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Speaker 1: First of all, you don't know me. We're all about

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Speaker 1: that high school drama. Girl Drama, Girl, all about them

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Speaker 1: high school queens. We'll take you for a ride at

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Speaker 1: our comic girl sharing for the drama Queens up Girl Fashion.

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Speaker 1: But you'll tough. Girls. You could sit with us Girl Drama,

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Speaker 1: Queen's Drama, Queen's Drama, Queen's Drama, John mc Queen's Drama,

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Speaker 1: Queen's Guys. This is one of my favorite things about

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Speaker 1: being able to do our job from home is that

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Speaker 1: we can still cool spend time with our family, quality time.

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Speaker 1: Hillary's got George on our lap right now, and you

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Speaker 1: are tuned into our households um right now. We just

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Speaker 1: finished watching episode twenty Lifetime Piling up Air date made tenth,

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Speaker 1: two thousand and five. Sophia, give us a synopsis what

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Speaker 1: happened in this episode? Okay, Joe, I'll take it away.

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Speaker 1: While Nathan is unconscious in the hospital after his car

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Speaker 1: accident at the crash No. After his car accident at

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Speaker 1: the track with Uncle Cooper, he has a dream sequence

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Speaker 1: of an alternative life where the roles are completely switched.

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Speaker 1: Lucas is the cocky jock with Peyton, while his parents

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Speaker 1: Karen and Dan are married. Nathan's bff is Haley, and

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Speaker 1: his mom, Deb runs her own cafe, which is actually

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Speaker 1: a bar called Deb's Den. The boy's rivalry comes to

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Speaker 1: a head while they compete for a spot in the

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Speaker 1: elite basketball camp High Flyers. You guys, we've had so

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Speaker 1: many stinker episodes in a row, like so oh man,

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Speaker 1: it's a hard thing to cover week to week, but

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Speaker 1: this one felt like digging out of the hole. It

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Speaker 1: was like, what can we do to get away from this?

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Speaker 1: Like awful? You know subject, but you know what she asked.

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Speaker 1: It's a very perfect question which listeners want to know.

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Speaker 1: What are you talking what we're talking about two brothers

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Speaker 1: that played basketball. It was a weird episode. You nailed it,

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Speaker 1: but you're right. And that's the thing. It broke us

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Speaker 1: out of the mold of the cycle that we were

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Speaker 1: in trying to solve all these other problems and just

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Speaker 1: kind of shore all up, which it was super weird

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Speaker 1: to see. But I loved it. I was really excited.

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Speaker 1: I loved it. It was nice because it the dream

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Speaker 1: sequence gave us the opportunity to get out of her

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Speaker 1: root and it just felt a little bit like freedom

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Speaker 1: and One of the things that I loved was that

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Speaker 1: it was a It was a commentary on circumstance, on environment,

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Speaker 1: on who people might be um given certain opportunities or

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Speaker 1: lack there up and then you started to see certain

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Speaker 1: things that were the same Peyton's strength and her wisdom.

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Speaker 1: You saw Brooke in that, you know, beginning of season one,

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Speaker 1: looking for male validation space, you know, going after it

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Speaker 1: with Nathan rather than Lucas. And the thing I really

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Speaker 1: loved was seeing that, no matter what their circumstance, Nathan

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Speaker 1: and Haley had chemistry that was, oh my god, undeniable.

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Speaker 1: I felt that too. I was watching it finally as

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Speaker 1: a as an impartial observer, and was really amazed to

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Speaker 1: see that because sometimes you just I mean, I guess

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Speaker 1: I have just wondered watching the episode, is the chemistry

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Speaker 1: really there? Or is it just because of the scenario

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Speaker 1: that they've both been thrust into because the writers write

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Speaker 1: them well together, like maybe that's just it the m

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Speaker 1: Is it all just emotional manipulation? But to see Nathan

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Speaker 1: and Haley anyway you slice it, those two have chemistry

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Speaker 1: way more than Lucas and Lucas and Haley ever did.

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Speaker 1: So that was kind of fun to see. Yeah, and

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Speaker 1: I loved that the writers, and I mean, what a

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Speaker 1: testament to mark pair, you know, coming from the Wonder Years.

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Speaker 1: There were Wonder Years elements in this episode and this

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Speaker 1: classic love story of our show, which Nathan and Haley are.

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Speaker 1: The way they nodded to it with the bracelet a

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Speaker 1: completely new way, but that bracelet still winds up on

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Speaker 1: her wrist and he gives it to her. I was like, Oh,

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Speaker 1: they're smart. I see what they're doing. And it was

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Speaker 1: really the whole first season just shoved into one episode,

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Speaker 1: wasn't it. Yeah. Well, the way that you two talked

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Speaker 1: to each other in the classroom, that was the scene

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Speaker 1: that I was hot for because I've seen like Haley

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Speaker 1: and Lucas talk to each other in the classroom and

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Speaker 1: it is platonic, and you and Chad were so good

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Speaker 1: at creating a believable, strong platonic friendship. You could not

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Speaker 1: do that with Nathan, Like, like, there are freaking fireworks

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Speaker 1: going off around you two, and you're being so cute

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Speaker 1: with each other and you're not forcing it. It's like

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Speaker 1: you're flirting with no it. Yeah, And I also feel

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Speaker 1: like it's a testament to the two of you as actors,

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Speaker 1: because listen, the hints were in the script. He still

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Speaker 1: gives her the cracker Jack bracelet. Deb says you two

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Speaker 1: are gonna wind up married someday, and He's like, oh mom,

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Speaker 1: we're friends, you know. There there's there's hints that Nathan

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Speaker 1: and Haley are undeniable. And so, whereas it was always

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Speaker 1: very clear that Haley and Lucas were going to be friends,

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Speaker 1: and it was important that that platonic line wasn't crossed,

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Speaker 1: you and James as performers had all the Nathan and

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Speaker 1: Haley magic that you could put underneath this alternate reality,

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Speaker 1: and and the writing supported it. And it's so fun

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Speaker 1: to watch you both playing different versions of these humans

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Speaker 1: but keeping that energy going it. As a fan, you know,

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Speaker 1: we have enough distance. Now we're watching episode as fans

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Speaker 1: for the first time, and as a fan, I'm like,

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Speaker 1: it's still a kid still. It just wasn't until Sophia

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Speaker 1: said it that we got to watch all of those

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Speaker 1: iconic moments between Haley and Nathan, but without the question

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Speaker 1: mark of is he gaming her? One we had to

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Speaker 1: wonder like is he going to hurt her? You know,

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Speaker 1: And so we couldn't really dive into our feelings because

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Speaker 1: we had to prepare ourselves in case I went wrong,

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Speaker 1: and this go round, we got to really celebrate it

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Speaker 1: because we knew, like, oh my god, they've been best

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Speaker 1: friends since their babies. Like it was in my head,

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Speaker 1: comfortable do over. That's so true. Um, I really loved

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Speaker 1: I loved watching Brook. I liked seeing seeing back to

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Speaker 1: like season one Brook. It was fun because I love

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Speaker 1: seeing where Brooke has progressed now. And um, I also

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Speaker 1: love the sort of geeky Brook putting together shards of paper.

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Speaker 1: Yeah it's beautiful, mind, Yeah, totally. But it was fun

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Speaker 1: to see season one Brook. How did you feel about

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Speaker 1: that when you were filming it? Do you remember? You know?

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Speaker 1: What's so crazy? I kept saying for all our friends

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Speaker 1: at home as we were watching this episode, I was like,

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Speaker 1: what is this episode? I've never seen this episode. I

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Speaker 1: don't remember whatever was happening when we were filming this,

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Speaker 1: you know, which makes sense because at the end of

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Speaker 1: the season, everything is always so crazy. An episode twenty

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Speaker 1: was probably the last one that aired while we were

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Speaker 1: still shooting, so of course we didn't get to see it.

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Speaker 1: I didn't remember any of it, and I was like,

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Speaker 1: am I in this episode? What do I do? And

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Speaker 1: I just didn't know anything. And then oh my god.

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Speaker 1: And then Brooke Davis walks in on Nathan Scott in

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Speaker 1: the shower and I was like, oh no, I remember this.

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Speaker 1: I just remember James I being like, oh, come on, man.

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Speaker 1: We were both so mortified with the physical comedy of

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Speaker 1: it was so funny that we wound up having like

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Speaker 1: a hilarious time. But you know, we were both in

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Speaker 1: like those weird ugly like onesie thing you look naked

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Speaker 1: but you're not. I'm just like, I've never looked like

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Speaker 1: more of a creep than I do in this moment.

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Speaker 1: And we wound up just laughing all day. Oh god.

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Speaker 1: And then I had to walk by Paul just like

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Speaker 1: the face. Oh my gosh, let's talk about Paul and

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Speaker 1: the Letterman jacket. Hillary was dying when Okay, look, I

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Speaker 1: still have my letterman jacket from high school, because of

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Speaker 1: course I do. And and you know, if I ever

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Speaker 1: like go to promote like my high school or a

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Speaker 1: fundraiser from my high school, I might pull it out.

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Speaker 1: But there is zero possibility that I'm going to wear

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Speaker 1: it on a night out in town, just as like

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Speaker 1: my coat and Dan Scott roll up on the river court.

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Speaker 1: It's reminding everybody that he used to be the stud

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Speaker 1: and is it No, It's like you big fucking nerd.

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Speaker 1: It's painful. And you know what kills me is it

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Speaker 1: feels like a device because they were trying to emasculate

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Speaker 1: Paul in this alternate universe. You know, Dan Scott is

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Speaker 1: this weak man and they just couldn't do it. Paul

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Speaker 1: is such a powerful man, so they were like, put

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Speaker 1: him in the letterman jacket, it will make him look

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Speaker 1: like a loser. George just looks like a big strong

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Speaker 1: man and a kid's coat. It's none of it works.

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Speaker 1: It made me appreciate the way things are on our show.

