WEBVTT - Mini Crush #157

0:00:00.200 --> 0:00:02.960
<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

0:00:28.680 --> 0:00:31.720
<v Speaker 1>Hey everybody, and welcome to Mini Crush Monday. I'm here

0:00:31.800 --> 0:00:34.280
<v Speaker 1>in my home studio Charles W. Chuck Bryant of stuff

0:00:34.320 --> 0:00:38.479
<v Speaker 1>you should know, Fame, Movie Crush, Mini Fame. That's a

0:00:38.520 --> 0:00:40.919
<v Speaker 1>new one. That's a new intro, it is, and I'm

0:00:40.960 --> 0:00:43.680
<v Speaker 1>here with old Brown of geez. How many shows you

0:00:43.760 --> 0:00:46.400
<v Speaker 1>doing now? Oh, you know, just a couple of stuffy

0:00:46.440 --> 0:00:48.320
<v Speaker 1>su stuff suff they don't want you to know as

0:00:48.440 --> 0:00:54.040
<v Speaker 1>a ridiculous history. Yeah, stalwarts. And you're you're kind enough

0:00:54.080 --> 0:00:55.800
<v Speaker 1>to help me out in here and all, which is great.

0:00:56.040 --> 0:00:59.400
<v Speaker 1>Why do you? Kind is not the word for this? Is?

0:00:59.440 --> 0:01:01.000
<v Speaker 1>I told you this makes my day and I love

0:01:01.280 --> 0:01:03.720
<v Speaker 1>getting an early start on a Wednesday. We're back to

0:01:03.800 --> 0:01:07.320
<v Speaker 1>our normal stomping grounds. Yeah, not known as Friday Afternoon.

0:01:08.200 --> 0:01:10.800
<v Speaker 1>That was fun too, and it's yeah. So this is

0:01:10.800 --> 0:01:13.680
<v Speaker 1>our number two for the day, number one for you

0:01:13.720 --> 0:01:17.360
<v Speaker 1>this week, listeners, Number one in your hearts, number one

0:01:17.360 --> 0:01:19.560
<v Speaker 1>in your hearts with a bullet All right, No, we're

0:01:19.680 --> 0:01:21.720
<v Speaker 1>just gonna jump right into it, just what we do

0:01:21.880 --> 0:01:24.959
<v Speaker 1>on our second episode, because we've already caught up and

0:01:24.959 --> 0:01:26.920
<v Speaker 1>we're going to start out with a post that I

0:01:27.160 --> 0:01:30.080
<v Speaker 1>threw in there this morning. Sorry I didn't give everyone

0:01:30.120 --> 0:01:32.360
<v Speaker 1>a lot of time on this, but I I was

0:01:32.440 --> 0:01:37.199
<v Speaker 1>busy last night. Uh club no Wana mentioned that before.

0:01:38.000 --> 0:01:40.399
<v Speaker 1>Directors who I feel like have never made a stinker.

0:01:41.240 --> 0:01:45.240
<v Speaker 1>Maybe not all the movies or masterpieces, but none of

0:01:45.240 --> 0:01:48.880
<v Speaker 1>them can be considered like missteps or like bad movies.

0:01:49.240 --> 0:01:53.800
<v Speaker 1>Like even the great Steven Spielberg made Crystal Skull. Yeah,

0:01:54.000 --> 0:01:57.880
<v Speaker 1>so he can't. He's not on the list. Crystal Skull sucked. Yeah,

0:01:57.880 --> 0:01:59.880
<v Speaker 1>it's interesting. It's a good point. I mean, I I

0:02:00.120 --> 0:02:04.120
<v Speaker 1>definitely didn't. I think so you're judging Crystal Skull against

0:02:04.200 --> 0:02:06.520
<v Speaker 1>all other Indiana Jones movies, which I guess is the

0:02:06.520 --> 0:02:08.640
<v Speaker 1>only way you can't judge it, right, No, I'm judging

0:02:08.639 --> 0:02:11.280
<v Speaker 1>it as a movie. It just wasn't very good, okay,

0:02:11.520 --> 0:02:13.440
<v Speaker 1>and especially if you look at it as in the

0:02:14.120 --> 0:02:17.120
<v Speaker 1>in the cannon of of the Indiana Jones films, it's

0:02:17.160 --> 0:02:19.640
<v Speaker 1>just a dark spot. What was it about it that

0:02:19.639 --> 0:02:21.560
<v Speaker 1>you didn't think was good? Just the plot wasn't good.

0:02:21.639 --> 0:02:24.720
<v Speaker 1>There was bad acting, casting choices, the c G I

0:02:24.840 --> 0:02:28.120
<v Speaker 1>was like things like that had so many problems. It

0:02:28.160 --> 0:02:30.680
<v Speaker 1>was really really disappointing. So as much as I love

0:02:30.760 --> 0:02:35.000
<v Speaker 1>me some. Steven Spielberg, he just he can't make the list. Uh.

0:02:35.120 --> 0:02:39.000
<v Speaker 1>The Collen Brothers, I give a They're on my list

0:02:39.120 --> 0:02:42.280
<v Speaker 1>because their worst movie, The Lady Killers, is still I

0:02:42.280 --> 0:02:46.880
<v Speaker 1>don't think a stinker. It's not great, but it's good enough,

0:02:47.080 --> 0:02:49.880
<v Speaker 1>And the rest of their movies are I think literally

0:02:49.880 --> 0:02:52.800
<v Speaker 1>every one of them great. I think The Lady Killers

0:02:52.960 --> 0:02:57.080
<v Speaker 1>is quite funny. It makes me laugh. It's not a

0:02:57.120 --> 0:02:59.840
<v Speaker 1>great movie, for sure, Yeah, but it's funny enough. I mean,

0:03:00.160 --> 0:03:03.320
<v Speaker 1>Tom Hanks alone and with that voice is you know,

0:03:03.320 --> 0:03:06.200
<v Speaker 1>I'll watch that movie just to laugh at that. Exactly.

0:03:07.160 --> 0:03:09.680
<v Speaker 1>Who else I've always put Sofia Coppola on the list.

0:03:11.320 --> 0:03:13.840
<v Speaker 1>I think that all of her movies have been none

0:03:13.880 --> 0:03:16.280
<v Speaker 1>of them have been stinkers. I think the one that

0:03:16.600 --> 0:03:20.680
<v Speaker 1>um her least good movie was the Was it the Beloved?

0:03:21.200 --> 0:03:22.320
<v Speaker 1>Was that the name of the one for a few

0:03:22.360 --> 0:03:23.959
<v Speaker 1>years ago? I don't a lot of people are really

0:03:24.000 --> 0:03:25.960
<v Speaker 1>hating on this new one where it just feels like

0:03:26.320 --> 0:03:28.079
<v Speaker 1>why bother kind of but I haven't seen him. You

0:03:28.160 --> 0:03:30.960
<v Speaker 1>said you thought it was okay, I liked it. Okay.

0:03:32.480 --> 0:03:36.480
<v Speaker 1>What was the name of it? Wasn't the Beloved? Oh? Uh?

0:03:36.600 --> 0:03:43.840
<v Speaker 1>I don't know, let's see it's uh The Beguiled it

0:03:43.960 --> 0:03:47.040
<v Speaker 1>was all right, it wasn't great, but the rest of

0:03:47.040 --> 0:03:51.680
<v Speaker 1>her movies are great. I think Catherine Bigelow um even

0:03:51.760 --> 0:03:54.840
<v Speaker 1>dubbing into her eighties work. Like I haven't seen her

0:03:54.840 --> 0:03:56.560
<v Speaker 1>first movie, so I'm not sure, but like she did

0:03:56.600 --> 0:03:59.120
<v Speaker 1>Blue Steel in the eighties, like that was a pretty

0:03:59.120 --> 0:04:02.160
<v Speaker 1>fun movie, and certainly she got better and better as

0:04:02.160 --> 0:04:04.120
<v Speaker 1>a filmmaker. So I think Katherin Bigelow is probably on

0:04:04.160 --> 0:04:07.880
<v Speaker 1>that list. David or Russell was on my list. Uh,

0:04:08.000 --> 0:04:11.720
<v Speaker 1>Kubrick is probably on my list. He's never made a stinker.

0:04:13.040 --> 0:04:16.040
<v Speaker 1>So I asked the crushers what they thought. Who were there?

