WEBVTT - The Catacombs of Paris

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh Clark, and

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<v Speaker 2>there's Charles W. Chuck Bryant, and we are going deep

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<v Speaker 2>underneath the City of Perry, City of Lights, City too

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<v Speaker 2>busy to sleep because it eats big apples in this

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<v Speaker 2>episode of Stuff You Should Know.

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<v Speaker 1>That's right, big thanks to Anna for the contribution here

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<v Speaker 1>on the Paris Catacombs. Have you ever toured the Paris Catacombs?

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<v Speaker 2>Yes? I have?

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<v Speaker 1>Have you I have not, and I think I remember

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<v Speaker 1>you telling me that you had. I've been to Paris

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<v Speaker 1>three times, have not yet done this. It was not

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<v Speaker 1>on my radar the first two, didn't have time the

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<v Speaker 1>third trip. So if and when I ever get back

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<v Speaker 1>to Paris, it's on the list I recommend.

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<v Speaker 2>Have you ever been to the Mulin Rouge?

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<v Speaker 3>Yes?

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<v Speaker 2>Okay, so the Mulan Ruge is generally topless dance numbers

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<v Speaker 2>typically right, Yeah, did you notice that when you're at

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<v Speaker 2>the Mulan Rouge, boobs just there were so many boobs

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<v Speaker 2>everywhere that they just totally lost all context and meaning.

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<v Speaker 3>Yeah, twelve year old Chuck was like, I don't understand what's.

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<v Speaker 2>Happening, right, But I'll bet even twelve year old Chuck

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<v Speaker 2>was like yawning by the end of it, right, because

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<v Speaker 2>there's just so many boobs everywhere that they're just it

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<v Speaker 2>doesn't doesn't mean anything anymore. The catacombs are the Mulan

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<v Speaker 2>Rouge of human bones.

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<v Speaker 1>Oh, so many skulls that it's just like whatever, there's

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<v Speaker 1>another skull.

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<v Speaker 2>Yeah. Yeah, it's bizarre because you realize you're just like,

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<v Speaker 2>ho hum, there's another dead body. There's another dead body,

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<v Speaker 2>there's another leg bone. But it's still worth going to

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<v Speaker 2>just because it's so bizarre. But there's just so many

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<v Speaker 2>human bones around you that you just it's like your

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<v Speaker 2>brain just gets saturated and you just stop thinking of

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<v Speaker 2>them like that.

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<v Speaker 1>So the JSA, the Josh SAT would be Mulin Rouge

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<v Speaker 1>is to boobs, as the Paris Catacombs is to blank

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<v Speaker 1>human bones.

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<v Speaker 2>Yeah, that'd be the right answer choice A. What would

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<v Speaker 2>be the other choices?

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<v Speaker 3>Oh?

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<v Speaker 1>Man, I don't know. I haven't taken a test like

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<v Speaker 1>that in so long. I'd hope you have been to

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<v Speaker 1>take the SAT again.

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<v Speaker 3>What it I think?

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<v Speaker 2>So?

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<v Speaker 3>Okay, how long does that take?

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<v Speaker 2>I don't know, but it's changed since we were there hours?

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<v Speaker 2>I remember it taking hours. It used to actually test

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<v Speaker 2>IQ and now it just tests like retention.

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<v Speaker 3>Oh well, I'm screwed.

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<v Speaker 2>So here's the other answers. Chuck cod fishing, Yeah, modge podge.

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<v Speaker 1>And there's got to be one close one like like

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<v Speaker 1>like gravesite or something. Okay, there you go and you'd

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<v Speaker 1>be like, no, no, grave wax.

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<v Speaker 2>Do you remember that from back in the day.

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<v Speaker 1>Is that the human goop that seeps out that you

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<v Speaker 1>can make soap out of?

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<v Speaker 3>Yeah?

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<v Speaker 2>Pretty awesome.

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<v Speaker 1>All right, that's a that's a great j Sat. We

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<v Speaker 1>should have our own stuff. You should know, Sat. That'd

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<v Speaker 1>be a fun thing to design.

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<v Speaker 2>I have, It would be fun. I have one more

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<v Speaker 2>story about the catacombs, let's hear it. So when we went,

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<v Speaker 2>I've only been once, uh and it was a few

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<v Speaker 2>years back. But we went with my brother in law

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<v Speaker 2>and sister in law and our niece, a very famous

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<v Speaker 2>Mila who's been in the movies. She played young Mary

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<v Speaker 2>in the movie Mary that came out on Netflix this

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<v Speaker 2>past Christmas. Did you know that? No?

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<v Speaker 3>And you didn't.

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<v Speaker 1>You didn't shout that one out, So I'm glad you are.

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<v Speaker 2>Well. We were off so I didn't get a chance to,

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<v Speaker 2>but it's it's definitely worth watching. It's like pretty religious movie.

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<v Speaker 2>I mean it's about Mary the mother Mary Mary. Yeah,

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<v Speaker 2>yeah that Mary. You're like, ah Mary Mary, Sure. And

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<v Speaker 2>it is fascinating, like my actually my brother in law

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<v Speaker 2>also was a producer on it too, and they it

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<v Speaker 2>has like action, it has like it's a thriller. It

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<v Speaker 2>has like a really evil villain played by Anthony Hopkins.

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<v Speaker 2>Like it's just a really good movie that you'll watch

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<v Speaker 2>from beginning to end. Be like, this is pretty good.

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<v Speaker 3>I have to check it out.

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<v Speaker 1>And I'm also going to forgive you for when I said, Mary, Mary,

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<v Speaker 1>for not saying.

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<v Speaker 2>Why you bugging thank you?

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<v Speaker 3>You passed. You're back in the good graces.

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<v Speaker 2>Well anyway, Oh back to my story. So little Mila,

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<v Speaker 2>she must have been fivesh at the time, she went

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<v Speaker 2>to the catacombs with us, right, so she's walking around

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<v Speaker 2>this ossiery with bones and human skulls everywhere, and you

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<v Speaker 2>me or I asked her, like, are are you scared

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<v Speaker 2>right now? And she said, I boobs right, she right,

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<v Speaker 2>she said I would be if these were real. We're like,

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<v Speaker 2>we just looked at each other out of the corners

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<v Speaker 2>of our eyes, and we were like, well, let's look

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<v Speaker 2>over here now, right exactly.

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<v Speaker 3>Yeah, Wow, that's adorable.

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<v Speaker 2>It was very adorable. What's funny is the irony of

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<v Speaker 2>the whole thing is this is the same kid had

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<v Speaker 2>about the same age, who was scared to death on

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<v Speaker 2>the movie ride at Disney Hollywood Studios, but is standing

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<v Speaker 2>there in the ossiary right, millions of bones, human bones

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<v Speaker 2>and skulls, and.

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<v Speaker 3>Is like, yeah, that's pretty funny.

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<v Speaker 2>Yeah. So those are all my stories about the Catacombs.

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<v Speaker 2>I figured we should probably start talking about it.

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<v Speaker 1>Yeah, so this is I mean, let's go back in time,

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<v Speaker 1>I guess. I mean we know already what it is.

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<v Speaker 1>It's a series of underground tunnels where more than six

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<v Speaker 1>million Parisians are are there, you know, forever. What's crazy

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<v Speaker 1>they decided to move them again, right.

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<v Speaker 2>Right, But you have no idea who's who, Like one

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<v Speaker 2>bone doesn't belong to another bone, no idea whose skull

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<v Speaker 2>is who? It's crazy.

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<v Speaker 3>Yeah. Yeah.

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<v Speaker 1>So if you go back in time, let's say forty

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<v Speaker 1>five million years during the Lutesian period, there was an

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<v Speaker 1>erosion event that caused a lot of what became to

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<v Speaker 1>be known as Lutesian or Paris rock or Paris limestone

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<v Speaker 1>or Parisian limestone deposited there, and that is if you

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<v Speaker 1>go to Paris and you see everything as a sort

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<v Speaker 1>of creamy gray, that's what that is. And that's what

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<v Speaker 1>gives Paris its distinct look because they had loads and

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<v Speaker 1>loads and loads of it. And the reason we're starting

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<v Speaker 1>with this is because the mining of that Lutetian limestone

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<v Speaker 1>is where these tunnels started, about two thousand years ago,

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<v Speaker 1>on the banks of the rivers. There they had these

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<v Speaker 1>quarries where they would mine the heck out of this stuff,

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<v Speaker 1>and before you know it, Paris is sitting on top

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<v Speaker 1>of a vast network of tunnels.

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<v Speaker 2>Yeah, something like thirty two square kilometers of tunnels, which,

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<v Speaker 2>to put in American terms, is like a lot of bananas. Yes,

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<v Speaker 2>ten times the size of Central Park apparently is underneath Paris. Yeah,

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<v Speaker 2>I think it's three hundred kilometers of tunnels. Isn't that

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<v Speaker 2>just nuts?

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<v Speaker 3>It's a lot.

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<v Speaker 2>But I mean, if you think about it, if you

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<v Speaker 2>mine an area, a small, relatively small area, for a

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<v Speaker 2>couple thousand years, you're gonna you're gonna make some headway eventually.

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<v Speaker 2>And that's what they did. The key is this chuck. Originally,

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<v Speaker 2>these quarries were sensibly well outside of the city of Paris. Yeah,

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<v Speaker 2>but we're talking about a very very tiny original city

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<v Speaker 2>of Paris that eventually grew and grew and grew, and

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<v Speaker 2>over time Paris overtook these old quarries that in most

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<v Speaker 2>cases were no longer used or mined any longer. So

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<v Speaker 2>the city built itself over abandoned mines that people had

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<v Speaker 2>just plumb forgotten about.

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<v Speaker 1>That's right, and that you know, that presents a couple

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<v Speaker 1>of very big problems. First of all, if you've got

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<v Speaker 1>a city growing and growing and getting built on and

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<v Speaker 1>built on and getting heavier and heavier, and a lot

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<v Speaker 1>of the underground has been dug out, that is a problem.

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<v Speaker 1>And there were numerous incidents of sinkholes, of buildings collapsing

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<v Speaker 1>into themselves, of all kinds of you know, tragedies happening

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<v Speaker 1>over the years throughout the history of Paris because it

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<v Speaker 1>was built on, you know, hollow ground in a lot

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<v Speaker 1>of places.

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<v Speaker 2>Right. That's why another very famous nickname for Paris is

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<v Speaker 2>the Florida of Europe.

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<v Speaker 3>Right, I'm sure they love that.

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<v Speaker 1>The other big problem is that Parisians used to love

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<v Speaker 1>burying themselves in Paris, like you wanted to be laid

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<v Speaker 1>to rest in the city where you grew up and lived.

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<v Speaker 2>Your life at your church typically too.

