1 00:00:07,320 --> 00:00:10,119 Speaker 1: Welcome to Daily Variety, your daily dose of news and 2 00:00:10,160 --> 00:00:15,400 Speaker 1: analysis for entertainment industry insiders. It's Wednesday, October fifteenth, twenty 3 00:00:15,440 --> 00:00:18,840 Speaker 1: twenty five. I'm your host, Cynthia Lyttleton. I am co 4 00:00:19,000 --> 00:00:23,079 Speaker 1: editor in chief of Variety alongside Ramin Setuda. I'm in 5 00:00:23,239 --> 00:00:26,080 Speaker 1: LA He's in New York, and Vrighty has reporters around 6 00:00:26,120 --> 00:00:30,520 Speaker 1: the world covering the business of entertainment. On today's episode, 7 00:00:30,600 --> 00:00:33,519 Speaker 1: in our cover story segment, we'll talk with Adam b 8 00:00:33,680 --> 00:00:37,280 Speaker 1: Veri and Kate Arthur about their report on the final 9 00:00:37,360 --> 00:00:40,559 Speaker 1: season of Stranger Things and the twin brothers who are 10 00:00:40,560 --> 00:00:44,479 Speaker 1: the brains behind the show, Matt and Ross Stuffer. And 11 00:00:44,520 --> 00:00:47,360 Speaker 1: then we'll hear some of my personal highlights from day 12 00:00:47,400 --> 00:00:51,279 Speaker 1: three at MIPCOM. The Global Content Market is wrapping up 13 00:00:51,280 --> 00:00:55,000 Speaker 1: on Thursday in can France. This is the one where 14 00:00:55,040 --> 00:00:59,000 Speaker 1: I encounter an extremely charming French YouTube creator who is 15 00:00:59,120 --> 00:01:03,480 Speaker 1: gracious about my inability to pronounce his online name. But 16 00:01:03,640 --> 00:01:06,040 Speaker 1: before we get to that, here are a few headlines 17 00:01:06,280 --> 00:01:09,080 Speaker 1: just in this morning that you need to know. MGM 18 00:01:09,160 --> 00:01:13,039 Speaker 1: Plus has greenlighted a Bosch prequel series to star Cameron 19 00:01:13,120 --> 00:01:17,200 Speaker 1: Monnigan and Omari Hardwick. It's called Start of Watch and 20 00:01:17,280 --> 00:01:21,800 Speaker 1: it hails from Bosch series veterans Tom Bernardo and Brian Anthony. 21 00:01:22,959 --> 00:01:24,800 Speaker 1: This has been out there for a while, but now 22 00:01:24,880 --> 00:01:28,280 Speaker 1: it's official. Josh Goldstein is the new head of marketing 23 00:01:28,360 --> 00:01:32,800 Speaker 1: for Paramount Pictures. The musical chairs among studio and network 24 00:01:32,880 --> 00:01:37,680 Speaker 1: marketing executives continues, get ready to revisit Conan O'Brien's TBS 25 00:01:37,800 --> 00:01:42,039 Speaker 1: late night series. Radial Entertainment has acquired streaming rights to 26 00:01:42,120 --> 00:01:46,160 Speaker 1: all eleven seasons of Conan, which ran from twenty eleven 27 00:01:46,200 --> 00:01:50,040 Speaker 1: to twenty twenty one. Radial is the parent company of 28 00:01:50,160 --> 00:01:54,240 Speaker 1: Industry Banners, Film Rise, and Shout Factory. All of these 29 00:01:54,280 --> 00:01:57,000 Speaker 1: stories and so much more can be found on Variety 30 00:01:57,040 --> 00:02:04,760 Speaker 1: dot com Right now. Now, we turn to conversations with 31 00:02:04,880 --> 00:02:08,360 Speaker 1: Variety journalists about news and trends in show business. In 32 00:02:08,440 --> 00:02:12,120 Speaker 1: our cover story segment, we'll go deep inside the upside 33 00:02:12,160 --> 00:02:15,720 Speaker 1: down for our preview of the final season of Stranger Things. 34 00:02:16,240 --> 00:02:20,080 Speaker 1: Adam b Very, Variety's senior entertainment writer, and Kate Arthur, 35 00:02:20,280 --> 00:02:24,079 Speaker 1: Variety's editor at large, have chased this story for three years. 