WEBVTT - Model Minorities

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<v Speaker 1>Chat. Uh huh, you ain't no reparations. You're listening. You're

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<v Speaker 1>waiting on reparations for production. If I heart radio, if

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<v Speaker 1>you told me that tomorrow, why'd be trapping a camp.

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<v Speaker 1>I ain't even gonna front with you. I'll be crapping

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<v Speaker 1>my pants. This isn't an imprecedented doesn't happen, but chance

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<v Speaker 1>all that takes a couple of fashioned plans that are

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<v Speaker 1>happening again. It's like it's happening now with the fashion

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<v Speaker 1>some power. I'd love to see us lock the cave

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<v Speaker 1>is fucking shock up for hours away. If you fast

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<v Speaker 1>asleep on what happened to the Japan, if you'd be

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<v Speaker 1>laughing at least wind at the target and then the

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<v Speaker 1>cast look at the ship that they left us within

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<v Speaker 1>this lifetime when our parents is sucking they wasn't then

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<v Speaker 1>they ripe. Mine is selling a future and profit off

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<v Speaker 1>of the pipeline. They trying lines and we hiding behind

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<v Speaker 1>rhymes some product of pop For me, I was born

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<v Speaker 1>in the cold black shed until you would have sworn

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<v Speaker 1>with snow when this way, since I was forming, this

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<v Speaker 1>whole boat was raised to hold it and then to

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<v Speaker 1>the point of start to torturous. Yo, y'all take an

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<v Speaker 1>advantage of it. Y'all look kind of quiet, long black

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<v Speaker 1>hoody like I'm trying to start a riot. Let's take

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<v Speaker 1>it to the city Hall and stop till they retire

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<v Speaker 1>and take all this corporate bread and just put that

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<v Speaker 1>on the diet of the fingers in the year. The

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<v Speaker 1>silent majority is waiting on reparation. This is mama, my no, hey,

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<v Speaker 1>dope knife com lingo franca. We are waiting on reparations.

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<v Speaker 1>Have the cat jumping up and down, Yeah, it would be.

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<v Speaker 1>Let live his life. He's joyful. We're just having a

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<v Speaker 1>good time. Shout out to the Factor chandelier for the

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<v Speaker 1>beats for today's episode. So how did your weekend at

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<v Speaker 1>a van? Didn't you didn't you have another protests? Weren't

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<v Speaker 1>you hitting the streets? Obviously gotta be Yeah, I hosted

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<v Speaker 1>another car caravans hoturday night, shut down the streets around

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<v Speaker 1>City Hall, bumped our radios, listening to some Kendrick as

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<v Speaker 1>well as some speakers from the State House. Um Spencer

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<v Speaker 1>Fries with with a c l of Georgia's political director

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<v Speaker 1>Chris Bruce called in to talk about the fun the

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<v Speaker 1>police as well as like state level reforms that have

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<v Speaker 1>been proposed. Um. It's really funny actually, because I got

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<v Speaker 1>a call from the city manager today that was like,

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<v Speaker 1>we've heard you've been having these protests in the streets

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<v Speaker 1>and like you didn't get a permit, and you need

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<v Speaker 1>to get a permit because people are complaining. And I

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<v Speaker 1>was like, I'll pass it on to the organizers because

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<v Speaker 1>it's not like I'm the end. I'll be all of

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<v Speaker 1>these things that are happening. I'm just like one of

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<v Speaker 1>many moving parts in this work. So they give you

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<v Speaker 1>a hard time. They gave me a a little bit of

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<v Speaker 1>hard time, Like what's the hard time? Like, I mean,

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<v Speaker 1>do they just like they actually stop you from doing stuff?

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<v Speaker 1>They were like, So the police showed up, and we

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<v Speaker 1>had like our own security people like on the ground

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<v Speaker 1>kind of monitoring the police presence at the protests, and

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<v Speaker 1>they at one point we're like directing traffic away from

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<v Speaker 1>like the blockage we had created. And eventually, when this

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<v Speaker 1>like beautiful young trans woman was like chancing no justice,

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<v Speaker 1>no peace, fun these racist as police, they started retreating.

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<v Speaker 1>So I guess they got complaints from surrounding like business

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<v Speaker 1>owners or something like when we tried to vent in

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<v Speaker 1>this streets. We gotta get a permit. So why is

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<v Speaker 1>it that, like these protesters are out here like shutting

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<v Speaker 1>down traffic and y'all aren't like locking them up, And

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<v Speaker 1>it's like these are our streets. Who streets? Our streets? Man?

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<v Speaker 1>But I mean they didn't get to it though, Like

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<v Speaker 1>at the end of it, would you say, at the

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<v Speaker 1>end of the yeah, it was successful. We disbanded around

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<v Speaker 1>ten um, got people to like call and write their

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<v Speaker 1>legislators while they were sitting in their cars listen to music.

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<v Speaker 1>We had like catering from this like dope Jamaican Lady

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<v Speaker 1>in town. It was like it was a beautiful thing.

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<v Speaker 1>It was a beautiful thing. Yeah, I would have I

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<v Speaker 1>would have gone with you for sure, because I told

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<v Speaker 1>you last week that I was gonna goring. I wasn't

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<v Speaker 1>feeling good and all the COVID stuff going on. I

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<v Speaker 1>didn't know if that was the showing symptoms or not.

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<v Speaker 1>So I was like, yeah, let me keep my hand

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<v Speaker 1>at my ass home. So what did you end up

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<v Speaker 1>doing this weekend? I was just trying my hardest not

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<v Speaker 1>to like fall too deep into the Tulsa rally and

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<v Speaker 1>stuff like that. I decided to just chill and try

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<v Speaker 1>to clear my mind, but I ended up scrolling the

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<v Speaker 1>net and Twitter getting dragged into the rabbit hole that

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<v Speaker 1>was the J Cole versus No Name little little disagreement?

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<v Speaker 1>Did you do you heard about that? A little bit

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<v Speaker 1>about that? Would you end up thinking about that? So?

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<v Speaker 1>I mean I listened to J Cole song, I listened

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<v Speaker 1>to No Names response. I mean mad Live Kid will

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<v Speaker 1>be I think everyone can agree upon that. Well, okay,

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<v Speaker 1>let me let me recap the situation as far as

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<v Speaker 1>I know, right, so, as far as I know, the

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<v Speaker 1>the protests started after George Floyd's death and No Name

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<v Speaker 1>who is a rapper from Chicago. Um, I guess she

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<v Speaker 1>put out a series of tweets where she One of

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<v Speaker 1>the tweets she was critical of like, um, the top

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<v Speaker 1>selling rappers are silent right now and they should be

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<v Speaker 1>doing something something of that effect. But what I noticed

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<v Speaker 1>in like J Cole's response to like the initial beef

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<v Speaker 1>is that it really like centers its feelings, like in

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<v Speaker 1>a way that I think is like important to do

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<v Speaker 1>is least important have to work through on a personal level,

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<v Speaker 1>but like not necessarily helpful to broadcast. But I don't

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<v Speaker 1>know it, feel kind of conflicted about it, like damn,

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<v Speaker 1>like write your the fucking little poetry and keep yourself

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<v Speaker 1>and like work through your problems on your own, and

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<v Speaker 1>then use this opportunity to like link to bail funds

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<v Speaker 1>or go fund meats, petitions or actions happening in the area.

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<v Speaker 1>But instead he just made it all about his feelings

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<v Speaker 1>about getting called out, and like I felt, to a

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<v Speaker 1>certain degree that was some week ship. But at the

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<v Speaker 1>same time, I think it's being to a real struggle

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<v Speaker 1>that like a lot of folks right now are waking

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<v Speaker 1>up to the evils of capitalism and corporatism of our

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<v Speaker 1>fun boppily learning more about freedom movements that have come

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<v Speaker 1>before us, and you know, just like taking to the

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<v Speaker 1>streets for so maybe some of their first ever protests.

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<v Speaker 1>And just because you're black doesn't mean you won't necessarily

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<v Speaker 1>like as if we talked about an upcoming episode, there's

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<v Speaker 1>a lot of folks who want to like progressive as

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<v Speaker 1>hip hop just because some of us choose to convey

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<v Speaker 1>our experience to poverty and survival and brutality of our

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<v Speaker 1>current systems. But the fact, the fact is that a

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<v Speaker 1>lot of people in hip hop aren't overtly political, and

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<v Speaker 1>they gotta wake up as much as white people who

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<v Speaker 1>have been standing on the sidelines need to as well.

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<v Speaker 1>And I think Jacole does a good job of modeling

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<v Speaker 1>what that growth and that vulnerability looks like, which is

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<v Speaker 1>helpful for people who might feel similarly inadequate during these

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<v Speaker 1>times that are trying to figure out what to do.

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<v Speaker 1>But you know, and so that's helpful even if it

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<v Speaker 1>falls short of modeling what's taking action looks like, which

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<v Speaker 1>I think is the important part that was missing of

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<v Speaker 1>this dialogue. And like the little piece and Teco wanted

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<v Speaker 1>to throw up and in the conversation with like it

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<v Speaker 1>could have gone a lot farther than that, and like

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<v Speaker 1>it's as No Name says in her response, you really

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<v Speaker 1>about the right about me when the world isn't smokes

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<v Speaker 1>like it's distracting from the conversation around abolishing the police,

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<v Speaker 1>around like the women that are going missing, around the

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<v Speaker 1>trans black black trans women that are getting murdered. So

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<v Speaker 1>I feel like she hits on some really important points.

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<v Speaker 1>And also, you know, is hammering home the fact that

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<v Speaker 1>like you could be using your platform for anything right now.

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<v Speaker 1>I don't know, you know this this whole thing is

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<v Speaker 1>is has been very weird to me. At first, I

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<v Speaker 1>was really into it, and now it just seems kind

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<v Speaker 1>of off putting. Two rappers that are dope, pretty intelligent

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<v Speaker 1>people having a disagreement talking about it in rhymes. The

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<v Speaker 1>way I look at its beautiful most beautiful beefs and

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<v Speaker 1>hip hop up all times as a battle As a

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<v Speaker 1>former battle rapper, to me, that's like the biggest breasts

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<v Speaker 1>of fresh air to battles that I've heard in a

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<v Speaker 1>long time. I mean, everybody was engauged. It had people

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<v Speaker 1>talking about the issues. I just all around. I thought

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<v Speaker 1>the ship could have been really dope. I mean, I'm

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<v Speaker 1>personally not really into telling people when they can and

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<v Speaker 1>can't or should or shouldn't make the music they want

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<v Speaker 1>to make. I'll say whether I like the ship or not,

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<v Speaker 1>but I mean, go ahead, and do you think I

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<v Speaker 1>don't think it's distracting. I think it's adding to the conversation.

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<v Speaker 1>But even regardless, I don't think that anybody who's out there,

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<v Speaker 1>who's really doing the work is going to be distracted

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<v Speaker 1>by the new j could drop. Yeah, yeah, totally. I

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<v Speaker 1>feel like people who are really in the struggle are

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<v Speaker 1>not going to get sidetracked by this. But folks who

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<v Speaker 1>might be like new to this work not I hear you.

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<v Speaker 1>I hear you, And we talk about this another episode.

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<v Speaker 1>But maybe you know, people should be more picky about

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<v Speaker 1>the rappers that they follow and look up to. It

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<v Speaker 1>was like a productive I don't even know if you

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<v Speaker 1>can call it about. I think it's because like no

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<v Speaker 1>name still like name drap women that are have been

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<v Speaker 1>murdered exactly important to centering black trands women, like the

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<v Speaker 1>discussions around abolish and the police and like anti capitalism

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<v Speaker 1>and so like this whole beef has brought a lot

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<v Speaker 1>of attention to It's very hard for me to look

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<v Speaker 1>at these things like outside of like the rapper perspective.

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<v Speaker 1>So like, I think she won, and in winning, she

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<v Speaker 1>kind of like proved a point that's like, oh, yeah,

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<v Speaker 1>there are more important things. Yeah, you know what I'm saying.

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<v Speaker 1>So it's just I don't know, she she apologized for

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<v Speaker 1>her not necessarily apologized. I mean, she just she's she

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<v Speaker 1>was like it was a waste of my time or

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<v Speaker 1>I shouldn't have done Yeah, she like I got caught

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<v Speaker 1>up an ego and whatnot. But I don't know, it's

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<v Speaker 1>like it's it's stuff like that. To me, it is like,

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<v Speaker 1>I'm I'm one of those true believers when it comes

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<v Speaker 1>to the power of hip hop and ship like that.

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<v Speaker 1>So I believe that you can change the world through

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<v Speaker 1>rap if if you, if you funk with it right.

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<v Speaker 1>So you know, it's kind of a bummer that, like

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<v Speaker 1>the whole thing ends in a splitter of like, yeah,

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<v Speaker 1>this rap stuff is meaningless. I was hoping that they

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<v Speaker 1>would have just kept it going and kept the conversation

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<v Speaker 1>growing and expanding, but it's like everybody's too cool for

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<v Speaker 1>school to wrap. I just I just I'm one of

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<v Speaker 1>those people that thinks that I got more insight out

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<v Speaker 1>of hearing them rap about this ship than I would

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<v Speaker 1>have gotten from an interview of them doing it. So

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<v Speaker 1>I always encourage people to wrap. But the verdict is

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<v Speaker 1>that no name one. Her beat was Doper, her rhymes

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<v Speaker 1>are Dover, and her song was Doper, And I feel

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<v Speaker 1>like I need to be a better man after listening

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<v Speaker 1>to it and catch up on my W E B DWO. Boy. Well, um,

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<v Speaker 1>let's let's go into what we were going to be

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<v Speaker 1>talking about. Yeah, the topic of this day is um

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<v Speaker 1>model minorities, model minority. So what made you think about

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<v Speaker 1>having that be the topic slash name of what we're

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<v Speaker 1>talking about today? Um so into Thus eighteen, I put

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<v Speaker 1>out an album called Model Minority, aware of it's like

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<v Speaker 1>racist history within the Asian community, but also reflecting on

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<v Speaker 1>my own experience with like, you know, growing up in

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<v Speaker 1>a predominantly white community where I was like kind of

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<v Speaker 1>nerdy and like in band and shipped like that, and

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<v Speaker 1>like having a lot of people tell me that I

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<v Speaker 1>wasn't like other black people, like oh, well, you talk right,

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<v Speaker 1>and like you're not like the rest of them. Literally

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<v Speaker 1>had this one friend who's like confided to me in

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<v Speaker 1>secret that her parents called black people Canadians and public

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<v Speaker 1>look at those Canadians over there and the corross the

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<v Speaker 1>room at Applebee's, like they're so loud, I bet they

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<v Speaker 1>don't even tip, And like thinking that they could get

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<v Speaker 1>away with saying that kind of shipped to me. And

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<v Speaker 1>so like being positioned in my own as a different

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<v Speaker 1>kind of model minority among black people of like of

0:11:04.800 --> 0:11:08.960
<v Speaker 1>only everybody could be like you, and so it kind

0:11:08.960 --> 0:11:11.360
<v Speaker 1>of in an attempt to like push back at that

0:11:11.440 --> 0:11:15.880
<v Speaker 1>and laugh at that positioning through my my music and

0:11:15.960 --> 0:11:20.800
<v Speaker 1>so I adopted that moniker for the title of my LP. Well,

0:11:20.840 --> 0:11:23.600
<v Speaker 1>you know, I didn't grow up in the States like that,

0:11:23.679 --> 0:11:25.600
<v Speaker 1>so it wasn't until I was a little bit older

0:11:25.640 --> 0:11:29.280
<v Speaker 1>that I like heard of the term model minority and

0:11:29.400 --> 0:11:32.520
<v Speaker 1>what it was used for generally. Now, according to Wikipedia,

0:11:32.720 --> 0:11:37.480
<v Speaker 1>model minority is a minority demographic weather based on ethnicity, race,

0:11:37.559 --> 0:11:41.000
<v Speaker 1>or religion, whose members are perceived to achieve higher degree

0:11:41.000 --> 0:11:45.040
<v Speaker 1>of socio economic success than the population average, thus serving

0:11:45.080 --> 0:11:48.200
<v Speaker 1>as a reference to groups in out groups. This success

0:11:48.240 --> 0:11:53.240
<v Speaker 1>is typically measured relatively by educational attainment, representation and managerial

0:11:53.240 --> 0:11:57.560
<v Speaker 1>and professional occupations, and household income, along with other socio

0:11:57.600 --> 0:12:02.040
<v Speaker 1>economic indicators such as low criminality, high family and marital stability.