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<v Speaker 1>Yeah, like very very locally. And by the eighteenth century,

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<v Speaker 1>late eighteenth century, this was a big, big problem. There

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<v Speaker 1>were too many bodies those disease was being spread. So

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<v Speaker 1>this led to a couple of things. I think in

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<v Speaker 1>the seventeen thirties there was an actual parliamentary commissioned study

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<v Speaker 1>about how disease from these you know, dead people everywhere

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<v Speaker 1>in Paris was hurting the city. And then it took

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<v Speaker 1>about forty years. Eventually, in seventeen seventy seven, King Louis

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<v Speaker 1>what is that sixteenth created the IGC You want to

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<v Speaker 1>pronounce that?

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<v Speaker 2>Oh yes, please? The Inspection General des Cartiers.

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<v Speaker 3>And what were they charged with?

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<v Speaker 2>So carriers is French for careers, and another word for

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<v Speaker 2>career is a path or tunnel. So this was the

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<v Speaker 2>commission overseeing minds and mind shafts in.

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<v Speaker 1>Paris, right, So basically, hey, we got this report forty

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<v Speaker 1>years ago that no one's acted on, so we need

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<v Speaker 1>to really start looking into this stuff. And a chief inspector,

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<v Speaker 1>can you pronounce.

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<v Speaker 2>His name, Charles excel f Guillemote.

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<v Speaker 1>He came along as the chief inspector and said, all right,

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<v Speaker 1>you know what, we're gonna shore up these minds and

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<v Speaker 1>make sure that they're not gonna keep collapsing. And also

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<v Speaker 1>we're gonna start moving bodies out of here. We had

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<v Speaker 1>a body problem, not a three body problem, we have

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<v Speaker 1>a million's body problem. Yeah, and we're gonna start moving

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<v Speaker 1>bodies out of Let's start with the oldest one, the

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<v Speaker 1>Holy Innocent Cemetery, which has been around since eleven eighty six.

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<v Speaker 1>Let's start moving things out of here and from other cemeteries.

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<v Speaker 1>Close these things down and start moving him into these

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<v Speaker 1>old mind shafts.

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<v Speaker 2>Yeah. And like you said, there was a body problem,

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<v Speaker 2>I think you kind of touched on it a second ago,

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<v Speaker 2>where there was a general sense of disease coming from

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<v Speaker 2>these putrefying bodies that were just piling up in the cemeteries.

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<v Speaker 2>But structurally speaking also so like I guess at the

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<v Speaker 2>time in France, they would bury you with a bunch

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<v Speaker 2>of other people who died at the same time in

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<v Speaker 2>a group pit let you decompose. After five years, they

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<v Speaker 2>would bury you up and then they would just deposit

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<v Speaker 2>your bones into ossiery. They just they were like, here's

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<v Speaker 2>a bunch of bones, move on to the next group

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<v Speaker 2>of people and bury them for five years. So many

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<v Speaker 2>people's bones built up over the years that neighborhoods built

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<v Speaker 2>near this. They're like sellers would collapse in and bones

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<v Speaker 2>would just come out because of the pressure put on

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<v Speaker 2>these huge piles of bones that were building up. So

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<v Speaker 2>there was a huge problem with it. But I also

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<v Speaker 2>read that that was a bit of like a cover story,

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<v Speaker 2>that they were really interested, that the government of Paris

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<v Speaker 2>was interested in reclaiming some really great real estate now,

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<v Speaker 2>and so they did this, whether people liked it or not.

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<v Speaker 2>And they actually went into these cemeteries and moved the

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<v Speaker 2>bones under the cover of night.

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<v Speaker 1>That's right to the tunnels and people, you're doing what, Yeah,

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<v Speaker 1>And they said, don't don't worry about it, just go

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<v Speaker 1>back to sleep. And from seventeen eighty five to seventeen

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<v Speaker 1>eighty seven, over a couple of years, they not only

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<v Speaker 1>from Holy Innocence, but all the nearby cemeteries they moved

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<v Speaker 1>these bodies. In April of seventeen eighty six, the catacombs

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<v Speaker 1>were consecrated officially that was called the Paris Ostuary at first,

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<v Speaker 1>but catacombs sounds creepier.

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<v Speaker 2>I guess, hey, have I been saying ossiery?

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<v Speaker 3>I think so?

0:12:22.320 --> 0:12:24.560
<v Speaker 2>Oh man, thank you for gently correcting me.

0:12:25.400 --> 0:12:27.280
<v Speaker 3>Well, I wasn't sure I was pronounced.

0:12:27.280 --> 0:12:28.839
<v Speaker 2>To be honest, I sounded like a six year old

0:12:28.880 --> 0:12:30.000
<v Speaker 2>kid trying to pronounce it.

0:12:33.160 --> 0:12:35.960
<v Speaker 1>So catacombs took over as the sort of, you know,

0:12:36.000 --> 0:12:40.199
<v Speaker 1>the go to word, and they kind of just dumped

0:12:40.240 --> 0:12:42.800
<v Speaker 1>him in there for a while, until in eighteen ten

0:12:44.040 --> 0:12:47.240
<v Speaker 1>there was a new Quary inspector who said, maybe we

0:12:47.280 --> 0:12:48.320
<v Speaker 1>can have a little fun with this.

0:12:48.880 --> 0:12:51.800
<v Speaker 2>Yeah, So, just to be clear, when they moved the

0:12:51.840 --> 0:12:57.000
<v Speaker 2>bones from the graveyard to these abandoned mine shafts, they

0:12:57.000 --> 0:12:58.640
<v Speaker 2>would just go up to a hole in the ground

0:12:58.640 --> 0:13:03.199
<v Speaker 2>and dump bone into the mine shaft and they would

0:13:03.240 --> 0:13:05.360
<v Speaker 2>just pile up where they fell at the bottom of

0:13:05.400 --> 0:13:08.720
<v Speaker 2>the mine shaft. That's how they were transferred. And like

0:13:08.760 --> 0:13:12.080
<v Speaker 2>you said, finally one of the inspectors, a Quorey inspector

0:13:12.160 --> 0:13:17.440
<v Speaker 2>named Louis Etienne Harry card Deturi. Pretty sure, I said

0:13:17.480 --> 0:13:20.120
<v Speaker 2>that right. Nice. He said, like you said, let's have

0:13:20.200 --> 0:13:23.600
<v Speaker 2>some fun. So he got busy with his quarry men

0:13:25.120 --> 0:13:30.360
<v Speaker 2>stacking bones into these now famous configurations of tibias and

0:13:30.559 --> 0:13:35.800
<v Speaker 2>phibias and finger bones and thigh bones and neck bones

0:13:36.520 --> 0:13:39.720
<v Speaker 2>and then headbones. Finally all of them with their eye

0:13:39.720 --> 0:13:44.160
<v Speaker 2>sockets facing out. They built walls throughout the whole, these

0:13:44.200 --> 0:13:48.440
<v Speaker 2>whole catacombs where that had been designated in ossiary or

0:13:48.480 --> 0:13:49.800
<v Speaker 2>in French and ossuary.

0:13:50.800 --> 0:13:53.040
<v Speaker 1>That's right, And I think from now to the end

0:13:53.040 --> 0:13:55.640
<v Speaker 1>of time, a skull should be known as a headbone.

0:13:56.720 --> 0:13:59.240
<v Speaker 2>And that what it Isn't that old drybone song and

0:13:59.240 --> 0:13:59.960
<v Speaker 2>that what they call it?

0:14:00.400 --> 0:14:00.600
<v Speaker 1>Oh?

0:14:00.720 --> 0:14:02.679
<v Speaker 3>Is it? What connected to the headbone? That one?

0:14:02.720 --> 0:14:03.679
<v Speaker 2>Yeah? Don't they say that?

0:14:04.160 --> 0:14:06.360
<v Speaker 1>Oh I don't know, I think so, I don't remember

0:14:06.400 --> 0:14:10.760
<v Speaker 1>that part. That's like the part, oh well, what was

0:14:10.760 --> 0:14:15.079
<v Speaker 1>connected to it? I think the yeah, yeah probably and

0:14:15.120 --> 0:14:17.440
<v Speaker 1>the neck bone is connected to the skull.

0:14:18.400 --> 0:14:25.120
<v Speaker 2>Right, And then everybody just stopped singing and goes yeah yeah.

0:14:25.160 --> 0:14:27.760
<v Speaker 1>So, like you mentioned, there are no headstones there, so

0:14:27.800 --> 0:14:30.160
<v Speaker 1>you don't know who is who. We do know there

0:14:30.200 --> 0:14:35.400
<v Speaker 1>are some famouses there, like Robespierre, very famous statesman is there.

0:14:36.640 --> 0:14:42.520
<v Speaker 1>There's a painter named Simon Vouet. What how would you

0:14:42.520 --> 0:14:42.880
<v Speaker 1>say that?

0:14:43.440 --> 0:14:45.680
<v Speaker 2>Hey, yeah, you're right, I was gonna say, but there'd

0:14:45.680 --> 0:14:46.760
<v Speaker 2>be an extra te I.

0:14:46.720 --> 0:14:50.280
<v Speaker 1>Think, okay, and then this guy, I think we should

0:14:50.320 --> 0:14:53.280
<v Speaker 1>maybe do a show on at some point Charles, I

0:14:53.280 --> 0:14:56.120
<v Speaker 1>would say paralt as an American. But what is that Paral.

0:14:58.000 --> 0:15:01.400
<v Speaker 2>Let's just go with your I say, Ossiery. So I

0:15:01.400 --> 0:15:03.520
<v Speaker 2>don't know why, asking me, well.

0:15:03.320 --> 0:15:05.720
<v Speaker 1>You took French, I didn't. This guy was like the

0:15:06.440 --> 0:15:09.520
<v Speaker 1>granddaddy of the modern fairy tale. So he wrote Little

0:15:09.560 --> 0:15:12.480
<v Speaker 1>Red Riding Hood and Cinderella and Sleeping Beauty and Pussing

0:15:12.480 --> 0:15:14.760
<v Speaker 1>Boots and yeah, did you know about this guy?

0:15:14.800 --> 0:15:17.000
<v Speaker 2>He put them all into a collection that he attributed

0:15:17.000 --> 0:15:20.160
<v Speaker 2>to Mother Goose. So I couldn't find definitively that he

0:15:20.240 --> 0:15:23.400
<v Speaker 2>invented Mother Goose, but he certainly he certainly made Mother

0:15:23.440 --> 0:15:24.080
<v Speaker 2>Goose a star.

0:15:26.120 --> 0:15:27.720
<v Speaker 1>You're gonna go a long way, baby, stick with me.

0:15:29.440 --> 0:15:32.560
<v Speaker 1>Should we take a break or you got something else? I?

0:15:32.640 --> 0:15:34.840
<v Speaker 2>Oh, well, we should probably say that. The reason why

0:15:34.880 --> 0:15:37.120
<v Speaker 2>there's not a lot of people that you've heard of

0:15:37.160 --> 0:15:40.840
<v Speaker 2>today because they stopped adding bones in eighteen sixty. They

0:15:40.840 --> 0:15:44.520
<v Speaker 2>said that's enough. Sure, this is a little nuts. Somebody

0:15:44.640 --> 0:15:47.880
<v Speaker 2>thought of this like almost one hundred years ago. They

0:15:47.880 --> 0:15:51.320
<v Speaker 2>were clearly insane. Paris went along with it. Let's just

0:15:51.360 --> 0:15:54.000
<v Speaker 2>pretend like it was okay, but just stop doing it

0:15:54.040 --> 0:15:54.600
<v Speaker 2>any further.

