1 00:00:00,120 --> 00:00:05,320 Speaker 1: Warning today's episode Kittaine spoilers for Nobody to Nobody No. 2 00:00:21,520 --> 00:00:21,880 Speaker 2: Hello. 3 00:00:22,239 --> 00:00:25,200 Speaker 1: My name is Jason Concepcion and I'm Urdy Night, and 4 00:00:25,239 --> 00:00:27,200 Speaker 1: welcome back to ext revision of the podcast Where Week. 5 00:00:27,160 --> 00:00:29,280 Speaker 2: I've de be your favorite shows. 6 00:00:28,960 --> 00:00:31,560 Speaker 1: Movies, comics, and pop culture company for my our podcast 7 00:00:31,560 --> 00:00:36,200 Speaker 1: Where're bringing you episodes every Tuesday Thursday plus like today, we're. 8 00:00:36,080 --> 00:00:39,640 Speaker 2: Discussing the summer's biggest movies every Friday, plus days on Saturday. 9 00:00:40,400 --> 00:00:43,240 Speaker 3: And in today's episode, we are going to be talking 10 00:00:43,240 --> 00:00:48,080 Speaker 3: about Nobody Too starring Bob Odenkirk. Don't we all love him. 11 00:00:48,400 --> 00:00:51,520 Speaker 3: We're gonna be talking about that. We're gonna talk about 12 00:00:51,560 --> 00:00:55,240 Speaker 3: some of our other favorite secret spies in the suburbs 13 00:00:55,360 --> 00:00:57,880 Speaker 3: type movies. And we're also gonna ask, like, what what 14 00:00:58,000 --> 00:01:00,640 Speaker 3: are actual movie's saying right now? Like what twenty twenty 15 00:01:00,680 --> 00:01:05,160 Speaker 3: five action movies? We are they telling us about the world? 16 00:01:05,240 --> 00:01:05,800 Speaker 4: Been living it? 17 00:01:08,160 --> 00:01:10,600 Speaker 2: Okay? Nobody Too? 18 00:01:10,720 --> 00:01:16,959 Speaker 1: Nobody two is the sequel to the surprise hit Nobody Won, 19 00:01:17,120 --> 00:01:21,640 Speaker 1: which was released in twenty twenty one, starring God starring 20 00:01:21,800 --> 00:01:22,119 Speaker 1: I Know. 21 00:01:22,160 --> 00:01:24,559 Speaker 2: Feels like it well is not that long though I. 22 00:01:24,480 --> 00:01:26,760 Speaker 4: Know it does not feel that long ago. 23 00:01:27,200 --> 00:01:31,720 Speaker 1: The first film was directed by Hardcore Harry's Ilia Nischuler 24 00:01:32,000 --> 00:01:39,440 Speaker 1: and written by John Wick Scribe Derek Coolstadt, starring Bob 25 00:01:39,520 --> 00:01:45,080 Speaker 1: Odenkirk and Nobody to picks up the baton from Nobody One, 26 00:01:46,000 --> 00:01:52,280 Speaker 1: still starring Bob Odenkirk, still written by Derek Colstad, but 27 00:01:52,360 --> 00:01:59,200 Speaker 1: this time directed by Timo Chahanto, Indonesian action filmmaker. And 28 00:02:00,920 --> 00:02:03,919 Speaker 1: your thoughts, Rosie upon seeing Nobody Too. 29 00:02:04,440 --> 00:02:08,720 Speaker 3: Yes, I was, I was. I have controversial takes on 30 00:02:08,720 --> 00:02:11,480 Speaker 3: Nobody Else was really good. I think, I think it's 31 00:02:11,480 --> 00:02:14,400 Speaker 3: a brilliantly made movie, but also I found it to 32 00:02:14,400 --> 00:02:17,480 Speaker 3: be quite like it's quite like a just a kind 33 00:02:17,480 --> 00:02:21,760 Speaker 3: of a gritty like grinding like hardcore watch. And I 34 00:02:21,760 --> 00:02:24,520 Speaker 3: think that's why people liked it. I mean, you mentioned 35 00:02:24,880 --> 00:02:28,359 Speaker 3: ilias the director of Nobody Wants for like big breakout 36 00:02:28,360 --> 00:02:31,919 Speaker 3: movie Hardcore Henry, which was like such a moment if 37 00:02:31,919 --> 00:02:33,640 Speaker 3: you were there for it, which was this kind of 38 00:02:33,760 --> 00:02:38,000 Speaker 3: crazy POV action movie that began as a short that 39 00:02:38,040 --> 00:02:39,640 Speaker 3: I think was like one of those big kind of 40 00:02:39,680 --> 00:02:43,520 Speaker 3: if you were on the internet in the zeros and tens, that. 41 00:02:43,560 --> 00:02:45,360 Speaker 4: Was like a big thing that you were looking for. 42 00:02:45,880 --> 00:02:48,919 Speaker 3: I really enjoyed Nobody Too because even though, and we'll 43 00:02:48,960 --> 00:02:52,040 Speaker 3: talk about this, it is essentially like the same beats. 44 00:02:52,160 --> 00:02:56,840 Speaker 3: I enjoyed the kind of you know, as we mentioned, 45 00:02:56,840 --> 00:03:00,800 Speaker 3: the Dead Island kind of lens that they put this through, 46 00:03:00,840 --> 00:03:04,120 Speaker 3: where it's like, I like the colorful shirts. I like 47 00:03:04,280 --> 00:03:06,800 Speaker 3: the he's just trying to have a good holiday and 48 00:03:06,840 --> 00:03:09,480 Speaker 3: be a good dad. But you know, these people in 49 00:03:09,520 --> 00:03:12,800 Speaker 3: this small town Plumberville, this kind of American summer town, 50 00:03:13,440 --> 00:03:17,000 Speaker 3: are you know, nefarious and corrupt. I think there's been 51 00:03:17,240 --> 00:03:21,079 Speaker 3: some really good small town corruption movies this year with 52 00:03:21,560 --> 00:03:25,280 Speaker 3: Rebel Ridge obviously and other fantastic movie starring Future Green 53 00:03:25,360 --> 00:03:28,680 Speaker 3: Lanterns star Aaron Perre. That was very much we love 54 00:03:28,680 --> 00:03:32,680 Speaker 3: a small town corruption movie, like, yeah, it's a it's 55 00:03:32,720 --> 00:03:35,600 Speaker 3: American tradition. And I think for me, what I really 56 00:03:35,640 --> 00:03:40,480 Speaker 3: loved was I'm a big Timo fan. I loved Timo's 57 00:03:40,760 --> 00:03:43,360 Speaker 3: Timo used to make a lot of horror movies with 58 00:03:43,880 --> 00:03:47,560 Speaker 3: another director they call the Mo Brothers. They made Maccab, 59 00:03:47,720 --> 00:03:50,280 Speaker 3: they made stuff like that. But then he really came 60 00:03:50,320 --> 00:03:55,480 Speaker 3: back onto my kind of radar in when he made 61 00:03:55,520 --> 00:03:59,119 Speaker 3: The Night Comes for Us, which is on Netflix. It's 62 00:03:59,240 --> 00:04:04,720 Speaker 3: a Indonesian action horror kind of boss too. 63 00:04:04,760 --> 00:04:08,720 Speaker 1: Many super violent, too many throats for me, I love 64 00:04:09,320 --> 00:04:11,000 Speaker 1: I love you. 65 00:04:11,480 --> 00:04:12,920 Speaker 4: I was like, yeah, I get it. 66 00:04:13,120 --> 00:04:14,440 Speaker 2: I listen. 67 00:04:14,520 --> 00:04:17,560 Speaker 1: I love the action movies. I love violent movies. This 68 00:04:17,640 --> 00:04:20,640 Speaker 1: is a well made movie. It's just too many throats. 69 00:04:20,680 --> 00:04:22,520 Speaker 4: The Night Comes for Us is one of the most 70 00:04:22,560 --> 00:04:23,239 Speaker 4: violent movies. 71 00:04:23,320 --> 00:04:27,040 Speaker 1: It's one of the most like jugular cutting movies you will. 72 00:04:26,920 --> 00:04:28,039 Speaker 2: Ever see it. 73 00:04:29,000 --> 00:04:31,600 Speaker 4: It's like The Raid if The Raid was. 74 00:04:31,600 --> 00:04:35,800 Speaker 3: Like a Gorse black and it stars, it stars Eco 75 00:04:35,920 --> 00:04:39,240 Speaker 3: Us and it stars Joe Taslim. And then Timo has 76 00:04:39,240 --> 00:04:42,200 Speaker 3: done some other great movies that you know he did. 77 00:04:42,560 --> 00:04:46,800 Speaker 3: He'd recently had a new action movie on Netflix. He 78 00:04:46,839 --> 00:04:52,120 Speaker 3: did the really fun horror movies, Made The Devil Take You, 79 00:04:52,160 --> 00:04:54,719 Speaker 3: Made The Devil Take You Too, which very Sam raimish. 