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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did.

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Speaker 2: My name is Millie to Jericho.

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Speaker 3: I'm Daniel Henderson.

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Speaker 1: Hey and uh hey, we're doing another podcast about movies.

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Speaker 2: Danielle, what's up?

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Speaker 4: Not much is up? Yeah, I feel like I don't

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Speaker 4: have much to report.

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Speaker 3: I had a.

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Speaker 4: Journey to find coffee on Sunday morning, which was I

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Speaker 4: only mentioned because it's like it was shockingly it took

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Speaker 4: a shockingly terrific amount of time for me to get

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Speaker 4: a cup of coffee on Sunday morning.

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Speaker 1: Okay, well do this for me because I always feel

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Speaker 1: like I can visualize where you're at, right, But you

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Speaker 1: say you're like an hour from New York City, so

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Speaker 1: you're but you're in a very rural area.

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Speaker 2: Right, yes, very rural. Okay, So is there there have

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Speaker 2: to be coffee shops though, right? Or are there or not?

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Speaker 2: I could be wrong?

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Speaker 4: Yeah, Okay, Well this is the thing, Like, there's there's

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Speaker 4: if you want your chain coffee, You've got dunkin Donuts

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Speaker 4: in my town. But there are lots of like several

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Speaker 4: you know, several small small owned businesses you know, in

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Speaker 4: the downtown main street area. One of those is completely

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Speaker 4: off limits because the owner was at the insurrection and

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Speaker 4: like possibly took part in it.

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Speaker 3: Oh so I don't go there.

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Speaker 2: God, yeah, okay, understood.

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Speaker 4: So my option is then limited to three places, Dunkin

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Speaker 4: Donuts and two local. One is a restaurant that serves coffee.

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Speaker 4: One is a coffee shop that serves like dessert. It's Sunday,

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Speaker 4: and again, all of us would be solved if I

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Speaker 4: had a kitchen and could make my own fucking coffee

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Speaker 4: in my house. Right I cannot do that right now,

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Speaker 4: So I have to go out for coffee. So it's Sunday.

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Speaker 4: I figure I'm gonna get a nice coffee. It was

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Speaker 4: a beautiful day, could not be more gorgeous. And I

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Speaker 4: drive to dunkin Donuts. I'm like, you know what, that's

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Speaker 4: going to hit the spot. I want a dunkin Donuts

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Speaker 4: iced coffee, milk and sugar. It's gonna be like my

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Speaker 4: treat for the whole day.

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Speaker 2: Yeah.

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Speaker 4: When I tell you that dunkin Donuts was closed, and

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Speaker 4: this is like eleven o'clock on a Sunday morning, they

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Speaker 4: were so closed that they had signs up that were

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Speaker 4: like we're hiring, but not until next week. He could say,

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Speaker 4: you were a fully running, years long operation that just

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Speaker 4: closed for a week for no reason.

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Speaker 3: And I didn't know that. I don't know if they

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Speaker 3: were cleaning.

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Speaker 4: I don't know if they were reorgan I have no

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Speaker 4: idea what they were doing while they were closed. But

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Speaker 4: they were just closed and I could not recover. Let

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Speaker 4: me just say that.

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Speaker 1: Okay, I have to admit something to you right now.

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Speaker 1: I'm not saying that this is the reason why they

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Speaker 1: were closed. But I used to work at Dunkin Donuts.

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Speaker 1: I don't know if I told you that. No, that

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Speaker 1: was my very first job ever when I was fifteen.

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Speaker 1: It was literally like the weekend after I turned fifteen.

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Speaker 1: My dad was like, all right, you ready to go

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Speaker 1: start applying for jobs. I was like, damn, I just

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Speaker 1: fucking turned fifteen, Okay, So we drove around my town.

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Speaker 1: I probably like within the twenty minutes of us leaving

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Speaker 1: the house, I ended up with an application at Dunkin Donuts.

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Speaker 1: I was hired like two hours later, And the next

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Speaker 1: weekend I started working at Duncan Donuts. So I've effectively

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Speaker 1: been employed like a week after, you know, I turned

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Speaker 1: fifteen or whatever.

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Speaker 2: So holy shit.

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Speaker 1: When I was working at Duncan Donuts. I worked myself

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Speaker 1: up to the manager.

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Speaker 2: I was a key holder. I was a key holder.

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Speaker 2: I don't know if it was a manager, but I

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Speaker 2: definitely owned keys. That's still a lot of respont damn.

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Speaker 1: It is a responsibility, yes, and I uh normally took

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Speaker 1: it pretty seriously. But uh, there was a couple times

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Speaker 1: where I was working with my friend Mikey and we

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Speaker 1: were like, hey, what do you say we closed down

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Speaker 1: the restaurant, go to the mall, Millie and we did that, Like, yeah,

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Speaker 1: we did it a couple times.

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Speaker 4: Ah ah.

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Speaker 1: And it was literally like a Sunday at eleven thirty

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Speaker 1: or two pm.

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Speaker 2: It was like in the middle of the day.

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Speaker 4: To be fair, you were teenagery. What do I always say?

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Speaker 4: What do I always say? You leave a teenager in charge?

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Speaker 4: You get what you get exactly.

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Speaker 2: Yeah.

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Speaker 1: It in retrospect, it's totally not whoever hired me shouldn't

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Speaker 1: have hired me in my fifteen year old friends obviously,

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Speaker 1: But I want to offer that as a possible explanation

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Speaker 1: as to why the fucking Duncan Donuts was closed at

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Speaker 1: a very crucial moment of a Sunday where people need

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Speaker 1: coffee I.

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Speaker 4: Would accept that, except it was literally closed for a week.

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Speaker 2: Oh okay, a week straight. And I'm like, unless.

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Speaker 4: They fucked off for the whole week, which is possible.

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Speaker 1: A somebody really had a Ferris Bueller's day off. They

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Speaker 1: had like a Ferris Bueller's week off. They were like,

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Speaker 1: fuck it, we're not open this place. And they took

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Speaker 1: every single employee with them.

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Speaker 4: Yes, like they were rolling so deep in Duncan Donuts

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Speaker 4: money that they took every employee with them on their

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Speaker 4: rum springer, which.

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Speaker 3: I would love. I would love to hear that story.

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Speaker 4: Yes, yes, But there's so I'm like, all right, no

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Speaker 4: Dunkin Donuts here, There's a Dunkin Donuts six miles away

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Speaker 4: in the next town over, okay, because that's what I

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Speaker 4: was craving for that day. I'm like, I'm going to

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Speaker 4: get that particular kind of ice coffee. Go over to

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Speaker 4: the next town. Guess what is also closed for no

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Speaker 4: fucking reason.

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Speaker 2: Two Duncan Donuts closed. What dose Dunkin Donuts closed?

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Speaker 4: And then I was like, well, I could drive to

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Speaker 4: the big town, which is thirty minutes away, where like

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Speaker 4: the Target and all that shit is. But I'm not

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Speaker 4: gonna do that at this point, I cannot drive thirty

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Speaker 4: minutes without coffee, like I can't.

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Speaker 3: I'm I'm malfunctioning at this point.

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Speaker 4: So I decide to go back to town, towards my

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Speaker 4: town and I'm like, you know what, I'm not gonna

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Speaker 4: get dunkin Donuts today, and it's fine. I'm going to

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Speaker 4: get a regular coffee from my little local place. Can't

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Speaker 4: go to the Insurrection place, wow. So I go to

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Speaker 4: the rest. I looked to the restaurant that I like.

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Speaker 4: It's you know, I don't want to sit down and eat,

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Speaker 4: but I always love their coffee. I can go grab

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Speaker 4: it and go. I go in, or I try to

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Speaker 4: go in and there is no parking anywhere because it's Sunday.

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Speaker 4: So it's the Farmer's market in the parking lot. That

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Speaker 4: is where they put the Farmer's market in the town

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Speaker 4: parking lot off of Main Street, and every other space

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Speaker 4: is taken because people are driving up here in droves

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Speaker 4: to pick fucking apples.

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Speaker 2: Oh no, the apple pickers.

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Speaker 4: The streets are teeming with families and double wide strollers

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Speaker 4: and fucking nanas and like people I've never seen before

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Speaker 4: in my fucking life. And I was like Oh my god,

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Speaker 4: it fucking hit me like I live in a tourist town.

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Speaker 4: I cannot leave my house or enjoy my own town

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Speaker 4: on the weekends anymore.

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Speaker 2: That's not how it works anymore.

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Speaker 4: So I couldn't stop at the two spots in town,

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Speaker 4: and I couldn't stop at the Insurrection Place, and I

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Speaker 4: refuse to go to Burger King for coffee.

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Speaker 2: True, don't do that.

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Speaker 3: Desperation not that deep.

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Speaker 4: So then I thought, all right, I'm gonna drive out

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Speaker 4: towards town the I'm gonna drive out of town the

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Speaker 4: other way, and I'm gonna hit up my favorite farm stand.

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Speaker 4: Farm stand will have me covered. I try to go

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Speaker 4: to the farm stand. And if you thought town was Mayhem,

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Speaker 4: it was like Death Race five that Like it was

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Speaker 4: like I can't even tell you how many fights I

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Speaker 4: saw just driving by the parking lot, like people just

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Speaker 4: yelling about like I was going to park and then

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Speaker 4: there's like kids throwing pumpkins in the air and like

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Speaker 4: fucking apples whizzen by, like it was chaos. And I

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Speaker 4: was like, Nope, not doing that. Can't go to the

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Speaker 4: farm stand for coffee. When I tell you that, I

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Speaker 4: had to drive to New Jersey for coffee on Sunday morning.

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Speaker 4: It sounds incredibly dramatic, but I real live right. I

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Speaker 4: live right on the New Jersey border, so it's truly

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Speaker 4: only fifteen minutes away. Yeah, but I enjoy saying I

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Speaker 4: had to drive to New Jersey for coffee.

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Speaker 1: I mean, I mean, first of all, that story gave

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Speaker 1: me anxiety many times. Okay, like after the second Dunkin

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Speaker 1: Donuts being closed, I was like, oh shit, like strap

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Speaker 1: the fucking this is gonna be a fucking trial.

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Speaker 2: I'm nervous for her.

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Speaker 1: Yeah, But then you add all of the fucking the

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Speaker 1: fall merriment aspects of it, being like, oh I can't

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Speaker 1: access this essential good that I need to start my day. Yes,

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Speaker 1: because of like fall fucking festival antics. Yeah, I'm like,

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Speaker 1: oh my god, this kid, this is potentially infesting everywhere

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Speaker 1: you live, Like it could be thirty miles north, thirty

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Speaker 1: miles south in every direction where you're not gonna find

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Speaker 1: a place to get coffee.

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Speaker 2: I'm getting I was getting roll nervous. Yeah.

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Speaker 4: I now have to basically on Friday nights, get large

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Speaker 4: iced coffees without ice for the weekend because I cannot

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Speaker 4: leave my house on the weekends.

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Speaker 3: I totally forgot.

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Speaker 4: When I lived here and I was growing up here,

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Speaker 4: it wasn't as bad as it is now, but we

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Speaker 4: had some of this. Like I was like, all right,

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Speaker 4: apple picking seasons just sucks. Get out of town when

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Speaker 4: you can, like whatever. But now that I am an

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Speaker 4: adult who has like errands to run, yeah, I can't

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Speaker 4: with these apple folks. I can't with the apple folks.

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Speaker 4: CA I can't do it. Go to a grocery store.

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Speaker 4: Just go to shop, right, They've got bags of fresh

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Speaker 4: apples there from the orchard down the road.

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Speaker 2: Like, just go to shopright.

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Speaker 4: I have to be able to like get medicine if

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Speaker 4: I need it instead of going through the throngs of

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Speaker 4: you and all your children and your merriment and looking

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Speaker 4: at the leaves and the trees. I'm just I'm a grouchy,

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Speaker 4: scroogy bitch all throughout the fall. And I know I'm

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Speaker 4: going to be this way because I cannot get simple,

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Speaker 4: basic life sustaining coffee because everyone wants to come up

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Speaker 4: here and look at a goddamn tree.

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Speaker 1: Like, here's what I'll say about this type of stuff.

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Speaker 2: I'm not gonna lie.

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Speaker 1: When I see my own nephews at a fucking pumpkin farm.

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Speaker 1: I'm like, oh my god, this is the cutest thing

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Speaker 1: in the world. Okay, beyond that, I'm like, y'all can

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Speaker 1: keep that shit right, because it's like, if it doesn't

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Speaker 1: involve my blood relatives, then I kind of don't care

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Speaker 1: about a pumpkin farm slash apple orchard slash fall festival.

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Speaker 2: Yeah, because you're right, it does create a lot of

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Speaker 2: chaos for people. And really, it's like.

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Speaker 1: Most people go because they want to take fucking pictures

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Speaker 1: for Instagram. But does anybody really be like, oh my god,

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Speaker 1: these apples are so incredible.

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Speaker 2: You can only get them at this one.

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Speaker 1: Place that has fucking head cut out boards where you

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Speaker 1: can have your children put their heads in the fucking

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Speaker 1: farmer's tractor or whatever.

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Speaker 4: I guarantee those apples are rotting on somebody's table right now,

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Speaker 4: And I couldn't get coffee so you could go get

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Speaker 4: those apples that are rotting in your goddamn fruit bowl

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Speaker 4: right now.

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Speaker 1: Nobody's like I need that apple from that one place

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Speaker 1: an hour from here, And they should treat this shit

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Speaker 1: like they do at Christmas.

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Speaker 4: You line up, you take your fucking picture, you get

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Speaker 4: in your car, and you go home.

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Speaker 1: Yes, it should definitely be like a fucking Christmas story

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Speaker 1: scenario where there's like grumpy elves, like grumpy scarecrows that

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Speaker 1: are like, all right, who's next, get the kid on

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Speaker 1: the pumpkin, let's go.

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Speaker 4: Sign me the fuck. I'll be the grumpiest elf of

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Speaker 4: all time. I'd be like, you don't even like pumpkins.

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Speaker 4: This kid doesn't even get him out of here. Like

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Speaker 4: I'd be like a bouncer, the bouncer at the pumpkin patch.

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Speaker 2: A bouncer at a pumpkin patch.

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Speaker 4: I good bye, but yeah, I'm totally grouchy. And I'm like, oh,

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Speaker 4: I understand why people want to come here.

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Speaker 2: It's beautiful.

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Speaker 3: That's why I bought a fucking house and moved here.

