1 00:00:01,720 --> 00:00:04,440 Speaker 1: And That's what You Really missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,039 --> 00:00:13,760 Speaker 1: Welcome to and That's What You Really miss podcast. Hello Kevin, 4 00:00:13,840 --> 00:00:17,479 Speaker 1: we are halfway through. I keep saying that, but we're 5 00:00:17,680 --> 00:00:18,960 Speaker 1: now halfway through. 6 00:00:19,440 --> 00:00:22,279 Speaker 2: Yeah, this is basically the halfway point of the final 7 00:00:22,440 --> 00:00:24,480 Speaker 2: season of series. 8 00:00:24,640 --> 00:00:29,320 Speaker 1: Oh yeah, Nelly, slow down. Okay. I know I don't 9 00:00:29,320 --> 00:00:30,880 Speaker 1: know what to do with myself, but this is a 10 00:00:30,920 --> 00:00:34,159 Speaker 1: funny episode. This is What the World Needs Now is 11 00:00:34,320 --> 00:00:40,400 Speaker 1: this season six, episode six, and it aired on February sixth. 12 00:00:40,920 --> 00:00:43,879 Speaker 2: Six six six. Jenna, you know what that means. 13 00:00:44,000 --> 00:00:50,680 Speaker 1: It's gonna be a good episode. Let's get into it. 14 00:00:51,760 --> 00:00:54,920 Speaker 2: In the news this week, the number one song is 15 00:00:55,080 --> 00:00:57,840 Speaker 2: and Forever will be for the rest of Glee, I 16 00:00:57,960 --> 00:01:00,000 Speaker 2: predict is a town funk. 17 00:01:00,000 --> 00:01:02,600 Speaker 1: Think You're right? And the movie is a new number 18 00:01:02,600 --> 00:01:07,880 Speaker 1: one movie. It's SpongeBob movie, sponge out of Water. Also 19 00:01:08,040 --> 00:01:10,840 Speaker 1: never saw a SpongeBob movie. 20 00:01:11,240 --> 00:01:12,679 Speaker 2: Well, I don't think you need to. 21 00:01:12,720 --> 00:01:22,800 Speaker 1: They're good, but SpongeBob on Broadway. I did too, Even Slatery. 22 00:01:20,560 --> 00:01:23,440 Speaker 2: Glee News this Week. On February third, Glee the music 23 00:01:23,560 --> 00:01:26,720 Speaker 2: What the World Needs Now is Love EP was released 24 00:01:27,200 --> 00:01:30,440 Speaker 2: featured eight tracks from the episode and was released for 25 00:01:30,440 --> 00:01:33,800 Speaker 2: digital download. A physical CD was later released exclusively in 26 00:01:33,920 --> 00:01:36,400 Speaker 2: Japan in June twenty fifteen. 27 00:01:36,600 --> 00:01:41,080 Speaker 1: You know they love their media. Yeah, yeah, yeah, And honestly, 28 00:01:41,640 --> 00:01:43,480 Speaker 1: I feel like you would like track down one of 29 00:01:43,480 --> 00:01:45,040 Speaker 1: those CDs to have. 30 00:01:45,640 --> 00:01:47,800 Speaker 2: I would like to see it. I'm gonna have to 31 00:01:47,840 --> 00:01:48,640 Speaker 2: google after this. 32 00:01:49,040 --> 00:01:49,400 Speaker 1: Okay. 33 00:01:49,680 --> 00:01:52,800 Speaker 2: So this episode was directed by Barbara Brown, who also 34 00:01:52,960 --> 00:01:59,600 Speaker 2: directed the last episodes. Are script coordinator Babs Jennas That's 35 00:01:59,760 --> 00:02:00,360 Speaker 2: that's crazy. 36 00:02:00,360 --> 00:02:02,480 Speaker 1: Well, very few people will do that. So Brad Baker 37 00:02:02,480 --> 00:02:05,000 Speaker 1: has done that. Eric Stults has done that, and now 38 00:02:05,160 --> 00:02:10,320 Speaker 1: we're talking about Barbara Brown, Babs the one and only 39 00:02:10,760 --> 00:02:11,239 Speaker 1: the legend. 40 00:02:11,360 --> 00:02:13,480 Speaker 2: That means four out of the six episodes so far 41 00:02:13,520 --> 00:02:16,520 Speaker 2: this season, we're done that way, back to back. Yes, 42 00:02:17,560 --> 00:02:21,320 Speaker 2: that is intense, but it makes sense. It makes sense though, 43 00:02:21,360 --> 00:02:24,840 Speaker 2: that you have someone who knows the show that well 44 00:02:25,320 --> 00:02:25,520 Speaker 2: that you. 45 00:02:25,480 --> 00:02:27,720 Speaker 1: Can just like do that plug in. It's hard, but 46 00:02:27,840 --> 00:02:30,000 Speaker 1: it's you plug in. Okay, Yes, whoa. 47 00:02:30,120 --> 00:02:32,200 Speaker 2: We have some big guest stars this week. We have 48 00:02:32,760 --> 00:02:33,480 Speaker 2: Kim Jung. 49 00:02:33,960 --> 00:02:40,320 Speaker 1: And Jennifer Good as Brittany's mom and dad. Now we're 50 00:02:40,400 --> 00:02:42,919 Speaker 1: on to the Burt backrack of it all. We've got 51 00:02:43,080 --> 00:02:45,840 Speaker 1: I'll Never Fall in Love Again, and this was performing 52 00:02:45,960 --> 00:02:46,680 Speaker 1: Rachel and Sam. 53 00:02:47,120 --> 00:02:51,200 Speaker 2: We Have Baby, It's You performed by Mercedes Britney, Rachel 54 00:02:51,240 --> 00:02:52,400 Speaker 2: and Santana and. 55 00:02:52,480 --> 00:02:57,880 Speaker 1: Now obviously he wrote all of these songs. This is Crazy, Okay, Wishin' 56 00:02:57,919 --> 00:03:01,320 Speaker 1: and Hopin' by Already, Blaine Brittany and Sam. 57 00:03:02,120 --> 00:03:05,440 Speaker 2: Arthur's Theme performed by the Alumni Men and the New 58 00:03:05,440 --> 00:03:06,280 Speaker 2: Direction Boys. 59 00:03:06,440 --> 00:03:10,280 Speaker 1: They Long to Be Close to You perform by. 60 00:03:10,120 --> 00:03:14,320 Speaker 2: Sam Promises Promises performed by Rachel. 61 00:03:14,400 --> 00:03:19,120 Speaker 1: Alfie performer Santana with the Alums and the New Directions. 62 00:03:19,360 --> 00:03:26,320 Speaker 2: Have you seen Cynthia Rivo's Alfie No Jenna. 63 00:03:24,680 --> 00:03:26,880 Speaker 1: I'm putting that on my Safari NA. 64 00:03:28,240 --> 00:03:33,280 Speaker 2: On YouTube. No, I don't care if you don't know 65 00:03:33,360 --> 00:03:36,200 Speaker 2: this song, those of you who are listening, if you 66 00:03:36,240 --> 00:03:40,920 Speaker 2: don't like Burke backrack. It is one of the greatest 67 00:03:41,040 --> 00:03:44,680 Speaker 2: performances I have ever seen in my entire. 68 00:03:44,440 --> 00:03:47,960 Speaker 1: Oh my god, I have to watch this. Okay, It's 69 00:03:47,960 --> 00:03:49,200 Speaker 1: on my Safari. It's ready to go. 70 00:03:49,280 --> 00:03:55,800 Speaker 2: Cynthia Alfie, you can pause this. Everyone watch that and 71 00:03:55,840 --> 00:03:56,600 Speaker 2: then come back. 72 00:03:56,760 --> 00:03:58,440 Speaker 1: I'll get there. We'll talk about it next week. 73 00:03:58,800 --> 00:04:02,600 Speaker 2: What the World Needs Now, performed by the Alumni and 74 00:04:02,680 --> 00:04:04,400 Speaker 2: will with the new directions. 75 00:04:04,560 --> 00:04:07,840 Speaker 1: Okay, So this episode is watched by one point five 76 00:04:08,000 --> 00:04:12,600 Speaker 1: seven million viewers, making it the lowest watched episode of 77 00:04:12,760 --> 00:04:13,840 Speaker 1: the series. 78 00:04:14,160 --> 00:04:17,039 Speaker 2: So I heard a rumor this is not officially part 79 00:04:17,080 --> 00:04:22,680 Speaker 2: of the fun facts that oh why don't get in trouble? Okay, 80 00:04:23,000 --> 00:04:26,080 Speaker 2: but the debate for this episode was whether it was 81 00:04:26,120 --> 00:04:28,440 Speaker 2: going to be a b Backgrack episode or an Elton 82 00:04:28,520 --> 00:04:34,280 Speaker 2: John episode. What that is a rumor? I can either 83 00:04:34,480 --> 00:04:44,640 Speaker 2: confirm nor deny, but you know, so there's that interesting. Yeah. 84 00:04:45,040 --> 00:04:47,760 Speaker 2: This is the eleventh episode named after a song sung 85 00:04:47,800 --> 00:04:51,000 Speaker 2: in it the others being Home dream on silly love Songs. 86 00:04:51,000 --> 00:04:53,039 Speaker 2: Blame it on the alcohol Born this way, I kised 87 00:04:53,240 --> 00:04:56,200 Speaker 2: Girl Extraordinary, Merry Christmas, Diva all or Nothing and moving 88 00:04:56,240 --> 00:04:58,000 Speaker 2: out breath Jenna. 89 00:04:58,160 --> 00:05:01,320 Speaker 1: Whoa getting that b the control broatsu of work going 90 00:05:01,520 --> 00:05:04,960 Speaker 1: for your shows. This episode contains the show's seven hundredth 91 00:05:05,080 --> 00:05:09,440 Speaker 1: musical performance What the World needs Now? I like that. 92 00:05:09,440 --> 00:05:10,960 Speaker 2: That's a seven hundredth performance. 93 00:05:11,040 --> 00:05:11,880 Speaker 1: That feels nice. 94 00:05:12,080 --> 00:05:15,000 Speaker 2: Yeah, okay. This is the first episode of season six 95 00:05:15,000 --> 00:05:17,680 Speaker 2: in which Rachel sings a duet, a solo, and has 96 00:05:17,720 --> 00:05:20,440 Speaker 2: a solo and a group number. The last episode that 97 00:05:20,480 --> 00:05:23,719 Speaker 2: happened was New New York and season five a twelve 98 00:05:23,800 --> 00:05:24,680 Speaker 2: episode gap. 99 00:05:25,440 --> 00:05:27,600 Speaker 1: The Thing Gave Me Said? For Sam, Who's sang a solo, 100 00:05:27,640 --> 00:05:29,159 Speaker 1: a duet with Rachel, and a solo and a group 101 00:05:29,200 --> 00:05:31,600 Speaker 1: number and his last episode where he this occurred for 102 00:05:31,680 --> 00:05:34,160 Speaker 1: him was in Guilty Pleasures in season four a thirty 103 00:05:34,200 --> 00:05:35,440 Speaker 1: one episode gap. 104 00:05:35,640 --> 00:05:39,239 Speaker 2: This episode features Santana's first solo since Frenemies and first 105 00:05:39,240 --> 00:05:40,400 Speaker 2: solo of season six. 106 00:05:40,600 --> 00:05:43,039 Speaker 1: Oh Wow. This episode marks the last time we see 107 00:05:43,040 --> 00:05:46,720 Speaker 1: Britney's talk show Oh Fondue for too arip. 108 00:05:47,320 --> 00:05:51,640 Speaker 2: This is also Santana's and Sam's final solos in the series. 