80 00:04:55,000 --> 00:04:56,839 Speaker 3: So what I really liked about this one was I 81 00:04:56,880 --> 00:04:59,520 Speaker 3: felt like he was able to bring his kind of 82 00:05:00,320 --> 00:05:05,560 Speaker 3: cartoonish direction of violence to this. You get a lot 83 00:05:05,600 --> 00:05:09,080 Speaker 3: of like teeth that coming now and people again like 84 00:05:09,200 --> 00:05:11,840 Speaker 3: kicked in the head, and there's the boat fight, which 85 00:05:11,920 --> 00:05:14,400 Speaker 3: was really fun. So I like that timas kind of 86 00:05:14,400 --> 00:05:16,480 Speaker 3: bring his more out their style. But I would say, 87 00:05:16,480 --> 00:05:19,599 Speaker 3: as well, definitely not like Night Comes for Us, is 88 00:05:19,640 --> 00:05:21,479 Speaker 3: that this is a completely fine. 89 00:05:22,040 --> 00:05:25,960 Speaker 1: The boat fight was wonderful. It's like, listen, you can 90 00:05:26,000 --> 00:05:28,400 Speaker 1: almost Here's what's fun about these movies kind of for me, 91 00:05:28,800 --> 00:05:31,680 Speaker 1: both one and two and particularly too. You can just 92 00:05:31,720 --> 00:05:35,200 Speaker 1: look and be like, ah, the tooth coming out like 93 00:05:35,240 --> 00:05:39,159 Speaker 1: from Wanted exactly, the fight on the boat like Jackie 94 00:05:39,240 --> 00:05:42,440 Speaker 1: Chan's police story fight on the bus, but on a boat, 95 00:05:42,920 --> 00:05:48,240 Speaker 1: and all these wonderful like little nods. You know, first 96 00:05:48,520 --> 00:05:49,880 Speaker 1: it's a first Blood set up. 97 00:05:50,400 --> 00:05:51,240 Speaker 2: And I also. 98 00:05:51,160 --> 00:05:55,839 Speaker 1: Liked listen, the action is really fun and to your point, 99 00:05:55,920 --> 00:05:59,039 Speaker 1: it it veers at times into an almost Tom and 100 00:05:59,160 --> 00:05:59,960 Speaker 1: Jerry level. 101 00:06:00,560 --> 00:06:02,760 Speaker 3: Yeah, yeah, yeah, especially in this one, which I think 102 00:06:02,839 --> 00:06:03,640 Speaker 3: is really fun, like. 103 00:06:03,640 --> 00:06:08,960 Speaker 1: You could shoot somebody, sure, but why not trigger a 104 00:06:09,120 --> 00:06:15,080 Speaker 1: home alone style trap the super Bowl with knives to 105 00:06:15,240 --> 00:06:16,599 Speaker 1: like come out. 106 00:06:16,800 --> 00:06:20,120 Speaker 3: Like kill did love the stuff, you know what, I 107 00:06:20,120 --> 00:06:21,800 Speaker 3: will say, I'm glad you brought that up, because I 108 00:06:21,800 --> 00:06:23,960 Speaker 3: do think one of the reasons that this movie really 109 00:06:23,960 --> 00:06:27,800 Speaker 3: spoke to me was like, basically, in case you you know, 110 00:06:28,040 --> 00:06:31,520 Speaker 3: really need it, it is the family go on a vacation. 111 00:06:32,200 --> 00:06:34,960 Speaker 3: It's just after you know, continuing on from the first 112 00:06:34,960 --> 00:06:36,919 Speaker 3: movie where I just kind of gotten rid of the 113 00:06:37,080 --> 00:06:39,719 Speaker 3: people who causing problems in his family who raided his house. 114 00:06:39,839 --> 00:06:42,640 Speaker 3: Very classic death wish sty'll set up and now they're 115 00:06:42,640 --> 00:06:44,880 Speaker 3: going on vacation. They want everything to be normal, but 116 00:06:45,120 --> 00:06:49,160 Speaker 3: his son gets into it with a kid at an arcade, 117 00:06:49,240 --> 00:06:53,400 Speaker 3: and you unravel this kind of you know, chaotic corruption 118 00:06:53,680 --> 00:06:56,119 Speaker 3: under the small town. But I'm glad that you brought 119 00:06:56,160 --> 00:06:59,120 Speaker 3: it up because the final act of this movie is 120 00:06:59,160 --> 00:07:02,440 Speaker 3: what I think I'm looking for in many movies, which. 121 00:07:02,240 --> 00:07:05,400 Speaker 4: Is like, why are more movies set in theme pos? 122 00:07:05,640 --> 00:07:08,040 Speaker 4: Like why are the action movies. 123 00:07:07,680 --> 00:07:09,880 Speaker 3: And horror movies set in theme pox? Because I think 124 00:07:09,880 --> 00:07:12,640 Speaker 3: that is like an iconic setting for something fun. And 125 00:07:12,680 --> 00:07:15,240 Speaker 3: there's about three or four movies that have ever done it, well, 126 00:07:15,320 --> 00:07:16,400 Speaker 3: this being one of them. 127 00:07:16,440 --> 00:07:19,360 Speaker 1: Am I think that you know it's it has taken. 128 00:07:20,320 --> 00:07:22,880 Speaker 1: It took several decades, two and a half decades, almost 129 00:07:22,880 --> 00:07:27,400 Speaker 1: three three decades for the home alone finish to become 130 00:07:28,400 --> 00:07:30,960 Speaker 1: the part to become a trope. You know, maybe it 131 00:07:31,000 --> 00:07:34,080 Speaker 1: was SETI Fall that was really the high brow movie 132 00:07:34,080 --> 00:07:38,160 Speaker 1: that was like what if we just got home alone there? 133 00:07:38,920 --> 00:07:42,080 Speaker 1: And you know this the entire climax of this film, 134 00:07:42,120 --> 00:07:44,400 Speaker 1: I'm just thinking, great, We're gonna get a home alone 135 00:07:44,840 --> 00:07:48,680 Speaker 1: in a Carnival good. And I think that now that 136 00:07:48,920 --> 00:07:52,360 Speaker 1: it's been this long and we've you know, we've started 137 00:07:52,400 --> 00:07:55,800 Speaker 1: the ball rolling with this, I agree with you. I 138 00:07:55,880 --> 00:08:01,640 Speaker 1: love a good like Booby Trap laden Finish a Home Alone. 139 00:08:01,800 --> 00:08:04,680 Speaker 2: And I think we're gonna start to see more of 140 00:08:04,720 --> 00:08:05,160 Speaker 2: these now. 141 00:08:05,240 --> 00:08:05,440 Speaker 4: Yeah. 142 00:08:06,240 --> 00:08:06,480 Speaker 2: Fun. 143 00:08:06,800 --> 00:08:07,600 Speaker 4: I think it's fun. 144 00:08:07,600 --> 00:08:10,840 Speaker 3: And also we've you know, Rube Goldberg machines are ever 145 00:08:10,960 --> 00:08:14,080 Speaker 3: more popular whether you're in a Saw type situation. You know, 146 00:08:14,120 --> 00:08:16,560 Speaker 3: we're like fifteen twenty years out from the first Saw 147 00:08:16,680 --> 00:08:20,040 Speaker 3: movie now, so I feel like we can explore that. 148 00:08:20,440 --> 00:08:26,480 Speaker 3: I also think that there is something just decidedly thrilling. 149 00:08:26,840 --> 00:08:28,920 Speaker 3: It's the nature of going on a roller coaster, right 150 00:08:29,040 --> 00:08:31,400 Speaker 3: is it looks dangerous, but it's not dangerous. 151 00:08:31,440 --> 00:08:33,280 Speaker 4: So I think that seeing. 152 00:08:33,559 --> 00:08:37,079 Speaker 3: A space like that that then becomes dangerous and has 153 00:08:37,120 --> 00:08:39,679 Speaker 3: all these kind of terrifying traps is very fun. 154 00:08:39,880 --> 00:08:40,760 Speaker 4: There's only other like. 155 00:08:41,240 --> 00:08:44,120 Speaker 3: I watched a movie a very long time ago, Spanish movie. 