0:15:55.160 --> 0:15:57.280
<v Speaker 3>Yeah, Jim, Jim Morrison can stay where he's at.

0:15:57.520 --> 0:15:59.640
<v Speaker 2>I look to see if he ever went and visited

0:15:59.640 --> 0:16:01.640
<v Speaker 2>the cattle combs, and I could not find that he

0:16:01.720 --> 0:16:03.560
<v Speaker 2>ever did. So let's just say he didn't.

0:16:04.400 --> 0:16:05.600
<v Speaker 3>Oh, just as a tourist.

0:16:07.280 --> 0:16:11.680
<v Speaker 1>Oh interesting, I just was cured diary today.

0:16:11.680 --> 0:16:14.920
<v Speaker 3>I went to the catacombs. I found my solace there.

0:16:15.840 --> 0:16:17.120
<v Speaker 2>Right, it was awesome.

0:16:17.880 --> 0:16:19.760
<v Speaker 1>All right, So now that break, and we're going to

0:16:19.800 --> 0:16:21.560
<v Speaker 1>come back and talk about all the weird stuff that's

0:16:21.600 --> 0:16:23.000
<v Speaker 1>happened there over the decade since.

0:16:44.400 --> 0:16:48.040
<v Speaker 2>So, Chuck, there's been at the catacombs a lot of

0:16:49.040 --> 0:16:53.320
<v Speaker 2>bone deposits, bone stacking, that kind of stuff. But that

0:16:53.520 --> 0:16:55.280
<v Speaker 2>I think we said at the outset that takes up

0:16:55.360 --> 0:16:58.360
<v Speaker 2>just a really small amount of all of the tunnels

0:16:58.880 --> 0:17:02.440
<v Speaker 2>that are under that are under Paris. They've done some

0:17:02.480 --> 0:17:07.040
<v Speaker 2>other really fascinating stuff. Dozens and dozens of different interesting,

0:17:08.800 --> 0:17:12.879
<v Speaker 2>really creative, inventive things with these tunnels, right, hundreds of

0:17:12.960 --> 0:17:14.720
<v Speaker 2>different things.

0:17:14.240 --> 0:17:16.359
<v Speaker 1>Yes, for sure. And I don't want to make you

0:17:16.359 --> 0:17:18.280
<v Speaker 1>feel self conscious. I was laughing at a dirty joke

0:17:18.280 --> 0:17:19.120
<v Speaker 1>that I couldn't sail loud.

0:17:19.200 --> 0:17:20.159
<v Speaker 2>Oh, I want to know.

0:17:23.119 --> 0:17:23.800
<v Speaker 3>I'll tell you later.

0:17:23.880 --> 0:17:24.600
<v Speaker 2>Oh I know.

0:17:25.320 --> 0:17:26.320
<v Speaker 3>Yeah. Yeah, So.

0:17:27.800 --> 0:17:31.119
<v Speaker 1>A lot of i mean monks used to make chartruse

0:17:31.280 --> 0:17:35.359
<v Speaker 1>down there. Was that the birthplace of chartreuse. Yeah, in

0:17:35.400 --> 0:17:36.080
<v Speaker 1>the catacombs.

0:17:36.160 --> 0:17:39.760
<v Speaker 2>Yeah. I don't remember mentioning that in our Marrow episode,

0:17:39.760 --> 0:17:42.520
<v Speaker 2>but we definitely talked about chartreuse.

0:17:42.400 --> 0:17:45.080
<v Speaker 3>Yeah for sure. So that's one thing that happened back then.

0:17:46.200 --> 0:17:47.080
<v Speaker 3>Mushroom farming.

0:17:47.320 --> 0:17:49.760
<v Speaker 1>There's been a great tradition of alcohol brewing actually over

0:17:49.760 --> 0:17:52.640
<v Speaker 1>the years, because I mean, one of the great things

0:17:52.680 --> 0:17:56.760
<v Speaker 1>about having an underground system like that is it's very

0:17:56.880 --> 0:18:00.280
<v Speaker 1>stable temperature wise. It's about sixty degrees fahrenheit always.

0:18:00.560 --> 0:18:03.240
<v Speaker 2>Yeah, which is about fifteen and a half degree celsius

0:18:03.280 --> 0:18:05.080
<v Speaker 2>for our French friends.

0:18:04.920 --> 0:18:05.360
<v Speaker 3>That's right.

0:18:05.400 --> 0:18:07.280
<v Speaker 1>And so that means you can do a lot of

0:18:07.280 --> 0:18:11.920
<v Speaker 1>stuff from like storing wine to storing brewer beer exactly.

0:18:12.200 --> 0:18:14.159
<v Speaker 2>One of the things that made it so appealing. In

0:18:14.160 --> 0:18:16.919
<v Speaker 2>addition to being able to keep it at like a

0:18:17.040 --> 0:18:20.560
<v Speaker 2>constant cave temperature, cave age to anything is pretty great. Typically,

0:18:22.040 --> 0:18:26.400
<v Speaker 2>this is also real estate in the heart of Paris. Yeah,

0:18:26.400 --> 0:18:29.080
<v Speaker 2>that you know, you can use some steps and go

0:18:29.160 --> 0:18:31.000
<v Speaker 2>up street side and all of a sudden you're right there,

0:18:31.040 --> 0:18:34.200
<v Speaker 2>your customers without having to pay the incredibly high price

0:18:34.240 --> 0:18:37.080
<v Speaker 2>of real estate in Paris top side.

0:18:37.480 --> 0:18:39.120
<v Speaker 3>Oh good point, it's not.

0:18:40.840 --> 0:18:41.880
<v Speaker 2>I've read it somewhere.

0:18:42.800 --> 0:18:45.000
<v Speaker 1>Mushroom farming was another big deal, because one thing you

0:18:45.040 --> 0:18:50.080
<v Speaker 1>don't need a ton of for most mushrooms is light. Sometimes,

0:18:50.359 --> 0:18:52.119
<v Speaker 1>you know, you want them to fruit. You may be

0:18:52.160 --> 0:18:55.520
<v Speaker 1>able to manipulate light or something like that, but generally

0:18:56.359 --> 0:18:58.959
<v Speaker 1>mushroom growing can be done in very dark places. And

0:18:59.000 --> 0:19:03.239
<v Speaker 1>so starting in the nineteen century, actual mushroom farming and

0:19:03.280 --> 0:19:05.280
<v Speaker 1>not just like I'm gonna grow a few mushrooms like

0:19:05.520 --> 0:19:09.400
<v Speaker 1>they were producing about a thousand tons of catacom mushrooms

0:19:09.400 --> 0:19:09.720
<v Speaker 1>a year.

0:19:09.880 --> 0:19:13.040
<v Speaker 2>Yeah. For some reason, I'm gonna have to ask you

0:19:13.080 --> 0:19:16.320
<v Speaker 2>never to use the word fruit and mushroom near each

0:19:16.320 --> 0:19:20.400
<v Speaker 2>other again. I find it troubling for some reason. Really, Yeah,

0:19:20.520 --> 0:19:23.600
<v Speaker 2>mushrooms fruiting is I don't like that at all.

0:19:24.320 --> 0:19:25.119
<v Speaker 3>That's really funny.

0:19:25.200 --> 0:19:27.840
<v Speaker 2>Yeah all right, but I'm serious though.

0:19:28.280 --> 0:19:29.000
<v Speaker 3>No, I'll never do it.

0:19:29.000 --> 0:19:32.359
<v Speaker 2>Okay, thank you, although you do owe me about seven

0:19:32.480 --> 0:19:34.359
<v Speaker 2>or eight mentions for that oysters too.

0:19:34.840 --> 0:19:37.320
<v Speaker 1>Oh that's right, I feel better now, okay, Oh yeah,

0:19:37.359 --> 0:19:37.760
<v Speaker 1>that's right.

0:19:37.960 --> 0:19:39.960
<v Speaker 2>You should tell everybody you're finally feeling good.

0:19:40.359 --> 0:19:43.359
<v Speaker 1>Yeah, I'm finally feeling well. It was I had some

0:19:43.359 --> 0:19:45.120
<v Speaker 1>fruity mushrooms and everything's fine.

0:19:47.280 --> 0:19:50.959
<v Speaker 2>Yeah, So let's see what else chuck Oh, I was

0:19:51.000 --> 0:19:53.879
<v Speaker 2>totally joking when I said there's been hundreds of creative uses.

0:19:53.880 --> 0:19:56.200
<v Speaker 2>There's been basically three, and two of them are technically

0:19:56.200 --> 0:19:58.240
<v Speaker 2>the same, which is brewing alcohol.

0:19:58.880 --> 0:19:59.720
<v Speaker 3>At mushroom farming.

0:19:59.760 --> 0:20:05.760
<v Speaker 2>And what's third, brewing alcohol and brewing alcohol depending on

0:20:05.800 --> 0:20:08.760
<v Speaker 2>which kind of alcohol, beer or scharchers. That's it.

0:20:08.760 --> 0:20:10.720
<v Speaker 1>It's also been a good Heidi spot over the years,

0:20:10.760 --> 0:20:13.280
<v Speaker 1>depending on what's going on with the government. During the

0:20:13.320 --> 0:20:18.080
<v Speaker 1>French Revolution, revolutionaries hit out down there and were chased

0:20:18.080 --> 0:20:20.760
<v Speaker 1>down there. Sure, there was an alt right group in

0:20:20.800 --> 0:20:23.439
<v Speaker 1>the thirties called how would you pronounce that?

0:20:23.520 --> 0:20:26.840
<v Speaker 2>Joshchaoul Lac of Ghoul.

0:20:27.600 --> 0:20:30.679
<v Speaker 1>They not only hid down there, but would use it

0:20:30.680 --> 0:20:33.119
<v Speaker 1>as a way to get around and potentially break into

0:20:33.520 --> 0:20:36.440
<v Speaker 1>government buildings I guess from the bottom.

0:20:36.600 --> 0:20:39.800
<v Speaker 2>Yeah. Until the fifties, and in some cases even decades

0:20:39.840 --> 0:20:43.320
<v Speaker 2>after that, there were a lot of buildings in Paris

0:20:43.760 --> 0:20:47.920
<v Speaker 2>who had doors, sometimes forgotten doors in their cellars or

0:20:48.000 --> 0:20:52.400
<v Speaker 2>basements that led directly to the catacombs or the underground

0:20:52.440 --> 0:20:53.600
<v Speaker 2>tunnels in Paris.

0:20:54.040 --> 0:20:54.880
<v Speaker 3>Yeah, pretty cool.

0:20:54.960 --> 0:20:56.479
<v Speaker 2>So it was kind of easy to get down there

0:20:56.480 --> 0:20:59.520
<v Speaker 2>for a very long time. It's actually really recent that

0:20:59.600 --> 0:21:04.200
<v Speaker 2>it's now very hard to get into the off limits parts.

