1
00:00:02,200 --> 00:00:05,320
Speaker 1: Take Antila and Charlotmagne and the dog. My dad asked up,

2
00:00:05,360 --> 00:00:14,080
Speaker 1: the breakfast club is rry. I love coming here. I'm

3
00:00:14,120 --> 00:00:15,720
Speaker 1: never not gonna come here. You guys are good to me,

4
00:00:15,760 --> 00:00:17,079
Speaker 1: and lati of them always gonna be good to a

5
00:00:17,079 --> 00:00:19,200
Speaker 1: lot of people in hip hop generation. The breakfast Club

6
00:00:19,280 --> 00:00:21,560
Speaker 1: is where people get their information or on the topics,

7
00:00:21,600 --> 00:00:24,120
Speaker 1: on the artists and everything like that. In that aspect,

8
00:00:24,200 --> 00:00:26,800
Speaker 1: radio is still important. The Breakfast Club for my name,

9
00:00:26,960 --> 00:00:35,080
Speaker 1: Come on respected, I'm t I'm taling. What's doing of year?

10
00:00:35,520 --> 00:00:37,160
Speaker 1: This is your time to get it off your chest,

11
00:00:37,280 --> 00:00:40,239
Speaker 1: whether you're mad or blessed. Eight hundred five eight five

12
00:00:40,280 --> 00:00:41,920
Speaker 1: one oh five one. We want to hear from you

13
00:00:41,960 --> 00:00:46,720
Speaker 1: on the Breakfast Club. Hello, who's this your don't your man?

14
00:00:47,400 --> 00:00:49,640
Speaker 1: Get it off your chest? You man? Listen, man. I

15
00:00:49,680 --> 00:00:52,840
Speaker 1: want to give a shout out to Charlomagne for his book.

16
00:00:52,880 --> 00:00:55,959
Speaker 1: Man inspired me to get help and go to rehab.

17
00:00:56,400 --> 00:00:59,000
Speaker 1: And I went to rehab the Quote House, and I

18
00:00:59,040 --> 00:01:02,640
Speaker 1: almost lost my life. They lost my my asthma medication

19
00:01:03,080 --> 00:01:05,440
Speaker 1: and I had to um, I had to ask my

20
00:01:05,480 --> 00:01:11,200
Speaker 1: attack and man, they kicked me out because of that.

21
00:01:11,200 --> 00:01:14,560
Speaker 1: That's crazy, bro, So where are you at now. Right now,

22
00:01:14,880 --> 00:01:18,560
Speaker 1: I'm in a hotel trying to get into a different program.

23
00:01:19,200 --> 00:01:21,640
Speaker 1: You know what I mean. I've been battling drugs for

24
00:01:21,680 --> 00:01:23,920
Speaker 1: a long time. Man, But I want to let you know.

25
00:01:23,959 --> 00:01:26,240
Speaker 1: When I went to jail, I read your book, man,

26
00:01:26,680 --> 00:01:29,280
Speaker 1: and it inspired me to get help, bro which one

27
00:01:29,319 --> 00:01:37,319
Speaker 1: black black privilege man, black, thank you, I appreciate, appreciate.

28
00:01:38,520 --> 00:01:40,560
Speaker 1: I had a choice to go to go on the

29
00:01:40,600 --> 00:01:43,959
Speaker 1: streets or go get help, and your book inspired me

30
00:01:44,200 --> 00:01:47,520
Speaker 1: to get help. Man. But you Wold Dough. I'm sure

31
00:01:47,560 --> 00:01:49,680
Speaker 1: charlomain't got an extra book at the new one, and

32
00:01:49,720 --> 00:01:52,440
Speaker 1: he can send you that as well. And I can't

33
00:01:52,440 --> 00:01:55,800
Speaker 1: know book help him right now he place. I nobody

34
00:01:55,920 --> 00:01:58,440
Speaker 1: enjoyed reading your books, so you should definitely give them newing. No,

35
00:01:58,520 --> 00:02:02,680
Speaker 1: I definitely will will inspired me, man, I'm telling you

36
00:02:02,840 --> 00:02:07,840
Speaker 1: I was after I read that book. Man, I wish

37
00:02:07,840 --> 00:02:09,880
Speaker 1: I had a program I could I could I could

38
00:02:09,919 --> 00:02:14,240
Speaker 1: give you or something trying to Marian village and queens,

39
00:02:14,840 --> 00:02:16,360
Speaker 1: you know what I mean. So I have a I

40
00:02:16,400 --> 00:02:18,480
Speaker 1: have a social rugor that I'm gonna go see the morrow.

41
00:02:18,760 --> 00:02:22,720
Speaker 1: I mean today, I'm I'm up early and I'm focused.

42
00:02:22,760 --> 00:02:25,320
Speaker 1: You know what I'm saying I'm still sober, ain't God?

43
00:02:26,880 --> 00:02:30,359
Speaker 1: You know, if you need me as a reference to something,

44
00:02:31,280 --> 00:02:33,080
Speaker 1: you know, I give you, I give you, I give

45
00:02:33,120 --> 00:02:37,160
Speaker 1: you some information. Well, I just want to put that

46
00:02:37,360 --> 00:02:41,639
Speaker 1: program on full blast because they they they did me dirty.

47
00:02:41,919 --> 00:02:43,880
Speaker 1: They even tried to put me in the crazy house

48
00:02:43,960 --> 00:02:47,360
Speaker 1: for a week. So I went and drug me up. Yeah,

49
00:02:47,400 --> 00:02:50,200
Speaker 1: but I didn't even take no medicine. I made them.

50
00:02:50,280 --> 00:02:55,320
Speaker 1: I gave them the donkey the day. Give you an info, y'all.

51
00:02:55,639 --> 00:02:58,400
Speaker 1: Somebody's gonna get your info. Somebody gonna get your info. Now. Hello,

52
00:02:58,440 --> 00:03:00,960
Speaker 1: who's this? Hey, what's up? And be good morning? And

53
00:03:00,960 --> 00:03:04,080
Speaker 1: it's Red. Good morning, Angela, Good morning, Charlemagne. What's going on?

54
00:03:07,200 --> 00:03:10,320
Speaker 1: Today's a good day. I'm proud of Joe Biden for

55
00:03:10,400 --> 00:03:14,160
Speaker 1: making a good decision of a nominating son of the

56
00:03:14,240 --> 00:03:17,040
Speaker 1: harris As as running mate. A couple of weeks ago,

57
00:03:17,080 --> 00:03:18,840
Speaker 1: I called in and I was very critical of her

58
00:03:18,840 --> 00:03:22,239
Speaker 1: because of her record in the past, but definitely going

59
00:03:22,320 --> 00:03:24,960
Speaker 1: into the future. She you know, she has the means

60
00:03:24,960 --> 00:03:27,040
Speaker 1: to make amends. That everyone can change, everyone can have

61
00:03:27,680 --> 00:03:29,519
Speaker 1: a change of heart when it comes to you know,

62
00:03:29,639 --> 00:03:31,760
Speaker 1: seems that did it in the past. And I think

63
00:03:32,360 --> 00:03:34,200
Speaker 1: Joe Biden said one of the greatest things that he

64
00:03:34,240 --> 00:03:36,880
Speaker 1: wanted the White House to look like the country, and

65
00:03:37,000 --> 00:03:40,440
Speaker 1: having a woman of different background and heritage definitely helped

66
00:03:40,480 --> 00:03:43,560
Speaker 1: to make the country more diverse and tend bring us together.

67
00:03:44,000 --> 00:03:46,520
Speaker 1: And she's a making and I'm jamaking, and we shouldn't

68
00:03:46,560 --> 00:03:49,760
Speaker 1: up be voting for her just because she's making? Why not?

69
00:03:50,120 --> 00:03:53,000
Speaker 1: But no, not not the guards because we have to

70
00:03:53,040 --> 00:03:57,720
Speaker 1: be critical of politicians at all times. It's a high

71
00:03:57,760 --> 00:04:00,520
Speaker 1: pressure position and we got to keep the showing them

72
00:04:00,520 --> 00:04:02,560
Speaker 1: to make sure they make the right decisions. But I'm

73
00:04:02,560 --> 00:04:04,960
Speaker 1: I'm proud of her, and I'm proud of Joe Biden

74
00:04:05,200 --> 00:04:09,720
Speaker 1: and Charlemagne. I'm putting together this article right that affect

75
00:04:10,120 --> 00:04:13,000
Speaker 1: Jamaica as a small country, on the United States, on

76
00:04:13,120 --> 00:04:16,080
Speaker 1: black consciousness and on hip hop, on a hole from

77
00:04:16,080 --> 00:04:19,479
Speaker 1: from Mark talking about Marcus Garvey. Yeah for Marcus Garvey,

78
00:04:19,560 --> 00:04:23,520
Speaker 1: to Bob Marley, to Biggie Smalls to to Grandpool. But

79
00:04:23,640 --> 00:04:27,800
Speaker 1: like all these people that got Jamaica, Saari Safari, Savari

80
00:04:27,839 --> 00:04:31,000
Speaker 1: does not have an effect on black coach my friend anyway.

81
00:04:31,520 --> 00:04:35,440
Speaker 1: But big up, big up Senator Harris to big up

82
00:04:35,480 --> 00:04:37,480
Speaker 1: to Joe Biden, and big up to the Breakfast Club.

83
00:04:37,600 --> 00:04:39,719
Speaker 1: Thank you guys. Yo. I want you to go read

84
00:04:39,760 --> 00:04:41,480
Speaker 1: this article as this great article that came out in

85
00:04:41,600 --> 00:04:43,280
Speaker 1: USA today. I mentioned it a little while ago, but

86
00:04:43,320 --> 00:04:45,480
Speaker 1: I forgot this. Shout out shout it out with. You

87
00:04:45,520 --> 00:04:47,960
Speaker 1: didn't say that, You didn't say the writer of the article.

88
00:04:48,000 --> 00:04:50,480
Speaker 1: You didn't say his name. Yeah. Ni Nicky's soul is

89
00:04:50,640 --> 00:04:53,359
Speaker 1: a woman. She's a public defender. She worked with Kamala

90
00:04:53,400 --> 00:04:55,960
Speaker 1: Harris and she said that Kamala Harris was the most

91
00:04:55,960 --> 00:04:59,880
Speaker 1: progressive DA in California and she said take away. You know,

92
00:05:00,000 --> 00:05:03,000
Speaker 1: one thing you can take away from Kamala hiris time

93
00:05:03,040 --> 00:05:05,239
Speaker 1: as a DA is that if she had an eighty

94
00:05:05,279 --> 00:05:07,960
Speaker 1: percent convintion rate, that means she was gonnat her job.

95
00:05:08,360 --> 00:05:11,080
Speaker 1: So and I mean, if if you want somebody that's

96
00:05:11,080 --> 00:05:13,400
Speaker 1: gonna be, you know, diligent on their job and someone

97
00:05:13,440 --> 00:05:15,159
Speaker 1: that was really gonna you know, focus in on what

98
00:05:15,200 --> 00:05:17,080
Speaker 1: they need to do. And if she could get an

99
00:05:17,080 --> 00:05:20,159
Speaker 1: eighty percent U pervision rate during that time, even though

100
00:05:20,160 --> 00:05:22,760
Speaker 1: that was a bad thing for us as black men,

101
00:05:23,080 --> 00:05:24,599
Speaker 1: and I mean, that means she could lock in on

102
00:05:24,640 --> 00:05:26,680
Speaker 1: her job and do something. So she's gonna do that.

103
00:05:27,000 --> 00:05:29,360
Speaker 1: She was going into November and uh, you know, let's

104
00:05:29,400 --> 00:05:31,280
Speaker 1: let's go out there to poor her. She got. I

105
00:05:31,320 --> 00:05:34,200
Speaker 1: don't even think she's the less I really do think

106
00:05:34,200 --> 00:05:36,520
Speaker 1: she's a political change agent. I never I never heard

107
00:05:36,680 --> 00:05:39,200
Speaker 1: about her having an eighty percent conviction rate. But if

108
00:05:39,240 --> 00:05:42,000
Speaker 1: you go and read this article about Nikki Soulis and

109
00:05:42,120 --> 00:05:44,479
Speaker 1: she's a public defender, and Nikki says, I grappled with

110
00:05:44,560 --> 00:05:47,440
Speaker 1: this idea of defending a former prosecutor for a long time,

111
00:05:47,640 --> 00:05:49,320
Speaker 1: but I have to say what I feel is right

112
00:05:49,360 --> 00:05:51,560
Speaker 1: to set the records create on Harris. And this is

113
00:05:51,600 --> 00:05:54,320
Speaker 1: a public defender in San Francisco. She said that Kamala

114
00:05:54,360 --> 00:05:56,960
Speaker 1: Harris was the most progressive DA in California. And she

115
00:05:57,080 --> 00:05:59,440
Speaker 1: lists all of these different reasons why it was a

116
00:05:59,480 --> 00:06:00,960
Speaker 1: couple of things on there that I didn't even know,

117
00:06:01,480 --> 00:06:05,119
Speaker 1: especially the fact that she didn't prosecute prostitutes. She um,

118
00:06:05,160 --> 00:06:07,040
Speaker 1: you know, sent them to get you know, therapy, to

119
00:06:07,080 --> 00:06:12,000
Speaker 1: deal with the trauma that I was like, wow, child, child, prostitutes,

120
00:06:12,279 --> 00:06:14,760
Speaker 1: get it off your chests. Eight hundred five eight five

121
00:06:14,839 --> 00:06:16,560
Speaker 1: one oh five one. If you need to vent hit

122
00:06:16,640 --> 00:06:18,680
Speaker 1: us up now. It's the Breakfast Club. Good morning, the

123
00:06:18,839 --> 00:06:25,440
Speaker 1: Breakfast Club. It is your time to get it off

124
00:06:25,440 --> 00:06:27,720
Speaker 1: your chests, whether you're man or blast so, so you

125
00:06:27,800 --> 00:06:29,720
Speaker 1: better have the same duty. We want to hear from

126
00:06:29,720 --> 00:06:33,160
Speaker 1: you on the breakfast club. Hello. Who's this Hey? Peace

127
00:06:33,200 --> 00:06:36,279
Speaker 1: and blessings, guys. Are you guys feeling man? Hey? Portapi,

128
00:06:36,400 --> 00:06:41,160
Speaker 1: Sean Stone? What's up? Brother? I'm good brother, Andrew Day,

129
00:06:41,760 --> 00:06:44,520
Speaker 1: what's up? How are you? Peace and blessings yourself? Hey,

130
00:06:44,640 --> 00:06:46,800
Speaker 1: Charlotte May. How are you gonna be waking up late?

131
00:06:46,839 --> 00:06:51,000
Speaker 1: You're working from home, bro? That don't mean no sense? Why? Why?

132
00:06:51,000 --> 00:06:53,560
Speaker 1: Why does that make not make any sense? Because you're

133
00:06:53,560 --> 00:06:56,200
Speaker 1: working at home. You're at home, bro. You got to

134
00:06:56,200 --> 00:06:59,440
Speaker 1: get up on time. Bro. So just just because I'm

135
00:06:59,480 --> 00:07:01,440
Speaker 1: at home doesn't mean I can't wake up late. You

136
00:07:01,480 --> 00:07:04,640
Speaker 1: shouldn't be waking up late, period. Just like how you

137
00:07:04,800 --> 00:07:07,400
Speaker 1: you've never you've never woken up late for your job. Ever,

138
00:07:07,480 --> 00:07:09,880
Speaker 1: I'm walking up, I'm walking up late before, but now

139
00:07:09,880 --> 00:07:12,840
Speaker 1: when I'm working at home. Bro, you gotta get it.

140
00:07:12,840 --> 00:07:16,600
Speaker 1: I don't see the difference. You gotta get it, really,

141
00:07:17,080 --> 00:07:19,200
Speaker 1: I don't see the difference. Waking up late is waking

142
00:07:19,280 --> 00:07:20,840
Speaker 1: up late, doesn't matter you're working at home or not.

143
00:07:21,200 --> 00:07:23,960
Speaker 1: What's up? Showing? What up? Man? Guys, I'm just happy

144
00:07:24,000 --> 00:07:25,960
Speaker 1: to be back at work. For two months, I was,

145
00:07:26,240 --> 00:07:28,240
Speaker 1: I was out of a job. You know what I mean,

146
00:07:28,280 --> 00:07:31,200
Speaker 1: as an essential worker. I'm back out here driving the

147
00:07:31,280 --> 00:07:33,920
Speaker 1: garbage shrug. I'm back out here. You know in Sanita.

148
00:07:33,960 --> 00:07:35,200
Speaker 1: Why did they cut you all off? I didn't. I

149
00:07:35,200 --> 00:07:38,560
Speaker 1: don't really cut sanitation. I was working at a private company.

150
00:07:38,680 --> 00:07:41,480
Speaker 1: So at the end of the day they did with

151
00:07:41,560 --> 00:07:44,920
Speaker 1: like seniority, anybody that had seniority over you, they had

152
00:07:45,000 --> 00:07:47,280
Speaker 1: to lay you off. So that one years there, so

153
00:07:47,360 --> 00:07:49,200
Speaker 1: they were like, yo, Sean, we gotta lay you off.

154
00:07:49,280 --> 00:07:51,800
Speaker 1: So I'm just happy to be back today. Bro, I

155
00:07:51,880 --> 00:07:54,400
Speaker 1: gotta man early. I was mad excited, you know what

156
00:07:54,440 --> 00:07:58,560
Speaker 1: I mean? What made what made them hire you back? Well,

157
00:07:58,560 --> 00:08:01,720
Speaker 1: I'm a good worker, dude, You like Sharstone is not

158
00:08:01,800 --> 00:08:04,600
Speaker 1: a good person overall. I'm a good worker. I do

159
00:08:04,680 --> 00:08:06,960
Speaker 1: my work, and I do my job. And also him

160
00:08:07,000 --> 00:08:08,880
Speaker 1: out here trying to provide for my family. You know

161
00:08:08,880 --> 00:08:13,040
Speaker 1: what I mean. Business, I'm speaking from a business perspective.

162
00:08:13,120 --> 00:08:15,120
Speaker 1: They got rid of everybody. What made them bring you back?

163
00:08:15,200 --> 00:08:18,320
Speaker 1: That's all I'm same reason why they brought me back. Uh,

164
00:08:18,400 --> 00:08:20,720
Speaker 1: there's a guy that's out on surgery and he's going

165
00:08:20,760 --> 00:08:23,080
Speaker 1: to be out on surgery for quite a while. There

166
00:08:23,240 --> 00:08:27,240
Speaker 1: you go, Okay, now I got you. But also while

167
00:08:27,360 --> 00:08:30,600
Speaker 1: in quarantine, within the two months, you know, Sean Stone

168
00:08:30,640 --> 00:08:33,240
Speaker 1: had to start his own business. So if anybody want

169
00:08:33,280 --> 00:08:35,600
Speaker 1: to check out Show and Stone business, just what is it?

170
00:08:35,640 --> 00:08:39,720
Speaker 1: What's the business? Well, the business is I'm selling like

171
00:08:39,880 --> 00:08:43,760
Speaker 1: KILC wellness products, health health, health products that will help

172
00:08:43,800 --> 00:08:46,720
Speaker 1: your help your immune system? Like what and how are

173
00:08:46,720 --> 00:08:48,800
Speaker 1: you getting these products? You're growing them in the backyard.

174
00:08:48,800 --> 00:08:50,400
Speaker 1: What are you doing? Like? How are you making these products?

175
00:08:50,559 --> 00:08:52,800
Speaker 1: I'm not growing them at all. I'm working with a

176
00:08:52,960 --> 00:08:55,440
Speaker 1: with a with a company. And all you guys got

177
00:08:55,440 --> 00:08:57,559
Speaker 1: to do is go to my uh my, I G

178
00:08:57,760 --> 00:09:01,840
Speaker 1: Seawan Stone eight four eight um that Sean Stone sta

179
00:09:02,120 --> 00:09:04,920
Speaker 1: n STO n E A four A and just click

180
00:09:05,040 --> 00:09:08,200
Speaker 1: the link tree and you could see the whole products

181
00:09:08,200 --> 00:09:10,680
Speaker 1: and what the products does for your body and your system.

182
00:09:12,200 --> 00:09:16,560
Speaker 1: Are you still doing music right right now? I'm still

183
00:09:16,600 --> 00:09:19,280
Speaker 1: doing my music on my on my high phone. I know, Charlemagne,

184
00:09:19,280 --> 00:09:21,200
Speaker 1: I don't like that, but I'm about to get some

185
00:09:21,640 --> 00:09:24,719
Speaker 1: some equipment and put it up to my laptop and

186
00:09:24,880 --> 00:09:27,480
Speaker 1: probably do some music at home. But right now I'm

187
00:09:27,480 --> 00:09:30,480
Speaker 1: just focusing on working and do you know what I mean? Oy? Wait,

188
00:09:30,480 --> 00:09:32,200
Speaker 1: why are you wasting all that storage on your computer

189
00:09:32,280 --> 00:09:35,280
Speaker 1: in your phone? Man? I love I love doing it, man,

190
00:09:35,280 --> 00:09:37,839
Speaker 1: because it makes me happy man, to release. You know

191
00:09:37,840 --> 00:09:40,040
Speaker 1: what I mean. It's not like now, it's not like

192
00:09:40,080 --> 00:09:42,120
Speaker 1: I want to be putting out me in the world,

193
00:09:42,200 --> 00:09:44,280
Speaker 1: but it makes me happy to release. You know what

194
00:09:44,280 --> 00:09:47,840
Speaker 1: I mean? True? True, long as you like. I like that. Hey,

195
00:09:47,920 --> 00:09:50,480
Speaker 1: I love you guys. I love everybody in the world.

196
00:09:50,520 --> 00:09:54,480
Speaker 1: Peace and blessing everybody. Please be safe, practice social distance

197
00:09:54,760 --> 00:09:57,120
Speaker 1: and just stay home if you if you don't got

198
00:09:57,120 --> 00:09:59,520
Speaker 1: to go to work, stay home. Man, All right, brother,

199
00:09:59,600 --> 00:10:03,840
Speaker 1: thank you, and I'm happy. Man. Let's go there you go, Lorenzo. Yeah,

200
00:10:03,840 --> 00:10:06,640
Speaker 1: what's going on? What's going on? What's up? Bro? Get

201
00:10:06,679 --> 00:10:10,640
Speaker 1: off your chance? Hey listen, Charlotte Maine Day. I'm right here, sir. Yeah,

202
00:10:10,679 --> 00:10:13,600
Speaker 1: it's going on. Charlotte. I'm blessed black and Holly favored.

