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Speaker 1: Wellcome back to another episode alchemy. This on your host,

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Speaker 1: Kevin Polycuest, not Kevin Pologist. No, no, you said it

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Speaker 1: was no problem. And then I said we could go

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Speaker 1: to jail, and I guess one of us did, didn't

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Speaker 1: get But I digress. Let's meet a rackamu shower particularly

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Speaker 1: please say hello, Faith, peanut butter and I like the

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Speaker 1: natural crunchy whatever store I'm in there such assaulted, Look

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Speaker 1: the hell out. It's Mark Gagliardio Marcus, whose name is

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Speaker 1: an extension of the Roman god of war. That's right.

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Speaker 1: What have you done for you lately? Do you know

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Speaker 1: what I did? Please? Got some essential oils? Keep talking

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Speaker 1: and I love them. I rubbed my feet before bed.

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Speaker 1: That's my jam. I know I'm supposed to say something,

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Speaker 1: some joke that I will rub some thieves on my

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Speaker 1: feet before bed. It is the greatest Now on your

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Speaker 1: heels or the whole foot, No like on the pad,

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Speaker 1: like on the one. So when you're it's an essential oil.

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Speaker 1: It uses like clove oil and rosemates. Bunch of yeah.

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Speaker 1: It was originally from the age of the bubonic plague. Joey.

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Speaker 1: Just remember when you're subpoenaed on the pads. Yeah is

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Speaker 1: the answer. Okay, okay on the pads hotchi wow, Wow,

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Speaker 1: it's Christoph Varado. Christoph ever there was Can you still

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Speaker 1: count to seven in French? Yes? ND twalk cat sinc sept.

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Speaker 1: Thank you, You're welcome. How did I know that last?

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Speaker 1: Cat sink sept seventh? Literally? How did I know? He

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Speaker 1: is wheat? So? What is? What is? No? No Spanish

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Speaker 1: twalk cat say set? I think there's a seven? Yeah,

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Speaker 1: cat sink set. Yes. Maybe you just broke in around

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Speaker 1: like what's going on? Nope? Do you know he Chris

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Speaker 1: just wants us to keep talking. I had no idea

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Speaker 1: that this is going to happen, and I'm so fucking happy.

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Speaker 1: Oh it looks like six, but it's cease cease set

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Speaker 1: seven skipped at last. But we'll see. You'll see what

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Speaker 1: happens if you think at least. Uh, there's Joey Greg

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Speaker 1: candle up. Joe, Can you tell our listeners about the

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Speaker 1: first time you went away? Yeah? Uh, you know it

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Speaker 1: was I was thinking in the third grade and I

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Speaker 1: just remember blacking out, and then I was I was

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Speaker 1: in Egypt, probably right as like the Great Pyramids being

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Speaker 1: built now, and I was I was wearing rebox uh,

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Speaker 1: and there was a basketball court and Farrell was like,

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Speaker 1: you gotta play for your freedom, and I was like,

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Speaker 1: this is just like Russell and John Carpenter front and

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Speaker 1: then I was like, man, I gotta do this. And

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Speaker 1: then I did it, and long story short, I was

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Speaker 1: leading a group of people out of the desert, some

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Speaker 1: kind of exodus um called jews uh, And I remember

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Speaker 1: thinking exodus sounds like Xbox and then I started playing

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Speaker 1: Xbox in the desert. And that's when Halo was still around,

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Speaker 1: so the original Xbox and you couldn't you had to

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Speaker 1: do like land parties, so you had to like, what

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Speaker 1: do you want to order lunch? Yeah, that sounds good. Zza.

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Speaker 1: It takes a long time, as always, especial thanks to

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Speaker 1: all of our Patreon be happy members. Those of you

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Speaker 1: want to be a part of the Superman group, go

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Speaker 1: to Patreon dot com slash alchemy this. Almost all of

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Speaker 1: our scenes suggestions are gathered from our listeners emails. If

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Speaker 1: you'd like to submit yours, please write to the podcast

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Speaker 1: at your name here at alchemy this dot com. That's

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Speaker 1: your name here our scene ever, wonder if that comes

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Speaker 1: from Patreon v ip Lisa who wrote High Alchemists. I

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Speaker 1: love the show. It's my favorite of the many podcasts

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Speaker 1: I listened to. Thank you for the many hours of laughs.

