1 00:00:01,800 --> 00:00:04,400 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,519 --> 00:00:07,320 Speaker 2: And Kevin An iHeartRadio. 3 00:00:06,640 --> 00:00:11,200 Speaker 1: Podcast, Welcome to you, and that's what you really miss podcast. 4 00:00:11,240 --> 00:00:13,120 Speaker 1: I got my blood drawn this morning and I've only 5 00:00:13,160 --> 00:00:15,560 Speaker 1: had one meal so far, and my brain is at 6 00:00:15,680 --> 00:00:19,000 Speaker 1: half masked. Welcome Jenna. 7 00:00:19,160 --> 00:00:24,840 Speaker 2: At half speed is better than my full speed, so. 8 00:00:24,560 --> 00:00:27,960 Speaker 1: I've met a quarter speed. But hello everybody, and welcome. 9 00:00:28,160 --> 00:00:33,320 Speaker 1: It is a very special, not very special episode, but 10 00:00:33,400 --> 00:00:37,880 Speaker 1: it's an extra long episode that we watched yesterday. 11 00:00:38,080 --> 00:00:41,640 Speaker 2: This is the longest episode in Glee her history. 12 00:00:43,840 --> 00:00:47,199 Speaker 1: This is born this way and this is exciting. 13 00:00:48,600 --> 00:00:55,400 Speaker 2: Yeah, iconic, some might say, I guess, so you know 14 00:00:55,440 --> 00:00:59,000 Speaker 2: what's such. So one of our producers, Samantha, was talking 15 00:00:59,000 --> 00:01:02,880 Speaker 2: about because we got asked in an Ama about what 16 00:01:03,480 --> 00:01:07,399 Speaker 2: episode would we show Aliens, and she was saying she 17 00:01:07,440 --> 00:01:11,319 Speaker 2: would show this episode because it has everything that glees about. 18 00:01:11,360 --> 00:01:13,200 Speaker 1: Which is interesting because I feel like you and I 19 00:01:13,240 --> 00:01:15,800 Speaker 1: were texting last night while we were watching this episode, 20 00:01:15,840 --> 00:01:19,080 Speaker 1: thinking wow, this really I don't know that this moves 21 00:01:19,080 --> 00:01:21,959 Speaker 1: the plot forward in any way. There's a lot happening, 22 00:01:22,000 --> 00:01:26,280 Speaker 1: but it's very it's a very focused episode. It's on 23 00:01:26,680 --> 00:01:31,880 Speaker 1: a standalone there's a lot in it in my memory, 24 00:01:33,200 --> 00:01:37,280 Speaker 1: I liked it more, but I same. I appreciate this 25 00:01:37,360 --> 00:01:40,400 Speaker 1: episode for everything I think. I and my expectation was 26 00:01:40,480 --> 00:01:43,399 Speaker 1: high for this episode for some reason, and it's it 27 00:01:43,480 --> 00:01:50,600 Speaker 1: didn't quite live up to it. But I understand the 28 00:01:50,600 --> 00:01:53,320 Speaker 1: the excellence of this episode of what it does. 29 00:01:53,600 --> 00:01:57,120 Speaker 2: It really is like a potpourri of Glee hits. You 30 00:01:57,160 --> 00:02:00,960 Speaker 2: get musical theater, you get the most current pop songs. 31 00:02:01,400 --> 00:02:08,200 Speaker 2: You know an affirming anthem. You have crazy storylines, you 32 00:02:08,240 --> 00:02:10,840 Speaker 2: have new friendships, you have a great mashup there is. 33 00:02:11,320 --> 00:02:14,760 Speaker 1: You have like representation. We talk about loving ourselves, we 34 00:02:14,800 --> 00:02:17,680 Speaker 1: talk about being true to who we are. It is 35 00:02:17,840 --> 00:02:22,320 Speaker 1: very Glee centric. I understand that. Let's just let's get 36 00:02:22,320 --> 00:02:24,000 Speaker 1: into it, okay, So let's chat about it. 37 00:02:24,080 --> 00:02:27,160 Speaker 2: So Season two, episode eighteen, Born this Way originally aired 38 00:02:27,800 --> 00:02:32,480 Speaker 2: April twenty six, twenty eleven. In real life, we were 39 00:02:32,520 --> 00:02:36,639 Speaker 2: actually in New York filming the season two finale, if. 40 00:02:36,480 --> 00:02:39,520 Speaker 1: You want to call it filming. I think we worked 41 00:02:39,560 --> 00:02:42,560 Speaker 1: about five minutes of that entire trip. It was really 42 00:02:42,600 --> 00:02:45,320 Speaker 1: a wonderful trip I had. I can't actually talk about it. 43 00:02:45,400 --> 00:02:48,280 Speaker 1: I know, I know. It was two days before mine 44 00:02:48,320 --> 00:02:52,280 Speaker 1: and Harry's birthday in New York City before the royal 45 00:02:52,400 --> 00:03:00,440 Speaker 1: wedding Cayton, Kate and Harry william I was like, what, 46 00:03:00,560 --> 00:03:02,280 Speaker 1: where's my brain right now? Kate? 47 00:03:04,800 --> 00:03:07,799 Speaker 2: There's two of us, so we make. 48 00:03:09,960 --> 00:03:13,760 Speaker 1: Solid seventy five? Cool? Okay? So the number one song 49 00:03:13,919 --> 00:03:18,359 Speaker 1: new number one song sn M by Rihana featuring Britney Spoo. 50 00:03:18,960 --> 00:03:21,600 Speaker 2: Do you remember chrisp being asked an interview what song 51 00:03:21,680 --> 00:03:23,680 Speaker 2: he wanted to do on Glee and he answered S 52 00:03:23,760 --> 00:03:29,880 Speaker 2: and M by rihann And I'm sad that anything's possible. Yeah, 53 00:03:30,000 --> 00:03:31,040 Speaker 2: I wish he had done that. 54 00:03:31,800 --> 00:03:35,640 Speaker 1: Wow? What? Okay? Movie was Rio for a second week 55 00:03:35,680 --> 00:03:36,520 Speaker 1: in the in a row? 56 00:03:37,160 --> 00:03:38,280 Speaker 2: Have you watched it yet? Jenna? 57 00:03:39,360 --> 00:03:41,560 Speaker 1: Who has time to watch a movie right now? 58 00:03:43,200 --> 00:03:45,000 Speaker 2: No? 59 00:03:45,000 --> 00:03:51,680 Speaker 1: No, I'm watching mander Pump Rules right now. Okay. Yeah, 60 00:03:51,720 --> 00:03:54,560 Speaker 1: So we'll get to New York when we're almost there, 61 00:03:54,680 --> 00:03:59,440 Speaker 1: so we'll talk about all of our experiences. There's a 62 00:03:59,480 --> 00:04:00,800 Speaker 1: lot of pup photos. 63 00:04:01,080 --> 00:04:04,160 Speaker 2: Yeah, and we met the mayor, Mike Bloomberg and took 64 00:04:04,160 --> 00:04:06,080 Speaker 2: a picture outside of Wicked with him. I don't even 65 00:04:06,120 --> 00:04:06,800 Speaker 2: know why we did that. 66 00:04:06,920 --> 00:04:08,760 Speaker 1: See, I don't remember being there for that. 67 00:04:09,760 --> 00:04:10,880 Speaker 2: I do, Were you not there? 68 00:04:11,480 --> 00:04:15,320 Speaker 1: I don't. I don't know there's no photoproof of it, so. 69 00:04:15,680 --> 00:04:19,200 Speaker 2: We all look, we're all wearing random things. I don't 70 00:04:19,200 --> 00:04:19,560 Speaker 2: know what. 71 00:04:19,839 --> 00:04:21,920 Speaker 1: I think we were working. I think we came off 72 00:04:21,960 --> 00:04:25,000 Speaker 1: set and we were and I think I went to see. 73 00:04:25,320 --> 00:04:27,520 Speaker 2: We got a tour of the stage. I do remember that. 74 00:04:28,360 --> 00:04:30,240 Speaker 1: Okay, I've been on that Wicked stage so many times 75 00:04:30,240 --> 00:04:33,039 Speaker 1: that I don't think I got a tour that night. 76 00:04:33,120 --> 00:04:34,760 Speaker 1: I don't think I was there. I think I saw 77 00:04:34,760 --> 00:04:39,120 Speaker 1: American idiot that night. Oh fair, But I could be wrong. 78 00:04:39,320 --> 00:04:44,040 Speaker 1: This could be all wrong. Anyway, we'll get there. So 79 00:04:44,320 --> 00:04:49,200 Speaker 1: Boring This Way is a ninety minute episode. It is 80 00:04:49,240 --> 00:04:55,320 Speaker 1: directed by Alfonso Gomez Rejo and he is the best 81 00:04:55,600 --> 00:05:00,240 Speaker 1: Fonsi's here. He has the coolest shots in this episode. 82 00:05:00,320 --> 00:05:04,200 Speaker 2: I'm actually I can't believe like Alfonso had the longest. 83 00:05:04,320 --> 00:05:08,760 Speaker 2: It probably makes sense, Alfonso, I think shoots more like 84 00:05:08,800 --> 00:05:12,760 Speaker 2: a film. Yes, and this was a ninety minute episode, 85 00:05:13,160 --> 00:05:16,720 Speaker 2: and so he could really just dig in. Yeah. 86 00:05:17,640 --> 00:05:19,520 Speaker 1: Do you know why you know it was ninety minutes? 87 00:05:21,360 --> 00:05:23,520 Speaker 2: No? I do you? 88 00:05:23,760 --> 00:05:27,200 Speaker 1: Ian Brennan could not remember. I will say that he 89 00:05:27,279 --> 00:05:33,640 Speaker 1: did not remember. No, I don't know. Let's google this. 90 00:05:33,760 --> 00:05:36,520 Speaker 1: Why was born this way? Clean? 