature, which is across

1:06:25.080 --> 1:06:28.160
<v Speaker 3>all their platforms, HULUFX, all of their platforms. I have

1:06:28.600 --> 1:06:33.080
<v Speaker 3>five different projects and development. There's expansion that I want

1:06:33.160 --> 1:06:37.200
<v Speaker 3>to happen that is in process with Pattern. So those

1:06:37.320 --> 1:06:39.480
<v Speaker 3>things and those parts of my dreams, Like I want

1:06:39.520 --> 1:06:41.440
<v Speaker 3>to be a producer. I love being a producer, and

1:06:41.520 --> 1:06:45.480
<v Speaker 3>that is happening. I really would like to do more movies.

1:06:45.920 --> 1:06:48.800
<v Speaker 3>I would like to get I want to do and

1:06:49.040 --> 1:06:50.840
<v Speaker 3>I want to kick some ass in a movie. I

1:06:50.920 --> 1:06:55.840
<v Speaker 3>really would like to like like tell you like you

1:06:55.960 --> 1:06:59.480
<v Speaker 3>know those when they spin around and then they chop

1:06:59.560 --> 1:07:01.800
<v Speaker 3>under the and the person falls and then they go

1:07:02.080 --> 1:07:05.440
<v Speaker 3>oh like, I would really like to do that in

1:07:05.520 --> 1:07:08.880
<v Speaker 3>a movie in some very strong and powerful way. I

1:07:09.000 --> 1:07:12.440
<v Speaker 3>would like to be to do a love story. I

1:07:12.800 --> 1:07:14.720
<v Speaker 3>would like to be a love interest in a movie

1:07:14.920 --> 1:07:19.760
<v Speaker 3>as a sexy, grown ass woman and not have to

1:07:19.880 --> 1:07:22.480
<v Speaker 3>be like the twenty two year old with the fifty

1:07:22.560 --> 1:07:25.600
<v Speaker 3>year old man, Like maybe I'm the fifty year old

1:07:25.640 --> 1:07:31.480
<v Speaker 3>with the twenty two year old man. How you doing? Me?

1:07:31.560 --> 1:07:33.640
<v Speaker 5>And the Rustio fans are sitting here like how we

1:07:33.720 --> 1:07:36.640
<v Speaker 5>ain't seen? This can not happen, you know what I mean?

1:07:36.960 --> 1:07:38.880
<v Speaker 3>I want to see a whole bunch of black women

1:07:38.960 --> 1:07:42.400
<v Speaker 3>on screen being as incredible as we are and not

1:07:42.600 --> 1:07:45.000
<v Speaker 3>have to constantly be talking about the fact that we're black,

1:07:45.040 --> 1:07:47.040
<v Speaker 3>but just be in our experience. I want to see

1:07:47.080 --> 1:07:49.000
<v Speaker 3>those stories. I want to. I want to be a

1:07:49.080 --> 1:07:50.920
<v Speaker 3>part of making those happen, and I want to be

1:07:51.000 --> 1:07:53.640
<v Speaker 3>involved in them. I want to. So there's lots of

1:07:53.680 --> 1:07:54.120
<v Speaker 3>those things.

1:07:54.360 --> 1:07:56.880
<v Speaker 1>You gotta drop the word wanna and just manifest.

1:07:57.000 --> 1:07:57.919
<v Speaker 5>I'm gonna. I'm gone.

1:07:58.560 --> 1:08:03.120
<v Speaker 1>That's my last words of wisdom. With manifest such good.

1:08:02.960 --> 1:08:04.800
<v Speaker 3>Words of wisdom, and you know I have to say

1:08:04.840 --> 1:08:07.160
<v Speaker 3>I manifest quickly. So it just got to be specific

1:08:07.200 --> 1:08:07.880
<v Speaker 3>about that language.

1:08:07.880 --> 1:08:11.360
<v Speaker 1>Okay, all right, you got three minutes left, three minutes left,

1:08:13.720 --> 1:08:17.439
<v Speaker 1>three minutes. Yeah, we got three minutes left, and I'm skipping, skipping,

1:08:17.760 --> 1:08:20.719
<v Speaker 1>I'm skipping black is just y'all, watch back. I actually

1:08:20.720 --> 1:08:22.800
<v Speaker 1>want to go to Mix This, Yes, how much of

1:08:22.920 --> 1:08:25.960
<v Speaker 1>your life and shout out to us Angela, our friend,

1:08:26.040 --> 1:08:30.840
<v Speaker 1>Angela Nissel family. Yes, yes, and how much of your life?

