WEBVTT - #372 - Madeline Edwards on Opening For Chris Stapleton in a Stadium + Teaches Us How to Sing Jazz + Speaking Her Goal into Existence for Her Debut Album + Why She Says “Even Though I Look Different, I Belong Here”

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<v Speaker 1>Episode three seventy two with Madeline Edwards. Loved it. What

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<v Speaker 1>a what a fun time. Uh. This is Madeline Edward's

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<v Speaker 1>song called Mama Dolly Jesus you ain't may she is

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<v Speaker 1>and she was described to me as someone who will

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<v Speaker 1>come in and challenge you in the best way, meaning

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<v Speaker 1>I would really like her and she would go just

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<v Speaker 1>whatever I had to say. If she had something to

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<v Speaker 1>say back, she would for sure say it. And that

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<v Speaker 1>was the case. Her new album is out right now.

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<v Speaker 1>It's called Crash Landed. I think we recorded this is

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<v Speaker 1>the day before it came out, and so we kept

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<v Speaker 1>going it's it's out now, even though it wasn't something

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<v Speaker 1>like that. You can follow her at making Madalene. She

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<v Speaker 1>grew up in a large musical family that moved from

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<v Speaker 1>California to Houston when she was in high school. You know,

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<v Speaker 1>her mom was a big influence on her music taste.

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<v Speaker 1>Her mom wanted to listen to jazz and classical, and

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<v Speaker 1>you know she ever made her listen to old country

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<v Speaker 1>western music and Madeline even sings for us a little

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<v Speaker 1>bit when talking about jazz, which I thought was crazy.

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<v Speaker 1>When she was doing the did I can't I can't

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<v Speaker 1>do it because I never want to make anybody sing,

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<v Speaker 1>and I said that I don't want make anybody sing

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<v Speaker 1>here because you didn't. But she did. And it wasn't

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<v Speaker 1>that she was showing off how good she can sing.

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<v Speaker 1>She was showing a jazz style. I like, wow, that's crazy.

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<v Speaker 1>So check it out. I really enjoyed it. Support her,

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<v Speaker 1>go follow her. This is Madeleine Edwards. The new album

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<v Speaker 1>is called crash Landed. The new song is called Mama

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<v Speaker 1>Dolly Jesus. And here she is on the Bobbycast. First

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<v Speaker 1>of all, thank you for the coffee, of course. So

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<v Speaker 1>this is is this a special brand or special flavor?

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<v Speaker 1>It's both. So this is a Houston specific company. It's

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<v Speaker 1>called Cats Coffee, and they bring a lot of different

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<v Speaker 1>elements of Texas into the coffee. So it has these

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<v Speaker 1>very very slight notes of like sugar, cinnamon, chocolate, all

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<v Speaker 1>that kind of stuff. But I don't know. It's my

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<v Speaker 1>favorite coffee, and I'm not a massive coffee drinker. So

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<v Speaker 1>anyone that likes coffee, I think is actually going to

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<v Speaker 1>really like it. We had a coffee machine, I guess

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<v Speaker 1>I was an espresso machine, and I had forgotten to

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<v Speaker 1>clean it for I've forgotten, don't know, like eater, and

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<v Speaker 1>so it was so gross. It's almost like when you

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<v Speaker 1>look in your dryer and you forget you haven't been

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<v Speaker 1>cleaning out the lent for a long time. You're like,

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<v Speaker 1>oh wow, this it was so disgusting. Wait, do you

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<v Speaker 1>have like a normal coffee machine? Yeah? I would have

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<v Speaker 1>figured in a house like this, you have like a

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<v Speaker 1>robotic coffee maker where it like cleans itself and then

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<v Speaker 1>it says, hey, good morning, how are you? Yeah? Yeah, yeah, whatever,

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<v Speaker 1>you know. I was gonna say that, Well, we had

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<v Speaker 1>an espresso machine that basically did that too, but it

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<v Speaker 1>was so I just had left it so disgusting that

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<v Speaker 1>we had to throw it out because oh no, it

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<v Speaker 1>was like a virus inside of thing. I'm yeah. My

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<v Speaker 1>wife was like, this has never been cleaned. I was like,

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<v Speaker 1>I've really let you down. So but we have a

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<v Speaker 1>new one now and it does it just hello, good morning.

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<v Speaker 1>It rubs my feet. It's amazing. It's the greatest coffee

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<v Speaker 1>coffee machine ever. That's amazing. Have you done the Today

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<v Speaker 1>Show yet? Did you just do it? Did yesterday? You did?

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<v Speaker 1>Who were you with? I was with Hooda and Jenna

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<v Speaker 1>love them? Yeah, they're pretty amazing. They kind of freaked

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<v Speaker 1>out after I played, and I had no idea we

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<v Speaker 1>were still filming, and I almost cussed on air, and

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<v Speaker 1>because i was just so excited from their reaction, and

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<v Speaker 1>I'm like, oh, ship, Like, I'm glad I'm not saying

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<v Speaker 1>this in front of everyone on national television. Luckily there's

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<v Speaker 1>a bit of a delay. I hosted The Today's Show

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<v Speaker 1>a few weeks ago with Hoda and she's I mean,

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<v Speaker 1>she's the loveliest and she's as if not more lovely

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<v Speaker 1>off camera. It's one of those rare people where you go,

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<v Speaker 1>there's no way they can be this awesome all the time.

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<v Speaker 1>But I spent four days with her just the best.

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<v Speaker 1>She's pretty amazing, pretty amazing, And so I'm glad I'd

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<v Speaker 1>heard either you were doing it or you had done it,

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<v Speaker 1>and I was hoping that was the hour you did,

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<v Speaker 1>because they're they're amazing. How that experience is weird though,

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<v Speaker 1>because you have to get up so early to to

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<v Speaker 1>like go through sound check. Yeah, that's why my voice

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<v Speaker 1>is like an octave deeper today and my eyes are bloodshot.

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<v Speaker 1>I'm not stoned. I promise you that's okay too. But

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<v Speaker 1>it's like that. You know, you go on it like

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<v Speaker 1>maybe ten that's the hour you're actually on up there,

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<v Speaker 1>but you have to what time do they tell you

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<v Speaker 1>to get there? We had to get there at about

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<v Speaker 1>four thirty, and so obviously I have to get all

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<v Speaker 1>my makeup done. I have to put hair into my

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<v Speaker 1>already here hair, and put makeup on, lashes, the whole ordeal,

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<v Speaker 1>which I I don't usually do, but for national television,

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<v Speaker 1>I thought it was probably appropriate to look decent. And

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<v Speaker 1>so I'm getting up at like three am, if not

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<v Speaker 1>earlier than that, to start getting ready to go. It's brutal.

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<v Speaker 1>It's brutal for me and my normal job. I wake

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<v Speaker 1>up really early. Obviously we go on the air at five.

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<v Speaker 1>But I imagine for you someone who doesn't your your

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<v Speaker 1>job doesn't require you most of the time to wake

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<v Speaker 1>up that early. That's gonna be. That's awful. Not usually

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<v Speaker 1>are you doing the thing where you're going around radio stations?

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<v Speaker 1>Have you done that yet? Radio tour? Yeah, gets the worst.

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<v Speaker 1>You never have to do it. Everyone's warning me about

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<v Speaker 1>I never wish that up on anyone. It's it's literally

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<v Speaker 1>the worst. Maybe you don't have to do it. Hopefully

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<v Speaker 1>I can just bypass that. Not that I don't love

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<v Speaker 1>radio and not radio personalities, but I don't want to

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<v Speaker 1>wake up early. I'm not a fan of either myself.

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<v Speaker 1>Here's the point that now you can connect with everybody

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<v Speaker 1>in every way that you don't have to be in

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<v Speaker 1>touch them. Yeah. You literally can get on a zoom

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<v Speaker 1>and meet somebody. Do you have any meetings? I have

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<v Speaker 1>now because I don't have to fly to Los Angeles.

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<v Speaker 1>I don't have to fly across town and they're like, hey,

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<v Speaker 1>we want you to meet with some executive of a

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<v Speaker 1>TV show that I'm talking like, okay, I have to

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<v Speaker 1>fly No, no, no no, just yeah, wow, I don't have

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<v Speaker 1>to fly. No. So the radio tour thing I hope

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<v Speaker 1>goes away. I think post COVID, that's kind of become

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<v Speaker 1>more of a reality, not just a regional thing. Even

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<v Speaker 1>if you want to and I have a lot of

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<v Speaker 1>friends in radio, kid, but even if you they wanted

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<v Speaker 1>to send you to Atlanta, right and you do that

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<v Speaker 1>southeast part, they wanted to send you to Pittsburgh. Okay,

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<v Speaker 1>but for new artists, I feel bad because they run

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<v Speaker 1>you guys ragged. So I hope that doesn't happen to you. Well,

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<v Speaker 1>let's keep on dreaming. What are you doing this week?

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<v Speaker 1>So you said you're about to go back to New York.

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<v Speaker 1>You just came from New York. No, I just came

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<v Speaker 1>from New York yesterday. We landed yesterday afternoon. But this

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<v Speaker 1>week is a big week because I'm debuting my first record,

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<v Speaker 1>my first full length record, tomorrow. The viewing, what do

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<v Speaker 1>you mean this? Just this being my first full length record.

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<v Speaker 1>I've put out you know, EPs and singles before, but

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<v Speaker 1>this is my first full length and it consists of

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<v Speaker 1>twelve songs, and it's been in the works for the

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<v Speaker 1>last two years. But I really feel like it's been

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<v Speaker 1>in the works for my whole life. It's just a

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<v Speaker 1>huge accumulation of influences and styles and sonics that I'm

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<v Speaker 1>really inspired by and I wanted to put onto this record. Um,

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<v Speaker 1>so yeah, that's coming out tomorrow with a music video.

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<v Speaker 1>Why I'm confused is Okay, today's Thursday, but this will

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<v Speaker 1>be your record will already be out by the time

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<v Speaker 1>this airrors. So in my head, I was already there,

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<v Speaker 1>and You're like, it's come out tomorrow, I'm like, we

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<v Speaker 1>have another one, So this is it? So as of

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<v Speaker 1>now it's out. Oh, yes, it's out. Now, it's out

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<v Speaker 1>right now it's out. So with with that, you say

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<v Speaker 1>you've been I forget the terminology. You said you've been

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<v Speaker 1>working on your whole lives said, what do you mean

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<v Speaker 1>by that? It's been a long process for me to

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<v Speaker 1>get here. And what I mean by that is I

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<v Speaker 1>am very sure and confident of what my sound is,

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<v Speaker 1>what I want to say, what I'm trying to present

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<v Speaker 1>in my songs lyrically, how I'm trying to produce it sonically,

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<v Speaker 1>what kind of creatives I want to be working with

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<v Speaker 1>in order to get that product um And I feel

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<v Speaker 1>like this has been so I started off in jazz,

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<v Speaker 1>you know, moved my way into soul, experimented in pop

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<v Speaker 1>for a little bit, went into Western and now here

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<v Speaker 1>I am in country music. But it's a huge accumulation

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<v Speaker 1>of all of those styles. And so when I started

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<v Speaker 1>in jazz when I was like ten years old, to

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<v Speaker 1>where I am now, it's just building, building, building off

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<v Speaker 1>of what I've already learned in my past with music

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<v Speaker 1>and basically trying to put it in a way that

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<v Speaker 1>is easily digestible for the consumer, but is still really

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<v Speaker 1>broad and deep and introspective. So with all that, I'm

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<v Speaker 1>gonna ask a couple dumb guy questions in a second. But,

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<v Speaker 1>um my journey here. I worked in pop, worked in alternative,

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<v Speaker 1>worked in hip hop, I worked in setted sports. You know,

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<v Speaker 1>I'm here in country. I grew up in Arkansas country

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<v Speaker 1>to start with. But I've balanced all around. And when

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<v Speaker 1>I first got here, it was, oh, you're not one

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<v Speaker 1>of us, I was told all the time. So you're

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<v Speaker 1>not one of us, You're not one of us. You

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<v Speaker 1>came from this or that. You've done multiple things, and

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<v Speaker 1>here we don't do multiple things. We do one thing.

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<v Speaker 1>And I'm like, no, no, no, no, That's that's how

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<v Speaker 1>it used to be. But that's not how people are today.

