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Speaker 1: It's actually not hard. It's not a complicated process at all.

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Speaker 1: Any nutrient, any food item can be reproduced with the

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Speaker 1: exact nutrient makeup in its original form as a gummy,

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Speaker 1: same size, same appearance, identical appearance.

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Speaker 2: But here're my issue, and I think maybe I'm not

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Speaker 2: explaining myself clearly.

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Speaker 1: I don't want it.

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Speaker 2: To be that big. Like I'm I'm happy that we

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Speaker 2: can reproduce it in gummy form. I'm happy that we

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Speaker 2: can have the same but like I don't want to

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Speaker 2: have to eat like an entire pineapple gummy. I'm wondering

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Speaker 2: if we can make it smaller. You can make it

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Speaker 2: because obviously I need them. Sorry, I understand it. I

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Speaker 2: thought you were asking whether it could happen, but you

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Speaker 2: were you were too busy asking whether it should.

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Speaker 1: Just yes, I might.

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Speaker 2: So my doctor has basically said, like if I yes,

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Speaker 2: if I keep eating a pineapple sized pineapple, that I

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Speaker 2: need all the juice from it, but that, uh, the

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Speaker 2: lining of my stomach will disintegrate, and that and that

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Speaker 2: actually because I've been eating the seeds as well, that

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Speaker 2: a that like a pineapple creature burst out of my

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Speaker 2: abdomen and start living as me like like take Over.

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Speaker 2: You may like this, take over the podcast, take over

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Speaker 2: my you know, child rearing ability. I don't know you

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Speaker 2: like perhaps the way you talk to me sometimes, Hayes,

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Speaker 2: I wouldn't be surprised if you'd rather be talking to

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Speaker 2: a pineapple creature, if that would be easier for you,

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Speaker 2: the way I feel sometimes, the way I am treated

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Speaker 2: on the show, I think he'd rather have a pineapple creature.

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Speaker 1: In the seat. Let me let me stop, you like,

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Speaker 1: let me go back to what you're saying earlier. But

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Speaker 1: just because it would be easier, and it would be easier,

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Speaker 1: doesn't mean that that's what I want. Nothing in this

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Speaker 1: life that is worth, worth worthwhile, worth doing is easy. Yeah,

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Speaker 1: and that includes having a conversation with you on this show.

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Speaker 2: Mm hmm.

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Speaker 1: And the answer is yes. We can shrink down the

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Speaker 1: gummy to be exactly the same texture and composition, like

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Speaker 1: the steak will have the same marbling as it would

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Speaker 1: in its larger form. It is just small bone in

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Speaker 1: gummy Rabbi, gummy bone in.

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Speaker 3: Now.

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Speaker 1: I want to address the juice. I want to address

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Speaker 1: the juice. The pineapple will not have any juice. It's

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Speaker 1: all it's pure gummy inside.

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Speaker 2: It's got the same nutrients, but it's but they're the

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Speaker 2: same nutrients.

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Speaker 1: But textually there is no there is no liquid. There's

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Speaker 1: no no of this. Noah, these are gummies, These are

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Speaker 1: not gushers.

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Speaker 2: Okay, well we I mean we should talk to our guests.

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Speaker 2: She's been here for over an hour at.

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Speaker 1: This point, tawny time. I guess I suppose it's become

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Speaker 1: tawny time once again, ears.

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Speaker 4: Freeze, tawny time.

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Speaker 1: Tawny. Yeah, might as well get it over with. Let's

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Speaker 1: get out of your throne and start calling everyone at

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Speaker 1: your address book.

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Speaker 2: This is guys, let's get moving. I don't know why

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Speaker 2: we or we could or we fake thing where we

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Speaker 2: pretend that you that your guests are just like the guest.

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Speaker 2: It's like, let's start at accessing, right.

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Speaker 4: I shouldn't pretend that you ever want to talk to me.

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Speaker 4: I'm merely a vessel for either my father.

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Speaker 2: The whole conversation when we talk to your dad or

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Speaker 2: some of you, we actually still actually friends.

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Speaker 1: We never spoke directly to your dad. We had to

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Speaker 1: speak directly to you. Who would really a conversation to

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Speaker 1: your dad. I've never spoken to your dad.

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Speaker 2: In my life. Do you want to communicated with him.

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Speaker 1: I mean he's.

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Speaker 2: He's experienced ideas of mine and given feedback in real time.

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Speaker 2: So I do feel like there's a connection there, But no,

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Speaker 2: we have he's objectively my busiest fan.

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Speaker 4: Yeah he loves you guys. He has notes, but he loves.

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Speaker 2: You guys, and the fandom goes both ways, and honestly like, yeah, good,

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Speaker 2: we should be taking notes, Like I'm a fan of

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Speaker 2: his shit. I like a lot of what he brought

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Speaker 2: to the table. But I didn't have to take every note.

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Speaker 2: But what I all, what I realized every time was

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Speaker 2: maybe your dad doesn't have the fix. He did find

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Speaker 2: a problem. There's a reason I'm getting the note. Yes,

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Speaker 2: And then I get in the lab and I go,

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Speaker 2: it doesn't have to be what he's asking for, but

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Speaker 2: it gotta be something different exactly.

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Speaker 4: My dad is good at and this is this comes

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Speaker 4: from childhood. My dad is always good at finding something

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Speaker 4: wrong with what you're doing where you didn't know. You

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Speaker 4: might have just been like, hey, look at this. I

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Speaker 4: got an A plus on this essay, and I got

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Speaker 4: you know, now I'm on the honor roll, and he'll

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Speaker 4: find a reason to be like this is actually bad,

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Speaker 4: and here's how you could have done it better.

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Speaker 1: Yeah, oh, only the lower decks. Huh mmmmmm what is that?

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Speaker 3: No?

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Speaker 1: What is and now?

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Speaker 4: What is that you're referencing? Is that my is that

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Speaker 4: my Star Trek cartoon?

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Speaker 1: M Oh, you don't know about that trick?

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Speaker 4: Sometimes I forget, you know, it's like.

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Speaker 1: You don't know about your cartoon.

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Speaker 4: I mean I know about it.

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Speaker 1: I just didn't know you have a cartoon.

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Speaker 4: Yeah, I have a cartoon.

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Speaker 1: You thought that I was talking about something else that's

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Speaker 1: not your cartoon. It's like I don't know.

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Speaker 4: I don't know.

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Speaker 1: You will you tell Let's pull up Tawny's Wikipedia and

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Speaker 1: and we'll tell her what what she's in.

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Speaker 2: Yeah, just so you have a No, the picture's great, Tawny.

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Speaker 1: We actually don't like can you it's great? It's so

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Speaker 1: I'm looking at it and this is.

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Speaker 2: Now I feel like your dad a little bit. But

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Speaker 2: it's like you don't you don't know what's best for

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Speaker 2: you picture wise, Like this picture is no.

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Speaker 4: It's from twenty nineteen. My mouth is open like.

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Speaker 2: Smile like that in twenty nineteen.

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Speaker 4: I don't like it.

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Speaker 1: This is a pre COVID smile. So like everyone on

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Speaker 1: Wikipedia is from.

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Speaker 2: Get you spreading your germs with that smile, big open mouth.

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Speaker 4: Just I was like Greg, a challenge for the listeners.

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Speaker 4: I just I look so much better now, can can we?

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Speaker 4: This is a twenty nineteen comic Con shot. Can you

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Speaker 4: take my twenty twenty two comic Con pictures and put

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Speaker 4: one of those there?

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Speaker 1: Some way to be?

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Speaker 2: I love that, right, that feeling you have about yourself,

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Speaker 2: because that I never look back at an old picture

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Speaker 2: and go, God, it looks so much better now.

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Speaker 3: Oh.

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Speaker 2: I always always go Jesus.

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Speaker 1: I guess you're not.

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Speaker 4: You're not always moving forward and reinventing and advancing yourself.

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Speaker 2: Like I know, I've been sort of decaying entropy. I'm

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Speaker 2: sort of.

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Speaker 1: An old toad. Just buried it my.

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Speaker 2: Little mud hole here, aren't I?

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Speaker 4: I don't. I don't feel that I've ever looked at

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Speaker 4: this Wikipedia page, and it's very interesting, the things that

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Speaker 4: are jumping out at me.

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Speaker 1: I don't know what we can change it?

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Speaker 3: Now?

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Speaker 1: Do we want to put a new picture up there? Now?

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Speaker 4: Yeah? Get it? Get a current.

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Speaker 1: Take wait, just take a just take a sealthie, send

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Speaker 1: it to Kevin Well and we'll throw it in there.

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Speaker 4: I don't want a selfie of me and my house? Why?

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Speaker 2: God?

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Speaker 4: Yeah?

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Speaker 1: Why not?

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Speaker 4: It seems a little too d I y, I don't know.

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Speaker 4: I don't know.

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Speaker 2: Well, do you want to put it? Do you want

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Speaker 2: to take a selfie and then we can somehow like

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Speaker 2: key in the background from that, like comic comic whatever

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Speaker 2: you were doing?

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Speaker 4: Why why wouldn't you just take one of the pictures

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Speaker 4: from comic Con? They were nice pictures.

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Speaker 1: That's what we did.

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Speaker 2: You were mad about it, That's what we originally did.

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Speaker 2: You were pissed.

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Speaker 4: I don't understand. I don't sometimes I don't know if

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Speaker 4: you guys are neither.

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Speaker 2: Uh So what's up there? That's a picture from comic Con?

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Speaker 2: So what we can do one? Okay? So I'm like,

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Speaker 2: it's four years ago, through every comic con, and like

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Speaker 2: just this one.

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Speaker 4: It was July. It was just like four months ago.

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Speaker 4: That's the one I want up there.

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Speaker 2: Well, the last time, I just want to point out

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Speaker 2: us Jesus, do you see how fast she did the months.