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Speaker 1: Remember Chad and I I do remember us having fun

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Speaker 1: in the convertible the day that he was playing like

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Speaker 1: bad Dad, you know, and he was having fun getting

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Speaker 1: to do this other thing. Because the mythology about the

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Speaker 1: origin of our show is what we've all discussed before

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Speaker 1: that Mark Schwan had originally wanted Chad to play Nathan

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Speaker 1: and there was like a mix up and the studio

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Speaker 1: wanted Chad to play Lucas, and whatever happened happened. I

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Speaker 1: thought Chad was the one who wanted to play Lucas

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Speaker 1: because he had been playing sort of bad boys and

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Speaker 1: so he wanted to break out of that moment, which

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Speaker 1: is my understanding. Yeah, but you know, what the create

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Speaker 1: with the creator, what the writer, what the producers want,

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Speaker 1: and then what the studio wants, and then what the

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Speaker 1: actor wants are like oftentimes not the same things. So

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Speaker 1: seeing him in that role that some people in our

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Speaker 1: in our little group originally thought he was destined for

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Speaker 1: is weird. It's because he's like soulful, but he's good

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Speaker 1: at being a dick as he as he inches words

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Speaker 1: James's legs. I believed it. I was like that, I

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Speaker 1: know that guy. Yes, for some reason, because it's so

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Speaker 1: convincing as that um anti antagonist. Where as the villain character.

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Speaker 1: It felt like if the roles had been switched, it

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Speaker 1: would have been harder for me to believe that Nathan

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Speaker 1: had a change of heart and was softening. I don't

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Speaker 1: know why Chad played Nathan played Nathan based on what

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Speaker 1: we just saw in that episode. Oh interesting, I don't know,

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Speaker 1: I don't know. That's what That's what I was thinking

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Speaker 1: when I was watching. I was like, I don't know

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Speaker 1: if I would have bought it as much because I

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Speaker 1: like Chad starting in that zone of Lucas, of the

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Speaker 1: soft hearted, soulful guy. You know, it was different for him.

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Speaker 1: He played like a bad guy on Dawson's Creek. He'd

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Speaker 1: been kind of like a slimy, flirty dude and a

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Speaker 1: couple of movies and stuff like that, and it was

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Speaker 1: smart for him to be like, no, I want to

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Speaker 1: be the poet. Sign me up, let me do that

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Speaker 1: voice over. Yeah. Yeah, Well, I'm really glad the show

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Speaker 1: actually turned out the way that it did instead of

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Speaker 1: this bizarro world. It would have been weird if this

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Speaker 1: dream was our whole show. Hillary, what was it like

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Speaker 1: for you, because you know, the three of us as

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Speaker 1: the girls were still playing the same parts. But you know, Joy,

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Speaker 1: you had to create a whole different friendship with Nathan,

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Speaker 1: you know, in this alternate reality. But Hill, you were

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Speaker 1: kind of reliving Peyton and Nathan scenes with Peyton and Lucas.

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Speaker 1: How did you feel like you differentiated those or did

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Speaker 1: you feel like you had to? Well, I remember people

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Speaker 1: showing me playback of the pilot, especially when we had

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Speaker 1: to recreate that scene in my room because they wanted

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Speaker 1: it to be exactly the same. So my wardrobe is

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Speaker 1: exactly the same, the way I'm positioned against the door

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Speaker 1: is exactly the same. But my hair is like a

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Speaker 1: power mullet. So there's like certain things that can't match. Um,

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Speaker 1: And what I will say is that again, the chemistry

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Speaker 1: is very different. James and I started the show as

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Speaker 1: like this contentious couple, and we never really had chemistry.

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Speaker 1: You know, I don't know anyone that's like, I'm a

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Speaker 1: Nathan and Payton ship. They're like literally are none because

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Speaker 1: they are not a good couple. So, um, I when

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Speaker 1: like Peyton comes to pick Nathan up, whereas in the

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Speaker 1: original pilot, we're like Peyton's interacting with Lucas and it's

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Speaker 1: very like loaded, like there's energy there, there's none when

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Speaker 1: she's picking up Nathan. You know, it's just like, hey, man,

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Speaker 1: you're screwing your life up. Get in the car, let

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Speaker 1: me be your buddy. It's strong buddy energy. Yeah, it's

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Speaker 1: big sister energy. So to see those energy shifts, it

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Speaker 1: allowed for Peyton to be more of what you guys

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Speaker 1: were saying, just kind of like the sage wise character. Um. Yeah,

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Speaker 1: I think I think the it's and it's weird because

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Speaker 1: none of us had chemistry reads. Yes, George, what do

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Speaker 1: you want to talk? George is looking for an amp

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Speaker 1: right now in my house. She's got a ukulele on

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Speaker 1: so she can play guitar. Um, we don't have it

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Speaker 1: right now, but when mom's done, we're gonna rock so hard.

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Speaker 1: Are you ready to rock it? My amp? Mom? What

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Speaker 1: is she for? How old is she? No? She just

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Speaker 1: turned for gosh, are you gonna date Nathan or Lucas?

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Speaker 1: Which one you don't know? Over one you want? Honey?

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Speaker 1: You don't have them all? Have it all? Um? Hey, listen,

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Speaker 1: this might be a good moment in the conversation. Our

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Speaker 1: listeners were asking or sorry, Hillary, last week you asked

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Speaker 1: us to make a cocktail for this week's episode. So

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Speaker 1: I'm just gonna give you guys the rundown. Here's what

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Speaker 1: we're drinking. Okay, So, if you're at home, I want

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Speaker 1: to go get your mescal. If you don't know what

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Speaker 1: that is, you need to know. And it's a part

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Speaker 1: of kind of a tequila. I want you to go

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Speaker 1: get an orange or half an orange? Will do? You're

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Speaker 1: gonna go get a jalapeno and you're gonna find some

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Speaker 1: ginger liqueur. So I know all of you just have

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Speaker 1: that lying around in your bar. But if you do

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Speaker 1: ginger beer, maybe could that be a ginger beer could work?

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Speaker 1: Actually that might be quite nice. Um. I also have

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Speaker 1: this delicious dandelion bitters, Um, dandelion and burdock bitters. What's

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Speaker 1: the company, doctor Adam Shop? I think I don't know. Um. Anyway,

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Speaker 1: it looks it's old timey and fun. So this is

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Speaker 1: my potion for today. So you're gonna and then you

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Speaker 1: need mint to go get some fresh mint. So we're

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Speaker 1: gonna do uh announce or two how depending on how

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Speaker 1: you're feeling of the mescal, a splash of the ginger liqueur.

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Speaker 1: You're gonna juice half an orange into that glass and

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Speaker 1: muddle up some mint and throw that all in with

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Speaker 1: rocks and just well ice, you know, and and uh

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Speaker 1: mix it around. And then finally I'm gonna I want

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Speaker 1: you to take that jalapeno and grate it on a

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Speaker 1: on a zester and just zest that jalapeno into your drink,

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Speaker 1: and then you have you have our cocktail. I don't

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Speaker 1: even know what we're going to call this, but we're all,

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Speaker 1: we're all enjoying it, and we hope you do at

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Speaker 1: home as well. So there you go, spicy, the spicy lady.

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Speaker 1: There you go. I like a spicy lady. It's my lady, Karen.

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Speaker 1: Karen Scott is a spicy This is the Karen Scott drink.

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Speaker 1: That's what this is. It's very interesting that in Nathan's

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Speaker 1: dream where the rules are reversed, they go so far

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Speaker 1: as not just to be reversed in terms of who

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Speaker 1: Dan chose, but it's giving the wom and he chose

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Speaker 1: the power and taking his away. So he is this

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Speaker 1: sort of subservient husband. His wife is the boss. She

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Speaker 1: is the money maker, and she's she's like a no

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Speaker 1: holds barred bitch. And I like it. Ironically though, he

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Speaker 1: still did marry Well, if she's the money maker and

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Speaker 1: he's the one who's staying at home, isn't that sort

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Speaker 1: of still the situation with Deb I guess Deb's home.

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Speaker 1: But deb had money, well Debby, you know what I mean,

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Speaker 1: Like they fronted the money for his car dealership. It

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Speaker 1: would have been cool to see him and Karen living modestly,

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Speaker 1: you know what I mean, like like two kids who

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Speaker 1: only have high school degree, you know, like diplomas. If

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Speaker 1: both of them dropped out and didn't have any parents

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Speaker 1: giving them, you know, this special footing that Deb's parents

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Speaker 1: hooked them up with. It would have been cool to

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Speaker 1: see them living in Karen's house as opposed to Dan's big,

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Speaker 1: huge mansion. Um. I think that would have made Paul's

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Speaker 1: a bit more believable. It was so interesting watching Karen

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Speaker 1: and Keith in that scenario, Karen the adulterers and Keith

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Speaker 1: the owner of the dealership and being so cruel to Dan,

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Speaker 1: and then Karen dropping that bomb. But he says, I

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Speaker 1: would have raised Lucas like my own and she says,

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Speaker 1: sometimes I think he is. They're both and they never

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Speaker 1: followed up on that, They never circled back. I mean

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Speaker 1: that was a big drop, ye, Like It's like an

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Speaker 1: anvil that dropped in the middle of the room and

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Speaker 1: then nobody addressed him. So do we think do we

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Speaker 1: think that means that Karen hooked up with Keith, like

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Speaker 1: at the same time she was dating his brother when

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Speaker 1: Lucas was conceived, Is that we're in she not have

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Speaker 1: let Why would she allow Lucas to think that Dan

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Speaker 1: was his Sorry Nathan to think that Dan was his dad.

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Speaker 1: If I was confused, we need more tequila joy Um, No,

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Speaker 1: I don't need any more tequila promise. It was confusing.

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Speaker 1: But what I think was done really gracefully was the

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Speaker 1: coming out of the dream sequence because it starts off

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Speaker 1: really sighted that it was really subtle, you know, and

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Speaker 1: it was like Lucas saying something to Nathan that was

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Speaker 1: just kind of like off. It was two nights, you know.