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Speaker 2: Yeah, what the fuck dude.

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Speaker 1: Well, and that's the thing about tourist towns. Full time

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Speaker 1: residents are like, fuck this shit. Like we're just trying

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Speaker 1: to like do our fucking errands, right, and now we

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Speaker 1: got all this other shit to contend with. And honestly,

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Speaker 1: your situation was trying to find a coffee ooh.

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Speaker 4: It was. It was a very precarious situation. I did

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Speaker 4: have to drive to another state to get coffee. I

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Speaker 4: cannot wait for my fucking kitchen to be done. And

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Speaker 4: now I know that I have to plan on being

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Speaker 4: housebound and shut in every weekend until people get this

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Speaker 4: apple shit out of their system. And it's not even

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Speaker 4: like it used to be, where like, oh, apples are

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Speaker 4: only available this time of year. No, we're monsters. We

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Speaker 4: made everything available all year round, all the time. Now

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Speaker 4: you can get a fucking lime in the middle of January.

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Speaker 4: You can get a pineapple in in April, like nothing

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Speaker 4: matters anymore. You have apples all year round. I'm livid.

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Speaker 1: Well, yeah, I mean, I gotta tell you, like, you

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Speaker 1: need a plan B Like I'm thinking, dude, is it Wait,

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Speaker 1: does your refrigerator work?

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Speaker 2: Is your refrigerator running?

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Speaker 4: My refrigerator is running, okay, And I'm getting ice coffee

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Speaker 4: from the local place without ice, and I'm gonna get

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Speaker 4: two big ones and just put them in my fridge.

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Speaker 2: Yeah, every Friday.

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Speaker 1: I was gonna say, in a pinch, like I think

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Speaker 1: a lot of gas stations now sell like gross like

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Speaker 1: pre made iced coffee jugs that you know you can

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Speaker 1: put in your refrigerator. You'd have to probably dilute it

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Speaker 1: with a lot of water. It's not great, but in

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Speaker 1: a pinch. How dare you?

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Speaker 4: I know?

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Speaker 3: How dare you?

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Speaker 1: I know?

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Speaker 2: I'm just saying, Hey, emergency situation.

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Speaker 4: I have one single more joy in my life on

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Speaker 4: a day to day basis, and it's fucking coffee. I

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Speaker 4: refuse to treat my guts to gas stations.

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Speaker 2: Swill you don't want.

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Speaker 1: Pre creamed vanilla hazelnut ice coffee mixes?

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Speaker 2: Wait, make my carrot pukes down. Listen, you're talking to

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Speaker 2: a no bigger coffee stop.

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Speaker 1: That's one of the things that I think bonds us

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Speaker 1: together is the fact that we are fucking into coffee

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Speaker 1: big time, and we're snobs about it.

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Speaker 2: That's what I love about you.

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Speaker 3: I love it. I fucking love it.

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Speaker 1: If it pays me to have suggested that, however, trade

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Speaker 1: this as if it was a natural disaster. The natural

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Speaker 1: disaster is people's fucking families.

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Speaker 4: And their Instagram accounts and prepare you know you're being rational,

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Speaker 4: and I appreciate it. I shouldn't have been so hasty

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Speaker 4: to turn down your gas station option, but I get it.

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Speaker 4: I'm not doing it. I'm not doing it, but I

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Speaker 4: appreciate how rational you are. I did drive by a

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Speaker 4: gas station that was like any size coffee ninety nine cents,

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Speaker 4: and I just like spit out the window, like I

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Speaker 4: would rather drive to another fucking state to get coffee.

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Speaker 2: I'm asking you.

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Speaker 1: This question, legit, what is the worst coffee you've ever had?

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Speaker 2: Do you remember?

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Speaker 3: Hm?

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Speaker 2: I do? Yeah, I do.

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Speaker 4: And it has to be cross country? Okay, what's that big?

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Speaker 4: It's like a huge the Ta centers.

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Speaker 1: Oh yeah, the travel I know exactly what you're talking about.

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Speaker 1: They have them in Florida.

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Speaker 4: Yep. When I was driving out to All THEA and

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Speaker 4: just thought, i'll drive through the night, I'll save some time,

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Speaker 4: I'll drink some coffee. And I got a coffee from

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Speaker 4: the Ta rest stop place, and I basically would have

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Speaker 4: been better off, just like renting a toilet.

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Speaker 3: Yeah, that shit ran through me.

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Speaker 4: So it was so bitter to taste. I could not

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Speaker 4: put enough milk or sugar in it. Too bitter and

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Speaker 4: just genuinely ran through me. I was like this twenty something,

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Speaker 4: you're like early twenties, young woman on her own in

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Speaker 4: the dark at like two am, driving looking for a

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Speaker 4: bathroom and being like, if I stop, I'll get murdered.

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Speaker 4: But if I don't stop, I'm shitting my pants in

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Speaker 4: my car. So the worst cup of coffee for taste,

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Speaker 4: but also for the situation to put me in.

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Speaker 2: Yeah, oh yeah, that sounds terrible. What about you.

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Speaker 1: I can remember it like it was fucking yesterday, man,

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Speaker 1: Like I was in Ashville, North Carolina with my two friends.

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Speaker 1: I was in my twenties. We decided to go up

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Speaker 1: to Ashville and just kind of like go hiking and

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Speaker 1: do some shit. And we stayed at this extremely cheap motel.

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Speaker 1: It wasn't like it wasn't like a Laura Palmer situation,

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Speaker 1: but it was, you know, it was.

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Speaker 2: It was sort of clean.

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Speaker 1: It was like a little bit better than you know,

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Speaker 1: a Twin Peaks motel. But it's again sounds a little

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Speaker 1: bit like your situation where it was like a Sunday,

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Speaker 1: it was pasted a certain time, so nothing is open

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Speaker 1: and everything is like super far away, and so I

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Speaker 1: was like, well, I really want some coffee. I guess

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Speaker 1: I'm gonna have to make the coffee that's in the

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Speaker 1: motel room.

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Speaker 2: Oh and Lord have mercy.

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Speaker 1: I was like, that thing has probably been sitting there

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Speaker 1: since nineteen seventy six.

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Speaker 2: I try to put that powdered creamer in.

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Speaker 1: It comes with the napkin and the stir in that

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Speaker 1: plastic wrap thing, you know what I mean.

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Speaker 3: Brutal and single use plastic no thing.

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Speaker 1: Oh yes, it was, and I barely it was barely enough.

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Speaker 2: I mean I would say it was probably eight ounces.

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Speaker 1: It didn't give me much, and I was like, I

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Speaker 1: don't even know if I could drink this.

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Speaker 2: Like I'm desperate for coffee.

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Speaker 1: I'm in my twenties, so I have no taste, but

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Speaker 1: I'm like, even now, I don't think it was. It

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Speaker 1: was awful, and I'll remember like always because it was

359
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Speaker 1: truly the grossest cup of coffee I've ever had.

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Speaker 2: That is oh god.

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Speaker 4: Yeah, I could feel so many parts of that story

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Speaker 4: in my body as you were saying, yes.

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Speaker 1: Well, hopefully you will not have to deal with something

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Speaker 1: like that.

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00:18:39,880 --> 00:18:42,280
Speaker 2: Now you know you have to be prepared. Now you

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Speaker 2: know the.

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Speaker 1: Orchards are on fire, oh my gosh, and got you

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Speaker 1: gotta come up with a plan. B.

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Speaker 4: So the orchards are too hot, and it's I'm gonna

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Speaker 4: get myself through orchard season. But then I know that

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Speaker 4: fucking Christmas is right around the corner, and that shit

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Speaker 4: doesn't need any better because people are all like.

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Speaker 3: Oh my god, look at the little church with the lights.

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Speaker 3: It's I live in. It's too quaint where I live.

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Speaker 3: It's too quaint.

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00:19:04,040 --> 00:19:06,600
Speaker 4: Yes, we need to dial down the quaint factor by

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Speaker 4: a lot so that I can move around.

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Speaker 3: Yeah, I'm wiley. I like to bob and weave.

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00:19:13,080 --> 00:19:16,000
Speaker 4: I'm shifty, and I can't be shifty here because everyone

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00:19:16,000 --> 00:19:19,400
Speaker 4: wants to stop and talk about the fucking sign post and.

381
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Speaker 3: I can't help it. I'm like, I don't want to

382
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Speaker 3: do this.

383
00:19:21,359 --> 00:19:23,960
Speaker 1: You're gonna have to start spreading rumors that like there's

384
00:19:24,040 --> 00:19:26,840
Speaker 1: ghosts or some shit, or like there's like hauntings or

385
00:19:27,080 --> 00:19:31,119
Speaker 1: oh yeah you know which activity or heavy metal kids

386
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Speaker 1: like burden.

387
00:19:32,960 --> 00:19:35,800
Speaker 4: Fucking bonfires or something. This is gonna be some sleepy

388
00:19:35,800 --> 00:19:41,680
Speaker 4: hollow shit. It's gonna be some sleepy hollow level ghost stories.

389
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Speaker 4: Or I don't come here.

390
00:19:43,359 --> 00:19:46,520
Speaker 1: But hey know in those assholes they will be like, hell, yeah,

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Speaker 1: let's go bring it.

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Speaker 2: I love a ghost.

393
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Speaker 4: Yeah, more people will come for the ghost stories. They'll

394
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Speaker 4: be like I can eat an apple and see a ghost.

395
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Speaker 4: Fucking great weekend.

396
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Speaker 2: Oh my god. I have to get over it.

397
00:19:56,880 --> 00:19:57,200
Speaker 3: I won't.

398
00:19:57,320 --> 00:20:04,199
Speaker 2: You cannot win. It's my own fault. I did it

399
00:20:04,240 --> 00:20:05,480
Speaker 2: to myself. It's my own fault.

400
00:20:05,920 --> 00:20:06,440
Speaker 3: Here we are.

401
00:20:06,760 --> 00:20:10,399
Speaker 4: But you know what I loved about this weekend, aside

402
00:20:10,400 --> 00:20:12,680
Speaker 4: from not being able to get any coffee on Sunday

403
00:20:12,760 --> 00:20:18,080
Speaker 4: until almost one o'clock in the afternoon, I loved the

404
00:20:18,080 --> 00:20:20,400
Speaker 4: movies we watched this week for this episode.

405
00:20:20,840 --> 00:20:26,680
Speaker 2: Oh my god, I did too. I have to.

406
00:20:26,680 --> 00:20:30,440
Speaker 4: Say, just for the record, I'm starting to get self

407
00:20:30,480 --> 00:20:35,200
Speaker 4: conscious about all of the Well, I'll let you say

408
00:20:35,200 --> 00:20:37,080
Speaker 4: that the theme first, and then I'll tell my story.

409
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Speaker 2: What's our theme this week?

410
00:20:39,560 --> 00:20:44,639
Speaker 1: Oh my god, it gives me such great pleasure to

411
00:20:44,800 --> 00:20:49,000
Speaker 1: tell you all. The theme for this week is hoarty

412
00:20:49,160 --> 00:20:53,120
Speaker 1: for None John Wick Keanu Reeves.

413
00:20:54,480 --> 00:20:54,720
Speaker 4: See.

414
00:20:54,760 --> 00:20:56,200
Speaker 3: That's so, That's what I want to say.

415
00:20:56,320 --> 00:20:58,800
Speaker 4: I'm starting to get a little self conscious about the

416
00:20:58,920 --> 00:21:01,439
Speaker 4: level the amount of horny material we have on the

417
00:21:01,480 --> 00:21:05,560
Speaker 4: show because I am not a horny person in real life,

418
00:21:05,640 --> 00:21:08,280
Speaker 4: like I will. I do not want to date. I

419
00:21:08,280 --> 00:21:10,600
Speaker 4: don't want any of this shit, and I know horny

420
00:21:10,680 --> 00:21:13,320
Speaker 4: this doesn't always relate to relationships, but I'm just just

421
00:21:13,359 --> 00:21:15,560
Speaker 4: putting it out there. I'm starting to get self conscious

422
00:21:15,560 --> 00:21:18,320
Speaker 4: about the amount of horny material because I can see

423
00:21:18,359 --> 00:21:22,159
Speaker 4: it now in our comments. Someone's gonna say, oh, I

424
00:21:22,200 --> 00:21:25,600
Speaker 4: thought this theme was, you know, crime crimes against women

425
00:21:25,680 --> 00:21:28,560
Speaker 4: that are unfounded, and we're gonna be like, no, it's horny.

426
00:21:28,600 --> 00:21:30,680
Speaker 4: And they're gonna be like, you guys are fucking dumb.

427
00:21:32,800 --> 00:21:38,160
Speaker 4: We just guessed like some academic, like dissertation level theme

428
00:21:38,240 --> 00:21:40,119
Speaker 4: and you're like, no, it's horny again.

429
00:21:40,880 --> 00:21:41,199
Speaker 2: I know.

430
00:21:41,640 --> 00:21:45,359
Speaker 1: It always pays me with somebody like either on Instagram

431
00:21:45,440 --> 00:21:48,760
Speaker 1: or Twitter is like really thinking about it. They're like,

432
00:21:48,800 --> 00:21:51,159
Speaker 1: oh my god, I'm like really really like trying to

433
00:21:51,160 --> 00:21:52,760
Speaker 1: connect the dots, and they come up with this like

434
00:21:52,800 --> 00:21:56,560
Speaker 1: incredible you know, through line between the two movies, and

435
00:21:56,600 --> 00:21:59,280
Speaker 1: it's something that like is really interesting and complex.

436
00:21:59,320 --> 00:22:02,120
Speaker 2: And then it's like, not, ain't that deep, Like when

437
00:22:02,119 --> 00:22:04,520
Speaker 2: the two of us are like that deep, Like you're like,

438
00:22:04,600 --> 00:22:07,040
Speaker 2: oh God, Like, it pays me to say that it

439
00:22:07,080 --> 00:22:10,639
Speaker 2: ain't that deep. Sometimes. Oh no.