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Speaker 1: That's too used to the word Mini Lisa, and the

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Speaker 1: constant need to bury my head into my desk to

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Speaker 1: stifle my laughter so I don't look like a crazy

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Speaker 1: person at the office. My favorite scenes are the ones

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Speaker 1: where you play yourselves, and my scene suggestion is as follows.

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Speaker 1: Kevin noticing tensions and frictions between the Alchemists, takes them

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Speaker 1: all on a team building retreat. Can't wait to see

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Speaker 1: what you do with this, cheers Lisa from New Zealand.

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Speaker 1: So remember when you, guys, when the bus finally stops,

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Speaker 1: we get off the bus. We know we get off,

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Speaker 1: get off yelling in my face and his breath smells

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Speaker 1: I'm on vacation. I can do whatever the hell. I

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Speaker 1: love vacation. I shouldn't be smelling this. I should be

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Speaker 1: with my family. This isn't a vacation. This is an

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Speaker 1: important thing for you. Mark. It's also want to say anything.

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Speaker 1: He's not crazy. Craig couldn't make it today to the

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Speaker 1: shows up, so I got I got a spot on

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Speaker 1: the retreat. Mr Pollock said I could come on the retreat.

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Speaker 1: Why did you claim? Mr Paul? Right, Jesus Christ? All right,

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Speaker 1: now you eats, gonna get one lemonade, a cupcake and

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Speaker 1: a cookie. Joey, basketball's for you? Okay, alright, wait, that's

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Speaker 1: why I get to eat and drink? Yes? Are you serious? Amos?

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Speaker 1: Come on, I can mess Remind Joey why he gets

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Speaker 1: to eat and drink basketballs today because he's stupid? Thank you?

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Speaker 1: Are you serious? Joey? The numbers between nine and twelve?

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Speaker 1: What about him? You don't know them. I don't need

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Speaker 1: to know that you were supposed to learn them before.

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Speaker 1: I don't need to know that. That's what computers are

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Speaker 1: for us, what the iPhone is for. That is not

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Speaker 1: what the iPhone is? Serious? What's the numbers between serious?

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Speaker 1: Between nine and ten and eleven? Wait there's an overlap?

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Speaker 1: Asking serious? Listen here, okay, here's here's the big issue.

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Speaker 1: If I Mr Pollock, thank you. Um, it's like we

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Speaker 1: were all friends at one point, ye and then and

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Speaker 1: then all we all got the shitty vacations up right

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Speaker 1: in my face. I'm sorry? Can you stop changing seats?

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Speaker 1: And then and then joy makes and then joy makes

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Speaker 1: a sketch album, yeah right, exactly good night, and it's

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Speaker 1: like one none sketch comedy is dead and too none

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Speaker 1: of us are on it, and then all of a

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Speaker 1: sudden it's number one chart. It's a solo project. It's

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Speaker 1: a solo project. You keep calling it that, which even

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Speaker 1: hurts our feelings more because it's like acknowledging that you

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Speaker 1: didn't use you know what the word solo means? Yes,

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Speaker 1: what is it? Seri? What does the word solo mean?

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Speaker 1: What the fund is that? That? This thing? It's just

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Speaker 1: Joey your your your album blew up? We know it, Okay,

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Speaker 1: everybody knows it. It's all over, Holly, would we see

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Speaker 1: it everywhere? What happened to old you? Though? I never changed,

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Speaker 1: I never changed as a guest, I never met um.

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Speaker 1: But what Mr Pollard tells me about him is stop

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Speaker 1: calling him Mr Polan. I'm just saying, I'm just saying

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Speaker 1: what what Everything he said was great? But I do

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Speaker 1: have to agree with everybody like it's not a solo album.

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Speaker 1: There's a lot of you know, I just want to

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Speaker 1: take a second, and I am still mad at Joey,

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Speaker 1: but Mark, what you're honestly like walking a line that's

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Speaker 1: driving me crazy. Mark has more actual credits with anybody

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Speaker 1: here except for Mr Pollock. That's right, and I've got

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Speaker 1: up calling him Mr Pold. I just feel like he

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Speaker 1: deserves a voice. Okay, Sirie name off all of our credits.