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Speaker 1: The last time we put up a photo, I mean

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Speaker 1: it was it was off. But the last time we

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Speaker 1: took a photo of you on the comic condis there

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Speaker 1: was shortly after that a global pandemic. And so now

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Speaker 1: you're saying, oh, let's let's go back and like do

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Speaker 1: this again. Like, no, actually, I'd rather I did not

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Speaker 1: repeat that experience. Well, I think it makes infinitely more

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Speaker 1: sense for you to take a selfie in your home.

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Speaker 1: You don't have to be looking directly at the camera.

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Speaker 1: In fact, I don't think you should be. I think

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Speaker 1: you should be looking out at an imagined audience.

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Speaker 2: Can I say this just because I'm worried? I want

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Speaker 2: to clarify as we bring up the original photo what

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Speaker 2: happened after words? Wouldn't you say? I look so much

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Speaker 2: better now?

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Speaker 1: Yeah?

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Speaker 2: You don't mean because you're wearing a mask.

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Speaker 4: I mean, hey, top two thirds of my face or

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Speaker 4: top third of my face, that's where it's at. Man,

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Speaker 4: it's all the ho.

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Speaker 1: That's for me. My face is I agree with Tani.

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Speaker 1: My face is like a stop light, a maskot top

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Speaker 1: to bottom. It's green light, yellow light, red light. Stop your.

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Speaker 4: Wonders for me, green yellow, red, top to bottom. Yeah,

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Speaker 4: you got like a European stoplight face.

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Speaker 1: Yeah.

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Speaker 4: No, guys, I just feel like I like I like

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Speaker 4: the way I look. You guys, You guys know this

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Speaker 4: thing called self esteem.

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Speaker 2: You should talk about that.

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Speaker 3: You know.

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Speaker 4: It's when you wake up every day and you like

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Speaker 4: what you're looking at instead of going yeah, all right.

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Speaker 4: And I feel like in twenty nineteen I was going, eh,

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Speaker 4: all right, and now I'm twenty reach you, I'm going,

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Speaker 4: all right.

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Speaker 1: Here's what I'd like to say. Some selfie, steem selfie,

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Speaker 1: steam a steamy selfie.

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Speaker 2: I've got, I've got, I've got some that's something about

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Speaker 2: being in asana by myself. Hang on, I'll give myself

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Speaker 2: a steam. Hang on, give me. Can I actually come

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Speaker 2: back to the podcast in like half an hour?

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Speaker 4: Yeah? Yeah, yeah, work it out, you guys. You've been

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Speaker 4: having good Uh oh he did he disappeared.

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Speaker 1: Yeah, he did, he did. He's going to is that common?

219
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Speaker 1: Going to take a steam bath? He has a steam

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Speaker 1: bath that kind of just sort of ERPs out of

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Speaker 1: his toilet bowl. Oh mm hmm. So he sits on

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Speaker 1: there and through it's not a like a button that

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Speaker 1: you press. He turns a crank on the side of

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Speaker 1: the bowl and then it boils. I guess is like

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Speaker 1: there's really don't the word for it. The water and

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Speaker 1: the toilet boils and steam erupts out and bathing him

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Speaker 1: sort of from bottom to top.

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Speaker 4: Yeah, it's like a geyser.

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Speaker 1: Yeah, and he comes out different for sure. Sometimes sometimes

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Speaker 1: a little more relaxed, sort of sou v'd. Yeah, and

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Speaker 1: that's exactly he does. Wear like a bat like a plastic.

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Speaker 4: Yeah, put himself in a plastic bag that you kind

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Speaker 4: of clip to the edge and then just to the

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Speaker 4: edge of the toilet bowl.

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Speaker 1: Yeah, he has to because it can't be direct contact. Obviously.

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Speaker 4: Self care is a journey and I support it. So

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Speaker 4: whatever he needs to do to feel the most moisturized

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Speaker 4: and the most confident, I say.

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Speaker 5: This week on the Patreon carling Usan discuss the La Dodgers,

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Speaker 5: the Boys break down a TV pilot script on the

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Speaker 5: pro Version, and the Flagger Ones are mostly talking all

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Speaker 5: things basketball. Check out all these shows and the video

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Speaker 5: for today's episode with Tawny at patreon dot com Slash

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Speaker 5: the flakir Ones.

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Speaker 1: I think in this episode we should just to get

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Speaker 1: out of the way.

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Speaker 4: Yeah, yeah, we don't have to have.

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Speaker 1: A whole conversation with like whoever. I think we just

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Speaker 1: call them, they answer, you hang up, and then we

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Speaker 1: can move on. Because people are like they're like, oh,

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Speaker 1: Tani's here, they're gonna like dig into her phone, right.

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Speaker 1: I don't want to hear like these these animals like

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Speaker 1: scratching and clawing at my door after this episode is over,

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Speaker 1: because you didn't call anybody, you know what I mean.

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Speaker 1: They're not coming to you, They're coming to me.

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Speaker 4: Right, And they they only want to hear me call other.

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Speaker 1: People as opposed to yourself.

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Speaker 4: Yeah, like they don't want to hear things from me.

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Speaker 4: And I'm not upset about this. I'm just laying out

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Speaker 4: expectations in case there's new listeners who maybe listen to

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Speaker 4: this because they follow me and they're fans of me,

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Speaker 4: and so they saw that I posted this and they

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Speaker 4: were like, man, we really want to hear what Tawny

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Speaker 4: has to say on this podcast we're not familiar with.

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Speaker 4: And they tune in and they hear me just calling

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Speaker 4: someone and they might be disappointed.

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Speaker 1: So I'm going to let's table this Sean is back.

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Speaker 1: I want to acknowledge that he's returned.

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Speaker 2: Hey, gang, forgot what I was working on out there,

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Speaker 2: but I left to do something. But then well, once

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Speaker 2: I got in my steam, I totally went. It left

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Speaker 2: my head. I said, well, must not have been that important. Decompressed.

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Speaker 2: I'm back for the podcast.

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Speaker 1: I think we can all agree the vibe has improved.

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Speaker 2: I'm still a little sweaty, so I'm just driving myself

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Speaker 2: off with multiple tissues. But other than that, you know,

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Speaker 2: I'm ready to perform and have we got have we?

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Speaker 2: Have we called anyone yet? I'm always excited TONI when

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Speaker 2: you're here to start calling people on your phone.

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Speaker 4: Yeah, I was just explaining it for any new listeners.

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Speaker 4: I just want to say, you have a beautiful, full

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Speaker 4: like rosy patina. You just look you kind of remind

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Speaker 4: me you sort of look like a like a Tamali,

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Speaker 4: you know, and you pull a Tamali right out of

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Speaker 4: the steam and like, I don't know if your skin

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Speaker 4: is the corn husk or if you're the if you're

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Speaker 4: the maze, but it's got like a delicious, supple, stuffed quality.

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Speaker 4: You look great.

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Speaker 2: Oh that's really nice to hear. That's and I feel terrific.

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Speaker 1: Yeah.

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Speaker 2: Well, the tissue doesn't hurt. I mean, that's all that's

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Speaker 2: so gentle on your skin. I see people using towels

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Speaker 2: and I think it's that's so harsh on your body.

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Speaker 2: Rough You know, your skin's not designed to take that

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Speaker 2: kind of punishment day after day. You gotta do is

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Speaker 2: get three tissues. It just get to work. Does it

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Speaker 2: take a little longer? Yeah, But, as Haze often remarks,

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Speaker 2: anything worthwhile right that.

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Speaker 4: You do, it is not gonna be gonna be painful.

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Speaker 1: Yeah, it's gonna ask did you did you get air?

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Speaker 1: Sometimes the steam, sometimes the steam coming out of the

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Speaker 1: bowl is so violent that Sean is able to actually

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Speaker 1: like get air and do moves.

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Speaker 2: Yeah. So yeah, I was hovering probably uh h, I

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Speaker 2: guess like four feet off the seat.

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Speaker 1: Four feet oh my, off the CT So you were actually.

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Speaker 2: I was gonna say, yeah, I sat down on the toilet,

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Speaker 2: turned on the sheet, and then I was thrust about

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Speaker 2: four feet up in the air above the seat, and

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Speaker 2: you know, I did a I did a daffy did

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Speaker 2: a daffy twist?

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Speaker 1: What does that look like? This is not my I

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Speaker 1: didn't grew up doing this stuff. And so like what

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Speaker 1: what what is a dash?

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Speaker 4: What's a twist?

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Speaker 2: It's like, uh kind of spin around, do wacky legs?

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Speaker 4: Okay, I can picture it.

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Speaker 2: Yeah yeah yeah, and your lips look very full.

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Speaker 4: Now I don't know what.

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Speaker 2: Yeah, that's a separate that's a separate thing. Okay, in there,

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Speaker 2: I have some berries that I'm allergic to, and I'll

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Speaker 2: just and I'll kind of suck on those for a

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Speaker 2: while while I'm getting steamed, just you know, uh, to

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Speaker 2: generate that swelling that I think is very appealing Obviously

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Speaker 2: to people, you noticed it right away.

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Speaker 4: And they did.

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Speaker 2: Yeah, I always get comments.

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Speaker 4: It seems like a cheaper alternative. Have you heard of

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Speaker 4: a lip flip? Have you heard the women in l

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Speaker 4: A they're doing the lip flip.

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Speaker 2: I know about hippie flipping. I know about hippie flipping

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Speaker 2: and robo tripping. Those are the two things that I mainly.

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Speaker 4: You can do. You can you can hippie flip while

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Speaker 4: getting a lip flip, and it actually makes a nice experience.

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Speaker 2: Yeah. Oh that's interesting. Okay, so I would so what

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Speaker 2: what's the process there? They flip your lips inside out

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Speaker 2: so that your bones or whatever.

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Speaker 4: Yeah, yeah, yeah, they flip your lips inside out, They

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Speaker 4: stretch it back over your head. They peel you like

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Speaker 4: a banana so that your teeth look bigger and and

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Speaker 4: your head looks skinnier. And that's the new hot trend

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Speaker 4: in LA.

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Speaker 2: I wouldn't mind that, Yeah, yeah, all right, I need

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Speaker 2: new lip bones.

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Speaker 1: Do they just like do they were doing they just

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Speaker 1: completely replace your lip bone.