0:04:16.040 --> 0:04:19.560
<v Speaker 1>A d percent clovers and Uh, we're just gonna go

0:04:19.600 --> 0:04:22.960
<v Speaker 1>ahead and get going here with Tom Rhodes, he says,

0:04:23.040 --> 0:04:27.080
<v Speaker 1>Chris Nolan, uh, and David Fincher, he says, I don't

0:04:27.120 --> 0:04:30.440
<v Speaker 1>hate Alien three. And there was supposedly a ton of

0:04:30.480 --> 0:04:33.560
<v Speaker 1>studio interference. I think we talked about venture and whether

0:04:33.640 --> 0:04:36.000
<v Speaker 1>or not he was a center, and I I knocked

0:04:36.080 --> 0:04:40.039
<v Speaker 1>him for Alien three. Yeah. I actually it's been so

0:04:40.120 --> 0:04:43.400
<v Speaker 1>long as I've seen that, and at the time, I

0:04:43.440 --> 0:04:45.800
<v Speaker 1>can't I don't think I was aware of David Fincher

0:04:46.160 --> 0:04:49.479
<v Speaker 1>like as a So I wasn't judging it in that way,

0:04:49.560 --> 0:04:51.320
<v Speaker 1>but I'll have to watch it. I might might, I

0:04:51.360 --> 0:04:55.000
<v Speaker 1>might treat myself to an Alien marathon. What was his uh?

0:04:55.080 --> 0:04:59.800
<v Speaker 1>What was his first movie? It wasn't Alien three? Was

0:05:00.360 --> 0:05:03.680
<v Speaker 1>I don't know, let's see. I mean he did a

0:05:03.760 --> 0:05:08.080
<v Speaker 1>lot of music videos. He did like Madonna, like a prayer,

0:05:08.600 --> 0:05:11.719
<v Speaker 1>um not like like a prayer he did, I believe Vogue.

0:05:12.440 --> 0:05:17.320
<v Speaker 1>His first movie. It might have been, uh, yeah, I

0:05:17.360 --> 0:05:22.080
<v Speaker 1>think so it was yeah, Alien three, Yeah, yeah, that

0:05:22.200 --> 0:05:26.000
<v Speaker 1>was his first. Um seven, Great The Game, Great Bike Club,

0:05:26.200 --> 0:05:33.159
<v Speaker 1>Great Panic Room, good Zodiac, masterpiece. You know, Benjamin Button,

0:05:33.279 --> 0:05:35.040
<v Speaker 1>I didn't really like that. I didn't like it either,

0:05:35.080 --> 0:05:37.159
<v Speaker 1>but it's still a good movie. And it's a wise

0:05:37.880 --> 0:05:40.520
<v Speaker 1>It's what she would call a big swing, right Chuck.

0:05:40.600 --> 0:05:44.280
<v Speaker 1>You know, boy, obviously it was a passion project for him.

0:05:44.279 --> 0:05:46.240
<v Speaker 1>I don't like it either, But again i've I've I've

0:05:46.240 --> 0:05:49.480
<v Speaker 1>heard critics that that that's still you know, it's it's polarizing.

0:05:49.520 --> 0:05:52.760
<v Speaker 1>Some people really love it. I did not love it. Yeah,

0:05:52.920 --> 0:05:55.960
<v Speaker 1>Social Network, great Dragon Tattoo thought a really good remake,

0:05:56.320 --> 0:05:59.880
<v Speaker 1>done Girl, awesome make still haven't finished, but intrigued to

0:05:59.920 --> 0:06:03.240
<v Speaker 1>me enough, and it's definitely not a stinker, all right.

0:06:04.800 --> 0:06:07.559
<v Speaker 1>I agree Venture should probably be on there. Christopher Nolan

0:06:08.080 --> 0:06:10.560
<v Speaker 1>have some issues with him. He's not made stinkers though.

0:06:12.040 --> 0:06:13.839
<v Speaker 1>I mean, I think we have to qualify. Like again,

0:06:13.960 --> 0:06:17.480
<v Speaker 1>like I think the discussion we had around Crystal Skull

0:06:17.560 --> 0:06:20.240
<v Speaker 1>has to hold true. Do you judge it based on

0:06:20.279 --> 0:06:22.640
<v Speaker 1>all of his other movies as in they're not as good,

0:06:22.720 --> 0:06:24.920
<v Speaker 1>or it has to to be an absolute kind of bomb.

0:06:25.200 --> 0:06:27.479
<v Speaker 1>It has to really suck and just not be a

0:06:27.520 --> 0:06:30.160
<v Speaker 1>good movie. I mean, I don't even go so far.

0:06:30.279 --> 0:06:33.240
<v Speaker 1>Here's my criteria. It doesn't have to really suck. I

0:06:33.279 --> 0:06:37.440
<v Speaker 1>think just not a good movie for that director, you

0:06:37.440 --> 0:06:40.960
<v Speaker 1>know what I mean? Like the bar is high, um,

0:06:41.040 --> 0:06:43.440
<v Speaker 1>So I don't think it has to be garbage. But

0:06:43.960 --> 0:06:45.680
<v Speaker 1>to me, it's just if it's not a very good

0:06:45.720 --> 0:06:48.680
<v Speaker 1>movie that I don't want to see again, then that qualifies.

0:06:49.600 --> 0:06:53.400
<v Speaker 1>And this is just my own dumb criteria. Caroline Gaston,

0:06:53.600 --> 0:06:55.719
<v Speaker 1>one of our oldest spial, says, is it too soon

0:06:55.760 --> 0:06:58.919
<v Speaker 1>to say? Ari asked her with just two films, But

0:06:59.040 --> 0:07:01.599
<v Speaker 1>she also says most of his short films are on

0:07:01.640 --> 0:07:04.600
<v Speaker 1>YouTube and they're all pretty great, So you know he's

0:07:05.040 --> 0:07:08.200
<v Speaker 1>pent and I imagine he'll keep making pretty good movies.

0:07:08.960 --> 0:07:12.240
<v Speaker 1>I don't see are asked making a stinker anytime soon. Totally,

0:07:12.840 --> 0:07:16.760
<v Speaker 1>he's fantastic. And you know, it's interesting because like obviously

0:07:17.360 --> 0:07:19.360
<v Speaker 1>your first film you have like your whole life to

0:07:19.480 --> 0:07:22.400
<v Speaker 1>think of, and then your second one. You know, if

0:07:22.440 --> 0:07:23.880
<v Speaker 1>you do well with the first one, the studios are

0:07:23.920 --> 0:07:25.760
<v Speaker 1>obviously gonna be you know, on you to put another

0:07:25.760 --> 0:07:28.120
<v Speaker 1>one out. And I think he did a fine job

0:07:28.600 --> 0:07:30.400
<v Speaker 1>as uh. I think both of us had a few

0:07:30.400 --> 0:07:36.000
<v Speaker 1>issues with Midsummer. Um, it's damn good so quickly, Yeah,

0:07:37.400 --> 0:07:39.800
<v Speaker 1>Lenia Barnett, one of our oldest palaces. Wes Anderson is

0:07:39.840 --> 0:07:42.000
<v Speaker 1>the only director that can fill that slot for me.

0:07:42.040 --> 0:07:45.320
<v Speaker 1>Adore his work and love the world he creates. Uh yeah,

0:07:45.480 --> 0:07:51.000
<v Speaker 1>I love them all. Uh. Sarah Irons also says Wes Anderson.

0:07:51.200 --> 0:07:52.960
<v Speaker 1>I know he's not everyone's cup of tea, but I

0:07:53.040 --> 0:07:57.120
<v Speaker 1>love his films, Aidan Noah Clark has a nice list

0:07:57.200 --> 0:08:03.520
<v Speaker 1>going here. Todd Haynes, Sure, Basil Dearden, don't know who

0:08:03.520 --> 0:08:08.000
<v Speaker 1>Basil Derdon is. Basil Derdon, No, he sounds very British.

0:08:08.200 --> 0:08:13.800
<v Speaker 1>He does. Sidney uh Pedro al Mondova is close but

0:08:13.880 --> 0:08:17.480
<v Speaker 1>I'm so excited. Isn't great, is what? Aiden says? Bong

0:08:17.600 --> 0:08:22.640
<v Speaker 1>John Bong June Hoe. Oh yeah, big times, Yorgos Lantamos,

0:08:22.720 --> 0:08:27.840
<v Speaker 1>Yeah for sure, still early, but yes, Sebastian Lalio don't

0:08:27.880 --> 0:08:31.640
<v Speaker 1>know that Bill Maker and Corey Finley is two for

0:08:31.680 --> 0:08:35.800
<v Speaker 1>two so far. I don't know these people. Yeah, Oh,

0:08:36.440 --> 0:08:40.199
<v Speaker 1>Basil dear Den is old. He was born in nineteen eleven.

0:08:40.320 --> 0:08:43.040
<v Speaker 1>He looks like he did some noir stuff film called

0:08:43.080 --> 0:08:46.960
<v Speaker 1>The Dead of Night from Sapphire The Blue Lamp Victim.

0:08:47.000 --> 0:08:50.840
<v Speaker 1>These all look like cool Hitchcock e thriller noir situations

0:08:50.880 --> 0:08:53.679
<v Speaker 1>from the from the fifties and early sixties. So I'm

0:08:53.679 --> 0:08:56.680
<v Speaker 1>gonna add some of these to my list. Uh. And

0:08:56.840 --> 0:09:00.840
<v Speaker 1>Corey Finley says two for two did Bad Education and Thoroughbreds.