109 00:05:52,279 --> 00:05:54,080 Speaker 1: That is momentous. 110 00:05:54,880 --> 00:05:55,560 Speaker 2: Don't like it? 111 00:05:56,240 --> 00:05:58,360 Speaker 1: No, I'm not here for that. This also marks the 112 00:05:58,400 --> 00:06:03,200 Speaker 1: last appearance of Britney's cat Lord Tumington, as well as 113 00:06:03,279 --> 00:06:04,120 Speaker 1: Lady Tummington. 114 00:06:04,880 --> 00:06:07,479 Speaker 2: This is the first time Will sings this season. 115 00:06:08,640 --> 00:06:12,080 Speaker 1: Whoa. These are blowing my mind. This is the last 116 00:06:12,120 --> 00:06:15,279 Speaker 1: tribute episode of the series. 117 00:06:15,640 --> 00:06:19,279 Speaker 2: Strange. This is the last episode to show Already out 118 00:06:19,279 --> 00:06:20,560 Speaker 2: of his wheelchair. 119 00:06:20,120 --> 00:06:23,680 Speaker 1: For Ah that happened? Yeah, We're gonna talk about that. 120 00:06:23,760 --> 00:06:27,320 Speaker 1: With eight songs, this episode is the most released songs 121 00:06:27,560 --> 00:06:28,239 Speaker 1: this season. 122 00:06:28,640 --> 00:06:33,159 Speaker 2: Well Bert deserves it. Yeah, Kurt and Mercedes clothes during 123 00:06:33,240 --> 00:06:35,680 Speaker 2: What the World Needs Now are the ones they wore 124 00:06:35,680 --> 00:06:38,480 Speaker 2: in the Glee season six photo shoot. Blaine wears his 125 00:06:39,200 --> 00:06:51,200 Speaker 2: and Will and Emma's apartment. Okay. Episode summary, Brittany and 126 00:06:51,279 --> 00:06:55,400 Speaker 2: Santana have some family convincing to do that's a crazy sentence. Meanwhile, 127 00:06:55,560 --> 00:06:58,960 Speaker 2: during a Burt Backrack tribute week, Mercedes returns to Ohio 128 00:06:59,000 --> 00:07:03,040 Speaker 2: to convince Rachel to sue her Broadway dreams. Yes, this 129 00:07:03,080 --> 00:07:05,120 Speaker 2: is what I needed, this is what I wanted. Last 130 00:07:05,160 --> 00:07:05,880 Speaker 2: week you won. 131 00:07:06,600 --> 00:07:09,600 Speaker 1: Okay, I didn't know that we did a backac episode. 132 00:07:10,320 --> 00:07:12,000 Speaker 2: I did, but I had never seen it. 133 00:07:12,840 --> 00:07:15,920 Speaker 1: Right, And last week we mentioned that, like you're back, 134 00:07:16,000 --> 00:07:19,320 Speaker 1: and you're like, I am. Do you know this? 135 00:07:19,800 --> 00:07:25,200 Speaker 2: So this is the first episode in which I truly 136 00:07:26,560 --> 00:07:31,600 Speaker 2: have no memory of doing anything in this episode except 137 00:07:31,720 --> 00:07:33,040 Speaker 2: the rehearsal. 138 00:07:33,200 --> 00:07:34,920 Speaker 1: In shooting Dance of Your Dance. 139 00:07:35,880 --> 00:07:38,800 Speaker 2: No, No, I didn't even remember getting up. I just 140 00:07:38,880 --> 00:07:46,320 Speaker 2: remember seeing everybody in their costumes. That's all every scene 141 00:07:46,320 --> 00:07:51,440 Speaker 2: I mean I have. It's really terrifying. I remember not 142 00:07:54,280 --> 00:07:55,920 Speaker 2: like you know, it's happened a little bit here and there, 143 00:07:55,960 --> 00:08:00,440 Speaker 2: Like I remember the scene, not a one. And I'm 144 00:08:00,920 --> 00:08:02,000 Speaker 2: in this episode where. 145 00:08:02,000 --> 00:08:05,440 Speaker 1: A fever dream for you clearly area. 146 00:08:06,080 --> 00:08:09,160 Speaker 2: It's so disturbing. I don't remember being the wedding planner, 147 00:08:10,960 --> 00:08:13,200 Speaker 2: like what. 148 00:08:13,280 --> 00:08:16,920 Speaker 1: I always I think, like I usually remember my storylines, 149 00:08:16,960 --> 00:08:18,679 Speaker 1: probably because I didn't have that many, so like I 150 00:08:18,760 --> 00:08:22,360 Speaker 1: just I think, like I remember all the things that 151 00:08:22,400 --> 00:08:26,040 Speaker 1: I do. But like that's funny, that's. 152 00:08:25,920 --> 00:08:28,400 Speaker 2: Yeah, I don't have a lot of storyline either, and 153 00:08:28,480 --> 00:08:29,480 Speaker 2: I should remember this. 154 00:08:29,640 --> 00:08:31,200 Speaker 1: You have more storyline than did. 155 00:08:32,840 --> 00:08:35,440 Speaker 2: I do. Like, well, we'll get to me, but yeah, 156 00:08:35,480 --> 00:08:37,920 Speaker 2: I don't. I don't really Well, let's talk about it, 157 00:08:38,000 --> 00:08:39,319 Speaker 2: so no disturbing. 158 00:08:40,240 --> 00:08:43,800 Speaker 1: Let's start with the the Rachel of it all. So 159 00:08:44,640 --> 00:08:50,280 Speaker 1: they obviously win at invitationals because of their devious plan 160 00:08:51,000 --> 00:08:57,400 Speaker 1: to click into s U's emotional folder locked folder uh 161 00:08:57,400 --> 00:09:00,960 Speaker 1: and Kurt and Rachel are planning for a backrock week 162 00:09:02,200 --> 00:09:08,960 Speaker 1: for sectionals and Miss Mercedes Jones is back hooray? 163 00:09:09,040 --> 00:09:12,000 Speaker 2: Why is already there in the corner? Like why is Arnie? 164 00:09:12,040 --> 00:09:14,600 Speaker 1: Literally? But it's funny because the alumni just like show 165 00:09:14,679 --> 00:09:16,920 Speaker 1: up and they pan to the to the choir room 166 00:09:16,960 --> 00:09:20,559 Speaker 1: and there's like magically like half of like the alums 167 00:09:20,720 --> 00:09:24,480 Speaker 1: just there. I'm like, what are they doing? And like, 168 00:09:24,880 --> 00:09:27,560 Speaker 1: do I also appreciate Kitty was a kiddy who was like, 169 00:09:27,760 --> 00:09:31,960 Speaker 1: you didn't have anything to do anyway, because like, what 170 00:09:32,000 --> 00:09:34,320 Speaker 1: are you guys doing? Aren't you in school? 171 00:09:36,000 --> 00:09:36,280 Speaker 2: Are you? 172 00:09:36,480 --> 00:09:38,640 Speaker 1: Like? I don't know, is it spring break? 173 00:09:39,600 --> 00:09:41,719 Speaker 2: Sure? Whatever you wanted to be. 174 00:09:41,840 --> 00:09:45,880 Speaker 1: It was like, what is happening there? But anyway, it's 175 00:09:45,920 --> 00:09:49,520 Speaker 1: funny and I like it. Mercedes is back. 176 00:09:50,320 --> 00:09:53,160 Speaker 2: And that's the moral of the story. We need Mercedes back. 177 00:09:53,280 --> 00:10:00,360 Speaker 1: Mercedes is here and her and Rachel are gonna have 178 00:10:00,440 --> 00:10:03,640 Speaker 1: this huge, like very sweet story arc, which I really 179 00:10:04,600 --> 00:10:07,240 Speaker 1: some of it was like I was very freaked out 180 00:10:07,280 --> 00:10:09,920 Speaker 1: about and I'll like, I'll tell you why, and some 181 00:10:10,000 --> 00:10:12,520 Speaker 1: of it I thought was really great. It's it's not. 182 00:10:12,640 --> 00:10:16,520 Speaker 1: It doesn't feel like in character for Mercedes to be 183 00:10:16,960 --> 00:10:19,680 Speaker 1: so gung ho about getting Rachel back on board to 184 00:10:19,720 --> 00:10:21,840 Speaker 1: go to New York. I don't know why that felt 185 00:10:22,040 --> 00:10:22,920 Speaker 1: strange to me. 186 00:10:23,520 --> 00:10:24,360 Speaker 2: I think you're wrong. 187 00:10:24,800 --> 00:10:26,240 Speaker 1: Look, I could be wrong. 188 00:10:26,600 --> 00:10:27,160 Speaker 2: I'm wrong. 189 00:10:28,280 --> 00:10:32,120 Speaker 1: I I just feel I feel. 190 00:10:32,080 --> 00:10:37,080 Speaker 2: Okay, this is a safe space, but share. 191 00:10:36,960 --> 00:10:41,480 Speaker 1: Okay, fine, I feel that it's not. It just felt 192 00:10:41,520 --> 00:10:44,480 Speaker 1: a little off the cuff for me, like it didn't 193 00:10:44,760 --> 00:10:47,719 Speaker 1: feel in line with like what we've been seeing from 194 00:10:47,720 --> 00:10:51,000 Speaker 1: Mercedes lately, not that she's like she's a good person 195 00:10:51,120 --> 00:10:53,000 Speaker 1: like that. I'm not saying that. I just felt like, 196 00:10:53,280 --> 00:10:57,040 Speaker 1: out of nowhere, she's like making it her life's business, 197 00:10:57,360 --> 00:10:59,839 Speaker 1: like make get Rachel back home. Like that feels like 198 00:10:59,880 --> 00:11:03,840 Speaker 1: a Kurt thing to me, not a Mercedes thing anyway. 