156 00:08:44,120 --> 00:08:46,440 Speaker 3: I believe it's called a Christmas Tale, and it's about 157 00:08:46,480 --> 00:08:51,800 Speaker 3: some kids who accidentally trap a bank robber who is 158 00:08:51,880 --> 00:08:54,640 Speaker 3: dressed as Santa in a pit, and because they're eleven 159 00:08:54,720 --> 00:08:57,640 Speaker 3: year olds, they get kind of obsessed with like keeping 160 00:08:58,320 --> 00:09:01,400 Speaker 3: the person in the pit, and it's really kind of 161 00:09:01,440 --> 00:09:05,320 Speaker 3: a creepy moralistic tale until at the end she just 162 00:09:05,600 --> 00:09:08,719 Speaker 3: escapes and chases them through a water park dressed the 163 00:09:08,840 --> 00:09:12,840 Speaker 3: Santa with an axe. And I always remember just being like, yes, also, 164 00:09:12,920 --> 00:09:14,640 Speaker 3: you know something that was kind of blowing my mind 165 00:09:14,679 --> 00:09:17,520 Speaker 3: when I was watching Nobody to which I'm interested to 166 00:09:17,559 --> 00:09:20,319 Speaker 3: see if we'll like translate for an average audience member. 167 00:09:20,640 --> 00:09:24,400 Speaker 3: I just feel like this is a very stacked movie castwise. 168 00:09:24,480 --> 00:09:26,440 Speaker 3: I feel like you not only do you have obviously 169 00:09:26,480 --> 00:09:30,000 Speaker 3: Bob Odenkirk Connie Nilson returning, but then you have like 170 00:09:30,240 --> 00:09:36,560 Speaker 3: Colin Hanks is the evil corruption against and goes like 171 00:09:37,040 --> 00:09:40,720 Speaker 3: really into it. You've got Christopher Lloyd. He's doing a 172 00:09:40,760 --> 00:09:42,800 Speaker 3: classic like crazy dad vibe. 173 00:09:42,840 --> 00:09:43,160 Speaker 4: Here. 174 00:09:44,320 --> 00:09:51,120 Speaker 1: Who's who you've seen in things such as the Michael Man, 175 00:09:51,160 --> 00:09:54,480 Speaker 1: Miami Heat, Miami Vice. Excuse me, you've seen him in 176 00:09:54,559 --> 00:09:56,680 Speaker 1: Carlito's Way, You've seen him. 177 00:09:56,520 --> 00:09:59,000 Speaker 4: In and that's a answer. 178 00:09:59,360 --> 00:10:02,240 Speaker 3: And he it's fun and he gets a fun kind 179 00:10:02,240 --> 00:10:05,400 Speaker 3: of twist on this story too, like where you expect 180 00:10:05,440 --> 00:10:08,600 Speaker 3: him to be somewhere. Also, McKenna grace is in this movie. 181 00:10:08,760 --> 00:10:11,720 Speaker 3: Like they stacked it up. I think post nobody Wan 182 00:10:11,840 --> 00:10:13,880 Speaker 3: and I think we can see this with a lot 183 00:10:13,920 --> 00:10:17,360 Speaker 3: of the North, the eighty seven North, like David. 184 00:10:17,120 --> 00:10:18,160 Speaker 2: Lee type stuff. 185 00:10:18,240 --> 00:10:19,800 Speaker 4: Yeah, post John Wick. 186 00:10:19,880 --> 00:10:22,720 Speaker 3: This stuff appeals to people they want to be in 187 00:10:22,800 --> 00:10:25,800 Speaker 3: the next one after Nobody. I think people watched it 188 00:10:25,840 --> 00:10:27,800 Speaker 3: and said, I want to be in whatever that is. 189 00:10:28,000 --> 00:10:29,880 Speaker 1: Yeah, I agree with you, And I think the appeal 190 00:10:30,200 --> 00:10:35,880 Speaker 1: is something like this, Hey, Sharon Stone, it's a cool 191 00:10:36,040 --> 00:10:39,160 Speaker 1: whatever her price is like a couple of million, We 192 00:10:39,280 --> 00:10:42,280 Speaker 1: shoot you out in five days. You're in and out 193 00:10:42,520 --> 00:10:44,920 Speaker 1: in five days. You don't have to sit on like 194 00:10:45,040 --> 00:10:50,040 Speaker 1: in Vancouver or wherever for a month. And it's and 195 00:10:50,080 --> 00:10:52,920 Speaker 1: you can basically just be crazy and do what you want. 196 00:10:53,280 --> 00:10:55,360 Speaker 1: I think that's the appeal, which is and is a 197 00:10:56,000 --> 00:10:58,560 Speaker 1: grand appeal. Like Christopher Lloyd. When I saw Christopher Lloyd 198 00:10:58,559 --> 00:11:01,080 Speaker 1: in the first one, I was like, wait a second, 199 00:11:01,160 --> 00:11:04,520 Speaker 1: Christopher Lloyd is eighty. 200 00:11:04,080 --> 00:11:09,120 Speaker 4: Two yep, wow, this yeah is having a sun. 201 00:11:09,840 --> 00:11:13,400 Speaker 1: The casting for these is spectacular. I think part of 202 00:11:13,440 --> 00:11:15,920 Speaker 1: it is the fact that they can probably pay a 203 00:11:15,960 --> 00:11:19,920 Speaker 1: good a good salary because and it's everything else is 204 00:11:20,000 --> 00:11:26,160 Speaker 1: clearly done the cheapest, high quality way you can do it. 205 00:11:26,320 --> 00:11:29,560 Speaker 3: Yeah, which, honestly, this is now going to become I think, 206 00:11:29,600 --> 00:11:32,240 Speaker 3: you know, I was on a skate patch yesterday talking 207 00:11:32,280 --> 00:11:36,360 Speaker 3: about gong Girl, and we were kind of talking about 208 00:11:36,920 --> 00:11:40,240 Speaker 3: the loss of the mid range, mid budget movie that could. 209 00:11:40,280 --> 00:11:43,000 Speaker 3: For example, Gongirl costs like sixty million dollars, but it 210 00:11:43,040 --> 00:11:46,080 Speaker 3: made three hundred and seventy million dollars, which now would 211 00:11:46,160 --> 00:11:49,320 Speaker 3: be a kind of good EMCU take in twenty twenty five, 212 00:11:49,840 --> 00:11:52,240 Speaker 3: and this, I think is the new version of that. 213 00:11:52,240 --> 00:11:54,160 Speaker 4: Way the budget for this movie. 214 00:11:53,960 --> 00:11:56,439 Speaker 3: Twenty five, Yeah, the new it's like, this is twenty 215 00:11:56,480 --> 00:12:00,000 Speaker 3: five million dollars. It's a twenty five million dollar budget. 216 00:12:00,000 --> 00:12:03,280 Speaker 3: But if this opens, you know to ten, fifteen, twenty, 217 00:12:03,320 --> 00:12:05,520 Speaker 3: it's gonna do great. But the first one made a 218 00:12:05,559 --> 00:12:06,120 Speaker 3: ton of money. 219 00:12:06,120 --> 00:12:06,920 Speaker 4: For Universe, I'm. 220 00:12:06,800 --> 00:12:08,120 Speaker 2: Like, called fifteen million. Die. 221 00:12:08,120 --> 00:12:10,280 Speaker 1: I forget the budget on it was what it was, 222 00:12:10,320 --> 00:12:12,880 Speaker 1: but it was they made like sixty million on a 223 00:12:13,120 --> 00:12:15,040 Speaker 1: less than twenty million dollar budget or something. 