36 00:02:24,680 --> 00:02:27,400 Speaker 1: Here they give us some behind the scenes color on 37 00:02:27,520 --> 00:02:29,880 Speaker 1: their time on the set and their time spent with 38 00:02:29,960 --> 00:02:32,880 Speaker 1: the Duffers, Adam b Veri and Kate Arthur. Thanks for 39 00:02:32,960 --> 00:02:33,400 Speaker 1: joining me. 40 00:02:34,480 --> 00:02:37,200 Speaker 2: Hello, Hello, thanks for having us. 41 00:02:37,200 --> 00:02:41,160 Speaker 1: You two are our Stranger Things dream team. You have 42 00:02:41,280 --> 00:02:44,760 Speaker 1: been working on an epic project, taking the measure of 43 00:02:44,840 --> 00:02:48,799 Speaker 1: Stranger Things and all of its five seasons, but particularly 44 00:02:48,840 --> 00:02:53,760 Speaker 1: its final season. You've had incredible access to the Duffer brothers, 45 00:02:53,840 --> 00:02:58,320 Speaker 1: the creators, the showrunners, all kinds of access to the production, 46 00:02:58,560 --> 00:03:02,360 Speaker 1: the cast. And congratulations because it's been a long time 47 00:03:02,400 --> 00:03:05,040 Speaker 1: coming and you were at the finish line. It's this 48 00:03:05,080 --> 00:03:08,600 Speaker 1: week's Variety cover story. You must feel like athletes at 49 00:03:08,600 --> 00:03:09,480 Speaker 1: the end of a long race. 50 00:03:09,560 --> 00:03:12,919 Speaker 2: It does feel like we finished a marathon. Kate had 51 00:03:13,000 --> 00:03:15,720 Speaker 2: been starting to get this story into the pages of 52 00:03:15,800 --> 00:03:18,720 Speaker 2: Variety three years ago with the end of the fourth 53 00:03:18,760 --> 00:03:21,960 Speaker 2: season of Stranger Things, and then I visited the set 54 00:03:22,040 --> 00:03:25,720 Speaker 2: of season five in July of twenty twenty four, so 55 00:03:25,800 --> 00:03:29,680 Speaker 2: over a year ago, and so it's been one of 56 00:03:29,680 --> 00:03:34,520 Speaker 2: the longest tales on of this magnitude that I've ever done. 57 00:03:35,320 --> 00:03:41,160 Speaker 3: It feels fantastic. As Adam said, I began trying to 58 00:03:41,200 --> 00:03:44,200 Speaker 3: book this cover more than three years ago, after I 59 00:03:44,200 --> 00:03:48,520 Speaker 3: had interviewed the interviewed the Duffer brothers, and I said 60 00:03:48,520 --> 00:03:51,600 Speaker 3: to their publicist it would be great if we got 61 00:03:51,720 --> 00:03:56,280 Speaker 3: the first cover for the final season, and then there 62 00:03:56,520 --> 00:04:01,800 Speaker 3: was a strike that delayed things. There were many obstacles, 63 00:04:01,840 --> 00:04:06,080 Speaker 3: and it was about, I don't know, Adam, maybe eight 64 00:04:06,160 --> 00:04:09,720 Speaker 3: months ago that we started to realize when as we 65 00:04:09,720 --> 00:04:13,040 Speaker 3: were planning everything with Netflix, that yes, we were actually 66 00:04:13,040 --> 00:04:15,160 Speaker 3: going to be the first cover about the final season 67 00:04:15,200 --> 00:04:18,919 Speaker 3: of Stranger Things, which we did not did not solidify 68 00:04:19,000 --> 00:04:23,600 Speaker 3: in our minds until very late in the process. 69 00:04:24,200 --> 00:04:28,000 Speaker 1: That is a coup. Hard work is rewarded. The story 70 00:04:28,040 --> 00:04:31,160 Speaker 1: that you two have co bylined is rich with detail. 71 00:04:31,400 --> 00:04:34,200 Speaker 2: Yeah, I was there for two days in Atlanta. They 72 00:04:34,560 --> 00:04:39,960 Speaker 2: had taken over basically an entire sound stage complex of 73 00:04:40,360 --> 00:04:44,919 Speaker 2: something like thirty five acres sixteen plus stages. It was 74 00:04:45,000 --> 00:04:49,200 Speaker 2: quite elaborate. This set was particularly pleasurable to be on. 75 00:04:49,680 --> 00:04:51,960 Speaker 2: I've been on a number of sets and you can 76 00:04:52,120 --> 00:04:55,960 Speaker 2: tell just sort of by the stress level and anxiety level. 