199 00:11:05,880 --> 00:11:09,840 Speaker 1: I the thing that got me more that like I 200 00:11:09,960 --> 00:11:13,360 Speaker 1: was just weirded out about was like them talking so 201 00:11:13,679 --> 00:11:17,320 Speaker 1: nonchalantly in the first half of the episode about like 202 00:11:17,679 --> 00:11:21,679 Speaker 1: Rachel and Sam getting together, like getting back out there 203 00:11:21,880 --> 00:11:26,680 Speaker 1: and being like, I obviously it's Rachel, Like yes, they 204 00:11:26,760 --> 00:11:29,600 Speaker 1: do say along the way, which we we'll get to 205 00:11:29,920 --> 00:11:36,240 Speaker 1: like the you know, I'm a little bit jealous and 206 00:11:36,320 --> 00:11:38,840 Speaker 1: that's a good thing, and you know they're they're really 207 00:11:38,920 --> 00:11:41,120 Speaker 1: reaching like a friend zone where they care about each other. 208 00:11:41,200 --> 00:11:47,400 Speaker 1: But it just felt like we're still people, still have 209 00:11:47,440 --> 00:11:50,200 Speaker 1: these feelings and it was so fresh, like this wasn't 210 00:11:50,240 --> 00:11:53,120 Speaker 1: them that long ago, and for her to be like 211 00:11:53,800 --> 00:11:56,000 Speaker 1: buying for Rachel to go to New York and like 212 00:11:56,120 --> 00:11:59,880 Speaker 1: live or dreams and feeling like take the boyfriend that 213 00:11:59,920 --> 00:12:02,640 Speaker 1: I I loved so deeply, but like we just didn't 214 00:12:02,640 --> 00:12:04,920 Speaker 1: align on our values, so like it wasn't even that 215 00:12:04,960 --> 00:12:06,920 Speaker 1: they didn't care about each other, and it ended badly. 216 00:12:07,000 --> 00:12:08,920 Speaker 1: They just like their values didn't align. So I would 217 00:12:08,920 --> 00:12:11,360 Speaker 1: imagine that would be even harder to see them move 218 00:12:11,400 --> 00:12:14,520 Speaker 1: on to somebody else, because it's like there was nothing 219 00:12:14,520 --> 00:12:17,920 Speaker 1: that was really like wrong within the relationship. It was 220 00:12:17,960 --> 00:12:20,320 Speaker 1: just like the core values of which like they were 221 00:12:20,360 --> 00:12:24,439 Speaker 1: not aligned, and so it just felt off to me. 222 00:12:26,280 --> 00:12:28,839 Speaker 1: I didn't fullyeve it wrong. I didn't fully believe it. 223 00:12:29,000 --> 00:12:32,400 Speaker 1: I didn't believe it. Now. Do I love this whole? 224 00:12:32,559 --> 00:12:35,480 Speaker 1: Like seeing everybody together? Do I like the trio? Do 225 00:12:35,520 --> 00:12:38,920 Speaker 1: I like Sam and Rachel and Rachel and Mercedes and 226 00:12:39,040 --> 00:12:42,840 Speaker 1: Mercedes and Sam? Yes, I do. I enjoyed watching it. 227 00:12:42,840 --> 00:12:48,719 Speaker 1: It was just the actual storyline that I felt wasn't exactly. 228 00:12:49,520 --> 00:12:50,880 Speaker 1: I wasn't like, oh I believe that. 229 00:12:52,520 --> 00:12:54,640 Speaker 2: No, I get it. I'm kidding. I'm not saying you're 230 00:12:54,760 --> 00:12:56,880 Speaker 2: actually wrong. I fully get it. 231 00:12:57,080 --> 00:12:59,320 Speaker 1: And their performances were great. I just it just was 232 00:12:59,400 --> 00:13:00,720 Speaker 1: like a little weird to me. 233 00:13:01,200 --> 00:13:05,000 Speaker 2: My counterpoint to this, Okay, go for it, go for it, 234 00:13:05,040 --> 00:13:09,000 Speaker 2: is that if you are Mercedes, you know, we've skipped 235 00:13:09,000 --> 00:13:11,559 Speaker 2: time a little bit here, and she's been on tour, 236 00:13:12,240 --> 00:13:16,720 Speaker 2: she's enjoying success, she has started dating other people. She's 237 00:13:16,760 --> 00:13:21,839 Speaker 2: found somebody that aligns with her values, which is a 238 00:13:21,880 --> 00:13:26,640 Speaker 2: foundational issue. Like I know there was no emotional issues 239 00:13:26,679 --> 00:13:33,360 Speaker 2: with their relationship, but ultimately there was like a huge yes, yes, yes, yes, 240 00:13:34,920 --> 00:13:39,320 Speaker 2: a great And I feel like when you are like 241 00:13:39,400 --> 00:13:41,520 Speaker 2: on the up and up and you're like feeling all 242 00:13:41,520 --> 00:13:44,200 Speaker 2: these positive vibes and everything is sort of you know, 243 00:13:44,840 --> 00:13:48,160 Speaker 2: going ultimately well, not saying mercedes life is perfect at 244 00:13:48,200 --> 00:13:51,600 Speaker 2: the moment, but like it's finally her career has taken off, 245 00:13:51,800 --> 00:13:54,440 Speaker 2: her love life is taken off. She's having fun, she's 246 00:13:54,440 --> 00:13:58,560 Speaker 2: feeling good. And when you're in that place, I think 247 00:13:58,679 --> 00:14:03,200 Speaker 2: it's easier for you to look around to those who 248 00:14:03,240 --> 00:14:05,640 Speaker 2: you love and who are closest to you and then 249 00:14:05,679 --> 00:14:08,760 Speaker 2: want the same for them. And I feel like I 250 00:14:08,760 --> 00:14:11,080 Speaker 2: feel like that's what it is where, you know, if 251 00:14:11,120 --> 00:14:12,840 Speaker 2: she was not in such a great place, it would 252 00:14:12,880 --> 00:14:16,800 Speaker 2: definitely be much harder for her to like encourage Rachel 253 00:14:16,920 --> 00:14:21,280 Speaker 2: and to encourage Sam to be together. But because she's 254 00:14:21,560 --> 00:14:24,960 Speaker 2: like she's fine, right, and sure it may sting a 255 00:14:25,000 --> 00:14:28,800 Speaker 2: little bit still, but it's like she's living her dreams. 256 00:14:29,000 --> 00:14:32,720 Speaker 2: And then yeah, in regards to Rachel, like she's Mercedes 257 00:14:32,720 --> 00:14:36,720 Speaker 2: is living her dreams and it's easy then to look 258 00:14:36,760 --> 00:14:39,840 Speaker 2: at Rachel and be like, oh, she needs to be 259 00:14:39,920 --> 00:14:41,640 Speaker 2: doing this. I know she's in a funk right now, 260 00:14:41,680 --> 00:14:43,480 Speaker 2: but when you are not in that funk, it's so 261 00:14:43,680 --> 00:14:47,200 Speaker 2: clear yeah to you. Yeah, to be like I got 262 00:14:47,200 --> 00:14:48,280 Speaker 2: to help her out. 263 00:14:48,600 --> 00:14:51,280 Speaker 1: I will say the Mercedes Rachel seeing Atia and where 264 00:14:52,240 --> 00:14:55,360 Speaker 1: Rachel's about to go off to her audition and like 265 00:14:55,720 --> 00:14:58,840 Speaker 1: that like vulnerable Rachel, and then also the Mercedes of 266 00:14:58,960 --> 00:15:02,240 Speaker 1: like just like support her. I did love Like It's 267 00:15:02,280 --> 00:15:05,120 Speaker 1: not that I didn't like this storyline, it just felt 268 00:15:05,200 --> 00:15:07,640 Speaker 1: a little like I was like, why is she so 269 00:15:07,880 --> 00:15:08,240 Speaker 1: gung ho? 270 00:15:08,960 --> 00:15:11,280 Speaker 2: Yeah, but the girls always step up, like I know, 271 00:15:11,400 --> 00:15:14,920 Speaker 2: you're right, they always doing it for themselves. 272 00:15:15,200 --> 00:15:17,240 Speaker 1: I love it, you know, I'm here for it. I 273 00:15:17,360 --> 00:15:21,600 Speaker 1: just I was just stating an observation, you know what. 274 00:15:21,720 --> 00:15:27,400 Speaker 2: You know. What made me like I feel some type 275 00:15:27,400 --> 00:15:29,120 Speaker 2: of way or it stuck out to me was when 276 00:15:29,160 --> 00:15:32,760 Speaker 2: Mercedes was performing her number for Rachel, but Rachel was 277 00:15:32,760 --> 00:15:35,680 Speaker 2: in the background. We never see Rachel doing that. 278 00:15:36,200 --> 00:15:38,320 Speaker 1: I know. I was going to stay like, we haven't 279 00:15:38,320 --> 00:15:40,280 Speaker 1: seen that and why I liked it, but we just 280 00:15:40,360 --> 00:15:42,000 Speaker 1: never see that, yeah for sure? 281 00:15:42,520 --> 00:15:45,840 Speaker 2: And and can we just have a couple moments for 282 00:15:45,920 --> 00:15:47,040 Speaker 2: the silence, for the. 283 00:15:46,960 --> 00:15:50,200 Speaker 1: Hair, for the hair, all of them. 284 00:15:49,440 --> 00:15:51,640 Speaker 2: Just for all those the beehive wigs. 285 00:15:52,200 --> 00:15:55,040 Speaker 1: It also did remind me of the number we did, 286 00:15:55,480 --> 00:16:00,640 Speaker 1: uh in the Dream Girl's number for Mercedes. I can't 287 00:16:00,680 --> 00:16:02,440 Speaker 1: remember the name of it, but when we were all 288 00:16:02,480 --> 00:16:05,160 Speaker 1: in the pink and we all had those pive hairs. 289 00:16:05,240 --> 00:16:07,880 Speaker 1: So anyway, yeah, let's have a moment of silence for that. 290 00:16:09,240 --> 00:16:17,240 Speaker 1: All right, Okay, all right, So Mercedes is gonna make 291 00:16:17,280 --> 00:16:21,720 Speaker 1: it her mission to get Rachel back to New York. 292 00:16:21,920 --> 00:16:25,880 Speaker 1: She's heard about this audition. She wants to make Rachel 293 00:16:26,040 --> 00:16:29,440 Speaker 1: nostalgic for New York, so of course she gets everybody 294 00:16:29,480 --> 00:16:34,560 Speaker 1: together to perform Arthur's theme where you all real cute 295 00:16:34,640 --> 00:16:36,840 Speaker 1: and the New York thing is real cute. It's I 296 00:16:37,280 --> 00:16:39,840 Speaker 1: liked it. I appreciate I thought that number was adorable. 