WEBVTT - Nobody 2

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<v Speaker 1>Warning today's episode Kittaine spoilers for Nobody to Nobody No.

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<v Speaker 2>Hello.

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<v Speaker 1>My name is Jason Concepcion and I'm Urdy Night, and

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<v Speaker 1>welcome back to ext revision of the podcast Where Week.

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<v Speaker 2>I've de be your favorite shows.

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<v Speaker 1>Movies, comics, and pop culture company for my our podcast

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<v Speaker 1>Where're bringing you episodes every Tuesday Thursday plus like today, we're.

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<v Speaker 2>Discussing the summer's biggest movies every Friday, plus days on Saturday.

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<v Speaker 3>And in today's episode, we are going to be talking

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<v Speaker 3>about Nobody Too starring Bob Odenkirk. Don't we all love him.

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<v Speaker 3>We're gonna be talking about that. We're gonna talk about

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<v Speaker 3>some of our other favorite secret spies in the suburbs

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<v Speaker 3>type movies. And we're also gonna ask, like, what what

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<v Speaker 3>are actual movie's saying right now? Like what twenty twenty

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<v Speaker 3>five action movies? We are they telling us about the world?

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<v Speaker 4>Been living it?

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<v Speaker 2>Okay? Nobody Too?

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<v Speaker 1>Nobody two is the sequel to the surprise hit Nobody Won,

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<v Speaker 1>which was released in twenty twenty one, starring God starring

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<v Speaker 1>I Know.

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<v Speaker 2>Feels like it well is not that long though I.

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<v Speaker 4>Know it does not feel that long ago.

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<v Speaker 1>The first film was directed by Hardcore Harry's Ilia Nischuler

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<v Speaker 1>and written by John Wick Scribe Derek Coolstadt, starring Bob

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<v Speaker 1>Odenkirk and Nobody to picks up the baton from Nobody One,

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<v Speaker 1>still starring Bob Odenkirk, still written by Derek Colstad, but

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<v Speaker 1>this time directed by Timo Chahanto, Indonesian action filmmaker. And

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<v Speaker 1>your thoughts, Rosie upon seeing Nobody Too.

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<v Speaker 3>Yes, I was, I was. I have controversial takes on

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<v Speaker 3>Nobody Else was really good. I think, I think it's

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<v Speaker 3>a brilliantly made movie, but also I found it to

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<v Speaker 3>be quite like it's quite like a just a kind

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<v Speaker 3>of a gritty like grinding like hardcore watch. And I

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<v Speaker 3>think that's why people liked it. I mean, you mentioned

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<v Speaker 3>ilias the director of Nobody Wants for like big breakout

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<v Speaker 3>movie Hardcore Henry, which was like such a moment if

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<v Speaker 3>you were there for it, which was this kind of

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<v Speaker 3>crazy POV action movie that began as a short that

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<v Speaker 3>I think was like one of those big kind of

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<v Speaker 3>if you were on the internet in the zeros and tens, that.

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<v Speaker 4>Was like a big thing that you were looking for.

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<v Speaker 3>I really enjoyed Nobody Too because even though, and we'll

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<v Speaker 3>talk about this, it is essentially like the same beats.

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<v Speaker 3>I enjoyed the kind of you know, as we mentioned,

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<v Speaker 3>the Dead Island kind of lens that they put this through,

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<v Speaker 3>where it's like, I like the colorful shirts. I like

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<v Speaker 3>the he's just trying to have a good holiday and

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<v Speaker 3>be a good dad. But you know, these people in

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<v Speaker 3>this small town Plumberville, this kind of American summer town,

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<v Speaker 3>are you know, nefarious and corrupt. I think there's been

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<v Speaker 3>some really good small town corruption movies this year with

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<v Speaker 3>Rebel Ridge obviously and other fantastic movie starring Future Green

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<v Speaker 3>Lanterns star Aaron Perre. That was very much we love

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<v Speaker 3>a small town corruption movie, like, yeah, it's a it's

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<v Speaker 3>American tradition. And I think for me, what I really

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<v Speaker 3>loved was I'm a big Timo fan. I loved Timo's

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<v Speaker 3>Timo used to make a lot of horror movies with

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<v Speaker 3>another director they call the Mo Brothers. They made Maccab,

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<v Speaker 3>they made stuff like that. But then he really came

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<v Speaker 3>back onto my kind of radar in when he made

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<v Speaker 3>The Night Comes for Us, which is on Netflix. It's

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<v Speaker 3>a Indonesian action horror kind of boss too.

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<v Speaker 1>Many super violent, too many throats for me, I love

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<v Speaker 1>I love you.

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<v Speaker 4>I was like, yeah, I get it.

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<v Speaker 2>I listen.

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<v Speaker 1>I love the action movies. I love violent movies. This

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<v Speaker 1>is a well made movie. It's just too many throats.

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<v Speaker 4>The Night Comes for Us is one of the most

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<v Speaker 4>violent movies.

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<v Speaker 1>It's one of the most like jugular cutting movies you will.

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<v Speaker 2>Ever see it.

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<v Speaker 4>It's like The Raid if The Raid was.

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<v Speaker 3>Like a Gorse black and it stars, it stars Eco

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<v Speaker 3>Us and it stars Joe Taslim. And then Timo has

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<v Speaker 3>done some other great movies that you know he did.

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<v Speaker 3>He'd recently had a new action movie on Netflix. He

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<v Speaker 3>did the really fun horror movies, Made The Devil Take You,

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<v Speaker 3>Made The Devil Take You Too, which very Sam raimish.

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<v Speaker 3>So what I really liked about this one was I

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<v Speaker 3>felt like he was able to bring his kind of

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<v Speaker 3>cartoonish direction of violence to this. You get a lot

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<v Speaker 3>of like teeth that coming now and people again like

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<v Speaker 3>kicked in the head, and there's the boat fight, which

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<v Speaker 3>was really fun. So I like that timas kind of

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<v Speaker 3>bring his more out their style. But I would say,

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<v Speaker 3>as well, definitely not like Night Comes for Us, is

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<v Speaker 3>that this is a completely fine.

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<v Speaker 1>The boat fight was wonderful. It's like, listen, you can

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<v Speaker 1>almost Here's what's fun about these movies kind of for me,

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<v Speaker 1>both one and two and particularly too. You can just

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<v Speaker 1>look and be like, ah, the tooth coming out like

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<v Speaker 1>from Wanted exactly, the fight on the boat like Jackie

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<v Speaker 1>Chan's police story fight on the bus, but on a boat,

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<v Speaker 1>and all these wonderful like little nods. You know, first

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<v Speaker 1>it's a first Blood set up.

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<v Speaker 2>And I also.

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<v Speaker 1>Liked listen, the action is really fun and to your point,

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<v Speaker 1>it it veers at times into an almost Tom and

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<v Speaker 1>Jerry level.

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<v Speaker 3>Yeah, yeah, yeah, especially in this one, which I think

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<v Speaker 3>is really fun, like.

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<v Speaker 1>You could shoot somebody, sure, but why not trigger a

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<v Speaker 1>home alone style trap the super Bowl with knives to

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<v Speaker 1>like come out.