77 00:04:56,000 --> 00:05:00,800 Speaker 2: That's kind of like vibrating off of people, how it's operating, 78 00:05:00,839 --> 00:05:03,600 Speaker 2: how people are feeling, how it's being led for the 79 00:05:03,640 --> 00:05:06,320 Speaker 2: pressure that they were all feeling to make sure that 80 00:05:06,400 --> 00:05:10,400 Speaker 2: this final season lived up to everyone's expectations, and they 81 00:05:10,440 --> 00:05:13,039 Speaker 2: all spoke very openly about that. I have to say 82 00:05:13,080 --> 00:05:18,920 Speaker 2: it was a very easy going, very chill and fun set. 83 00:05:19,520 --> 00:05:23,360 Speaker 2: The scene I was mostly therefore was a scene involving 84 00:05:23,400 --> 00:05:27,320 Speaker 2: Millie Bobby Brown's character eleven in the fourth episode of 85 00:05:27,360 --> 00:05:29,400 Speaker 2: the series. It was made clear to me that Milly 86 00:05:29,760 --> 00:05:31,839 Speaker 2: didn't want to do any interviews while I was visiting 87 00:05:31,839 --> 00:05:35,800 Speaker 2: the set, but she still was very loose and had 88 00:05:35,839 --> 00:05:38,200 Speaker 2: a really great rapport with Matt and Ross Stuffer. So 89 00:05:38,240 --> 00:05:42,839 Speaker 2: it was just a very chill, familial, very warm environment 90 00:05:42,880 --> 00:05:43,240 Speaker 2: to be on. 91 00:05:44,240 --> 00:05:48,280 Speaker 1: That's impressive on a number of levels, especially because they 92 00:05:48,320 --> 00:05:52,240 Speaker 1: really hadn't had a lot of television experience. Kate, what 93 00:05:52,440 --> 00:05:56,200 Speaker 1: have you observed about the brothers and that brotherly relationship. 94 00:05:56,400 --> 00:05:59,200 Speaker 1: Have you observed anything significant about the fact that their 95 00:05:59,240 --> 00:06:02,200 Speaker 1: siblings that contributing to how they run the show or 96 00:06:02,360 --> 00:06:04,839 Speaker 1: how they've conceived the Stranger Things universe. 97 00:06:05,360 --> 00:06:09,520 Speaker 3: Well, we spoke with Sean Levy, who is an executive 98 00:06:09,560 --> 00:06:14,440 Speaker 3: producer and director of Stranger Things, who was the one 99 00:06:14,480 --> 00:06:18,880 Speaker 3: who originally championed them through his company twenty one Laps 100 00:06:19,160 --> 00:06:22,960 Speaker 3: to Netflix. He read the pilot, he was blown away. 101 00:06:23,120 --> 00:06:25,880 Speaker 3: He felt like he'd never read anything like it before, 102 00:06:26,279 --> 00:06:29,800 Speaker 3: and at the time his company wasn't producing TV at all, 103 00:06:30,320 --> 00:06:34,839 Speaker 3: they were doing only film. But he said he could 104 00:06:34,880 --> 00:06:38,760 Speaker 3: not believe how creative it was, how original it was. 105 00:06:39,400 --> 00:06:44,240 Speaker 3: And then he met with them, and he said that 106 00:06:44,600 --> 00:06:48,039 Speaker 3: he couldn't believe the contrast between the confidence of their 107 00:06:48,080 --> 00:06:54,479 Speaker 3: writing and their shy presentation. If you watch Stranger Things, 108 00:06:54,520 --> 00:06:57,520 Speaker 3: the hive mind is a theme of the show, and 109 00:06:57,560 --> 00:07:00,479 Speaker 3: he said, the Upper Brothers are the og high Mind. 110 00:07:00,880 --> 00:07:05,280 Speaker 3: And obviously there are different people, but they function really 111 00:07:05,600 --> 00:07:07,040 Speaker 3: as a single unit. 112 00:07:07,279 --> 00:07:11,520 Speaker 2: They use the pronoun we way more than they use 113 00:07:11,560 --> 00:07:14,440 Speaker 2: the pronoun i. At one point in one of our 114 00:07:14,520 --> 00:07:18,400 Speaker 2: many interviews with them, I asked how often are they apart? 