0:12:02.400 --> 0:12:05.320
<v Speaker 1>The concept was controversial as it was historically used to

0:12:05.360 --> 0:12:08.520
<v Speaker 1>suggest that the government didn't need to intervene in socio

0:12:08.559 --> 0:12:12.800
<v Speaker 1>economic disparities between racial groups. So that's what Wikipedia says,

0:12:12.920 --> 0:12:14.880
<v Speaker 1>and you know, of course, I think it's always important

0:12:14.880 --> 0:12:17.560
<v Speaker 1>to listen to just check out what Wikipedia says, because

0:12:17.559 --> 0:12:19.559
<v Speaker 1>the average person, you know, when they don't know some ship,

0:12:19.600 --> 0:12:22.600
<v Speaker 1>they're gonna check in Wikipedia. So we've established a baseline

0:12:22.600 --> 0:12:25.520
<v Speaker 1>of what everybody knows about it. But generally it's something

0:12:25.559 --> 0:12:28.839
<v Speaker 1>that's like used as like a wedge issue between minority

0:12:28.920 --> 0:12:31.920
<v Speaker 1>groups to to get them to distrust each other or

0:12:31.960 --> 0:12:36.360
<v Speaker 1>to criticize each other, and to overlook the greater fight

0:12:36.440 --> 0:12:39.199
<v Speaker 1>that needs to be fought, holding one group up as

0:12:39.280 --> 0:12:41.360
<v Speaker 1>like a model for what the other groups should try

0:12:41.400 --> 0:12:45.280
<v Speaker 1>to invitate. Its generally just two so tension within the

0:12:45.440 --> 0:12:48.840
<v Speaker 1>within the minority groups. And usually when I hear heard

0:12:48.880 --> 0:12:52.559
<v Speaker 1>about this concept, it was in relation to African Americans

0:12:52.559 --> 0:12:55.640
<v Speaker 1>and Asian Americans. So these times it's also been exploited

0:12:55.679 --> 0:12:58.560
<v Speaker 1>to dismant all legal protections for people of color. In

0:12:58.600 --> 0:13:02.520
<v Speaker 1>two thousand and fourteen, a lawsuit against Firmative Action Asian

0:13:02.559 --> 0:13:06.840
<v Speaker 1>American plaintifts argued that Harvard Admissions discriminated against Asian American students.

0:13:07.320 --> 0:13:09.960
<v Speaker 1>The case, which was filed with assistance from right wing

0:13:10.040 --> 0:13:13.839
<v Speaker 1>activists Edward Bloom the Man Sarah Hanger, staff attorney, a

0:13:13.920 --> 0:13:16.880
<v Speaker 1>c l Use Rachel Industics program, describes it's on a

0:13:16.880 --> 0:13:21.079
<v Speaker 1>mission to kill Affirmative Action. During the LA riots following

0:13:21.120 --> 0:13:24.520
<v Speaker 1>the acquittal of police officers who beat Rodney King on camera,

0:13:25.120 --> 0:13:29.960
<v Speaker 1>many Korean owned businesses were damaged, partially because fifteen year

0:13:29.960 --> 0:13:32.640
<v Speaker 1>old black girl Natasha Harlans, as we referenced in our

0:13:32.640 --> 0:13:36.400
<v Speaker 1>first episode, was killed by a Korean liquor store owner,

0:13:37.040 --> 0:13:40.320
<v Speaker 1>um who only got community service, funeral institution, and a

0:13:40.320 --> 0:13:43.520
<v Speaker 1>five hundred dollar fine for shooting Natasha Harlans in the

0:13:43.559 --> 0:13:45.920
<v Speaker 1>back of the head while trying to escape or store

0:13:46.000 --> 0:13:50.760
<v Speaker 1>during an alleged robbery. You know that story didn't really

0:13:50.760 --> 0:13:53.640
<v Speaker 1>get covered as oh no, no, no, yeah, And like

0:13:53.679 --> 0:13:54.920
<v Speaker 1>that's what I was kind of bringing up with the

0:13:54.920 --> 0:13:57.400
<v Speaker 1>whole no name thing of like in the Black Lives

0:13:57.400 --> 0:14:01.000
<v Speaker 1>Matter movement, like the killings of black men are far

0:14:01.160 --> 0:14:06.640
<v Speaker 1>more um fuel for the fires of indignation than are

0:14:06.760 --> 0:14:09.960
<v Speaker 1>the murders and black women, Like, but what about Ayana Jones,

0:14:10.040 --> 0:14:13.080
<v Speaker 1>who you know was younger than Trayvon Martin when she

0:14:13.160 --> 0:14:17.400
<v Speaker 1>was killed by police. Um, folks like Latasha Harlan's like

0:14:17.480 --> 0:14:20.360
<v Speaker 1>don't get credit for starting the LA riots. But you

0:14:20.360 --> 0:14:25.240
<v Speaker 1>remember Rodney King. Brianna Taylor is no longer trending, even

0:14:25.280 --> 0:14:30.120
<v Speaker 1>though her murderers haven't been arrested. Yeah, they fired one

0:14:30.160 --> 0:14:33.200
<v Speaker 1>of them, that's it. Unlike the killers of Ray Sharry

0:14:33.200 --> 0:14:36.760
<v Speaker 1>Brooks or the colors of George Floyd. Speaking of George Floyd,

0:14:36.880 --> 0:14:38.920
<v Speaker 1>you know, at this point everybody's seen the tape, so

0:14:38.960 --> 0:14:43.040
<v Speaker 1>it's kind of hard to not notice Officer thou R

0:14:43.120 --> 0:14:48.200
<v Speaker 1>Tao performing crowd control. He's the Asian American police officer

0:14:48.240 --> 0:14:50.120
<v Speaker 1>that was on the tape. Things like this. I don't

0:14:50.120 --> 0:14:53.160
<v Speaker 1>think they've started or ratcheted up tensions between the two

0:14:53.200 --> 0:14:56.840
<v Speaker 1>communities anymore or anything like that. It's definitely not what

0:14:56.960 --> 0:14:59.480
<v Speaker 1>it was during the l A riot. Times in Asian

0:14:59.520 --> 0:15:02.080
<v Speaker 1>American are definitely out there in the streets right now

0:15:02.200 --> 0:15:06.480
<v Speaker 1>protesting with Black Lives Matter, you know, all over the country,

0:15:06.800 --> 0:15:09.760
<v Speaker 1>fighting for justice. But I did come across an article

0:15:10.080 --> 0:15:13.280
<v Speaker 1>with the Sahan Journal, which is a news outlet that's

0:15:13.320 --> 0:15:17.400
<v Speaker 1>dedicated to the immigrant and refugee community in Minnesota, um

0:15:17.480 --> 0:15:21.840
<v Speaker 1>that even though of Asian American Minnesota's are in fact

0:15:21.880 --> 0:15:25.240
<v Speaker 1>fighting for justice out there alongside us, there are some

0:15:25.280 --> 0:15:28.520
<v Speaker 1>who are feeling like they're targeted within that community. People

0:15:28.560 --> 0:15:30.880
<v Speaker 1>who have the last same last name as the officer

0:15:30.920 --> 0:15:33.400
<v Speaker 1>have been getting social media threats and stuff like that.

0:15:33.480 --> 0:15:36.560
<v Speaker 1>So the solidarity could always be stronger. This isn't the

0:15:36.600 --> 0:15:39.680
<v Speaker 1>first time an Asian American officer has been involved in

0:15:39.680 --> 0:15:41.360
<v Speaker 1>one of these killings of one I'm Black men and

0:15:41.400 --> 0:15:44.760
<v Speaker 1>two half of fourteen and yp D officer Peter Liang,

0:15:44.800 --> 0:15:47.960
<v Speaker 1>a rookie, fired his gun. The bullet ricocheted off a

0:15:48.000 --> 0:15:49.960
<v Speaker 1>wall and killed the Kai Gurley while he and his

0:15:50.000 --> 0:15:52.840
<v Speaker 1>partner were patrolling a public housing development. There's no reason

0:15:52.880 --> 0:15:56.000
<v Speaker 1>for the tension to exist between these marginalized communities, but

0:15:56.080 --> 0:16:00.840
<v Speaker 1>there is some precedent set for like some pensions within

0:16:00.920 --> 0:16:03.480
<v Speaker 1>the communities themselves. At the end of the day, both

0:16:03.480 --> 0:16:06.080
<v Speaker 1>communities have been put through shipped from this country, so

0:16:06.680 --> 0:16:16.720
<v Speaker 1>there's no reason that the unity shouldn't be. So today

0:16:16.760 --> 0:16:20.080
<v Speaker 1>we're here with my friend Kodu Ishibashi also known as

0:16:20.160 --> 0:16:24.960
<v Speaker 1>Kishi Bashi, also known as k world renowned violinist and composer,

0:16:25.160 --> 0:16:30.240
<v Speaker 1>or like he wants to be called a athens musician. Guy, Okay,

0:16:30.280 --> 0:16:33.280
<v Speaker 1>how are you today? Great? I'm I'm an Athenist musician, guy,

0:16:33.480 --> 0:16:36.640
<v Speaker 1>just like you, just like us, just like us, you know,

0:16:36.680 --> 0:16:40.360
<v Speaker 1>in the on world tour, like you know any other

0:16:40.480 --> 0:16:43.160
<v Speaker 1>fancy ship. Just an Athemisian and Guy, I think there's

0:16:43.160 --> 0:16:46.200
<v Speaker 1>a bit more to it than that. I got your

0:16:46.240 --> 0:16:51.480
<v Speaker 1>Wikipedia page joke right now. It says um says you're

0:16:51.560 --> 0:16:56.760
<v Speaker 1>an American singer, multi instrumentalists and songwriter. He is a

0:16:56.800 --> 0:17:00.440
<v Speaker 1>founding member of Jupiter One, and for a few years

0:17:00.480 --> 0:17:03.000
<v Speaker 1>he was and a member of the band of Montreal.

0:17:03.800 --> 0:17:06.439
<v Speaker 1>He embarked on his career as a solo artist in

0:17:06.440 --> 0:17:12.560
<v Speaker 1>two thousand and eleven, released his debut album one a

0:17:12.560 --> 0:17:16.720
<v Speaker 1>at Joyful Noise recording in two thousand and twelve, to

0:17:16.840 --> 0:17:21.040
<v Speaker 1>immediate fan fair and critical claim immediant fanfare, that's like

0:17:21.080 --> 0:17:26.000
<v Speaker 1>your blood. How do how do you feel about that? Um? Immediately,

0:17:26.040 --> 0:17:29.040
<v Speaker 1>I don't know if it was immediate, this ship, says immedia.

0:17:29.160 --> 0:17:32.480
<v Speaker 1>So it's Wikipedia, it's the Internet. It's true, I mean

0:17:32.560 --> 0:17:35.800
<v Speaker 1>immediate NPR fanfare, that was for sure. You love meeting

0:17:35.800 --> 0:17:38.760
<v Speaker 1>a modest famous person. It's always really nice. Well, of

0:17:38.760 --> 0:17:41.520
<v Speaker 1>Montreal's what brought me to Athens, you know, it's okay,

0:17:41.640 --> 0:17:44.760
<v Speaker 1>So that's like, that's how that's why I'm here. Also,

0:17:45.040 --> 0:17:49.600
<v Speaker 1>were you from? I lived in um Well, good question, Okay,

0:17:49.600 --> 0:17:51.080
<v Speaker 1>So I was born in Seattle, but I grew up

0:17:51.080 --> 0:17:52.560
<v Speaker 1>on the East Coast and then I lived in But

0:17:52.680 --> 0:17:54.720
<v Speaker 1>before before Athens, I lived in New York City for

0:17:54.760 --> 0:17:59.880
<v Speaker 1>like ten years. What your parents did? My parents are professor,

0:18:00.320 --> 0:18:03.800
<v Speaker 1>So I'm a very middle class Asian American upbringing. Played

0:18:03.840 --> 0:18:09.200
<v Speaker 1>play the violent, get it work work. We're really excited

0:18:09.240 --> 0:18:11.040
<v Speaker 1>to have you on today to discuss some of the

0:18:11.080 --> 0:18:14.920
<v Speaker 1>overlaps between the struggles that um Asian Americans have faced.

0:18:15.080 --> 0:18:19.679
<v Speaker 1>You know, are are struggles to also unite as folks

0:18:19.680 --> 0:18:22.600
<v Speaker 1>of color, particularly around this moment where Black Lives Matter

0:18:23.160 --> 0:18:27.239
<v Speaker 1>is taking the forefront of the national conversation. Um And

0:18:27.280 --> 0:18:29.879
<v Speaker 1>I wanted to start out by asking, like, kind of

0:18:29.920 --> 0:18:32.879
<v Speaker 1>a personal question from my own maybe funk up that

0:18:32.960 --> 0:18:37.160
<v Speaker 1>I made a couple of years ago. So in two

0:18:37.160 --> 0:18:42.440
<v Speaker 1>thousand eighteen, I dropped an album entitled Model Minority, And

0:18:42.480 --> 0:18:45.120
<v Speaker 1>I want to explain why. And I want to explain why.

0:18:45.320 --> 0:18:47.320
<v Speaker 1>So when I was younger, I grew up around a

0:18:47.359 --> 0:18:49.360
<v Speaker 1>lot of white people, and I was told in subtle

0:18:49.359 --> 0:18:51.159
<v Speaker 1>and not so subtle ways, how great it was that

0:18:51.200 --> 0:18:54.000
<v Speaker 1>I wasn't like other black people. I was smart, I

0:18:54.160 --> 0:18:57.920
<v Speaker 1>talked right, all this kind of stuff. And so as

0:18:57.920 --> 0:18:59.720
<v Speaker 1>I've gotten older, I used hip hop to kind of

0:19:00.040 --> 0:19:02.480
<v Speaker 1>a my black identity. But I titled my album Model

0:19:02.520 --> 0:19:04.879
<v Speaker 1>Minority as a as a nod to the privileges that

0:19:04.920 --> 0:19:07.520
<v Speaker 1>I do have as a light skinned, middle class, highly

0:19:07.640 --> 0:19:10.600
<v Speaker 1>educated black woman. But in your opinion, was it funked

0:19:10.680 --> 0:19:14.480
<v Speaker 1>up that I made my album then, okay, so um

0:19:14.720 --> 0:19:18.120
<v Speaker 1>uh yeah, the model minority myth? So what does that mean?