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<v Speaker 3>Like kill did love the stuff, you know what, I

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<v Speaker 3>will say, I'm glad you brought that up, because I

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<v Speaker 3>do think one of the reasons that this movie really

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<v Speaker 3>spoke to me was like, basically, in case you you know,

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<v Speaker 3>really need it, it is the family go on a vacation.

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<v Speaker 3>It's just after you know, continuing on from the first

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<v Speaker 3>movie where I just kind of gotten rid of the

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<v Speaker 3>people who causing problems in his family who raided his house.

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<v Speaker 3>Very classic death wish sty'll set up and now they're

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<v Speaker 3>going on vacation. They want everything to be normal, but

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<v Speaker 3>his son gets into it with a kid at an arcade,

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<v Speaker 3>and you unravel this kind of you know, chaotic corruption

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<v Speaker 3>under the small town. But I'm glad that you brought

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<v Speaker 3>it up because the final act of this movie is

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<v Speaker 3>what I think I'm looking for in many movies, which.

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<v Speaker 4>Is like, why are more movies set in theme pos?

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<v Speaker 4>Like why are the action movies.

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<v Speaker 3>And horror movies set in theme pox? Because I think

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<v Speaker 3>that is like an iconic setting for something fun. And

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<v Speaker 3>there's about three or four movies that have ever done it, well,

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<v Speaker 3>this being one of them.

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<v Speaker 1>Am I think that you know it's it has taken.

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<v Speaker 1>It took several decades, two and a half decades, almost

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<v Speaker 1>three three decades for the home alone finish to become

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<v Speaker 1>the part to become a trope. You know, maybe it

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<v Speaker 1>was SETI Fall that was really the high brow movie

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<v Speaker 1>that was like what if we just got home alone there?

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<v Speaker 1>And you know this the entire climax of this film,

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<v Speaker 1>I'm just thinking, great, We're gonna get a home alone

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<v Speaker 1>in a Carnival good. And I think that now that

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<v Speaker 1>it's been this long and we've you know, we've started

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<v Speaker 1>the ball rolling with this, I agree with you. I

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<v Speaker 1>love a good like Booby Trap laden Finish a Home Alone.

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<v Speaker 2>And I think we're gonna start to see more of

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<v Speaker 2>these now.

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<v Speaker 4>Yeah.

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<v Speaker 2>Fun.

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<v Speaker 4>I think it's fun.

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<v Speaker 3>And also we've you know, Rube Goldberg machines are ever

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<v Speaker 3>more popular whether you're in a Saw type situation. You know,

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<v Speaker 3>we're like fifteen twenty years out from the first Saw

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<v Speaker 3>movie now, so I feel like we can explore that.

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<v Speaker 3>I also think that there is something just decidedly thrilling.

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<v Speaker 3>It's the nature of going on a roller coaster, right

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<v Speaker 3>is it looks dangerous, but it's not dangerous.

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<v Speaker 4>So I think that seeing.

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<v Speaker 3>A space like that that then becomes dangerous and has

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<v Speaker 3>all these kind of terrifying traps is very fun.

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<v Speaker 4>There's only other like.

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<v Speaker 3>I watched a movie a very long time ago, Spanish movie.

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<v Speaker 3>I believe it's called a Christmas Tale, and it's about

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<v Speaker 3>some kids who accidentally trap a bank robber who is

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<v Speaker 3>dressed as Santa in a pit, and because they're eleven

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<v Speaker 3>year olds, they get kind of obsessed with like keeping

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<v Speaker 3>the person in the pit, and it's really kind of

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<v Speaker 3>a creepy moralistic tale until at the end she just

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<v Speaker 3>escapes and chases them through a water park dressed the

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<v Speaker 3>Santa with an axe. And I always remember just being like, yes, also,

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<v Speaker 3>you know something that was kind of blowing my mind

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<v Speaker 3>when I was watching Nobody to which I'm interested to

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<v Speaker 3>see if we'll like translate for an average audience member.

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<v Speaker 3>I just feel like this is a very stacked movie castwise.

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<v Speaker 3>I feel like you not only do you have obviously

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<v Speaker 3>Bob Odenkirk Connie Nilson returning, but then you have like

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<v Speaker 3>Colin Hanks is the evil corruption against and goes like

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<v Speaker 3>really into it. You've got Christopher Lloyd. He's doing a

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<v Speaker 3>classic like crazy dad vibe.

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<v Speaker 4>Here.

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<v Speaker 1>Who's who you've seen in things such as the Michael Man,

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<v Speaker 1>Miami Heat, Miami Vice. Excuse me, you've seen him in

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<v Speaker 1>Carlito's Way, You've seen him.

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<v Speaker 4>In and that's a answer.

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<v Speaker 3>And he it's fun and he gets a fun kind

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<v Speaker 3>of twist on this story too, like where you expect

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<v Speaker 3>him to be somewhere. Also, McKenna grace is in this movie.

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<v Speaker 3>Like they stacked it up. I think post nobody Wan

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<v Speaker 3>and I think we can see this with a lot

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<v Speaker 3>of the North, the eighty seven North, like David.

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<v Speaker 2>Lee type stuff.

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<v Speaker 4>Yeah, post John Wick.

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<v Speaker 3>This stuff appeals to people they want to be in

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<v Speaker 3>the next one after Nobody. I think people watched it

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<v Speaker 3>and said, I want to be in whatever that is.

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<v Speaker 1>Yeah, I agree with you, And I think the appeal

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<v Speaker 1>is something like this, Hey, Sharon Stone, it's a cool

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<v Speaker 1>whatever her price is like a couple of million, We

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<v Speaker 1>shoot you out in five days. You're in and out

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<v Speaker 1>in five days. You don't have to sit on like

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<v Speaker 1>in Vancouver or wherever for a month. And it's and

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<v Speaker 1>you can basically just be crazy and do what you want.

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<v Speaker 1>I think that's the appeal, which is and is a

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<v Speaker 1>grand appeal. Like Christopher Lloyd. When I saw Christopher Lloyd

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<v Speaker 1>in the first one, I was like, wait a second,

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<v Speaker 1>Christopher Lloyd is eighty.

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<v Speaker 4>Two yep, wow, this yeah is having a sun.

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<v Speaker 1>The casting for these is spectacular. I think part of

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<v Speaker 1>it is the fact that they can probably pay a

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<v Speaker 1>good a good salary because and it's everything else is

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<v Speaker 1>clearly done the cheapest, high quality way you can do it.

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<v Speaker 3>Yeah, which, honestly, this is now going to become I think,

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<v Speaker 3>you know, I was on a skate patch yesterday talking

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<v Speaker 3>about gong Girl, and we were kind of talking about

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<v Speaker 3>the loss of the mid range, mid budget movie that could.

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<v Speaker 3>For example, Gongirl costs like sixty million dollars, but it

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<v Speaker 3>made three hundred and seventy million dollars, which now would

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<v Speaker 3>be a kind of good EMCU take in twenty twenty five,

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<v Speaker 3>and this, I think is the new version of that.

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<v Speaker 4>Way the budget for this movie.