1:08:30.920 --> 1:08:34.000
<v Speaker 1>I know that Mixed This is quote a show about

1:08:34.080 --> 1:08:36.880
<v Speaker 1>your character's life, but how much input do you have

1:08:37.080 --> 1:08:39.680
<v Speaker 1>in it? As far as the direction that I have a.

1:08:39.760 --> 1:08:42.439
<v Speaker 3>Lot of input, But it is not my life. It's

1:08:42.560 --> 1:08:46.680
<v Speaker 3>Bo Johnson's life, you know. But but the mixed experience,

1:08:46.840 --> 1:08:49.040
<v Speaker 3>I love that we're able to tell that story and

1:08:49.200 --> 1:08:51.920
<v Speaker 3>such a and to tell it through the eighties, which

1:08:52.080 --> 1:08:55.960
<v Speaker 3>is so strange to think about that, the divisiveness that

1:08:56.080 --> 1:08:58.880
<v Speaker 3>the eighties held and how similar it is to what

1:08:58.960 --> 1:09:02.280
<v Speaker 3>we're living in now. A couple of different overlays, but

1:09:02.400 --> 1:09:05.200
<v Speaker 3>we can what time, come on? What is seventeen twenty?

1:09:05.240 --> 1:09:07.280
<v Speaker 3>We've got three minutes? What if we have eight minutes?

1:09:07.920 --> 1:09:09.880
<v Speaker 1>Okay? Y, we got eight minutes?

1:09:10.240 --> 1:09:10.519
<v Speaker 5>Okay.

1:09:10.760 --> 1:09:12.600
<v Speaker 4>So that being said, because we didn't ask her the

1:09:12.680 --> 1:09:15.519
<v Speaker 4>question when we had Mariah here, do you did you

1:09:15.600 --> 1:09:17.360
<v Speaker 4>have anything to do with getting Mariah to sing that

1:09:17.640 --> 1:09:18.760
<v Speaker 4>that thing that didn't seem easy?

1:09:18.840 --> 1:09:19.599
<v Speaker 5>The same song? Mister?

1:09:19.800 --> 1:09:23.000
<v Speaker 3>No, that was Kenya? Okay, okay, okay, that was Kenya

1:09:23.160 --> 1:09:26.000
<v Speaker 3>And that was so she was so excited to do that.

1:09:27.000 --> 1:09:29.920
<v Speaker 1>She was so excited, perfect excited enough that big ass

1:09:29.960 --> 1:09:36.479
<v Speaker 1>credit at the beginning. I still tea her days. She's like,

1:09:36.520 --> 1:09:38.519
<v Speaker 1>I don't know if that happens. I'm like, I know

1:09:38.560 --> 1:09:38.960
<v Speaker 1>your people.

1:09:39.080 --> 1:09:42.200
<v Speaker 3>She is hilarious. She also is a really big text

1:09:42.240 --> 1:09:42.680
<v Speaker 3>for that one.

1:09:43.080 --> 1:09:45.960
<v Speaker 1>I've not stopped talking to Mariah since our interview that night.

1:09:46.800 --> 1:09:50.559
<v Speaker 3>Yeah. But by the way, Maria, Mariah is also really

1:09:51.000 --> 1:09:52.599
<v Speaker 3>regular in some ways.

1:09:53.000 --> 1:09:56.320
<v Speaker 5>Yeah, yeah, as much as she can be.

1:09:57.280 --> 1:10:00.240
<v Speaker 1>Yeah, you know, I mean, no shout out me, I'm

1:10:00.280 --> 1:10:00.719
<v Speaker 1>only playing.

1:10:00.840 --> 1:10:04.000
<v Speaker 3>Yes, she's one. Look. Anyway, that was a really wonderful

1:10:04.040 --> 1:10:07.000
<v Speaker 3>experience and I got to know Mariah in a way

1:10:07.080 --> 1:10:10.360
<v Speaker 3>that I did not before. And and it's not that

1:10:10.439 --> 1:10:12.800
<v Speaker 3>I had any negative idea of Mariah, but I didn't

1:10:12.840 --> 1:10:14.519
<v Speaker 3>know Mariah, do you know what I mean? And she's

1:10:14.600 --> 1:10:17.200
<v Speaker 3>so lovely and her.