203
00:10:13,640 --> 00:10:17,079
Speaker 1: What's happening? Yes, sir, yus, sir, good morning, eat too.

204
00:10:17,120 --> 00:10:20,760
Speaker 1: But I want to know what's going on, um within

205
00:10:20,800 --> 00:10:23,040
Speaker 1: the past few years, like ten years, why everybody's so

206
00:10:23,640 --> 00:10:26,480
Speaker 1: got so damn like like sensitive over everything. Man, you can't.

207
00:10:26,480 --> 00:10:29,720
Speaker 1: You can't say nothing online. You gotta watch it, you say.

208
00:10:29,960 --> 00:10:33,080
Speaker 1: I'll be feeling like sometimes you ever heard of that,

209
00:10:33,160 --> 00:10:35,000
Speaker 1: Like like you be seeing the movies, like when people

210
00:10:35,000 --> 00:10:36,640
Speaker 1: put in movies like that cry off sleep. I just

211
00:10:36,640 --> 00:10:39,760
Speaker 1: feel like doing something like that for like ten years

212
00:10:39,840 --> 00:10:41,360
Speaker 1: or come back and be like, YEO, what's going on?

213
00:10:41,480 --> 00:10:44,080
Speaker 1: Oh everybody's so fake politically correct. You can say whatever

214
00:10:44,120 --> 00:10:45,280
Speaker 1: you want, you know what I'm saying. You just gotta

215
00:10:45,280 --> 00:10:47,200
Speaker 1: deal with the consequences of what you said, you know.

216
00:10:47,240 --> 00:10:49,199
Speaker 1: And I think that everybody's so afraid of like these

217
00:10:49,240 --> 00:10:52,240
Speaker 1: social media mobs and being attacked that they'd be walking

218
00:10:52,280 --> 00:10:54,560
Speaker 1: tight ropes and walking on walking on thin nite because

219
00:10:54,600 --> 00:10:57,199
Speaker 1: they don't want to be attacked by the mob playing.

220
00:10:57,240 --> 00:10:59,720
Speaker 1: But there's so much access now too. Before social media,

221
00:10:59,800 --> 00:11:02,800
Speaker 1: we weren't hearing what everyone had to say about everything.

222
00:11:03,200 --> 00:11:05,920
Speaker 1: Now everybody's voicing their opinions, and sometimes they're saying things

223
00:11:05,920 --> 00:11:08,880
Speaker 1: that maybe they regret saying, or maybe they're not saying

224
00:11:08,920 --> 00:11:11,400
Speaker 1: it in the right way, and sometimes they're putting it

225
00:11:11,400 --> 00:11:13,520
Speaker 1: out there. They get over analyzed by people. They only

226
00:11:13,520 --> 00:11:17,720
Speaker 1: regret when they get attacked. Understandable, That's that's cool, that's cool.

227
00:11:17,760 --> 00:11:19,480
Speaker 1: But you know what I'm saying, It's like, let's say

228
00:11:19,520 --> 00:11:21,719
Speaker 1: it's Charlomagne. They don't ever post his kids, but he

229
00:11:21,800 --> 00:11:24,240
Speaker 1: posted his kids and hate thought something with his kids,

230
00:11:24,240 --> 00:11:26,760
Speaker 1: you know right away, Oh my god, there he shouldn't

231
00:11:26,800 --> 00:11:29,080
Speaker 1: been throwing this, Listen, this and that, like, come on,

232
00:11:29,320 --> 00:11:33,520
Speaker 1: Yoma business like, yeah, I agree with you. Everybody's so

233
00:11:33,559 --> 00:11:36,360
Speaker 1: SENTI if everybody's so soft nowadays. But it's just the

234
00:11:36,360 --> 00:11:38,760
Speaker 1: way society say whatever you want. Who gives the damn

235
00:11:38,880 --> 00:11:40,959
Speaker 1: Let the mob attack, get it off your chests. Eight,

236
00:11:40,960 --> 00:11:43,120
Speaker 1: don't dreat five eight five, one oh five one. If

237
00:11:43,160 --> 00:11:44,600
Speaker 1: you need to vent, you can hit us up at

238
00:11:44,640 --> 00:11:52,040
Speaker 1: any time. The Breakfast Club Morning. Everybody is DJ Envy

239
00:11:52,240 --> 00:11:55,439
Speaker 1: angela ye, Charlomagne the guy we are the Breakfast Club.

240
00:11:55,520 --> 00:11:58,120
Speaker 1: Good morning. Now if you just joined us with talking

241
00:11:58,160 --> 00:12:01,720
Speaker 1: about insecure? Now, what's going on insecure? You? Yes, you know.

242
00:12:01,720 --> 00:12:04,559
Speaker 1: It is the season finale and Esa and Lawrence are

243
00:12:04,600 --> 00:12:08,320
Speaker 1: back together in love. But the only thing is during

244
00:12:08,320 --> 00:12:11,439
Speaker 1: the time that they had broken up, Lawrence was dating Condolen.

245
00:12:11,559 --> 00:12:15,679
Speaker 1: She's now pregnant. Listen to this. Is she gonna keep it? Yes, well,

246
00:12:15,760 --> 00:12:17,880
Speaker 1: this is not a good time. We're not even together

247
00:12:17,920 --> 00:12:19,760
Speaker 1: why would you want This is not an ideal for

248
00:12:19,840 --> 00:12:22,280
Speaker 1: me either, But that's just not an option for me.

249
00:12:23,280 --> 00:12:26,080
Speaker 1: I wasn't ready with Mark, but this time I want

250
00:12:26,080 --> 00:12:28,439
Speaker 1: to keep it. And it's not like I don't want kids.

251
00:12:28,440 --> 00:12:32,440
Speaker 1: I do. So this means you're getting back with her? No, No,

252
00:12:32,800 --> 00:12:34,760
Speaker 1: I told you I want to be with you, but

253
00:12:34,880 --> 00:12:37,280
Speaker 1: you're having a baby with someone else. But I didn't

254
00:12:37,320 --> 00:12:40,160
Speaker 1: plan this. I don't. I don't want this to happen.

255
00:12:40,440 --> 00:12:43,440
Speaker 1: I know you can be as involved as you want

256
00:12:43,960 --> 00:12:47,600
Speaker 1: either way. I'm good FY. This is a complete spoiler

257
00:12:47,640 --> 00:12:50,520
Speaker 1: alert for me. I did not see Insecure this past Sunday.

258
00:12:50,559 --> 00:12:54,360
Speaker 1: I'm actually two episodes behind season for your fault, sir,

259
00:12:55,200 --> 00:12:56,760
Speaker 1: And you know I did wait a day to give

260
00:12:56,800 --> 00:12:58,520
Speaker 1: people a day to catch up, just in case they

261
00:12:58,559 --> 00:13:00,760
Speaker 1: didn't see it Sunday. We could did this yesterday, but

262
00:13:00,800 --> 00:13:04,400
Speaker 1: I said, well, wait a day. So what is the question?

263
00:13:05,000 --> 00:13:07,440
Speaker 1: So the question is, if you were Issa, do you

264
00:13:07,480 --> 00:13:09,760
Speaker 1: think she should stay with Lawrence? He says he wants

265
00:13:09,800 --> 00:13:11,720
Speaker 1: to be what Issa. He doesn't want to be with Condola,

266
00:13:11,800 --> 00:13:13,800
Speaker 1: but he does have a baby on the way. Oh,

267
00:13:13,960 --> 00:13:16,040
Speaker 1: this may be the politically correct answer, but it's the

268
00:13:16,040 --> 00:13:19,720
Speaker 1: correct answer. That's really on Issa, because no woman is

269
00:13:19,760 --> 00:13:22,160
Speaker 1: not No woman is obligated to stay because the love

270
00:13:22,160 --> 00:13:24,720
Speaker 1: of her life got somebody else pregnant. If she chooses

271
00:13:24,760 --> 00:13:27,480
Speaker 1: to stay, that's on her. But if she chooses to leave,

272
00:13:27,559 --> 00:13:29,600
Speaker 1: that's on her too, because she don't owe Lawrence nothing.

273
00:13:29,600 --> 00:13:31,080
Speaker 1: What the hell she got to be somebody? But if you,

274
00:13:31,840 --> 00:13:34,200
Speaker 1: if you were Eesa, what would you do? Yeah, if

275
00:13:34,240 --> 00:13:38,319
Speaker 1: you will, I really don't. I probably wouldn't. I probably

276
00:13:38,320 --> 00:13:40,920
Speaker 1: wouldn't stick around. I probably wouldn't stick around to be

277
00:13:40,920 --> 00:13:43,800
Speaker 1: somebody's stepmama, like he need to handle his responsibilities. And

278
00:13:43,880 --> 00:13:46,600
Speaker 1: by the way, when you say in that moment to me,

279
00:13:46,800 --> 00:13:48,680
Speaker 1: I don't want this baby, that kind of shows what

280
00:13:48,760 --> 00:13:50,760
Speaker 1: kind of man you are. You can't not want the

281
00:13:50,800 --> 00:13:53,080
Speaker 1: baby just because you don't like the girl. You hit

282
00:13:53,120 --> 00:13:55,480
Speaker 1: that raw, you had unprotected sex with her, you shot

283
00:13:55,480 --> 00:13:57,559
Speaker 1: her club up. So now you can't just say, well,

284
00:13:57,600 --> 00:13:59,160
Speaker 1: I don't like her, so I don't want to be

285
00:13:59,160 --> 00:14:01,000
Speaker 1: with the child. What kind of need grow are you?

286
00:14:01,360 --> 00:14:03,200
Speaker 1: So if I was, I'd probably walk because that shows

287
00:14:03,200 --> 00:14:04,960
Speaker 1: what kind of character you've got. So you wouldn't stay

288
00:14:05,000 --> 00:14:07,440
Speaker 1: with that man? You want a different man and shut

289
00:14:07,520 --> 00:14:10,199
Speaker 1: up eight hundred five eight five one oh five one?

290
00:14:10,200 --> 00:14:12,680
Speaker 1: What would you do? Ye? You know, it's interesting because

291
00:14:12,679 --> 00:14:15,440
Speaker 1: I'm looking at Twitter right now, and Cassie said she

292
00:14:15,480 --> 00:14:19,120
Speaker 1: should stay because they're soul mates and he never loved Condola,

293
00:14:19,680 --> 00:14:23,800
Speaker 1: and Malin said Lisa should stay because the love they

294
00:14:23,800 --> 00:14:27,680
Speaker 1: have now is undeniable. And if it wasn't me, though,

295
00:14:27,720 --> 00:14:30,160
Speaker 1: I think that I would have to wait, wait it out.

296
00:14:30,600 --> 00:14:32,880
Speaker 1: I think I would probably it would be hard for

297
00:14:32,920 --> 00:14:34,600
Speaker 1: me to break up with somebody because they've been together

298
00:14:34,640 --> 00:14:36,680
Speaker 1: for so long. They lived together, broke up, she's been

299
00:14:36,680 --> 00:14:38,680
Speaker 1: wanting him this whole time. That was the one person

300
00:14:38,720 --> 00:14:42,240
Speaker 1: she was in love with. But I would also have

301
00:14:42,360 --> 00:14:44,320
Speaker 1: to take it really slow and not jump all the

302
00:14:44,320 --> 00:14:45,840
Speaker 1: way in because I'd be a little nervous. I got

303
00:14:45,920 --> 00:14:48,320
Speaker 1: to see how he acts. He was dating Condola, he

304
00:14:48,480 --> 00:14:51,440
Speaker 1: did seem to really like her, and sometimes the baby

305
00:14:51,440 --> 00:14:53,120
Speaker 1: could bring people together, so I would be a little

306
00:14:53,120 --> 00:14:55,920
Speaker 1: bit concerned. Yeah, but that doesn't I agree with you

307
00:14:56,200 --> 00:14:58,040
Speaker 1: on that end too, But that doesn't say a lot

308
00:14:58,080 --> 00:15:01,920
Speaker 1: about Lawrence's character. You don't want your child just because

309
00:15:01,960 --> 00:15:05,600
Speaker 1: you don't like the woman as lame as how, he

310
00:15:05,720 --> 00:15:07,960
Speaker 1: just said it wasn't a good time for him. And listen,

311
00:15:07,960 --> 00:15:10,800
Speaker 1: I think men should. I agree with that. It's hard,

312
00:15:10,840 --> 00:15:13,280
Speaker 1: but he was being honest about it, and I'm Lawrence

313
00:15:13,320 --> 00:15:15,000
Speaker 1: doesn't let the type of person who will step up

314
00:15:15,000 --> 00:15:16,960
Speaker 1: to his responsibilities. But I'm sure in his head he

315
00:15:17,040 --> 00:15:19,160
Speaker 1: was thinking, how am I going to tell East of this?

316
00:15:19,280 --> 00:15:20,960
Speaker 1: I just finally got in a good space in my

317
00:15:21,040 --> 00:15:23,160
Speaker 1: relationship and now I have to drop this. And he

318
00:15:23,240 --> 00:15:24,920
Speaker 1: just found out at that moment. So that was his

319
00:15:25,000 --> 00:15:29,640
Speaker 1: initial reaction and so sometimes that's hard. He wasn't expecting it. Yeah,

320
00:15:29,680 --> 00:15:31,560
Speaker 1: I think it's up to East. I think it's it's

321
00:15:31,560 --> 00:15:35,120
Speaker 1: one of those things. You having a baby outside of

322
00:15:35,240 --> 00:15:38,440
Speaker 1: their bond and their relationship can't make things difficult, or

323
00:15:38,480 --> 00:15:40,320
Speaker 1: it could be okay. I mean it's just one of

324
00:15:40,320 --> 00:15:42,160
Speaker 1: those things. Do you want to deal with that? You

325
00:15:42,240 --> 00:15:44,280
Speaker 1: might be like, hey, I don't want that stress, I

326
00:15:44,320 --> 00:15:46,520
Speaker 1: don't want to deal with that. I want to fresh

327
00:15:46,600 --> 00:15:48,480
Speaker 1: start or whatever it may be. So I think it's

328
00:15:48,560 --> 00:15:51,640
Speaker 1: up to Easter. Whatever Easa feels is, well, yeah, we know, Dad,

329
00:15:51,680 --> 00:15:54,080
Speaker 1: but we're just saying, what would you do if you

330
00:15:54,160 --> 00:15:56,680
Speaker 1: were Easa. I'll tell that man to take care of

331
00:15:56,680 --> 00:15:59,160
Speaker 1: his responsibilities. Just because you ain't liked that girl, don't

332
00:15:59,160 --> 00:16:00,520
Speaker 1: tell me you didn't like that girl, because you like

333
00:16:00,600 --> 00:16:02,520
Speaker 1: that enough to hit it raw. You like the enough

334
00:16:02,560 --> 00:16:05,280
Speaker 1: to have unprotected swiner and shoot their club up. Okay,

335
00:16:05,280 --> 00:16:09,280
Speaker 1: you liked it that much, didn't you? But what you stay?

336
00:16:09,840 --> 00:16:12,960
Speaker 1: They have But they've been together before, right, They've been together,

337
00:16:12,960 --> 00:16:16,000
Speaker 1: they have history. They love each other. So yeah, I

338
00:16:16,080 --> 00:16:19,880
Speaker 1: mean I've got to raise another woman's baby too. I

339
00:16:19,960 --> 00:16:22,440
Speaker 1: mean yeah, but but that's you feel, that's your soul mate.

340
00:16:22,560 --> 00:16:24,200
Speaker 1: You feel that, you know that that they have some

341
00:16:24,240 --> 00:16:25,880
Speaker 1: type of love and some type of bond. You know,

342
00:16:26,080 --> 00:16:28,000
Speaker 1: this is something that happened beforehand. We've seen it in

343
00:16:28,120 --> 00:16:32,120
Speaker 1: relationships before. So yeah, I mean, I guess, yeah, I

344
00:16:32,120 --> 00:16:34,840
Speaker 1: would stay. Think about Dwayne Wayne and Gabriel union. Wasn't

345
00:16:34,840 --> 00:16:38,040
Speaker 1: it the same? Similar something like that together? They're alrea

346
00:16:38,080 --> 00:16:40,160
Speaker 1: together by the way, so they took a break at

347
00:16:40,160 --> 00:16:42,400
Speaker 1: that time, and I don't know, by the way. You'll

348
00:16:42,440 --> 00:16:44,640
Speaker 1: only like stuff like this on TV if this is

349
00:16:44,680 --> 00:16:47,240
Speaker 1: real life, y'all be like I how now eating you

350
00:16:47,320 --> 00:16:50,960
Speaker 1: better leave his ass? Girl? You can do better. Y'all

351
00:16:51,000 --> 00:16:53,480
Speaker 1: only like stuff like this on TV. You tell him,

352
00:16:53,520 --> 00:16:56,080
Speaker 1: girl friend, let's go to the phone lines. Lawrence didn't

353
00:16:56,080 --> 00:16:59,200
Speaker 1: why we gotta wrap up Eddy telling us to wrap up, Lawrence.

354
00:16:59,240 --> 00:17:01,440
Speaker 1: They wrap up five eight five, one on five one.

355
00:17:01,480 --> 00:17:02,880
Speaker 1: We'll take your calls when we come back as the

356
00:17:02,880 --> 00:17:09,480
Speaker 1: Breakfast Club, The Breakfast Club owning everybody a cdj Envy,

357
00:17:09,680 --> 00:17:12,800
Speaker 1: Angela Yee, Charlomagne, the guy. We are the Breakfast Club. Now,

358
00:17:12,800 --> 00:17:15,439
Speaker 1: if you just join us, we're talking about insecure. I

359
00:17:15,600 --> 00:17:18,399
Speaker 1: just tell him briefly what we're talking about. Yes, So

360
00:17:18,520 --> 00:17:22,919
Speaker 1: on the season finale, apparently Lawrence has gotten Condola pregnant.

361
00:17:22,920 --> 00:17:25,000
Speaker 1: Condola is the woman he was dating while he and

362
00:17:25,080 --> 00:17:27,520
Speaker 1: Issa were not together, but now him and needs to

363
00:17:27,560 --> 00:17:29,600
Speaker 1: have gotten back together. They are soulmate. They're in a

364
00:17:29,640 --> 00:17:31,840
Speaker 1: great space, but he had to break the news to

365
00:17:31,880 --> 00:17:34,800
Speaker 1: Issa that Condola is pregnant. All right, well, let's go

366
00:17:34,840 --> 00:17:36,719
Speaker 1: to the phone lines. What would you do? Eight hundred

367
00:17:36,800 --> 00:17:41,280
Speaker 1: five five one O five one? Hello? Who's this jar? Hey?

368
00:17:41,320 --> 00:17:45,280
Speaker 1: Good morning? What would you do? Okay, I'm an staying

369
00:17:45,320 --> 00:17:49,159
Speaker 1: Bolt as Lisa and I'm staying See now, why are

370
00:17:49,160 --> 00:17:53,320
Speaker 1: you staying? What happened? Tell us your real life story? Huh,

371
00:17:53,480 --> 00:17:56,120
Speaker 1: long story. It's a long story. We've been too well.

372
00:17:56,160 --> 00:17:58,560
Speaker 1: I was how it happened to you? Yeah, she said,

373
00:17:58,600 --> 00:18:02,040
Speaker 1: happened to her. Yeah. Yeah, So I was with him

374
00:18:02,119 --> 00:18:05,400
Speaker 1: and I was pregnant when I got with him, and

375
00:18:05,440 --> 00:18:09,760
Speaker 1: then we stopped talking and now he got somebody else pregnant. Wow.

376
00:18:10,400 --> 00:18:12,920
Speaker 1: So but you guys are back together, taking a leap

377
00:18:13,000 --> 00:18:16,240
Speaker 1: of faith. Yeah, I'm taking a leap of faith, I'm saying,

378
00:18:16,400 --> 00:18:27,120
Speaker 1: and we'll see what happens. Okay, Well together, that's your decision.

379
00:18:27,800 --> 00:18:30,000
Speaker 1: People have to live with the choices that they make.

380
00:18:30,080 --> 00:18:32,080
Speaker 1: You make. You're making a choice. If it works, it works.

381
00:18:32,119 --> 00:18:34,520
Speaker 1: If it doesn't, it doesn't. She's taking a leap of faith.

382
00:18:34,560 --> 00:18:36,359
Speaker 1: I'm not mad at her, all right. I have a

383
00:18:36,359 --> 00:18:40,200
Speaker 1: good day. Step mama, stop it. Hello. Who's this Hey?

384
00:18:40,240 --> 00:18:44,880
Speaker 1: This is D from Nashville. He d good morning. Now,

385
00:18:44,880 --> 00:18:48,400
Speaker 1: what would you do in this situation? Um, I've been

386
00:18:48,440 --> 00:18:52,040
Speaker 1: in that situation actually. Um, me and my guy was

387
00:18:52,119 --> 00:18:54,320
Speaker 1: together about three years and then we had a little

388
00:18:54,400 --> 00:18:57,520
Speaker 1: hiatus and he saw the people when I did too.

389
00:18:57,560 --> 00:19:00,520
Speaker 1: But we got back together. We found out nine months

390
00:19:00,600 --> 00:19:02,720
Speaker 1: later it was a baby. Um, he had a test

391
00:19:02,760 --> 00:19:05,719
Speaker 1: and it was his and uh, I had to end

392
00:19:05,760 --> 00:19:08,040
Speaker 1: up going to therapy. It was hard, but we stayed

393
00:19:08,040 --> 00:19:10,520
Speaker 1: together for a very long time and now the baby

394
00:19:10,600 --> 00:19:13,399
Speaker 1: is like nine years old, so I'm a little older.

395
00:19:13,400 --> 00:19:18,160
Speaker 1: So I worked out. Okay, Yeah, yeah, definitely worked it out. So,

396
00:19:18,359 --> 00:19:20,800
Speaker 1: um he had a baby, Mama from hell. But you

397
00:19:20,840 --> 00:19:24,520
Speaker 1: know I worked it out. That's the other part, right, Yeah.