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<v Speaker 3>Twenty five, Yeah, the new it's like, this is twenty

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<v Speaker 3>five million dollars. It's a twenty five million dollar budget.

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<v Speaker 3>But if this opens, you know to ten, fifteen, twenty,

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<v Speaker 3>it's gonna do great. But the first one made a

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<v Speaker 3>ton of money.

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<v Speaker 4>For Universe, I'm.

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<v Speaker 2>Like, called fifteen million. Die.

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<v Speaker 1>I forget the budget on it was what it was,

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<v Speaker 1>but it was they made like sixty million on a

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<v Speaker 1>less than twenty million dollar budget or something.

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<v Speaker 3>I think as well, like because of the way that

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<v Speaker 3>streaming has changed how people watch stuff in America obviously,

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<v Speaker 3>and I always talk about this.

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<v Speaker 4>I think it's great. It's one of the things I

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<v Speaker 4>really think is.

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<v Speaker 3>A great choice culturally, is like I think the R

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<v Speaker 3>rating is a really powerful choice here because you can

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<v Speaker 3>take a kid to an R rated movie if you

0:12:34.480 --> 0:12:36.640
<v Speaker 3>are their guardian or you were an adult, and I

0:12:36.679 --> 0:12:39.360
<v Speaker 3>think it opens up what people can and can't see,

0:12:39.360 --> 0:12:41.839
<v Speaker 3>whereas in England you have to have like your passport

0:12:41.880 --> 0:12:44.080
<v Speaker 3>to go and see an eighteen rated movie, Like they're

0:12:44.120 --> 0:12:47.040
<v Speaker 3>really really hardcore about it. And I think so there

0:12:47.080 --> 0:12:50.560
<v Speaker 3>was always a culture of people of all different ages

0:12:50.600 --> 0:12:53.199
<v Speaker 3>going to see movies here. Last night I went to

0:12:53.200 --> 0:12:56.440
<v Speaker 3>see Weapons again and there was an eight year old

0:12:56.480 --> 0:12:58.640
<v Speaker 3>in there and you know what, that kids slaunched it out,

0:12:58.679 --> 0:13:02.440
<v Speaker 3>so good for the parents. But like, something I think

0:13:02.440 --> 0:13:06.200
<v Speaker 3>about movies like this now is in a post streaming

0:13:06.240 --> 0:13:09.040
<v Speaker 3>world where every kid has watched a YouTube video about

0:13:09.040 --> 0:13:12.120
<v Speaker 3>all the worst deaths in john Wick or all the

0:13:12.160 --> 0:13:15.400
<v Speaker 3>craziest times that Freddie versus Jason killed each other, I

0:13:15.480 --> 0:13:18.040
<v Speaker 3>think a kid can like this could be a movie

0:13:18.040 --> 0:13:21.320
<v Speaker 3>where there is a wider quadrant than you would expect

0:13:21.400 --> 0:13:22.800
<v Speaker 3>who is going to go and want to see.

0:13:22.800 --> 0:13:25.240
<v Speaker 1>And I think to your point, there is clearly a

0:13:25.360 --> 0:13:31.920
<v Speaker 1>space for people love the john Wick style setup. A

0:13:32.320 --> 0:13:36.160
<v Speaker 1>man has been aggrieved in some way by the powers

0:13:36.160 --> 0:13:39.600
<v Speaker 1>that be and he gets revenge, and I think there's clearly,

0:13:39.760 --> 0:13:43.240
<v Speaker 1>as the success of Nobody Won has shown, there's clearly

0:13:43.240 --> 0:13:47.160
<v Speaker 1>a space for that setup. But just like less crazy,

0:13:47.200 --> 0:13:48.480
<v Speaker 1>less gritty than John Wick.

0:13:49.000 --> 0:13:49.679
<v Speaker 4>They did it like.

0:13:49.720 --> 0:13:55.079
<v Speaker 1>More fun and slightly more comedic and lower the death count,

0:13:55.160 --> 0:13:56.920
<v Speaker 1>Like a lot of people get beat up, but only

0:13:56.960 --> 0:13:59.680
<v Speaker 1>a few people die now, and if they.

0:13:59.520 --> 0:14:01.920
<v Speaker 3>Do, they die in like a crazily comedic way, like

0:14:02.160 --> 0:14:04.640
<v Speaker 3>an anchor is going through the head. So you're kind

0:14:04.640 --> 0:14:07.400
<v Speaker 3>of like, isn't that like an episode of Paulpie right?

0:14:08.200 --> 0:14:10.120
<v Speaker 2>And so I think that there is. I think there's

0:14:10.200 --> 0:14:11.360
<v Speaker 2>clearly a space for that.

0:14:11.400 --> 0:14:13.520
<v Speaker 1>And I think part of it is, like, what's interesting

0:14:13.559 --> 0:14:18.640
<v Speaker 1>to me about watching this movie was like, how clearly

0:14:18.720 --> 0:14:24.160
<v Speaker 1>what resonates is, uh, you like this movie because the

0:14:24.200 --> 0:14:27.640
<v Speaker 1>world is fucked it is. You feel like it is corrupt.

0:14:28.120 --> 0:14:31.400
<v Speaker 1>You feel like the skills you would need to fight

0:14:31.480 --> 0:14:34.360
<v Speaker 1>back against it are like impossible. You would have to

0:14:34.400 --> 0:14:36.800
<v Speaker 1>be I'd have to be like a retired government assassin

0:14:36.920 --> 0:14:38.720
<v Speaker 1>or something exactly to figure out how to do it.

0:14:38.760 --> 0:14:40.920
<v Speaker 1>And so this the wish fulfillment in this movie is

0:14:41.000 --> 0:14:43.960
<v Speaker 1>quite clear. It's like, here's a guy just wants to

0:14:43.960 --> 0:14:46.200
<v Speaker 1>live a normal life like everybody else wants to live

0:14:46.240 --> 0:14:49.120
<v Speaker 1>a normal life, only he's the one they shouldn't have

0:14:49.160 --> 0:14:56.200
<v Speaker 1>fucked with. And again it's so simple and yet extremely satisfying.

0:14:56.600 --> 0:14:59.680
<v Speaker 1>And there's nothing we were talking about this pre mic

0:15:01.280 --> 0:15:04.720
<v Speaker 1>plot wise characterized. There's nothing that's a surprise in this

0:15:04.880 --> 0:15:07.680
<v Speaker 1>movie or nobody won, like you know, nobody won. The

0:15:07.960 --> 0:15:12.320
<v Speaker 1>the the guys walk onto the bus and you understand.

0:15:11.920 --> 0:15:16.400
<v Speaker 3>Do you understand that he's about yeah, good app But

0:15:16.440 --> 0:15:18.720
<v Speaker 3>then it becomes how do you show that?

0:15:18.800 --> 0:15:22.280
<v Speaker 1>And I think what acts? The real surprise is that

0:15:22.800 --> 0:15:28.560
<v Speaker 1>it's Bob Odenkirk. Here's the guy from Mister Show and

0:15:28.640 --> 0:15:32.600
<v Speaker 1>from you know better call Sauw who good actor, good

0:15:32.680 --> 0:15:36.480
<v Speaker 1>dramatic actor, more more known for his comedic work. Who

0:15:36.960 --> 0:15:39.160
<v Speaker 1>nobody was thinking, oh action star.