1:10:17.160 --> 1:10:19.600
<v Speaker 5>Mix experience is ill too. After reading a book and

1:10:19.680 --> 1:10:20.040
<v Speaker 5>what I.

1:10:20.080 --> 1:10:21.280
<v Speaker 3>Have not read her book.

1:10:23.800 --> 1:10:25.280
<v Speaker 1>Trace, get the audiobook.

1:10:25.800 --> 1:10:28.680
<v Speaker 3>I will get the audio book and literally it's on

1:10:28.880 --> 1:10:29.320
<v Speaker 3>my list.

1:10:29.400 --> 1:10:31.800
<v Speaker 1>It's so stupid that you're a long driver or whatever,

1:10:32.200 --> 1:10:34.519
<v Speaker 1>like her storytelling.

1:10:34.160 --> 1:10:38.360
<v Speaker 3>Is is And my friend Mikela wrote that with her, Yeah,

1:10:39.400 --> 1:10:41.120
<v Speaker 3>how was it a people because people got the power.

1:10:41.600 --> 1:10:43.760
<v Speaker 3>Yeah she is. She is one of my faves. So

1:10:45.479 --> 1:10:49.880
<v Speaker 3>but yeah, mixed ish my first producing experience and really

1:10:50.360 --> 1:10:53.679
<v Speaker 3>love being in that position. To be able to craft

1:10:53.760 --> 1:10:57.600
<v Speaker 3>a story before a script is written, you know, to

1:10:57.720 --> 1:11:00.960
<v Speaker 3>actually uh let that, to be a part of that,

1:11:01.160 --> 1:11:03.840
<v Speaker 3>to be a part of casting. All of that I

1:11:03.960 --> 1:11:06.639
<v Speaker 3>find really exciting and sort of the execution of something,

1:11:07.080 --> 1:11:09.519
<v Speaker 3>you know, mix this was a little mixed. What's mixed?

1:11:09.520 --> 1:11:12.560
<v Speaker 3>This was a little different because it was you know,

1:11:12.920 --> 1:11:16.519
<v Speaker 3>it was the the full expression of something that had

1:11:16.720 --> 1:11:21.800
<v Speaker 3>already existed and sort of been given life. But the

1:11:21.960 --> 1:11:24.640
<v Speaker 3>other projects that I'm developing, you know, from optioning a

1:11:24.680 --> 1:11:27.120
<v Speaker 3>book and that, like, it's just so exciting. That process

1:11:27.280 --> 1:11:28.280
<v Speaker 3>is so exciting.

1:11:29.240 --> 1:11:32.280
<v Speaker 1>Uh Okay, now do you want to go back to Black? Yeah,

1:11:32.479 --> 1:11:34.679
<v Speaker 1>there's so many things I want to ask about the show.

1:11:34.760 --> 1:11:38.000
<v Speaker 1>But probably for me as such a fan of that show,

1:11:39.240 --> 1:11:44.639
<v Speaker 1>whose idea was it for you guys to have sort

1:11:44.680 --> 1:11:47.519
<v Speaker 1>of the dark period of your marriage? Where I didn't

1:11:47.520 --> 1:11:50.800
<v Speaker 1>see that coming? And again, like when I when I

1:11:50.960 --> 1:11:53.040
<v Speaker 1>watched these shows, I kind of do a binge style,

1:11:53.120 --> 1:11:56.160
<v Speaker 1>So it wasn't like I even had a warning from ABC,

1:11:56.360 --> 1:11:59.920
<v Speaker 1>like a special ABC you know, narrative Bexter Bernie episode

1:12:00.040 --> 1:12:00.639
<v Speaker 1>of Blacket.

1:12:01.880 --> 1:12:04.439
<v Speaker 3>They used to do that, a very special, very.

1:12:04.320 --> 1:12:14.559
<v Speaker 1>Special different strokes one what Dudley got. So yeah, I didn't.

1:12:14.760 --> 1:12:17.720
<v Speaker 1>I didn't see that coming. And I was like, wow,

1:12:17.800 --> 1:12:21.560
<v Speaker 1>this is this is really bold because I mean, you know,

1:12:21.760 --> 1:12:26.280
<v Speaker 1>without okay, I'm trying to say this is as diplomatic

1:12:26.360 --> 1:12:31.960
<v Speaker 1>as I can. The Huxtables were always my first family.