115 00:07:18,920 --> 00:07:22,120 Speaker 2: And the look of panic that came over Matt Duffer's 116 00:07:22,160 --> 00:07:25,040 Speaker 2: face at the idea of having to be a part 117 00:07:25,560 --> 00:07:28,440 Speaker 2: was telling in and of itself. He said that they're very, 118 00:07:28,560 --> 00:07:32,360 Speaker 2: very rarely apart when they're working professionally, almost never. As 119 00:07:32,640 --> 00:07:36,160 Speaker 2: Sean Leavy said, it's a bubble of twin ship that 120 00:07:36,840 --> 00:07:39,280 Speaker 2: can only exist between the two of them. You can 121 00:07:39,480 --> 00:07:42,040 Speaker 2: know them very well, but there's something between the two 122 00:07:42,080 --> 00:07:43,960 Speaker 2: of them that just is its own thing that no 123 00:07:43,960 --> 00:07:45,320 Speaker 2: one's going to be able to get between. 124 00:07:45,560 --> 00:07:48,440 Speaker 1: Now that Stranger Things is ending of the Duffer brothers 125 00:07:48,480 --> 00:07:51,240 Speaker 1: are turning their focus to feature films. They signed a 126 00:07:51,240 --> 00:07:55,440 Speaker 1: big money deal with Paramount. Their timing was incredible because 127 00:07:55,480 --> 00:07:58,160 Speaker 1: that deal was in the market just as Paramount needed 128 00:07:58,200 --> 00:08:00,640 Speaker 1: to make a point about their willing this to write 129 00:08:00,640 --> 00:08:03,760 Speaker 1: some checks. So that was kismet for the Duffers. What 130 00:08:03,800 --> 00:08:06,160 Speaker 1: do you think they want to do in film? 131 00:08:06,320 --> 00:08:11,280 Speaker 3: They consider themselves first and foremost movie nerds. When they 132 00:08:11,280 --> 00:08:13,640 Speaker 3: were growing up in Durham, North Carolina, they would make 133 00:08:13,680 --> 00:08:16,560 Speaker 3: little movies with their friends, and they went to film 134 00:08:16,600 --> 00:08:21,240 Speaker 3: school to make movies, and they kind of fell into 135 00:08:21,760 --> 00:08:25,000 Speaker 3: making one of the biggest shows of all time. And 136 00:08:25,080 --> 00:08:28,840 Speaker 3: they've loved it, of course, but the whole time they 137 00:08:28,880 --> 00:08:32,760 Speaker 3: have wondered when they would start being able to make 138 00:08:32,800 --> 00:08:36,679 Speaker 3: a movie. And they told us that as they were 139 00:08:36,720 --> 00:08:39,200 Speaker 3: talking about what they wanted to do next. As season 140 00:08:39,240 --> 00:08:42,200 Speaker 3: five came together, everything was on the table, of course, 141 00:08:42,320 --> 00:08:45,000 Speaker 3: and they were like, we don't want to create and 142 00:08:45,080 --> 00:08:48,160 Speaker 3: run another show. What we want to do is make 143 00:08:48,200 --> 00:08:52,360 Speaker 3: a movie that comes out into theaters. And even though 144 00:08:52,400 --> 00:08:55,760 Speaker 3: they've had a great relationship with Netflix for ten years, 145 00:08:56,520 --> 00:09:01,240 Speaker 3: that's just not what Netflix does. So when Paramount approached 146 00:09:01,320 --> 00:09:05,840 Speaker 3: them right after the company the merger went through and 147 00:09:06,160 --> 00:09:10,040 Speaker 3: Skydance bought Paramount, they were very open to that. They 148 00:09:10,080 --> 00:09:12,120 Speaker 3: also say they have no idea what that will be. 149 00:09:12,600 --> 00:09:14,680 Speaker 3: They can only focus on one thing at a time, 150 00:09:14,720 --> 00:09:16,640 Speaker 3: and right now that thing is Stranger Things. 