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<v Speaker 1>So I don't think that's how anyone that works in

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<v Speaker 1>Nashville in this format are. How has that been? Because again,

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<v Speaker 1>you have so many different I don't even want to

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<v Speaker 1>say influences. I want to say almost fundamental parts of

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<v Speaker 1>your musical journey and career. Has anyone been like what

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<v Speaker 1>you're saying jazz and how you're doing country? How does

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<v Speaker 1>that work? Yeah? I not to get too deep into it,

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<v Speaker 1>but I come from a really interesting household and come

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<v Speaker 1>from a mixed race household. My mom's white, my dad's black,

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<v Speaker 1>um my sisters adopted. I spent half of my life

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<v Speaker 1>in Santa Barbara, California, and half of my life in Houston, Texas,

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<v Speaker 1>very different geograph fix, very different political climates, and so

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<v Speaker 1>I feel like I was really um privileged in a

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<v Speaker 1>sense to be able to kind of have this really empathetic,

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<v Speaker 1>unbiased view towards people. And I've always kind of felt

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<v Speaker 1>like I was in the middle anywhere, I always felt

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<v Speaker 1>like I didn't fit, and so entering into this space

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<v Speaker 1>wasn't any different for me. It's something that I've always

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<v Speaker 1>kind of dealt with my whole life. And I find

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<v Speaker 1>a way to kind of carry that confidence of even

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<v Speaker 1>though I look different, I still belong here, and the

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<v Speaker 1>empathy in it helps people to really connect with me

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<v Speaker 1>and connect with my music, And so I don't ever

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<v Speaker 1>feel like I don't belong even though I know for

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<v Speaker 1>a fact that I don't fit in. That's good. I

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<v Speaker 1>don't belong. I belong, but I don't fit in. Yeah,

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<v Speaker 1>I think I feel I understand that because I do

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<v Speaker 1>belong and people love you here, and I think people

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<v Speaker 1>and it's very a very revisionous history too. But I

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<v Speaker 1>think people same can be said for you. People respect

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<v Speaker 1>how many the word voice, not as my literal physical voice,

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<v Speaker 1>but people respect your voice, not singing voice, but who

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<v Speaker 1>you are and what you have to say the same

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<v Speaker 1>way that I think even people don't like me or

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<v Speaker 1>how I do things, I think they still respect my

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<v Speaker 1>voice as well because I've really been unapologetic about it

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<v Speaker 1>and I've always known who I am and what i

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<v Speaker 1>want to say and who I want to represent, and

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<v Speaker 1>so same can be said about you. When I was

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<v Speaker 1>asking people about you, they were like, oh, you'll love her.

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<v Speaker 1>She's strong and she'll be strong with you. And I'm like,

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<v Speaker 1>she should be scared or they're like, no, you'll you'll

0:10:34.320 --> 0:10:36.560
<v Speaker 1>respect you. Feel like people said the same thing about you.

0:10:36.800 --> 0:10:39.040
<v Speaker 1>That's what it was because I I was like, hey,

0:10:39.080 --> 0:10:42.080
<v Speaker 1>what's madete. They're like, oh, yeah, you'll like her. She's strong,

0:10:42.320 --> 0:10:44.800
<v Speaker 1>And I'm like, what are you am I intimidate? Am

0:10:44.840 --> 0:10:47.320
<v Speaker 1>I scared? They're like, no, no, no, you'll you'll kind

0:10:47.360 --> 0:10:50.160
<v Speaker 1>of meet your match in the best way. And so

0:10:50.440 --> 0:10:53.680
<v Speaker 1>that's that's like the that's that's the best compliment that

0:10:53.800 --> 0:10:58.600
<v Speaker 1>someone could Yeah, I'm not that intimidating. I'm actually pretty nicey. No,

0:10:58.760 --> 0:11:00.720
<v Speaker 1>it's not that you're not not to be kind of mean,

0:11:00.760 --> 0:11:03.760
<v Speaker 1>but I'm I've I've found Jesus since, so I'm kind

0:11:03.760 --> 0:11:06.760
<v Speaker 1>of nice now. I think your confidence can be intimidating

0:11:06.800 --> 0:11:09.120
<v Speaker 1>to some people. Yeah, I mean, but but that's not

0:11:09.240 --> 0:11:13.040
<v Speaker 1>something that you have to worry about. That's a them thing. Yeah,

0:11:13.080 --> 0:11:15.760
<v Speaker 1>and and I'm the same for me. I think sometimes

0:11:15.800 --> 0:11:19.640
<v Speaker 1>my confidence can be misconstrued at times. I think my

0:11:19.679 --> 0:11:22.160
<v Speaker 1>confidence and also my crazy insecurity because I have both,

0:11:22.480 --> 0:11:24.560
<v Speaker 1>It's it's okay to have both, because I'm a creative.

0:11:25.200 --> 0:11:28.840
<v Speaker 1>I think that sometimes can look like with me arrogance.

0:11:29.640 --> 0:11:31.080
<v Speaker 1>No one said that about you, but I can. I

0:11:31.160 --> 0:11:34.360
<v Speaker 1>hear that about me. It's like, oh, he's kind of arrogant,

0:11:34.400 --> 0:11:36.640
<v Speaker 1>and they're probably right. And how it's presented because sometimes

0:11:36.640 --> 0:11:38.800
<v Speaker 1>I'm really confident. Sometimes I'm so insecure that I have

0:11:38.880 --> 0:11:40.920
<v Speaker 1>to like, oh no, no, no, I'm really good, I promise,

0:11:41.400 --> 0:11:44.280
<v Speaker 1>And so it's a weird, weird mix to deal with.

0:11:44.520 --> 0:11:47.000
<v Speaker 1>But well, you've had longer in this industry too, so

0:11:47.040 --> 0:11:49.080
<v Speaker 1>you're gonna have more critics coming against you, and I

0:11:49.200 --> 0:11:51.520
<v Speaker 1>might sometime in the future too, and also I'm more

0:11:51.520 --> 0:11:53.679
<v Speaker 1>of a jackass. Let's be honest, I think that's what

0:11:53.720 --> 0:11:57.840
<v Speaker 1>it is. Were you always that confident? But I'm not.

0:11:57.920 --> 0:12:02.320
<v Speaker 1>I'm so not in parts of my life. The only

0:12:02.320 --> 0:12:04.960
<v Speaker 1>thing that I know I'm good at is this and

0:12:05.000 --> 0:12:07.880
<v Speaker 1>I'm the best at it. And then other than that,

0:12:08.440 --> 0:12:11.959
<v Speaker 1>I am so insecure. Can I ask you a question

0:12:12.360 --> 0:12:14.120
<v Speaker 1>whatever you want? Do you ever feel like you get

0:12:14.120 --> 0:12:16.960
<v Speaker 1>that impostor syndrome? Because you feel like there's parts of

0:12:16.960 --> 0:12:18.640
<v Speaker 1>your life where you don't feel like that, but here

0:12:19.000 --> 0:12:23.240
<v Speaker 1>and when you're creative, that confidence comes through completely. I

0:12:23.280 --> 0:12:28.040
<v Speaker 1>live imposter of that. My career life was a pie

0:12:28.080 --> 0:12:31.160
<v Speaker 1>and most of its imposter syndrome, just because I shouldn't.

0:12:31.200 --> 0:12:33.080
<v Speaker 1>I don't feel like I'm that talented whereaf when I

0:12:33.120 --> 0:12:36.840
<v Speaker 1>hear you and I know all that you've gone through

0:12:36.880 --> 0:12:38.480
<v Speaker 1>to get to this point, and all the pivots that

0:12:38.520 --> 0:12:41.040
<v Speaker 1>you've taken in different roads have gotten you here, and

0:12:41.080 --> 0:12:43.480
<v Speaker 1>those roads have gotten you here, But I feel like

0:12:43.559 --> 0:12:45.280
<v Speaker 1>you are talented and you've picked up a lot of

0:12:45.280 --> 0:12:47.640
<v Speaker 1>things along the way, And I go, mam Adan's so good,

0:12:47.720 --> 0:12:50.800
<v Speaker 1>she's so talented, Like you have a literal talent. I

0:12:50.800 --> 0:12:53.000
<v Speaker 1>get a find and people say I'm talented. I know

0:12:53.040 --> 0:12:55.160
<v Speaker 1>it's a weird thing, therapy thing, but I'm like, I'm

0:12:55.160 --> 0:12:56.520
<v Speaker 1>not talented. I've just worked hard, and you're telling me

0:12:56.520 --> 0:12:58.680
<v Speaker 1>I don't work very hard because I'm not talented? Were you?

0:12:58.960 --> 0:13:00.880
<v Speaker 1>I know you're super talented, but also know how hard

0:13:00.920 --> 0:13:03.880
<v Speaker 1>you've worked, But you have a talent. If you were

0:13:03.920 --> 0:13:06.720
<v Speaker 1>taken out of here and thrown into Albuquerque tomorrow, you

0:13:06.760 --> 0:13:09.560
<v Speaker 1>could still work and sing and have a career in Albuquerque. Me,

0:13:09.640 --> 0:13:11.760
<v Speaker 1>I'm done, I've got nothing. I'm out of here. I

0:13:11.760 --> 0:13:13.480
<v Speaker 1>wouldn't say that I've Built've climbed a ladder, and if

0:13:13.480 --> 0:13:15.040
<v Speaker 1>I fall lader, there no more steps back up. They've

0:13:15.040 --> 0:13:16.880
<v Speaker 1>cut all the steps out underneath me as I've climbed up.

0:13:17.400 --> 0:13:21.440
<v Speaker 1>So when did you? But I mean, I sincerely mean it.

0:13:21.840 --> 0:13:23.880
<v Speaker 1>Um How what? How do you sing jazz? What does

0:13:23.920 --> 0:13:28.440
<v Speaker 1>that mean? It's different tones and tambers in your voice.

0:13:28.640 --> 0:13:30.719
<v Speaker 1>So I mean, do you want me to give you

0:13:30.760 --> 0:13:32.840
<v Speaker 1>an example? You don't have to ask you to sing

0:13:32.840 --> 0:13:34.600
<v Speaker 1>because I know you've traveled. I mean, I don't mind,

0:13:34.640 --> 0:13:37.120
<v Speaker 1>it helps explain it better, I would If you don't mind,

0:13:37.160 --> 0:13:39.640
<v Speaker 1>I would love it. So I grew up on Ella Fitzgerald,

0:13:39.880 --> 0:13:44.240
<v Speaker 1>Frank Sinatra, at A James Dave Rebecca, And there is

0:13:44.280 --> 0:13:49.880
<v Speaker 1>a certain uh learning how to combine the improvisation of

0:13:49.960 --> 0:13:53.600
<v Speaker 1>jazz with also structure, um, because you can sometimes do

0:13:53.640 --> 0:13:57.240
<v Speaker 1>whatever the hell you want in jazz and everyone's like, yeah, babadaba,

0:13:57.360 --> 0:13:59.800
<v Speaker 1>and that's jazz, but there is a structure to it.

0:14:00.040 --> 0:14:03.079
<v Speaker 1>I think that's what a lot of people don't see. Um.

0:14:03.160 --> 0:14:05.600
<v Speaker 1>And so for instance, what I loved in Ella Fantzgerald's

0:14:05.679 --> 0:14:07.840
<v Speaker 1>voice is that she had this tone was that was

0:14:07.880 --> 0:14:10.200
<v Speaker 1>super rich, but also she has this timber that a

0:14:10.280 --> 0:14:14.160
<v Speaker 1>lot of operatic people do with more space in between,

0:14:14.400 --> 0:14:17.319
<v Speaker 1>but when you have jazz, it's closer in between. So

0:14:17.360 --> 0:14:21.880
<v Speaker 1>how you would do it is um dree a little

0:14:22.160 --> 0:14:26.960
<v Speaker 1>dre of me like that, So it's quicker where opera

0:14:27.000 --> 0:14:30.320
<v Speaker 1>it's way more space in between. Pop you don't really

0:14:30.360 --> 0:14:32.480
<v Speaker 1>see it that much. Country you can see it sometimes

0:14:32.640 --> 0:14:35.680
<v Speaker 1>you say space in between, space in between the verbrato

0:14:36.080 --> 0:14:40.760
<v Speaker 1>going on in between your voice. And so you train

0:14:41.560 --> 0:14:44.840
<v Speaker 1>to do that in jazz to have you can the

0:14:44.880 --> 0:14:46.680
<v Speaker 1>way I trained myself as I just listened to it

0:14:46.720 --> 0:14:49.480
<v Speaker 1>a lot, I taught myself. Can you listen to music

0:14:49.520 --> 0:14:51.840
<v Speaker 1>and do you have a good ear Like with instruments.

0:14:51.920 --> 0:14:53.960
<v Speaker 1>I know you play piano. Can you listen here? Can

0:14:53.960 --> 0:14:57.400
<v Speaker 1>you hear something and translate it almost immediately? Oh? Yeah,

0:14:57.440 --> 0:15:00.600
<v Speaker 1>I mean I would definitely consider myself even a producer

0:15:00.600 --> 0:15:02.720
<v Speaker 1>in that sense that I can pick up things pretty

0:15:02.720 --> 0:15:04.560
<v Speaker 1>easily when I listened to them. When did you realize

0:15:04.600 --> 0:15:06.640
<v Speaker 1>as a kid that you it came a little easier

0:15:06.640 --> 0:15:08.320
<v Speaker 1>to you than it did other people that were trying

0:15:08.320 --> 0:15:11.440
<v Speaker 1>to play piano or just do music randomly. I was

0:15:11.480 --> 0:15:16.520
<v Speaker 1>probably like eight or nine, I started picking up piano quicker,

0:15:16.880 --> 0:15:21.080
<v Speaker 1>and uh, just picking up jazz piano. It is specifically

0:15:21.200 --> 0:15:24.440
<v Speaker 1>quicker than than I probably should have. Um, I didn't

0:15:24.440 --> 0:15:26.760
<v Speaker 1>know that I was good at music though. I It

0:15:26.840 --> 0:15:29.640
<v Speaker 1>wasn't something that I thought to myself, like, wow, I

0:15:29.680 --> 0:15:32.120
<v Speaker 1>sound good. I remember wanting to try out for Star

0:15:32.200 --> 0:15:35.360
<v Speaker 1>Search when I was like five and trying to learn

0:15:35.400 --> 0:15:38.320
<v Speaker 1>a Mariah Carey song and it was failing epically, And

0:15:38.360 --> 0:15:40.240
<v Speaker 1>then I was like, no, I don't think I can

0:15:40.240 --> 0:15:41.840
<v Speaker 1>try out for Star Search because I don't think I

0:15:41.840 --> 0:15:44.520
<v Speaker 1>actually thought I was good. But I worked hard at it,

0:15:44.600 --> 0:15:47.680
<v Speaker 1>and I think when there's a certain level of talent

0:15:47.720 --> 0:15:49.960
<v Speaker 1>and you work hard, it's just a good combination. So

0:15:50.200 --> 0:15:52.600
<v Speaker 1>do you water? Oh? I have one? Oh? You do? Okay?