1:12:32.000 --> 1:12:35.760
<v Speaker 1>An now it's like the Johnson's are about to overshadow

1:12:35.880 --> 1:12:38.880
<v Speaker 1>that and really be you know, because you guys cover

1:12:39.040 --> 1:12:41.800
<v Speaker 1>so many subjects that were never ever on The Cosby Show.

1:12:41.920 --> 1:12:43.920
<v Speaker 5>But if not for the cos there wouldn't be the Johnson's.

1:12:44.560 --> 1:12:47.840
<v Speaker 1>And I'm not disparat but yeah, I didn't see that coming.

1:12:48.040 --> 1:12:50.280
<v Speaker 1>Like whose idea was it to really just bring it

1:12:50.360 --> 1:12:51.160
<v Speaker 1>down to that level?

1:12:52.200 --> 1:12:55.240
<v Speaker 3>Kenny embarrass and Anthony and I were not happy.

1:12:56.040 --> 1:12:58.160
<v Speaker 1>Wow was happy?

1:12:59.120 --> 1:13:00.760
<v Speaker 3>Well, it took a minute. I was like, why are

1:13:00.840 --> 1:13:03.720
<v Speaker 3>we doing this? What is this? Why are we doing this?

1:13:04.160 --> 1:13:05.559
<v Speaker 3>Like I was like, I don't understand this. It feels

1:13:05.600 --> 1:13:07.799
<v Speaker 3>like the end of the show. It was so confusing.

1:13:08.160 --> 1:13:11.080
<v Speaker 3>It was, you know, Kenya, there was a bold risk

1:13:11.240 --> 1:13:13.599
<v Speaker 3>on his part, and this is why Kenya is Keny.

1:13:13.680 --> 1:13:16.040
<v Speaker 3>You know what I mean, Like he really, I don't

1:13:16.040 --> 1:13:17.519
<v Speaker 3>know where it came from. You can ask him all

1:13:17.560 --> 1:13:20.080
<v Speaker 3>those questions. But once we dove in and you know,

1:13:20.200 --> 1:13:24.080
<v Speaker 3>I directed the first of those two episodes.

1:13:25.439 --> 1:13:27.240
<v Speaker 1>Oh okay, that.

1:13:27.439 --> 1:13:32.960
<v Speaker 3>Was hard because I was playing a version of bo

1:13:33.240 --> 1:13:36.439
<v Speaker 3>that I had never played before. Like usually the show

1:13:36.600 --> 1:13:39.920
<v Speaker 3>is anchored in dre and bow liking and loving each

1:13:39.960 --> 1:13:43.280
<v Speaker 3>other like and it's also anchored in me and Anthony,

1:13:43.439 --> 1:13:48.680
<v Speaker 3>like we have a respect and a safety with each other.

1:13:48.880 --> 1:13:51.640
<v Speaker 3>That is the core of the show. Like that's what

1:13:51.720 --> 1:13:56.080
<v Speaker 3>we do, you know, he and I. There are places

1:13:56.200 --> 1:14:01.200
<v Speaker 3>that I can fly to because of Anthony and that

1:14:01.360 --> 1:14:04.040
<v Speaker 3>he can fly to because of me that I've never

1:14:04.160 --> 1:14:08.439
<v Speaker 3>experienced in my creative career. It's so much fun. It

1:14:08.600 --> 1:14:13.160
<v Speaker 3>is so much fun dancing and playing ping pong with Anthony.

1:14:13.720 --> 1:14:17.320
<v Speaker 3>I can't even tell you. And so that was hard.

1:14:17.400 --> 1:14:19.120
<v Speaker 3>I didn't like fighting with him. I didn't like it.

1:14:19.800 --> 1:14:23.200
<v Speaker 6>Even the film stock that you guys used, like that

1:14:23.640 --> 1:14:26.000
<v Speaker 6>kind of film stock where I was like in and

1:14:26.080 --> 1:14:28.120
<v Speaker 6>out of that, yeah, someone's about to die here or.

1:14:28.240 --> 1:14:29.000
<v Speaker 1>Yeah, I know.

1:14:29.439 --> 1:14:31.240
<v Speaker 3>And then my dad did die. It was a mess.

1:14:34.040 --> 1:14:35.800
<v Speaker 3>And that was and by the way, and then we

1:14:35.880 --> 1:14:37.840
<v Speaker 3>went and shot a funny scene. After that, I was like,

1:14:38.160 --> 1:14:43.759
<v Speaker 3>are you all crazy? I don't know. I'm so proud

1:14:43.800 --> 1:14:47.880
<v Speaker 3>of what we do on the show. I think back

1:14:48.000 --> 1:14:52.880
<v Speaker 3>to when Blackish launched and how freaked out everybody was

1:14:52.960 --> 1:14:55.439
<v Speaker 3>about the name, And if you sink back to the

1:14:55.560 --> 1:14:56.120
<v Speaker 3>landscape of.