151 00:09:16,960 --> 00:09:20,000 Speaker 2: Why I should add that they started Stranger Things at 152 00:09:20,040 --> 00:09:24,240 Speaker 2: the first crest of the streaming boom. The show was 153 00:09:24,280 --> 00:09:28,280 Speaker 2: bought in the spring of twenty fifteen, and this is 154 00:09:28,320 --> 00:09:31,960 Speaker 2: when Netflix had barely become what we know it today. 155 00:09:32,000 --> 00:09:34,120 Speaker 2: In fact, as we say in our story, Stranger Things 156 00:09:34,200 --> 00:09:36,280 Speaker 2: was really the first show to show Netflix what it 157 00:09:36,320 --> 00:09:40,319 Speaker 2: could actually be beyond just like an upstart streamer, it 158 00:09:40,360 --> 00:09:42,800 Speaker 2: could be a cultural force. 159 00:09:43,120 --> 00:09:47,440 Speaker 1: You're right, Stranger Things showed that they could play on 160 00:09:47,520 --> 00:09:51,440 Speaker 1: a new global level. It crystallized the potential to have 161 00:09:51,600 --> 00:09:55,400 Speaker 1: a truly global hit for the first time. Adam remind 162 00:09:55,480 --> 00:09:57,640 Speaker 1: us what the rollout plan for season five is. 163 00:09:58,679 --> 00:10:02,280 Speaker 2: As has been the case with Netflix lately, instead of 164 00:10:02,360 --> 00:10:06,280 Speaker 2: doing a full binge, they're splitting it up over three releases. 165 00:10:06,480 --> 00:10:11,360 Speaker 2: So the first four episodes it will premiere on November 166 00:10:11,400 --> 00:10:15,760 Speaker 2: twenty sixth, over the Thanksgiving holiday, then the next three 167 00:10:15,960 --> 00:10:19,640 Speaker 2: so episodes five, six, and seven will premiere at Christmas, 168 00:10:20,040 --> 00:10:24,280 Speaker 2: and the series finale will premiere a week later on 169 00:10:24,360 --> 00:10:28,040 Speaker 2: New Year's Eve. When I visited the set last year, 170 00:10:28,080 --> 00:10:29,679 Speaker 2: they knew that they were going to be splitting it 171 00:10:29,720 --> 00:10:33,400 Speaker 2: in half. Since that visit, Netflix decided to move the 172 00:10:33,440 --> 00:10:36,600 Speaker 2: finale a week and the Duffers were really excited about 173 00:10:36,640 --> 00:10:39,920 Speaker 2: that idea because it meant that everyone could watch the 174 00:10:39,960 --> 00:10:43,120 Speaker 2: finale sort of together at the same time. There wouldn't 175 00:10:43,120 --> 00:10:46,559 Speaker 2: be people racing through the first three episodes to get 176 00:10:46,559 --> 00:10:49,079 Speaker 2: to the finale, that they could watch the first three episodes, 177 00:10:49,120 --> 00:10:53,400 Speaker 2: digest them, and then pretty much everyone would be watching 178 00:10:53,480 --> 00:10:56,000 Speaker 2: the final episode all the same time, which is is 179 00:10:56,400 --> 00:11:01,960 Speaker 2: an experience that Netflix subscribers base don't get with the 180 00:11:02,040 --> 00:11:02,680 Speaker 2: end of a show. 181 00:11:02,920 --> 00:11:04,840 Speaker 1: My last question for both of you, since you know 182 00:11:04,920 --> 00:11:08,200 Speaker 1: them and have spent time with them, can you tell 183 00:11:08,559 --> 00:11:12,640 Speaker 1: Matt from Ross without any help? Can you identify the 184 00:11:12,679 --> 00:11:13,240 Speaker 1: two brothers? 