WEBVTT - Greg Evigan Meets World

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<v Speaker 1>I just got back from the wilderness.

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<v Speaker 2>Oh yeah, you posted a photo that said I might

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<v Speaker 2>think about this morning every day until the day I die.

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<v Speaker 1>It's the greatest. It was like one of the greatest

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<v Speaker 1>mornings in my life.

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<v Speaker 2>Yeah, what what it makes such a great morning in

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<v Speaker 2>the world.

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<v Speaker 1>Okay, just okay. So I refuse. I used to refuse to.

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<v Speaker 3>Bring hammocks backpacking because you don't want to carry extra weight.

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<v Speaker 3>And my wife gave me a hammock for Christmas like

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<v Speaker 3>two years ago, and I was like, oh, thanks, and

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<v Speaker 3>then I packed at this time. We got out there

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<v Speaker 3>and I used it every day and yeah, that was

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<v Speaker 3>like our third second or third morning out and we

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<v Speaker 3>just we'd hiked so far, like it was such a

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<v Speaker 3>hard hike the day before, and we were just on

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<v Speaker 3>top of this mountain valley and I found like this

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<v Speaker 3>cool spot to set up my hammock between this like

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<v Speaker 3>half dead tree and this still thriving tree. And my

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<v Speaker 3>friends decided to do a day hike, so they left

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<v Speaker 3>me alone. So I was like alone for like four

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<v Speaker 3>hours in the hammock, just looking down at the valley

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<v Speaker 3>and reading dostaevs Ski and just was like, oh my god,

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<v Speaker 3>this is like the most beautiful spot I've ever found

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<v Speaker 3>in the world. And yeah, it was gorgeous. So that's

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<v Speaker 3>why I took a photo. It was like from my PUV,

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<v Speaker 3>I'm like, here are my feet in this hammock. I'm like,

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<v Speaker 3>I'm gonna remember this forever. Yeah, I was glorious.

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<v Speaker 1>Why did you decide not to go on the hike?

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<v Speaker 1>I was exhausted. Man, I'm such a whimp.

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<v Speaker 3>Like my friends, Like, it's so funny because like what

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<v Speaker 3>I'm Whenever I'm like hiking with my son and my wife,

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<v Speaker 3>I'm always like a mile.

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<v Speaker 1>Ahead of them, and I think, like I'm a really

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<v Speaker 1>fast hiker.

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<v Speaker 3>And then I hike with my guy friends that I've

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<v Speaker 3>been backpacking with since we were like teenagers, and they're

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<v Speaker 3>always like literally two miles ahead of me and they

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<v Speaker 3>have no problem doing like straight uphill switchbacks for like

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<v Speaker 3>four and a half miles. Meanwhile, I literally puked our

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<v Speaker 3>first day, like I really, yes, we're hiking. We're hiking,

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<v Speaker 3>and we were just going like straight uphill for like

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<v Speaker 3>you know, I don't know, three miles, and I'm like,

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<v Speaker 3>I'm having a good time, but I'm like, oh, guys,

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<v Speaker 3>I need to stop. We had to stop and then

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<v Speaker 3>we like stopped and I'm like, I'm like super nauseous.

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<v Speaker 3>We're like, is it is it elevation? Like maybe it's elevation.

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<v Speaker 3>We like sit and chill for like thirty minutes, and

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<v Speaker 3>I'm just not feeling any better.

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<v Speaker 1>I'm like, I gotta go puket, just go puke. And

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<v Speaker 1>then I'm like, actually, now I feel better.

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<v Speaker 3>I feel it's totally just like so now I just

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<v Speaker 3>think it's like, you know me, if I if I

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<v Speaker 3>work out too hard, I just have to throw up.

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<v Speaker 4>Okay, this is anyway not my type of vacation.

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<v Speaker 1>I yeah, this is yourself. It's not Vegas getting the

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<v Speaker 1>bag it was. You're selling this definitely. Wow, oh my god.

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<v Speaker 3>This is the first time I've been to the Trinity Alps,

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<v Speaker 3>which is it's just amazing. You know, we usually backpack

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<v Speaker 3>in the Sierras, but I found the Trinity Alps, like

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<v Speaker 3>it's so much greener.

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<v Speaker 1>The wildflowers were crazy.

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<v Speaker 3>And yeah, you're not as high elevation, but it's it's gorgeous.

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<v Speaker 3>My brother got lost there when he was a teenager

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<v Speaker 3>for like three.

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<v Speaker 1>Days, so that's my My association.

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<v Speaker 3>With the Trinity Alps is like this horror story that Shiloh.

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<v Speaker 3>Shiloh was leading a group of like fifteen people and

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<v Speaker 3>they got lost for a couple of days in the wilderness.

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<v Speaker 3>But it's their own fault. They tried to take a

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<v Speaker 3>short cut. Yeah, it's a whole you know, and everyone

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<v Speaker 3>was fine, but like a girl broke her wrist while

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<v Speaker 3>they were lost.

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<v Speaker 1>Yeah, and it was really terrifying.

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<v Speaker 3>It was like a scary moment, you know, because they

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<v Speaker 3>were only like I think Shiloh was nineteen leading this trip.

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<v Speaker 3>So that's always been my association with the Trinity Alps.

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<v Speaker 3>It's like, oh my god, it's you.

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<v Speaker 1>Know, this this this place where Shiloh got lost. But

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<v Speaker 1>we went. We had the best time. Can I ask

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<v Speaker 1>where where are the Trinity Alps.

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<v Speaker 3>It's in northern California. Oh, like yeah, like near Reading.

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<v Speaker 3>Reading is the biggest town nearby. Yeah, it's beautiful and

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<v Speaker 3>uh like the you know, we're such old men now

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<v Speaker 3>we're so like into like our gear. The gear has

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<v Speaker 3>gotten so much better, Like now we use trekking poles.

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<v Speaker 3>Like we used to make fun of it. We used

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<v Speaker 3>to make fun of the old people. Yeah, they're like, yeah,

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<v Speaker 3>we used to make fun of when we were younger.

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<v Speaker 3>We like I remember back back when we were in

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<v Speaker 3>our twenties and we passed like the old people with

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<v Speaker 3>the trekking poles. We were like, my god, what's next, Like,

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<v Speaker 3>you know, are we going to take up birding? Sure enough?

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<v Speaker 3>Like now we're like really into spotting. Cool birds of

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<v Speaker 3>course are amazing. We're like, yeah, I mean none of

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<v Speaker 3>us are, like we're not those gear people, because like

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<v Speaker 3>there's some people who just obsessed over like having like

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<v Speaker 3>nice gear. We're not that, but we are, like, it's

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<v Speaker 3>pretty amazing how far things have come, like from when

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<v Speaker 3>we were younger, not only because like when we were younger,

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<v Speaker 3>we didn't care.

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<v Speaker 1>You were just like just throw it all on your

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<v Speaker 1>back and carry it. And now we're like, actually, how

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<v Speaker 1>much is that way? Do I have to take that much?

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<v Speaker 1>Oh my god?

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<v Speaker 5>We're as strong as hiking expedition sponsored by Insure.

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<v Speaker 1>What what's cool is that you actually run into a

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<v Speaker 1>lot of older people, Like there was a guy like

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<v Speaker 1>who people said, they're still there? Yeah, No, there was

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<v Speaker 1>a guy we ran into who was like.

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<v Speaker 3>Strekking up these like peaks by himself, and he I

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<v Speaker 3>mean he must have been seventy.

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<v Speaker 1>It was amazing because.

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<v Speaker 3>The the thing about backpacking is like you get to

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<v Speaker 3>go at your own pace. So as long as you're

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<v Speaker 3>not like like I was being dragged by friends who

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<v Speaker 3>are way more physically.

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<v Speaker 1>Fit than me.

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<v Speaker 3>If I was by myself, I would have been fine

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<v Speaker 3>to just take six hours to walk a mile or whatever.

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<v Speaker 2>How long I mean are you hiking for When you

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<v Speaker 2>say you guys were hiking straight uphill for three miles,

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<v Speaker 2>how long does that take?

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<v Speaker 3>I mean a couple hours? I mean like what, Like

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<v Speaker 3>I'm so slow? I would slow us down like I

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<v Speaker 3>would because I just want to take breaks and enjoy

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<v Speaker 3>the view. So like I'm only walking like two miles

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<v Speaker 3>an hour with all the weight on my back.

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<v Speaker 6>You know you're the guy any emergency that gets eat.

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<v Speaker 1>Yeah, yeah, I'm really slow.

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<v Speaker 3>So like, you know, we're not hiking more than like

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<v Speaker 3>seven to nine miles a day max.

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<v Speaker 7>With me.

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<v Speaker 3>I think if they were on their own, they could

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<v Speaker 3>probably do like ten to fifteen miles a day.

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<v Speaker 1>But I'm not doing that. I'm now already enjoying myself.

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<v Speaker 5>Going specifically to a place, meaning like if you start

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<v Speaker 5>at bottom, are you trying to get to a place

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<v Speaker 5>at top where you're going to camp or do you

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<v Speaker 5>just kind of touch wood and come back.

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<v Speaker 3>No, No, we get you get to what mountain lakes

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<v Speaker 3>are the goal, Like you want to camp on a

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<v Speaker 3>mountain lake, like a beautiful like So every campsite that

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<v Speaker 3>we picked was you know, based on knowing that we

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<v Speaker 3>were going to be in a probably a beautiful spot

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<v Speaker 3>where we could swim and jump in the lake and.

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<v Speaker 6>Were there other other campers there when you were doing.

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<v Speaker 3>Yeah, it was just yeah, okay, no, it actually was

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<v Speaker 3>kind of We're surprised because one of the reasons we

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<v Speaker 3>wanted to go here as opposed to like desolation wilderness,

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<v Speaker 3>is that it would be less crowded.

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<v Speaker 1>Was actually pretty packed still, don't you know?

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<v Speaker 3>You just see people coming in and then you find

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<v Speaker 3>your own campsite and hopefully you know, have some privacy there.

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<v Speaker 5>But okay, another question about the hammock. Yeah, do you

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<v Speaker 5>need like is this a free standing hammock where it's

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<v Speaker 5>got its own poles or you you screwing this into

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<v Speaker 5>a tree?

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<v Speaker 1>Screw it?

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<v Speaker 3>Yeah, you just tie in into a tree has its

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<v Speaker 3>own like you know, a wrap and then you just

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<v Speaker 3>caribbeaneer like to a rope and yeah.

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<v Speaker 2>A half a live tree and a thriving tree. The

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<v Speaker 2>picture that you posted, one of the pictures you posted

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<v Speaker 2>looked like your hammock was over a cravasse.

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<v Speaker 4>If you will, I will. How do.

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<v Speaker 2>How do you make sure your hammock isn't attached to

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<v Speaker 2>a branch or a tree that's just going to collapse

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<v Speaker 2>under you, collapse.

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<v Speaker 6>Into what Daniel becau. I want to hear you say

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<v Speaker 6>it again, cravas.

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<v Speaker 3>No, I wasn't over a crevasse. I was never more

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<v Speaker 3>than like, you know, two feet off the ground. Okay, yeah, yeah,

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<v Speaker 3>I'm just I was on a cliff's edge, like it

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<v Speaker 3>just drawed off, but you know in front of me.

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<v Speaker 1>Okay, to god the ball way? And how long were

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<v Speaker 1>you gone for? Total? Four days? Wow? Yeah, that's great.

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<v Speaker 1>Do cell phones and stuff they do they work up there?

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<v Speaker 1>Do you have? I mean we turn them off, We

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<v Speaker 1>turn them off.

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<v Speaker 2>When you come home from a four day hiking trip

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<v Speaker 2>where you've hiked to many, many, many miles, do you

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<v Speaker 2>feel refreshed and rejuvenated or are y exhausted both?

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<v Speaker 4>Both?

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<v Speaker 1>Okay?

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<v Speaker 3>Yeah, no, like I mean, it's it's it just makes

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<v Speaker 3>you appreciate I don't know, like we just couldn't wait

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<v Speaker 3>to get back and like take a shower and like

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<v Speaker 3>all the like creature comforts are suddenly so exciting, like

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<v Speaker 3>you know, eating a fresh salad. Oh yeah, you know,

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<v Speaker 3>but like, I don't know, four days is not that long,

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<v Speaker 3>Like when when I was younger and I used to

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<v Speaker 3>do like five to seven days. That's when you were like,

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<v Speaker 3>you know, you come back, and especially when you're younger

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<v Speaker 3>in time, because nowadays time just travels so fast that

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<v Speaker 3>four days feels like nothing. But it used to be

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<v Speaker 3>like when we were teenagers and we do this, it

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<v Speaker 3>feel like, you know, three days in the wilderness, and we'd.

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<v Speaker 1>Be like, what happened while we were gone? There's like

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<v Speaker 1>so much of the world could have changed. And now

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<v Speaker 1>we're just like, you know, it's not that big of

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<v Speaker 1>a deal.

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<v Speaker 3>But no, it's mostly just like, yeah, you know, I

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<v Speaker 3>talked about this with Will on our other podcast.

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<v Speaker 4>You have another podcast.

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<v Speaker 1>Yeah, we've been cheating on you with Survivor and Traders.

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<v Speaker 1>Sometimes you just need a fresh podcast. I can't help.

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<v Speaker 6>You really pushed us to it, Danielle.

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<v Speaker 1>It's really your fault.

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<v Speaker 3>We're talking about Survivor and you know, I just talking

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<v Speaker 3>about how I love being in nature, mostly to feel

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<v Speaker 3>your own insignificance, you know, Like that is to me

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<v Speaker 3>a very positive feeling, Like sitting in that valley and

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<v Speaker 3>that hammock, it's like that it's like, oh wow, the

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<v Speaker 3>world is so big and there's so much going on

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<v Speaker 3>that has nothing to do with me. And I find

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<v Speaker 3>that very soothing and very like exciting in a way

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<v Speaker 3>because it's like, oh, my life is like this small

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<v Speaker 3>little corner that I am, you know, in charge of,

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<v Speaker 3>and I just yeah, it makes me a pret siate

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<v Speaker 3>life more so I come back totally recharged, and you know,

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<v Speaker 3>it also just puts things into perspective.

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<v Speaker 2>I think, So yeah, wow, Well, I still I'm not

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<v Speaker 2>sure about hiking nine miles in one day with a

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<v Speaker 2>bunch of gear on my back, but I do love

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<v Speaker 2>the idea of relaxing by a lake and having a

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<v Speaker 2>campfire and being in a hammock. So I if I

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<v Speaker 2>could hike for less time to get to a pretty place,

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<v Speaker 2>I see.

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<v Speaker 3>That's part of it is the inaccessibility, Like that's I know,

0:10:33.840 --> 0:10:36.640
<v Speaker 3>is the accomplishment and the sense that like because like

0:10:36.679 --> 0:10:39.080
<v Speaker 3>if you if you just jump there, right, if you

0:10:39.080 --> 0:10:41.679
<v Speaker 3>could just like teleport somewhere, it's not nearly as exciting

0:10:41.720 --> 0:10:44.720
<v Speaker 3>as like, oh my god, halfway hiking up this hill,

0:10:44.760 --> 0:10:46.040
<v Speaker 3>I thought I would never make it.

0:10:46.120 --> 0:10:48.880
<v Speaker 1>I was tired. I just didn't know what to expect.

0:10:48.920 --> 0:10:51.800
<v Speaker 1>And then you get there and it's like this beautiful.

0:10:52.200 --> 0:10:54.920
<v Speaker 3>Lake or waterfall or something that you could only see

0:10:54.920 --> 0:10:57.040
<v Speaker 3>by getting here on foot, and you're just like, oh,

0:10:57.320 --> 0:10:59.839
<v Speaker 3>this is special, you know, and that accomplishment.

0:11:00.040 --> 0:11:02.559
<v Speaker 2>There are such a small percentage of people who are

0:11:02.640 --> 0:11:05.760
<v Speaker 2>ever going to see it because not that many people

0:11:05.800 --> 0:11:07.560
<v Speaker 2>are ever going to be able to make that track.

0:11:08.120 --> 0:11:11.360
<v Speaker 2>So like, I'm getting to see and witness and appreciate

0:11:11.440 --> 0:11:14.439
<v Speaker 2>something that is a luxury that I was able to do.

0:11:15.400 --> 0:11:17.839
<v Speaker 2>So I do get that. Yeah, that makes that makes sense.

0:11:17.920 --> 0:11:19.640
<v Speaker 2>But then I want to be done. I want to

0:11:19.679 --> 0:11:23.120
<v Speaker 2>have done that for one day and then spend four

0:11:23.240 --> 0:11:24.480
<v Speaker 2>days at the beautiful place.

0:11:24.880 --> 0:11:25.160
<v Speaker 7>I want.

0:11:25.160 --> 0:11:26.280
<v Speaker 1>A whitewater raft.

0:11:27.679 --> 0:11:30.120
<v Speaker 3>Is a good way to do it too, because it's like, yeah,

0:11:30.160 --> 0:11:32.840
<v Speaker 3>because that is you're getting deep into the wilderness, but

0:11:32.920 --> 0:11:34.360
<v Speaker 3>you don't have to hike, you're just riding.

0:11:34.480 --> 0:11:39.320
<v Speaker 1>It's like a roller coaster. Let that do. It's such

0:11:39.320 --> 0:11:40.760
<v Speaker 1>a bucket listing. I would love that.

0:11:40.920 --> 0:11:44.240
<v Speaker 3>Cast A family that was using lamas so they weren't

0:11:44.240 --> 0:11:44.839
<v Speaker 3>carrying anything.

0:11:44.880 --> 0:11:45.560
<v Speaker 1>The lamas.

0:11:45.640 --> 0:11:48.040
<v Speaker 3>It was like four lamas with all the packed with

0:11:48.080 --> 0:11:49.120
<v Speaker 3>all their stuff.

0:11:49.080 --> 0:11:53.160
<v Speaker 5>And they're like their lamas is it? Is it budget?

0:11:52.400 --> 0:11:56.840
<v Speaker 3>If you can rent them for backcountry trips. When I

0:11:56.880 --> 0:11:58.400
<v Speaker 3>was a kid, we did it with my parents. We

0:11:58.440 --> 0:12:01.200
<v Speaker 3>did burrows and it was a disaster because they were

0:12:01.280 --> 0:12:03.679
<v Speaker 3>like refused to cross water and like I just remember

0:12:03.720 --> 0:12:05.800
<v Speaker 3>my mom like freaking out trying to pull up breat

0:12:05.800 --> 0:12:06.520
<v Speaker 3>We ended up having to.

0:12:06.559 --> 0:12:08.160
<v Speaker 1>Abort the trip after like two days.

0:12:08.360 --> 0:12:10.840
<v Speaker 3>But yes, but I guess lamas are another pack animal

0:12:10.880 --> 0:12:12.360
<v Speaker 3>that you can take into the back country.

0:12:12.559 --> 0:12:13.720
<v Speaker 1>We were like, that's cool.

0:12:13.920 --> 0:12:14.120
<v Speaker 5>Yeah.

0:12:14.360 --> 0:12:14.560
<v Speaker 7>Cool.