0:09:02.000 --> 0:09:03.439
<v Speaker 1>I don't think I've seen either one of those. Those

0:09:03.440 --> 0:09:06.319
<v Speaker 1>are both supposed to be pretty good, though, Bathtian Bad

0:09:06.400 --> 0:09:10.080
<v Speaker 1>Education jacking my almotiv ar. No, no, no, this is

0:09:10.120 --> 0:09:14.160
<v Speaker 1>Corey Finley Bad Education, based on the true story of

0:09:14.200 --> 0:09:18.560
<v Speaker 1>the largest public school embezzlement in American history. And there's

0:09:18.559 --> 0:09:25.360
<v Speaker 1>another there's a Bad Education as well. Interesting. All right,

0:09:25.440 --> 0:09:27.880
<v Speaker 1>I'll have to check these out. Deep cuts. I like

0:09:27.960 --> 0:09:31.880
<v Speaker 1>deep cuts. Noll too. Let me see here. Ian Lyone

0:09:31.880 --> 0:09:34.880
<v Speaker 1>says that's tough. Let me some Spielberg and Ridley Scott.

0:09:35.360 --> 0:09:38.080
<v Speaker 1>But among their mega classics, they've certainly made some stinkers,

0:09:38.679 --> 0:09:42.920
<v Speaker 1>some leaning towards filmmakers who have had fewer efforts, which

0:09:42.960 --> 0:09:46.400
<v Speaker 1>is probably unfair. Jonathan Glazer, Uh, Sexy Beasts under the

0:09:46.400 --> 0:09:50.960
<v Speaker 1>Skin and Birth, Yeah, for sure. And Edgar Wright, Shaun

0:09:50.960 --> 0:09:54.280
<v Speaker 1>of the Dead, Scott Pilgrim, Hot Buds, and Baby Driver. Yeah,

0:09:54.360 --> 0:09:59.400
<v Speaker 1>Edgar right is totally totally good call, good call. Ian

0:10:00.080 --> 0:10:06.400
<v Speaker 1>iron Don Morris, I think I fully agree with this,

0:10:06.640 --> 0:10:12.360
<v Speaker 1>says Sam Mendez. Solid solid and one of my favorite

0:10:12.360 --> 0:10:14.520
<v Speaker 1>little note movies. Away we Go. That was such a

0:10:14.520 --> 0:10:16.600
<v Speaker 1>great movie. I haven't seen that or heard of it.

0:10:18.040 --> 0:10:20.920
<v Speaker 1>He's so versatile though, because like he can do obviously,

0:10:21.440 --> 0:10:25.640
<v Speaker 1>you know, amazing Indie kind of character driven drama, like

0:10:25.679 --> 0:10:28.200
<v Speaker 1>an American Beauty, But then he could turn around and

0:10:28.240 --> 0:10:31.679
<v Speaker 1>do a Skyfall or like in nineteen seventeen or whatever,

0:10:31.840 --> 0:10:35.080
<v Speaker 1>you know, revolutionary road. He can do the period pieces that.

0:10:35.160 --> 0:10:38.800
<v Speaker 1>He is just a really versatile director, no question about it.

0:10:38.880 --> 0:10:40.520
<v Speaker 1>The Way we Go, jar Head, these are all really

0:10:40.559 --> 0:10:46.920
<v Speaker 1>great road to Perdition Specter as well. Yeah, American Beauty

0:10:47.000 --> 0:10:51.839
<v Speaker 1>of course. Sam Mendez he's on my list. Yes, he

0:10:51.840 --> 0:10:53.760
<v Speaker 1>actually hasn't directed a hell of a lot of movie's

0:10:53.760 --> 0:10:57.040
<v Speaker 1>only got twelve twelve movies to his credit. I mean

0:10:57.040 --> 0:10:58.720
<v Speaker 1>that's a lot. I guess that is a lot. What

0:10:58.760 --> 0:11:00.400
<v Speaker 1>am I talking about? It's a lot. He's he's been

0:11:00.400 --> 0:11:03.320
<v Speaker 1>at it for a while. But yeah, he he doesn't

0:11:03.360 --> 0:11:06.000
<v Speaker 1>like make one like every two years, like he'll he'll like,

0:11:06.160 --> 0:11:08.640
<v Speaker 1>he'll like sit on things for a little while. Um,

0:11:08.640 --> 0:11:11.640
<v Speaker 1>it's good. Yeah, king Lear, I'm not familiar with a

0:11:11.720 --> 0:11:15.480
<v Speaker 1>king Lear adaptation. Did he produce it or directed? He

0:11:15.559 --> 0:11:19.120
<v Speaker 1>directed it? Really? Yeah? Co directed it with somebody named

0:11:19.200 --> 0:11:23.400
<v Speaker 1>Robin low Oh. Interesting, all right, I did not know that.

0:11:31.760 --> 0:11:35.440
<v Speaker 1>All Right, we're gonna go with Kathy Lowe. McCray says,

0:11:35.880 --> 0:11:37.960
<v Speaker 1>Granted she's only made a handful of films, but everything

0:11:38.000 --> 0:11:42.520
<v Speaker 1>Tamora Jenkins does it's fantastic. Totally agree. One of my

0:11:42.520 --> 0:11:47.880
<v Speaker 1>favorite directors. Tamora Jenkins did Slums of Beverly Hills, The Savages,

0:11:48.480 --> 0:11:50.600
<v Speaker 1>that great, great movie with Laura Lenny and Philip sy

0:11:50.640 --> 0:11:53.760
<v Speaker 1>Moore Hoffman as siblings. And then uh, I have not

0:11:53.800 --> 0:11:56.600
<v Speaker 1>seen Private life from a couple of years ago, and

0:11:56.640 --> 0:11:59.400
<v Speaker 1>that is on the list. I did not know about

0:11:59.440 --> 0:12:02.960
<v Speaker 1>this movie and it sounds great with Katherine Hahn, who

0:12:03.480 --> 0:12:07.720
<v Speaker 1>everyone loves, and Paul Giamati and Molly Shannon, who have

0:12:07.840 --> 0:12:11.280
<v Speaker 1>such a crush on Molly Shannon is a is a delight.

0:12:11.640 --> 0:12:13.160
<v Speaker 1>She is man, I want to get around the show

0:12:13.200 --> 0:12:16.079
<v Speaker 1>so bad. She's just so like sunny and like and

0:12:16.080 --> 0:12:18.040
<v Speaker 1>and and and can play it super goofy. But it

0:12:18.080 --> 0:12:21.280
<v Speaker 1>is also you know, stunning, uh, and I appreciate that.

0:12:21.320 --> 0:12:24.080
<v Speaker 1>It is the ability to kind of, you know, fill

0:12:24.160 --> 0:12:26.559
<v Speaker 1>both of those roles. I love her, always have had

0:12:26.600 --> 0:12:29.960
<v Speaker 1>just the biggest crush on Molly Shannon. You know her backstory? Band?

0:12:29.960 --> 0:12:31.559
<v Speaker 1>Did you ever hear what happened here when she was

0:12:31.600 --> 0:12:35.440
<v Speaker 1>a kid? No? No, I have not. She was on

0:12:35.480 --> 0:12:40.600
<v Speaker 1>Mark Marin and her uh, her mother and I think

0:12:40.760 --> 0:12:44.440
<v Speaker 1>sister were killed in a car wreck with her father

0:12:44.640 --> 0:12:48.320
<v Speaker 1>driving and I think he had been drinking. And like,

0:12:48.760 --> 0:12:53.840
<v Speaker 1>it's brutal to hear her tell that story. Um, yeah,

0:12:54.200 --> 0:12:56.959
<v Speaker 1>that's tough, man go through a tragedy like that. Oh

0:12:57.080 --> 0:13:03.240
<v Speaker 1>youve ay, Jennifer Mudge says Sophia Coppola. Stanley Kubrick David

0:13:03.280 --> 0:13:08.199
<v Speaker 1>Fincher and Martin Scorsese if the Irishman didn't exist. I'm

0:13:08.200 --> 0:13:11.200
<v Speaker 1>with you, Mudge. You you can park in my garage

0:13:11.240 --> 0:13:14.120
<v Speaker 1>any day. That's so funny that Casey Pegraham, who is

0:13:14.240 --> 0:13:17.760
<v Speaker 1>like such a particular boy when it comes to music movies,

0:13:17.880 --> 0:13:19.599
<v Speaker 1>just loves that one. And it's such a device. So

0:13:19.760 --> 0:13:22.000
<v Speaker 1>I didn't hate it, but I was with you. It

0:13:22.040 --> 0:13:24.600
<v Speaker 1>was kind of like it just felt like such a

0:13:24.640 --> 0:13:27.679
<v Speaker 1>retread to me of like things like like Casino and

0:13:27.800 --> 0:13:31.240
<v Speaker 1>uh and and Goodfellas. But I don't know, maybe I

0:13:31.280 --> 0:13:33.120
<v Speaker 1>really did just have a bad taste in my mouth

0:13:33.120 --> 0:13:35.600
<v Speaker 1>because of that video game cut scene aspect to it

0:13:35.720 --> 0:13:40.480
<v Speaker 1>just bugged. Yeah, for sure. Uh, Mike Bender or Binder

0:13:40.760 --> 0:13:45.360
<v Speaker 1>Uh is also parking in my garage because he says

0:13:45.360 --> 0:13:50.760
<v Speaker 1>Alexander Paine batting a thousand sideways election Nebraska about Schmidt descendants,

0:13:51.960 --> 0:13:56.000
<v Speaker 1>he didn't put Citizen Ruth on there. That's great. They're

0:13:56.040 --> 0:13:58.640
<v Speaker 1>they're all great. I'm with you. He's my favorite for

0:13:58.760 --> 0:14:01.440
<v Speaker 1>one of my favorites, he's my top five. I think.