0:19:18.200 --> 0:19:20.600
<v Speaker 1>And it wasn't that wrong of me to do that? Well, um,

0:19:20.640 --> 0:19:24.440
<v Speaker 1>I think sociologists call they developed this model minority myth.

0:19:24.640 --> 0:19:26.119
<v Speaker 1>We know it as a myth now because it was

0:19:26.160 --> 0:19:29.359
<v Speaker 1>this basically racist institution of encouraging like Asian people to

0:19:29.400 --> 0:19:33.080
<v Speaker 1>be like, this is how minorities should assimilate to society,

0:19:33.400 --> 0:19:35.600
<v Speaker 1>and so Asians kind of took that to heart, like

0:19:35.640 --> 0:19:39.200
<v Speaker 1>in the fifties, especially after Japanese incarceration, meaning like they

0:19:39.200 --> 0:19:41.680
<v Speaker 1>had they were like they were told by white people

0:19:41.680 --> 0:19:43.119
<v Speaker 1>to be like, you know, this is how you can

0:19:43.119 --> 0:19:46.639
<v Speaker 1>become American and assimilate into society. But what really happened

0:19:46.640 --> 0:19:48.639
<v Speaker 1>was they were kind of used as a wedge to

0:19:48.800 --> 0:19:51.960
<v Speaker 1>further put down black people, you know, basically showing black

0:19:52.000 --> 0:19:54.040
<v Speaker 1>people like hey, look at the minority, look at this

0:19:54.119 --> 0:19:56.520
<v Speaker 1>model minority, look at this is a model you know,

0:19:56.640 --> 0:20:01.320
<v Speaker 1>and furthermore, you know, disenfranchising people. So it's just a

0:20:01.400 --> 0:20:05.080
<v Speaker 1>misuse of the word term, I guess totally. Yeah. I mean,

0:20:05.160 --> 0:20:07.359
<v Speaker 1>like I think there are parallels to the way that

0:20:07.440 --> 0:20:10.639
<v Speaker 1>certain like people in the black community are held up

0:20:10.640 --> 0:20:13.080
<v Speaker 1>as examples of like, look, why can't you be a

0:20:13.080 --> 0:20:16.200
<v Speaker 1>good black person like this one? And like I definitely

0:20:16.200 --> 0:20:18.879
<v Speaker 1>want to ward off any of that people who want

0:20:18.920 --> 0:20:21.119
<v Speaker 1>to point to me as like a shining example because

0:20:21.200 --> 0:20:24.439
<v Speaker 1>like I speak mainstream of American English, because I have

0:20:24.520 --> 0:20:29.840
<v Speaker 1>a master's degree. Uh, because you know, like middle class

0:20:29.880 --> 0:20:33.120
<v Speaker 1>all these things like no, motherfucker, like don't try to

0:20:33.240 --> 0:20:36.480
<v Speaker 1>put down folks that are lower income or you know,

0:20:37.320 --> 0:20:40.960
<v Speaker 1>speak like a A B or you know, aren't's educated?

0:20:41.000 --> 0:20:43.200
<v Speaker 1>Is me because those voices are as important and sort

0:20:43.240 --> 0:20:46.960
<v Speaker 1>of like lashing out at that way that I'm sometimes

0:20:46.960 --> 0:20:50.160
<v Speaker 1>positioned by white people. I don't think anyone's gonna take

0:20:50.160 --> 0:20:52.680
<v Speaker 1>that away from your use of the title. I mean

0:20:52.880 --> 0:20:55.639
<v Speaker 1>it's I think in the context that you're using it,

0:20:55.960 --> 0:20:59.160
<v Speaker 1>it works. Yeah, the feeling is the same because it's

0:20:59.200 --> 0:21:02.600
<v Speaker 1>like basically the model minority. You're saying, like, you know,

0:21:02.840 --> 0:21:04.640
<v Speaker 1>why don't you be more like us? But meaning more

0:21:04.720 --> 0:21:08.359
<v Speaker 1>like white? So Congratti, that's that's what it is without

0:21:08.840 --> 0:21:10.560
<v Speaker 1>saying it like that, you know, So the feeling is

0:21:10.600 --> 0:21:13.280
<v Speaker 1>the same, but it's it is used to basically push

0:21:13.320 --> 0:21:15.560
<v Speaker 1>down any other culture that's not all American. And we

0:21:15.680 --> 0:21:28.480
<v Speaker 1>know now that all American just means white. Yeah, so exactly. Yeah,

0:21:28.560 --> 0:21:30.480
<v Speaker 1>do we want to talk a little bit about your documentary,

0:21:30.880 --> 0:21:35.080
<v Speaker 1>Sure to tell us about um am I saying you're right, Omoyari. Yeah,

0:21:35.119 --> 0:21:38.159
<v Speaker 1>So Amoyari is um I kind of started working on

0:21:38.240 --> 0:21:40.080
<v Speaker 1>it about three or four years ago, basically after Trump

0:21:40.119 --> 0:21:43.959
<v Speaker 1>got elected, and they basically it was around the Muslim

0:21:44.000 --> 0:21:48.280
<v Speaker 1>ban started happening, and basically people in the administration we're

0:21:49.040 --> 0:21:52.040
<v Speaker 1>using the Japanese American incarceration um. And for those who

0:21:52.040 --> 0:21:54.320
<v Speaker 1>are those who are not familiar with it, it's basically

0:21:54.560 --> 0:21:57.359
<v Speaker 1>during World War Two, when America was at war with Japan,

0:21:58.080 --> 0:22:04.040
<v Speaker 1>they basically incarcerated, removed the entire West Coast community of

0:22:04.160 --> 0:22:06.199
<v Speaker 1>Japanese people, like a hundred twenty people, and put them

0:22:06.240 --> 0:22:09.359
<v Speaker 1>into internment camps, like concentration camps in like the desert

0:22:09.720 --> 0:22:13.280
<v Speaker 1>and in the interior. And so they're using that as

0:22:13.320 --> 0:22:15.439
<v Speaker 1>a precedent for locking up like even if you're an

0:22:15.440 --> 0:22:18.320
<v Speaker 1>American citizen, we have a right to you know, profile

0:22:18.400 --> 0:22:21.359
<v Speaker 1>you to lock you up, you know, using the incarceration,

0:22:21.480 --> 0:22:23.640
<v Speaker 1>the internment as a as a precedent. And it got

0:22:23.680 --> 0:22:26.680
<v Speaker 1>me really upset because I was like, HOLLI show this

0:22:26.880 --> 0:22:29.840
<v Speaker 1>things it's happening again. We haven't learned our lesson. In fact,

0:22:30.040 --> 0:22:33.560
<v Speaker 1>we've taken this lesson and turned it upside down, you know,

0:22:34.160 --> 0:22:38.560
<v Speaker 1>as a precedent or some people have. And and so anyway,

0:22:38.600 --> 0:22:40.560
<v Speaker 1>so I went I started going to these Japanese incarceration

0:22:40.640 --> 0:22:43.200
<v Speaker 1>sites and I and I started writing music, and I

0:22:43.280 --> 0:22:45.159
<v Speaker 1>wrote a song and then before before I knew it,

0:22:45.200 --> 0:22:47.560
<v Speaker 1>I just have this like album and I have UM,

0:22:47.840 --> 0:22:50.720
<v Speaker 1>this feature length documentary of just me going around kind

0:22:50.720 --> 0:22:54.200
<v Speaker 1>of really trying to figure out what it means to

0:22:54.280 --> 0:22:56.760
<v Speaker 1>be like an American now, like an immigrant American or

0:22:57.040 --> 0:22:59.240
<v Speaker 1>or a child of immigrants, or what it's like to

0:22:59.280 --> 0:23:01.600
<v Speaker 1>look different than you know, the all American standard that

0:23:01.680 --> 0:23:06.240
<v Speaker 1>we we kind of grew up with. And so when

0:23:06.280 --> 0:23:08.920
<v Speaker 1>I was UM, when I was in high school, we

0:23:09.400 --> 0:23:12.639
<v Speaker 1>went on I used to live in a Senegal and

0:23:12.720 --> 0:23:15.120
<v Speaker 1>we went on a trip to Cape Verde and got

0:23:15.200 --> 0:23:19.200
<v Speaker 1>to see like the old like slave quarters and like

0:23:19.359 --> 0:23:21.440
<v Speaker 1>the places where they used to like sell and trade

0:23:21.480 --> 0:23:24.640
<v Speaker 1>slaves at It's kind of hard to put in towards

0:23:24.760 --> 0:23:27.200
<v Speaker 1>like how it makes you feel, but you definitely feel

0:23:27.359 --> 0:23:30.720
<v Speaker 1>something eerie when you're like walking around places like that.

0:23:30.960 --> 0:23:33.280
<v Speaker 1>Is there anything similar when you're walking around like old

0:23:33.359 --> 0:23:37.160
<v Speaker 1>internment camp spaces or anything like that. Um No, it's

0:23:37.440 --> 0:23:39.520
<v Speaker 1>I think at first, like I went on a research trip,

0:23:39.560 --> 0:23:41.840
<v Speaker 1>you know, and then it was really difficult because we

0:23:41.920 --> 0:23:44.119
<v Speaker 1>went some some of them are really pleasant and so

0:23:44.240 --> 0:23:46.960
<v Speaker 1>you're sitting there with all this like this like really

0:23:47.040 --> 0:23:50.640
<v Speaker 1>difficult you know, history of injustice, and you're just having

0:23:50.720 --> 0:23:53.960
<v Speaker 1>a really pleasant time and it's and it was basically

0:23:54.040 --> 0:23:57.320
<v Speaker 1>I think sometimes it was deeply powerful because you felt like,

0:23:57.600 --> 0:23:59.440
<v Speaker 1>you know, you had a story or someone to connect with.

0:23:59.560 --> 0:24:01.440
<v Speaker 1>But a lot times in just places, so it really

0:24:01.480 --> 0:24:04.880
<v Speaker 1>depends on, um, your state of mind, and it also

0:24:04.920 --> 0:24:08.719
<v Speaker 1>takes different times to process like events, you know, personal

0:24:08.840 --> 0:24:12.240
<v Speaker 1>or so. Um. And Cape Bertie, Yeah, I've heard Cape

0:24:12.280 --> 0:24:15.600
<v Speaker 1>Bertie is very beautiful. Um uh, you know it's crazy

0:24:15.640 --> 0:24:17.280
<v Speaker 1>about Cape Bertie. And this has nothing to do with

0:24:17.359 --> 0:24:20.600
<v Speaker 1>this podcast, but apparently tuna fisher I had his friend

0:24:20.840 --> 0:24:23.119
<v Speaker 1>and he told me that Japanese tuna fishermen would come

0:24:23.160 --> 0:24:25.320
<v Speaker 1>out all the way out there from Japan and that's

0:24:25.800 --> 0:24:27.680
<v Speaker 1>the tuna. Yeah, and they said they like left some

0:24:28.480 --> 0:24:30.879
<v Speaker 1>impregnated some women in the island and there's like some

0:24:31.000 --> 0:24:33.880
<v Speaker 1>half Japanese like a bunch of like have Japanese people there,

0:24:34.640 --> 0:24:37.240
<v Speaker 1>it'll it'll it'll have to going to going there, trust

0:24:37.280 --> 0:24:41.680
<v Speaker 1>me for sure. Anyway, that's a wild story about Bertie.

0:24:41.920 --> 0:24:44.159
<v Speaker 1>So let's talk a little bit more about internment. Like

0:24:44.520 --> 0:24:48.119
<v Speaker 1>what was Was there a legal precedent set beforehand that

0:24:48.400 --> 0:24:52.920
<v Speaker 1>like was used when Franklin Roosevelt issued his executive order

0:24:53.160 --> 0:24:57.680
<v Speaker 1>to um um execute the internment? Like, what were there?

0:24:57.760 --> 0:24:59.760
<v Speaker 1>What were the grounds? Was there any grounds for that

0:25:00.240 --> 0:25:03.199
<v Speaker 1>previously established in the country. No, not really, because it's

0:25:03.240 --> 0:25:06.080
<v Speaker 1>basically I mean, well, after Pearl Harbor, it became martial law,

0:25:06.520 --> 0:25:09.440
<v Speaker 1>and so the military really took control of Hawaii, and

0:25:09.480 --> 0:25:12.320
<v Speaker 1>Hawaii basically had so many Japanese Americans that they couldn't

0:25:12.320 --> 0:25:16.639
<v Speaker 1>really you know, lock everybody up. And so what happened was, um,

0:25:17.920 --> 0:25:20.359
<v Speaker 1>you know, there's generally a lot of anti Asian sentiment

0:25:20.440 --> 0:25:21.960
<v Speaker 1>to begin with. So what happened was a lot of

0:25:22.000 --> 0:25:25.040
<v Speaker 1>lobby groups started lobbying people in Congress and created this

0:25:25.200 --> 0:25:27.800
<v Speaker 1>and the media as well, you know, created this hysteria

0:25:28.000 --> 0:25:31.399
<v Speaker 1>that ultimately led to people just wanting the removal of

0:25:31.520 --> 0:25:34.600
<v Speaker 1>this entire population. And a lot of agricultural groups were

0:25:34.640 --> 0:25:37.680
<v Speaker 1>behind it too, like lobbying for the wealth of the

0:25:37.760 --> 0:25:41.000
<v Speaker 1>Japanese because they were such great farmers. Um. Like one

0:25:41.040 --> 0:25:44.800
<v Speaker 1>statistic that kind of surprised me was that about over

0:25:45.880 --> 0:25:49.159
<v Speaker 1>of California's produce was was basically done by Japanese farmers.