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Speaker 1: And then Haley coming up with the bracelet that turns

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Speaker 1: into the wedding ring and you're like, oh man, you're

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Speaker 1: like here it goes smart. Oh and then him telling

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Speaker 1: her not to come home. That was rough. That really

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Speaker 1: got me, but me too. I know he was doing

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Speaker 1: it for her, he was doing it because of her

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Speaker 1: best interests, but also it seemed like for himself he

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Speaker 1: was kind of climbing out of the selfish or maybe

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Speaker 1: not selfish, wrong word. He was climbing out of the

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Speaker 1: self pity zone of I hate what's being done to me,

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Speaker 1: what's being done to me, and started recognizing maybe something

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Speaker 1: positive for himself that could be coming out of this

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Speaker 1: difficult scenario. I don't know exactly what that's going to be.

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Speaker 1: I look forward to seeing in the next episode, but

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Speaker 1: it seemed like he was making a choice really for

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Speaker 1: himself rather than um trying to solve the problem. I mean,

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Speaker 1: do we talk about suicide on our show? I don't know,

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Speaker 1: because that's what's being implied, and it's what Lucas asks him,

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Speaker 1: and then they're interrupted and so he can't get an answer.

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Speaker 1: But it's a very serious subject matter to tackle on

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Speaker 1: a team drama, and you know we're touching on it,

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Speaker 1: you know, we're lightly going there, but I'll be disappointed

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Speaker 1: if we don't, like go there and get Nathan help,

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Speaker 1: you know, this idea that like I'm going to drive

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Speaker 1: into a wall and then I don't know, I'll just

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Speaker 1: figure it out, you know. It's also interesting there were

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Speaker 1: a couple of things going back and watching now that

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Speaker 1: I felt like there was foreshadowing for, which is something

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Speaker 1: that we we ascribed meaning right, but things we didn't

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Speaker 1: know we're coming, Like when Nathan says on the end

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Speaker 1: of Levity, when he says to Brooke and Peyton, I

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Speaker 1: know you both want me when they're visiting the the

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Speaker 1: hospital room, and it's like, well, when they sprung that surprise,

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Speaker 1: Brooke and Nathan's sex tape on US and we were

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Speaker 1: all horrified. Oh my god, in whatever season three or four,

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Speaker 1: I don't remember what it is. God, I was so upset.

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Speaker 1: We were all upset. It was like, what are you

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Speaker 1: talking about? This whole I hated it And now I'm like,

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Speaker 1: oh is that you? Wait now? Now, I can't stop

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Speaker 1: thinking about that when he says this and the other

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Speaker 1: thing on the non humorous slash gross side the series

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Speaker 1: US and is when you talk about this stuff in

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Speaker 1: terms of him and really our show through him, just

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Speaker 1: lightly touching on um, the potential for a young man

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Speaker 1: to be depressed and potentially have a suicide attempt or

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Speaker 1: suicidal ideation is when we fast forward to after the

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Speaker 1: time jump and Nathan is struggling wildly with depression, you know,

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Speaker 1: and he's in that dark place and throws himself out

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Speaker 1: of the wheelchair into the pool and all those things.

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Speaker 1: I don't know. It's it kind of gives me chills

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Speaker 1: to see it now and and to know what's coming

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Speaker 1: that I'm aware no one knew would be coming years later,

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Speaker 1: but it um, it certainly makes me wonder looking back

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Speaker 1: at it, what we what more we should have done? Well? Yeah,

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Speaker 1: shows for her own rehab while he's still in a house.

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Speaker 1: Spittle bad, you know, But but for real, Like, what

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Speaker 1: what's natural protocol? What's normal protocol? Someone attempts suicide, does

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Speaker 1: a social worker get called in? Like who from the county,

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Speaker 1: who from the state is alerted? I mean there's gonna

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Speaker 1: be a lot of times. I don't think there is

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Speaker 1: a lot of the time. I mean there may be,

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Speaker 1: but unless there's a crime involved, which technically a suicide

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Speaker 1: attempt is a crime. But he destroyed so much sensive property.

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Speaker 1: But yeah, so I don't know. I don't think most

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Speaker 1: of the time there is. I think it's just people

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Speaker 1: sort of unless there is immediate attention, medical attention that

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Speaker 1: is needed, in which case then the hospital does have

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Speaker 1: a responsibility to make those kinds of phone calls. But

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Speaker 1: otherwise I think maybe it's just the family just yeah,

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Speaker 1: like at what point does CPS get called? It's like,

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Speaker 1: this kid just tried to kill himself. There's no CPS

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Speaker 1: in one Tree Hill? Serious, you guys, Like all these

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Speaker 1: children live alone, Like nobody gets a phone call. No

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Speaker 1: breaks on the tracks and nobody nobody gets the call.

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Speaker 1: I mean it's a really big deal. Yeah, and it's

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Speaker 1: good that we're seeing scenes where all of his friends

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Speaker 1: are surrounding him, but also we can't expect Lucas and

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Speaker 1: Brooke and Peyton and Haley to have the skill set

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Speaker 1: to deal with something like that at sixteen years old.

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Speaker 1: That's insane, It's crazy. There needed to be more responsible

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Speaker 1: adults in the room, for sure. Karen added some gravity

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Speaker 1: to it when she was sitting in the hallway with

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Speaker 1: Whitey and she couldn't get a hold of Keith and

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Speaker 1: she's like, he should know, you know what's going on

396
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Speaker 1: with Nathan? Yeah? I know? Yeah. Why did none of

397
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Speaker 1: the parents get the memo that there were no break

398
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Speaker 1: marks on the track? It's weird. Can we blame Cooper No,

399
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Speaker 1: who was there that day? I mean, it's just yeah.

400
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Speaker 1: Season two is a rough one for me. I feel

401
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Speaker 1: like there's so many disjointed things happening towards the end

402
00:25:05,600 --> 00:25:08,399
Speaker 1: of season two that I'm like the dream sequence was

403
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Speaker 1: kind of a nice break from it because there were

404
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Speaker 1: no rules. It was just like two is rough for

405
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Speaker 1: a lot of shows. I think it's really hard to

406
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Speaker 1: keep I don't know, you know what. Succession had a

407
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Speaker 1: great season two. I love season two. I thought they

408
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Speaker 1: did a great It was like better than the first

409
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Speaker 1: season for me. But that's so rare, and I don't

410
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Speaker 1: know why, why is there always a second season? Cloud?

411
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Speaker 1: You know what's interesting, I had a friend of mine

412
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Speaker 1: who's in a band explained this to me. You know,

413
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Speaker 1: they had a big, you know, hit debut album, and

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Speaker 1: I remember a couple of the guys being at a

415
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Speaker 1: dinner like a dinner party, and it was something I

416
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Speaker 1: never considered before. He was talking about enjoy You probably

417
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Speaker 1: know this. In the world of music, they call it

418
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Speaker 1: like the sophomore slump. What is your sophomore album going

419
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Speaker 1: to be? If you've had to hit first album and

420
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Speaker 1: the pressure of outperforming your first record, of doing better

421
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Speaker 1: than the first thing you created, can really be just

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Speaker 1: crippling emotionally and psychologically. And I wonder if that's some

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Speaker 1: of it. If you know a show that premiered six

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Speaker 1: months ahead of when it was supposed to and grew

425
00:26:24,880 --> 00:26:27,439
Speaker 1: week by week hand over fist because of word of

426
00:26:27,520 --> 00:26:34,159
Speaker 1: mouth and started amassing this incredible, really organic fan base. Um,

427
00:26:34,160 --> 00:26:36,760
Speaker 1: that was really you know, like I had a finger

428
00:26:36,760 --> 00:26:38,560
Speaker 1: on the pulse of what young people were going through.

429
00:26:38,640 --> 00:26:46,560
Speaker 1: And then you're supposed to do it again, Yeah, exactly times. Yeah,

430
00:26:47,600 --> 00:26:49,840
Speaker 1: for sure. And then they started wanting bottle episodes like

431
00:26:49,880 --> 00:26:52,399
Speaker 1: we talked about the other week, where they then they

432
00:26:52,400 --> 00:26:53,919
Speaker 1: want to be able to do something that are standing

433
00:26:53,920 --> 00:26:56,800
Speaker 1: alone instead of drawing out a storyline that goes on.

434
00:26:56,920 --> 00:26:59,240
Speaker 1: You know. So they're also getting all these demands from

435
00:26:59,240 --> 00:27:02,160
Speaker 1: the network on here's what's working, here's the formulas working

436
00:27:02,200 --> 00:27:04,920
Speaker 1: on our other shows. Uh, try and do this, try

437
00:27:04,960 --> 00:27:06,440
Speaker 1: and do that. I mean it's like, if it ain't broke,

438
00:27:06,520 --> 00:27:09,720
Speaker 1: don't fix it. But you know that's not really back

439
00:27:09,800 --> 00:27:11,880
Speaker 1: to the pilot and we were like, I guess we'll

440
00:27:11,880 --> 00:27:14,320
Speaker 1: just do this again. Let's do it one more time.

441
00:27:17,400 --> 00:27:20,919
Speaker 1: What do you think They were like having a panic

442
00:27:20,960 --> 00:27:22,520
Speaker 1: in the writer's room, and they were like, we gotta

443
00:27:22,560 --> 00:27:24,240
Speaker 1: go back and watch the pilot and figure out what

444
00:27:24,240 --> 00:27:26,240
Speaker 1: the funk we're doing. We don't remember what we're doing.

445
00:27:27,359 --> 00:27:30,760
Speaker 1: What happens on the table? Right? I picture them in

446
00:27:30,800 --> 00:27:33,880
Speaker 1: the writer's room just like throwing script pages, falling out

447
00:27:33,960 --> 00:27:39,640
Speaker 1: where panic, How do we make this team trow Yeah,

448
00:27:39,680 --> 00:27:41,879
Speaker 1: it happens everywhere though, it's not just our show. It

449
00:27:41,920 --> 00:27:44,919
Speaker 1: happens in all all kinds of shows and in theater too.