440
00:22:10,680 --> 00:22:14,000
Speaker 1: But here's the thing I will say at our defense. Okay,

441
00:22:14,640 --> 00:22:18,760
Speaker 1: a lot of people think horniness can't exist with that

442
00:22:18,920 --> 00:22:22,320
Speaker 1: great art. Obviously we prove that beyond the shadow of

443
00:22:22,359 --> 00:22:24,639
Speaker 1: a doubt with our bracket from earlier this year. But

444
00:22:24,720 --> 00:22:29,919
Speaker 1: I argue that horniness is inherent to cinema. That's what

445
00:22:30,000 --> 00:22:34,280
Speaker 1: I say, I say that the screen and watching things

446
00:22:34,320 --> 00:22:35,880
Speaker 1: on the screen, Like, you can't sit in a movie

447
00:22:35,880 --> 00:22:38,400
Speaker 1: theater and watch Keanu Reeves be like twenty feet tall

448
00:22:38,480 --> 00:22:40,960
Speaker 1: and not feel a little something. I don't care who

449
00:22:41,000 --> 00:22:43,399
Speaker 1: you are. Yeah, this is true, and that is what

450
00:22:43,560 --> 00:22:46,840
Speaker 1: the cinema does. It causes us to desire things.

451
00:22:47,080 --> 00:22:49,520
Speaker 4: Okay, you know what, I'm fine to blame it on cinema.

452
00:22:49,760 --> 00:22:50,679
Speaker 4: I'm good with that.

453
00:22:50,760 --> 00:22:51,200
Speaker 3: I'm back.

454
00:22:51,320 --> 00:22:55,560
Speaker 2: Yes, I'm ready to He's made us horny. It's not

455
00:22:55,600 --> 00:22:56,280
Speaker 2: our fault.

456
00:22:57,000 --> 00:22:59,479
Speaker 4: I'm sitting here in my non horny life. And then

457
00:22:59,520 --> 00:23:01,520
Speaker 4: I have to do homework for this podcast, and all

458
00:23:01,560 --> 00:23:05,480
Speaker 4: of a sudden, I'm like, oh oops, haha, it's the movies.

459
00:23:05,720 --> 00:23:06,760
Speaker 2: They do it to us.

460
00:23:07,160 --> 00:23:10,879
Speaker 4: But I also, I'm really excited about how dirt baggy

461
00:23:11,200 --> 00:23:12,280
Speaker 4: Keanu Reeves.

462
00:23:11,960 --> 00:23:13,040
Speaker 2: Is in both of these films.

463
00:23:13,200 --> 00:23:15,879
Speaker 1: Oh my god, this is what I love. This is

464
00:23:15,960 --> 00:23:20,679
Speaker 1: like what I was really interested in this week. Because Okay,

465
00:23:20,800 --> 00:23:24,040
Speaker 1: we're saying it's non john Wick because that's an inside

466
00:23:24,119 --> 00:23:26,399
Speaker 1: joke obviously between Danielle and I, because we bring up

467
00:23:26,480 --> 00:23:30,080
Speaker 1: john Wick like every fucking week. The john Wick trilogy

468
00:23:30,160 --> 00:23:32,440
Speaker 1: is essentially pornography to the both of.

469
00:23:32,440 --> 00:23:35,240
Speaker 3: Us, and your mom, like, we talk about it a lot.

470
00:23:35,160 --> 00:23:37,919
Speaker 1: Okay, and we talk about Keanu Reeves a lot. I

471
00:23:37,920 --> 00:23:40,000
Speaker 1: think you know this about us. So we were like, okay,

472
00:23:40,080 --> 00:23:41,920
Speaker 1: let's talk about Kanu Reeves, but we're not allowed to

473
00:23:41,920 --> 00:23:44,280
Speaker 1: talk about John Wick. And then we both came to

474
00:23:44,320 --> 00:23:47,119
Speaker 1: the table with two movies where he's basically the same dude,

475
00:23:48,760 --> 00:23:55,280
Speaker 1: ah good, Like, he's definitely on the dirt bag scale

476
00:23:55,280 --> 00:23:56,320
Speaker 1: on both movies.

477
00:23:56,960 --> 00:23:59,760
Speaker 4: There we was so he has done so many movies,

478
00:24:00,119 --> 00:24:02,200
Speaker 4: we had so much to pick from, and we both

479
00:24:02,240 --> 00:24:05,119
Speaker 4: were like, how about this movie where he's as gross

480
00:24:05,119 --> 00:24:05,800
Speaker 4: as possible?

481
00:24:06,520 --> 00:24:08,840
Speaker 1: Well, I have to say I know you're going first

482
00:24:08,840 --> 00:24:14,720
Speaker 1: this week. Your movie brought me so much fucking joy

483
00:24:16,000 --> 00:24:18,680
Speaker 1: that I just I don't even know where to put

484
00:24:18,680 --> 00:24:22,840
Speaker 1: these feelings because I don't think i've seen it since

485
00:24:22,880 --> 00:24:25,880
Speaker 1: it came out, which meant that when I did see it,

486
00:24:26,000 --> 00:24:28,280
Speaker 1: I was really young. I was probably about ten or eleven,

487
00:24:28,880 --> 00:24:33,040
Speaker 1: and it brought back so many feelings of like my

488
00:24:33,359 --> 00:24:37,240
Speaker 1: parents and being Italian and like all this shit.

489
00:24:37,280 --> 00:24:40,440
Speaker 2: I mean, it's like, I loved.

490
00:24:40,320 --> 00:24:43,159
Speaker 1: Your movie so much and I just cannot wait to

491
00:24:43,240 --> 00:24:44,199
Speaker 1: hear about it from you.

492
00:24:44,280 --> 00:24:47,040
Speaker 4: I just cannot Well, let's not wait let's get into

493
00:24:47,080 --> 00:24:51,040
Speaker 4: it because my movie for this week for the theme

494
00:24:51,280 --> 00:24:57,760
Speaker 4: of Horny four, non John Wick Keanu Reeves is released

495
00:24:57,800 --> 00:25:01,959
Speaker 4: in nineteen ninety was directed by Lawrence Casten, was written

496
00:25:01,960 --> 00:25:04,800
Speaker 4: by John Costmeyer, and it's I Love You to.

497
00:25:04,760 --> 00:25:11,920
Speaker 3: Death Divorce never first good for you to die, Rosalie.

498
00:25:13,520 --> 00:25:17,320
Speaker 2: Oh my god, this movie.

499
00:25:17,520 --> 00:25:20,560
Speaker 1: I swear I love that you picked it. I love

500
00:25:20,600 --> 00:25:21,320
Speaker 1: that you picked it.

501
00:25:21,680 --> 00:25:24,560
Speaker 4: I have such fond memories of this movie being just

502
00:25:24,600 --> 00:25:29,480
Speaker 4: as bonkers as it actually is. Yeah, first and foremost,

503
00:25:30,040 --> 00:25:32,359
Speaker 4: you're gonna have to suspend disbelief a little bit because

504
00:25:32,440 --> 00:25:36,800
Speaker 4: Kevin Klein is playing a very Italian man named Joey Boca.

505
00:25:37,320 --> 00:25:38,760
Speaker 3: Yes, Kevin Klein is that good?

506
00:25:38,840 --> 00:25:43,880
Speaker 4: He can play Cole Porter and Joey Boca.

507
00:25:44,440 --> 00:25:48,680
Speaker 1: Yeah. I was like, oh, he is got that a

508
00:25:48,840 --> 00:25:56,200
Speaker 1: talent accent, which is I gotta say, It's very interesting.

509
00:25:54,280 --> 00:25:57,080
Speaker 2: Sometimes but very interesting.

510
00:25:57,720 --> 00:25:59,800
Speaker 1: I want to say this for the record too, just

511
00:25:59,840 --> 00:26:01,440
Speaker 1: like right off the back, because I knew we were

512
00:26:01,440 --> 00:26:03,720
Speaker 1: going to talk about him as an Italian guy in

513
00:26:03,800 --> 00:26:08,640
Speaker 1: this movie. Honestly, I don't know if anybody out there

514
00:26:08,720 --> 00:26:13,400
Speaker 1: is a fan of like sixties Italian film, Like there

515
00:26:13,520 --> 00:26:18,400
Speaker 1: is a film from the early sixties called Mafioso, and

516
00:26:18,440 --> 00:26:24,600
Speaker 1: it's this Italian comedy and it was directed by this

517
00:26:24,640 --> 00:26:29,840
Speaker 1: Italian filmmaker named Alberto Latuada. And Alberto Sorti, who's the

518
00:26:29,960 --> 00:26:35,560
Speaker 1: actor that is in that movie, looks exactly like Kevin

519
00:26:35,640 --> 00:26:36,640
Speaker 1: Klein and.

520
00:26:37,000 --> 00:26:39,280
Speaker 2: I Love You to Death, or I should say Kevin

521
00:26:39,359 --> 00:26:40,480
Speaker 2: Klein and I.

522
00:26:40,480 --> 00:26:45,760
Speaker 1: Love You to Death looks exactly like Alberto Sorti in Mafioso.

523
00:26:45,800 --> 00:26:49,439
Speaker 1: And it's also a comedy about families and about you know,

524
00:26:49,480 --> 00:26:52,640
Speaker 1: the mafia or whatever. And so there's a moment where

525
00:26:52,680 --> 00:26:55,160
Speaker 1: I thought, I wonder if this is what he's channeling

526
00:26:55,200 --> 00:26:58,440
Speaker 1: as he's channeling this like sixties Italian.

527
00:26:58,320 --> 00:27:01,080
Speaker 2: Comedic nic or whatever.

528
00:27:01,480 --> 00:27:04,679
Speaker 1: And the minute I made that connection, I was like,

529
00:27:04,680 --> 00:27:05,680
Speaker 1: this is so awesome.

530
00:27:05,760 --> 00:27:06,240
Speaker 2: I love it.

531
00:27:06,520 --> 00:27:08,600
Speaker 1: Even if it's not intentional, the fact that he looks

532
00:27:08,640 --> 00:27:09,960
Speaker 1: exactly like him is great.

533
00:27:10,760 --> 00:27:14,840
Speaker 4: I absolutely love that connection, and I would not put

534
00:27:14,840 --> 00:27:19,159
Speaker 4: it past someone as studied as Kevin Klein. Yes to

535
00:27:19,200 --> 00:27:21,840
Speaker 4: do that, Yes, I really, and I'm saying that with

536
00:27:21,880 --> 00:27:22,720
Speaker 4: all seriousness.

537
00:27:22,720 --> 00:27:23,960
Speaker 3: The man is a gem.

538
00:27:24,600 --> 00:27:27,560
Speaker 4: I had my sexual awakening watching this movie when he

539
00:27:27,600 --> 00:27:30,560
Speaker 4: was tossing pizza in the beginning.

540
00:27:32,320 --> 00:27:33,680
Speaker 3: He is in my heart forever.

541
00:27:34,600 --> 00:27:38,160
Speaker 4: They filmed some scenes of In and Out, another movie

542
00:27:38,160 --> 00:27:39,920
Speaker 4: that he was in with Joan Cusack and a bunch

543
00:27:39,960 --> 00:27:42,800
Speaker 4: of other people. They filmed some scenes at a church

544
00:27:42,840 --> 00:27:44,800
Speaker 4: in my town when I was in high school, and

545
00:27:44,880 --> 00:27:47,320
Speaker 4: I knew even then, like, I can't get anywhere near

546
00:27:47,359 --> 00:27:47,680
Speaker 4: this man.

547
00:27:49,080 --> 00:27:50,760
Speaker 2: I'm too young to go to jail for the rest

548
00:27:50,800 --> 00:27:51,280
Speaker 2: of my life.

549
00:27:53,200 --> 00:27:56,840
Speaker 1: You had your sexual awakening to Kevin Kline as an

550
00:27:56,880 --> 00:27:59,200
Speaker 1: Italian guy flipping pizzas.

551
00:27:59,400 --> 00:28:03,040
Speaker 4: Possibly this movie or The January Man, but he was

552
00:28:03,080 --> 00:28:03,959
Speaker 4: definitely involved.

553
00:28:04,040 --> 00:28:05,040
Speaker 2: Let's just say that.

554
00:28:06,400 --> 00:28:08,280
Speaker 4: I saw him in one of those films and I

555
00:28:08,320 --> 00:28:08,680
Speaker 4: was like.

556
00:28:08,720 --> 00:28:09,840
Speaker 3: Yes, men are okay.

557
00:28:11,520 --> 00:28:14,119
Speaker 2: Wow, I love it. I love to hear it.

558
00:28:14,760 --> 00:28:17,959
Speaker 4: So this film, I'll give you my little one sentence

559
00:28:18,000 --> 00:28:21,840
Speaker 4: synopsis before we get into the plot and talking about

560
00:28:21,840 --> 00:28:25,760
Speaker 4: this film. So this is a movie based on a

561
00:28:25,840 --> 00:28:31,440
Speaker 4: true story of a woman who, after catching her philandering

562
00:28:31,720 --> 00:28:36,960
Speaker 4: husband in the act, commits herself to trying to kill him.

563
00:28:37,920 --> 00:28:47,920
Speaker 4: And it takes nearly five times. Just again, run through

564
00:28:47,960 --> 00:28:52,880
Speaker 4: this incredible cast. Yes, Kevin Klein's playing Joey. Tracy Ullman

565
00:28:52,920 --> 00:28:57,880
Speaker 4: plays Rosalie, his wife. Joan Plowwright plays Mama Naja, her mother.

566
00:28:58,240 --> 00:29:04,640
Speaker 4: Joan Plowwright is a dream of vision, stunning, hilarious, river.

567
00:29:04,520 --> 00:29:05,560
Speaker 2: Phoenix, rest in Peace.

568
00:29:05,640 --> 00:29:09,479
Speaker 4: King plays Devo, who is an employee of the pizza

569
00:29:09,520 --> 00:29:14,680
Speaker 4: shop that Joey owns. William Hurt and Keanu Reeves play

570
00:29:14,760 --> 00:29:21,400
Speaker 4: Harlan and Marlin, two guys who are hired to kill Joey. God.

571
00:29:21,800 --> 00:29:24,840
Speaker 4: And when I tell you that William Hurt Academy Award

572
00:29:24,920 --> 00:29:28,800
Speaker 4: winning actor William Hurt, children of a Lesser God, William

573
00:29:28,880 --> 00:29:33,640
Speaker 4: Hurt has never been better, I am not exaggerating, has

574
00:29:33,800 --> 00:29:35,120
Speaker 4: never been big chill.

575
00:29:35,160 --> 00:29:37,320
Speaker 3: William Hurt has never been better.

576
00:29:37,120 --> 00:29:39,000
Speaker 2: Than he was as Harlan and I Love you to death.

577
00:29:39,480 --> 00:29:44,680
Speaker 4: So this film is really interested in the beginning, in

578
00:29:45,000 --> 00:29:49,240
Speaker 4: setting up the comic tragedy that is about to follow.