0:14:02.440 --> 0:14:06.800
<v Speaker 1>Bill Horton says, yeah, I haven't seen all his movies,

0:14:06.840 --> 0:14:09.160
<v Speaker 1>but I think they're all supposed to be pretty great.

0:14:10.640 --> 0:14:14.839
<v Speaker 1>He's just a magical creature. I adore him. He's got

0:14:14.880 --> 0:14:16.880
<v Speaker 1>what have you seen Hunt for the Wilder People, Chuck,

0:14:17.600 --> 0:14:19.440
<v Speaker 1>I still haven't. It's been in my queue for like

0:14:19.680 --> 0:14:22.040
<v Speaker 1>two years, and I don't know why I haven't seen

0:14:22.080 --> 0:14:24.320
<v Speaker 1>it yet. It's just lovely. I saw it when it

0:14:24.360 --> 0:14:25.760
<v Speaker 1>came out in the theaters, and I think I saw

0:14:25.800 --> 0:14:28.280
<v Speaker 1>it like twice in the theater. It's just one of

0:14:28.320 --> 0:14:32.040
<v Speaker 1>these movies that's just very, very nice. It has conflict,

0:14:32.320 --> 0:14:36.160
<v Speaker 1>but like nothing horrible happens to anybody, and everyone kind

0:14:36.160 --> 0:14:38.400
<v Speaker 1>of learns a lesson and ends up better at the end,

0:14:38.440 --> 0:14:41.680
<v Speaker 1>and but not unlike a cloying, obnoxious way. And he's

0:14:41.720 --> 0:14:47.720
<v Speaker 1>got another one. His first film is called what's it called.

0:14:47.760 --> 0:14:50.280
<v Speaker 1>It's called Like Boy or something like that, or the

0:14:50.320 --> 0:14:53.760
<v Speaker 1>Boy that looks like has a very similar vibe. But um,

0:14:53.920 --> 0:14:56.400
<v Speaker 1>I yeah, I just adore him. And then I and

0:14:56.440 --> 0:15:00.960
<v Speaker 1>again great example of an interesting, quirky, small director. Yeah,

0:15:01.000 --> 0:15:04.000
<v Speaker 1>going and being able to helm these massive Marvel movies,

0:15:04.080 --> 0:15:06.440
<v Speaker 1>which is, you know, he can look at that as

0:15:06.480 --> 0:15:08.000
<v Speaker 1>a good or a bad thing, because it does start

0:15:08.000 --> 0:15:10.320
<v Speaker 1>to kind of take them away from doing their smaller,

0:15:11.080 --> 0:15:13.680
<v Speaker 1>you know, more heartfelt things. But it's also nice to

0:15:13.720 --> 0:15:16.200
<v Speaker 1>see these big movies with a little heart. Boy is

0:15:16.240 --> 0:15:19.560
<v Speaker 1>what it's called from two thousand ten um. And he

0:15:19.600 --> 0:15:21.800
<v Speaker 1>also obviously directed a bunch of Flight of the Concords.

0:15:21.800 --> 0:15:23.560
<v Speaker 1>And he has a movie called Eagle Versus Shark that's

0:15:23.560 --> 0:15:28.240
<v Speaker 1>really cute with the fight. That's a great movie. Uh,

0:15:28.320 --> 0:15:32.320
<v Speaker 1>let's finish up here with a couple more t J. Danny,

0:15:32.320 --> 0:15:34.760
<v Speaker 1>his p T Anderson. His lesser movies are a far

0:15:34.840 --> 0:15:37.480
<v Speaker 1>cry better than a lot of director's best movies. Yeah,

0:15:37.520 --> 0:15:39.360
<v Speaker 1>I mean I would argue that he has no lesser movies.

0:15:39.400 --> 0:15:44.120
<v Speaker 1>T J. I love him, even his supposedly worst movie

0:15:45.000 --> 0:15:50.760
<v Speaker 1>that I covered recently with Adam what's it called, Inherent Vice? Yeah,

0:15:50.880 --> 0:15:53.600
<v Speaker 1>I still thought it was very interesting. Well, I mean,

0:15:53.640 --> 0:15:55.560
<v Speaker 1>people love that one. Though people do love that one.

0:15:55.800 --> 0:15:57.200
<v Speaker 1>I had a hard time with it at the time.

0:15:57.480 --> 0:15:59.240
<v Speaker 1>It isn't it wasn't the right movie for me at

0:15:59.240 --> 0:16:01.360
<v Speaker 1>that moment, But I need to get need to give

0:16:01.360 --> 0:16:03.720
<v Speaker 1>it another shot because I know people that I really

0:16:03.760 --> 0:16:07.080
<v Speaker 1>respect who love it. All right, let's just quickly do

0:16:07.240 --> 0:16:09.960
<v Speaker 1>a few more of these. Eve Elizabeth Lee says, ain't

0:16:10.000 --> 0:16:12.840
<v Speaker 1>never seen a shitty John Sales movie. I would agree

0:16:12.840 --> 0:16:18.200
<v Speaker 1>with that. John sales classic, Joe Well says Denis Villanieu. Yeah,

0:16:18.360 --> 0:16:23.000
<v Speaker 1>for sure, no stinkers yet the stinkers, and he's a

0:16:23.040 --> 0:16:26.600
<v Speaker 1>good example of bouncing nicely between a small ish movie

0:16:26.640 --> 0:16:30.960
<v Speaker 1>and a massive movie. You know, Robert Eggers is on

0:16:31.000 --> 0:16:33.720
<v Speaker 1>the list. I know it's early. That is David Barlow.

0:16:34.760 --> 0:16:38.240
<v Speaker 1>I totally agree, though. Another vote for Yorgos Lanthamos from

0:16:38.360 --> 0:16:45.040
<v Speaker 1>Christian Nelson Bonzalis. J Fraser says Robert Zemeckis, Oh, boys

0:16:45.040 --> 0:16:49.680
<v Speaker 1>always got some stinky boys. Hard disagree. He's got some.

0:16:50.160 --> 0:16:54.120
<v Speaker 1>He's got some bad news bears in his catalog. Interesting.

0:16:55.120 --> 0:17:00.000
<v Speaker 1>I mean, the the movie about the Joseph Gordon Levit

0:17:00.080 --> 0:17:04.560
<v Speaker 1>doing the high wire walk was terrible. I think polar expresses.

0:17:04.800 --> 0:17:09.480
<v Speaker 1>I haven't seen it, but didn't that kind of generally yeah,

0:17:09.600 --> 0:17:11.320
<v Speaker 1>I mean, I guess some people think it's a classic.

0:17:11.359 --> 0:17:13.359
<v Speaker 1>Some people say it's a stinker did He did some

0:17:13.560 --> 0:17:16.679
<v Speaker 1>terrible Beowolf movie too, That was the all of his

0:17:16.800 --> 0:17:20.320
<v Speaker 1>c g I ones are are pretty pretty divisive. But

0:17:20.400 --> 0:17:24.240
<v Speaker 1>he also did one, if I'm not mistaken, that Welcome

0:17:24.320 --> 0:17:28.520
<v Speaker 1>to Marwin, which is supposed to be terrible, supposed to

0:17:28.520 --> 0:17:34.879
<v Speaker 1>be unbearably bad. Boy. Now I'm looking, I'm not sure

0:17:36.280 --> 0:17:39.040
<v Speaker 1>that Robert Semikis has made more good movies than bad.

0:17:40.280 --> 0:17:44.280
<v Speaker 1>Did he direct Romancing the Stone? I don't know. Let's see,

0:17:44.720 --> 0:17:47.359
<v Speaker 1>Holy sh it, well, that's certainly in the good group

0:17:47.359 --> 0:17:52.040
<v Speaker 1>he did. It's close, man, I bet it's fifty fifty.

0:17:52.400 --> 0:17:55.399
<v Speaker 1>But hey, this is all in the opinion of the crushers.