297 00:16:41,280 --> 00:16:44,320 Speaker 1: I remember seeing pictures of that, like BTS pictures of 298 00:16:44,320 --> 00:16:46,560 Speaker 1: that for some reason and being like, I wonder what 299 00:16:46,600 --> 00:16:47,160 Speaker 1: they're doing. 300 00:16:49,560 --> 00:16:55,320 Speaker 2: Uh, yeah, it was really sweet, and I like there 301 00:16:55,400 --> 00:16:58,040 Speaker 2: again it started to sort of like not at me 302 00:16:58,120 --> 00:17:00,720 Speaker 2: a tiny bit when she's just like so dismissive of it. 303 00:17:01,360 --> 00:17:04,000 Speaker 2: But it's also like Mercedes here said no and you're 304 00:17:04,040 --> 00:17:08,119 Speaker 2: doing it again. It's like, no, this is hard. No, 305 00:17:08,440 --> 00:17:16,000 Speaker 2: but we get promises, promises after we get that scene 306 00:17:16,560 --> 00:17:21,440 Speaker 2: of her, like Leah crying, Oh lord. 307 00:17:21,800 --> 00:17:24,200 Speaker 1: I just I'm also it's not like a crying where 308 00:17:24,240 --> 00:17:28,040 Speaker 1: like she's it is the most vulnerable cry we've seen 309 00:17:28,040 --> 00:17:30,320 Speaker 1: for Rachel Rachel in quite a bit of time in 310 00:17:30,359 --> 00:17:35,320 Speaker 1: this in circumstance, and like, it was so cool. It's 311 00:17:35,320 --> 00:17:39,119 Speaker 1: so refreshing to see Rachel like that when she's scared, 312 00:17:39,160 --> 00:17:41,359 Speaker 1: because she's always so sure and she even said it 313 00:17:41,400 --> 00:17:44,760 Speaker 1: in her speech like I'm always like usually just going 314 00:17:44,840 --> 00:17:47,800 Speaker 1: to show everybody that they're wrong. But her feeling so 315 00:17:48,000 --> 00:17:55,560 Speaker 1: scared about it was like there's something so deeply vulnerable 316 00:17:55,640 --> 00:17:57,959 Speaker 1: that like plucked at the heart strings that you just 317 00:17:58,000 --> 00:18:01,200 Speaker 1: like then you're like, I want her her just sicksed 318 00:18:01,240 --> 00:18:03,720 Speaker 1: a thousand times over in this, you know what I mean, 319 00:18:03,840 --> 00:18:06,920 Speaker 1: You just want to watch her win, and like overcome. 320 00:18:06,440 --> 00:18:08,640 Speaker 2: That, you want to watch her win more than ever 321 00:18:08,720 --> 00:18:11,080 Speaker 2: because you know, it's like she's not she hasn't always 322 00:18:11,119 --> 00:18:14,240 Speaker 2: been the most likable character. And then she does ultimately 323 00:18:14,280 --> 00:18:18,080 Speaker 2: win really easily, right, and for her to have this 324 00:18:18,240 --> 00:18:20,399 Speaker 2: and it's a complicated thing. I think to explain to 325 00:18:20,400 --> 00:18:22,760 Speaker 2: people who are not in the entertainment business of that 326 00:18:22,840 --> 00:18:26,440 Speaker 2: type of success and then fall yes and then back 327 00:18:26,600 --> 00:18:29,920 Speaker 2: trying to rebuild yourself is a common thing that happens, 328 00:18:30,480 --> 00:18:33,520 Speaker 2: and it sounds so ungrateful and like, oh, Champagne problems. 329 00:18:33,640 --> 00:18:39,000 Speaker 2: You're trying to explain that process to people, But if yes, 330 00:18:39,119 --> 00:18:41,800 Speaker 2: And I think it's written so well and the reason 331 00:18:41,880 --> 00:18:44,160 Speaker 2: like how she is she writes off all those things 332 00:18:44,160 --> 00:18:46,040 Speaker 2: that Mercedes is doing for her so quickly because she 333 00:18:46,040 --> 00:18:49,600 Speaker 2: doesn't want to deal with it, and then it justifies 334 00:18:49,720 --> 00:18:53,359 Speaker 2: that emotional breakdown and Leah does. I mean, it's a 335 00:18:53,359 --> 00:18:54,280 Speaker 2: beautiful rush. 336 00:18:54,440 --> 00:18:56,960 Speaker 1: Crush and then in to promises promises, which is so 337 00:18:57,000 --> 00:19:01,040 Speaker 1: much fun and like oh that last note and also 338 00:19:01,440 --> 00:19:04,000 Speaker 1: like all the different locations sound. 339 00:19:05,119 --> 00:19:07,960 Speaker 2: I got, got those flashbacks got me? 340 00:19:08,359 --> 00:19:10,720 Speaker 1: Those were good. We never see Rachel flashbacks like that. 341 00:19:10,760 --> 00:19:13,160 Speaker 1: We usually are like used to seeing like either Finn 342 00:19:13,160 --> 00:19:15,680 Speaker 1: flashbacks like that right now, So like that was really 343 00:19:15,720 --> 00:19:18,320 Speaker 1: refreshing too. I really appreciated the editing and this and 344 00:19:18,400 --> 00:19:20,320 Speaker 1: like I just I thought it was really great and 345 00:19:20,520 --> 00:19:25,720 Speaker 1: I love that song just crushing at this episode really good. 346 00:19:26,800 --> 00:19:29,040 Speaker 1: And then also like we skipped over it, but we 347 00:19:29,400 --> 00:19:32,359 Speaker 1: out the gate. We were unlike her Locker, where we 348 00:19:32,359 --> 00:19:35,160 Speaker 1: were waiting for songs for a song twenty minutes into 349 00:19:35,160 --> 00:19:38,640 Speaker 1: the episode, this one was out the gate. I'll Never 350 00:19:38,640 --> 00:19:42,640 Speaker 1: fall in Love again with Sweet Sam and Rachel love 351 00:19:42,760 --> 00:19:45,480 Speaker 1: this song, love them on it. I thought this was 352 00:19:45,600 --> 00:19:48,120 Speaker 1: great for their voices. They sound so nice together. 353 00:19:48,400 --> 00:19:53,240 Speaker 2: And it's perfect for the storyline. Yes, it's like, I 354 00:19:53,280 --> 00:19:55,920 Speaker 2: don't know what came first, this storyline or trying to 355 00:19:56,040 --> 00:19:58,959 Speaker 2: get this, you know, trying to get this song. It 356 00:19:58,960 --> 00:20:03,359 Speaker 2: doesn't matter. It worked either way. And like having that 357 00:20:03,400 --> 00:20:05,840 Speaker 2: little number with all the couples walking around and then 358 00:20:06,560 --> 00:20:13,800 Speaker 2: both bailing their supposed date was really cute, yes, and 359 00:20:13,840 --> 00:20:16,040 Speaker 2: so you know, and having Mercedes there to sort of 360 00:20:16,920 --> 00:20:21,600 Speaker 2: ease them into this new dating world together was just 361 00:20:22,200 --> 00:20:25,720 Speaker 2: really really sweet. And then Sam has such a beautiful 362 00:20:25,800 --> 00:20:33,040 Speaker 2: number by himself. He does close to You, which is 363 00:20:33,240 --> 00:20:35,840 Speaker 2: I It's one of my favorite songs. I love the 364 00:20:35,880 --> 00:20:39,480 Speaker 2: Carpenters so much. And Frank Ocean has an incredible version 365 00:20:39,560 --> 00:20:41,440 Speaker 2: of this song. If you don't know what you should, 366 00:20:43,880 --> 00:20:48,760 Speaker 2: It's so good and I love chords version of it. 367 00:20:48,840 --> 00:20:51,960 Speaker 2: I was hoping that we might get a little Mercedes 368 00:20:52,000 --> 00:20:54,080 Speaker 2: Sam do it all a human nature on the stage. 369 00:20:56,119 --> 00:20:58,679 Speaker 2: But I still love it as just you know, a 370 00:20:58,760 --> 00:21:01,840 Speaker 2: chord cover so good and they have such a sweet 371 00:21:01,960 --> 00:21:07,960 Speaker 2: scene together on the auditorium stage. It's just so mature 372 00:21:08,119 --> 00:21:12,639 Speaker 2: and you know you practiced it earlier, having the little 373 00:21:12,760 --> 00:21:15,280 Speaker 2: like they're both a little jealous of one another. Yeah, 374 00:21:16,040 --> 00:21:18,520 Speaker 2: and that's cute because it also feels like, yeah, the 375 00:21:19,200 --> 00:21:22,399 Speaker 2: relationship meant something. They still have to get over something, 376 00:21:22,440 --> 00:21:24,400 Speaker 2: but they're having the support of one another in each 377 00:21:24,400 --> 00:21:24,920 Speaker 2: other's lives. 378 00:21:24,920 --> 00:21:28,240 Speaker 1: Still I'm still mourning their relationship. Maybe that's why I'm 379 00:21:28,320 --> 00:21:31,879 Speaker 1: resisting the Mercedes. Like trying to get Rachel and Sam 380 00:21:31,920 --> 00:21:34,840 Speaker 1: together so much is like, oh, I'm full of it 381 00:21:35,080 --> 00:21:37,280 Speaker 1: because I love Sam and Mercedes so much. But like 382 00:21:37,840 --> 00:21:43,399 Speaker 1: I I enjoyed watching this as well, like that, you know, 383 00:21:43,480 --> 00:21:46,240 Speaker 1: but anything with them together, it's just like so good 384 00:21:46,280 --> 00:21:47,320 Speaker 1: and so cute. 385 00:21:47,600 --> 00:21:51,280 Speaker 2: So cute. But to wrap up that sort of situation, 386 00:21:52,320 --> 00:21:57,640 Speaker 2: they Rachel and Sam agree with Mercedes support to go 387 00:21:57,720 --> 00:21:58,400 Speaker 2: on a date. 388 00:21:58,880 --> 00:22:02,240 Speaker 1: Next Thursday, which is our sharing on Thursdays. 389 00:22:03,440 --> 00:22:10,160 Speaker 2: Friday, somebody said Friday, so we're gonna see what's gonna happen. 390 00:22:10,320 --> 00:22:12,240 Speaker 2: But it's happening. 