579
00:29:49,640 --> 00:29:52,640
Speaker 4: So for a long time you see Joey's life, like

580
00:29:52,720 --> 00:29:56,440
Speaker 4: you see the pizza place where his kids come after school,

581
00:29:56,440 --> 00:29:58,280
Speaker 4: and they sit at the counter and they eat lunch,

582
00:29:58,320 --> 00:30:01,400
Speaker 4: and you know, have a sight sent a coke and

583
00:30:01,480 --> 00:30:03,560
Speaker 4: there's a there's pictures on the wall that made me

584
00:30:03,680 --> 00:30:05,880
Speaker 4: laugh instantly. I was laughing from the minute this fucking

585
00:30:05,920 --> 00:30:09,760
Speaker 4: movie started. You've got a picture of JFK, the Pope,

586
00:30:10,520 --> 00:30:14,960
Speaker 4: Jesus and Mary and Frank Sinatra. Yes, just like the

587
00:30:15,080 --> 00:30:21,200
Speaker 4: Holy there's a Holy Trinity plus Sinatra. But I love it,

588
00:30:21,240 --> 00:30:24,680
Speaker 4: and you know, and Rosalie works there, and Divo is like,

589
00:30:24,720 --> 00:30:28,600
Speaker 4: this really kind of hippie, chill guy, but his brother

590
00:30:28,680 --> 00:30:32,080
Speaker 4: knows a bunch of people who have been imprisoned, and

591
00:30:32,080 --> 00:30:35,760
Speaker 4: it's just kind of a little family, family business. And

592
00:30:35,880 --> 00:30:41,280
Speaker 4: Divo also really loves Rosalie, like he's into her, but

593
00:30:41,360 --> 00:30:44,600
Speaker 4: she loves she loves Joey, and he asks her one

594
00:30:44,680 --> 00:30:47,400
Speaker 4: day they're sitting down and he's like, what would you

595
00:30:47,440 --> 00:30:49,080
Speaker 4: do if you found out he was cheating on you?

596
00:30:49,120 --> 00:30:52,840
Speaker 4: Because he knows he's seen this guy in action. And

597
00:30:52,880 --> 00:30:56,480
Speaker 4: she says, I'd kill myself and if that didn't work,

598
00:30:56,560 --> 00:31:00,200
Speaker 4: I'd kill him. So going back for a moment to

599
00:31:00,440 --> 00:31:06,800
Speaker 4: the real life story of this movie, the real life

600
00:31:06,920 --> 00:31:12,920
Speaker 4: couple were named Tony and Francis Toto and they lived

601
00:31:13,000 --> 00:31:19,160
Speaker 4: in Allentown, Pennsylvania, and this is where the movie takes place.

602
00:31:20,360 --> 00:31:23,360
Speaker 4: So yes, so it's like a Pennsylvania East Coast family.

603
00:31:24,080 --> 00:31:25,640
Speaker 4: At the time of the article I read in the

604
00:31:25,720 --> 00:31:28,720
Speaker 4: Chicago Tribune in nineteen ninety, when the movie came out,

605
00:31:28,760 --> 00:31:32,400
Speaker 4: they were still married and they'd been married for twenty

606
00:31:32,440 --> 00:31:37,600
Speaker 4: four years. They had four kids two grandchildren. But she,

607
00:31:38,000 --> 00:31:41,800
Speaker 4: the real life woman Francis went to jail. She had

608
00:31:41,840 --> 00:31:44,320
Speaker 4: to plead guilty to two felonies and went to prison

609
00:31:44,400 --> 00:31:47,760
Speaker 4: for four years. And this article, again, this is a

610
00:31:47,800 --> 00:31:51,360
Speaker 4: direct quote from the Chicago Tribune. Tony sold the pizza

611
00:31:51,400 --> 00:31:54,080
Speaker 4: restaurant they owned and found a forty hour a week

612
00:31:54,200 --> 00:31:56,880
Speaker 4: job as a printer at a substantial cut in income

613
00:31:57,000 --> 00:31:59,960
Speaker 4: so he could spend more time with the children while

614
00:32:00,240 --> 00:32:03,160
Speaker 4: she was away. They were reunited when she was released

615
00:32:03,160 --> 00:32:04,880
Speaker 4: from prison two years ago.

616
00:32:05,320 --> 00:32:05,960
Speaker 3: End quote.

617
00:32:06,200 --> 00:32:10,840
Speaker 4: So she really went to prison, He really waited for her,

618
00:32:11,280 --> 00:32:13,640
Speaker 4: she really came out and they really stayed together.

619
00:32:14,200 --> 00:32:16,240
Speaker 2: Wow, that is insane.

620
00:32:16,600 --> 00:32:20,760
Speaker 4: Yeah, so that is the real life couple behind this film.

621
00:32:21,040 --> 00:32:24,640
Speaker 4: But what happens it's so unbelievable that it makes it

622
00:32:24,720 --> 00:32:30,120
Speaker 4: funnier somehow. So essentially you get this really cute scene

623
00:32:30,160 --> 00:32:33,040
Speaker 4: of Kevin Klein dancing with his real life wife Phoebe

624
00:32:33,080 --> 00:32:38,680
Speaker 4: Kate's and Mama and Naja is like at home soldering

625
00:32:38,720 --> 00:32:42,640
Speaker 4: because she can fix anything. And Rosalie has gone to

626
00:32:42,680 --> 00:32:46,200
Speaker 4: this library and seen Joey cheating, so she comes home

627
00:32:46,200 --> 00:32:48,600
Speaker 4: and she's upset and Mama Naja, Mama Na just trying

628
00:32:48,600 --> 00:32:50,360
Speaker 4: to like console her, but you know, she takes a

629
00:32:50,360 --> 00:32:54,480
Speaker 4: bunch of Bayar aspirin and tries to kill herself.

630
00:32:54,560 --> 00:32:55,680
Speaker 3: That doesn't work, so.

631
00:32:55,680 --> 00:32:56,440
Speaker 2: She sets out.

632
00:32:56,560 --> 00:32:59,400
Speaker 4: She goes forward with her plan of trying to kill him,

633
00:32:59,640 --> 00:33:02,280
Speaker 4: and her mother is part of the plot to kill

634
00:33:02,320 --> 00:33:02,760
Speaker 4: this man.

635
00:33:03,920 --> 00:33:08,040
Speaker 1: Oh god, I have to say so this this film

636
00:33:08,160 --> 00:33:10,720
Speaker 1: was actually really heartwarming in so many ways for me,

637
00:33:10,800 --> 00:33:12,959
Speaker 1: even though I mean it's a black comedy obviously, and

638
00:33:14,040 --> 00:33:18,520
Speaker 1: there's attempted murder happening, But the relationship between Rosalie and

639
00:33:18,560 --> 00:33:22,480
Speaker 1: her mother, I was like, literally like this is the

640
00:33:22,520 --> 00:33:26,520
Speaker 1: best mother daughter relationship I've ever seen on screen. Part

641
00:33:26,560 --> 00:33:29,480
Speaker 1: of me is like, you know what, I think if

642
00:33:29,520 --> 00:33:32,160
Speaker 1: I was in this situation, my mom would pull some

643
00:33:32,200 --> 00:33:35,400
Speaker 1: shit like this. My own mother, I think, would actually

644
00:33:35,480 --> 00:33:37,560
Speaker 1: be like, yeah, let's fucking.

645
00:33:37,600 --> 00:33:39,200
Speaker 2: Get this guy who broke your heart.

646
00:33:39,280 --> 00:33:42,240
Speaker 1: You know that moment of like where the mother's like, hell, yeah,

647
00:33:42,280 --> 00:33:43,960
Speaker 1: let's go. I got you know, I don't want to

648
00:33:44,040 --> 00:33:48,400
Speaker 1: fix shit. I'm like, I'm a guyver type and I

649
00:33:48,440 --> 00:33:49,800
Speaker 1: can really get this done for you.

650
00:33:50,320 --> 00:33:53,080
Speaker 2: Was like, oh my god. It made me miss my mom.

651
00:33:53,200 --> 00:33:54,880
Speaker 2: Like I was like, oh, I missed my mom.

652
00:33:55,480 --> 00:33:57,400
Speaker 3: The mom starts singing, I got five on it.

653
00:34:00,200 --> 00:34:03,480
Speaker 4: Ah so good, it's so good.

654
00:34:03,560 --> 00:34:04,480
Speaker 2: Your mom would totally do.

655
00:34:04,560 --> 00:34:07,400
Speaker 4: I can see your mom like soldering together a car

656
00:34:07,440 --> 00:34:10,160
Speaker 4: engine and then like taking a bat and trying to

657
00:34:10,239 --> 00:34:13,439
Speaker 4: kill someone. And that is my highest compliment, I mean

658
00:34:13,440 --> 00:34:16,879
Speaker 4: met with all of the complimentary juice I can muster.

659
00:34:17,840 --> 00:34:19,280
Speaker 2: She's got the prison tattoo.

660
00:34:19,320 --> 00:34:23,680
Speaker 4: She might as well, you're gonna be uninvited from Christmas

661
00:34:23,680 --> 00:34:26,560
Speaker 4: if we keep talking about.

662
00:34:29,640 --> 00:34:32,120
Speaker 3: Oh good, But so she does. So they try. They

663
00:34:32,160 --> 00:34:34,920
Speaker 3: try to kill him five times.

664
00:34:35,120 --> 00:34:39,799
Speaker 4: So the first time, Mom and Naja hires someone one

665
00:34:39,800 --> 00:34:43,560
Speaker 4: of her friend's grandsons to swing a bat, like, try

666
00:34:43,600 --> 00:34:45,200
Speaker 4: to hit him with a bat, and he's wearing a

667
00:34:45,280 --> 00:34:47,319
Speaker 4: Lincoln mask and it's kind of funny because the guy

668
00:34:47,360 --> 00:34:49,799
Speaker 4: messes up, and when Joey comes inside, she's like, what

669
00:34:49,800 --> 00:34:50,480
Speaker 4: did he look like?

670
00:34:50,719 --> 00:34:52,800
Speaker 3: And he's like, he looked like a blinking coming.

671
00:34:52,640 --> 00:34:53,160
Speaker 2: Up to bat.

672
00:34:58,200 --> 00:35:01,080
Speaker 4: Then Joey gets a gun for his own protection that

673
00:35:01,200 --> 00:35:05,000
Speaker 4: ends up backfiring. The second time they try to kill him,

674
00:35:05,200 --> 00:35:07,799
Speaker 4: Mama Naja basically fucks with his car, tries to blow

675
00:35:07,880 --> 00:35:10,680
Speaker 4: up his car. Doesn't work, thankfully because Rosalie's in the

676
00:35:10,680 --> 00:35:18,120
Speaker 4: car with him. The third time, Rosalie decides to spike

677
00:35:18,280 --> 00:35:21,640
Speaker 4: the tomato sauce that she's making for dinner with two

678
00:35:21,760 --> 00:35:23,120
Speaker 4: bottles of sleeping pills.

679
00:35:23,560 --> 00:35:24,839
Speaker 2: Yeah, just in the.

680
00:35:24,800 --> 00:35:28,759
Speaker 4: Tomato sauce, melt him in there. He gets tired, he

681
00:35:28,800 --> 00:35:31,640
Speaker 4: doesn't die. He gets back on his feet when he

682
00:35:31,800 --> 00:35:33,719
Speaker 4: like after he takes a dump and he's like, I'm

683
00:35:33,760 --> 00:35:36,319
Speaker 4: good to go, and she's like he is inhuman, Like

684
00:35:36,400 --> 00:35:37,560
Speaker 4: I don't understand.

685
00:35:38,719 --> 00:35:42,640
Speaker 2: How is this possible? I'm not how is this possible?

686
00:35:43,040 --> 00:35:44,920
Speaker 4: And the kids are away for the weekend, like she

687
00:35:45,040 --> 00:35:48,440
Speaker 4: thought enough ahead, but she's basically has to give him

688
00:35:48,480 --> 00:35:52,080
Speaker 4: like four bowls of pasta and then she calls Divo

689
00:35:52,320 --> 00:35:54,480
Speaker 4: and she's like, Divo, I need you to shoot him

690
00:35:54,480 --> 00:35:55,919
Speaker 4: because he won't he won't die.

691
00:35:56,680 --> 00:35:58,440
Speaker 2: So Divo comes over.

692
00:35:59,360 --> 00:36:02,480
Speaker 3: And he's like this is possibly my favorite.

693
00:36:02,239 --> 00:36:04,080
Speaker 4: River Phoenix scene in this movie, where he's like, I

694
00:36:04,080 --> 00:36:05,960
Speaker 4: have to get myself together, give me a minute, and

695
00:36:06,000 --> 00:36:09,000
Speaker 4: he like closes the door and goes into the den.

696
00:36:08,960 --> 00:36:10,560
Speaker 2: And he's like, all right, get your shit together, and

697
00:36:10,560 --> 00:36:11,239
Speaker 2: then he comes back.

698
00:36:15,640 --> 00:36:17,360
Speaker 4: That's all it takes, like all right, get your shit together,

699
00:36:17,440 --> 00:36:19,920
Speaker 4: get your shit together, and he comes back out, but

700
00:36:20,040 --> 00:36:23,600
Speaker 4: Divo does. Divo shoots him in the head, and he's

701
00:36:23,600 --> 00:36:29,000
Speaker 4: still alive. He's still walking around. He's still saying like,

702
00:36:29,160 --> 00:36:31,400
Speaker 4: I'm sleepy, I've got a virus. I don't know what

703
00:36:31,480 --> 00:36:35,160
Speaker 4: happened to me. So then here come the warm jets,

704
00:36:35,200 --> 00:36:36,239
Speaker 4: Here comes my favorite bar.

705
00:36:36,600 --> 00:36:37,560
Speaker 2: Oh my gosh.

706
00:36:38,120 --> 00:36:44,360
Speaker 4: So Divo decides to hire Harlan and Marlin to kill Joey.

707
00:36:44,840 --> 00:36:47,520
Speaker 4: So he goes down to this bar again, William Hurt

708
00:36:47,520 --> 00:36:52,640
Speaker 4: and Keanu Reeves. Keanu Reeves look is so feral in

709
00:36:52,680 --> 00:36:55,880
Speaker 4: this film.

710
00:36:56,920 --> 00:36:59,720
Speaker 2: But dare I say we are horny?