0:12:14.600 --> 0:12:16.400
<v Speaker 5>Also, if you're a LAMA gold member, you get to

0:12:16.400 --> 0:12:18.040
<v Speaker 5>skip the counter and you just go right to pick

0:12:18.120 --> 0:12:19.439
<v Speaker 5>up your lama, which is awesome.

0:12:21.080 --> 0:12:22.760
<v Speaker 4>Your Lama's in space thirty two.

0:12:24.000 --> 0:12:26.120
<v Speaker 1>You walk out, It's like, this is a horse. This

0:12:26.240 --> 0:12:28.120
<v Speaker 1>is so different than the picture. This is not right.

0:12:28.160 --> 0:12:32.120
<v Speaker 4>It's unbelievable. Welcome to vod meets World.

0:12:32.120 --> 0:12:47.200
<v Speaker 8>I'm Daniel Fishel, I'm rather or Strong, and I'm Wilfordell.

0:12:47.240 --> 0:12:51.040
<v Speaker 2>At some point in Michael Jordan's athletic career, he had

0:12:51.080 --> 0:12:53.280
<v Speaker 2>to make a decision and I'm not talking about the

0:12:53.280 --> 0:12:55.480
<v Speaker 2>one where he agreed to team up with the Looney

0:12:55.520 --> 0:12:58.040
<v Speaker 2>Tunes in order to defeat an intergalactic dream team of

0:12:58.080 --> 0:12:59.800
<v Speaker 2>monstars in a game of five on five to save

0:12:59.840 --> 0:13:02.920
<v Speaker 2>our universe. I mean, that was clearly a decision that

0:13:03.160 --> 0:13:05.920
<v Speaker 2>had to be made. I'm talking about when he was

0:13:05.960 --> 0:13:11.080
<v Speaker 2>a teenager showing athletic dominance in two different sports, basketball

0:13:11.480 --> 0:13:14.400
<v Speaker 2>and baseball. He knew he could go pro in both,

0:13:14.480 --> 0:13:17.080
<v Speaker 2>but had to figure out which path offered the greatest

0:13:17.080 --> 0:13:20.960
<v Speaker 2>opportunity for success. And today we're talking to the Michael

0:13:21.040 --> 0:13:25.839
<v Speaker 2>Jordan of a different MJ universe. Beginning at just eight

0:13:25.920 --> 0:13:28.960
<v Speaker 2>years old, our guest was classically trained in piano, a

0:13:29.000 --> 0:13:31.800
<v Speaker 2>springboard into a handful of other instruments he would pick

0:13:31.880 --> 0:13:35.040
<v Speaker 2>up as a kid, like the organ and saxophone. The

0:13:35.080 --> 0:13:37.520
<v Speaker 2>New Jersey native would form rock bands as a teen

0:13:37.600 --> 0:13:39.800
<v Speaker 2>and then graduate high school and directly join the.

0:13:39.720 --> 0:13:41.880
<v Speaker 4>Broadway production of Jesus Christ Superstar.

0:13:42.520 --> 0:13:45.440
<v Speaker 2>Soon after, he'd star as Danny Zuko in Greece on

0:13:45.520 --> 0:13:49.040
<v Speaker 2>Broadway and continue a trajectory into the world of song

0:13:49.280 --> 0:13:52.600
<v Speaker 2>and stage until he moved to la and realized that

0:13:52.720 --> 0:13:55.400
<v Speaker 2>maybe it was acting that was his foot in the

0:13:55.440 --> 0:13:58.120
<v Speaker 2>door of the industry. Because in nineteen seventy eight, he

0:13:58.200 --> 0:14:02.079
<v Speaker 2>got his big break playing Billy Joe b J. McKay,

0:14:02.440 --> 0:14:05.720
<v Speaker 2>a truck driver whose best friend was a chimpanzee named Bear.

0:14:06.040 --> 0:14:09.560
<v Speaker 2>In bj and the Bear. He'd appear on various TV

0:14:09.640 --> 0:14:12.000
<v Speaker 2>shows like Murder, She Wrote and Matt Locke before being

0:14:12.040 --> 0:14:15.120
<v Speaker 2>cast on a brand news sitcom created by a young

0:14:15.280 --> 0:14:19.600
<v Speaker 2>Michael Jacobs called My Two Dads. He'd star opposite stand

0:14:19.680 --> 0:14:22.880
<v Speaker 2>up comedian Paul Riser and friend of the show Stacy Keenan,

0:14:23.200 --> 0:14:26.480
<v Speaker 2>taking home a People's Choice Award for Favorite New Comedy

0:14:26.720 --> 0:14:30.600
<v Speaker 2>and becoming one of the quintessential examples of late eighties TV.

0:14:31.480 --> 0:14:35.600
<v Speaker 2>But what about music, Well, he would maintain a fruitful

0:14:35.640 --> 0:14:38.920
<v Speaker 2>career in Hollywood, most notably on melrose Place, Tech War,

0:14:39.080 --> 0:14:43.120
<v Speaker 2>Desperate Housewives, and General Hospital, while also living a parallel

0:14:43.120 --> 0:14:46.760
<v Speaker 2>existence as a songwriter and musician. You may even know

0:14:46.840 --> 0:14:49.880
<v Speaker 2>one of his tunes, the theme song he convinced Michael

0:14:49.920 --> 0:14:53.720
<v Speaker 2>to use for My Two Dads. But now he is

0:14:53.760 --> 0:14:56.640
<v Speaker 2>taking on the biggest undertaking of his creative life, a

0:14:56.720 --> 0:14:59.760
<v Speaker 2>dream come true in the form of Greg Evigan with

0:14:59.800 --> 0:15:03.720
<v Speaker 2>Love London's Royal Philharmonic Orchestra, an album recorded at the

0:15:03.840 --> 0:15:07.320
<v Speaker 2>legendary Abbey Road Studios in London with the sixty five

0:15:07.400 --> 0:15:11.760
<v Speaker 2>piece orchestra Wow. And today we are ready to talk

0:15:11.800 --> 0:15:15.080
<v Speaker 2>about all of it, acting and music with our guest

0:15:15.120 --> 0:15:20.240
<v Speaker 2>on Podmeets World, the just announced Lifetime Achievement Award recipient

0:15:20.320 --> 0:15:22.000
<v Speaker 2>at the Young Entertainer Awards.

0:15:22.360 --> 0:15:29.320
<v Speaker 4>It's Greg Evigan. Hey, right, how are you?

0:15:30.120 --> 0:15:31.200
<v Speaker 7>Ray? How about you?

0:15:31.400 --> 0:15:34.040
<v Speaker 4>It's so good, it's so good to see you. Thank

0:15:34.120 --> 0:15:35.080
<v Speaker 4>you for being here.

0:15:35.480 --> 0:15:39.320
<v Speaker 2>Fair warning, we did compare you to Michael Jordan in

0:15:39.520 --> 0:15:40.040
<v Speaker 2>our intro.

0:15:40.240 --> 0:15:41.760
<v Speaker 4>I just I do need you to know that.

0:15:41.800 --> 0:15:42.720
<v Speaker 1>Because Michael Jordan.

0:15:43.120 --> 0:15:45.440
<v Speaker 4>I mean, yes, we did do that.

0:15:45.480 --> 0:15:50.120
<v Speaker 2>But I want to jump in by talking about what

0:15:50.680 --> 0:15:55.000
<v Speaker 2>is it that made you such a creative person. You

0:15:55.040 --> 0:15:58.400
<v Speaker 2>were born in New Jersey. Your dad's an electrician, Your

0:15:58.440 --> 0:16:02.920
<v Speaker 2>mom was a homemaker. Where did your artsy gene come from?

0:16:03.360 --> 0:16:06.240
<v Speaker 7>Oh man, that's my well, my mom even though she

0:16:06.280 --> 0:16:07.600
<v Speaker 7>was a homemaker, you know, in those days, it was

0:16:07.640 --> 0:16:09.880
<v Speaker 7>a little it was a little uh you didn't get

0:16:09.920 --> 0:16:11.960
<v Speaker 7>to do all the things you wanted to as a woman.

0:16:12.040 --> 0:16:14.360
<v Speaker 9>Let's just say, uh uh.

0:16:14.480 --> 0:16:16.240
<v Speaker 7>You know she was she played the piano, She played

0:16:16.280 --> 0:16:18.840
<v Speaker 7>incredible piano. My mother, I mean she was you know

0:16:18.960 --> 0:16:22.200
<v Speaker 7>Rhapsody in Blue. I mean she she was phenomenal. You know.

0:16:22.520 --> 0:16:25.400
<v Speaker 7>There was a bust on our piano of Beethoven, and

0:16:25.440 --> 0:16:28.080
<v Speaker 7>when my mother played my my grandfather would leave the

0:16:28.120 --> 0:16:30.040
<v Speaker 7>bust out. You know. When I played some of the

0:16:30.080 --> 0:16:32.560
<v Speaker 7>stuff I played on the rock, he turned the bust around.

0:16:35.960 --> 0:16:38.240
<v Speaker 4>That's funny. He clearly had a favorite.

0:16:38.640 --> 0:16:42.480
<v Speaker 7>Yeah. But you but if you could hear this stuff

0:16:42.480 --> 0:16:44.400
<v Speaker 7>now that I've been doing, I think he'd keep the

0:16:44.400 --> 0:16:45.520
<v Speaker 7>bus for Yeah.

0:16:46.640 --> 0:16:47.680
<v Speaker 9>I was a singer too, you know.

0:16:47.720 --> 0:16:49.040
<v Speaker 7>He was uh, you know he was.

0:16:49.320 --> 0:16:51.480
<v Speaker 9>He sang, but he kind of chickened out.

0:16:51.520 --> 0:16:52.880
<v Speaker 7>He got a chance in New York, you know, to

0:16:52.920 --> 0:16:55.360
<v Speaker 7>go and go to New York in a club and

0:16:55.400 --> 0:16:57.240
<v Speaker 7>he told me the story. He says, his legs were

0:16:57.280 --> 0:16:59.680
<v Speaker 7>so weak, his knees, he couldn't even he couldn't even

0:16:59.720 --> 0:17:03.080
<v Speaker 7>make it. He never went on, Oh wow, man, you

0:17:03.160 --> 0:17:06.199
<v Speaker 7>had this thing about you know, and you know, you

0:17:06.240 --> 0:17:07.760
<v Speaker 7>get you get a lot of that when you're a kid.

0:17:07.960 --> 0:17:09.639
<v Speaker 7>You pick it up when you hear that story. Then

0:17:09.680 --> 0:17:11.720
<v Speaker 7>you start to think. You know, so I remember a

0:17:11.760 --> 0:17:14.760
<v Speaker 7>few times where I had to get over kind of nervousness.

0:17:14.800 --> 0:17:14.960
<v Speaker 7>You know.

0:17:15.160 --> 0:17:18.439
<v Speaker 2>Yeah, you had to gain your confidence and your confidence right, okay,

0:17:18.440 --> 0:17:20.200
<v Speaker 2>But both your parents were musicians.

0:17:20.200 --> 0:17:21.760
<v Speaker 7>Basically, they'll probably loved music.

0:17:21.760 --> 0:17:23.040
<v Speaker 9>They sang together. My mother played.

0:17:23.080 --> 0:17:28.199
<v Speaker 7>They did two records together, Nice Scratchy Bessa May Mucho

0:17:28.240 --> 0:17:31.520
<v Speaker 7>and uh, I think I can't remember the other one

0:17:31.560 --> 0:17:34.239
<v Speaker 7>right now, but but that she played the fiano when

0:17:34.280 --> 0:17:34.960
<v Speaker 7>he sang.

0:17:34.720 --> 0:17:37.440
<v Speaker 4>You know, wow, that is great, pretty good.

0:17:37.880 --> 0:17:43.080
<v Speaker 2>Now, we were all creative kids, some might even say talented,

0:17:43.200 --> 0:17:47.160
<v Speaker 2>but none of us were classically trained at eight years old.

0:17:47.320 --> 0:17:51.440
<v Speaker 4>Creative or talented? So which came first for you?

0:17:51.480 --> 0:17:54.679
<v Speaker 2>Did you show signs of talent first and so then

0:17:54.720 --> 0:17:57.120
<v Speaker 2>they put you in classes? Or did classes bring out

0:17:57.160 --> 0:17:57.679
<v Speaker 2>your passion?

0:17:58.640 --> 0:18:00.920
<v Speaker 7>I think, uh, I think my mother up being such

0:18:00.960 --> 0:18:04.720
<v Speaker 7>an incredible pianist. I think she just I think she

0:18:05.119 --> 0:18:07.000
<v Speaker 7>wanted to offer that to me and she had she

0:18:07.880 --> 0:18:09.560
<v Speaker 7>because when you're a kid, you know, my fingers were

0:18:09.560 --> 0:18:11.919
<v Speaker 7>always long, So so they look at your you know,

0:18:12.240 --> 0:18:14.080
<v Speaker 7>are your fingers long enough? Do you reach all the kids?

0:18:14.080 --> 0:18:16.960
<v Speaker 7>Because you want to get frustrated? Right, yeah, you can.

0:18:17.000 --> 0:18:19.320
<v Speaker 7>You can put it. Put a kid on the piano

0:18:19.400 --> 0:18:22.600
<v Speaker 7>and and he's got really short fingers, and and maybe

0:18:22.800 --> 0:18:24.719
<v Speaker 7>right away gets a little turned off in the beginning.

0:18:24.720 --> 0:18:25.439
<v Speaker 9>They can't do it.

0:18:25.480 --> 0:18:28.320
<v Speaker 7>But yeah, I uh but I you know, I had

0:18:28.320 --> 0:18:30.679
<v Speaker 7>the long fingers and I had the interest in it.

0:18:30.720 --> 0:18:33.919
<v Speaker 7>I was always I was watched her and uh and

0:18:34.000 --> 0:18:36.720
<v Speaker 7>so she gave me the lessons, which I didn't didn't love,

0:18:36.880 --> 0:18:39.760
<v Speaker 7>you know, kid, I didn't love doing that, you know,

0:18:40.080 --> 0:18:42.600
<v Speaker 7>but uh, but I started to love it, you know,

0:18:42.640 --> 0:18:44.439
<v Speaker 7>I started to like and then I started to realize

0:18:44.480 --> 0:18:47.480
<v Speaker 7>I could actually do it. Play you know, Beethoven and

0:18:47.560 --> 0:18:49.760
<v Speaker 7>Bach and two part inventions and all that. You know,

0:18:49.760 --> 0:18:52.879
<v Speaker 7>that's all the time, you know, and uh and so

0:18:53.000 --> 0:18:54.800
<v Speaker 7>I you know, I still I stuck with it. I'm

0:18:54.840 --> 0:18:57.040
<v Speaker 7>glad I did because it led into uh with the

0:18:57.359 --> 0:18:59.359
<v Speaker 7>with the rock bands, you know in Sarahville where I

0:18:59.359 --> 0:19:02.240
<v Speaker 7>grew up, and Jersey, Uh, you know, I got I

0:19:02.240 --> 0:19:04.479
<v Speaker 7>had four different bands I was in, you know, so

0:19:04.520 --> 0:19:07.320
<v Speaker 7>that translated to playing the organ in a band. You know. Yeah,

0:19:07.760 --> 0:19:09.879
<v Speaker 7>back to the other music later. I always kept the

0:19:10.000 --> 0:19:12.639
<v Speaker 7>uh the stuff that's you heard a little few cuts

0:19:12.640 --> 0:19:16.680
<v Speaker 7>from the album, right, yes, you know, so that's uh

0:19:16.720 --> 0:19:18.840
<v Speaker 7>that was Those are pieces that I kept writing along

0:19:18.880 --> 0:19:21.000
<v Speaker 7>the way, you know, just things that I kept on

0:19:21.080 --> 0:19:23.720
<v Speaker 7>doing along the way. And uh. And then it wasn't

0:19:23.840 --> 0:19:25.840
<v Speaker 7>until a friend of mine, Joe Coril, who was a

0:19:25.840 --> 0:19:29.200
<v Speaker 7>conductor and uh and a great arranger.

0:19:29.800 --> 0:19:31.320
<v Speaker 9>Uh said hey, Greg, what are you gonna do with

0:19:31.320 --> 0:19:31.879
<v Speaker 9>these pieces?

0:19:31.920 --> 0:19:32.080
<v Speaker 7>You know?

0:19:32.720 --> 0:19:34.800
<v Speaker 9>And that's when we went to London and we.

0:19:34.760 --> 0:19:37.879
<v Speaker 7>Did the Happy Road, we did the we did the

0:19:37.920 --> 0:19:38.560
<v Speaker 7>eight Pieces.

0:19:38.960 --> 0:19:41.040
<v Speaker 4>Oh, I've got a bunch of questions about that.

0:19:41.440 --> 0:19:42.560
<v Speaker 6>Yeah, I have a question beforehand.

0:19:42.600 --> 0:19:45.840
<v Speaker 5>So you're you're saying you're in rock bands, four different

0:19:45.920 --> 0:19:47.040
<v Speaker 5>rock bands in New Jersey.

0:19:47.400 --> 0:19:49.800
<v Speaker 6>What was your kind of rock inspiration?

0:19:49.880 --> 0:19:52.200
<v Speaker 5>What bands were you listening to that you were trying

0:19:52.200 --> 0:19:53.879
<v Speaker 5>to emulate or you wanted to you know, that was

0:19:53.920 --> 0:19:55.440
<v Speaker 5>like that's the sound, that's the sound I love.

0:19:55.560 --> 0:19:57.399
<v Speaker 7>There were so many then I got to tell you.

0:19:57.440 --> 0:20:00.320
<v Speaker 7>But but the Doors, you know, okay of my Fire,

0:20:00.400 --> 0:20:03.040
<v Speaker 7>I mean I remember that was the get that just

0:20:03.160 --> 0:20:05.119
<v Speaker 7>right because I had the I bought the far Fista

0:20:05.200 --> 0:20:09.119
<v Speaker 7>Combo Deluxe, which was the keyboard I had, so that

0:20:09.200 --> 0:20:11.600
<v Speaker 7>was put every pen I had into that and that really,

0:20:11.680 --> 0:20:12.920
<v Speaker 7>you know, that was great to be in the band

0:20:12.960 --> 0:20:15.879
<v Speaker 7>with that, and uh, you know, the Doors. But I

0:20:16.240 --> 0:20:18.639
<v Speaker 7>very re collected because I loved, you know, like the

0:20:18.640 --> 0:20:21.399
<v Speaker 7>Temptations of four Tops. I mean I used to love

0:20:21.480 --> 0:20:25.639
<v Speaker 7>all those, you know. I was mostly into pop, R

0:20:25.680 --> 0:20:28.919
<v Speaker 7>and B, you know, so many groups. But you know,

0:20:29.000 --> 0:20:32.400
<v Speaker 7>we had so many inspirations the Beatles, of course.

0:20:33.000 --> 0:20:37.400
<v Speaker 2>So you graduated from high school and then jumped right

0:20:37.400 --> 0:20:41.000
<v Speaker 2>into the Broadway company for Jesus Christ Superstar. Was this

0:20:41.200 --> 0:20:43.879
<v Speaker 2>the most daunting college ever?