0:21:04.240 --> 0:21:08.119
<v Speaker 2>But as we'll see, that doesn't actually deter anybody.

0:21:08.280 --> 0:21:11.600
<v Speaker 1>No, of course not during World War Two. Obviously there's

0:21:11.640 --> 0:21:15.840
<v Speaker 1>going to be either Nazis down there or the French

0:21:15.840 --> 0:21:17.120
<v Speaker 1>Resistance might be down there.

0:21:17.240 --> 0:21:19.639
<v Speaker 2>Did you just see them in like adjoining tunnels but

0:21:19.760 --> 0:21:21.359
<v Speaker 2>not knowing that the other one's there.

0:21:21.880 --> 0:21:23.640
<v Speaker 3>Yeah, that sounds like a Tarantino thing.

0:21:24.080 --> 0:21:24.640
<v Speaker 2>Yeah, it does.

0:21:25.840 --> 0:21:28.760
<v Speaker 1>But what they're most famous for now is being able

0:21:28.800 --> 0:21:32.080
<v Speaker 1>to go down there with your your niece the movie star. Yeah,

0:21:32.119 --> 0:21:35.320
<v Speaker 1>it's been a tourist attraction since Napoleon said, you know,

0:21:35.320 --> 0:21:37.840
<v Speaker 1>it would be great. The year's eighteen oh nine. I

0:21:37.880 --> 0:21:40.480
<v Speaker 1>think it's high time we start letting people down there

0:21:40.520 --> 0:21:43.520
<v Speaker 1>to tour this pretty cool thing. And it's sort of

0:21:44.680 --> 0:21:46.679
<v Speaker 1>vacillated over the years. It used to be like, you know,

0:21:46.720 --> 0:21:48.520
<v Speaker 1>you could go down there once a month be you

0:21:48.560 --> 0:21:52.119
<v Speaker 1>were citizen of Paris. Only sometimes it was like quarterly.

0:21:53.520 --> 0:21:58.359
<v Speaker 1>Finally they said, you know what, let's just make money

0:21:58.359 --> 0:22:03.240
<v Speaker 1>on this, right and it's open what Tuesday to Sunday.

0:22:03.280 --> 0:22:04.639
<v Speaker 1>I guess it close on Monday, like a lot of

0:22:04.720 --> 0:22:08.080
<v Speaker 1>museums do. Ninety five to eight thirty. It'll cost you

0:22:08.160 --> 0:22:12.200
<v Speaker 1>thirty one euros these days, which is about the same

0:22:12.359 --> 0:22:14.320
<v Speaker 1>in dollars I think right right now.

0:22:14.240 --> 0:22:16.639
<v Speaker 2>It's like point ninety six euros to the dollar I

0:22:16.720 --> 0:22:17.240
<v Speaker 2>think today.

0:22:17.680 --> 0:22:20.520
<v Speaker 3>Okay, so pretty close, man, you really keep up with that.

0:22:20.720 --> 0:22:21.080
<v Speaker 3>Not bad.

0:22:22.000 --> 0:22:22.600
<v Speaker 2>Thanks.

0:22:23.320 --> 0:22:26.800
<v Speaker 3>Let me see how my eurostocks are doing. No.

0:22:26.960 --> 0:22:29.320
<v Speaker 2>Actually, to tell you the truth, I was going to

0:22:29.400 --> 0:22:34.479
<v Speaker 2>translate the dollar that you could make off of a

0:22:34.600 --> 0:22:39.639
<v Speaker 2>cow in our our Tragedy of the Commons episode euros

0:22:39.640 --> 0:22:41.600
<v Speaker 2>and we never got around to it.

0:22:42.320 --> 0:22:42.800
<v Speaker 3>That's funny.

0:22:42.840 --> 0:22:44.919
<v Speaker 2>I can also tell you zero point eight pounds to

0:22:44.960 --> 0:22:48.880
<v Speaker 2>the dollar today as well. But a dollar one sixty

0:22:49.040 --> 0:22:50.480
<v Speaker 2>Australian dollars to the dollar.

0:22:51.720 --> 0:22:53.560
<v Speaker 1>Well, I just came back from Mexico City, so I

0:22:53.600 --> 0:22:56.120
<v Speaker 1>basically just divide by twenty?

0:22:56.440 --> 0:22:58.840
<v Speaker 2>Is it twenty now? It was like ten last time

0:22:58.840 --> 0:22:59.240
<v Speaker 2>we were there.

0:23:00.359 --> 0:23:01.439
<v Speaker 3>Has it changed twenty?

0:23:01.720 --> 0:23:03.720
<v Speaker 2>Has it was? Am I just wrong? It was twenty

0:23:03.760 --> 0:23:04.160
<v Speaker 2>back then.

0:23:05.000 --> 0:23:07.359
<v Speaker 1>I don't know, but I think you divide by twenty

0:23:07.440 --> 0:23:10.199
<v Speaker 1>ish now. And but my friends that we were with

0:23:10.240 --> 0:23:11.640
<v Speaker 1>were like, I can't even think of it that way.

0:23:11.680 --> 0:23:12.040
<v Speaker 3>I have to.

0:23:12.440 --> 0:23:14.359
<v Speaker 1>I heard if all you have to do is like

0:23:14.720 --> 0:23:17.679
<v Speaker 1>drop a zero and then divide that in half, so

0:23:17.760 --> 0:23:18.359
<v Speaker 1>everyone has to.

0:23:18.440 --> 0:23:22.400
<v Speaker 2>Jump on one and shout how much is this?

0:23:24.200 --> 0:23:24.720
<v Speaker 3>Exactly?

0:23:26.320 --> 0:23:28.960
<v Speaker 1>How long does the tour take? Josh, you went through it? Uh?

0:23:29.040 --> 0:23:32.399
<v Speaker 2>An hour? I don't remember it taking an hour more

0:23:32.640 --> 0:23:35.120
<v Speaker 2>or less. I don't it was. It's weird because when

0:23:35.119 --> 0:23:38.000
<v Speaker 2>you're in the catacombs, you're out of time, like there

0:23:38.080 --> 0:23:42.480
<v Speaker 2>is no no light whatsoever reaching you. The only light

0:23:42.520 --> 0:23:45.560
<v Speaker 2>in there is electric and apparently that's only been around

0:23:45.560 --> 0:23:48.000
<v Speaker 2>since the seventies. Before that, they give you a candle

0:23:48.359 --> 0:23:52.040
<v Speaker 2>and take good luck, but it's it's the light that

0:23:52.160 --> 0:23:55.080
<v Speaker 2>isn't there is almost It makes it even eerier because

0:23:55.080 --> 0:23:57.760
<v Speaker 2>it's sodium light, so it's got a kind of an

0:23:57.760 --> 0:24:01.159
<v Speaker 2>orangish yellowish cast to it. Oh yeah, it's just a

0:24:01.200 --> 0:24:04.240
<v Speaker 2>weird place to be. So I believe that it's an hour,

0:24:04.320 --> 0:24:06.560
<v Speaker 2>but I have no recollection of how long it took.

0:24:07.119 --> 0:24:10.680
<v Speaker 1>Okay, that sounds about right. You go down a big

0:24:10.680 --> 0:24:13.240
<v Speaker 1>spiral staircase. There's a lot of stair climate obviously, right.

0:24:13.800 --> 0:24:18.960
<v Speaker 2>Yeah, it's yes, there is, Okay, like five hundred steps

0:24:19.040 --> 0:24:20.800
<v Speaker 2>or something. Like that. So, yeah, you go down like

0:24:20.880 --> 0:24:23.480
<v Speaker 2>a spiral staircase and there's multiple stairs.

0:24:23.880 --> 0:24:29.760
<v Speaker 1>Yeah, so you're walking down, down, down Before you enter

0:24:29.800 --> 0:24:32.520
<v Speaker 1>you go, you go through something called the Port Mahone Corridor,

0:24:33.640 --> 0:24:37.440
<v Speaker 1>which has a replica of the Port Mahone Fortress. I

0:24:37.440 --> 0:24:39.720
<v Speaker 1>imagine that looks kind of cool, right, it does.

0:24:39.760 --> 0:24:41.600
<v Speaker 2>I don't remember it, but I looked up a picture

0:24:41.840 --> 0:24:45.440
<v Speaker 2>and a little bit on that. The guy who carved

0:24:45.440 --> 0:24:51.040
<v Speaker 2>that was a not a hostage, an inmate at this

0:24:51.119 --> 0:24:56.960
<v Speaker 2>prison for years and redid it from memory, carved into

0:24:57.000 --> 0:24:57.439
<v Speaker 2>the stone.

0:24:57.600 --> 0:24:58.680
<v Speaker 3>Wow, that's pretty cool.

0:24:58.680 --> 0:25:03.879
<v Speaker 2>And he actually died there from a landslide or a

0:25:04.000 --> 0:25:05.720
<v Speaker 2>rock in or something like that. I can't remember what

0:25:05.760 --> 0:25:10.480
<v Speaker 2>it's called. While he was building some steps to get

0:25:10.520 --> 0:25:10.920
<v Speaker 2>to it.

0:25:11.400 --> 0:25:12.000
<v Speaker 3>Oh geez.

0:25:12.080 --> 0:25:14.640
<v Speaker 2>Yeah, he really he dedicated his life to that thing.

0:25:16.359 --> 0:25:17.200
<v Speaker 3>That's very sad.

0:25:18.560 --> 0:25:22.200
<v Speaker 2>Yeah, but appropriate for the catacombs. Yeah, if you think about.

0:25:22.000 --> 0:25:25.200
<v Speaker 1>It, if you can just stay right there, if you die,

0:25:26.480 --> 0:25:29.119
<v Speaker 1>Like you mentioned, seventy two is when electricity came along.

0:25:29.920 --> 0:25:35.359
<v Speaker 1>There is something called Ariadne's thread, a black line to

0:25:35.560 --> 0:25:38.360
<v Speaker 1>ensure that you don't get lost. And I thought, well,

0:25:38.400 --> 0:25:40.040
<v Speaker 1>what a strange name that is.

0:25:40.080 --> 0:25:41.040
<v Speaker 2>Oh, you looked it up too.

0:25:41.720 --> 0:25:45.239
<v Speaker 1>Yeah, so Ariadney was a daughter of King Minus and

0:25:45.359 --> 0:25:49.320
<v Speaker 1>was associated with mazes and labyrinths. And while it is

0:25:49.640 --> 0:25:53.240
<v Speaker 1>a literal thing painted there, it's also you know, ties

0:25:53.280 --> 0:25:58.159
<v Speaker 1>back to Ariadne and the sort of like while she

0:25:58.400 --> 0:26:01.720
<v Speaker 1>was a person, it's also like a logic, like applying

0:26:01.760 --> 0:26:03.960
<v Speaker 1>logic to all possible routes of a maze to get

0:26:03.960 --> 0:26:06.680
<v Speaker 1>out is Ariadne as well?