711
00:36:59,760 --> 00:37:01,279
Speaker 4: Four? Four?

712
00:37:01,400 --> 00:37:04,120
Speaker 3: Of course I'm terrible taste. This is noted.

713
00:37:04,680 --> 00:37:05,040
Speaker 2: I love.

714
00:37:05,120 --> 00:37:08,560
Speaker 1: I love a guy that has like his the sides

715
00:37:08,600 --> 00:37:11,120
Speaker 1: of his head shaved like indiscriminately.

716
00:37:12,200 --> 00:37:16,480
Speaker 4: Just it looked like it looked like that, remember that

717
00:37:16,520 --> 00:37:20,240
Speaker 4: mister bucket toy, or like what was the the water wiggle?

718
00:37:21,160 --> 00:37:23,680
Speaker 4: It looks like a water wiggle was holding onto a razor.

719
00:37:24,520 --> 00:37:29,239
Speaker 4: That was That's how I can how it described that haircut. Ah, well,

720
00:37:29,320 --> 00:37:31,320
Speaker 4: he just laid down on the grass under a fucking

721
00:37:31,640 --> 00:37:36,200
Speaker 4: water wiggle and let that razor go to town. But he's

722
00:37:36,280 --> 00:37:41,160
Speaker 4: so funny because they're basically playing like these incredibly drugged out,

723
00:37:41,480 --> 00:37:45,919
Speaker 4: like really really really drugged out dudes who are very

724
00:37:45,960 --> 00:37:49,080
Speaker 4: slow moving. They take a taxi to the scene of

725
00:37:49,120 --> 00:37:56,640
Speaker 4: the crime. They jump at the slightest provocation. Everything freaks

726
00:37:56,680 --> 00:37:59,480
Speaker 4: them out. They are the one of the greatest tag

727
00:37:59,520 --> 00:38:02,440
Speaker 4: team do in the in the nineties.

728
00:38:02,480 --> 00:38:04,000
Speaker 2: For sure. For this movie alone.

729
00:38:04,080 --> 00:38:06,480
Speaker 4: Even though I know that River Phoenix and Keanu Reeves

730
00:38:06,520 --> 00:38:09,480
Speaker 4: have done more movies together, this is my favorite pairing.

731
00:38:10,080 --> 00:38:13,360
Speaker 2: Oh my gosh, totally. And they have such different energies.

732
00:38:13,400 --> 00:38:15,480
Speaker 1: I mean, it's like the thing where they're like, you know,

733
00:38:15,520 --> 00:38:19,040
Speaker 1: obviously they're somehow connected. I mean, he, you know, Devo

734
00:38:19,239 --> 00:38:23,080
Speaker 1: knows these two fucking chuckle heads. But the fact that

735
00:38:23,080 --> 00:38:24,759
Speaker 1: they're both in the same movie and they're both kind

736
00:38:24,800 --> 00:38:28,560
Speaker 1: of like like, Keanu is definitely more of like he's

737
00:38:28,680 --> 00:38:31,160
Speaker 1: definitely a groder, as I would call them. I don't

738
00:38:31,160 --> 00:38:32,960
Speaker 1: know if anybody listen to the heavy Metal episode, but

739
00:38:33,239 --> 00:38:37,880
Speaker 1: he was like a classic groter, and uh, River Phoenix

740
00:38:37,920 --> 00:38:40,239
Speaker 1: was more of like kind of a hippie spiritual guy.

741
00:38:40,360 --> 00:38:44,239
Speaker 4: It was so great, Oh god, it's beautiful. And of

742
00:38:44,280 --> 00:38:46,359
Speaker 4: course they all get caught. Of course they all get

743
00:38:46,360 --> 00:38:49,680
Speaker 4: caught because as soon as they shoot him again, but

744
00:38:49,880 --> 00:38:52,080
Speaker 4: Harlan and Marlon don't know what side of the body

745
00:38:52,120 --> 00:38:54,680
Speaker 4: the heart is on. Oh my god, So they shoot

746
00:38:54,719 --> 00:39:00,239
Speaker 4: him in the wrong They shoot him in the wrong side.

747
00:39:01,840 --> 00:39:03,920
Speaker 1: The part where they try to figure it out is

748
00:39:04,040 --> 00:39:04,640
Speaker 1: so good.

749
00:39:05,840 --> 00:39:10,080
Speaker 4: Is so good God, And they shoot him on the

750
00:39:10,080 --> 00:39:13,160
Speaker 4: wrong side and he just comes like stumbling downstairs. And

751
00:39:13,280 --> 00:39:16,279
Speaker 4: so they get paid for half the job because they

752
00:39:16,280 --> 00:39:18,359
Speaker 4: didn't kill him. They just woke him up, is what

753
00:39:18,480 --> 00:39:21,960
Speaker 4: River fixs. What Devo said, Oh no, it was Mama Naja.

754
00:39:22,360 --> 00:39:24,759
Speaker 4: Mama Naja, is like, you just woke him up. So

755
00:39:24,800 --> 00:39:26,520
Speaker 4: they get paid for half the job. But then they

756
00:39:26,520 --> 00:39:28,560
Speaker 4: go to the bar and they start bragging about how

757
00:39:28,600 --> 00:39:31,520
Speaker 4: they killed Joey Bocha for five thousand dollars, which is

758
00:39:31,560 --> 00:39:34,720
Speaker 4: not true. None of it is true. So of course

759
00:39:34,760 --> 00:39:38,320
Speaker 4: the cops come. All hell breaks loose from that point forward.

760
00:39:39,160 --> 00:39:43,000
Speaker 4: But it is this movie is just so funny, and

761
00:39:43,480 --> 00:39:46,160
Speaker 4: it's such a weird karmic movie because like, he gets

762
00:39:46,160 --> 00:39:48,239
Speaker 4: what's coming to him, but then you also don't want

763
00:39:48,280 --> 00:39:50,799
Speaker 4: him to get what's coming to him, Like this is

764
00:39:50,840 --> 00:39:54,120
Speaker 4: like it's such an extreme reaction. But it's just so

765
00:39:54,200 --> 00:39:57,360
Speaker 4: interesting to see see her kind of have a plan,

766
00:39:57,840 --> 00:39:59,680
Speaker 4: use her mother as her partner, and.

767
00:39:59,640 --> 00:40:04,000
Speaker 3: Cry to go through with it on the screen. I think.

768
00:40:04,040 --> 00:40:05,640
Speaker 4: I don't think she used her mother in real life,

769
00:40:05,640 --> 00:40:09,759
Speaker 4: but on the screen and then to just go for

770
00:40:09,800 --> 00:40:11,879
Speaker 4: it like she tried it. And I love that they're

771
00:40:11,880 --> 00:40:15,399
Speaker 4: still together. I love that that they worked it out. Yeah,

772
00:40:15,440 --> 00:40:19,040
Speaker 4: made it through the wilderness. But this movie is just

773
00:40:19,080 --> 00:40:21,279
Speaker 4: a delight. It's really a good movie to put on

774
00:40:21,320 --> 00:40:23,239
Speaker 4: if you just want to laugh. There's so many parts

775
00:40:23,280 --> 00:40:24,160
Speaker 4: that are so funny.

776
00:40:24,520 --> 00:40:24,840
Speaker 2: Yeah.

777
00:40:24,960 --> 00:40:29,760
Speaker 1: I truly feel like this is a type of movie

778
00:40:29,760 --> 00:40:32,640
Speaker 1: that I just don't see very much anymore, and it

779
00:40:32,840 --> 00:40:36,319
Speaker 1: just made me nostalgic for that, for these comedies that

780
00:40:36,520 --> 00:40:38,840
Speaker 1: like this is something that we would have definitely rented

781
00:40:38,880 --> 00:40:41,440
Speaker 1: at the video store. I know for a fact my

782
00:40:41,560 --> 00:40:43,840
Speaker 1: dad would have loved to see it because he loves

783
00:40:44,480 --> 00:40:47,600
Speaker 1: people doing imitations of Italian guys.

784
00:40:47,760 --> 00:40:49,280
Speaker 2: It's just like un he loves.

785
00:40:50,280 --> 00:40:54,120
Speaker 1: I almost called him after I watched the movie today

786
00:40:54,120 --> 00:40:56,960
Speaker 1: because I was basically like, Dad, do you remember that

787
00:40:57,040 --> 00:40:58,920
Speaker 1: Kevin Kleinde movie where he plays the Italian guy?

788
00:40:58,920 --> 00:41:00,759
Speaker 2: And he'd be like, oh, yeah, we gotta put that

789
00:41:00,840 --> 00:41:03,960
Speaker 2: on again. Whoo. Yeah, this was a that was a classic.

790
00:41:04,840 --> 00:41:07,080
Speaker 4: The next time you go to visit, you should change

791
00:41:07,120 --> 00:41:11,600
Speaker 4: his ring tone to Kevin Klined from this movie going.

792
00:41:11,560 --> 00:41:16,399
Speaker 2: Oh, Sally, Yes and rad Oh.

793
00:41:16,480 --> 00:41:20,080
Speaker 1: It just reminded me of when of the high Tracy

794
00:41:20,120 --> 00:41:22,960
Speaker 1: Oleman era and when she was in movies and she

795
00:41:23,040 --> 00:41:24,280
Speaker 1: was on TV all the time.

796
00:41:24,480 --> 00:41:27,720
Speaker 3: Oh so wonderful, a classic A banger.

797
00:41:28,239 --> 00:41:32,400
Speaker 1: Yes, and Keanu in this film, you know, despite the

798
00:41:32,440 --> 00:41:37,640
Speaker 1: fact that he looks fucked up, still horny for right.

799
00:41:37,760 --> 00:41:40,400
Speaker 2: He's so cute, so cute, so cute.

800
00:41:41,360 --> 00:41:44,720
Speaker 4: I don't that's the man has a charm a power

801
00:41:44,800 --> 00:41:47,200
Speaker 4: about him because he could not look worse.

802
00:41:50,640 --> 00:41:52,800
Speaker 1: But you know what I mean, I love that Kevin

803
00:41:52,880 --> 00:41:56,279
Speaker 1: Kleine like it's coming around the back gate, kind of

804
00:41:56,320 --> 00:41:59,680
Speaker 1: like yo, sneaking into you know, sneaking into your brain

805
00:41:59,760 --> 00:42:02,600
Speaker 1: and your heart, like Kevin Clyde with a mustache.

806
00:42:03,239 --> 00:42:06,000
Speaker 4: Oh just took up residence in my heart, has been

807
00:42:06,040 --> 00:42:09,600
Speaker 4: renting space for free since nineteen eighty nine eighty eight,

808
00:42:12,719 --> 00:42:17,000
Speaker 4: like ready to go with Kevin Klein at all times.

809
00:42:19,239 --> 00:42:22,279
Speaker 1: I just love that this might have been to the

810
00:42:22,320 --> 00:42:26,840
Speaker 1: movie that exploded your loins as a as a young person.

811
00:42:27,040 --> 00:42:30,839
Speaker 4: So also, I love pizza. I love pizza. What's better

812
00:42:30,920 --> 00:42:33,040
Speaker 4: Kevin Kline and pizza Get out of here.

813
00:42:33,800 --> 00:42:36,600
Speaker 2: Hello, I am so glad you picked this movie. It

814
00:42:36,640 --> 00:42:39,680
Speaker 2: was truly a joy to watch.

815
00:42:39,719 --> 00:42:43,160
Speaker 1: Again, I loved it. I loved being in the world.

816
00:42:43,360 --> 00:42:47,280
Speaker 1: It was so cozy and wonderful and reminded me of

817
00:42:47,360 --> 00:42:48,080
Speaker 1: being a kid.

818
00:42:48,200 --> 00:42:51,640
Speaker 2: It was great. Oh that's the fastest I love that. Well.

819
00:42:52,120 --> 00:42:55,080
Speaker 4: I felt similarly about yours been in a very weird way.

820
00:42:58,360 --> 00:43:01,000
Speaker 3: Reminded me of being a kid in a very weird way.

821
00:43:01,600 --> 00:43:06,359
Speaker 1: I mean, yeah, maybe a few years go by and

822
00:43:06,400 --> 00:43:09,960
Speaker 1: you're like, Oh, I'm no longer hanging out with my

823
00:43:10,000 --> 00:43:12,200
Speaker 1: mom and dad on a Friday night. Now I'm hanging

824
00:43:12,239 --> 00:43:15,000
Speaker 1: out with like the people that smoke cigarettes in my

825
00:43:15,239 --> 00:43:15,800
Speaker 1: high school.

826
00:43:20,000 --> 00:43:22,680
Speaker 2: Quite a different feeling.

827
00:43:22,880 --> 00:43:27,000
Speaker 1: But this sault shack nonetheless, As Danielle just pointed out,

828
00:43:27,200 --> 00:43:32,560
Speaker 1: Oh my goodness. So my movie for the theme Horny

829
00:43:32,640 --> 00:43:37,520
Speaker 1: four non Joan wick keaner Reeves is a movie that

830
00:43:37,680 --> 00:43:41,080
Speaker 1: was released in nineteen eighty six. It was written by

831
00:43:41,160 --> 00:43:45,680
Speaker 1: Neil jim Andez directed by Tim Hunter, and it's called

832
00:43:45,760 --> 00:43:46,800
Speaker 1: River's Edge.

833
00:43:47,520 --> 00:43:50,560
Speaker 4: You don't understand a goddamn thing, do you.

834
00:43:53,200 --> 00:43:54,600
Speaker 3: Jamie is bad.

835
00:43:54,600 --> 00:43:58,000
Speaker 4: Damn it, and there's nothing that we can do to

836
00:43:58,040 --> 00:43:59,440
Speaker 4: save now what happens to like.

837
00:44:01,120 --> 00:44:06,719
Speaker 2: But John is still alive. Don't you see that? All right?

838
00:44:06,960 --> 00:44:11,280
Speaker 1: So I'm gonna do the one sentence synopsis right now,

839
00:44:11,520 --> 00:44:13,120
Speaker 1: go for it, am I get it out of the way.

840
00:44:14,040 --> 00:44:17,840
Speaker 1: A group of high school age thrash metal stoners living

841
00:44:17,880 --> 00:44:22,080
Speaker 1: in California are rocked to the core after fighting out

842
00:44:22,080 --> 00:44:24,879
Speaker 1: one of their friends has murdered his girlfriend, and each

843
00:44:24,960 --> 00:44:28,080
Speaker 1: have their own disturbing ways of processing it.

