1 00:00:00,120 --> 00:00:04,640 Speaker 1: Hey, rain Drops. Yes, so I finally got merch. That's right. 2 00:00:05,160 --> 00:00:10,799 Speaker 1: You can buy your Allegedly and my Voice mugs, T shirts, 3 00:00:11,080 --> 00:00:16,000 Speaker 1: rain Drops, hoodies and T shirts all on Carlos Kingshop 4 00:00:16,520 --> 00:00:20,680 Speaker 1: dot com. That's right. Get your hoodies, your T shirts, 5 00:00:20,720 --> 00:00:28,040 Speaker 1: and your mugs all on Carlos Kingshop dot com. Welcome 6 00:00:28,080 --> 00:00:31,440 Speaker 1: to Reality with the King. It's me Carlos kings the 7 00:00:31,560 --> 00:00:34,480 Speaker 1: King of Reality TV and one of the most sought 8 00:00:34,520 --> 00:00:39,280 Speaker 1: after executive producers in reality television with over ten years 9 00:00:39,280 --> 00:00:43,360 Speaker 1: a production experience. Twice a week on Reality with the King, 10 00:00:43,600 --> 00:00:46,840 Speaker 1: we'll sit down with my friends across the entertainment industry, 11 00:00:47,040 --> 00:00:51,640 Speaker 1: recap our favorite reality shows and revisit unforgettable moments that 12 00:00:51,720 --> 00:01:02,040 Speaker 1: we are still talking and tweeting abouts. On today's episode 13 00:01:02,120 --> 00:01:05,200 Speaker 1: of Reality with the King. Oh, baby, doll, I have 14 00:01:05,360 --> 00:01:09,479 Speaker 1: to do this episode solo. Yes, my loves, we are 15 00:01:09,520 --> 00:01:14,680 Speaker 1: going to recap Monica, featuring the Real Housewives of Salt 16 00:01:14,760 --> 00:01:17,960 Speaker 1: Lake City. Bitch. Yes, that to me is going to 17 00:01:17,959 --> 00:01:21,480 Speaker 1: be the new name of the show. She's Diana Ross, 18 00:01:21,840 --> 00:01:27,839 Speaker 1: She's Beyonce, She's Michael Jackson, She's Lionel Ritchie, She's glad 19 00:01:27,840 --> 00:01:30,760 Speaker 1: as Knight. If you know where I'm going with this. 20 00:01:30,920 --> 00:01:35,760 Speaker 1: You can tell that I am naming members of groups 21 00:01:37,040 --> 00:01:42,520 Speaker 1: who have a math an amazing solo career. Look, I 22 00:01:42,560 --> 00:01:46,280 Speaker 1: know Monica's fate on the show is still up for debate, 23 00:01:46,760 --> 00:01:50,120 Speaker 1: so we will figure out what that means after part 24 00:01:50,240 --> 00:01:54,160 Speaker 1: three of the reunion, where now I'm part two. But 25 00:01:54,400 --> 00:02:00,800 Speaker 1: I must say, to sheet to sheet to sheet, Monica, 26 00:02:00,840 --> 00:02:06,120 Speaker 1: I love you, But what the fuck is toochet? I 27 00:02:06,200 --> 00:02:09,800 Speaker 1: know about tochet, and I know about two pays. Honey, 28 00:02:10,000 --> 00:02:13,320 Speaker 1: No I don't wear one, but I have never heard 29 00:02:13,320 --> 00:02:16,320 Speaker 1: of too chet. But if that's the language of Monica, 30 00:02:16,720 --> 00:02:21,080 Speaker 1: I'm signing up forward. So Part two of the Real 31 00:02:21,120 --> 00:02:26,960 Speaker 1: Housewives of Salt Lake City Reunion aired, and again it's 32 00:02:27,000 --> 00:02:30,600 Speaker 1: the Monica Show. It really is the Monica Show. And 33 00:02:31,040 --> 00:02:33,880 Speaker 1: one thing I have to give credit where credit is 34 00:02:33,960 --> 00:02:39,120 Speaker 1: due is the fact that Monica really set on that 35 00:02:39,280 --> 00:02:44,920 Speaker 1: couch and took all of these daggers from these women 36 00:02:45,800 --> 00:02:49,960 Speaker 1: and did not cry. She did not get up and leave, 37 00:02:50,680 --> 00:02:54,320 Speaker 1: She did not make excuses. Now, she may have made 38 00:02:54,400 --> 00:02:56,120 Speaker 1: up some names, child, but we'll get to that in 39 00:02:56,120 --> 00:02:59,960 Speaker 1: a second, honey. But I think what we all learn 40 00:03:00,040 --> 00:03:02,760 Speaker 1: learn from this reunion is the fact that look, all 41 00:03:02,840 --> 00:03:06,120 Speaker 1: jokes aside. You can say what you want about Monica, 42 00:03:06,880 --> 00:03:12,280 Speaker 1: but to hear the backstory of her childhood and the 43 00:03:12,320 --> 00:03:16,679 Speaker 1: backstory of her relationship with her mom, you can't help 44 00:03:16,680 --> 00:03:19,240 Speaker 1: but feel sorry for her. And I'm not here to 45 00:03:19,360 --> 00:03:24,079 Speaker 1: judge people. I'm not judge Judy or Tamar judge. Okay, 46 00:03:24,520 --> 00:03:26,840 Speaker 1: not saying Tamar judge judges people. So I hope you 47 00:03:26,880 --> 00:03:29,320 Speaker 1: know it's a plan on words child, okay, because Tamara 48 00:03:29,440 --> 00:03:32,520 Speaker 1: is a good friend of mine. So when you have 49 00:03:33,200 --> 00:03:39,520 Speaker 1: a force multiplier like Monica, like a Kenya Moore, Anini 50 00:03:39,600 --> 00:03:47,160 Speaker 1: Leagus of Teresa Judais Giselle Bryant, when you