91 00:05:36,680 --> 00:05:38,440 Speaker 2: Ninety why you google that. I'm going to tell you 92 00:05:38,480 --> 00:05:41,360 Speaker 2: some fun facts about this episode real quick, Okay. It's 93 00:05:41,640 --> 00:05:45,480 Speaker 2: the only duet between Quinn and Rachel, the only duet 94 00:05:45,520 --> 00:05:46,480 Speaker 2: we ever need. 95 00:05:46,279 --> 00:05:48,159 Speaker 1: From Quinn and Rachel. That's so good. 96 00:05:48,720 --> 00:05:52,960 Speaker 2: This is the second eighteenth episode of a season. Last 97 00:05:53,000 --> 00:05:56,440 Speaker 2: season was laryngitis that portrays Rachel suffering from a physical 98 00:05:56,480 --> 00:06:01,760 Speaker 2: condition or injury that may affect your voice. Approved, Glease 99 00:06:01,760 --> 00:06:03,960 Speaker 2: you said born this Way before the song was even released, 100 00:06:04,000 --> 00:06:07,840 Speaker 2: and that goes back to Gaga's team, probably when they 101 00:06:08,520 --> 00:06:11,680 Speaker 2: showed Brad, Ryan and Ian her new music before it 102 00:06:11,720 --> 00:06:15,640 Speaker 2: ever came out, which is wild. They're very smart. After 103 00:06:15,640 --> 00:06:18,440 Speaker 2: the episode, Gaga tweeted, I really loved Glease Borne this 104 00:06:18,440 --> 00:06:20,480 Speaker 2: Way episode. I admired the show for being brave and 105 00:06:20,480 --> 00:06:25,000 Speaker 2: fighting for such modern social message never back down. Had 106 00:06:25,000 --> 00:06:29,680 Speaker 2: you become friends with her yet, Jenna? No, but it 107 00:06:29,760 --> 00:06:32,200 Speaker 2: was during this I had not because you were in 108 00:06:32,720 --> 00:06:35,760 Speaker 2: married the night, right. 109 00:06:35,440 --> 00:06:44,320 Speaker 1: That's right? So it say was very shortly after this that, yes, yes, 110 00:06:44,400 --> 00:06:46,640 Speaker 1: it was shortly after. It was either twenty eleven or 111 00:06:46,640 --> 00:06:49,040 Speaker 1: twenty twelve. It was somewhere in between. It. I think 112 00:06:49,040 --> 00:06:51,080 Speaker 1: it was a little later than when this album came out, 113 00:06:51,160 --> 00:06:53,320 Speaker 1: so I think Born this Way had to live its life. 114 00:06:53,400 --> 00:06:54,520 Speaker 1: And then I and then I. 115 00:06:54,720 --> 00:06:56,640 Speaker 2: Because I remember you telling you a story that when 116 00:06:56,640 --> 00:06:58,880 Speaker 2: you went out with her, she was playing this album 117 00:06:59,040 --> 00:07:02,200 Speaker 2: in the car. She was which respect because it's a 118 00:07:02,279 --> 00:07:03,440 Speaker 2: flawless album. 119 00:07:03,720 --> 00:07:04,640 Speaker 1: It's really suck. 120 00:07:06,520 --> 00:07:10,000 Speaker 2: I also loved this. We were asked what we would 121 00:07:10,040 --> 00:07:12,680 Speaker 2: put on our own T shirts like we do in 122 00:07:12,720 --> 00:07:17,240 Speaker 2: the episode, and Diana said she would put nerd. Corey 123 00:07:17,280 --> 00:07:21,760 Speaker 2: said dork, Chris said high pitched, Nia said loud, Mark 124 00:07:21,920 --> 00:07:27,360 Speaker 2: said saw Jenna, You said shy, Amber said talked too much? 125 00:07:28,440 --> 00:07:31,120 Speaker 2: And Leah said makes weird faces when she sings. 126 00:07:32,960 --> 00:07:33,840 Speaker 1: Kevin? Where was yours? 127 00:07:34,040 --> 00:07:34,560 Speaker 2: I don't know? 128 00:07:35,680 --> 00:07:36,920 Speaker 1: Okay, what what would it be? 129 00:07:38,240 --> 00:07:38,720 Speaker 2: Back then? 130 00:07:40,800 --> 00:07:42,000 Speaker 1: Oh? Yeah, that's fine. 131 00:07:47,160 --> 00:07:50,160 Speaker 2: Oh no, I had lots of insecurities. 132 00:07:51,000 --> 00:07:53,880 Speaker 1: Mmm, closet. 133 00:07:54,120 --> 00:08:00,760 Speaker 2: Oh that's probably just gay now, probably like body dysmorphia. 134 00:08:00,840 --> 00:08:01,800 Speaker 2: What would yours be now? 135 00:08:02,960 --> 00:08:07,640 Speaker 1: Now? Oh my gosh, I think you know. Honestly, if 136 00:08:07,960 --> 00:08:10,880 Speaker 1: you hadn't shown me that, I would have said introvert. 137 00:08:11,560 --> 00:08:14,960 Speaker 2: But I mean I have never seen you be shy 138 00:08:15,440 --> 00:08:19,480 Speaker 2: or like, I don't know what that looks like on you. Well, 139 00:08:19,760 --> 00:08:24,360 Speaker 2: because you're obviously not like that with me, right, and 140 00:08:24,400 --> 00:08:27,160 Speaker 2: then before I settings were around our friends, or if 141 00:08:27,160 --> 00:08:30,560 Speaker 2: we're in a professional setting, you're not shy because you're working. 142 00:08:31,560 --> 00:08:33,319 Speaker 1: Right, But if you put me in the middle of 143 00:08:33,360 --> 00:08:38,640 Speaker 1: a Hollywood party, now, I hate small talk. Yeah, and 144 00:08:39,360 --> 00:08:41,320 Speaker 1: I get socially anxiety, and I probably would have turned around 145 00:08:41,360 --> 00:08:44,400 Speaker 1: in my car and gone before I got there, So 146 00:08:44,960 --> 00:08:47,080 Speaker 1: I would have just avoided it before I got to 147 00:08:47,120 --> 00:08:50,679 Speaker 1: that point. But fair, Okay, do you talk about the 148 00:08:50,760 --> 00:08:54,720 Speaker 1: songs in this episode? Yeah, this is exciting. There has 149 00:08:54,760 --> 00:08:57,480 Speaker 1: some really good songs in this episode. 150 00:08:57,480 --> 00:08:59,800 Speaker 2: I get a longer version because we were filing some 151 00:08:59,800 --> 00:09:00,200 Speaker 2: time time. 152 00:09:00,800 --> 00:09:06,040 Speaker 1: That's right, I feel Pretty, I'm Pretty. It's a one 153 00:09:06,160 --> 00:09:10,520 Speaker 1: to hands down one of my favorite matchups of the series. 154 00:09:10,200 --> 00:09:12,360 Speaker 2: And I also think fans agree that seems to be 155 00:09:12,400 --> 00:09:13,880 Speaker 2: a universally. 156 00:09:14,080 --> 00:09:18,520 Speaker 1: Love loved number. This is on I play this regularly 157 00:09:18,559 --> 00:09:22,800 Speaker 1: in the car, like Pretty Pretty, I've Got to Be 158 00:09:22,920 --> 00:09:26,400 Speaker 1: Me That's in performs somewhere. 159 00:09:26,440 --> 00:09:30,600 Speaker 2: Only we know which is top but two most streamed 160 00:09:30,600 --> 00:09:31,680 Speaker 2: Glease songs on Spotify. 161 00:09:31,720 --> 00:09:38,280 Speaker 1: I believe really on this album and this song is 162 00:09:38,320 --> 00:09:41,160 Speaker 1: one of my favorites, and also the original. 163 00:09:40,920 --> 00:09:43,040 Speaker 2: Is one of my favorite I'm a massive fan of 164 00:09:43,120 --> 00:09:45,560 Speaker 2: Keen and that lead singer's voice is one of the 165 00:09:45,559 --> 00:09:46,359 Speaker 2: best toys. 166 00:09:48,360 --> 00:09:52,640 Speaker 1: As if we never say goodbye Born this Way and 167 00:09:53,800 --> 00:10:01,440 Speaker 1: barboustreysand which such a weird memory of that song. 168 00:10:11,400 --> 00:10:14,760 Speaker 2: You and I were talking last night and I was saying, 169 00:10:14,800 --> 00:10:19,560 Speaker 2: I don't remember any of this episode. Well, I did, 170 00:10:20,440 --> 00:10:25,240 Speaker 2: but it's one of the things where I was there 171 00:10:25,280 --> 00:10:27,760 Speaker 2: were three minutes left in the episode, and I was like, Jenna, 172 00:10:28,640 --> 00:10:31,560 Speaker 2: I don't speak in a ninety minute episode. I have 173 00:10:31,640 --> 00:10:33,800 Speaker 2: not seen it. Like a word here I am. And 174 00:10:33,800 --> 00:10:35,400 Speaker 2: then I say two words. 175 00:10:36,559 --> 00:10:37,720 Speaker 1: What were your two words? 176 00:10:38,000 --> 00:10:43,200 Speaker 2: I believe they were where's Santana? I was expensive that episode. 177 00:10:43,000 --> 00:10:48,680 Speaker 1: There those two words. Damn yeah, I had a few 178 00:10:48,720 --> 00:10:50,120 Speaker 1: more words this episode, you did? 179 00:10:50,160 --> 00:10:53,960 Speaker 2: You had some crazy it's weird thing. Okay, let's talk. 180 00:10:54,120 --> 00:10:56,640 Speaker 2: So a little summary of this episode will teach u 181 00:10:56,640 --> 00:10:58,840 Speaker 2: the bak clup a valuable lesson about self acceptance and 182 00:10:58,840 --> 00:11:05,400 Speaker 2: embracing what makes you unique. Meanwhile, Emma confronts her obsessive issues, 183 00:11:05,520 --> 00:11:10,640 Speaker 2: Rachel struggle struggles with life altering decisions. Lauren and Quinn 184 00:11:10,720 --> 00:11:14,040 Speaker 2: go toch Too for the promo. Queen Crown in Santana 185 00:11:14,360 --> 00:11:18,080 Speaker 2: has something up her sleeve that could permanently alter the 186 00:11:18,160 --> 00:11:21,160 Speaker 2: lee club dynamic and that's the series. 