0:20:45.480 --> 0:20:45.680
<v Speaker 7>Oh?

0:20:45.720 --> 0:20:48.080
<v Speaker 9>My god, it was. It was amazing.

0:20:48.119 --> 0:20:49.760
<v Speaker 7>I mean it was like I always say, like I

0:20:49.880 --> 0:20:51.879
<v Speaker 7>went from a school bus to a tour bus, you know,

0:20:53.080 --> 0:20:58.480
<v Speaker 7>And it was literally that that summer was probably the

0:20:58.520 --> 0:21:01.280
<v Speaker 7>biggest wake up call of all you know what I mean.

0:21:01.680 --> 0:21:04.399
<v Speaker 7>Or it was in New York with every every freaking

0:21:04.440 --> 0:21:05.840
<v Speaker 7>New York was on that line. You know. We had

0:21:05.880 --> 0:21:08.199
<v Speaker 7>fifteen thousand people on that line. You know, it was

0:21:08.240 --> 0:21:10.680
<v Speaker 7>just freaky a bunch of people. We thought we were

0:21:10.680 --> 0:21:12.959
<v Speaker 7>so cool with what we had on It was like nope,

0:21:15.200 --> 0:21:17.600
<v Speaker 7>you know. And uh, but you know, the good thing

0:21:17.640 --> 0:21:20.240
<v Speaker 7>is I went in and at the last minute he said,

0:21:20.240 --> 0:21:22.840
<v Speaker 7>sing twelve bars, And I said, twelve bars. I learned

0:21:22.840 --> 0:21:24.240
<v Speaker 7>the whole album. I'm like, I'm not going to sing

0:21:24.280 --> 0:21:26.919
<v Speaker 7>twelve bars. I'm starting this song from the beginning, you know.

0:21:27.200 --> 0:21:29.520
<v Speaker 7>And I went in and I did the Gardener with

0:21:29.560 --> 0:21:33.960
<v Speaker 7>Guessemite and uh, and I did that one for the

0:21:34.040 --> 0:21:37.720
<v Speaker 7>role of Jesus, and uh, after a long summer. It

0:21:37.760 --> 0:21:39.640
<v Speaker 7>was a whole fifteen auditions, you know, we went through

0:21:39.640 --> 0:21:41.359
<v Speaker 7>the whole whole summer on well.

0:21:41.200 --> 0:21:43.320
<v Speaker 9>You know it is you know, you get when something

0:21:43.359 --> 0:21:43.560
<v Speaker 9>like that.

0:21:43.600 --> 0:21:45.879
<v Speaker 7>And then they put us into three different groups, and uh,

0:21:46.480 --> 0:21:48.880
<v Speaker 7>I was in Group B. Group A was the first

0:21:48.880 --> 0:21:53.080
<v Speaker 7>Broadway tour Broadway Company. Group B was the first Broadway tour,

0:21:53.560 --> 0:21:56.080
<v Speaker 7>and Group C was thank you very much for your trouble,

0:21:56.800 --> 0:21:57.000
<v Speaker 7>you know.

0:21:57.480 --> 0:21:59.000
<v Speaker 9>Wow, yeah, but.

0:21:59.000 --> 0:22:01.720
<v Speaker 7>It was and they handled the contracts right there. It was,

0:22:01.840 --> 0:22:05.440
<v Speaker 7>oh my god, you know you're signing up, You're going

0:22:05.480 --> 0:22:08.040
<v Speaker 7>and then that was it. I was in September October.

0:22:08.080 --> 0:22:10.320
<v Speaker 7>I was on the in the bust and truck truck

0:22:10.400 --> 0:22:13.360
<v Speaker 7>leaving for and we went around the country twice, wow,

0:22:13.560 --> 0:22:16.879
<v Speaker 7>doing three nighters everywhere we went. The big trip was

0:22:16.880 --> 0:22:19.160
<v Speaker 7>when we went to Hawaii and Canada. We went to Vancouver,

0:22:19.240 --> 0:22:22.359
<v Speaker 7>we went to you know, Toronto, and those are the

0:22:22.440 --> 0:22:24.320
<v Speaker 7>that's when we got on a plane to go someplace.

0:22:24.320 --> 0:22:28.160
<v Speaker 7>But yeah, place else was just uh, you know, busting truck.

0:22:28.640 --> 0:22:30.240
<v Speaker 1>So how I mean, how many shows do you think

0:22:30.240 --> 0:22:30.879
<v Speaker 1>you did total?

0:22:32.000 --> 0:22:34.800
<v Speaker 7>I think I did combined with Broadway because I went

0:22:34.800 --> 0:22:36.760
<v Speaker 7>and did it for another year on Broadway. I would say,

0:22:37.119 --> 0:22:38.480
<v Speaker 7>I say, I would say I had this seven or

0:22:38.520 --> 0:22:39.720
<v Speaker 7>eight hundred shows something like that.

0:22:41.720 --> 0:22:43.159
<v Speaker 9>Yes, he added it up every.

0:22:43.080 --> 0:22:47.320
<v Speaker 7>Night for two years, you know, yeah, eight nights, you know,

0:22:47.400 --> 0:22:49.160
<v Speaker 7>eight shows a week time.

0:22:49.200 --> 0:22:50.880
<v Speaker 9>Whatever the math is on that, I was sick.

0:22:52.720 --> 0:22:55.199
<v Speaker 1>Yeah, And what was what was the scene? What was

0:22:55.240 --> 0:22:56.359
<v Speaker 1>I want to know, what the like?

0:22:56.440 --> 0:22:59.320
<v Speaker 3>What you and your fellow cast mates like, what what

0:22:59.400 --> 0:23:00.000
<v Speaker 3>was the vibe?

0:23:00.200 --> 0:23:03.000
<v Speaker 7>Let's see, Okay, I was wondering.

0:23:04.040 --> 0:23:06.480
<v Speaker 1>It was a distinct countercultural time, right.

0:23:07.359 --> 0:23:10.080
<v Speaker 7>And you guys were protests. We had protests. When we

0:23:10.119 --> 0:23:14.080
<v Speaker 7>went into uh, Canada to Vancouver, there was big there's

0:23:14.119 --> 0:23:15.879
<v Speaker 7>a whole big protest. They didn't want us to come up.

0:23:16.119 --> 0:23:21.600
<v Speaker 7>Wow Jesus Christ, superstar the guy, right, So there was

0:23:21.640 --> 0:23:24.680
<v Speaker 7>nothing in that show that was, you know, blasphemy in

0:23:24.760 --> 0:23:27.280
<v Speaker 7>any way, you know, and it was and it was

0:23:27.560 --> 0:23:29.639
<v Speaker 7>it was such a great, great way to say it

0:23:29.680 --> 0:23:32.120
<v Speaker 7>for the time, you know. But a lot of people

0:23:32.119 --> 0:23:33.800
<v Speaker 7>didn't they didn't want to see that. But but the

0:23:33.840 --> 0:23:37.399
<v Speaker 7>scene inside the scene was uh, pretty much. We had

0:23:37.840 --> 0:23:40.240
<v Speaker 7>we had so many different types of people on the show.

0:23:40.280 --> 0:23:42.280
<v Speaker 7>I mean, yeah, the one guy I know was doing

0:23:42.359 --> 0:23:44.480
<v Speaker 7>acid every day.

0:23:44.880 --> 0:23:45.840
<v Speaker 9>He was doing acid.

0:23:45.880 --> 0:23:49.639
<v Speaker 7>He couldn't do a show without doing wow. You know me,

0:23:49.880 --> 0:23:52.000
<v Speaker 7>I I never did that because I was always kind

0:23:52.000 --> 0:23:56.520
<v Speaker 7>of I always wanted to you know, maybe maybe once

0:23:56.640 --> 0:23:59.080
<v Speaker 7>or twice, because it didn't help. It didn't help my voice.

0:23:58.880 --> 0:24:00.280
<v Speaker 9>You know what I mean, How can you do your

0:24:00.440 --> 0:24:01.960
<v Speaker 9>job weed or anything like that.

0:24:02.040 --> 0:24:05.200
<v Speaker 7>I didn't do anything because I would do my extracurricular

0:24:05.480 --> 0:24:11.760
<v Speaker 7>on my own time. Yeah and uh or before whatever. No, yeah,

0:24:11.800 --> 0:24:15.439
<v Speaker 7>so uh but I I mean it was really we

0:24:15.480 --> 0:24:17.360
<v Speaker 7>had all different types, you know, I mean we had

0:24:17.880 --> 0:24:20.560
<v Speaker 7>it was so eclectic. The show. I can't I can't

0:24:20.560 --> 0:24:22.240
<v Speaker 7>tell you each one of them.

0:24:22.640 --> 0:24:23.840
<v Speaker 9>Each one were unique in.

0:24:23.760 --> 0:24:26.320
<v Speaker 7>Their own way, you know, each person on there, you know,

0:24:26.520 --> 0:24:29.200
<v Speaker 7>and they all went on to do, uh to try

0:24:29.280 --> 0:24:31.360
<v Speaker 7>you know, in the music business and some capacity. Most

0:24:31.359 --> 0:24:34.080
<v Speaker 7>of them stayed in theater or something like that, you know,

0:24:34.119 --> 0:24:37.359
<v Speaker 7>or or or music, you know, because we were singers,

0:24:37.400 --> 0:24:39.359
<v Speaker 7>you know. We I was hired as a singer really

0:24:39.760 --> 0:24:42.040
<v Speaker 7>because it was the road tour and we were on

0:24:43.480 --> 0:24:45.600
<v Speaker 7>we were on rises. We've had a full rock band

0:24:45.680 --> 0:24:48.080
<v Speaker 7>we had and we had a partial orchestra with us,

0:24:48.119 --> 0:24:51.680
<v Speaker 7>so we had we had the full production, uh not

0:24:51.720 --> 0:24:53.760
<v Speaker 7>like the New York production. You know, because that we

0:24:53.760 --> 0:24:56.120
<v Speaker 7>couldn't take all that with us, but we had two buses.

0:24:56.680 --> 0:24:59.040
<v Speaker 9>Yeah, and and that was it.

0:24:59.040 --> 0:25:01.719
<v Speaker 7>It was. It was great experienced me. You know, I

0:25:01.760 --> 0:25:07.040
<v Speaker 7>was the youngest one. I was only seventeen, you know, yeah,

0:25:07.119 --> 0:25:11.439
<v Speaker 7>seventeen eighteen. I turned eighteen on the road and so

0:25:11.760 --> 0:25:16.440
<v Speaker 7>just imagine, right, yeah, crazy, So it was fun.

0:25:16.800 --> 0:25:20.840
<v Speaker 2>Up until this point, you had primarily been focused on music.

0:25:21.160 --> 0:25:25.040
<v Speaker 2>Is this the moment when you go hey, I also

0:25:25.119 --> 0:25:27.320
<v Speaker 2>really liked this acting thing.

0:25:28.000 --> 0:25:29.160
<v Speaker 4>Is this where acting.

0:25:28.880 --> 0:25:31.560
<v Speaker 2>Starts to make its way into your into your life

0:25:31.560 --> 0:25:32.439
<v Speaker 2>and your goals?

0:25:32.720 --> 0:25:35.520
<v Speaker 7>Well it did when I when I started doing uh well,

0:25:35.520 --> 0:25:39.480
<v Speaker 7>when I got back to New York after after after Superstar.

0:25:40.240 --> 0:25:44.600
<v Speaker 9>Then I got in Greece, so played Danny Zuko in Greece.

0:25:44.800 --> 0:25:46.920
<v Speaker 7>I always had the acting some acting shops from high

0:25:46.920 --> 0:25:48.920
<v Speaker 7>school because I did all those plays. You know. That's

0:25:48.960 --> 0:25:51.240
<v Speaker 7>why I say, anybody who's who gets a chance to

0:25:51.240 --> 0:25:53.040
<v Speaker 7>do plays in school and that kind of thing, and

0:25:53.080 --> 0:25:55.160
<v Speaker 7>they want to go for this. Uh it's a great

0:25:55.200 --> 0:25:57.480
<v Speaker 7>way to get a little rounded up. But you gotta

0:25:57.680 --> 0:25:59.760
<v Speaker 7>once you get into film, you got to bring it back,

0:25:59.760 --> 0:26:02.800
<v Speaker 7>you know, can't be performing for the last row in Yeah, right,

0:26:03.840 --> 0:26:05.240
<v Speaker 7>kind of bringing in a little closer.

0:26:05.280 --> 0:26:08.520
<v Speaker 9>But but uh, but yeah, that that was.

0:26:08.440 --> 0:26:10.840
<v Speaker 7>When I started. I studied with lady and I remember

0:26:10.840 --> 0:26:13.639
<v Speaker 7>in New York and Mary Tarsai. I studied with her

0:26:13.680 --> 0:26:16.000
<v Speaker 7>a little bit, and then uh, you know, I just

0:26:16.040 --> 0:26:19.240
<v Speaker 7>started to get into trying to find out how to

0:26:19.720 --> 0:26:23.159
<v Speaker 7>how to uh work on the acting chops. You know.

0:26:24.800 --> 0:26:27.920
<v Speaker 5>I also have to ask about because it's it's one

0:26:27.920 --> 0:26:31.679
<v Speaker 5>of my favorite times in music is old school New

0:26:31.760 --> 0:26:35.280
<v Speaker 5>York kind of the CBGB scene. Yeah, and I'm just curious,

0:26:35.280 --> 0:26:36.840
<v Speaker 5>did you ever go Did you ever get to go

0:26:36.920 --> 0:26:38.720
<v Speaker 5>to the you know, go to the clubs and and

0:26:38.880 --> 0:26:40.760
<v Speaker 5>see kind of some of these up and coming bands

0:26:40.760 --> 0:26:42.920
<v Speaker 5>at the time that kind of revolutionized music.

0:26:43.400 --> 0:26:45.920
<v Speaker 7>Yeah, I mean I saw I remember I I saw

0:26:45.960 --> 0:26:48.760
<v Speaker 7>the Rascals in the I went to see the Young Rascals.

0:26:48.760 --> 0:26:53.160
<v Speaker 7>I went to see Poco Cool the Uh. I'm trying

0:26:53.200 --> 0:26:55.119
<v Speaker 7>to think of the Who. I saw the Who in

0:26:55.119 --> 0:26:58.480
<v Speaker 7>New York and then, uh, I can't remember where I

0:26:58.600 --> 0:27:03.000
<v Speaker 7>was for his stuff. You know. I remember, you know,

0:27:04.040 --> 0:27:06.120
<v Speaker 7>always being interested in how we could see a live band,

0:27:06.200 --> 0:27:08.840
<v Speaker 7>you know how you know, but I was working so

0:27:08.960 --> 0:27:11.159
<v Speaker 7>much that every night, you know, I forget we had

0:27:11.200 --> 0:27:13.520
<v Speaker 7>to do a show every night, So when most people

0:27:13.560 --> 0:27:16.280
<v Speaker 7>were doing their show, we were doing our show. It

0:27:16.359 --> 0:27:19.639
<v Speaker 7>was unless you went to a matinee somebody else's that. No,

0:27:19.720 --> 0:27:22.119
<v Speaker 7>there was you have to no to see if you

0:27:22.119 --> 0:27:23.359
<v Speaker 7>want to see a show. But if you were going

0:27:23.400 --> 0:27:25.240
<v Speaker 7>to see a band, of course that's a whole other thing.

0:27:26.119 --> 0:27:38.879
<v Speaker 10>Yeah.

0:27:38.920 --> 0:27:41.640
<v Speaker 2>So you play Danny Zuko in Grease both on Broadway

0:27:41.720 --> 0:27:44.439
<v Speaker 2>and on tour, and then when do you make the

0:27:44.480 --> 0:27:47.520
<v Speaker 2>big move to La to start the audition grind is

0:27:47.560 --> 0:27:48.919
<v Speaker 2>it right after Greece?

0:27:49.880 --> 0:27:50.480
<v Speaker 9>Pretty much?

0:27:50.600 --> 0:27:53.919
<v Speaker 7>It was what brought me there was Don Kirshner. You

0:27:53.920 --> 0:27:56.600
<v Speaker 7>remember Don Kirshner Ron Kirschner's rock concert.

0:27:58.160 --> 0:27:59.840
<v Speaker 9>So it was a great Sorry.

0:27:59.840 --> 0:28:03.239
<v Speaker 7>My girlfriend I was going going with at the time,

0:28:03.359 --> 0:28:06.080
<v Speaker 7>she was doing the thing called Musical Chairs. She was

0:28:06.080 --> 0:28:08.040
<v Speaker 7>doing the show called Musical Shares It. I don't think

0:28:08.040 --> 0:28:10.840
<v Speaker 7>it ever went very far, but I was waiting for

0:28:10.880 --> 0:28:13.399
<v Speaker 7>her and Kirshner. I just went through a whole summer

0:28:13.400 --> 0:28:18.960
<v Speaker 7>of auditions, much like the auditions for a superstar. It

0:28:19.040 --> 0:28:20.879
<v Speaker 7>was the same type of thing for this because this

0:28:20.960 --> 0:28:23.840
<v Speaker 7>was going to be a big show. Paul Schaeffer was cast,

0:28:23.920 --> 0:28:29.080
<v Speaker 7>Donnie Scardino, a whole cast of people, Phil Leads and

0:28:29.119 --> 0:28:30.600
<v Speaker 7>all these old timers.

0:28:30.280 --> 0:28:31.320
<v Speaker 4>Broccoli, Phil Reads.

0:28:31.359 --> 0:28:34.439
<v Speaker 1>Wait, Phil Leads did a bunch of boy episodes.

0:28:34.480 --> 0:28:38.120
<v Speaker 7>Yeah, oh yeah, okay, well well Phil Leads played Paul

0:28:38.160 --> 0:28:40.520
<v Speaker 7>Schaeffer as when he got zap back into him.

0:28:40.720 --> 0:28:41.800
<v Speaker 9>His older self.

0:28:43.080 --> 0:28:45.160
<v Speaker 1>Was his in his eighties back then.

0:28:45.280 --> 0:28:48.080
<v Speaker 9>Still mine was Robert Alda.

0:28:48.600 --> 0:28:49.760
<v Speaker 7>Robert Olda was my guy.

0:28:50.040 --> 0:28:53.280
<v Speaker 5>Okay, so for my co host here, Robert Alda is

0:28:53.360 --> 0:28:57.160
<v Speaker 5>Alan Alda's father. I was a big actor and actually

0:28:57.160 --> 0:28:59.600
<v Speaker 5>did a couple episodes and he played he played hawk Boy.

0:28:59.640 --> 0:29:01.680
<v Speaker 5>He came out and played Matt in mash But yeah,

0:29:01.720 --> 0:29:03.920
<v Speaker 5>he was Robert Ali was a greig He act and

0:29:03.960 --> 0:29:04.640
<v Speaker 5>television actor.

0:29:04.680 --> 0:29:05.760
<v Speaker 1>But yeah, it's allan all, just that.