have forced multipliers, 51 00:03:48,440 --> 00:03:51,640 Speaker 1: one thing I always tell my producers on my shows 52 00:03:51,680 --> 00:03:57,000 Speaker 1: where we have forced multipliers is you have to really 53 00:03:57,040 --> 00:04:01,280 Speaker 1: dig deep into their childhood so that you can understand 54 00:04:01,400 --> 00:04:04,720 Speaker 1: who they are as women. And in this case, we 55 00:04:04,840 --> 00:04:09,680 Speaker 1: have to talk about female reality stars. Right. So that's 56 00:04:09,720 --> 00:04:13,720 Speaker 1: why I named the force multipliers of women I either 57 00:04:13,760 --> 00:04:19,279 Speaker 1: have worked with or have watch on television. Monica is 58 00:04:19,279 --> 00:04:27,320 Speaker 1: a complex character, and knowing that her mother prayed for 59 00:04:27,440 --> 00:04:31,040 Speaker 1: her to be a housewife was sad. And do I 60 00:04:31,040 --> 00:04:34,719 Speaker 1: believe the story? I do? I mean, look, Monica must 61 00:04:34,760 --> 00:04:37,359 Speaker 1: be the female Ted Bundy if she is going to 62 00:04:37,440 --> 00:04:40,280 Speaker 1: make up something like that out of thin air, I 63 00:04:40,440 --> 00:04:45,200 Speaker 1: just don't think Monica would make up something to that degree, 64 00:04:45,440 --> 00:04:50,000 Speaker 1: especially because we saw the dynamics of her relationship with 65 00:04:50,040 --> 00:04:53,760 Speaker 1: her mother. And remember Monica even said that her mom 66 00:04:54,480 --> 00:04:58,760 Speaker 1: was making out with a guy in a car while 67 00:04:58,760 --> 00:05:01,839 Speaker 1: Monica was in the back seat. And again not judging, 68 00:05:02,440 --> 00:05:07,479 Speaker 1: but for a little girl to see that, that's quite disturbing. 69 00:05:08,440 --> 00:05:13,839 Speaker 1: And when you have complex women joining reality television, always 70 00:05:14,080 --> 00:05:18,920 Speaker 1: go down the road of their childhood and when you 71 00:05:19,000 --> 00:05:22,880 Speaker 1: make the pit stop at their mother, the relationship they 72 00:05:22,880 --> 00:05:26,839 Speaker 1: have with the mom, it will always explain why they're 73 00:05:26,880 --> 00:05:31,240 Speaker 1: as complex as they are. Nini Leaks, Kenya Moore. You know, 74 00:05:31,440 --> 00:05:34,880 Speaker 1: those are just two examples of women who are the 75 00:05:34,960 --> 00:05:38,839 Speaker 1: best at what they do, but both having very complex 76 00:05:39,080 --> 00:05:43,440 Speaker 1: relationships with their mothers. Knowing what Monica had to experience 77 00:05:43,560 --> 00:05:47,520 Speaker 1: as a little girl, we were privy to this season 78 00:05:48,440 --> 00:05:54,040 Speaker 1: and part two of the reunion, we're now learning that, Wow, 79 00:05:54,360 --> 00:05:58,960 Speaker 1: your mother wanted your job, and it appears that your 80 00:05:59,000 --> 00:06:02,960 Speaker 1: mother wants to your life. The complex relationship with mother 81 00:06:03,000 --> 00:06:07,640 Speaker 1: and daughters are very sensitive because as a little girl, 82 00:06:07,680 --> 00:06:09,840 Speaker 1: you look up to your mom. She's your best friend, 83 00:06:10,120 --> 00:06:14,120 Speaker 1: she's the one who you idolize, she's your first example 84 00:06:14,160 --> 00:06:19,440 Speaker 1: of a role model. In some situations, the mother can 85 00:06:19,800 --> 00:06:25,120 Speaker 1: oftentimes can become resentful of the daughters. Resentful meaning sometimes 86 00:06:25,200 --> 00:06:28,640 Speaker 1: their daughters may have a better relationship with their father, 87 00:06:29,320 --> 00:06:32,760 Speaker 1: which is their mother's husband, right, and that could cause 88 00:06:32,800 --> 00:06:37,039 Speaker 1: a complex relationship. We're seeing a complex relationship between Paris 89 00:06:37,080 --> 00:06:40,919 Speaker 1: Hilton and Kathy Hilton. We all assume that Paris and 90 00:06:41,040 --> 00:06:45,200 Speaker 1: Kathy were close, but after watching Paris in Love season two, 91 00:06:45,320 --> 00:06:48,159 Speaker 1: you really got a chance to understand that they have 92 00:06:48,240 --> 00:06:52,120 Speaker 1: a complex relationship. And from what I saw, a lot 93 00:06:52,120 --> 00:06:54,640 Speaker 1: of it had to do with the fact that Paris 94 00:06:54,720 --> 00:06:57,479 Speaker 1: obviously was a wild child, but she was also very 95 00:06:57,480 --> 00:07:01,480 Speaker 1: close to her dad, and I under if that played 96 00:07:01,480 --> 00:07:06,760 Speaker 1: a part in the distance relationship that Paris and Kathy had. 97 00:07:07,040 --> 00:07:09,520 Speaker 1: So when it comes to Monica and her mom, it 98 00:07:09,560 --> 00:07:14,920 Speaker 1: appears that Monica's mother always wanted her life and to 99 00:07:15,040 --> 00:07:17,800 Speaker 1: get down on your knees and pray to the Lord 100 00:07:17,840 --> 00:07:24,160 Speaker 1: above for you to have your daughter's job is very sad, 101 00:07:24,640 --> 00:07:27,840 Speaker 1: and I know that we like to, you know, make 102 00:07:27,960 --> 00:07:31,560 Speaker 1: jokes about the complex relationship she has with her mother, 103 00:07:32,440 --> 00:07:37,240 Speaker 1: but similarly to us understanding Kenya Moore's backstore with her mom. 104 00:07:37,760 --> 00:07:41,680 Speaker 1: It allowed even Kenya's haters to really understand that. Look, 105 00:07:41,920 --> 00:07:45,600 Speaker 1: I mean, I like Kenya, but I now understand who 106 00:07:45,640 --> 00:07:48,520 Speaker 1: she is. I now understand why she's a woman who 107 00:07:48,560 --> 00:07:51,880 Speaker 1: is complex. I now understand why she's a fighter. I 108 00:07:51,960 --> 00:07:54,920 Speaker 1: now understand why she's so tough. She had to deal 109 00:07:55,000 --> 00:07:57,400 Speaker 1: with the fact that her mother ignored her while they 110 00:07:57,400 --> 00:08:00,680 Speaker 1: were all living under the same roof for a girl 111 00:08:00,720 --> 00:08:05,840 Speaker 1: to deal with. So then you have Monica who auditioned 112 00:08:06,120 --> 00:08:08,760 Speaker 1: to be on the Real Housewatch of Salt Lake City, 113 00:08:09,520 --> 00:08:13,000 Speaker 1: and then all of a sudden she is crying to 114 00:08:13,080 --> 00:08:16,560 Speaker 1: her mom, and her mom prays that if my daughter 115 00:08:16,600 --> 00:08:18,520 Speaker 1: doesn't get the job, I want to get it. Like, 116 00:08:19,240 --> 00:08:23,800 Speaker 1: that's fucked up, and you can tell that Monica is 117 00:08:23,840 --> 00:08:28,920 Speaker 1: still very damaged by that. Monica is a beautiful woman, 118 00:08:29,360 --> 00:08:35,200 Speaker 1: but you could tell she's damaged inside courtesy of her 119 00:08:35,280 --> 00:08:41,400 Speaker 1: complex relationship with her mother. And this episode made me 120 00:08:41,520 --> 00:08:44,640 Speaker 1: fall in love with Monica even more. What we have 121 00:08:44,800 --> 00:08:49,760 Speaker 1: to do, though, is really try our best to understand 122 00:08:49,760 --> 00:08:53,160 Speaker 1: the complexities of this woman and what is so fucked 123 00:08:53,240 --> 00:08:57,640 Speaker 1: up about this cast on Salt Lake City nobody was 124 00:08:57,760 --> 00:09:02,640 Speaker 1: checking for this show. Guys were on the radar of 125 00:09:02,679 --> 00:09:06,520 Speaker 1: the Real Housewives of Dallas level of attention span that 126 00:09:06,600 --> 00:09:11,000 Speaker 1: we had on this show, And instead of putting your 127 00:09:11,040 --> 00:09:15,880 Speaker 1: foot forward and saying, at least after reunion, like, okay, 128 00:09:16,200 --> 00:09:19,000 Speaker 1: this woman is really telling us who she is. I 129 00:09:19,080 --> 00:09:21,079 Speaker 1: may be met about the blog situation, so I'll get 130 00:09:21,120 --> 00:09:24,600 Speaker 1: to it, but this is fucked up. Let's kind of 131 00:09:24,640 --> 00:09:27,480 Speaker 1: like understand her more. The only person who was trying 132 00:09:27,520 --> 00:09:30,760 Speaker 1: to me was Whitney, and I appreciate Whitney for trying 133 00:09:31,040 --> 00:09:34,800 Speaker 1: to be human in that moment and putting her feelings 134 00:09:34,840 --> 00:09:39,200 Speaker 1: about Monica's side, but watching Monica share her story and 135 00:09:39,280 --> 00:09:43,960 Speaker 1: to see the skowl of Heather, Lisa and Angie made 136 00:09:44,000 --> 00:09:47,200 Speaker 1: them so unlikable to me. I just don't understand how 137 00:09:47,280 --> 00:09:50,400 Speaker 1: you can sit up here and claim to be a 138 00:09:50,480 --> 00:09:54,480 Speaker 1: part of this Christian, Mormon faith or whatever you are 139 00:09:54,559 --> 00:09:57,480 Speaker 1: right now, and this woman across from you is telling 140 00:09:57,520 --> 00:10:00,679 Speaker 1: you about her childhood and you don't have any empathy 141 00:10:00,800 --> 00:10:04,400 Speaker 1: or sympathy for her. This woman is giving us something 142 00:10:04,520 --> 00:10:08,440 Speaker 1: that you girls aren't giving us at all, and instead 143 00:10:08,480 --> 00:10:11,520 Speaker 1: of you guys being there for her at least in 144 00:10:11,600 --> 00:10:15,719 Speaker 1: this moment, right. What you ladies are doing is what 145 00:10:15,840 --> 00:10:18,640 Speaker 1: to me is just wrong with some of the women 146 00:10:19,080 --> 00:10:22,760 Speaker 1: who are part of these franchises where we're dealing with Potomac, 147 00:10:22,800 --> 00:10:28,360 Speaker 1: where Candace is crying for help because she's realizing that 148 00:10:28,400 --> 00:10:30,640 Speaker 1: the rest of the women are trying to get her fired, 149 