391 00:22:13,000 --> 00:22:15,239 Speaker 1: It is happening. I don't know how much of this 392 00:22:15,320 --> 00:22:16,600 Speaker 1: is gonna happen, and I don't know how much of 393 00:22:16,600 --> 00:22:20,399 Speaker 1: it I'm in. I'm into, but I we don't have 394 00:22:20,480 --> 00:22:34,159 Speaker 1: much more time, so so we'll see once again. Like Clane, 395 00:22:34,240 --> 00:22:37,159 Speaker 1: I'm just like, uh, I'm like, give me all of 396 00:22:37,200 --> 00:22:39,600 Speaker 1: the couples, Like, give me all of the couples. I'm 397 00:22:39,600 --> 00:22:42,320 Speaker 1: so happy to see it all. We're leading up to 398 00:22:42,359 --> 00:22:45,320 Speaker 1: the wedding. We're getting there. Obviously they are engaged now 399 00:22:45,520 --> 00:22:52,560 Speaker 1: and Brittany has she's hired Hardy as their wedding planner. 400 00:22:52,880 --> 00:22:56,400 Speaker 1: But prior to that, we we meet Britney's parents, who 401 00:22:56,440 --> 00:22:59,360 Speaker 1: we will see again at the wedding, and it's it's 402 00:22:59,440 --> 00:23:03,560 Speaker 1: Jennifer cool j and Ken Jong and my god, that scene. 403 00:23:03,359 --> 00:23:05,520 Speaker 2: Was out of this world so weird. 404 00:23:06,760 --> 00:23:09,080 Speaker 1: Well, first of all, can we talk about the fact 405 00:23:09,080 --> 00:23:12,399 Speaker 1: that Brittany's dad is actually well, first that she didn't 406 00:23:12,440 --> 00:23:16,480 Speaker 1: know that Ken wasn't actually her dad, and he didn't 407 00:23:16,520 --> 00:23:17,200 Speaker 1: know either. 408 00:23:17,400 --> 00:23:18,640 Speaker 2: And that's Stephen Hawking. 409 00:23:19,560 --> 00:23:22,879 Speaker 1: Stephen Hockey is her father, which like makes sense for 410 00:23:22,960 --> 00:23:25,840 Speaker 1: the genius part of it, but like, let's this is weird. 411 00:23:26,160 --> 00:23:27,200 Speaker 1: This is really really weird. 412 00:23:27,400 --> 00:23:29,959 Speaker 2: Like I didn't I've never known that like that is 413 00:23:30,240 --> 00:23:31,119 Speaker 2: glee Loore. 414 00:23:31,640 --> 00:23:35,040 Speaker 1: I was like that is that fan fistion because but 415 00:23:35,240 --> 00:23:39,840 Speaker 1: Ken's delivery in this In this scene, Jennifer cool Itge 416 00:23:39,880 --> 00:23:44,600 Speaker 1: is also just a goddess. But like Ken acting so dumb. 417 00:23:46,160 --> 00:23:48,440 Speaker 2: It's like, yeah, sixty, my like he was sixty. 418 00:23:49,080 --> 00:23:51,440 Speaker 1: He's like really like She's like what we talked about 419 00:23:51,440 --> 00:23:55,840 Speaker 1: this like a lot every day. It's such a good pairing, 420 00:23:55,920 --> 00:23:57,960 Speaker 1: all three of them together in a scene like what 421 00:23:58,359 --> 00:24:03,400 Speaker 1: a dream? Okay. So she tells her parents that she's 422 00:24:03,440 --> 00:24:06,040 Speaker 1: getting married after she learns to Stephen Hawking as her dad, 423 00:24:06,560 --> 00:24:10,240 Speaker 1: and they're so excited, and then she asks Artie to 424 00:24:10,280 --> 00:24:13,119 Speaker 1: be the wedding planner. So you're back, Kevin. 425 00:24:13,560 --> 00:24:16,920 Speaker 2: I'm back because Brittany tells me I've had nothing else 426 00:24:16,920 --> 00:24:17,680 Speaker 2: to do this year. 427 00:24:17,800 --> 00:24:21,040 Speaker 1: No, it's Britney not kidding, okay. 428 00:24:20,080 --> 00:24:26,359 Speaker 2: Which is correct. And she's listing, you know, the words 429 00:24:26,359 --> 00:24:29,399 Speaker 2: that make her think of Santana, and we land on 430 00:24:29,480 --> 00:24:32,280 Speaker 2: heaven and then we go into a dream sequence. 431 00:24:32,600 --> 00:24:35,000 Speaker 1: Which I didn't know you like you get up and 432 00:24:35,080 --> 00:24:35,600 Speaker 1: dance again? 433 00:24:35,880 --> 00:24:38,439 Speaker 2: Yeah, nor did I because I've been telling people the 434 00:24:38,480 --> 00:24:40,399 Speaker 2: wrong number of dream sequences I've had. 435 00:24:41,640 --> 00:24:44,760 Speaker 1: That's what just skips completely. 436 00:24:45,640 --> 00:24:49,360 Speaker 2: I don't even remember singing on any songs in this episode. 437 00:24:50,720 --> 00:24:54,560 Speaker 1: That's bad. I will say, I don't have a full 438 00:24:54,600 --> 00:24:57,880 Speaker 1: memory of the wedding, even like it's all coming back 439 00:24:57,880 --> 00:24:59,720 Speaker 1: to me. It's coming back to me. 440 00:25:00,200 --> 00:25:02,320 Speaker 2: I remember the wedding clearly. 441 00:25:02,280 --> 00:25:05,639 Speaker 1: Because there's so many behind the scenes things that happened. 442 00:25:05,800 --> 00:25:09,000 Speaker 1: That's the only reason I remember the weddings because of 443 00:25:09,040 --> 00:25:11,200 Speaker 1: all the behind the scenes that happened. 444 00:25:11,320 --> 00:25:13,399 Speaker 2: Oh, we were shooting in Santa Clarita, so I remember 445 00:25:13,480 --> 00:25:13,760 Speaker 2: it all. 446 00:25:13,960 --> 00:25:16,000 Speaker 1: Yeah, that's right, that's it. We'll get there. 447 00:25:16,400 --> 00:25:18,119 Speaker 2: We just keep talking about the wedding. 448 00:25:18,280 --> 00:25:20,280 Speaker 1: I know, I know, we're like getting too excited about it. 449 00:25:20,359 --> 00:25:26,280 Speaker 1: So uh you guys do wish and open adorable all. 450 00:25:26,200 --> 00:25:28,280 Speaker 2: Our friends there you see Britney Parks was there? 451 00:25:29,119 --> 00:25:34,480 Speaker 1: Head many angelic? You look great? 452 00:25:35,280 --> 00:25:36,560 Speaker 2: I look interesting. 453 00:25:36,920 --> 00:25:37,800 Speaker 1: What was that outfit? 454 00:25:38,640 --> 00:25:43,639 Speaker 2: I don't know. It looks like I'm wearing my dad's clothes. 455 00:25:44,760 --> 00:25:47,600 Speaker 1: Look still fitting for you. I thought that it was 456 00:25:47,640 --> 00:25:50,719 Speaker 1: a little big on you. Maybe I'm just used to 457 00:25:50,760 --> 00:25:54,399 Speaker 1: you wearing more fitted clothing now, But I was like, 458 00:25:54,640 --> 00:25:59,880 Speaker 1: why is her suit looks so large? Were you going 459 00:25:59,920 --> 00:26:00,920 Speaker 1: for the nineties slow? 460 00:26:01,000 --> 00:26:03,600 Speaker 2: I don't know, And I'm all like hunched over and 461 00:26:03,680 --> 00:26:06,520 Speaker 2: so it's like I didn't know how to like move 462 00:26:06,800 --> 00:26:08,959 Speaker 2: my body. I'm not at that point. I was not 463 00:26:09,080 --> 00:26:13,280 Speaker 2: used to like dancing outside of the wheelchair. I just didn't. 464 00:26:13,440 --> 00:26:15,960 Speaker 2: I was. I do remember being so uncomfortable. 465 00:26:16,560 --> 00:26:19,480 Speaker 1: Had wings on, I don't know it was and there 466 00:26:19,480 --> 00:26:21,040 Speaker 1: were swings. They should have just put you. 467 00:26:21,000 --> 00:26:24,359 Speaker 2: On a swing, and Darren was there and Cord was there. 468 00:26:24,640 --> 00:26:26,080 Speaker 1: I was like, why isn't already sitting in a swing 469 00:26:26,160 --> 00:26:27,360 Speaker 1: right now? I would have loved to see you swing 470 00:26:27,400 --> 00:26:27,840 Speaker 1: on a swing. 471 00:26:28,119 --> 00:26:30,160 Speaker 2: Yeah, I don't. I mean it was a gray. 472 00:26:30,040 --> 00:26:32,040 Speaker 1: Number and it was really adorable. I just I was like, 473 00:26:32,520 --> 00:26:33,560 Speaker 1: his outfit was. 474 00:26:34,920 --> 00:26:37,840 Speaker 2: Me walking was not necessary. 475 00:26:37,880 --> 00:26:39,879 Speaker 1: But it was a dream sequence, so I guess it 476 00:26:40,000 --> 00:26:45,200 Speaker 1: was like, yay dream sequence that Sue has access to, right, 477 00:26:46,440 --> 00:26:47,320 Speaker 1: But I liked it. 478 00:26:47,359 --> 00:26:49,000 Speaker 2: I do remember all of us boys were like what 479 00:26:49,359 --> 00:26:50,800 Speaker 2: we were even, like what's going? 480 00:26:50,800 --> 00:26:53,639 Speaker 1: Where are we? Yeah? There's a lot of like putting 481 00:26:53,680 --> 00:26:56,280 Speaker 1: people in places that you're like, oh, I guess Blaine's 482 00:26:56,280 --> 00:26:57,960 Speaker 1: there in this episode, do you know what I mean? 483 00:26:58,359 --> 00:26:59,600 Speaker 1: A lot of like, oh, girth there. 484 00:27:00,640 --> 00:27:02,920 Speaker 2: It was like we're paying them them. 485 00:27:03,040 --> 00:27:04,840 Speaker 1: Yeah. I was like, I wonder if they were written 486 00:27:04,840 --> 00:27:07,560 Speaker 1: into these scenes or they were added later because that 487 00:27:07,680 --> 00:27:09,399 Speaker 1: was always a fun thing too, and the add you 488 00:27:09,480 --> 00:27:12,119 Speaker 1: leader and you're like, damn it, we do get caso 489 00:27:12,240 --> 00:27:18,800 Speaker 1: for poor dos in this because Brittany, they're talking about 490 00:27:18,800 --> 00:27:20,760 Speaker 1: the Santana and Brittany, you're talking about the guest list, 491 00:27:20,840 --> 00:27:26,200 Speaker 1: and obviously a Buila and Santana have not aired out 492 00:27:26,200 --> 00:27:29,720 Speaker 1: their their issues or a waitlist. So she's with the 493 00:27:29,720 --> 00:27:33,159 Speaker 1: Antenna brother and so she decides that she's going to 494 00:27:33,240 --> 00:27:36,760 Speaker 1: go visit and pretend to be her nurse, just a 495 00:27:36,760 --> 00:27:37,920 Speaker 1: candy strapper nurse. 