185 00:11:13,920 --> 00:11:17,400 Speaker 3: I want to take this one. I am so proud that, 186 00:11:18,000 --> 00:11:22,280 Speaker 3: at least in their current incarnation, I can absolutely tell 187 00:11:22,320 --> 00:11:25,360 Speaker 3: them apart now, and not only can I tell them 188 00:11:25,400 --> 00:11:30,640 Speaker 3: apart in their looks, having now listened to and transcribed 189 00:11:31,600 --> 00:11:34,960 Speaker 3: many interviews with them. At this point, I can hear 190 00:11:35,160 --> 00:11:39,120 Speaker 3: the difference between them, and I can't tell you how 191 00:11:39,160 --> 00:11:42,400 Speaker 3: I feel about that. I feel like, if anything, I 192 00:11:42,440 --> 00:11:44,120 Speaker 3: have accomplished something in that. 193 00:11:45,320 --> 00:11:50,800 Speaker 2: Yeah, their personalities are different. Matt is much chattier, He's 194 00:11:50,880 --> 00:11:53,920 Speaker 2: much more sort of open and gregarious. Ross is quieter, 195 00:11:54,240 --> 00:11:58,520 Speaker 2: more introspective. They also vibrated slightly different frequencies. Matt is 196 00:11:58,559 --> 00:12:02,240 Speaker 2: more sort of anxious and excited, Rassage a little bit 197 00:12:02,240 --> 00:12:04,880 Speaker 2: more chill. These are gradiations, I asked. 198 00:12:05,960 --> 00:12:10,079 Speaker 3: I asked Maya Hawk, who plays Robin on the show, 199 00:12:10,440 --> 00:12:13,800 Speaker 3: how long it took her to be able to tell 200 00:12:13,800 --> 00:12:18,760 Speaker 3: them apart? And she said, I will not answer that question. No, 201 00:12:18,920 --> 00:12:22,560 Speaker 3: I won't, and in the way I will answer that 202 00:12:22,679 --> 00:12:25,959 Speaker 3: question is I will not answer. And then she said, 203 00:12:26,120 --> 00:12:29,760 Speaker 3: which probably means it took me way too long. So 204 00:12:30,240 --> 00:12:32,840 Speaker 3: but now she and then she went on to say 205 00:12:32,880 --> 00:12:35,800 Speaker 3: that now that she can tell them apart, she finds 206 00:12:35,840 --> 00:12:38,760 Speaker 3: them to be very different from each other and distinctive. 207 00:12:38,920 --> 00:12:41,719 Speaker 1: That's fun. Well, again, these stories where you report over 208 00:12:41,720 --> 00:12:44,760 Speaker 1: the long term, they really require discipline. I can't wait 209 00:12:44,800 --> 00:12:47,360 Speaker 1: for people to read it. In the October fifteenth print 210 00:12:47,520 --> 00:12:50,400 Speaker 1: edition of Variety, as well as on Variety dot com. 211 00:12:51,000 --> 00:12:52,600 Speaker 1: Thank you both so much for your time. 212 00:12:52,840 --> 00:12:54,120 Speaker 3: Thanks for having us, Cynthia. 213 00:12:54,600 --> 00:12:55,800 Speaker 2: Thank you so much, Cynthia. 214 00:13:00,240 --> 00:13:04,000 Speaker 1: Now let's call this one a reporter's notebook segment. I've 215 00:13:04,000 --> 00:13:06,800 Speaker 1: been in conference mode all week, bouncing around the palais 216 00:13:06,800 --> 00:13:10,960 Speaker 1: and walking up and down the cossette, shaking hands, moderating panels, 217 00:13:11,000 --> 00:13:15,240 Speaker 1: and talking to people about the business. According to mipcom's organizers, 218 00:13:15,559 --> 00:13:19,120 Speaker 1: about ten thousand, six hundred people attended the event This year. 219 00:13:19,280 --> 00:13:23,079 Speaker 1: There was a huge emphasis on the creator economy. Specifically, 220 00:13:23,160 --> 00:13:26,239 Speaker 1: MIPCOM made a point to highlight the convergence of creators 221 00:13:26,360 --> 00:13:30,080 Speaker 1: working with more high end TV, film and streaming platforms. 222 00:13:30,600 --> 00:13:33,400 Speaker 1: It was all a heady mix. We'll talk much more 223 00:13:33,440 --> 00:13:36,640 Speaker 1: about that in tomorrow's episode when I'm joined by my 224 00:13:36,760 --> 00:13:41,840 Speaker 1: three colleagues Elsicus Lassi, John Hopewell, and Leo Baraclough to 225 00:13:42,000 --> 00:13:44,480 Speaker 1: chop it up in round table fashion about all that 226 00:13:44,520 --> 00:13:47,560 Speaker 1: we've learned this week. On Wednesday, I got an interesting 227 00:13:47,679 --> 00:13:51,079 Speaker 1: lesson in the contours of the creator economy by moderating 228 00:13:51,080 --> 00:13:56,320 Speaker 1: a panel with Webedia, CEO, Christian Bombren, and the French 229 00:13:56,400 --> 00:14:00,040 Speaker 1: creator that I mentioned in the introduction to this episode. 