398
00:19:24,520 --> 00:19:26,640
Speaker 1: You know it's interesting because you didn't You didn't find

399
00:19:26,640 --> 00:19:29,040
Speaker 1: out until the woman already had the baby, so it's

400
00:19:29,080 --> 00:19:32,159
Speaker 1: not like you knew ahead of time. No, I didn't

401
00:19:32,160 --> 00:19:36,320
Speaker 1: know anything. Um she let him know, um that she

402
00:19:36,480 --> 00:19:39,280
Speaker 1: had a baby. He had no idea. He was thinking like, no,

403
00:19:39,400 --> 00:19:42,359
Speaker 1: it's not gonna be mine, but um he had a

404
00:19:42,400 --> 00:19:46,280
Speaker 1: test and it was Yeah, so it was hard. Did

405
00:19:46,280 --> 00:19:48,440
Speaker 1: you chat? Did you chat it worked it out? Did

406
00:19:48,440 --> 00:19:51,440
Speaker 1: you chast ouse him at all for having unprotected sex

407
00:19:51,480 --> 00:19:55,639
Speaker 1: with other women? Because I thought between Yalla, that's the

408
00:19:55,720 --> 00:19:57,359
Speaker 1: part I had to go to therapy about because it

409
00:19:57,480 --> 00:20:00,000
Speaker 1: was like, yeah, okay, like I'm gonna be sitting back

410
00:20:00,040 --> 00:20:02,520
Speaker 1: waiting to see if I have on you know, like right,

411
00:20:03,520 --> 00:20:06,320
Speaker 1: it was really really hard. It was really hard. The

412
00:20:06,359 --> 00:20:10,040
Speaker 1: first thing you do is go get tested. M Yes, definitely,

413
00:20:10,040 --> 00:20:12,639
Speaker 1: so so that's the part I was having an issue with.

414
00:20:12,800 --> 00:20:15,080
Speaker 1: But um, you know, we worked it out, and I

415
00:20:15,160 --> 00:20:17,879
Speaker 1: love the child and all of them. Okay, so this

416
00:20:18,040 --> 00:20:20,800
Speaker 1: hopefully I just want everybody out there to know that

417
00:20:20,960 --> 00:20:23,280
Speaker 1: raw is rare. Okay, you ain't supposed to be out

418
00:20:23,280 --> 00:20:25,600
Speaker 1: here just raw and randoms. All right. When you take

419
00:20:25,640 --> 00:20:28,199
Speaker 1: that condom off, it's supposed to be with that special someone,

420
00:20:28,720 --> 00:20:32,199
Speaker 1: that that unprotected sex is for your soul mates. Okay,

421
00:20:32,440 --> 00:20:35,280
Speaker 1: Jesus Christ and ladies, y'all know when your man tis

422
00:20:35,320 --> 00:20:37,399
Speaker 1: the first thing you do is go get that test

423
00:20:37,480 --> 00:20:39,880
Speaker 1: and be like, now I gotta go get tested because

424
00:20:39,880 --> 00:20:42,959
Speaker 1: you're running around with your dirty That's the first thing

425
00:20:43,000 --> 00:20:45,919
Speaker 1: we do. Good test, gracious guys. All right, eight hundred

426
00:20:46,040 --> 00:20:48,160
Speaker 1: five eight five one o five one. We're taking your calls.

427
00:20:48,200 --> 00:20:50,200
Speaker 1: Call us up. It's the Breakfast Club. Good morning morning.

428
00:20:50,240 --> 00:20:54,320
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the guy. We

429
00:20:54,400 --> 00:20:56,639
Speaker 1: are the Breakfast Club. Now if you just join us,

430
00:20:56,640 --> 00:20:58,359
Speaker 1: we're talking about insecure. You want to give us a

431
00:20:58,400 --> 00:21:02,160
Speaker 1: quick rundown you, Yes, Lisa and Lawrence are back together.

432
00:21:02,359 --> 00:21:04,040
Speaker 1: They had broken up for a little while. But the

433
00:21:04,080 --> 00:21:07,080
Speaker 1: only thing is Issa god Condola pregnant, a girl that

434
00:21:07,119 --> 00:21:09,159
Speaker 1: he was dating while him and Issa were on a

435
00:21:09,280 --> 00:21:11,520
Speaker 1: break and now he had to break the news to Issa.

436
00:21:11,600 --> 00:21:15,440
Speaker 1: But they are soul mates. Should she stay now Charlomagne said,

437
00:21:16,480 --> 00:21:20,880
Speaker 1: I wouldn't stay. I gotta get me another man. You did, well, No, no, no,

438
00:21:20,960 --> 00:21:23,280
Speaker 1: that's not what I said. What I said was I

439
00:21:23,320 --> 00:21:25,640
Speaker 1: said it. I said it sounds politically correct, but it's

440
00:21:25,680 --> 00:21:28,280
Speaker 1: absolutely on esa. That's a decision that No, we said,

441
00:21:28,320 --> 00:21:30,360
Speaker 1: what would you do if you were in that situation? Yeah,

442
00:21:30,400 --> 00:21:33,440
Speaker 1: we know that. But yes, if I said, I said,

443
00:21:33,480 --> 00:21:37,679
Speaker 1: I don't, I don't know. I probably didn't. I probably

444
00:21:37,680 --> 00:21:39,760
Speaker 1: would not stick around, not because of the situation, but

445
00:21:39,840 --> 00:21:42,760
Speaker 1: because I think that shows how terrible that man's character is. Like,

446
00:21:42,800 --> 00:21:45,120
Speaker 1: you can't just not be in your child's life because

447
00:21:45,160 --> 00:21:47,440
Speaker 1: you don't like the girl. Because she was good enough

448
00:21:47,480 --> 00:21:49,680
Speaker 1: for you to have unprotected sex with. She was good

449
00:21:49,800 --> 00:21:51,600
Speaker 1: enough for you to have sex with her raw and

450
00:21:51,640 --> 00:21:53,320
Speaker 1: shoot her club up, but now all of a sudden,

451
00:21:53,320 --> 00:21:54,760
Speaker 1: she's not good enough to raise the child with. What

452
00:21:54,840 --> 00:21:58,880
Speaker 1: type of you can tell him? Girl? Nay, what would

453
00:21:58,880 --> 00:22:01,520
Speaker 1: you do? I think that I would just have to

454
00:22:01,520 --> 00:22:04,399
Speaker 1: take it slow and be really cautious. But if it

455
00:22:04,480 --> 00:22:06,960
Speaker 1: was me, because we were on a break and he

456
00:22:07,040 --> 00:22:08,959
Speaker 1: was being honest with me, I try to make it

457
00:22:08,960 --> 00:22:12,320
Speaker 1: work and if it doesn't, me too. Now yeah, me too.

458
00:22:12,359 --> 00:22:15,520
Speaker 1: I mean it's cat. If that's my soul. Maybe broke

459
00:22:15,600 --> 00:22:17,560
Speaker 1: up with back together? You did this in that break.

460
00:22:17,680 --> 00:22:19,359
Speaker 1: I think I might stay all right, but let's go

461
00:22:19,359 --> 00:22:22,920
Speaker 1: to the phone line. Hello, who's this Monica? Hey Monica,

462
00:22:22,960 --> 00:22:25,400
Speaker 1: what would you do in this situation? Oh? I would

463
00:22:25,480 --> 00:22:28,560
Speaker 1: totally leave, But that's just being selfish because the reality

464
00:22:28,720 --> 00:22:30,879
Speaker 1: it's Easter's fault. So it's kind of the things that

465
00:22:30,920 --> 00:22:32,520
Speaker 1: now she got like put her head, you know, on

466
00:22:32,560 --> 00:22:35,879
Speaker 1: what she really gonna do. She cheated first, and I

467
00:22:36,000 --> 00:22:38,280
Speaker 1: was he came back, and now she was gonna deal

468
00:22:38,280 --> 00:22:41,920
Speaker 1: with the consequences that happened afterwards. So you're saying it's karma. Yeah,

469
00:22:41,920 --> 00:22:43,400
Speaker 1: it's what I don't think. You just gotta deal with it.

470
00:22:43,600 --> 00:22:45,760
Speaker 1: I wouldn't know. I would leave, but like I said,

471
00:22:45,800 --> 00:22:49,520
Speaker 1: that's just being selfish. But it was broke up. There's

472
00:22:49,560 --> 00:22:51,520
Speaker 1: nothing wrong with being selfish though, just so you know,

473
00:22:51,640 --> 00:22:54,960
Speaker 1: you can be selfish sometimes that's on you. You definitely

474
00:22:54,960 --> 00:22:56,959
Speaker 1: could be selfish. I know I am do it, but

475
00:22:57,119 --> 00:22:58,719
Speaker 1: in that case, it's one of the things that I'm

476
00:22:58,720 --> 00:23:04,040
Speaker 1: trying to be optimistic. All right, Thank you mama. Hello,

477
00:23:04,119 --> 00:23:07,560
Speaker 1: who's this? This isn't near how you I'm doing well.

478
00:23:07,560 --> 00:23:10,879
Speaker 1: In yourself. Now we're talking insecure, what would you do

479
00:23:10,920 --> 00:23:16,560
Speaker 1: in that situation? Move with him to San Francisco and ladies,

480
00:23:16,960 --> 00:23:20,359
Speaker 1: pay child support. You weren't willing to be around the

481
00:23:20,480 --> 00:23:22,920
Speaker 1: child though, and be in a child's life. Yeah, that's

482
00:23:22,920 --> 00:23:25,600
Speaker 1: why I says. But now you said pay child support.

483
00:23:25,600 --> 00:23:27,840
Speaker 1: You don't say nothing about. To be honest with you,

484
00:23:28,160 --> 00:23:30,600
Speaker 1: he does have a good heart, so he does want

485
00:23:30,600 --> 00:23:33,320
Speaker 1: to be around him. So but I will still move

486
00:23:33,359 --> 00:23:37,200
Speaker 1: with him to Francisco and he would have the baby

487
00:23:37,600 --> 00:23:40,600
Speaker 1: when he wants it and then take it from here.

488
00:23:40,680 --> 00:23:43,399
Speaker 1: But I will move with him to San Francisco because

489
00:23:43,400 --> 00:23:46,320
Speaker 1: there's gonna be a trance that he's got gonna go

490
00:23:46,840 --> 00:23:49,840
Speaker 1: and they're gonna get together. To be honest with so,

491
00:23:49,880 --> 00:23:52,160
Speaker 1: now you got a babysit. Now you got a babysit him,

492
00:23:53,240 --> 00:23:56,600
Speaker 1: said who him? Because you can't just be all upon

493
00:23:56,680 --> 00:23:59,120
Speaker 1: him because you're nervous that if you're not there, what

494
00:23:59,160 --> 00:24:01,800
Speaker 1: he might do. And Lisa also has her whole own

495
00:24:01,840 --> 00:24:05,240
Speaker 1: life in La so that's a little difficult. If I

496
00:24:05,600 --> 00:24:08,560
Speaker 1: was that young woman's father, if that was my daughter,

497
00:24:08,600 --> 00:24:10,399
Speaker 1: I would encourage her not to do that. I'm like,

498
00:24:10,400 --> 00:24:12,680
Speaker 1: you're gonna uproot your whole life and move to San

499
00:24:12,680 --> 00:24:15,800
Speaker 1: Francisco because that got a baby with another woman. Hell no,

500
00:24:16,080 --> 00:24:18,400
Speaker 1: anyhow life worked, you got your own thing going on,

501
00:24:18,840 --> 00:24:24,520
Speaker 1: you would encourage your daughter to do that. Then she

502
00:24:24,680 --> 00:24:27,720
Speaker 1: actually almost said that that she would go with him

503
00:24:27,960 --> 00:24:29,919
Speaker 1: if you would, if you would look at it, she

504
00:24:29,960 --> 00:24:34,000
Speaker 1: would give him that look like, well, I'll go with you.

505
00:24:34,000 --> 00:24:36,480
Speaker 1: Know what she said was, it's a forty five minute flight.

506
00:24:37,560 --> 00:24:40,239
Speaker 1: If you remember the end she gave to look like,

507
00:24:40,400 --> 00:24:42,680
Speaker 1: we'll just go with you, because he looked at her

508
00:24:42,760 --> 00:24:46,480
Speaker 1: like you would come, and she looked like, well, yeah,

509
00:24:46,640 --> 00:24:50,600
Speaker 1: she didn't tell you, but I feel like I heard

510
00:24:50,600 --> 00:24:54,080
Speaker 1: her say it's just a forty five minute flight. Yeah,

511
00:24:54,280 --> 00:24:59,520
Speaker 1: like it's time. And I'd like to say to you guys,

512
00:25:00,040 --> 00:25:03,159
Speaker 1: thank you if things of miss Horn, because that story

513
00:25:03,240 --> 00:25:07,600
Speaker 1: removed me so badly, Like I'm happy that you're gonna

514
00:25:07,680 --> 00:25:10,320
Speaker 1: reach out to her and help her. Oh yeah, we're

515
00:25:10,320 --> 00:25:11,960
Speaker 1: gonna get we gonna get gonna reach out to our

516
00:25:12,080 --> 00:25:14,560
Speaker 1: Instagram too. I reached out to our Instagram too, So

517
00:25:14,600 --> 00:25:18,920
Speaker 1: hopefully we're gonna we're gonna get miss Horn. Right listen, um, everybody,

518
00:25:18,920 --> 00:25:20,720
Speaker 1: somebody called in early and said, didn't that happen to

519
00:25:20,760 --> 00:25:23,440
Speaker 1: Gabrielle Union and Dwayne Wait. I said no, if y'all

520
00:25:23,440 --> 00:25:27,080
Speaker 1: notice or not, Laurence ain't no goddamn do you wait? Okay?

521
00:25:27,119 --> 00:25:28,960
Speaker 1: Does that mean that's not no reason to be That

522
00:25:29,119 --> 00:25:31,760
Speaker 1: is not no reason to be uprooting and moving to

523
00:25:31,800 --> 00:25:34,240
Speaker 1: San Francisco. It's Lawrence going to San Francisco to get

524
00:25:34,240 --> 00:25:36,280
Speaker 1: one hundred million dollar contract to play for some team.

525
00:25:36,680 --> 00:25:39,959
Speaker 1: It's not about the money, bro It's about doing pretty well,

526
00:25:40,200 --> 00:25:43,320
Speaker 1: doing pretty well. You're bird, yo. Everything is not about

527
00:25:43,320 --> 00:25:47,760
Speaker 1: the money, Okay. Um. I'm not the fact that Marcus

528
00:25:47,880 --> 00:25:51,400
Speaker 1: Jordan tweeted us what he's saying. He said as anybody

529
00:25:51,400 --> 00:25:54,560
Speaker 1: suggested that maybe they broke discussed the topic of miscarriages

530
00:25:54,640 --> 00:25:58,760
Speaker 1: next season. Shut up, markets, we're talking about wrong with you.

531
00:25:59,119 --> 00:26:06,280
Speaker 1: Rack it off, Marcus. Marcus's talking about right here, right now,

532
00:26:06,320 --> 00:26:09,000
Speaker 1: I ain't talking about storylines for next season. We need

533
00:26:09,000 --> 00:26:12,760
Speaker 1: to get sports back off from Marcus Marcus. Yes, please,

534
00:26:13,000 --> 00:26:14,480
Speaker 1: but this is why you got to bring the NBA

535
00:26:14,560 --> 00:26:16,640
Speaker 1: back Right here. We need Marcus talking about who better,

536
00:26:16,720 --> 00:26:20,399
Speaker 1: Michael or Lebron. We're talking about miscarriages for initial season

537
00:26:20,480 --> 00:26:24,080
Speaker 1: six to seven. That hasn't even happened happened yet keep

538
00:26:24,080 --> 00:26:27,680
Speaker 1: a lock. This to Breakfast Club. Good morning. You're checking

539
00:26:27,720 --> 00:26:32,000
Speaker 1: out the world's most morning show. Morning everybody in cdj Envy,

540
00:26:32,240 --> 00:26:35,520
Speaker 1: Angelie eat, Sholom MC guy. We are the Breakfast Club.

541
00:26:35,560 --> 00:26:38,240
Speaker 1: We ever spent two guests on the line and one

542
00:26:38,320 --> 00:26:41,359
Speaker 1: of only two members that have ever smoked on a

543
00:26:41,440 --> 00:26:44,679
Speaker 1: breakfast club. And he's smoking right now. Ladies and gentlemen,

544
00:26:44,760 --> 00:26:49,440
Speaker 1: sto no, hey, hey, hey, good monteen God the first

545
00:26:49,480 --> 00:26:53,000
Speaker 1: do you pray first or smoke first? When you get up? Okay?

546
00:26:53,880 --> 00:26:56,320
Speaker 1: I prayed us. I pray that I could see another

547
00:26:56,400 --> 00:26:58,520
Speaker 1: day and up left some more spirits or some more souls,

548
00:26:58,520 --> 00:27:00,240
Speaker 1: and I pray that the rest of my family is

549
00:27:00,680 --> 00:27:03,840
Speaker 1: still alive when I'm alive when I get up. We've

550
00:27:03,840 --> 00:27:07,000
Speaker 1: seen a very interesting versus Battley of the name, very entertaining.

551
00:27:07,880 --> 00:27:10,359
Speaker 1: Thank you, my brother, thank you. I appreciate that. Now,

552
00:27:10,600 --> 00:27:13,440
Speaker 1: wasn't the battle supposed to be you and Buster at first?

553
00:27:13,520 --> 00:27:15,159
Speaker 1: What happened with that? And was that ever was supposed

554
00:27:15,200 --> 00:27:17,680
Speaker 1: to happen? Yeah, that was definitely supposed to happen, but

555
00:27:17,880 --> 00:27:20,480
Speaker 1: you know, we had some things that was preventing it

556
00:27:20,560 --> 00:27:22,720
Speaker 1: from happening. It just was a lot going on. But

557
00:27:23,160 --> 00:27:25,920
Speaker 1: for the most part, I really really me and Buster Rhys,

558
00:27:26,000 --> 00:27:29,160
Speaker 1: we really really really wanted that like bad like because

559
00:27:29,200 --> 00:27:31,240
Speaker 1: we love each other. We got great history together, we

560
00:27:31,320 --> 00:27:33,840
Speaker 1: got stories of us being on the role together. So

561
00:27:33,960 --> 00:27:36,720
Speaker 1: it was going to be a real positive celebration to

562
00:27:37,160 --> 00:27:40,119
Speaker 1: show our music and our skills. But when that didn't happen,

563
00:27:40,600 --> 00:27:43,400
Speaker 1: g and Max was on his way to California already

564
00:27:43,440 --> 00:27:46,440
Speaker 1: to work with Swiss Beach, So the idea came with shoot,

565
00:27:46,480 --> 00:27:49,600
Speaker 1: since X is coming his way, dog for dog, and

566
00:27:49,680 --> 00:27:52,240
Speaker 1: I was like, you know what, that sounds like a

567
00:27:52,400 --> 00:27:54,520
Speaker 1: real showdown because I always had a love and a

568
00:27:54,600 --> 00:27:56,560
Speaker 1: respect for X, and I remember when he was running

569
00:27:56,600 --> 00:27:58,919
Speaker 1: the rap game for two years straight and I had

570
00:27:58,960 --> 00:28:01,760
Speaker 1: to take the back seat. So I felt like this

571
00:28:01,920 --> 00:28:04,760
Speaker 1: would be a very interesting battle because I had to

572
00:28:04,800 --> 00:28:06,960
Speaker 1: wrap game in upon my hands at one time, and

573
00:28:07,080 --> 00:28:08,920
Speaker 1: he did as well. Do you remember the first time

574
00:28:08,960 --> 00:28:12,040
Speaker 1: you met X? Yeah? Man, it was at Ja Varga

575
00:28:12,119 --> 00:28:16,240
Speaker 1: Square Man Jest concert I did way back in the days,

576
00:28:16,440 --> 00:28:19,320
Speaker 1: and he reminded me. He reminded me because he told

577
00:28:19,359 --> 00:28:21,080
Speaker 1: the story of how he created the song get at

578
00:28:21,119 --> 00:28:24,800
Speaker 1: Me though, Yeah exactly, and that like kind of like

579
00:28:25,040 --> 00:28:26,800
Speaker 1: threw me off and blew my mind because it's like,

580
00:28:26,880 --> 00:28:29,480
Speaker 1: you don't realize how much you influenced the hip hop

581
00:28:29,600 --> 00:28:33,280
Speaker 1: world until somebody keeps it real and says that now

582
00:28:33,320 --> 00:28:35,400
Speaker 1: when you're doing your verses and you look at all

583
00:28:35,400 --> 00:28:37,920
Speaker 1: the lyrics right, because I'm you know, we we vibed

584
00:28:37,920 --> 00:28:39,920
Speaker 1: and were watching you on TV. We singing the song.

585
00:28:40,400 --> 00:28:43,040
Speaker 1: But it's a different feeling now. When I got the

586
00:28:43,120 --> 00:28:44,640
Speaker 1: kids running around, I'm like, yo, get up the room.

587
00:28:44,640 --> 00:28:46,760
Speaker 1: We got the room because it was like, dam I

588
00:28:46,840 --> 00:28:49,000
Speaker 1: didn't know Super setting that back then. I didn't know

589
00:28:49,120 --> 00:28:51,160
Speaker 1: DMX set that back then, but it was so natural,

590
00:28:51,240 --> 00:28:54,520
Speaker 1: But now it just seems a little It's like, wow,

591
00:28:54,560 --> 00:28:56,720
Speaker 1: I can't believe Super said that. I can't believe DMXT

592
00:28:56,760 --> 00:28:58,800
Speaker 1: to a song about that. But you know what, that's

593
00:28:58,840 --> 00:29:01,200
Speaker 1: the error that we come from. It was so blunt

594
00:29:01,600 --> 00:29:03,920
Speaker 1: and all we knew was what we knew. No, that's

595
00:29:04,000 --> 00:29:06,360
Speaker 1: real cultural context matters. That's why I said, all of

596
00:29:06,440 --> 00:29:09,120
Speaker 1: woke up because y'all stay over there while Snoop and

597
00:29:09,240 --> 00:29:13,360
Speaker 1: DMX joination all right, because when you let visions fly,

598
00:29:13,680 --> 00:29:16,920
Speaker 1: I said, God damn Snoop the really good lie and

599
00:29:17,120 --> 00:29:20,800
Speaker 1: and I saw all the woke people, especially a Wolke

600
00:29:20,880 --> 00:29:23,800
Speaker 1: sisters was vibing to it too, and couldn't fake it

601
00:29:23,840 --> 00:29:26,280
Speaker 1: because it's something about if it feels good to you,

602
00:29:26,400 --> 00:29:29,160
Speaker 1: must be good fight. And it wasn't aimed at you

603
00:29:29,640 --> 00:29:31,800
Speaker 1: you or you. It was just an expression that we

604
00:29:31,920 --> 00:29:34,800
Speaker 1: had and you called it because you felt like that sometimes.