0:15:52.640 --> 0:15:54.560
<v Speaker 1>Just making sure do I sound dry mouthy? You do not.

0:15:54.680 --> 0:15:56.920
<v Speaker 1>But when you I'm grateful that you would show me

0:15:57.000 --> 0:15:59.240
<v Speaker 1>that with your voice, because I never want to require

0:15:59.280 --> 0:16:01.120
<v Speaker 1>that because obviously you're traveling and or just you're talking

0:16:01.120 --> 0:16:02.680
<v Speaker 1>and I didn't tell you, And then I was like,

0:16:02.720 --> 0:16:04.120
<v Speaker 1>I to make sure you have water if I'm you're

0:16:04.160 --> 0:16:06.080
<v Speaker 1>singing here. Oh no, I just want to make sure

0:16:06.080 --> 0:16:08.880
<v Speaker 1>you're good. Yeah, no, no, no no, I'm fine. I love

0:16:08.960 --> 0:16:12.360
<v Speaker 1>singing any I'll take any excuse to sing. I'm not

0:16:12.960 --> 0:16:17.560
<v Speaker 1>snobby about it. Are you someone? Because as your star

0:16:17.640 --> 0:16:21.320
<v Speaker 1>has risen at least here in this town in the past,

0:16:21.560 --> 0:16:23.920
<v Speaker 1>I would say six months a year or so when people,

0:16:23.920 --> 0:16:26.320
<v Speaker 1>you know, reals are popping people knowing about you. Are

0:16:26.360 --> 0:16:28.440
<v Speaker 1>you doing different things to take care of your voice,

0:16:28.480 --> 0:16:31.160
<v Speaker 1>You're learning things or are you still kind of the

0:16:31.200 --> 0:16:33.480
<v Speaker 1>same You're just gonna do how you do it. No,

0:16:33.680 --> 0:16:36.680
<v Speaker 1>I've had to start taking care of it. So before

0:16:36.680 --> 0:16:38.880
<v Speaker 1>I moved to Nashville, when I was living in Houston,

0:16:39.680 --> 0:16:42.800
<v Speaker 1>I was singing as my job. This was my full

0:16:42.800 --> 0:16:45.720
<v Speaker 1>time job. I sang four or five hours a night,

0:16:46.120 --> 0:16:49.400
<v Speaker 1>almost four or five nights a week. Huh doing what

0:16:49.400 --> 0:16:53.000
<v Speaker 1>what are you singing? Just singing anything pop, country, jazz,

0:16:53.040 --> 0:16:59.560
<v Speaker 1>maroon five, Frank Sinatra, where just in jazz bars, steakhouses.

0:16:59.720 --> 0:17:01.600
<v Speaker 1>I'm that was my bread and butter. That's how I

0:17:01.600 --> 0:17:05.119
<v Speaker 1>put myself to college. That's how I learned how to

0:17:05.200 --> 0:17:08.120
<v Speaker 1>be a really good singer and support myself doing it.

0:17:08.119 --> 0:17:10.600
<v Speaker 1>It wasn't the most glamorous thing in the world. But

0:17:11.440 --> 0:17:13.399
<v Speaker 1>I think when I was doing that, your voice is

0:17:13.440 --> 0:17:17.040
<v Speaker 1>a muscle. So Olympic runners, I mean they can run

0:17:17.160 --> 0:17:18.960
<v Speaker 1>miles and miles and miles and they don't get tired.

0:17:19.000 --> 0:17:22.120
<v Speaker 1>But it's because they've trained their body to do that. Um,

0:17:22.359 --> 0:17:25.720
<v Speaker 1>same thing with a voice, Like, if you train yourself

0:17:25.720 --> 0:17:27.920
<v Speaker 1>to sing and protect it the whole time, you can

0:17:27.960 --> 0:17:30.119
<v Speaker 1>sing four or five hours a night. And I honestly

0:17:30.200 --> 0:17:33.760
<v Speaker 1>wasn't even getting tired. I was just stretching this muscle

0:17:34.320 --> 0:17:36.680
<v Speaker 1>as far as it could go and learning how to

0:17:36.720 --> 0:17:39.240
<v Speaker 1>protect it at the same time. So now what I

0:17:39.320 --> 0:17:43.320
<v Speaker 1>do is cold water therapy. I love the whim Hoff method. Um. Actually,

0:17:43.400 --> 0:17:46.760
<v Speaker 1>just try a sauna situation this morning where you go

0:17:46.800 --> 0:17:49.720
<v Speaker 1>into a chamber. It's kind of a nightmare for anyone

0:17:49.720 --> 0:17:52.399
<v Speaker 1>that's claustrophobic. But I tried it today and I loved it.

0:17:52.480 --> 0:17:55.199
<v Speaker 1>So is a sauna situation a sauna? I don't understand it.

0:17:55.280 --> 0:17:57.480
<v Speaker 1>I mean, I think it's a sauna. You know what

0:17:57.520 --> 0:17:59.480
<v Speaker 1>I'm talking about where you go into that chamber and

0:17:59.480 --> 0:18:02.359
<v Speaker 1>then you're kind of like covered from the chest down

0:18:02.680 --> 0:18:06.280
<v Speaker 1>and you can't is not that must be? Is it

0:18:06.359 --> 0:18:09.600
<v Speaker 1>cold or hot? It's super hot? You eve heard because

0:18:09.680 --> 0:18:11.600
<v Speaker 1>I listen. I know you made fun of me the

0:18:11.640 --> 0:18:14.400
<v Speaker 1>coffee thing. We have a sona here too, do you really? Yeah?

0:18:14.480 --> 0:18:17.800
<v Speaker 1>But it's not it's not your you must have gone

0:18:17.800 --> 0:18:21.000
<v Speaker 1>to some specialized I think it's a specialized son it's

0:18:21.359 --> 0:18:26.800
<v Speaker 1>new new technology. I don't know that. I wasn't well.

0:18:26.840 --> 0:18:29.000
<v Speaker 1>Apparently it's good for your voice. And then also I've

0:18:29.040 --> 0:18:32.080
<v Speaker 1>been drinking and eating a lot of pasta as a celebration,

0:18:32.119 --> 0:18:34.240
<v Speaker 1>and I'm gonna have to fit into this address for

0:18:34.280 --> 0:18:36.360
<v Speaker 1>the CMAS next week, and I'm like, I'll sweat out

0:18:36.400 --> 0:18:43.800
<v Speaker 1>all of this is as such as I can. Yeah,

0:18:44.920 --> 0:18:48.399
<v Speaker 1>you talk about your record, which is out um and

0:18:48.520 --> 0:18:51.479
<v Speaker 1>something that I constantly have to reevaluate is again I'll

0:18:51.520 --> 0:18:53.399
<v Speaker 1>go back to the word voice, like what do I

0:18:53.440 --> 0:18:54.560
<v Speaker 1>stand for? What do I want to say? Who do

0:18:54.640 --> 0:18:55.720
<v Speaker 1>I want to say it to? How do I want

0:18:55.720 --> 0:18:58.280
<v Speaker 1>to say it? It's what is my perspective? Right? This

0:18:58.320 --> 0:19:00.399
<v Speaker 1>is something I'm cont it mine changes too as I

0:19:00.400 --> 0:19:02.440
<v Speaker 1>get older, as I meet new people, as my mind

0:19:02.520 --> 0:19:06.600
<v Speaker 1>is open to, like what is your voice? Like? Who?

0:19:07.359 --> 0:19:09.639
<v Speaker 1>What's what is it? What? What's your perspective? What? What?

0:19:09.640 --> 0:19:11.000
<v Speaker 1>What is your deal? What do you want to do?

0:19:11.040 --> 0:19:13.080
<v Speaker 1>How do you want to do? I've never really had

0:19:13.119 --> 0:19:15.600
<v Speaker 1>anyone asked me that before, but I feel like people

0:19:15.640 --> 0:19:19.320
<v Speaker 1>just get the gist, but there's actually an answer to this,

0:19:19.359 --> 0:19:21.120
<v Speaker 1>which I'm glad you asked me this because I feel

0:19:21.119 --> 0:19:23.000
<v Speaker 1>like I could go more in depth with my answer.

0:19:23.080 --> 0:19:26.680
<v Speaker 1>But I think because of my background, I'm a true

0:19:26.680 --> 0:19:34.880
<v Speaker 1>believer in inclusivity in in every aspect, whether that be belief, systems, genders, um,

0:19:34.920 --> 0:19:37.920
<v Speaker 1>no matter where you come from, no matter what your races. UM.

0:19:37.960 --> 0:19:40.000
<v Speaker 1>I was very fortunate to grow up the way I did,

0:19:40.200 --> 0:19:41.840
<v Speaker 1>but I know a lot of people weren't, and a

0:19:41.880 --> 0:19:45.000
<v Speaker 1>lot of people see a lot of oppression and um

0:19:45.040 --> 0:19:49.199
<v Speaker 1>just polarizing anything, especially in this society and especially with

0:19:49.240 --> 0:19:54.000
<v Speaker 1>social media and technology right now. And so my message

0:19:54.040 --> 0:19:58.320
<v Speaker 1>is to push loving everyone and just showing that inclusivity

0:19:58.359 --> 0:20:01.200
<v Speaker 1>not only in my songwriting, but even in just like

0:20:01.400 --> 0:20:04.159
<v Speaker 1>I think this is a weird futuristic country record. I

0:20:04.240 --> 0:20:06.920
<v Speaker 1>you see little bits of R and B in motown

0:20:07.040 --> 0:20:09.440
<v Speaker 1>and songs like Forehead Kisses, but it still sounds like

0:20:09.440 --> 0:20:12.119
<v Speaker 1>a Brooks and Done song because there's slide guitar on

0:20:12.160 --> 0:20:14.960
<v Speaker 1>it and steal. You hear these elements of true, true

0:20:14.960 --> 0:20:16.560
<v Speaker 1>country and too much of a good thing and why

0:20:16.600 --> 0:20:20.760
<v Speaker 1>I'm calling, and you hear you know, different sounds across

0:20:20.760 --> 0:20:23.800
<v Speaker 1>the board, And I think that's even showing some inclusivity too,

0:20:23.840 --> 0:20:27.879
<v Speaker 1>because it's showing a broad spectrum of of genres and cultures.

0:20:28.000 --> 0:20:30.399
<v Speaker 1>And so I just want to show people, especially in

0:20:30.440 --> 0:20:33.400
<v Speaker 1>this day and age, that you can become a stronger

0:20:33.440 --> 0:20:36.840
<v Speaker 1>person by digging deep and going through the pain. I

0:20:36.840 --> 0:20:39.000
<v Speaker 1>think there's a lot of things to distract us right

0:20:39.000 --> 0:20:40.960
<v Speaker 1>now from doing that. I'm not even just talking like

0:20:41.040 --> 0:20:44.360
<v Speaker 1>substances and alcohol. I'm literally talking about even our phones

0:20:44.800 --> 0:20:47.520
<v Speaker 1>or shopping or just things that distract us from going

0:20:47.520 --> 0:20:49.800
<v Speaker 1>through hard things in our life. And the reason why

0:20:49.800 --> 0:20:52.440
<v Speaker 1>I've gotten to this place that I've gone through or

0:20:52.800 --> 0:20:54.760
<v Speaker 1>that I am right now, is because I've gone through

0:20:54.760 --> 0:20:56.800
<v Speaker 1>this really really really hard ship in my life and

0:20:56.840 --> 0:20:59.760
<v Speaker 1>a lot of abuse, and instead of running from it

0:20:59.840 --> 0:21:02.919
<v Speaker 1>like I used to, now I'm doing the things that

0:21:02.960 --> 0:21:05.000
<v Speaker 1>I need to do, the heart work. I'm going to therapy,

0:21:05.040 --> 0:21:07.360
<v Speaker 1>I'm making sure i'm building my community around me, making

0:21:07.400 --> 0:21:09.520
<v Speaker 1>sure I'm pouring into my family as much as I can.

0:21:10.040 --> 0:21:11.800
<v Speaker 1>And it's made me a stronger person, and I want

0:21:11.800 --> 0:21:14.280
<v Speaker 1>people to see that. So that's kind of the message

0:21:14.320 --> 0:21:16.760
<v Speaker 1>that I'm I don't know if that totally answered this question,

0:21:16.840 --> 0:21:19.560
<v Speaker 1>but it doesn't in a way. And I've already say

0:21:19.560 --> 0:21:22.359
<v Speaker 1>a few things that resonate with me where and you

0:21:22.400 --> 0:21:24.720
<v Speaker 1>can tell me if it is somewhat similar for you.

0:21:24.840 --> 0:21:27.480
<v Speaker 1>I used to be very resentful at how I grew up.

0:21:27.720 --> 0:21:29.680
<v Speaker 1>You know, my mom was an addict when she died

0:21:29.720 --> 0:21:31.200
<v Speaker 1>in her forty as my dad left when I was young,

0:21:31.240 --> 0:21:33.480
<v Speaker 1>I was welfare kids, food stamp, kid trail, the part

0:21:33.520 --> 0:21:36.359
<v Speaker 1>kid whatever, all these things, and I used to hate it.