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Speaker 4: Yeah, you have small lip bones, which yeah, you know,

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Speaker 4: it's just a genetic thing. You can get them.

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Speaker 2: Nothing ashamed, but you may want to get you may

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Speaker 2: want to get some better bones in there.

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Speaker 1: Yeah, they've eroded and a piece fell down, kind of

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Speaker 1: slipped down into the bottom of my chin.

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Speaker 4: Didn't drink enough milk as a kid.

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Speaker 1: You didn't have enough milk. It was I was one

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Speaker 1: little piece of milk.

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Speaker 2: Short you were drink well, you drink milk, but it

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Speaker 2: was the wrong milk.

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Speaker 4: Okay, you drink You didn't drink soft enough milk.

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Speaker 2: You drink hard milk, hard milk, drinking bird milk, which

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Speaker 2: is very you know they have they have beaks, right,

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Speaker 2: they don't have they don't have lips, they don't have

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Speaker 2: lip bones. So like, so what you're getting is nutrients

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Speaker 2: that will help build your beak. And you notice his

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Speaker 2: nose is extremely firm.

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Speaker 1: Yeah, very powerful.

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Speaker 4: Yeah, yeah, yeah, like you could peck away at something.

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Speaker 2: Gim it. Yeah, I seen him do it. We went

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Speaker 2: camping one time and he was like, anybody up for

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Speaker 2: a grub? And I look over and he's, you know,

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Speaker 2: he's he's face deep inside a tree hole, and sure

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Speaker 2: enough it comes out, pulls out a a big old grub.

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Speaker 4: The word tree hole really hit my ear in an

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Speaker 4: uncomfortable way. I don't know what else I would call it,

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Speaker 4: But when you said it, I I recoiled from you

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Speaker 4: and from this podcast. I wonder what else? No treehole? Like,

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Speaker 4: there's got to be a word for that. Is it

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00:19:59,640 --> 00:20:06,479
Speaker 4: a tree cave? Is it a birdhole? An owl hole? Like,

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Speaker 4: there's gotta be another name.

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Speaker 2: Well, can I ask this? Is it an is it

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Speaker 2: just a not? Or is it not?

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Speaker 4: I guess I don't know the difference. I mean, that's

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Speaker 4: the eternal question. I don't know. I just I would

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Speaker 4: encourage you to find other words. When you were about

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Speaker 4: to say something that sounds harsh and disgusting, I'd encourage

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00:20:28,040 --> 00:20:29,600
Speaker 4: you to, like second thought.

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Speaker 1: You know, he's never gonna have a reason to talk

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Speaker 1: about that again.

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Speaker 2: No, pretty organically, Yeah, it feels like we're delaying the inevitable,

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Speaker 2: like we're hanging out.

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Speaker 4: Uh, it feels like we're hanging out and becoming friends.

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Speaker 4: And I don't know why you're resisting our bond so much.

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Speaker 4: I was having like maybe the nicest time I've had

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Speaker 4: on this show, and it really feels like you guys

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Speaker 4: are trying to rush me into something else.

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Speaker 2: You know, And I'm happy to hear that from your end,

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00:21:02,720 --> 00:21:05,159
Speaker 2: the show is about the fans experience.

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Speaker 4: That's true.

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Speaker 1: It's not.

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Speaker 2: It's not really for the guests to have fun. Sometimes

400
00:21:09,760 --> 00:21:13,680
Speaker 2: as a byproduct of the guests enjoying themselves, the fans

401
00:21:14,480 --> 00:21:18,840
Speaker 2: enjoy themselves. But really, for the most part, the show's

402
00:21:18,880 --> 00:21:21,040
Speaker 2: the fans, like are where the guest is having a

403
00:21:21,160 --> 00:21:22,960
Speaker 2: very unpleasant experience.

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Speaker 1: When we think about what's happening right now when you

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00:21:25,600 --> 00:21:29,080
Speaker 1: think about, like what is the present moment, Yeah, in

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Speaker 1: the vast majority of cases, like for us, it's an hour, right,

407
00:21:34,000 --> 00:21:37,920
Speaker 1: but for like in reality as this podcast is playing

408
00:21:37,960 --> 00:21:46,399
Speaker 1: out the now is hundreds, possibly two hundred listeners and

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Speaker 1: all of their hours put together, the experience of listening

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00:21:49,960 --> 00:21:53,080
Speaker 1: to this show, Like, that's a much bigger cumulative now

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00:21:53,480 --> 00:21:55,960
Speaker 1: right than that what just what we're doing with this

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00:21:56,080 --> 00:21:57,879
Speaker 1: on this podcast. And so when we talk about what's

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Speaker 1: happening right now for that listener, for all of our listeners,

414
00:22:00,960 --> 00:22:07,600
Speaker 1: their tummy hurts, Yeah, their tummy hurts really bad. They're

415
00:22:07,600 --> 00:22:12,560
Speaker 1: holding their tummy. They're kind of wiggling around. See, if

416
00:22:12,560 --> 00:22:13,920
Speaker 1: you make it feel better, it.

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Speaker 2: Won't really guttural.

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Speaker 1: Yeah, or I guess wriggling. Wriggling is like, yeah, writhing

419
00:22:21,640 --> 00:22:22,200
Speaker 1: a little.

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00:22:22,000 --> 00:22:28,959
Speaker 4: Bit, Yes, writhing implies discomfort. Wiggling just seems like fun.

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Speaker 1: But the way they do it, it's it is kind

422
00:22:32,040 --> 00:22:36,560
Speaker 1: of a wiggle. They're sort of wiggling with it, and

423
00:22:36,600 --> 00:22:39,840
Speaker 1: so hands on their belly. They're making the noise that

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Speaker 1: Sean wants describing. Oh, and so our job when we

425
00:22:46,440 --> 00:22:49,280
Speaker 1: think about what's our job in this moment right now,

426
00:22:51,200 --> 00:22:53,960
Speaker 1: it's to make their tummies feel just a little bit

427
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Speaker 1: better or if if at all possible, distract them from

428
00:23:00,080 --> 00:23:03,320
Speaker 1: what's going on in their tummy, right mm hmm.

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Speaker 4: And I want to help with that.

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Speaker 1: I don't have Grandma's number. Grandma's in the Grandma's in

431
00:23:10,920 --> 00:23:12,760
Speaker 1: the bathroom, so we've got plenty of time.

432
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Speaker 4: I really don't have Steve's number. I we've emailed.

433
00:23:16,520 --> 00:23:22,000
Speaker 2: But you know, send an email Steve, can I have

434
00:23:22,040 --> 00:23:26,800
Speaker 2: your number? It's very important. It's an emergency.

435
00:23:27,080 --> 00:23:30,640
Speaker 4: You want me to email Steve Carell Steve, can I.

436
00:23:30,560 --> 00:23:35,680
Speaker 2: Have your numberency? It's an emergency your number immediately, immediately

437
00:23:37,840 --> 00:23:39,840
Speaker 2: a situation tummy's at stake.

438
00:23:41,600 --> 00:23:44,919
Speaker 4: Okay, yeah, I can send that email. I'll send that

439
00:23:44,920 --> 00:23:49,520
Speaker 4: email right now. And just for like the fans to

440
00:23:49,520 --> 00:23:54,920
Speaker 4: to know email host is too big a hint, I think,

441
00:23:56,320 --> 00:23:58,239
Speaker 4: I guess, I I guess. Can they just know if

442
00:23:58,280 --> 00:24:01,960
Speaker 4: the word Steve is in his email address, the word

443
00:24:02,040 --> 00:24:04,240
Speaker 4: Steve is not in his email addresses.

444
00:24:04,000 --> 00:24:08,840
Speaker 1: The word Steve, the word in Steve.

445
00:24:09,960 --> 00:24:13,400
Speaker 2: The email address, the word Steve is not in there.

446
00:24:13,720 --> 00:24:14,080
Speaker 1: It's not.

447
00:24:14,200 --> 00:24:16,280
Speaker 4: No, it's not. I had to double check, but it is.

448
00:24:16,359 --> 00:24:16,479
Speaker 3: No.

449
00:24:16,600 --> 00:24:19,200
Speaker 4: He might have one that has it in there, but.

450
00:24:19,200 --> 00:24:22,040
Speaker 1: The way that he gave you does not have the

451
00:24:22,040 --> 00:24:23,760
Speaker 1: word Steve in it.

452
00:24:23,800 --> 00:24:27,879
Speaker 4: Probably strictly spam. Only email address that he allowed me

453
00:24:27,960 --> 00:24:30,119
Speaker 4: to have does not have his name in it, is.

454
00:24:30,160 --> 00:24:33,240
Speaker 1: Not contain It doesn't even have his name in it.

455
00:24:33,280 --> 00:24:34,960
Speaker 2: Is it a mac dot com address?

456
00:24:35,600 --> 00:24:35,840
Speaker 3: No?

457
00:24:38,080 --> 00:24:39,159
Speaker 1: Is it funny?

458
00:24:39,359 --> 00:24:44,680
Speaker 4: That's all. I don't understand it. So maybe, okay, wow,

459
00:24:45,040 --> 00:24:47,760
Speaker 4: it's a reference to something I do not understand.

460
00:24:48,040 --> 00:24:49,679
Speaker 2: Well, drop it in the chat and we can just

461
00:24:49,680 --> 00:24:51,320
Speaker 2: see if we can all get our heads around.

462
00:24:51,520 --> 00:24:53,840
Speaker 1: Yes, that's that seems fair. We can put it in

463
00:24:53,880 --> 00:24:54,520
Speaker 1: the chat.

464
00:24:54,520 --> 00:24:57,360
Speaker 2: And just see if one of us gets the reference, yes.

465
00:24:57,400 --> 00:25:00,040
Speaker 4: Sure, sure, you promise not to say it out loud, though.

466
00:25:00,440 --> 00:25:02,360
Speaker 2: I promise not to say it out loud. Although I'll

467
00:25:02,359 --> 00:25:03,600
Speaker 2: say the reference out loud.