450
00:27:45,040 --> 00:27:49,320
Speaker 1: By the way, the second second act is notoriously uh

451
00:27:49,520 --> 00:27:51,960
Speaker 1: not as good as the first or just like because

452
00:27:51,960 --> 00:27:55,199
Speaker 1: the second act does so much heavy lifting until you

453
00:27:55,240 --> 00:27:58,199
Speaker 1: get to the very end. There's just so there is

454
00:27:58,200 --> 00:28:00,359
Speaker 1: a lot of pressure to dig in deep. You know,

455
00:28:00,400 --> 00:28:02,800
Speaker 1: the first season was so much set up for us,

456
00:28:02,880 --> 00:28:05,359
Speaker 1: and as is Act one in a lot of shows,

457
00:28:05,359 --> 00:28:08,680
Speaker 1: in plays, and as is many other TV series and

458
00:28:09,000 --> 00:28:11,240
Speaker 1: movies sometimes too. I mean, you just get into act

459
00:28:11,240 --> 00:28:14,720
Speaker 1: two and you have to dive in deeper. And with

460
00:28:14,760 --> 00:28:16,879
Speaker 1: a show like ours, where there's already so much drama,

461
00:28:16,960 --> 00:28:20,000
Speaker 1: so much emotion, so many feelings, to go deep into

462
00:28:20,000 --> 00:28:23,760
Speaker 1: the hospital so many times already both of these boys

463
00:28:23,760 --> 00:28:26,480
Speaker 1: had to have major surgery in the first two seasons.

464
00:28:26,520 --> 00:28:28,679
Speaker 1: It's a lot, but it also is kind of like

465
00:28:28,720 --> 00:28:31,920
Speaker 1: our careers. I mean, look, this was like our first big,

466
00:28:32,359 --> 00:28:36,200
Speaker 1: huge job, and then what's act two? You know, the

467
00:28:36,359 --> 00:28:40,440
Speaker 1: fear of leaving and like act act two as a

468
00:28:40,480 --> 00:28:43,880
Speaker 1: whole in life is always intimidating, whether it's like going

469
00:28:43,880 --> 00:28:46,960
Speaker 1: off to college or trying to get that next job

470
00:28:47,080 --> 00:28:51,080
Speaker 1: after your first big break, or you know, we've got

471
00:28:51,240 --> 00:28:53,040
Speaker 1: kids and dogs all over the place and you're like,

472
00:28:53,080 --> 00:28:55,360
Speaker 1: how do I set goals again? Who am I doing

473
00:28:55,440 --> 00:29:05,400
Speaker 1: with my life. I don't know. I don't know if

474
00:29:05,480 --> 00:29:08,440
Speaker 1: us girls had gotten to change, because Haley, You're right, Hailey,

475
00:29:08,440 --> 00:29:10,920
Speaker 1: Brooke and Peyton are the same. If us girls had

476
00:29:10,920 --> 00:29:13,200
Speaker 1: gotten to change, what would you have wanted your character

477
00:29:13,560 --> 00:29:17,720
Speaker 1: to be different? How different would you want your character? MG,

478
00:29:18,320 --> 00:29:20,360
Speaker 1: I would have loved to play either of your characters.

479
00:29:20,400 --> 00:29:25,720
Speaker 1: How fun either way? Maybe naked in the shower. By

480
00:29:25,760 --> 00:29:29,120
Speaker 1: the way, talk about the repeats. Brooke walks out of

481
00:29:29,120 --> 00:29:33,120
Speaker 1: the shower with Nathan in front of Dan. It's literally

482
00:29:33,120 --> 00:29:35,200
Speaker 1: what you had to do in the pilot that you've

483
00:29:35,240 --> 00:29:37,360
Speaker 1: been there, been there. They're like, well, we know we

484
00:29:37,440 --> 00:29:41,720
Speaker 1: can't ask Hilary to do it again. Isn't that so

485
00:29:41,840 --> 00:29:45,040
Speaker 1: interesting that we so so there were these repetitions, but

486
00:29:45,160 --> 00:29:48,400
Speaker 1: with these sort of tesselations in them as well. Remember

487
00:29:48,440 --> 00:29:49,880
Speaker 1: when they told me you were going to replace me

488
00:29:49,920 --> 00:29:52,840
Speaker 1: on the show, they were like, we'll just have we'll

489
00:29:52,880 --> 00:29:55,560
Speaker 1: have Sophia do with this go around. I mean there's

490
00:29:55,600 --> 00:29:59,040
Speaker 1: like a little tiny yeah from season one. I mean

491
00:29:59,080 --> 00:30:00,680
Speaker 1: that was right about the time they were like, we've

492
00:30:00,720 --> 00:30:02,720
Speaker 1: got someone else to come in and do the sexy stuff.

493
00:30:04,640 --> 00:30:06,880
Speaker 1: And then I was like, I'm sorry, nobody told me

494
00:30:06,920 --> 00:30:08,640
Speaker 1: that's why I'm here. You told me I was coming

495
00:30:08,640 --> 00:30:13,720
Speaker 1: here to be the comic relief. What, no, well, do comedy, Sophia,

496
00:30:14,040 --> 00:30:18,479
Speaker 1: do a comedy with your tooth kids? I refuse. So

497
00:30:18,520 --> 00:30:29,560
Speaker 1: we have evil titties, comedic titties, so many, so talented,

498
00:30:30,040 --> 00:30:37,560
Speaker 1: both defaced. Yeah, So, how different would you want your

499
00:30:37,640 --> 00:30:40,760
Speaker 1: character in all Universe? Like if we had to to

500
00:30:40,840 --> 00:30:45,920
Speaker 1: pick something different, I mean, if we were going to

501
00:30:46,040 --> 00:30:50,160
Speaker 1: do this all Universe episode and really go there and

502
00:30:50,240 --> 00:30:53,440
Speaker 1: let all the girls switch roles, I would have loved

503
00:30:54,400 --> 00:30:58,800
Speaker 1: Brooke Davis in this episode to have been so far

504
00:30:58,840 --> 00:31:01,760
Speaker 1: down the spectrum that she the Erica Marsh that she

505
00:31:01,920 --> 00:31:04,840
Speaker 1: was already the class president, and she had no social life,

506
00:31:05,320 --> 00:31:08,200
Speaker 1: and she was just a completely different kind of person

507
00:31:08,680 --> 00:31:12,040
Speaker 1: for two acts, Like why not? Yeah, that's not what

508
00:31:12,200 --> 00:31:16,480
Speaker 1: we got extra in a different way, man. I remember

509
00:31:16,880 --> 00:31:18,280
Speaker 1: when I and I think I may have said this

510
00:31:18,320 --> 00:31:20,200
Speaker 1: on the show already, I can't remember, but when I

511
00:31:20,240 --> 00:31:23,640
Speaker 1: got the job. A girlfriend of mine reminded me of

512
00:31:23,680 --> 00:31:27,200
Speaker 1: this recently that when I got this job, she walked

513
00:31:27,200 --> 00:31:29,080
Speaker 1: to the bathroom. She was at my house and watched

514
00:31:29,080 --> 00:31:31,720
Speaker 1: the bathroom and I was sticking bobby pins behind my

515
00:31:31,760 --> 00:31:34,760
Speaker 1: ears because I wanted Hayley's ears to stick out because

516
00:31:34,800 --> 00:31:38,720
Speaker 1: I thought that would just be really cute, and um,

517
00:31:38,840 --> 00:31:40,840
Speaker 1: she was like, but what if the show runs for

518
00:31:40,840 --> 00:31:46,719
Speaker 1: a really long time, that's going to hurt. It's like,

519
00:31:47,240 --> 00:31:49,320
Speaker 1: you're right, And I was having a really hard time

520
00:31:49,440 --> 00:31:51,560
Speaker 1: like situating it in a way so that it would

521
00:31:51,560 --> 00:31:54,239
Speaker 1: they would really do that. But where I'm going with

522
00:31:54,280 --> 00:31:59,080
Speaker 1: this is that, um my point is my point is

523
00:31:59,720 --> 00:32:02,600
Speaker 1: I think it would have been really fun. I wish

524
00:32:02,640 --> 00:32:07,960
Speaker 1: that I had been comfortable enough with myself at the

525
00:32:08,000 --> 00:32:12,320
Speaker 1: time to really allow Hailey to to fully embrace the

526
00:32:12,680 --> 00:32:17,800
Speaker 1: sort of shy, nerdy, um bookish. Maybe nerdy is the

527
00:32:17,840 --> 00:32:20,840
Speaker 1: wrong word. I don't know if that's appropriate anymore or not,

528
00:32:20,880 --> 00:32:24,720
Speaker 1: but I kind of like nerds. Yea, yeah, but nerds

529
00:32:24,760 --> 00:32:27,760
Speaker 1: you're hot, But still like just totally allow her to

530
00:32:27,760 --> 00:32:32,160
Speaker 1: be that kind of bookish, you know, shy girl, whereas

531
00:32:32,240 --> 00:32:35,520
Speaker 1: I didn't. I think so much of our time in Wilmington's,

532
00:32:35,680 --> 00:32:39,440
Speaker 1: especially the first season, it turned into a competition in

533
00:32:39,440 --> 00:32:41,440
Speaker 1: a lot of ways, which we've discussed many times on

534
00:32:41,480 --> 00:32:45,160
Speaker 1: this show before. Um, just through a us being young women,

535
00:32:45,240 --> 00:32:47,400
Speaker 1: and that was the environment that I think was kind

536
00:32:47,400 --> 00:32:49,800
Speaker 1: of expected of young women in all in the same

537
00:32:49,880 --> 00:32:52,120
Speaker 1: environment kind of vying for like who's going to be