0:26:06.880 --> 0:26:10.760
<v Speaker 2>Yeah, I also saw that she helped theseus get out

0:26:10.760 --> 0:26:13.080
<v Speaker 2>of the labyrinth by leaving a thread for him to

0:26:13.080 --> 0:26:15.960
<v Speaker 2>follow back after he slew the minotaur.

0:26:16.680 --> 0:26:18.320
<v Speaker 1>Yeah, what does this look like? Though I couldn't find

0:26:18.320 --> 0:26:20.000
<v Speaker 1>any pictures of this actually in the cateculmy.

0:26:20.040 --> 0:26:24.680
<v Speaker 2>I don't remember it either. Okay, it's supposedly on the ceiling,

0:26:24.960 --> 0:26:26.600
<v Speaker 2>and I think it's just a black line.

0:26:28.119 --> 0:26:30.960
<v Speaker 3>Okay, that's yeah, Boy, you don't remember much about.

0:26:30.760 --> 0:26:34.240
<v Speaker 2>This, I don't. It's weird, Like I have pictures of it,

0:26:34.280 --> 0:26:37.960
<v Speaker 2>and I remember the thing with Mila, But like a

0:26:37.960 --> 0:26:40.680
<v Speaker 2>lot of these pictures that I went and looked at online,

0:26:40.720 --> 0:26:42.960
<v Speaker 2>I'm like, I don't remember seeing that at all. I

0:26:43.000 --> 0:26:45.840
<v Speaker 2>don't think I was drunk. I'm pretty sure I was

0:26:46.000 --> 0:26:50.639
<v Speaker 2>fairly sober. I think I just my episodic memories shot

0:26:50.680 --> 0:26:51.840
<v Speaker 2>the Holy.

0:26:51.600 --> 0:26:54.600
<v Speaker 3>Heck you remember those boobs?

0:26:55.520 --> 0:26:57.360
<v Speaker 2>I do. I guess they made more of an impression

0:26:57.440 --> 0:26:58.920
<v Speaker 2>on me than I remembered.

0:27:00.400 --> 0:27:01.120
<v Speaker 3>You mentioned.

0:27:01.640 --> 0:27:04.760
<v Speaker 1>Well, let's talk about some of these chambers. A lot

0:27:04.800 --> 0:27:08.760
<v Speaker 1>of them are like the coolest parts of the catacombs

0:27:08.760 --> 0:27:12.560
<v Speaker 1>are not open to the public and technically officially illegal

0:27:12.560 --> 0:27:13.320
<v Speaker 1>and off limits.

0:27:13.480 --> 0:27:15.480
<v Speaker 2>So okay, but that might that may be why I

0:27:15.520 --> 0:27:16.400
<v Speaker 2>don't remember some.

0:27:16.359 --> 0:27:19.760
<v Speaker 1>Of these, because they weren't the super cool once we're

0:27:19.800 --> 0:27:20.360
<v Speaker 1>not on the tour.

0:27:21.080 --> 0:27:23.840
<v Speaker 2>I guess I'm just hey man, I'm just grasping at

0:27:23.880 --> 0:27:25.120
<v Speaker 2>straws here. Help me out.

0:27:25.680 --> 0:27:27.880
<v Speaker 1>Well, I looked at some pictures of some of these.

0:27:27.960 --> 0:27:30.640
<v Speaker 1>The Laplage, which means the beach, is a really cool

0:27:30.720 --> 0:27:32.959
<v Speaker 1>room because it's got a sandy floor and they painted

0:27:33.119 --> 0:27:36.159
<v Speaker 1>like a beach scene on the wall. But it's it

0:27:36.200 --> 0:27:39.240
<v Speaker 1>looks I mean, all these places look like the like

0:27:39.280 --> 0:27:40.840
<v Speaker 1>where the Lost Boys might hang out.

0:27:40.920 --> 0:27:43.480
<v Speaker 2>You know. That was one of the coolest things about

0:27:43.480 --> 0:27:49.360
<v Speaker 2>that movie, that backstory that the crazy, amazing rich hotel

0:27:49.920 --> 0:27:52.280
<v Speaker 2>slid into the ocean and now that's where they lived

0:27:52.320 --> 0:27:54.400
<v Speaker 2>and there were old chandeliers coming hanging.

0:27:54.200 --> 0:27:54.920
<v Speaker 3>Out about that.

0:27:55.040 --> 0:27:58.720
<v Speaker 1>Yeah, yeah, totally what it was super cool. Yeah, what else?

0:27:58.760 --> 0:27:59.880
<v Speaker 1>What other cool rooms are off?

0:28:00.400 --> 0:28:00.760
<v Speaker 2>That's it.

0:28:03.560 --> 0:28:08.040
<v Speaker 3>You're not gonna talk about Sala z or Z.

0:28:09.040 --> 0:28:10.760
<v Speaker 2>I did not look that one up, but there are

0:28:10.920 --> 0:28:12.640
<v Speaker 2>let me, let me give you a couple other ones.

0:28:12.680 --> 0:28:16.840
<v Speaker 2>There was a group called the Mexican de la pearfores PAFA.

0:28:17.800 --> 0:28:21.680
<v Speaker 2>Let's just say it like that. They overtook one of

0:28:21.720 --> 0:28:25.560
<v Speaker 2>the caves beneath the Palais de Chillo and set up

0:28:25.560 --> 0:28:29.359
<v Speaker 2>a movie theater there with a bar and room for

0:28:29.440 --> 0:28:31.439
<v Speaker 2>twenty people to watch a movie. And I did not

0:28:31.640 --> 0:28:33.119
<v Speaker 2>find what movie they showed.

0:28:33.920 --> 0:28:35.280
<v Speaker 1>Yeah, that is super cool.

0:28:35.359 --> 0:28:35.800
<v Speaker 3>That was.

0:28:38.320 --> 0:28:42.720
<v Speaker 1>A subset of a group called UX, short for Urban Experiment,

0:28:42.800 --> 0:28:46.920
<v Speaker 1>and they are these It's an artist collective in Paris,

0:28:46.960 --> 0:28:49.200
<v Speaker 1>founded in nineteen eighty one and by a group of

0:28:49.200 --> 0:28:54.200
<v Speaker 1>teenagers back then that like they'll do this cool stuff,

0:28:54.200 --> 0:28:58.000
<v Speaker 1>like they snuck into the Pantheon for months in a

0:28:58.120 --> 0:29:01.280
<v Speaker 1>row to restore a clock there, but like on the

0:29:01.320 --> 0:29:02.120
<v Speaker 1>on the down low.

0:29:02.280 --> 0:29:05.040
<v Speaker 2>Yeah that I saw. That was a subgroup of UX

0:29:05.160 --> 0:29:08.160
<v Speaker 2>called the unter Gunther and they were the ones that

0:29:08.200 --> 0:29:12.400
<v Speaker 2>actually did the clock. UX is almost like an umbrella group.

0:29:12.560 --> 0:29:14.800
<v Speaker 1>Yeah, just like the group that did the movie theater.

0:29:14.840 --> 0:29:17.920
<v Speaker 2>They were a subgroup, right exactly. And then UX also

0:29:18.080 --> 0:29:22.360
<v Speaker 2>is like a acronym for urban explorer too, which these

0:29:22.360 --> 0:29:24.560
<v Speaker 2>people also are. So they kind of almost made a

0:29:24.560 --> 0:29:28.880
<v Speaker 2>play on slang, which is really something.

0:29:29.800 --> 0:29:30.840
<v Speaker 3>Yeah, that is really something.

0:29:30.880 --> 0:29:33.120
<v Speaker 1>But all of these people who sneak down there and

0:29:33.120 --> 0:29:37.160
<v Speaker 1>do stuff are known as cataphiles, and those are the people,

0:29:37.360 --> 0:29:41.600
<v Speaker 1>the urban adventurers who illegally find their way into the

0:29:41.640 --> 0:29:46.800
<v Speaker 1>catacombs to to party, to hang out, to show movies,

0:29:47.440 --> 0:29:51.240
<v Speaker 1>to have concerts and parties and like.

0:29:53.160 --> 0:29:55.560
<v Speaker 3>All things. All kinds of things.

0:29:55.360 --> 0:29:58.880
<v Speaker 1>Are going on down there over the decades, and it

0:29:58.960 --> 0:30:02.200
<v Speaker 1>seems to have re kicked off. I mean they've been

0:30:02.200 --> 0:30:04.840
<v Speaker 1>doing it since the eighteen hundreds. I think they had

0:30:04.880 --> 0:30:08.880
<v Speaker 1>a a Chopin, like forty five piece orchestra did a

0:30:09.000 --> 0:30:10.200
<v Speaker 1>Chopon concert down there.

0:30:10.320 --> 0:30:13.640
<v Speaker 2>Yeah, they played Chopin's Funeral March and I was like, yeah,

0:30:13.640 --> 0:30:17.160
<v Speaker 2>I'm not familiar with that one. It's Darth Vader's.

0:30:16.760 --> 0:30:22.200
<v Speaker 1>Theme, is it or does it just sound like it?

0:30:22.200 --> 0:30:25.880
<v Speaker 2>It's Darth Vader's There's it's not possible that John Williams

0:30:25.880 --> 0:30:30.480
<v Speaker 2>just coincidentally came up with that. As to the theme, Yeah,

0:30:30.560 --> 0:30:32.840
<v Speaker 2>it's like an adaptation of the funeral march.

0:30:33.280 --> 0:30:35.080
<v Speaker 1>Okay, well that's probably a well known thing, then.

0:30:35.360 --> 0:30:38.480
<v Speaker 2>It's gotta be. I've never heard that before though now

0:30:38.600 --> 0:30:41.720
<v Speaker 2>I know everything there is about Star Wars. Just try me.

0:30:44.200 --> 0:30:46.280
<v Speaker 1>In the seventies and eighties is when it seems like

0:30:46.440 --> 0:30:50.480
<v Speaker 1>the cataphiles really kind of you know, took roost down

0:30:50.480 --> 0:30:52.400
<v Speaker 1>there because it was a great place to go hide,

0:30:53.440 --> 0:30:57.640
<v Speaker 1>like the punk rock movement kind of moved downstairs, underground

0:30:57.880 --> 0:30:58.880
<v Speaker 1>literally underground.

0:30:59.280 --> 0:30:59.480
<v Speaker 2>Hey.

0:31:00.080 --> 0:31:01.640
<v Speaker 1>Then they've tried to keep people out over the years,

0:31:01.640 --> 0:31:02.920
<v Speaker 1>but like you said, people are going to find a

0:31:02.920 --> 0:31:03.680
<v Speaker 1>way in if they want to.

0:31:03.960 --> 0:31:06.960
<v Speaker 2>That's right. And I say, we take another break and

0:31:07.000 --> 0:31:09.880
<v Speaker 2>we'll come back and find out. Do people find their

0:31:09.920 --> 0:31:16.520
<v Speaker 2>way in if they want to after this, let's do it.