187 00:11:21,840 --> 00:11:29,679 Speaker 1: Yeah, it's enough for the series. Yes, okay, wow. 188 00:11:29,840 --> 00:11:34,920 Speaker 2: I all the episode starts off with this whole thing 189 00:11:34,960 --> 00:11:37,800 Speaker 2: about you know, there's this we're gonna we're having like 190 00:11:38,080 --> 00:11:41,679 Speaker 2: booty camp where we're dancing to Brad at the piano 191 00:11:42,400 --> 00:11:47,840 Speaker 2: and Finn is such a bad dancer injures Rachel and 192 00:11:47,880 --> 00:11:49,280 Speaker 2: then she has to go to the doctor her nose 193 00:11:49,360 --> 00:11:51,520 Speaker 2: is broken, and the doctor pitches like, hey, this could 194 00:11:51,520 --> 00:11:54,000 Speaker 2: be a good time for you to get a little 195 00:11:54,040 --> 00:11:57,520 Speaker 2: cosmetic work on your nose because it's not going to 196 00:11:57,760 --> 00:12:00,200 Speaker 2: affect your voice. And then she goes back to the 197 00:12:00,200 --> 00:12:04,120 Speaker 2: Glee club and was openly talking about this, and then 198 00:12:04,240 --> 00:12:12,000 Speaker 2: Santana goes on one of the craziest rants I think 199 00:12:12,080 --> 00:12:15,040 Speaker 2: in glee history, and you're watching it and it's so 200 00:12:15,200 --> 00:12:20,920 Speaker 2: effortless for Nyam and at some point I just I 201 00:12:21,000 --> 00:12:23,160 Speaker 2: turned to Austin, who's watching with me, was like, how 202 00:12:24,360 --> 00:12:27,360 Speaker 2: does she not one of those lines is a normal 203 00:12:27,400 --> 00:12:31,880 Speaker 2: thing anyone would say, and yet she probably did not 204 00:12:31,920 --> 00:12:35,080 Speaker 2: mess up her lines once. No, And that is a 205 00:12:35,120 --> 00:12:37,720 Speaker 2: long scene and it's going back and forth with her 206 00:12:38,200 --> 00:12:42,760 Speaker 2: and other people chiming in yep, and she goes between 207 00:12:42,800 --> 00:12:47,960 Speaker 2: saying some funny things to wildly offensive things. Her line 208 00:12:47,960 --> 00:12:49,040 Speaker 2: to you was crazy. 209 00:12:50,640 --> 00:12:54,720 Speaker 1: I mean, they're all crazy crazy, just say it's they're crazy. 210 00:12:54,760 --> 00:12:57,720 Speaker 2: Did you ever wear colored contacts before after that in 211 00:12:57,960 --> 00:12:58,560 Speaker 2: the show. 212 00:12:58,559 --> 00:13:03,200 Speaker 1: No, no, no, Only for this episode. This was a 213 00:13:03,280 --> 00:13:07,040 Speaker 1: one off. I did wear a blue eye contacts and 214 00:13:07,080 --> 00:13:09,760 Speaker 1: I thought it was so weird. But I guess they 215 00:13:09,800 --> 00:13:13,600 Speaker 1: needed something. We could use something else. But it's okay. 216 00:13:14,000 --> 00:13:17,440 Speaker 2: Tina has this whole moral arc that we don't see. 217 00:13:18,880 --> 00:13:22,320 Speaker 1: We just hear about it. We just hear it. Yeah, 218 00:13:26,800 --> 00:13:33,120 Speaker 1: but yeah, yes, you're right. Naya's monologue is inappropriate yet seamless, 219 00:13:35,559 --> 00:13:38,839 Speaker 1: and she really gives it to everybody. And I remember 220 00:13:38,840 --> 00:13:40,520 Speaker 1: when we were shooting this, we were all kind of 221 00:13:40,600 --> 00:13:44,440 Speaker 1: like like, because there's some truth to it, there's not 222 00:13:44,520 --> 00:13:46,640 Speaker 1: truth to it, but it's calling us out on things 223 00:13:46,679 --> 00:13:53,400 Speaker 1: that I don't know. It's very strange. But all to 224 00:13:53,520 --> 00:13:56,880 Speaker 1: say will is like wait, wait, wait all you guys, 225 00:13:57,160 --> 00:14:00,320 Speaker 1: especially Rachel who's thinking about getting a nose job. You know, 226 00:14:00,440 --> 00:14:02,560 Speaker 1: the thing you want to change about yourself is the 227 00:14:02,600 --> 00:14:07,959 Speaker 1: most interesting part about you that's hard to digest sometimes. 228 00:14:08,040 --> 00:14:11,480 Speaker 2: Still, it was also at it this point in the episode, 229 00:14:12,440 --> 00:14:15,400 Speaker 2: I was like, wait, born this way about Rachel getting 230 00:14:15,400 --> 00:14:23,080 Speaker 2: a nose job. I was like, this whole song represents 231 00:14:22,680 --> 00:14:27,360 Speaker 2: it's not a nose job, right, you know, right. But 232 00:14:27,400 --> 00:14:30,320 Speaker 2: when you have a show that is so I think 233 00:14:30,640 --> 00:14:35,480 Speaker 2: queer friendly and forward, that you have to go to 234 00:14:35,560 --> 00:14:38,240 Speaker 2: these other storylines to make Bourne the Sway work, I 235 00:14:38,280 --> 00:14:39,600 Speaker 2: was like, that's pretty impressive. 236 00:14:39,920 --> 00:14:42,200 Speaker 1: Yeah, no, definitely, but you do. 237 00:14:42,200 --> 00:14:45,560 Speaker 2: Have an LGBT storyline in here with's crossing Santana, but 238 00:14:46,040 --> 00:14:48,520 Speaker 2: we do. You don't even have to really address the 239 00:14:48,600 --> 00:14:52,960 Speaker 2: Kurt Blaine stuff because they're one of the most popular, 240 00:14:54,440 --> 00:14:57,440 Speaker 2: hands down couples and characters on the show and in 241 00:14:58,640 --> 00:15:00,080 Speaker 2: TV history. 242 00:15:00,760 --> 00:15:05,920 Speaker 1: So meanwhile, Will is telling the kids that due to 243 00:15:06,000 --> 00:15:10,640 Speaker 1: their their need to change themselves or whatever they find 244 00:15:10,680 --> 00:15:12,840 Speaker 1: and their insecurities, that we're going to have an assignment 245 00:15:12,880 --> 00:15:15,440 Speaker 1: this week that's all about acceptance and that he wants 246 00:15:15,480 --> 00:15:22,160 Speaker 1: us to sing songs about accepting ourselves. He's also helping 247 00:15:22,240 --> 00:15:29,800 Speaker 1: Emma deal with her quote unquote OCD that she does 248 00:15:29,840 --> 00:15:39,560 Speaker 1: not quite announce or accept yet as well. And Emma 249 00:15:39,560 --> 00:15:42,840 Speaker 1: comes in and she she brings her shirt as the example, 250 00:15:42,920 --> 00:15:46,240 Speaker 1: and she she says ginger and we're all like Will, 251 00:15:46,360 --> 00:15:50,000 Speaker 1: Will's is pretty disappointed, but we get one of the 252 00:15:50,000 --> 00:15:54,600 Speaker 1: best Emma lines of the series. I claim my gingerhood 253 00:15:54,640 --> 00:16:01,200 Speaker 1: before you today. I was born in this way. Hooray, hooray, hooray. 254 00:16:01,800 --> 00:16:07,120 Speaker 2: That hooray gave me Joey the comeback style or Michael 255 00:16:07,200 --> 00:16:12,200 Speaker 2: Scott level of anxiety and uncomfortableness. Because it's so slow 256 00:16:12,840 --> 00:16:13,640 Speaker 2: and everyone's like. 257 00:16:13,720 --> 00:16:13,880 Speaker 1: What. 258 00:16:15,800 --> 00:16:16,800 Speaker 2: Is so good? 259 00:16:18,440 --> 00:16:19,800 Speaker 1: I'm trying not to laugh. 260 00:16:20,160 --> 00:16:25,680 Speaker 2: I also love that once again Schuster doesn't really have 261 00:16:25,720 --> 00:16:28,160 Speaker 2: a lesson plan, and then when he's talking to him 262 00:16:28,160 --> 00:16:30,400 Speaker 2: in her office, She's like, I wasn't born this way. 263 00:16:30,600 --> 00:16:36,080 Speaker 1: He's like, or there it is on the day we 264 00:16:36,120 --> 00:16:40,880 Speaker 1: see the realization happen every week. Yeah, and then we 265 00:16:40,960 --> 00:16:45,000 Speaker 1: break into so Rachel brings Quinn to the doctor with 266 00:16:45,040 --> 00:16:49,440 Speaker 1: her because she wants the doctor to show her what 267 00:16:49,520 --> 00:16:51,720 Speaker 1: her nose could look like after the surgery if she 268 00:16:51,760 --> 00:16:55,760 Speaker 1: were to get it, and Mike just it's gonna be 269 00:16:55,840 --> 00:17:00,240 Speaker 1: Quintin's right. I'm just alarmed at the doctor pushing this 270 00:17:00,440 --> 00:17:03,640 Speaker 1: surgery on her so offensively. 271 00:17:04,560 --> 00:17:10,080 Speaker 2: I think that common yea, because I feel like, if 272 00:17:10,080 --> 00:17:12,320 Speaker 2: you're I mean maybe now, but I feel like back 273 00:17:13,200 --> 00:17:16,760 Speaker 2: then or slightly before, you would see I would see 274 00:17:16,840 --> 00:17:19,480 Speaker 2: hear stories like this all the time because it's their job. 275 00:17:19,560 --> 00:17:22,880 Speaker 2: They want people to do it, and people are coming 276 00:17:22,880 --> 00:17:26,359 Speaker 2: in to get these smaller noses, and so they're probably 277 00:17:26,440 --> 00:17:27,560 Speaker 2: very desensitized to it. 278 00:17:29,680 --> 00:17:36,439 Speaker 1: Okay, well it's offensive still, but they they sing I 279 00:17:36,480 --> 00:17:41,040 Speaker 1: feel pretty, I'm pretty. It just makes me feel so good. 280 00:17:41,400 --> 00:17:43,760 Speaker 1: I mean, I just love this song so much. 281 00:17:45,840 --> 00:17:49,480 Speaker 2: It's like catnip, like it just needs to just put 282 00:17:49,480 --> 00:17:51,919 Speaker 2: it on loop. Yes, I will listen to it all 283 00:17:52,000 --> 00:17:56,520 Speaker 2: day today. They sound so good together this mash It 284 00:17:56,560 --> 00:17:59,280 Speaker 2: fits both of their They have completely different voices, and 285 00:17:59,320 --> 00:18:02,480 Speaker 2: it fits both their voices in different ways like compliments 286 00:18:02,760 --> 00:18:07,080 Speaker 2: their abilities and not. Yeah, and it's also just a 287 00:18:07,119 --> 00:18:11,680 Speaker 2: great mashup you hear on this show when some mashups, 288 00:18:12,160 --> 00:18:17,680 Speaker 2: some songs don't organically fit together as well as these. 