605
00:29:34,840 --> 00:29:37,400
Speaker 1: Like Dmax said, when I played this record every time

606
00:29:37,480 --> 00:29:39,960
Speaker 1: my baby, mama, my fiance, every times you get on

607
00:29:40,000 --> 00:29:42,320
Speaker 1: my nerves, I played this record right here, I was like, man,

608
00:29:42,440 --> 00:29:45,240
Speaker 1: because he knew all the lyrics, and it threw me off,

609
00:29:45,360 --> 00:29:48,040
Speaker 1: Like when you were a rapper. You don't expect another

610
00:29:48,160 --> 00:29:52,800
Speaker 1: rapper to know all your lyrics from twenty seven years ago. Right, Yeah,

611
00:29:52,840 --> 00:29:55,080
Speaker 1: you look genuinely shocked. I didn't know what that was for.

612
00:29:55,200 --> 00:29:57,000
Speaker 1: I didn't know if that was because it was Dmax.

613
00:29:57,600 --> 00:29:59,040
Speaker 1: I don't know if it was an East Coast thing

614
00:29:59,200 --> 00:30:01,520
Speaker 1: like damn, because the coast people didn't like to give

615
00:30:01,520 --> 00:30:03,360
Speaker 1: it up for the West Coast artists like that back then.

616
00:30:03,480 --> 00:30:05,760
Speaker 1: But now I guess it's cool. I think that's probably

617
00:30:05,800 --> 00:30:07,800
Speaker 1: what it was, because I know when we dropped the

618
00:30:07,880 --> 00:30:11,280
Speaker 1: Chronic album, we basically shook up the whole industry, and

619
00:30:11,520 --> 00:30:14,680
Speaker 1: my mission was to impress the East Coast so I

620
00:30:14,760 --> 00:30:17,360
Speaker 1: wanted to make a stamp to where they would respect me,

621
00:30:17,480 --> 00:30:20,000
Speaker 1: appreciate me, and love me. Because every time I came

622
00:30:20,040 --> 00:30:22,560
Speaker 1: to the Big Apple, if I've seen an EPMD or

623
00:30:22,680 --> 00:30:25,960
Speaker 1: carorist one to LLL col J, Kid Capri, wherever the

624
00:30:26,240 --> 00:30:29,160
Speaker 1: I've seen, I made it a musk to break through

625
00:30:29,240 --> 00:30:32,880
Speaker 1: security and go tell them I love y'all. With y'all,

626
00:30:33,120 --> 00:30:35,239
Speaker 1: I'm a fan, even if I was bigger than them

627
00:30:35,280 --> 00:30:37,080
Speaker 1: at the time. And that's why I felt like my

628
00:30:37,200 --> 00:30:40,280
Speaker 1: relationships with some of these rappers only East has always

629
00:30:40,320 --> 00:30:43,520
Speaker 1: been solidified by me being genuine and saying I love

630
00:30:43,600 --> 00:30:46,520
Speaker 1: you because you've spoken the battle too. How you wrote

631
00:30:46,560 --> 00:30:49,040
Speaker 1: for Doctor Drake, but then you also let other people

632
00:30:49,120 --> 00:30:51,320
Speaker 1: write for you. Which one do you prefer? I like

633
00:30:51,480 --> 00:30:53,880
Speaker 1: them both. I'll give you a great story. Me and

634
00:30:53,960 --> 00:30:56,120
Speaker 1: the DC, that's one of the greatest writers of hip hop.

635
00:30:56,440 --> 00:30:58,880
Speaker 1: When he is writing a song, struggling with this beat

636
00:30:58,960 --> 00:31:01,440
Speaker 1: we can't come up with, it's like the fourth day,

637
00:31:02,160 --> 00:31:06,160
Speaker 1: get Doctor dre Fly from New York in the LA

638
00:31:06,760 --> 00:31:09,440
Speaker 1: We all in the studio. Thirty minutes later that it

639
00:31:09,600 --> 00:31:13,760
Speaker 1: is done. He wrote Drake and Mush and it was flawless.

640
00:31:13,760 --> 00:31:17,040
Speaker 1: And Me and DLC was like, Clell, looks like this

641
00:31:17,440 --> 00:31:19,440
Speaker 1: outstruck us on this one, so we're gonna take the

642
00:31:19,520 --> 00:31:21,560
Speaker 1: back seat and I'm gonna accept it. And it was

643
00:31:21,600 --> 00:31:24,120
Speaker 1: still dre and it was jay Z and he wrote

644
00:31:24,120 --> 00:31:27,200
Speaker 1: the whole and soul. How was that session because that

645
00:31:27,400 --> 00:31:29,680
Speaker 1: is such a West Coast d that's such a West

646
00:31:29,720 --> 00:31:32,200
Speaker 1: Coast feel like when you think of West Coast music

647
00:31:32,280 --> 00:31:34,320
Speaker 1: as a DJ, that's the first record. What did the

648
00:31:34,400 --> 00:31:36,520
Speaker 1: first record you go through? Besides g thinking? So, how

649
00:31:36,680 --> 00:31:39,400
Speaker 1: was that session? Him writing on feeling like that West

650
00:31:39,440 --> 00:31:43,240
Speaker 1: Coast or jay Z is a great writer to begin

651
00:31:43,360 --> 00:31:46,200
Speaker 1: with for himself, so imagine him striking up for somebody

652
00:31:46,240 --> 00:31:49,600
Speaker 1: that he truly loved and appreciate. So he loved Doctor Drake.

653
00:31:49,920 --> 00:31:52,600
Speaker 1: That's what his pen showed you. Yeah, people was wondering

654
00:31:52,640 --> 00:31:55,000
Speaker 1: why you didn't play it because it's not my record

655
00:31:55,040 --> 00:31:56,760
Speaker 1: and jay Z wrote it. I wouldn't have got a

656
00:31:56,840 --> 00:31:58,960
Speaker 1: point if a New York would have slid on that

657
00:31:59,040 --> 00:32:03,600
Speaker 1: chat and been like no, because if I was to

658
00:32:03,640 --> 00:32:05,240
Speaker 1: go up against Hole, I think he would play that

659
00:32:05,360 --> 00:32:09,800
Speaker 1: on me like and I'll be like, oh no, you

660
00:32:10,000 --> 00:32:12,720
Speaker 1: cheating girl, you can't do that. I remember there was

661
00:32:12,760 --> 00:32:14,680
Speaker 1: a rumor back in the day that that whole was

662
00:32:15,040 --> 00:32:18,120
Speaker 1: a sneaky cripple. You know what, he got slide lines.

663
00:32:18,160 --> 00:32:19,520
Speaker 1: You know what I'm saying, he'd be getting his little

664
00:32:19,520 --> 00:32:21,080
Speaker 1: walk on with his with his literature. You know what

665
00:32:21,120 --> 00:32:23,080
Speaker 1: I'm saying. We read between the lines like we got

666
00:32:23,240 --> 00:32:26,160
Speaker 1: lingo that he really identifies with us on some real

667
00:32:26,240 --> 00:32:28,360
Speaker 1: slip cripple. You know what I'm talking about. I got

668
00:32:28,480 --> 00:32:30,360
Speaker 1: an act this. Even though the versus battle is a

669
00:32:30,400 --> 00:32:33,280
Speaker 1: celebration right in un DMX are cool, when you were

670
00:32:33,360 --> 00:32:35,360
Speaker 1: doing the battle, they're certain rounds you felt like you

671
00:32:35,440 --> 00:32:39,760
Speaker 1: didn't win. Yeah, when I dropped deep Cover, I thought

672
00:32:39,840 --> 00:32:42,640
Speaker 1: I was strong right off the gate, and then it

673
00:32:42,800 --> 00:32:45,920
Speaker 1: hit me with a poem going into his ship about

674
00:32:45,960 --> 00:32:48,840
Speaker 1: a drive by. And then he said, somebody some something

675
00:32:48,880 --> 00:32:50,680
Speaker 1: that all you do is talk about a drive by,

676
00:32:51,200 --> 00:32:54,720
Speaker 1: and all you do it's just drive by boom. When

677
00:32:54,760 --> 00:32:56,640
Speaker 1: the music came on, I was like, damn, I lost

678
00:32:56,680 --> 00:33:00,959
Speaker 1: that in the over here, right in the whole. Now.

679
00:33:01,000 --> 00:33:02,480
Speaker 1: You know what I'm saying. I go with you, I

680
00:33:02,560 --> 00:33:05,160
Speaker 1: go with staff points. I go with how you set

681
00:33:05,200 --> 00:33:08,560
Speaker 1: the song up, how emotional the song is, what's the feedback,

682
00:33:08,600 --> 00:33:12,239
Speaker 1: what's the field? And did the song make me get up.

683
00:33:12,680 --> 00:33:14,680
Speaker 1: You may get that point or I may lose half

684
00:33:14,720 --> 00:33:17,120
Speaker 1: a point for being so in the your shoe. Yeah,

685
00:33:17,160 --> 00:33:18,840
Speaker 1: I mean the thing about you and X, man, we

686
00:33:19,040 --> 00:33:22,200
Speaker 1: both love y'all spirit. So so it's like X music

687
00:33:22,440 --> 00:33:24,800
Speaker 1: is great and you just love X and you root

688
00:33:24,880 --> 00:33:27,600
Speaker 1: for X. Same thing with you. But that music, man,

689
00:33:27,760 --> 00:33:29,960
Speaker 1: that stuff y'all was making. Man, those the weapons of

690
00:33:30,040 --> 00:33:33,240
Speaker 1: mass destruction. It's just it's just different levels to me.

691
00:33:33,760 --> 00:33:36,080
Speaker 1: You gotta look at what Doctor Dre was always up against.

692
00:33:36,160 --> 00:33:38,160
Speaker 1: He was never like the greatest producer in the world

693
00:33:38,160 --> 00:33:39,760
Speaker 1: when he was with the WA and he was making

694
00:33:39,800 --> 00:33:41,920
Speaker 1: the greatest music in the world, but they wasn't giving

695
00:33:42,000 --> 00:33:43,920
Speaker 1: him that. So when he finally got a chance to

696
00:33:43,960 --> 00:33:45,480
Speaker 1: get with Death for All Records and have a breath

697
00:33:45,560 --> 00:33:47,920
Speaker 1: of fresh air and some new mcs and a new

698
00:33:48,200 --> 00:33:50,880
Speaker 1: new light, he was definitely gonna show his ass. And

699
00:33:51,080 --> 00:33:53,040
Speaker 1: from that point on, I feel like Doctor Dre put

700
00:33:53,080 --> 00:33:55,360
Speaker 1: his steak down. It's like, I'm the dopest producer in

701
00:33:55,440 --> 00:33:57,240
Speaker 1: hip hop. I don't give a where you from. You

702
00:33:57,320 --> 00:34:00,280
Speaker 1: cap with me. Everything I put out spent off and

703
00:34:00,440 --> 00:34:03,520
Speaker 1: spent off some tremendous and I started careers that they

704
00:34:03,640 --> 00:34:06,200
Speaker 1: never died. You ain't put out a from the West,

705
00:34:06,520 --> 00:34:12,080
Speaker 1: from the Midwest, from the East and all I'm successful. Yeah, Eminem,

706
00:34:12,560 --> 00:34:15,600
Speaker 1: White rappers had zero respect to the rapper. He has

707
00:34:15,760 --> 00:34:18,640
Speaker 1: probably put Eminem in a position to where he could

708
00:34:18,640 --> 00:34:20,600
Speaker 1: be labeled as one of the top ten rappers. Ever,

709
00:34:21,120 --> 00:34:23,960
Speaker 1: I don't think so. But the game feels like he's

710
00:34:24,480 --> 00:34:27,520
Speaker 1: top ten lyrics says and all that that comes with it.

711
00:34:27,600 --> 00:34:30,239
Speaker 1: But that's just because he's with Doctor Dre, and Doctor

712
00:34:30,320 --> 00:34:33,560
Speaker 1: Dre helped him find the best Eminem that he could find.

713
00:34:33,840 --> 00:34:36,600
Speaker 1: I respect Eminem, and I can see why people would

714
00:34:36,600 --> 00:34:39,280
Speaker 1: have him in his top ten top five. I personally,

715
00:34:39,400 --> 00:34:42,120
Speaker 1: don't you know, you've been around a long time. Why

716
00:34:42,160 --> 00:34:44,120
Speaker 1: don't you have him in your top ten? Because it's

717
00:34:44,239 --> 00:34:47,719
Speaker 1: because in the eighties that he came with like like

718
00:34:47,960 --> 00:34:52,000
Speaker 1: rock him, like Big Daddy came, like KRS one, like

719
00:34:52,280 --> 00:34:56,160
Speaker 1: LLL cool J, like ice Q. Yeah, the eighties don't

720
00:34:56,160 --> 00:34:58,440
Speaker 1: get the respect of deserves. And it's weird because the

721
00:34:58,600 --> 00:35:04,399
Speaker 1: eighties bridge superstars like yourself, like Biggie, like woutan Clan

722
00:35:04,640 --> 00:35:07,200
Speaker 1: like Nah, Like I wonder why why why that eighties

723
00:35:07,560 --> 00:35:10,000
Speaker 1: that eighties class don't get that respect when they're talking

724
00:35:10,000 --> 00:35:12,480
Speaker 1: about top ten to top five and all that. Well,

725
00:35:12,560 --> 00:35:15,399
Speaker 1: when we can't, we try to take them out, that's why.

726
00:35:16,000 --> 00:35:18,440
Speaker 1: But a lot of us gave them respect, and then

727
00:35:18,480 --> 00:35:20,640
Speaker 1: a lot of us really wanted they spot just like

728
00:35:20,840 --> 00:35:23,560
Speaker 1: now what the little kings do now to us? Y'all

729
00:35:23,800 --> 00:35:25,880
Speaker 1: ain't ghost We know geez we did goat we did.

730
00:35:26,040 --> 00:35:28,440
Speaker 1: So it's like that's what the game is built a

731
00:35:28,480 --> 00:35:30,360
Speaker 1: ball hip hop as a young man's game. It's not

732
00:35:30,440 --> 00:35:32,400
Speaker 1: an old man's game. All right. We got more with

733
00:35:32,440 --> 00:35:34,320
Speaker 1: Snoop DOGG when we come back, don't move. It's the

734
00:35:34,320 --> 00:35:39,279
Speaker 1: Breakfast Club comporting everybody's DJ Envy Angela Yee, Charlomagne the guy.

735
00:35:39,320 --> 00:35:41,320
Speaker 1: We all the Breakfast Club but still kicking it with

736
00:35:41,400 --> 00:35:44,799
Speaker 1: Snoop dog Charlomagne and Stoop I laughed so damn hard

737
00:35:45,200 --> 00:35:48,640
Speaker 1: when you posted that mean about Queen Jada Pinkett Smith

738
00:35:48,719 --> 00:35:50,759
Speaker 1: bringing herself to the red table talk when it said

739
00:35:50,760 --> 00:35:53,040
Speaker 1: when Jada cheated on willis like she cheated on all

740
00:35:53,080 --> 00:35:55,800
Speaker 1: of us? Did you even hesitate to post that? Like,

741
00:35:55,920 --> 00:36:02,800
Speaker 1: let me not be petty that Teddy Riley to the

742
00:36:03,160 --> 00:36:07,080
Speaker 1: Teddy Riley to the table. We're playing, Charlotte man, you

743
00:36:07,160 --> 00:36:10,440
Speaker 1: know every moment we get to be motherfuck teddy. If

744
00:36:10,440 --> 00:36:13,040
Speaker 1: you don't knocking office as much, you'd be doing on

745
00:36:13,120 --> 00:36:17,200
Speaker 1: the pity. And I'm firing off every chance I get.

746
00:36:17,239 --> 00:36:19,760
Speaker 1: You dragged me to the table and made me steel

747
00:36:19,880 --> 00:36:21,600
Speaker 1: my heart out and pour my souls out to you.

748
00:36:21,719 --> 00:36:25,799
Speaker 1: Now I need to get my get back. They brought

749
00:36:25,840 --> 00:36:28,040
Speaker 1: you to the principal's office. Man, red table talk Man.

750
00:36:28,120 --> 00:36:30,120
Speaker 1: They had me triple team in there. What to do

751
00:36:30,360 --> 00:36:33,120
Speaker 1: Sis Grandma and her. I was like, Man, this ain't

752
00:36:33,120 --> 00:36:35,319
Speaker 1: gonna end. Well, I better, I've better fix my time.

753
00:36:35,400 --> 00:36:39,319
Speaker 1: I'm not that's the last time you were up here.

754
00:36:39,320 --> 00:36:42,360
Speaker 1: I think it was a last August. You talked about

755
00:36:42,520 --> 00:36:45,680
Speaker 1: the Kardashians and you said Travis Scott better get out

756
00:36:45,760 --> 00:36:48,480
Speaker 1: and Kanye West better get out. What did you know

757
00:36:48,640 --> 00:36:50,759
Speaker 1: that the world didn't know at that time that that

758
00:36:50,880 --> 00:36:54,239
Speaker 1: movie get Out had some similarities to that house. And

759
00:36:54,719 --> 00:36:57,799
Speaker 1: I don't like knock nobody or whatever how they get down,

760
00:36:57,840 --> 00:36:59,799
Speaker 1: But I'm just looking at the statistics of the men

761
00:37:00,239 --> 00:37:03,759
Speaker 1: that come in and how they leave, Madam. It just

762
00:37:03,920 --> 00:37:06,680
Speaker 1: just ain't right. Like I'm not picking on nobody. I'm

763
00:37:06,680 --> 00:37:08,359
Speaker 1: just saying it's just something strange going on over there.

764
00:37:08,360 --> 00:37:09,840
Speaker 1: I've been invited over there a couple of times. I

765
00:37:09,880 --> 00:37:12,240
Speaker 1: ain't never win. That says a lot those new because

766
00:37:12,239 --> 00:37:13,880
Speaker 1: you you were, you were a person that you know,

767
00:37:14,320 --> 00:37:16,080
Speaker 1: you tend to kick you with a little bit everybody.

768
00:37:16,440 --> 00:37:19,279
Speaker 1: And I'm cool with Chloe, my home girl, I love

769
00:37:19,440 --> 00:37:22,480
Speaker 1: can do Kindie cool with me. I don't know the

770
00:37:22,920 --> 00:37:25,680
Speaker 1: Courtney and Kim have like a like a you know,

771
00:37:25,800 --> 00:37:27,560
Speaker 1: because I keep it real, so they kind of like

772
00:37:27,680 --> 00:37:29,759
Speaker 1: this with me, you know what I'm saying. So, but

773
00:37:30,440 --> 00:37:32,400
Speaker 1: and then and the mom's as cool as there with me.

774
00:37:32,520 --> 00:37:34,640
Speaker 1: So I ain't got no issues. But nobody in that house.

775
00:37:34,680 --> 00:37:37,600
Speaker 1: I'm just giving you my perspective of it. Show looks

776
00:37:37,600 --> 00:37:39,839
Speaker 1: strange when to leave that mother, he don't come out

777
00:37:39,920 --> 00:37:42,080
Speaker 1: the same way. Well you know, but Snoop, you did

778
00:37:42,120 --> 00:37:44,480
Speaker 1: get some backlash for being in the studio with Kanye.

779
00:37:44,800 --> 00:37:46,880
Speaker 1: Right after you had let me let me say this,

780
00:37:47,560 --> 00:37:51,280
Speaker 1: Doctor Drake called me to the studio because Doctor Drake

781
00:37:51,960 --> 00:37:54,960
Speaker 1: was producing Kanye's Out. I don't know if y'all knew

782
00:37:54,960 --> 00:37:56,400
Speaker 1: that or not. I may be spelling the beings, but

783
00:37:56,440 --> 00:37:59,120
Speaker 1: I'm gonna cut this shit up. Doctor Drake called me

784
00:37:59,719 --> 00:38:01,839
Speaker 1: to come get on the project that he was doing

785
00:38:01,920 --> 00:38:03,920
Speaker 1: with Kanye. So I said, I'll do anything for you,

786
00:38:04,040 --> 00:38:07,120
Speaker 1: doctor Drake when I get there, because it's there. He

787
00:38:07,280 --> 00:38:10,600
Speaker 1: played me. Is it's sounding good? The mind sound like

788
00:38:10,680 --> 00:38:13,319
Speaker 1: he right? He in the right spirit? He rapping. She's

789
00:38:13,360 --> 00:38:16,520
Speaker 1: saying his spiritual was dope. And I'm telling you back

790
00:38:17,040 --> 00:38:19,160
Speaker 1: like I want to get you on something, no problem,

791
00:38:19,440 --> 00:38:21,399
Speaker 1: put my thing down for the spirit. I'm gonna give

792
00:38:21,400 --> 00:38:22,960
Speaker 1: you that because it's hip hop. And I was with

793
00:38:23,040 --> 00:38:24,560
Speaker 1: you before you went crazy and it looked like you

794
00:38:24,680 --> 00:38:27,560
Speaker 1: back to being normal again. So I'm gonna give you that.

795
00:38:28,200 --> 00:38:30,799
Speaker 1: That conversation never come up with you and Kanye, then

796
00:38:31,120 --> 00:38:32,799
Speaker 1: any of that come up? Did you have to tell

797
00:38:32,880 --> 00:38:34,560
Speaker 1: him how you feel about any of that you was going?