230 00:14:00,120 --> 00:14:04,240 Speaker 1: That creator's name is Ainez Benezous. He's a twenty three 231 00:14:04,320 --> 00:14:07,199 Speaker 1: year old from the suburbs of Paris who goes by 232 00:14:07,240 --> 00:14:11,520 Speaker 1: the online handle enox tag. He started his online journey 233 00:14:11,559 --> 00:14:15,319 Speaker 1: as a seventeen year old gaming enthusiast. Now he's one 234 00:14:15,360 --> 00:14:20,800 Speaker 1: of France's biggest celebrities among people under forty. Webedia is 235 00:14:20,840 --> 00:14:24,640 Speaker 1: a company that represents creators and influencers, and it also 236 00:14:24,720 --> 00:14:27,840 Speaker 1: partners with them to elevate the quality of their productions, 237 00:14:28,120 --> 00:14:32,520 Speaker 1: publish books, and much more. Enox, as he's known, last 238 00:14:32,600 --> 00:14:36,880 Speaker 1: year mounted an elaborate and successful effort to scale Mount Everest. 239 00:14:37,200 --> 00:14:40,440 Speaker 1: Of course, the whole thing was filmed for his content pipeline. 240 00:14:41,040 --> 00:14:44,120 Speaker 1: The two and a half hour YouTube documentary that he 241 00:14:44,200 --> 00:14:47,160 Speaker 1: and Webedia produced was such a hit that it was 242 00:14:47,200 --> 00:14:51,240 Speaker 1: released in French movie theaters last year. Titled Kaizen, It 243 00:14:51,360 --> 00:14:55,280 Speaker 1: has forty six million views to date on YouTube. I 244 00:14:55,280 --> 00:14:59,120 Speaker 1: couldn't resist asking Enox some questions backstage as we waited 245 00:14:59,160 --> 00:15:02,080 Speaker 1: for the session to see start. I never get tired 246 00:15:02,120 --> 00:15:05,440 Speaker 1: of talking to people about their media consumption habits these days. 247 00:15:05,760 --> 00:15:08,280 Speaker 1: You told me you're very interested in movies. What are 248 00:15:08,320 --> 00:15:10,200 Speaker 1: some of your favorite movies? What are some of the 249 00:15:10,240 --> 00:15:12,320 Speaker 1: people in the movie world that you follow. 250 00:15:12,080 --> 00:15:15,000 Speaker 4: Now, Okay, I'm not a good English or I don't 251 00:15:15,000 --> 00:15:17,960 Speaker 4: know all the name in English, but Textella of Nolanda 252 00:15:18,040 --> 00:15:22,560 Speaker 4: it's my favorite one. I like metrics. I like the 253 00:15:22,760 --> 00:15:26,960 Speaker 4: sixth sense, you know, the substance I like, yeah, and 254 00:15:27,000 --> 00:15:30,400 Speaker 4: I like the substance. I think it was one. 255 00:15:30,320 --> 00:15:33,080 Speaker 1: Year agomore I like so much. 256 00:15:33,840 --> 00:15:43,600 Speaker 4: And June what other I saw yesterday? La Pampa. It's 257 00:15:43,600 --> 00:15:47,400 Speaker 4: a French movie, really cool. And I like all the 258 00:15:47,480 --> 00:15:56,480 Speaker 4: Nolan films, like The Prestige. The Prestige. There is like 259 00:15:56,680 --> 00:15:59,840 Speaker 4: old plot twist movie like Chateau Land. I like to 260 00:16:00,200 --> 00:16:05,000 Speaker 4: to DiCaprio, Yeah, yeah, DiCaprio, Brad Pitt with the Seven 261 00:16:06,040 --> 00:16:09,360 Speaker 4: Fight Abs. I would like to go in cinema, but 262 00:16:09,440 --> 00:16:13,480 Speaker 4: I have not deliver right now. I need to. It's 263 00:16:13,800 --> 00:16:19,440 Speaker 4: it's a hard art. I want to be ready for 264 00:16:19,520 --> 00:16:23,840 Speaker 4: that and don't take the place of real actor. 