1:14:57.520 --> 1:14:59.960
<v Speaker 1>One person, and we know that person was, it was.

1:15:01.600 --> 1:15:04.120
<v Speaker 3>A lot of you started, but a lot a lot

1:15:04.160 --> 1:15:06.600
<v Speaker 3>of people were upset about it, but they didn't know

1:15:06.640 --> 1:15:08.840
<v Speaker 3>what the show was yet. And I understood that. And

1:15:08.960 --> 1:15:12.160
<v Speaker 3>the truth is, it's a It's a perfect name for

1:15:12.280 --> 1:15:14.800
<v Speaker 3>what our show is and what we deconstruct and pull

1:15:14.800 --> 1:15:18.240
<v Speaker 3>apart and unpack. And but if you think of what

1:15:18.320 --> 1:15:21.760
<v Speaker 3>the landscape of television was at that moment and what

1:15:22.080 --> 1:15:28.360
<v Speaker 3>we opened up in terms of giving metrics to the

1:15:28.479 --> 1:15:32.679
<v Speaker 3>ability for black stories about a black family that doesn't

1:15:32.760 --> 1:15:37.040
<v Speaker 3>happen to be black, but is black being successful and

1:15:37.280 --> 1:15:43.599
<v Speaker 3>identifiable for everybody, you know, we we changed the landscape

1:15:43.600 --> 1:15:44.120
<v Speaker 3>of television.

1:15:44.120 --> 1:15:46.720
<v Speaker 4>I did an episode on June teenth that was not

1:15:46.840 --> 1:15:50.080
<v Speaker 4>in the mainstream of conversation that.

1:15:50.320 --> 1:15:52.240
<v Speaker 3>An amount of people that have said to me, I

1:15:52.320 --> 1:15:54.160
<v Speaker 3>didn't know what white people that have said I didn't

1:15:54.160 --> 1:15:58.280
<v Speaker 3>know what Juneteenth was before Blackish aired that episode is

1:15:58.360 --> 1:16:01.439
<v Speaker 3>a lot a lot of people who didn't know. And

1:16:01.720 --> 1:16:04.000
<v Speaker 3>I always say to people like you, come by that honestly,

1:16:04.120 --> 1:16:06.280
<v Speaker 3>like a lot of people didn't know because nobody.

1:16:06.080 --> 1:16:10.080
<v Speaker 4>Was telling anybody, well black a good little small education

1:16:10.240 --> 1:16:11.960
<v Speaker 4>to some layers of Black people.

1:16:12.080 --> 1:16:14.599
<v Speaker 5>And if that's funny, if you watch and you don't

1:16:14.640 --> 1:16:16.400
<v Speaker 5>know us, you get to know a little bit.

1:16:16.680 --> 1:16:19.000
<v Speaker 3>A little bit, A little piece doesn't do everything. It's

1:16:19.040 --> 1:16:21.760
<v Speaker 3>not two minutes, and you get to see it through

1:16:21.800 --> 1:16:25.080
<v Speaker 3>the lens of this family. But and I mean, you know,

1:16:25.280 --> 1:16:27.600
<v Speaker 3>it's just it's been a treat, a real treat. We

1:16:28.000 --> 1:16:32.600
<v Speaker 3>don't talk enough about the frame that needs to be

1:16:33.960 --> 1:16:38.600
<v Speaker 3>present to hold the narrative of our cultural value, you know.

1:16:40.200 --> 1:16:43.560
<v Speaker 3>And I don't mean a Blackish I mean of the

1:16:43.720 --> 1:16:48.400
<v Speaker 3>stories Black stories, you know, and and how so many

1:16:48.439 --> 1:16:51.120
<v Speaker 3>people reap the cultural benefit, but we don't get the

1:16:51.760 --> 1:16:56.120
<v Speaker 3>credit or for the work done and the story is told,

1:16:56.240 --> 1:16:59.280
<v Speaker 3>and so I don't know, I'm so grateful this show

1:16:59.280 --> 1:17:03.040
<v Speaker 3>has been such a blessing and so much fun. I mean,

1:17:03.120 --> 1:17:07.600
<v Speaker 3>it's been seven years, knock on wood, but you know,

1:17:08.080 --> 1:17:10.320
<v Speaker 3>Anthony and I haven't gotten into nothing.