0:29:05.920 --> 0:29:09.280
<v Speaker 7>Super Vivian Blaine was in there, and there's uh and

0:29:09.360 --> 0:29:11.480
<v Speaker 7>that the premise was, you know, a year at the top,

0:29:11.560 --> 0:29:13.880
<v Speaker 7>they sell their souls to thee. We sell our souls

0:29:13.880 --> 0:29:15.920
<v Speaker 7>to the to the devil for a year at the.

0:29:15.840 --> 0:29:16.880
<v Speaker 9>Top as young rock stars.

0:29:16.920 --> 0:29:19.520
<v Speaker 7>That was the That was the premise, right, So uh

0:29:20.160 --> 0:29:21.760
<v Speaker 7>so we in the in the pilot, which was the

0:29:21.760 --> 0:29:25.680
<v Speaker 7>best one, Josh Mostelle played the devil and uh remember

0:29:25.720 --> 0:29:27.440
<v Speaker 7>Josh Mostelle was the name.

0:29:27.600 --> 0:29:28.960
<v Speaker 9>Yes, Mostelle's son.

0:29:29.440 --> 0:29:33.120
<v Speaker 7>Okay, yeah, so uh, so he played the Devil's son

0:29:33.720 --> 0:29:36.720
<v Speaker 7>and uh and so we all, you know, we got

0:29:36.840 --> 0:29:39.520
<v Speaker 7>zapped back from I was Robert Alda as Older and

0:29:39.520 --> 0:29:42.320
<v Speaker 7>then and then uh, you know Vivian Blaine, the girl

0:29:42.320 --> 0:29:44.719
<v Speaker 7>that was the lead. Then Paul Shaffer was phill Leads

0:29:44.760 --> 0:29:50.200
<v Speaker 7>and Red Fox was Doney Scardino. Remember that. Anyway, that

0:29:50.320 --> 0:29:53.000
<v Speaker 7>was it, you know, that's what brought me to California.

0:29:53.040 --> 0:29:56.640
<v Speaker 7>That that was the pilot that brought me out to California.

0:29:56.680 --> 0:29:59.800
<v Speaker 7>And and we shot this thing and they didn't give

0:29:59.880 --> 0:30:05.440
<v Speaker 7>up because we had Norman learn Kershner and Neil Bogart. Yeah,

0:30:05.760 --> 0:30:10.440
<v Speaker 7>those three guys. Uh Neil Neil Bogart was was owner

0:30:10.520 --> 0:30:11.719
<v Speaker 7>you know, Castablanca Records.

0:30:12.200 --> 0:30:14.280
<v Speaker 9>We did our our album on Casta Blanca.

0:30:14.840 --> 0:30:18.800
<v Speaker 7>And so we had three heavyweights that didn't really want

0:30:18.840 --> 0:30:21.440
<v Speaker 7>to give up on this even though normally kept taking

0:30:21.480 --> 0:30:25.520
<v Speaker 7>it to different networks and we got you know, we'd

0:30:25.520 --> 0:30:26.600
<v Speaker 7>be on here and then be on there.

0:30:26.600 --> 0:30:28.200
<v Speaker 9>People didn't know where we were, you know.

0:30:28.440 --> 0:30:31.120
<v Speaker 7>So uh, I don't know to this day why that

0:30:31.200 --> 0:30:33.680
<v Speaker 7>kept happening with the networks, but I guess he was

0:30:33.720 --> 0:30:36.360
<v Speaker 7>trying to get the right home for it or whatever

0:30:36.360 --> 0:30:39.640
<v Speaker 7>it was. So so Don Curser kept me on contract

0:30:39.680 --> 0:30:42.560
<v Speaker 7>for three years, which kept me out in California, because

0:30:42.560 --> 0:30:44.160
<v Speaker 7>he wanted he wouldn't give up on it, you know.

0:30:45.360 --> 0:30:47.960
<v Speaker 7>So we did three different versions of it, and then

0:30:48.000 --> 0:30:49.320
<v Speaker 7>finally that was it.

0:30:49.400 --> 0:30:50.720
<v Speaker 2>And then they were like, all right, We've given this

0:30:50.760 --> 0:30:53.960
<v Speaker 2>a fair shake in California.

0:30:54.400 --> 0:30:57.040
<v Speaker 7>I'm sitting here in Burbank in my rented house for

0:30:57.120 --> 0:30:58.560
<v Speaker 7>too much money.

0:30:59.400 --> 0:31:01.080
<v Speaker 4>I was gonna say you in the oak Woods.

0:31:01.280 --> 0:31:03.800
<v Speaker 9>But where it was? I heard a Burbank because you

0:31:03.800 --> 0:31:04.640
<v Speaker 9>know Johnny Carson.

0:31:04.680 --> 0:31:08.239
<v Speaker 7>Sure, I said, hey, this is good Burbanham'm way up

0:31:08.280 --> 0:31:10.920
<v Speaker 7>in Scott Rode up there in Burbank up and you know,

0:31:11.160 --> 0:31:13.040
<v Speaker 7>if I ever wanted to go to an interview in Hollywood,

0:31:13.040 --> 0:31:13.960
<v Speaker 7>I had to drive.

0:31:13.800 --> 0:31:15.080
<v Speaker 9>Forever for an hour.

0:31:15.760 --> 0:31:19.640
<v Speaker 7>Yeah, I realized I picked the wrong spot, but I

0:31:19.680 --> 0:31:21.440
<v Speaker 7>was getting ready to go back anyway, because I was

0:31:21.600 --> 0:31:23.600
<v Speaker 7>kind of giving up on it. It was not working

0:31:23.640 --> 0:31:26.600
<v Speaker 7>out at all, you know. Yeah, guest stars here and there,

0:31:27.320 --> 0:31:30.040
<v Speaker 7>they got a coke commercial and then and then.

0:31:30.000 --> 0:31:34.080
<v Speaker 4>Uh doesn't sound too bad, to be honest, not too bad.

0:31:34.240 --> 0:31:36.120
<v Speaker 2>I mean now people would kill for her. In a

0:31:36.160 --> 0:31:38.320
<v Speaker 2>few years, I had a show that they wouldn't give

0:31:38.400 --> 0:31:38.600
<v Speaker 2>up on.

0:31:38.680 --> 0:31:41.120
<v Speaker 4>Ad a co commercial. I wrote a few guests.

0:31:41.160 --> 0:31:45.000
<v Speaker 7>That's like a righting career, right, And the money was

0:31:45.360 --> 0:31:46.640
<v Speaker 7>is so much less now? Right?

0:31:47.560 --> 0:31:47.760
<v Speaker 2>Yeah?

0:31:48.800 --> 0:31:51.600
<v Speaker 9>Yeah? So but I go back to New York and

0:31:51.640 --> 0:31:52.720
<v Speaker 9>try to give another shot.

0:31:52.760 --> 0:31:55.640
<v Speaker 6>And then I got the my AJ and the mirror.

0:31:55.800 --> 0:31:58.080
<v Speaker 9>Yeah, she said, Greg, you got to go in. And

0:31:58.160 --> 0:32:00.360
<v Speaker 9>I said, what is it? She's, oh, it's this. He's

0:32:00.400 --> 0:32:00.800
<v Speaker 9>in the truck.

0:32:00.800 --> 0:32:03.360
<v Speaker 7>I say, yeah, no kid, and he's he talks to

0:32:03.400 --> 0:32:07.960
<v Speaker 7>a monkey. What Oh my god?

0:32:08.040 --> 0:32:09.560
<v Speaker 9>It sound too good, you know.

0:32:10.200 --> 0:32:13.400
<v Speaker 7>And so I went in and I tell this to

0:32:13.480 --> 0:32:18.640
<v Speaker 7>people because it's a kids. Younger kids say, you know,

0:32:18.800 --> 0:32:22.560
<v Speaker 7>it's there's this there's this feeling between what kind of

0:32:22.600 --> 0:32:24.080
<v Speaker 7>attitude you have when you go in, right.

0:32:24.240 --> 0:32:26.080
<v Speaker 9>I mean, you know a lot of people are nervous.

0:32:26.160 --> 0:32:28.200
<v Speaker 7>They don't they don't have the confidence whatever it is.

0:32:28.440 --> 0:32:31.760
<v Speaker 7>And on this the audition, I didn't care at all. Right,

0:32:32.200 --> 0:32:34.200
<v Speaker 7>So I went in with this, I do not care.

0:32:34.400 --> 0:32:37.040
<v Speaker 7>I'm leaving as soon as I get So I literally

0:32:37.040 --> 0:32:40.240
<v Speaker 7>went in. They had and yeah, you know how unusual

0:32:40.280 --> 0:32:41.360
<v Speaker 7>this is? I was.

0:32:41.400 --> 0:32:42.560
<v Speaker 9>It was on a sound stage.

0:32:43.160 --> 0:32:46.160
<v Speaker 7>I had a truck on a sound stage with a

0:32:46.160 --> 0:32:47.240
<v Speaker 7>stuff champ next to me.

0:32:47.640 --> 0:32:54.320
<v Speaker 1>Yes made it, you made it. So they were shooting

0:32:54.360 --> 0:32:55.560
<v Speaker 1>your screen test on thirty five.

0:32:55.640 --> 0:32:58.120
<v Speaker 9>It was the whole thing all set up, and I'm like,

0:32:58.680 --> 0:33:00.000
<v Speaker 9>this is not like anything else.

0:33:00.000 --> 0:33:02.600
<v Speaker 7>I said whatever, and I had the pages in front

0:33:02.600 --> 0:33:04.640
<v Speaker 7>of me on the steering wheel and I just kind

0:33:04.640 --> 0:33:06.760
<v Speaker 7>of looked at him and I just said everything and

0:33:06.960 --> 0:33:09.280
<v Speaker 7>in my lines and you know, and I on the

0:33:09.280 --> 0:33:12.160
<v Speaker 7>way out, Glen Larson ran up to me and he's like, hey,

0:33:12.160 --> 0:33:14.440
<v Speaker 7>excuse me, and you know you're you're you're really good

0:33:14.440 --> 0:33:16.840
<v Speaker 7>for this, and I'm like, oh, okay, well yeah.

0:33:16.920 --> 0:33:17.960
<v Speaker 9>And I really didn't care.

0:33:18.160 --> 0:33:19.880
<v Speaker 7>I thought he was like, yeah, okay, I heard this Moore.

0:33:19.920 --> 0:33:22.680
<v Speaker 7>And plus I didn't know who Glenn Lawson was, which

0:33:22.680 --> 0:33:26.400
<v Speaker 7>was probably better. And so I just left and by

0:33:26.400 --> 0:33:29.920
<v Speaker 7>the time I got home, the answering machine was just done.

0:33:30.000 --> 0:33:31.160
<v Speaker 9>There was no more tape on it.

0:33:31.280 --> 0:33:36.440
<v Speaker 7>You know, please yeah, right away calls back, what'd you do?

0:33:36.480 --> 0:33:36.920
<v Speaker 9>What did you do?

0:33:37.440 --> 0:33:39.400
<v Speaker 7>And uh? And I said, that's the point.

0:33:39.520 --> 0:33:43.280
<v Speaker 4>I did nothing right, right, you threw it away, nothing, man.

0:33:43.560 --> 0:33:46.840
<v Speaker 7>But I was prepared. But I still, you know, the

0:33:46.880 --> 0:33:49.720
<v Speaker 7>attitude was what they know, what they wanted for the role.

0:33:50.080 --> 0:33:53.480
<v Speaker 7>So this then that there was a big lesson to

0:33:53.560 --> 0:33:53.880
<v Speaker 7>that for me.

0:33:53.960 --> 0:34:10.920
<v Speaker 5>You know, what is it like shooting with an animal?

0:34:09.680 --> 0:34:13.800
<v Speaker 6>I mean, we've all got we've all worked with monkeys

0:34:13.960 --> 0:34:14.759
<v Speaker 6>or or.

0:34:14.880 --> 0:34:15.840
<v Speaker 1>Dogs or something.

0:34:15.840 --> 0:34:17.640
<v Speaker 5>I mean, what is it like when But it's usually

0:34:17.760 --> 0:34:19.760
<v Speaker 5>it's a one off. Hey we're doing a funny episode

0:34:19.760 --> 0:34:21.919
<v Speaker 5>where a monkey shows up. It's usually never like your

0:34:21.960 --> 0:34:22.680
<v Speaker 5>co star.

0:34:22.719 --> 0:34:26.440
<v Speaker 4>With a chimpanzee every day? Give us the stories?

0:34:26.520 --> 0:34:27.160
<v Speaker 1>What is that like?

0:34:27.280 --> 0:34:33.040
<v Speaker 9>Nothing like working with a champ, best actor.

0:34:38.239 --> 0:34:41.080
<v Speaker 7>You don't know what he's gonna do, you know anything,

0:34:41.200 --> 0:34:42.920
<v Speaker 7>You just react, You just go along with it, you know,

0:34:43.040 --> 0:34:43.560
<v Speaker 7>whatever it is.

0:34:44.560 --> 0:34:47.200
<v Speaker 5>I mean, there must have been a number of chimps, right,

0:34:47.239 --> 0:34:51.240
<v Speaker 5>there was there's probably a bunch. No, it was one chimp, really,

0:34:51.719 --> 0:34:56.920
<v Speaker 5>and there was one stunt Oh my gosh.

0:34:57.080 --> 0:35:00.279
<v Speaker 6>First of all, stunt Chimp is the new show. Gonna

0:35:00.280 --> 0:35:01.000
<v Speaker 6>go pitch around town.

0:35:03.920 --> 0:35:04.280
<v Speaker 1>Chimp.

0:35:04.640 --> 0:35:06.480
<v Speaker 7>But it's a crazy kid in school, you know.

0:35:07.280 --> 0:35:09.600
<v Speaker 5>Okay, So I have to ask, since I assumed there

0:35:09.640 --> 0:35:12.120
<v Speaker 5>was obviously going to be ten or fifteen different chimps

0:35:12.120 --> 0:35:15.319
<v Speaker 5>the're rotating in, since you're working with one chimp, did

0:35:15.360 --> 0:35:16.200
<v Speaker 5>you bond?

0:35:16.440 --> 0:35:18.040
<v Speaker 6>I mean, was it like you'd see each other every

0:35:18.120 --> 0:35:19.359
<v Speaker 6>day and it was like your co star, Like, hey,

0:35:19.360 --> 0:35:19.799
<v Speaker 6>would you do this?

0:35:19.840 --> 0:35:22.759
<v Speaker 1>Weekend. I mean, like I remember, is that what I did?

0:35:22.880 --> 0:35:24.640
<v Speaker 5>Did you get to know each other to the point

0:35:24.680 --> 0:35:26.600
<v Speaker 5>where the chimp loved you? Or was it just kind

0:35:26.600 --> 0:35:27.680
<v Speaker 5>of like all right, bring in the gymp.

0:35:28.160 --> 0:35:30.719
<v Speaker 9>Oh no, he I used to invite him to barbecues.

0:35:33.280 --> 0:35:35.960
<v Speaker 9>I'm not kidding. I say to the trainer, say, can

0:35:36.000 --> 0:35:36.799
<v Speaker 9>you bring the chimp over?

0:35:36.840 --> 0:35:38.000
<v Speaker 7>I'm having a barbecue? You know.

0:35:39.280 --> 0:35:42.239
<v Speaker 9>God, so he would come over. You know, he was great.

0:35:42.520 --> 0:35:43.560
<v Speaker 9>He even came to our wedding.

0:35:43.600 --> 0:35:49.560
<v Speaker 7>He came to our own little time. My god, you know,

0:35:49.600 --> 0:35:50.919
<v Speaker 7>we bonded, we were close.

0:35:51.560 --> 0:35:54.400
<v Speaker 9>What was the name, Sam Downey?

0:35:56.360 --> 0:35:57.400
<v Speaker 1>Totally normal name.

0:35:57.400 --> 0:36:01.360
<v Speaker 2>Mister Sam Downey, reservations Ready, I am down he exactly.

0:36:02.400 --> 0:36:05.600
<v Speaker 7>Oh man, he really was the best.

0:36:06.560 --> 0:36:07.600
<v Speaker 4>That's so cute.

0:36:07.880 --> 0:36:08.360
<v Speaker 1>Awesome.

0:36:08.520 --> 0:36:13.000
<v Speaker 2>Well, this show was massive, It was a big hit.

0:36:13.800 --> 0:36:17.000
<v Speaker 2>I must assume it was a little hard to be

0:36:17.160 --> 0:36:19.680
<v Speaker 2>seen as anything other than BJ when it ended.

0:36:19.680 --> 0:36:21.680
<v Speaker 4>Did you feel like you had been type cast?

0:36:21.920 --> 0:36:25.640
<v Speaker 7>That is true? Yeah, I really. I remember when I

0:36:25.640 --> 0:36:29.279
<v Speaker 7>went up to meet Michael because who you know, and

0:36:29.360 --> 0:36:31.839
<v Speaker 7>my you know, he wanted me to do my two

0:36:31.920 --> 0:36:34.000
<v Speaker 7>dads and I told I told the agency, I.

0:36:34.000 --> 0:36:35.399
<v Speaker 9>Don't want to play a father on a show.

0:36:35.760 --> 0:36:37.880
<v Speaker 7>You know, because I was going for other roles, you know,

0:36:38.920 --> 0:36:41.600
<v Speaker 7>you know, and as long as I will listen to

0:36:41.640 --> 0:36:47.640
<v Speaker 7>my mind, I'm so so so Michael. Uh.

0:36:47.880 --> 0:36:49.360
<v Speaker 9>He says, no, Greg, You're perfect, you know.

0:36:50.040 --> 0:36:52.759
<v Speaker 7>And uh And I said, well, man, if I did

0:36:52.800 --> 0:36:54.920
<v Speaker 7>a show like this, I have to have a beard,

0:36:55.560 --> 0:36:55.759
<v Speaker 7>you know.

0:36:56.080 --> 0:36:56.279
<v Speaker 1>Yeah.

0:36:56.440 --> 0:36:58.560
<v Speaker 7>He said, yeah, of course, You're a New York artist.

0:36:58.560 --> 0:37:00.400
<v Speaker 7>You know, you have a beard. Have a beard, you know.

0:37:00.960 --> 0:37:03.000
<v Speaker 7>So I thought that would take me away from the look,

0:37:03.040 --> 0:37:05.080
<v Speaker 7>It would take me away from the other I've been

0:37:05.160 --> 0:37:05.360
<v Speaker 7>you know.

0:37:06.360 --> 0:37:06.600
<v Speaker 1>Yeah.

0:37:06.760 --> 0:37:12.319
<v Speaker 5>Well, Sam really struggle with type casting after that one.

0:37:14.160 --> 0:37:17.640
<v Speaker 5>His true Hollywood story is really crazy to get that

0:37:17.760 --> 0:37:18.799
<v Speaker 5>special shaver too.

0:37:22.480 --> 0:37:25.640
<v Speaker 2>I wanted to ask you to tell us whether or

0:37:25.680 --> 0:37:28.759
<v Speaker 2>not this is true. I another fun Boy meets World

0:37:28.800 --> 0:37:32.080
<v Speaker 2>connection is that you were up for the part of

0:37:32.160 --> 0:37:35.960
<v Speaker 2>Michael Knight, a night writer. Wow, and the voice of

0:37:36.000 --> 0:37:40.040
<v Speaker 2>the car is famously Bill Daniels, who played mister Feenie.