496 00:27:38,440 --> 00:27:42,280 Speaker 2: And uh talks her way into that house. 497 00:27:42,600 --> 00:27:44,959 Speaker 1: Talks herway into that house. Brittany decides that she is 498 00:27:45,000 --> 00:27:48,280 Speaker 1: going to woo her. I get a Willa to like, 499 00:27:48,359 --> 00:27:51,680 Speaker 1: get to know her, to like her, and then she's 500 00:27:51,760 --> 00:27:55,080 Speaker 1: going to just flip the switch on her and surprise her. 501 00:27:56,480 --> 00:28:00,879 Speaker 1: But prior to that, she they they bond and they 502 00:28:00,920 --> 00:28:06,160 Speaker 1: become friends and Oila is very funny and she does 503 00:28:06,240 --> 00:28:10,640 Speaker 1: she might drink so Portos. 504 00:28:10,160 --> 00:28:12,840 Speaker 2: Which is an incredible episode of for two. 505 00:28:13,200 --> 00:28:16,320 Speaker 1: It's perfect, it's perfect, it's really funny. 506 00:28:16,400 --> 00:28:17,960 Speaker 2: Heathery had to speak a lot of Spanish in this 507 00:28:18,320 --> 00:28:22,159 Speaker 2: and it's very good. And she got picked up by univision. 508 00:28:23,280 --> 00:28:24,520 Speaker 1: It's very good. 509 00:28:25,680 --> 00:28:30,880 Speaker 2: I'm telling you Fondu for two needs to exist today. 510 00:28:31,680 --> 00:28:37,840 Speaker 1: We need to call Heather so insane. I also love 511 00:28:37,920 --> 00:28:40,320 Speaker 1: that the cheese is always too hot to eat. That 512 00:28:40,440 --> 00:28:44,800 Speaker 1: I love. I appreciate that gag. Oh wait, the repetitive gag. 513 00:28:45,280 --> 00:28:48,160 Speaker 2: Yeah, I do too, And like Jenna personally, I think 514 00:28:48,200 --> 00:28:50,920 Speaker 2: would also love some like hot cheese. 515 00:28:51,960 --> 00:28:52,040 Speaker 1: Me. 516 00:28:52,640 --> 00:28:55,960 Speaker 2: Yeah, oh, I just see you like going in on 517 00:28:56,040 --> 00:28:56,840 Speaker 2: some hot cheese. 518 00:28:57,000 --> 00:28:59,680 Speaker 1: Yeah, we couldn't eat the one and fond you for 519 00:28:59,720 --> 00:29:02,720 Speaker 1: too that it wasn't it wasn't really edible. I don't 520 00:29:02,800 --> 00:29:04,400 Speaker 1: think I didn't need it. 521 00:29:04,600 --> 00:29:06,440 Speaker 2: Growth Do you like fondu though in general? 522 00:29:06,680 --> 00:29:09,200 Speaker 1: Yeah? Yeah, for sure. I just I didn't like it, 523 00:29:09,240 --> 00:29:12,120 Speaker 1: of course, do you know me? Yes? Okay, So we 524 00:29:12,200 --> 00:29:18,400 Speaker 1: then bring the bond and now Brittany's going to perform 525 00:29:18,960 --> 00:29:25,479 Speaker 1: get Santana to perform for a boila with the whole fire. 526 00:29:25,760 --> 00:29:26,440 Speaker 1: She looked great. 527 00:29:26,760 --> 00:29:30,560 Speaker 2: I mean Santana like went from watching fon du for 528 00:29:30,600 --> 00:29:34,880 Speaker 2: two two and like being against the whole thing. And 529 00:29:34,880 --> 00:29:37,720 Speaker 2: because Brittany clearly did not clear this with her before 530 00:29:37,760 --> 00:29:40,600 Speaker 2: attempting this, how do you do do? Yeah? And then 531 00:29:40,600 --> 00:29:43,360 Speaker 2: Brittany explains to reasoning which is so sweet and. 532 00:29:43,440 --> 00:29:44,400 Speaker 1: Right, I skipped over that. 533 00:29:44,480 --> 00:29:49,080 Speaker 2: Sorry, right, No, you're good. And then we get her 534 00:29:49,120 --> 00:29:52,760 Speaker 2: in the auditorium and Santana comes out and now Ayad 535 00:29:52,920 --> 00:29:57,200 Speaker 2: just sings her face off to Alfie off in a 536 00:29:57,360 --> 00:30:00,160 Speaker 2: beautiful dress. 537 00:29:59,200 --> 00:30:03,120 Speaker 1: With everybody behind her, and it's really great. I for 538 00:30:03,160 --> 00:30:04,800 Speaker 1: sure thought a way that was going to come through 539 00:30:04,840 --> 00:30:09,400 Speaker 1: at that moment. It had been a while. I thought 540 00:30:09,480 --> 00:30:12,680 Speaker 1: she was gonna be like, you do this and you 541 00:30:12,680 --> 00:30:16,080 Speaker 1: you know, you bait and switch me, but like, of 542 00:30:16,120 --> 00:30:19,719 Speaker 1: course I'm gonna like thanks for the lasson. So I 543 00:30:19,800 --> 00:30:21,520 Speaker 1: was disappointed. 544 00:30:22,560 --> 00:30:24,720 Speaker 2: I know this sounds crazy because I'm in the scene, 545 00:30:25,480 --> 00:30:30,680 Speaker 2: but but because I have no memory of it, I'm 546 00:30:30,720 --> 00:30:35,160 Speaker 2: speaking objectively here. I didn't think she was going to 547 00:30:35,200 --> 00:30:37,840 Speaker 2: come through because it's always you know, I think it's 548 00:30:38,840 --> 00:30:40,520 Speaker 2: a lot of times in the show things do work 549 00:30:40,560 --> 00:30:42,320 Speaker 2: out and it's nice. 550 00:30:42,680 --> 00:30:43,520 Speaker 1: I'm here for the journey. 551 00:30:43,680 --> 00:30:47,320 Speaker 2: Yeah. I really liked it, and I loved Britney sort 552 00:30:47,320 --> 00:30:50,880 Speaker 2: of being rude and firing back at her and Santana 553 00:30:50,920 --> 00:30:54,600 Speaker 2: being like, this is my family now. Yeah, and it was. 554 00:30:55,240 --> 00:30:58,120 Speaker 2: It was nice to seek Brittany does this time and 555 00:30:58,160 --> 00:31:03,080 Speaker 2: time again, where Santana is this like the strongest, loudest 556 00:31:03,160 --> 00:31:08,200 Speaker 2: character and glee right, and every time she's had any 557 00:31:08,240 --> 00:31:13,120 Speaker 2: sort of like doubt or like stadnus, Brittany is there 558 00:31:13,800 --> 00:31:17,360 Speaker 2: to like back her up and like be her biggest cheerleader. Yeah, 559 00:31:17,400 --> 00:31:19,400 Speaker 2: and here she is again doing it again. 560 00:31:20,200 --> 00:31:22,200 Speaker 1: This is why we love them, And she does it 561 00:31:22,240 --> 00:31:27,360 Speaker 1: again and in like the biggest way. And sometimes I think, 562 00:31:27,400 --> 00:31:30,560 Speaker 1: like also Santana, I could get mad at her for 563 00:31:30,600 --> 00:31:34,479 Speaker 1: doing all of this because it's just so bold, Like 564 00:31:34,520 --> 00:31:39,400 Speaker 1: it's really bold, especially with this storyline, but I think 565 00:31:39,440 --> 00:31:42,000 Speaker 1: Brittany is willing to take those risks. She just like 566 00:31:42,080 --> 00:31:42,760 Speaker 1: goes for it. 567 00:31:43,080 --> 00:31:44,840 Speaker 2: Well, they know each other so well and they know 568 00:31:44,880 --> 00:31:47,680 Speaker 2: when they need it and yeah, yeah, yeah, like Santana 569 00:31:47,800 --> 00:31:50,760 Speaker 2: does just like sort of blindly accept what Brittany's doing 570 00:31:50,800 --> 00:31:54,640 Speaker 2: because she knows her intention is always good good yeah. 571 00:31:55,280 --> 00:32:01,360 Speaker 1: And and I yeah, I'm here for it. I'm here 572 00:32:01,400 --> 00:32:04,640 Speaker 1: for like the whole the whole thing. And I feel 573 00:32:04,680 --> 00:32:09,200 Speaker 1: like I'm they're reclaiming their power as a couple. 574 00:32:09,800 --> 00:32:13,240 Speaker 2: And it's also a storyline that is still prevalent today, 575 00:32:13,440 --> 00:32:16,680 Speaker 2: like not everybody is going to accept you, you and 576 00:32:16,760 --> 00:32:17,760 Speaker 2: the person you're with. 577 00:32:18,320 --> 00:32:20,520 Speaker 1: And like having each other as actually. 578 00:32:21,560 --> 00:32:24,120 Speaker 2: Yes and like you know, that's what like Chosen Family 579 00:32:24,400 --> 00:32:28,200 Speaker 2: is all about, and making your family outside the confines 580 00:32:28,200 --> 00:32:31,080 Speaker 2: of the homes you know, we were brought up in sometimes. 