0:15:39.760 --> 0:15:43.080
<v Speaker 2>And that to me is.

0:15:43.040 --> 0:15:46.600
<v Speaker 1>Like, it's an interesting twist on it because you're it's like,

0:15:46.720 --> 0:15:49.040
<v Speaker 1>give us the genre stuff that is tried and true,

0:15:49.120 --> 0:15:55.320
<v Speaker 1>like literally a genre, the the middle aged aggrieved man

0:15:56.040 --> 0:16:00.720
<v Speaker 1>is a genre that is so yes. But this twist

0:16:00.840 --> 0:16:03.360
<v Speaker 1>is what if we cast it really interestingly like what

0:16:04.000 --> 0:16:04.160
<v Speaker 1>you know?

0:16:04.520 --> 0:16:09.200
<v Speaker 3>And I think that exactly. I think that is what

0:16:09.920 --> 0:16:15.600
<v Speaker 3>David Leitch and Chad Steleski have been doing since the

0:16:15.600 --> 0:16:18.480
<v Speaker 3>first John Wick movie. Because even that movie, having Keanu

0:16:18.560 --> 0:16:23.160
<v Speaker 3>Reeves as that character was like a meta textual commentary

0:16:23.160 --> 0:16:26.040
<v Speaker 3>and understanding of what he did well but that he

0:16:26.080 --> 0:16:29.080
<v Speaker 3>had always been critiqued for, which is like this almost

0:16:29.080 --> 0:16:32.560
<v Speaker 3>Hong Kong inspired style of acting that's really about action

0:16:32.680 --> 0:16:36.200
<v Speaker 3>and movement instead of you know, emotions and everything.

0:16:36.440 --> 0:16:37.680
<v Speaker 4>In the most normal way.

0:16:37.720 --> 0:16:39.800
<v Speaker 3>But the other thing that John Wick did that I

0:16:39.840 --> 0:16:43.400
<v Speaker 3>think is really great and for me is why this

0:16:43.560 --> 0:16:48.920
<v Speaker 3>era of Nobody and John Wick is a great subversion

0:16:49.120 --> 0:16:52.640
<v Speaker 3>and kind of elevation of the traditional revenge movie is

0:16:52.680 --> 0:16:55.360
<v Speaker 3>if you look back at something like Charles Bronson, who

0:16:55.520 --> 0:16:57.800
<v Speaker 3>I have to say, I grew up loving B movies

0:16:57.840 --> 0:17:00.680
<v Speaker 3>and exploitations, so I used to watch those movies a lot.

0:17:00.920 --> 0:17:04.840
<v Speaker 3>But like Death Wish, for example, all those movies begin

0:17:05.600 --> 0:17:09.239
<v Speaker 3>with like a horrific assault on a woman, and I

0:17:09.280 --> 0:17:12.200
<v Speaker 3>think that for a long time, the idea of these

0:17:12.240 --> 0:17:15.200
<v Speaker 3>movies was like a man has to rectify something bad

0:17:15.240 --> 0:17:18.760
<v Speaker 3>that was done to his property aka his house, or

0:17:18.800 --> 0:17:22.040
<v Speaker 3>his wife or his children. And there's like five Death

0:17:22.080 --> 0:17:25.480
<v Speaker 3>Wish movies because of that and about that. So I

0:17:25.480 --> 0:17:29.720
<v Speaker 3>think what I really love about Nobody one established more

0:17:29.760 --> 0:17:32.239
<v Speaker 3>of this idea of like what if somebody invades your

0:17:32.280 --> 0:17:34.920
<v Speaker 3>home and the sanctity of your home and the safety

0:17:34.920 --> 0:17:37.280
<v Speaker 3>of your home that you built, rather than like what

0:17:37.359 --> 0:17:40.199
<v Speaker 3>if they sexually assault your teenage daughter? Like And I

0:17:40.240 --> 0:17:43.200
<v Speaker 3>think that with john Wick, one of the reasons that movie.

0:17:42.920 --> 0:17:46.240
<v Speaker 4>Had such a killing reach what if they kill your dog?

0:17:46.400 --> 0:17:49.399
<v Speaker 3>Like what if it's something that you can imagine being

0:17:49.480 --> 0:17:52.600
<v Speaker 3>the thing that breaks you, But it doesn't have to

0:17:52.640 --> 0:17:55.480
<v Speaker 3>begin in that like truly exploitative place. And I think

0:17:55.520 --> 0:17:57.480
<v Speaker 3>that's why these are so fun for me. And I

0:17:57.520 --> 0:18:01.760
<v Speaker 3>think as well, like you know, this movie especially builds

0:18:01.800 --> 0:18:04.399
<v Speaker 3>on what we've seen and nobody won by kind of

0:18:04.560 --> 0:18:08.480
<v Speaker 3>establishing this almost franchised mindset of like, well, their son

0:18:08.560 --> 0:18:11.040
<v Speaker 3>clearly has aggression issues, but if he uses them in

0:18:11.080 --> 0:18:13.120
<v Speaker 3>the right way, he too can be a cool assassin

0:18:13.160 --> 0:18:16.800
<v Speaker 3>who beats up corrupt people. And you get Connie Nielsen,

0:18:17.240 --> 0:18:18.560
<v Speaker 3>who is suddenly.

0:18:18.119 --> 0:18:20.239
<v Speaker 4>Like they're like, by the way, by the way, I

0:18:20.359 --> 0:18:23.400
<v Speaker 4>thought she was just a normal successful wife, She's a sniper.

0:18:23.640 --> 0:18:25.639
<v Speaker 1>She's also a successful sniper.

0:18:26.080 --> 0:18:28.679
<v Speaker 3>And I think, like there's I like to see the

0:18:28.760 --> 0:18:31.680
<v Speaker 3>ways that they try and build these worlds out when

0:18:31.680 --> 0:18:33.760
<v Speaker 3>they make movies like this. I think that's one of

0:18:33.760 --> 0:18:36.280
<v Speaker 3>the most fun things about John The law is how

0:18:36.320 --> 0:18:39.000
<v Speaker 3>you expand the world, and the law, the John Wick

0:18:39.080 --> 0:18:40.000
<v Speaker 3>law is insane.

0:18:40.359 --> 0:18:44.000
<v Speaker 1>I mean the law of nobody too is only not

0:18:44.200 --> 0:18:47.720
<v Speaker 1>insane because we don't know that much about it yet.

0:18:48.400 --> 0:18:52.320
<v Speaker 2>I will say that the more I.

0:18:52.320 --> 0:18:55.359
<v Speaker 1>Learn and you learn more about nobody too, for instance,

0:18:55.400 --> 0:19:00.320
<v Speaker 1>you learn that, uh, it's Hutch and the resist dad

0:19:01.000 --> 0:19:04.000
<v Speaker 1>was like involved in this town for was like.

0:19:03.960 --> 0:19:08.360
<v Speaker 4>Bringing a holiday, but really it was some kind of.