224 00:12:15,120 --> 00:12:17,800 Speaker 3: I think as well, like because of the way that 225 00:12:17,880 --> 00:12:21,319 Speaker 3: streaming has changed how people watch stuff in America obviously, 226 00:12:21,400 --> 00:12:22,400 Speaker 3: and I always talk about this. 227 00:12:22,440 --> 00:12:24,080 Speaker 4: I think it's great. It's one of the things I 228 00:12:24,120 --> 00:12:25,200 Speaker 4: really think is. 229 00:12:25,200 --> 00:12:28,559 Speaker 3: A great choice culturally, is like I think the R 230 00:12:28,679 --> 00:12:32,000 Speaker 3: rating is a really powerful choice here because you can 231 00:12:32,440 --> 00:12:34,440 Speaker 3: take a kid to an R rated movie if you 232 00:12:34,480 --> 00:12:36,640 Speaker 3: are their guardian or you were an adult, and I 233 00:12:36,679 --> 00:12:39,360 Speaker 3: think it opens up what people can and can't see, 234 00:12:39,360 --> 00:12:41,839 Speaker 3: whereas in England you have to have like your passport 235 00:12:41,880 --> 00:12:44,080 Speaker 3: to go and see an eighteen rated movie, Like they're 236 00:12:44,120 --> 00:12:47,040 Speaker 3: really really hardcore about it. And I think so there 237 00:12:47,080 --> 00:12:50,560 Speaker 3: was always a culture of people of all different ages 238 00:12:50,600 --> 00:12:53,199 Speaker 3: going to see movies here. Last night I went to 239 00:12:53,200 --> 00:12:56,440 Speaker 3: see Weapons again and there was an eight year old 240 00:12:56,480 --> 00:12:58,640 Speaker 3: in there and you know what, that kids slaunched it out, 241 00:12:58,679 --> 00:13:02,440 Speaker 3: so good for the parents. But like, something I think 242 00:13:02,440 --> 00:13:06,200 Speaker 3: about movies like this now is in a post streaming 243 00:13:06,240 --> 00:13:09,040 Speaker 3: world where every kid has watched a YouTube video about 244 00:13:09,040 --> 00:13:12,120 Speaker 3: all the worst deaths in john Wick or all the 245 00:13:12,160 --> 00:13:15,400 Speaker 3: craziest times that Freddie versus Jason killed each other, I 246 00:13:15,480 --> 00:13:18,040 Speaker 3: think a kid can like this could be a movie 247 00:13:18,040 --> 00:13:21,320 Speaker 3: where there is a wider quadrant than you would expect 248 00:13:21,400 --> 00:13:22,800 Speaker 3: who is going to go and want to see. 249 00:13:22,800 --> 00:13:25,240 Speaker 1: And I think to your point, there is clearly a 250 00:13:25,360 --> 00:13:31,920 Speaker 1: space for people love the john Wick style setup. A 251 00:13:32,320 --> 00:13:36,160 Speaker 1: man has been aggrieved in some way by the powers 252 00:13:36,160 --> 00:13:39,600 Speaker 1: that be and he gets revenge, and I think there's clearly, 253 00:13:39,760 --> 00:13:43,240 Speaker 1: as the success of Nobody Won has shown, there's clearly 254 00:13:43,240 --> 00:13:47,160 Speaker 1: a space for that setup. But just like less crazy, 255 00:13:47,200 --> 00:13:48,480 Speaker 1: less gritty than John Wick. 256 00:13:49,000 --> 00:13:49,679 Speaker 4: They did it like. 257 00:13:49,720 --> 00:13:55,079 Speaker 1: More fun and slightly more comedic and lower the death count, 258 00:13:55,160 --> 00:13:56,920 Speaker 1: Like a lot of people get beat up, but only 259 00:13:56,960 --> 00:13:59,680 Speaker 1: a few people die now, and if they. 260 00:13:59,520 --> 00:14:01,920 Speaker 3: Do, they die in like a crazily comedic way, like 261 00:14:02,160 --> 00:14:04,640 Speaker 3: an anchor is going through the head. So you're kind 262 00:14:04,640 --> 00:14:07,400 Speaker 3: of like, isn't that like an episode of Paulpie right? 263 00:14:08,200 --> 00:14:10,120 Speaker 2: And so I think that there is. I think there's 264 00:14:10,200 --> 00:14:11,360 Speaker 2: clearly a space for that. 265 00:14:11,400 --> 00:14:13,520 Speaker 1: And I think part of it is, like, what's interesting 266 00:14:13,559 --> 00:14:18,640 Speaker 1: to me about watching this movie was like, how clearly 267 00:14:18,720 --> 00:14:24,160 Speaker 1: what resonates is, uh, you like this movie because the 268 00:14:24,200 --> 00:14:27,640 Speaker 1: world is fucked it is. You feel like it is corrupt. 269 00:14:28,120 --> 00:14:31,400 Speaker 1: You feel like the skills you would need to fight 270 00:14:31,480 --> 00:14:34,360 Speaker 1: back against it are like impossible. You would have to 271 00:14:34,400 --> 00:14:36,800 Speaker 1: be I'd have to be like a retired government assassin 272 00:14:36,920 --> 00:14:38,720 Speaker 1: or something exactly to figure out how to do it. 273 00:14:38,760 --> 00:14:40,920 Speaker 1: And so this the wish fulfillment in this movie is 274 00:14:41,000 --> 00:14:43,960 Speaker 1: quite clear. It's like, here's a guy just wants to 275 00:14:43,960 --> 00:14:46,200 Speaker 1: live a normal life like everybody else wants to live 276 00:14:46,240 --> 00:14:49,120 Speaker 1: a normal life, only he's the one they shouldn't have 277 00:14:49,160 --> 00:14:56,200 Speaker 1: fucked with. And again it's so simple and yet extremely satisfying. 278 00:14:56,600 --> 00:14:59,680 Speaker 1: And there's nothing we were talking about this pre mic 279 00:15:01,280 --> 00:15:04,720 Speaker 1: plot wise characterized. There's nothing that's a surprise in this 280 00:15:04,880 --> 00:15:07,680 Speaker 1: movie or nobody won, like you know, nobody won. The 281 00:15:07,960 --> 00:15:12,320 Speaker 1: the the guys walk onto the bus and you understand. 282 00:15:11,920 --> 00:15:16,400 Speaker 3: Do you understand that he's about yeah, good app But 283 00:15:16,440 --> 00:15:18,720 Speaker 3: then it becomes how do you show that? 284 00:15:18,800 --> 00:15:22,280 Speaker 1: And I think what acts? The real surprise is that 285 00:15:22,800 --> 00:15:28,560 Speaker 1: it's Bob Odenkirk. Here's the guy from Mister Show and 286 00:15:28,640 --> 00:15:32,600 Speaker 1: from you know better call Sauw who good actor, good 287 00:15:32,680 --> 00:15:36,480 Speaker 1: dramatic actor, more more known for his comedic work. Who 288 00:15:36,960 --> 00:15:39,160 Speaker 1: nobody was thinking, oh action star. 289 00:15:39,760 --> 00:15:43,080 Speaker 2: And that to me is. 290 00:15:43,040 --> 00:15:46,600 Speaker 1: Like, it's an interesting twist on it because you're it's like, 291 00:15:46,720 --> 00:15:49,040 Speaker 1: give us the genre stuff that is tried and true, 292 00:15:49,120 --> 00:15:55,320 Speaker 1: like literally a genre, the the middle aged aggrieved man 293 00:15:56,040 --> 00:16:00,720 Speaker 1: is a genre that is so yes. But this twist 294 00:16:00,840 --> 00:16:03,360 Speaker 1: is what if we cast it really interestingly like what 295 00:16:04,000 --> 00:16:04,160 Speaker 1: you know? 296 00:16:04,520 --> 00:16:09,200 Speaker 3: And I think that exactly. I think that is what 297 00:16:09,920 --> 00:16:15,600 Speaker 3: David Leitch and Chad Steleski have been doing since the 298 00:16:15,600 --> 00:16:18,480 Speaker 3: first John Wick movie. Because even that movie, having Keanu 299 00:16:18,560 --> 00:16:23,160 Speaker 3: Reeves as that character was like a meta textual commentary 300 00:16:23,160 --> 00:16:26,040 Speaker 3: and understanding of what he did well but that he 301 00:16:26,080 --> 00:16:29,080 Speaker 3: had always been critiqued for, which is like this almost 302 00:16:29,080 --> 00:16:32,560 Speaker 3: Hong Kong inspired style of acting that's really about action 303 00:16:32,680 --> 00:16:36,200 Speaker 3: and movement instead of you know, emotions and everything. 