581 00:32:31,480 --> 00:32:35,320 Speaker 2: So it's I think it's an important story to tell, 582 00:32:35,480 --> 00:32:37,720 Speaker 2: and I think it's important that Santana was the character 583 00:32:37,800 --> 00:32:40,880 Speaker 2: that had, you know, this going on in her family 584 00:32:41,560 --> 00:32:44,400 Speaker 2: and like you just had it in good hands. And 585 00:32:44,440 --> 00:32:47,280 Speaker 2: I think they've done yeah, like the they've done it service, 586 00:32:47,360 --> 00:32:49,720 Speaker 2: you know, in the whole coming Out episode where there's 587 00:32:49,760 --> 00:32:54,160 Speaker 2: lots of controversy about that or since then, I think 588 00:32:54,200 --> 00:32:55,960 Speaker 2: they've done such a real. 589 00:32:55,680 --> 00:32:59,920 Speaker 1: We've made up for lost time, yeah, exactly. And then 590 00:33:00,680 --> 00:33:04,240 Speaker 1: and then we get this final song, which is really 591 00:33:04,280 --> 00:33:06,880 Speaker 1: funny because Santana's like, let's just go humor a bunch 592 00:33:06,880 --> 00:33:10,440 Speaker 1: of toned up losers by acting surprised when we walk 593 00:33:10,480 --> 00:33:13,440 Speaker 1: in the auditorium. And it's really sweet though, like everybody's 594 00:33:13,440 --> 00:33:16,360 Speaker 1: showing up for them and like, you know, even when 595 00:33:16,360 --> 00:33:18,360 Speaker 1: they're I think Blaine says, like the pain in your 596 00:33:18,400 --> 00:33:20,520 Speaker 1: eyes when you're not fooling anybody, Like you think you're 597 00:33:20,520 --> 00:33:22,920 Speaker 1: fooling everyone, but you're not, And like everybody just showing 598 00:33:22,960 --> 00:33:26,520 Speaker 1: up for them, and you guys singing what the world 599 00:33:26,560 --> 00:33:28,640 Speaker 1: needs now, and this montage of when I'm going to 600 00:33:28,720 --> 00:33:32,480 Speaker 1: mister Shoe's house and like the baby and everybody coming together, 601 00:33:32,720 --> 00:33:38,600 Speaker 1: and like it feels feels like a quintessential ending to 602 00:33:38,640 --> 00:33:43,280 Speaker 1: a Glee episode, like a happy Flee episode. And I 603 00:33:43,320 --> 00:33:44,960 Speaker 1: do think it needed a little bit of feel good 604 00:33:45,000 --> 00:33:48,320 Speaker 1: after that because of the downer that a boylas and 605 00:33:48,360 --> 00:33:52,840 Speaker 1: the the challenges that they've been through. But like I 606 00:33:53,000 --> 00:33:56,800 Speaker 1: once again, the Brittany Santana of it all, it's just 607 00:33:56,840 --> 00:33:59,960 Speaker 1: like makes my heart. I'm so happy. 608 00:33:59,800 --> 00:34:02,920 Speaker 2: I also, I'm just I was just thinking about how 609 00:34:03,200 --> 00:34:06,400 Speaker 2: crazy the things Brittany said to a Baila was, like 610 00:34:06,480 --> 00:34:09,440 Speaker 2: we're waiting for like like we won, you lost, were 611 00:34:09,480 --> 00:34:10,680 Speaker 2: waiting for you guys to die out. 612 00:34:10,840 --> 00:34:14,080 Speaker 1: Basically, I know the generation the generational thing. 613 00:34:14,280 --> 00:34:16,960 Speaker 2: Yeah, but you know, just like that say it. 614 00:34:17,600 --> 00:34:18,360 Speaker 1: Let her speak. 615 00:34:19,080 --> 00:34:24,000 Speaker 2: However, m it does feel like we're regressing a little bit. Irl. 616 00:34:24,880 --> 00:34:27,200 Speaker 1: Wow, that's for another day, Kevin. 617 00:34:27,560 --> 00:34:30,840 Speaker 2: Sorry, it's hard for me not to like, No, I know, 618 00:34:30,920 --> 00:34:35,520 Speaker 2: it's so it's like, since we've gotten into twenty twenty 619 00:34:35,520 --> 00:34:42,080 Speaker 2: five and watching this show now feels different because we 620 00:34:42,080 --> 00:34:47,200 Speaker 2: were doing this this recap podcast under a different administration. 621 00:34:47,280 --> 00:34:48,760 Speaker 2: I know that's not what the show is about. 622 00:34:49,160 --> 00:34:50,759 Speaker 1: No, I know, but we were just making so much 623 00:34:50,840 --> 00:34:53,200 Speaker 1: progress during this time, and it felt like we were 624 00:34:53,200 --> 00:34:56,640 Speaker 1: bringing stories to light that felt like they were going 625 00:34:56,800 --> 00:35:00,040 Speaker 1: to hopefully be we could look back on them and 626 00:35:00,040 --> 00:35:02,960 Speaker 1: say like, look how far we've come, And here we 627 00:35:03,040 --> 00:35:05,680 Speaker 1: are saying like, look how far we have to go. 628 00:35:06,600 --> 00:35:10,440 Speaker 1: And so it's it's depressing. 629 00:35:10,960 --> 00:35:13,719 Speaker 2: Yeah, and it just makes me worried. It makes me 630 00:35:13,800 --> 00:35:20,760 Speaker 2: worried for like the playlists out there who feel more 631 00:35:21,400 --> 00:35:24,720 Speaker 2: supported in their views right now, when like what Brittany 632 00:35:24,800 --> 00:35:27,319 Speaker 2: and Santana we're saying, it was like, we're not trying 633 00:35:27,360 --> 00:35:29,920 Speaker 2: to be in anybody's faces. We're just trying to like 634 00:35:30,080 --> 00:35:34,319 Speaker 2: be treated fairly and live our lives. And you also 635 00:35:34,320 --> 00:35:38,280 Speaker 2: see with like younger kids now that are like sort 636 00:35:38,280 --> 00:35:40,960 Speaker 2: of agreeing with them, and it's like a sharp turn 637 00:35:41,280 --> 00:35:44,319 Speaker 2: and I makes me a little makes me a lot 638 00:35:44,320 --> 00:35:46,759 Speaker 2: of scared. And so you know, those of you who 639 00:35:46,760 --> 00:35:50,319 Speaker 2: are out there who are listening and are worried and 640 00:35:50,360 --> 00:35:53,440 Speaker 2: scared and are part of you know, the magical LGBT 641 00:35:53,520 --> 00:35:58,440 Speaker 2: community there, we are all still here and there's a 642 00:35:58,560 --> 00:36:02,799 Speaker 2: lot of us all around the world, and you have 643 00:36:02,880 --> 00:36:05,439 Speaker 2: to like when things seem so daunting, like they can 644 00:36:05,560 --> 00:36:09,080 Speaker 2: and do right now, you start local, start with your friends, 645 00:36:09,160 --> 00:36:11,680 Speaker 2: start in your communities, and take care of each other. 646 00:36:12,280 --> 00:36:15,960 Speaker 2: And then by leading by that example, it spreads. So 647 00:36:16,560 --> 00:36:18,279 Speaker 2: I think right now it feels like like what can 648 00:36:18,320 --> 00:36:19,960 Speaker 2: we do? How do we protect each other? It's like, 649 00:36:20,239 --> 00:36:22,960 Speaker 2: just protect each other, just you know, find your people, 650 00:36:23,000 --> 00:36:26,719 Speaker 2: stay with your people, and through that we will all 651 00:36:26,760 --> 00:36:29,680 Speaker 2: get through this. But watching this show it gives me 652 00:36:29,719 --> 00:36:33,439 Speaker 2: hope and also makes me sad right now. So yeah, 653 00:36:33,480 --> 00:36:34,440 Speaker 2: it's a good reminder. 654 00:36:34,760 --> 00:36:38,920 Speaker 1: It is a good reminder, good reminder sadly. Yeah, do 655 00:36:38,960 --> 00:36:40,080 Speaker 1: you want to write some songs? 656 00:36:43,320 --> 00:36:45,040 Speaker 2: Okay? Sorry I did that. 657 00:36:45,400 --> 00:36:48,040 Speaker 1: No, I think it's important. Let's just write some songs 658 00:36:48,080 --> 00:36:51,520 Speaker 1: so we can uh, okay, we can talk about some music. 659 00:36:51,640 --> 00:36:54,560 Speaker 1: It makes us feel better about the stay of the world. 660 00:36:54,640 --> 00:36:59,920 Speaker 1: And you know, you stay on that cellbacks giving you're going. 661 00:37:00,120 --> 00:37:03,239 Speaker 2: No, I was gonna saying, I know it's controversial that 662 00:37:03,320 --> 00:37:05,880 Speaker 2: we didn't do an Elton episode, if that rumor is true, 663 00:37:07,200 --> 00:37:10,000 Speaker 2: but Burt backrack Bangers. 664 00:37:09,719 --> 00:37:13,600 Speaker 1: Bangers Bangers, I was like, oh my god, we haven't. 665 00:37:13,640 --> 00:37:15,080 Speaker 1: Why had we not done this sooner? 666 00:37:16,440 --> 00:37:19,240 Speaker 2: But like, also, we should have done an episode. 667 00:37:18,640 --> 00:37:22,680 Speaker 1: Absolutely both and you know that end. Okay, I'll never 668 00:37:22,719 --> 00:37:25,960 Speaker 1: fall in love again. A A baby, it's you. 669 00:37:26,640 --> 00:37:30,520 Speaker 2: A that that Amber vocal stupid. 670 00:37:31,080 --> 00:37:37,799 Speaker 1: It's unbelievable, wishing and hoping, A B plus B plus. 671 00:37:39,080 --> 00:37:44,480 Speaker 1: Arthur's theme was yeah A minus. Uh they long to 672 00:37:44,520 --> 00:37:50,520 Speaker 1: be close to you, A promised promises A plus, Alphie 673 00:37:50,880 --> 00:37:54,720 Speaker 1: A plus plus and what the world needs now, hey 674 00:37:55,760 --> 00:37:58,120 Speaker 1: look at that, Kevin. We are very in sync on 675 00:37:58,160 --> 00:37:58,840 Speaker 1: this episode. 676 00:37:59,040 --> 00:38:04,080 Speaker 2: Oh my god, I love and sync me too. 677 00:38:04,440 --> 00:38:07,360 Speaker 1: Let's do some party. So there are some cringe moments, 678 00:38:09,719 --> 00:38:13,440 Speaker 1: there wasn't anything like really crazy I did. It wasn't 679 00:38:13,440 --> 00:38:15,560 Speaker 1: an OUCHI as much as the thing of them, like 680 00:38:15,719 --> 00:38:18,640 Speaker 1: Mercedes and Sam talking about the tank. I was like, 681 00:38:19,040 --> 00:38:23,279 Speaker 1: what is happening right now? Can we just skip over there? 