0:19:08.880 --> 0:19:14.040
<v Speaker 1>Mission right because uh, you know, drugs and counterfeit goods

0:19:14.160 --> 0:19:17.760
<v Speaker 1>and chemical precursors for drugs and things are coming back

0:19:17.800 --> 0:19:21.480
<v Speaker 1>from Canada into this small town and Hutch's dad and

0:19:21.760 --> 0:19:26.200
<v Speaker 1>his dad was involved in this. And there's also the

0:19:26.640 --> 0:19:30.200
<v Speaker 1>thing of I forget the name of the character who

0:19:30.400 --> 0:19:33.240
<v Speaker 1>in one and two Hutch calls on the phone and is.

0:19:33.200 --> 0:19:37.160
<v Speaker 3>Like his content is like, oh, it's his governments, contact government,

0:19:37.560 --> 0:19:40.520
<v Speaker 3>his government handler who is in this for like a minute,

0:19:40.520 --> 0:19:41.080
<v Speaker 3>but it's.

0:19:41.320 --> 0:19:44.840
<v Speaker 1>Has the Michael Michael Well it was Michael Ironside in

0:19:44.880 --> 0:19:46.520
<v Speaker 1>the right in the first one. But you know who

0:19:46.600 --> 0:19:48.399
<v Speaker 1>is it? No, it's the I'm talking about the British

0:19:48.400 --> 0:19:50.800
<v Speaker 1>guy who's like in the barbershop and he's just.

0:19:54.840 --> 0:19:58.320
<v Speaker 2>This you've got in trouble this time you missed.

0:19:59.200 --> 0:20:01.240
<v Speaker 1>You're gonna have to keep your head down on this one,

0:20:01.560 --> 0:20:04.879
<v Speaker 1>Old boy.

0:20:03.640 --> 0:20:06.560
<v Speaker 3>A right, John Wick, and Sir John, I think that's

0:20:06.600 --> 0:20:09.280
<v Speaker 3>one of my one of my things that I really

0:20:09.400 --> 0:20:13.159
<v Speaker 3>enjoy about this era of like crazy action movies.

0:20:13.240 --> 0:20:14.800
<v Speaker 4>It's basically just that we're.

0:20:14.640 --> 0:20:16.760
<v Speaker 3>In a time where people are allowed to have a

0:20:16.760 --> 0:20:18.879
<v Speaker 3>lot more fun with it and there is more of

0:20:18.920 --> 0:20:23.160
<v Speaker 3>a kind of wild style approach. Whether it's The Kingsman

0:20:23.560 --> 0:20:26.440
<v Speaker 3>or whether it's John Wick or whether it's nobody, We're

0:20:26.480 --> 0:20:30.320
<v Speaker 3>getting these different versions of what an action movie can be.

0:20:30.359 --> 0:20:33.560
<v Speaker 3>And I do think that historically there's a good action

0:20:33.760 --> 0:20:37.080
<v Speaker 3>comedy tradition in America, So I feel like these fit in.

0:20:37.440 --> 0:20:39.840
<v Speaker 1>And I think that there is the other influence that

0:20:39.880 --> 0:20:43.080
<v Speaker 1>I'd like to call out on this movie specifically, and

0:20:42.600 --> 0:20:48.879
<v Speaker 1>they want is the is the genre of YouTube video

0:20:49.040 --> 0:20:53.800
<v Speaker 1>that's like Bully gets his due, Bully picks.

0:20:53.640 --> 0:20:58.199
<v Speaker 2>On the wrong guy. Yeah, And I mean that is

0:20:58.400 --> 0:21:00.439
<v Speaker 2>the power of both of these movies.

0:21:00.600 --> 0:21:04.359
<v Speaker 1>Every single absolutely set pieces like Bully picks on the

0:21:04.400 --> 0:21:06.760
<v Speaker 1>wrong guy, you did it, you did the wrong thing

0:21:06.800 --> 0:21:10.600
<v Speaker 1>this time, like when the when the carnival guy smacks

0:21:10.640 --> 0:21:14.640
<v Speaker 1>the back of Hutch's daughter's head and you just know, Okay.

0:21:14.200 --> 0:21:16.200
<v Speaker 3>You're just like what and also like that's such a

0:21:16.359 --> 0:21:19.440
<v Speaker 3>stupid just like take one step back, bro like, don't

0:21:19.480 --> 0:21:20.720
<v Speaker 3>don't hit an eleven.

0:21:20.440 --> 0:21:24.920
<v Speaker 4>Year old girl. But I am excited for the inevitable addition.

0:21:25.240 --> 0:21:28.280
<v Speaker 3>And Nobody three of like the girl becoming really cool.

0:21:28.359 --> 0:21:30.960
<v Speaker 2>Oh no, that's gonna get it. That's definitely gonna hand

0:21:31.000 --> 0:21:31.879
<v Speaker 2>it off to the family.

0:21:31.920 --> 0:21:34.440
<v Speaker 4>You go to hand it off to the family. Nobody three.

0:21:34.520 --> 0:21:37.520
<v Speaker 3>It's called like family vacation and like it's like a

0:21:37.600 --> 0:21:40.200
<v Speaker 3>National Lampoon movie and they just go to a different place.

0:21:40.640 --> 0:21:42.160
<v Speaker 1>Take a quick break, and then we'll do some opening

0:21:42.160 --> 0:21:47.119
<v Speaker 1>box office predictions. We'll talk about your favorite uh you know,

0:21:47.240 --> 0:21:52.080
<v Speaker 1>middle aged man, aggrieved movies, retired hit man movies, and

0:21:52.119 --> 0:22:09.000
<v Speaker 1>we'll be right back after this. And we're back, okay,

0:22:09.480 --> 0:22:15.000
<v Speaker 1>box office predictions. Your box office prediction on a budget

0:22:15.000 --> 0:22:19.040
<v Speaker 1>of twenty five million dollars, Nobody to kind of a

0:22:19.080 --> 0:22:20.800
<v Speaker 1>good weekend to be opening.

0:22:20.840 --> 0:22:22.560
<v Speaker 2>I think right now it's a good weekend.

0:22:22.240 --> 0:22:24.960
<v Speaker 4>To be opening. I do think that.

0:22:26.480 --> 0:22:28.960
<v Speaker 3>What's going to happen that I think is interesting about

0:22:28.960 --> 0:22:31.639
<v Speaker 3>Nobody is it ended up the first one ended up

0:22:31.640 --> 0:22:33.959
<v Speaker 3>in a very interesting situation.

0:22:34.000 --> 0:22:37.280
<v Speaker 4>Which was that it was relatively popular.

0:22:37.720 --> 0:22:41.520
<v Speaker 3>It made twenty seven million dollars domestically fifty seven million dollars.

0:22:41.200 --> 0:22:46.040
<v Speaker 4>Globally, but it was very popular on video and demand.

0:22:46.440 --> 0:22:47.680
<v Speaker 4>It was old school.