0:17:55.400 --> 0:18:00.560
<v Speaker 1>So j Fraser, he directed Death bea Comes Her. I

0:18:00.600 --> 0:18:02.880
<v Speaker 1>didn't know that. I really like Death Becomes Her as

0:18:02.920 --> 0:18:05.840
<v Speaker 1>as cheesy as it was, And he did all three

0:18:05.880 --> 0:18:11.920
<v Speaker 1>Back to the Futures. Didn't know that either. Romancing the Stone. Um.

0:18:12.520 --> 0:18:14.800
<v Speaker 1>He was a big force in the Tales from the

0:18:14.840 --> 0:18:18.440
<v Speaker 1>Crypt series. He was an executive producer and directed three episodes.

0:18:18.920 --> 0:18:20.960
<v Speaker 1>Oh dude, I gotta tell you this is really funny. Um.

0:18:20.960 --> 0:18:25.919
<v Speaker 1>So Contact movie. Contact was the one where uh Jodie

0:18:25.920 --> 0:18:29.800
<v Speaker 1>Foster uh finds aliens by sending pings into outer space

0:18:29.920 --> 0:18:33.159
<v Speaker 1>or whatever. Um. There's an amazing part in that movie

0:18:33.400 --> 0:18:36.239
<v Speaker 1>where she's got this rack of like equipment in this

0:18:36.359 --> 0:18:39.760
<v Speaker 1>like lab that's supposed to look like I guess science

0:18:39.760 --> 0:18:43.760
<v Speaker 1>c type equipment, but it's all like kind of like

0:18:44.000 --> 0:18:48.120
<v Speaker 1>pro sumer audio equipment. It's the thing she's noodling with

0:18:48.280 --> 0:18:51.520
<v Speaker 1>is like an effects processor, like like like like delay

0:18:51.560 --> 0:18:54.560
<v Speaker 1>and reverb and phaser and stuff like that. And she's

0:18:54.600 --> 0:18:57.679
<v Speaker 1>literally turning this dial trying to tune in the aliens

0:18:57.720 --> 0:19:01.399
<v Speaker 1>and it's like an electra I'm sorry, even tied. Ultra

0:19:01.440 --> 0:19:04.160
<v Speaker 1>harmonizer is the name of the device. You're like, well,

0:19:04.200 --> 0:19:09.080
<v Speaker 1>that looks fancy. Oh God, bless him. Art department. They

0:19:09.119 --> 0:19:13.520
<v Speaker 1>work pretty hard. They sometimes they don't quite nail it all. Right. Now,

0:19:13.640 --> 0:19:16.720
<v Speaker 1>we're gonna do our second and final segment here before

0:19:16.800 --> 0:19:20.399
<v Speaker 1>stream this UM. I borrowed this from Peach pank Hurst,

0:19:21.200 --> 0:19:24.280
<v Speaker 1>one of the great old pals here, one of actually names.

0:19:24.280 --> 0:19:27.840
<v Speaker 1>I'm sorry, see that name again, Peach pank Hurst. That's

0:19:27.840 --> 0:19:30.359
<v Speaker 1>a great name, Peaches. Peach has been around for a while.

0:19:30.359 --> 0:19:33.679
<v Speaker 1>She's wonderful. So I moved this one over to the

0:19:33.880 --> 0:19:35.840
<v Speaker 1>regular movie crush page just to get a little bit

0:19:35.880 --> 0:19:39.440
<v Speaker 1>more traction because I was short on time. But Peach asked,

0:19:39.480 --> 0:19:40.800
<v Speaker 1>and there is a great question, who are some of

0:19:40.880 --> 0:19:45.920
<v Speaker 1>your favorite movie parents? M hmm, good one, huh? Movie parents?

0:19:47.480 --> 0:19:49.880
<v Speaker 1>Like favorite just just just I mean as in they

0:19:49.880 --> 0:19:55.080
<v Speaker 1>were good parents or just interesting characters perhaps that you love,

0:19:55.160 --> 0:19:59.000
<v Speaker 1>like you know, Elliott's mom and a t like a beloved,

0:19:59.040 --> 0:20:03.479
<v Speaker 1>beloved movie parents. It's true waller Stone. I mean, I

0:20:03.520 --> 0:20:07.240
<v Speaker 1>really love Catherine O'Hara and the Home Alone movies. I

0:20:07.240 --> 0:20:10.000
<v Speaker 1>mean mainly the first one, even though she's like obviously

0:20:10.040 --> 0:20:13.679
<v Speaker 1>a negligent, derelict parent. I love the scene when she

0:20:13.760 --> 0:20:15.840
<v Speaker 1>realizes that Kevin has been left behind. She just goes

0:20:15.920 --> 0:20:18.280
<v Speaker 1>Kevin and then like passes out. You know, it's just

0:20:18.359 --> 0:20:22.640
<v Speaker 1>a classic physical comedy moment. I'm trying to imagine Home

0:20:22.680 --> 0:20:31.920
<v Speaker 1>Alone now with Moira. It turns out we've left her left,

0:20:32.119 --> 0:20:37.159
<v Speaker 1>Kevin is home alone. What are we to do? She

0:20:37.240 --> 0:20:40.040
<v Speaker 1>does that thing where she emphasizes if it's like a

0:20:40.119 --> 0:20:43.240
<v Speaker 1>three syllable words, she'll really emphasize and then stop on

0:20:43.280 --> 0:20:46.800
<v Speaker 1>that first syllable. I'm now, I can't even think of

0:20:46.840 --> 0:20:50.560
<v Speaker 1>a sucking three syllable word or three Uh, I'm losing

0:20:50.560 --> 0:20:52.639
<v Speaker 1>an old I can't think of that exactly. But I

0:20:52.680 --> 0:20:56.480
<v Speaker 1>love that she always says it's a bebbet like she

0:20:56.520 --> 0:21:01.800
<v Speaker 1>would say defy, defy exactly. That's very good. I mean,

0:21:01.960 --> 0:21:03.960
<v Speaker 1>I think you know this, but she it was not

0:21:04.000 --> 0:21:07.320
<v Speaker 1>written that way. I mean, she brought that to it

0:21:07.359 --> 0:21:10.040
<v Speaker 1>and entirely. Man, I'd love to get her on what

0:21:10.160 --> 0:21:13.600
<v Speaker 1>a legend fabulous. I might try and do that. I've

0:21:13.600 --> 0:21:16.080
<v Speaker 1>been getting some good kids lightly, so I'm kind of

0:21:16.119 --> 0:21:18.600
<v Speaker 1>trying again. You know, the the rub is trying to

0:21:18.600 --> 0:21:22.320
<v Speaker 1>get someone who can record themselves decently, but totally apparently

0:21:22.480 --> 0:21:24.880
<v Speaker 1>you can use the zoom audio if they have nothing else,

0:21:24.920 --> 0:21:27.200
<v Speaker 1>and yeah, just don't get him to wear your buds

0:21:27.240 --> 0:21:30.280
<v Speaker 1>or whatever. It totally were all right, we're gonna go

0:21:30.600 --> 0:21:34.600
<v Speaker 1>with Oh, this is so great, Philly Yates, says Harold Ramos.

0:21:35.040 --> 0:21:37.800
<v Speaker 1>Playing Seth Rogan's dad and knocked up is the kind

0:21:37.800 --> 0:21:39.760
<v Speaker 1>of parent I would aspire to be. That was great.

0:21:39.800 --> 0:21:41.919
<v Speaker 1>Remember that it wasn't a big part at all, but

0:21:42.000 --> 0:21:44.680
<v Speaker 1>he was such a great dad and those scenes are wonderful.

0:21:44.880 --> 0:21:47.920
<v Speaker 1>Harold Ramos. Yeah, remember he played the dad and knocked

0:21:48.000 --> 0:21:50.960
<v Speaker 1>up Seth Rogan's dad. You have a few little scenes together,

0:21:51.000 --> 0:21:53.600
<v Speaker 1>but they're really great. That's right, yes, And he passed

0:21:53.640 --> 0:21:57.240
<v Speaker 1>away not terribly terribly long after that. I believe so sad.

0:21:57.520 --> 0:22:02.720
<v Speaker 1>He's fabulous. Ethan yavn Or and boy Ethan Yavin here

0:22:02.760 --> 0:22:05.000
<v Speaker 1>one of the crushers. I've said, you need to get

0:22:05.000 --> 0:22:08.520
<v Speaker 1>that Yavin for license plate Star Wars, and he did

0:22:08.680 --> 0:22:13.080
<v Speaker 1>nol and he put a picture of it up. He

0:22:13.119 --> 0:22:16.720
<v Speaker 1>says Kevin Pollock and Jamie Lee Curtis from The Masterful

0:22:16.760 --> 0:22:22.320
<v Speaker 1>Film House Arrest, all right, Alfie Brady, says Burt Fisher

0:22:22.320 --> 0:22:25.439
<v Speaker 1>from Rushmore. He may only be a brain surgeon, but

0:22:25.520 --> 0:22:28.879
<v Speaker 1>he's all right with me. Yeah, boy, he was great.