844
00:44:28,280 --> 00:44:30,680
Speaker 2: Solid Yep, just had to say.

845
00:44:30,560 --> 00:44:32,920
Speaker 1: It on top because everything that I just said is

846
00:44:32,960 --> 00:44:36,160
Speaker 1: going to inform the rest of what I'm.

847
00:44:36,000 --> 00:44:37,640
Speaker 2: About to say. It's gonna happen.

848
00:44:39,320 --> 00:44:42,719
Speaker 1: So I will say upfront that River's Edge is a

849
00:44:42,800 --> 00:44:46,440
Speaker 1: fictionalized account of an actual murder that happened in the

850
00:44:46,480 --> 00:44:49,440
Speaker 1: early eighties. But I want to say I think the

851
00:44:49,960 --> 00:44:52,279
Speaker 1: one of the most interesting things about River's Edge is

852
00:44:52,320 --> 00:44:54,760
Speaker 1: the idea that this movie was out in a time

853
00:44:55,880 --> 00:44:59,360
Speaker 1: nineteen eighty six nineteen eighty seven that was absolutely the

854
00:44:59,440 --> 00:45:03,640
Speaker 1: height of the teen movie craze, like the John Hughes era.

855
00:45:03,719 --> 00:45:06,120
Speaker 1: I mean, it's like you had pretty and Pink, Ferris

856
00:45:06,160 --> 00:45:08,800
Speaker 1: Bueller's day off in eighty six, some kind of wonderful

857
00:45:08,840 --> 00:45:09,560
Speaker 1: was in eighty seven.

858
00:45:09,719 --> 00:45:10,799
Speaker 2: I mean, I don't need to go on.

859
00:45:11,600 --> 00:45:14,680
Speaker 1: But also, weirdly enough, You also had stand By Me

860
00:45:14,760 --> 00:45:16,960
Speaker 1: that came out in eighty six, which is another movie

861
00:45:17,040 --> 00:45:19,360
Speaker 1: about kids who are going to look at a dead body.

862
00:45:19,400 --> 00:45:24,239
Speaker 1: Weirdly enough, but even still, I will argue that stand

863
00:45:24,239 --> 00:45:27,279
Speaker 1: By Me is not even as dark as River's Edge. Okay, No,

864
00:45:27,920 --> 00:45:31,560
Speaker 1: I feel like River's Edge is still a really disturbing

865
00:45:31,600 --> 00:45:35,080
Speaker 1: movie to me to this day, and I think part

866
00:45:35,080 --> 00:45:38,680
Speaker 1: of that is because of the type of kids this

867
00:45:38,719 --> 00:45:42,440
Speaker 1: movie is about, which yes, obviously you're definitely.

868
00:45:42,000 --> 00:45:44,680
Speaker 2: Not like a Molly Ringwald than her Friend's type of vibe.

869
00:45:44,800 --> 00:45:51,440
Speaker 1: Right, The kids in this movie are legit scary, very authentic.

870
00:45:52,239 --> 00:45:55,000
Speaker 1: They were like the burnouts, the pill heads, like the

871
00:45:55,040 --> 00:45:58,080
Speaker 1: heavy metal punk kids, and you just did not see

872
00:45:58,080 --> 00:45:59,640
Speaker 1: a lot of that in this era.

873
00:46:00,520 --> 00:46:03,640
Speaker 4: Well, these kids hung out with adults, like when teens

874
00:46:03,680 --> 00:46:06,919
Speaker 4: hang out with adults, I'm always freaked out, Oh my god,

875
00:46:07,040 --> 00:46:10,120
Speaker 4: like that teen is is too much for me already.

876
00:46:10,320 --> 00:46:11,560
Speaker 3: They know some shit that I don't know.

877
00:46:12,360 --> 00:46:14,759
Speaker 1: Yeah, and it wasn't like even I mean, there are

878
00:46:14,800 --> 00:46:19,160
Speaker 1: some characters in the John Hughes universe that are that type,

879
00:46:19,400 --> 00:46:22,240
Speaker 1: you know, like the kind of like you know, heavy

880
00:46:22,280 --> 00:46:25,000
Speaker 1: metal guy or you know, like I think of you know,

881
00:46:25,239 --> 00:46:29,440
Speaker 1: Charlie Sheen in Ferris Bueller or some of the kids

882
00:46:29,480 --> 00:46:32,000
Speaker 1: and some kind of wonderful that is not even them.

883
00:46:32,120 --> 00:46:36,320
Speaker 2: Like, these kids go way harder than any of those characters.

884
00:46:36,360 --> 00:46:39,719
Speaker 1: Even so, like I said, this film takes place in California.

885
00:46:39,880 --> 00:46:42,440
Speaker 1: It's about a group of high school kids. There's a

886
00:46:42,520 --> 00:46:47,000
Speaker 1: kid named Matt who is played by Arbois Keanu Reeves.

887
00:46:47,840 --> 00:46:51,240
Speaker 1: His younger brother Tim, who's played by Joshua John Miller.

888
00:46:51,520 --> 00:46:53,800
Speaker 2: Tim who was also in Teen Witch.

889
00:46:54,120 --> 00:46:56,960
Speaker 4: Yes, he's the one that says you're a dog, Louise

890
00:46:57,239 --> 00:46:58,360
Speaker 4: a dog.

891
00:47:00,000 --> 00:47:02,520
Speaker 1: He was in the Halloween franchise. I mean, Joshua John

892
00:47:02,560 --> 00:47:05,279
Speaker 1: Miller is a king. He's a cult lady king. We

893
00:47:05,360 --> 00:47:10,400
Speaker 1: love him. You got Matt's friend Lane, who was played

894
00:47:10,400 --> 00:47:11,680
Speaker 1: by Crispin Glover.

895
00:47:12,680 --> 00:47:15,960
Speaker 2: Definitely more about him in just a moment. There's not

896
00:47:16,160 --> 00:47:17,759
Speaker 2: enough tape, definitely not.

897
00:47:17,840 --> 00:47:20,919
Speaker 1: We don't even have enough time to cover the full

898
00:47:20,960 --> 00:47:25,160
Speaker 1: scope of Lane in this film. Then you've got the

899
00:47:25,160 --> 00:47:27,520
Speaker 1: two girls that hang out with the guys. So there's

900
00:47:27,520 --> 00:47:31,480
Speaker 1: Clarissa who's played by Ione Sky, Maggie who is played

901
00:47:31,480 --> 00:47:36,560
Speaker 1: by Roxanna Zol And finally you have Samson John Samson

902
00:47:36,840 --> 00:47:40,200
Speaker 1: who is played by Daniel Roebuck and he is the

903
00:47:40,280 --> 00:47:43,400
Speaker 1: friend that has committed the murder of his girlfriend. Okay,

904
00:47:44,040 --> 00:47:47,160
Speaker 1: and by large, the actors who are in this movie

905
00:47:47,880 --> 00:47:50,920
Speaker 1: were pretty much unknown at the time or we're just

906
00:47:50,960 --> 00:47:54,120
Speaker 1: starting their careers. I mean, Crispin Glover would probably have

907
00:47:54,200 --> 00:47:57,319
Speaker 1: been the most famous one. He had just been in

908
00:47:57,400 --> 00:47:59,600
Speaker 1: Back to the Future like a year or two prior.

909
00:48:00,160 --> 00:48:02,760
Speaker 1: Is probably the most famous one out of the kids. Really,

910
00:48:02,840 --> 00:48:07,560
Speaker 1: but definitely an early Keana Roll for sure. Definitely an

911
00:48:07,600 --> 00:48:10,680
Speaker 1: early Ione sky Roll. And you know, I think that's

912
00:48:10,719 --> 00:48:14,080
Speaker 1: part of why this movie seems pretty authentic, is because

913
00:48:14,480 --> 00:48:17,080
Speaker 1: you just have all these new faces and they seem

914
00:48:17,160 --> 00:48:18,719
Speaker 1: to be kind of of age.

915
00:48:19,160 --> 00:48:21,759
Speaker 2: You know, you don't have like forty year olds playing

916
00:48:21,840 --> 00:48:22,680
Speaker 2: high school students.

917
00:48:22,680 --> 00:48:26,759
Speaker 1: You have like young people playing these burnouts, and they

918
00:48:26,800 --> 00:48:30,279
Speaker 1: seem very authentic. Yeah, But essentially what happens is that

919
00:48:30,320 --> 00:48:32,799
Speaker 1: at the beginning of River's Edge, Samson is standing next

920
00:48:32,840 --> 00:48:35,239
Speaker 1: to the dead body of his girlfriend near the river

921
00:48:35,440 --> 00:48:38,760
Speaker 1: in this town that they live in. It's actually Tim,

922
00:48:39,200 --> 00:48:42,400
Speaker 1: the younger brother of Matt, who sees it all first.

923
00:48:42,560 --> 00:48:45,480
Speaker 1: And I think Tim is, like, his character is really

924
00:48:45,480 --> 00:48:47,960
Speaker 1: interesting in this movie because he sees a lot of

925
00:48:48,000 --> 00:48:51,160
Speaker 1: things that nobody else is seeing because he's younger. I mean,

926
00:48:51,200 --> 00:48:53,600
Speaker 1: I would say he's probably like in middle school, right,

927
00:48:54,520 --> 00:48:58,560
Speaker 1: And he's not friends with his brother and his crew,

928
00:48:59,000 --> 00:49:01,960
Speaker 1: although he would love to be. He just kind of

929
00:49:02,000 --> 00:49:04,400
Speaker 1: follows them around, and so a lot of like what

930
00:49:04,520 --> 00:49:07,560
Speaker 1: we end up viewing while watching the movie is kind

931
00:49:07,600 --> 00:49:12,360
Speaker 1: of through him, through his kind of observations, right. But

932
00:49:12,480 --> 00:49:16,160
Speaker 1: eventually everyone figures out that Samson has killed his girlfriend

933
00:49:16,200 --> 00:49:20,280
Speaker 1: and Lane, who, like I said, he kind of fancies

934
00:49:20,360 --> 00:49:25,319
Speaker 1: himself the leader of the crew. I guess he's kind

935
00:49:25,320 --> 00:49:27,840
Speaker 1: of the first one on the ground assessing the situation.

936
00:49:28,719 --> 00:49:31,239
Speaker 1: But I got to talk about Crisp and Glover in

937
00:49:31,239 --> 00:49:34,920
Speaker 1: this movie because he is the character I think that

938
00:49:35,280 --> 00:49:37,040
Speaker 1: everyone talks about when they.

939
00:49:36,920 --> 00:49:41,800
Speaker 2: See River's Edge, right, right, because he's so over the top.

940
00:49:42,160 --> 00:49:45,480
Speaker 1: Yes, and from what I've read about the movie, like

941
00:49:45,520 --> 00:49:48,840
Speaker 1: he essentially came to the audition with this whole vibe

942
00:49:49,160 --> 00:49:51,400
Speaker 1: and they were like, Okay, like, I guess you're in

943
00:49:51,440 --> 00:49:55,279
Speaker 1: this movie because you're so extremely weird. But like, first

944
00:49:55,320 --> 00:49:59,000
Speaker 1: of all, there's the accent, like it's like this very extreme,

945
00:49:59,160 --> 00:50:04,520
Speaker 1: like Calum Stoner thing, which is so outrageous.

946
00:50:04,840 --> 00:50:08,680
Speaker 2: But for me, it's the fucking wig.

947
00:50:09,560 --> 00:50:16,040
Speaker 4: Okay, thank Lord, Like, thank you for mentioning the wig.

948
00:50:16,760 --> 00:50:18,359
Speaker 2: I swear to God every time I see this movie,

949
00:50:18,400 --> 00:50:21,000
Speaker 2: I'm like, who let him wear that wig?

950
00:50:22,080 --> 00:50:22,400
Speaker 4: Oh?

951
00:50:22,480 --> 00:50:22,600
Speaker 1: My?

952
00:50:22,840 --> 00:50:25,520
Speaker 4: Like, did he come to set with that? And did

953
00:50:25,560 --> 00:50:28,520
Speaker 4: he pull it off of a mannequin in a river

954
00:50:28,600 --> 00:50:30,920
Speaker 4: before he did? Dude?

955
00:50:31,680 --> 00:50:34,680
Speaker 1: There's this moment in the movie where his he wears

956
00:50:34,719 --> 00:50:37,840
Speaker 1: this like mit cap right that's like on top of

957
00:50:37,840 --> 00:50:40,080
Speaker 1: the wig, And there's this moment where he's in a

958
00:50:40,120 --> 00:50:43,600
Speaker 1: scuffle and the cap comes off and you could really

959
00:50:43,680 --> 00:50:45,799
Speaker 1: see how jacked up this wig is.

960
00:50:46,040 --> 00:50:49,399
Speaker 2: And I'm like, what the fuck this wig is insane?

961
00:50:50,000 --> 00:50:52,400
Speaker 4: The bangs start from like back in the middle of

962
00:50:52,440 --> 00:50:52,920
Speaker 4: his head.

963
00:50:53,360 --> 00:50:58,200
Speaker 1: Ah, it is so outrageous, And I mean, when it

964
00:50:58,200 --> 00:51:00,640
Speaker 1: comes down to it, like we all know Crispin is

965
00:51:00,680 --> 00:51:05,880
Speaker 1: one of LA's finest professional weirdos, but this whole performance

966
00:51:06,320 --> 00:51:09,680
Speaker 1: truly underscores it. It's just like here it is in

967
00:51:09,760 --> 00:51:12,759
Speaker 1: plain view. Here's here's your boy, Crispin Glover in this

968
00:51:12,880 --> 00:51:13,760
Speaker 1: crazy ass wig.

969
00:51:13,840 --> 00:51:15,680
Speaker 2: Okay, And I.

970
00:51:15,600 --> 00:51:18,240
Speaker 1: Will say this is all very appropriate for what happens

971
00:51:18,280 --> 00:51:24,440
Speaker 1: next because Lane essentially consults the town drug dealer about

972
00:51:24,520 --> 00:51:28,160
Speaker 1: the situation with his friend Samson. As you do right.