0:37:40.680 --> 0:37:42.520
<v Speaker 4>Is it true that you passed on the role of

0:37:42.520 --> 0:37:43.080
<v Speaker 4>Michael Knight?

0:37:43.680 --> 0:37:45.640
<v Speaker 7>I was offered that Glen Glenn called me. I was

0:37:45.719 --> 0:37:48.120
<v Speaker 7>I remember I was on the Hammock. I was swinging

0:37:48.200 --> 0:37:50.600
<v Speaker 7>in the Hammock with Vanessa. How they get you born

0:37:51.160 --> 0:37:53.480
<v Speaker 7>and uh you remember Vanessa.

0:37:53.760 --> 0:37:54.640
<v Speaker 4>I know Vanessa.

0:37:55.920 --> 0:38:02.960
<v Speaker 7>It's official. So yeah, you know, I was gonna say

0:38:02.960 --> 0:38:07.560
<v Speaker 7>it one time. You always have to so so uh

0:38:08.200 --> 0:38:11.640
<v Speaker 7>so uh so he called, you know, he was on

0:38:11.680 --> 0:38:14.640
<v Speaker 7>the phone. Pam says, uh my wife, he says, uh

0:38:14.719 --> 0:38:17.920
<v Speaker 7>he glenns on the phone. I said, okay, so so

0:38:17.920 --> 0:38:21.000
<v Speaker 7>so uh so he says, uh, I got this for you.

0:38:21.080 --> 0:38:22.720
<v Speaker 7>This is gonna be You're gonna be love. You're gonna

0:38:22.719 --> 0:38:24.880
<v Speaker 7>love this. I'm doing a little pilot put it together.

0:38:25.360 --> 0:38:27.560
<v Speaker 7>You know. He talked about the money and everything right away.

0:38:27.880 --> 0:38:30.399
<v Speaker 7>And uh and so I said, I said, all right,

0:38:31.400 --> 0:38:34.319
<v Speaker 7>what is it. He goes, it's a guy. He's in

0:38:34.360 --> 0:38:37.720
<v Speaker 7>a car. It's a very futuristic car. I said, okay,

0:38:38.320 --> 0:38:40.960
<v Speaker 7>guy in a car. Yeah, but here's the catch. He

0:38:41.040 --> 0:38:43.960
<v Speaker 7>talks to a computer. I said. He talks to a

0:38:44.000 --> 0:38:46.400
<v Speaker 7>guy a computer. I said, so he just talks to

0:38:46.440 --> 0:38:48.160
<v Speaker 7>the computer all the time. As I've been talking to

0:38:48.160 --> 0:38:50.560
<v Speaker 7>a chimp for you, I'm gonna talk to a computer.

0:38:51.400 --> 0:38:54.719
<v Speaker 7>And I literally did not see this as anything that

0:38:55.480 --> 0:38:57.719
<v Speaker 7>would be away from what I was doing.

0:38:58.800 --> 0:39:00.080
<v Speaker 9>We're going to do something really.

0:39:00.280 --> 0:39:03.440
<v Speaker 7>You know. And uh So, anyway, I passed on it,

0:39:03.520 --> 0:39:06.120
<v Speaker 7>and it was I don't know whether there's a mistake

0:39:06.200 --> 0:39:10.080
<v Speaker 7>or not. But whatever it went well for for.

0:39:14.080 --> 0:39:16.640
<v Speaker 1>That is so Hollywood by the way that they that's.

0:39:16.520 --> 0:39:18.880
<v Speaker 3>That that that they're like, let's take the guy who's

0:39:18.920 --> 0:39:20.880
<v Speaker 3>been in a truck and talking to a chimp and

0:39:20.960 --> 0:39:23.560
<v Speaker 3>we'll just make a lateral moved, just put him in

0:39:23.560 --> 0:39:25.520
<v Speaker 3>a different car. And I could totally see why you

0:39:25.520 --> 0:39:27.359
<v Speaker 3>would be resistant to that because you're like, I've been

0:39:27.360 --> 0:39:29.439
<v Speaker 3>doing this, like let's try something new.

0:39:29.719 --> 0:39:31.760
<v Speaker 1>But I just love it himself.

0:39:31.800 --> 0:39:32.759
<v Speaker 9>Greg talks to that chimp.

0:39:32.840 --> 0:39:35.920
<v Speaker 3>So yeah, exactly, let's talk that.

0:39:36.560 --> 0:39:39.200
<v Speaker 4>If Greig could talk to a computer like that, I

0:39:39.200 --> 0:39:40.640
<v Speaker 4>think he could do that. I think he could do that.

0:39:40.920 --> 0:39:45.279
<v Speaker 7>Yeah, I'm damn it because you know it went good

0:39:45.280 --> 0:39:46.799
<v Speaker 7>for him and put him on the map, you know,

0:39:46.840 --> 0:39:51.080
<v Speaker 7>obviously great with all the other stuff. And uh so

0:39:51.600 --> 0:39:53.640
<v Speaker 7>I always wish everyone well with that because you know,

0:39:53.960 --> 0:39:57.680
<v Speaker 7>everybody's got a story about you know, something they turned

0:39:57.680 --> 0:39:59.759
<v Speaker 7>down or you know, or something they could have or

0:39:59.760 --> 0:40:03.400
<v Speaker 7>shore or might have maybe you know.

0:40:03.520 --> 0:40:07.200
<v Speaker 2>So what do you remember about the development process with

0:40:07.280 --> 0:40:09.680
<v Speaker 2>Michael for my two dads, like you get the phone call,

0:40:10.480 --> 0:40:11.800
<v Speaker 2>how does all of that come together?

0:40:12.400 --> 0:40:14.800
<v Speaker 7>You mean when we first mean before I got it or.

0:40:15.000 --> 0:40:17.080
<v Speaker 4>Yeah, like you did you audition for it?

0:40:17.600 --> 0:40:20.520
<v Speaker 9>No, this was the crazy thing. So I went in.

0:40:21.000 --> 0:40:22.800
<v Speaker 7>I went in and I just sat down with Michael

0:40:22.800 --> 0:40:26.120
<v Speaker 7>in his office, okay, and he was kind of kind

0:40:26.120 --> 0:40:28.520
<v Speaker 7>of wanted me to do it because he was everybody

0:40:28.520 --> 0:40:31.399
<v Speaker 7>who was already cast. I happened, but you know, Paul

0:40:31.440 --> 0:40:36.000
<v Speaker 7>was already cast and uh, and so so I think

0:40:36.560 --> 0:40:38.319
<v Speaker 7>he really just had me in mind for it, you know,

0:40:38.360 --> 0:40:40.840
<v Speaker 7>like when you have have somebody in mind for something.

0:40:40.840 --> 0:40:41.680
<v Speaker 9>So we had me in mind.

0:40:41.719 --> 0:40:44.279
<v Speaker 7>I think it was because we did Uh. I think

0:40:44.280 --> 0:40:47.239
<v Speaker 7>it was because and I didn't know this letter and

0:40:47.239 --> 0:40:48.920
<v Speaker 7>I got to still ask my I'm pretty sure this

0:40:48.960 --> 0:40:53.160
<v Speaker 7>is true that he wrote songs for for Don Kirshner

0:40:53.360 --> 0:40:53.839
<v Speaker 7>at the time.

0:40:53.920 --> 0:40:55.080
<v Speaker 9>He used like a staff.

0:40:56.239 --> 0:40:58.640
<v Speaker 7>And that's when he saw me, met me, and I

0:40:59.200 --> 0:41:00.960
<v Speaker 7>remember we said we used to meet those guys, the

0:41:01.000 --> 0:41:03.120
<v Speaker 7>writers you know the song because we did the album.

0:41:03.600 --> 0:41:06.560
<v Speaker 7>So uh, I think Michael was in there and I

0:41:06.600 --> 0:41:09.879
<v Speaker 7>think you remember me from then. Yeah, and then I uh,

0:41:10.400 --> 0:41:13.040
<v Speaker 7>when I went in, he said, I said, all right, well,

0:41:13.040 --> 0:41:14.560
<v Speaker 7>you know he kind of you know, Michael's.

0:41:14.200 --> 0:41:15.799
<v Speaker 9>A good he's a good self.

0:41:16.239 --> 0:41:18.960
<v Speaker 7>Sure he sold me on it, you know, and I

0:41:19.040 --> 0:41:20.759
<v Speaker 7>liked the idea of working with Paul Riser. I mean

0:41:20.760 --> 0:41:23.200
<v Speaker 7>that that would that would definitely put me in another

0:41:23.760 --> 0:41:24.520
<v Speaker 7>world of.

0:41:25.960 --> 0:41:29.640
<v Speaker 9>Then I was in and uh and then and.

0:41:29.640 --> 0:41:31.000
<v Speaker 7>So then he said, but here's it. We got to

0:41:31.000 --> 0:41:33.160
<v Speaker 7>go into three thirty today to the network.

0:41:33.800 --> 0:41:39.680
<v Speaker 4>Okay, okay, Daniel, okay, right lunch, okay.

0:41:39.480 --> 0:41:41.080
<v Speaker 9>Exactly pretty much.

0:41:41.239 --> 0:41:43.319
<v Speaker 7>We went right over to the network and I went

0:41:44.880 --> 0:41:46.560
<v Speaker 7>there was some lines. Yeah, he said, just you know,

0:41:46.560 --> 0:41:48.400
<v Speaker 7>here's just just do this. You know, we'll just do

0:41:48.480 --> 0:41:51.520
<v Speaker 7>like ones to just remember this. I can remember that, right,

0:41:51.840 --> 0:41:53.800
<v Speaker 7>So we did, went over a couple of times and

0:41:54.080 --> 0:41:58.279
<v Speaker 7>uh went in and it went really well obviously, and

0:41:58.320 --> 0:42:01.480
<v Speaker 7>then uh, but we went into you know the quiet room.

0:42:01.880 --> 0:42:05.239
<v Speaker 7>Uh huh there's no sound in these soundstages. Yeah, they're

0:42:05.280 --> 0:42:09.200
<v Speaker 7>awful or the networks, and uh, it's literally you can

0:42:09.239 --> 0:42:10.200
<v Speaker 7>hear yourself talk.

0:42:12.280 --> 0:42:14.240
<v Speaker 9>So did it?

0:42:14.320 --> 0:42:14.719
<v Speaker 7>That was it?

0:42:14.800 --> 0:42:17.240
<v Speaker 9>They said, right, and we started.

0:42:17.360 --> 0:42:17.799
<v Speaker 1>That was it.

0:42:18.000 --> 0:42:19.160
<v Speaker 9>There was no other auditions.

0:42:19.239 --> 0:42:19.719
<v Speaker 7>That was it.

0:42:20.760 --> 0:42:23.240
<v Speaker 1>You had you done sitcom before?

0:42:23.719 --> 0:42:25.919
<v Speaker 7>No? I think I did one thing.

0:42:25.920 --> 0:42:26.279
<v Speaker 9>I don't know.

0:42:26.280 --> 0:42:28.520
<v Speaker 7>I might have done some guests on something, but I'm

0:42:28.520 --> 0:42:32.080
<v Speaker 7>not sure. I can't I don't think so maybe maybe one.

0:42:32.680 --> 0:42:34.839
<v Speaker 2>Okay, So after you book the role, you do your

0:42:34.880 --> 0:42:38.400
<v Speaker 2>network test, network approves, Michael's thrilled you have the job.

0:42:39.000 --> 0:42:42.239
<v Speaker 2>What is the what is the process after that? Do

0:42:42.280 --> 0:42:45.880
<v Speaker 2>you are you shooting immediately? What's your relationship with Paul?

0:42:46.160 --> 0:42:46.279
<v Speaker 5>Like?

0:42:46.480 --> 0:42:48.240
<v Speaker 4>How does the series get started?

0:42:48.760 --> 0:42:49.240
<v Speaker 9>Yeah?

0:42:49.280 --> 0:42:49.920
<v Speaker 7>That was great.

0:42:50.320 --> 0:42:53.560
<v Speaker 9>I remember I remember, you know, Stacy was in there.

0:42:53.600 --> 0:42:56.359
<v Speaker 7>I know there was Michael really stuck with Stacy because

0:42:56.400 --> 0:42:59.160
<v Speaker 7>Drew Barrymore I think was up for it and network

0:42:59.160 --> 0:43:02.920
<v Speaker 7>wanted Drew Barrymore and uh and Stacy Keene and Michael

0:43:02.960 --> 0:43:05.600
<v Speaker 7>really wanted Stacy. So he's stuck with his guns and that.

0:43:05.680 --> 0:43:10.560
<v Speaker 7>And then uh, and then then we literally, you know,

0:43:10.600 --> 0:43:13.960
<v Speaker 7>you get the script and then you you you read

0:43:13.960 --> 0:43:17.800
<v Speaker 7>the script and try to figure out what you might do. Yeah,

0:43:17.840 --> 0:43:20.080
<v Speaker 7>and then uh, then it's the table reading because we

0:43:20.120 --> 0:43:23.680
<v Speaker 7>did the table ratings every Wednesday, and then uh, I

0:43:23.680 --> 0:43:25.400
<v Speaker 7>don't know when you guys had your table readings, but

0:43:25.440 --> 0:43:28.440
<v Speaker 7>ours is Wednesday. And then we started putting on it

0:43:28.680 --> 0:43:32.919
<v Speaker 7>on its feet the same day. Then Thursday, we start

0:43:32.960 --> 0:43:35.160
<v Speaker 7>thinking about how the network's going to react to whatever

0:43:35.200 --> 0:43:38.160
<v Speaker 7>we're doing. Friday, the network comes in, they give us

0:43:38.200 --> 0:43:40.600
<v Speaker 7>all the notes. We got to change everything. And then

0:43:40.680 --> 0:43:47.359
<v Speaker 7>Monday we Uh, we block blocked for for tape, and

0:43:47.400 --> 0:43:50.640
<v Speaker 7>then Tuesday we shoot two shows live, one a three

0:43:50.640 --> 0:43:54.040
<v Speaker 7>and one at six. So that was the schedule and

0:43:54.040 --> 0:43:56.720
<v Speaker 7>and we literally jump right into the schedule. Don't remember

0:43:56.840 --> 0:43:59.840
<v Speaker 7>anything else besides we all jumped in. You get acquainted

0:43:59.880 --> 0:44:02.279
<v Speaker 7>on set. Hey, you try to try to make like

0:44:02.280 --> 0:44:05.960
<v Speaker 7>you've known each other forever and jump right in right.

0:44:06.440 --> 0:44:11.400
<v Speaker 2>Yeah, how did you convince Michael to use your track

0:44:11.600 --> 0:44:14.160
<v Speaker 2>for my Two Dads theme song, which, by the way,

0:44:14.239 --> 0:44:16.200
<v Speaker 2>is a legendary theme song.

0:44:16.320 --> 0:44:19.279
<v Speaker 7>Oh, thank you, thank you. That was a good one, man,

0:44:19.360 --> 0:44:20.920
<v Speaker 7>let me tell you, because Michael, you know, you know,

0:44:20.960 --> 0:44:21.759
<v Speaker 7>he was into the music.

0:44:21.800 --> 0:44:25.320
<v Speaker 9>He wanted to do, you know. Yeah, So what happened

0:44:25.360 --> 0:44:27.400
<v Speaker 9>with that was Lenny and I.

0:44:27.520 --> 0:44:30.600
<v Speaker 7>Lenny Mcaluso's guys, I've written a lot of songs with

0:44:30.920 --> 0:44:34.279
<v Speaker 7>So Lenny and I we said, you know, we said,

0:44:34.320 --> 0:44:36.799
<v Speaker 7>let's let's just let's just get in the studio and

0:44:36.880 --> 0:44:40.080
<v Speaker 7>let's just bang bang something out. Well, we wrote this

0:44:40.160 --> 0:44:44.239
<v Speaker 7>in twenty minutes. Twenty minutes, man, we just nailed it.

0:44:44.480 --> 0:44:46.719
<v Speaker 7>And uh so we spent some time trying to get

0:44:46.760 --> 0:44:48.960
<v Speaker 7>because then in those days we didn't have the equipment

0:44:48.960 --> 0:44:51.200
<v Speaker 7>I've got like now, with all this stuff I've got,

0:44:51.239 --> 0:44:55.440
<v Speaker 7>you know. So so but we had a you know,

0:44:55.480 --> 0:44:57.719
<v Speaker 7>we had a good exciting demo, so you could you

0:44:57.840 --> 0:45:00.640
<v Speaker 7>definitely got the you could hear the vocals, the harmony,

0:45:00.960 --> 0:45:03.560
<v Speaker 7>we had the driving track, the whole thing, you know.

0:45:04.120 --> 0:45:06.920
<v Speaker 7>And uh, and so I I said to Michael, I

0:45:06.960 --> 0:45:07.520
<v Speaker 7>was looking.

0:45:07.280 --> 0:45:07.919
<v Speaker 9>For the right moment.

0:45:07.920 --> 0:45:10.040
<v Speaker 7>I said, like, I got a song. You know, you

0:45:10.080 --> 0:45:13.320
<v Speaker 7>got to hear it. It's perfect for the show. He goes, yeah, okay,

0:45:13.400 --> 0:45:15.560
<v Speaker 7>well you know, you know. And I just said, man,

0:45:15.640 --> 0:45:17.759
<v Speaker 7>I got a pinion down on this. You got to

0:45:17.800 --> 0:45:19.560
<v Speaker 7>hear this. And I had it on a cassette tape.

0:45:19.760 --> 0:45:22.000
<v Speaker 7>So Mikes, all right, we'll go in the car. Let's

0:45:22.000 --> 0:45:23.920
<v Speaker 7>go in the car and listen to it. If it

0:45:23.920 --> 0:45:25.680
<v Speaker 7>sounds good in the car, it's gonna be good.

0:45:26.080 --> 0:45:27.960
<v Speaker 9>So, uh, get in the car.

0:45:28.400 --> 0:45:30.439
<v Speaker 7>I play it a couple of pieces. Played again, Let's

0:45:30.440 --> 0:45:34.680
<v Speaker 7>play it played again, Play played again. So play it again.

0:45:35.520 --> 0:45:39.480
<v Speaker 7>I mean literally fifteen times, played again. You know. I said,

0:45:39.520 --> 0:45:43.560
<v Speaker 7>all right, yeah, sure, yeah, And I'm getting tired of

0:45:43.560 --> 0:45:47.480
<v Speaker 7>the song, you know. And so uh he just looks

0:45:47.480 --> 0:45:49.920
<v Speaker 7>at me and he goes, you got it. One of

0:45:49.920 --> 0:45:51.879
<v Speaker 7>my kids don't doesn't go to college. But you got it.

0:45:56.000 --> 0:45:57.279
<v Speaker 9>I remember exactly what you said.