538
00:32:52,200 --> 00:32:55,040
Speaker 1: the front runner, who's gonna be yeah, yeah, and also

539
00:32:55,240 --> 00:32:58,360
Speaker 1: just the exterior forces that were intentionally pitting us against

540
00:32:58,400 --> 00:33:01,440
Speaker 1: each other. But if all those things hadn't existed and

541
00:33:01,520 --> 00:33:03,760
Speaker 1: I had just sort of known then what I know

542
00:33:03,840 --> 00:33:06,480
Speaker 1: now to be able to really embrace allowing Haley to

543
00:33:06,520 --> 00:33:09,040
Speaker 1: be as nerdy as she wanted to be for as

544
00:33:09,080 --> 00:33:11,560
Speaker 1: long as it would have worked on the show, instead

545
00:33:11,600 --> 00:33:14,320
Speaker 1: of trying to turn her into something like a little

546
00:33:14,480 --> 00:33:16,840
Speaker 1: sexier or hotter or whatever to kind of compete with

547
00:33:16,880 --> 00:33:19,480
Speaker 1: you guys, I would have loved that. I would love

548
00:33:19,520 --> 00:33:22,760
Speaker 1: to see that. You know. Well, I hate that you

549
00:33:22,760 --> 00:33:25,040
Speaker 1: felt like you had to compete, but no, it's just

550
00:33:25,080 --> 00:33:28,360
Speaker 1: that's just part of it's part of life, especially as

551
00:33:28,360 --> 00:33:31,239
Speaker 1: a young woman, and that was the environment, and you know,

552
00:33:31,400 --> 00:33:35,440
Speaker 1: I wanted to be I looked up to you guys too,

553
00:33:35,560 --> 00:33:37,720
Speaker 1: like we all sort of, I think, had this admiration

554
00:33:37,760 --> 00:33:40,440
Speaker 1: of each other in different ways, and I thought, oh

555
00:33:40,480 --> 00:33:43,040
Speaker 1: my gosh, they're so cool and pretty, and like, I

556
00:33:43,040 --> 00:33:44,760
Speaker 1: want to be a pretty girl too, and I want

557
00:33:44,760 --> 00:33:47,600
Speaker 1: to be you know, So instead of just feeling comfortable

558
00:33:47,680 --> 00:33:50,520
Speaker 1: with who I was which comes with age. Really, that

559
00:33:50,640 --> 00:33:54,240
Speaker 1: kind of comfortability. I went into a different zone, which

560
00:33:54,240 --> 00:33:58,240
Speaker 1: is normal, And I mean, I think it's important to

561
00:33:58,280 --> 00:34:02,040
Speaker 1: be tender with those versions of ourselves, because we all

562
00:34:02,120 --> 00:34:05,120
Speaker 1: felt that in one way or another. You know, like

563
00:34:05,760 --> 00:34:09,160
Speaker 1: there's weirder than getting ready in the morning and being

564
00:34:09,200 --> 00:34:12,000
Speaker 1: all lined up in mirrors and being like who's getting

565
00:34:12,000 --> 00:34:14,960
Speaker 1: fake lashes today? Whose hair looks good to? You know, like, yeah,

566
00:34:15,360 --> 00:34:19,160
Speaker 1: you're all being painted together. It can't be about the character.

567
00:34:19,239 --> 00:34:21,879
Speaker 1: It has to be about like the press we're gonna

568
00:34:21,920 --> 00:34:23,520
Speaker 1: get or the way we're gonna look on TV. Who's

569
00:34:23,520 --> 00:34:25,200
Speaker 1: going to look the best in this episode? Or you know,

570
00:34:25,239 --> 00:34:29,279
Speaker 1: it's it's so gross, it's so unnatural. But I guess

571
00:34:29,320 --> 00:34:31,600
Speaker 1: when I say we should be gentle with ourselves, we

572
00:34:31,640 --> 00:34:35,399
Speaker 1: have to remember that wasn't a metric we set. That's

573
00:34:35,440 --> 00:34:38,920
Speaker 1: what we were told. The metric was by all the

574
00:34:38,960 --> 00:34:41,520
Speaker 1: people in charge, And there are people in charge in

575
00:34:41,600 --> 00:34:44,200
Speaker 1: other environments who don't tell young women that that's what

576
00:34:44,280 --> 00:34:48,640
Speaker 1: the metric is. So I'm really proud of us for

577
00:34:49,400 --> 00:34:54,400
Speaker 1: doing our best but also not hiding that we were uncomfortable.

578
00:34:54,560 --> 00:34:57,880
Speaker 1: And yeah, it may have taken us time to finally

579
00:34:58,000 --> 00:35:00,720
Speaker 1: stop you know, trying to keep up with the Joneses

580
00:35:00,760 --> 00:35:03,680
Speaker 1: and actually just go out together and be like, how

581
00:35:03,719 --> 00:35:07,319
Speaker 1: do you feel? Because I feel weird, you know, like

582
00:35:07,320 --> 00:35:09,799
Speaker 1: like really weird. It's all could have been solved with

583
00:35:09,840 --> 00:35:14,600
Speaker 1: one night of drinking, you guys, but we were good kids.

584
00:35:14,920 --> 00:35:17,720
Speaker 1: It took us a while to get to drinking. Guys

585
00:35:18,160 --> 00:35:21,480
Speaker 1: get there faster, I guess is the moral of the story. Hilary,

586
00:35:21,560 --> 00:35:23,360
Speaker 1: tell us about your character. How do you think you

587
00:35:23,400 --> 00:35:28,360
Speaker 1: would have liked to see Peyton? I think about economics

588
00:35:28,360 --> 00:35:30,840
Speaker 1: a lot because I went to a high school where

589
00:35:31,400 --> 00:35:34,279
Speaker 1: the year after my freshman year, they built a new

590
00:35:34,360 --> 00:35:37,880
Speaker 1: high school in the rich community and all the bullies

591
00:35:37,960 --> 00:35:41,319
Speaker 1: moved away, like any person that had ever made my

592
00:35:41,400 --> 00:35:45,280
Speaker 1: life hell was gone. And it made me hate people

593
00:35:45,320 --> 00:35:48,480
Speaker 1: with money so much because that really was like the line.

594
00:35:49,239 --> 00:35:52,160
Speaker 1: And when we were filming the show, I don't think

595
00:35:52,160 --> 00:35:54,799
Speaker 1: that we really thought about economics and the way we're

596
00:35:54,800 --> 00:35:58,279
Speaker 1: having conversations right now. But Peyton and Haley lived like

597
00:35:58,480 --> 00:36:00,800
Speaker 1: next door to each other. Literally our houses are catty

598
00:36:00,800 --> 00:36:04,040
Speaker 1: corner from each other, um, and we lived kind of

599
00:36:04,160 --> 00:36:08,799
Speaker 1: on the you know, not the fancy neighborhood. These are

600
00:36:08,840 --> 00:36:12,520
Speaker 1: older homes that it is a lower there's a food

601
00:36:12,560 --> 00:36:15,520
Speaker 1: desert where those two homes are, which means that the

602
00:36:15,520 --> 00:36:18,080
Speaker 1: people that live there don't have easy access to a

603
00:36:18,120 --> 00:36:22,200
Speaker 1: grocery store. Um. There's a lot of economic and racial

604
00:36:22,239 --> 00:36:27,520
Speaker 1: factors at play in that part of Wilmington's And I

605
00:36:27,520 --> 00:36:29,719
Speaker 1: would have loved to have seen Peyton hanging out with

606
00:36:29,760 --> 00:36:32,359
Speaker 1: the kids in her neighborhood, like the River Court boys,

607
00:36:32,400 --> 00:36:36,680
Speaker 1: Like I loved, loved, loved our scenes when we would

608
00:36:36,719 --> 00:36:38,960
Speaker 1: all be together, and I think we all just kind

609
00:36:38,960 --> 00:36:42,080
Speaker 1: of like glowed tonight when we got to see the

610
00:36:42,080 --> 00:36:44,360
Speaker 1: scene on the River Court because they were so special

611
00:36:44,640 --> 00:36:48,000
Speaker 1: and they look good, they feel good, They send a

612
00:36:48,040 --> 00:36:51,600
Speaker 1: good message, and it doesn't matter which boy is on

613
00:36:51,800 --> 00:36:54,360
Speaker 1: the right side and which boy is on the bad side.

614
00:36:54,920 --> 00:36:57,320
Speaker 1: You know, Like we've had Chad be the good guy

615
00:36:57,360 --> 00:36:59,400
Speaker 1: and James be the bad guy, and in this episode

616
00:36:59,440 --> 00:37:02,240
Speaker 1: we got the river most of that. What you see

617
00:37:02,320 --> 00:37:06,120
Speaker 1: is community in those scenes, And I, as Peyton, would

618
00:37:06,120 --> 00:37:08,080
Speaker 1: have loved to have spent more time with the River

619
00:37:08,160 --> 00:37:11,720
Speaker 1: Court boys because I feel like they represent a really

620
00:37:11,760 --> 00:37:16,400
Speaker 1: important part of a community, um and of a school,

621
00:37:17,160 --> 00:37:20,080
Speaker 1: and they are the guys that you know, lived in

622
00:37:20,080 --> 00:37:24,120
Speaker 1: our neighborhood and yeah, and plus like they're the fun ones.

623
00:37:24,200 --> 00:37:26,600
Speaker 1: Like when we partied outside of work, those are the

624
00:37:26,600 --> 00:37:31,920
Speaker 1: guys we parted with and we're going to's apartment. Yeah,

625
00:37:31,920 --> 00:37:34,200
Speaker 1: I mean they were like the fun ones. So that's

626
00:37:34,360 --> 00:37:37,160
Speaker 1: that would have to be a girl that infiltrated that

627
00:37:37,200 --> 00:37:39,880
Speaker 1: boys club would have felt fun. That would attract for

628
00:37:39,920 --> 00:37:44,359
Speaker 1: Peyton too, especially for a girl whose parents were never home.