0:22:30.000 --> 0:22:35.680
<v Speaker 1>Sam Sam what's his face? I'm not sure Rushmore? Max's

0:22:35.760 --> 0:22:40.720
<v Speaker 1>dad Fisher, Yeah, Bert Fisher, Sam. What's his last name?

0:22:40.840 --> 0:22:42.919
<v Speaker 1>I can't remember the act. I just don't remember the actor.

0:22:43.160 --> 0:22:46.480
<v Speaker 1>People are yelling now, I gotta look it up. I

0:22:46.520 --> 0:22:48.800
<v Speaker 1>hate doing this, but it's okay. I'm with you. Let's

0:22:48.800 --> 0:22:54.960
<v Speaker 1>see you get Sam Neil. Oh, yeah, Noel. Sam Neil

0:22:55.040 --> 0:22:58.679
<v Speaker 1>was in Rushmore. Who wasn't it. I don't know, not

0:22:58.840 --> 0:23:03.240
<v Speaker 1>Sam Rockwell, I've been looking for Sam's in the in

0:23:03.280 --> 0:23:10.200
<v Speaker 1>the cast list. Seymour, Seymour as, I'm so sorry everyone, God,

0:23:10.359 --> 0:23:13.119
<v Speaker 1>so many people are screaming at me. I'm so sorry.

0:23:13.440 --> 0:23:15.480
<v Speaker 1>Say I'm a good lord. No wonder what wasn't coming

0:23:15.560 --> 0:23:17.560
<v Speaker 1>up in my own an interesting face? He was also

0:23:17.640 --> 0:23:21.200
<v Speaker 1>in the Life Aquatic. He was in Dick Tracy briefly.

0:23:21.760 --> 0:23:24.080
<v Speaker 1>I mean he's a legend. Boy. Look at little Mason Gamble.

0:23:24.800 --> 0:23:37.960
<v Speaker 1>He's all grown up now, that's so funny. Caroline Gaston

0:23:38.040 --> 0:23:42.320
<v Speaker 1>one of our old favorites as Morticia and Gomez. John

0:23:42.359 --> 0:23:45.119
<v Speaker 1>Query says Bill Murray and Fran McDorman and Moonrise Kingdom.

0:23:46.400 --> 0:23:49.000
<v Speaker 1>Does it concern your that your daughter ran away? That's

0:23:49.000 --> 0:23:54.120
<v Speaker 1>a loaded question, great line, Let me see. Joshua Hall

0:23:54.160 --> 0:23:59.360
<v Speaker 1>says uh siok Wu and trained to Boussan. Yeah, I'm

0:23:59.440 --> 0:24:04.920
<v Speaker 1>down with that, great, great movie. I would add the parents, um,

0:24:05.280 --> 0:24:07.400
<v Speaker 1>you know again, not maybe because they were great people,

0:24:07.480 --> 0:24:10.000
<v Speaker 1>but the parents in Parasite are very you know, they're

0:24:10.040 --> 0:24:13.200
<v Speaker 1>trying to survive. They ultimately love their kids. They're doing

0:24:13.240 --> 0:24:15.760
<v Speaker 1>the best they can, but they're also kind of garbage people,

0:24:16.200 --> 0:24:20.120
<v Speaker 1>but very complex. I want to see that again. So good. Yeah,

0:24:20.119 --> 0:24:22.000
<v Speaker 1>I gotta see that. I've probably seen it five times.

0:24:22.080 --> 0:24:24.920
<v Speaker 1>I just love amazing. T J Danny says, Stanley Tucci

0:24:25.000 --> 0:24:27.480
<v Speaker 1>and Patricia Clarkson an easy a. Yeah, there were a

0:24:27.480 --> 0:24:33.639
<v Speaker 1>lot of fun. Weston Holstin says the gris Walds, But

0:24:33.840 --> 0:24:37.119
<v Speaker 1>for TV, Sam's parents and Freaks and Geeks are my

0:24:37.200 --> 0:24:40.920
<v Speaker 1>all time favorite fictional parents. Yeah, what about the parents

0:24:41.000 --> 0:24:44.600
<v Speaker 1>and that seventies show? They're great. I love uh and

0:24:44.920 --> 0:24:49.479
<v Speaker 1>Kitty and Red Red Oh I think so Yeah, they

0:24:49.520 --> 0:24:51.800
<v Speaker 1>were fun. I really love that show. It was a

0:24:51.840 --> 0:24:55.440
<v Speaker 1>big big fan. Uh oh boy, this one's so great.

0:24:55.520 --> 0:24:58.320
<v Speaker 1>Ian Tyson, says Harry Dean Stanton as Andy's dad and

0:24:58.359 --> 0:25:03.280
<v Speaker 1>pretty and pink, so good. He was amazing. I think

0:25:03.480 --> 0:25:08.120
<v Speaker 1>freaks and geeks of streaming now on something Hulu or Netflix.

0:25:09.680 --> 0:25:12.879
<v Speaker 1>What a what a crop of talented young young folks

0:25:12.960 --> 0:25:15.680
<v Speaker 1>that went on to do huge stuff. Yeah, I've seen

0:25:15.720 --> 0:25:17.600
<v Speaker 1>that twice all the way through. I think it's a

0:25:17.720 --> 0:25:21.640
<v Speaker 1>third time. Might happen soon. It's very good. Stellen Carlson

0:25:21.920 --> 0:25:24.720
<v Speaker 1>one of our oldest friends, loving that blue hairage Dellen.

0:25:25.359 --> 0:25:28.240
<v Speaker 1>The parents from my neighbor to Toro, because they seem

0:25:28.280 --> 0:25:31.640
<v Speaker 1>like nice people. They are a lot of good. Well,

0:25:32.080 --> 0:25:35.840
<v Speaker 1>the parents and Spirited Away are very derelict and awful,

0:25:36.240 --> 0:25:38.200
<v Speaker 1>uh and negligent. But you're right, yeah, the parents and

0:25:38.480 --> 0:25:41.120
<v Speaker 1>uh my neighbor Totor are lovely. That's been I bought

0:25:41.200 --> 0:25:44.120
<v Speaker 1>that knol like five months ago and we still haven't

0:25:44.119 --> 0:25:46.600
<v Speaker 1>watched it. Watch it with the kid. It's lovely. It's well.

0:25:46.640 --> 0:25:49.360
<v Speaker 1>We have movie night tomorrow night, so we're gonna watch

0:25:49.359 --> 0:25:52.560
<v Speaker 1>Aladdin because she's never seen that. But I keep kicking

0:25:52.640 --> 0:25:55.560
<v Speaker 1>to Toro down the road. Well. Also, all of the

0:25:56.000 --> 0:25:59.480
<v Speaker 1>Studio Ghiblie films are on HBO Max Now as well,

0:25:59.760 --> 0:26:02.520
<v Speaker 1>so really there's there's other really good ones. Spirited Away

0:26:02.880 --> 0:26:05.879
<v Speaker 1>is great. My neighbor Totoro is probably the most like

0:26:06.280 --> 0:26:08.200
<v Speaker 1>one of the most one of the more kid friendly ones.

0:26:08.320 --> 0:26:10.639
<v Speaker 1>But I think she'd like Spirited Away. It's it's a

0:26:10.680 --> 0:26:14.399
<v Speaker 1>lot of fun. Also, Howel's moving Castle, h Castle in

0:26:14.440 --> 0:26:17.200
<v Speaker 1>the Sky. They're all lovely, They're all lovely movies. We

0:26:17.280 --> 0:26:20.760
<v Speaker 1>gotta get gotta get ghibli with it, get Himli with it. Chuck.

0:26:21.280 --> 0:26:25.560
<v Speaker 1>Christopher Steiner totally agree here, says Shazam Billie's foster parents

0:26:25.640 --> 0:26:29.600
<v Speaker 1>were awesome. That is such a sweetheartwarming movie. Manatim only

0:26:29.640 --> 0:26:31.879
<v Speaker 1>watch that she normally might not be into it. She

0:26:31.960 --> 0:26:37.719
<v Speaker 1>really loved it. Wonderful Oh, Alan Alida and Carol Burnett

0:26:37.760 --> 0:26:40.399
<v Speaker 1>in the Four Seasons. That's from Laurie Sutton. I was

0:26:40.440 --> 0:26:42.159
<v Speaker 1>in college at the time and so badly wanted them

0:26:42.200 --> 0:26:47.200
<v Speaker 1>to be my parents visiting campus for the weekend. Yeah

0:26:47.280 --> 0:26:50.680
<v Speaker 1>for sure. Uh. Someone on the Crushers page on the

0:26:50.720 --> 0:26:55.440
<v Speaker 1>original post mentioned um apparents in a Christmas story, especially

0:26:56.440 --> 0:27:01.560
<v Speaker 1>the mom she was so great and wonderful. Mike Mike

0:27:01.640 --> 0:27:05.640
<v Speaker 1>Sam says the parents from Love Simon. If only every

0:27:05.720 --> 0:27:09.080
<v Speaker 1>set of parents was that understanding. Did I see that movie?