289 00:18:17,560 --> 00:18:21,600 Speaker 1: Two should, and these two they really do. It's just 290 00:18:21,600 --> 00:18:25,480 Speaker 1: a perfect I think it's a perfect mashup. I'm thinking, oh, 291 00:18:25,520 --> 00:18:27,479 Speaker 1: why don't we have more Rachel and Quinn duets? But 292 00:18:27,560 --> 00:18:30,639 Speaker 1: this is perfect, Like, don't mess with the with the 293 00:18:30,680 --> 00:18:33,960 Speaker 1: perfection of this duet. 294 00:18:33,840 --> 00:18:36,520 Speaker 2: Which is surprising because I feel like when you're doing 295 00:18:36,640 --> 00:18:38,240 Speaker 2: when you're doing twenty episodes a year, you got to 296 00:18:38,280 --> 00:18:40,080 Speaker 2: keep thinking of things to fill up the time and 297 00:18:40,160 --> 00:18:44,520 Speaker 2: entertain people. When you do something that is so wildly successful. 298 00:18:44,000 --> 00:18:44,960 Speaker 1: Wouldn't you do more? 299 00:18:45,200 --> 00:18:48,000 Speaker 2: Yeah? But they didn't and they just left it and 300 00:18:48,040 --> 00:18:49,840 Speaker 2: it's sort of beautiful. Yeah. 301 00:18:50,480 --> 00:18:55,760 Speaker 1: Well, well, Finn doesn't like that Quinn is helping Rachel. 302 00:18:56,000 --> 00:18:59,439 Speaker 1: He feels like this is the opposite of the week's 303 00:18:59,520 --> 00:19:04,200 Speaker 1: last And in the Glee Club and that really cool 304 00:19:04,240 --> 00:19:07,199 Speaker 1: shot of or seeing of Finn and Quinn in the 305 00:19:07,240 --> 00:19:13,600 Speaker 1: lockers that again is like the quintessential Fonsie director shots 306 00:19:13,640 --> 00:19:16,160 Speaker 1: that you don't normally see on the show. But you're like, 307 00:19:16,600 --> 00:19:23,280 Speaker 1: that was cool. And then Finn performs I've Got to 308 00:19:23,320 --> 00:19:26,399 Speaker 1: Be Me in the in the Glee Club and it 309 00:19:26,480 --> 00:19:31,320 Speaker 1: is just the cutest, sweetest muffin dancing or attempting to 310 00:19:31,400 --> 00:19:34,040 Speaker 1: dance number that you could ever see. 311 00:19:34,440 --> 00:19:35,919 Speaker 2: Has anyone ever been more charming? 312 00:19:36,560 --> 00:19:42,480 Speaker 1: Nope? Nope And and with Harry too another just charmer. 313 00:19:42,600 --> 00:19:45,199 Speaker 1: It's just the sweetest number. I really, it makes me 314 00:19:45,280 --> 00:19:48,800 Speaker 1: so happy. Yeah, the more I talk. 315 00:19:48,640 --> 00:19:51,760 Speaker 2: About this episode, you know what I think it was 316 00:19:51,840 --> 00:19:58,320 Speaker 2: so I think the extendedness of it mm hmm is 317 00:19:58,359 --> 00:20:00,920 Speaker 2: the thing that, like the pacing was different than normal 318 00:20:00,920 --> 00:20:04,680 Speaker 2: Glee episode. Normally things happen very very quickly, and because 319 00:20:05,160 --> 00:20:07,640 Speaker 2: things could breathe, you could add in the second verse 320 00:20:07,640 --> 00:20:11,280 Speaker 2: of a song. It felt almost slow to me, And 321 00:20:11,320 --> 00:20:14,800 Speaker 2: so I think for me, had this been condensed to 322 00:20:14,920 --> 00:20:19,480 Speaker 2: a sixty minute episode, it probably would have been fun. 323 00:20:19,520 --> 00:20:26,840 Speaker 1: Yes, I hear you, that makes sense. I agree with you. Yeah, okay, But. 324 00:20:26,800 --> 00:20:29,199 Speaker 2: That's not to say it's not great because you do 325 00:20:29,240 --> 00:20:32,679 Speaker 2: get no more of everyone. I think we're just it happens. 326 00:20:32,920 --> 00:20:35,600 Speaker 1: It just a lot happens, I think, and if you 327 00:20:35,880 --> 00:20:39,360 Speaker 1: isolate them, you're like, oh, it's really great. Yeah, there's 328 00:20:39,359 --> 00:20:40,000 Speaker 1: a lot of It's. 329 00:20:39,840 --> 00:20:41,840 Speaker 2: Sort of like a little Glee movie, Like this is 330 00:20:41,880 --> 00:20:42,920 Speaker 2: sort of what you would. 331 00:20:42,680 --> 00:20:44,520 Speaker 1: Be like if there were a movie Clee three D 332 00:20:45,000 --> 00:20:48,959 Speaker 1: not that movie, right, and sweet fin asking if he's 333 00:20:48,960 --> 00:20:51,280 Speaker 1: getting better dancing. Okay, So Rachel comes in and she's 334 00:20:51,280 --> 00:20:53,840 Speaker 1: showing everybody the compositions of what she'd look like. But 335 00:20:53,880 --> 00:20:56,800 Speaker 1: it's essentially I mean, it's not essentially. It is a 336 00:20:56,800 --> 00:21:01,959 Speaker 1: photoshop of Diana and Diana's nose and LEAs how weird. 337 00:21:02,080 --> 00:21:04,720 Speaker 2: It's so weird, and I felt about that. 338 00:21:05,760 --> 00:21:08,040 Speaker 1: I know, I think they all were like, this is weird. 339 00:21:08,400 --> 00:21:13,520 Speaker 1: This is just weird, and this is where we find 340 00:21:13,520 --> 00:21:20,560 Speaker 1: Tina's very short arc of saying that her her self 341 00:21:20,840 --> 00:21:23,879 Speaker 1: Rachel's self hatred has inspired her to love herself and 342 00:21:23,920 --> 00:21:29,360 Speaker 1: become the change that she wants to see and very good. Yeah, 343 00:21:29,359 --> 00:21:34,720 Speaker 1: well done for Tina. Okay, there are some works that 344 00:21:34,800 --> 00:21:36,760 Speaker 1: I'm proud of. There are some works that I'm not 345 00:21:36,840 --> 00:21:43,080 Speaker 1: proud of, the latter being the majority. But I this 346 00:21:43,160 --> 00:21:45,080 Speaker 1: is just something that I was like, I think I 347 00:21:45,119 --> 00:21:46,879 Speaker 1: had a lot to do in this episode, but it 348 00:21:46,920 --> 00:21:48,680 Speaker 1: didn't really make sense to me. 349 00:21:49,720 --> 00:21:53,480 Speaker 2: You were an important and vital part of the storyline, Jenna, 350 00:21:54,359 --> 00:21:56,880 Speaker 2: Thank you so much. I do love the Puck storms 351 00:21:56,880 --> 00:21:59,880 Speaker 2: into the girl's bathroom like it's nothing and then tries 352 00:22:00,119 --> 00:22:02,360 Speaker 2: to talk Rachel out of it. 353 00:22:03,160 --> 00:22:07,359 Speaker 1: Yes, it's cute. You just don't see Puck trying to 354 00:22:07,400 --> 00:22:13,080 Speaker 1: fix things often and to just do kind of the 355 00:22:13,119 --> 00:22:16,160 Speaker 1: opposite of what he's you know, woman eyes. 356 00:22:16,240 --> 00:22:19,000 Speaker 2: And I don't think it necessarily realize this when we 357 00:22:19,000 --> 00:22:23,800 Speaker 2: were filming all this, but Puck's transformation since being with 358 00:22:24,200 --> 00:22:29,280 Speaker 2: and around laurences ICs is really sort of a magical thing. 359 00:22:29,400 --> 00:22:32,080 Speaker 2: The last episode he was had like a shady and 360 00:22:32,119 --> 00:22:36,240 Speaker 2: grin on his face. The entire time because he's happy. 361 00:22:37,400 --> 00:22:40,439 Speaker 2: And I don't know if that was written that way 362 00:22:40,640 --> 00:22:44,520 Speaker 2: or Mark has decided to do that, but I think 363 00:22:44,600 --> 00:22:46,000 Speaker 2: it's working very well. 364 00:22:47,320 --> 00:22:49,440 Speaker 1: It is working, and it just makes him less one 365 00:22:49,440 --> 00:22:52,480 Speaker 1: dimensional as a character, you know, kind of this like 366 00:22:52,720 --> 00:22:55,720 Speaker 1: punk you know, I appreciated it. 367 00:22:56,359 --> 00:23:00,680 Speaker 2: Yeah, and it sort of makes me feel like it's 368 00:23:00,880 --> 00:23:04,159 Speaker 2: sort of the punk reprieve where probably outside of that classroom, 369 00:23:04,320 --> 00:23:06,840 Speaker 2: though we're not seeing it, he may be acting the same, 370 00:23:07,320 --> 00:23:10,080 Speaker 2: and then everybody in that classroom is different because they're 371 00:23:10,160 --> 00:23:13,480 Speaker 2: comfortable and safe with each other, which is obviously the 372 00:23:13,520 --> 00:23:19,080 Speaker 2: point of the show. Profound Kevin Profound, just realizing that 373 00:23:19,119 --> 00:23:23,560 Speaker 2: in episode eighteen two, after being. 374 00:23:23,440 --> 00:23:30,760 Speaker 3: On my show Smart twenty twenty three. 375 00:23:32,320 --> 00:23:36,119 Speaker 1: Okay, so okay, Kurt does this Barbera vention and saying 376 00:23:36,119 --> 00:23:38,879 Speaker 1: that he would it would you would be doing a 377 00:23:38,920 --> 00:23:41,600 Speaker 1: disservice to Barbara if you get if Rachel gets a 378 00:23:41,640 --> 00:23:45,680 Speaker 1: nose job, So we do Barbra streisand by Duck Sauce 379 00:23:45,720 --> 00:23:46,879 Speaker 1: in the is it du Sauce? 380 00:23:47,240 --> 00:23:49,720 Speaker 2: Yes, and where we talked about if something works, you 381 00:23:49,760 --> 00:23:50,320 Speaker 2: do it again. 