0:25:49.880 --> 0:25:53.159
<v Speaker 1>M and so this was like a land grab for

0:25:53.359 --> 0:25:55.359
<v Speaker 1>white farmers who are kind of jealous, you know, and

0:25:55.440 --> 0:25:58.800
<v Speaker 1>this and this happens all the time, you know, throughout history,

0:25:58.960 --> 0:26:01.320
<v Speaker 1>like Nazi Germany of this to the Jews because they're

0:26:01.320 --> 0:26:03.520
<v Speaker 1>just jealous, you know, and they just use this kind

0:26:03.560 --> 0:26:08.000
<v Speaker 1>of hysteria um to basically put the enemy, which is

0:26:08.080 --> 0:26:10.359
<v Speaker 1>the you know, the army, imperial Army of Japan and

0:26:10.520 --> 0:26:13.320
<v Speaker 1>these basically Japanese immigrants who really had nothing to do

0:26:13.600 --> 0:26:16.480
<v Speaker 1>but want a better life for themselves in America. And

0:26:16.600 --> 0:26:19.919
<v Speaker 1>so um, yeah, there's no legal precedent. They locked him up,

0:26:19.920 --> 0:26:21.080
<v Speaker 1>and a lot of people are like these you know,

0:26:21.160 --> 0:26:23.320
<v Speaker 1>these people are American citizens. How could how could they

0:26:23.359 --> 0:26:25.840
<v Speaker 1>do this? And there was there was a Supreme Court thing,

0:26:25.880 --> 0:26:27.840
<v Speaker 1>but ultimately it was just a time of war and

0:26:27.880 --> 0:26:30.640
<v Speaker 1>the Supreme Court fact you know, yeah, I was reading

0:26:30.640 --> 0:26:35.240
<v Speaker 1>about how the Supreme Court upheld the constitutionality of the removal,

0:26:37.119 --> 0:26:39.240
<v Speaker 1>which is nuts that that's still a precedent that holds

0:26:39.280 --> 0:26:41.360
<v Speaker 1>to this day. Yeah, well recently. You know what's really

0:26:41.400 --> 0:26:43.680
<v Speaker 1>crazy is that recently do you remember that muzzle the

0:26:43.800 --> 0:26:47.399
<v Speaker 1>reversal of the muzzle away, so the upheld upholding the

0:26:47.920 --> 0:26:51.440
<v Speaker 1>Muslim ban. Yeah, they also threw in the a note

0:26:51.520 --> 0:26:55.720
<v Speaker 1>that korematsu was unconstitutional. So recently it was overturned in

0:26:55.880 --> 0:26:57.840
<v Speaker 1>that thing. Oh, it was overturned recently. Well that's kind

0:26:57.840 --> 0:26:59.440
<v Speaker 1>of good news, Thank god, it's good news. But it

0:26:59.480 --> 0:27:00.840
<v Speaker 1>was kind of like a slap in the face because

0:27:00.880 --> 0:27:03.560
<v Speaker 1>it accompanied the upheld, the end of the upholding of

0:27:03.680 --> 0:27:08.200
<v Speaker 1>the travel. Yeah. Hey, do you know if um any

0:27:08.800 --> 0:27:13.480
<v Speaker 1>any even remotely comparable sort of actions were taken against

0:27:13.560 --> 0:27:17.480
<v Speaker 1>like Italian Americans or German Americans. Yeah, so at the time,

0:27:17.560 --> 0:27:20.000
<v Speaker 1>you know, they rounded up a lot of Italian nationals

0:27:20.040 --> 0:27:21.880
<v Speaker 1>and German nationals, you know, the ones that are close

0:27:21.880 --> 0:27:24.800
<v Speaker 1>to the embassy and close to the government. But then

0:27:24.920 --> 0:27:27.840
<v Speaker 1>also there's just like so many white people that they

0:27:27.960 --> 0:27:30.639
<v Speaker 1>just decided that this was gonna be a white country

0:27:30.680 --> 0:27:33.720
<v Speaker 1>and Asians Japanese were definitely easier to pick up, and

0:27:33.840 --> 0:27:37.640
<v Speaker 1>so it was a really racist move and FDR ultimately,

0:27:37.960 --> 0:27:41.600
<v Speaker 1>you know, he's like this nobody people don't really know

0:27:41.720 --> 0:27:44.240
<v Speaker 1>much about FDR, but um, one thing for sure is

0:27:44.280 --> 0:27:46.920
<v Speaker 1>that like he's this hero because he helped America out

0:27:46.960 --> 0:27:50.120
<v Speaker 1>of um, you know, the great depression and social programs

0:27:50.160 --> 0:27:52.639
<v Speaker 1>that we still depend on today. But he was like

0:27:52.760 --> 0:27:55.280
<v Speaker 1>this villain because for the Japanese, because he just couldn't

0:27:55.320 --> 0:27:59.120
<v Speaker 1>help He couldn't help them, he couldn't protect them. These

0:27:59.119 --> 0:28:01.920
<v Speaker 1>are just civilians, you know, just immigrants, and so he

0:28:01.960 --> 0:28:05.479
<v Speaker 1>couldn't help them from racism that ultimately led to their

0:28:05.520 --> 0:28:10.119
<v Speaker 1>incarcerations on mass Yeah. I found it interesting that the

0:28:10.320 --> 0:28:14.080
<v Speaker 1>United States Census Bureau actually assisted in the interment efforts

0:28:14.160 --> 0:28:19.520
<v Speaker 1>by providing uh specific in individual census data on Japanese Americans,

0:28:19.720 --> 0:28:24.560
<v Speaker 1>and they denied this role for decades subsequently, contrary to

0:28:24.800 --> 0:28:27.920
<v Speaker 1>um scholarly evidence, and only in two thousand and seven

0:28:28.040 --> 0:28:32.760
<v Speaker 1>did that understanding of how they partact part partook in

0:28:33.200 --> 0:28:38.120
<v Speaker 1>internment become more widely known. Um Yeah, I mean, I

0:28:38.360 --> 0:28:41.240
<v Speaker 1>think they did whatever they could to round them up,

0:28:41.640 --> 0:28:44.560
<v Speaker 1>you know, because I guess they you know, they claimed

0:28:44.600 --> 0:28:47.120
<v Speaker 1>it to be wartime. UM, so I think they just

0:28:47.280 --> 0:28:51.520
<v Speaker 1>used that that like the fury of a wartime America

0:28:51.600 --> 0:28:53.480
<v Speaker 1>to just kind of impose on people's civil rights, which

0:28:53.680 --> 0:28:57.080
<v Speaker 1>we know has happened time and time again, you know,

0:28:57.720 --> 0:28:59.720
<v Speaker 1>like it's a war. It kind of makes me nervous

0:28:59.720 --> 0:29:02.000
<v Speaker 1>for the hurt moment we're in because if things get

0:29:02.120 --> 0:29:04.640
<v Speaker 1>ratcheted up, I mean, they're already putting all that stuff

0:29:04.680 --> 0:29:09.080
<v Speaker 1>into the frameworks now by trying to declare Antifa terrorist organization.

0:29:09.280 --> 0:29:12.880
<v Speaker 1>Just using inflammatory language like that is is how you

0:29:13.080 --> 0:29:18.040
<v Speaker 1>lead to people green lighting ship It's all a matter

0:29:18.160 --> 0:29:22.040
<v Speaker 1>of precedent. It's like what's been you know, what's been

0:29:22.200 --> 0:29:27.120
<v Speaker 1>set set before. It's like if it happened once, all

0:29:27.200 --> 0:29:30.720
<v Speaker 1>it really takes is somebody with the political will to

0:29:30.800 --> 0:29:33.920
<v Speaker 1>do it, you know. I mean like I was kind

0:29:33.920 --> 0:29:35.960
<v Speaker 1>of I was starting to get afraid, you know, when

0:29:36.000 --> 0:29:39.160
<v Speaker 1>Twitter started removing Trump's things, and then all of a sudden,

0:29:39.240 --> 0:29:40.640
<v Speaker 1>you know, he could just use the N s A

0:29:40.840 --> 0:29:44.360
<v Speaker 1>or whatever to to remove whatever he wants from the Internet.

0:29:44.680 --> 0:29:47.960
<v Speaker 1>You know. So it's like at some point he could

0:29:47.960 --> 0:29:51.360
<v Speaker 1>cross the line and become a dictator, a totalitarian, authocratic

0:29:51.400 --> 0:29:56.480
<v Speaker 1>and an autocratic dictator. You know, but hopefully there's enough

0:29:56.480 --> 0:29:58.280
<v Speaker 1>people in the government that would not allow him to

0:29:58.320 --> 0:30:02.200
<v Speaker 1>do that. You know. Maybe what I mean, I think

0:30:02.240 --> 0:30:04.680
<v Speaker 1>there's enough people in the government that he that he

0:30:04.760 --> 0:30:06.960
<v Speaker 1>wouldn't be able to do it from a government level.

0:30:07.080 --> 0:30:10.320
<v Speaker 1>But I mean there's a lot of crazy people out

0:30:10.360 --> 0:30:12.680
<v Speaker 1>in the street. You know. If you were just to

0:30:12.840 --> 0:30:17.400
<v Speaker 1>even be like conservative with it, and only five of

0:30:17.680 --> 0:30:20.720
<v Speaker 1>Trump supporters would be willing to like go to the extreme,

0:30:21.680 --> 0:30:23.120
<v Speaker 1>you know what I mean, to get their way, that

0:30:23.280 --> 0:30:26.360
<v Speaker 1>five is like millions of that five percent is like

0:30:26.600 --> 0:30:29.680
<v Speaker 1>way more than al Qaeda, you know. Yeah, especially given

0:30:29.720 --> 0:30:32.080
<v Speaker 1>in Georgia, you know, we have the citizens arrest law

0:30:32.200 --> 0:30:35.400
<v Speaker 1>that was cited in the case of laud Are very

0:30:35.680 --> 0:30:38.280
<v Speaker 1>these former police officers were going to make a citizens

0:30:38.360 --> 0:30:41.760
<v Speaker 1>arrest of someone they suspected to be a burglar. Like

0:30:42.480 --> 0:30:46.160
<v Speaker 1>they could just start like citizens just random Trump supporters

0:30:46.200 --> 0:30:49.760
<v Speaker 1>could go around start rounding up uh, folks like us

0:30:49.960 --> 0:30:52.880
<v Speaker 1>on the grounds that we are in TIFA for something

0:30:53.000 --> 0:30:56.520
<v Speaker 1>like I mean, that was I'm sorry to yeah, well

0:30:56.560 --> 0:30:58.320
<v Speaker 1>I was. I was thinking about that because it's like,

0:30:59.040 --> 0:31:01.200
<v Speaker 1>you know, because currently in Seattle, you know, like they

0:31:01.280 --> 0:31:03.640
<v Speaker 1>have Chaz right and it's like this nargist it's like

0:31:03.680 --> 0:31:07.000
<v Speaker 1>anarchistic state. And then you think about anarchy and you're like,

0:31:07.160 --> 0:31:09.840
<v Speaker 1>sure it's great for like liberal progressive people, but like

0:31:10.280 --> 0:31:12.200
<v Speaker 1>think about the other way around, like that's how lynch,

0:31:12.320 --> 0:31:14.680
<v Speaker 1>that's how lynching happens when you know, it's like exactly.

0:31:16.800 --> 0:31:20.840
<v Speaker 1>So it's like, yeah, so it's a really complicated thing

0:31:20.880 --> 0:31:23.480
<v Speaker 1>because it's because it isn't that with because with your

0:31:24.200 --> 0:31:26.360
<v Speaker 1>you know, defund the police and all that kind of thing,

0:31:26.400 --> 0:31:28.760
<v Speaker 1>you're trying to figure out an alternative way to police, right,

0:31:28.880 --> 0:31:31.040
<v Speaker 1>so you know some of the things that talking about

0:31:31.080 --> 0:31:34.560
<v Speaker 1>like community policing, I mean, is that kind of dangerous.

0:31:34.760 --> 0:31:36.560
<v Speaker 1>It's like it sounds good at first, but then it

0:31:36.600 --> 0:31:39.560
<v Speaker 1>could also turn the other way around. For like like

0:31:40.080 --> 0:31:42.360
<v Speaker 1>the like the community that a mont Aubrey was jogging in,

0:31:42.680 --> 0:31:47.280
<v Speaker 1>rights that community, that's true, Trayvon Martin's community. I guess

0:31:47.400 --> 0:31:52.600
<v Speaker 1>we have to be like representative community policing. I guess, well,

0:31:52.680 --> 0:31:55.240
<v Speaker 1>I mean, I mean, it isn't that like like wherever

0:31:55.320 --> 0:31:58.200
<v Speaker 1>Trayvon Martin was, you know, like that's he was he

0:31:58.400 --> 0:32:01.000
<v Speaker 1>was he was walking around in their representative community. And

0:32:01.000 --> 0:32:03.880
<v Speaker 1>that guy was was again Zimmerman, he was a representative

0:32:03.880 --> 0:32:08.320
<v Speaker 1>of their community. Right, So it sounds a little sounds

0:32:08.320 --> 0:32:13.360
<v Speaker 1>a little dangerous to me, But no, affilia, that's a

0:32:13.480 --> 0:32:17.840
<v Speaker 1>very valid concern, very valid concern. Something else I wanted

0:32:17.840 --> 0:32:19.760
<v Speaker 1>to ask you about that. I thought was an interesting

0:32:19.800 --> 0:32:24.000
<v Speaker 1>parallel between the way that race is legally inscribed in

0:32:24.080 --> 0:32:27.360
<v Speaker 1>the States and been used to either provide legal protections

0:32:27.520 --> 0:32:34.920
<v Speaker 1>or validate discrimination. UM during the tournament, Colonel Carl Carl Bendetson, Yeah,

0:32:35.200 --> 0:32:38.600
<v Speaker 1>either architect behind the program UM went so far as

0:32:38.680 --> 0:32:41.360
<v Speaker 1>to say that anyone with one drop of Japanese blood

0:32:41.480 --> 0:32:46.160
<v Speaker 1>qualified for internment, which you know, the one drop rule

0:32:46.240 --> 0:32:50.240
<v Speaker 1>has been used for Black Americans UM for discrimination previously,

0:32:50.360 --> 0:32:52.680
<v Speaker 1>and it also has parallels with the blood quantum laws

0:32:52.760 --> 0:32:55.920
<v Speaker 1>with Native Americans, the legal requirement that one have at

0:32:56.000 --> 0:32:58.760
<v Speaker 1>least one fourth in digitus blood to qualify for a

0:32:58.840 --> 0:33:02.040
<v Speaker 1>certain government program and things like that, even though that's

0:33:02.120 --> 0:33:04.960
<v Speaker 1>imposed upon these tribes by the federal government and not

0:33:05.040 --> 0:33:10.440
<v Speaker 1>necessarily they something that they they personally validate within their

0:33:10.480 --> 0:33:15.200
<v Speaker 1>own communities. Yeah, I think, like what kind of surprised me,

0:33:15.440 --> 0:33:17.200
<v Speaker 1>Like when I when I was doing a lot of research,

0:33:17.280 --> 0:33:19.160
<v Speaker 1>is basically human do you think about you think about

0:33:19.200 --> 0:33:23.400
<v Speaker 1>racism and racism is is like pretty um, the idea

0:33:23.400 --> 0:33:26.040
<v Speaker 1>of of combating racism is pretty new, you know, and

0:33:26.120 --> 0:33:29.560
<v Speaker 1>that like back then in the thirties forties, like almost

0:33:29.600 --> 0:33:32.440
<v Speaker 1>everybody's racist, you know, kind of protecting their own communities,

0:33:32.440 --> 0:33:35.800
<v Speaker 1>their own ethnic groups. And even like eugenics was was

0:33:35.880 --> 0:33:39.640
<v Speaker 1>a science back then, you know, a yeah, and so

0:33:39.720 --> 0:33:42.400
<v Speaker 1>blood quantum, these things are like these things are valid,

0:33:42.560 --> 0:33:44.920
<v Speaker 1>real things that people that a lot of Americans really

0:33:44.960 --> 0:33:47.800
<v Speaker 1>thought is just the way it is, you know. And

0:33:47.920 --> 0:33:50.080
<v Speaker 1>so like when we're I think in the sixties seventies

0:33:50.120 --> 0:33:52.400
<v Speaker 1>where we're just like this is fucked up, where we

0:33:52.520 --> 0:33:54.640
<v Speaker 1>just where we start to have, like our baby boomers

0:33:54.680 --> 0:33:56.880
<v Speaker 1>had this like individualistic freedom that we started to really

0:33:56.960 --> 0:33:59.680
<v Speaker 1>realize that we should change, you know, from the inside,

0:34:00.080 --> 0:34:03.160
<v Speaker 1>you know, and like and and make create a better society.