0:22:47.960 --> 0:22:50.439
<v Speaker 3>I think, and I think that this is probably I

0:22:50.480 --> 0:22:53.159
<v Speaker 3>think that it's not realistically going to be able to

0:22:53.280 --> 0:22:57.960
<v Speaker 3>knock Weapons off number one because Weapons way overperformed. It

0:22:58.040 --> 0:23:02.240
<v Speaker 3>overperformed to the point of like making like thirteen million

0:23:02.280 --> 0:23:03.160
<v Speaker 3>dollars more than they.

0:23:03.040 --> 0:23:03.920
<v Speaker 4>Thought it was going to make.

0:23:04.080 --> 0:23:06.359
<v Speaker 2>This is going to be single digit millions open.

0:23:06.480 --> 0:23:08.959
<v Speaker 3>I think this could be I think I think opening

0:23:09.000 --> 0:23:09.879
<v Speaker 3>weekends nine.

0:23:10.440 --> 0:23:12.280
<v Speaker 4>I think it could go eight to ten.

0:23:12.840 --> 0:23:16.199
<v Speaker 3>I think that it does have a crossover with the

0:23:16.200 --> 0:23:19.199
<v Speaker 3>weapons audience, which I do think is always, you know,

0:23:19.680 --> 0:23:21.960
<v Speaker 3>you don't always want to be battling up against that.

0:23:22.200 --> 0:23:26.120
<v Speaker 3>But I think that people who maybe have already seen weapons,

0:23:26.240 --> 0:23:28.760
<v Speaker 3>or who don't necessarily want to go and see something

0:23:28.800 --> 0:23:31.960
<v Speaker 3>that's really scary and instead want to just go and

0:23:32.000 --> 0:23:35.080
<v Speaker 3>see something that's kind of like late summer fun I

0:23:35.119 --> 0:23:37.520
<v Speaker 3>think it's got potential, and I do think it's opening

0:23:37.520 --> 0:23:41.080
<v Speaker 3>in thirty two hundred thirty two hundred years, so it

0:23:41.119 --> 0:23:44.000
<v Speaker 3>could over index and overform I went to see Weapons

0:23:44.080 --> 0:23:46.320
<v Speaker 3>last night for the third time, and it was like,

0:23:46.960 --> 0:23:48.800
<v Speaker 3>as I mentioned, there was an eight year old in there,

0:23:49.040 --> 0:23:52.720
<v Speaker 3>but also it was jam packed and it was discount Tuesday,

0:23:52.800 --> 0:23:55.479
<v Speaker 3>so that does happen. But it was like so loud

0:23:55.880 --> 0:23:59.280
<v Speaker 3>that I could just constantly hear people eating popcorn like

0:23:59.320 --> 0:24:03.080
<v Speaker 3>it was so it was so packed that you just couldn't.

0:24:02.440 --> 0:24:05.160
<v Speaker 1>I don't in a movie will do that.

0:24:05.280 --> 0:24:07.359
<v Speaker 4>I don't think it's got that kind of leg but

0:24:07.440 --> 0:24:08.320
<v Speaker 4>I do think it could.

0:24:08.440 --> 0:24:10.679
<v Speaker 3>People are excited to be at the movie there they

0:24:10.680 --> 0:24:12.400
<v Speaker 3>see so it could be a bit more.

0:24:12.680 --> 0:24:16.879
<v Speaker 2>I do see it going to VOD definitely.

0:24:17.400 --> 0:24:20.440
<v Speaker 3>Yeah, Yeah, And I think as well, like for all

0:24:20.440 --> 0:24:23.720
<v Speaker 3>we know, we'll see what kind of see what kind

0:24:23.720 --> 0:24:26.720
<v Speaker 3>of kind of situation they're in, because also that you

0:24:26.760 --> 0:24:29.400
<v Speaker 3>could do VOD, but they could also make a ton

0:24:29.480 --> 0:24:32.720
<v Speaker 3>of money if they sell this to a different streaming

0:24:32.800 --> 0:24:34.040
<v Speaker 3>site as it's place.

0:24:34.119 --> 0:24:35.840
<v Speaker 4>Okay, So, Jason, Rosie, if you like.

0:24:35.920 --> 0:24:42.760
<v Speaker 1>It, yes, if you like nobody what Rosie retired hit

0:24:42.840 --> 0:24:45.400
<v Speaker 1>Person Slash you Fucked.

0:24:45.080 --> 0:24:46.160
<v Speaker 2>With the Wrong Person movie?

0:24:46.200 --> 0:24:49.680
<v Speaker 1>Okay, I recommend, And what it's a home alone movie,

0:24:49.680 --> 0:24:50.560
<v Speaker 1>would you recommend?

0:24:50.600 --> 0:24:51.600
<v Speaker 4>Okay? So let me look.

0:24:51.640 --> 0:24:57.000
<v Speaker 3>Okay, So in my current I have currently fully committed

0:24:57.040 --> 0:24:59.439
<v Speaker 3>to always changing my letter box top four, which I

0:24:59.480 --> 0:25:00.840
<v Speaker 3>know people I'm not.

0:25:01.000 --> 0:25:02.840
<v Speaker 4>They don't love that, but you know what, I can't

0:25:02.880 --> 0:25:03.520
<v Speaker 4>help it, Guys.

0:25:03.400 --> 0:25:05.919
<v Speaker 3>I love, I agree, I agree, So I'm a changer,

0:25:05.920 --> 0:25:08.520
<v Speaker 3>I'm But what I do now is I specify. So

0:25:08.760 --> 0:25:12.600
<v Speaker 3>after I saw Nobody, I put a selection of some

0:25:12.680 --> 0:25:16.800
<v Speaker 3>of my favorite super violent dad slash wronged dad movies.

0:25:17.600 --> 0:25:19.720
<v Speaker 3>This one of the ones that I'm going to recommend,

0:25:20.240 --> 0:25:25.240
<v Speaker 3>is gonna come out soon on four K. It's been

0:25:25.400 --> 0:25:28.120
<v Speaker 3>very hard to find up until now. They're actually doing

0:25:28.160 --> 0:25:31.159
<v Speaker 3>a screening of it in La coming up soon with

0:25:31.600 --> 0:25:35.600
<v Speaker 3>the star James Brolin. Still looking great by the way, Guys,

0:25:35.600 --> 0:25:37.960
<v Speaker 3>he's like in his eighties. Still still looking great. Love

0:25:38.040 --> 0:25:40.800
<v Speaker 3>James Brolin, And he is in this movie called Night

0:25:40.840 --> 0:25:43.880
<v Speaker 3>of the Juggler where his daughter is kidnapped by a

0:25:43.920 --> 0:25:48.680
<v Speaker 3>creep in like eighties Harlem, seventies eighties Harlem, which is

0:25:48.720 --> 0:25:52.760
<v Speaker 3>completely broken down, and the movie is really grimy, really

0:25:52.800 --> 0:25:57.520
<v Speaker 3>grow grubby like definitely has creepy overtones, but it is

0:25:57.560 --> 0:26:01.960
<v Speaker 3>also essentially an eighty minute long chase through New York

0:26:02.359 --> 0:26:08.520
<v Speaker 3>on multiple different public transport metro bus, feet, car, it's

0:26:08.560 --> 0:26:10.880
<v Speaker 3>one of the best. I think it's such an underrated

0:26:11.000 --> 0:26:13.840
<v Speaker 3>classic exploitation movie and they're doing a four K re release,

0:26:13.880 --> 0:26:16.080
<v Speaker 3>so I think that is very much one of the

0:26:16.160 --> 0:26:19.440
<v Speaker 3>early and most interesting kind of death Wish spin offs.