1:17:10.960 --> 1:17:11.800
<v Speaker 5>And y'all created it.

1:17:11.840 --> 1:17:14.040
<v Speaker 1>They didn't bring you guys the cake yet saying goodbye

1:17:14.080 --> 1:17:15.599
<v Speaker 1>and another.

1:17:16.200 --> 1:17:18.240
<v Speaker 3>But I mean, like Anthony and I had like to

1:17:18.439 --> 1:17:21.599
<v Speaker 3>work that closely with someone as much as I mean

1:17:21.880 --> 1:17:24.599
<v Speaker 3>we work fourteen hour days like it's just the longest ever,

1:17:24.760 --> 1:17:28.640
<v Speaker 3>you know, and the way we work together, it's just

1:17:28.760 --> 1:17:30.439
<v Speaker 3>been such a like such a joy.

1:17:30.560 --> 1:17:32.400
<v Speaker 5>It's a joy. It's a joy to watch.

1:17:33.240 --> 1:17:37.200
<v Speaker 4>It is everybody and y'all created the youngest executive producer.

1:17:37.000 --> 1:17:41.040
<v Speaker 3>Ever, she told She told us all back then when

1:17:41.040 --> 1:17:43.080
<v Speaker 3>we asked. There was a panel we did first season

1:17:43.760 --> 1:17:46.120
<v Speaker 3>and said what do you want to be to get older?

1:17:46.160 --> 1:17:47.480
<v Speaker 3>And she said a legend.

1:17:50.320 --> 1:17:54.200
<v Speaker 4>Episodes is a pilot where guys and we were all like, well, okay, then.

1:17:57.160 --> 1:18:02.640
<v Speaker 6>For president I'll so we we our listeners will kill

1:18:02.680 --> 1:18:05.280
<v Speaker 6>as we forget this. The Kanye video you have to tell.

1:18:06.680 --> 1:18:06.920
<v Speaker 1>Got it?

1:18:07.120 --> 1:18:08.240
<v Speaker 3>Which one touched this guy?

1:18:09.200 --> 1:18:10.880
<v Speaker 1>Which? What about stuff?

1:18:11.240 --> 1:18:11.400
<v Speaker 7>As?

1:18:12.080 --> 1:18:14.599
<v Speaker 1>Yeah, that was that. That was a guy.

1:18:16.840 --> 1:18:23.400
<v Speaker 3>I've done. I've done two Kanye videos. I was in

1:18:23.640 --> 1:18:28.120
<v Speaker 3>Kanye in workout plan. That was crazy. We flew on

1:18:28.360 --> 1:18:34.240
<v Speaker 3>helicopters into the Grand Canyon and we shot in the

1:18:34.360 --> 1:18:40.320
<v Speaker 3>Grand Canyon, me Nia Long and Pam Anderson. I was like,

1:18:40.680 --> 1:18:44.680
<v Speaker 3>what's going on right now? And I remember because he

1:18:44.840 --> 1:18:48.000
<v Speaker 3>was my neighbor. And he was like, I have an idea,

1:18:48.040 --> 1:18:51.479
<v Speaker 3>and I'm like okay. And he told me that the

1:18:52.160 --> 1:18:56.080
<v Speaker 3>uh you know the story of the the video. And

1:18:56.160 --> 1:18:57.920
<v Speaker 3>I was like, I don't understand. Why am I not

1:18:58.439 --> 1:19:01.240
<v Speaker 3>the other character? He said, because there knee along.

1:19:04.880 --> 1:19:07.360
<v Speaker 4>Right right right.

1:19:07.400 --> 1:19:09.040
<v Speaker 3>I get it. I get it now, I got it.

1:19:09.120 --> 1:19:11.559
<v Speaker 5>I was like, I just I'm funny.

1:19:12.000 --> 1:19:15.040
<v Speaker 3>I'm I'm I'm my own best advocate. So like, I'm

1:19:15.080 --> 1:19:17.880
<v Speaker 3>just wondering why, Like I wasn't like, but whatever. And

1:19:18.000 --> 1:19:21.360
<v Speaker 3>then we had so much fun doing that. Though that

1:19:21.400 --> 1:19:26.280
<v Speaker 3>was insane. It was freezing. I would have chose you no,

1:19:26.479 --> 1:19:30.800
<v Speaker 3>but no, but I I think I uh that you

1:19:30.920 --> 1:19:32.840
<v Speaker 3>know what about the hair? And that's that was me.