0:34:03.240 --> 0:34:05.200
<v Speaker 1>But like it was a struggle in the thirties and

0:34:05.240 --> 0:34:08.480
<v Speaker 1>fouries to convince somebody that, you know that this America's

0:34:08.480 --> 0:34:11.920
<v Speaker 1>for everybody, because it wasn't. And and a lot of

0:34:11.920 --> 0:34:17.640
<v Speaker 1>people didn't believe that. Yeah. So let's talk a bit

0:34:17.719 --> 0:34:25.880
<v Speaker 1>about reparations. So how relevant it was recommended that the

0:34:25.960 --> 0:34:30.800
<v Speaker 1>government pay reparations to the internees. In President Ronald Reagan

0:34:30.840 --> 0:34:34.319
<v Speaker 1>signed into law the Civil Liberties Act of nineteen which

0:34:34.360 --> 0:34:37.280
<v Speaker 1>apologized for interment on the behalf of the US government

0:34:37.360 --> 0:34:41.760
<v Speaker 1>and authorized payment of twenty thousand dollars equivalent to forty

0:34:41.840 --> 0:34:44.960
<v Speaker 1>three thousand dollars in two thousand nineteen to each former

0:34:45.040 --> 0:34:48.400
<v Speaker 1>internee who was still alive when the act was passed.

0:34:49.320 --> 0:34:52.359
<v Speaker 1>The U. S Government eventually dispersed more than one point

0:34:52.520 --> 0:34:56.480
<v Speaker 1>six billion the equivalent of three point three point four

0:34:56.560 --> 0:35:01.440
<v Speaker 1>billions in two thousand nineteen in reparations to eight two thousand,

0:35:01.680 --> 0:35:05.000
<v Speaker 1>two hundred and nineteen Japanese Americans who had been interned

0:35:05.320 --> 0:35:14.080
<v Speaker 1>for who had been interned and their heirs. Yeah, it's um, yeah,

0:35:14.080 --> 0:35:16.480
<v Speaker 1>they got there is. Yeah. They call it redress, you know,

0:35:16.560 --> 0:35:21.000
<v Speaker 1>the Redress movement. Um, it's really interesting because, um, when

0:35:21.040 --> 0:35:23.400
<v Speaker 1>I was making my movie, you know, I couldn't make

0:35:23.440 --> 0:35:25.480
<v Speaker 1>that the end of my movie because it wasn't really

0:35:25.560 --> 0:35:28.399
<v Speaker 1>happy ending for America necessarily. It was a happy ending

0:35:28.400 --> 0:35:30.600
<v Speaker 1>for the Japanese American story, you know. And then they

0:35:30.680 --> 0:35:32.719
<v Speaker 1>got they also got a grant that have they have

0:35:32.800 --> 0:35:35.040
<v Speaker 1>to include it in some textbooks, and there's a there's

0:35:35.040 --> 0:35:38.359
<v Speaker 1>an annual grant that goes along with that. But I think, um,

0:35:38.719 --> 0:35:40.520
<v Speaker 1>the reason why I couldn't make it the ending is

0:35:40.680 --> 0:35:44.440
<v Speaker 1>that it's like that's one community that that did get redress,

0:35:44.480 --> 0:35:47.520
<v Speaker 1>and and there's an entire other communities that didn't, like

0:35:47.600 --> 0:35:50.120
<v Speaker 1>the African American comunity or the Native American community. And

0:35:50.200 --> 0:35:53.680
<v Speaker 1>it's like, why is that? And I can only see

0:35:53.800 --> 0:35:56.600
<v Speaker 1>it as a preferential treatment, you know, for one ethnic

0:35:56.640 --> 0:35:59.520
<v Speaker 1>group over the other, you know, right, I don't see

0:35:59.520 --> 0:36:02.600
<v Speaker 1>any other and why they would get money and a

0:36:02.680 --> 0:36:06.640
<v Speaker 1>whole another whole other groups who have offered Yeah, I mean,

0:36:06.640 --> 0:36:09.160
<v Speaker 1>I guess I've heard arguments for like, how would reparations

0:36:09.280 --> 0:36:12.239
<v Speaker 1>work for like African Americans, And we're gonna obviously do

0:36:12.320 --> 0:36:15.160
<v Speaker 1>a whole episode of reparations to come soon. But um,

0:36:15.680 --> 0:36:18.560
<v Speaker 1>the I mean this runs counter to that somewhat in

0:36:18.680 --> 0:36:22.640
<v Speaker 1>that there's some historical precedent for how reparations work. But

0:36:22.719 --> 0:36:26.120
<v Speaker 1>in this specific instance, they were able to identify all

0:36:26.239 --> 0:36:28.480
<v Speaker 1>of the former internees they were still alive when the

0:36:28.520 --> 0:36:30.839
<v Speaker 1>Act was passed, and give them a certain amount of money.

0:36:30.880 --> 0:36:34.719
<v Speaker 1>Whereas you know, we have African descendants of slaves that

0:36:34.760 --> 0:36:38.960
<v Speaker 1>are you know, separated out from recent African immigrants. We

0:36:39.080 --> 0:36:43.160
<v Speaker 1>have people who you know, like my my my brother's daughter, Um,

0:36:43.560 --> 0:36:46.879
<v Speaker 1>she looks after she looks Caucasian even though she has

0:36:46.920 --> 0:36:49.719
<v Speaker 1>a uh, you know, black father, And like, does she

0:36:49.800 --> 0:36:52.480
<v Speaker 1>get reparations to like what I guess the questions of

0:36:52.600 --> 0:36:54.759
<v Speaker 1>like what is the lines with black people? It's like

0:36:55.280 --> 0:37:00.440
<v Speaker 1>the it's like the offense was for so long, you

0:37:00.520 --> 0:37:03.040
<v Speaker 1>know what I mean, and it was just yeah, it

0:37:03.080 --> 0:37:05.120
<v Speaker 1>was such a cluster funk that it's like you don't

0:37:05.160 --> 0:37:08.360
<v Speaker 1>know where anybody's from or who anybody's people are to

0:37:08.440 --> 0:37:10.840
<v Speaker 1>like you know, you have two more. So do it

0:37:11.040 --> 0:37:15.080
<v Speaker 1>from like a a community level, you know what I'm saying,

0:37:15.120 --> 0:37:17.680
<v Speaker 1>as opposed to like we're going to identify each person

0:37:17.800 --> 0:37:20.960
<v Speaker 1>who was Yeah, because I mean this is speaking from

0:37:21.040 --> 0:37:23.440
<v Speaker 1>an Asian person who's basically like a white person is

0:37:23.520 --> 0:37:26.839
<v Speaker 1>like kind of like, um, because you know, you put

0:37:26.880 --> 0:37:29.080
<v Speaker 1>like a thousand dollars in your pocket or two thousand

0:37:29.200 --> 0:37:31.760
<v Speaker 1>or ten thousand or whatever, you know, whatever dollar amount,

0:37:31.800 --> 0:37:34.640
<v Speaker 1>is that really going to empower the community to become

0:37:34.680 --> 0:37:38.239
<v Speaker 1>equal members of society? Like no, no, right, just cash

0:37:38.320 --> 0:37:42.080
<v Speaker 1>won't do that. I don't. I don't think it'll help.

0:37:42.200 --> 0:37:45.320
<v Speaker 1>It'll be a good gesture, but you know, um, so

0:37:46.200 --> 0:37:48.600
<v Speaker 1>I don't know that. I mean, concerning the Japanese incarceration,

0:37:48.640 --> 0:37:51.480
<v Speaker 1>the redress thing, it was they set a precedent and

0:37:51.560 --> 0:37:54.200
<v Speaker 1>that like you had to be alive when the injustice happened,

0:37:54.239 --> 0:37:56.960
<v Speaker 1>which is kind of you know, dangerous in that it's

0:37:56.960 --> 0:37:59.920
<v Speaker 1>set a precedent for basically excluding every you know, Native

0:38:00.000 --> 0:38:05.640
<v Speaker 1>Americans and African Americans. So, um, yeah, it's uh, I

0:38:05.719 --> 0:38:08.200
<v Speaker 1>think it's I don't know, I don't know how to

0:38:08.320 --> 0:38:10.800
<v Speaker 1>think about it except it's just something that happened because

0:38:10.800 --> 0:38:14.240
<v Speaker 1>the Japanese Americans, you know, they they they became affluent

0:38:14.640 --> 0:38:17.080
<v Speaker 1>and they had political connections. They have some congressmen to

0:38:17.719 --> 0:38:22.120
<v Speaker 1>you know time, so um, Normandetta really pushed that. So

0:38:23.000 --> 0:38:28.480
<v Speaker 1>they had connections, you know, they assimilated. Yeah. Um, but

0:38:28.840 --> 0:38:32.600
<v Speaker 1>African American redress, I don't I don't even are uh

0:38:34.000 --> 0:38:37.640
<v Speaker 1>what is it? What do you call it again? Reparations? Reparations? Yeah, yeah,

0:38:37.680 --> 0:38:41.480
<v Speaker 1>African reparations dress. Yeah, totally. Yeah. I don't know how Yeah,

0:38:41.480 --> 0:38:45.160
<v Speaker 1>I don't know. I like I like the scholarship idea.

0:38:45.200 --> 0:38:47.960
<v Speaker 1>I think did you mention that like college scholarships? Um,

0:38:48.840 --> 0:38:51.319
<v Speaker 1>I feel like that's something but or is Yeah. Yeah,

0:38:51.960 --> 0:38:54.239
<v Speaker 1>I'm looking looking forward to breaking down the various things

0:38:54.480 --> 0:38:57.920
<v Speaker 1>ways that preparations could play out for African Americans and

0:38:58.560 --> 0:39:03.600
<v Speaker 1>sometime soon since we are way reparations, but you mentioned that, like, um,

0:39:04.280 --> 0:39:07.200
<v Speaker 1>you didn't want to end the film with redress to

0:39:07.280 --> 0:39:09.600
<v Speaker 1>talk to us something about the aftermath of internment. How

0:39:09.640 --> 0:39:13.720
<v Speaker 1>did this impact the Japanese American community in the years

0:39:13.800 --> 0:39:16.239
<v Speaker 1>and decades that followed. Yeah, so a lot of it.

0:39:16.400 --> 0:39:19.320
<v Speaker 1>You know. Um, you know, there's a group now that

0:39:19.360 --> 0:39:21.399
<v Speaker 1>I work with called Two for Solidarity, and they work

0:39:21.480 --> 0:39:25.440
<v Speaker 1>to end attention, uh immigrant attention, because the idea is

0:39:25.480 --> 0:39:28.440
<v Speaker 1>that the precept is that you know, basically they're locking

0:39:28.520 --> 0:39:32.360
<v Speaker 1>up people of color, like brown people, uh from Latin America,

0:39:32.680 --> 0:39:36.840
<v Speaker 1>you know, and it's, um, it's racist, the origins are racist,

0:39:36.920 --> 0:39:40.320
<v Speaker 1>and it's also just um it's ramped up heavily, and

0:39:40.440 --> 0:39:44.080
<v Speaker 1>so um, we're showing solidarity with that group. And then

0:39:44.200 --> 0:39:47.400
<v Speaker 1>I basically, uh, there's a there's a huge amount of

0:39:47.480 --> 0:39:49.799
<v Speaker 1>anti not I don't know about huge amount. There's always

0:39:49.840 --> 0:39:52.640
<v Speaker 1>been like anti black sentiment within the Asian American community,

0:39:52.760 --> 0:39:55.960
<v Speaker 1>and we're really trying to trying to like focus on

0:39:56.040 --> 0:39:58.719
<v Speaker 1>that and as a major issue especially now. You know,

0:39:58.880 --> 0:40:01.719
<v Speaker 1>where do you think that comes from. I think it's

0:40:01.760 --> 0:40:04.240
<v Speaker 1>the model minority that we bought into in the fifties.

0:40:04.440 --> 0:40:06.000
<v Speaker 1>I think they're like, look, you can be a part

0:40:06.040 --> 0:40:08.440
<v Speaker 1>of our club. And then and then uh, and then

0:40:08.480 --> 0:40:10.160
<v Speaker 1>once we're in that club. You know, there's like a

0:40:10.200 --> 0:40:12.120
<v Speaker 1>famous saying where it's like you could be you know,

0:40:12.200 --> 0:40:14.719
<v Speaker 1>do you want to be at the do you want

0:40:14.760 --> 0:40:16.880
<v Speaker 1>to be at the at the dinner table, or do

0:40:16.920 --> 0:40:18.560
<v Speaker 1>you want to be on the menu? You know, So

0:40:18.640 --> 0:40:20.680
<v Speaker 1>it's kind of like once you're at the table, you know,

0:40:20.960 --> 0:40:22.239
<v Speaker 1>once you're at the table, what are you gonna do

0:40:22.320 --> 0:40:24.160
<v Speaker 1>for your everybody who's not at the table? Are you

0:40:24.280 --> 0:40:26.440
<v Speaker 1>just gonna you know, leave them out? And I think

0:40:26.440 --> 0:40:30.479
<v Speaker 1>a lot of Asian people of have you know, taking

0:40:30.520 --> 0:40:33.960
<v Speaker 1>that privilege and just kind of kept it to themselves.

0:40:34.320 --> 0:40:36.600
<v Speaker 1>And I think that's that's where we're trying to show

0:40:36.680 --> 0:40:39.239
<v Speaker 1>solidarity with, you know, the Black Lives Matter movement because

0:40:39.280 --> 0:40:44.520
<v Speaker 1>it's it's yet again another ethnic group being suppressed and oppressed,

0:40:44.680 --> 0:40:48.480
<v Speaker 1>you know. So, um, that's more. We had conversations with

0:40:49.080 --> 0:40:52.480
<v Speaker 1>um folks in within the Asian American community about Black

0:40:52.520 --> 0:40:56.640
<v Speaker 1>Lives Matter recently. Oh yeah, tons, it's basically, um, I

0:40:56.680 --> 0:40:58.719
<v Speaker 1>mean there's a lot of solidarity. Well the people I

0:40:58.800 --> 0:41:00.920
<v Speaker 1>talked to, but um, I've I've had a lot of

0:41:00.920 --> 0:41:02.480
<v Speaker 1>the older Asian people are just kind of like the

0:41:02.560 --> 0:41:05.360
<v Speaker 1>older white people that you may not talk to on

0:41:05.560 --> 0:41:07.880
<v Speaker 1>a regular basis, you know what I mean, They're just

0:41:08.040 --> 0:41:09.800
<v Speaker 1>they're they're feeling like, what's the problem. You know, like

0:41:09.880 --> 0:41:12.160
<v Speaker 1>once she's pulled your pull yourself up by your bootstraps.