0:26:19.480 --> 0:26:24.280
<v Speaker 3>So definitely that one. I would say one of my

0:26:24.560 --> 0:26:28.399
<v Speaker 3>other kind of that's kind of a cheat one. One

0:26:28.400 --> 0:26:30.000
<v Speaker 3>of the ones I have listed here is Trained to

0:26:30.000 --> 0:26:32.080
<v Speaker 3>Busan because it's violent and there's a dad, but I

0:26:32.080 --> 0:26:33.119
<v Speaker 3>don't think that really counts.

0:26:33.119 --> 0:26:35.280
<v Speaker 4>But it's a good horror movie. Guys.

0:26:35.600 --> 0:26:40.720
<v Speaker 3>I am a fan, of course of Park Chamwick's Old Boy.

0:26:40.960 --> 0:26:44.000
<v Speaker 3>I think that is a very good aggrieved man movie

0:26:44.240 --> 0:26:47.960
<v Speaker 3>that also influenced many of these films. So those would

0:26:48.000 --> 0:26:50.439
<v Speaker 3>be two of my top ones. Jason, how about you.

0:26:50.960 --> 0:26:54.200
<v Speaker 1>I'm gonna go with Eastern Promises two thousand and five.

0:26:54.320 --> 0:26:59.280
<v Speaker 3>Ooh, one of the best sorry history, by history of it.

0:26:59.359 --> 0:27:00.879
<v Speaker 1>I'm gonna go with two thousand and five is a

0:27:00.960 --> 0:27:03.280
<v Speaker 1>history of violence David Crohn, based on a comic book

0:27:03.359 --> 0:27:09.240
<v Speaker 1>based on a graphic novel. David Cronenberg's adaptation of the

0:27:09.240 --> 0:27:12.280
<v Speaker 1>graphic novel of the same name about a kitman who

0:27:12.320 --> 0:27:15.120
<v Speaker 1>retires from the Chicago mob to go work at a.

0:27:15.040 --> 0:27:16.760
<v Speaker 2>Diner and has a nice family.

0:27:16.880 --> 0:27:21.120
<v Speaker 1>It's good one day things his world's intersect and he's

0:27:21.560 --> 0:27:24.480
<v Speaker 1>gotta be violent again. It's a great one, and honestly

0:27:24.720 --> 0:27:26.600
<v Speaker 1>it's oh, excuse me, Philadelphia Mob.

0:27:27.560 --> 0:27:30.400
<v Speaker 2>It's a great one. And it's honestly beat for beat.

0:27:30.480 --> 0:27:33.000
<v Speaker 1>You could put it over Nobody won, and it's kind of,

0:27:33.560 --> 0:27:36.600
<v Speaker 1>oh yeah, all of these movies follow that's the same.

0:27:36.720 --> 0:27:41.560
<v Speaker 3>Thing that is fun is like there are it is

0:27:41.600 --> 0:27:46.440
<v Speaker 3>the same beats. But there's something that is so appealing

0:27:46.560 --> 0:27:49.320
<v Speaker 3>about watching somebody go out of their way and the

0:27:49.480 --> 0:27:50.480
<v Speaker 3>underdog story.

0:27:50.520 --> 0:27:51.439
<v Speaker 4>You know, I do think that.

0:27:51.560 --> 0:27:54.080
<v Speaker 3>I do still think John Wick is just we mentioned

0:27:54.080 --> 0:27:56.200
<v Speaker 3>it a bunch of times, but it is just up there.

0:27:56.640 --> 0:27:58.720
<v Speaker 3>I just think, Oh, you know which other one I love?

0:27:58.760 --> 0:28:03.080
<v Speaker 3>Which is one of the craziest's absolute classic Tony Scott

0:28:03.119 --> 0:28:08.439
<v Speaker 3>classic Man on Fire starring Denzel that's not the craziest movies.

0:28:08.880 --> 0:28:11.720
<v Speaker 4>A Kitchen and Ac did hit Man.

0:28:11.960 --> 0:28:15.239
<v Speaker 3>But he wouldn't necessarily have gone so hard if they

0:28:15.280 --> 0:28:17.399
<v Speaker 3>hadn't stolen his young white charge.

0:28:17.480 --> 0:28:18.760
<v Speaker 4>The code of Fanning, who.

0:28:18.800 --> 0:28:22.720
<v Speaker 3>Is deeply close to who has seen through his hardened ways,

0:28:23.240 --> 0:28:24.280
<v Speaker 3>and I'll never.

0:28:24.119 --> 0:28:27.320
<v Speaker 4>Forget like some of the depths in that movie.

0:28:27.600 --> 0:28:30.520
<v Speaker 3>It looks like a really prestigious American action movie, and

0:28:30.600 --> 0:28:33.800
<v Speaker 3>it is, but like they are like blowing people up

0:28:33.840 --> 0:28:36.960
<v Speaker 3>with like fireworks in their butt, like he's doing crazy

0:28:37.000 --> 0:28:39.520
<v Speaker 3>things in there that put it up there, I think,

0:28:39.520 --> 0:28:42.000
<v Speaker 3>with some of the best of these kind of movies.

0:28:42.040 --> 0:28:44.800
<v Speaker 3>And then finally for a home alone, meaning a climax,

0:28:44.800 --> 0:28:48.680
<v Speaker 3>a trap, yes, trap Leyden climax.

0:28:49.000 --> 0:28:51.000
<v Speaker 1>I mean, there's a lot to pick on here. You

0:28:51.040 --> 0:28:55.880
<v Speaker 1>could say, Hobbs and Shaw, you could say, I think

0:28:56.280 --> 0:28:58.360
<v Speaker 1>to some of the Equalizer films, do.

0:28:58.360 --> 0:29:02.040
<v Speaker 4>This any Saw films or skuy fal Saw.

0:29:02.000 --> 0:29:05.400
<v Speaker 1>Is basically I'm gonna go slight Twist. I'm gonna go

0:29:05.520 --> 0:29:06.600
<v Speaker 1>Return of the Jedi.

0:29:07.280 --> 0:29:08.280
<v Speaker 4>Okay, love this.

0:29:08.760 --> 0:29:12.479
<v Speaker 1>Those motherfucking e Wills, how they won the wall, you know,

0:29:13.200 --> 0:29:15.800
<v Speaker 1>setting those traps with the logs and the rocks and

0:29:15.840 --> 0:29:20.320
<v Speaker 1>all that stuff. Don't count what they've done for the cause.

0:29:21.080 --> 0:29:23.360
<v Speaker 3>Don't discount it because that's how they want. Okay, I'm

0:29:23.360 --> 0:29:26.240
<v Speaker 3>gonna tell you guys, this is this is the movie

0:29:26.240 --> 0:29:27.920
<v Speaker 3>that you should all go and watch. I believe it's

0:29:27.920 --> 0:29:32.400
<v Speaker 3>probably still streaming somewhere like Chewby maybe now maybe shudder.