468
00:25:03,440 --> 00:25:06,680
Speaker 1: I'm gonna do every single thing in my power to

469
00:25:06,720 --> 00:25:09,440
Speaker 1: not say it out loud. That's all. That's as far

470
00:25:09,520 --> 00:25:10,280
Speaker 1: as I can go.

471
00:25:11,600 --> 00:25:16,320
Speaker 2: Okay, to the extent that I have control over whether

472
00:25:16,400 --> 00:25:19,359
Speaker 2: or not I say it out loud, I promise not

473
00:25:19,440 --> 00:25:20,200
Speaker 2: to say it out loud.

474
00:25:20,240 --> 00:25:24,040
Speaker 1: But of course, okay, I don't.

475
00:25:25,000 --> 00:25:29,600
Speaker 4: I don't understand this, so I think you guys need to.

476
00:25:30,600 --> 00:25:35,280
Speaker 4: I don't know what this is, so you guys you

477
00:25:35,320 --> 00:25:39,119
Speaker 4: can don't say it. But in case it.

478
00:25:41,440 --> 00:25:46,720
Speaker 1: Okay, So I do get this reference, okay, wow, And

479
00:25:46,920 --> 00:25:51,920
Speaker 1: even saying the reference requires me to.

480
00:25:50,560 --> 00:25:51,800
Speaker 2: To say it out loud.

481
00:25:52,440 --> 00:25:58,360
Speaker 4: Please don't, okay, Please don't don't. Doc Steve Carrell, Uh, that's.

482
00:25:58,160 --> 00:26:01,080
Speaker 2: A really, that's a really not you know, no one

483
00:26:01,080 --> 00:26:03,520
Speaker 2: will guess the first half. Can we say what the

484
00:26:03,680 --> 00:26:07,520
Speaker 2: AT is because dot Com?

485
00:26:10,480 --> 00:26:13,760
Speaker 4: No, please say no part of it because the Internet.

486
00:26:13,359 --> 00:26:16,080
Speaker 2: They'll they know dot Com.

487
00:26:15,640 --> 00:26:19,280
Speaker 4: They'll figure two. Please don't even say that. Please, you're

488
00:26:19,280 --> 00:26:22,919
Speaker 4: gonna narrow it down too much. And like people are

489
00:26:22,920 --> 00:26:25,040
Speaker 4: gonna be able to piece things together people have.

490
00:26:26,040 --> 00:26:31,439
Speaker 2: I encourage you, actually, since you don't know the reference.

491
00:26:31,160 --> 00:26:31,919
Speaker 4: I have no idea.

492
00:26:31,960 --> 00:26:36,159
Speaker 2: What you can do is just actually type in the

493
00:26:36,359 --> 00:26:41,880
Speaker 2: email address without the at dot com attached to it,

494
00:26:42,240 --> 00:26:43,600
Speaker 2: and what you'll find is.

495
00:26:45,880 --> 00:26:46,680
Speaker 1: It's movies.

496
00:26:48,520 --> 00:26:48,879
Speaker 4: Sean.

497
00:26:50,680 --> 00:26:55,680
Speaker 1: You're there's so many movies Tony Tony Totty, Blacklist.

498
00:26:56,320 --> 00:27:00,399
Speaker 4: You keep having come on here and doc celebrities. I'm

499
00:27:00,400 --> 00:27:01,919
Speaker 4: gonna get blacklist. I'm not going to work in this

500
00:27:01,920 --> 00:27:03,360
Speaker 4: town because everyone's going to be like, oh my god,

501
00:27:03,400 --> 00:27:05,119
Speaker 4: she's going to go on that podcast and blab all

502
00:27:05,160 --> 00:27:05,960
Speaker 4: or personal information.

503
00:27:06,000 --> 00:27:07,919
Speaker 2: Well, we have been talked about doing a new segment

504
00:27:07,960 --> 00:27:13,120
Speaker 2: called What's Up Docs, where we where we as sort

505
00:27:13,119 --> 00:27:21,280
Speaker 2: of like bugs Buddy asked rascals docs various people, and

506
00:27:21,280 --> 00:27:25,000
Speaker 2: it's something that the fans have picked clamoring for the

507
00:27:25,040 --> 00:27:29,080
Speaker 2: fucking patriots in a nosedive. The entire podcast industry is

508
00:27:29,119 --> 00:27:33,520
Speaker 2: falling apart, and we need to find some way to

509
00:27:33,560 --> 00:27:35,520
Speaker 2: stand out. What we realize a lot of people are

510
00:27:35,600 --> 00:27:39,160
Speaker 2: not doing on their shows is dosing celebrities. That's true,

511
00:27:39,280 --> 00:27:42,000
Speaker 2: is that they're all trying to get celebrities as guests.

512
00:27:43,359 --> 00:27:45,960
Speaker 1: That ship has has said that ship is over the

513
00:27:46,040 --> 00:27:49,280
Speaker 1: horizon for us. That ship has actually proven that the

514
00:27:49,320 --> 00:27:51,159
Speaker 1: world is round to.

515
00:27:51,119 --> 00:27:54,920
Speaker 4: Us, made a circumnavigation. So is that what Conan's doing?

516
00:27:54,920 --> 00:27:57,040
Speaker 4: He's just doxing everybody? Is that what he's doing?

517
00:27:57,080 --> 00:28:01,119
Speaker 1: All right? No, it's the opposite. He is adding guests.

518
00:28:01,200 --> 00:28:04,840
Speaker 2: He's getting these guests and promising not to dox them

519
00:28:04,840 --> 00:28:08,240
Speaker 2: at all. Yes, right, and so now we can't even

520
00:28:08,320 --> 00:28:08,639
Speaker 2: do that.

521
00:28:09,000 --> 00:28:12,879
Speaker 1: So we're not getting guests and we're not doxing them. Right, Okay,

522
00:28:12,920 --> 00:28:13,919
Speaker 1: So why am I listening?

523
00:28:14,359 --> 00:28:14,439
Speaker 3: Like?

524
00:28:14,480 --> 00:28:15,240
Speaker 2: Why am I listening?

525
00:28:15,480 --> 00:28:15,680
Speaker 3: Yes?

526
00:28:15,920 --> 00:28:18,480
Speaker 2: Like I sympathize with the fans at that point who

527
00:28:18,480 --> 00:28:19,720
Speaker 2: have said, why am I listening?

528
00:28:20,520 --> 00:28:25,280
Speaker 4: What am I? If you're not getting guests? What am I?

529
00:28:25,640 --> 00:28:28,639
Speaker 1: You call you a test?

530
00:28:32,040 --> 00:28:35,000
Speaker 2: We look at you as just a crucial part of

531
00:28:35,040 --> 00:28:40,520
Speaker 2: this process, which you are the primary hub, which we

532
00:28:40,560 --> 00:28:41,080
Speaker 2: are able.

533
00:28:41,600 --> 00:28:43,800
Speaker 1: You are the hug for this just.

534
00:28:43,920 --> 00:28:49,760
Speaker 2: Switchboard gets us to effectively docs Steve Correll, you know,

535
00:28:50,560 --> 00:28:53,680
Speaker 2: a massive guest. He's the he's the patient. I mean

536
00:28:53,680 --> 00:28:55,560
Speaker 2: he's the doctor, but he's the patient.

537
00:28:56,320 --> 00:28:59,320
Speaker 4: Sure, sure, So okay, just.

538
00:28:59,280 --> 00:29:01,880
Speaker 1: To alleviate your concerns, Tony, because you didn't know about

539
00:29:01,880 --> 00:29:04,840
Speaker 1: your own cartoons, so you may not know the fact

540
00:29:05,120 --> 00:29:09,400
Speaker 1: that there are over one hundred movies, and so there

541
00:29:09,400 --> 00:29:14,600
Speaker 1: are so many options for what the movies email address

542
00:29:14,760 --> 00:29:17,840
Speaker 1: could be. The only ones that we don't know based

543
00:29:17,880 --> 00:29:20,360
Speaker 1: on your earlier clue, is that it is not all

544
00:29:20,400 --> 00:29:26,000
Speaker 1: about Steve. It is not the Now of Steve, It

545
00:29:26,080 --> 00:29:30,200
Speaker 1: is not Steve Jobs, it is not the Life Aquatic

546
00:29:30,200 --> 00:29:31,040
Speaker 1: with steve' zizu.

547
00:29:32,520 --> 00:29:33,080
Speaker 4: That's true.

548
00:29:33,760 --> 00:29:37,200
Speaker 1: It is not those four movies, and so that still

549
00:29:37,320 --> 00:29:43,680
Speaker 1: leaves almost one hundred movies that that could be that

550
00:29:43,760 --> 00:29:46,000
Speaker 1: it could be sure in his email address.

551
00:29:46,480 --> 00:29:49,800
Speaker 4: Yeah, okay, well I feel better now. I feel like

552
00:29:49,840 --> 00:29:51,880
Speaker 4: I'm not going to get in trouble. So thank you

553
00:29:51,920 --> 00:29:52,160
Speaker 4: for that.

554
00:29:53,040 --> 00:29:55,160
Speaker 1: M Thank you now.

555
00:29:55,160 --> 00:29:57,800
Speaker 4: Are you're welcome? Are you guys gonna now? Promise me

556
00:29:57,840 --> 00:30:00,800
Speaker 4: you're not gonna email him and ask him for something weird?

557
00:30:01,520 --> 00:30:03,280
Speaker 2: Oh god, I mean what's weird?

558
00:30:03,400 --> 00:30:06,960
Speaker 4: You know anything that you would ask normal anything?

559
00:30:07,000 --> 00:30:11,040
Speaker 1: Actually, to me, there is no have you ever met

560
00:30:11,040 --> 00:30:12,280
Speaker 1: a normal person?

561
00:30:12,600 --> 00:30:12,680
Speaker 3: Me?

562
00:30:12,840 --> 00:30:15,440
Speaker 4: Neither not, not on this pod.

563
00:30:15,560 --> 00:30:18,840
Speaker 2: So I just need you guys to promise playinget norms, you're.