00:10:30,840 --> 00:10:34,840 Speaker 1: that they're trying to ice her out. Candace, in my opinion, 150 00:10:35,320 --> 00:10:39,120 Speaker 1: is being iced out on the show. I hate to 151 00:10:39,160 --> 00:10:44,320 Speaker 1: say this, I think Candace is aware that she's not 152 00:10:44,440 --> 00:10:47,839 Speaker 1: going to be asked back next season because the queen 153 00:10:47,920 --> 00:10:51,880 Speaker 1: Bee of the show, Giselle, doesn't want her there, and 154 00:10:51,920 --> 00:10:58,600 Speaker 1: it's painfully obvious, and Giselle has Robin and Ashley to 155 00:10:58,640 --> 00:11:03,200 Speaker 1: be a monks of the crowd to say she must go. 156 00:11:04,000 --> 00:11:08,360 Speaker 1: And my fear that is looking like a reality is 157 00:11:09,240 --> 00:11:12,959 Speaker 1: enjoy Candace while you can, because this may very well 158 00:11:13,000 --> 00:11:16,760 Speaker 1: be her last season because these ladies do not warn 159 00:11:16,800 --> 00:11:18,920 Speaker 1: her on the show, and at the end of the day, 160 00:11:18,960 --> 00:11:23,080 Speaker 1: they're going to choose Giselle over Candace. And you can 161 00:11:23,160 --> 00:11:26,240 Speaker 1: quote me on that, because that's what's going to happen 162 00:11:26,280 --> 00:11:29,840 Speaker 1: to candas unfortunately, and I think is fucked up. What 163 00:11:29,960 --> 00:11:33,040 Speaker 1: I saw on part two of the House Wall to 164 00:11:33,080 --> 00:11:36,480 Speaker 1: Salt Lake City. That's what these ladies are trying to 165 00:11:36,559 --> 00:11:41,480 Speaker 1: do to Monica. As Monica is telling you her real 166 00:11:41,520 --> 00:11:45,360 Speaker 1: life story, these women are saying, do not give her 167 00:11:45,520 --> 00:11:53,440 Speaker 1: any ounce of sensitivity, remorse, love, because our mission, and 168 00:11:53,520 --> 00:11:58,320 Speaker 1: my Tom Cruise voice, hey, impossible. Their mission is to 169 00:11:58,520 --> 00:12:03,959 Speaker 1: get rid of Monica. And what these women know is 170 00:12:04,520 --> 00:12:10,280 Speaker 1: this show, in my air quotation marks, is allegedly built 171 00:12:10,320 --> 00:12:14,520 Speaker 1: on real friendships, which to me is bullshit. Nobody on 172 00:12:14,559 --> 00:12:17,479 Speaker 1: the show or across this franchise has a real friendship. 173 00:12:17,840 --> 00:12:23,479 Speaker 1: Besides Robin and Giselle on Potomac and Alexis and Marisol 174 00:12:23,840 --> 00:12:27,240 Speaker 1: on Miami. The rest of these girls met on set, 175 00:12:27,559 --> 00:12:30,480 Speaker 1: or they met months before filming, or they knew of 176 00:12:30,559 --> 00:12:33,360 Speaker 1: each other a little bit, but then getting on the show, 177 00:12:33,360 --> 00:12:35,600 Speaker 1: they have that common ground. You guys are the same 178 00:12:35,640 --> 00:12:40,840 Speaker 1: ones who think Sutton and Garcel are the Paris and 179 00:12:40,920 --> 00:12:44,760 Speaker 1: the Coal of the simple life in the nine to 180 00:12:44,840 --> 00:12:47,080 Speaker 1: two to one zero. And I love Garceil and I 181 00:12:47,120 --> 00:12:50,120 Speaker 1: love Sutton. But let's call a spade a spade, not 182 00:12:50,200 --> 00:12:53,000 Speaker 1: the case spade purse. Let's call a spade of spade. 183 00:12:53,400 --> 00:12:56,280 Speaker 1: No black folks, not the car game. Let's call a 184 00:12:56,280 --> 00:12:59,800 Speaker 1: spade a spade. This show wants to give off of 185 00:12:59,840 --> 00:13:03,439 Speaker 1: this this air that's about real friendships and it's not. 186 00:13:04,280 --> 00:13:08,280 Speaker 1: And I love Tamar Judge. She brought Tamara. Don't kill me, 187 00:13:08,360 --> 00:13:12,040 Speaker 1: it's fuddy, But Tamar Judge brought her friend Jen On, 188 00:13:12,160 --> 00:13:13,600 Speaker 1: and I know Tamar is saying she need to bring 189 00:13:13,600 --> 00:13:15,680 Speaker 1: her on, and Tama's gonna kill me for this, but 190 00:13:15,720 --> 00:13:19,640 Speaker 1: I love you, Tam tawm. Tama brought Jin on and 191 00:13:19,920 --> 00:13:23,880 Speaker 1: read her for film. It's like, well, damn, Tamera, did 192 00:13:23,920 --> 00:13:26,880 Speaker 1: you have to read Jay like that and throw a 193 00:13:27,000 --> 00:13:31,440 Speaker 1: napkin in her face? Geez? But Tamar says, somebody gotta 194 00:13:31,480 --> 00:13:35,080 Speaker 1: save this sinking ship, and baby Tamar did it. Thank you, Tam, 195 00:13:35,120 --> 00:13:36,920 Speaker 1: tamp and Jen I love you. I think you're a 196 00:13:36,920 --> 00:13:40,560 Speaker 1: great cast member, by the way. But even deeper than that, 197 00:13:41,040 --> 00:13:45,800 Speaker 1: what you're also seeing is when Tamara was fired, Shanna 198 00:13:45,880 --> 00:13:48,199 Speaker 1: Badore stopped talking to her. But you