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Speaker 1: Sirie Basketball, What the hold on a second, there's something wrong,

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Speaker 1: wins lots of awards, Obviously, Mr Pollock, Obviously this is

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Speaker 1: this was a good idea because we need to we

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Speaker 1: need help. Yeah, you guys see now the interaction and yeah, sorry,

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Speaker 1: but I gotta make a little detour. It looks like

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Speaker 1: someone's wrong with the radiator, so I gotta take this

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Speaker 1: little bad boy off track. All right, So it might

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Speaker 1: be a little alone, but there's a nice little diner

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Speaker 1: and auto shop my note about not too far from here. Okay,

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Speaker 1: we're going to the dinner. Have gluten free? Oh my gosh, yes,

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Speaker 1: m yeah, I've gotten given a cupcake again. Eat. Okay. Yeah,

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Speaker 1: so I'm just gonna pull her over and then we'll

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Speaker 1: do Hi. How many in your party? We'd like? Separate

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Speaker 1: separate tables, Please, separate tables individually. Like to sit alone? Correct?

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Speaker 1: I mean it's a solo project. Seriously, I'd like to

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Speaker 1: sit with everybody. Can we put you at the counter, Yes,

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Speaker 1: you can put Mark? Can you right on? Polick? You

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Speaker 1: can put a seat on Mr Polls Dick for that guy. Okay,

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Speaker 1: that's un necessary that we've got children. I'm gonna need

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Speaker 1: a table for twelve because I got my on charge

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Speaker 1: with me. Oh my god? How did you call? Them?

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Speaker 1: Are all in your part? They're coming? That's one? So

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Speaker 1: the other eleven? How many other after twelve? What the

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Speaker 1: fuck is going on? You got shitty service around here? Okay? Man?

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Speaker 1: Got a piste? Yeah, yeah, sometimes you just gotta go.

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Speaker 1: I know. Hey, I just want to say I think

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Speaker 1: this is a really good idea. Don't look at my Cather, No,

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Speaker 1: I'm sorry. I just meant to say I think this

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Speaker 1: is a good idea. Thanks man, I appreciate it. Like

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Speaker 1: we've been, your energy has always been positive. I've made

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Speaker 1: note of it. It's on your permanent record, and I

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Speaker 1: just wish it would spread. Are you Moishah? Yeah? Hey,

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Speaker 1: how's it gone? Great? Dick? Great? Catherine? Thank you, thanks big, big, massive,

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Speaker 1: huge fan. Thank you so much. Season three was better

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Speaker 1: than season two? Or or I think they're all awesome

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Speaker 1: their own way honestly. Okay, do you need me to

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Speaker 1: sign something? Yeah? Sure, yeah, you're from here. Oh no, no,

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Speaker 1: he's driving through and uh, I can't believe my luck.

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Speaker 1: I'll not get an Instagram video like alive with you

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Speaker 1: can not do that guy in the bathroom, That guy

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Speaker 1: I did a couple of costart. What do you mean

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Speaker 1: you're saying that James Heeney is is in the wheel

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Speaker 1: well or in the radiator? What what do you mean?

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Speaker 1: I mean that he's in the car somewhere and we

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Speaker 1: can't get him out. Okay, so we got a little

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Speaker 1: demon in there running around messing up my car. He's

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Speaker 1: our favorite demon though, and we love him. So if

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Speaker 1: you could just find him and remove him from the car.

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Speaker 1: That getting Hey, I came to you to do that.

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Speaker 1: I thought there was some wrong my radiator, and then

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Speaker 1: I get a little thing that says, hey, actually there's

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Speaker 1: a demon. He has a name James Heeney, and he's

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Speaker 1: in there. He's apparently your favorite because of all these

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Speaker 1: problems with my mechanics inside. So I need I need

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Speaker 1: to know what's going on all right? Why why do

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Speaker 1: you need to know? Because my the bus is sucking up?

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Speaker 1: What do you mean, man, I had to pull up. Hey, Mark,

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Speaker 1: you having coffee? Huh yeah, I'm still glad you're here.

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Speaker 1: Thanks man, it's it's it's really good. Always come. I

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Speaker 1: feel like you and I connect because we're like actors first,

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Speaker 1: you know what I mean. You know what I mean,

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Speaker 1: because we're like, you know, like we understand the craft

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Speaker 1: and like comedy is comedy. It's fine, that's fine, it's fine,

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Speaker 1: that's fine. Sure, but you and I were like, we

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Speaker 1: want more from this, you know, And I feel like

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Speaker 1: anytime you need anybody to like read with you or

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Speaker 1: is this a script if you want to read? Yes, yeah, yeah,

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Speaker 1: I get you started with refilling coffee. Refiling coffee, okay,

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Speaker 1: thank you so much? And um all just I'm good. No,

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Speaker 1: not not, it's okay, refeeling coffee and nothing for the

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Speaker 1: skinny man. That's right. Thank you. You look good. You

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Speaker 1: could eat. You can stay. Yeah, you can have some

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Speaker 1: food if you want to have some food, pilot season,

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Speaker 1: you can eat. Why are you just like I've been

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Speaker 1: working my hests off in this honey? How did the

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Speaker 1: harvest looking good? All these pilots are coming up where

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Speaker 1: we got, we got We're going to save the bar.