798
00:38:34,960 --> 00:38:36,840
Speaker 1: And then one thing about me and Kanye, we've been

799
00:38:36,920 --> 00:38:38,959
Speaker 1: real since we've been real with each other, and certain

800
00:38:39,000 --> 00:38:41,279
Speaker 1: things don't even need to be discussed. That wasn't the

801
00:38:41,360 --> 00:38:43,520
Speaker 1: moment or the time or the mode. It was He

802
00:38:43,680 --> 00:38:45,799
Speaker 1: was happy to see me. I was happy to see him,

803
00:38:45,840 --> 00:38:47,640
Speaker 1: and it was a brotherhood. It wasn't about what we

804
00:38:47,719 --> 00:38:49,439
Speaker 1: did in the past. It was about let's move forward

805
00:38:49,480 --> 00:38:51,239
Speaker 1: and trying to get to what we had. And when

806
00:38:51,280 --> 00:38:53,480
Speaker 1: I sized him up and seen his mentor and what

807
00:38:53,600 --> 00:38:55,080
Speaker 1: he was on, what he was spitting. I was like,

808
00:38:55,160 --> 00:38:57,480
Speaker 1: he got it together, so I can get down with him,

809
00:38:57,480 --> 00:38:59,480
Speaker 1: because It's been times in the past where I've been

810
00:38:59,560 --> 00:39:01,719
Speaker 1: asked to for him and I was like, I ain't

811
00:39:01,760 --> 00:39:05,080
Speaker 1: faking with Papa was a Gemini. Kanye the Gemini. Are

812
00:39:05,120 --> 00:39:09,040
Speaker 1: there any similarities between them? Is artists and I guess

813
00:39:09,080 --> 00:39:12,719
Speaker 1: people that work ethic. They both got that same kill

814
00:39:12,840 --> 00:39:15,480
Speaker 1: instinct in the studio. It is killers. Now as you

815
00:39:15,560 --> 00:39:18,400
Speaker 1: said that, I feel a lot of Kanye is Tupac

816
00:39:18,760 --> 00:39:23,439
Speaker 1: with his aggression and his energy. It's just Tupac knew

817
00:39:23,480 --> 00:39:25,520
Speaker 1: how to aim it differently, Like it used to be

818
00:39:25,600 --> 00:39:28,600
Speaker 1: a time where Kanye was a perfectionist at telling stories

819
00:39:28,640 --> 00:39:30,960
Speaker 1: and expressing what he felt. And then it just feels

820
00:39:31,000 --> 00:39:34,480
Speaker 1: like now he's like he's losing the message behind what

821
00:39:35,200 --> 00:39:38,080
Speaker 1: is real and what's fake? Like you gotta really push

822
00:39:38,160 --> 00:39:40,000
Speaker 1: what you're speaking on, and in the past, you really

823
00:39:40,080 --> 00:39:41,600
Speaker 1: knew what you were speaking to and you could be

824
00:39:41,640 --> 00:39:44,640
Speaker 1: asked questions about it and you could answer intelligently. Now

825
00:39:44,680 --> 00:39:47,120
Speaker 1: I want to ask you questions, just answer this to

826
00:39:47,120 --> 00:39:50,799
Speaker 1: be given. Nowadays it's like, Damn, what inn history book?

827
00:39:50,840 --> 00:39:54,360
Speaker 1: This read? Not a have you been watching Corrupt on

828
00:39:54,560 --> 00:39:57,960
Speaker 1: Marriage boot Camp at all saying. We tried to get

829
00:39:58,040 --> 00:39:59,759
Speaker 1: him help, you know what I'm saying, But you gotta

830
00:39:59,840 --> 00:40:02,960
Speaker 1: want to help yourself. So with that being said, I

831
00:40:03,120 --> 00:40:06,239
Speaker 1: watched the show disappointed. Don't like how they got Mic

832
00:40:06,400 --> 00:40:09,840
Speaker 1: out there, but he had grown ass man, and I

833
00:40:09,960 --> 00:40:12,120
Speaker 1: feel like this is going to help him. See what

834
00:40:12,239 --> 00:40:14,759
Speaker 1: we've been trying to tell him for the past three years.

835
00:40:14,840 --> 00:40:17,160
Speaker 1: Cug go, get you some help, get off that bottom,

836
00:40:17,520 --> 00:40:19,759
Speaker 1: get in the gym, drink some water. You know what

837
00:40:19,800 --> 00:40:22,279
Speaker 1: I'm saying. When you're going through issues, you know, you

838
00:40:22,400 --> 00:40:25,880
Speaker 1: lose your mother, you get divorced. It's like a lot

839
00:40:25,920 --> 00:40:28,879
Speaker 1: of that's going on in this head that we wasn't

840
00:40:28,920 --> 00:40:31,239
Speaker 1: prepared for when we left there for records, we wasn't

841
00:40:31,280 --> 00:40:32,840
Speaker 1: taught a lot of the ship. A lot of us

842
00:40:32,840 --> 00:40:34,680
Speaker 1: started families and just had to figure it out. So,

843
00:40:35,160 --> 00:40:37,040
Speaker 1: you know, we're praying for him, my loving to death,

844
00:40:37,120 --> 00:40:39,080
Speaker 1: and I just want to see him get some help,

845
00:40:39,120 --> 00:40:41,799
Speaker 1: and hopefully this television show can help him get some help. Right,

846
00:40:41,800 --> 00:40:44,680
Speaker 1: it sounds like Corrupt got a lot of unresolved trauma

847
00:40:44,719 --> 00:40:46,880
Speaker 1: that he probably needs therapy for. You know, I'm a

848
00:40:46,960 --> 00:40:49,120
Speaker 1: praying man too, but I believe in therapy as well.

849
00:40:49,160 --> 00:40:52,920
Speaker 1: If therapy something you believe in, Snoop, definitely. That's a

850
00:40:53,000 --> 00:40:55,000
Speaker 1: lot of issues in the black communities that we don't

851
00:40:55,000 --> 00:40:57,400
Speaker 1: admit that we have mental issues and we need therapy,

852
00:40:57,480 --> 00:41:00,040
Speaker 1: We need conversation, we need expression, We need to to

853
00:41:00,120 --> 00:41:01,920
Speaker 1: be able to get off what we hold on to.

854
00:41:02,040 --> 00:41:03,680
Speaker 1: And I said that earlier. We like to let you

855
00:41:03,840 --> 00:41:05,640
Speaker 1: build up and then we take it out on the

856
00:41:05,680 --> 00:41:08,720
Speaker 1: wrong person, and that goes with therapy. If you have therapy,

857
00:41:08,880 --> 00:41:10,839
Speaker 1: you may be able to express and scream and yell

858
00:41:10,920 --> 00:41:13,319
Speaker 1: at your therapist and get that out and go back

859
00:41:13,360 --> 00:41:15,800
Speaker 1: home and have a basic conversation as opposed to argument

860
00:41:16,040 --> 00:41:18,000
Speaker 1: all the time at home. Have you ever sat down

861
00:41:18,040 --> 00:41:20,800
Speaker 1: with the therapist? A couple of times I went to

862
00:41:20,880 --> 00:41:24,080
Speaker 1: a marriage counselor before. You gotta do things to keep

863
00:41:24,120 --> 00:41:26,840
Speaker 1: this together. And sometimes it don't work with y'all conversation

864
00:41:26,920 --> 00:41:29,840
Speaker 1: because you got your views, she got her views. You

865
00:41:29,880 --> 00:41:31,279
Speaker 1: know what I'm saying. You need somebody to step in

866
00:41:31,320 --> 00:41:32,880
Speaker 1: the middle and be like he was wrong with a

867
00:41:32,960 --> 00:41:36,080
Speaker 1: mother man. You've been a superstar for a long time, Snoop,

868
00:41:36,120 --> 00:41:38,440
Speaker 1: and people think you just naturally cool. They think it's

869
00:41:38,520 --> 00:41:41,120
Speaker 1: the weed they say, man Snoop always happy. I can

870
00:41:41,239 --> 00:41:44,120
Speaker 1: look at Snooping. Here Snoop talk and tell Snoop did

871
00:41:44,200 --> 00:41:46,680
Speaker 1: to work on himself. I can tell Snoop in the therapy.

872
00:41:46,760 --> 00:41:49,120
Speaker 1: I can see you got God in your life. How

873
00:41:49,160 --> 00:41:50,680
Speaker 1: did you get to that space? How did you not

874
00:41:50,800 --> 00:41:53,680
Speaker 1: lose yourself in the industry? I had it all taken

875
00:41:53,719 --> 00:41:56,120
Speaker 1: away from me. You know, I was the dopest in

876
00:41:56,239 --> 00:41:58,440
Speaker 1: the world. My record came out Doggy Stay. I was

877
00:41:58,480 --> 00:41:59,960
Speaker 1: in the kid. I'm gonna get his book of Wall

878
00:42:00,080 --> 00:42:03,759
Speaker 1: records for the first debut artist to debut number one,

879
00:42:03,800 --> 00:42:05,480
Speaker 1: all kind of look book to come with it, you

880
00:42:05,520 --> 00:42:07,320
Speaker 1: know what I'm saying. So I had all of that

881
00:42:07,560 --> 00:42:09,960
Speaker 1: riding high, and then that she was just taken away.

882
00:42:10,440 --> 00:42:13,359
Speaker 1: I'm fighting for my life a murder case. Then when

883
00:42:13,360 --> 00:42:16,800
Speaker 1: I beat the murder case, my friend gets killed. Label

884
00:42:16,880 --> 00:42:21,120
Speaker 1: falls apart, Label comes after me. I'm getting death threats

885
00:42:21,200 --> 00:42:23,840
Speaker 1: because on my life I have no money, no label,

886
00:42:24,040 --> 00:42:26,319
Speaker 1: no friends. Some of the homies turned on me because

887
00:42:26,360 --> 00:42:28,320
Speaker 1: they was paid off, so it was stripped. So I

888
00:42:28,400 --> 00:42:31,120
Speaker 1: had to find myself. Then, Am I gonna go stupid

889
00:42:31,160 --> 00:42:33,959
Speaker 1: gangster and kill up all of these? Am I gonna

890
00:42:34,000 --> 00:42:36,479
Speaker 1: find me and get in tune with God and find

891
00:42:36,520 --> 00:42:38,800
Speaker 1: my spirit and my real reason to be here. You

892
00:42:39,040 --> 00:42:40,520
Speaker 1: gotta tell me about the first time you went to

893
00:42:40,600 --> 00:42:43,000
Speaker 1: therapy and what made you go. Man. The first time

894
00:42:43,040 --> 00:42:46,759
Speaker 1: I went to therapy, I was having anger issues and

895
00:42:47,360 --> 00:42:49,319
Speaker 1: I just wanted some help. And I'm gonna be honest

896
00:42:49,360 --> 00:42:50,839
Speaker 1: with you. I don't want to talk to nobody black.

897
00:42:51,239 --> 00:42:53,719
Speaker 1: I want to get a different perspective on me, and

898
00:42:54,000 --> 00:42:56,360
Speaker 1: don't I don't think that that was racist by me

899
00:42:56,440 --> 00:42:58,000
Speaker 1: saying that. I think it was just I needed a

900
00:42:58,080 --> 00:43:01,000
Speaker 1: different opinion in the value because I've been getting the

901
00:43:01,080 --> 00:43:04,160
Speaker 1: same nobody gives us. He's snoop dogg, he's a star.

902
00:43:04,520 --> 00:43:07,040
Speaker 1: I did the same thing. I wanted to l excuse everything,

903
00:43:07,440 --> 00:43:10,080
Speaker 1: you know, pay this all, buy this. I wanted somebody

904
00:43:10,080 --> 00:43:12,239
Speaker 1: to tell me the truth phone where I'm working up,

905
00:43:12,280 --> 00:43:14,040
Speaker 1: at where I need to tighten up, at where am

906
00:43:14,080 --> 00:43:16,560
Speaker 1: I leaking at, what is my spirit? What's my purpose?

907
00:43:17,080 --> 00:43:18,920
Speaker 1: And to tune in with somebody who didn't know me,

908
00:43:19,040 --> 00:43:21,319
Speaker 1: and for me to just open myself up and say

909
00:43:21,360 --> 00:43:23,200
Speaker 1: all the wrong and that I did. It helped me

910
00:43:23,280 --> 00:43:26,440
Speaker 1: find a way to just be honest. That's real. Did

911
00:43:26,480 --> 00:43:29,239
Speaker 1: you did you? And Gail King ever talk never, and

912
00:43:29,360 --> 00:43:32,680
Speaker 1: I reached out numerous times, put the invitation out and

913
00:43:32,680 --> 00:43:34,560
Speaker 1: I still got it open. So I didn't want to

914
00:43:34,560 --> 00:43:36,160
Speaker 1: put no pressure on or a stressor to do it.

915
00:43:36,239 --> 00:43:39,560
Speaker 1: But whenever she's ready, I'm ready. It wasn't personal. That

916
00:43:39,640 --> 00:43:42,080
Speaker 1: just was a reaction to my friend. Kobe Bryant was

917
00:43:42,160 --> 00:43:44,719
Speaker 1: my friend man at that time. I wasn't trying to

918
00:43:44,760 --> 00:43:46,960
Speaker 1: hear nobody say nothing bad about him. And that's just that,

919
00:43:47,200 --> 00:43:48,759
Speaker 1: all right? When we come back, we got mold with

920
00:43:48,800 --> 00:43:50,960
Speaker 1: Snoop Dog. Let's get into a Snoop Dog Mini mix.

921
00:43:51,040 --> 00:43:54,560
Speaker 1: It's the breakfast Club. Good morning morning. Everybody is DJ Envy,

922
00:43:54,760 --> 00:43:57,719
Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast Club.

923
00:43:57,800 --> 00:44:00,680
Speaker 1: That was a Snoop Dog Mini mix. Snoop still in

924
00:44:00,680 --> 00:44:03,200
Speaker 1: the building, Charlemagne. But it would happened to your stars. Now,

925
00:44:03,239 --> 00:44:07,000
Speaker 1: I think, wasn't you opening up a storefront called Snoop DOGG? Yeah,

926
00:44:07,200 --> 00:44:09,320
Speaker 1: it's coming. I'm waiting, you know what I'm saying. I

927
00:44:09,320 --> 00:44:10,640
Speaker 1: don't want to put that out there right now. I

928
00:44:10,719 --> 00:44:13,239
Speaker 1: think I want to wait until you know, civilization, get

929
00:44:13,320 --> 00:44:15,120
Speaker 1: back to being civilized. You know what I'm saying. Right now,

930
00:44:15,160 --> 00:44:17,240
Speaker 1: we're slanging it online right now. You can buy products

931
00:44:17,280 --> 00:44:20,160
Speaker 1: online on snoop dog dot com or you know, the

932
00:44:20,239 --> 00:44:22,400
Speaker 1: snoopermarket dot com. You can get that. Yeah, I mean,

933
00:44:22,400 --> 00:44:24,880
Speaker 1: you're such a Los Angeles landmark, man, I feel like

934
00:44:24,960 --> 00:44:28,680
Speaker 1: you need to have a destination location when people come

935
00:44:28,719 --> 00:44:31,080
Speaker 1: to La. Nipsey used to always talk about God blessed dead,

936
00:44:31,080 --> 00:44:33,400
Speaker 1: and Nipsy used to always talk about they should have

937
00:44:33,520 --> 00:44:38,359
Speaker 1: like a snoop Land, like an amusement park. He did.

938
00:44:38,480 --> 00:44:41,040
Speaker 1: He ushould always tell me that, man, like you need

939
00:44:41,080 --> 00:44:44,000
Speaker 1: to put together motherfu doggie Land because but they got

940
00:44:44,080 --> 00:44:47,279
Speaker 1: fotyounced roller coasters and all kind of hoods in there.

941
00:44:47,320 --> 00:44:50,919
Speaker 1: They're selling house shoes and I'm like, cuz, I don't

942
00:44:51,000 --> 00:44:53,920
Speaker 1: get it. But when you come, when y'all come to La,

943
00:44:54,040 --> 00:44:55,960
Speaker 1: y'all got to come to my facility to complant what

944
00:44:56,080 --> 00:44:58,840
Speaker 1: we did Di versus Battle. I think I have my

945
00:44:58,960 --> 00:45:01,920
Speaker 1: Doggie Land. We were talking about how you've done pretty

946
00:45:02,000 --> 00:45:03,960
Speaker 1: much everything and done so much, so what is there

947
00:45:04,080 --> 00:45:06,239
Speaker 1: left for Snoop to do? Like what is still on

948
00:45:06,360 --> 00:45:09,160
Speaker 1: your bucket list? Yeah? Well, right now, for the past

949
00:45:09,200 --> 00:45:11,760
Speaker 1: three years, I've been working with the Special Star special

950
00:45:11,880 --> 00:45:14,279
Speaker 1: needs kids, so we got the Snoop Special Stars. Y'all know,

951
00:45:14,280 --> 00:45:17,000
Speaker 1: I got my football league, Snoops Youth Football League. We

952
00:45:17,080 --> 00:45:20,319
Speaker 1: got kids in the NFL college high school doing their thing.

953
00:45:20,680 --> 00:45:23,520
Speaker 1: But we started the Snoop Special Stories about three years

954
00:45:23,520 --> 00:45:26,160
Speaker 1: ago to deal with special needs kids. And I'll tell

955
00:45:26,200 --> 00:45:29,200
Speaker 1: you this is some of the most beautiful you'd ever

956
00:45:29,280 --> 00:45:31,320
Speaker 1: want to see in your life. To see a special

957
00:45:31,440 --> 00:45:34,160
Speaker 1: needs kid come out there and be very, very bashful,

958
00:45:34,239 --> 00:45:35,719
Speaker 1: and all of a sudden we get to coaching and

959
00:45:35,800 --> 00:45:38,040
Speaker 1: then playing with them and talking to them and visiting

960
00:45:38,080 --> 00:45:40,000
Speaker 1: them in time, and then before you know what, that

961
00:45:40,120 --> 00:45:42,319
Speaker 1: kid comes out their shield and they danced and having

962
00:45:42,360 --> 00:45:45,160
Speaker 1: a good time and celebrate and they're doing things that

963
00:45:45,320 --> 00:45:47,759
Speaker 1: normal kids do and it puts a smile on the

964
00:45:47,880 --> 00:45:50,120
Speaker 1: parents face. We have older people in the league. It's

965
00:45:50,160 --> 00:45:52,600
Speaker 1: not just for kids. It's Snoop Special Stars. So we

966
00:45:52,719 --> 00:45:54,839
Speaker 1: had a banquet that we did when we made them

967
00:45:54,880 --> 00:45:57,600
Speaker 1: all dress up and we gave them all awards. So

968
00:45:57,760 --> 00:45:59,480
Speaker 1: we had a particular part of the show. We brought

969
00:45:59,760 --> 00:46:01,680
Speaker 1: a named time me the Clown. There was a dancer

970
00:46:01,719 --> 00:46:04,839
Speaker 1: out here. He came in dancing and it was one guy,

971
00:46:05,280 --> 00:46:07,759
Speaker 1: a seventy seven year old man, and he got up

972
00:46:07,760 --> 00:46:09,719
Speaker 1: and he was dancing, and the dancing was over and

973
00:46:09,800 --> 00:46:12,080
Speaker 1: he still was dancing. And when the night was over,

974
00:46:12,200 --> 00:46:14,600
Speaker 1: his wife came to me and she said, baby, my

975
00:46:14,760 --> 00:46:17,920
Speaker 1: husband ain't got up and dancing. Over thirty years, you

976
00:46:18,160 --> 00:46:20,479
Speaker 1: have touched your spirit. And that's where the guy started crying.

977
00:46:20,520 --> 00:46:22,960
Speaker 1: It was so deep and it's no cameras on it.

978
00:46:23,400 --> 00:46:25,800
Speaker 1: It's to put the spirit back into the community of

979
00:46:25,920 --> 00:46:27,920
Speaker 1: the special needs. Have you ever had one of the

980
00:46:27,960 --> 00:46:30,520
Speaker 1: special needs kids to ask you to hit the weed? No,

981
00:46:31,239 --> 00:46:34,239
Speaker 1: but one of the little nits like, hey, what's up

982
00:46:34,280 --> 00:46:36,600
Speaker 1: with you and shire night that is still on your head.

983
00:46:39,200 --> 00:46:42,600
Speaker 1: I'm like, what is you talking about? Special needs? And

984
00:46:42,680 --> 00:46:44,759
Speaker 1: you asked me like they get your ass out of

985
00:46:44,800 --> 00:46:49,880
Speaker 1: this out of this class. Hey, dude, I'm glad that

986
00:46:49,920 --> 00:46:51,879
Speaker 1: you're gonna be on that no Limit doc too, man,

987
00:46:51,920 --> 00:46:53,640
Speaker 1: because I feel like that's a part of your life

988
00:46:53,719 --> 00:46:57,000
Speaker 1: that that doesn't get told enough. Man, Do you realize

989
00:46:57,040 --> 00:47:00,080
Speaker 1: that that's saved my life? Like master piece save, Like

990
00:47:00,600 --> 00:47:02,759
Speaker 1: I was gonna put an album I call Death from

991
00:47:03,200 --> 00:47:05,000
Speaker 1: and Mac ten. It was gonna give me a million

992
00:47:05,040 --> 00:47:06,360
Speaker 1: dollars to put it out. It was gonna be on

993
00:47:06,400 --> 00:47:09,880
Speaker 1: Who Banging Records No, and Who Banging Records and No

994
00:47:10,080 --> 00:47:12,680
Speaker 1: Limit Records was all up under Priority Records and Ice

995
00:47:12,760 --> 00:47:15,120
Speaker 1: Cube Labe. So I would go up there to see

996
00:47:15,719 --> 00:47:17,560
Speaker 1: mac ten. And when I would go up there, I

997
00:47:17,600 --> 00:47:21,279
Speaker 1: would have to pass by Masterpiece No Limits to get

998
00:47:21,320 --> 00:47:24,640
Speaker 1: to mac ten. I passed by one day Mystical in there.

999
00:47:24,960 --> 00:47:27,040
Speaker 1: He like, what's up. I'm like, what's up? Put you.