0:41:12.200 --> 0:41:14.520
<v Speaker 1>It's probably the same thing, same thing in that community,

0:41:14.640 --> 0:41:18.920
<v Speaker 1>you know. Um so um yeah, I don't know what,

0:41:19.200 --> 0:41:22.480
<v Speaker 1>you know, it's just like an ongoing discussion, the same

0:41:22.600 --> 0:41:24.799
<v Speaker 1>the same discussion we have to have that white people

0:41:24.840 --> 0:41:27.719
<v Speaker 1>are having with their grandparents right now. Have you had

0:41:27.719 --> 0:41:31.239
<v Speaker 1>any difficult conversations? Yeah, I've been talking to um, I've

0:41:31.280 --> 0:41:34.080
<v Speaker 1>been doing uh like like I've been calling people, actually

0:41:34.400 --> 0:41:36.279
<v Speaker 1>people who didn't I did a post on my social

0:41:36.320 --> 0:41:38.279
<v Speaker 1>media where it's like, oh yeah, I saw that, yeah yeah,

0:41:38.280 --> 0:41:39.759
<v Speaker 1>And I called a few people, you know who didn't

0:41:39.800 --> 0:41:42.680
<v Speaker 1>understand black lives matter, or like just one kid didn't

0:41:42.680 --> 0:41:45.759
<v Speaker 1>know systemic oppression was real. And then I called like

0:41:45.880 --> 0:41:49.600
<v Speaker 1>a Chicago cop, you know, a police officer, and that

0:41:49.719 --> 0:41:52.880
<v Speaker 1>really kind of hardened my opinion on like what the

0:41:53.200 --> 0:41:55.520
<v Speaker 1>what the role of cops are in that, Like, you know,

0:41:55.600 --> 0:41:59.000
<v Speaker 1>they're there too to stop crime, you know, that's her job,

0:41:59.440 --> 0:42:02.120
<v Speaker 1>but not necessarily to figure out why there's crime in

0:42:02.160 --> 0:42:04.399
<v Speaker 1>the first place, or to to help communities, like it's

0:42:04.560 --> 0:42:07.839
<v Speaker 1>it's just not in their job description, you know. So yeah,

0:42:07.920 --> 0:42:09.720
<v Speaker 1>so what were some of the things that the Chicago

0:42:09.800 --> 0:42:12.319
<v Speaker 1>cop was talking to you about when you called him up. Yeah,

0:42:12.360 --> 0:42:15.279
<v Speaker 1>I mean she was a woman and she yeah, she

0:42:15.440 --> 0:42:17.160
<v Speaker 1>was like it was interesting. She was like, I used

0:42:17.160 --> 0:42:18.799
<v Speaker 1>to be a musician. I went to I got an

0:42:18.920 --> 0:42:20.719
<v Speaker 1>arts I went to arts college and then you know,

0:42:21.000 --> 0:42:22.600
<v Speaker 1>but then I just like applied for a job because

0:42:22.600 --> 0:42:24.120
<v Speaker 1>I didn't have one. And it was fun at first

0:42:24.120 --> 0:42:27.200
<v Speaker 1>because it was like, you know, busting like gangs and

0:42:27.280 --> 0:42:30.080
<v Speaker 1>stuff like that, and then it got and then she's like,

0:42:30.280 --> 0:42:31.680
<v Speaker 1>I hate my job. I don't really, I don't really

0:42:31.719 --> 0:42:33.960
<v Speaker 1>like my job now because everybody hates us. You know,

0:42:34.000 --> 0:42:36.680
<v Speaker 1>it's kind of dangerous. I can't, you know. I'm fearful

0:42:36.719 --> 0:42:41.439
<v Speaker 1>in my own neighborhood. Um. And it's like the whole

0:42:41.600 --> 0:42:43.920
<v Speaker 1>the whole idea is that like if only they wouldn't

0:42:43.960 --> 0:42:46.239
<v Speaker 1>commit crimes and then we wouldn't have to bust them.

0:42:47.040 --> 0:42:49.279
<v Speaker 1>And that's like her, that's her attitude, and I feel

0:42:49.360 --> 0:42:53.080
<v Speaker 1>like that's a lot of cops attitudes and that if

0:42:53.120 --> 0:42:56.200
<v Speaker 1>we if we're going to really reform police, they have

0:42:56.320 --> 0:42:59.719
<v Speaker 1>to reform they need cops to like either understand the

0:42:59.760 --> 0:43:03.920
<v Speaker 1>idea geology of systemic you know, racism, and that will

0:43:03.960 --> 0:43:06.280
<v Speaker 1>affect you know, they're hiring in their in their practice

0:43:06.320 --> 0:43:09.719
<v Speaker 1>like out on the streets um and started hiring people

0:43:09.719 --> 0:43:12.320
<v Speaker 1>who understand that because they don't. I don't think they do.

0:43:12.440 --> 0:43:14.800
<v Speaker 1>It's just not in their education or training or anything.

0:43:15.120 --> 0:43:17.720
<v Speaker 1>You know. I had a I had like an argument

0:43:17.880 --> 0:43:21.880
<v Speaker 1>once with friends, like brother in law who was like

0:43:22.040 --> 0:43:25.920
<v Speaker 1>a like like literally like a Puerto Rican cop, and

0:43:26.000 --> 0:43:28.040
<v Speaker 1>he like looked me dead in the eye and was like, well,

0:43:28.120 --> 0:43:31.400
<v Speaker 1>I mean black people in Puerto Ricans commit all the crimes,

0:43:31.480 --> 0:43:34.160
<v Speaker 1>so we have to art like saying ship like that.

0:43:35.080 --> 0:43:38.080
<v Speaker 1>So it's definitely something that's like ingrained in them when

0:43:38.120 --> 0:43:41.359
<v Speaker 1>they're getting trained or something. Oh yeah, and it's and that, Yeah,

0:43:41.440 --> 0:43:43.439
<v Speaker 1>it's not their job to like figure out why they're

0:43:43.440 --> 0:43:45.560
<v Speaker 1>so destitute that they have to join a gang and

0:43:45.640 --> 0:43:48.200
<v Speaker 1>like the gangs like the only way out of their community.

0:43:48.320 --> 0:43:50.239
<v Speaker 1>I mean, I was like, so we were filming in

0:43:50.320 --> 0:43:53.200
<v Speaker 1>like you know, West Chicago, like in Austin, talking to

0:43:53.320 --> 0:43:57.400
<v Speaker 1>like gang interventional counselor UM, and she was just like,

0:43:57.719 --> 0:44:00.040
<v Speaker 1>there's like nothing for these kids out there, you know,

0:44:00.640 --> 0:44:03.279
<v Speaker 1>there's just like no resources. They're shutting down schools, they're

0:44:03.280 --> 0:44:06.320
<v Speaker 1>just hiring more cops. Is like this police state and

0:44:07.400 --> 0:44:10.040
<v Speaker 1>there's literally the kids just don't have anything to look

0:44:10.120 --> 0:44:12.520
<v Speaker 1>up to, like nothing, you know. The only way out

0:44:12.640 --> 0:44:15.200
<v Speaker 1>is like like gangs or crime or something like that,

0:44:15.880 --> 0:44:21.000
<v Speaker 1>like quick cash. But no, it just underscores the importance

0:44:21.040 --> 0:44:23.440
<v Speaker 1>of actually making investments in community to stop crime from

0:44:23.480 --> 0:44:25.920
<v Speaker 1>happening in the first place. Because cops just respond to

0:44:25.960 --> 0:44:29.080
<v Speaker 1>crime after it happens. That's like their primary role. They

0:44:29.239 --> 0:44:32.600
<v Speaker 1>very really stop a break in or stop a sexual assault.

0:44:33.040 --> 0:44:35.640
<v Speaker 1>But if we actually invest in like education and housing

0:44:35.680 --> 0:44:37.800
<v Speaker 1>and stuff like that, in programs for these kids that

0:44:37.840 --> 0:44:40.400
<v Speaker 1>are thinking about joining a gang, giving them something to

0:44:40.440 --> 0:44:43.359
<v Speaker 1>be part of in their community that makes them feel

0:44:43.440 --> 0:44:47.000
<v Speaker 1>validated and supported, we can actually cut this out at

0:44:47.000 --> 0:44:49.719
<v Speaker 1>the route are we're gonna say, mac um I was

0:44:49.760 --> 0:44:52.440
<v Speaker 1>gonna go back to speaking of a police state. So

0:44:53.719 --> 0:44:56.040
<v Speaker 1>you obviously know, you know, we've got this issue with

0:44:56.120 --> 0:45:00.520
<v Speaker 1>mass incarceration, you know, going on right now. So do

0:45:00.680 --> 0:45:03.640
<v Speaker 1>you see any sort of like link or relationship between

0:45:03.920 --> 0:45:06.680
<v Speaker 1>Japanese and tournament and mass incarceration that we see today

0:45:07.120 --> 0:45:11.279
<v Speaker 1>and that it's like incarceration yeah, I think like other

0:45:11.360 --> 0:45:14.360
<v Speaker 1>rising people and making people the enemy, I think is

0:45:14.440 --> 0:45:17.520
<v Speaker 1>just like something that's easily that that makes you easily

0:45:18.400 --> 0:45:22.040
<v Speaker 1>able to detain someone. You know, So like Mexicans calling

0:45:22.080 --> 0:45:25.560
<v Speaker 1>them rapists and murderers and illegal aliens, you know, two

0:45:25.640 --> 0:45:27.840
<v Speaker 1>negative words you know, right next to each other, is

0:45:27.880 --> 0:45:31.799
<v Speaker 1>basically humanizing. Oh yeah, it's just it's it's a it's

0:45:31.840 --> 0:45:34.640
<v Speaker 1>an optics war, right, so if you if you can

0:45:34.680 --> 0:45:36.800
<v Speaker 1>dehumanize them, then sure you can lock them up. And

0:45:36.920 --> 0:45:39.720
<v Speaker 1>so you know, as we've seen with like the media,

0:45:40.680 --> 0:45:43.200
<v Speaker 1>you know, black people cause crimes. Is that that's like

0:45:43.280 --> 0:45:45.000
<v Speaker 1>in the movies and everything you got, Like I mean

0:45:45.040 --> 0:45:46.800
<v Speaker 1>the eighties did have a lot of crime, sure, but

0:45:46.960 --> 0:45:49.040
<v Speaker 1>it's like it was like all they focused on at

0:45:49.080 --> 0:45:50.840
<v Speaker 1>the nightly news, the same way that I imagine the

0:45:50.920 --> 0:45:55.000
<v Speaker 1>media was used to drum up hysteria around Japanese Americans

0:45:55.760 --> 0:45:58.600
<v Speaker 1>the World War. Absolutely, and it was it's basically like

0:45:59.040 --> 0:46:04.279
<v Speaker 1>it's differentiating between um like immigrants in America, you know,

0:46:04.360 --> 0:46:07.040
<v Speaker 1>like the Japanese immigrants in America who kind of looked

0:46:07.080 --> 0:46:09.399
<v Speaker 1>like the Japanese enemy you know, over there, but they're

0:46:09.440 --> 0:46:12.319
<v Speaker 1>just like they have no connection in that, like they're

0:46:12.360 --> 0:46:17.120
<v Speaker 1>not military officers or like soldiers out in Asia, you know,

0:46:17.320 --> 0:46:21.839
<v Speaker 1>so I think, um, that's that's one argument I've heard

0:46:21.920 --> 0:46:23.400
<v Speaker 1>pe but like, oh, they should they probably you know,

0:46:23.440 --> 0:46:25.560
<v Speaker 1>they did horrible things in the Philippines, you know, to

0:46:25.719 --> 0:46:27.920
<v Speaker 1>our soldiers in the Baton Death March and stuff like that.

0:46:28.520 --> 0:46:30.799
<v Speaker 1>You know, they deserved it. And that's or they could

0:46:30.800 --> 0:46:33.640
<v Speaker 1>have like they could have like uh, you know, they

0:46:33.760 --> 0:46:37.800
<v Speaker 1>might like have enemy fields that when they invade, you know,

0:46:37.840 --> 0:46:39.520
<v Speaker 1>they're going to help them when they invade. But there's

0:46:39.520 --> 0:46:41.960
<v Speaker 1>like no evidence of that, you know. And so it

0:46:42.120 --> 0:46:45.000
<v Speaker 1>was basically a lot of like lobby groups lobbying to

0:46:45.520 --> 0:46:48.719
<v Speaker 1>the two politicians and to the media to kind of

0:46:48.800 --> 0:46:50.520
<v Speaker 1>hype up this this thing. And you know what I

0:46:51.040 --> 0:46:53.759
<v Speaker 1>I also saw is that a lot of in wartime,

0:46:53.920 --> 0:46:56.640
<v Speaker 1>a lot of like fringe writers, like like writers who

0:46:56.680 --> 0:46:59.239
<v Speaker 1>would be on op ed pieces and not like the

0:46:59.320 --> 0:47:01.800
<v Speaker 1>best journalist. That's the ones who come to the front,

0:47:02.239 --> 0:47:05.839
<v Speaker 1>you know, and start spewing their kind of like racist ideologies.

0:47:06.160 --> 0:47:11.120
<v Speaker 1>And that's what's happening now exactly. Yeah, Okay, so so, um,

0:47:12.239 --> 0:47:16.200
<v Speaker 1>I mean, what role do you think like Pearl Harbor

0:47:16.239 --> 0:47:18.200
<v Speaker 1>did and like shocking the system, do you think that

0:47:19.360 --> 0:47:21.719
<v Speaker 1>also kind of made it easier for them to to

0:47:21.880 --> 0:47:23.800
<v Speaker 1>pull the trigger on it. Yeah, I mean that was

0:47:23.880 --> 0:47:26.960
<v Speaker 1>like the I mean Pearl Harbord was just like just

0:47:27.120 --> 0:47:29.359
<v Speaker 1>like the fuse on the powder keg of the big

0:47:29.440 --> 0:47:33.440
<v Speaker 1>bomb of what like this Japanese American struggle was. And

0:47:33.560 --> 0:47:36.120
<v Speaker 1>so kind of in my movie, what I'm showing is

0:47:36.200 --> 0:47:40.640
<v Speaker 1>that um America is America's don't like to be called imperialist,

0:47:40.760 --> 0:47:43.120
<v Speaker 1>but they were definitely imperialistic in that, you know, they

0:47:43.160 --> 0:47:45.840
<v Speaker 1>grabbed Hawaii, and they grabbed Guam, and they grabbed the

0:47:45.840 --> 0:47:49.240
<v Speaker 1>Philippines and it's just they they had this westward expansion

0:47:49.360 --> 0:47:54.640
<v Speaker 1>and so Japan was um uh, Japan was like the

0:47:54.680 --> 0:47:57.440
<v Speaker 1>only you know, they're you know, Britain got China and Singapore,

0:47:57.719 --> 0:48:00.520
<v Speaker 1>and you know, the Dutch got in Malaysia and basically

0:48:01.640 --> 0:48:04.560
<v Speaker 1>European powers in America were doing this vicious like land

0:48:04.600 --> 0:48:06.799
<v Speaker 1>grab of all of Asia and Japan, Japan was really

0:48:06.840 --> 0:48:09.319
<v Speaker 1>the only country that could stand up to this kind

0:48:09.360 --> 0:48:11.960
<v Speaker 1>of imperialism and so they had to like quickly, you know,

0:48:12.200 --> 0:48:15.920
<v Speaker 1>um build forces. And Hawaii was like half Japanese almost

0:48:15.960 --> 0:48:18.000
<v Speaker 1>like with there's a lot of Japanese people living there

0:48:18.280 --> 0:48:20.200
<v Speaker 1>at the time, and so it was like this kind

0:48:20.239 --> 0:48:22.560
<v Speaker 1>of in between place. It was like barely America, you know,

0:48:22.560 --> 0:48:26.120
<v Speaker 1>because American Marines like basically took it in the eighteen

0:48:26.400 --> 0:48:32.520
<v Speaker 1>what nineties Bannitt Treaty. So it's um, I can't even

0:48:32.520 --> 0:48:37.000
<v Speaker 1>remember the original question, but I think, yeah, Pearl Harbor

0:48:37.080 --> 0:48:39.279
<v Speaker 1>was like this the trigger. It was just like this

0:48:39.600 --> 0:48:42.439
<v Speaker 1>it's ongoing power struggle between American Japan at that time.