564
00:30:18,720 --> 00:30:21,040
Speaker 4: Not going to use that email address. It's really important

565
00:30:21,080 --> 00:30:23,440
Speaker 4: to me if you care about me at all?

566
00:30:26,600 --> 00:30:32,360
Speaker 1: Was he in this movie? Can't be right.

567
00:30:33,440 --> 00:30:33,840
Speaker 4: I don't know.

568
00:30:33,880 --> 00:30:38,080
Speaker 2: I would think so the timing that would seem.

569
00:30:37,840 --> 00:30:41,280
Speaker 4: Weird, Yeah, that would be really strange if.

570
00:30:41,280 --> 00:30:44,160
Speaker 1: But it's almost weirder that he it's almost weirder that

571
00:30:44,200 --> 00:30:45,400
Speaker 1: he likes this movie.

572
00:30:45,360 --> 00:30:47,680
Speaker 2: And this Now we are narrowing it down. If we

573
00:30:47,720 --> 00:30:50,760
Speaker 2: say that he's not in the people suddenly know it's

574
00:30:50,800 --> 00:30:56,080
Speaker 2: not in real life. Immediately they're aware that it's not

575
00:30:56,200 --> 00:30:59,960
Speaker 2: Fox Catcher, right, and we're crossing more and more of.

576
00:30:59,880 --> 00:31:04,680
Speaker 1: These hundred movies. You know, it's a damn almighty is it?

577
00:31:05,080 --> 00:31:08,040
Speaker 4: No, we got to stop. It's not Day Night, it's

578
00:31:08,080 --> 00:31:10,880
Speaker 4: not it's not the Morning show. We gotta stop narrowing

579
00:31:10,920 --> 00:31:14,880
Speaker 4: it down, though, otherwise I'm gonna get in trouble. People

580
00:31:14,880 --> 00:31:17,880
Speaker 4: are people are drawing, they're making graphs, and they're figuring

581
00:31:17,920 --> 00:31:20,760
Speaker 4: this out. And by episode's end, I.

582
00:31:20,680 --> 00:31:25,320
Speaker 2: Think I would know it from what we've eliminated. I

583
00:31:25,360 --> 00:31:26,840
Speaker 2: think I would be able to guess it.

584
00:31:28,520 --> 00:31:33,200
Speaker 1: You know, what's a damn flex Imagine you are the

585
00:31:33,240 --> 00:31:38,720
Speaker 1: production assistant on the movie Spanglish. You have the email address.

586
00:31:39,080 --> 00:31:42,440
Speaker 4: It's not saying I know, but stop narrowing it down.

587
00:31:42,560 --> 00:31:45,360
Speaker 2: Yeah, saying that it's not as actually now saying what

588
00:31:45,480 --> 00:31:45,800
Speaker 2: it is.

589
00:31:46,280 --> 00:31:49,080
Speaker 1: Well that I only said it's not because Tony absolutely

590
00:31:49,320 --> 00:31:54,160
Speaker 1: lost her ship at me. It's true my career. I

591
00:31:54,760 --> 00:31:58,480
Speaker 1: did say whether it was or wasn't, but even mention.

592
00:31:58,640 --> 00:32:00,280
Speaker 2: It's time for accountability.

593
00:32:00,680 --> 00:32:02,200
Speaker 4: We got to stop mentioning movie.

594
00:32:02,360 --> 00:32:05,600
Speaker 2: You lost your fucking shit when he said spanglish, which

595
00:32:05,640 --> 00:32:07,320
Speaker 2: he was not saying whether it is or it's not.

596
00:32:07,480 --> 00:32:08,240
Speaker 2: Now we know it's not.

597
00:32:09,040 --> 00:32:10,400
Speaker 4: I got really heated.

598
00:32:11,080 --> 00:32:14,160
Speaker 1: It's no movie with a damn a damn flex is.

599
00:32:14,240 --> 00:32:16,480
Speaker 1: You're the production system. You're you have access to the

600
00:32:16,480 --> 00:32:24,680
Speaker 1: email address spanglish prod at gmail. Do cob, the production ends,

601
00:32:25,800 --> 00:32:29,440
Speaker 1: the premiere happens, you aren't invited, but you still have

602
00:32:29,560 --> 00:32:32,080
Speaker 1: this email address, and you use that as your personal

603
00:32:32,160 --> 00:32:36,160
Speaker 1: email for the rest of your life. And then you

604
00:32:36,240 --> 00:32:43,240
Speaker 1: become famous movie star and and you're telling people like

605
00:32:43,280 --> 00:32:46,440
Speaker 1: you have that story. What's your email address spanglishprode at

606
00:32:46,440 --> 00:32:47,360
Speaker 1: gmail dot com.

607
00:32:47,600 --> 00:32:50,720
Speaker 4: You want to know why did this happen to someone?

608
00:32:50,920 --> 00:32:52,160
Speaker 2: I'd never stop grinding.

609
00:32:54,520 --> 00:32:55,880
Speaker 1: Did this happen if someone I know?

610
00:32:56,080 --> 00:32:58,880
Speaker 4: No, it would be a good story.

611
00:32:58,960 --> 00:33:02,320
Speaker 1: No, No, it's just a story about a damn flex.

612
00:33:03,320 --> 00:33:10,320
Speaker 2: Yeah, I mean, can we sell this this that story?

613
00:33:11,760 --> 00:33:12,000
Speaker 1: Yeah?

614
00:33:12,040 --> 00:33:21,320
Speaker 2: It's called email Flex. Can we walk this into Peacock

615
00:33:21,480 --> 00:33:22,000
Speaker 2: right now?

616
00:33:23,200 --> 00:33:23,400
Speaker 3: Yeah?

617
00:33:23,440 --> 00:33:23,840
Speaker 4: I think so.

618
00:33:24,960 --> 00:33:27,760
Speaker 2: Can we stroll right through the front doors of Peacock

619
00:33:28,960 --> 00:33:32,800
Speaker 2: and just say, hey, guys, it's email Flex. Tawny's attached

620
00:33:32,800 --> 00:33:33,560
Speaker 2: to get us a star.

621
00:33:34,760 --> 00:33:37,200
Speaker 4: I'm I'm attached to attach someone.

622
00:33:37,320 --> 00:33:41,200
Speaker 1: There must be a category in the Peacock main menu,

623
00:33:41,720 --> 00:33:43,760
Speaker 1: with all the different categories they have, there must be

624
00:33:43,800 --> 00:33:45,000
Speaker 1: one that's called weird flex.

625
00:33:45,040 --> 00:33:47,760
Speaker 4: But okay, I would hope.

626
00:33:47,800 --> 00:33:52,520
Speaker 1: So that's very much in the style of the Peacock

627
00:33:52,640 --> 00:33:56,120
Speaker 1: menu categories that we've discussed multiple times in this Yeah.

628
00:33:56,160 --> 00:33:57,920
Speaker 2: Have you gone through those categories at all?

629
00:33:58,640 --> 00:34:00,720
Speaker 4: Yeah? All the time. I'm always looking for or, you know,

630
00:34:01,080 --> 00:34:04,640
Speaker 4: just ways to increase my my network. Just so I

631
00:34:04,720 --> 00:34:07,760
Speaker 4: just scroll through and I just who do I know?

632
00:34:07,800 --> 00:34:09,440
Speaker 4: Who could I text to be like, hey, can you

633
00:34:09,440 --> 00:34:11,960
Speaker 4: give me that person's number? I'm just trying to increase

634
00:34:11,960 --> 00:34:14,120
Speaker 4: my rolodex at all times.

635
00:34:14,760 --> 00:34:15,240
Speaker 1: The hub.

636
00:34:16,000 --> 00:34:18,839
Speaker 4: That's why I'm the hub. Maybe I should get out

637
00:34:18,880 --> 00:34:23,120
Speaker 4: of being on camera and just just be the hub.

638
00:34:24,480 --> 00:34:31,560
Speaker 1: Yeah, wait here we go, like said that, Hang on

639
00:34:31,640 --> 00:34:35,200
Speaker 1: a second, just hang up and when they answer, I'm

640
00:34:35,239 --> 00:34:35,760
Speaker 1: too nervous.

641
00:34:36,840 --> 00:34:37,800
Speaker 2: I'm getting scared.

642
00:34:38,480 --> 00:34:50,480
Speaker 4: No, no, no, it's gonna be good. Hey, Hello, I don't

643
00:34:50,480 --> 00:34:53,000
Speaker 4: think it's I don't think it's working.

644
00:34:54,680 --> 00:34:59,600
Speaker 1: Nope, I saw. I saw the top two thirds of

645
00:34:59,600 --> 00:35:01,120
Speaker 1: your dad that's face, and now I see.

646
00:35:00,920 --> 00:35:06,160
Speaker 4: Where you get it, and then nothing else.

647
00:35:06,000 --> 00:35:12,160
Speaker 1: And then a triangle with an exclamation mark inside, indicating

648
00:35:12,239 --> 00:35:19,760
Speaker 1: some sort of emergence. There he is, How are you, sir?

649
00:35:21,520 --> 00:35:21,719
Speaker 3: Hey?

650
00:35:21,760 --> 00:35:22,560
Speaker 4: They said how are you?

651
00:35:22,640 --> 00:35:22,839
Speaker 3: Sorry?

652
00:35:22,840 --> 00:35:24,799
Speaker 4: I forget he can't hear. They said, how are you?

653
00:35:25,400 --> 00:35:27,440
Speaker 3: Oh, I'm fine? How are they?

654
00:35:27,520 --> 00:35:28,040
Speaker 1: They are great?

655
00:35:28,040 --> 00:35:28,759
Speaker 4: I'm looking at them.

656
00:35:28,719 --> 00:35:29,399
Speaker 1: The great.

657
00:35:30,480 --> 00:35:31,120
Speaker 3: They look good.

658
00:35:32,719 --> 00:35:35,600
Speaker 1: You shaved, little shaved.

659
00:35:36,560 --> 00:35:39,200
Speaker 4: They said, you look good, you shaved since that saw you?