0:31:37.760 --> 0:31:40.480
<v Speaker 1>So, Yeah, people do find their way in, like I said,

0:31:40.520 --> 0:31:42.640
<v Speaker 1>And they've been doing that a lot since the beginning.

0:31:43.600 --> 0:31:46.040
<v Speaker 1>And you know, besides partying and doing drugs, like there

0:31:46.080 --> 0:31:48.320
<v Speaker 1>are all kinds of like cool works of art, the

0:31:48.520 --> 0:31:52.240
<v Speaker 1>murals painted on some walls, obviously, all kinds of graffiti.

0:31:53.400 --> 0:31:57.720
<v Speaker 1>Sometimes they leave messages and leaflets and things for each

0:31:57.760 --> 0:32:01.880
<v Speaker 1>other to find and try to avoid. The cataflix, which

0:32:01.920 --> 0:32:04.280
<v Speaker 1>is literally translated as catach.

0:32:03.960 --> 0:32:08.680
<v Speaker 2>Cops Yeah, this is a special detachment of the Gendarmes

0:32:08.680 --> 0:32:13.200
<v Speaker 2>that their whole thing is catching people down in the tunnels.

0:32:13.760 --> 0:32:17.920
<v Speaker 2>And from what I read that, if you're a true cataphile,

0:32:18.440 --> 0:32:20.360
<v Speaker 2>and I guess there was an article in the I

0:32:20.360 --> 0:32:23.160
<v Speaker 2>think twenty fifteen or something like that that estimated there's

0:32:23.880 --> 0:32:29.920
<v Speaker 2>around one hundred genuine cataphiles, the cataflicks are probably going

0:32:29.960 --> 0:32:33.120
<v Speaker 2>to leave you alone at the very least, just maybe

0:32:33.160 --> 0:32:35.640
<v Speaker 2>give you a warning or something like that. If you're

0:32:35.880 --> 0:32:38.840
<v Speaker 2>a tourist in the sense of like the fight club

0:32:39.200 --> 0:32:43.840
<v Speaker 2>support group tourists, then you're probably going to get that

0:32:43.880 --> 0:32:46.320
<v Speaker 2>sixty euro fine because you really, as far as the

0:32:46.360 --> 0:32:48.840
<v Speaker 2>cataflics are concerned, you have no business being down there.

0:32:48.880 --> 0:32:52.560
<v Speaker 2>It's dangerous. You got no respect for tradition, like the

0:32:52.600 --> 0:32:56.000
<v Speaker 2>actual cataphiles too. And something else I read, Chuck, you're

0:32:56.040 --> 0:32:59.640
<v Speaker 2>actually trespassing a private property because if you buy a

0:32:59.640 --> 0:33:04.160
<v Speaker 2>piece of real estate in Paris, your ownership extends to

0:33:04.320 --> 0:33:07.840
<v Speaker 2>whatever is below it in the underground. Wow, that sounds

0:33:07.960 --> 0:33:11.360
<v Speaker 2>kind of cool until your house caves in and the

0:33:11.360 --> 0:33:15.000
<v Speaker 2>city's like it's your property top to bottom. So good

0:33:15.080 --> 0:33:15.600
<v Speaker 2>luck with that.

0:33:16.960 --> 0:33:18.880
<v Speaker 1>Yeah, wow, I didn't know that that's pretty cool.

0:33:19.040 --> 0:33:21.480
<v Speaker 2>And they actually at city hall make that sound when

0:33:21.520 --> 0:33:23.080
<v Speaker 2>you come in to ask them for help.

0:33:24.680 --> 0:33:26.760
<v Speaker 3>You know, Parisians pioneered the fart noise.

0:33:27.200 --> 0:33:34.160
<v Speaker 1>Yeah, the raspberry, the the spine. That's sixty euros you mentioned,

0:33:34.160 --> 0:33:36.200
<v Speaker 1>I saw sixty five. I mean that's just like double

0:33:36.240 --> 0:33:38.160
<v Speaker 1>the cost of legal entry. So it's it's not the

0:33:38.200 --> 0:33:38.760
<v Speaker 1>biggest fine.

0:33:38.920 --> 0:33:42.120
<v Speaker 2>No, no, no, And it kind of does kind of

0:33:42.120 --> 0:33:45.880
<v Speaker 2>give you a sense that it's not considered like the

0:33:45.880 --> 0:33:48.480
<v Speaker 2>the crime of the century in Paris. But at the

0:33:48.520 --> 0:33:52.240
<v Speaker 2>same time there's a special police attachment to catch people

0:33:52.280 --> 0:33:54.640
<v Speaker 2>doing that, so there's almost mixed messages with that.

0:33:55.440 --> 0:33:59.360
<v Speaker 1>Yeah, for sure, the IGC, that inspection group with a

0:33:59.400 --> 0:34:02.960
<v Speaker 1>French name, still maintains it and they've been doing so

0:34:03.000 --> 0:34:06.800
<v Speaker 1>since seventeen seventy seven, and there are still collapses here

0:34:06.800 --> 0:34:10.880
<v Speaker 1>and there, but it is mainly short up. Oh. This

0:34:10.920 --> 0:34:12.520
<v Speaker 1>other thing I thought was fun that the ways that

0:34:12.560 --> 0:34:15.680
<v Speaker 1>people have found their way in. When they close off

0:34:15.680 --> 0:34:17.880
<v Speaker 1>an area, sometimes the cataphiles will go in there and

0:34:17.920 --> 0:34:20.120
<v Speaker 1>like reopen it and make a way to get in,

0:34:20.640 --> 0:34:23.520
<v Speaker 1>and they're called I don't know how you would say

0:34:23.520 --> 0:34:25.719
<v Speaker 1>it in French, but it translates as cat flaps like

0:34:25.760 --> 0:34:26.359
<v Speaker 1>a cat door.

0:34:27.400 --> 0:34:27.879
<v Speaker 3>Kind of cool.

0:34:27.960 --> 0:34:33.319
<v Speaker 2>Shatty ears, shatty airs shot is chat that's cat and

0:34:33.480 --> 0:34:36.160
<v Speaker 2>e airs is flaps. I guess.

0:34:36.560 --> 0:34:40.440
<v Speaker 1>Yeah. It's been in a bunch of movies and stuff too, right.

0:34:40.960 --> 0:34:43.840
<v Speaker 2>Yeah. One of the most famous uses of the Paris

0:34:43.920 --> 0:34:47.759
<v Speaker 2>Underground came in The Phantom of the Opera. And I'm

0:34:47.800 --> 0:34:49.960
<v Speaker 2>not sure if it was in the original novel, although

0:34:50.480 --> 0:34:53.080
<v Speaker 2>it probably was, but I certainly know that in the

0:34:53.160 --> 0:34:58.120
<v Speaker 2>stage play or the musical, that's where the Phantom lives.

0:34:58.160 --> 0:35:01.239
<v Speaker 2>But more of the point, there's suppose like an underground

0:35:01.360 --> 0:35:06.000
<v Speaker 2>lake there that the Phantom like ros Is gondola on. Right. Cool,

0:35:06.360 --> 0:35:11.000
<v Speaker 2>There actually is an underground reservoir under the Paris Opera House.

0:35:11.040 --> 0:35:13.719
<v Speaker 2>It's not an urban legend that guesst On throw made up.

0:35:14.080 --> 0:35:17.680
<v Speaker 2>It was or Andrew Lloyd Webber, one of the two

0:35:18.719 --> 0:35:21.200
<v Speaker 2>that when they were building the Opera House, to keep

0:35:21.239 --> 0:35:23.920
<v Speaker 2>the foundation from just filling up with water over and

0:35:23.960 --> 0:35:26.520
<v Speaker 2>over again while they were building it, they built a

0:35:27.040 --> 0:35:29.960
<v Speaker 2>reservoir to impound the water in, and so it's like

0:35:30.080 --> 0:35:34.240
<v Speaker 2>a twelve feet deep by almost I think like sixty

0:35:34.320 --> 0:35:38.120
<v Speaker 2>yards sixty meters long. Hey, little reservoir that you could

0:35:38.320 --> 0:35:41.759
<v Speaker 2>conceivably sale of gondola on if you were the kind

0:35:41.800 --> 0:35:43.160
<v Speaker 2>of person to live underground.

0:35:43.960 --> 0:35:47.600
<v Speaker 1>Do you know if the water is it continually filling up?

0:35:48.000 --> 0:35:50.120
<v Speaker 2>I don't know. Give me a break, man.

0:35:53.960 --> 0:35:55.200
<v Speaker 1>Oh what about the average?

0:35:56.080 --> 0:35:59.160
<v Speaker 2>Right? But I mean so it definitely has to be

0:35:59.280 --> 0:36:02.800
<v Speaker 2>constantly replace because they had to build this reservoir, yeah,

0:36:02.800 --> 0:36:05.439
<v Speaker 2>to hold the water that was always trickling in. But yeah,

0:36:05.560 --> 0:36:08.239
<v Speaker 2>it makes sense. Why why wouldn't it overflow once in

0:36:08.239 --> 0:36:08.640
<v Speaker 2>a while.

0:36:08.760 --> 0:36:10.000
<v Speaker 3>I don't know that shouldn't a beast?

0:36:10.160 --> 0:36:12.520
<v Speaker 2>I don't know, you're ruined the story.

0:36:12.640 --> 0:36:18.400
<v Speaker 1>But gamers might recognize the catacombs from Assassin's Creed unity

0:36:18.680 --> 0:36:19.160
<v Speaker 1>pretty cool.

0:36:19.200 --> 0:36:21.359
<v Speaker 2>I was looking at screenshots of that. It's pretty neat.

0:36:21.400 --> 0:36:22.000
<v Speaker 2>Did you play that?

0:36:22.160 --> 0:36:23.640
<v Speaker 3>Yeah? No, I didn't play that.

0:36:23.719 --> 0:36:26.680
<v Speaker 1>Do you play any of them Assassin's Creeds?

0:36:26.719 --> 0:36:27.000
<v Speaker 3>No?

0:36:27.840 --> 0:36:29.040
<v Speaker 2>Do you have something scream?

0:36:29.880 --> 0:36:32.160
<v Speaker 3>No? I just you know, my gaming is limited.

0:36:32.280 --> 0:36:34.040
<v Speaker 2>I see what's your latest game.

0:36:35.280 --> 0:36:39.719
<v Speaker 1>I'm playing a horror game right now called Alan Wake two.

0:36:39.880 --> 0:36:42.840
<v Speaker 1>It's the second Alan Wake and I'd never played a

0:36:42.840 --> 0:36:45.840
<v Speaker 1>horror game before, and it is pretty scary.

0:36:46.200 --> 0:36:49.840
<v Speaker 2>So it's genuinely scary. Yeah, that's awesome.

0:36:50.320 --> 0:36:52.120
<v Speaker 1>Yeah, Like when you're playing this game and you know,

0:36:52.160 --> 0:36:54.120
<v Speaker 1>they look so good now and there's so realistic. So

0:36:54.600 --> 0:36:57.319
<v Speaker 1>you're creeping around with a flashlight in these rooms and

0:36:58.440 --> 0:37:00.439
<v Speaker 1>you hear noises and see things in it's like it's

0:37:00.480 --> 0:37:01.160
<v Speaker 1>super creepy.