0:45:57.960 --> 0:45:59.680
<v Speaker 7>There's a big moment for me, you know, to get

0:45:59.680 --> 0:46:03.200
<v Speaker 7>that uh happening. And it's great that he that he

0:46:03.280 --> 0:46:05.680
<v Speaker 7>saw it and heard it, and you know he he

0:46:05.719 --> 0:46:06.040
<v Speaker 7>saw right.

0:46:06.080 --> 0:46:07.759
<v Speaker 9>Okay, you can count on me. That's what the whole

0:46:07.760 --> 0:46:09.920
<v Speaker 9>show is about. You know, you can count on me.

0:46:10.160 --> 0:46:14.799
<v Speaker 7>You know that's what the whole every every everything, every

0:46:15.000 --> 0:46:17.719
<v Speaker 7>lesson in that show, every message was about that.

0:46:18.320 --> 0:46:20.080
<v Speaker 4>Yeah. One thing.

0:46:20.120 --> 0:46:22.960
<v Speaker 2>Another thing that uh, My Two Dads and Boy Meets

0:46:22.960 --> 0:46:26.719
<v Speaker 2>World have in common was a complete infatuation with the monkeys.

0:46:27.080 --> 0:46:31.839
<v Speaker 2>Davy Jones also appeared on My Two Dads. Did you

0:46:31.920 --> 0:46:35.279
<v Speaker 2>Did you care about the monkeys as much as Michael did?

0:46:35.520 --> 0:46:36.200
<v Speaker 9>Oh the monkeys?

0:46:36.239 --> 0:46:40.080
<v Speaker 4>I thought you were No, No, Davy Jones, Sam.

0:46:41.600 --> 0:46:46.520
<v Speaker 7>Not no, I I I really. In fact, one of

0:46:46.560 --> 0:46:49.080
<v Speaker 7>the first first songs and bands that we did in

0:46:49.120 --> 0:46:52.920
<v Speaker 7>the first band I had in a garage was was

0:46:53.000 --> 0:46:53.920
<v Speaker 7>Monkey Songs.

0:46:55.239 --> 0:46:56.400
<v Speaker 9>Last Train of Clarksville.

0:46:57.800 --> 0:47:01.080
<v Speaker 7>Yeah, a bunch of songs and uh yeah, so the

0:47:01.480 --> 0:47:03.359
<v Speaker 7>and the Monkeys, you know, just to tie it back

0:47:03.400 --> 0:47:06.319
<v Speaker 7>to Kirshner, because that's that's what Kersher was trying to

0:47:06.320 --> 0:47:08.560
<v Speaker 7>do with the year at the top. He was trying.

0:47:08.560 --> 0:47:10.160
<v Speaker 9>He wanted another Monkeys, but not you know.

0:47:10.200 --> 0:47:13.040
<v Speaker 4>Just Paul and I.

0:47:11.920 --> 0:47:14.520
<v Speaker 7>Really wanted the whole the whole band, Donnie Scardino and

0:47:14.560 --> 0:47:17.120
<v Speaker 7>all of this. But but as we know, after he

0:47:17.200 --> 0:47:19.080
<v Speaker 7>got honed down, it just got down hone down to

0:47:19.120 --> 0:47:19.600
<v Speaker 7>Paul and I.

0:47:19.680 --> 0:47:21.799
<v Speaker 9>But but but yeah, I love.

0:47:21.719 --> 0:47:23.440
<v Speaker 7>When he did our show. So it was great to

0:47:23.480 --> 0:47:24.239
<v Speaker 7>have him on the show.

0:47:24.360 --> 0:47:29.080
<v Speaker 4>Oh cool. You also had, you know, Willie Mays story

0:47:29.520 --> 0:47:30.160
<v Speaker 4>will Mays.

0:47:30.239 --> 0:47:31.160
<v Speaker 9>You know Willie Mays did.

0:47:31.840 --> 0:47:35.360
<v Speaker 7>Willie Mays was like he never got the concept that

0:47:36.080 --> 0:47:37.960
<v Speaker 7>or he never cared about the concept. Let's put it

0:47:37.960 --> 0:47:39.520
<v Speaker 7>that way of the fourth wall.

0:47:40.880 --> 0:47:42.440
<v Speaker 1>Michael used to tell that story.

0:47:42.960 --> 0:47:43.680
<v Speaker 9>What's that.

0:47:43.719 --> 0:47:45.480
<v Speaker 1>Michael used to tell this story.

0:47:45.200 --> 0:47:46.120
<v Speaker 4>About the story.

0:47:47.160 --> 0:47:51.239
<v Speaker 7>Okay, and then he takes the ball and somebody said

0:47:51.280 --> 0:47:53.400
<v Speaker 7>something like, oh man, you have some you got some

0:47:53.520 --> 0:47:55.799
<v Speaker 7>fastball and he and he and he winds it up

0:47:55.800 --> 0:47:59.560
<v Speaker 7>and he throws it right through our door of the set,

0:48:00.120 --> 0:48:03.839
<v Speaker 7>the balls picking in the set door. You know, he's

0:48:03.880 --> 0:48:06.480
<v Speaker 7>a funny guy. I think.

0:48:06.520 --> 0:48:07.560
<v Speaker 1>Michael used to tell.

0:48:07.440 --> 0:48:10.600
<v Speaker 5>The story that he he came on and he walked

0:48:10.600 --> 0:48:14.080
<v Speaker 5>through the door and the audience went nuts. And he

0:48:14.320 --> 0:48:17.560
<v Speaker 5>stood and he held and he held and he held

0:48:17.920 --> 0:48:20.319
<v Speaker 5>and then he turned and started waving to everybody in

0:48:20.360 --> 0:48:21.000
<v Speaker 5>the audience.

0:48:21.120 --> 0:48:21.960
<v Speaker 1>And Michael's like.

0:48:21.920 --> 0:48:27.279
<v Speaker 7>Ah no, we had no, he didn't care about that.

0:48:27.480 --> 0:48:27.640
<v Speaker 7>You know.

0:48:29.000 --> 0:48:33.040
<v Speaker 9>He was out there in the stadium so great.

0:48:33.920 --> 0:48:36.160
<v Speaker 4>And he wasn't the only athlete on set.

0:48:36.400 --> 0:48:40.240
<v Speaker 2>A recurring guest star on My Two Dads was Dick Butkus.

0:48:40.520 --> 0:48:44.920
<v Speaker 9>Oh yeah, what was he like? He was great? He

0:48:45.040 --> 0:48:49.880
<v Speaker 9>was great. He's uh, he was you know. I remember

0:48:49.920 --> 0:48:50.680
<v Speaker 9>asking him.

0:48:50.360 --> 0:48:55.759
<v Speaker 7>I said, man, you're you you never wear shorts or anything.

0:48:55.760 --> 0:48:57.640
<v Speaker 7>You're always wearing those big pants and you got those

0:48:57.640 --> 0:49:00.239
<v Speaker 7>big and he's and he's uh, and he had his

0:49:00.400 --> 0:49:01.080
<v Speaker 7>knees were.

0:49:00.960 --> 0:49:02.120
<v Speaker 4>Like this bow legged.

0:49:02.440 --> 0:49:05.359
<v Speaker 9>Yeah, And I said, he says, you want to see him?

0:49:05.640 --> 0:49:06.920
<v Speaker 9>I said sure.

0:49:07.440 --> 0:49:09.920
<v Speaker 7>He pulls it up and had he had a roadmap

0:49:10.040 --> 0:49:13.520
<v Speaker 7>on roadmaps literally on his the amount of operations that,

0:49:13.840 --> 0:49:17.440
<v Speaker 7>oh my god, on his knees. It's amazing. I said,

0:49:17.480 --> 0:49:18.960
<v Speaker 7>how do you get up in the morning? He says,

0:49:19.000 --> 0:49:19.800
<v Speaker 7>really slow.

0:49:19.880 --> 0:49:22.040
<v Speaker 6>It takes a really.

0:49:21.680 --> 0:49:22.839
<v Speaker 9>Long time to get going.

0:49:22.920 --> 0:49:23.080
<v Speaker 7>You know.

0:49:36.920 --> 0:49:38.880
<v Speaker 2>Well, one of the reasons the show was so successful

0:49:38.960 --> 0:49:42.240
<v Speaker 2>was because of the chemistry between you and Paul Riser.

0:49:43.040 --> 0:49:45.200
<v Speaker 2>Were you guys were kind of paired as an odd

0:49:45.239 --> 0:49:49.680
<v Speaker 2>couple of sorts, but you seemed so connected. What was

0:49:49.760 --> 0:49:51.520
<v Speaker 2>that relationship between you two?

0:49:51.640 --> 0:49:54.640
<v Speaker 7>Like, I just think we both liked each other really,

0:49:54.719 --> 0:49:56.239
<v Speaker 7>I mean, yeah, we were just good.

0:49:56.280 --> 0:49:57.440
<v Speaker 9>We got along great together.

0:49:57.480 --> 0:50:00.439
<v Speaker 7>You know. I always felt so good about Paul of them.

0:50:00.560 --> 0:50:02.080
<v Speaker 7>I still do. You know, I don't get to see

0:50:02.120 --> 0:50:04.160
<v Speaker 7>him much, but I saw him out in Thousand Oaks.

0:50:04.160 --> 0:50:06.000
<v Speaker 7>He did his show out there, So we went and

0:50:06.040 --> 0:50:08.640
<v Speaker 7>saw the show. Great show. He's so he's such a

0:50:08.680 --> 0:50:11.960
<v Speaker 7>good you know, and I always respect his humor and

0:50:12.040 --> 0:50:14.279
<v Speaker 7>ability to make people laugh the way he does. You know.

0:50:14.280 --> 0:50:16.680
<v Speaker 7>I was more like the physical humor. I think, you know,

0:50:17.080 --> 0:50:18.840
<v Speaker 7>I could consider myself. That's why I think we're a

0:50:18.920 --> 0:50:22.200
<v Speaker 7>good mix. Yeah, because I could do that. Like if

0:50:22.200 --> 0:50:24.000
<v Speaker 7>I if I was getting a script that was a

0:50:24.040 --> 0:50:26.520
<v Speaker 7>Chuck Lauri script, Yeah, because Chuck Laurier was one of

0:50:26.520 --> 0:50:28.640
<v Speaker 7>the that was one of his first jobs working on

0:50:28.680 --> 0:50:31.680
<v Speaker 7>that show. And so if I got a Chuck Lauri's, go,

0:50:31.760 --> 0:50:33.359
<v Speaker 7>I look at it, Oh good, it's gonna be good

0:50:33.360 --> 0:50:36.719
<v Speaker 7>for me. He's gonna give me physical with you know,

0:50:36.760 --> 0:50:40.440
<v Speaker 7>with a few jokes and uh. But I think that's

0:50:40.480 --> 0:50:44.080
<v Speaker 7>that was probably our how we paired the best, you know, Yeah,

0:50:44.120 --> 0:50:48.239
<v Speaker 7>because we Paul just he's good with the jokes, he

0:50:48.320 --> 0:50:51.680
<v Speaker 7>always you know, and uh and I was good with

0:50:51.719 --> 0:50:52.560
<v Speaker 7>the physical stuff.

0:50:53.560 --> 0:50:56.919
<v Speaker 2>And Stacy Keenan obviously played your daughter. Had you ever

0:50:57.000 --> 0:50:59.759
<v Speaker 2>worked with child actors before or.

0:50:59.800 --> 0:51:02.960
<v Speaker 7>Just to say hi, by the way, I'm gonna I

0:51:03.040 --> 0:51:07.440
<v Speaker 7>talked to her, so uh yeah I never did. No,

0:51:07.640 --> 0:51:07.880
<v Speaker 7>I never.

0:51:08.239 --> 0:51:09.000
<v Speaker 4>She was the first.

0:51:09.280 --> 0:51:12.120
<v Speaker 6>Yeah, yeah, pretty good one to start with.

0:51:12.320 --> 0:51:14.360
<v Speaker 3>She's going to say she was basically an adult at

0:51:14.400 --> 0:51:16.120
<v Speaker 3>the age of twelve, so she.

0:51:16.680 --> 0:51:17.439
<v Speaker 1>Knew what she was doing.

0:51:17.480 --> 0:51:19.280
<v Speaker 5>And for somebody my age, I was like the perfect

0:51:19.320 --> 0:51:21.360
<v Speaker 5>age for my two dads. So that was I was

0:51:21.360 --> 0:51:24.080
<v Speaker 5>tuning in every week and watching her was like, oh,

0:51:24.120 --> 0:51:24.680
<v Speaker 5>I can do that.

0:51:24.760 --> 0:51:25.040
<v Speaker 1>I can.

0:51:25.280 --> 0:51:27.279
<v Speaker 5>It was like Punky Brewster that same kind of like

0:51:27.880 --> 0:51:30.520
<v Speaker 5>she showed that you could be what what children could

0:51:30.520 --> 0:51:32.400
<v Speaker 5>do on a show, how much you could carry a show.

0:51:32.239 --> 0:51:35.000
<v Speaker 1>How much you can handself on set. She was so talented.

0:51:35.040 --> 0:51:36.920
<v Speaker 5>So yeah, for a whole I mean seriously, like a

0:51:36.920 --> 0:51:40.080
<v Speaker 5>whole generation of child actors watching that show was really important.

0:51:40.800 --> 0:51:43.319
<v Speaker 7>Yeah, yeah, no, I was. It was great sending so

0:51:43.360 --> 0:51:46.840
<v Speaker 7>many so many kids, you know, come up as say

0:51:47.120 --> 0:51:51.120
<v Speaker 7>you know that that don't have a mother, whether they

0:51:51.160 --> 0:51:52.880
<v Speaker 7>got so many messages from the show. You know, they

0:51:52.960 --> 0:51:55.759
<v Speaker 7>got you really took the messages to heart on the show.

0:51:55.960 --> 0:51:58.239
<v Speaker 7>And I know we didn't always want to do the

0:51:59.320 --> 0:52:02.200
<v Speaker 7>we called it in like the moment, you know, Yeah,

0:52:03.360 --> 0:52:05.400
<v Speaker 7>you have to give the uh we had to give.

0:52:05.239 --> 0:52:07.840
<v Speaker 4>The sentimental Yeah, we had to you know.

0:52:08.280 --> 0:52:10.680
<v Speaker 9>But he was good because that's it really did wrap

0:52:10.680 --> 0:52:12.600
<v Speaker 9>it up. And you only have twenty two minutes anyway, right,

0:52:12.680 --> 0:52:15.960
<v Speaker 9>so so uh.

0:52:15.080 --> 0:52:19.040
<v Speaker 7>You know, so it's uh, Michael Anne what he was doing. Yeah,

0:52:19.480 --> 0:52:21.600
<v Speaker 7>he has to come in and fix things up quick.

0:52:21.960 --> 0:52:24.799
<v Speaker 7>Like we'd have problems some weeks and uh, he come

0:52:24.880 --> 0:52:29.040
<v Speaker 7>in and put it together, you know, and figure out

0:52:29.040 --> 0:52:31.480
<v Speaker 7>what's wrong, exactly what's wrong and just fix it. You know.

0:52:32.560 --> 0:52:36.880
<v Speaker 2>You mentioned Chuck luri and we discovered while researching for

0:52:36.960 --> 0:52:40.040
<v Speaker 2>this interview that Chuck Laurie that was one of his

0:52:40.080 --> 0:52:43.799
<v Speaker 2>first jobs. We did not know that Michael was one

0:52:43.800 --> 0:52:48.000
<v Speaker 2>of the people responsible for finding Chuck Lory.

0:52:48.040 --> 0:52:50.680
<v Speaker 4>What do you remember about him, Chuck?

0:52:50.800 --> 0:52:53.280
<v Speaker 7>I just remember how I remember his smile, I remember

0:52:53.360 --> 0:52:56.000
<v Speaker 7>his laugh. I remember you know, I'd see him in

0:52:56.000 --> 0:52:57.640
<v Speaker 7>Malibu tu on the beach every once in a while.

0:52:57.719 --> 0:52:59.200
<v Speaker 9>So I've talked to him a couple of times.

0:52:59.200 --> 0:53:03.919
<v Speaker 7>Down there. But uh, but he I just remember how

0:53:03.960 --> 0:53:08.040
<v Speaker 7>he was so focused into and all the writers are

0:53:08.080 --> 0:53:09.680
<v Speaker 7>like this, because you know, you gotta think you're a writer,

0:53:10.160 --> 0:53:11.920
<v Speaker 7>so you want to see how the lines that you

0:53:12.040 --> 0:53:15.040
<v Speaker 7>wrote coming out of somebody else's mouth. Yeah, how the

0:53:15.080 --> 0:53:18.960
<v Speaker 7>audience reacts to those lines. Well, you know, so when

0:53:19.000 --> 0:53:20.680
<v Speaker 7>someone else was on and I had the chance to

0:53:20.719 --> 0:53:22.879
<v Speaker 7>actually look at the writers, to look on the side

0:53:22.920 --> 0:53:25.600
<v Speaker 7>and just see what they're how they react to what

0:53:25.600 --> 0:53:28.160
<v Speaker 7>we're doing too. You know, see how Chuck would be

0:53:28.239 --> 0:53:31.239
<v Speaker 7>so just so and if he got the left, he'd

0:53:31.239 --> 0:53:32.160
<v Speaker 7>give out a barrel left.

0:53:32.160 --> 0:53:33.560
<v Speaker 9>You can hear Chuck all over the track.

0:53:36.000 --> 0:53:39.359
<v Speaker 7>Yeah, Chuck is all over the track, you know him. Bob,

0:53:39.880 --> 0:53:43.239
<v Speaker 7>Bob Young, those guys are great. You know, they're all good. Yeah.

0:53:43.280 --> 0:53:46.080
<v Speaker 5>Bob Young actually came with a big part of boyt

0:53:46.120 --> 0:53:48.160
<v Speaker 5>Mes World as well, So you can tell Michael he

0:53:48.520 --> 0:53:50.320
<v Speaker 5>met a few people on that show that he wanted

0:53:50.360 --> 0:53:51.920
<v Speaker 5>to bring with them everywhere he went, and Bob was

0:53:51.960 --> 0:53:52.799
<v Speaker 5>certainly one of them.

0:53:52.880 --> 0:53:54.160
<v Speaker 7>Yeah. I love Bob Man, Bob.

0:53:54.239 --> 0:53:55.839
<v Speaker 6>Yeah, I saw Bob not too long ago.

0:53:55.840 --> 0:53:56.640
<v Speaker 7>He's a great guy.

0:53:56.719 --> 0:53:58.760
<v Speaker 4>Yeah, Yeah, I'm glad he's feeling good.

0:53:59.160 --> 0:54:01.040
<v Speaker 7>I tried to get him to write this pilot. We did,

0:54:01.160 --> 0:54:02.160
<v Speaker 7>like get involved with you.

0:54:02.280 --> 0:54:04.600
<v Speaker 9>He gave me some advice.

0:54:04.320 --> 0:54:04.759
<v Speaker 7>That was good.

0:54:04.800 --> 0:54:06.200
<v Speaker 4>Okay, good, give you some feedback.

0:54:06.800 --> 0:54:07.880
<v Speaker 1>Yeah good.

0:54:08.440 --> 0:54:10.040
<v Speaker 4>After my two dads, you would.