660
00:35:40,120 --> 00:35:40,440
Speaker 3: Yeah?

661
00:35:40,480 --> 00:35:43,400
Speaker 1: Thanks, yeah, I missed that.

662
00:35:43,600 --> 00:35:45,759
Speaker 4: Oh, show missus the hat.

663
00:35:46,239 --> 00:35:46,480
Speaker 3: I know.

664
00:35:46,520 --> 00:35:50,240
Speaker 2: I'm sure it's a ready to get it. No, no, no, no, no, please,

665
00:35:50,280 --> 00:35:51,400
Speaker 2: I want you to be comfortable.

666
00:35:52,160 --> 00:35:55,719
Speaker 4: Yeah, chill out, dad, dad? Who who? They're trying to

667
00:35:55,760 --> 00:35:58,600
Speaker 4: get me to call famous people on my phone? But

668
00:35:58,680 --> 00:36:01,360
Speaker 4: I don't feel comfortable with that. Who's the most famous

669
00:36:01,360 --> 00:36:02,320
Speaker 4: person in your phone?

670
00:36:03,440 --> 00:36:04,600
Speaker 3: In my phone? Like?

671
00:36:04,640 --> 00:36:07,000
Speaker 4: Whose number do you have? The most famous person? Whose

672
00:36:07,040 --> 00:36:07,640
Speaker 4: number do you have?

673
00:36:08,480 --> 00:36:11,879
Speaker 3: Or email the most famous?

674
00:36:13,080 --> 00:36:16,160
Speaker 2: Oh it's not immediate, this is occur.

675
00:36:18,160 --> 00:36:18,840
Speaker 4: It's tough.

676
00:36:19,200 --> 00:36:19,439
Speaker 2: Wow.

677
00:36:19,719 --> 00:36:23,480
Speaker 1: Yeah, wow, I thought he was going to say, we

678
00:36:23,600 --> 00:36:25,359
Speaker 1: know at this point, we know at this point it's

679
00:36:26,560 --> 00:36:28,880
Speaker 1: going to say, you.

680
00:36:27,960 --> 00:36:29,480
Speaker 4: Know, I thought that was a slammed up.

681
00:36:30,440 --> 00:36:31,960
Speaker 3: I don't know. I don't know if they want me

682
00:36:32,120 --> 00:36:32,920
Speaker 3: tell you that.

683
00:36:33,160 --> 00:36:42,160
Speaker 1: Oh wow, whoa problematic he's got in this phone.

684
00:36:42,960 --> 00:36:43,720
Speaker 3: There's two.

685
00:36:44,280 --> 00:36:44,839
Speaker 4: There's two.

686
00:36:45,040 --> 00:36:49,040
Speaker 3: There's two, two pretty famous people that I know.

687
00:36:49,680 --> 00:36:52,279
Speaker 4: Okay, do I know them? I don't know who you're

688
00:36:52,320 --> 00:36:52,880
Speaker 4: talking about.

689
00:36:53,440 --> 00:36:57,000
Speaker 2: No, you don't know. You know, he's got all life

690
00:36:57,000 --> 00:36:57,680
Speaker 2: outside of you.

691
00:36:58,239 --> 00:37:02,120
Speaker 1: Okay, let's get d C on in d C.

692
00:37:05,640 --> 00:37:07,799
Speaker 4: Is it is it a politician?

693
00:37:08,040 --> 00:37:08,319
Speaker 2: Is it a.

694
00:37:09,960 --> 00:37:14,200
Speaker 3: Uh? What is a previous military person?

695
00:37:14,680 --> 00:37:15,239
Speaker 4: Okay?

696
00:37:15,400 --> 00:37:19,560
Speaker 3: Okay, okay that I knew from a long time back

697
00:37:20,280 --> 00:37:21,440
Speaker 3: when I was in the military.

698
00:37:21,800 --> 00:37:24,680
Speaker 2: More famous than you, General Patrius.

699
00:37:25,239 --> 00:37:29,920
Speaker 1: That's what I mean, Patrius.

700
00:37:30,160 --> 00:37:32,680
Speaker 4: Okay, some military celeb, got it.

701
00:37:32,840 --> 00:37:34,160
Speaker 1: Yes it's not.

702
00:37:34,080 --> 00:37:38,200
Speaker 3: Really celeb, but uh but famous. You know when I

703
00:37:38,239 --> 00:37:40,040
Speaker 3: was in the military, I was in signal.

704
00:37:41,000 --> 00:37:43,600
Speaker 4: I don't know what that is.

705
00:37:43,920 --> 00:37:48,440
Speaker 3: Okay. Well, when you saw those pictures of those confidential

706
00:37:48,480 --> 00:37:52,720
Speaker 3: paperwork laying around on the floor in the President's office,

707
00:37:53,000 --> 00:37:53,839
Speaker 3: that's what I did.

708
00:37:54,239 --> 00:37:59,680
Speaker 1: That was okay, I stole the daddy.

709
00:37:59,880 --> 00:38:01,640
Speaker 4: I feel like you're about to get in trouble. I know,

710
00:38:01,960 --> 00:38:04,160
Speaker 4: I know you see these guys and I'm holding up

711
00:38:04,200 --> 00:38:05,759
Speaker 4: a phone to a zoom. So it seems kind of

712
00:38:05,800 --> 00:38:08,600
Speaker 4: like a homespun. But there are a lot of listeners

713
00:38:08,800 --> 00:38:10,879
Speaker 4: to this podcast. I just want you to know they

714
00:38:10,880 --> 00:38:11,360
Speaker 4: do get.

715
00:38:11,200 --> 00:38:13,560
Speaker 2: A lot of the nicest things said about.

716
00:38:13,400 --> 00:38:15,760
Speaker 3: That, and that's why I'm being really careful.

717
00:38:15,960 --> 00:38:20,839
Speaker 1: Okay, very careful, got it, Okay, military He literally all

718
00:38:20,880 --> 00:38:23,960
Speaker 1: he admitted to was putting the documents in process.

719
00:38:24,560 --> 00:38:27,600
Speaker 4: So who who's the person? Let's pivot, who's the person

720
00:38:27,640 --> 00:38:31,960
Speaker 4: in la or it's a hint or yeah, you have

721
00:38:31,960 --> 00:38:33,799
Speaker 4: to say who it is? Like a hint?

722
00:38:35,960 --> 00:38:40,440
Speaker 3: She was, uh still is a famous performer?

723
00:38:41,440 --> 00:38:42,600
Speaker 4: Why don't I know this.

724
00:38:44,120 --> 00:38:46,880
Speaker 3: Because that was during my wild years? Girl?

725
00:38:47,000 --> 00:38:52,000
Speaker 2: Okay, okay, it sounds like not an actor, right, it

726
00:38:52,000 --> 00:38:54,160
Speaker 2: sounds like possibly a musician or something.

727
00:38:54,600 --> 00:38:57,080
Speaker 1: It sounds potentially a bruass gardist.

728
00:38:58,840 --> 00:39:01,320
Speaker 3: Yeah, that was a whole different animals.

729
00:39:01,480 --> 00:39:03,160
Speaker 4: Okay, all right, I won't press it.

730
00:39:03,920 --> 00:39:06,719
Speaker 2: I mean member of Danity Kinge.

731
00:39:06,520 --> 00:39:12,200
Speaker 3: I met in New York back in the like late seventies. Sure,

732
00:39:14,000 --> 00:39:17,760
Speaker 3: I met a lot in Studio fifty four.

733
00:39:17,920 --> 00:39:20,280
Speaker 4: That's that's true. You had some Studio fifty four.

734
00:39:20,200 --> 00:39:21,640
Speaker 1: Day, Studio fifty four.

735
00:39:22,160 --> 00:39:26,560
Speaker 4: Holyo, wow, my dad had a very good My dad

736
00:39:26,560 --> 00:39:29,200
Speaker 4: had a very good afro that would get him into clubs.

737
00:39:29,200 --> 00:39:32,359
Speaker 4: That's that's true. He had a perfect afro. And people

738
00:39:32,360 --> 00:39:34,360
Speaker 4: would be like, you look cool man, need get into clubs.

739
00:39:34,520 --> 00:39:35,279
Speaker 1: Can we hear one?

740
00:39:35,440 --> 00:39:39,120
Speaker 3: Well, Studio fifty four? Oh?

741
00:39:39,160 --> 00:39:40,320
Speaker 4: Sorry, that was Jerry Carolera.

742
00:39:40,440 --> 00:39:40,760
Speaker 1: Sorry.

743
00:39:41,080 --> 00:39:46,439
Speaker 3: Wow, it looked like James with the bangs and yeah,

744
00:39:46,719 --> 00:39:51,040
Speaker 3: hair down on the shoulders. Wild crazy, but there was.

745
00:39:52,920 --> 00:39:57,080
Speaker 1: Yeah, all right, can we hear one Studio fifty four story?

746
00:39:57,160 --> 00:39:57,399
Speaker 3: Yeah?

747
00:39:57,440 --> 00:39:58,200
Speaker 2: One spotting?

748
00:39:58,480 --> 00:40:05,320
Speaker 4: Yeah they want one Studio fifty four story. Oh his

749
00:40:05,400 --> 00:40:06,200
Speaker 4: eyes got real big.

750
00:40:07,080 --> 00:40:09,719
Speaker 2: Ah well okay, not that one.

751
00:40:11,440 --> 00:40:15,759
Speaker 1: I'm and all right, way this is going.

752
00:40:15,880 --> 00:40:18,040
Speaker 3: You know, anybody went to Studio fifty four. I knew

753
00:40:18,040 --> 00:40:18,840
Speaker 3: anything about.

754
00:40:18,640 --> 00:40:22,200
Speaker 1: Studio fifty that's really wild place, okay.