0:37:01.239 --> 0:37:03.400
<v Speaker 2>Are they like jump scares or do they just create

0:37:03.440 --> 0:37:07.520
<v Speaker 2>like a sense of ongoing dread? Both, Wow, that's master.

0:37:07.400 --> 0:37:10.360
<v Speaker 1>Definitely ongoing dread. And then when the jump scare happens,

0:37:10.400 --> 0:37:11.919
<v Speaker 1>when when a bad person comes out.

0:37:11.840 --> 0:37:15.280
<v Speaker 3>It's just yeah, it's it's scares, big grown.

0:37:15.080 --> 0:37:16.439
<v Speaker 2>Boy, chucky, fantastic.

0:37:17.640 --> 0:37:19.799
<v Speaker 3>Alan Wake to everybody, like.

0:37:19.840 --> 0:37:24.800
<v Speaker 2>Alan Wake, like somebody's name, yeah, the second or the sequel?

0:37:25.440 --> 0:37:29.400
<v Speaker 1>The sequel, Okay, it would be Alan Wake Junior. I

0:37:29.440 --> 0:37:31.600
<v Speaker 1>think problem, I guess, so don't call me junior.

0:37:31.640 --> 0:37:34.359
<v Speaker 2>Henry Ford the second was not a junior.

0:37:34.760 --> 0:37:36.200
<v Speaker 3>Yeah, because who wants to be called junior?

0:37:36.640 --> 0:37:39.680
<v Speaker 2>I don't know. I'd go with JR. If I was

0:37:39.719 --> 0:37:43.719
<v Speaker 2>a junior. Oh, totally call me JR. What does it

0:37:43.760 --> 0:37:46.200
<v Speaker 2>stand for? Stands for junior?

0:37:47.719 --> 0:37:49.920
<v Speaker 1>Uh, here's one cool thing, and this guy might be

0:37:50.000 --> 0:37:53.759
<v Speaker 1>worth a podcast on his own. But there was a

0:37:53.840 --> 0:37:57.600
<v Speaker 1>photographer as he went by the name Nadar. I guess

0:37:57.600 --> 0:38:00.440
<v Speaker 1>in a dar And this is in the eighteenth sixties.

0:38:00.480 --> 0:38:01.200
<v Speaker 1>His real name is.

0:38:03.719 --> 0:38:05.839
<v Speaker 3>Felix. I guess how would you pronounce that last name?

0:38:06.000 --> 0:38:06.680
<v Speaker 2>Oh to.

0:38:08.280 --> 0:38:08.520
<v Speaker 3>Sean.

0:38:09.320 --> 0:38:11.920
<v Speaker 1>He was a very accomplished dude, sort of the pioneer

0:38:11.920 --> 0:38:15.080
<v Speaker 1>of the medium. This is early photography and the guy

0:38:15.160 --> 0:38:19.080
<v Speaker 1>in Paris photography wise at the time. But he invented

0:38:19.120 --> 0:38:22.680
<v Speaker 1>a battery operated light basically and is one of the

0:38:22.719 --> 0:38:26.040
<v Speaker 1>first people ever in the history of photography to use

0:38:26.120 --> 0:38:29.000
<v Speaker 1>artificial light to take a picture. And over the course

0:38:29.040 --> 0:38:31.359
<v Speaker 1>of three months starting in eighteen sixty one, he went

0:38:31.840 --> 0:38:36.879
<v Speaker 1>down into the catacombs with you know, eighteen minutes per exposure. Yeah,

0:38:37.080 --> 0:38:40.560
<v Speaker 1>took a lot of pictures of the catacombs and they

0:38:40.600 --> 0:38:43.920
<v Speaker 1>are super cool and creepy pictures from eighteen sixty one.

0:38:44.000 --> 0:38:46.680
<v Speaker 2>They are creepy. What's cool is because of that eighteen

0:38:46.719 --> 0:38:51.760
<v Speaker 2>minute exposure time, any of the photographs of workers working

0:38:51.760 --> 0:38:55.560
<v Speaker 2>in the catacombs are actually dummies as stand ins.

0:38:55.920 --> 0:38:56.800
<v Speaker 3>Ah, that makes sense.

0:38:56.920 --> 0:38:59.080
<v Speaker 2>It makes it even a little creepier too, if you

0:38:59.080 --> 0:38:59.440
<v Speaker 2>ask me.

0:39:00.200 --> 0:39:02.320
<v Speaker 3>Yeah, and those headmones weren't moving, so they're fine.

0:39:02.360 --> 0:39:04.680
<v Speaker 2>I've got I have one more thing for you about

0:39:05.080 --> 0:39:09.040
<v Speaker 2>dummies in underground places. There's a awesome one of the

0:39:09.200 --> 0:39:11.319
<v Speaker 2>great I'm sure. I've talked about before. One of the

0:39:11.360 --> 0:39:13.560
<v Speaker 2>greatest tourist attractions I've ever been to in my life

0:39:13.600 --> 0:39:16.640
<v Speaker 2>was in Budapest. There's something called the Hospital in the Rock,

0:39:17.239 --> 0:39:20.560
<v Speaker 2>and I think it was maybe World War two, maybe

0:39:20.560 --> 0:39:23.640
<v Speaker 2>Cold War, but it was a hospital that they dug

0:39:23.680 --> 0:39:26.440
<v Speaker 2>out of a cave system on a like a stone

0:39:26.520 --> 0:39:30.640
<v Speaker 2>hill in Budapest. Wow, And it's a hospital. It's got

0:39:30.680 --> 0:39:35.400
<v Speaker 2>like that white, creepy subway tile, like there's gurneys everywhere still,

0:39:36.000 --> 0:39:38.120
<v Speaker 2>and it was like, this is a emergency hospital in

0:39:38.160 --> 0:39:41.359
<v Speaker 2>case the town ever got bombed or whatever. And they

0:39:41.400 --> 0:39:47.840
<v Speaker 2>have dummies everywhere, mannequins, and that just just chef's kisses

0:39:47.880 --> 0:39:50.680
<v Speaker 2>it for me, Like it makes it so scary, even

0:39:50.719 --> 0:39:53.400
<v Speaker 2>though they're not trying to make it scary. Yeah, it

0:39:53.560 --> 0:39:57.399
<v Speaker 2>just really is. I think if you have dummies in

0:39:57.440 --> 0:40:01.760
<v Speaker 2>your tourist attraction, you've just taken it to another level.

0:40:02.560 --> 0:40:05.120
<v Speaker 2>Like put dummies in your touris. Don't just leave it

0:40:05.200 --> 0:40:08.160
<v Speaker 2>for people use their dumb imaginations, Like give them some

0:40:08.239 --> 0:40:11.759
<v Speaker 2>dummies dressed up and it'll really make it. You'll you'll

0:40:11.800 --> 0:40:13.640
<v Speaker 2>be rolling in the dough after that. I think.

0:40:14.239 --> 0:40:17.439
<v Speaker 1>Yeah, well, the very least is gonna up the creep

0:40:17.480 --> 0:40:20.160
<v Speaker 1>factor because that just dead, dead eyed expression of a dummies.

0:40:20.320 --> 0:40:23.440
<v Speaker 2>Right. Great, But if you ever go to Budapest, you

0:40:23.640 --> 0:40:26.280
<v Speaker 2>have to go to the hospital in the rock. It's amazing.

0:40:26.920 --> 0:40:28.879
<v Speaker 1>I'm gonna have to ask Emily. You know she took

0:40:28.880 --> 0:40:30.799
<v Speaker 1>a solo trip there a couple of years ago. I

0:40:30.800 --> 0:40:31.680
<v Speaker 1>need to see if she went there.

0:40:31.680 --> 0:40:33.160
<v Speaker 2>I think I asked you if she did or not,

0:40:33.360 --> 0:40:35.440
<v Speaker 2>And I don't know if she did.

0:40:35.239 --> 0:40:37.520
<v Speaker 3>But probably not because she would have. I feel like

0:40:37.520 --> 0:40:38.800
<v Speaker 3>I would have remembered her telling you.

0:40:38.880 --> 0:40:40.600
<v Speaker 2>It definitely seems like it would have been up her

0:40:40.600 --> 0:40:41.560
<v Speaker 2>alley though, for sure.

0:40:42.280 --> 0:40:44.239
<v Speaker 1>Yeah, She's like, were their paintings there then?

0:40:44.320 --> 0:40:44.799
<v Speaker 3>I didn't know.

0:40:46.360 --> 0:40:48.200
<v Speaker 2>The dummies their faces were?

0:40:48.680 --> 0:40:50.279
<v Speaker 1>Oh that's true.

0:40:50.960 --> 0:40:51.920
<v Speaker 3>What about crime?

0:40:51.920 --> 0:40:54.000
<v Speaker 1>There's been a lot of crime there over the years, because,

0:40:54.040 --> 0:40:56.440
<v Speaker 1>like you said, that's a good place to pop underground

0:40:56.480 --> 0:40:59.920
<v Speaker 1>and then pop up into somebody's like expensive wine cellar

0:41:00.080 --> 0:41:00.480
<v Speaker 1>or something.

0:41:01.920 --> 0:41:05.200
<v Speaker 2>Yeah. Apparently in twenty seventeen some thieves stole over a

0:41:05.360 --> 0:41:08.440
<v Speaker 2>quarter of a million dollars worth of wine that was

0:41:08.560 --> 0:41:13.440
<v Speaker 2>cooling in a cave I guess belong to some winery.

0:41:14.160 --> 0:41:14.359
<v Speaker 3>Yeah.

0:41:14.520 --> 0:41:14.800
<v Speaker 2>Cool.

0:41:16.000 --> 0:41:18.319
<v Speaker 1>People have been stealing bones down there since. There have

0:41:18.400 --> 0:41:20.200
<v Speaker 1>been bones down there, highly illegal.

0:41:21.160 --> 0:41:22.759
<v Speaker 2>Yeah, you don't want to do that, I mean, just

0:41:22.920 --> 0:41:25.760
<v Speaker 2>not just for the illegality, that's really disrespectful.

0:41:26.520 --> 0:41:26.759
<v Speaker 3>Yeah.

0:41:26.800 --> 0:41:28.560
<v Speaker 1>I think that a lot of them back in the

0:41:28.640 --> 0:41:32.439
<v Speaker 1>day were to sell to sort of like kidaber Selta

0:41:32.520 --> 0:41:37.360
<v Speaker 1>medical students, like, hey, here's a headbone for however many francs.

0:41:37.440 --> 0:41:42.080
<v Speaker 2>Right, shekels, Yeah, what about ghosts, chuck.

0:41:43.680 --> 0:41:45.439
<v Speaker 1>Yeah, of course there's going to be ghosts down there.

0:41:45.480 --> 0:41:48.040
<v Speaker 1>And there's a couple of more well known than others.