1000
00:47:28,000 --> 00:47:31,479
Speaker 1: We're gonna be at the studio tonight. Come by, all right? Cool?

1001
00:47:31,760 --> 00:47:35,080
Speaker 1: I come by the studio, get on the song. Master

1002
00:47:35,200 --> 00:47:37,560
Speaker 1: p like how much you want for the song? In

1003
00:47:37,719 --> 00:47:40,760
Speaker 1: my mind, I'm like, I'm broke right now. I ain't

1004
00:47:40,800 --> 00:47:43,279
Speaker 1: getting no money. Give me fifteen, but I'm thinking like

1005
00:47:43,360 --> 00:47:46,640
Speaker 1: fifteen hundred because I just need something. I come back

1006
00:47:46,680 --> 00:47:48,400
Speaker 1: the next day. Master he wrote me a check for

1007
00:47:48,480 --> 00:47:51,560
Speaker 1: thirty five thousand. So I'm like, oh, I like this style.

1008
00:47:52,840 --> 00:47:55,880
Speaker 1: You know what I'm saying. So now he called me

1009
00:47:55,960 --> 00:47:59,080
Speaker 1: to his office. He said, what you're working? Though said,

1010
00:47:59,080 --> 00:48:01,759
Speaker 1: I got this album called Death Flag. It's my hart.

1011
00:48:01,840 --> 00:48:04,719
Speaker 1: He like, hold on, bro. He closed the door and

1012
00:48:04,840 --> 00:48:07,520
Speaker 1: I'm like, man, you ain't gonna leave to see that

1013
00:48:07,600 --> 00:48:10,400
Speaker 1: album come out. He said, don't do that, bro, you

1014
00:48:10,520 --> 00:48:13,200
Speaker 1: can't make no record. Talking about death Row and Shugar

1015
00:48:13,280 --> 00:48:15,560
Speaker 1: now you gotta let that go. Man. He said, let

1016
00:48:15,600 --> 00:48:16,840
Speaker 1: me let me get you, let me get let me

1017
00:48:16,880 --> 00:48:18,759
Speaker 1: make an offer, team, let me make a proposal to you.

1018
00:48:18,920 --> 00:48:21,480
Speaker 1: My own boy, Marvin Watkins rest in Peace, was the

1019
00:48:21,560 --> 00:48:24,600
Speaker 1: middleman to this, and him and Marvin put together a

1020
00:48:24,760 --> 00:48:27,920
Speaker 1: plate that sounded good. And then it flew me to

1021
00:48:28,040 --> 00:48:31,160
Speaker 1: new owners. And when I took my father, my cousin dad,

1022
00:48:31,280 --> 00:48:32,840
Speaker 1: and I think I took one more pressure with me

1023
00:48:33,160 --> 00:48:36,640
Speaker 1: and this drove me around a neighborhood and said pick

1024
00:48:36,719 --> 00:48:39,239
Speaker 1: any house you won't And at that time I was

1025
00:48:39,320 --> 00:48:42,160
Speaker 1: living in the house that was undershoog nice name all

1026
00:48:42,239 --> 00:48:46,799
Speaker 1: my cards, Undershood Knight's name. So for it. It showed me, damn,

1027
00:48:46,920 --> 00:48:50,120
Speaker 1: you could have your own sign on the dotted line.

1028
00:48:50,840 --> 00:48:54,120
Speaker 1: I had to say, you know what that I'm going

1029
00:48:54,200 --> 00:48:56,520
Speaker 1: with this. So he was like, if you signed with me,

1030
00:48:56,560 --> 00:48:58,560
Speaker 1: you got to come down to New Orleans. You can't

1031
00:48:58,560 --> 00:49:00,839
Speaker 1: be out of here. So I can't. Picked the house out,

1032
00:49:01,200 --> 00:49:03,279
Speaker 1: picked out a car for my wife, a car for me,

1033
00:49:03,880 --> 00:49:06,239
Speaker 1: got the house furnished through my wife and my kids

1034
00:49:06,280 --> 00:49:09,000
Speaker 1: in New Orleans, and three years later I did that.

1035
00:49:09,400 --> 00:49:13,680
Speaker 1: What happened to that? Like the songs on it, I

1036
00:49:13,800 --> 00:49:17,800
Speaker 1: don't know some of them. You know, I used to

1037
00:49:17,880 --> 00:49:20,319
Speaker 1: live in the house, and when I moved out the house,

1038
00:49:20,360 --> 00:49:22,120
Speaker 1: I think some of that was just left there. Or

1039
00:49:22,520 --> 00:49:24,960
Speaker 1: when I went to No Limit, I bought a new studio,

1040
00:49:25,239 --> 00:49:28,359
Speaker 1: new everything, new car, new furniture, like all that in LA.

1041
00:49:28,440 --> 00:49:30,040
Speaker 1: Didn't I didn't give a fu about none of that.

1042
00:49:30,719 --> 00:49:33,319
Speaker 1: But the whole project was it this record, the whole

1043
00:49:33,800 --> 00:49:36,400
Speaker 1: death Row like, so it was aimed that I'm assuming

1044
00:49:36,480 --> 00:49:38,720
Speaker 1: sugar and who else? Would it be aimed that whoever

1045
00:49:38,920 --> 00:49:42,239
Speaker 1: was over there would he damn what made you? What

1046
00:49:42,360 --> 00:49:44,400
Speaker 1: made you comfortable to leave New Orleans? I said, now

1047
00:49:44,400 --> 00:49:45,799
Speaker 1: I could go back to LA. What made you want

1048
00:49:45,840 --> 00:49:47,680
Speaker 1: to go back to LA? And even New? On my

1049
00:49:47,840 --> 00:49:51,520
Speaker 1: first album, Everything was Beautiful, I shot a movie. The

1050
00:49:51,640 --> 00:49:54,279
Speaker 1: record did double platinum, We was on tours, we was

1051
00:49:54,360 --> 00:49:58,560
Speaker 1: eating the second album, No Limit, Top Dog, I started

1052
00:49:58,600 --> 00:50:01,680
Speaker 1: double dutching back to LA, calling on my LA producers

1053
00:50:01,800 --> 00:50:04,440
Speaker 1: more and then going sneaking back, getting a song from

1054
00:50:04,480 --> 00:50:07,080
Speaker 1: this and a song from this, just testing my feet out.

1055
00:50:07,520 --> 00:50:09,799
Speaker 1: The third record, the Last Meal. That's why I called

1056
00:50:09,840 --> 00:50:12,319
Speaker 1: the Last Meal, because it's the last time Mother's gonna

1057
00:50:12,320 --> 00:50:14,480
Speaker 1: eat off of me. So my mission was to go

1058
00:50:14,640 --> 00:50:18,200
Speaker 1: back to La on the last album, and by the

1059
00:50:18,280 --> 00:50:21,760
Speaker 1: grace of God, doctor Dre was working on the Chronic

1060
00:50:21,800 --> 00:50:25,160
Speaker 1: two thousand and one. Wow, Doctor Dre just found a

1061
00:50:25,400 --> 00:50:27,759
Speaker 1: white boy named him and him I was on my

1062
00:50:27,920 --> 00:50:30,560
Speaker 1: last album. Dre liked it. I had on my album

1063
00:50:30,600 --> 00:50:32,640
Speaker 1: and he normally don't like my when it ain't his,

1064
00:50:33,440 --> 00:50:36,239
Speaker 1: and that can mix the whole album. No Limit. Me

1065
00:50:36,400 --> 00:50:38,640
Speaker 1: mixed the whole album the last meal and me and

1066
00:50:38,760 --> 00:50:41,279
Speaker 1: him got our groove back, and I was like, man,

1067
00:50:41,960 --> 00:50:46,160
Speaker 1: no Limit got my spirit back. But that's I need

1068
00:50:46,239 --> 00:50:48,719
Speaker 1: to be in the car with and master P At

1069
00:50:48,760 --> 00:50:51,399
Speaker 1: the third album, He's like, you do what you want

1070
00:50:51,400 --> 00:50:53,200
Speaker 1: to do. You can go start your own label, do you?

1071
00:50:53,480 --> 00:50:55,560
Speaker 1: And I was like, you the realist guy, but meta

1072
00:50:55,680 --> 00:50:57,400
Speaker 1: because anybody else would have been like, do you know,

1073
00:50:57,480 --> 00:51:00,279
Speaker 1: I'm fun to get ten percent override and everything you

1074
00:51:00,320 --> 00:51:01,799
Speaker 1: do from here on knock because I put you back

1075
00:51:01,800 --> 00:51:04,360
Speaker 1: in the game and then won't know nothing for me.

1076
00:51:04,760 --> 00:51:07,600
Speaker 1: Let me get back with Dre. We did the Chronic

1077
00:51:07,640 --> 00:51:10,680
Speaker 1: two thousand and one. Eminem album came out, the East

1078
00:51:10,680 --> 00:51:13,359
Speaker 1: Side's album came out, We went on the Upper Smoke tour.

1079
00:51:13,800 --> 00:51:16,600
Speaker 1: Everything was back in pocket. It was like, come on, man,

1080
00:51:16,680 --> 00:51:18,799
Speaker 1: you know what that felt like when that thing came out?

1081
00:51:19,280 --> 00:51:20,799
Speaker 1: How did you like you said you were broke? How'd

1082
00:51:20,800 --> 00:51:23,439
Speaker 1: you go broke out the doggie stop? How about all

1083
00:51:23,480 --> 00:51:25,440
Speaker 1: the money was being given to me? It wasn't like

1084
00:51:25,719 --> 00:51:27,800
Speaker 1: who was going to his mailbox getting checks. It was

1085
00:51:27,880 --> 00:51:30,680
Speaker 1: like it was being dispersed. I was a young artist,

1086
00:51:31,200 --> 00:51:33,960
Speaker 1: so at that time, labels would give you money, you know,

1087
00:51:34,080 --> 00:51:36,799
Speaker 1: independent labels like death Row, you know, fifty thousand a month,

1088
00:51:37,280 --> 00:51:39,680
Speaker 1: not knowing that these is getting three four hundred thousand

1089
00:51:39,680 --> 00:51:41,680
Speaker 1: a month off of me. But then I'm fighting the

1090
00:51:41,760 --> 00:51:44,080
Speaker 1: murder case, so they got to take those fine asses

1091
00:51:44,080 --> 00:51:46,759
Speaker 1: to fight the case and discoveries and evidence and this

1092
00:51:46,960 --> 00:51:49,000
Speaker 1: and that and that and that and this and that.

1093
00:51:49,080 --> 00:51:51,360
Speaker 1: I don't know about you get what I'm saying? So

1094
00:51:52,520 --> 00:51:54,880
Speaker 1: that from you? Yeah, And I can't dispute it, like

1095
00:51:55,000 --> 00:51:56,640
Speaker 1: you're just fighting for my life? What I look like

1096
00:51:56,719 --> 00:51:59,120
Speaker 1: telling my lawyer a man, they're stealing money for me?

1097
00:51:59,600 --> 00:52:02,759
Speaker 1: Can they trying to get my life back? Wow? Well,

1098
00:52:02,840 --> 00:52:05,160
Speaker 1: uncle Stoop, we appreciate you for joining us to small

1099
00:52:05,320 --> 00:52:07,080
Speaker 1: and so many gems. Man, you can sit there and

1100
00:52:07,120 --> 00:52:09,000
Speaker 1: talk to Snoop for em y'all know, I'm a big

1101
00:52:09,040 --> 00:52:10,840
Speaker 1: fan of the Breakfast Club. I asked to be on

1102
00:52:10,960 --> 00:52:12,840
Speaker 1: this smoke show, y'all. I wasn't looking for me. I

1103
00:52:12,920 --> 00:52:19,839
Speaker 1: was looking for y'all smoke together. I'll take two puffs one.

1104
00:52:20,440 --> 00:52:24,320
Speaker 1: You gotta get to two, right, one. Hey. I just

1105
00:52:24,440 --> 00:52:26,520
Speaker 1: want to always salute you, Snoop Man, because you are

1106
00:52:26,800 --> 00:52:28,640
Speaker 1: icon in this game, man, and you know, I'm like,

1107
00:52:28,920 --> 00:52:31,000
Speaker 1: I don't want to. I don't like celebrating people after

1108
00:52:31,080 --> 00:52:32,920
Speaker 1: they've gone. I want to celebrate them while you're here,

1109
00:52:32,960 --> 00:52:34,920
Speaker 1: because you know, just just for you to still be

1110
00:52:35,040 --> 00:52:37,680
Speaker 1: walking amongst us, a living legend for real, for it,

1111
00:52:37,840 --> 00:52:40,319
Speaker 1: just like looking at big Foot, the Lockness monsters like man,

1112
00:52:40,360 --> 00:52:43,279
Speaker 1: that's Snoop Dog. That's right, hey, man. I treasure those

1113
00:52:43,360 --> 00:52:46,360
Speaker 1: moments that that I could give people that add on

1114
00:52:46,520 --> 00:52:49,040
Speaker 1: to this legacy. But I'm just doing God's work and

1115
00:52:49,080 --> 00:52:50,840
Speaker 1: I'm here to do what I'm supposed to do. I

1116
00:52:51,080 --> 00:52:54,480
Speaker 1: found out how to master me. Man. All right, Well,

1117
00:52:54,520 --> 00:52:59,080
Speaker 1: thank you, Uncle Stoop. We love him dog in the

1118
00:52:59,200 --> 00:53:11,000
Speaker 1: moaning baby you are, I'm gonna fatten all that around

1119
00:53:11,040 --> 00:53:14,080
Speaker 1: your want this man to Stogan Blowers. Man, they're waiting

1120
00:53:14,120 --> 00:53:16,520
Speaker 1: for Charlemagne the topping gloves. Let's go. They have to

1121
00:53:16,560 --> 00:53:18,680
Speaker 1: make a judgment. Who was gonna be on the donkey

1122
00:53:18,760 --> 00:53:21,520
Speaker 1: of the day. They chose you. She was a practice

1123
00:53:21,560 --> 00:53:26,279
Speaker 1: club bitchy. Who's donkey? The day to day Talky Today

1124
00:53:26,400 --> 00:53:28,399
Speaker 1: goes to a young twenty six year old queen named

1125
00:53:28,440 --> 00:53:32,239
Speaker 1: Sydney Parham. You know who Sydney Parham is, don't you. Well,

1126
00:53:32,320 --> 00:53:34,120
Speaker 1: you may not know her name, but you know her

1127
00:53:34,160 --> 00:53:37,120
Speaker 1: claim the infamy. See Sydney is the Michigan woman who

1128
00:53:37,160 --> 00:53:40,640
Speaker 1: recently went viral because she couldn't wait to exhale. Oh yes,

1129
00:53:40,760 --> 00:53:43,759
Speaker 1: she got her Bernardine and Harris setting John's car on

1130
00:53:43,960 --> 00:53:47,000
Speaker 1: fire on when she was caught on camera blowing up

1131
00:53:47,040 --> 00:53:51,200
Speaker 1: her boyfriend's SUV. Don't act like y'all didn't see this video. Okay,

1132
00:53:51,280 --> 00:53:55,480
Speaker 1: we all saw young Firestorm. Okay, Queen fire Lord using

1133
00:53:55,600 --> 00:53:58,560
Speaker 1: flames as a weapon, Like she heard Marvel was looking

1134
00:53:58,600 --> 00:54:00,719
Speaker 1: for diversity, so she just out of the audition for

1135
00:54:00,800 --> 00:54:03,200
Speaker 1: the role that a human touching the fantastic fall. Let's

1136
00:54:03,200 --> 00:54:05,800
Speaker 1: go to WDIV local for a news for the report. Police.

1137
00:54:06,000 --> 00:54:08,520
Speaker 1: This is what the phraser woman charged with arson looks

1138
00:54:08,560 --> 00:54:11,960
Speaker 1: like after the explosion center flying into another car. The

1139
00:54:12,080 --> 00:54:15,080
Speaker 1: McCallum County Sheriff's Department says twenty six year old Sydney

1140
00:54:15,160 --> 00:54:19,520
Speaker 1: Parham has minor burns and cuts. The woman busts out

1141
00:54:19,560 --> 00:54:22,319
Speaker 1: a window in the jeep, pours gasoline inside, and then

1142
00:54:22,400 --> 00:54:25,600
Speaker 1: throws a match. The force of the explosion she's caused

1143
00:54:25,719 --> 00:54:28,480
Speaker 1: throws her backward, but she crawls back to pick up

1144
00:54:28,520 --> 00:54:31,240
Speaker 1: the gas can and takes off as the jeep begins

1145
00:54:31,280 --> 00:54:34,120
Speaker 1: to go up in flames. That jeep was all of

1146
00:54:34,239 --> 00:54:37,439
Speaker 1: three months old. The owner of it, Avery Stevenson, didn't

1147
00:54:37,440 --> 00:54:39,200
Speaker 1: want to go on camera, but he did tell us

1148
00:54:39,239 --> 00:54:41,840
Speaker 1: that while he knows twenty six year old Sydney Parham,

1149
00:54:42,200 --> 00:54:45,760
Speaker 1: she was not his girlfriend. As to a possible motive,

1150
00:54:46,000 --> 00:54:48,440
Speaker 1: he says he's not quite sure. He woke up to

1151
00:54:48,520 --> 00:54:51,200
Speaker 1: the boom of his jeep exploding on Wednesday, rushed to

1152
00:54:51,280 --> 00:54:54,520
Speaker 1: his balcony, pulled out his phone and couldn't believe what

1153
00:54:54,719 --> 00:54:57,719
Speaker 1: he was seeing. Parham has been charged with arson. You

1154
00:54:57,800 --> 00:54:59,919
Speaker 1: can see from her mug shot she's got a couple

1155
00:55:00,120 --> 00:55:02,759
Speaker 1: burns on her face. The Sheriff's Department says she's going

1156
00:55:02,800 --> 00:55:05,160
Speaker 1: to be okay. She is expected back in court on

1157
00:55:05,280 --> 00:55:08,960
Speaker 1: August fifth. Sydney, you thought that was your boyfriend, but

1158
00:55:09,120 --> 00:55:12,680
Speaker 1: as you just heard, he's not even claiming you. Okay.

1159
00:55:13,640 --> 00:55:16,000
Speaker 1: I have so many things to say. First of all, Sydney,

1160
00:55:16,200 --> 00:55:20,400
Speaker 1: you should feel blessed to be alive with no serious injuries. Okay.

1161
00:55:20,520 --> 00:55:23,080
Speaker 1: I truly expected to see your muck shot this morning,

1162
00:55:23,120 --> 00:55:26,400
Speaker 1: and I expected to not see any eyebrows. But she

1163
00:55:26,560 --> 00:55:29,920
Speaker 1: either has her eyebrows already drawn on are they are

1164
00:55:30,040 --> 00:55:32,919
Speaker 1: really really thin? Moral of the story is she still

1165
00:55:33,000 --> 00:55:36,200
Speaker 1: has eyebrows. Round of applause for her having eyebrows. Okay.

1166
00:55:36,600 --> 00:55:39,200
Speaker 1: I expected her to look like Freddie Prugan in the

1167
00:55:39,280 --> 00:55:42,280
Speaker 1: face this morning. I really did. But no, none of that. Okay.

1168
00:55:42,360 --> 00:55:44,319
Speaker 1: I literally looked at her muck shot and I said

1169
00:55:44,320 --> 00:55:47,520
Speaker 1: to myself, God is good even when God doesn't have

1170
00:55:47,680 --> 00:55:51,120
Speaker 1: to be Okay. He could have acknowed Sydney in that situation.

1171
00:55:51,200 --> 00:55:54,440
Speaker 1: He could have sent all Sydney's prayers to the span folder.

1172
00:55:54,480 --> 00:55:58,160
Speaker 1: But he was there for her. Okay. But clearly, you

1173
00:55:58,239 --> 00:56:01,080
Speaker 1: know God had a plan for Sydney because not only

1174
00:56:01,120 --> 00:56:04,520
Speaker 1: did she not stuffing any burns. There was a four

1175
00:56:04,640 --> 00:56:07,799
Speaker 1: Trust or a Mercury Sable. I'm not sure what kind

1176
00:56:07,840 --> 00:56:11,120
Speaker 1: of car that was, but that car was perfectly placed

1177
00:56:11,440 --> 00:56:14,719
Speaker 1: to catch Sydney when she was blown backwards. If that

1178
00:56:14,920 --> 00:56:17,839
Speaker 1: car wasn't there, she might still be floating backwards through

1179
00:56:17,920 --> 00:56:20,920
Speaker 1: Michigan right now. Do you know in that X Men

1180
00:56:21,000 --> 00:56:24,200
Speaker 1: comic books, when Jean Gray became the Phoenix, she used

1181
00:56:24,239 --> 00:56:26,840
Speaker 1: to use fire. The ill thing about Jean Gray was

1182
00:56:26,960 --> 00:56:29,480
Speaker 1: she was capable of doing anything her mind could think of.