1:19:33.040 --> 1:19:36.680
<v Speaker 3>That was just me improving like a crazy person. What

1:19:36.760 --> 1:19:38.320
<v Speaker 3>are you gonna say? What are you gonna say? I said,

1:19:38.360 --> 1:19:41.640
<v Speaker 3>don't worry about it, Kanye, don't worry about it. Just

1:19:41.760 --> 1:19:45.080
<v Speaker 3>turn the cameras on and tell me say the A word,

1:19:45.560 --> 1:19:47.280
<v Speaker 3>say action, and it's gonna come.

1:19:47.720 --> 1:19:50.479
<v Speaker 1>Were you always were you? Always? Were you always the

1:19:50.560 --> 1:19:51.320
<v Speaker 1>family comedian?

1:19:51.920 --> 1:19:55.639
<v Speaker 3>Yes? Oh oh my god, my mom used to cheat.

1:19:57.920 --> 1:20:02.120
<v Speaker 3>My mom so our dining room table there were glass

1:20:02.240 --> 1:20:04.920
<v Speaker 3>like glass doors outside, and my mom like, I would

1:20:05.280 --> 1:20:08.280
<v Speaker 3>disrupt so much. I would have like the wiggles, that's

1:20:08.360 --> 1:20:11.000
<v Speaker 3>my grandma called it, the twelve year old giggles wiggles,

1:20:11.040 --> 1:20:13.600
<v Speaker 3>and I just had so much energy and so and

1:20:13.720 --> 1:20:16.040
<v Speaker 3>I would really like to poke at my sister Randa

1:20:16.360 --> 1:20:17.760
<v Speaker 3>to see if I could get her to laugh, but

1:20:17.880 --> 1:20:21.639
<v Speaker 3>usually it made her really angry. And so my mom

1:20:21.760 --> 1:20:25.280
<v Speaker 3>would excuse me from the table, why don't you go

1:20:25.400 --> 1:20:28.639
<v Speaker 3>outside and get the wiggles out? So I would stand

1:20:28.760 --> 1:20:33.080
<v Speaker 3>outside my family is eating dinner. I would stand outside

1:20:33.720 --> 1:20:40.760
<v Speaker 3>like I'd be like, and I would come back and

1:20:40.800 --> 1:20:43.160
<v Speaker 3>sit down and she would say, have you gotten them

1:20:43.160 --> 1:20:45.800
<v Speaker 3>all out? And I'd be like, I don't think. So

1:20:50.000 --> 1:20:54.839
<v Speaker 3>my mom was very supportive of my large, large energy.

1:20:55.360 --> 1:20:59.559
<v Speaker 5>Thank you, thank you mom. We thank you. No, we're

1:20:59.560 --> 1:21:00.000
<v Speaker 5>wrapping up.

1:21:00.000 --> 1:21:03.360
<v Speaker 3>But I'm gonna say this because my sister Rhonda, my

1:21:03.479 --> 1:21:04.880
<v Speaker 3>mom was such a good mom, as I said, and

1:21:04.920 --> 1:21:06.920
<v Speaker 3>my sister ron and my siblings are such great parents.

1:21:07.280 --> 1:21:10.080
<v Speaker 3>And when her son Raif is doing what I do,

1:21:10.240 --> 1:21:13.080
<v Speaker 3>because she gave birth to a little me, when he's

1:21:13.120 --> 1:21:15.960
<v Speaker 3>gonna I'm like, what is going on back there? I

1:21:16.000 --> 1:21:19.120
<v Speaker 3>can't even hear you? She says, he's being creative.

1:21:19.760 --> 1:21:22.479
<v Speaker 5>Yeah, saw him in an award show. He's hilarious.

1:21:22.560 --> 1:21:23.160
<v Speaker 1>I love him.

1:21:23.360 --> 1:21:25.360
<v Speaker 5>Yes, and he looked at Michael on the website.

1:21:25.680 --> 1:21:27.960
<v Speaker 3>Yeah, my son is being creative. Yes.

1:21:28.240 --> 1:21:31.240
<v Speaker 1>Yes, wait, this one quick question and this is totally

1:21:31.880 --> 1:21:36.040
<v Speaker 1>just random. Speaking of you, you and your relationship with

1:21:36.120 --> 1:21:41.720
<v Speaker 1>your mom. Was it you that influenced her to have

1:21:42.080 --> 1:21:46.639
<v Speaker 1>Ello Cool Jay on her special back in eighty seven?