682 00:38:24,200 --> 00:38:26,680 Speaker 2: Can we just keep calling? I think I might have 683 00:38:26,840 --> 00:38:28,160 Speaker 2: looked down at my phone ver it's like and it 684 00:38:28,200 --> 00:38:30,680 Speaker 2: looked up like like what I. 685 00:38:30,719 --> 00:38:33,080 Speaker 1: Was like, is this what we're really talking about? And 686 00:38:33,120 --> 00:38:35,080 Speaker 1: then also calling Stephen Hawking a root. 687 00:38:35,400 --> 00:38:37,040 Speaker 2: Yeah I didn't like that. 688 00:38:37,239 --> 00:38:42,640 Speaker 1: No Nosa best dance move. Okay, wait, we didn't talk 689 00:38:42,680 --> 00:38:45,400 Speaker 1: about this. So inuition and hope and which is I 690 00:38:45,440 --> 00:38:49,600 Speaker 1: give an A plus plus dance move was she she 691 00:38:49,760 --> 00:38:53,600 Speaker 1: literally lifts you up in the air like a baby 692 00:38:54,320 --> 00:38:57,000 Speaker 1: and you wrap yourself around her, which I think you 693 00:38:57,000 --> 00:38:59,080 Speaker 1: would normally done anyway as Kevin, but I. 694 00:38:59,040 --> 00:39:02,719 Speaker 2: Just exactly what they did it. I did love that. 695 00:39:03,760 --> 00:39:06,160 Speaker 2: I again I didn't remember it, and watching it, I 696 00:39:06,200 --> 00:39:07,440 Speaker 2: was like, oh, that's funny. 697 00:39:07,640 --> 00:39:11,759 Speaker 1: It's very funny and very me very I was like, oh, 698 00:39:11,800 --> 00:39:13,520 Speaker 1: this is something that you guys preform wrack out and 699 00:39:13,520 --> 00:39:14,839 Speaker 1: they kept it this song. 700 00:39:16,160 --> 00:39:22,280 Speaker 2: Oh close, I have a three way tie. 701 00:39:22,719 --> 00:39:26,160 Speaker 1: ALFI promises, promises and baby it's you. 702 00:39:26,200 --> 00:39:32,360 Speaker 2: No, oh, ALFI promises promises and close to you. 703 00:39:32,520 --> 00:39:38,000 Speaker 1: WHOA, that's a good one. I agree with that. I 704 00:39:38,000 --> 00:39:44,319 Speaker 1: think Alfie, though I don't know actually promises promises. God, 705 00:39:44,440 --> 00:39:48,040 Speaker 1: I know that was really good. Okay, performance by a. 706 00:39:48,000 --> 00:39:56,480 Speaker 2: Prop I mean god, I mean all of Pordos like 707 00:39:57,440 --> 00:40:01,439 Speaker 2: there was a lot happening. Pinad does Marac Maraccas. Yeah. 708 00:40:01,480 --> 00:40:05,839 Speaker 1: I was like that too, oh got it gets yeah, yeah, 709 00:40:06,160 --> 00:40:09,479 Speaker 1: it's dressed all of fond for t Wait. 710 00:40:09,520 --> 00:40:10,880 Speaker 2: You know what we didn't hold on you. What we 711 00:40:10,960 --> 00:40:14,200 Speaker 2: skipped over was Britney showing back up at McKinley and 712 00:40:14,480 --> 00:40:22,800 Speaker 2: she has all the Latin fans signing autographs and also 713 00:40:23,960 --> 00:40:24,399 Speaker 2: I was. 714 00:40:24,320 --> 00:40:26,080 Speaker 1: Like, no, no. 715 00:40:26,239 --> 00:40:30,000 Speaker 2: No, I'm like, you're telling me we've had them all along, 716 00:40:30,080 --> 00:40:32,040 Speaker 2: but we've only seen white kids in this school. 717 00:40:32,920 --> 00:40:37,200 Speaker 1: Mm hmmm mm hm, No, we haven't had them. 718 00:40:37,400 --> 00:40:40,600 Speaker 2: I actually think I will vote for the prop is 719 00:40:40,600 --> 00:40:44,680 Speaker 2: the autograph photo and also the bouquet that I've throw 720 00:40:44,800 --> 00:40:45,440 Speaker 2: up to Brittany. 721 00:40:45,640 --> 00:40:47,880 Speaker 1: Oh yeah, that was a good one. That was a 722 00:40:47,920 --> 00:40:50,640 Speaker 1: good one. The best line. 723 00:40:51,960 --> 00:40:53,240 Speaker 2: There's a lot in this episode. 724 00:40:53,280 --> 00:40:55,719 Speaker 1: There's a lot. Honestly, I'm going emotional and I'm going 725 00:40:55,840 --> 00:40:59,960 Speaker 1: with well, first of all, welcome to Case over Portos, 726 00:41:00,040 --> 00:41:01,320 Speaker 1: which I just loilt the univision. 727 00:41:02,040 --> 00:41:06,080 Speaker 2: That's my favorite and the one for me, and then 728 00:41:06,080 --> 00:41:06,800 Speaker 2: the other one. 729 00:41:06,680 --> 00:41:12,000 Speaker 1: Is just uh the the Britney Santana speaking to a boiler. 730 00:41:12,239 --> 00:41:14,959 Speaker 1: That whole thing like that back and forth I thought 731 00:41:15,080 --> 00:41:16,480 Speaker 1: was like a plus plus. 732 00:41:17,600 --> 00:41:20,000 Speaker 2: I also liked the bit at the end of the 733 00:41:20,040 --> 00:41:24,759 Speaker 2: episode with everybody speaking up about what family is. I think, 734 00:41:26,280 --> 00:41:28,920 Speaker 2: you know, back to my soapbox moment. That's important. That's 735 00:41:28,960 --> 00:41:31,600 Speaker 2: an important lesson to carry with us. 736 00:41:31,880 --> 00:41:34,239 Speaker 1: Yes, there was also the scene where you walk into 737 00:41:34,480 --> 00:41:40,799 Speaker 1: or you roll into Hemo's room, Britney's room, and you're like, 738 00:41:40,840 --> 00:41:42,759 Speaker 1: I've been in here before we've dated. We dated for 739 00:41:42,760 --> 00:41:44,359 Speaker 1: like three months. She was like, I think I would 740 00:41:44,360 --> 00:41:46,000 Speaker 1: have remembered if I dated a guy with glasses. 741 00:41:46,120 --> 00:41:47,479 Speaker 2: Yes, I love that joke. 742 00:41:50,280 --> 00:41:57,160 Speaker 1: Funny. Oh god, Brittany okay, Foreman's MVP Man Brittany Heather 743 00:41:57,560 --> 00:42:05,040 Speaker 1: Moras heah yeah and Amber Yeah, the girls give. 744 00:42:04,840 --> 00:42:07,240 Speaker 2: It to the girls. Always give it to the girls. 745 00:42:07,280 --> 00:42:09,680 Speaker 1: Give it to the girls. Okay, that's a good one. 746 00:42:09,840 --> 00:42:13,440 Speaker 2: That was. I'm glad we enjoyed that. I was really 747 00:42:13,480 --> 00:42:20,680 Speaker 2: worried there for a little bit with part one. Yes, Okay, 748 00:42:20,800 --> 00:42:25,200 Speaker 2: so ship we found on TikTok Gracie. So have you 749 00:42:25,280 --> 00:42:28,680 Speaker 2: seen the videos of the guests on the Jenifer Hudson show. 750 00:42:28,800 --> 00:42:30,480 Speaker 1: Yes, and they walked down the aisle dancing. 751 00:42:31,200 --> 00:42:34,480 Speaker 2: They have like the soul tray line and the you know, 752 00:42:34,560 --> 00:42:36,000 Speaker 2: the staff is like singing. 753 00:42:36,280 --> 00:42:36,560 Speaker 1: Yes. 754 00:42:36,800 --> 00:42:39,680 Speaker 2: So this one is a compilation of different people going 755 00:42:39,719 --> 00:42:42,800 Speaker 2: down and it's how I think the gleek characters would walk. 756 00:42:43,280 --> 00:42:47,440 Speaker 2: The spirit tunnel is what it's called. And it is 757 00:42:47,560 --> 00:43:00,399 Speaker 2: so accurate. You have and Mercedes Tina, these are good. 758 00:43:00,560 --> 00:43:06,040 Speaker 2: Rachel sam Is like, all of these are so so 759 00:43:06,200 --> 00:43:11,040 Speaker 2: spot on. This is crazy. You you guys need to 760 00:43:11,080 --> 00:43:16,520 Speaker 2: watch it. Because it is absolutely accurate. I can't get 761 00:43:16,560 --> 00:43:19,480 Speaker 2: I've watched it so many times it's a little embarrassing 762 00:43:19,640 --> 00:43:26,440 Speaker 2: because it's good. It's really satisfying. So next week we 763 00:43:27,719 --> 00:43:33,239 Speaker 2: have transitioning, big episode, big episode. Yeah, and Alex is back, 764 00:43:33,400 --> 00:43:37,040 Speaker 2: Jaima is back. We have all about that bass so 765 00:43:37,200 --> 00:43:40,880 Speaker 2: oh and I know where I've been. Oh, just okay, 766 00:43:41,760 --> 00:43:45,640 Speaker 2: And if you're watching it along with us, I don't 767 00:43:45,640 --> 00:43:48,440 Speaker 2: know if you're familiar with drag Race, but there is 768 00:43:48,760 --> 00:43:53,239 Speaker 2: drag race royalty in that choir for I know where 769 00:43:53,239 --> 00:43:59,920 Speaker 2: I've been. Oh, keep your eyes peeled royalty, your drag 770 00:44:00,200 --> 00:44:02,480 Speaker 2: Queen's favorite drag queen is in that. 771 00:44:02,920 --> 00:44:05,080 Speaker 1: You keep your eyes And we'll talk about it next week. 772 00:44:05,480 --> 00:44:09,439 Speaker 1: Thanks for joining us, you guys for that episode, which 773 00:44:09,440 --> 00:44:15,040 Speaker 1: we enjoyed, and we will be back for I don't 774 00:44:15,080 --> 00:44:17,399 Speaker 1: know what to expect for transitioning, but I'm here for it. 775 00:44:19,080 --> 00:44:22,520 Speaker 1: I'm nervous too, Okay, I'm just I'm going into it. 776 00:44:22,560 --> 00:44:23,359 Speaker 2: I'm excited though. 777 00:44:23,600 --> 00:44:27,840 Speaker 1: Yeah, Alex and Dot and like all of our faves. Okay, 778 00:44:28,480 --> 00:44:29,640 Speaker 1: thanks for joining us. 779 00:44:30,320 --> 00:44:33,360 Speaker 2: That's what you really missed. Thanks for listening and follow 780 00:44:33,440 --> 00:44:36,239 Speaker 2: us on Instagram at and that's what you really miss pod, 781 00:44:36,560 --> 00:44:38,399 Speaker 2: make sure to write us a review and leave us 782 00:44:38,400 --> 00:44:39,919 Speaker 2: five stars. See you next time.