629
00:37:44,440 --> 00:37:47,520
Speaker 1: You wouldn't need to build a community of like boys

630
00:37:47,560 --> 00:37:53,160
Speaker 1: and brothers around, yeah, for sure to feel safe. Yeah. Um,

631
00:37:53,440 --> 00:37:56,000
Speaker 1: and I just love those guys. They're so fun. I

632
00:37:56,080 --> 00:37:58,440
Speaker 1: love the banter between all of them. It just adds

633
00:37:58,440 --> 00:38:01,400
Speaker 1: a layer that, like our show can really miss sometimes

634
00:38:01,400 --> 00:38:03,759
Speaker 1: because it starts to try to be sexy and then

635
00:38:03,800 --> 00:38:05,680
Speaker 1: you bring those River Corps boys in and it's like

636
00:38:05,800 --> 00:38:09,280
Speaker 1: we're high school kids. Let's get weird. Yeah, the episodes

637
00:38:09,320 --> 00:38:12,800
Speaker 1: are always better when those boys are in them, I agree,

638
00:38:14,000 --> 00:38:17,680
Speaker 1: always better. Yeah, pay them more money. By the way.

639
00:38:17,880 --> 00:38:21,520
Speaker 1: You know who else makes an episode feel Fuller's Brett

640
00:38:21,520 --> 00:38:26,839
Speaker 1: Clay Well, I love him. You're so great's great, it's

641
00:38:26,920 --> 00:38:31,799
Speaker 1: so reliable, he really is, and he's not undertable for

642
00:38:31,840 --> 00:38:33,680
Speaker 1: the bit, you know what I mean. Like, you know

643
00:38:33,680 --> 00:38:37,560
Speaker 1: how some actors can be too cool commits. Yeah, does

644
00:38:37,600 --> 00:38:41,080
Speaker 1: anyone have his number? Yes? We should text him and

645
00:38:41,120 --> 00:38:42,800
Speaker 1: be like, Brott, what are you doing right now? You

646
00:38:42,840 --> 00:38:45,440
Speaker 1: want to jump on a podcast I don't have. Well,

647
00:38:45,480 --> 00:38:47,960
Speaker 1: he's gonna He's gonna join us soon. We have Brett

648
00:38:48,200 --> 00:38:50,560
Speaker 1: booked for an upcoming episode, but I'm just gonna do

649
00:38:51,480 --> 00:38:54,000
Speaker 1: because Dylan, we're talking about it happened. I miss that.

650
00:38:54,239 --> 00:38:57,520
Speaker 1: I'm glad you guys. I'm a grandma. I use voice dictation.

651
00:38:57,719 --> 00:39:01,160
Speaker 1: So for everyone who's listening to podcast, here we go, Hey, boyfriend,

652
00:39:01,360 --> 00:39:05,839
Speaker 1: exclamation mark. It's Hillary and Joy and Sophia. Exclamation mark.

653
00:39:06,239 --> 00:39:08,600
Speaker 1: We're literally talking about you right now on the podcast.

654
00:39:08,640 --> 00:39:11,880
Speaker 1: So I hope your ears are burning. Period. You're the

655
00:39:11,960 --> 00:39:19,520
Speaker 1: effing coolest um, because that's how I text you too.

656
00:39:19,600 --> 00:39:22,040
Speaker 1: I have to talk everything out. My kids hate it there.

657
00:39:22,080 --> 00:39:32,239
Speaker 1: They literally like, okay, mom, period, okay, exclamation message set.

658
00:39:33,040 --> 00:39:35,640
Speaker 1: I love a voice to text. That's great in me too.

659
00:39:43,160 --> 00:39:46,400
Speaker 1: You know what I did last night, speaking of alternate universe,

660
00:39:46,440 --> 00:39:47,960
Speaker 1: I went on a house date with my husband. We

661
00:39:48,000 --> 00:39:50,440
Speaker 1: put the children to sleep, and then he lit a

662
00:39:50,480 --> 00:39:53,440
Speaker 1: fire in our bedroom and we watched a movie. And

663
00:39:53,480 --> 00:40:03,120
Speaker 1: you know what movie they watched. So cold, you better

664
00:40:03,239 --> 00:40:06,239
Speaker 1: believe it. And so listen. Joy is so hot in

665
00:40:06,280 --> 00:40:08,520
Speaker 1: this movie. She's so hot in this movie, and she's

666
00:40:08,560 --> 00:40:11,799
Speaker 1: like this edgy documentary filmmaker. And I woke up this

667
00:40:11,840 --> 00:40:13,360
Speaker 1: morning and I was like, I need to get my

668
00:40:13,400 --> 00:40:16,200
Speaker 1: act together. Um, first of all, you're fantastic in the

669
00:40:16,239 --> 00:40:18,959
Speaker 1: movie and the movie is super, super spooky. And Jeff

670
00:40:19,080 --> 00:40:21,000
Speaker 1: was like, we have to go to that hotel because

671
00:40:21,160 --> 00:40:23,800
Speaker 1: you got to go to this hotel. Guys, I'm telling

672
00:40:23,800 --> 00:40:27,800
Speaker 1: you it's amazing. It's really cool hotel. But I'm copying

673
00:40:27,880 --> 00:40:31,560
Speaker 1: you today because I have been wearing brown eyeliner for years,

674
00:40:31,600 --> 00:40:35,200
Speaker 1: but you were very black eyeliner in this movie. And

675
00:40:35,360 --> 00:40:37,600
Speaker 1: I don't know if you can tell, but oh, you

676
00:40:37,600 --> 00:40:41,480
Speaker 1: look so sexy. But I was like, I'm gonna do

677
00:40:41,520 --> 00:40:44,840
Speaker 1: what Joy is doing, so to bring this full surfle

678
00:40:45,040 --> 00:40:47,680
Speaker 1: It reminds me of us getting ready in the morning

679
00:40:47,719 --> 00:40:50,640
Speaker 1: on the show and feeling a little bit like, oh,

680
00:40:50,680 --> 00:40:53,480
Speaker 1: what's she doing? What's she doing? I woke up this

681
00:40:53,520 --> 00:40:55,040
Speaker 1: morning and was like, I want to look like my

682
00:40:55,080 --> 00:40:57,600
Speaker 1: friend Joy. And so called The River one of the

683
00:40:57,640 --> 00:41:03,400
Speaker 1: top streaming horror films on what the Amazon, Amazon, It's everywhere.

684
00:41:03,440 --> 00:41:05,520
Speaker 1: I don't know it's crazy. It's all the same doing

685
00:41:05,560 --> 00:41:13,960
Speaker 1: really well. It's crazy. It wasting. Don't drink the water. Um. Yeah,

686
00:41:14,000 --> 00:41:16,480
Speaker 1: you know, I'm so grateful that now we're at a

687
00:41:16,520 --> 00:41:20,279
Speaker 1: phase in our lives where it's fun to look at

688
00:41:20,280 --> 00:41:22,719
Speaker 1: each other and be like, oh, I'm inspired, I want

689
00:41:22,760 --> 00:41:26,120
Speaker 1: to do that. Like it's inspiration feels fun, where it's

690
00:41:26,280 --> 00:41:28,480
Speaker 1: just doesn't have to be competitive at all. It's just

691
00:41:29,200 --> 00:41:32,879
Speaker 1: like out of sheer love and excitement and sharing creativity.

692
00:41:32,880 --> 00:41:45,680
Speaker 1: It's like sharing Pinterest boards. Yeah, we're a black eyeliner

693
00:41:45,760 --> 00:41:49,560
Speaker 1: like I'm God. Peyton Sawyer two thousand four loved some

694
00:41:49,640 --> 00:41:53,120
Speaker 1: black eyeliners, So I'm back on it. You brought me back.

695
00:41:53,360 --> 00:41:55,000
Speaker 1: I need to break You know. You know who wears

696
00:41:55,040 --> 00:41:57,880
Speaker 1: black eyeliner and pulls it off great, and she's been

697
00:41:57,920 --> 00:42:01,080
Speaker 1: wearing it for years and sometimes it's actually the only

698
00:42:01,120 --> 00:42:06,120
Speaker 1: makeup she wears is black eyeliner. Mikaela McManus. Yes, yes, yes,

699
00:42:06,880 --> 00:42:10,320
Speaker 1: the Tier line. It's so good. Listen you guys. My

700
00:42:10,400 --> 00:42:13,640
Speaker 1: husband had to go to the city, and so being

701
00:42:13,680 --> 00:42:16,160
Speaker 1: able to work from home means that she's in my lap.

702
00:42:16,760 --> 00:42:19,080
Speaker 1: It also means that we get to drink Joy's cocktails

703
00:42:19,239 --> 00:42:21,400
Speaker 1: and it means that we only have to wear like

704
00:42:21,560 --> 00:42:25,200
Speaker 1: shirts and pajama pants. Um, so it's the best gig. Ever,

705
00:42:26,040 --> 00:42:27,839
Speaker 1: how do we do a TV show like this? Like?

706
00:42:27,880 --> 00:42:35,799
Speaker 1: How do we move? Yeah? Fine, done, there's my dream job?

707
00:42:35,880 --> 00:42:39,120
Speaker 1: Is a sitcom? Right now? That schedule is like to

708
00:42:39,360 --> 00:42:42,280
Speaker 1: die for? What do you show up on Monday morning

709
00:42:42,320 --> 00:42:45,720
Speaker 1: for three hours and then Tuesday for four? Maybe? Okay?