265 00:16:24,160 --> 00:16:28,400 Speaker 1: My last question for you is when you read news entertainment, 266 00:16:28,560 --> 00:16:32,640 Speaker 1: when you're looking at news about whether sports or gaming 267 00:16:32,800 --> 00:16:35,640 Speaker 1: or whatever, what where do you like to read your news? 268 00:16:35,720 --> 00:16:36,800 Speaker 1: Is it social media? 269 00:16:37,040 --> 00:16:38,440 Speaker 2: Do you read LeMond? 270 00:16:38,840 --> 00:16:40,080 Speaker 1: Where do you get your news? 271 00:16:41,680 --> 00:16:45,400 Speaker 4: I get my news of my family or my friends sometimes, 272 00:16:45,440 --> 00:16:48,080 Speaker 4: but most of times it's on the phone on the 273 00:16:48,280 --> 00:16:53,160 Speaker 4: social media. I try to follow go social media because 274 00:16:53,480 --> 00:16:56,000 Speaker 4: we need to be careful with the social media because 275 00:16:56,280 --> 00:17:00,720 Speaker 4: there is a lot of falst information or it can 276 00:17:00,760 --> 00:17:07,560 Speaker 4: be dangerous because there is like on social media, So 277 00:17:07,600 --> 00:17:10,200 Speaker 4: you need to be really really careful about what you read, 278 00:17:10,560 --> 00:17:13,280 Speaker 4: and you need always to ask people, to talk with people, 279 00:17:13,440 --> 00:17:17,600 Speaker 4: to do debates, to always ask at someone else and 280 00:17:18,000 --> 00:17:20,679 Speaker 4: not take the information and say, okay, it's like that. 281 00:17:22,200 --> 00:17:23,080 Speaker 2: Thank you so much. 282 00:17:28,200 --> 00:17:31,320 Speaker 1: As we close out today's episode, here's a few things 283 00:17:31,359 --> 00:17:36,880 Speaker 1: we're watching for docu series Knife Edge. Chasing Michelin Stars 284 00:17:37,280 --> 00:17:40,159 Speaker 1: is an interesting look at the cutthroat stakes of the 285 00:17:40,240 --> 00:17:43,800 Speaker 1: tippy top of the fine dining world. Maybe it's because 286 00:17:43,800 --> 00:17:45,760 Speaker 1: I've been in France all week, but I found it 287 00:17:45,920 --> 00:17:49,880 Speaker 1: very compelling viewing. The series is rolling out now on 288 00:17:49,960 --> 00:17:53,800 Speaker 1: Apple TV. The Simon Weisenthal Center will bestow its Humanitarian 289 00:17:53,840 --> 00:17:58,680 Speaker 1: Award to Warner Brothers Discovery CEO David Zaslov on October thirtieth. 290 00:18:00,000 --> 00:18:04,320 Speaker 1: Ann Chief political correspondent Donna Bash will also be honored 291 00:18:04,359 --> 00:18:07,600 Speaker 1: at the event in Beverly Hills. Before we go, congrats 292 00:18:07,600 --> 00:18:10,400 Speaker 1: to Rina Ayer, who has been named Senior Vice President 293 00:18:10,440 --> 00:18:14,520 Speaker 1: of Content and Talent Partnerships for Red Seat Ventures. That's 294 00:18:14,560 --> 00:18:17,520 Speaker 1: a digital media development firm that was acquired by Fox 295 00:18:17,560 --> 00:18:21,960 Speaker 1: in February. Ayer previously worked for Serious XM and Audible, 296 00:18:22,359 --> 00:18:24,800 Speaker 1: and she is a veteran of the US Air Force. 297 00:18:25,920 --> 00:18:29,160 Speaker 1: Thanks for listening. This episode was written and reported by 298 00:18:29,200 --> 00:18:32,960 Speaker 1: me Cynthia Littleton, with contributions from Adam b Very and 299 00:18:33,040 --> 00:18:37,159 Speaker 1: Kate Arthur Stick Snick's hick Picks. Please leave us a 300 00:18:37,200 --> 00:18:40,439 Speaker 1: review at the podcast platform of your choice, and please 301 00:18:40,480 --> 00:18:44,399 Speaker 1: tune in tomorrow for another episode of Daily Variety. Bun 302 00:18:44,480 --> 00:18:44,960 Speaker 1: Gurnee