973
00:51:28,640 --> 00:51:32,680
Speaker 1: The drug dealer is named Beck and is played by

974
00:51:33,320 --> 00:51:38,560
Speaker 1: another Hollywood wild man, Dennis Hopper, And honestly, I'll just

975
00:51:38,600 --> 00:51:43,000
Speaker 1: say this, Dennis Hopper playing both Frank Booth in Blue

976
00:51:43,080 --> 00:51:46,840
Speaker 1: Velvet and Bech in River's Edge around the same fucking

977
00:51:46,920 --> 00:51:50,680
Speaker 1: time absolutely influenced my perception of him when I was younger,

978
00:51:50,719 --> 00:51:52,360
Speaker 1: which is that I was terrified of.

979
00:51:52,440 --> 00:51:57,640
Speaker 4: Dennis Hopper, same, same, same, across the board.

980
00:51:59,080 --> 00:52:02,120
Speaker 1: I swear like I had to go back as an

981
00:52:02,120 --> 00:52:04,839
Speaker 1: adult and see Rebel without a Cause and like Night

982
00:52:04,920 --> 00:52:08,640
Speaker 1: Tide to just remember that he was actually a professional actor.

983
00:52:09,120 --> 00:52:11,120
Speaker 4: I couldn't believe it when I saw him in Rebel Ladlac.

984
00:52:11,239 --> 00:52:13,000
Speaker 4: I watched it with my grandma one weekend, and I'm like,

985
00:52:13,040 --> 00:52:15,799
Speaker 4: that cannot be the same guy that I saw last

986
00:52:15,840 --> 00:52:18,600
Speaker 4: weekend dancing around with a blow up doll.

987
00:52:18,960 --> 00:52:24,319
Speaker 1: Yes, Like, we have to remember that he was like

988
00:52:24,360 --> 00:52:27,960
Speaker 1: a legit theatrical trained actor and not like some weirdo

989
00:52:28,080 --> 00:52:31,120
Speaker 1: that was hired off of Hollywood Boulevard to be in

990
00:52:31,160 --> 00:52:34,799
Speaker 1: a bunch of eighties movies like you just based off

991
00:52:34,800 --> 00:52:38,000
Speaker 1: of River's Edge and Blue Velvet. I was terrified of him,

992
00:52:38,080 --> 00:52:42,880
Speaker 1: terrified but completely. But Peck is actually a perfect person

993
00:52:42,920 --> 00:52:46,720
Speaker 1: to consult because he is a drug dealer, he owns

994
00:52:46,760 --> 00:52:51,160
Speaker 1: a gun, and he also murdered his girlfriend once and

995
00:52:51,400 --> 00:52:54,040
Speaker 1: as Danielle said, now he shacks up with a blow

996
00:52:54,080 --> 00:52:57,839
Speaker 1: up doll named Ellie. And to me, it's this moment

997
00:52:57,880 --> 00:53:00,719
Speaker 1: where I'm like, this is outrageous. But also there was

998
00:53:00,840 --> 00:53:04,040
Speaker 1: always a weird older person in town like this, like

999
00:53:04,560 --> 00:53:08,160
Speaker 1: somebody who's like getting beer or weed for kids, Like

1000
00:53:08,440 --> 00:53:10,800
Speaker 1: I remember a guy like this in my town.

1001
00:53:11,040 --> 00:53:13,279
Speaker 2: I'm sure you do. I'm sure everybody does, right.

1002
00:53:13,320 --> 00:53:18,000
Speaker 1: Absolutely, And just a terrifying component to all this because

1003
00:53:18,040 --> 00:53:21,719
Speaker 1: all these kids are definitely like, you know, interacting with him,

1004
00:53:21,760 --> 00:53:24,319
Speaker 1: and he seems very dangerous, but you know, they're all

1005
00:53:24,360 --> 00:53:27,719
Speaker 1: freaked out about what Samson did, even as they're all

1006
00:53:27,760 --> 00:53:30,480
Speaker 1: going to see the body of their friends.

1007
00:53:30,680 --> 00:53:33,040
Speaker 2: I mean, this woman who died is their friend.

1008
00:53:33,600 --> 00:53:36,600
Speaker 4: Well That's what I find really interesting is at one point,

1009
00:53:36,880 --> 00:53:41,040
Speaker 4: Clarissa ione Skuy's character says, what makes John more important

1010
00:53:41,080 --> 00:53:45,920
Speaker 4: than Jamie? Wasn't she our friend too? And Lane keeps

1011
00:53:45,960 --> 00:53:48,960
Speaker 4: comparing it to being in a movie where he's like,

1012
00:53:49,080 --> 00:53:53,000
Speaker 4: you know, it's exciting and you know interesting, and it's

1013
00:53:53,040 --> 00:53:56,520
Speaker 4: just such a disconnect to what's actually happening in reality

1014
00:53:56,600 --> 00:54:00,719
Speaker 4: and how Jamie in her death is being treated. And

1015
00:54:00,760 --> 00:54:03,440
Speaker 4: it's really that's one of the things that's turning everyone

1016
00:54:03,480 --> 00:54:05,200
Speaker 4: on their head a little bit, is they don't know

1017
00:54:05,239 --> 00:54:10,160
Speaker 4: how to respond, seemingly because they knew both parties involved.

1018
00:54:10,800 --> 00:54:13,680
Speaker 1: Yeah, and and that there's a lot to this too,

1019
00:54:13,880 --> 00:54:18,040
Speaker 1: because you're right about lame. It's almost like he dissociates

1020
00:54:18,080 --> 00:54:20,880
Speaker 1: from it by saying, like, oh, I feel like Chuck Norris.

1021
00:54:20,920 --> 00:54:22,320
Speaker 1: There's a line where he says, oh, I feel like

1022
00:54:22,360 --> 00:54:24,680
Speaker 1: Chuck Norris right now, which is that he's like that

1023
00:54:24,800 --> 00:54:28,040
Speaker 1: this isn't happening in real life, that he's just like

1024
00:54:28,239 --> 00:54:33,560
Speaker 1: participating in like a drama that's not actually happening or something.

1025
00:54:34,280 --> 00:54:38,560
Speaker 1: And there's a moment where I do think that young

1026
00:54:38,719 --> 00:54:43,720
Speaker 1: people don't have the tools to deal with stressful situations.

1027
00:54:44,160 --> 00:54:47,440
Speaker 1: You know, yes, and you know this is I'm not

1028
00:54:47,480 --> 00:54:51,920
Speaker 1: saying that that is exactly what is happening, both you know,

1029
00:54:52,040 --> 00:54:54,279
Speaker 1: in the movie and perhaps in the real crime that

1030
00:54:54,320 --> 00:54:55,080
Speaker 1: it's based off of.

1031
00:54:55,160 --> 00:54:57,120
Speaker 2: But that's what makes the.

1032
00:54:57,200 --> 00:55:00,480
Speaker 1: Movie dark certainly, is this that these kids, kids are

1033
00:55:00,719 --> 00:55:04,080
Speaker 1: kind of like numb to the situation and that like

1034
00:55:04,120 --> 00:55:07,279
Speaker 1: I said, nobody really has the emotional tools to handle it,

1035
00:55:07,320 --> 00:55:11,120
Speaker 1: and they just really get high and drink and have

1036
00:55:11,280 --> 00:55:15,400
Speaker 1: sex to sort of avoid everything, right exactly.

1037
00:55:16,239 --> 00:55:19,839
Speaker 4: Yeah, there's a really deep sadness in them that just

1038
00:55:20,280 --> 00:55:23,920
Speaker 4: permeates this this whole movie, and it's sadness that was

1039
00:55:23,960 --> 00:55:26,480
Speaker 4: there before the murder. You know, it's like they don't

1040
00:55:26,560 --> 00:55:31,479
Speaker 4: have the tools to communicate their feelings and they don't

1041
00:55:31,480 --> 00:55:34,959
Speaker 4: have the tools to deal with the violence in their life,

1042
00:55:35,000 --> 00:55:36,040
Speaker 4: which is plentiful.

1043
00:55:36,360 --> 00:55:39,799
Speaker 2: There's so much violence in their lives. Yeah, I mean

1044
00:55:39,880 --> 00:55:40,680
Speaker 2: both like at home.

1045
00:55:40,719 --> 00:55:42,680
Speaker 1: I mean I think with you know, the Matt and

1046
00:55:42,719 --> 00:55:46,839
Speaker 1: Tim character, like his mom is works at night and

1047
00:55:46,920 --> 00:55:49,440
Speaker 1: she kind of has this boyfriend that's sort of in

1048
00:55:49,520 --> 00:55:52,160
Speaker 1: and out, and so everybody seems to kind of have,

1049
00:55:52,840 --> 00:55:55,320
Speaker 1: you know, these fairly fucked up home lives. And obviously

1050
00:55:55,400 --> 00:55:56,719
Speaker 1: they do a lot of drugs, they do a lot

1051
00:55:56,719 --> 00:55:58,959
Speaker 1: of drinking. But then also it's just sort of like, yeah,

1052
00:55:59,080 --> 00:56:01,560
Speaker 1: just being in high school and sort of being like, well,

1053
00:56:02,040 --> 00:56:04,439
Speaker 1: we don't want to snitch on our friend, but then

1054
00:56:04,680 --> 00:56:08,000
Speaker 1: also he killed somebody that we were friends with, and

1055
00:56:08,080 --> 00:56:09,000
Speaker 1: we don't know what to do.

1056
00:56:09,040 --> 00:56:13,120
Speaker 2: We feel kind of like, you know, stuck with our feelings.

1057
00:56:13,080 --> 00:56:17,520
Speaker 1: And you know, I think honestly, at this point in culture,

1058
00:56:17,640 --> 00:56:21,200
Speaker 1: like I don't know if we necessarily saw a movie

1059
00:56:21,239 --> 00:56:23,799
Speaker 1: like this. I mean, we have certainly seen dark. There

1060
00:56:23,800 --> 00:56:26,360
Speaker 1: have always been dark teen films, and there was a

1061
00:56:26,360 --> 00:56:29,080
Speaker 1: lot in the eighties, but like River's Edge somehow like

1062
00:56:29,800 --> 00:56:32,080
Speaker 1: really stuck out to me as a movie that was

1063
00:56:32,120 --> 00:56:37,400
Speaker 1: just very disturbingly about kids. And yeah, of course later

1064
00:56:37,640 --> 00:56:40,560
Speaker 1: like in the nineties, you had really dark teen films

1065
00:56:40,719 --> 00:56:44,160
Speaker 1: like kids and you know, like the Gregor Rocky movies

1066
00:56:44,280 --> 00:56:50,239
Speaker 1: and stuff. But honestly, River's Edge is very grim. It's

1067
00:56:51,000 --> 00:56:53,960
Speaker 1: very much of a time. You know, I would be

1068
00:56:54,000 --> 00:56:56,440
Speaker 1: I would be lying if I said that these kids

1069
00:56:56,880 --> 00:56:59,120
Speaker 1: didn't remind me of people that I knew from high

1070
00:56:59,120 --> 00:57:03,640
Speaker 1: school a little bit, right, That's the plane ass truth.

1071
00:57:03,680 --> 00:57:06,879
Speaker 1: I'm like, oh, I remember guys. I mean maybe not Lane, no,

1072
00:57:06,960 --> 00:57:09,240
Speaker 1: but I certainly remember guys like Matt.

1073
00:57:09,480 --> 00:57:12,759
Speaker 4: Actually we we had a Leane now that imber we

1074
00:57:12,800 --> 00:57:13,520
Speaker 4: did have a Leene.

1075
00:57:13,600 --> 00:57:14,879
Speaker 2: Yeah, sorry, go ahead.

1076
00:57:14,840 --> 00:57:16,720
Speaker 4: No, no, go ahead, no, no, that's all I'm just I

1077
00:57:16,760 --> 00:57:18,919
Speaker 4: was like, yeah, no, no, no Lane that I'm like, no, wait,

1078
00:57:18,960 --> 00:57:19,840
Speaker 4: we did have a Leene.

1079
00:57:21,920 --> 00:57:22,280
Speaker 1: Yeah.

1080
00:57:22,400 --> 00:57:24,480
Speaker 3: I feel like I feel like there.

1081
00:57:24,360 --> 00:57:25,800
Speaker 2: Was probably a Lane too.

1082
00:57:26,000 --> 00:57:30,040
Speaker 1: Maybe not, maybe without the crazy wig and the crazy accent,

1083
00:57:30,120 --> 00:57:32,880
Speaker 1: but there was definitely kind of like the leader of

1084
00:57:32,960 --> 00:57:37,720
Speaker 1: the Freaks type of person. Right. Yeah, But you know,

1085
00:57:37,920 --> 00:57:40,360
Speaker 1: the I keep going back to the Joshua John Miller

1086
00:57:40,440 --> 00:57:44,040
Speaker 1: character because that's the the character that really actually disturbs

1087
00:57:44,040 --> 00:57:47,000
Speaker 1: through the most, because he's like in middle school and

1088
00:57:47,040 --> 00:57:49,200
Speaker 1: there are moments of the of the movie where he's

1089
00:57:49,240 --> 00:57:51,720
Speaker 1: basically like, oh man, I need a joint somebody. You know,

1090
00:57:51,920 --> 00:57:54,960
Speaker 1: he breaks him and his friend break in effect's house,

1091
00:57:55,000 --> 00:57:57,160
Speaker 1: which is terrifying.

1092
00:57:56,880 --> 00:57:59,520
Speaker 4: Like okay, but the setup to that scene was fucking

1093
00:57:59,600 --> 00:58:03,040
Speaker 4: hilariou is. He sneaks over to this kid's house, knocks

1094
00:58:03,080 --> 00:58:06,960
Speaker 4: on his window, and says, go get your nunchucks and

1095
00:58:07,000 --> 00:58:13,600
Speaker 4: your dad's car, which to me is a marriage proposal.

1096
00:58:17,640 --> 00:58:19,760
Speaker 4: Go get your nunchucks in your dad's car. We're gonna

1097
00:58:19,840 --> 00:58:22,520
Speaker 4: cost some trouble be Like, yes, I am. There.

1098
00:58:23,360 --> 00:58:27,320
Speaker 1: Have we ever talked about kids in the eighties that

1099
00:58:27,360 --> 00:58:30,160
Speaker 1: were into the martial arts and how that.

1100
00:58:30,200 --> 00:58:34,360
Speaker 2: Was such a thing. We haven't, and we need to.

1101
00:58:34,760 --> 00:58:37,959
Speaker 4: We need to dedicate entire episode to it.

1102
00:58:38,200 --> 00:58:42,840
Speaker 1: Like a kid with nunchucks is the coolest kid on

1103
00:58:42,880 --> 00:58:45,240
Speaker 1: the block as far as I'm concerned.