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Speaker 1: It's working, Yes it is. The pallets are growing, Yes

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Speaker 1: they are, Dan Dan, Dane Da Dy Violence. We're gonna

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Speaker 1: We're gonna have a big dance in the bar. Okay,

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Speaker 1: everybody's going to banking. Hey, man, Marcus, like I'm talking

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Speaker 1: my ear off. It seems like you went over there

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Speaker 1: because I feel like bad for him. So how's the

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Speaker 1: how's the theater going? Oh it's going really great? My egg? Nice?

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Speaker 1: I was thinking, um, you know, if if you needed

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Speaker 1: because I know, like Joey did some stuff over there sometimes.

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Speaker 1: Is that right? That seems that's getting really thin, Chris,

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Speaker 1: what're getting really thin? Thank you? I meant it in

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Speaker 1: a sad way. Yes, bad, sad bad rat Listen to Vanessa.

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Speaker 1: I'm not doing great. If I'm being honest, I'm not

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Speaker 1: doing great. What are you crying? I just need a

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Speaker 1: fucking bone, you know what I mean? Don't be a

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Speaker 1: motherfucking bone can get up on that stage? Um doesn't, doesn't.

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Speaker 1: Just I'm trying to finish my egg on the bus

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Speaker 1: and I'm going to be sitting and not. I'm uncomfortable.

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Speaker 1: You know what, I'm talented, I know, Um, you just

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Speaker 1: think about that. Okay, Okay, I will thank you, christ

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Speaker 1: I love you so much. Okay, how nice? Yeah, no,

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Speaker 1: look what, I don't care how much it costs. Okay,

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Speaker 1: if it's plated in gold, then it's going to be

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Speaker 1: good for the music. Joey. Okay, joe a second. And

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Speaker 1: if there's something else that we can do, all right,

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Speaker 1: can we get another milkshake over here? Joey second? Man?

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Speaker 1: And yes the milk. Take your friends here yet, Yeah,

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Speaker 1: they're coming. Okay, keep the same. Yes, I do, thank

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Speaker 1: you very much. Is there something you need? Yeah? Okay, yeah.

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Speaker 1: So what I'm thinking is is that we can yes,

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Speaker 1: funds not on what the fuck? Oh sweet Joey, dude,

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Speaker 1: Oh I got one a day. This is weird. Dude.

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Speaker 1: By the way, I love those fucking those easies you're wearing.

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Speaker 1: Those are sick dude. Um fu, dude, it just feels good.

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Speaker 1: I feel like I remember I was. You look bad man,

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Speaker 1: you look really sick of ship. I was thinking remember,

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Speaker 1: like to remember back in the day we were just

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Speaker 1: sucking around, dude, just have fun. I missed those days.

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Speaker 1: You know what you want to like around dude, Maybe

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Speaker 1: we could do like like we could do something, you know.

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Speaker 1: I was thinking like good afternoon. Right, it could be

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Speaker 1: like a new sketch thing, because I love you know,

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Speaker 1: I love sketch comedy, dude, and like you and me

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Speaker 1: could like just sucking, like just go at it, you know,

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Speaker 1: cut all that loose, cut, all that Wait, funny, dude,

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Speaker 1: he needs a fucking bitch, Craig, you know what I mean?

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Speaker 1: Are you talking to me? No, dude, I was just

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Speaker 1: hanging out. Okay, do you need something? Not dude? Hell, yeah, Hey, okay,

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Speaker 1: I'll see you later, dude, But you really just up there?

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Speaker 1: He is not well hey Mr Pollock, Hey is uh?

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Speaker 1: I see you sitting out here? Yeah? Seeing me? Okay,

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Speaker 1: he's still in the wheel. Well, we can't find him.