0:21:36.400 --> 0:21:37.960
<v Speaker 1>I used to be so ashamed of it, and I

0:21:38.040 --> 0:21:40.760
<v Speaker 1>used to be someone who resented it. And I never

0:21:40.800 --> 0:21:42.679
<v Speaker 1>had a dad, and all these things happened to me,

0:21:43.080 --> 0:21:46.040
<v Speaker 1>and I was just angry and sad. However, I got

0:21:46.119 --> 0:21:50.120
<v Speaker 1>to a point where I started to appreciate it because

0:21:50.440 --> 0:21:54.520
<v Speaker 1>I'm glad all of that happened now because one talk

0:21:54.560 --> 0:21:57.439
<v Speaker 1>about developing a muscle, and to the tool that I

0:21:57.480 --> 0:22:00.360
<v Speaker 1>have that I use the most as empathy, and I'm

0:22:00.400 --> 0:22:02.919
<v Speaker 1>so fortunate to have that, and I wouldn't have gotten

0:22:03.040 --> 0:22:06.320
<v Speaker 1>in any other way, Like you can't. That doesn't happen

0:22:06.359 --> 0:22:08.760
<v Speaker 1>unless you go through all of that. And so now

0:22:08.920 --> 0:22:14.040
<v Speaker 1>there's I do see that. I was fortunate to have

0:22:14.119 --> 0:22:17.320
<v Speaker 1>that happen and get through it and be able to go, Okay,

0:22:17.359 --> 0:22:18.680
<v Speaker 1>I see it, and I only trying to make sure

0:22:18.680 --> 0:22:21.720
<v Speaker 1>that doesn't happen and with other people if I can

0:22:22.040 --> 0:22:25.320
<v Speaker 1>end the next generation. I mean, like we carry the

0:22:25.400 --> 0:22:27.879
<v Speaker 1>things that our parents do into our life, and you

0:22:28.000 --> 0:22:31.119
<v Speaker 1>have a choice to break those generational curses and to

0:22:31.200 --> 0:22:34.679
<v Speaker 1>break those barriers, you know, like my kids are not

0:22:34.720 --> 0:22:36.640
<v Speaker 1>going to deal with my kids, whether I have them

0:22:36.640 --> 0:22:39.800
<v Speaker 1>biologically or adopt or whatever. That looks like it starts

0:22:39.800 --> 0:22:41.560
<v Speaker 1>with me. It starts and it ends with me, and

0:22:41.720 --> 0:22:43.399
<v Speaker 1>that's I'm not carrying that over. And it sounds like

0:22:43.440 --> 0:22:46.160
<v Speaker 1>that's kind of the philosophy you have in your life too. Yeah,

0:22:46.240 --> 0:22:48.800
<v Speaker 1>I think so, I mean, I know. So it's when

0:22:48.840 --> 0:22:50.960
<v Speaker 1>it comes to my life. Obviously, I look at me different.

0:22:51.000 --> 0:22:52.160
<v Speaker 1>I look at you know what, I'm like, Hey, that's awesome.

0:22:52.240 --> 0:22:53.879
<v Speaker 1>Look at you should be so proud and you look

0:22:53.880 --> 0:22:56.960
<v Speaker 1>at your stuff like you know, but I now am

0:22:57.040 --> 0:22:58.800
<v Speaker 1>proud of it. And as you talk about, did you

0:22:58.840 --> 0:23:01.760
<v Speaker 1>have a stage where you're like, you know what sucks

0:23:01.760 --> 0:23:04.159
<v Speaker 1>for me? It's difficult right now? And did you ever

0:23:04.240 --> 0:23:06.240
<v Speaker 1>hit a point where you you're now you where you

0:23:06.280 --> 0:23:08.439
<v Speaker 1>look back and go, oh, I've learned from all this.

0:23:08.440 --> 0:23:10.480
<v Speaker 1>This is the greatest teaching set ever. Was it always

0:23:10.480 --> 0:23:14.960
<v Speaker 1>as positive with you? Definitely? Not? Um, I mean this

0:23:15.040 --> 0:23:17.320
<v Speaker 1>is kind of I would say, even a more recent

0:23:18.000 --> 0:23:21.800
<v Speaker 1>uh attitude that I walk around with. I would say,

0:23:21.800 --> 0:23:23.960
<v Speaker 1>over the last maybe three or four years, it's been

0:23:24.000 --> 0:23:27.159
<v Speaker 1>like this. It's when I really started digging into you know,

0:23:27.680 --> 0:23:30.400
<v Speaker 1>therapy and and trying to figure out how I need

0:23:30.400 --> 0:23:33.240
<v Speaker 1>to take my past traumas and learn how to live

0:23:33.280 --> 0:23:40.040
<v Speaker 1>with them. Um. I'm trying to think of when I

0:23:40.080 --> 0:23:42.520
<v Speaker 1>didn't think that way? Was there anything specific to happen

0:23:42.600 --> 0:23:45.040
<v Speaker 1>that kind of flipped your mind? Therapy was a big

0:23:45.080 --> 0:23:46.560
<v Speaker 1>part for me too. I I didn't know what therapy

0:23:46.640 --> 0:23:49.080
<v Speaker 1>was growing up, and then I started to go only

0:23:49.080 --> 0:23:52.280
<v Speaker 1>because they offered it as part of like insurance, and

0:23:52.280 --> 0:23:53.760
<v Speaker 1>I was like, what is therapy? We didn't we have

0:23:53.800 --> 0:23:56.199
<v Speaker 1>therapy where I came from just worried about eating, you know,

0:23:56.960 --> 0:23:58.080
<v Speaker 1>And so I was like, I got to therapy, what

0:23:58.440 --> 0:24:00.800
<v Speaker 1>is this? And I went and it it comes plately,

0:24:01.240 --> 0:24:09.080
<v Speaker 1>I would say, revolutionize my approach to perspective. And I

0:24:09.160 --> 0:24:11.359
<v Speaker 1>understand it's a silly concept, Like if I try to

0:24:11.400 --> 0:24:14.800
<v Speaker 1>explain it to people that also are not familiar with therapy,

0:24:15.280 --> 0:24:17.879
<v Speaker 1>you know it. It's it's not just going into a

0:24:17.960 --> 0:24:19.920
<v Speaker 1>room and being like blah blah blah blah blah, here's

0:24:19.920 --> 0:24:21.800
<v Speaker 1>my problems, and they're like, cool, here's the check, have

0:24:21.880 --> 0:24:24.520
<v Speaker 1>a good day. I don't know. I feel like there

0:24:24.600 --> 0:24:27.640
<v Speaker 1>was a time in my life, um probably leading up

0:24:27.680 --> 0:24:30.479
<v Speaker 1>to when I started digging in that I was just

0:24:30.920 --> 0:24:34.480
<v Speaker 1>noticing a lot of patterns of falling back into past demons.

0:24:34.640 --> 0:24:38.120
<v Speaker 1>And I feel like I have a very addictive personality.

0:24:38.200 --> 0:24:40.320
<v Speaker 1>I've seen that kind of be a string in my life,

0:24:40.480 --> 0:24:44.399
<v Speaker 1>and that's something that I've seen, you know, past generations

0:24:44.400 --> 0:24:47.320
<v Speaker 1>in my family deal with. And I really feel like

0:24:47.359 --> 0:24:50.639
<v Speaker 1>it must have been not even a crazy rock bottom.

0:24:50.680 --> 0:24:52.919
<v Speaker 1>I think it's just when I started seeing it hurting

0:24:52.920 --> 0:24:56.119
<v Speaker 1>the people around me, like my family and um, people

0:24:56.160 --> 0:24:59.080
<v Speaker 1>that really cared about me and wanted to see me

0:24:59.119 --> 0:25:02.360
<v Speaker 1>out of this. And don't get me wrong, I mean

0:25:02.560 --> 0:25:04.639
<v Speaker 1>there's been a lot of things. I also come from

0:25:04.680 --> 0:25:07.960
<v Speaker 1>a fatherless home. He was pretty abusive in our life,

0:25:08.000 --> 0:25:10.680
<v Speaker 1>and um, you know, it was tough to deal with.

0:25:10.800 --> 0:25:13.160
<v Speaker 1>But and I'm the oldest of five, so I kind

0:25:13.200 --> 0:25:16.720
<v Speaker 1>of took over as like this weird mom role to

0:25:16.840 --> 0:25:19.439
<v Speaker 1>my siblings along with my mom, and me and my

0:25:19.480 --> 0:25:21.919
<v Speaker 1>mom are survivors. You know, we've we've dealt with a

0:25:21.920 --> 0:25:24.919
<v Speaker 1>lot of ship. But I think it's kind of just

0:25:25.359 --> 0:25:28.960
<v Speaker 1>an annoying pattern of me seeing that and using my

0:25:29.160 --> 0:25:32.520
<v Speaker 1>trauma or my abuse as an excuse to be like, actually,

0:25:32.560 --> 0:25:34.720
<v Speaker 1>I want to drop five thousand dollars even though I

0:25:34.720 --> 0:25:37.280
<v Speaker 1>know I don't have the funds to do this, or

0:25:37.320 --> 0:25:39.320
<v Speaker 1>I should be saving for something like a house or

0:25:39.440 --> 0:25:43.000
<v Speaker 1>college or whatever. Or seeing myself like going to weed,

0:25:43.119 --> 0:25:46.560
<v Speaker 1>or seeing myself going to alcohol or whatever, and deciding

0:25:46.680 --> 0:25:49.240
<v Speaker 1>I want to find a way to manipulate these patterns

0:25:49.240 --> 0:25:50.879
<v Speaker 1>to where I don't have to fall back into this

0:25:50.920 --> 0:25:54.200
<v Speaker 1>because I'm seeing myself in my father's shadow right now,

0:25:54.240 --> 0:25:56.399
<v Speaker 1>I think that's probably more so what it was is

0:25:56.440 --> 0:26:01.000
<v Speaker 1>seeing myself and my dad and not wanting to be him. Yeah,

0:26:01.040 --> 0:26:03.600
<v Speaker 1>that's what scares me because I don't I got married

0:26:03.840 --> 0:26:05.320
<v Speaker 1>a year and a half or so ago for the

0:26:05.359 --> 0:26:11.080
<v Speaker 1>first time and we don't have kids yet. But it

0:26:11.119 --> 0:26:13.240
<v Speaker 1>scares me to death because I saw I didn't see

0:26:13.240 --> 0:26:15.679
<v Speaker 1>my dad, but I saw what happened there, and I'm like,

0:26:15.680 --> 0:26:18.159
<v Speaker 1>what if I'm not like and I go to I

0:26:18.200 --> 0:26:20.760
<v Speaker 1>have a lot a lot of therapy, and it's like,

0:26:20.760 --> 0:26:22.320
<v Speaker 1>I don't have to be that. I'm I've broken the

0:26:22.359 --> 0:26:26.239
<v Speaker 1>cycle and every other way. Why do I Why do

0:26:26.320 --> 0:26:28.560
<v Speaker 1>I just attach myself to that one? Like what if

0:26:28.600 --> 0:26:30.800
<v Speaker 1>I have a kid? I'm like, hey, I'm out, and

0:26:30.800 --> 0:26:35.080
<v Speaker 1>I don't think that, but he did that so well.

0:26:35.119 --> 0:26:36.720
<v Speaker 1>The funny thing is like, you know you're not going

0:26:36.800 --> 0:26:39.239
<v Speaker 1>to be like that too, Like deep down, yes, my

0:26:39.280 --> 0:26:43.600
<v Speaker 1>brain says, look at the data. For sure, you will

0:26:43.640 --> 0:26:45.800
<v Speaker 1>not be like that because of every other way that

0:26:45.840 --> 0:26:48.320
<v Speaker 1>you've changed your life. However, there's just something in trance,

0:26:48.400 --> 0:26:49.760
<v Speaker 1>in my in my heart and my gun. That's all.

0:26:50.080 --> 0:26:51.960
<v Speaker 1>This is just I'm just scared and it kind of

0:26:52.000 --> 0:26:55.400
<v Speaker 1>overrides all the all the systems. Yeah, no, I feel that.

0:26:55.480 --> 0:26:59.240
<v Speaker 1>Thank you for sharing that too. That's very vulnerable. You know,

0:26:59.280 --> 0:27:02.639
<v Speaker 1>I live a life of vulnerability. That is what I do. Uh,

0:27:02.760 --> 0:27:06.480
<v Speaker 1>your family musical growing up? Yes, I um, all of

0:27:06.520 --> 0:27:09.040
<v Speaker 1>my siblings are musical. So the brother right under me,

0:27:09.160 --> 0:27:11.880
<v Speaker 1>his name is Mica Edwards and he's still based in Houston,

0:27:12.560 --> 0:27:16.359
<v Speaker 1>and he has coined himself the title Mr. Texas Soul

0:27:16.880 --> 0:27:19.640
<v Speaker 1>and so he'll go around. You know. He's very much

0:27:19.680 --> 0:27:22.600
<v Speaker 1>like a cross between Leon Bridges and Charlie Crockett. Has

0:27:22.640 --> 0:27:25.639
<v Speaker 1>an incredible band with steel guitar and a horn section.