755
00:40:22,200 --> 00:40:25,440
Speaker 3: And when you're in there and the music bobbing and

756
00:40:25,520 --> 00:40:28,759
Speaker 3: all the you know, disco stuff's going on. It was

757
00:40:28,800 --> 00:40:34,319
Speaker 3: built like a like a it's a theater, okay. So

758
00:40:35,040 --> 00:40:38,880
Speaker 3: all of a sudden, out of the ceiling comes pinball

759
00:40:38,960 --> 00:40:43,840
Speaker 3: machines with bubbles and stuff coming and people standing on

760
00:40:43,920 --> 00:40:48,319
Speaker 3: him dancing, And then I look around and I looked

761
00:40:48,360 --> 00:40:51,080
Speaker 3: at it right right next to me, and there's these

762
00:40:51,120 --> 00:40:57,080
Speaker 3: two very very well known celebs sitting there just doing massive.

763
00:40:59,239 --> 00:40:59,960
Speaker 4: I said, no names.

764
00:41:00,040 --> 00:41:05,239
Speaker 1: Apparently, uh give one, give us one one name.

765
00:41:05,360 --> 00:41:08,839
Speaker 3: Everybody was doing stuff they really didn't want out, all right,

766
00:41:08,880 --> 00:41:12,759
Speaker 3: all right, you know they were. If I told you

767
00:41:12,840 --> 00:41:15,960
Speaker 3: these names, you know definitely, Well, of course you know

768
00:41:15,960 --> 00:41:16,839
Speaker 3: who I'm talking about.

769
00:41:18,840 --> 00:41:21,240
Speaker 4: My dad is very anti dox. This is good anti

770
00:41:21,480 --> 00:41:24,160
Speaker 4: anti putting people on blasting.

771
00:41:23,400 --> 00:41:26,240
Speaker 2: Drugs against the mission of the basic show.

772
00:41:26,480 --> 00:41:28,799
Speaker 3: Yeah, there was a lot of cocaine on the tables,

773
00:41:28,840 --> 00:41:32,440
Speaker 3: and a lot of people that people look up to

774
00:41:32,640 --> 00:41:36,360
Speaker 3: now and even a couple of people who have just

775
00:41:36,480 --> 00:41:41,360
Speaker 3: recently stopped, uh let's say, doing movies and things of

776
00:41:41,360 --> 00:41:51,960
Speaker 3: that nature. Mm hmm, no, no, not now.

777
00:41:52,920 --> 00:41:55,120
Speaker 4: Oh no, he's back. I forgot. He's got a movie out.

778
00:41:56,000 --> 00:42:00,840
Speaker 1: So they're they're blowing. They're blown fat rail sometime.

779
00:42:01,400 --> 00:42:04,440
Speaker 4: Yeah, he gave a clue.

780
00:42:05,160 --> 00:42:06,200
Speaker 1: It was very subtle.

781
00:42:06,840 --> 00:42:09,359
Speaker 3: Some of these people, you know, they pushed their luck.

782
00:42:09,440 --> 00:42:10,799
Speaker 3: They pushed it a little hard.

783
00:42:11,719 --> 00:42:18,160
Speaker 4: Yeah, everybody was going hard. Yeah, it sounds like a

784
00:42:18,200 --> 00:42:19,200
Speaker 4: fond memory.

785
00:42:20,320 --> 00:42:21,560
Speaker 3: They were good times.

786
00:42:22,000 --> 00:42:24,799
Speaker 4: I'm hung up on the fact that this military man,

787
00:42:24,880 --> 00:42:27,919
Speaker 4: you know is more famous than your daughter, who had

788
00:42:27,920 --> 00:42:30,600
Speaker 4: two Netflix shows come out in the last eighteen months.

789
00:42:31,000 --> 00:42:32,439
Speaker 1: And you have a cartoon as well.

790
00:42:32,760 --> 00:42:36,359
Speaker 4: And I have a very popular Star Trek show. And

791
00:42:36,640 --> 00:42:39,719
Speaker 4: this man from the military is more famous than me.

792
00:42:42,520 --> 00:42:43,560
Speaker 3: Yeah, I have to say so.

793
00:42:43,800 --> 00:42:47,279
Speaker 4: Yeah, all right, I want to call you back later.

794
00:42:48,120 --> 00:42:50,640
Speaker 2: Ask him if he has any Halloween costume idea call

795
00:42:50,680 --> 00:42:51,000
Speaker 2: you later.

796
00:42:51,080 --> 00:42:52,320
Speaker 4: Oh wait, real quick, they want to know if you

797
00:42:52,360 --> 00:42:54,960
Speaker 4: have any Halloween costume ideas for Sean and Hayes. Get

798
00:42:54,960 --> 00:42:56,879
Speaker 4: a good look at him and see what they would

799
00:42:56,920 --> 00:42:58,439
Speaker 4: be good at.

800
00:42:58,800 --> 00:43:01,319
Speaker 3: Oh wait, mane of the rings on.

801
00:43:01,280 --> 00:43:07,160
Speaker 1: The bar, which one is the bottom? That's yeah, that's

802
00:43:07,200 --> 00:43:14,560
Speaker 1: Sam wise game. Okay, doing.

803
00:43:15,480 --> 00:43:18,800
Speaker 4: It feels probably forget you're talking about.

804
00:43:20,320 --> 00:43:21,040
Speaker 2: My precious.

805
00:43:21,239 --> 00:43:25,400
Speaker 4: Yeah, okay, Sean, So your gallop and haze up on

806
00:43:25,480 --> 00:43:25,799
Speaker 4: the top.

807
00:43:25,880 --> 00:43:30,760
Speaker 3: Here to Halloween wolf man?

808
00:43:31,640 --> 00:43:34,960
Speaker 1: Okay, yeah, so I got away?

809
00:43:36,320 --> 00:43:37,080
Speaker 2: You got away?

810
00:43:37,280 --> 00:43:38,640
Speaker 1: Like that's even better?

811
00:43:38,920 --> 00:43:39,160
Speaker 3: Yeah?

812
00:43:39,280 --> 00:43:41,080
Speaker 4: I do you have one for Kevin? You have a

813
00:43:41,120 --> 00:43:42,479
Speaker 4: bonus one for producer Kevin?

814
00:43:44,040 --> 00:43:52,759
Speaker 3: Producer Kevin? Oh thank Kevin? Uh yeah, that that little green.

815
00:43:52,600 --> 00:44:02,960
Speaker 6: Fella green fella you no not goa zoo crazy frog?

816
00:44:03,440 --> 00:44:03,520
Speaker 3: Dan.

817
00:44:03,680 --> 00:44:05,480
Speaker 4: I had it right on the tip of my tongue,

818
00:44:06,960 --> 00:44:11,480
Speaker 4: the Geico lizards, Keran Kermit, Kermitmit.

819
00:44:12,840 --> 00:44:17,520
Speaker 1: Okay, yeah, you can do a good kurban I think.

820
00:44:17,440 --> 00:44:22,200
Speaker 4: Yeah, amazing. All right, jadd what are you going to

821
00:44:22,239 --> 00:44:23,759
Speaker 4: be the Halloween? Before I let you go?

822
00:44:25,440 --> 00:44:28,680
Speaker 3: Yeah, I really hadn't thought about it this year.

823
00:44:29,000 --> 00:44:32,920
Speaker 2: Okay, but I want to know why.

824
00:44:34,360 --> 00:44:36,799
Speaker 1: Ninja Ninja.

825
00:44:37,480 --> 00:44:40,240
Speaker 4: That's a cool one. You give yourself ad.

826
00:44:40,360 --> 00:44:45,960
Speaker 3: Ninja outfit, fake sword, Yeah, and a wheelchair.

827
00:44:47,239 --> 00:44:48,879
Speaker 4: Okay, that's a twist.

828
00:44:49,440 --> 00:44:50,279
Speaker 3: Old elaborator.

829
00:44:51,400 --> 00:44:54,080
Speaker 4: You don't use a wheelchair, so that's just an interesting

830
00:44:54,239 --> 00:44:56,160
Speaker 4: that's a strange twist for this costume.

831
00:44:57,080 --> 00:45:01,960
Speaker 2: Yeah, no, well you know it's like a to us Yeah.

832
00:45:01,880 --> 00:45:06,960
Speaker 4: An aging dja. I get it, Okay, you know, yeah.

833
00:45:06,960 --> 00:45:09,640
Speaker 1: Yeah, I get it. He's ad all what's not what?

834
00:45:09,640 --> 00:45:12,000
Speaker 1: What do you not understand? You're right, I don't know why.

835
00:45:12,520 --> 00:45:17,480
Speaker 2: Tom he's got the sword and he's roll you know.

836
00:45:18,239 --> 00:45:23,600
Speaker 4: Yeah, Okay, I'm gonna let you go. Okay, there is

837
00:45:23,640 --> 00:45:24,200
Speaker 4: there anything else you.

838
00:45:24,200 --> 00:45:25,319
Speaker 1: Want to say? Why?

839
00:45:25,400 --> 00:45:28,360
Speaker 3: I'm gone a very awkward corner.

840
00:45:28,400 --> 00:45:30,920
Speaker 4: But no, I didn't well, okay, Sean wants to know

841
00:45:30,920 --> 00:45:32,080
Speaker 4: why he's gollm.

842
00:45:32,440 --> 00:45:34,279
Speaker 2: Yeah, am I disgusting?

843
00:45:34,800 --> 00:45:35,040
Speaker 3: Yeah?

844
00:45:37,320 --> 00:45:38,560
Speaker 1: You think it's so obvious?

845
00:45:39,040 --> 00:45:47,080
Speaker 4: Okay, all right, bye, all right, damn, I didn't know

846
00:45:47,160 --> 00:45:50,560
Speaker 4: he was gonna go harder, like I was vicious insulting you.