0:54:09.840 --> 0:54:13.160
<v Speaker 2>Appear in dozens of other TV shows, and I know

0:54:13.200 --> 0:54:15.560
<v Speaker 2>a lot of our listeners will recognize you also from

0:54:15.600 --> 0:54:17.360
<v Speaker 2>Melrose Place or General Hospital.

0:54:17.880 --> 0:54:20.640
<v Speaker 4>But also your daughter that we already mentioned.

0:54:20.719 --> 0:54:25.080
<v Speaker 2>Vanessa was a former guest on This here podcast and just.

0:54:25.120 --> 0:54:26.440
<v Speaker 4>The loveliest of people.

0:54:27.160 --> 0:54:29.959
<v Speaker 2>She appeared on Boy Meets World and was a child

0:54:30.040 --> 0:54:34.200
<v Speaker 2>actor right alongside us. What were your feelings when she

0:54:34.360 --> 0:54:40.360
<v Speaker 2>said she wanted to go into the business, I really would.

0:54:41.040 --> 0:54:46.760
<v Speaker 7>How do I stop this? No, well, at that age

0:54:46.800 --> 0:54:49.320
<v Speaker 7>because she was so young, you know, and I remember.

0:54:49.400 --> 0:54:54.120
<v Speaker 7>The funny thing was with her was was when I,

0:54:54.200 --> 0:54:56.520
<v Speaker 7>you know, Michael said, hey, listen, we're doing this show

0:54:56.840 --> 0:54:59.480
<v Speaker 7>and we have to have you know, we need we

0:54:59.520 --> 0:55:02.480
<v Speaker 7>need everybody's kids in this in this if you want

0:55:02.480 --> 0:55:04.640
<v Speaker 7>to bring your kids to work, bring your kids, you know.

0:55:05.200 --> 0:55:07.600
<v Speaker 7>And so I said, okay, well I know one that

0:55:07.640 --> 0:55:10.799
<v Speaker 7>wants to come, you know, and and so, uh so

0:55:10.920 --> 0:55:17.160
<v Speaker 7>Jason was younger. You remember Jason, of course he remembers you. Yeah,

0:55:18.160 --> 0:55:24.640
<v Speaker 7>and uh so Brianna wasn't born yet, so so I said, uh, well,

0:55:24.640 --> 0:55:26.799
<v Speaker 7>she was really young. She couldn't come. So it was

0:55:26.840 --> 0:55:29.440
<v Speaker 7>mister Biggles like Paul was playing Mister Biggles. He had

0:55:29.440 --> 0:55:31.560
<v Speaker 7>the he had the shoes on his knees and he's

0:55:31.560 --> 0:55:34.759
<v Speaker 7>walking around and all the kids were in there, and

0:55:34.880 --> 0:55:37.799
<v Speaker 7>uh so I remember on the way on the way over,

0:55:38.040 --> 0:55:41.799
<v Speaker 7>you know, while they're doing it, the director, director goes

0:55:41.880 --> 0:55:46.160
<v Speaker 7>uh he goes, great, can I talk to you for

0:55:46.160 --> 0:55:49.880
<v Speaker 7>a second? Said yeah, yeah, yeah, what what's what's what's going on?

0:55:49.960 --> 0:55:52.319
<v Speaker 7>He says, can you can you tell your daughter not

0:55:52.360 --> 0:55:53.600
<v Speaker 7>to look in the camera?

0:55:56.680 --> 0:55:58.200
<v Speaker 9>Yeah, okay, I'll do that.

0:55:59.440 --> 0:56:01.120
<v Speaker 1>She went to the school of acting.

0:56:01.320 --> 0:56:06.360
<v Speaker 7>Yeah, she was hilarious and she didn't want it. And

0:56:06.360 --> 0:56:08.040
<v Speaker 7>then we're in the car riding back and she goes,

0:56:08.120 --> 0:56:10.319
<v Speaker 7>uh so, I want to get an agent and I'm

0:56:10.320 --> 0:56:12.000
<v Speaker 7>gonna get like, calm down.

0:56:12.239 --> 0:56:14.480
<v Speaker 9>I said, here's what I says. You got to get

0:56:14.480 --> 0:56:15.240
<v Speaker 9>a play first.

0:56:15.400 --> 0:56:17.920
<v Speaker 7>I said, why don't you get a play, play school

0:56:17.960 --> 0:56:19.480
<v Speaker 7>something like that, and we'll see how you really do,

0:56:19.560 --> 0:56:22.239
<v Speaker 7>see how you like it. Well, I think four days later, Dad,

0:56:22.280 --> 0:56:24.400
<v Speaker 7>I'm in the play.

0:56:25.680 --> 0:56:30.279
<v Speaker 9>We get his drive for the whole whatever. Well, it

0:56:30.360 --> 0:56:32.440
<v Speaker 9>was in her blood. She she wanted it.

0:56:32.760 --> 0:56:37.240
<v Speaker 7>She went since she got remember Barbara Claiman, remember, yeah,

0:56:37.280 --> 0:56:40.560
<v Speaker 7>she cast her in that. It was a show were

0:56:40.600 --> 0:56:43.440
<v Speaker 7>really good. It was a very good show she was in.

0:56:43.520 --> 0:56:44.319
<v Speaker 7>I can't remember the name of.

0:56:44.360 --> 0:56:46.400
<v Speaker 2>R in it, but we talked about it on the podcast.

0:56:46.440 --> 0:56:48.040
<v Speaker 2>I can't remember the name ofbod either, but we talked

0:56:48.080 --> 0:56:48.640
<v Speaker 2>about her show.

0:56:48.760 --> 0:56:49.799
<v Speaker 1>Yeah, yeah, And.

0:56:49.760 --> 0:56:51.960
<v Speaker 7>She did a great job on that and then uh

0:56:52.400 --> 0:56:54.120
<v Speaker 7>so that got her going, and then she got Social

0:56:54.120 --> 0:56:55.960
<v Speaker 7>Studies and she got a couple other show. You got

0:56:56.000 --> 0:56:58.960
<v Speaker 7>a little movies, and so she kept it going. Yeah.

0:56:59.200 --> 0:57:02.920
<v Speaker 2>Yeah, we mentioned your son Jason. He has become one

0:57:02.960 --> 0:57:07.720
<v Speaker 2>of pop music's most successful songwriters. He you know, grabbed

0:57:07.719 --> 0:57:10.239
<v Speaker 2>onto that other aspect of your creativity. He is a

0:57:10.280 --> 0:57:14.360
<v Speaker 2>Grammy winner who's written for Jason Derulo, Maroon Five, Madonna, Dua.

0:57:14.200 --> 0:57:15.480
<v Speaker 4>Lipa, Demi Levado.

0:57:15.719 --> 0:57:20.000
<v Speaker 2>The list goes on and on, most recently adding Benson

0:57:20.120 --> 0:57:24.920
<v Speaker 2>Boone to the resume. You must be wildly proud of

0:57:24.960 --> 0:57:28.320
<v Speaker 2>his achievements in such a difficult business.

0:57:28.480 --> 0:57:31.440
<v Speaker 7>Oh yeah, I'm so. I'm you know how I mean?

0:57:31.520 --> 0:57:34.120
<v Speaker 7>I yeah, I mean he's doing the stuff that I

0:57:34.160 --> 0:57:35.440
<v Speaker 7>always wanted to do musically.

0:57:35.440 --> 0:57:38.800
<v Speaker 9>You know, so it's great. Pass you pass this studio

0:57:39.080 --> 0:57:39.520
<v Speaker 9>right here.

0:57:39.880 --> 0:57:42.880
<v Speaker 4>Yes, it is pretty much beautiful.

0:57:43.160 --> 0:57:46.160
<v Speaker 9>Jason, you know, started out, you know, in the studio.

0:57:46.240 --> 0:57:46.720
<v Speaker 9>He'll tell you.

0:57:46.840 --> 0:57:50.680
<v Speaker 7>I mean he you know, he was at thirteen years old.

0:57:50.720 --> 0:57:53.959
<v Speaker 7>He was he was running pro tools. He was able

0:57:54.000 --> 0:57:56.400
<v Speaker 7>to run a product and he started putting out sounds.

0:57:56.400 --> 0:58:00.160
<v Speaker 7>I'm like, okay, that's great, you going and and the

0:58:00.760 --> 0:58:03.360
<v Speaker 7>I mean I showed him a few things and just

0:58:03.400 --> 0:58:06.040
<v Speaker 7>to get it going, and he he always figured everything

0:58:06.040 --> 0:58:10.600
<v Speaker 7>out and now he's he's one of the best producers around.

0:58:11.080 --> 0:58:11.120
<v Speaker 5>You.

0:58:11.280 --> 0:58:12.320
<v Speaker 1>Do you ever write together?

0:58:12.960 --> 0:58:13.280
<v Speaker 2>Yeah?

0:58:13.320 --> 0:58:15.360
<v Speaker 7>We do. Yeah, we've written a couple of things together.

0:58:15.400 --> 0:58:20.040
<v Speaker 7>We wrote a thing for Megan Trainer that I brought them,

0:58:20.360 --> 0:58:24.080
<v Speaker 7>a song called I Don't Do Maybe, and so it's

0:58:24.120 --> 0:58:28.120
<v Speaker 7>on her album, her her Timeless album. So that songs

0:58:28.160 --> 0:58:31.640
<v Speaker 7>on there. And that was great because Brianna. I was

0:58:31.640 --> 0:58:33.200
<v Speaker 7>talking to Brian on the phone. Did I tell you this?

0:58:33.640 --> 0:58:36.760
<v Speaker 2>No? Okay, So Brianna for our dear listeners and writer

0:58:36.840 --> 0:58:40.600
<v Speaker 2>and well, Brianna is Greg and Pam's third their youngest daughter.

0:58:41.000 --> 0:58:45.040
<v Speaker 4>Who will try to tell me who is from the movies?

0:58:45.680 --> 0:58:46.200
<v Speaker 1>Best friend?

0:58:46.240 --> 0:58:48.400
<v Speaker 6>Come on, don't even get me started with the.

0:58:48.360 --> 0:58:50.200
<v Speaker 1>Step up movies. Let me tell you about it.

0:58:50.600 --> 0:58:55.560
<v Speaker 7>Will Well, she's we're talking on the phone about some

0:58:55.600 --> 0:58:57.800
<v Speaker 7>guy at the time she was, you know, going with

0:58:58.000 --> 0:58:59.880
<v Speaker 7>and and she liked him.

0:59:00.040 --> 0:59:01.600
<v Speaker 9>You want to she's, I said, well, did you talk

0:59:01.640 --> 0:59:01.880
<v Speaker 9>to him?

0:59:01.920 --> 0:59:03.720
<v Speaker 7>She says, yeah. He says, he said maybe we can

0:59:03.720 --> 0:59:06.720
<v Speaker 7>get together and I and I said okay. He says, well,

0:59:06.720 --> 0:59:08.120
<v Speaker 7>I told him I don't do maybe.

0:59:09.000 --> 0:59:13.920
<v Speaker 9>Okay. I said, they're in the air the songs are.

0:59:15.360 --> 0:59:18.600
<v Speaker 7>And uh so, so that's how that was written. And

0:59:18.640 --> 0:59:21.440
<v Speaker 7>then uh, I took it to Jason and Geon Stone

0:59:21.480 --> 0:59:23.320
<v Speaker 7>and the two of them, you know, then he got

0:59:23.320 --> 0:59:25.760
<v Speaker 7>it right to her, right to uh Megan Trainer and

0:59:25.760 --> 0:59:27.400
<v Speaker 7>then of course it changed the song a lot, but

0:59:27.800 --> 0:59:31.440
<v Speaker 7>it's the same chorus and the same uh concept. So

0:59:31.680 --> 0:59:33.840
<v Speaker 7>I'm in on a writer as a writer on that.

0:59:34.200 --> 0:59:37.360
<v Speaker 7>And then and we did another one that was a

0:59:37.840 --> 0:59:42.640
<v Speaker 7>commercial that's been Apple commercial uh for It's called Plates.

0:59:42.920 --> 0:59:44.640
<v Speaker 7>If anybody wants to look it up, it's a good one.

0:59:44.840 --> 0:59:49.280
<v Speaker 7>It's a band named Chromo. Yeah, we had the song

0:59:49.320 --> 0:59:52.400
<v Speaker 7>on Chromeo's album. It's called One Track Mind. And then

0:59:52.520 --> 0:59:56.200
<v Speaker 7>uh and and so Lenny Knight wrote that guy I

0:59:56.240 --> 0:59:58.800
<v Speaker 7>told you about before we wrote to my judassy and

0:59:58.800 --> 1:00:02.080
<v Speaker 7>then and so that that song was.

1:00:03.920 --> 1:00:04.439
<v Speaker 9>Done over.

1:00:04.760 --> 1:00:08.640
<v Speaker 7>Let's put it that so and and and Chromeo did

1:00:08.680 --> 1:00:09.520
<v Speaker 7>a great job on it.

1:00:10.080 --> 1:00:12.400
<v Speaker 9>And then they took it for the commercial for Apple.

1:00:12.560 --> 1:00:13.560
<v Speaker 7>So so cool.

1:00:13.640 --> 1:00:17.440
<v Speaker 4>Chromeo just opened for Kesha. Yeah, I almost want to

1:00:17.440 --> 1:00:18.040
<v Speaker 4>see that show.

1:00:18.440 --> 1:00:22.840
<v Speaker 2>Well, now, not only did you just release an album,

1:00:22.960 --> 1:00:26.240
<v Speaker 2>it is the largest undertaking you have ever taken on

1:00:26.600 --> 1:00:31.640
<v Speaker 2>Greg Evigan with London's Royal Philharmonic Orchestra is not just

1:00:31.680 --> 1:00:32.520
<v Speaker 2>to catch you title.

1:00:32.640 --> 1:00:34.080
<v Speaker 4>It is exactly what you did.

1:00:34.440 --> 1:00:37.560
<v Speaker 2>You recorded at the legendary Abbey Road Studios with a

1:00:37.640 --> 1:00:40.680
<v Speaker 2>sixty five piece orchestra.

1:00:41.160 --> 1:00:43.600
<v Speaker 4>How how did this all come together?

1:00:44.520 --> 1:00:44.880
<v Speaker 9>Well?

1:00:45.160 --> 1:00:47.760
<v Speaker 7>This was I had a few pieces you know that

1:00:47.840 --> 1:00:50.680
<v Speaker 7>I wrote since when I was seventeen, like the yeah problem,

1:00:51.200 --> 1:00:54.280
<v Speaker 7>Uh here, I've got it right here.

1:00:54.280 --> 1:00:54.720
<v Speaker 4>There it is.

1:00:55.560 --> 1:00:55.960
<v Speaker 7>You see this?

1:00:56.720 --> 1:00:59.520
<v Speaker 4>Yes, wow, it's beautiful collection.

1:01:00.160 --> 1:01:02.800
<v Speaker 5>But if we use this on our socials by the way,

1:01:02.840 --> 1:01:04.640
<v Speaker 5>for all you kids watching, that's a CD.

1:01:05.680 --> 1:01:10.480
<v Speaker 9>Yes I know, And this is an album album.

1:01:11.200 --> 1:01:13.960
<v Speaker 5>That's what we use to separate the seeds from the

1:01:14.000 --> 1:01:14.880
<v Speaker 5>stems in our weed.

1:01:19.200 --> 1:01:19.680
<v Speaker 1>Good one.

1:01:24.160 --> 1:01:25.600
<v Speaker 7>I was going to pick it up because I want

1:01:25.640 --> 1:01:28.120
<v Speaker 7>to like, uh, tears like rain right tears, like rain

1:01:28.720 --> 1:01:29.600
<v Speaker 7>is the second one on there.

1:01:30.160 --> 1:01:31.520
<v Speaker 9>That's the one I wrotehen I was seventeen.

1:01:31.680 --> 1:01:36.520
<v Speaker 5>So wow, Now I'm curious, has when you write something

1:01:36.560 --> 1:01:39.480
<v Speaker 5>that young, has the song evolved over the years or

1:01:39.800 --> 1:01:42.320
<v Speaker 5>was it basically the same song you wrote at seventeen

1:01:42.400 --> 1:01:44.880
<v Speaker 5>that you just then recorded same melody?

1:01:45.080 --> 1:01:50.240
<v Speaker 7>Okay, played with played differently and you know, expanded put

1:01:50.280 --> 1:01:53.880
<v Speaker 7>it that way and then and then uh so yeah,

1:01:53.920 --> 1:01:58.280
<v Speaker 7>so everything everything developed according to how you're playing the piano, really,

1:01:58.320 --> 1:02:03.000
<v Speaker 7>you know, so uh yeah. So so then I I

1:02:03.040 --> 1:02:06.240
<v Speaker 7>had I had two that I you know, that I

1:02:06.320 --> 1:02:10.320
<v Speaker 7>knew were really solid that I uh and then then

1:02:10.360 --> 1:02:12.600
<v Speaker 7>I when Joe said, what are you gonna do with these?

1:02:12.680 --> 1:02:14.440
<v Speaker 7>Joe Correal said, what are you gonna do with these?

1:02:14.480 --> 1:02:16.919
<v Speaker 7>I said, I don't know. I'm just just wrote them.

1:02:17.240 --> 1:02:19.240
<v Speaker 7>And uh he says, man, we should we should go

1:02:19.800 --> 1:02:22.040
<v Speaker 7>should get a couple more and go over to I've

1:02:22.040 --> 1:02:24.760
<v Speaker 7>got the whole ind with the Royal Philharmonic Orchestra. We

1:02:24.760 --> 1:02:26.480
<v Speaker 7>can go to Abbey Road and we could do the

1:02:26.480 --> 1:02:28.600
<v Speaker 7>whole thing if you want. I mean, it's gonna be expensive,

1:02:29.000 --> 1:02:31.439
<v Speaker 7>I said. And at the time, I was making some money,

1:02:31.480 --> 1:02:34.360
<v Speaker 7>so I said, uh, all right, let's do it. Yeah,

1:02:34.400 --> 1:02:37.000
<v Speaker 7>and uh so, I I literally stayed in for two months.

1:02:37.480 --> 1:02:40.479
<v Speaker 7>I stayed for two months and I just wrote and wrote.