0:27:25.760 --> 0:27:27.840
<v Speaker 1>He actually just opened for the War and Treaty last

0:27:27.840 --> 0:27:30.679
<v Speaker 1>week in Houston, and um, he definitely follows in that

0:27:30.800 --> 0:27:34.679
<v Speaker 1>lane of the Gary Clark Jr. Abraham Alexander world. And

0:27:34.800 --> 0:27:37.720
<v Speaker 1>he's incredible. And um, my middle brother is out in

0:27:37.840 --> 0:27:40.760
<v Speaker 1>l A pursuing acting in music as well, so creative

0:27:41.720 --> 0:27:45.560
<v Speaker 1>like arts filled family. Yeah, I bet that's awesome sometimes

0:27:45.600 --> 0:27:48.840
<v Speaker 1>and also yeah really ann yeah, yeah, I mean I

0:27:48.880 --> 0:27:50.880
<v Speaker 1>can see where you can relate. But also it's kind

0:27:50.880 --> 0:27:55.119
<v Speaker 1>of it's the double edged sword. So do you guys

0:27:55.119 --> 0:27:59.119
<v Speaker 1>ever just get together? Go? Nobody talks about music or art. No,

0:27:59.359 --> 0:28:02.800
<v Speaker 1>we love it, We bond over it. It's something that

0:28:02.840 --> 0:28:05.040
<v Speaker 1>when we're together, it's kind of like a language of ours,

0:28:05.080 --> 0:28:07.359
<v Speaker 1>like did you hear this? Tim and Paula record No,

0:28:07.560 --> 0:28:09.240
<v Speaker 1>let me okay, da da da da, and then we'll

0:28:09.280 --> 0:28:11.600
<v Speaker 1>just put it on and we'll analyze the music together

0:28:11.640 --> 0:28:14.320
<v Speaker 1>in the room. It's kind of weird actually, now that

0:28:14.359 --> 0:28:16.760
<v Speaker 1>I'm saying that out loud, But so all you three

0:28:16.760 --> 0:28:18.920
<v Speaker 1>are very musical. But your mom did she have music

0:28:18.920 --> 0:28:23.760
<v Speaker 1>in the house. Yes, we were exposed to classical music,

0:28:24.119 --> 0:28:28.640
<v Speaker 1>early jazz, like the people I was saying before um seventies,

0:28:28.720 --> 0:28:32.560
<v Speaker 1>music like the Beatles and Bread and the b Gs

0:28:33.320 --> 0:28:36.119
<v Speaker 1>and not very modern stuff. My mom didn't really like

0:28:36.200 --> 0:28:39.120
<v Speaker 1>modern music, and so I actually didn't even know about

0:28:39.200 --> 0:28:43.040
<v Speaker 1>artists like Britney Spears or Christina Aguilar until I was

0:28:43.280 --> 0:28:46.920
<v Speaker 1>in middle school, which is wild. I felt sheltered. Get

0:28:46.920 --> 0:28:48.800
<v Speaker 1>to a radio yourself somehow, that's how Is that how

0:28:48.800 --> 0:28:51.080
<v Speaker 1>you found it? Like somebody else having a radio? Oh yeah,

0:28:51.080 --> 0:28:52.400
<v Speaker 1>I think I like just rode with one of my

0:28:52.440 --> 0:28:54.200
<v Speaker 1>friends in the car one day and I'm like, what

0:28:54.440 --> 0:28:56.400
<v Speaker 1>is this and they're like, oh, this is Britney Spears,

0:28:56.600 --> 0:29:01.640
<v Speaker 1>Like this doesn't sound very jazzy. What what's the difference

0:29:01.760 --> 0:29:04.880
<v Speaker 1>now because I know or November now, last month you

0:29:04.880 --> 0:29:07.200
<v Speaker 1>get signed at Warner was the last month, So what's

0:29:07.200 --> 0:29:10.400
<v Speaker 1>the what what has happened since then? Because you obviously

0:29:10.400 --> 0:29:13.760
<v Speaker 1>get signed, but then like what what happens every day?

0:29:13.800 --> 0:29:17.040
<v Speaker 1>That's different. I mean, this whole year has been moving fast,

0:29:17.040 --> 0:29:18.960
<v Speaker 1>so it's it's just kind of a lot of the

0:29:19.040 --> 0:29:22.600
<v Speaker 1>same stuff. However, it's really cool because this music video

0:29:22.640 --> 0:29:25.640
<v Speaker 1>that we're putting out tomorrow, gosh, it's already out. You

0:29:25.680 --> 0:29:28.800
<v Speaker 1>can find it right now. I need to keep saying

0:29:28.800 --> 0:29:32.360
<v Speaker 1>that the music video that's out right now, Mama Dolly Jesus.

0:29:33.040 --> 0:29:36.640
<v Speaker 1>I mean, it looks expensive and it's incredible because I've

0:29:36.680 --> 0:29:39.880
<v Speaker 1>I've never made work like this before, and it's kind

0:29:39.880 --> 0:29:43.680
<v Speaker 1>of cool just having that associated with my music and

0:29:43.920 --> 0:29:47.120
<v Speaker 1>my image now because that's always the level I've wanted

0:29:47.160 --> 0:29:48.960
<v Speaker 1>to be at and that's something that I've been chasing

0:29:49.040 --> 0:29:51.480
<v Speaker 1>my whole life, and to see it in this capacity

0:29:51.560 --> 0:29:54.040
<v Speaker 1>now is a lot different. So life is kind of

0:29:54.040 --> 0:30:00.320
<v Speaker 1>stayed the same in terms of dizziness, but everything is elevated. Yeah,

0:30:04.600 --> 0:30:08.400
<v Speaker 1>now you have people with more influence working to hopefully

0:30:08.400 --> 0:30:10.640
<v Speaker 1>put you into place to succeed. Yeah, that's pretty cool.

0:30:10.760 --> 0:30:12.120
<v Speaker 1>That means. You know why I mean and why it's

0:30:12.160 --> 0:30:14.400
<v Speaker 1>cool is they only have so much time and so

0:30:14.440 --> 0:30:16.920
<v Speaker 1>much money, and in the fact they're spending both on

0:30:17.080 --> 0:30:21.840
<v Speaker 1>you means that there's a belief in you. I mean,

0:30:21.840 --> 0:30:24.640
<v Speaker 1>that's what it is. I mean, they have limited time,

0:30:24.680 --> 0:30:26.400
<v Speaker 1>limited money. They're gonna only pick the limited amount of

0:30:26.440 --> 0:30:28.840
<v Speaker 1>people to spend both on, and they have not chosen

0:30:28.880 --> 0:30:30.960
<v Speaker 1>you to spend some time and money on. Yeah. Pressure,

0:30:31.440 --> 0:30:34.080
<v Speaker 1>yeah right, but still you give me all the pressure

0:30:34.360 --> 0:30:37.080
<v Speaker 1>because I've earned the pressure and I've been working hard

0:30:37.120 --> 0:30:39.280
<v Speaker 1>to feel the pressure. And that's some pressure, then feel good.

0:30:39.280 --> 0:30:41.080
<v Speaker 1>But I'd rather have pressure than no pressure, because no

0:30:41.080 --> 0:30:46.400
<v Speaker 1>pressure means nobody, nobody cares. No, that's yeah, I mean

0:30:46.560 --> 0:30:49.320
<v Speaker 1>that that's people. You know. Ask me about being nervous

0:30:49.320 --> 0:30:51.160
<v Speaker 1>a lot when I was working on American Idol. It

0:30:51.240 --> 0:30:52.280
<v Speaker 1>was really one of the things I worked with the

0:30:52.680 --> 0:30:54.440
<v Speaker 1>contestants on most or like how how do you not

0:30:54.480 --> 0:30:58.040
<v Speaker 1>be nervous? And it's just been a common theme of man,

0:30:58.080 --> 0:31:01.080
<v Speaker 1>you should be happy you're nervous. Imagine you're never nervous.

0:31:01.240 --> 0:31:02.440
<v Speaker 1>That means not that matters. I mean, d you get

0:31:02.520 --> 0:31:05.280
<v Speaker 1>a shot at anything? Like you you only have so

0:31:05.360 --> 0:31:06.800
<v Speaker 1>many times in your life that you get to be

0:31:07.320 --> 0:31:10.920
<v Speaker 1>positively nervous, for sure, because most offs were nervous. It's

0:31:10.960 --> 0:31:13.479
<v Speaker 1>like somebody's sick, somebody's But think about you get to go,

0:31:13.560 --> 0:31:15.200
<v Speaker 1>you have a shot, you get to feel you get

0:31:15.240 --> 0:31:17.360
<v Speaker 1>to feel nervous. Here's your gift with a bow on it.

0:31:17.560 --> 0:31:20.880
<v Speaker 1>Nerves congratulations. Now here's what you do with it, Like

0:31:20.920 --> 0:31:22.920
<v Speaker 1>it's one of the greatest gifts. Same thing as pressure. Yeah,

0:31:22.960 --> 0:31:25.000
<v Speaker 1>it's one of the greatest gifts. It's a weird gift

0:31:25.040 --> 0:31:30.040
<v Speaker 1>because then feel good. But I I appreciate you saying that.

0:31:30.880 --> 0:31:33.280
<v Speaker 1>I had an interesting conversation with someone a couple of

0:31:33.320 --> 0:31:36.720
<v Speaker 1>days ago that was very similar to that philosophy. Her

0:31:36.800 --> 0:31:39.560
<v Speaker 1>name's Monica Earnshaw, and she was actually my boxing coach

0:31:39.600 --> 0:31:42.680
<v Speaker 1>in Houston, and I saw her in Houston a few

0:31:42.720 --> 0:31:44.920
<v Speaker 1>days ago and she told me, you know, what are

0:31:44.920 --> 0:31:48.320
<v Speaker 1>you feeling with all this happening so quickly? And I

0:31:48.400 --> 0:31:50.800
<v Speaker 1>told her, you know, some days it feels really amazing,

0:31:50.800 --> 0:31:52.480
<v Speaker 1>and then some days it's happening so fast that I

0:31:52.520 --> 0:31:54.560
<v Speaker 1>don't feel like I'm adjusting well. Like I feel like

0:31:54.560 --> 0:31:56.400
<v Speaker 1>a lot of things are falling through the cracks. I'm

0:31:56.640 --> 0:31:59.000
<v Speaker 1>forgetting to respond to some people because there's just so

0:31:59.040 --> 0:32:01.520
<v Speaker 1>many people to spawned too or whatever. I feel like

0:32:01.560 --> 0:32:04.880
<v Speaker 1>I'm failing at it. And all she said to me was,

0:32:05.520 --> 0:32:08.400
<v Speaker 1>you've been given a gift and your only job now

0:32:08.480 --> 0:32:11.040
<v Speaker 1>is to just honor it, and that's it. And I

0:32:11.200 --> 0:32:13.520
<v Speaker 1>it was the most simple advice. And now I feel

0:32:13.520 --> 0:32:15.760
<v Speaker 1>like I'm just going to carry that and this into

0:32:15.840 --> 0:32:19.080
<v Speaker 1>the rest of whatever happens from here on out, because

0:32:19.600 --> 0:32:22.320
<v Speaker 1>it's just that simple. You just honor the gift. I

0:32:22.320 --> 0:32:24.720
<v Speaker 1>would get really tired and I would go and be

0:32:24.760 --> 0:32:26.720
<v Speaker 1>flying all over and just shoot a show here we

0:32:26.720 --> 0:32:28.240
<v Speaker 1>was shot a show in another country of doing the

0:32:28.320 --> 0:32:30.680
<v Speaker 1>radio show every day, and I'll be so tired, and

0:32:30.800 --> 0:32:32.800
<v Speaker 1>I would have to remind myself how lucky it might

0:32:32.800 --> 0:32:35.160
<v Speaker 1>have be this exhausted doing what I want to do.

0:32:35.920 --> 0:32:38.760
<v Speaker 1>Like my you know, my my mom got married again

0:32:38.840 --> 0:32:40.200
<v Speaker 1>later in life, and she was married for a few

0:32:40.240 --> 0:32:42.600
<v Speaker 1>years to my stepdad for a few years before she

0:32:42.680 --> 0:32:45.600
<v Speaker 1>passed away, and he worked at a sawmill. He was tired.

0:32:46.080 --> 0:32:48.760
<v Speaker 1>But there's a difference. I'm tired, you're tired. We get

0:32:48.760 --> 0:32:51.360
<v Speaker 1>to do we get we're tired at like going after

0:32:51.440 --> 0:32:54.320
<v Speaker 1>the thing we've always wanted to go after, and that is,

0:32:55.320 --> 0:32:56.920
<v Speaker 1>and after I have to remind myself that I'm not

0:32:56.960 --> 0:32:58.720
<v Speaker 1>reminding you. Sometimes I'm talking myself into this and go,

0:32:58.800 --> 0:33:01.720
<v Speaker 1>you're really freaking lucky to be tired, Like stop complaining.