0:27:09.920 --> 0:27:17.359
<v Speaker 1>I'm not familiar. I I think I have. I'm pretty

0:27:17.400 --> 0:27:20.840
<v Speaker 1>sure I have, and I know it and it looks familiar.

0:27:21.200 --> 0:27:25.800
<v Speaker 1>I'm gonna go with yes. Let me see here, oh

0:27:25.880 --> 0:27:29.360
<v Speaker 1>Ian Tyson again. Paul Dooley is Jim Baker in Sixteen Candles.

0:27:29.880 --> 0:27:31.840
<v Speaker 1>He comes through for Samantha in the end. Yeah, he

0:27:31.880 --> 0:27:36.439
<v Speaker 1>was a pretty sweet dad. Those U Ferres Spueller, Ferris Spueller,

0:27:36.480 --> 0:27:39.159
<v Speaker 1>the John Hughes movies had some pretty great parents, including

0:27:39.200 --> 0:27:43.160
<v Speaker 1>the parents and Farres Always Love I Always Love. Ferris

0:27:43.280 --> 0:27:47.040
<v Speaker 1>is dad of that movie. He's just so chill. Dan

0:27:47.119 --> 0:27:51.720
<v Speaker 1>Maynard says George and Lorraine McFly Oh, yeah, for sure. Yeah.

0:27:52.160 --> 0:27:54.159
<v Speaker 1>I think it's important, you know, in those types of

0:27:54.240 --> 0:27:56.280
<v Speaker 1>movies for the parents not to be that that's one

0:27:56.280 --> 0:27:58.320
<v Speaker 1>thing that sets them apart from just like, you know,

0:27:58.600 --> 0:28:02.720
<v Speaker 1>really cliche kind of like one dimensional family type, you know,

0:28:02.920 --> 0:28:05.840
<v Speaker 1>eighties movies or whatever. It's just like there should be

0:28:05.920 --> 0:28:08.520
<v Speaker 1>dimension to the parents. They they have like a life

0:28:08.560 --> 0:28:11.880
<v Speaker 1>as well, and they that should be seen. Uh as

0:28:12.000 --> 0:28:15.200
<v Speaker 1>that should be portrayed, you know, accurately at least like like, okay,

0:28:15.480 --> 0:28:17.680
<v Speaker 1>a great example, not a great movie, but I think

0:28:18.240 --> 0:28:20.119
<v Speaker 1>a lot of people do have a funnest for this

0:28:20.240 --> 0:28:22.960
<v Speaker 1>is like American Pie, you know, Eugene Levy, like he

0:28:23.160 --> 0:28:25.760
<v Speaker 1>sees his son like you know, having sex with a pie.

0:28:26.040 --> 0:28:28.080
<v Speaker 1>It has to have this awkward moment with his son,

0:28:28.520 --> 0:28:30.320
<v Speaker 1>which is a thing that parents a lot of times

0:28:30.400 --> 0:28:32.880
<v Speaker 1>have to do. Maybe not it's such an extreme example,

0:28:33.000 --> 0:28:36.200
<v Speaker 1>but you know, parents are often like portrayed as super

0:28:36.280 --> 0:28:38.600
<v Speaker 1>one dimensional or like they don't have any inner life

0:28:38.640 --> 0:28:40.920
<v Speaker 1>of their own, and I think movies that that give

0:28:41.000 --> 0:28:44.560
<v Speaker 1>them that rise to the next level. Yeah, I totally agree.

0:28:45.240 --> 0:28:48.360
<v Speaker 1>Sofia Fernandez says Steve Martin and parenthood. Uh, and I'm

0:28:48.400 --> 0:28:50.840
<v Speaker 1>gonna personally throw uh Mary Steen Virgin in there too.

0:28:52.360 --> 0:28:56.000
<v Speaker 1>She said. He seems like a real depiction of a

0:28:56.080 --> 0:29:01.000
<v Speaker 1>real dad laws and all. Yeah, totally. Chel Stone says, uh,

0:29:01.360 --> 0:29:04.400
<v Speaker 1>Elio's parents and call me by your name speech by

0:29:04.560 --> 0:29:08.760
<v Speaker 1>the dad at the end is gold, totally, Rachel. Wonderful,

0:29:09.280 --> 0:29:15.000
<v Speaker 1>wonderful movie. And let's finish off with let Me See

0:29:15.040 --> 0:29:18.200
<v Speaker 1>Here Boy, Stanley two cham Patricia Clarkson an easy a

0:29:18.360 --> 0:29:23.520
<v Speaker 1>or getting a lot of love there. And I agree,

0:29:23.680 --> 0:29:26.680
<v Speaker 1>that's a good movie. Man. So many people said that

0:29:27.440 --> 0:29:31.040
<v Speaker 1>they were the best, they were the best parents. All right,

0:29:31.080 --> 0:29:34.280
<v Speaker 1>let's finish up with j Fraser here, says father of

0:29:34.360 --> 0:29:37.240
<v Speaker 1>the Bride, Diane Keaton and Steve Martin. Yeah they're pretty great.

0:29:37.560 --> 0:29:40.960
<v Speaker 1>What a great bearing. I love it, all right. No,

0:29:41.080 --> 0:29:44.160
<v Speaker 1>we're gonna finish up with Thanks Peach for that. Uh

0:29:44.360 --> 0:29:48.360
<v Speaker 1>dare I say you are a peach? We're gonna friend

0:29:48.480 --> 0:29:54.440
<v Speaker 1>Uh finish up here with stream this and nol. I've

0:29:54.480 --> 0:29:56.920
<v Speaker 1>seen a couple of movies lately. We're still barreling through

0:29:57.440 --> 0:30:01.760
<v Speaker 1>Ship's Creek season five now. But uh, I failed to

0:30:01.800 --> 0:30:03.680
<v Speaker 1>mention a few weeks ago when we got back in

0:30:03.760 --> 0:30:06.320
<v Speaker 1>the Saddle that I did watch Wonder Woman eighty four.

0:30:06.760 --> 0:30:10.400
<v Speaker 1>Did you that was not good? I liked it. I

0:30:10.560 --> 0:30:13.120
<v Speaker 1>did not like it. Yeah, I liked it. I thought,

0:30:14.240 --> 0:30:16.440
<v Speaker 1>I don't know, I didn't put too much stock in

0:30:16.520 --> 0:30:19.320
<v Speaker 1>it to be the end all be all, and I

0:30:19.400 --> 0:30:22.040
<v Speaker 1>thought it was. It wasn't great, but I liked it fine.

0:30:22.160 --> 0:30:25.680
<v Speaker 1>I enjoyed it. I just thought the villain was so

0:30:26.200 --> 0:30:30.760
<v Speaker 1>corny and like, just he didn't he didn't do He

0:30:31.000 --> 0:30:33.360
<v Speaker 1>wasn't good. At being a villain. He kept making horrible

0:30:33.400 --> 0:30:36.080
<v Speaker 1>decisions and using this power that he had, like in

0:30:36.160 --> 0:30:38.760
<v Speaker 1>the most hair brained way, and then at the end

0:30:38.960 --> 0:30:41.720
<v Speaker 1>like it just the way he did his big villain

0:30:41.800 --> 0:30:44.040
<v Speaker 1>moment just made no sense. And I just I it

0:30:44.160 --> 0:30:45.760
<v Speaker 1>fell apart for me and just I just kind of

0:30:45.840 --> 0:30:48.280
<v Speaker 1>kept being like, really, we're going there, and it was

0:30:48.400 --> 0:30:50.080
<v Speaker 1>so like over the top of the acting. And I

0:30:50.200 --> 0:30:54.960
<v Speaker 1>love that actor Pedro Uh what's his name, yeah, Mando. Yeah,

0:30:55.080 --> 0:30:58.000
<v Speaker 1>he's great. But um, I was not a fan. See,

0:30:58.080 --> 0:31:01.600
<v Speaker 1>I kind of liked him actually, um, and I thought

0:31:01.720 --> 0:31:06.600
<v Speaker 1>he played that role perfectly for what he was. Um.