304 00:16:36,440 --> 00:16:37,680 Speaker 4: In the most normal way. 305 00:16:37,720 --> 00:16:39,800 Speaker 3: But the other thing that John Wick did that I 306 00:16:39,840 --> 00:16:43,400 Speaker 3: think is really great and for me is why this 307 00:16:43,560 --> 00:16:48,920 Speaker 3: era of Nobody and John Wick is a great subversion 308 00:16:49,120 --> 00:16:52,640 Speaker 3: and kind of elevation of the traditional revenge movie is 309 00:16:52,680 --> 00:16:55,360 Speaker 3: if you look back at something like Charles Bronson, who 310 00:16:55,520 --> 00:16:57,800 Speaker 3: I have to say, I grew up loving B movies 311 00:16:57,840 --> 00:17:00,680 Speaker 3: and exploitations, so I used to watch those movies a lot. 312 00:17:00,920 --> 00:17:04,840 Speaker 3: But like Death Wish, for example, all those movies begin 313 00:17:05,600 --> 00:17:09,239 Speaker 3: with like a horrific assault on a woman, and I 314 00:17:09,280 --> 00:17:12,200 Speaker 3: think that for a long time, the idea of these 315 00:17:12,240 --> 00:17:15,200 Speaker 3: movies was like a man has to rectify something bad 316 00:17:15,240 --> 00:17:18,760 Speaker 3: that was done to his property aka his house, or 317 00:17:18,800 --> 00:17:22,040 Speaker 3: his wife or his children. And there's like five Death 318 00:17:22,080 --> 00:17:25,480 Speaker 3: Wish movies because of that and about that. So I 319 00:17:25,480 --> 00:17:29,720 Speaker 3: think what I really love about Nobody one established more 320 00:17:29,760 --> 00:17:32,239 Speaker 3: of this idea of like what if somebody invades your 321 00:17:32,280 --> 00:17:34,920 Speaker 3: home and the sanctity of your home and the safety 322 00:17:34,920 --> 00:17:37,280 Speaker 3: of your home that you built, rather than like what 323 00:17:37,359 --> 00:17:40,199 Speaker 3: if they sexually assault your teenage daughter? Like And I 324 00:17:40,240 --> 00:17:43,200 Speaker 3: think that with john Wick, one of the reasons that movie. 325 00:17:42,920 --> 00:17:46,240 Speaker 4: Had such a killing reach what if they kill your dog? 326 00:17:46,400 --> 00:17:49,399 Speaker 3: Like what if it's something that you can imagine being 327 00:17:49,480 --> 00:17:52,600 Speaker 3: the thing that breaks you, But it doesn't have to 328 00:17:52,640 --> 00:17:55,480 Speaker 3: begin in that like truly exploitative place. And I think 329 00:17:55,520 --> 00:17:57,480 Speaker 3: that's why these are so fun for me. And I 330 00:17:57,520 --> 00:18:01,760 Speaker 3: think as well, like you know, this movie especially builds 331 00:18:01,800 --> 00:18:04,399 Speaker 3: on what we've seen and nobody won by kind of 332 00:18:04,560 --> 00:18:08,480 Speaker 3: establishing this almost franchised mindset of like, well, their son 333 00:18:08,560 --> 00:18:11,040 Speaker 3: clearly has aggression issues, but if he uses them in 334 00:18:11,080 --> 00:18:13,120 Speaker 3: the right way, he too can be a cool assassin 335 00:18:13,160 --> 00:18:16,800 Speaker 3: who beats up corrupt people. And you get Connie Nielsen, 336 00:18:17,240 --> 00:18:18,560 Speaker 3: who is suddenly. 337 00:18:18,119 --> 00:18:20,239 Speaker 4: Like they're like, by the way, by the way, I 338 00:18:20,359 --> 00:18:23,400 Speaker 4: thought she was just a normal successful wife, She's a sniper. 339 00:18:23,640 --> 00:18:25,639 Speaker 1: She's also a successful sniper. 340 00:18:26,080 --> 00:18:28,679 Speaker 3: And I think, like there's I like to see the 341 00:18:28,760 --> 00:18:31,680 Speaker 3: ways that they try and build these worlds out when 342 00:18:31,680 --> 00:18:33,760 Speaker 3: they make movies like this. I think that's one of 343 00:18:33,760 --> 00:18:36,280 Speaker 3: the most fun things about John The law is how 344 00:18:36,320 --> 00:18:39,000 Speaker 3: you expand the world, and the law, the John Wick 345 00:18:39,080 --> 00:18:40,000 Speaker 3: law is insane. 346 00:18:40,359 --> 00:18:44,000 Speaker 1: I mean the law of nobody too is only not 347 00:18:44,200 --> 00:18:47,720 Speaker 1: insane because we don't know that much about it yet. 348 00:18:48,400 --> 00:18:52,320 Speaker 2: I will say that the more I. 349 00:18:52,320 --> 00:18:55,359 Speaker 1: Learn and you learn more about nobody too, for instance, 350 00:18:55,400 --> 00:19:00,320 Speaker 1: you learn that, uh, it's Hutch and the resist dad 351 00:19:01,000 --> 00:19:04,000 Speaker 1: was like involved in this town for was like. 352 00:19:03,960 --> 00:19:08,360 Speaker 4: Bringing a holiday, but really it was some kind of. 353 00:19:08,880 --> 00:19:14,040 Speaker 1: Mission right because uh, you know, drugs and counterfeit goods 354 00:19:14,160 --> 00:19:17,760 Speaker 1: and chemical precursors for drugs and things are coming back 355 00:19:17,800 --> 00:19:21,480 Speaker 1: from Canada into this small town and Hutch's dad and 356 00:19:21,760 --> 00:19:26,200 Speaker 1: his dad was involved in this. And there's also the 357 00:19:26,640 --> 00:19:30,200 Speaker 1: thing of I forget the name of the character who 358 00:19:30,400 --> 00:19:33,240 Speaker 1: in one and two Hutch calls on the phone and is. 359 00:19:33,200 --> 00:19:37,160 Speaker 3: Like his content is like, oh, it's his governments, contact government, 360 00:19:37,560 --> 00:19:40,520 Speaker 3: his government handler who is in this for like a minute, 361 00:19:40,520 --> 00:19:41,080 Speaker 3: but it's. 362 00:19:41,320 --> 00:19:44,840 Speaker 1: Has the Michael Michael Well it was Michael Ironside in 363 00:19:44,880 --> 00:19:46,520 Speaker 1: the right in the first one. But you know who 364 00:19:46,600 --> 00:19:48,399 Speaker 1: is it? No, it's the I'm talking about the British 365 00:19:48,400 --> 00:19:50,800 Speaker 1: guy who's like in the barbershop and he's just. 366 00:19:54,840 --> 00:19:58,320 Speaker 2: This you've got in trouble this time you missed. 367 00:19:59,200 --> 00:20:01,240 Speaker 1: You're gonna have to keep your head down on this one, 368 00:20:01,560 --> 00:20:04,879 Speaker 1: Old boy. 369 00:20:03,640 --> 00:20:06,560 Speaker 3: A right, John Wick, and Sir John, I think that's 370 00:20:06,600 --> 00:20:09,280 Speaker 3: one of my one of my things that I really 371 00:20:09,400 --> 00:20:13,159 Speaker 3: enjoy about this era of like crazy action movies. 372 00:20:13,240 --> 00:20:14,800 Speaker 4: It's basically just that we're. 373 00:20:14,640 --> 00:20:16,760 Speaker 3: In a time where people are allowed to have a 374 00:20:16,760 --> 00:20:18,879 Speaker 3: lot more fun with it and there is more of 375 00:20:18,920 --> 00:20:23,160 Speaker 3: a kind of wild style approach. Whether it's The Kingsman 376 00:20:23,560 --> 00:20:26,440 Speaker 3: or whether it's John Wick or whether it's nobody, We're 377 00:20:26,480 --> 00:20:30,320 Speaker 3: getting these different versions of what an action movie can be. 378 00:20:30,359 --> 00:20:33,560 Speaker 3: And I do think that historically there's a good action 379 00:20:33,760 --> 00:20:37,080 Speaker 3: comedy tradition in America, So I feel like these fit in. 380 00:20:37,440 --> 00:20:39,840 Speaker 1: And I think that there is the other influence that 381 00:20:39,880 --> 00:20:43,080 Speaker 1: I'd like to call out on this movie specifically, and 382 00:20:42,600 --> 00:20:48,879 Speaker 1: they want is the is the genre of YouTube video 383 00:20:49,040 --> 00:20:53,800 Speaker 1: that's like Bully gets his due, Bully picks. 