0:33:01.920 --> 0:33:03.000
<v Speaker 1>And then I'm like, why are you talking to yourself

0:33:03.040 --> 0:33:04.240
<v Speaker 1>in the mirror? You can just think these thoughts and

0:33:04.240 --> 0:33:05.480
<v Speaker 1>it's a whole thing where then I make fun of

0:33:05.520 --> 0:33:07.880
<v Speaker 1>myself out loud, and you know, we have yeah, and

0:33:07.880 --> 0:33:10.600
<v Speaker 1>then we take a bath. It's all um, So I

0:33:10.640 --> 0:33:14.320
<v Speaker 1>do want to play Mama Dolly Jesus. Now that being said, legally,

0:33:14.760 --> 0:33:16.480
<v Speaker 1>if we play more than five seconds, we get sued,

0:33:16.960 --> 0:33:19.080
<v Speaker 1>not by you really, Yeah, but they have all these

0:33:19.160 --> 0:33:21.080
<v Speaker 1>rules now on podcasts and music. And we used to

0:33:21.080 --> 0:33:23.360
<v Speaker 1>be considered an editorial podcast, but now any podcast you

0:33:23.360 --> 0:33:25.400
<v Speaker 1>play for five seconds, you go to jail apparently. So

0:33:25.680 --> 0:33:29.200
<v Speaker 1>we're gonna we're gonna do two five second clips. We'll

0:33:29.200 --> 0:33:30.680
<v Speaker 1>talk for a second and go back into it. Can

0:33:30.720 --> 0:33:33.200
<v Speaker 1>we do that, Mike? Yeah? All right, Here is Mama

0:33:33.280 --> 0:33:41.320
<v Speaker 1>Dolly Jesus. You ain't dollars Jesus. All right, So we'll

0:33:41.360 --> 0:33:43.560
<v Speaker 1>talk for us just a second here and just talk

0:33:43.600 --> 0:33:45.280
<v Speaker 1>about Look at that there's a tree outside the window,

0:33:45.280 --> 0:33:54.280
<v Speaker 1>all right, Mike, give me a little bit more. Jesus,

0:33:54.320 --> 0:33:56.200
<v Speaker 1>what's the video? What is it? Yeah, like what you

0:33:56.240 --> 0:33:57.600
<v Speaker 1>said it was that they spend a bunch of money on.

0:33:57.600 --> 0:33:59.200
<v Speaker 1>It looks cool at your vision, Like, what is it?

0:33:59.240 --> 0:34:02.720
<v Speaker 1>What's man? It's so cool. It's one I've never seen

0:34:02.920 --> 0:34:05.400
<v Speaker 1>a video like this, especially in the country music space,

0:34:06.040 --> 0:34:07.760
<v Speaker 1>and now that it's out, I can talk about it.

0:34:07.840 --> 0:34:11.680
<v Speaker 1>But it's basically this concept that me and my girlfriends

0:34:12.200 --> 0:34:14.719
<v Speaker 1>we're super confident in who we are. We board this

0:34:14.800 --> 0:34:17.799
<v Speaker 1>train with a bunch of tired, angry people that are

0:34:18.360 --> 0:34:21.440
<v Speaker 1>that don't love themselves well, but they see us and

0:34:21.480 --> 0:34:24.560
<v Speaker 1>they see us in all this confidence and it's infectious

0:34:24.600 --> 0:34:27.440
<v Speaker 1>and it takes over the entire train. And at the

0:34:27.560 --> 0:34:30.800
<v Speaker 1>end of the video, you know, we get this amazing surprise.

0:34:30.840 --> 0:34:33.000
<v Speaker 1>We have a drag dolly in the in the video,

0:34:33.160 --> 0:34:36.560
<v Speaker 1>and it's incredible because I'm talking about Jesus and also

0:34:36.600 --> 0:34:38.640
<v Speaker 1>having a drag dolly in the video at the same time,

0:34:38.680 --> 0:34:41.160
<v Speaker 1>which I mean that could piss people off. I don't

0:34:41.160 --> 0:34:44.000
<v Speaker 1>really care if it does, but honestly, it's just promoting

0:34:44.040 --> 0:34:46.840
<v Speaker 1>more of the inclusivity. But also it's just this really

0:34:46.880 --> 0:34:48.799
<v Speaker 1>it's this really fun video. I don't. I think it's

0:34:48.840 --> 0:34:51.600
<v Speaker 1>totally positive and it's not meant to be divisive or

0:34:51.600 --> 0:34:54.719
<v Speaker 1>controversial at all. I feel like it's really fun and

0:34:54.760 --> 0:34:58.120
<v Speaker 1>positive and really trying to get people to feel confident

0:34:58.239 --> 0:35:00.920
<v Speaker 1>and love themselves well and so then they'll be able

0:35:01.000 --> 0:35:04.680
<v Speaker 1>to love other people well as as Wow, well as well.

0:35:06.560 --> 0:35:09.440
<v Speaker 1>How is the operation? When I saw, because I you know,

0:35:09.440 --> 0:35:11.399
<v Speaker 1>I spent a lot of time at the opera your

0:35:11.440 --> 0:35:13.640
<v Speaker 1>debut a couple of months ago. Yeah, I saw it

0:35:13.680 --> 0:35:15.399
<v Speaker 1>pop up on the Instagram. I wasn't there that night,

0:35:15.440 --> 0:35:18.600
<v Speaker 1>but it's pretty cool. Huh. Yeah. It was nerve wracking.

0:35:19.239 --> 0:35:22.360
<v Speaker 1>There's cameras in your face all day, they're always you know.

0:35:22.480 --> 0:35:25.040
<v Speaker 1>That makes makes me a little more nervous. But it

0:35:25.120 --> 0:35:27.040
<v Speaker 1>was really cool. My mom got to be there and

0:35:27.080 --> 0:35:29.799
<v Speaker 1>I sang why I'm calling, which is about her, and

0:35:29.880 --> 0:35:32.839
<v Speaker 1>she lives in California now doing she's actually a child

0:35:32.920 --> 0:35:36.319
<v Speaker 1>psychologist as well. But um, I just missed her. I'm

0:35:36.360 --> 0:35:38.640
<v Speaker 1>I'm doing a lot of big things in my career

0:35:38.719 --> 0:35:40.719
<v Speaker 1>that honestly I wouldn't be able to do if she

0:35:40.800 --> 0:35:43.640
<v Speaker 1>didn't raise me and protect me the way she did.

0:35:44.239 --> 0:35:47.080
<v Speaker 1>And so it's kind of sad her missing out on

0:35:47.120 --> 0:35:49.560
<v Speaker 1>all these really big life events just because we're so

0:35:49.640 --> 0:35:52.399
<v Speaker 1>far away, and you know, she's working in California right now,

0:35:52.480 --> 0:35:54.840
<v Speaker 1>but um, she got to be there and that was

0:35:54.880 --> 0:35:57.759
<v Speaker 1>really special for me. And I was probably crying from

0:35:57.800 --> 0:36:00.000
<v Speaker 1>you know, the minute I woke up to the minute

0:36:00.040 --> 0:36:02.040
<v Speaker 1>I want to sleep, just because I was so grateful.

0:36:02.480 --> 0:36:06.839
<v Speaker 1>That's cool. Was she crying obviously? Yeah? Do you see

0:36:06.880 --> 0:36:10.080
<v Speaker 1>you and her? I do. I see more of myself

0:36:10.160 --> 0:36:12.840
<v Speaker 1>and my mom than and my dad. For sure. She's

0:36:12.880 --> 0:36:16.920
<v Speaker 1>a really giving, loving person, and I think she actually

0:36:16.960 --> 0:36:19.600
<v Speaker 1>believes the best and a lot of people and builds

0:36:19.640 --> 0:36:21.799
<v Speaker 1>them up well. And I've always wanted to be like that.

0:36:21.880 --> 0:36:23.680
<v Speaker 1>I think I'm starting to see myself be like that

0:36:23.800 --> 0:36:29.160
<v Speaker 1>more so. You are you feel like you're maturing? Do

0:36:29.160 --> 0:36:31.360
<v Speaker 1>you feel like I mean, I'm old as crap. I

0:36:31.480 --> 0:36:34.360
<v Speaker 1>better be maturing by now. Yeah, but there are plays

0:36:34.400 --> 0:36:37.000
<v Speaker 1>I'm eight years old in some ways still. Yeah. You know,

0:36:37.160 --> 0:36:39.920
<v Speaker 1>I don't think age and maturation. I don't think they

0:36:39.920 --> 0:36:42.080
<v Speaker 1>always go hand in hand. That's true. There are some

0:36:42.120 --> 0:36:44.640
<v Speaker 1>parts of my life where again I'm nine, and my

0:36:44.680 --> 0:36:47.359
<v Speaker 1>wife and in serious and joking, she's like, look, you've

0:36:47.880 --> 0:36:49.720
<v Speaker 1>there are certain parts of your life where you froze

0:36:50.000 --> 0:36:53.480
<v Speaker 1>certain parts of your um you know, psychological lives and

0:36:53.520 --> 0:36:56.239
<v Speaker 1>parts of my emotional There's there are some trauma there

0:36:56.280 --> 0:36:57.879
<v Speaker 1>that just said, all right, we're gonna put a stop

0:36:57.880 --> 0:37:00.400
<v Speaker 1>sign here and we're just gonna stop into you have

0:37:00.480 --> 0:37:04.319
<v Speaker 1>to uncomfortably go through the top sign. Yeah, I get that,

0:37:04.560 --> 0:37:06.520
<v Speaker 1>and I'm Peter Pan and Peter Pan in a lot

0:37:06.560 --> 0:37:09.359
<v Speaker 1>of ways. I mean, I'm still a kid in some

0:37:09.400 --> 0:37:12.240
<v Speaker 1>ways like that. That's why I'm in therapy. But yes,

0:37:12.719 --> 0:37:14.799
<v Speaker 1>I feel like I'm a cheering a little bit. Did

0:37:14.800 --> 0:37:17.320
<v Speaker 1>you always know what you wanted to do? Yes? Because

0:37:17.680 --> 0:37:19.120
<v Speaker 1>I always knew, and it was it was weird to

0:37:19.160 --> 0:37:21.240
<v Speaker 1>me the people didn't. And your let's say you're seven,

0:37:21.760 --> 0:37:24.320
<v Speaker 1>what do you want to do when you were seven? Music?

0:37:25.080 --> 0:37:26.680
<v Speaker 1>Did you want to do this when you were ever?

0:37:26.920 --> 0:37:28.720
<v Speaker 1>There are three things I wanted to do. I wanted

0:37:28.760 --> 0:37:30.800
<v Speaker 1>to be on the radio, on TV, and be a

0:37:30.800 --> 0:37:33.200
<v Speaker 1>stand up comedian, and I do all three. But I've

0:37:33.280 --> 0:37:36.040
<v Speaker 1>always the create. I just would look at people be like,

0:37:36.120 --> 0:37:37.799
<v Speaker 1>what do you mean you don't know what you want

0:37:37.840 --> 0:37:40.400
<v Speaker 1>to do? I just didn't understand the concept of not

0:37:40.560 --> 0:37:44.400
<v Speaker 1>I knew immediately, but you too. Isn't it crazy that

0:37:44.440 --> 0:37:47.160
<v Speaker 1>we actually get to do it, though, there's like maybe

0:37:47.280 --> 0:37:49.440
<v Speaker 1>two percent of people that actually get to say that

0:37:49.480 --> 0:37:54.439
<v Speaker 1>they and entertainment specifically, because your odds are even small.

0:37:54.719 --> 0:37:56.960
<v Speaker 1>You think your odds are small in the real world,

0:37:56.960 --> 0:37:59.440
<v Speaker 1>they're even smaller in the world of entertainment. So the

0:37:59.440 --> 0:38:02.279
<v Speaker 1>fact that we're getting to do this is wild. When

0:38:02.280 --> 0:38:05.200
<v Speaker 1>you wanted to do music, let's say you're seventeen, different

0:38:05.200 --> 0:38:07.279
<v Speaker 1>stage alive, you still want to do music, But what

0:38:07.400 --> 0:38:09.279
<v Speaker 1>what did that mean to you as a teenager when

0:38:09.320 --> 0:38:12.920
<v Speaker 1>you wanted to do music. I had to kind of

0:38:12.920 --> 0:38:16.759
<v Speaker 1>buck up and and figure out how that was going

0:38:16.840 --> 0:38:20.480
<v Speaker 1>to be a career transition or start a career with that,

0:38:20.520 --> 0:38:22.880
<v Speaker 1>because obviously when I was seventeen, I was actually I

0:38:22.920 --> 0:38:26.879
<v Speaker 1>started playing in jazz bars when I was fourteen. So

0:38:26.920 --> 0:38:29.960
<v Speaker 1>you when you say music, did you want to sing specifically,

0:38:30.400 --> 0:38:33.640
<v Speaker 1>or was it I wanted to sing. I wanted to

0:38:33.840 --> 0:38:37.000
<v Speaker 1>be a songwriter. I wanted to be a producer. So

0:38:37.040 --> 0:38:40.080
<v Speaker 1>a fourteen you start going into jazz bars and singing. Well,

0:38:40.480 --> 0:38:42.560
<v Speaker 1>you know, it's funny. I actually started singing in jazz

0:38:42.560 --> 0:38:44.799
<v Speaker 1>bars because it was a way that I could help

0:38:44.880 --> 0:38:48.200
<v Speaker 1>my family keep the lights on. But then I loved it.

0:38:48.280 --> 0:38:50.520
<v Speaker 1>And I actually ended up making a lot of money

0:38:50.600 --> 0:38:53.800
<v Speaker 1>doing that. And I sang for this guy in Houston.

0:38:53.840 --> 0:38:57.040
<v Speaker 1>His name's Tilman for Tita billion dollar buyer. He also

0:38:57.080 --> 0:39:00.000
<v Speaker 1>owns the Houston Rockets and the U of H team,

0:39:00.080 --> 0:39:03.279
<v Speaker 1>but he has a ton of restaurants and steakhouses and

0:39:03.520 --> 0:39:07.800
<v Speaker 1>very high fine dining places in the entire Texas and

0:39:08.080 --> 0:39:11.000
<v Speaker 1>South and on um. But I was like one of

0:39:11.040 --> 0:39:13.520
<v Speaker 1>his main piano players and singers for all of his

0:39:13.680 --> 0:39:16.440
<v Speaker 1>establishments and all of his corporate events and everything. And

0:39:16.480 --> 0:39:18.759
<v Speaker 1>so it was funny that it started off as this

0:39:18.800 --> 0:39:21.239
<v Speaker 1>thing to really help my family along, and then it

0:39:21.400 --> 0:39:23.520
<v Speaker 1>ended up being this amazing career by the time I

0:39:23.600 --> 0:39:26.520
<v Speaker 1>left Houston and moved to Nashville. So, you know, the

0:39:26.560 --> 0:39:28.480
<v Speaker 1>Beatles would talk about I don't know the Beatles. I

0:39:28.480 --> 0:39:29.800
<v Speaker 1>just read book. I don't talk to you about it.