382 00:23:51,600 --> 00:23:54,520 Speaker 1: It literally looks like safety Dance without Safety Dance. Yes, 383 00:23:55,800 --> 00:23:59,919 Speaker 1: I was just confused. I also, what did we do 384 00:24:00,240 --> 00:24:04,760 Speaker 1: in them all that day? Did we do anything? 385 00:24:04,920 --> 00:24:07,520 Speaker 2: I don't know? Was I in this yes? 386 00:24:07,680 --> 00:24:13,399 Speaker 1: Kevin, Oh my god, the same question because I fast 387 00:24:13,520 --> 00:24:21,639 Speaker 1: forwarded this numb. I did not love. I do not 388 00:24:21,800 --> 00:24:25,760 Speaker 1: love this song. So it just it wasn't something for 389 00:24:25,880 --> 00:24:26,720 Speaker 1: me that I wanted to. 390 00:24:27,680 --> 00:24:29,479 Speaker 2: I don't hate this one. I would have preferred it 391 00:24:29,480 --> 00:24:33,040 Speaker 2: if like they were singing it and a lot of singing. 392 00:24:33,080 --> 00:24:33,680 Speaker 2: But even. 393 00:24:35,640 --> 00:24:37,520 Speaker 1: I will say a lot of a lot of our 394 00:24:37,680 --> 00:24:40,520 Speaker 1: cast members looked like they were having a really fun time. Yeah, 395 00:24:40,720 --> 00:24:44,240 Speaker 1: it's because we had zero to do, zero responsibility. When 396 00:24:44,240 --> 00:24:48,240 Speaker 1: there's zero responsibility, you can just fus around and probably 397 00:24:48,240 --> 00:24:50,399 Speaker 1: get in trouble for it. But it was fun. 398 00:24:51,160 --> 00:24:53,040 Speaker 2: I think because of that, that's when we went and 399 00:24:53,119 --> 00:24:53,760 Speaker 2: rated Target. 400 00:24:54,520 --> 00:24:56,640 Speaker 1: That's what I was saying. Maybe it was this one. 401 00:24:56,760 --> 00:24:58,280 Speaker 1: I think there was this one because there wasn't a 402 00:24:58,359 --> 00:25:00,239 Speaker 1: lot to do, so you just kind of sit your 403 00:25:00,240 --> 00:25:03,160 Speaker 1: trailer and they had like a whole scene before and 404 00:25:03,200 --> 00:25:11,720 Speaker 1: so we were in then, and so lots of time. Anyway, Uh, well, 405 00:25:11,760 --> 00:25:13,520 Speaker 1: can we talk about this Emma's therapy session? 406 00:25:15,480 --> 00:25:20,399 Speaker 2: Yeah? I okay, I have lots of thoughts about the 407 00:25:20,480 --> 00:25:21,600 Speaker 2: MMA storyline in general. 408 00:25:23,000 --> 00:25:26,000 Speaker 1: Okay, Well, I Will say that I really enjoyed the 409 00:25:26,040 --> 00:25:29,120 Speaker 1: scene because we got to see Jama acting zone. 410 00:25:30,600 --> 00:25:31,760 Speaker 2: And it's great scene. 411 00:25:32,000 --> 00:25:34,399 Speaker 1: I thought it was a really well written scene. I 412 00:25:34,440 --> 00:25:37,640 Speaker 1: thought the message was clear. I thought it was really 413 00:25:37,640 --> 00:25:39,720 Speaker 1: well done, and I feel like it was a really 414 00:25:40,200 --> 00:25:44,680 Speaker 1: it is the what's the word I'm looking for. It's 415 00:25:44,720 --> 00:25:48,680 Speaker 1: not the pinnacle, but it is the central theme of 416 00:25:48,720 --> 00:25:50,040 Speaker 1: the episode is in this scene. 417 00:25:50,160 --> 00:25:52,639 Speaker 2: It's that thing that we point out where as crazy 418 00:25:53,080 --> 00:25:55,879 Speaker 2: and silly as everything can be in a Glee episode, 419 00:25:56,320 --> 00:26:00,760 Speaker 2: you usually do have one scene where the serious subtext 420 00:26:00,840 --> 00:26:04,639 Speaker 2: of the episode comes out and sort of grounds the show. 421 00:26:05,119 --> 00:26:08,080 Speaker 2: And Yeah, that's absolutely this scene. It's like, Oh, the 422 00:26:08,080 --> 00:26:10,840 Speaker 2: adults are in the room and we're talking about adult 423 00:26:10,880 --> 00:26:13,560 Speaker 2: things and the adults. 424 00:26:13,200 --> 00:26:18,200 Speaker 1: Are acting right right, people are acting. 425 00:26:18,359 --> 00:26:22,520 Speaker 2: Yes, And it was phenomenal because I think my sort 426 00:26:22,520 --> 00:26:26,480 Speaker 2: of like is this okay? Was sort of how Will 427 00:26:27,720 --> 00:26:32,720 Speaker 2: was talking to and about her Emma and her OCD, 428 00:26:34,600 --> 00:26:38,199 Speaker 2: where I get he was getting frustrated with her, but 429 00:26:38,320 --> 00:26:41,560 Speaker 2: the way he was sort of just flippantly talking about 430 00:26:41,600 --> 00:26:43,480 Speaker 2: it and giving her shit for something that is really 431 00:26:43,520 --> 00:26:49,280 Speaker 2: out of her control made me, in twenty twenty three angry. Yeah, 432 00:26:49,280 --> 00:26:52,159 Speaker 2: it's just uncomfortable, Like that's not how you speak to people, 433 00:26:52,600 --> 00:26:54,720 Speaker 2: especially if you're trying to help them. 434 00:26:55,240 --> 00:26:59,240 Speaker 1: Well. In truth though, let's get real for a minute. 435 00:26:59,560 --> 00:27:02,920 Speaker 1: In truth though, don't you think that people who are 436 00:27:03,040 --> 00:27:06,520 Speaker 1: going through things like Emma was going through in this episode, 437 00:27:07,320 --> 00:27:09,400 Speaker 1: people probably do talk to people that way? 438 00:27:10,359 --> 00:27:12,480 Speaker 2: Yeah, they probably do better. 439 00:27:12,560 --> 00:27:14,240 Speaker 1: Right, And now it's like it's not will that we 440 00:27:14,480 --> 00:27:18,080 Speaker 1: you know, obviously hold her to a higher card, but 441 00:27:18,160 --> 00:27:23,439 Speaker 1: like it's it's definitely something that I'm sure people deal with. 442 00:27:23,600 --> 00:27:25,560 Speaker 1: It's like just oh, just get over it or like, 443 00:27:25,680 --> 00:27:28,760 Speaker 1: you know, you're not you're not facing your you know, issues, 444 00:27:28,920 --> 00:27:30,280 Speaker 1: Like it's not that easy. 445 00:27:30,600 --> 00:27:34,400 Speaker 2: Yeah, you're right. And I also think he's probably the 446 00:27:34,440 --> 00:27:37,680 Speaker 2: one who can say that, say in that way and 447 00:27:37,720 --> 00:27:43,000 Speaker 2: she won't completely write him off and will hear him right, 448 00:27:43,200 --> 00:27:45,560 Speaker 2: Like he should choose tough love stuff. 449 00:27:45,760 --> 00:27:45,879 Speaker 1: Right. 450 00:27:46,359 --> 00:27:47,800 Speaker 2: How good was Jaymon that scene? 451 00:27:48,880 --> 00:27:53,399 Speaker 1: I was floored. I feel like I didn't I didn't. 452 00:27:53,760 --> 00:27:55,760 Speaker 1: I don't remember that scene. I didn't see it coming. 453 00:27:56,280 --> 00:28:00,359 Speaker 2: And it was really well tough because this up of 454 00:28:00,440 --> 00:28:02,159 Speaker 2: it too, it starts with like, oh, this is the 455 00:28:02,200 --> 00:28:06,840 Speaker 2: normal sort of Jama deflecting, Emma deflecting. There's some comedy 456 00:28:07,640 --> 00:28:09,480 Speaker 2: you know, it's like, oh, you've spent the entire hour 457 00:28:09,720 --> 00:28:13,680 Speaker 2: disaffecting the chair, ha ha ha, and then very quickly 458 00:28:15,960 --> 00:28:19,680 Speaker 2: that the ship turns and you're like, oh, oh man. 459 00:28:19,920 --> 00:28:21,680 Speaker 1: Yeah, really good. 460 00:28:22,119 --> 00:28:22,560 Speaker 2: Yeah. 461 00:28:22,600 --> 00:28:26,560 Speaker 1: Emma then does reveal that she comes. She's wearing her 462 00:28:26,600 --> 00:28:31,440 Speaker 1: O C D shirt. She's started taking these meds and 463 00:28:31,480 --> 00:28:38,400 Speaker 1: it's it's she's really taking steps to help her heal right, uh, 464 00:28:39,560 --> 00:28:46,760 Speaker 1: and Will is super provagally club. We all have our 465 00:28:46,800 --> 00:28:53,320 Speaker 1: shirts on, already has four eyes, Brittany's with I'm with 466 00:28:53,520 --> 00:28:58,320 Speaker 1: Stupid with the word zero, Finn can't dance, Kurt likes boys, 467 00:28:58,520 --> 00:29:03,760 Speaker 1: Lauren bad attitude, Mercedes no weave, Mike can't sing, Puck, 468 00:29:03,800 --> 00:29:08,760 Speaker 1: I'm with Stupid Downward and Lucy Kaboozi for Quinn, trotty 469 00:29:08,760 --> 00:29:13,160 Speaker 1: mouth for Sam, bitch lebonese for Santana, brown eyes for 470 00:29:13,240 --> 00:29:16,920 Speaker 1: Tina Os Emma nose for Rachel who decides that she's 471 00:29:16,960 --> 00:29:19,840 Speaker 1: not going to get a nose job hooray, and Will 472 00:29:19,920 --> 00:29:25,760 Speaker 1: with butt chin and then we sing Boring this Way, 473 00:29:25,800 --> 00:29:30,000 Speaker 1: which we also do on tour. This choreo was really fun. 474 00:29:30,360 --> 00:29:33,480 Speaker 2: It looked very complicated. 475 00:29:34,080 --> 00:29:36,160 Speaker 1: It did look complicated, it was not, but it was 476 00:29:36,240 --> 00:29:37,080 Speaker 1: looked complicated. 