710
00:42:45,719 --> 00:42:49,520
Speaker 1: So this episode was alternate reality? Could we do One

711
00:42:49,560 --> 00:42:55,239
Speaker 1: Tree Hill as a sitcom? Honestly? I would? If we

712
00:42:55,239 --> 00:43:00,920
Speaker 1: could do that life, I would do it Like that

713
00:43:00,920 --> 00:43:04,040
Speaker 1: would be amazing. My gosh. They just were just like

714
00:43:04,120 --> 00:43:07,239
Speaker 1: knocking at each other's doors. It works with everybody just

715
00:43:07,239 --> 00:43:09,520
Speaker 1: showing up in Peyton's bedroom all the time with nobody

716
00:43:09,560 --> 00:43:13,480
Speaker 1: ever knocking. How do we do a remix of One

717
00:43:13,480 --> 00:43:17,239
Speaker 1: Tree Hill and threes company and we're the company? Oh yes,

718
00:43:18,080 --> 00:43:22,960
Speaker 1: hello your apartment, but the apartment everyone lived in. It's

719
00:43:22,960 --> 00:43:25,600
Speaker 1: like you and then Brook moves in and then at

720
00:43:25,600 --> 00:43:28,560
Speaker 1: some point like the rest of us are always there,

721
00:43:28,800 --> 00:43:31,960
Speaker 1: We're always there. The apartment is the sitcom. Did you

722
00:43:32,000 --> 00:43:34,160
Speaker 1: guys see the Facts of Life that they did with

723
00:43:34,239 --> 00:43:38,200
Speaker 1: Jennifer Aniston? And I did not? How was it was cute?

724
00:43:38,280 --> 00:43:40,920
Speaker 1: It was super cute. It was funny, too funny to

725
00:43:40,960 --> 00:43:43,719
Speaker 1: see all that. I mean, I don't I don't know

726
00:43:43,760 --> 00:43:45,600
Speaker 1: if it would still work today, but it was fun

727
00:43:45,680 --> 00:43:47,920
Speaker 1: to see. But I don't know. Can you imagine One

728
00:43:47,920 --> 00:43:53,160
Speaker 1: Tree Hill is a sitcom? Yes? I can imagine us

729
00:43:53,239 --> 00:43:56,279
Speaker 1: doing a sitcom, so like, I'm here for it. Yeah.

730
00:43:57,239 --> 00:43:59,920
Speaker 1: Do you know what though, somebody, guys, we have a

731
00:44:00,000 --> 00:44:02,839
Speaker 1: listener question this week, and if Katie, the listener who

732
00:44:02,880 --> 00:44:05,439
Speaker 1: submitted it, is cool with it, I want to take

733
00:44:05,480 --> 00:44:09,360
Speaker 1: it and slightly flip it to this combo is Katie asked.

734
00:44:09,400 --> 00:44:12,520
Speaker 1: She said, I don't want to be is iconic still is?

735
00:44:12,560 --> 00:44:14,640
Speaker 1: But if you had to choose a different theme song

736
00:44:14,719 --> 00:44:16,759
Speaker 1: for the show, what would it be? So I want

737
00:44:16,800 --> 00:44:20,640
Speaker 1: to know to piggyback Katie's question, what would the theme

738
00:44:20,680 --> 00:44:28,879
Speaker 1: song of Wondering sitcom being? Is it a Dolly Parton song?

739
00:44:29,200 --> 00:44:32,960
Speaker 1: It feels like it should be. I mean, so George

740
00:44:33,040 --> 00:44:35,719
Speaker 1: is going through a huge Dolly Parton phase right, and

741
00:44:36,000 --> 00:44:41,320
Speaker 1: I played her the nine to five and in the world.

742
00:44:41,360 --> 00:44:46,280
Speaker 1: I love the video and it struck so many chords,

743
00:44:46,560 --> 00:44:50,400
Speaker 1: just like women working in a men's world. Love that movie,

744
00:44:51,120 --> 00:44:55,520
Speaker 1: babe the best? Can we do that movie? Oh, okan, god,

745
00:44:55,600 --> 00:44:57,960
Speaker 1: how do we do a nine to five remake? Oh,

746
00:44:58,040 --> 00:45:01,040
Speaker 1: it's a musical now too, and we all, let's just

747
00:45:01,440 --> 00:45:06,560
Speaker 1: the musical version of just five. That's it. But like

748
00:45:06,680 --> 00:45:10,480
Speaker 1: that's a movie. Wait, so is that is that our?

749
00:45:10,680 --> 00:45:14,120
Speaker 1: Is that our new one? It's because you know we once,

750
00:45:14,160 --> 00:45:17,560
Speaker 1: we jumped five years ahead. We're grown ups, you know.

751
00:45:18,080 --> 00:45:23,799
Speaker 1: And so I think we're making up Bruce Springsteen songs

752
00:45:23,880 --> 00:45:25,799
Speaker 1: right now because there is something about sort of the

753
00:45:25,840 --> 00:45:29,640
Speaker 1: everyman and working man that you know, Bruce always resonates with.

754
00:45:29,760 --> 00:45:38,160
Speaker 1: And I think also you're from New Jersey, Joy, whatever,

755
00:45:38,480 --> 00:45:41,160
Speaker 1: whatever the Bruce Springsteen song is you land on, then

756
00:45:41,239 --> 00:45:44,960
Speaker 1: you have to cover it ob my hometown. I guess

757
00:45:45,160 --> 00:45:49,120
Speaker 1: that probably makes the most sense. Yes, yes, yes, I

758
00:45:49,200 --> 00:45:53,319
Speaker 1: like that Born to Run also super legendary. Weren't to Run?

759
00:45:53,960 --> 00:45:58,200
Speaker 1: That feels very patent all right, that's always leaves It

760
00:45:58,280 --> 00:46:02,040
Speaker 1: also always reminds me of us. Maybe we were both

761
00:46:02,239 --> 00:46:08,320
Speaker 1: to pick I mean, I said a Dolly Parton song, honestly,

762
00:46:08,360 --> 00:46:12,120
Speaker 1: any of them? Yeah? So yeah, nine to five I'm down.

763
00:46:12,560 --> 00:46:14,239
Speaker 1: We could do a little remake to make it like

764
00:46:14,280 --> 00:46:17,560
Speaker 1: our show. It doesn't matter to me. I just want

765
00:46:17,600 --> 00:46:22,360
Speaker 1: it now. Katie also said, what's the funniest? Oh no,

766
00:46:22,480 --> 00:46:24,480
Speaker 1: my Len, I'm sorry, my Len said this, what's the

767
00:46:24,520 --> 00:46:31,040
Speaker 1: funniest moment you had while filming the show? Oh my gosh, god,

768
00:46:31,080 --> 00:46:39,760
Speaker 1: there were literally the funniest. Um, what's a funny thing?

769
00:46:40,560 --> 00:46:43,840
Speaker 1: The funniest? There is no funniest when you did something

770
00:46:43,840 --> 00:46:46,319
Speaker 1: for ten years, that's true. I mean, could you even

771
00:46:46,320 --> 00:46:48,720
Speaker 1: answer the question what's the funniest thing that happened in

772
00:46:49,000 --> 00:46:52,080
Speaker 1: all of your high school? Like? I don't know. Yes, no,

773
00:46:52,239 --> 00:46:56,160
Speaker 1: I can't answer that question. Okay, go answer it. Freshman year,

774
00:46:57,200 --> 00:47:00,319
Speaker 1: I get my mother to take me to avacar Be

775
00:47:00,320 --> 00:47:03,239
Speaker 1: because all of the rich bitches at school were Abercrombie

776
00:47:03,360 --> 00:47:06,400
Speaker 1: and I'm trying desperately to fit in because if you

777
00:47:06,440 --> 00:47:08,319
Speaker 1: don't fit in, then you're the butt of the joke.

778
00:47:09,040 --> 00:47:11,480
Speaker 1: So we go and we get this like super cute

779
00:47:11,719 --> 00:47:14,440
Speaker 1: baby size skirt and I am pumped to wear this

780
00:47:14,760 --> 00:47:18,440
Speaker 1: baby size skirt. It's a belt with a button, and

781
00:47:19,719 --> 00:47:22,640
Speaker 1: I wear it, and I I have lunched the same

782
00:47:22,640 --> 00:47:25,160
Speaker 1: time as the whole football team, like they must have

783
00:47:25,200 --> 00:47:27,279
Speaker 1: had some class and I had class. And we're all

784
00:47:27,320 --> 00:47:30,279
Speaker 1: in the same lunch block and we're coming from downstairs

785
00:47:30,400 --> 00:47:33,680
Speaker 1: from upstairs and I had just gotten brand new sandals

786
00:47:34,040 --> 00:47:39,160
Speaker 1: that were so cute but very slippery, and I fall

787
00:47:39,239 --> 00:47:42,960
Speaker 1: down the entire flight of stairs in this teeny teeny

788
00:47:43,000 --> 00:47:47,719
Speaker 1: tiny baby skirt in front of the entire football team,

789
00:47:47,760 --> 00:47:52,000
Speaker 1: and it becomes my legacy. Um, and so I started

790
00:47:52,360 --> 00:47:55,080
Speaker 1: I started dressing like a man like pretty pretty soon

791
00:47:55,120 --> 00:47:57,319
Speaker 1: after that. Like that's when I was like, I'm gonna

792
00:47:57,360 --> 00:48:01,000
Speaker 1: wear some big slacks, just some big big slacks, my

793
00:48:01,200 --> 00:48:04,080
Speaker 1: good yeah, just to be like spread eagle. Falling down

794
00:48:04,080 --> 00:48:07,080
Speaker 1: a set of stairs. It was like, no one's ever

795
00:48:07,120 --> 00:48:10,080
Speaker 1: seen my panties before. Oh my god. And now it's

796
00:48:10,120 --> 00:48:14,000
Speaker 1: like the entire senior class. I'm so mortified for you.

797
00:48:15,040 --> 00:48:17,440
Speaker 1: What are you thinking about it? Because the sense memory,

798
00:48:17,520 --> 00:48:19,480
Speaker 1: like I know what that skirt felt like. I know

799
00:48:19,600 --> 00:48:23,399
Speaker 1: the sandals felt like, my face is so hot. Those

800
00:48:23,440 --> 00:48:28,440
Speaker 1: Abercrombie skirts were so short. There is so short, so stressful.