0:39:29.800 --> 0:39:31.200
<v Speaker 1>But if you know the Beatles, I don't know the Beatles.

0:39:31.239 --> 0:39:33.239
<v Speaker 1>But they they would always an interviews and in books

0:39:33.239 --> 0:39:35.080
<v Speaker 1>that would talk about going in They would be in Germany.

0:39:35.120 --> 0:39:37.640
<v Speaker 1>They play the clubs in Hamburg for you know, eight

0:39:37.719 --> 0:39:40.200
<v Speaker 1>nine hours at a time, and that's really where they

0:39:40.239 --> 0:39:42.120
<v Speaker 1>got good at everything because they had to do eight

0:39:42.200 --> 0:39:43.520
<v Speaker 1>or nine hours they had to play songs two or

0:39:43.520 --> 0:39:45.759
<v Speaker 1>three times. They'd have to play all these covers, the

0:39:45.760 --> 0:39:48.120
<v Speaker 1>occasional original. But that's where when you talk about singing

0:39:48.200 --> 0:39:49.840
<v Speaker 1>three or four hours, and they were like, well, we

0:39:49.920 --> 0:39:51.919
<v Speaker 1>learned how not to be tired. For sure, you would

0:39:51.960 --> 0:39:53.440
<v Speaker 1>sing for eight hours, you would, or you'd play for it.

0:39:53.480 --> 0:39:54.960
<v Speaker 1>You just be tired. But we learned how not to

0:39:55.040 --> 0:39:58.160
<v Speaker 1>be tired and perform at a high level because we

0:39:58.200 --> 0:40:01.440
<v Speaker 1>had to do it so off. And so when you're

0:40:01.440 --> 0:40:03.680
<v Speaker 1>telling that story about you having a sing for three

0:40:03.760 --> 0:40:07.120
<v Speaker 1>or four hours a night and your voice wasn't even tired,

0:40:08.280 --> 0:40:11.240
<v Speaker 1>we had to learn how to do that. It's probably

0:40:11.280 --> 0:40:12.920
<v Speaker 1>easier to not go blow your voice while doing a

0:40:12.960 --> 0:40:15.640
<v Speaker 1>show now because you've had all this training. Is a

0:40:15.640 --> 0:40:17.480
<v Speaker 1>good word for it, like it's literal, it's hard. It

0:40:17.600 --> 0:40:20.080
<v Speaker 1>was paid practice time. That's what I thought of it

0:40:20.120 --> 0:40:21.799
<v Speaker 1>as when I was seventeen, which I think is a

0:40:21.840 --> 0:40:24.120
<v Speaker 1>really mature way to think of it as a teenager.

0:40:24.600 --> 0:40:26.439
<v Speaker 1>Anytime I was like, man, I don't want to play

0:40:26.480 --> 0:40:30.040
<v Speaker 1>for four hours. This is really tiring. Um My mom

0:40:30.040 --> 0:40:31.960
<v Speaker 1>told me. She was like, you're just getting paid to

0:40:32.000 --> 0:40:37.080
<v Speaker 1>basically practice every song in every key, in every format,

0:40:37.080 --> 0:40:39.399
<v Speaker 1>whether people are paying attention to you, or whether they're

0:40:39.400 --> 0:40:41.640
<v Speaker 1>paying more attention to the football game behind you on

0:40:41.680 --> 0:40:43.680
<v Speaker 1>the screen, Like it doesn't matter. You're getting paid to

0:40:43.680 --> 0:40:45.480
<v Speaker 1>practice and you can mess up and no one cares.

0:40:51.680 --> 0:40:54.839
<v Speaker 1>You did a show with Stapleton, actually did a whole

0:40:54.840 --> 0:40:58.240
<v Speaker 1>tour with Stapleton, which I have a funny story about. Okay,

0:40:58.520 --> 0:41:01.239
<v Speaker 1>so you go, you have a story for me or Okay,

0:41:01.440 --> 0:41:04.800
<v Speaker 1>So first, how did you and Chris even come together?

0:41:04.920 --> 0:41:08.080
<v Speaker 1>What was that? I was kind of online friends with Morgan,

0:41:08.560 --> 0:41:12.120
<v Speaker 1>his wife, and we just kind of followed each other

0:41:12.200 --> 0:41:13.799
<v Speaker 1>for a little bit up until the c m As

0:41:13.880 --> 0:41:16.400
<v Speaker 1>last year when I sang with Mickey and Brittany and

0:41:16.480 --> 0:41:18.640
<v Speaker 1>I met them because their table was right in front

0:41:18.640 --> 0:41:21.360
<v Speaker 1>of our table, and I had just come off the

0:41:21.400 --> 0:41:24.319
<v Speaker 1>stage from singing. My makeup is all sweating down my

0:41:24.320 --> 0:41:27.799
<v Speaker 1>face because I'm crying and sobbing with the girls, and

0:41:28.160 --> 0:41:31.160
<v Speaker 1>Morgan and I have already been basically Instagram friends for

0:41:31.200 --> 0:41:33.200
<v Speaker 1>a couple of months, and she points at me and

0:41:33.239 --> 0:41:37.239
<v Speaker 1>she blines it for me because she loved the performance,

0:41:37.280 --> 0:41:39.200
<v Speaker 1>and she really really loved my music at the time,

0:41:39.200 --> 0:41:42.279
<v Speaker 1>and she'd play it for her family, and we just

0:41:42.320 --> 0:41:44.320
<v Speaker 1>made that connection there at the c m A S.

0:41:44.400 --> 0:41:47.200
<v Speaker 1>And I was again sobbing more because these are my

0:41:47.200 --> 0:41:49.840
<v Speaker 1>two musical heroes and the fact that I was getting

0:41:49.840 --> 0:41:52.439
<v Speaker 1>to meet them on this really historical night, not only

0:41:52.440 --> 0:41:54.840
<v Speaker 1>in my career but just in country music, it was

0:41:55.120 --> 0:41:58.759
<v Speaker 1>kind of unreal for me. So you meet then and

0:41:58.760 --> 0:42:01.000
<v Speaker 1>then who does she go come come out with this

0:42:01.280 --> 0:42:06.839
<v Speaker 1>or yeah, my my touring agent, Lenore. She was the

0:42:06.840 --> 0:42:08.959
<v Speaker 1>one that reached out to them when they were looking

0:42:09.000 --> 0:42:12.279
<v Speaker 1>for a new opener, and Yola had come off for

0:42:12.719 --> 0:42:14.960
<v Speaker 1>a few events that she was already doing and they

0:42:15.000 --> 0:42:18.400
<v Speaker 1>were looking for someone to fill yolas spot, which actually

0:42:18.480 --> 0:42:21.880
<v Speaker 1>this rolls perfectly into my story. So one of the

0:42:21.920 --> 0:42:26.640
<v Speaker 1>spots that Yola was out for was Chris's massive Kentucky

0:42:26.880 --> 0:42:30.200
<v Speaker 1>concert at a stadium and the lineup am I allowed

0:42:30.239 --> 0:42:34.920
<v Speaker 1>to cuss on this? Okay? The lineup was Chris s Tableton,

0:42:35.560 --> 0:42:39.760
<v Speaker 1>Willie Nelson, Ryl Crow and who the fuck is Madeleine Edwards?

0:42:39.800 --> 0:42:43.360
<v Speaker 1>That was the lineup. And very shortly before this happened,

0:42:43.840 --> 0:42:46.160
<v Speaker 1>you were opening I think for Brooks and done was

0:42:46.200 --> 0:42:48.440
<v Speaker 1>it and you had a song come out called No

0:42:48.480 --> 0:42:52.040
<v Speaker 1>One Cares About the Opener Garth Brooks. I was the

0:42:52.040 --> 0:42:56.560
<v Speaker 1>opener yeah, yeah, I've never felt more seen than when

0:42:56.600 --> 0:42:59.120
<v Speaker 1>you released that song on Instagram and it was like

0:42:59.480 --> 0:43:03.480
<v Speaker 1>literally right before I was about to open in this

0:43:03.600 --> 0:43:07.239
<v Speaker 1>stadium for all of this massive star lineup, and then

0:43:07.600 --> 0:43:10.960
<v Speaker 1>everyone's not only like that, Liver, It's okay, it's like legitimately,

0:43:11.000 --> 0:43:13.480
<v Speaker 1>I've never heard of this girl and what is happening

0:43:13.560 --> 0:43:16.040
<v Speaker 1>right now? So I felt very seen in that moment.

0:43:16.040 --> 0:43:19.360
<v Speaker 1>Thank you. That's funny. But the difference is you had talent. Again,

0:43:19.400 --> 0:43:21.000
<v Speaker 1>we go back to that. Here we are playing in

0:43:21.000 --> 0:43:25.560
<v Speaker 1>front of seventy people without talent and and whatever. Yeah

0:43:25.680 --> 0:43:29.160
<v Speaker 1>you know, Okay, So look you got the new album

0:43:29.200 --> 0:43:32.880
<v Speaker 1>that's out now, not tomorrow. I don't know, now what

0:43:32.920 --> 0:43:38.200
<v Speaker 1>do you? Let's talk expectations of the record that aren't

0:43:38.600 --> 0:43:41.960
<v Speaker 1>super personal, meaning find your stuff. I want people to

0:43:42.000 --> 0:43:43.799
<v Speaker 1>laugh and feel. I don't want to feel. But it's like,

0:43:43.840 --> 0:43:45.680
<v Speaker 1>also I wanted to be What do you want the

0:43:45.719 --> 0:43:47.839
<v Speaker 1>record to do? Are you true? Like, what's the what's

0:43:47.880 --> 0:43:51.200
<v Speaker 1>the purpose of this record when it comes to you

0:43:51.400 --> 0:43:53.759
<v Speaker 1>in Nashville? Is it setting something up? You wanted to

0:43:53.760 --> 0:43:55.239
<v Speaker 1>talk to be a number one? But what is it?

0:43:55.280 --> 0:43:57.640
<v Speaker 1>What's the deal? Is there a single that goes to

0:43:58.040 --> 0:44:00.279
<v Speaker 1>Mama Dolly Jesus. Okay, because we've I've played a bunch

0:44:00.280 --> 0:44:02.040
<v Speaker 1>of your songs on the National weekend show, you know,

0:44:02.239 --> 0:44:04.120
<v Speaker 1>I know you have, and thank you for that because

0:44:04.120 --> 0:44:06.239
<v Speaker 1>I've been a fan for a long time. Well, thank you.

0:44:06.480 --> 0:44:09.279
<v Speaker 1>So it's like, I just need to know what the

0:44:09.360 --> 0:44:12.520
<v Speaker 1>song is, you know. So yeah, Well, and the single

0:44:12.600 --> 0:44:15.560
<v Speaker 1>is definitely Mama Dolly Jesus. I think that we're going

0:44:15.760 --> 0:44:19.359
<v Speaker 1>is that what they know and they're gonna work that? Yes, okay, yes, es, Yes,

0:44:19.400 --> 0:44:21.400
<v Speaker 1>that's the one that we plan on working, whether it

0:44:21.400 --> 0:44:25.439
<v Speaker 1>be to radio or whatever that means. That's the one, um,

0:44:25.480 --> 0:44:27.279
<v Speaker 1>which is why we did a music video to it.

0:44:27.360 --> 0:44:30.799
<v Speaker 1>But my hopes and anticipations for the record, and I'll

0:44:31.000 --> 0:44:34.520
<v Speaker 1>I'll preface this was saying, even if this record is

0:44:34.560 --> 0:44:37.840
<v Speaker 1>a total flop and it doesn't do anything, I'm really

0:44:37.840 --> 0:44:40.320
<v Speaker 1>proud of it. And this is exactly what I wanted

0:44:40.320 --> 0:44:43.480
<v Speaker 1>to make and produce, and this is the message that

0:44:43.560 --> 0:44:46.480
<v Speaker 1>I'm trying to give to the world. And so even

0:44:46.480 --> 0:44:48.600
<v Speaker 1>if it does terribly, I'm still kind of like, this

0:44:48.640 --> 0:44:50.400
<v Speaker 1>is my favorite record in my favorite piece of art

0:44:50.440 --> 0:44:52.960
<v Speaker 1>I've ever put out. But what I would like for

0:44:53.040 --> 0:44:56.160
<v Speaker 1>it to do, I want this to be a new

0:44:56.200 --> 0:44:59.319
<v Speaker 1>era for me. I want this to be an establishing

0:44:59.600 --> 0:45:03.000
<v Speaker 1>of my self here in Nashville in the country music space,

0:45:03.280 --> 0:45:07.040
<v Speaker 1>even in the contemporary music space, because I think mom

0:45:07.040 --> 0:45:12.240
<v Speaker 1>A Dooli Jesus has the potential to cross over to pop. UM.