guys want to 199 00:13:48,240 --> 00:13:50,440 Speaker 1: read me when I tell you that certain women on 200 00:13:50,480 --> 00:13:57,360 Speaker 1: these franchises are friends. Tamra and Shannon were besties. Tamarck 201 00:13:57,360 --> 00:14:01,400 Speaker 1: gets fired, Shanna says, I'm still on this show, so 202 00:14:01,440 --> 00:14:05,040 Speaker 1: I gotta fucking make friends with the Queen of Chili's, 203 00:14:05,480 --> 00:14:08,240 Speaker 1: which is Gina, and then she has to be friends 204 00:14:08,240 --> 00:14:12,040 Speaker 1: with Gina and Emily and she's like really, so, you know, 205 00:14:12,640 --> 00:14:16,439 Speaker 1: she dissed Tamera. So when it comes to Salt Lake City, 206 00:14:17,120 --> 00:14:20,640 Speaker 1: what they're trying to do is not show any empathy 207 00:14:21,120 --> 00:14:24,480 Speaker 1: for Monica's story. And that was so evident in this 208 00:14:24,600 --> 00:14:28,600 Speaker 1: part two reunion and it made me just realize that 209 00:14:29,560 --> 00:14:32,640 Speaker 1: I have a strong feeling they're going to ice her 210 00:14:32,680 --> 00:14:36,080 Speaker 1: out to where there's no point of no return. And 211 00:14:36,120 --> 00:14:40,360 Speaker 1: if that happens, how unfortunate would it be When you 212 00:14:40,480 --> 00:14:44,160 Speaker 1: guys were on the chopping block that karate Kid would 213 00:14:44,240 --> 00:14:48,320 Speaker 1: practice his moves on and break shouldn't have And now 214 00:14:48,400 --> 00:14:52,320 Speaker 1: you guys are breaking this cast in half because Monica 215 00:14:52,760 --> 00:14:56,200 Speaker 1: was a blogger. It's weird to me. Nothing's more weird 216 00:14:56,240 --> 00:15:01,080 Speaker 1: though than the word too shed, But hey, I digress. 217 00:15:01,440 --> 00:15:03,480 Speaker 1: One of the other things that we saw on Part 218 00:15:03,480 --> 00:15:07,440 Speaker 1: two reunion is the fact that Lisa Lisa Lisa. First 219 00:15:07,440 --> 00:15:09,760 Speaker 1: of all, I think Lisa Barlow is one of the 220 00:15:09,800 --> 00:15:12,640 Speaker 1: most beautiful women on television. I think she's stunning to 221 00:15:12,680 --> 00:15:16,480 Speaker 1: look at. But Lisa is full of shit and I 222 00:15:16,520 --> 00:15:19,840 Speaker 1: love Missa and Lisa Barlow. You can sit up there 223 00:15:20,600 --> 00:15:26,400 Speaker 1: and say to Monica about all the nasty things she 224 00:15:26,600 --> 00:15:30,200 Speaker 1: said to these other women. She said it, she said it, 225 00:15:30,720 --> 00:15:34,120 Speaker 1: but she owns it. Monica did not have to get 226 00:15:34,160 --> 00:15:38,440 Speaker 1: caught on a hot mic talking to the showrunner of 227 00:15:38,520 --> 00:15:42,560 Speaker 1: Salt Lake City for you to be exposed of talking 228 00:15:42,600 --> 00:15:46,800 Speaker 1: about your and Eric Crow's best friend, Meredith. The stuff 229 00:15:46,840 --> 00:15:50,840 Speaker 1: you said about Meredith behind her back. I am shocked 230 00:15:50,920 --> 00:15:54,840 Speaker 1: that Meredith can't forgive you. I'm shocked the things you 231 00:15:55,000 --> 00:16:00,000 Speaker 1: said about her was so disgusting that if you got 232 00:16:00,240 --> 00:16:03,640 Speaker 1: gonna kick off Monica, then fuck kick off Lisa. Because 233 00:16:03,680 --> 00:16:08,280 Speaker 1: if Lisa can say that about her girl, Meredith behind 234 00:16:08,360 --> 00:16:12,360 Speaker 1: her back on a hot mic, imagine what she is 235 00:16:12,440 --> 00:16:15,760 Speaker 1: saying about the rest of y'all when she is at 236 00:16:15,760 --> 00:16:21,200 Speaker 1: home spending sixty thousand dollars on a ring getting makeup done, 237 00:16:21,560 --> 00:16:24,360 Speaker 1: to go to brunch down the street, or to go 238 00:16:24,400 --> 00:16:27,760 Speaker 1: to Sundance Film Festival. But none of y'all cared about 239 00:16:27,800 --> 00:16:33,800 Speaker 1: that because y'all felt that Lisa belonged in this affluent 240 00:16:34,560 --> 00:16:40,360 Speaker 1: eliti's life that you women live. So Lisa is like, 241 00:16:40,640 --> 00:16:43,520 Speaker 1: you talk about women too, Lisa, you said crazier shit 242 00:16:43,560 --> 00:16:46,880 Speaker 1: about these other women as well. Why is it that 243 00:16:46,920 --> 00:16:49,960 Speaker 1: when Monica says it. It's the worst thing in the 244 00:16:49,960 --> 00:16:53,960 Speaker 1: world is because Monica's delivery is better. Call Monica Pisa 245 00:16:54,040 --> 00:16:57,720 Speaker 1: hut because the bitch delivers on time and it's hot. 246 00:16:57,960 --> 00:17:03,120 Speaker 1: So are we upset that her delivery is much stronger? 