0:31:07.880 --> 0:31:10.239
<v Speaker 1>Not a great movie, but I enjoyed it fine. There

0:31:10.240 --> 0:31:12.280
<v Speaker 1>were enough good moments in it. If I if I

0:31:12.360 --> 0:31:15.360
<v Speaker 1>pick it apart, it falls apart a bit. But um,

0:31:15.440 --> 0:31:17.360
<v Speaker 1>I'm gonna defend it a little bit from the people

0:31:17.400 --> 0:31:20.800
<v Speaker 1>who who thought it was a piece of garbage. But hey,

0:31:22.600 --> 0:31:24.400
<v Speaker 1>sounds like you're one of those people, know. I just

0:31:24.600 --> 0:31:26.080
<v Speaker 1>I you know, I wouldn't go so far as to

0:31:26.120 --> 0:31:29.080
<v Speaker 1>say it was a piece of garbage. I just disappoint

0:31:29.240 --> 0:31:30.880
<v Speaker 1>It was disappointing, and I didn't really have a huge

0:31:30.880 --> 0:31:35.600
<v Speaker 1>expectations and except that Wonder Woman was the first d

0:31:35.760 --> 0:31:38.960
<v Speaker 1>C movie in a minute that like was actually fun

0:31:39.120 --> 0:31:42.520
<v Speaker 1>and not just brooding and depressing, and they were, you know, bleak.

0:31:43.280 --> 0:31:45.640
<v Speaker 1>This one tried to capitalize on that and make it

0:31:45.800 --> 0:31:47.840
<v Speaker 1>fun and over the top in that same way. I

0:31:47.920 --> 0:31:50.520
<v Speaker 1>just didn't quite hit the mark for me. Um, but

0:31:50.920 --> 0:31:53.160
<v Speaker 1>I had enough moments in it. I think that redeemed

0:31:53.200 --> 0:31:55.560
<v Speaker 1>it a bit from me. Got it. And then we

0:31:55.640 --> 0:31:58.120
<v Speaker 1>watched a great movie, one of the best movies I've

0:31:58.160 --> 0:32:03.360
<v Speaker 1>seen in a while, called Promising Young Woman. Uh no spoilers,

0:32:03.520 --> 0:32:08.480
<v Speaker 1>but it is the directorial debut of writer director Emerald

0:32:08.600 --> 0:32:11.600
<v Speaker 1>Finnell or Finnel I'm not sure how she pronounces it.

0:32:12.800 --> 0:32:15.960
<v Speaker 1>Amazing debut film I believe she created. And what's the

0:32:15.960 --> 0:32:20.520
<v Speaker 1>showrunner for? Uh, what's the show killing Eve? I have

0:32:20.640 --> 0:32:24.800
<v Speaker 1>not seen, but it's supposed to be loved. Yeah, Promising

0:32:24.840 --> 0:32:28.960
<v Speaker 1>Young Woman is awesome. It was stylish and clever and

0:32:29.080 --> 0:32:31.320
<v Speaker 1>had a great ending and twists and turns, and it

0:32:31.440 --> 0:32:34.760
<v Speaker 1>was tense and taught and current and just I loved

0:32:34.840 --> 0:32:38.240
<v Speaker 1>everything about it. It was awesome. Interesting that you say that,

0:32:38.320 --> 0:32:40.080
<v Speaker 1>and I've heard the same thing, and it's got nothing

0:32:40.160 --> 0:32:43.600
<v Speaker 1>but glowing reviews. Uh, my my lady friend and two

0:32:43.720 --> 0:32:46.520
<v Speaker 1>of her girlfriends had like a you know, kind of

0:32:46.600 --> 0:32:49.080
<v Speaker 1>a visit and they watched that and they actually did

0:32:49.160 --> 0:32:51.400
<v Speaker 1>the whole spend twenty dollars, you know, to get the

0:32:52.040 --> 0:32:56.400
<v Speaker 1>current movie streaming, and they loved it up until whatever

0:32:56.520 --> 0:32:59.760
<v Speaker 1>the third act twist is, and then they hated it

0:33:00.400 --> 0:33:03.680
<v Speaker 1>vehemently with a passion and said they thought it was

0:33:03.840 --> 0:33:06.920
<v Speaker 1>like anti feminist and that it was like and I think, yeah,

0:33:06.960 --> 0:33:08.640
<v Speaker 1>I don't know, man, I'm just I'm just reporting what

0:33:08.720 --> 0:33:10.000
<v Speaker 1>i've what I heard. I haven't seen it, and I

0:33:10.080 --> 0:33:12.160
<v Speaker 1>really want to see it. But um they all three

0:33:12.280 --> 0:33:14.760
<v Speaker 1>apparently were in agreement that it was that they hated

0:33:14.800 --> 0:33:16.800
<v Speaker 1>the way it went, Like they almost said they felt

0:33:16.840 --> 0:33:19.280
<v Speaker 1>like it was passed off to a different director all

0:33:19.280 --> 0:33:21.520
<v Speaker 1>of a sudden and like totally out of character for

0:33:21.560 --> 0:33:23.840
<v Speaker 1>where the movie was going. But um, I I can't

0:33:23.840 --> 0:33:25.440
<v Speaker 1>speak to that. I just I wanted to bring that

0:33:25.520 --> 0:33:27.200
<v Speaker 1>up because I thought it was interesting how much they

0:33:27.320 --> 0:33:31.760
<v Speaker 1>disliked the ending. Hard disagree. I loved the ending and

0:33:32.080 --> 0:33:35.120
<v Speaker 1>I both did good. I'm looking forward to seeing great movie.

0:33:35.200 --> 0:33:39.080
<v Speaker 1>What have you been watching? I really really like this

0:33:39.840 --> 0:33:43.960
<v Speaker 1>new Marvel thing WandaVision on Disney. Plus, I haven't seen

0:33:44.000 --> 0:33:47.480
<v Speaker 1>episode three, Yet it's it's the episode three is when

0:33:47.480 --> 0:33:50.040
<v Speaker 1>you start to get a little more cracks in the

0:33:50.760 --> 0:33:54.040
<v Speaker 1>facade of what's actually going on. I like it purely

0:33:54.160 --> 0:33:56.320
<v Speaker 1>for what it is like for I think it does

0:33:56.360 --> 0:33:58.280
<v Speaker 1>such a good job of mimicking the writing and the

0:33:58.400 --> 0:34:01.240
<v Speaker 1>style and the set deck of you know, things like

0:34:01.360 --> 0:34:03.480
<v Speaker 1>Bewitched and I Dream of Genie and all that, and

0:34:03.560 --> 0:34:05.560
<v Speaker 1>then the third one is like a Brady Bunch kind

0:34:05.600 --> 0:34:08.920
<v Speaker 1>of sixties thing. Um. At first, I'm like, it's a

0:34:08.920 --> 0:34:10.200
<v Speaker 1>little bit of a head scratch. I'm like, are you

0:34:10.239 --> 0:34:11.880
<v Speaker 1>guys gonna just keep this up? Or like, is there

0:34:11.920 --> 0:34:15.200
<v Speaker 1>gonna be like something's gonna break this this veil of

0:34:15.280 --> 0:34:17.240
<v Speaker 1>what's going on, and there's gonna be like a real conflict.

0:34:17.480 --> 0:34:19.400
<v Speaker 1>And I think we're starting to see that happen. Um.

0:34:19.440 --> 0:34:21.359
<v Speaker 1>I would agree with some of the criticism that maybe

0:34:21.440 --> 0:34:23.960
<v Speaker 1>it's packing not a whole lot of plots into a

0:34:24.000 --> 0:34:27.440
<v Speaker 1>pretty big bucket, you know. But I've I've I've very

0:34:27.520 --> 0:34:31.000
<v Speaker 1>much enjoyed and looking looking forward to the next one. Well,

0:34:32.320 --> 0:34:34.200
<v Speaker 1>I can't wait to see the third one. I'm on it,

0:34:35.360 --> 0:34:37.440
<v Speaker 1>And I think that's it for today. If that's all

0:34:37.480 --> 0:34:39.920
<v Speaker 1>you got, that's all I got man all right, Well,

0:34:39.920 --> 0:34:43.800
<v Speaker 1>thank you, my friend, thank you for listening. And movie

0:34:43.880 --> 0:34:49.000
<v Speaker 1>Crushed Land. Are there in Podcastville, m population. I don't

0:34:49.000 --> 0:34:52.920
<v Speaker 1>know how many people listening. It's a very intimate medium.

0:34:53.400 --> 0:34:57.399
<v Speaker 1>And they looked there our numbers in a while, people

0:34:57.600 --> 0:35:01.440
<v Speaker 1>something like that. I'll take all right, We'll see you

0:35:01.440 --> 0:35:06.040
<v Speaker 1>all next week. Movie Crash is produced and written by

0:35:06.120 --> 0:35:09.239
<v Speaker 1>Charles Bryant and Meel Brown, edited and engineered by Seth

0:35:09.360 --> 0:35:12.359
<v Speaker 1>Nicholas Johnson, and scored by Noel Brown here in our

0:35:12.400 --> 0:35:16.040
<v Speaker 1>home studio at Pontsty Market, Atlanta, Georgia. For I Heart Radio.

0:35:16.600 --> 0:35:18.600
<v Speaker 1>For more podcasts for my Heart Radio, visit the I

0:35:18.719 --> 0:35:21.520
<v Speaker 1>Heart Radio app, Apple podcast, or wherever you listen to

0:35:21.600 --> 0:35:22.320
<v Speaker 1>your favorite shows.