477 00:29:37,280 --> 00:29:42,320 Speaker 2: Yeah, and the words were more complicated than the choreography 478 00:29:42,360 --> 00:29:45,360 Speaker 2: in this number. I also thought it was one of 479 00:29:45,400 --> 00:29:48,640 Speaker 2: those times where it's like, oh, we're not the cleanest dancers, 480 00:29:48,680 --> 00:29:50,520 Speaker 2: are we. 481 00:29:50,960 --> 00:29:53,120 Speaker 1: I think they have accepted it at this point that 482 00:29:53,200 --> 00:29:56,200 Speaker 1: we're that we're not supposed to be the cleanest dancers. 483 00:29:59,280 --> 00:30:02,560 Speaker 2: So one I don't think that's happening in this episode 484 00:30:03,320 --> 00:30:10,160 Speaker 2: is Santana has like a two pronged approach to getting 485 00:30:10,160 --> 00:30:13,000 Speaker 2: what she wants. She comes up with a plan to 486 00:30:13,080 --> 00:30:18,600 Speaker 2: win Brittany and become prom Queen and get Kurt back, 487 00:30:18,720 --> 00:30:22,400 Speaker 2: all at the same time with this weird plan that 488 00:30:22,440 --> 00:30:28,240 Speaker 2: involves Korofsky, which was hilarious and weird and uncomfortable total. 489 00:30:29,080 --> 00:30:34,600 Speaker 2: I was like, what is happening? So she realizes that 490 00:30:34,720 --> 00:30:38,960 Speaker 2: if she can win prom Queen, she can win Brittany's 491 00:30:39,840 --> 00:30:42,040 Speaker 2: love because she'll just tell her it's the lot of 492 00:30:42,040 --> 00:30:44,040 Speaker 2: the land and they have to be together and she'll 493 00:30:44,080 --> 00:30:48,920 Speaker 2: believe it. And she realizes she needs a jock to 494 00:30:48,960 --> 00:30:52,600 Speaker 2: get boats and Sam doesn't have enough heat, but Kofski does. 495 00:30:53,760 --> 00:30:57,400 Speaker 2: Sam does this. You know, Core does the Sean Connery 496 00:30:57,400 --> 00:30:59,680 Speaker 2: impression in the hallway, which is great. I love when 497 00:30:59,720 --> 00:31:03,160 Speaker 2: they start sprinkling all these in because he's just a beast. 498 00:31:04,000 --> 00:31:06,240 Speaker 1: Except when he when they sprinkle in ones that he says, 499 00:31:06,280 --> 00:31:08,680 Speaker 1: but he like, didn't master yet, and then he's like, 500 00:31:08,720 --> 00:31:09,720 Speaker 1: I can't just do that. 501 00:31:10,680 --> 00:31:13,360 Speaker 2: But he does. Yes, he does have the self doubt 502 00:31:13,360 --> 00:31:25,520 Speaker 2: that should be on his T shirt. So Santana catches 503 00:31:25,600 --> 00:31:28,320 Speaker 2: Kofski in the hallway checking out Sam's but we all 504 00:31:28,360 --> 00:31:33,720 Speaker 2: have yeah been there, and Santana says, holy crap, I'm 505 00:31:33,720 --> 00:31:36,320 Speaker 2: a closet lesbian and a judgmental bitch, which means one thing, 506 00:31:36,360 --> 00:31:41,720 Speaker 2: I have awesome Gatar. And so Satana, Mercedes, and Tina 507 00:31:41,760 --> 00:31:45,280 Speaker 2: get coffee with Kurt and Blaine, who say that Kurt 508 00:31:45,800 --> 00:31:47,480 Speaker 2: they wish Kirk would go back to McKinley if it 509 00:31:47,480 --> 00:31:52,360 Speaker 2: weren't for a Koski, And that's when Santana's like, oh, 510 00:31:52,480 --> 00:31:54,480 Speaker 2: let's just make this a four to four for one. 511 00:31:54,960 --> 00:32:00,040 Speaker 2: I'm gonna get Kurt back here. This scene between I 512 00:32:00,080 --> 00:32:04,880 Speaker 2: mean Nya and Max is also one of my favorite 513 00:32:04,880 --> 00:32:10,480 Speaker 2: scenes of this entire episode MM because she calls him out. 514 00:32:10,560 --> 00:32:13,560 Speaker 2: He's the only person who could put who has ever 515 00:32:13,600 --> 00:32:17,880 Speaker 2: put him in his place? Is Santana. Now for a 516 00:32:17,880 --> 00:32:20,479 Speaker 2: couple episodes running and like you can't verbally keep up 517 00:32:20,480 --> 00:32:23,840 Speaker 2: with her. No one's going to outdo her because one 518 00:32:23,880 --> 00:32:26,600 Speaker 2: what she's saying is true, and two she's already eight 519 00:32:26,600 --> 00:32:30,560 Speaker 2: steps ahead of you. And it's not a bad plan 520 00:32:30,720 --> 00:32:32,560 Speaker 2: for them to be beards for each other. 521 00:32:32,680 --> 00:32:36,800 Speaker 1: It's not. So Krafsky is like basically back into a 522 00:32:36,920 --> 00:32:40,640 Speaker 1: corner because otherwise he's outed, and and that's the end 523 00:32:40,680 --> 00:32:43,840 Speaker 1: of it. So he he comes in and he apologizes 524 00:32:43,880 --> 00:32:46,600 Speaker 1: cilcly club, saying that he's sorry for how he treated 525 00:32:47,200 --> 00:32:50,880 Speaker 1: kurtin how he slushied all of us when that very 526 00:32:50,880 --> 00:32:53,680 Speaker 1: funny slushy flashback montage. 527 00:32:54,600 --> 00:32:59,560 Speaker 2: Do you remember filming that scene? No, I just do you. 528 00:32:59,680 --> 00:33:02,320 Speaker 2: So the thing is like, I don't know if people 529 00:33:02,640 --> 00:33:04,440 Speaker 2: I don't even think about this, But when you have 530 00:33:04,560 --> 00:33:07,880 Speaker 2: characters come into the room, the choir room, especially that 531 00:33:08,600 --> 00:33:12,760 Speaker 2: aren't normally there, m it feels like it's scripted, like 532 00:33:12,840 --> 00:33:14,560 Speaker 2: it feels how it does in the script where it 533 00:33:14,640 --> 00:33:18,640 Speaker 2: feels weird, like why is Kurowski here? It feels very 534 00:33:18,680 --> 00:33:21,880 Speaker 2: much like this is weird? Why is this character? Like 535 00:33:22,000 --> 00:33:25,640 Speaker 2: Max is in the choir room and figgins yes and 536 00:33:25,720 --> 00:33:29,200 Speaker 2: like leading a talk where Shoe normally stands or Rachel 537 00:33:29,240 --> 00:33:32,200 Speaker 2: says some crazy shit. It does feel weird in real 538 00:33:32,200 --> 00:33:35,880 Speaker 2: life too, right, right, It's like anytime Jane would come in, 539 00:33:35,920 --> 00:33:36,160 Speaker 2: you're like. 540 00:33:36,800 --> 00:33:44,320 Speaker 1: She's that's right, just as so tall Yes, and so 541 00:33:44,720 --> 00:33:47,920 Speaker 1: Santana's mouthing the speech. 542 00:33:50,120 --> 00:33:52,880 Speaker 2: I do love them together. It's really funny. 543 00:33:53,080 --> 00:33:54,040 Speaker 1: I think it's really funny. 544 00:33:54,080 --> 00:33:56,040 Speaker 2: Santana pulling the strings is always really good. 545 00:33:56,480 --> 00:34:02,200 Speaker 1: Yes, and she announces them. Then obviously they've created this 546 00:34:02,200 --> 00:34:07,600 Speaker 1: this new group called the Bully Whips. But then something happened, 547 00:34:07,800 --> 00:34:14,080 Speaker 1: something crazy love. Uh. That scene is really great. I 548 00:34:14,080 --> 00:34:15,319 Speaker 1: don't remember shooting it, but. 549 00:34:16,880 --> 00:34:18,919 Speaker 2: I just remember I think we were all a bit 550 00:34:19,320 --> 00:34:22,480 Speaker 2: we were laughing and uncomfortable because it's so it's how 551 00:34:22,480 --> 00:34:25,080 Speaker 2: it actually felt. One of those times we don't have 552 00:34:25,160 --> 00:34:26,279 Speaker 2: to really act. 553 00:34:26,440 --> 00:34:30,560 Speaker 1: Right and and people are still we're still upset about it. 554 00:34:30,719 --> 00:34:35,959 Speaker 1: But Burt and Kurt are back at McKinley and they're 555 00:34:36,000 --> 00:34:39,840 Speaker 1: talking with Krofsky and his dad with Figgins, and I 556 00:34:39,880 --> 00:34:44,240 Speaker 1: guess Will has to be there, and Bert's angry and 557 00:34:44,239 --> 00:34:48,040 Speaker 1: and Kurt basically asked to speak to Krofsky alone because 558 00:34:48,080 --> 00:34:50,839 Speaker 1: he knows something's going on. He's like, what what's happening here? 559 00:34:50,880 --> 00:34:54,799 Speaker 1: And so Krofsky tells him about Santana and Santana and 560 00:34:54,840 --> 00:35:00,239 Speaker 1: he's like, well, I'm he's impressed by Santana's is it, 561 00:35:00,320 --> 00:35:05,120 Speaker 1: Lady macbeth It was some some play on Lady Lady mcbethian, 562 00:35:05,960 --> 00:35:09,600 Speaker 1: I think you're he's repulsed and impressed. 563 00:35:10,840 --> 00:35:11,560 Speaker 2: Let's buy it. 564 00:35:12,600 --> 00:35:19,200 Speaker 1: And so Kurt says that he can come to back 565 00:35:19,200 --> 00:35:25,480 Speaker 1: to McKinley, or he can tell everyone about Krofsky, and 566 00:35:25,560 --> 00:35:29,440 Speaker 1: so they they decide to come back. He's back at 567 00:35:29,520 --> 00:35:36,200 Speaker 1: McKinley and Bert tells Finn to watch out for his brother. 