1:21:47.479 --> 1:21:52.840
<v Speaker 3>Nor I know my mom is way cooler than I

1:21:52.960 --> 1:21:53.800
<v Speaker 3>could have made her.

1:21:53.720 --> 1:21:56.280
<v Speaker 1>Be, Okay, because I always wanted to know, like we

1:21:56.439 --> 1:21:58.040
<v Speaker 1>were like, what the hell is Llo doing? This is

1:21:58.080 --> 1:21:59.439
<v Speaker 1>like when Bigger and depfor First came out.

1:21:59.920 --> 1:22:02.840
<v Speaker 5>I don't believe you. We would have to see for ourselves.

1:22:05.600 --> 1:22:09.240
<v Speaker 1>Trust me, it's weird. No, like this is when her

1:22:09.560 --> 1:22:11.519
<v Speaker 1>Red Hot Rhythm and Blues album came out.

1:22:12.400 --> 1:22:13.439
<v Speaker 3>Well you know everything though.

1:22:13.680 --> 1:22:16.479
<v Speaker 1>Yeah, you know, Tracey, I really thank you for giving

1:22:16.600 --> 1:22:16.960
<v Speaker 1>making this.

1:22:19.200 --> 1:22:19.240
<v Speaker 3>Know.

1:22:19.360 --> 1:22:22.200
<v Speaker 1>I was really about to say thank you very.

1:22:22.160 --> 1:22:27.920
<v Speaker 3>Much, Ron and Tracy said you're welcome. I adore you,

1:22:28.920 --> 1:22:30.760
<v Speaker 3>and I'm so glad I finally got on here.

1:22:31.200 --> 1:22:33.639
<v Speaker 1>To our viewers out there, yes, viewers, to our listeners

1:22:33.640 --> 1:22:35.920
<v Speaker 1>out there, yes, I try to turn this into a

1:22:36.040 --> 1:22:38.760
<v Speaker 1>five hour Jimmy Jam episode. It didn't happen, So don't

1:22:38.800 --> 1:22:41.280
<v Speaker 1>get down at me because Tracey Ellis Ralse is booked

1:22:41.320 --> 1:22:41.759
<v Speaker 1>and busy.

1:22:43.320 --> 1:22:45.000
<v Speaker 5>Can you tell your daddy that we still want to

1:22:45.000 --> 1:22:48.640
<v Speaker 5>talk to him? No, I'm series, but he talked to us.

1:22:48.680 --> 1:22:49.599
<v Speaker 5>You think he would talk to us.

1:22:49.720 --> 1:22:51.519
<v Speaker 3>I think he'll talk talk to anybody. He talks to you.

1:22:51.520 --> 1:22:53.040
<v Speaker 3>If you're in the line of Starbucks, you're gonna get

1:22:53.040 --> 1:22:53.559
<v Speaker 3>the whole ear.

1:22:53.760 --> 1:22:57.240
<v Speaker 1>Yes, I cannot this episode.

1:22:58.680 --> 1:22:59.679
<v Speaker 3>Thank you, no joke.

1:23:00.120 --> 1:23:02.560
<v Speaker 1>I appreciate it. Tracy, run to your appointment. Thank you

1:23:02.720 --> 1:23:05.160
<v Speaker 1>very much. And this is Quest Love Supreme. Y'all, We

1:23:05.320 --> 1:23:13.120
<v Speaker 1>will see you next week next time. Bye, yo, what's up?

1:23:13.160 --> 1:23:13.799
<v Speaker 1>This is fante.

1:23:14.280 --> 1:23:16.479
<v Speaker 6>Make sure you keep up with us on Instagram at

1:23:16.600 --> 1:23:18.680
<v Speaker 6>QLs and let us know what you think and who

1:23:18.720 --> 1:23:20.000
<v Speaker 6>should be next to sit down with us.

1:23:20.280 --> 1:23:23.400
<v Speaker 1>Don't forget to subscribe to our podcast, all right? Peace.

1:23:32.760 --> 1:23:38.360
<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. For more

1:23:38.439 --> 1:23:42.440
<v Speaker 1>podcasts from iHeart Radio, visit the iHeart Radio app, Apple Podcasts,

1:23:42.880 --> 1:23:44.559
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