0:41:48.880 --> 0:41:51.880
<v Speaker 1>I think the most well known is a guy named

0:41:52.840 --> 0:41:54.640
<v Speaker 1>Philibert Aspare.

0:41:55.280 --> 0:41:57.640
<v Speaker 2>Yeah. You can put a little little emphasis on the

0:41:57.800 --> 0:41:58.720
<v Speaker 2>tea at the end.

0:41:58.600 --> 0:41:59.640
<v Speaker 1>There as sperit.

0:42:00.200 --> 0:42:02.520
<v Speaker 2>So maybe that's a little too much. But somewhere in

0:42:02.520 --> 0:42:03.360
<v Speaker 2>between those two.

0:42:03.680 --> 0:42:05.360
<v Speaker 1>I know I'm wrong, But when it comes to French,

0:42:05.400 --> 0:42:07.400
<v Speaker 1>I just want to drop the last letter of everything.

0:42:07.600 --> 0:42:13.960
<v Speaker 4>Well, they do that a lot, get you exactly exactly Anyway,

0:42:14.080 --> 0:42:17.280
<v Speaker 4>He worked at a military hospital in the late eighteenth

0:42:17.280 --> 0:42:21.440
<v Speaker 4>century and apparently in seventeen ninety three got lost in

0:42:21.480 --> 0:42:23.040
<v Speaker 4>the catacombs.

0:42:22.360 --> 0:42:27.239
<v Speaker 1>With his own loan candle and never found his way out.

0:42:27.520 --> 0:42:30.359
<v Speaker 1>And just like like I said, the convenient thing about

0:42:30.400 --> 0:42:33.080
<v Speaker 1>dying down there is you just stay there and apparently

0:42:33.160 --> 0:42:35.680
<v Speaker 1>if you bring a candle there, you hear his voice

0:42:35.719 --> 0:42:37.200
<v Speaker 1>just before the candle goes out.

0:42:37.520 --> 0:42:40.560
<v Speaker 2>He says, welcomin bienviny.

0:42:44.560 --> 0:42:46.560
<v Speaker 1>Were you creeped out down there? Was it just like, oh,

0:42:46.680 --> 0:42:47.759
<v Speaker 1>this is a cool thing.

0:42:47.880 --> 0:42:50.400
<v Speaker 2>It was not at all creepy. It's not presented to

0:42:50.440 --> 0:42:55.960
<v Speaker 2>be creepy either. It's just it is what it is, right,

0:42:56.040 --> 0:42:58.440
<v Speaker 2>a bunch of bones. Yeah, I was not at all

0:42:58.480 --> 0:42:59.000
<v Speaker 2>creeped out.

0:43:00.200 --> 0:43:02.000
<v Speaker 3>Yeah, I gotta go check it out next time.

0:43:03.239 --> 0:43:04.759
<v Speaker 1>Did you look at that video, by the way, the

0:43:04.760 --> 0:43:07.480
<v Speaker 1>one that's like highly likely faked.

0:43:08.080 --> 0:43:10.520
<v Speaker 2>Yeah, I didn't. I wasn't moved by it at all.

0:43:10.560 --> 0:43:13.960
<v Speaker 1>Were you No, there's this videotape that I think it

0:43:14.000 --> 0:43:19.040
<v Speaker 1>was like twenty seventeen that circulated that was like, you know,

0:43:19.160 --> 0:43:21.279
<v Speaker 1>it's like a blair witch thing, like is it real?

0:43:21.400 --> 0:43:21.759
<v Speaker 3>Is it not?

0:43:21.920 --> 0:43:24.560
<v Speaker 1>It was a guy walking through the catacombs and apparently

0:43:24.560 --> 0:43:27.200
<v Speaker 1>gets lost and starts to freak out and run and

0:43:27.239 --> 0:43:29.319
<v Speaker 1>hear sounds and then the last shot you see is

0:43:29.360 --> 0:43:32.440
<v Speaker 1>like the camera falling to the ground into like a puddle,

0:43:33.520 --> 0:43:35.840
<v Speaker 1>And some people say it's real, some people say it's not.

0:43:36.040 --> 0:43:36.080
<v Speaker 2>It.

0:43:36.480 --> 0:43:36.799
<v Speaker 3>I don't know.

0:43:36.920 --> 0:43:38.879
<v Speaker 1>It feels like it's probably faked, but I wasn't like,

0:43:39.160 --> 0:43:41.680
<v Speaker 1>oh my god, it was kind of not that interesting.

0:43:41.760 --> 0:43:45.600
<v Speaker 2>Yeah, agreed, it was like a dull, two sentence horror story.

0:43:46.320 --> 0:43:48.000
<v Speaker 3>Yeah agreed.

0:43:48.719 --> 0:43:50.720
<v Speaker 2>You got anything else about the catacombs?

0:43:51.200 --> 0:43:52.400
<v Speaker 3>Nope, it's on the list.

0:43:52.239 --> 0:43:54.439
<v Speaker 2>Yep, you should go. You'll enjoy it, and don't forget

0:43:54.480 --> 0:43:55.680
<v Speaker 2>the hospital in the Rock too.

0:43:56.440 --> 0:43:56.640
<v Speaker 3>Right.

0:43:57.080 --> 0:43:59.120
<v Speaker 2>Since Chuck said write, of course, that means it's time

0:43:59.120 --> 0:43:59.680
<v Speaker 2>for a listener.

0:43:59.719 --> 0:44:06.399
<v Speaker 1>May here's a correction to our Gonk Show episode. Hey guys,

0:44:06.400 --> 0:44:07.759
<v Speaker 1>there was one big error in this.

0:44:08.120 --> 0:44:10.520
<v Speaker 2>Oh I know what she says is an omission.

0:44:12.040 --> 0:44:15.160
<v Speaker 3>No, something we got wrong. What was our omission?

0:44:15.880 --> 0:44:17.480
<v Speaker 2>Jane Jane the Dancing Machine?

0:44:17.640 --> 0:44:18.920
<v Speaker 1>Oh you believe we.

0:44:18.920 --> 0:44:22.640
<v Speaker 2>Didn't mention Jane Jane the Dancing Machine in the entire episode.

0:44:23.200 --> 0:44:26.600
<v Speaker 1>I thought we had, but apparently we didn't. But yeah,

0:44:26.640 --> 0:44:29.160
<v Speaker 1>I think big shout out to Gene Jen a legend

0:44:29.160 --> 0:44:29.640
<v Speaker 1>of that show.

0:44:29.680 --> 0:44:31.720
<v Speaker 2>I think both of us thought that we had, because

0:44:31.800 --> 0:44:35.920
<v Speaker 2>Olivia clearly included him in the articles in there. I

0:44:35.920 --> 0:44:38.839
<v Speaker 2>think we just passed over him and didn't didn't talk

0:44:38.880 --> 0:44:40.160
<v Speaker 2>about him. It's just just sad.

0:44:40.840 --> 0:44:44.200
<v Speaker 1>Yeah, no disrespect intended. We both loved Jean Jean. How

0:44:44.239 --> 0:44:47.719
<v Speaker 1>do you not exactly, so this was an error. Though

0:44:47.800 --> 0:44:51.799
<v Speaker 1>Chuck Barris, guys, did not invent syndication, it has been

0:44:51.840 --> 0:44:55.120
<v Speaker 1>around in television forever, with some notable nineteen fifty shows

0:44:55.120 --> 0:44:58.279
<v Speaker 1>such as Sea Hunting and Life with Elizabeth. Nor was

0:44:58.360 --> 0:45:01.439
<v Speaker 1>the Parent Game the first indicated game show, or even

0:45:01.520 --> 0:45:05.640
<v Speaker 1>Chuck's first syndicated show. First indicated game shows came in

0:45:05.719 --> 0:45:10.160
<v Speaker 1>nineteen sixty five Everything's Relative and PDQ and Chuck Barris's

0:45:10.200 --> 0:45:13.680
<v Speaker 1>first four A in nineteen sixty nine the Game Game.

0:45:14.800 --> 0:45:17.280
<v Speaker 1>Initially that was to give local stations some color options,

0:45:17.280 --> 0:45:20.520
<v Speaker 1>since old sitcoms wouldn't be in color, but syndication exploded

0:45:20.520 --> 0:45:23.799
<v Speaker 1>in nineteen seventy two because FCC gave the seven point

0:45:23.840 --> 0:45:26.640
<v Speaker 1>thirty time slot back to the local stations, and for

0:45:26.680 --> 0:45:28.359
<v Speaker 1>those stations it was cheaper to buy a game show

0:45:28.360 --> 0:45:32.080
<v Speaker 1>than make than to make local content. I know this, guys,

0:45:32.120 --> 0:45:34.880
<v Speaker 1>because I'm a bit of a semi pro TV historian.

0:45:35.080 --> 0:45:39.200
<v Speaker 1>Oh yeah, yeah, with an emphastest on game shows in particular.

0:45:39.680 --> 0:45:42.520
<v Speaker 1>So I feel a duty when something is broadly mistated

0:45:43.160 --> 0:45:45.240
<v Speaker 1>as that was, I have to try and correct the record.

0:45:45.680 --> 0:45:50.040
<v Speaker 1>I had hoped you use Gong this book as one

0:45:50.080 --> 0:45:52.200
<v Speaker 1>of your sources as it was written by a real

0:45:52.239 --> 0:45:56.399
<v Speaker 1>life TV historian named Adam Nedef, who I've done some.

0:45:56.320 --> 0:45:57.440
<v Speaker 3>Research for in the past.

0:45:58.480 --> 0:46:00.720
<v Speaker 1>I hope you're enjoying The snow today came a little

0:46:00.719 --> 0:46:05.600
<v Speaker 1>while ago, but that is from Mike Berger in Livonia, Michigan.

0:46:05.800 --> 0:46:07.719
<v Speaker 1>And Mike, you gotta hang on to your email and

0:46:07.760 --> 0:46:10.320
<v Speaker 1>we might hitch up if we ever need any insight

0:46:10.440 --> 0:46:11.239
<v Speaker 1>on TV history.

0:46:11.320 --> 0:46:14.160
<v Speaker 2>Yeah, thanks a lot, Mike. I mean, criticism from Caesar.

0:46:14.360 --> 0:46:17.560
<v Speaker 2>That's pretty awesome, totally. Well, if you want to be

0:46:17.680 --> 0:46:20.480
<v Speaker 2>like Mike and just completely devastate us in something we

0:46:20.520 --> 0:46:23.960
<v Speaker 2>said and just show how utterly wrong we were, we'd

0:46:24.040 --> 0:46:26.960
<v Speaker 2>love to hear that stuff, especially if you're an historian,

0:46:27.200 --> 0:46:30.240
<v Speaker 2>semi pro or otherwise. You can send us an email

0:46:30.480 --> 0:46:36.319
<v Speaker 2>to Stuff podcast at iHeartRadio dot com.

0:46:37.680 --> 0:46:40.560
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

0:46:40.680 --> 0:46:44.839
<v Speaker 1>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:46:44.960 --> 0:46:46.800
<v Speaker 1>or wherever you listen to your favorite shows.