568 00:35:36,640 --> 00:35:36,960 Speaker 2: Cute. 569 00:35:37,000 --> 00:35:37,440 Speaker 1: Cute. 570 00:35:37,640 --> 00:35:39,120 Speaker 2: I also love that Kurt. You know, part of the 571 00:35:39,120 --> 00:35:42,680 Speaker 2: conditions of him coming back was that Krowsky and he 572 00:35:42,719 --> 00:35:45,359 Speaker 2: had to start a chapter of P Flag and then 573 00:35:46,120 --> 00:35:49,520 Speaker 2: had to which is also like shout out to p Flag. 574 00:35:49,719 --> 00:35:51,960 Speaker 2: They put this in the episode that borne this way 575 00:35:52,000 --> 00:35:56,239 Speaker 2: episode like it was very smart and yeah, great and 576 00:35:58,320 --> 00:36:04,239 Speaker 2: it's now another secret Kowski and Kurt Cher, which I 577 00:36:04,280 --> 00:36:07,919 Speaker 2: also find interesting where yeah, you're right, the person that 578 00:36:08,160 --> 00:36:10,080 Speaker 2: can threaten you, the person you've been like hating on 579 00:36:10,160 --> 00:36:12,440 Speaker 2: the most, is also the person that's in control of 580 00:36:12,440 --> 00:36:15,799 Speaker 2: what happens to your secret. I didn't think that went through. 581 00:36:16,440 --> 00:36:20,759 Speaker 2: No you did not. So Kurt's back. 582 00:36:21,160 --> 00:36:30,200 Speaker 1: Kurt's back, and the new directions help the Warblers. The 583 00:36:30,239 --> 00:36:34,319 Speaker 1: Warblers say goodbye to Kurt, but going back for one second. Okay, 584 00:36:34,320 --> 00:36:37,920 Speaker 1: we found it. Santa told us. Kurt says in that scene, 585 00:36:37,960 --> 00:36:40,840 Speaker 1: I'm both repulsed and impressed by her. Lady Macbethy and 586 00:36:40,920 --> 00:36:46,080 Speaker 1: ways hmm a Latina Eve Harrington and Kowsky looks confused, 587 00:36:46,200 --> 00:36:48,160 Speaker 1: and then Kurt says, if you're going to be gay, 588 00:36:48,200 --> 00:36:54,520 Speaker 1: you gotta know, you gotta know this. It's funny, so quick, 589 00:36:54,760 --> 00:36:59,400 Speaker 1: so good. Okay, So we Blaine is going to perform 590 00:36:59,560 --> 00:37:01,840 Speaker 1: with the war Blur's going to perform someone or somewhere 591 00:37:01,840 --> 00:37:05,719 Speaker 1: only we know in the courtyard. I remember doing this 592 00:37:05,800 --> 00:37:11,719 Speaker 1: number in the courtyard, and I don't remember them doing this. 593 00:37:12,560 --> 00:37:16,879 Speaker 1: I don't remember them. This was in the in the 594 00:37:17,320 --> 00:37:20,480 Speaker 1: shoot or in their script. And so I see like 595 00:37:20,520 --> 00:37:21,960 Speaker 1: the work for the next day, and I'm like, oh 596 00:37:21,960 --> 00:37:24,759 Speaker 1: my god, we're doing some somewhere only we know. And 597 00:37:24,840 --> 00:37:27,920 Speaker 1: I was just so excited. Sometimes like things slipped my 598 00:37:29,120 --> 00:37:31,840 Speaker 1: We were doing a lot. This is a big episode, 599 00:37:32,800 --> 00:37:36,920 Speaker 1: but I was very excited by it. And we are 600 00:37:36,960 --> 00:37:37,640 Speaker 1: in the courtyard. 601 00:37:38,680 --> 00:37:41,080 Speaker 2: I do you texted me and you go. Chris crying 602 00:37:41,080 --> 00:37:43,600 Speaker 2: in the courtyard is why he has his golden globe. 603 00:37:44,760 --> 00:37:48,560 Speaker 1: I mean, it's just so simple, and yet he's acting 604 00:37:48,880 --> 00:37:54,200 Speaker 1: zone and everybody saying goodbye. I got emotional. I thought 605 00:37:54,200 --> 00:37:59,640 Speaker 1: it was really sweet. I really I really like this number. 606 00:38:00,160 --> 00:38:02,040 Speaker 2: Selfishly, I was just glad Chris is back with it. 607 00:38:02,360 --> 00:38:09,800 Speaker 1: Yeah for sure, for sure he back, he back and 608 00:38:09,800 --> 00:38:12,480 Speaker 1: and yes, and that's and then Chris Colferd takes the 609 00:38:12,560 --> 00:38:16,760 Speaker 1: MVP because of it. Brittany makes Santana a custom shirt 610 00:38:16,960 --> 00:38:23,719 Speaker 1: that she thinks is lesbian but it's Lebanese, and Santana 611 00:38:23,920 --> 00:38:27,120 Speaker 1: and her have this crazy scene where she's like, I'm 612 00:38:27,160 --> 00:38:31,520 Speaker 1: not wearing this and I'm not coming out and also 613 00:38:31,680 --> 00:38:34,919 Speaker 1: I'm not wearing this shirt because I said I loved 614 00:38:34,920 --> 00:38:37,960 Speaker 1: you and you didn't say you love me back, and. 615 00:38:37,920 --> 00:38:41,759 Speaker 2: Brittany says she's bite curious. Mm hmm, that's right. 616 00:38:42,760 --> 00:38:51,040 Speaker 1: And uh again, we have another Britanna scene that's like, 617 00:38:52,280 --> 00:38:54,799 Speaker 1: it's just oh, they're always so powerful, even when they're 618 00:38:54,800 --> 00:38:59,360 Speaker 1: like yeah, two or four lines, it's like, yeah, get together, y'all, 619 00:38:59,760 --> 00:39:02,839 Speaker 1: just get together. So Santana sits out of the board 620 00:39:02,880 --> 00:39:04,120 Speaker 1: this way performer, she's not there. 621 00:39:05,400 --> 00:39:08,759 Speaker 2: We passed. The Bechdel test is that he pronounced it. 622 00:39:08,840 --> 00:39:13,200 Speaker 2: The Bechdel what. It's a test that they do for 623 00:39:13,320 --> 00:39:18,680 Speaker 2: movies where if there's two female characters speaking to one 624 00:39:18,680 --> 00:39:24,879 Speaker 2: another and it's not about a man. Mmmmm, yes, I'm 625 00:39:24,920 --> 00:39:28,680 Speaker 2: sure there's so we passed that with Flying Colors few. 626 00:39:30,120 --> 00:39:32,759 Speaker 2: There's a video on TikTok also going around where it's 627 00:39:32,760 --> 00:39:36,400 Speaker 2: like Harry Potter doesn't pass it the entire series. 628 00:39:38,200 --> 00:39:39,680 Speaker 1: Well, it is about Harry Potter. 629 00:39:40,160 --> 00:39:42,680 Speaker 2: Yeah, and Harry Potter hits women. 630 00:39:43,000 --> 00:39:47,160 Speaker 1: So wow. 631 00:39:47,880 --> 00:39:52,960 Speaker 2: So the other great crazy storyline of this is Lauren 632 00:39:53,160 --> 00:39:55,440 Speaker 2: decides she wants to be prom queen and needs to 633 00:39:55,480 --> 00:39:59,440 Speaker 2: take Quinn down in order to do it, and Quinn 634 00:39:59,560 --> 00:40:04,960 Speaker 2: is obviously not happy about it. She's not furious about it. 635 00:40:05,000 --> 00:40:13,400 Speaker 2: But what happens is Lauren in the hallway calls Quinn 636 00:40:13,520 --> 00:40:19,919 Speaker 2: Lucy and stops her dead in her tracks and they 637 00:40:20,000 --> 00:40:27,040 Speaker 2: have this, oh, such a good scene, amazing scene where 638 00:40:28,040 --> 00:40:30,440 Speaker 2: you know, after Quinn has been encouraging Rachel to get 639 00:40:30,440 --> 00:40:34,000 Speaker 2: a nose job and change what she wants about herself, 640 00:40:35,920 --> 00:40:40,840 Speaker 2: Quinn reveals this whole storyline that we did not know about. 641 00:40:42,320 --> 00:40:46,120 Speaker 1: She was Lucy Kabousie. She changed her name. Her name 642 00:40:46,640 --> 00:40:52,920 Speaker 1: was Her real name is Lucy q for Bray, which 643 00:40:53,239 --> 00:40:56,720 Speaker 1: Zic's found that there was no record of a Quinn 644 00:40:56,760 --> 00:41:01,399 Speaker 1: for Bray because it was Lucy cute and she was 645 00:41:02,040 --> 00:41:09,720 Speaker 1: a bit overweight, she had a different nose, glasses, maybe braces. 646 00:41:09,760 --> 00:41:14,719 Speaker 1: Can't remember. But she's also really cute in this spot, it. 647 00:41:14,760 --> 00:41:17,480 Speaker 2: Was so cute. Did you remind you of the Friends? 648 00:41:17,880 --> 00:41:22,080 Speaker 1: Yes, totally totally Monica, but she's so cute in this 649 00:41:22,320 --> 00:41:26,400 Speaker 1: foot in sic things. Sic thinks that this is gonna 650 00:41:26,520 --> 00:41:32,880 Speaker 1: take her down and actually a backfires and Quinn people 651 00:41:33,000 --> 00:41:38,759 Speaker 1: are seeing are rooting for Lusika Busy. They're onboard. She's 652 00:41:38,880 --> 00:41:42,520 Speaker 1: up in the poles. But the sweet that scene was 653 00:41:42,640 --> 00:41:50,359 Speaker 1: just so sweet. Diana acting zone, Lauren acting zone so 654 00:41:50,480 --> 00:41:55,200 Speaker 1: funny and they're good to go. 655 00:41:56,280 --> 00:41:58,960 Speaker 2: Actually being part of the Glee Club has really been 656 00:41:59,000 --> 00:42:03,520 Speaker 2: a nice switch up edition and like she brings something 657 00:42:03,560 --> 00:42:11,040 Speaker 2: completely different her acting style, character, it's really nice. And 658 00:42:11,160 --> 00:42:13,640 Speaker 2: every time she's on screen and it has more to say, 659 00:42:13,680 --> 00:42:14,680 Speaker 2: I get really excited. 660 00:42:15,840 --> 00:42:19,600 Speaker 1: And her facial expressions are so funny. 