801
00:48:29,120 --> 00:48:34,480
Speaker 1: This is why I'm androgynus Now nothing to see here, folks, Sorry,

802
00:48:34,760 --> 00:48:40,399
Speaker 1: right along, right along? Um, But on the show, I mean,

803
00:48:41,160 --> 00:48:45,000
Speaker 1: who knows, who knows? I don't know. I can't really remember.

804
00:48:45,000 --> 00:48:47,840
Speaker 1: I mean, God, I wish I could had great stories

805
00:48:47,840 --> 00:48:50,680
Speaker 1: and great I just don't have As I've mentioned before,

806
00:48:50,680 --> 00:48:52,200
Speaker 1: I don't have a great memory with a lot of

807
00:48:52,760 --> 00:48:56,840
Speaker 1: things like that. I don't know. There was an actor

808
00:48:56,880 --> 00:49:01,720
Speaker 1: that Sophie and I worked with one season who really

809
00:49:01,760 --> 00:49:05,040
Speaker 1: sold himself. This is like a day player, Sophia, and

810
00:49:05,080 --> 00:49:07,920
Speaker 1: this dude was really aggressive with the two of us.

811
00:49:09,160 --> 00:49:10,839
Speaker 1: And he has since gone on to be on other

812
00:49:10,840 --> 00:49:13,759
Speaker 1: TV shows And he always lists like a character name,

813
00:49:14,000 --> 00:49:16,319
Speaker 1: but none of his characters actually have names, Like he

814
00:49:16,360 --> 00:49:19,239
Speaker 1: makes these up to put on the internet. And I

815
00:49:19,280 --> 00:49:21,160
Speaker 1: see him from time to time in a TV show,

816
00:49:21,320 --> 00:49:23,880
Speaker 1: just like staring from the background and I'm like, I

817
00:49:24,000 --> 00:49:27,120
Speaker 1: know that fucker, and he's so uncomfortable because he told

818
00:49:27,200 --> 00:49:29,439
Speaker 1: us he was a model and all sorts of stuff,

819
00:49:29,480 --> 00:49:31,319
Speaker 1: and I just remember you and I bean like, how

820
00:49:31,320 --> 00:49:33,399
Speaker 1: do we get out of this? How do we get

821
00:49:33,440 --> 00:49:39,160
Speaker 1: away from this person? Those are wed I'm texting Paul

822
00:49:39,239 --> 00:49:41,560
Speaker 1: right now to see if he has a good funny memory,

823
00:49:41,600 --> 00:49:44,520
Speaker 1: because he's so good at like he's a great storytelling.

824
00:49:44,640 --> 00:49:47,279
Speaker 1: He remembers everything. I mean, you know what's funny. I

825
00:49:47,360 --> 00:49:51,400
Speaker 1: can't necessarily remember what they were caused by, but I

826
00:49:51,440 --> 00:49:55,920
Speaker 1: just remember the days where we would be like laughing

827
00:49:56,080 --> 00:49:58,399
Speaker 1: till we were in tears. But it was like, it's

828
00:49:58,440 --> 00:50:01,919
Speaker 1: only because it was like morning and you couldn't remember. Yeah,

829
00:50:02,160 --> 00:50:04,440
Speaker 1: like you would just lose your mind after being at

830
00:50:04,440 --> 00:50:06,560
Speaker 1: work for so long. That happened at your wedding. That

831
00:50:06,640 --> 00:50:09,759
Speaker 1: was Brooke and Julian's wedding, And I do remember. I

832
00:50:09,760 --> 00:50:11,600
Speaker 1: don't know who I was sitting with, but there was

833
00:50:11,640 --> 00:50:21,080
Speaker 1: also some peach moonshine getting passed around, and guys, I

834
00:50:21,120 --> 00:50:23,880
Speaker 1: still have one jar in my freezer. I've been saving it.

835
00:50:24,920 --> 00:50:28,440
Speaker 1: What Oh he sent me home with a lot of

836
00:50:28,520 --> 00:50:33,200
Speaker 1: moonshine and I'm down to one last little baby Mason

837
00:50:33,320 --> 00:50:37,000
Speaker 1: jar and I'm like, if anybody drinks this, I will murder.

838
00:50:37,080 --> 00:50:39,200
Speaker 1: The better share that with us. We need to have

839
00:50:39,239 --> 00:50:47,000
Speaker 1: some come over over cocktail with that. Oh gosh, yes, um, yeah,

840
00:50:47,080 --> 00:50:49,000
Speaker 1: that's all I remember. There was those big scenes where

841
00:50:49,120 --> 00:50:52,120
Speaker 1: we're just so tired, and so it had been such

842
00:50:52,160 --> 00:50:55,080
Speaker 1: a long day and we were you know, underfed or

843
00:50:55,120 --> 00:50:59,440
Speaker 1: overfed or whatever, and just you know, everybody was starting

844
00:50:59,440 --> 00:51:02,960
Speaker 1: to slip clear alcohol into their water bottles and we

845
00:51:02,960 --> 00:51:05,280
Speaker 1: were all just having long days. And I do remember

846
00:51:05,280 --> 00:51:07,239
Speaker 1: that at Brooke and Julian's wedding, we were all just

847
00:51:07,280 --> 00:51:09,640
Speaker 1: I mean, Greg Prange was directing that episode, I'm pretty sure,

848
00:51:09,680 --> 00:51:14,480
Speaker 1: and he was so irritated with us. Come on, we

849
00:51:14,560 --> 00:51:19,200
Speaker 1: everybody wants to get out of here. We're like, there's

850
00:51:19,239 --> 00:51:22,040
Speaker 1: also nothing worse than getting the church giggles in an

851
00:51:22,040 --> 00:51:28,600
Speaker 1: actual church, because the echo makes it so much worse. Oh,

852
00:51:28,640 --> 00:51:31,560
Speaker 1: it's awful. You can't look at anybody and you just

853
00:51:31,600 --> 00:51:35,400
Speaker 1: start bursting into fits of laughter. Lisa Goldstein and I

854
00:51:35,480 --> 00:51:41,200
Speaker 1: used to get the church gettles sud so bad. My god,

855
00:51:41,320 --> 00:51:43,640
Speaker 1: she's a fun person to giggle with. Should we spin

856
00:51:43,719 --> 00:51:47,640
Speaker 1: a wheel? Yeah, let's spin a wheel most likely to

857
00:51:47,680 --> 00:51:57,080
Speaker 1: win the lottery and lose the ticket? Me. God, no, guys,

858
00:51:57,120 --> 00:51:59,720
Speaker 1: I can't even get in line at like six Flags

859
00:51:59,800 --> 00:52:02,480
Speaker 1: or Disneyland or wherever. I will get in the line

860
00:52:02,480 --> 00:52:04,439
Speaker 1: with my ticket, and by the time I reached the front,

861
00:52:04,480 --> 00:52:08,040
Speaker 1: I have no idea where the ticket is counter. You're

862
00:52:08,080 --> 00:52:09,799
Speaker 1: just like, I don't, I don't know what number I

863
00:52:09,840 --> 00:52:13,000
Speaker 1: am I being. Probably you need one of those little

864
00:52:13,000 --> 00:52:15,399
Speaker 1: clear pouches that hangs out a lanyard around your neck

865
00:52:15,440 --> 00:52:17,520
Speaker 1: that you can just put all your stuff in. I

866
00:52:17,600 --> 00:52:24,400
Speaker 1: do I need a tourist lanyard? No? No, no, no,

867
00:52:24,520 --> 00:52:27,920
Speaker 1: I mean, look, who's scattered I mean, it's not a

868
00:52:27,960 --> 00:52:31,080
Speaker 1: scatter brain thing so much as it is h I'm busy,

869
00:52:31,160 --> 00:52:33,440
Speaker 1: What do you want from me? Better things? To focus

870
00:52:33,520 --> 00:52:35,520
Speaker 1: on this tiny piece of paper unless the tiny piece

871
00:52:35,520 --> 00:52:37,480
Speaker 1: of papers were the hundred million dollars, and then it's

872
00:52:37,640 --> 00:52:40,680
Speaker 1: extremely unfortunate. I mean, a character on the show is

873
00:52:40,680 --> 00:52:46,880
Speaker 1: for sure Keith, like Keith loses the lot of sweet man.

874
00:52:47,040 --> 00:52:50,759
Speaker 1: You're right, Okay, it's Joy and it's Keith. Yeah, yeah,

875
00:52:51,400 --> 00:52:59,839
Speaker 1: what a winning comment. We finally fit together, all right.

876
00:53:02,680 --> 00:53:05,160
Speaker 1: I can't wait for the next episode. By season two

877
00:53:05,280 --> 00:53:09,760
Speaker 1: twenty one, what would see by? Hey, thanks for listening.

878
00:53:09,880 --> 00:53:12,120
Speaker 1: Don't forget to leave us a review. You can also

879
00:53:12,160 --> 00:53:15,320
Speaker 1: follow us on Instagram at Drama Queens O t H.

880
00:53:15,840 --> 00:53:19,120
Speaker 1: Or email us at Drama Queens at I heart radio

881
00:53:19,239 --> 00:53:23,720
Speaker 1: dot com. See you next time. We are all about

882
00:53:23,719 --> 00:53:26,560
Speaker 1: that high school drama. Girl Drama, Girl, all about them

883
00:53:26,640 --> 00:53:29,680
Speaker 1: high school queens Forever. We'll take you for a ride

884
00:53:29,680 --> 00:53:33,400
Speaker 1: in our comic Girl Cheering for the Right teen drama, Queens,

885
00:53:33,440 --> 00:53:37,080
Speaker 1: drew up girl fashion, but your tough girl, you can

886
00:53:37,160 --> 00:53:41,479
Speaker 1: sit with us. Girl Drama, Queens, Drama, Queens Drama, Queen's Drama, Drama,

887
00:53:41,600 --> 00:53:43,520
Speaker 1: Queen's Drama queens,