247 00:17:03,800 --> 00:17:06,919 Speaker 1: And now it's another reason why see guess what lady, 248 00:17:06,960 --> 00:17:10,160 Speaker 1: this is Lisa. I'm mocking Lisa at this point. Hey, guys, 249 00:17:10,240 --> 00:17:14,520 Speaker 1: guess what, Like, We're gonna make sure that you know, 250 00:17:14,920 --> 00:17:18,920 Speaker 1: when it comes to you know, Monica and everything she's saying, 251 00:17:19,320 --> 00:17:22,920 Speaker 1: we have to make sure that she understands that we're 252 00:17:22,960 --> 00:17:25,640 Speaker 1: not fucking with her. So that's what we're going to do. 253 00:17:26,520 --> 00:17:28,760 Speaker 1: And all of your girls fall in line. I don't 254 00:17:28,800 --> 00:17:33,719 Speaker 1: mind a housewife working for the check. But Heather, you 255 00:17:33,960 --> 00:17:38,680 Speaker 1: have to be the most bored woman in Salt Lake City. 256 00:17:39,320 --> 00:17:42,640 Speaker 1: What do you do? You have more time on your 257 00:17:42,720 --> 00:17:48,440 Speaker 1: hands than a Rolex watch tick tick boom boom. You 258 00:17:48,600 --> 00:17:55,080 Speaker 1: literally sit on ready. You are so bored and have 259 00:17:55,320 --> 00:17:58,880 Speaker 1: nothing else going on in your life that you sit 260 00:17:59,000 --> 00:18:02,760 Speaker 1: there and have to Nisha with her curling iron and 261 00:18:02,840 --> 00:18:07,960 Speaker 1: her bundles work with you allegedly to dig up things 262 00:18:08,000 --> 00:18:14,760 Speaker 1: on people. You literally have a pamphlet and encyclopedia on 263 00:18:15,000 --> 00:18:19,200 Speaker 1: every single thing Monica has done since she was twelve 264 00:18:19,280 --> 00:18:25,400 Speaker 1: years old. You now are playing some audio of Monica 265 00:18:26,000 --> 00:18:30,679 Speaker 1: talking shit about Mary. By the way, Monica love you, 266 00:18:30,760 --> 00:18:39,440 Speaker 1: But girlfriend, it doesn't bear you were talking shit about Mary. 267 00:18:40,320 --> 00:18:43,800 Speaker 1: But guess what, it's bye again. I just don't think 268 00:18:43,840 --> 00:18:47,560 Speaker 1: we watch reality TV for the moral compass of it all. 269 00:18:47,640 --> 00:18:51,520 Speaker 1: I think we're sort of like, okay, Monica called Mary 270 00:18:51,600 --> 00:18:56,080 Speaker 1: a bit, like, guys, are we seriously going to make 271 00:18:56,119 --> 00:18:59,520 Speaker 1: this a big deal? But the reason why it was 272 00:18:59,600 --> 00:19:04,240 Speaker 1: highlight it for me is because it showed that these 273 00:19:04,320 --> 00:19:08,439 Speaker 1: women were trying to get married to come to their side, 274 00:19:08,840 --> 00:19:14,720 Speaker 1: because they kind of saw that Mary had sympathy for Monica, 275 00:19:15,760 --> 00:19:18,960 Speaker 1: and because they know that Mary is the fan favorite. 276 00:19:19,680 --> 00:19:23,919 Speaker 1: They were like, no, Mary, you cannot get Monica to 277 00:19:23,960 --> 00:19:28,600 Speaker 1: be on your team because if you want Monica, that 278 00:19:28,720 --> 00:19:31,280 Speaker 1: means we are forced to film with her next season. 279 00:19:31,640 --> 00:19:35,000 Speaker 1: And I'm gonna tell this to you guys again. Their 280 00:19:35,160 --> 00:19:40,840 Speaker 1: mission this reunion was to ice out Monica. That's why 281 00:19:40,920 --> 00:19:43,960 Speaker 1: Lisa kept saying, no, you said this, and She's like, 282 00:19:44,080 --> 00:19:46,760 Speaker 1: Monica's like, no, bitch, you said that too. They're all like, no, 283 00:19:46,800 --> 00:19:50,240 Speaker 1: but Monica's yours worst, and then you had ANGIEK. And again, 284 00:19:50,320 --> 00:19:52,800 Speaker 1: I love Angik. I think she's a great comedian, but 285 00:19:52,880 --> 00:19:57,720 Speaker 1: we call her Hurricane Angie. Cue the hurricane sound Sierra, 286 00:19:59,600 --> 00:20:03,760 Speaker 1: what's the forecast today, Lisa? Are we doing a tornado 287 00:20:03,960 --> 00:20:09,280 Speaker 1: on Monica today? Heather, what's the forecast today? This is 288 00:20:09,400 --> 00:20:13,920 Speaker 1: Hurricane Angie reporting for duty. I just go where the windblows. 289 00:20:14,560 --> 00:20:19,000 Speaker 1: Thank you. Yes, that's who Angie K is. So then 290 00:20:19,080 --> 00:20:23,320 Speaker 1: Angie K was able to of course be on Lisa's 291 00:20:23,400 --> 00:20:28,160 Speaker 1: side shockingly and also come from Monica. And then they're 292 00:20:28,160 --> 00:20:33,199 Speaker 1: both like, know Mary Mary, Mary, Mary, Mary Mary. No, 293 00:20:33,600 --> 00:20:36,280 Speaker 1: she said that that's her voice. Mary, are you listening? 