661 00:42:19,840 --> 00:42:23,279 Speaker 2: Yes, the comical, and I do think one of the 662 00:42:23,360 --> 00:42:29,920 Speaker 2: requirements for being ugly is being able to seamlessly switch 663 00:42:30,080 --> 00:42:35,279 Speaker 2: between comedy and drama within a couple of lines, and 664 00:42:35,480 --> 00:42:38,640 Speaker 2: Ashley does that in every single scene. You're like, is 665 00:42:38,680 --> 00:42:42,000 Speaker 2: this insane or is this sincere? I don't know, but 666 00:42:42,080 --> 00:42:45,799 Speaker 2: it's great and I buy it regardless, totally. I mean, 667 00:42:45,840 --> 00:42:48,399 Speaker 2: and that is sort of I mean, that's not just it, 668 00:42:48,520 --> 00:42:53,600 Speaker 2: that's it. That's the episode. There is a lot happening, 669 00:42:54,000 --> 00:42:55,120 Speaker 2: a lot happening. 670 00:42:55,040 --> 00:42:59,520 Speaker 1: But overall, yeah, I think they all tie into one 671 00:42:59,600 --> 00:43:04,760 Speaker 1: another in this central theme of you know, loving yourself 672 00:43:04,840 --> 00:43:08,840 Speaker 1: and accepting yourself for who you are and all the parts. 673 00:43:08,920 --> 00:43:14,960 Speaker 1: And yes, I know I said this episode I was 674 00:43:15,000 --> 00:43:17,120 Speaker 1: a little disappointed, but I think it was just my 675 00:43:17,200 --> 00:43:20,560 Speaker 1: expectation was different. It wasn't even high, it was different. 676 00:43:20,760 --> 00:43:23,279 Speaker 1: I don't think I remembered this episode completely. 677 00:43:23,400 --> 00:43:26,680 Speaker 2: I completely agree with you. Yeah, I think the only 678 00:43:26,760 --> 00:43:28,880 Speaker 2: thing ingrained in my head because we did it on tour, 679 00:43:28,960 --> 00:43:33,279 Speaker 2: which is a recurrent theme with us, and so that's 680 00:43:33,320 --> 00:43:37,040 Speaker 2: what I imagine. The whole episode was like that performance. Yes, 681 00:43:37,320 --> 00:43:40,040 Speaker 2: me too, which makes no sense. It's because we did 682 00:43:40,080 --> 00:43:42,880 Speaker 2: the tour. That's why we did the t shirts and everything, 683 00:43:42,960 --> 00:43:45,240 Speaker 2: and that's why this is so fun for us, because 684 00:43:45,280 --> 00:43:48,480 Speaker 2: like we can go back and actually watch these things 685 00:43:49,400 --> 00:43:50,920 Speaker 2: and reframe instead of our memory. 686 00:43:51,360 --> 00:43:54,640 Speaker 1: Yeah, yes, exactly. Should we do some tardy takes. 687 00:43:54,719 --> 00:43:58,280 Speaker 2: Let's Jenna, do you have any cringe moments? 688 00:43:58,719 --> 00:44:06,200 Speaker 1: You know? The Santana monologue in the beginning is seamless 689 00:44:06,200 --> 00:44:12,000 Speaker 1: as naimate it. It's quite inappropriate. Yeah, yeah, what about you? 690 00:44:13,320 --> 00:44:19,720 Speaker 2: Yeah, I think that whole, the whole, like racist Asian 691 00:44:19,800 --> 00:44:23,040 Speaker 2: stuff that was happening during that made me really uncomfortable. 692 00:44:23,600 --> 00:44:26,799 Speaker 1: And then also, no, that's it. 693 00:44:27,640 --> 00:44:31,400 Speaker 2: Yeah, Okay, best dance move. 694 00:44:33,280 --> 00:44:36,279 Speaker 1: I mean I think it. I think it's Corey. 695 00:44:37,520 --> 00:44:38,719 Speaker 2: Also Born this way was great. 696 00:44:39,520 --> 00:44:42,040 Speaker 1: You're right, and you're right. I didn't even think about that. 697 00:44:42,960 --> 00:44:46,120 Speaker 2: It could be a tie. They're very different, ok Best 698 00:44:46,160 --> 00:44:50,240 Speaker 2: song pretty un pretty? Yeah, pretty unpretty for sure. 699 00:44:50,880 --> 00:44:54,759 Speaker 1: Performance my prop, my blue context. 700 00:44:56,800 --> 00:44:57,800 Speaker 2: And the T shirts. 701 00:44:58,000 --> 00:45:05,080 Speaker 1: Yeah, the best line. I think I've got a gay. 702 00:45:06,400 --> 00:45:07,040 Speaker 1: I got a gay. 703 00:45:07,080 --> 00:45:09,200 Speaker 2: Go it's very good. 704 00:45:10,840 --> 00:45:15,520 Speaker 1: I like gasped when I watched it. Yeah, performance, MVP, 705 00:45:16,960 --> 00:45:19,759 Speaker 1: I gotta say, I think it's I don't know what 706 00:45:19,800 --> 00:45:21,120 Speaker 1: about What are you gonna say? 707 00:45:21,840 --> 00:45:27,439 Speaker 2: Oh? I just for the therapy scene alone. Yeah, it's 708 00:45:28,000 --> 00:45:31,120 Speaker 2: Jaima and shout out to Kathleen Quinlan, who plays doctor 709 00:45:31,160 --> 00:45:36,400 Speaker 2: Shane because those two together all stars. 710 00:45:38,480 --> 00:45:45,360 Speaker 3: Chris also gave me an yeah yeah, I mean everyone's 711 00:45:45,440 --> 00:45:50,880 Speaker 3: really showing up truly except Artie and Tina. 712 00:45:53,719 --> 00:45:55,640 Speaker 2: You know what I think, I I think I do 713 00:45:55,680 --> 00:45:56,799 Speaker 2: really like this episode. 714 00:45:57,840 --> 00:45:58,560 Speaker 1: You know me too. 715 00:45:58,719 --> 00:46:00,960 Speaker 2: We've just spent forty five I've been it's talking ourselves 716 00:46:00,960 --> 00:46:01,759 Speaker 2: into it, con. 717 00:46:02,080 --> 00:46:05,319 Speaker 1: Ourselves of this opposite. No no, no, okay. 718 00:46:06,600 --> 00:46:08,120 Speaker 2: Well done Brad, Ryan and Ian. 719 00:46:08,600 --> 00:46:10,719 Speaker 1: Yeah yeah, very good, very very good. 720 00:46:12,000 --> 00:46:15,839 Speaker 2: So shit we found on TikTok this week is one 721 00:46:15,880 --> 00:46:24,640 Speaker 2: of my favorites. It's raining men. Raina on TikTok posted 722 00:46:24,680 --> 00:46:29,359 Speaker 2: this incredible. It's a wild chart that I saw last 723 00:46:29,400 --> 00:46:33,800 Speaker 2: week week before of political identities of twelfth grade boys 724 00:46:34,040 --> 00:46:40,239 Speaker 2: from nineteen seventy five to present day and in two 725 00:46:40,320 --> 00:46:48,080 Speaker 2: thousand and ten ish there's this spike in liberalism. And 726 00:46:48,560 --> 00:46:51,840 Speaker 2: she goes sound to say it's because she's like a 727 00:46:51,880 --> 00:46:54,640 Speaker 2: lot of people think it's because of Obama was in office. 728 00:46:55,000 --> 00:46:59,360 Speaker 2: But that's been Glee premiered, and I don't want to 729 00:46:59,400 --> 00:47:03,040 Speaker 2: fact check it. I'm not interested in seeing if it's right. 730 00:47:03,600 --> 00:47:07,800 Speaker 2: I'm just going to accept it as fact and believe it. 731 00:47:07,800 --> 00:47:12,960 Speaker 2: It is hilarious. Go watch it. It's twenty eight seconds, and. 732 00:47:13,680 --> 00:47:16,200 Speaker 1: I love that. I'll take it. I'm gonna believe it 733 00:47:16,280 --> 00:47:18,240 Speaker 1: is Glee. 734 00:47:18,680 --> 00:47:22,759 Speaker 2: Right, it's a wonderful, wonderful little TikTok. Thank you for 735 00:47:22,800 --> 00:47:25,960 Speaker 2: making that and tagging us in it. Yes, I mean 736 00:47:26,040 --> 00:47:29,280 Speaker 2: it's two of my favorite things, political commentary and Glee combined. 737 00:47:30,280 --> 00:47:33,280 Speaker 2: Give me more of these. Yes, some of these comments 738 00:47:33,320 --> 00:47:35,240 Speaker 2: are also great. 739 00:47:36,640 --> 00:47:37,640 Speaker 1: I don't read the comments. 740 00:47:37,800 --> 00:47:40,520 Speaker 2: Someone said, I love statistics, but I'm willing to unlearn 741 00:47:40,560 --> 00:47:47,880 Speaker 2: it to believe this correlation is the new causation. To 742 00:47:47,920 --> 00:47:49,759 Speaker 2: be honest, I'm so glad to have this info. See 743 00:47:49,760 --> 00:47:52,080 Speaker 2: some of these comments. I always read the comments on 744 00:47:52,120 --> 00:47:55,680 Speaker 2: other people's videos. Okay, it helps you give context because 745 00:47:55,680 --> 00:47:56,839 Speaker 2: sometimes I don't know what's going on. 746 00:47:57,040 --> 00:48:03,200 Speaker 1: Fair enough. Well, thanks for joining us listening to our 747 00:48:04,719 --> 00:48:07,360 Speaker 1: riveting recap of born Sway. 748 00:48:08,680 --> 00:48:10,000 Speaker 2: Jenna, do you know what's next week? 749 00:48:10,880 --> 00:48:11,920 Speaker 1: What is next week? 750 00:48:12,280 --> 00:48:18,360 Speaker 2: Rumors? Oh crap, Christian Channa, it's Fleetwood Mac. It's all happening. 751 00:48:18,520 --> 00:48:21,200 Speaker 1: Oh my god, the Fleetwood Mac tribute episode. It happened 752 00:48:21,239 --> 00:48:25,920 Speaker 1: so quickly after doing Landslide. I don't feel like I remember. 753 00:48:25,520 --> 00:48:30,840 Speaker 2: That because he probably inspired them, you know, Stevie's for 754 00:48:31,000 --> 00:48:34,319 Speaker 2: the right. Yeah, exactly go for it. Oh, thank you 755 00:48:34,360 --> 00:48:37,080 Speaker 2: for joining us on this extra long episode of Glee. 756 00:48:37,400 --> 00:48:40,640 Speaker 2: See you next week, and that's what Julia they missed. 757 00:48:42,320 --> 00:48:45,480 Speaker 2: Thanks for listening and follow us on Instagram at and 758 00:48:45,520 --> 00:48:47,759 Speaker 2: that's what you really miss pod. Make sure to write 759 00:48:47,840 --> 00:48:50,120 Speaker 2: us a review and leave us five stars. See you 760 00:48:50,120 --> 00:48:50,520 Speaker 2: next time.