384 00:20:53,640 --> 00:20:58,199 Speaker 2: On the wrong guy. Yeah, And I mean that is 385 00:20:58,400 --> 00:21:00,439 Speaker 2: the power of both of these movies. 386 00:21:00,600 --> 00:21:04,359 Speaker 1: Every single absolutely set pieces like Bully picks on the 387 00:21:04,400 --> 00:21:06,760 Speaker 1: wrong guy, you did it, you did the wrong thing 388 00:21:06,800 --> 00:21:10,600 Speaker 1: this time, like when the when the carnival guy smacks 389 00:21:10,640 --> 00:21:14,640 Speaker 1: the back of Hutch's daughter's head and you just know, Okay. 390 00:21:14,200 --> 00:21:16,200 Speaker 3: You're just like what and also like that's such a 391 00:21:16,359 --> 00:21:19,440 Speaker 3: stupid just like take one step back, bro like, don't 392 00:21:19,480 --> 00:21:20,720 Speaker 3: don't hit an eleven. 393 00:21:20,440 --> 00:21:24,920 Speaker 4: Year old girl. But I am excited for the inevitable addition. 394 00:21:25,240 --> 00:21:28,280 Speaker 3: And Nobody three of like the girl becoming really cool. 395 00:21:28,359 --> 00:21:30,960 Speaker 2: Oh no, that's gonna get it. That's definitely gonna hand 396 00:21:31,000 --> 00:21:31,879 Speaker 2: it off to the family. 397 00:21:31,920 --> 00:21:34,440 Speaker 4: You go to hand it off to the family. Nobody three. 398 00:21:34,520 --> 00:21:37,520 Speaker 3: It's called like family vacation and like it's like a 399 00:21:37,600 --> 00:21:40,200 Speaker 3: National Lampoon movie and they just go to a different place. 400 00:21:40,640 --> 00:21:42,160 Speaker 1: Take a quick break, and then we'll do some opening 401 00:21:42,160 --> 00:21:47,119 Speaker 1: box office predictions. We'll talk about your favorite uh you know, 402 00:21:47,240 --> 00:21:52,080 Speaker 1: middle aged man, aggrieved movies, retired hit man movies, and 403 00:21:52,119 --> 00:22:09,000 Speaker 1: we'll be right back after this. And we're back, okay, 404 00:22:09,480 --> 00:22:15,000 Speaker 1: box office predictions. Your box office prediction on a budget 405 00:22:15,000 --> 00:22:19,040 Speaker 1: of twenty five million dollars, Nobody to kind of a 406 00:22:19,080 --> 00:22:20,800 Speaker 1: good weekend to be opening. 407 00:22:20,840 --> 00:22:22,560 Speaker 2: I think right now it's a good weekend. 408 00:22:22,240 --> 00:22:24,960 Speaker 4: To be opening. I do think that. 409 00:22:26,480 --> 00:22:28,960 Speaker 3: What's going to happen that I think is interesting about 410 00:22:28,960 --> 00:22:31,639 Speaker 3: Nobody is it ended up the first one ended up 411 00:22:31,640 --> 00:22:33,959 Speaker 3: in a very interesting situation. 412 00:22:34,000 --> 00:22:37,280 Speaker 4: Which was that it was relatively popular. 413 00:22:37,720 --> 00:22:41,520 Speaker 3: It made twenty seven million dollars domestically fifty seven million dollars. 414 00:22:41,200 --> 00:22:46,040 Speaker 4: Globally, but it was very popular on video and demand. 415 00:22:46,440 --> 00:22:47,680 Speaker 4: It was old school. 416 00:22:47,960 --> 00:22:50,439 Speaker 3: I think, and I think that this is probably I 417 00:22:50,480 --> 00:22:53,159 Speaker 3: think that it's not realistically going to be able to 418 00:22:53,280 --> 00:22:57,960 Speaker 3: knock Weapons off number one because Weapons way overperformed. It 419 00:22:58,040 --> 00:23:02,240 Speaker 3: overperformed to the point of like making like thirteen million 420 00:23:02,280 --> 00:23:03,160 Speaker 3: dollars more than they. 421 00:23:03,040 --> 00:23:03,920 Speaker 4: Thought it was going to make. 422 00:23:04,080 --> 00:23:06,359 Speaker 2: This is going to be single digit millions open. 423 00:23:06,480 --> 00:23:08,959 Speaker 3: I think this could be I think I think opening 424 00:23:09,000 --> 00:23:09,879 Speaker 3: weekends nine. 425 00:23:10,440 --> 00:23:12,280 Speaker 4: I think it could go eight to ten. 426 00:23:12,840 --> 00:23:16,199 Speaker 3: I think that it does have a crossover with the 427 00:23:16,200 --> 00:23:19,199 Speaker 3: weapons audience, which I do think is always, you know, 428 00:23:19,680 --> 00:23:21,960 Speaker 3: you don't always want to be battling up against that. 429 00:23:22,200 --> 00:23:26,120 Speaker 3: But I think that people who maybe have already seen weapons, 430 00:23:26,240 --> 00:23:28,760 Speaker 3: or who don't necessarily want to go and see something 431 00:23:28,800 --> 00:23:31,960 Speaker 3: that's really scary and instead want to just go and 432 00:23:32,000 --> 00:23:35,080 Speaker 3: see something that's kind of like late summer fun I 433 00:23:35,119 --> 00:23:37,520 Speaker 3: think it's got potential, and I do think it's opening 434 00:23:37,520 --> 00:23:41,080 Speaker 3: in thirty two hundred thirty two hundred years, so it 435 00:23:41,119 --> 00:23:44,000 Speaker 3: could over index and overform I went to see Weapons 436 00:23:44,080 --> 00:23:46,320 Speaker 3: last night for the third time, and it was like, 437 00:23:46,960 --> 00:23:48,800 Speaker 3: as I mentioned, there was an eight year old in there, 438 00:23:49,040 --> 00:23:52,720 Speaker 3: but also it was jam packed and it was discount Tuesday, 439 00:23:52,800 --> 00:23:55,479 Speaker 3: so that does happen. But it was like so loud 440 00:23:55,880 --> 00:23:59,280 Speaker 3: that I could just constantly hear people eating popcorn like 441 00:23:59,320 --> 00:24:03,080 Speaker 3: it was so it was so packed that you just couldn't. 442 00:24:02,440 --> 00:24:05,160 Speaker 1: I don't in a movie will do that. 443 00:24:05,280 --> 00:24:07,359 Speaker 4: I don't think it's got that kind of leg but 444 00:24:07,440 --> 00:24:08,320 Speaker 4: I do think it could. 445 00:24:08,440 --> 00:24:10,679 Speaker 3: People are excited to be at the movie there they 446 00:24:10,680 --> 00:24:12,400 Speaker 3: see so it could be a bit more. 447 00:24:12,680 --> 00:24:16,879 Speaker 2: I do see it going to VOD definitely. 448 00:24:17,400 --> 00:24:20,440 Speaker 3: Yeah, Yeah, And I think as well, like for all 449 00:24:20,440 --> 00:24:23,720 Speaker 3: we know, we'll see what kind of see what kind 450 00:24:23,720 --> 00:24:26,720 Speaker 3: of kind of situation they're in, because also that you 451 00:24:26,760 --> 00:24:29,400 Speaker 3: could do VOD, but they could also make a ton 452 00:24:29,480 --> 00:24:32,720 Speaker 3: of money if they sell this to a different streaming 453 00:24:32,800 --> 00:24:34,040 Speaker 3: site as it's place. 454 00:24:34,119 --> 00:24:35,840 Speaker 4: Okay, So, Jason, Rosie, if you like. 455 00:24:35,920 --> 00:24:42,760 Speaker 1: It, yes, if you like nobody what Rosie retired hit 456 00:24:42,840 --> 00:24:45,400 Speaker 1: Person Slash you Fucked. 457 00:24:45,080 --> 00:24:46,160 Speaker 2: With the Wrong Person movie? 458 00:24:46,200 --> 00:24:49,680 Speaker 1: Okay, I recommend, And what it's a home alone movie, 459 00:24:49,680 --> 00:24:50,560 Speaker 1: would you recommend? 