1:02:40.480 --> 1:02:43.360
<v Speaker 7>I took every piece of everything that I thought was

1:02:43.400 --> 1:02:46.120
<v Speaker 7>good and I started to put things together and which

1:02:46.200 --> 1:02:48.680
<v Speaker 7>led to something else, which is pretty much what every

1:02:48.720 --> 1:02:51.560
<v Speaker 7>writer should do all the time, by the way, you know,

1:02:51.720 --> 1:02:55.200
<v Speaker 7>that's what we should all be doing, is what we love. Yeah,

1:02:55.240 --> 1:02:57.280
<v Speaker 7>but sometimes you stay away from what you love because

1:02:57.320 --> 1:02:58.880
<v Speaker 7>you don't want to face it, and then you go

1:02:58.920 --> 1:03:01.120
<v Speaker 7>back in You're like, ah, yes, okay, why did I

1:03:01.120 --> 1:03:03.919
<v Speaker 7>why did I wait so long? So so bottom line

1:03:04.000 --> 1:03:08.000
<v Speaker 7>is it took me two months to finish the pieces,

1:03:08.480 --> 1:03:09.600
<v Speaker 7>you know, and then you got to play them and

1:03:09.680 --> 1:03:12.800
<v Speaker 7>keep them up and h you heard them, so you

1:03:12.880 --> 1:03:16.080
<v Speaker 7>can see that there. It takes a little you know,

1:03:16.120 --> 1:03:17.760
<v Speaker 7>you got to memorize, You got to remember it. You

1:03:17.760 --> 1:03:19.960
<v Speaker 7>gotta remember what you played. You gotta remember, and then

1:03:19.960 --> 1:03:21.520
<v Speaker 7>if you let it get rusty, you got to come

1:03:21.520 --> 1:03:23.960
<v Speaker 7>back and do it again. And I've got another eight

1:03:24.040 --> 1:03:27.680
<v Speaker 7>that I've finished, so I got another album behind it

1:03:27.720 --> 1:03:29.680
<v Speaker 7>that I'm working on doing that.

1:03:29.760 --> 1:03:31.640
<v Speaker 9>But that was the process was amazing.

1:03:31.680 --> 1:03:31.800
<v Speaker 7>You know.

1:03:31.840 --> 1:03:36.480
<v Speaker 9>We went over we just together and we uh we we.

1:03:36.440 --> 1:03:38.240
<v Speaker 7>Did the whole thing in six hours, so it was

1:03:38.240 --> 1:03:42.040
<v Speaker 7>two three hour sessions. Yeah, and then I then I

1:03:42.120 --> 1:03:45.400
<v Speaker 7>proceeded to use the studio and just uh, I.

1:03:45.360 --> 1:03:46.440
<v Speaker 9>Started out in Jason's.

1:03:46.520 --> 1:03:49.640
<v Speaker 7>I got everything rolling over there, and uh got some

1:03:49.720 --> 1:03:54.120
<v Speaker 7>good sounds and on the pianos and the instruments and

1:03:54.120 --> 1:03:57.160
<v Speaker 7>and just broke things up a little bit. Most of all,

1:03:57.200 --> 1:04:02.120
<v Speaker 7>I used what's called a decatree, which is four mics

1:04:02.400 --> 1:04:06.120
<v Speaker 7>that are in the in the big room ro rather

1:04:06.280 --> 1:04:09.680
<v Speaker 7>at Abbey Road, so that sounds turned out to be

1:04:09.840 --> 1:04:13.360
<v Speaker 7>a great sound. I set up eighteen other mics to

1:04:13.360 --> 1:04:16.480
<v Speaker 7>to get a closer sound if we wanted, but I

1:04:16.520 --> 1:04:18.200
<v Speaker 7>don't know. We had some phasing, we had we had

1:04:18.240 --> 1:04:21.280
<v Speaker 7>things that didn't sound as good with all of it,

1:04:21.360 --> 1:04:22.800
<v Speaker 7>so I used some of it.

1:04:23.240 --> 1:04:26.720
<v Speaker 4>But that was the process, you know, so amazing.

1:04:27.240 --> 1:04:29.240
<v Speaker 9>Yeah, it was a long process, a.

1:04:29.120 --> 1:04:45.520
<v Speaker 2>Long process, but worth it in the end. Yeah, exactly, Okay,

1:04:45.880 --> 1:04:49.840
<v Speaker 2>I know you were also just awarded the Lifetime Achievement

1:04:50.120 --> 1:04:54.640
<v Speaker 2>at the twenty twenty six Young Entertainer Award, which is

1:04:55.080 --> 1:04:59.560
<v Speaker 2>a beautiful acknowledgment of a five decade career thus far

1:04:59.600 --> 1:05:02.280
<v Speaker 2>in Hallyay would starting at just eighteen years old and

1:05:02.520 --> 1:05:07.560
<v Speaker 2>on Broadway. You have started in thirteen television series, more

1:05:07.600 --> 1:05:12.600
<v Speaker 2>than thirty television movies, nineteen feature films, and over one

1:05:12.680 --> 1:05:17.320
<v Speaker 2>hundred television guest appearances. I mean that's not even including

1:05:17.400 --> 1:05:23.480
<v Speaker 2>all your musical accomplishments. I'm sure winning this award caused

1:05:23.520 --> 1:05:26.280
<v Speaker 2>you to, like look back a little over the last

1:05:26.520 --> 1:05:30.640
<v Speaker 2>fifty plus years. What would you say you are most

1:05:30.840 --> 1:05:32.600
<v Speaker 2>proud of in your career?

1:05:33.520 --> 1:05:36.560
<v Speaker 7>In my career mm hmm, I was gonna say the

1:05:36.640 --> 1:05:37.520
<v Speaker 7>kids and the grandkids.

1:05:37.600 --> 1:05:40.320
<v Speaker 1>Yeah, I can't do that kids easy.

1:05:40.880 --> 1:05:41.480
<v Speaker 9>Yeah.

1:05:41.560 --> 1:05:46.120
<v Speaker 7>And in the career I would say, I mean, I

1:05:46.120 --> 1:05:49.960
<v Speaker 7>would say that the I would say that just the

1:05:50.320 --> 1:05:53.240
<v Speaker 7>just being able to do so many different things would

1:05:53.240 --> 1:05:55.600
<v Speaker 7>be something I would be the most most proud of.

1:05:55.640 --> 1:05:57.440
<v Speaker 7>I mean, I mean I had the most fun on

1:05:57.600 --> 1:05:59.440
<v Speaker 7>doing my two dads got to say that was the

1:05:59.480 --> 1:06:03.800
<v Speaker 7>most know. Everyone had its own own effect, like BJ

1:06:03.960 --> 1:06:06.439
<v Speaker 7>and the Bear was the first big thing which which

1:06:06.480 --> 1:06:08.360
<v Speaker 7>made me realize what what.

1:06:08.240 --> 1:06:08.880
<v Speaker 9>Fame is like?

1:06:08.960 --> 1:06:09.120
<v Speaker 7>You know?

1:06:09.120 --> 1:06:10.040
<v Speaker 9>And how do you live with that?

1:06:10.200 --> 1:06:11.120
<v Speaker 7>You know? How do you go out?

1:06:11.800 --> 1:06:12.720
<v Speaker 9>How do you take it?

1:06:12.800 --> 1:06:15.800
<v Speaker 7>How do you react to people? How do you you know?

1:06:16.800 --> 1:06:19.880
<v Speaker 7>And then and then every everything that came after was

1:06:20.440 --> 1:06:23.880
<v Speaker 7>another version, depending on your maturity at the time of

1:06:25.200 --> 1:06:27.040
<v Speaker 7>like my two dads, and then we then then the

1:06:27.080 --> 1:06:28.840
<v Speaker 7>other series and trying to keep it going, trying to

1:06:28.840 --> 1:06:30.919
<v Speaker 7>make a living, trying to do it, and then trying

1:06:30.960 --> 1:06:33.600
<v Speaker 7>to say, hey, I don't want to do this just

1:06:33.640 --> 1:06:38.040
<v Speaker 7>for money, you know, because you know that's never been great.

1:06:38.200 --> 1:06:40.640
<v Speaker 9>But sometimes you have to because you have to bill,

1:06:40.720 --> 1:06:41.000
<v Speaker 9>you know.

1:06:41.000 --> 1:06:45.160
<v Speaker 7>So so it's always been a mixture of of that.

1:06:45.200 --> 1:06:48.760
<v Speaker 7>But i'd say, you know, I would say the series,

1:06:49.320 --> 1:06:52.439
<v Speaker 7>the series with the you know, I like the role

1:06:52.480 --> 1:06:54.680
<v Speaker 7>with the in Colombo. That that made me that was

1:06:54.680 --> 1:06:56.680
<v Speaker 7>a good one, you know, with the work with Peter

1:06:56.800 --> 1:06:59.280
<v Speaker 7>Falk that and Tyne Daily that I thought that was

1:06:59.600 --> 1:07:01.919
<v Speaker 7>one of my better things, you know when it comes

1:07:01.960 --> 1:07:06.760
<v Speaker 7>to acting. Or there was another one I did where

1:07:06.760 --> 1:07:09.880
<v Speaker 7>I got kind of a mention like an Emmy. Uh

1:07:10.960 --> 1:07:13.320
<v Speaker 7>it was the one of her own. It was called

1:07:14.240 --> 1:07:19.520
<v Speaker 7>with Laurie Laughlin. But that that was a good one.

1:07:19.520 --> 1:07:19.680
<v Speaker 7>You know.

1:07:19.680 --> 1:07:21.720
<v Speaker 9>I played a cop, the rogue cop in it, you know,

1:07:22.360 --> 1:07:23.040
<v Speaker 9>So you.

1:07:23.000 --> 1:07:25.880
<v Speaker 7>Know, roles like that made me realize that I was

1:07:25.920 --> 1:07:28.520
<v Speaker 7>proud of them because I thought, Okay, I'm gonna go

1:07:28.560 --> 1:07:30.160
<v Speaker 7>to the place I want to go to as an actor,

1:07:30.200 --> 1:07:32.920
<v Speaker 7>you know, but it's hard to get to where you

1:07:33.000 --> 1:07:34.080
<v Speaker 7>think you want to be, you know.

1:07:34.520 --> 1:07:37.439
<v Speaker 9>So you know, I'm happy with what the way things

1:07:37.480 --> 1:07:37.880
<v Speaker 9>have gone.

1:07:37.920 --> 1:07:40.960
<v Speaker 7>And I, like you said, you started off with a

1:07:41.000 --> 1:07:44.080
<v Speaker 7>collective kind of career with so many different things, so

1:07:44.120 --> 1:07:46.480
<v Speaker 7>that I figured out, I'm a working actor. That's the

1:07:46.480 --> 1:07:48.800
<v Speaker 7>way I look at myself. I'm a working actor, you know.

1:07:49.560 --> 1:07:53.320
<v Speaker 7>So you know, you know, to be a working actor

1:07:53.360 --> 1:07:55.880
<v Speaker 7>and stay in this business and and have it keep

1:07:55.920 --> 1:07:59.480
<v Speaker 7>coming in whatever form it comes. There's a reward in

1:07:59.520 --> 1:08:05.640
<v Speaker 7>that too. Yeah, Yeah, Tom Cruise and Tom Cruise is

1:08:05.680 --> 1:08:09.000
<v Speaker 7>like you know, a guy like Tom Cruise, you know, you're.

1:08:08.960 --> 1:08:10.560
<v Speaker 9>You're You're a celebrity too.

1:08:10.680 --> 1:08:12.919
<v Speaker 7>You're like a giant celebrity at the same time you're

1:08:13.320 --> 1:08:16.840
<v Speaker 7>this incredible actor, you know, making these these movies that

1:08:16.960 --> 1:08:19.400
<v Speaker 7>everybody loves, you know, So and you end up in

1:08:19.439 --> 1:08:23.840
<v Speaker 7>a certain area in the business that I know every

1:08:23.840 --> 1:08:25.599
<v Speaker 7>actor wants to get to. I mean they think him

1:08:26.560 --> 1:08:28.000
<v Speaker 7>and uh and they.

1:08:27.840 --> 1:08:28.479
<v Speaker 9>Strive for it.

1:08:29.080 --> 1:08:31.880
<v Speaker 7>So I think that's what I think, that's what keeps

1:08:31.960 --> 1:08:32.280
<v Speaker 7>us going.

1:08:32.800 --> 1:08:37.519
<v Speaker 2>Yeah, Greg, thank you so much for spending your time

1:08:37.600 --> 1:08:37.960
<v Speaker 2>with us.

1:08:38.000 --> 1:08:40.080
<v Speaker 4>It was so great to talk to you. Always good

1:08:40.080 --> 1:08:43.439
<v Speaker 4>to see you. Give my love to your entire beautiful family.

1:08:43.640 --> 1:08:45.360
<v Speaker 9>Everyone says hi to you, by the way.

1:08:45.200 --> 1:08:48.519
<v Speaker 2>So hello, I know Vanessa and I just texted, I

1:08:48.560 --> 1:08:50.400
<v Speaker 2>need to we actually we've got to We've got to

1:08:50.439 --> 1:08:52.800
<v Speaker 2>talk again. Vanessa and I we we got to catch up.

1:08:53.479 --> 1:08:58.439
<v Speaker 7>You have a crush everyone did Greg.

1:09:02.000 --> 1:09:03.280
<v Speaker 4>For our dear listeners.

1:09:03.360 --> 1:09:06.960
<v Speaker 2>You can get Greg Evigan with London's Royal Philharmonic Orchestra

1:09:07.200 --> 1:09:09.559
<v Speaker 2>anywhere you can buy CDs and I'm sure it's on

1:09:09.600 --> 1:09:12.160
<v Speaker 2>Spotify and you can go on Spotify.

1:09:12.240 --> 1:09:16.120
<v Speaker 7>Yeah, I'm in the process of Spotify, but right now

1:09:16.120 --> 1:09:19.600
<v Speaker 7>it's Amazon Digital, it's Apple Music. And if you go

1:09:19.640 --> 1:09:22.680
<v Speaker 7>to my website, you know, the evigon dot com if

1:09:22.680 --> 1:09:25.320
<v Speaker 7>you like CDs still, if you like final if that's

1:09:25.320 --> 1:09:27.960
<v Speaker 7>where you can get that. But yeah, Evigan dot com.

1:09:28.400 --> 1:09:30.960
<v Speaker 7>You can find out anything there that's happening with it.

1:09:31.120 --> 1:09:33.760
<v Speaker 2>So okay, great evagain dot com. Thank you so much, Greg,

1:09:33.760 --> 1:09:34.680
<v Speaker 2>always good to see you.

1:09:35.160 --> 1:09:36.360
<v Speaker 4>Yes, yeah, thank.

1:09:36.160 --> 1:09:38.800
<v Speaker 8>You, Yeah, thank you.

1:09:40.520 --> 1:09:40.840
<v Speaker 7>Wow.

1:09:40.960 --> 1:09:43.360
<v Speaker 4>Man, what a talented family.

1:09:43.320 --> 1:09:46.360
<v Speaker 6>No kidding, annoying at the end of the day.

1:09:47.520 --> 1:09:48.519
<v Speaker 1>And I just love that it was.

1:09:48.560 --> 1:09:52.040
<v Speaker 3>So cool about it to so Apple and just like yeah,

1:09:52.080 --> 1:09:55.519
<v Speaker 3>and then basically since he was seventeen, he's just yeah,

1:09:55.760 --> 1:09:56.799
<v Speaker 3>kept going.

1:09:56.920 --> 1:09:59.840
<v Speaker 5>You know how rare that is, especially nowadays, where it's

1:09:59.840 --> 1:10:01.920
<v Speaker 5>like a working actor just somebody.

1:10:01.720 --> 1:10:05.120
<v Speaker 3>That's, well, he's so hard working when you do seven

1:10:05.240 --> 1:10:08.160
<v Speaker 3>hundred or whatever, however many shows by the time you're

1:10:08.200 --> 1:10:10.559
<v Speaker 3>like eighteen or twenty. Yeah, like you just know that

1:10:10.720 --> 1:10:12.600
<v Speaker 3>it's about the work, you know. It's like and he

1:10:12.680 --> 1:10:14.560
<v Speaker 3>that's all, Like, I just love that. That's what he

1:10:14.640 --> 1:10:17.479
<v Speaker 3>kept talking about, is like you know how he just

1:10:17.520 --> 1:10:19.360
<v Speaker 3>would go to work and do his thing, and it

1:10:19.400 --> 1:10:22.639
<v Speaker 3>was never like I don't know it. You know, some actors,

1:10:22.680 --> 1:10:25.160
<v Speaker 3>I think this, are so full of themselves and it's

1:10:25.200 --> 1:10:27.280
<v Speaker 3>like it's like they want it to be this mysterious,

1:10:27.320 --> 1:10:28.559
<v Speaker 3>magical thing that they do.

1:10:28.960 --> 1:10:30.720
<v Speaker 1>And then other actors are like, no, man, it's just

1:10:30.760 --> 1:10:31.960
<v Speaker 1>the job. And I go and I do it, and

1:10:31.960 --> 1:10:33.840
<v Speaker 1>I have so much fun and I love working with people.

1:10:33.920 --> 1:10:37.200
<v Speaker 5>And yeah, what he said at the end about Tom

1:10:37.200 --> 1:10:39.000
<v Speaker 5>Cruise is really telling because he's like, oh, and then

1:10:39.000 --> 1:10:40.640
<v Speaker 5>he's also a celebrity, Like he never wanted to be

1:10:40.640 --> 1:10:41.160
<v Speaker 5>a celebrity.

1:10:41.160 --> 1:10:41.960
<v Speaker 1>He wanted to be an actor.

1:10:42.000 --> 1:10:44.400
<v Speaker 5>He wanted to be a working actor, and that's and

1:10:44.479 --> 1:10:46.559
<v Speaker 5>to have that career for fifty years and then be

1:10:46.560 --> 1:10:48.280
<v Speaker 5>like I'm not going to cut an album with the

1:10:48.800 --> 1:10:50.679
<v Speaker 5>London Philharmonic, right, Oh my god.

1:10:51.120 --> 1:10:53.120
<v Speaker 1>And he clearly just passed that along to his children.

1:10:53.280 --> 1:10:56.240
<v Speaker 3>Yes, yeah, not just the talent, but also the work

1:10:56.240 --> 1:10:59.080
<v Speaker 3>ethic and the sense of like, yeah, let's just enjoy this.

1:10:59.400 --> 1:11:02.280
<v Speaker 2>Ying to a young Vanessa and she was like eight

1:11:02.400 --> 1:11:04.160
<v Speaker 2>years old, why don't you get into a play first?

1:11:04.160 --> 1:11:05.760
<v Speaker 4>And then four days later she's like, I'm gonna play.

1:11:05.760 --> 1:11:08.800
<v Speaker 2>I'm gonna It's like, you know, that idea of go

1:11:08.880 --> 1:11:12.120
<v Speaker 2>out and make it happen is somethinking people with kids.

1:11:12.040 --> 1:11:15.880
<v Speaker 6>You've got music, acting, dancing, like all of it.

1:11:16.360 --> 1:11:18.840
<v Speaker 1>I know, just every kid is talented. It's like, oh man,

1:11:18.880 --> 1:11:20.240
<v Speaker 1>that's crazy. Yeah yeah, oh.

1:11:20.160 --> 1:11:21.360
<v Speaker 4>Yeah, pretty crazy.

1:11:21.560 --> 1:11:23.280
<v Speaker 2>Well, thank you all for joining us for this episode

1:11:23.280 --> 1:11:25.080
<v Speaker 2>of Pod Meets World. As always, you can follow us

1:11:25.120 --> 1:11:27.680
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1:11:27.720 --> 1:11:30.719
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1:11:30.760 --> 1:11:32.680
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<v Speaker 2>Go pod meets Worldshow dot com writer send us out.

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<v Speaker 1>We love you all, pod dismissed.

1:11:46.520 --> 1:11:49.160
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