294 00:20:37,000 --> 00:20:40,959 Speaker 1: See what I'm saying? Guys. Their intention was to we 295 00:20:41,119 --> 00:20:45,520 Speaker 1: have to get everybody to be on our side. And 296 00:20:45,600 --> 00:20:48,680 Speaker 1: that's the reason why Meredith, who's sit in the middle 297 00:20:48,800 --> 00:20:52,840 Speaker 1: looking gorgeous in her rid, didn't say a word. Meredith 298 00:20:52,880 --> 00:20:56,720 Speaker 1: didn't say two words this reunion because deep down inside, 299 00:20:56,880 --> 00:21:01,960 Speaker 1: Meredith likes Monica. Because Meredith was like Dick, some more 300 00:21:01,960 --> 00:21:05,320 Speaker 1: sit up on Lisa, because let's be clear, Meredith will 301 00:21:05,400 --> 00:21:09,080 Speaker 1: never ever get over what Lisa said about her on 302 00:21:09,119 --> 00:21:15,760 Speaker 1: a hot mic that is embedded in Meredith's brain. Meredith 303 00:21:16,119 --> 00:21:20,879 Speaker 1: wants Monica back, but Meredith, who doesn't know how to 304 00:21:21,000 --> 00:21:26,879 Speaker 1: drive a vehicle, can't drive herself to go against Queen 305 00:21:27,080 --> 00:21:31,400 Speaker 1: Heather and her minions. I'm telling you how it works. 306 00:21:31,960 --> 00:21:35,920 Speaker 1: And because Whitney doesn't mess with her cousin Heather, that's 307 00:21:35,960 --> 00:21:41,120 Speaker 1: why you saw Whitney really try to sympathize with Monica 308 00:21:41,720 --> 00:21:44,399 Speaker 1: because she's kind of like Monica, I'm trying to help you. 309 00:21:44,440 --> 00:21:47,040 Speaker 1: I'm trying to get you at least at least I'm 310 00:21:47,080 --> 00:21:50,920 Speaker 1: trying because I believe the donna's side. Whitney's like, Monica's 311 00:21:50,960 --> 00:21:52,960 Speaker 1: good for the show, Like, I don't care what your 312 00:21:53,000 --> 00:21:55,439 Speaker 1: lady say, Monica's good for the show. So what you 313 00:21:55,480 --> 00:22:00,960 Speaker 1: saw was Mary trying to have Monica's back, understand her 314 00:22:01,160 --> 00:22:03,399 Speaker 1: a little bit, but the other girls were not going 315 00:22:03,480 --> 00:22:05,160 Speaker 1: to have it. They just weren't going to have it. 316 00:22:05,680 --> 00:22:08,880 Speaker 1: And then you have Monica claimed that Whitney's a racist, 317 00:22:09,040 --> 00:22:15,080 Speaker 1: which I'm like, damn, that's whoa. I was not expecting that, 318 00:22:15,920 --> 00:22:20,359 Speaker 1: not at all. That blew me away. It blew me away. 319 00:22:20,880 --> 00:22:22,720 Speaker 1: I don't know Whitney like that, so I can't tell 320 00:22:22,760 --> 00:22:25,240 Speaker 1: you whether or not she is. Listen, I watched TV 321 00:22:25,400 --> 00:22:27,800 Speaker 1: like we all do. Child, I don't think she is 322 00:22:27,800 --> 00:22:29,159 Speaker 1: based on what I saw on the TV show, but 323 00:22:29,200 --> 00:22:32,840 Speaker 1: I don't know what Mary knows, honey. So Child, that's 324 00:22:32,880 --> 00:22:42,560 Speaker 1: a very strong accusation. And look, honey, Child, I don't know. 325 00:22:43,000 --> 00:22:48,280 Speaker 1: But it was very interesting to really see race play 326 00:22:48,400 --> 00:22:54,080 Speaker 1: a role in the party reunion because Monica also said 327 00:22:54,800 --> 00:22:59,879 Speaker 1: when she was going over her names, because Monica changed 328 00:22:59,880 --> 00:23:02,600 Speaker 1: her name a couple of times, I'm like, what in 329 00:23:02,640 --> 00:23:05,520 Speaker 1: the true crime is going on here, Monica? So Monica 330 00:23:05,680 --> 00:23:08,560 Speaker 1: changed her names a couple of times, So I think 331 00:23:09,160 --> 00:23:14,480 Speaker 1: it was Monica Darnell, then it was Monica Garcia, then 332 00:23:14,560 --> 00:23:20,480 Speaker 1: it was Linda Monica Garcia, which apparently Monica and her 333 00:23:20,520 --> 00:23:25,119 Speaker 1: mom have the same name, and that whole thing was weird. 334 00:23:25,640 --> 00:23:31,040 Speaker 1: And then you had Monica claim that Lisa said the 335 00:23:31,200 --> 00:23:39,240 Speaker 1: reasons why Monica changed her name back to Garcia while 336 00:23:39,280 --> 00:23:43,960 Speaker 1: she was auditioning for the show is because she wanted 337 00:23:44,000 --> 00:23:46,800 Speaker 1: to appear to be a Latina. Now, I'm sure you 338 00:23:46,880 --> 00:23:50,080 Speaker 1: guys want to know what's the big deal, So let 339 00:23:50,160 --> 00:23:53,560 Speaker 1: me explain it to you. For the past couple of years, 340 00:23:54,040 --> 00:23:56,680 Speaker 1: there has been this call to action to have more 341 00:23:56,720 --> 00:24:01,440 Speaker 1: diversity on these shows. That's why within one calendar year, child, 342 00:24:01,480 --> 00:24:03,800 Speaker 1: you had Ebony as the first black housewife in New 343 00:24:03,880 --> 00:24:07,199 Speaker 1: York City. You had Garcilles the first black housewife in 344 00:24:07,240 --> 00:24:12,800 Speaker 1: Belly Hills. You had Crystal as the first Asian American 345 00:24:13,040 --> 00:24:18,720 Speaker 1: on Beverley Hills. You had Tiffany Moon as the first 346 00:24:18,760 --> 