847
00:45:51,760 --> 00:45:56,319
Speaker 1: I just do want to well, we're so while we

848
00:45:56,400 --> 00:46:00,239
Speaker 1: are here, doxic celebrities, that is our purpose here. He

849
00:46:00,400 --> 00:46:03,920
Speaker 1: tried to help us. We're all trying to get our little,

850
00:46:04,480 --> 00:46:08,040
Speaker 1: our little jokes off. And he said, talking about the

851
00:46:08,160 --> 00:46:12,440
Speaker 1: very famous celebrities in studififty four, he did say the

852
00:46:12,480 --> 00:46:16,799
Speaker 1: sentence we all die hard sometime. And while it was

853
00:46:16,840 --> 00:46:23,560
Speaker 1: a very organic sentence to say in the in the

854
00:46:23,600 --> 00:46:26,839
Speaker 1: story of that he was telling, it didn't stand out

855
00:46:26,880 --> 00:46:29,520
Speaker 1: on its own at all. Is it a rasual statement

856
00:46:29,560 --> 00:46:30,560
Speaker 1: to make in that moment?

857
00:46:30,680 --> 00:46:34,640
Speaker 2: It does sort of hint that it was probably Bonnie Meadelia.

858
00:46:35,360 --> 00:46:40,160
Speaker 1: So and he did say people then stopped stopped.

859
00:46:40,800 --> 00:46:44,279
Speaker 4: Wow, right, I was. I was caught up trying to, like,

860
00:46:44,440 --> 00:46:46,719
Speaker 4: you know, relay and stuff. So I didn't catch that.

861
00:46:47,040 --> 00:46:47,439
Speaker 4: I'm glad.

862
00:46:47,520 --> 00:46:49,600
Speaker 1: So you're trying to prove that you were more famous

863
00:46:49,920 --> 00:46:53,880
Speaker 1: than he has his phone.

864
00:46:54,440 --> 00:46:59,120
Speaker 4: Clearly that ship had sailed. Clearly, whoever this military man is,

865
00:47:00,160 --> 00:47:03,560
Speaker 4: it's far more famous than me. I yeah, I now

866
00:47:03,600 --> 00:47:05,399
Speaker 4: I need to know who both of those people are.

867
00:47:07,760 --> 00:47:11,680
Speaker 1: Your dad What a what a life, what a story

868
00:47:11,719 --> 00:47:12,480
Speaker 1: he's had.

869
00:47:13,040 --> 00:47:15,279
Speaker 4: Yeah, I'm gonna be thinking about that.

870
00:47:15,200 --> 00:47:15,640
Speaker 1: For a while.

871
00:47:15,640 --> 00:47:17,200
Speaker 2: Four days.

872
00:47:17,840 --> 00:47:20,160
Speaker 1: You just see like you're in la and you're passing

873
00:47:20,239 --> 00:47:25,040
Speaker 1: a party at the chateau on Halloween, and you just

874
00:47:25,080 --> 00:47:28,440
Speaker 1: see someone getting out of a limo and a in

875
00:47:28,480 --> 00:47:31,600
Speaker 1: a wheelchair, a ninja, a wheelchair.

876
00:47:31,040 --> 00:47:33,840
Speaker 4: With an oxygen dick.

877
00:47:34,680 --> 00:47:37,240
Speaker 2: Yeah, the w and sword.

878
00:47:39,320 --> 00:47:44,279
Speaker 1: He pretends he pertes not to see you. Yeah, clearly him.

879
00:47:44,480 --> 00:47:47,960
Speaker 1: He denies later that it's him when you're what do

880
00:47:48,040 --> 00:47:48,840
Speaker 1: you call about it?

881
00:47:49,400 --> 00:47:51,560
Speaker 2: Massive celeb on each arm?

882
00:47:52,160 --> 00:47:57,000
Speaker 4: Yeah, that tracks. I can see all this playing out,

883
00:47:57,160 --> 00:48:00,840
Speaker 4: and uh, I don't know why. I'm surprised, honestly.

884
00:48:02,360 --> 00:48:05,480
Speaker 1: What what's his first name? We've never I don't think

885
00:48:05,480 --> 00:48:07,480
Speaker 1: he's ever been properly credited on this.

886
00:48:08,000 --> 00:48:11,799
Speaker 4: I don't think he'd want you to know. It has

887
00:48:11,800 --> 00:48:15,440
Speaker 4: failed as a teen. As a teen, he was literally

888
00:48:16,000 --> 00:48:18,400
Speaker 4: he was mister Newsome to all of my friends.

889
00:48:19,440 --> 00:48:23,560
Speaker 1: That is not a joke. Governor Knewsom. That's what that's

890
00:48:23,640 --> 00:48:25,080
Speaker 1: that's what that's what he should be called.

891
00:48:25,120 --> 00:48:28,720
Speaker 4: The only people that yeah, yeah, well that's my uncle.

892
00:48:28,800 --> 00:48:31,400
Speaker 4: My uncle Gavey, good old uncle Gavey.

893
00:48:31,760 --> 00:48:32,600
Speaker 2: Uh.

894
00:48:32,719 --> 00:48:36,120
Speaker 4: He doesn't put the e on the end because he's embarrassed.

895
00:48:36,480 --> 00:48:36,719
Speaker 1: Dad.

896
00:48:36,760 --> 00:48:43,239
Speaker 2: No, Chris Kyle the American, that's he's rolling of the chat.

897
00:48:43,360 --> 00:48:43,919
Speaker 2: So was.

898
00:48:46,400 --> 00:48:47,359
Speaker 4: Yeah, you figured it out.

899
00:48:49,560 --> 00:48:51,920
Speaker 2: Yeah, I'd say he's more famous than you, Doddy.

900
00:48:52,000 --> 00:48:53,560
Speaker 4: I guess so, man, I don't know why I was,

901
00:48:54,200 --> 00:48:54,960
Speaker 4: And that's why.

902
00:48:55,920 --> 00:49:01,120
Speaker 1: That's why he can't because he is. He is still alive.

903
00:49:01,400 --> 00:49:03,240
Speaker 1: He is still alive sniping people.

904
00:49:04,560 --> 00:49:08,480
Speaker 4: Can I ask, did your feelings get hurt when he

905
00:49:08,960 --> 00:49:10,960
Speaker 4: just Chris.

906
00:49:11,120 --> 00:49:14,800
Speaker 1: Angela Lansbury me per We all know that that's what happened.

907
00:49:14,960 --> 00:49:18,480
Speaker 1: Angela Ledsberry had to be taken care of, and so

908
00:49:18,520 --> 00:49:22,120
Speaker 1: they she was gonna talk, yes, And so nine years

909
00:49:22,120 --> 00:49:24,879
Speaker 1: ago they faced Chris Kyle's death and they call him

910
00:49:24,880 --> 00:49:27,359
Speaker 1: in for exact moments like this where it has to

911
00:49:27,400 --> 00:49:29,560
Speaker 1: be perfect.

912
00:49:30,680 --> 00:49:33,280
Speaker 4: Did your feelings get hurt when he just absolutely destroyed

913
00:49:33,280 --> 00:49:35,400
Speaker 4: the three of you by telling you what costumes you

914
00:49:35,400 --> 00:49:35,879
Speaker 4: should wear?

915
00:49:36,080 --> 00:49:37,600
Speaker 1: But destroy me.

916
00:49:41,239 --> 00:49:49,400
Speaker 2: Is a disgusting goblin. Wolfman is undeniably cool, even cooler,

917
00:49:49,800 --> 00:49:53,240
Speaker 2: especially coming from him. Wolfman is always played by somewhat

918
00:49:53,280 --> 00:49:58,600
Speaker 2: sexy cool Jack Nicholson. But you see Del Toro.

919
00:49:58,640 --> 00:50:00,760
Speaker 1: Fifty plus, but he's Del Dora.

920
00:50:01,560 --> 00:50:06,120
Speaker 2: Yeah, so that's so that's awesome. And then Kermit is

921
00:50:06,200 --> 00:50:10,160
Speaker 2: like an icon and a cute sweetie.

922
00:50:11,480 --> 00:50:13,320
Speaker 4: Yeah, okay' right, so I guess you'd good musician.

923
00:50:14,200 --> 00:50:19,720
Speaker 2: I was yes, with prejudice. I was demolished.

924
00:50:21,040 --> 00:50:24,480
Speaker 4: And then when you asked why, he responded, look at yourself?

925
00:50:25,960 --> 00:50:27,359
Speaker 2: Are you really like?

926
00:50:27,360 --> 00:50:28,160
Speaker 1: I said, really like?

927
00:50:28,680 --> 00:50:31,520
Speaker 2: Is that even a question? Like your fucking column? And

928
00:50:31,600 --> 00:50:33,799
Speaker 2: I just finished giving myself a steep.

929
00:50:35,040 --> 00:50:37,600
Speaker 4: Right, yeah, go back.

930
00:50:37,520 --> 00:50:40,680
Speaker 2: So I have I might have to get out my

931
00:50:40,840 --> 00:50:43,319
Speaker 2: toilet guys are again. I might have to hop back

932
00:50:43,320 --> 00:50:44,920
Speaker 2: on the toilet guyser for a little bit.

933
00:50:46,520 --> 00:50:48,920
Speaker 4: Oh guys, I'm sorry, but I also think this is

934
00:50:48,960 --> 00:50:49,960
Speaker 4: what you wanted, So.

935
00:50:50,680 --> 00:50:51,719
Speaker 1: It's exactly what I want.

936
00:50:51,760 --> 00:50:52,280
Speaker 4: You're welcome.

937
00:50:52,360 --> 00:50:55,239
Speaker 1: Every single aspect of this has played out exactly as

938
00:50:55,239 --> 00:50:59,160
Speaker 1: I intended. I sealed it in an envelope and mailed it.

939
00:50:59,160 --> 00:51:01,560
Speaker 1: It's in the mail. Going to shut up your house today?

940
00:51:01,719 --> 00:51:04,320
Speaker 4: Okay, give me a Halloween costume so that things are even.

941
00:51:04,400 --> 00:51:05,719
Speaker 4: I didn't want him to do it. It was going

942
00:51:05,760 --> 00:51:06,560
Speaker 4: to get too personal.

943
00:51:08,320 --> 00:51:16,160
Speaker 2: Uh. Jeffrey Dramer Jeffrey Dramer dram is he like a

944
00:51:16,600 --> 00:51:17,760
Speaker 2: He's so much Dramer?

945
00:51:18,640 --> 00:51:22,200
Speaker 1: Bye, Hollywood, Hamburg