1183
00:56:29,760 --> 00:56:32,440
Speaker 1: The reason I'm bringing this up is because Sydney, you

1184
00:56:32,640 --> 00:56:35,279
Speaker 1: turned into the Phoenix. The difference between you and Jean

1185
00:56:35,360 --> 00:56:39,360
Speaker 1: Gray is you aren't supposed to do any and everything

1186
00:56:39,480 --> 00:56:43,520
Speaker 1: your mind can think of, Okay, especially if it involves

1187
00:56:44,040 --> 00:56:47,800
Speaker 1: arson right setting some man who's not even claiming you

1188
00:56:48,680 --> 00:56:52,040
Speaker 1: setting his car on fire. Okay. I want to take

1189
00:56:52,120 --> 00:56:54,440
Speaker 1: this time to say that I love black people, and

1190
00:56:54,560 --> 00:56:57,120
Speaker 1: I hate seeing black people making permanent decisions based off

1191
00:56:57,160 --> 00:57:00,480
Speaker 1: temporary feelings. Sydney, I don't give a damn how much

1192
00:57:00,520 --> 00:57:02,360
Speaker 1: you thought you loved this man, and I don't know

1193
00:57:02,480 --> 00:57:04,600
Speaker 1: what this man did to you to make you react

1194
00:57:04,680 --> 00:57:07,279
Speaker 1: in this way. But what I do know is that

1195
00:57:07,760 --> 00:57:10,359
Speaker 1: now you're the one with the muck shot. Okay, You're

1196
00:57:10,440 --> 00:57:12,920
Speaker 1: the one with the arson charge. You're the one getting

1197
00:57:12,960 --> 00:57:15,880
Speaker 1: donkey today, You're the one people are laughing at online

1198
00:57:15,960 --> 00:57:19,640
Speaker 1: because you use fire projection to destroy this man's vehicle

1199
00:57:19,840 --> 00:57:23,440
Speaker 1: and damn need killed yourself in the process. Okay, somebody

1200
00:57:23,720 --> 00:57:27,160
Speaker 1: has watched the tlc biopick on VH one one too

1201
00:57:27,200 --> 00:57:30,080
Speaker 1: many times and thought that what the Great left I

1202
00:57:30,240 --> 00:57:32,880
Speaker 1: did was a good idea rest in piece to left Ie. Okay,

1203
00:57:33,120 --> 00:57:36,080
Speaker 1: let me tell you something. Man, a wise urban philosopher

1204
00:57:36,880 --> 00:57:39,280
Speaker 1: by the name of Calvin Brotus you may know him

1205
00:57:39,280 --> 00:57:42,080
Speaker 1: as Snoop Doggy Dog. He once said, Now you know,

1206
00:57:42,160 --> 00:57:44,920
Speaker 1: I ain't with that, Lieutenant. Ain't no poom poom good

1207
00:57:45,000 --> 00:57:47,240
Speaker 1: enough to get burned while I'm up in it. That

1208
00:57:47,440 --> 00:57:50,520
Speaker 1: has nothing to do with anything I'm talking about it.

1209
00:57:50,640 --> 00:57:52,240
Speaker 1: I was just listening to the g thing this morning,

1210
00:57:52,320 --> 00:57:53,960
Speaker 1: so it's on my mind. But it didn't make me

1211
00:57:54,040 --> 00:57:56,320
Speaker 1: want to tell you Sidney that ain't no pp good

1212
00:57:56,440 --> 00:57:59,440
Speaker 1: enough to burn anything over it. Okay, I don't care

1213
00:57:59,440 --> 00:58:02,560
Speaker 1: if you got And I'm not talking about flame, young sunfire.

1214
00:58:02,680 --> 00:58:06,560
Speaker 1: I'm talking about Gonail. Whatever it was he did that

1215
00:58:06,800 --> 00:58:09,360
Speaker 1: caused you to do what you did, I guarantee it

1216
00:58:09,560 --> 00:58:12,400
Speaker 1: was not worth it. Okay. I know everyone was talking

1217
00:58:12,400 --> 00:58:15,520
Speaker 1: about the Usher versus Chris Brown battle this weekend, and

1218
00:58:15,600 --> 00:58:18,160
Speaker 1: it had everyone digging into their catalogs. You know, but

1219
00:58:18,240 --> 00:58:21,240
Speaker 1: I promise you, Sydney, this is not what Usher meant

1220
00:58:21,440 --> 00:58:24,560
Speaker 1: when he said let it burn. Please let Ruby Mark

1221
00:58:24,600 --> 00:58:27,160
Speaker 1: give Sydney for him the biggest he ha he ha

1222
00:58:27,760 --> 00:58:31,440
Speaker 1: he ha. He's stupid. Mother, far are you Tom? You

1223
00:58:31,560 --> 00:58:33,760
Speaker 1: thought that was your boyfriend. He's not even claiming you.

1224
00:58:36,040 --> 00:58:39,920
Speaker 1: Come on, come on, all right, well, thank you for

1225
00:58:40,000 --> 00:58:43,000
Speaker 1: that donkey of the day. M all right. We got

1226
00:58:43,120 --> 00:58:46,400
Speaker 1: more coming up next with a breakfast club. The breakfast

1227
00:58:46,440 --> 00:58:53,360
Speaker 1: Club holding Everybody's DJ Envy, Angela Yee, Charlomagne, the guy

1228
00:58:53,440 --> 00:58:55,880
Speaker 1: we are the Breakfast Club was still kicking it with

1229
00:58:55,960 --> 00:58:59,320
Speaker 1: Amanda's seals. Now, how do you think you've grown during

1230
00:58:59,360 --> 00:59:03,200
Speaker 1: these easy times, during this pandemic. I've learned. I've really

1231
00:59:03,280 --> 00:59:07,240
Speaker 1: learned restraint and the power and restraint and the love

1232
00:59:08,240 --> 00:59:13,240
Speaker 1: and restraint, and you know, just being able to be

1233
00:59:13,360 --> 00:59:17,920
Speaker 1: more thoughtful about Yes, you need to get what's in

1234
00:59:18,040 --> 00:59:22,560
Speaker 1: you off you, but you can practice the pause that

1235
00:59:22,680 --> 00:59:25,040
Speaker 1: gives you the consciousness about someone else. And I will

1236
00:59:25,080 --> 00:59:27,120
Speaker 1: say this, it was harder for me to do that

1237
00:59:27,200 --> 00:59:30,880
Speaker 1: in relationship than it was like with friends or with business,

1238
00:59:31,440 --> 00:59:33,120
Speaker 1: because in a relationship you just feel like we can

1239
00:59:33,160 --> 00:59:35,040
Speaker 1: all let it all hang out. I'm gonna say whatever

1240
00:59:35,080 --> 00:59:36,840
Speaker 1: I need to say, You will say whatever you need

1241
00:59:36,920 --> 00:59:39,920
Speaker 1: to say. But when you start to really practice just

1242
00:59:40,200 --> 00:59:43,240
Speaker 1: the respect of speaking from a place if I like you,

1243
00:59:45,160 --> 00:59:47,920
Speaker 1: versus speaking from a place of like you're gonna hear

1244
00:59:48,040 --> 00:59:53,240
Speaker 1: me like, it really does change the exchange and it

1245
00:59:53,360 --> 00:59:55,960
Speaker 1: creates a safe space. Can we can we talk about

1246
00:59:56,520 --> 01:00:00,480
Speaker 1: the real? And you led the underground railroad the stream

1247
01:00:01,040 --> 01:00:04,760
Speaker 1: and now people are following you. How did that make

1248
01:00:04,800 --> 01:00:07,480
Speaker 1: you feel? You know what? Though, to be honesty, I

1249
01:00:07,600 --> 01:00:13,080
Speaker 1: don't want to forsake my spirit of soul or integrity

1250
01:00:13,200 --> 01:00:16,960
Speaker 1: for this town ever again. And it's not that I

1251
01:00:17,040 --> 01:00:19,200
Speaker 1: went into it thinking that, because I didn't, by any means,

1252
01:00:19,240 --> 01:00:21,600
Speaker 1: I really went into the reel like this is gonna

1253
01:00:21,600 --> 01:00:24,800
Speaker 1: be so dope, so fun, so great, because whenever I

1254
01:00:24,840 --> 01:00:27,320
Speaker 1: would guess, it felt like such a safe space, you know,

1255
01:00:27,360 --> 01:00:29,200
Speaker 1: it felt like they genuinely wanted to hear my voice,

1256
01:00:29,240 --> 01:00:32,440
Speaker 1: et cetera. So, uh, but I don't want to I

1257
01:00:32,520 --> 01:00:36,760
Speaker 1: don't like Hollywood. I hate this place. Uh. I love

1258
01:00:37,360 --> 01:00:40,080
Speaker 1: because I thought I thought you broad like you didn't change,

1259
01:00:40,120 --> 01:00:43,240
Speaker 1: like you never change the real to the real. You

1260
01:00:43,360 --> 01:00:45,400
Speaker 1: all who you are, Like you never change. I've never

1261
01:00:45,480 --> 01:00:48,240
Speaker 1: seen you slip, I've never seen you die, like you remember.

1262
01:00:49,440 --> 01:00:53,560
Speaker 1: But behind the scenes, you know, And that's really the lesson.

1263
01:00:53,560 --> 01:00:55,480
Speaker 1: I talked about this on Hollywood Unlock, Like you just

1264
01:00:56,120 --> 01:00:59,400
Speaker 1: you're so focused on what's happening on camera, but that's

1265
01:00:59,440 --> 01:01:02,360
Speaker 1: the least of the time you're spending, right, you know,

1266
01:01:02,520 --> 01:01:04,680
Speaker 1: you spend like an hour on camera. You know, the

1267
01:01:04,840 --> 01:01:08,360
Speaker 1: most of the time you're dealing with production, you're dealing

1268
01:01:08,440 --> 01:01:11,680
Speaker 1: with your executives, You're not even really you're not even

1269
01:01:11,720 --> 01:01:13,600
Speaker 1: dealing with your co hosts like that, And so you

1270
01:01:13,720 --> 01:01:17,000
Speaker 1: just start to see like there's a culture in different

1271
01:01:17,000 --> 01:01:22,440
Speaker 1: places that you work that is toxic and sometimes you

1272
01:01:22,560 --> 01:01:24,880
Speaker 1: just don't know that till you get there. The last

1273
01:01:25,000 --> 01:01:28,680
Speaker 1: year was incredibly drying for me. It's just like the

1274
01:01:28,880 --> 01:01:33,680
Speaker 1: level of visibility that happened last year was like wild

1275
01:01:34,280 --> 01:01:37,800
Speaker 1: and you know, some of it was associated with positivity.

1276
01:01:38,600 --> 01:01:42,480
Speaker 1: A lot of it was like negative things that I

1277
01:01:42,560 --> 01:01:46,680
Speaker 1: couldn't believe we're happening. I just couldn't. I couldn't believe

1278
01:01:46,720 --> 01:01:49,240
Speaker 1: that I was moving in a positive way, and then

1279
01:01:49,360 --> 01:01:51,760
Speaker 1: like such negativity would be attached to it. When I

1280
01:01:51,920 --> 01:01:55,000
Speaker 1: was moving in a way to what I thought was

1281
01:01:55,720 --> 01:02:00,840
Speaker 1: protect women. I was light on and just my character

1282
01:02:01,200 --> 01:02:05,479
Speaker 1: was completely by many accounts, people felt like my character

1283
01:02:05,640 --> 01:02:08,080
Speaker 1: was no longer of merit, and to this day, I'm

1284
01:02:08,120 --> 01:02:11,280
Speaker 1: still dealing with that simply because like a man said

1285
01:02:11,320 --> 01:02:15,280
Speaker 1: I lied, then that's it, Like there's no there's no

1286
01:02:15,440 --> 01:02:18,040
Speaker 1: proof for anything. It's just because because a man said

1287
01:02:18,040 --> 01:02:19,840
Speaker 1: I lied, I lied, and that was it, like and

1288
01:02:20,000 --> 01:02:23,280
Speaker 1: that's how that feels, that is, I'm with you here

1289
01:02:23,440 --> 01:02:26,600
Speaker 1: and no proof nothing. Somebody could say anything, and then

1290
01:02:26,640 --> 01:02:28,160
Speaker 1: people run with it and then they bring it up

1291
01:02:28,200 --> 01:02:31,560
Speaker 1: all the time anytime there's something going on. They're like,

1292
01:02:31,680 --> 01:02:33,720
Speaker 1: well she did this, well didn't she? And you're like

1293
01:02:34,360 --> 01:02:35,840
Speaker 1: and you're like that, and they have they have no

1294
01:02:36,080 --> 01:02:39,600
Speaker 1: proof of validity the best. Then you know, you fast

1295
01:02:39,680 --> 01:02:42,400
Speaker 1: forward and there was a whole any party fiasco, you know,

1296
01:02:42,520 --> 01:02:44,680
Speaker 1: and it was just like I'm going somewhere to support,

1297
01:02:45,280 --> 01:02:48,520
Speaker 1: but it still ends up going like wild negative and

1298
01:02:48,600 --> 01:02:51,640
Speaker 1: then because we're in this very visible space, it becomes

1299
01:02:51,680 --> 01:02:56,240
Speaker 1: this onslaught and I have never had six skin. I'm

1300
01:02:56,280 --> 01:03:00,640
Speaker 1: a cancer, like, so it was a lot. You know,

1301
01:03:00,840 --> 01:03:05,080
Speaker 1: it really wore on me, like real for real war

1302
01:03:05,200 --> 01:03:07,720
Speaker 1: on me. I had like a whole nervous breakdown in

1303
01:03:07,920 --> 01:03:14,200
Speaker 1: March for real, and not there to pass your tissue.

1304
01:03:14,560 --> 01:03:20,240
Speaker 1: I know, sorry, I'm just thinking about it because I

1305
01:03:20,440 --> 01:03:23,120
Speaker 1: was in such a dark place and I know so

1306
01:03:23,240 --> 01:03:26,800
Speaker 1: many people like you just get to a point where

1307
01:03:26,800 --> 01:03:30,600
Speaker 1: you think, like, I can't change myself, but the world

1308
01:03:30,680 --> 01:03:33,160
Speaker 1: hates me, and so then if I'm going to continue

1309
01:03:33,200 --> 01:03:36,320
Speaker 1: to be myself in the world, then then I'm gonna

1310
01:03:36,360 --> 01:03:40,720
Speaker 1: struggle all the time. And that makes you want to

1311
01:03:40,800 --> 01:03:44,040
Speaker 1: kill yourself because you're like, it's never gonna get better,

1312
01:03:44,160 --> 01:03:47,240
Speaker 1: So what's the point? And that was a really like

1313
01:03:47,440 --> 01:03:51,040
Speaker 1: real place I was in, and anybody who knows me knows,

1314
01:03:51,160 --> 01:03:54,000
Speaker 1: like I'm not a defeated person, and they know that

1315
01:03:54,080 --> 01:03:57,680
Speaker 1: I really come from a place of joy and gentleness,

1316
01:03:58,240 --> 01:04:01,880
Speaker 1: and like I needed to make myself the Passion project

1317
01:04:02,480 --> 01:04:06,200
Speaker 1: because I had put so much work into my work

1318
01:04:06,640 --> 01:04:10,040
Speaker 1: and into you know, not being what people think I

1319
01:04:10,160 --> 01:04:13,360
Speaker 1: am and proving and all this stuff, and at the

1320
01:04:13,480 --> 01:04:15,280
Speaker 1: end of the day, I had started to believe what

1321
01:04:15,440 --> 01:04:18,200
Speaker 1: they had made up about me, which is that I'm

1322
01:04:18,240 --> 01:04:20,600
Speaker 1: not a loving person and that I don't deserve love.

1323
01:04:20,960 --> 01:04:23,560
Speaker 1: And if you're not careful, you'll let the people who

1324
01:04:23,640 --> 01:04:26,200
Speaker 1: know you at least make you feel like you don't

1325
01:04:26,240 --> 01:04:31,040
Speaker 1: know yourself. And I know so many people are in

1326
01:04:31,200 --> 01:04:34,520
Speaker 1: that place right now and they don't know if they'll

1327
01:04:34,560 --> 01:04:37,560
Speaker 1: get out of that place. And it wasn't until I

1328
01:04:37,720 --> 01:04:43,800
Speaker 1: started really approaching therapy and then I started boxing because

1329
01:04:43,840 --> 01:04:45,640
Speaker 1: I realized I had all this anger in me and

1330
01:04:45,680 --> 01:04:50,560
Speaker 1: I need to, you know, And I started doing raiki

1331
01:04:51,200 --> 01:04:54,919
Speaker 1: and I really just started just letting myself be open

1332
01:04:55,000 --> 01:04:57,560
Speaker 1: to like, whatever the possibilities are for me to feel

1333
01:04:57,600 --> 01:05:00,160
Speaker 1: healthy again. And well, all right, we got more with

1334
01:05:00,240 --> 01:05:02,040
Speaker 1: a Man de Seals when we come back, don't move.

1335
01:05:02,120 --> 01:05:07,840
Speaker 1: It's the Breakfast Club. The Breakfast Club warning. Everybody is

1336
01:05:08,000 --> 01:05:11,640
Speaker 1: DJ Envy, Angela Yee, Charlomagne, the guy we are the

1337
01:05:11,720 --> 01:05:13,560
Speaker 1: Breakfast Club was still kicking it with a Man de

1338
01:05:13,680 --> 01:05:16,680
Speaker 1: Seals Ye. And this book you talk about when you

1339
01:05:16,840 --> 01:05:20,320
Speaker 1: realize that you had made it and that you were

1340
01:05:20,960 --> 01:05:23,200
Speaker 1: you know, you went out this one night and you

1341
01:05:23,280 --> 01:05:27,960
Speaker 1: were yeah, black famous and people were recognizing you and

1342
01:05:28,240 --> 01:05:30,120
Speaker 1: how your friends were with you and they were like,

1343
01:05:31,360 --> 01:05:35,360
Speaker 1: you did it. I mean it requires aggressive self acceptance.

1344
01:05:36,040 --> 01:05:40,080
Speaker 1: I wonder why it's so easy for people for people

1345
01:05:40,120 --> 01:05:42,680
Speaker 1: to believe the negative we hear about ourselves from others,

1346
01:05:43,040 --> 01:05:45,800
Speaker 1: but not believe the positive we know about ourselves and

1347
01:05:45,920 --> 01:05:51,120
Speaker 1: tell ourselves. I mean it's like, you know, look how

1348
01:05:51,200 --> 01:05:57,880
Speaker 1: quickly cancer spreads, you know. And I think also, you know,

1349
01:05:57,920 --> 01:06:01,440
Speaker 1: we are made of adams. We have protons and neutrons

1350
01:06:01,440 --> 01:06:04,320
Speaker 1: and electrons, we have positive and negative charges, so it's

1351
01:06:04,360 --> 01:06:07,320
Speaker 1: always there. I think that's why the whole positive affirmation

1352
01:06:07,440 --> 01:06:10,320
Speaker 1: thing ends up being so necessary, because it's as if

1353
01:06:10,360 --> 01:06:14,880
Speaker 1: you're building up an emotional immune system to challenge those negatives,

1354
01:06:14,920 --> 01:06:17,520
Speaker 1: because your receptors are always there, just as the reality

1355
01:06:17,640 --> 01:06:20,440
Speaker 1: of being a being. You know, the negative receptors are there,

1356
01:06:20,600 --> 01:06:23,040
Speaker 1: so you got to work to build up your positive receptors.

1357
01:06:23,360 --> 01:06:25,520
Speaker 1: And that really does take work, and we don't put

1358
01:06:25,640 --> 01:06:28,440
Speaker 1: enough energy into that work. We're actually told that that

1359
01:06:28,520 --> 01:06:30,600
Speaker 1: work is corny, you know, or that work makes you

1360
01:06:30,680 --> 01:06:33,720
Speaker 1: a simp, etc. But it's beautiful when you do it

1361
01:06:33,840 --> 01:06:37,760
Speaker 1: because it starts to make it where like the negative is,

1362
01:06:39,080 --> 01:06:43,080
Speaker 1: it's growth. It's like you can't even connect to it.

1363
01:06:43,160 --> 01:06:46,280
Speaker 1: It feels so unnatural because you've you've done this like

1364
01:06:46,520 --> 01:06:52,280
Speaker 1: shy limb practice of only attracting positive and even as

1365
01:06:52,320 --> 01:06:53,840
Speaker 1: I talk about it, there's still a part of me.

1366
01:06:53,920 --> 01:06:57,400
Speaker 1: That's like you sound corny. Oh, I think it's because

1367
01:06:58,600 --> 01:07:02,600
Speaker 1: we are in the negative world, so like the world

1368
01:07:02,720 --> 01:07:04,840
Speaker 1: is built to me more so to run on negative

1369
01:07:04,880 --> 01:07:07,280
Speaker 1: than positive. And that's why you got to make sure

1370
01:07:07,360 --> 01:07:10,000
Speaker 1: your world doesn't run on that, so that even when

1371
01:07:10,040 --> 01:07:11,320
Speaker 1: you got to go out in the world, you can

1372
01:07:11,400 --> 01:07:13,840
Speaker 1: come back into a space like I want to be

1373
01:07:14,040 --> 01:07:17,360
Speaker 1: in a positive space at all times. Listen, I don't

1374
01:07:17,400 --> 01:07:19,200
Speaker 1: want you around me if you ain't happy to be

1375
01:07:19,320 --> 01:07:22,160
Speaker 1: around me. And even if you're going through it, check

1376
01:07:22,280 --> 01:07:24,640
Speaker 1: that at the door. Like maybe we can we can

1377
01:07:24,920 --> 01:07:27,280
Speaker 1: not even maybe we can make space to talk about it.

1378
01:07:27,560 --> 01:07:29,360
Speaker 1: But at the end of the day, it's like I

1379
01:07:29,520 --> 01:07:32,600
Speaker 1: want you to be happy in this space. And so often,

1380
01:07:33,000 --> 01:07:35,960
Speaker 1: I mean, I said a tweet that rubs some people

1381
01:07:36,000 --> 01:07:38,200
Speaker 1: the wrong way, but it's like I said, if his

1382
01:07:38,320 --> 01:07:40,840
Speaker 1: eyes light up when his boys call, but they're empty

1383
01:07:40,880 --> 01:07:45,040
Speaker 1: when it's yes, y'all focus on yourself, sis, focus on yourself.

1384
01:07:46,480 --> 01:07:48,080
Speaker 1: I think with you one thing you said that's very

1385
01:07:48,080 --> 01:07:50,040
Speaker 1: important too, man, Like you know you have to monitor

1386
01:07:50,120 --> 01:07:53,360
Speaker 1: who your energy goes up and down around, Like when

1387
01:07:53,400 --> 01:07:55,680
Speaker 1: I see certain people on my phone, I'm like, yes,

1388
01:07:56,280 --> 01:07:57,720
Speaker 1: my folks, you know what I mean, and I'm at

1389
01:07:57,760 --> 01:07:59,760
Speaker 1: the point in my life I only want to talk

1390
01:07:59,760 --> 01:08:01,360
Speaker 1: to people I love. I only want to be around

1391
01:08:01,360 --> 01:08:03,160
Speaker 1: the people I love. I don't have time for anything else.