00:24:23,320 Speaker 1: Asian American on Dallas, and the list goes on. Oh, 347 00:24:23,359 --> 00:24:25,720 Speaker 1: and then you have the first black housewife on the OC, 348 00:24:26,240 --> 00:24:32,280 Speaker 1: which was Noela. So what Monica was telling us is 349 00:24:33,000 --> 00:24:37,399 Speaker 1: Lisa felt that Monica was so desperate to get on 350 00:24:37,440 --> 00:24:42,439 Speaker 1: the show that she wanted to appear as Latina. Since 351 00:24:42,880 --> 00:24:47,480 Speaker 1: Lisa knows that they believe in diversity and inclusion, and 352 00:24:47,640 --> 00:24:52,720 Speaker 1: if Monica can appear to be a Latina, then she 353 00:24:52,840 --> 00:24:55,679 Speaker 1: has a better chance of being on the show, so 354 00:24:55,720 --> 00:24:58,879 Speaker 1: that they all can say, look, we have diversity. Of 355 00:24:58,960 --> 00:25:01,960 Speaker 1: course Lisa did, and I did. Now look, I don't 356 00:25:02,000 --> 00:25:05,080 Speaker 1: believe anything Lisa says. And I like Lisa as a 357 00:25:05,080 --> 00:25:08,399 Speaker 1: beautiful woman, and I love her, her kids and her husband. 358 00:25:08,800 --> 00:25:12,719 Speaker 1: Lisa Barlow is gorgeous and so is her family. But Lisa, 359 00:25:12,920 --> 00:25:16,440 Speaker 1: you are a liar, liar pants on fire. And that's okay. 360 00:25:16,840 --> 00:25:22,560 Speaker 1: Well it's not okay. It's housewives who cares. But it 361 00:25:22,600 --> 00:25:26,280 Speaker 1: goes to show you that I strongly believe Lisa Barlow 362 00:25:26,320 --> 00:25:29,639 Speaker 1: said that because once again, guys, not to toot my 363 00:25:29,680 --> 00:25:33,200 Speaker 1: own horn. Thank you Sarah for the horn sound effects. 364 00:25:33,680 --> 00:25:37,159 Speaker 1: But I try to tell you, guys, these women have 365 00:25:37,480 --> 00:25:41,720 Speaker 1: an elitist attitude towards Monica because they don't feel like 366 00:25:41,800 --> 00:25:44,480 Speaker 1: she belongs on the show. And the other reason why 367 00:25:44,560 --> 00:25:47,920 Speaker 1: they want to ice out Monica is because Monica knows 368 00:25:47,960 --> 00:25:50,520 Speaker 1: a lot about these women. And one thing I always 369 00:25:50,600 --> 00:25:53,399 Speaker 1: tell you guys about these housewives, some of them have 370 00:25:53,480 --> 00:25:56,840 Speaker 1: a pact to where they will never say anything so 371 00:25:57,080 --> 00:26:00,080 Speaker 1: vile publicly on the show because they don't want to 372 00:26:00,480 --> 00:26:04,080 Speaker 1: open up those can of worms. Listen to me, and 373 00:26:04,160 --> 00:26:11,360 Speaker 1: listen to me. Clearly, every last Salt Lake City housewife 374 00:26:12,160 --> 00:26:17,040 Speaker 1: has secrets. No, not secrets the Orderant, not Barry White's 375 00:26:17,080 --> 00:26:24,080 Speaker 1: the Secret Garden. These women have very deep, dark secrets. 376 00:26:24,240 --> 00:26:27,280 Speaker 1: And the reason why they want to push Monica out 377 00:26:27,960 --> 00:26:32,760 Speaker 1: fast is because they know Monica knows it all. And 378 00:26:32,840 --> 00:26:36,399 Speaker 1: because Monica had a blog, they know that Monica is 379 00:26:36,480 --> 00:26:40,280 Speaker 1: capable of exposing them. So what do you do when 380 00:26:40,359 --> 00:26:43,960 Speaker 1: someone has dirt on you? In the movies, you kill 381 00:26:44,040 --> 00:26:47,840 Speaker 1: them off the show. Ladies and gentlemen, what you witnessed 382 00:26:48,240 --> 00:26:51,679 Speaker 1: on the Part two reunion of Salt Lake City was 383 00:26:51,800 --> 00:26:58,320 Speaker 1: just that. Thank you for listening to Reality with the King. 384 00:26:58,680 --> 00:27:04,199 Speaker 1: New episodes drop on Tuesdays and Thursdays, Share, comment, follow, 385 00:27:04,400 --> 00:27:08,000 Speaker 1: and subscribe to Reality with the King. Wherever you get 386 00:27:08,080 --> 00:27:12,439 Speaker 1: your podcasts, visit Reality withthe King dot com and be 387 00:27:12,520 --> 00:27:18,480 Speaker 1: sure to follow me at d Carlos King, Underscore on Instagram, Twitter, TikTok, 388 00:27:18,600 --> 00:27:21,520 Speaker 1: and Yes Baby, my YouTube channel where you can get 389 00:27:21,560 --> 00:27:25,760 Speaker 1: all of my visuals, baby, my expressions, Yes, and don't 390 00:27:25,760 --> 00:27:29,080 Speaker 1: forget Tweet me your thoughts and hot takes about this 391 00:27:29,200 --> 00:27:35,639 Speaker 1: episode using the hashtag Reality with the King. Reality with 392 00:27:35,680 --> 00:27:39,919 Speaker 1: the King is a production of Kingdom Rain Entertainment. It 393 00:27:40,000 --> 00:27:44,480 Speaker 1: is produced by Sierra Spragley Rix An executive produced by 394 00:27:44,560 --> 00:27:56,640 Speaker 1: Me Carlos King, Kingdom Rain Entertainment, Baby