1104
00:58:46,560 --> 00:58:47,840
Speaker 2: To this date.

1105
00:58:48,160 --> 00:58:50,320
Speaker 4: If I see a kid with nunchucks, I'm like, you

1106
00:58:50,360 --> 00:58:51,240
Speaker 4: canna have my car?

1107
00:58:52,160 --> 00:58:54,720
Speaker 3: I'll just throw the keys at him. You're working on

1108
00:58:54,800 --> 00:58:55,560
Speaker 3: another level.

1109
00:58:57,560 --> 00:58:59,960
Speaker 1: But all in all, I mean, when it comes down

1110
00:59:00,040 --> 00:59:03,440
Speaker 1: to it, Keanu in this film, okay, pretty much the

1111
00:59:03,480 --> 00:59:05,919
Speaker 1: same look as I Love You to Death.

1112
00:59:06,000 --> 00:59:10,480
Speaker 2: I mean, maybe not the crazy shaved head, but like, he's.

1113
00:59:10,240 --> 00:59:14,640
Speaker 1: Definitely the guy wearing a hoodie underneath a flannel you

1114
00:59:14,680 --> 00:59:18,360
Speaker 1: know what I mean, over a over a tia. You know,

1115
00:59:18,720 --> 00:59:22,360
Speaker 1: it wouldn't be that long after that he would appear

1116
00:59:22,600 --> 00:59:27,080
Speaker 1: as you know, Ted Theodore Logan in Bill and Ted's

1117
00:59:27,080 --> 00:59:30,440
Speaker 1: Excellent Adventure. And I just felt like, wow, okay, is

1118
00:59:30,520 --> 00:59:35,920
Speaker 1: this the origin story for all of these subsequent roles

1119
00:59:35,960 --> 00:59:36,440
Speaker 1: that he was in.

1120
00:59:36,520 --> 00:59:40,200
Speaker 2: It's like, if you need a stoner, yes, here's your man.

1121
00:59:40,800 --> 00:59:42,120
Speaker 2: And we love him for that.

1122
00:59:42,320 --> 00:59:45,280
Speaker 4: We love him for that absolutely. I mean, is he

1123
00:59:45,320 --> 00:59:46,440
Speaker 4: a podhead in this movie?

1124
00:59:46,600 --> 00:59:46,880
Speaker 2: Yes?

1125
00:59:47,200 --> 00:59:50,200
Speaker 4: Will this character also go to a funeral for a

1126
00:59:50,320 --> 00:59:51,960
Speaker 4: doll without missing a beat?

1127
00:59:52,120 --> 00:59:52,840
Speaker 2: Also? Yes?

1128
00:59:56,560 --> 00:59:59,440
Speaker 3: Oh my god, he is a total sweetheart in this movie.

1129
00:59:59,560 --> 00:59:59,800
Speaker 4: Yes.

1130
01:00:00,240 --> 01:00:02,600
Speaker 1: That was What I will say to close this out

1131
01:00:02,720 --> 01:00:06,320
Speaker 1: is that Matt's character seems to be the one that

1132
01:00:06,600 --> 01:00:09,160
Speaker 1: has He seems to be the only one out of

1133
01:00:09,240 --> 01:00:13,120
Speaker 1: his friends that has a conscience, right, Yeah, And he

1134
01:00:13,320 --> 01:00:15,840
Speaker 1: ends up kind of with Clarissa at a certain point

1135
01:00:15,880 --> 01:00:18,000
Speaker 1: of the film. I think they're kind of like, I

1136
01:00:18,040 --> 01:00:21,120
Speaker 1: don't know, trauma bonding in a way. But also, you know,

1137
01:00:21,200 --> 01:00:24,680
Speaker 1: they're just sort of like teenagers and they're just trying

1138
01:00:24,720 --> 01:00:27,760
Speaker 1: to like know each other and date each other. But

1139
01:00:27,800 --> 01:00:30,120
Speaker 1: it's that thing where you're like, oh, well, if he

1140
01:00:30,200 --> 01:00:33,640
Speaker 1: is the one, If there is a moral metronome character,

1141
01:00:33,720 --> 01:00:37,080
Speaker 1: it's probably Matt. It's probably Keanu's character, which yeah, I

1142
01:00:37,080 --> 01:00:41,000
Speaker 1: mean you sort of need because otherwise everybody else in

1143
01:00:41,040 --> 01:00:42,920
Speaker 1: this movie is really fucked up, you know.

1144
01:00:43,600 --> 01:00:46,640
Speaker 2: So bleak, yeah, so bleak. But I love that you

1145
01:00:46,640 --> 01:00:47,040
Speaker 2: picked this.

1146
01:00:47,120 --> 01:00:49,160
Speaker 4: It's it's such a good movie and it took me

1147
01:00:49,240 --> 01:00:52,120
Speaker 4: back to a time that I maybe didn't want to go,

1148
01:00:52,240 --> 01:00:55,280
Speaker 4: but I but I was glad I went yes. And

1149
01:00:55,320 --> 01:00:57,880
Speaker 4: they have There's so many good lines in this movie

1150
01:00:57,880 --> 01:01:00,520
Speaker 4: that I'd kind of forgotten as well, like when Lee says,

1151
01:01:00,760 --> 01:01:01,240
Speaker 4: you think this.

1152
01:01:01,400 --> 01:01:06,200
Speaker 3: Car runs on God's own methane. I used to stand

1153
01:01:06,200 --> 01:01:06,600
Speaker 3: it to my.

1154
01:01:06,560 --> 01:01:09,840
Speaker 4: Friends all the time when I started driving, And when

1155
01:01:09,880 --> 01:01:15,880
Speaker 4: the little sister comes back and like basically desecrates the

1156
01:01:15,920 --> 01:01:17,120
Speaker 4: grave of the doll he.

1157
01:01:17,080 --> 01:01:20,200
Speaker 3: Threw in the river, and his little sister says he's

1158
01:01:20,200 --> 01:01:21,240
Speaker 3: still killing her.

1159
01:01:23,840 --> 01:01:27,800
Speaker 1: Honestly, I could go so long on this movie because

1160
01:01:27,880 --> 01:01:31,000
Speaker 1: it does there's so many, so many things going on.

1161
01:01:31,520 --> 01:01:35,280
Speaker 1: It really is like, to me, it's a great nowar

1162
01:01:35,480 --> 01:01:36,120
Speaker 1: film when.

1163
01:01:36,000 --> 01:01:36,920
Speaker 2: It comes down to it.

1164
01:01:37,520 --> 01:01:42,200
Speaker 1: Yeah, it is so a part of that era of

1165
01:01:42,280 --> 01:01:45,960
Speaker 1: the eighties where people were legit afraid.

1166
01:01:45,600 --> 01:01:46,800
Speaker 2: Of like heavy metal kids.

1167
01:01:46,840 --> 01:01:49,840
Speaker 1: I mean, he had the PRMC, you had like all

1168
01:01:49,880 --> 01:01:53,400
Speaker 1: this stuff going on where guys and girls like this

1169
01:01:53,520 --> 01:01:58,960
Speaker 1: were terrifying in this era. And I think it's what

1170
01:01:59,120 --> 01:02:02,880
Speaker 1: makes the movie so powerful still to this day. And

1171
01:02:03,080 --> 01:02:06,640
Speaker 1: I love it. And Keanu, we salute you in this film.

1172
01:02:07,120 --> 01:02:10,120
Speaker 3: We salute your dirt bag phase. We appreciate it.

1173
01:02:10,840 --> 01:02:13,400
Speaker 4: And also this was a nice reminder of the fact

1174
01:02:13,400 --> 01:02:17,880
Speaker 4: that Ione Sky either made out with on film, dated

1175
01:02:18,080 --> 01:02:21,800
Speaker 4: or married every single guy ever had a crush on. Yes,

1176
01:02:22,200 --> 01:02:24,440
Speaker 4: like I bowed down to an indie queen.

1177
01:02:25,080 --> 01:02:28,240
Speaker 1: Oh, don't even get me started on Clarissa's look. I mean,

1178
01:02:28,240 --> 01:02:33,480
Speaker 1: it's just like, I love it, such an iconic eighties

1179
01:02:34,320 --> 01:02:37,480
Speaker 1: girl look that I wanted so badly. I wanted that

1180
01:02:37,600 --> 01:02:42,080
Speaker 1: like cascade of like curly hair with like a flannel

1181
01:02:42,240 --> 01:02:44,800
Speaker 1: over like a little you know, white undershirt.

1182
01:02:44,920 --> 01:02:47,880
Speaker 2: I just she was everything to me in this movie.

1183
01:02:47,920 --> 01:02:51,080
Speaker 3: I swear, so good, truly incredible.

1184
01:02:51,080 --> 01:02:52,080
Speaker 2: I'm so glad you picked it.

1185
01:02:52,240 --> 01:02:53,840
Speaker 3: So such a good time to go back to such

1186
01:02:53,840 --> 01:02:55,600
Speaker 3: a weird, weird movie.

1187
01:02:55,920 --> 01:02:58,880
Speaker 1: Yes, and I gotta tell you, like, as a horny

1188
01:02:58,880 --> 01:03:00,600
Speaker 1: four episode, we did a pretty good job.

1189
01:03:00,640 --> 01:03:03,680
Speaker 2: I mean we weren't, like, you know, too crazy, but

1190
01:03:03,800 --> 01:03:05,840
Speaker 2: I think we both we talked about.

1191
01:03:05,600 --> 01:03:07,200
Speaker 3: The movie, he talks about the movies.

1192
01:03:07,320 --> 01:03:12,120
Speaker 1: Hey, we're still intelligent women, Like we can still process

1193
01:03:12,720 --> 01:03:16,840
Speaker 1: thoughts that aren't laden with sexual power.

1194
01:03:17,640 --> 01:03:19,320
Speaker 4: Well, let's see if that's true when you give them

1195
01:03:19,320 --> 01:03:23,120
Speaker 4: the movies for next week. We can test this theory

1196
01:03:23,160 --> 01:03:23,760
Speaker 4: next week.

1197
01:03:25,640 --> 01:03:29,880
Speaker 1: So next week's movies are in the Mouth of Madness

1198
01:03:29,920 --> 01:03:35,560
Speaker 1: from nineteen ninety four and The Evil Dead nineteen eighty one.

1199
01:03:36,480 --> 01:03:41,280
Speaker 2: So good, very spooky. What's the theme? Ugh, I cannot wait.

1200
01:03:41,680 --> 01:03:45,080
Speaker 1: Yeah, very spooky week. Wonder what that theme's going to be.

1201
01:03:45,800 --> 01:03:48,600
Speaker 1: But hey, if you want to email us, if you

1202
01:03:48,640 --> 01:03:51,200
Speaker 1: want to talk about Keanu Reeves, we know you do.

1203
01:03:52,440 --> 01:03:54,120
Speaker 1: Hit us up at I Saw what you did pot

1204
01:03:54,160 --> 01:03:55,280
Speaker 1: at gmail dot com.

1205
01:03:55,400 --> 01:03:57,600
Speaker 4: You can also find us on our social media at

1206
01:03:57,680 --> 01:04:00,000
Speaker 4: I Saw Pod, on Instagram and Twitter.

1207
01:04:00,560 --> 01:04:03,880
Speaker 1: We've also got merch Getting a bit cold outside, you

1208
01:04:03,920 --> 01:04:06,880
Speaker 1: know you need a hoodie. We're in the Exactly Right

1209
01:04:06,880 --> 01:04:09,120
Speaker 1: shop at Exactlyrightmedia dot com.

1210
01:04:09,280 --> 01:04:13,000
Speaker 4: And we have a whole bunch of bonus episodes over

1211
01:04:13,120 --> 01:04:16,840
Speaker 4: on Stitcher Premium. You can still use the promo code

1212
01:04:17,080 --> 01:04:20,680
Speaker 4: SAW for a free month and it really helps us.

1213
01:04:20,680 --> 01:04:22,480
Speaker 4: So thank you for supporting us, those of you who

1214
01:04:22,480 --> 01:04:23,560
Speaker 4: have already signed up.

1215
01:04:23,840 --> 01:04:27,360
Speaker 1: Yes, yes, Yes, Danielle. It was inevitable that we were

1216
01:04:27,360 --> 01:04:29,920
Speaker 1: going to do this theme. I'm so glad we finally

1217
01:04:29,960 --> 01:04:31,600
Speaker 1: tackled it. It was such a pleasure.

1218
01:04:32,480 --> 01:04:40,720
Speaker 3: I'm embarrassed and honored simultaneously. I've revealed so much, so much,

1219
01:04:41,600 --> 01:04:42,640
Speaker 3: but I'm honored.

1220
01:04:43,640 --> 01:04:47,480
Speaker 1: Listen, if we see a theme in the future that

1221
01:04:47,600 --> 01:04:50,280
Speaker 1: is Kevin Klein has Italian guys with mustaches.

1222
01:04:50,560 --> 01:04:52,520
Speaker 2: Now we know the origin story, right.

1223
01:04:52,800 --> 01:04:55,520
Speaker 4: I don't think I can take it again. I don't

1224
01:04:55,520 --> 01:04:56,720
Speaker 4: think my heart could take it again.

1225
01:04:56,920 --> 01:05:01,160
Speaker 1: You're gonna be like the Chicken Lady, just exploding feathers everywhere.

1226
01:05:02,360 --> 01:05:12,200
Speaker 4: Goodbye, bye, I see you next week. This has been

1227
01:05:12,200 --> 01:05:15,560
Speaker 4: an exactly Right production. Our producers Alexis a MARESSI. Our

1228
01:05:15,600 --> 01:05:19,000
Speaker 4: engineers Analise Nelson. Our theme songs by Tom bry Foegel,

1229
01:05:19,320 --> 01:05:22,959
Speaker 4: artwork by Garrett Ross. Our executive producers are Georgia hart Stark,

1230
01:05:23,040 --> 01:05:26,280
Speaker 4: Karen kil Gareth and Danielle Kramer. Follow us on Instagram

1231
01:05:26,280 --> 01:05:29,080
Speaker 4: and Twitter at I saw pod email us at I

1232
01:05:29,080 --> 01:05:31,360
Speaker 4: Saw what you did pod at Gmail, and please don't

1233
01:05:31,400 --> 01:05:35,320
Speaker 4: forget to listen, subscribe, leave us a review on Apple Podcast, Stitcher,

1234
01:05:35,440 --> 01:05:36,520
Speaker 4: or wherever you listen