0:48:43.040 --> 0:48:45.479
<v Speaker 1>I mean, like I remember like some Japanese American people

0:48:45.560 --> 0:48:49.120
<v Speaker 1>being like, um, when when nine eleven happened, people were like,

0:48:49.200 --> 0:48:52.240
<v Speaker 1>this is just like Pearl Harbor. And then Japanese Americans

0:48:52.280 --> 0:48:54.200
<v Speaker 1>were like, I hope it's not like Pearl Harbor because

0:48:54.560 --> 0:48:57.040
<v Speaker 1>after that, that's when we started locking up, you know,

0:48:58.080 --> 0:49:03.200
<v Speaker 1>people like indiscriminately. So I think all these years later,

0:49:03.320 --> 0:49:06.200
<v Speaker 1>I didn't even I didn't even stop to consider how

0:49:06.320 --> 0:49:09.640
<v Speaker 1>Japanese Americans must have felt during that time. That's crazy. Yeah,

0:49:09.719 --> 0:49:12.960
<v Speaker 1>And I think we've we've mature, we're always maturing, you know, progressing,

0:49:13.200 --> 0:49:16.440
<v Speaker 1>but there's always it's so easy to like forget these lessons,

0:49:16.560 --> 0:49:19.200
<v Speaker 1>you know, like forget that, forget what we've done because

0:49:19.239 --> 0:49:22.879
<v Speaker 1>it's uncomfortable talk or never learn what like what we've done,

0:49:23.000 --> 0:49:26.160
<v Speaker 1>but in the first place to be mistaken into thinking

0:49:26.239 --> 0:49:30.560
<v Speaker 1>though what we did was like way longer ago than

0:49:30.640 --> 0:49:34.879
<v Speaker 1>it actually was. Yeah, or it's very easy if you're

0:49:34.920 --> 0:49:37.360
<v Speaker 1>the oppressor to be like, oh, come on, it's just

0:49:37.440 --> 0:49:40.000
<v Speaker 1>like such a long time ago, you know. But you know,

0:49:40.160 --> 0:49:42.800
<v Speaker 1>it's like, I guess you have to understand what generational

0:49:43.000 --> 0:49:46.400
<v Speaker 1>trauma you know too, and if you don't have it,

0:49:46.480 --> 0:49:50.759
<v Speaker 1>it's really difficult to understand. Yeah, for sure. Yeah, we

0:49:50.840 --> 0:49:52.960
<v Speaker 1>had a lot of conversations about generational trauma in our

0:49:53.040 --> 0:49:57.960
<v Speaker 1>last episode or a couple episodes. Go maybe, um, but um,

0:49:58.560 --> 0:50:01.600
<v Speaker 1>you wanted to talk something about you seeing m art

0:50:01.640 --> 0:50:06.080
<v Speaker 1>and songwriting too, sort of sort of like relive or

0:50:06.160 --> 0:50:11.040
<v Speaker 1>re or like reinvigorate our understandings that history. Um. Yeah.

0:50:11.160 --> 0:50:14.480
<v Speaker 1>So I think like as a musician, you know, all

0:50:14.520 --> 0:50:17.520
<v Speaker 1>of us were kind of activated because we're generally liberal

0:50:17.600 --> 0:50:21.080
<v Speaker 1>and progressive people, you know, artists, so, um, like after

0:50:21.160 --> 0:50:25.000
<v Speaker 1>Trump became came into power. So I think I definitely

0:50:25.000 --> 0:50:28.520
<v Speaker 1>started writing more about history because I felt it so important.

0:50:28.680 --> 0:50:30.680
<v Speaker 1>But it's difficult, you know, because history is like dusty,

0:50:31.239 --> 0:50:33.200
<v Speaker 1>and the language is a little different. They speak, you know,

0:50:33.400 --> 0:50:36.359
<v Speaker 1>differently than and it's like the photographs are all black

0:50:36.400 --> 0:50:39.640
<v Speaker 1>and white and so and making this movie and this album,

0:50:39.719 --> 0:50:42.839
<v Speaker 1>I had to figure out what was um like how

0:50:42.880 --> 0:50:46.239
<v Speaker 1>to really connect the modern audience to the past. And

0:50:46.360 --> 0:50:50.360
<v Speaker 1>so instead of like being angry and like negative with

0:50:51.239 --> 0:50:55.040
<v Speaker 1>about injustice, I kind of um humanized the people in creating. Like,

0:50:55.239 --> 0:50:56.960
<v Speaker 1>so a lot of my I'm still writing like love

0:50:57.080 --> 0:51:02.400
<v Speaker 1>songs and UM songs about like you know, desire and

0:51:02.960 --> 0:51:05.520
<v Speaker 1>you know, loss and stuff like that, but just to

0:51:05.640 --> 0:51:07.759
<v Speaker 1>humanize the people back then, just to show people now

0:51:07.880 --> 0:51:09.400
<v Speaker 1>that they were people just like you and they had

0:51:09.440 --> 0:51:12.080
<v Speaker 1>these these same things that you the same feelings that

0:51:12.160 --> 0:51:16.040
<v Speaker 1>you had that you have now to to empathize with them.

0:51:30.320 --> 0:51:32.840
<v Speaker 1>That was real dope talking acc you. We're gonna have

0:51:33.040 --> 0:51:35.360
<v Speaker 1>him back later so we can do a little rapping

0:51:35.440 --> 0:51:37.640
<v Speaker 1>thing later, right, Yeah, but first we want to talk

0:51:37.640 --> 0:51:40.319
<v Speaker 1>a little bit about Asian contributions to hip hop. Yeah,

0:51:40.360 --> 0:51:43.440
<v Speaker 1>we felt like, you know, I wanna I want to

0:51:43.520 --> 0:51:47.520
<v Speaker 1>like close it on a positive note. Yeah, And also

0:51:47.600 --> 0:51:51.239
<v Speaker 1>there's a lot of like prominent rappers that have um

0:51:52.160 --> 0:51:54.759
<v Speaker 1>Asian heritage that doesn't get talked about because of the

0:51:54.800 --> 0:51:57.959
<v Speaker 1>binarization of race. So like you're either black or you're white,

0:51:58.000 --> 0:52:00.600
<v Speaker 1>like I'm Native American, but I was never like that

0:52:00.840 --> 0:52:02.919
<v Speaker 1>was never really impressed upon me at a young age

0:52:02.960 --> 0:52:06.320
<v Speaker 1>because like I'm black, yeah, something like my grandmother's Native Americans,

0:52:06.520 --> 0:52:09.600
<v Speaker 1>right exactly, And so like there's like it's lost when

0:52:09.600 --> 0:52:12.520
<v Speaker 1>you're talking these like struggles, you know, it's like, right, yeah,

0:52:13.200 --> 0:52:15.239
<v Speaker 1>framed in white and black. And so we don't talk

0:52:15.239 --> 0:52:17.200
<v Speaker 1>about the fact that Danny Brown was raised by a

0:52:17.280 --> 0:52:21.080
<v Speaker 1>Filipino grandmother and karup attending at Filipino American church, or

0:52:21.200 --> 0:52:23.880
<v Speaker 1>that Nike, even Naja's father is half Indian, or that

0:52:23.960 --> 0:52:26.840
<v Speaker 1>Tiger's mother is Afro Vietnammes and grew up in Vietnam.

0:52:27.200 --> 0:52:29.719
<v Speaker 1>And surprisingly to me, I didn't know Foxy Brown is

0:52:29.760 --> 0:52:32.640
<v Speaker 1>of Chinese descent. The ways that race is constructed in

0:52:32.680 --> 0:52:35.040
<v Speaker 1>America that are racist, these heritages. But then there's a

0:52:35.160 --> 0:52:39.560
<v Speaker 1>lot of contributions of Asian American rappers themselves that uh

0:52:39.800 --> 0:52:42.239
<v Speaker 1>don't quite get the show that they deserve. So who

0:52:42.239 --> 0:52:44.839
<v Speaker 1>do we got first? So first we got g Yamazawa

0:52:44.920 --> 0:52:48.440
<v Speaker 1>with the track Violence. Yamazawa is a Durham born son

0:52:48.520 --> 0:52:52.640
<v Speaker 1>of Japanese immigrants, a national poetry Slam champion, and a

0:52:52.719 --> 0:52:57.719
<v Speaker 1>diplomat in the State department word. Yah, I know, yeah,

0:52:58.400 --> 0:53:00.439
<v Speaker 1>I think it's really interesting. He opens the news video

0:53:00.480 --> 0:53:05.160
<v Speaker 1>with a quote from Norwegian sociologist Dr. Johan Galtung. Direct

0:53:05.239 --> 0:53:08.000
<v Speaker 1>violence is intended to insult the basic needs of others,

0:53:08.080 --> 0:53:13.680
<v Speaker 1>including nature. Structural violence implements such insults into social world

0:53:13.719 --> 0:53:18.040
<v Speaker 1>structures as implements I drink a lot of wine. I

0:53:18.160 --> 0:53:21.600
<v Speaker 1>drink a bottle of wine. Sorry A. Structural violence implements

0:53:21.680 --> 0:53:25.440
<v Speaker 1>such insults into social and world structures as exploitation and repression.

0:53:25.920 --> 0:53:30.080
<v Speaker 1>Cultural violence, such as religion and language legitimizes direct and

0:53:30.200 --> 0:53:32.560
<v Speaker 1>cultural violence. And that's how he starts the video. That's

0:53:32.600 --> 0:53:34.880
<v Speaker 1>how he started, like always like on a black on

0:53:34.960 --> 0:53:37.320
<v Speaker 1>white or something like that, like the black screen in

0:53:37.360 --> 0:53:39.560
<v Speaker 1>the white text. Let's let's listen to something that real quick.

0:53:40.560 --> 0:53:46.120
<v Speaker 1>The ceremonies never because the blood, guns and money isn't. Yeah.

0:53:46.239 --> 0:53:49.120
<v Speaker 1>He talks about where he learned to talk about violence

0:53:49.160 --> 0:53:52.759
<v Speaker 1>to describe his feelings in the context of rhyme from movies, TV,

0:53:52.960 --> 0:53:55.960
<v Speaker 1>video games, and talks about the inherent violence in our

0:53:56.000 --> 0:53:58.720
<v Speaker 1>culture as well as art as a weapon. Like many rappers,

0:53:59.320 --> 0:54:03.880
<v Speaker 1>uh talking about weaponry sold off shotgun as a metaphor

0:54:04.040 --> 0:54:06.840
<v Speaker 1>to describe his rhyme skills, while also referring to like

0:54:06.960 --> 0:54:10.239
<v Speaker 1>the broader violence that exists in our culture as well. Well.

0:54:10.280 --> 0:54:13.160
<v Speaker 1>I wanted to bring up a rapper that I've known

0:54:13.160 --> 0:54:17.960
<v Speaker 1>about for a long time, the this cat Dumbfounded. He's

0:54:18.000 --> 0:54:21.840
<v Speaker 1>a known battle rapper, dope free styler. He used to

0:54:21.880 --> 0:54:24.640
<v Speaker 1>write with Project Blowed back in the day. He's really

0:54:24.719 --> 0:54:26.920
<v Speaker 1>dope cat. But this is his track safe Let's check

0:54:26.960 --> 0:54:33.560
<v Speaker 1>this up. Yeah um. In an interview with The l

0:54:33.640 --> 0:54:36.279
<v Speaker 1>A Times, he said that the song came from when

0:54:36.360 --> 0:54:38.880
<v Speaker 1>he was watching the Oscars a few years ago and

0:54:38.960 --> 0:54:42.440
<v Speaker 1>they were having that Oscar so White controversy, and he

0:54:42.600 --> 0:54:44.759
<v Speaker 1>was like he was watching it, but he was he

0:54:44.800 --> 0:54:47.759
<v Speaker 1>still wasn't seeing any Asian people there, and I guess

0:54:47.800 --> 0:54:50.120
<v Speaker 1>like Chris Rock was doing the hosting and he was

0:54:50.200 --> 0:54:52.080
<v Speaker 1>making a bunch of like Asian jokes and they were

0:54:52.080 --> 0:54:55.239
<v Speaker 1>pretty stereo. You know, from the interview, Dumbfounder wasn't too

0:54:55.280 --> 0:54:58.560
<v Speaker 1>like bothered by the Asian jokes, but just that they

0:54:58.600 --> 0:55:00.880
<v Speaker 1>were like the same old stereo typical stuff and they

0:55:00.920 --> 0:55:03.879
<v Speaker 1>were getting like huge roaring laughter. So he was like, man,

0:55:04.400 --> 0:55:06.520
<v Speaker 1>funk that. So he he made this song where he's

0:55:06.560 --> 0:55:09.600
<v Speaker 1>referencing how there's there's there needs to be more leading

0:55:09.680 --> 0:55:12.360
<v Speaker 1>men in the Asia, in in in Hollywood, and that

0:55:12.840 --> 0:55:14.880
<v Speaker 1>here's the only yellow man there. It was the goddamn

0:55:14.960 --> 0:55:20.719
<v Speaker 1>statue and ship. Yeah, let's take a look at Year

0:55:20.760 --> 0:55:24.919
<v Speaker 1>of the Oxes, thoughts and prayers. You're sorry. I gotta

0:55:24.960 --> 0:55:27.280
<v Speaker 1>give a shout out to your The ox Mahomie is lyrics.

0:55:27.360 --> 0:55:29.880
<v Speaker 1>I know that, dude. Yeah. Yeah. So the Korean American

0:55:29.960 --> 0:55:33.680
<v Speaker 1>rappers from Fairbacks and Virginia Beach and in this song.