460 00:24:50,600 --> 00:24:51,600 Speaker 4: Okay? So let me look. 461 00:24:51,640 --> 00:24:57,000 Speaker 3: Okay, So in my current I have currently fully committed 462 00:24:57,040 --> 00:24:59,439 Speaker 3: to always changing my letter box top four, which I 463 00:24:59,480 --> 00:25:00,840 Speaker 3: know people I'm not. 464 00:25:01,000 --> 00:25:02,840 Speaker 4: They don't love that, but you know what, I can't 465 00:25:02,880 --> 00:25:03,520 Speaker 4: help it, Guys. 466 00:25:03,400 --> 00:25:05,919 Speaker 3: I love, I agree, I agree, So I'm a changer, 467 00:25:05,920 --> 00:25:08,520 Speaker 3: I'm But what I do now is I specify. So 468 00:25:08,760 --> 00:25:12,600 Speaker 3: after I saw Nobody, I put a selection of some 469 00:25:12,680 --> 00:25:16,800 Speaker 3: of my favorite super violent dad slash wronged dad movies. 470 00:25:17,600 --> 00:25:19,720 Speaker 3: This one of the ones that I'm going to recommend, 471 00:25:20,240 --> 00:25:25,240 Speaker 3: is gonna come out soon on four K. It's been 472 00:25:25,400 --> 00:25:28,120 Speaker 3: very hard to find up until now. They're actually doing 473 00:25:28,160 --> 00:25:31,159 Speaker 3: a screening of it in La coming up soon with 474 00:25:31,600 --> 00:25:35,600 Speaker 3: the star James Brolin. Still looking great by the way, Guys, 475 00:25:35,600 --> 00:25:37,960 Speaker 3: he's like in his eighties. Still still looking great. Love 476 00:25:38,040 --> 00:25:40,800 Speaker 3: James Brolin, And he is in this movie called Night 477 00:25:40,840 --> 00:25:43,880 Speaker 3: of the Juggler where his daughter is kidnapped by a 478 00:25:43,920 --> 00:25:48,680 Speaker 3: creep in like eighties Harlem, seventies eighties Harlem, which is 479 00:25:48,720 --> 00:25:52,760 Speaker 3: completely broken down, and the movie is really grimy, really 480 00:25:52,800 --> 00:25:57,520 Speaker 3: grow grubby like definitely has creepy overtones, but it is 481 00:25:57,560 --> 00:26:01,960 Speaker 3: also essentially an eighty minute long chase through New York 482 00:26:02,359 --> 00:26:08,520 Speaker 3: on multiple different public transport metro bus, feet, car, it's 483 00:26:08,560 --> 00:26:10,880 Speaker 3: one of the best. I think it's such an underrated 484 00:26:11,000 --> 00:26:13,840 Speaker 3: classic exploitation movie and they're doing a four K re release, 485 00:26:13,880 --> 00:26:16,080 Speaker 3: so I think that is very much one of the 486 00:26:16,160 --> 00:26:19,440 Speaker 3: early and most interesting kind of death Wish spin offs. 487 00:26:19,480 --> 00:26:24,280 Speaker 3: So definitely that one. I would say one of my 488 00:26:24,560 --> 00:26:28,399 Speaker 3: other kind of that's kind of a cheat one. One 489 00:26:28,400 --> 00:26:30,000 Speaker 3: of the ones I have listed here is Trained to 490 00:26:30,000 --> 00:26:32,080 Speaker 3: Busan because it's violent and there's a dad, but I 491 00:26:32,080 --> 00:26:33,119 Speaker 3: don't think that really counts. 492 00:26:33,119 --> 00:26:35,280 Speaker 4: But it's a good horror movie. Guys. 493 00:26:35,600 --> 00:26:40,720 Speaker 3: I am a fan, of course of Park Chamwick's Old Boy. 494 00:26:40,960 --> 00:26:44,000 Speaker 3: I think that is a very good aggrieved man movie 495 00:26:44,240 --> 00:26:47,960 Speaker 3: that also influenced many of these films. So those would 496 00:26:48,000 --> 00:26:50,439 Speaker 3: be two of my top ones. Jason, how about you. 497 00:26:50,960 --> 00:26:54,200 Speaker 1: I'm gonna go with Eastern Promises two thousand and five. 498 00:26:54,320 --> 00:26:59,280 Speaker 3: Ooh, one of the best sorry history, by history of it. 499 00:26:59,359 --> 00:27:00,879 Speaker 1: I'm gonna go with two thousand and five is a 500 00:27:00,960 --> 00:27:03,280 Speaker 1: history of violence David Crohn, based on a comic book 501 00:27:03,359 --> 00:27:09,240 Speaker 1: based on a graphic novel. David Cronenberg's adaptation of the 502 00:27:09,240 --> 00:27:12,280 Speaker 1: graphic novel of the same name about a kitman who 503 00:27:12,320 --> 00:27:15,120 Speaker 1: retires from the Chicago mob to go work at a. 504 00:27:15,040 --> 00:27:16,760 Speaker 2: Diner and has a nice family. 505 00:27:16,880 --> 00:27:21,120 Speaker 1: It's good one day things his world's intersect and he's 506 00:27:21,560 --> 00:27:24,480 Speaker 1: gotta be violent again. It's a great one, and honestly 507 00:27:24,720 --> 00:27:26,600 Speaker 1: it's oh, excuse me, Philadelphia Mob. 508 00:27:27,560 --> 00:27:30,400 Speaker 2: It's a great one. And it's honestly beat for beat. 509 00:27:30,480 --> 00:27:33,000 Speaker 1: You could put it over Nobody won, and it's kind of, 510 00:27:33,560 --> 00:27:36,600 Speaker 1: oh yeah, all of these movies follow that's the same. 511 00:27:36,720 --> 00:27:41,560 Speaker 3: Thing that is fun is like there are it is 512 00:27:41,600 --> 00:27:46,440 Speaker 3: the same beats. But there's something that is so appealing 513 00:27:46,560 --> 00:27:49,320 Speaker 3: about watching somebody go out of their way and the 514 00:27:49,480 --> 00:27:50,480 Speaker 3: underdog story. 515 00:27:50,520 --> 00:27:51,439 Speaker 4: You know, I do think that. 516 00:27:51,560 --> 00:27:54,080 Speaker 3: I do still think John Wick is just we mentioned 517 00:27:54,080 --> 00:27:56,200 Speaker 3: it a bunch of times, but it is just up there. 518 00:27:56,640 --> 00:27:58,720 Speaker 3: I just think, Oh, you know which other one I love? 519 00:27:58,760 --> 00:28:03,080 Speaker 3: Which is one of the craziest's absolute classic Tony Scott 520 00:28:03,119 --> 00:28:08,439 Speaker 3: classic Man on Fire starring Denzel that's not the craziest movies. 521 00:28:08,880 --> 00:28:11,720 Speaker 4: A Kitchen and Ac did hit Man. 522 00:28:11,960 --> 00:28:15,239 Speaker 3: But he wouldn't necessarily have gone so hard if they 523 00:28:15,280 --> 00:28:17,399 Speaker 3: hadn't stolen his young white charge. 524 00:28:17,480 --> 00:28:18,760 Speaker 4: The code of Fanning, who. 525 00:28:18,800 --> 00:28:22,720 Speaker 3: Is deeply close to who has seen through his hardened ways, 526 00:28:23,240 --> 00:28:24,280 Speaker 3: and I'll never. 527 00:28:24,119 --> 00:28:27,320 Speaker 4: Forget like some of the depths in that movie. 528 00:28:27,600 --> 00:28:30,520 Speaker 3: It looks like a really prestigious American action movie, and 529 00:28:30,600 --> 00:28:33,800 Speaker 3: it is, but like they are like blowing people up 530 00:28:33,840 --> 00:28:36,960 Speaker 3: with like fireworks in their butt, like he's doing crazy 531 00:28:37,000 --> 00:28:39,520 Speaker 3: things in there that put it up there, I think, 532 00:28:39,520 --> 00:28:42,000 Speaker 3: with some of the best of these kind of movies. 533 00:28:42,040 --> 00:28:44,800 Speaker 3: And then finally for a home alone, meaning a climax, 534 00:28:44,800 --> 00:28:48,680 Speaker 3: a trap, yes, trap Leyden climax. 