0:29:32.800 --> 0:29:37.680
<v Speaker 3>This is the big controversial nineteen eighty nine French movie

0:29:37.760 --> 0:29:40.680
<v Speaker 3>called Deadly Games, which I only found out about because

0:29:40.680 --> 0:29:43.760
<v Speaker 3>of Shudder. It was also called Dial Code, Santa Claus,

0:29:43.800 --> 0:29:46.720
<v Speaker 3>Game Over, Hide and Freak. It's basically a kid at

0:29:46.760 --> 0:29:50.320
<v Speaker 3>Christmas in France whose house is broken into ala Home Alone.

0:29:50.400 --> 0:29:54.480
<v Speaker 3>It's very much a Home Alone influence Anna, and but

0:29:54.600 --> 0:29:57.800
<v Speaker 3>he goes like Ham. He's like a child prodigy who

0:29:57.880 --> 0:30:01.120
<v Speaker 3>starts making like inventions and blowing things up, and it's

0:30:01.240 --> 0:30:07.200
<v Speaker 3>really really good, scary, creepy stuff. It's it's definitely what

0:30:07.720 --> 0:30:09.200
<v Speaker 3>they were trying to do with Home Alone. But they

0:30:09.200 --> 0:30:12.320
<v Speaker 3>were like, you know, Americans and Christmas. And that's why

0:30:12.320 --> 0:30:14.560
<v Speaker 3>I think Macaulay Culkin gives one of the old time

0:30:14.640 --> 0:30:18.240
<v Speaker 3>like unintentionally creepy performances in Home Alone.

0:30:18.240 --> 0:30:23.520
<v Speaker 1>I mean, Nobody to five stars out of five star

0:30:23.600 --> 0:30:25.520
<v Speaker 1>rating system, What do you give it, Rosie?

0:30:26.640 --> 0:30:31.760
<v Speaker 3>I think Nobody Too is a decidedly solid like a

0:30:32.320 --> 0:30:34.280
<v Speaker 3>you're looking at. I would have said, you know, I'm

0:30:34.320 --> 0:30:36.440
<v Speaker 3>trying to think about other movies I've rated this year.

0:30:36.840 --> 0:30:40.320
<v Speaker 3>I rated Jurassic Park Rebirth, which was like a fine

0:30:40.440 --> 0:30:43.560
<v Speaker 3>kind of streamlined movie that was like a three and

0:30:43.560 --> 0:30:44.800
<v Speaker 3>a half for me. So I think I got to

0:30:44.840 --> 0:30:46.960
<v Speaker 3>give Nobody two more of like A four, because I

0:30:47.000 --> 0:30:49.320
<v Speaker 3>do think the invention of that. I think the action

0:30:50.040 --> 0:30:53.400
<v Speaker 3>is really inventive. I think the cost is funny. I

0:30:53.400 --> 0:30:56.520
<v Speaker 3>think that it's enjoyable, well shot movie. It's eighty nine

0:30:56.560 --> 0:30:58.920
<v Speaker 3>minutes long. That's so I'm like, if you just me

0:30:59.520 --> 0:31:05.280
<v Speaker 3>like a leaning me in it mean crazy action fun

0:31:05.680 --> 0:31:10.800
<v Speaker 3>settings because of the notion of the theme park. I

0:31:10.840 --> 0:31:14.000
<v Speaker 3>will also say I do think from the outset of

0:31:14.120 --> 0:31:17.880
<v Speaker 3>the John Wick franchise, these guys have made interesting and

0:31:17.920 --> 0:31:20.680
<v Speaker 3>thoughtful choices about who their bad guys are, so it

0:31:20.720 --> 0:31:23.760
<v Speaker 3>doesn't always kind of fall into that more like very

0:31:23.800 --> 0:31:27.680
<v Speaker 3>nefarious kind of death wish peppermint like weird crime racism

0:31:27.840 --> 0:31:30.479
<v Speaker 3>kind of mindset. So I think this movie also follows

0:31:30.520 --> 0:31:32.560
<v Speaker 3>along with that. And yeah, I mean, if you just

0:31:32.600 --> 0:31:36.840
<v Speaker 3>want to see some people get killed on a water slide,

0:31:37.400 --> 0:31:39.200
<v Speaker 3>then enjoying Nobody too.

0:31:39.680 --> 0:31:41.959
<v Speaker 1>Yeah, I'm gonna give it a I'm gonna give a

0:31:42.160 --> 0:31:47.520
<v Speaker 1>solid three and a half fat great action movie. There's

0:31:47.560 --> 0:31:50.960
<v Speaker 1>nothing in here that's new or super surprising, but it's

0:31:50.960 --> 0:31:55.520
<v Speaker 1>a it's a very entertaining, enjoyable time that again, at

0:31:55.560 --> 0:31:59.160
<v Speaker 1>eighty nine minutes, really respects your time. When I got

0:31:59.160 --> 0:32:02.760
<v Speaker 1>home from the movie. Christine was like, you're home already.

0:32:02.760 --> 0:32:04.720
<v Speaker 2>I'm like, yeah, lead a mean movie.

0:32:04.920 --> 0:32:07.960
<v Speaker 3>Literally, you're like, no, two hour and forty long min here,

0:32:08.000 --> 0:32:10.560
<v Speaker 3>Like no, I can just enjoy this. Also, it is

0:32:10.680 --> 0:32:12.680
<v Speaker 3>really funny that the movie is written by the same

0:32:12.720 --> 0:32:14.800
<v Speaker 3>guy and it's basically just all the same beats.

0:32:14.840 --> 0:32:17.760
<v Speaker 1>I respect that, I respect, I respect that, I love

0:32:17.760 --> 0:32:20.160
<v Speaker 1>your I love your ustle, I love that. On tomorrow's

0:32:20.160 --> 0:32:22.920
<v Speaker 1>episode of extra Vision, we're breaking down the biggest news

0:32:22.920 --> 0:32:24.719
<v Speaker 1>of the week. It's news that's it for this episode

0:32:24.760 --> 0:32:32.240
<v Speaker 1>that you're listening. X ray Vision is hosted by Jason

0:32:32.280 --> 0:32:35.520
<v Speaker 1>Cepcion and Rosie Knight and is a production of iHeart Podcast.

0:32:35.880 --> 0:32:39.480
<v Speaker 3>Our executive producers are Joel Monique and Aaron Kaufman.

0:32:39.720 --> 0:32:41.760
<v Speaker 2>Our supervising producer is Abuzafar.

0:32:42.160 --> 0:32:46.080
<v Speaker 3>Our producers are Common Laurent Dean Jonathan and Bay Wack.

0:32:46.240 --> 0:32:49.000
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:32:49.040 --> 0:32:50.320
<v Speaker 1>songs by Aaron Kaufman.

0:32:50.480 --> 0:32:53.880
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

0:32:53.960 --> 0:33:02.880
<v Speaker 3>Heidi our discored moderator