0:55:33.719 --> 0:55:36.840
<v Speaker 1>It's actually interesting because they addressed the Charlottesville Unite the

0:55:37.000 --> 0:55:39.000
<v Speaker 1>Right rally and the murder of Heather Higher and the

0:55:39.080 --> 0:55:42.840
<v Speaker 1>opening lines, but they also speak to the desensitization that

0:55:42.960 --> 0:55:46.440
<v Speaker 1>comes with political engagement and outrage fatigue when they talk

0:55:46.480 --> 0:55:48.799
<v Speaker 1>about it's hard to have an appetite when you notice

0:55:48.800 --> 0:55:51.160
<v Speaker 1>this time started off as black and white, but you

0:55:51.280 --> 0:55:53.520
<v Speaker 1>noticed the gray. As you get older, your arms get

0:55:53.600 --> 0:55:56.520
<v Speaker 1>fold and your hearts get cold. To get minds so

0:55:56.640 --> 0:56:00.200
<v Speaker 1>coustophobic like just and I feel I haven't feel that

0:56:00.239 --> 0:56:03.080
<v Speaker 1>a lot lately with the uprising of just like Funk.

0:56:03.160 --> 0:56:06.160
<v Speaker 1>I'm fucking tired and like trying to fight that and

0:56:06.280 --> 0:56:08.759
<v Speaker 1>try not to like make that, make let that make

0:56:08.840 --> 0:56:12.359
<v Speaker 1>you into more of a conservative, because I'm really happy

0:56:12.400 --> 0:56:14.640
<v Speaker 1>they touched upon that in this song. It like wears

0:56:14.719 --> 0:56:17.520
<v Speaker 1>on you after a while. Yeah, yeah, And we're broadly

0:56:17.520 --> 0:56:19.520
<v Speaker 1>to talk to touch upon gun violence, to talk about

0:56:19.520 --> 0:56:21.840
<v Speaker 1>the Mandalaid Bay shooting in Las Vegas and I believe

0:56:21.840 --> 0:56:25.080
<v Speaker 1>two thousand and sixteen, as well as anti immigrant racism

0:56:25.160 --> 0:56:28.480
<v Speaker 1>and the Trump administration. But then I thought, you know,

0:56:28.600 --> 0:56:31.000
<v Speaker 1>I reflected a lot on the closing lines, So tell

0:56:31.040 --> 0:56:33.120
<v Speaker 1>me what's the move here. Nobody's been through it, no

0:56:33.160 --> 0:56:35.440
<v Speaker 1>one can tell us what to do here, and what

0:56:35.560 --> 0:56:37.480
<v Speaker 1>it's been on my mind a lot is that it's

0:56:37.480 --> 0:56:40.000
<v Speaker 1>like a common feeling with how unprecedented things seem with

0:56:40.120 --> 0:56:43.520
<v Speaker 1>the rise of fascism, the current pandemic and economic collapse,

0:56:43.560 --> 0:56:46.160
<v Speaker 1>the uprising. But the terms is that we have seen

0:56:46.239 --> 0:56:49.759
<v Speaker 1>things like this before, and it's so important to learn

0:56:49.880 --> 0:56:52.080
<v Speaker 1>from the past, from the Great Depression and how it

0:56:52.120 --> 0:56:54.759
<v Speaker 1>gave rise to ideas like the Green New Deal, from

0:56:54.800 --> 0:56:57.879
<v Speaker 1>the Spanish flu of nine eighteen, from the freedom fights

0:56:57.960 --> 0:57:00.400
<v Speaker 1>that have come before us, and like remember bring that

0:57:00.719 --> 0:57:04.000
<v Speaker 1>are times are precedented, and like learning from the folks

0:57:04.040 --> 0:57:06.759
<v Speaker 1>that dealt with it before and embracing their tactics to

0:57:06.920 --> 0:57:09.680
<v Speaker 1>answer that question that you're of. The ox leaves off

0:57:09.719 --> 0:57:11.880
<v Speaker 1>at the end of the song the next track. I

0:57:12.000 --> 0:57:15.840
<v Speaker 1>like to pride myself in how much hip hop I

0:57:15.960 --> 0:57:17.640
<v Speaker 1>listened to, But to be honest with you, I didn't

0:57:17.640 --> 0:57:21.280
<v Speaker 1>even know that this girl wrapped until I stumbled upon

0:57:21.400 --> 0:57:24.680
<v Speaker 1>this song for this project. Um, this is Aquafina with

0:57:24.880 --> 0:57:35.560
<v Speaker 1>the song Pockies. Let's listen to this, white folks. Yeah,

0:57:35.560 --> 0:57:37.680
<v Speaker 1>you see what I mean. It's like, it's not changing

0:57:37.760 --> 0:57:40.120
<v Speaker 1>the world or anything like that. Obviously, it's one track.

0:57:40.200 --> 0:57:42.160
<v Speaker 1>I don't want to judge it by her whole discography,

0:57:42.240 --> 0:57:43.840
<v Speaker 1>but I get the sense that she's kind of like

0:57:44.000 --> 0:57:47.680
<v Speaker 1>a comedy rapper a little bit. That's some funny bars,

0:57:47.760 --> 0:57:49.920
<v Speaker 1>which like are integral to any raps really if you

0:57:49.960 --> 0:57:52.280
<v Speaker 1>don't chuckle at the metaphors and like what are you

0:57:52.360 --> 0:57:54.360
<v Speaker 1>doing with that? But there is a difference because there

0:57:54.440 --> 0:57:57.920
<v Speaker 1>are some there are there is some rap that's literally

0:57:58.040 --> 0:58:00.640
<v Speaker 1>geared to be like stand up or like comedy show

0:58:00.920 --> 0:58:03.200
<v Speaker 1>that form. You know, it kind of reminds me of

0:58:04.480 --> 0:58:08.000
<v Speaker 1>it has the same vibe as like Little Dickey exactly exactly.

0:58:08.120 --> 0:58:10.480
<v Speaker 1>That's exactly I'm thinking, Hey, do your thing. It's just

0:58:10.560 --> 0:58:13.520
<v Speaker 1>not really my my personal ship it was ill though,

0:58:13.560 --> 0:58:15.640
<v Speaker 1>I mean, like the music video was dope and like

0:58:15.760 --> 0:58:19.240
<v Speaker 1>it bangs, yeah for sure. I mean I did hear

0:58:19.320 --> 0:58:21.680
<v Speaker 1>that there's a little bit of controversy with her for

0:58:22.320 --> 0:58:25.800
<v Speaker 1>black scent and cultural appropriation and stuff like that. But A,

0:58:26.200 --> 0:58:29.040
<v Speaker 1>that's a subject for another episode, and B I don't

0:58:29.080 --> 0:58:33.240
<v Speaker 1>really give a fun what's the next one? Kid Fresco, oh,

0:58:33.440 --> 0:58:36.640
<v Speaker 1>kid Fraslino, what do you think about that? So it's

0:58:36.640 --> 0:58:39.600
<v Speaker 1>a Japanese rapper here rapping in a mixture of Japanese

0:58:39.640 --> 0:58:42.880
<v Speaker 1>and English, which to me comes across that's really impressionistic.

0:58:42.920 --> 0:58:45.720
<v Speaker 1>But maybe there's something I'm missing as a non Japanese speaker.

0:58:46.200 --> 0:58:48.760
<v Speaker 1>But like I mean, but just regarding the flow and

0:58:48.800 --> 0:58:50.800
<v Speaker 1>regarding the beat, it's really like the times you can

0:58:50.840 --> 0:58:53.280
<v Speaker 1>sure switch ups. And I really it's got this little

0:58:53.280 --> 0:58:55.400
<v Speaker 1>shout out to No Name when he talks about you know,

0:58:55.480 --> 0:58:57.840
<v Speaker 1>no one is safe, which is pretty ill. So, like,

0:58:58.520 --> 0:59:01.040
<v Speaker 1>you know, as a fan of like people like asap rock, like,

0:59:01.120 --> 0:59:04.240
<v Speaker 1>I enjoyed the impressionist nature of the song as well

0:59:04.280 --> 0:59:06.280
<v Speaker 1>as like the way he toy us with time signature

0:59:06.280 --> 0:59:08.080
<v Speaker 1>and whatnot. So let's give it a listen really quick.

0:59:09.080 --> 0:59:11.280
<v Speaker 1>You are the reason why I think no faith killer

0:59:11.560 --> 0:59:16.400
<v Speaker 1>a mighty folk. Yeah, I mean the thing that stood

0:59:16.400 --> 0:59:18.280
<v Speaker 1>out to me and I was really digging the flow

0:59:18.440 --> 0:59:22.200
<v Speaker 1>and like, I love the way that he transitioned between

0:59:23.000 --> 0:59:26.200
<v Speaker 1>the Japanese and the English. That's actually brilliant. That's something

0:59:26.280 --> 0:59:28.680
<v Speaker 1>that I'm starting to hear a lot of international rappers

0:59:28.680 --> 0:59:31.160
<v Speaker 1>start to do now, which is like really making me

0:59:31.280 --> 0:59:33.600
<v Speaker 1>wish I still do how to speak French because it

0:59:33.720 --> 0:59:36.640
<v Speaker 1>sounds I used to. Yeah, I used to. I used

0:59:36.640 --> 0:59:41.720
<v Speaker 1>to speak French up until I was like six, and

0:59:41.760 --> 0:59:43.520
<v Speaker 1>then that's when I started learning English. But I was

0:59:43.560 --> 0:59:47.560
<v Speaker 1>still taking it throughout school and then you know, graduate

0:59:47.640 --> 0:59:52.440
<v Speaker 1>school and started drinking and smoking and stopped speaking it

0:59:52.560 --> 0:59:54.360
<v Speaker 1>with people, and the next thing you know, you haven't

0:59:54.400 --> 0:59:59.560
<v Speaker 1>spoken it. Insane and last, but not least, is a

1:00:00.080 --> 1:00:03.000
<v Speaker 1>rapper on the rise. It was my life by China Mac.

1:00:03.040 --> 1:00:07.840
<v Speaker 1>Let's check this up. Always always feeling I was on

1:00:07.960 --> 1:00:12.400
<v Speaker 1>the long out of fight for that fall. Now, the

1:00:12.440 --> 1:00:16.640
<v Speaker 1>thing that I initially noticed about him is it's like

1:00:16.720 --> 1:00:20.800
<v Speaker 1>the opposite of Aquafina, where he's a street rapper, except

1:00:20.880 --> 1:00:24.040
<v Speaker 1>he's coming at it from a uniquely Asian perspective. I mean,

1:00:24.080 --> 1:00:25.920
<v Speaker 1>if you, if you listen it and I, you know,

1:00:26.080 --> 1:00:29.640
<v Speaker 1>skim through some more of his stuff, and it's from

1:00:29.680 --> 1:00:31.760
<v Speaker 1>a content standpoint. It's no different than stuff that you

1:00:31.800 --> 1:00:34.640
<v Speaker 1>would hear, like a g Unit record or you know

1:00:34.640 --> 1:00:37.400
<v Speaker 1>what I mean, Cassanova, Rick Ross, you know what I mean.

1:00:38.160 --> 1:00:40.760
<v Speaker 1>But the thing is he's doing it from his perspective.

1:00:40.800 --> 1:00:43.360
<v Speaker 1>So he's rapping about his mother being an immigrant. He's

1:00:43.400 --> 1:00:46.120
<v Speaker 1>got like lines like I didn't have no silver spoons

1:00:46.120 --> 1:00:49.720
<v Speaker 1>that had chopsticks, you know what I mean. It's just

1:00:49.840 --> 1:00:53.160
<v Speaker 1>like some some good quality gutter street rap, you know

1:00:53.160 --> 1:00:54.840
<v Speaker 1>what I'm saying, but with an Asian twist to it.

1:00:54.920 --> 1:00:57.080
<v Speaker 1>I love it. I love it. So I think that's

1:00:57.080 --> 1:01:00.240
<v Speaker 1>gonna do it for this episode. You're ready to wrap rap.

1:01:00.400 --> 1:01:03.240
<v Speaker 1>Let's get Keyshie back up here. Okay. So what I

1:01:03.320 --> 1:01:04.800
<v Speaker 1>do is I start with the violin. I looked at

1:01:04.840 --> 1:01:22.280
<v Speaker 1>the metronome. I got your favorite tempo VPM. I'm adding

1:01:22.600 --> 1:01:35.520
<v Speaker 1>more violent. I'm one okay. Now I'm gonna speed it

1:01:35.600 --> 1:01:40.360
<v Speaker 1>up double time. I'm going to pick up the mic

1:01:41.040 --> 1:02:06.160
<v Speaker 1>a little beat down. Okay. Now I'm taking the violin,

1:02:07.640 --> 1:02:11.480
<v Speaker 1>pens the base down on its FI and now it's

1:02:11.480 --> 1:02:17.040
<v Speaker 1>ready for wrap, ready for rap, whether you pack them

1:02:17.080 --> 1:02:19.520
<v Speaker 1>on three and in factory in Pakistani packing on the

1:02:19.560 --> 1:02:21.640
<v Speaker 1>eat the Black with Attias, Oh Yestas takes me for me,

1:02:21.760 --> 1:02:23.760
<v Speaker 1>the blasted things when they said arm me for your

1:02:23.800 --> 1:02:25.960
<v Speaker 1>family and everybody on the street. It's like they did

1:02:26.080 --> 1:02:28.800
<v Speaker 1>in California nineteen forty three. If you listen, they take

1:02:28.880 --> 1:02:31.320
<v Speaker 1>some notes about the history battles of the victory, the

1:02:31.400 --> 1:02:33.960
<v Speaker 1>intersectional plitter Sweet, whether you folcome to her key over

1:02:34.000 --> 1:02:36.440
<v Speaker 1>the one in between. We gotta beat the inner. They

1:02:36.520 --> 1:02:38.480
<v Speaker 1>tap my phone, so the streets for Washingtek. I like

1:02:38.600 --> 1:02:40.480
<v Speaker 1>the beats poppies, but now you rock them with the

1:02:40.520 --> 1:02:43.080
<v Speaker 1>Kishi bashi. He saw my autograph. I keep the copies.

1:02:43.200 --> 1:02:45.600
<v Speaker 1>I like some about the popular podcast. We will speak

1:02:45.640 --> 1:02:47.480
<v Speaker 1>to Nazis cause we just keep the sloppy while the

1:02:47.520 --> 1:02:49.360
<v Speaker 1>beat is knocking. Dinch stop me, I would eat a

1:02:49.440 --> 1:02:52.280
<v Speaker 1>rapper likes beef and rock me dope knife. You heard

1:02:52.320 --> 1:02:54.960
<v Speaker 1>the chap. Don't stop until I put those cops in

1:02:55.040 --> 1:03:07.640
<v Speaker 1>the term and camps. I'm a fucking idiot, A I'm

1:03:07.760 --> 1:03:12.320
<v Speaker 1>dope nice. We are waiting on reparation. H We'll see

1:03:12.320 --> 1:03:15.440
<v Speaker 1>you next week. Waiting on reparations as a production of

1:03:15.520 --> 1:03:18.360
<v Speaker 1>I Heeart Radio. Listen to waiting on reparations on the

1:03:18.440 --> 1:03:21.480
<v Speaker 1>I Heart Radio app, Apple Podcasts, or wherever you get

1:03:21.520 --> 1:03:22.160
<v Speaker 1>your podcasts.