1392
01:08:03,880 --> 01:08:06,360
Speaker 1: The truth of the matter is, like we I will

1393
01:08:06,400 --> 01:08:09,920
Speaker 1: always come back to this, like the hardest thing that

1394
01:08:10,080 --> 01:08:13,080
Speaker 1: this world makes to me. The world makes it so

1395
01:08:13,200 --> 01:08:18,360
Speaker 1: hard for you to have like internal freedom. And when

1396
01:08:18,439 --> 01:08:20,519
Speaker 1: you have that, you can go work for anybody really,

1397
01:08:20,880 --> 01:08:22,280
Speaker 1: you know, and you're like, I'm gonna come here and

1398
01:08:22,280 --> 01:08:23,960
Speaker 1: do this little job and be out of here, you know.

1399
01:08:24,160 --> 01:08:28,640
Speaker 1: And then what ends up happening naturally is you just

1400
01:08:28,760 --> 01:08:32,479
Speaker 1: start moving energy, shifting into spaces that are better for you,

1401
01:08:32,600 --> 01:08:36,560
Speaker 1: and you find yourself getting opportunities outside of, you know,

1402
01:08:36,840 --> 01:08:38,800
Speaker 1: the ones that you thought were only available to you,

1403
01:08:39,120 --> 01:08:43,880
Speaker 1: just because you're attracting something different. And I don't need

1404
01:08:44,000 --> 01:08:49,000
Speaker 1: more wealth. I would be more than happy to simply

1405
01:08:49,120 --> 01:08:52,520
Speaker 1: just continue to work with my businesses and my companies

1406
01:08:53,160 --> 01:08:56,120
Speaker 1: and build those from the ground up and then nurtured

1407
01:08:56,880 --> 01:09:03,720
Speaker 1: loving space, and that will feed me financially, but more

1408
01:09:03,760 --> 01:09:07,120
Speaker 1: importantly will feed me intellectually and internally. And that is

1409
01:09:07,200 --> 01:09:09,800
Speaker 1: more valuable for me right now. And I understand for

1410
01:09:09,880 --> 01:09:13,800
Speaker 1: people who are listening like there's privilege in getting to

1411
01:09:13,920 --> 01:09:18,240
Speaker 1: that space. Yes, absolutely there is privilege in getting that space,

1412
01:09:18,280 --> 01:09:22,400
Speaker 1: and I am so thankful for the opportunity to even

1413
01:09:22,479 --> 01:09:25,599
Speaker 1: have that privilege. But I also know that I really

1414
01:09:25,800 --> 01:09:28,920
Speaker 1: worked for that, you know, like that wasn't provided to me.

1415
01:09:30,400 --> 01:09:33,240
Speaker 1: It is available to everyone, even though everyone's journey to

1416
01:09:33,360 --> 01:09:36,960
Speaker 1: it may be very, very different. It is available to everyone.

1417
01:09:37,000 --> 01:09:38,800
Speaker 1: And I think that for a lot of folks, it

1418
01:09:38,960 --> 01:09:42,160
Speaker 1: really looks like it's only available to white people. You know,

1419
01:09:42,320 --> 01:09:45,400
Speaker 1: it really does feel like that. It feels like it's

1420
01:09:45,439 --> 01:09:48,599
Speaker 1: only available. It feels like it's only available to light

1421
01:09:48,640 --> 01:09:50,880
Speaker 1: skin people. It feels like it's only available to pretty

1422
01:09:50,880 --> 01:09:52,599
Speaker 1: people or to skinny people, you know what I mean.

1423
01:09:52,680 --> 01:09:55,439
Speaker 1: But it really is available to everybody, And I really,

1424
01:09:57,360 --> 01:10:00,240
Speaker 1: I really just I just want us to to do

1425
01:10:00,360 --> 01:10:03,360
Speaker 1: better at and particularly for brothers, to do better at

1426
01:10:03,439 --> 01:10:06,160
Speaker 1: telling other brothers like you have everything within you, to

1427
01:10:06,280 --> 01:10:08,600
Speaker 1: find peace within you so that you don't have to

1428
01:10:08,720 --> 01:10:12,559
Speaker 1: do the things that hurt you. And at a certain point,

1429
01:10:13,200 --> 01:10:17,320
Speaker 1: a lot of people, especially men, because of patriarchy, their

1430
01:10:17,400 --> 01:10:23,720
Speaker 1: pain metastasizes into pride and next thing, you know, you

1431
01:10:23,880 --> 01:10:26,840
Speaker 1: proud of your pain, ye, And what do we do

1432
01:10:26,960 --> 01:10:31,639
Speaker 1: with things we're proud of. We protect them. Now you're

1433
01:10:31,680 --> 01:10:34,479
Speaker 1: protecting your pain. And if you're protecting your pain, how

1434
01:10:34,520 --> 01:10:39,920
Speaker 1: are you gonna ever let it go? Because ego feels

1435
01:10:39,960 --> 01:10:44,439
Speaker 1: strong and ego feels safe. I know about that, but

1436
01:10:44,720 --> 01:10:48,640
Speaker 1: um yeah, you know, it's it's always fun to come

1437
01:10:48,680 --> 01:10:50,760
Speaker 1: talk to y'all because I also know there's gonna be

1438
01:10:50,880 --> 01:10:55,000
Speaker 1: like self reflection, there's gonna be career reflection, there's gonna

1439
01:10:55,040 --> 01:11:01,840
Speaker 1: be black reflection, you know, and you are place. It's

1440
01:11:01,840 --> 01:11:05,400
Speaker 1: beautiful watching you grow. Seals. Yeah, Seales, we love you

1441
01:11:05,520 --> 01:11:08,760
Speaker 1: and we appreciate you for checking in. I want people

1442
01:11:08,760 --> 01:11:10,960
Speaker 1: to know too, Like as much as I just talked

1443
01:11:11,000 --> 01:11:15,120
Speaker 1: about how degrading and frustrating Hollywood is, you can you

1444
01:11:15,280 --> 01:11:18,719
Speaker 1: when you find the people that rock with you hold

1445
01:11:18,920 --> 01:11:22,400
Speaker 1: onto them, you know, Like I hosted the bat Award

1446
01:11:22,479 --> 01:11:24,479
Speaker 1: not just because I was the right person, but because

1447
01:11:24,520 --> 01:11:26,960
Speaker 1: the right person knew I was the right person right,

1448
01:11:27,760 --> 01:11:32,200
Speaker 1: And those relationships for me are real, Like Jesse Collins

1449
01:11:32,360 --> 01:11:36,240
Speaker 1: is my friend, you know, Like it is that positive

1450
01:11:36,320 --> 01:11:38,479
Speaker 1: love that you have from those other people. So I

1451
01:11:38,600 --> 01:11:41,080
Speaker 1: know that I'm you know, as I advanced in this business,

1452
01:11:41,160 --> 01:11:43,240
Speaker 1: I'm in more of a place of being able to

1453
01:11:43,360 --> 01:11:45,840
Speaker 1: make room for that authenticity. And when you do that,

1454
01:11:46,200 --> 01:11:48,639
Speaker 1: you just create more of a trend for that to happen.

1455
01:11:48,680 --> 01:11:52,040
Speaker 1: And then eventually, I hope it starts to knock out

1456
01:11:52,120 --> 01:11:54,800
Speaker 1: all the fake and phony. You know, there's no there's

1457
01:11:54,840 --> 01:11:58,320
Speaker 1: no air for it to breathe absolutely, well, thank you

1458
01:11:58,400 --> 01:12:00,800
Speaker 1: so much, miss a man. You we try to say

1459
01:12:00,840 --> 01:12:06,760
Speaker 1: goodbye three times. Well, actually, one last thing. Go this's

1460
01:12:06,800 --> 01:12:09,280
Speaker 1: my Funny and Black dot com. You know, check out

1461
01:12:09,960 --> 01:12:13,800
Speaker 1: my production company, my work, my growth. You know. I

1462
01:12:13,960 --> 01:12:17,120
Speaker 1: want to encourage everybody who's a creative to understand that

1463
01:12:17,240 --> 01:12:19,680
Speaker 1: this is a process, but that you really can make

1464
01:12:19,680 --> 01:12:23,639
Speaker 1: a creative light for yourself. And as a creative, you're

1465
01:12:23,680 --> 01:12:26,560
Speaker 1: going to have to create your life. And in that

1466
01:12:26,720 --> 01:12:29,080
Speaker 1: we always know that you may get paint on your hands,

1467
01:12:29,439 --> 01:12:34,360
Speaker 1: you may get you know, splinters, etc. But it's worth it. Well,

1468
01:12:34,400 --> 01:12:36,760
Speaker 1: it's a man, the Seals, It's the Breakfast Club. Good

1469
01:12:36,800 --> 01:12:41,240
Speaker 1: morning morning. Everybody is DJ Envy Angela Yee, Charlomagna. Guy.

1470
01:12:41,280 --> 01:12:43,880
Speaker 1: We all the Breakfast Club. We're still kicking it with

1471
01:12:43,920 --> 01:12:47,080
Speaker 1: Brandy and Monica. Now, congratulations to them. Shout the Swiss

1472
01:12:47,160 --> 01:12:50,120
Speaker 1: beats in Timberland. On their verses, yesterday they had over

1473
01:12:50,280 --> 01:12:53,280
Speaker 1: one point two million on Instagram Live, so we thought

1474
01:12:53,320 --> 01:12:55,320
Speaker 1: it was only right that we brought this interview back.

1475
01:12:55,640 --> 01:12:57,280
Speaker 1: This is when he came on a breakfast club, his

1476
01:12:57,400 --> 01:12:59,519
Speaker 1: Brandy and Monica. Things have changed. And you know, I've

1477
01:12:59,560 --> 01:13:02,640
Speaker 1: seen my threatened to delete her Twitter account before, and

1478
01:13:02,800 --> 01:13:04,320
Speaker 1: you know I've seen them come at you crazy on

1479
01:13:04,400 --> 01:13:05,920
Speaker 1: Twitter and stuff like that. How do y'all deal with

1480
01:13:06,040 --> 01:13:09,680
Speaker 1: the new social media wave that's out now? I had

1481
01:13:09,680 --> 01:13:11,760
Speaker 1: to accept the fact that it's not like it used

1482
01:13:11,800 --> 01:13:14,080
Speaker 1: to be, where you have real journalism and people that

1483
01:13:14,200 --> 01:13:16,080
Speaker 1: cared enough to try to reach your people and see

1484
01:13:16,120 --> 01:13:18,800
Speaker 1: if something was true before they talked about it or

1485
01:13:18,880 --> 01:13:21,200
Speaker 1: responded to it or put it all over the world,

1486
01:13:22,680 --> 01:13:25,559
Speaker 1: and that you have people at home that don't realize

1487
01:13:25,600 --> 01:13:27,920
Speaker 1: this is just another way to make money off them.

1488
01:13:28,200 --> 01:13:31,720
Speaker 1: When you log on, you click, you entertain, you you correspond.

1489
01:13:32,000 --> 01:13:34,240
Speaker 1: This just puts money in somebody's pocket. It doesn't bring

1490
01:13:34,280 --> 01:13:36,120
Speaker 1: you any closer to the artists because most of the

1491
01:13:36,160 --> 01:13:38,880
Speaker 1: stuff is not even true. So once I recognize that

1492
01:13:39,000 --> 01:13:42,200
Speaker 1: most things just don't need a response, Twitter has become

1493
01:13:42,240 --> 01:13:44,360
Speaker 1: a very fun thing for me, you know, Like I

1494
01:13:44,640 --> 01:13:47,200
Speaker 1: just I really don't care what's being said. I talk

1495
01:13:47,240 --> 01:13:49,320
Speaker 1: about what you can. That's part of being a celebrity.

1496
01:13:49,360 --> 01:13:52,000
Speaker 1: You can't really care what's being a celebrity. Now, what

1497
01:13:52,080 --> 01:13:55,439
Speaker 1: about when it's an old issue that's true, Like you know, Brandy,

1498
01:13:55,479 --> 01:13:58,479
Speaker 1: you had the incident where you had to correct somebody

1499
01:13:58,880 --> 01:14:01,479
Speaker 1: unfortunately died. You know, people like to bring stuff up

1500
01:14:01,479 --> 01:14:04,479
Speaker 1: like that on Twitter, Like I'm I can't sit here

1501
01:14:04,520 --> 01:14:06,439
Speaker 1: and say that I'm not affected by things like that

1502
01:14:06,640 --> 01:14:09,559
Speaker 1: because I am, you see, very sensitive, like you seem

1503
01:14:09,600 --> 01:14:12,040
Speaker 1: like you read the Twitter just just start breaking down. No, no, no,

1504
01:14:12,160 --> 01:14:14,400
Speaker 1: I don't break down, Like, don't take my you know,

1505
01:14:14,840 --> 01:14:18,280
Speaker 1: humbleness for for weakness at all. But it's it's I

1506
01:14:18,400 --> 01:14:20,560
Speaker 1: am a very sensitive person, and I just feel like

1507
01:14:21,720 --> 01:14:24,080
Speaker 1: when people's intentions are bad and when they go to

1508
01:14:24,240 --> 01:14:25,960
Speaker 1: a place to try to hurt you, like that was

1509
01:14:26,040 --> 01:14:29,000
Speaker 1: a very unfortunate situation that I wouldn't wish on my

1510
01:14:29,120 --> 01:14:32,639
Speaker 1: worst enemy, you know. So when people take those moments

1511
01:14:32,760 --> 01:14:36,160
Speaker 1: to just you know, send me pictures of car crashes

1512
01:14:36,439 --> 01:14:41,280
Speaker 1: or or say things with with with evil intent that

1513
01:14:41,960 --> 01:14:44,000
Speaker 1: it's like I think to myself, where do how do

1514
01:14:44,160 --> 01:14:46,280
Speaker 1: people go to that place? Because it's it's hard for

1515
01:14:46,400 --> 01:14:48,080
Speaker 1: me to I don't even know if I have that

1516
01:14:48,200 --> 01:14:51,200
Speaker 1: place inside of me to to try to hurt somebody else.

1517
01:14:51,640 --> 01:14:53,840
Speaker 1: You know, we all say things we don't mean, but

1518
01:14:54,200 --> 01:14:57,840
Speaker 1: the places that people go are just it, it's real.

1519
01:14:58,200 --> 01:15:02,040
Speaker 1: And I didn't really figure out what the and I

1520
01:15:02,160 --> 01:15:05,640
Speaker 1: understand that they're miserable, but but but still, it's the

1521
01:15:05,760 --> 01:15:08,439
Speaker 1: law of energy is that energy has never lost the destroyer,

1522
01:15:08,600 --> 01:15:10,800
Speaker 1: just transfer from one party to the next. But you know,

1523
01:15:11,520 --> 01:15:14,840
Speaker 1: it's been it's been a while, so I've I've I've

1524
01:15:15,200 --> 01:15:17,400
Speaker 1: gotten a little bit stronger in that area when people

1525
01:15:17,520 --> 01:15:20,160
Speaker 1: try to go to that place. But you know, for

1526
01:15:20,240 --> 01:15:23,200
Speaker 1: the most part, I use Twitter to to socialize with

1527
01:15:23,240 --> 01:15:25,040
Speaker 1: the people that do love me, and they do so

1528
01:15:25,240 --> 01:15:27,400
Speaker 1: for me. And you know, I have this this thing

1529
01:15:27,479 --> 01:15:29,960
Speaker 1: on my page called brandoms and they're like random brandy

1530
01:15:30,040 --> 01:15:36,400
Speaker 1: thoughts and I just tweet positive things to My dad

1531
01:15:36,520 --> 01:15:38,600
Speaker 1: is from the country. You know that already. But he

1532
01:15:38,720 --> 01:15:41,080
Speaker 1: tells me like these crazy He'll call me and he'll

1533
01:15:41,160 --> 01:15:43,720
Speaker 1: tell me, like some great sayings to keep with you

1534
01:15:43,880 --> 01:15:47,519
Speaker 1: that are just like very very I mean, they they

1535
01:15:47,800 --> 01:15:51,840
Speaker 1: they're broken down so perfectly. He told me, he said, um,

1536
01:15:52,760 --> 01:15:57,680
Speaker 1: maggots can't live unless they're feeding off something. Don't let

1537
01:15:57,720 --> 01:16:00,240
Speaker 1: them feed off you, you know, so he'll call me

1538
01:16:00,360 --> 01:16:03,400
Speaker 1: with little things like that that that remind me. It's

1539
01:16:03,479 --> 01:16:06,320
Speaker 1: not to say that people are maggots but negative things

1540
01:16:06,479 --> 01:16:08,479
Speaker 1: because we know, you know, it's just it's just that

1541
01:16:08,600 --> 01:16:11,320
Speaker 1: if you feed it, it just seems to fester and grow.

1542
01:16:11,600 --> 01:16:13,960
Speaker 1: So I just stop feeding things. You know. So many

1543
01:16:14,040 --> 01:16:17,439
Speaker 1: people create their own stories about what you've gone through

1544
01:16:17,560 --> 01:16:20,360
Speaker 1: in their own opinions, and why if it's not illegal.

1545
01:16:21,520 --> 01:16:24,240
Speaker 1: I don't just think it should great to hear from me,

1546
01:16:24,400 --> 01:16:26,759
Speaker 1: don't you think that? But I think it should be illegal,

1547
01:16:27,120 --> 01:16:28,600
Speaker 1: especially with the blows. They shouldn't be able to just

1548
01:16:28,600 --> 01:16:30,759
Speaker 1: to make stuff up like yeah, that should be illegal.

1549
01:16:31,000 --> 01:16:33,160
Speaker 1: That would be a whole process of you having lawyers

1550
01:16:33,400 --> 01:16:37,880
Speaker 1: non stop trying to work on it. Probably is illegal,

1551
01:16:37,960 --> 01:16:40,920
Speaker 1: but who's gonna do for your everyday person? I mean,

1552
01:16:41,000 --> 01:16:42,680
Speaker 1: even for your everyday person. You look at all the

1553
01:16:42,760 --> 01:16:45,080
Speaker 1: cyber bully and look at the amount of children we're

1554
01:16:45,160 --> 01:16:49,280
Speaker 1: losing because they somebody in their high school put something

1555
01:16:49,320 --> 01:16:52,200
Speaker 1: on the internet, something private about them, whether it's about

1556
01:16:52,200 --> 01:16:55,720
Speaker 1: their sexuality, their parents, whatever. These children are taking their

1557
01:16:55,760 --> 01:16:59,439
Speaker 1: own life. A lot of it is, but some of

1558
01:16:59,520 --> 01:17:02,000
Speaker 1: it isn't. Because our children they start to kind of

1559
01:17:02,040 --> 01:17:03,600
Speaker 1: find their own way. Think of all the stuff we

1560
01:17:03,640 --> 01:17:05,800
Speaker 1: did when we knew better, right, you know, so you

1561
01:17:06,080 --> 01:17:08,120
Speaker 1: look at that, you know you're really your children and

1562
01:17:08,160 --> 01:17:10,880
Speaker 1: the way you'd eventually have them go, not knowing though,

1563
01:17:10,960 --> 01:17:13,080
Speaker 1: what they may come in contact without in the world.

1564
01:17:13,280 --> 01:17:15,160
Speaker 1: So if the world was just a little bit better,

1565
01:17:15,479 --> 01:17:17,400
Speaker 1: it may be just a little bit easier for them

1566
01:17:17,479 --> 01:17:20,200
Speaker 1: to decipher the difference between what they're taught at home,

1567
01:17:20,360 --> 01:17:22,400
Speaker 1: what we know is right, and what they're being faced

1568
01:17:22,479 --> 01:17:24,320
Speaker 1: with every day. What my kids are going to go

1569
01:17:24,400 --> 01:17:26,080
Speaker 1: through in high school is gonna be different than what

1570
01:17:26,120 --> 01:17:28,040
Speaker 1: I went through. But what I went through was totally

1571
01:17:28,080 --> 01:17:30,439
Speaker 1: different than my mom, coming up in Noon and Georgia,

1572
01:17:30,520 --> 01:17:32,920
Speaker 1: in the country where people respected each other, you know,

1573
01:17:33,280 --> 01:17:35,560
Speaker 1: fellas held the door when you walked in. You know,

1574
01:17:35,760 --> 01:17:38,160
Speaker 1: it's a different day in time. So as hard as

1575
01:17:38,200 --> 01:17:40,360
Speaker 1: I had to be to make it through the school

1576
01:17:40,400 --> 01:17:42,960
Speaker 1: systems where I was from, it's totally different than what

1577
01:17:43,080 --> 01:17:45,120
Speaker 1: my mother had. She did not know how to help

1578
01:17:45,200 --> 01:17:47,639
Speaker 1: me through that. You know, all she could do pray

1579
01:17:47,680 --> 01:17:49,720
Speaker 1: for me. She taught me the word, she gave me

1580
01:17:49,840 --> 01:17:52,040
Speaker 1: the Bible. But how far from that did I stray?

1581
01:17:52,080 --> 01:17:54,320
Speaker 1: Before I came back to it. So you know, you

1582
01:17:54,479 --> 01:17:56,120
Speaker 1: really your kids in the way you'd have them go.

1583
01:17:56,600 --> 01:17:58,200
Speaker 1: But I wanted to be a little safer and a

1584
01:17:58,280 --> 01:18:00,240
Speaker 1: little easier for them as they out in the world.

1585
01:18:00,280 --> 01:18:03,599
Speaker 1: If it's possible. You know, that's looking But everybody has

1586
01:18:03,680 --> 01:18:05,920
Speaker 1: to look within and make the change for themselves to

1587
01:18:06,040 --> 01:18:08,200
Speaker 1: make the world a better places. That's how it has

1588
01:18:08,280 --> 01:18:12,280
Speaker 1: to be. Morning. Everybody is DJ Envy, Angela Yee, Charlemagne

1589
01:18:12,320 --> 01:18:14,000
Speaker 1: the guy, we are the breakfast club. Leave it's on

1590
01:18:14,040 --> 01:18:16,680
Speaker 1: a positive note. Listen, man, let's talk self respect on

1591
01:18:16,800 --> 01:18:19,200
Speaker 1: this fine Tuesday. I just want to simply tell y'all

1592
01:18:19,479 --> 01:18:22,879
Speaker 1: don't lower your standards for anyone or anything. Self respect

1593
01:18:23,080 --> 01:18:26,360
Speaker 1: is everything you don't finish for y'all dumb