535 00:28:49,000 --> 00:28:51,000 Speaker 1: I mean, there's a lot to pick on here. You 536 00:28:51,040 --> 00:28:55,880 Speaker 1: could say, Hobbs and Shaw, you could say, I think 537 00:28:56,280 --> 00:28:58,360 Speaker 1: to some of the Equalizer films, do. 538 00:28:58,360 --> 00:29:02,040 Speaker 4: This any Saw films or skuy fal Saw. 539 00:29:02,000 --> 00:29:05,400 Speaker 1: Is basically I'm gonna go slight Twist. I'm gonna go 540 00:29:05,520 --> 00:29:06,600 Speaker 1: Return of the Jedi. 541 00:29:07,280 --> 00:29:08,280 Speaker 4: Okay, love this. 542 00:29:08,760 --> 00:29:12,479 Speaker 1: Those motherfucking e Wills, how they won the wall, you know, 543 00:29:13,200 --> 00:29:15,800 Speaker 1: setting those traps with the logs and the rocks and 544 00:29:15,840 --> 00:29:20,320 Speaker 1: all that stuff. Don't count what they've done for the cause. 545 00:29:21,080 --> 00:29:23,360 Speaker 3: Don't discount it because that's how they want. Okay, I'm 546 00:29:23,360 --> 00:29:26,240 Speaker 3: gonna tell you guys, this is this is the movie 547 00:29:26,240 --> 00:29:27,920 Speaker 3: that you should all go and watch. I believe it's 548 00:29:27,920 --> 00:29:32,400 Speaker 3: probably still streaming somewhere like Chewby maybe now maybe shudder. 549 00:29:32,800 --> 00:29:37,680 Speaker 3: This is the big controversial nineteen eighty nine French movie 550 00:29:37,760 --> 00:29:40,680 Speaker 3: called Deadly Games, which I only found out about because 551 00:29:40,680 --> 00:29:43,760 Speaker 3: of Shudder. It was also called Dial Code, Santa Claus, 552 00:29:43,800 --> 00:29:46,720 Speaker 3: Game Over, Hide and Freak. It's basically a kid at 553 00:29:46,760 --> 00:29:50,320 Speaker 3: Christmas in France whose house is broken into ala Home Alone. 554 00:29:50,400 --> 00:29:54,480 Speaker 3: It's very much a Home Alone influence Anna, and but 555 00:29:54,600 --> 00:29:57,800 Speaker 3: he goes like Ham. He's like a child prodigy who 556 00:29:57,880 --> 00:30:01,120 Speaker 3: starts making like inventions and blowing things up, and it's 557 00:30:01,240 --> 00:30:07,200 Speaker 3: really really good, scary, creepy stuff. It's it's definitely what 558 00:30:07,720 --> 00:30:09,200 Speaker 3: they were trying to do with Home Alone. But they 559 00:30:09,200 --> 00:30:12,320 Speaker 3: were like, you know, Americans and Christmas. And that's why 560 00:30:12,320 --> 00:30:14,560 Speaker 3: I think Macaulay Culkin gives one of the old time 561 00:30:14,640 --> 00:30:18,240 Speaker 3: like unintentionally creepy performances in Home Alone. 562 00:30:18,240 --> 00:30:23,520 Speaker 1: I mean, Nobody to five stars out of five star 563 00:30:23,600 --> 00:30:25,520 Speaker 1: rating system, What do you give it, Rosie? 564 00:30:26,640 --> 00:30:31,760 Speaker 3: I think Nobody Too is a decidedly solid like a 565 00:30:32,320 --> 00:30:34,280 Speaker 3: you're looking at. I would have said, you know, I'm 566 00:30:34,320 --> 00:30:36,440 Speaker 3: trying to think about other movies I've rated this year. 567 00:30:36,840 --> 00:30:40,320 Speaker 3: I rated Jurassic Park Rebirth, which was like a fine 568 00:30:40,440 --> 00:30:43,560 Speaker 3: kind of streamlined movie that was like a three and 569 00:30:43,560 --> 00:30:44,800 Speaker 3: a half for me. So I think I got to 570 00:30:44,840 --> 00:30:46,960 Speaker 3: give Nobody two more of like A four, because I 571 00:30:47,000 --> 00:30:49,320 Speaker 3: do think the invention of that. I think the action 572 00:30:50,040 --> 00:30:53,400 Speaker 3: is really inventive. I think the cost is funny. I 573 00:30:53,400 --> 00:30:56,520 Speaker 3: think that it's enjoyable, well shot movie. It's eighty nine 574 00:30:56,560 --> 00:30:58,920 Speaker 3: minutes long. That's so I'm like, if you just me 575 00:30:59,520 --> 00:31:05,280 Speaker 3: like a leaning me in it mean crazy action fun 576 00:31:05,680 --> 00:31:10,800 Speaker 3: settings because of the notion of the theme park. I 577 00:31:10,840 --> 00:31:14,000 Speaker 3: will also say I do think from the outset of 578 00:31:14,120 --> 00:31:17,880 Speaker 3: the John Wick franchise, these guys have made interesting and 579 00:31:17,920 --> 00:31:20,680 Speaker 3: thoughtful choices about who their bad guys are, so it 580 00:31:20,720 --> 00:31:23,760 Speaker 3: doesn't always kind of fall into that more like very 581 00:31:23,800 --> 00:31:27,680 Speaker 3: nefarious kind of death wish peppermint like weird crime racism 582 00:31:27,840 --> 00:31:30,479 Speaker 3: kind of mindset. So I think this movie also follows 583 00:31:30,520 --> 00:31:32,560 Speaker 3: along with that. And yeah, I mean, if you just 584 00:31:32,600 --> 00:31:36,840 Speaker 3: want to see some people get killed on a water slide, 585 00:31:37,400 --> 00:31:39,200 Speaker 3: then enjoying Nobody too. 586 00:31:39,680 --> 00:31:41,959 Speaker 1: Yeah, I'm gonna give it a I'm gonna give a 587 00:31:42,160 --> 00:31:47,520 Speaker 1: solid three and a half fat great action movie. There's 588 00:31:47,560 --> 00:31:50,960 Speaker 1: nothing in here that's new or super surprising, but it's 589 00:31:50,960 --> 00:31:55,520 Speaker 1: a it's a very entertaining, enjoyable time that again, at 590 00:31:55,560 --> 00:31:59,160 Speaker 1: eighty nine minutes, really respects your time. When I got 591 00:31:59,160 --> 00:32:02,760 Speaker 1: home from the movie. Christine was like, you're home already. 592 00:32:02,760 --> 00:32:04,720 Speaker 2: I'm like, yeah, lead a mean movie. 593 00:32:04,920 --> 00:32:07,960 Speaker 3: Literally, you're like, no, two hour and forty long min here, 594 00:32:08,000 --> 00:32:10,560 Speaker 3: Like no, I can just enjoy this. Also, it is 595 00:32:10,680 --> 00:32:12,680 Speaker 3: really funny that the movie is written by the same 596 00:32:12,720 --> 00:32:14,800 Speaker 3: guy and it's basically just all the same beats. 597 00:32:14,840 --> 00:32:17,760 Speaker 1: I respect that, I respect, I respect that, I love 598 00:32:17,760 --> 00:32:20,160 Speaker 1: your I love your ustle, I love that. On tomorrow's 599 00:32:20,160 --> 00:32:22,920 Speaker 1: episode of extra Vision, we're breaking down the biggest news 600 00:32:22,920 --> 00:32:24,719 Speaker 1: of the week. It's news that's it for this episode 601 00:32:24,760 --> 00:32:32,240 Speaker 1: that you're listening. X ray Vision is hosted by Jason 602 00:32:32,280 --> 00:32:35,520 Speaker 1: Cepcion and Rosie Knight and is a production of iHeart Podcast. 603 00:32:35,880 --> 00:32:39,480 Speaker 3: Our executive producers are Joel Monique and Aaron Kaufman. 604 00:32:39,720 --> 00:32:41,760 Speaker 2: Our supervising producer is Abuzafar. 605 00:32:42,160 --> 00:32:46,080 Speaker 3: Our producers are Common Laurent Dean Jonathan and Bay Wack. 606 00:32:46,240 --> 00:32:49,000 Speaker 1: A theme song is by Brian Vasquez, with alternate theme 607 00:32:49,040 --> 00:32:50,320 Speaker 1: songs by Aaron Kaufman. 608 00:32:50,480 --> 00:32:53,880 Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and 609 00:32:53,960 --> 00:33:02,880 Speaker 3: Heidi our discored moderator