0:45:12.280 --> 0:45:15.480
<v Speaker 1>And I really wanted to be kind of a statement

0:45:15.680 --> 0:45:18.800
<v Speaker 1>of this is who I am. And it's not snarky

0:45:18.880 --> 0:45:22.840
<v Speaker 1>or cheeky, because I'm I'm, you know, challenging the listener

0:45:22.880 --> 0:45:25.239
<v Speaker 1>to do the same thing. I'm challenging the listener to

0:45:25.480 --> 0:45:29.160
<v Speaker 1>do the hard work and be confident in themselves. UM.

0:45:29.200 --> 0:45:32.680
<v Speaker 1>There's really really sexy songs on here, like Forehead Kisses

0:45:32.800 --> 0:45:36.360
<v Speaker 1>or Playground that are very much UM. I'm very you know,

0:45:36.400 --> 0:45:40.960
<v Speaker 1>confident in my sexuality. I'm very confident in in who

0:45:41.000 --> 0:45:43.600
<v Speaker 1>I am as a woman, which especially in the Christian

0:45:43.680 --> 0:45:46.239
<v Speaker 1>music space, which I'm not in Christian music, but I

0:45:46.280 --> 0:45:49.520
<v Speaker 1>am a Christian. UM is usually looked down upon, and

0:45:49.600 --> 0:45:51.080
<v Speaker 1>I don't think it has to be. I think that

0:45:51.120 --> 0:45:54.040
<v Speaker 1>could be used in a really positive light, a woman

0:45:54.080 --> 0:45:56.480
<v Speaker 1>being confident in her body and being confident in her

0:45:56.520 --> 0:45:59.319
<v Speaker 1>sexuality and um. And then you have songs like how

0:45:59.320 --> 0:46:03.600
<v Speaker 1>Strong I Am and and talking about digging into the

0:46:03.600 --> 0:46:05.880
<v Speaker 1>pain and coming out a stronger person. So there's a

0:46:05.880 --> 0:46:09.000
<v Speaker 1>lot of different themes on the record. They all are

0:46:09.040 --> 0:46:12.319
<v Speaker 1>genuine to who I am, but it's all challenging the

0:46:12.360 --> 0:46:15.040
<v Speaker 1>listener to be confident in who they are. And so

0:46:15.080 --> 0:46:18.640
<v Speaker 1>I think that's kind of my goal for it. I

0:46:18.640 --> 0:46:22.200
<v Speaker 1>don't really know, like accolades wise, what I'm I mean, Obviously,

0:46:22.360 --> 0:46:25.080
<v Speaker 1>I would love it to go as far as I

0:46:25.160 --> 0:46:27.080
<v Speaker 1>as I think it could go, which is, you know,

0:46:27.160 --> 0:46:32.880
<v Speaker 1>I think this album could be recognized at least by Grammys.

0:46:33.200 --> 0:46:35.759
<v Speaker 1>There if you don't say it, how's it supposed to do? It?

0:46:36.080 --> 0:46:38.080
<v Speaker 1>You let people know your goals so they can help you.

0:46:38.120 --> 0:46:40.040
<v Speaker 1>I mean, I don't want to sound egotistical, that's not

0:46:40.160 --> 0:46:42.760
<v Speaker 1>I asked you the question. I asked you the question,

0:46:43.320 --> 0:46:44.520
<v Speaker 1>would you like to go? I love to one of

0:46:44.520 --> 0:46:47.120
<v Speaker 1>Grammy Boom? There we go. Yeah, I knew it was

0:46:47.280 --> 0:46:49.799
<v Speaker 1>personally fulfilling, Like I I really because I know that's

0:46:49.800 --> 0:46:51.759
<v Speaker 1>who you are, right, You're not gonna do something that

0:46:51.920 --> 0:46:54.160
<v Speaker 1>isn't you, And I'm glad you said that. But let's

0:46:54.200 --> 0:46:56.680
<v Speaker 1>let's go. Let's get some big goals. We're not scared

0:46:56.680 --> 0:46:59.440
<v Speaker 1>of goals now, I'm not. I think. I always kind

0:46:59.440 --> 0:47:01.600
<v Speaker 1>of struggle with like, I want to say what I want,

0:47:02.120 --> 0:47:04.480
<v Speaker 1>but I don't want people to think that I'm egotistical

0:47:04.560 --> 0:47:07.360
<v Speaker 1>or narcissistic for thinking that. And there's a very fine

0:47:07.480 --> 0:47:09.239
<v Speaker 1>line to what people think as I mean, you are,

0:47:09.320 --> 0:47:11.439
<v Speaker 1>like I said about me and arrogance, I don't feel

0:47:11.440 --> 0:47:14.000
<v Speaker 1>like American at all, but I definitely can see sometimes

0:47:14.040 --> 0:47:16.120
<v Speaker 1>I cross the line to people where they do think that,

0:47:16.200 --> 0:47:18.080
<v Speaker 1>and I'm like, oh, yeah, I gotta I got a

0:47:18.080 --> 0:47:19.800
<v Speaker 1>good point of feeling that way, because it could have

0:47:19.880 --> 0:47:22.480
<v Speaker 1>come off that way. But I don't care. I tried to.

0:47:22.520 --> 0:47:24.759
<v Speaker 1>I don't care as much about what people that people

0:47:24.840 --> 0:47:28.120
<v Speaker 1>understand me anymore because if they don't, either they will

0:47:28.600 --> 0:47:32.320
<v Speaker 1>eventually or I'll just die and just be under un understood,

0:47:32.400 --> 0:47:34.480
<v Speaker 1>and you know, I'll be one of the great thinkers

0:47:34.600 --> 0:47:38.840
<v Speaker 1>that nobody ever really die. Not the part at the point, Okay,

0:47:38.840 --> 0:47:42.600
<v Speaker 1>look here we are. The album is out. I everybody,

0:47:42.920 --> 0:47:46.000
<v Speaker 1>I'm telling you just go listen to it. Um. It

0:47:46.040 --> 0:47:47.840
<v Speaker 1>has been out for a bunch of days now, I

0:47:47.840 --> 0:47:49.719
<v Speaker 1>don't I don't know any days at this point, tons

0:47:49.719 --> 0:47:52.879
<v Speaker 1>of days, tons of so many days. I'm just about

0:47:52.920 --> 0:47:55.960
<v Speaker 1>a big fan. I enjoyed you anyway without knowing you.

0:47:56.239 --> 0:47:58.520
<v Speaker 1>But everything that people told me about you, not they

0:47:58.560 --> 0:48:01.480
<v Speaker 1>weren't exactly true. It's true. We're meeting you than even

0:48:01.520 --> 0:48:03.960
<v Speaker 1>they said, Like, I really enjoy just spend a time

0:48:03.960 --> 0:48:07.360
<v Speaker 1>with you. Yeah, you're very You're you're very deliberate, and

0:48:07.360 --> 0:48:11.120
<v Speaker 1>I appreciate thank you. I will say, I've been kind

0:48:11.120 --> 0:48:13.640
<v Speaker 1>of waiting for this call because I feel like music

0:48:13.719 --> 0:48:16.960
<v Speaker 1>is not cool until Bobby Bones says it's cool. And

0:48:17.000 --> 0:48:19.160
<v Speaker 1>I was like, I saw you interviewing a lot of

0:48:19.160 --> 0:48:21.160
<v Speaker 1>my friends. I'm like, man, he doesn't think my ship

0:48:21.280 --> 0:48:24.800
<v Speaker 1>is cool yet. I guess I just got to keep making.

0:48:24.880 --> 0:48:27.560
<v Speaker 1>I kept like making cooler and cooler ship, and oh,

0:48:27.600 --> 0:48:29.439
<v Speaker 1>Bobby Bones didn't call me. I guess it's not that cool.

0:48:29.480 --> 0:48:32.280
<v Speaker 1>But then finally you have a new album coming out album.

0:48:32.480 --> 0:48:34.960
<v Speaker 1>If we would have called you two months ago, I

0:48:35.000 --> 0:48:37.920
<v Speaker 1>wouldn't have been the same, right, it would have us

0:48:38.000 --> 0:48:39.360
<v Speaker 1>got to know each other. But then you would have

0:48:39.360 --> 0:48:41.200
<v Speaker 1>missed a prime opportunity, or I would have missed a

0:48:41.200 --> 0:48:45.120
<v Speaker 1>prime opportunity to promote something new that you have just spent. Well,

0:48:45.120 --> 0:48:47.160
<v Speaker 1>you know what this means now it meets I don't

0:48:47.160 --> 0:48:48.839
<v Speaker 1>know what I mean. It means my ship is cool.

0:48:49.880 --> 0:48:52.680
<v Speaker 1>It already was. No, No, it already was. I'm telling you,

0:48:52.760 --> 0:48:55.759
<v Speaker 1>I've played uh too much of a good thing. Heart.

0:48:56.160 --> 0:48:58.439
<v Speaker 1>You can't break hold my horses, sports City, thinking about

0:48:58.480 --> 0:49:00.680
<v Speaker 1>you been all this stuff I played right, So I

0:49:00.680 --> 0:49:03.560
<v Speaker 1>already thought it was cool. That's alright. So it was

0:49:03.640 --> 0:49:07.960
<v Speaker 1>never that. It was always timing on when can you

0:49:08.120 --> 0:49:11.000
<v Speaker 1>come in and promote your newest thing? And it makes

0:49:11.080 --> 0:49:12.719
<v Speaker 1>We have a million people who listen to this, so

0:49:12.760 --> 0:49:14.319
<v Speaker 1>I wanted to make sure that when you came in,

0:49:15.160 --> 0:49:17.600
<v Speaker 1>we took their gift and we said, this is the

0:49:17.600 --> 0:49:19.560
<v Speaker 1>gift I'm presenting you. It's Madalin and she's presenting her

0:49:19.560 --> 0:49:21.719
<v Speaker 1>new project, her new music. There we go where everybody wins.

0:49:22.840 --> 0:49:25.799
<v Speaker 1>That's why you've always been cool. Thanks. I on the

0:49:25.840 --> 0:49:29.160
<v Speaker 1>other hand, I have not, and I am not secured

0:49:29.160 --> 0:49:32.640
<v Speaker 1>in my body. And we'll just end it there at

0:49:32.960 --> 0:49:36.480
<v Speaker 1>making Madalen. That's it. Go go follow. What are you

0:49:36.480 --> 0:49:39.040
<v Speaker 1>doing the rest of the day. The rest of the day, Oh,

0:49:39.080 --> 0:49:41.719
<v Speaker 1>my family's income. They're coming in town because I'm singing

0:49:41.760 --> 0:49:44.480
<v Speaker 1>for the Opery again, So I'm gonna be cleaning my

0:49:44.520 --> 0:49:46.520
<v Speaker 1>house for the rest of the day. When you form

0:49:46.600 --> 0:49:51.640
<v Speaker 1>the oy tomorrow, Saturday today, tomorrow we'll talk in real

0:49:51.760 --> 0:49:53.719
<v Speaker 1>terms now. Were actual recording this on a Thursday, but

0:49:53.920 --> 0:49:58.120
<v Speaker 1>so's Friday night the night? Yeah, Oh that's cool. Good

0:49:58.120 --> 0:50:00.320
<v Speaker 1>for you. Big week. Yeah, it's a big week. Operates

0:50:00.320 --> 0:50:03.080
<v Speaker 1>a cool spot to do on an album released, because one,

0:50:03.160 --> 0:50:06.880
<v Speaker 1>it's the Opery Opera is always cool. Um too. The

0:50:07.760 --> 0:50:11.880
<v Speaker 1>it's on satellite radio. It's on all these ws M,

0:50:12.000 --> 0:50:14.160
<v Speaker 1>so there's actually a reach as well aside from it

0:50:14.200 --> 0:50:16.040
<v Speaker 1>just being the Opery and then there's a lot of

0:50:16.040 --> 0:50:17.640
<v Speaker 1>good social that comes out of it. That's that's a

0:50:17.680 --> 0:50:19.759
<v Speaker 1>good good spot. I love it. We're gonna also be

0:50:19.760 --> 0:50:22.439
<v Speaker 1>doing Mama Dolly Jesus with their bands with the Opery Band,

0:50:22.440 --> 0:50:24.759
<v Speaker 1>which I think is going to go so hard, and

0:50:24.760 --> 0:50:26.840
<v Speaker 1>then we're gonna really strip it down and I'm going

0:50:26.920 --> 0:50:29.359
<v Speaker 1>to be playing all by myself on their grand Too

0:50:29.440 --> 0:50:30.920
<v Speaker 1>much of a good thing. I think that is a

0:50:31.000 --> 0:50:34.440
<v Speaker 1>perfect little spot right there. I've never heard anyone so

0:50:34.520 --> 0:50:37.480
<v Speaker 1>the Opery Band goes hard, but I like it. They

0:50:37.520 --> 0:50:40.200
<v Speaker 1>will on this song. They you will make them, I

0:50:40.239 --> 0:50:43.200
<v Speaker 1>will make no doubt about it. Made You've been It's

0:50:43.200 --> 0:50:45.440
<v Speaker 1>been awesome talking to you. Yeah, it's really been amazing.

0:50:45.440 --> 0:50:48.719
<v Speaker 1>You guys follow at Making Magdalene and you, guys check

0:50:48.719 --> 0:50:51.239
<v Speaker 1>out the album because it is out now. It is right,

0:50:51.280 --> 0:50:54.200
<v Speaker 1>and it's been out there because I was already listening

0:50:54.239 --> 0:50:58.200
<v Speaker 1>to it last week. It's so great already. That's speaking

0:50:58.239 --> 0:51:00.439
<v Speaker 1>into existence, all right. There she is mat elan Etter