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Speaker 1: Mechanics not being helpful at all. And I'm worried about,

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Speaker 1: you know, because he's all got all that energy and

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Speaker 1: I think he drives sort of like the backbeat of

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Speaker 1: the entire show. But I mean as a I'm not

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Speaker 1: here all the time as a guest. I just want

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Speaker 1: to clearly here in the mustache, right, Yes, yeah, okay,

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Speaker 1: that's what I thought. Yeah, I just checking. Yeah, well, no,

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Speaker 1: it's good to be to be confident. Yeah, but he's

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Speaker 1: but he's you know, he's in the bus like its

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Speaker 1: trapped in the wheel well somewhere. I don't know where

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Speaker 1: he's trying. I'm just saying he's in. His energy is

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Speaker 1: in the bus somewhere. Do you understand what I'm saying?

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Speaker 1: Man so good at this right? His energy is in

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Speaker 1: the bus. His mustache isn't his? Hey, do you have

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Speaker 1: an update on when the bus is going to be ready?

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Speaker 1: Honestly we're gonna wait on the priest or something. It

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Speaker 1: needs to be exercised. The bus needs to be exercised. Yeah,

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Speaker 1: there's a demon, James Heeney. It's inside the bus. Oh

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Speaker 1: my god, of course he is. Do you know about this?

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Speaker 1: I know? Do you have you ever put potatoes in

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Speaker 1: your bus? Potatoes? Yeah? There there was a hashbrown machine.

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Speaker 1: He's been back there, that's what it is. If he

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Speaker 1: can even smell the damn things, he's gonna squirrel up inside.

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Speaker 1: Daddy cannot get five dollars. Yeah, but has he been

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Speaker 1: on the bus? Where were you working on the streets,

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Speaker 1: working on the seats. I did not see him. Yeah,

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Speaker 1: that's the point. You're not supposed to see him. But yeah,

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Speaker 1: he's working. Well there he is. Yeah, Well we removed

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Speaker 1: the Hashbrown machine, so some of the seats were loosen

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Speaker 1: here you sorry. Yeah, a lot of people say we

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Speaker 1: look alike. You did look exactly alike. Disturbing. He is

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Speaker 1: taller and older than you, So you know that there's

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Speaker 1: an animal demon. No, no, no, I we I know James,

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Speaker 1: and I also know if there's been a trace of

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Speaker 1: hash brown, he's going to be trying to get up

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Speaker 1: to where that is going to be burning at that

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Speaker 1: So if you can find the you know the area

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Speaker 1: that the hashbrown machine was located in, well, yeah, that's

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Speaker 1: where he was going to be the center of the bus.

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Speaker 1: There was an oil catch that got all the hi

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Speaker 1: ms him. Can I get um this? Yeah, thank you

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Speaker 1: so much, if you don't mind Chris dash Alvarado dot com.

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Speaker 1: There wasn't like I couldn't get Chris Alardo for some reason.

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Speaker 1: Somebody else had that one. It's a musician, what kind

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Speaker 1: of music? I don't listen, but I get tagged on

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Speaker 1: his stuff all the time on Instagram. That's at Chris Alrodo.

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Speaker 1: I got I got that one. Hey do you are you? Um?

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Speaker 1: Do you have any interest other than being a perform mark?

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Speaker 1: Because you know there's a lot of other careers out there.

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Speaker 1: I don't say that there's a lot of other careers

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Speaker 1: you could go into. What's fun? Um ta ta I am.

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Speaker 1: I made this kind of bet, this kind of commitment

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Speaker 1: to myself into the fucking devil himself, that I would

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Speaker 1: rather die chasing this dream then give up. Take up

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Speaker 1: pretty loose? Are you getting enough nutrition? Your teeth are

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Speaker 1: shaking in your mail? I don't think you should. I

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Speaker 1: think you should go into a different work. What else

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Speaker 1: can I do? I do in this and I like it?

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Speaker 1: This crylf No, thank you everyone in this whole restaurant.

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Speaker 1: So yourself. Just talent. I've got ooks, I've got things.

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Speaker 1: I've got is Chris, Okay, shut up? Shut up. I'm sorry,

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Speaker 1: You're right, I'm look fine. You got you guys. You

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Speaker 1: guys seem like something you have to deal with within

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Speaker 1: the family. Here. I'll just mark, We're not a family.

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Speaker 1: Stop making this thing. Man, do I hate this vacation?

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Speaker 1: I hate this vacation. I don't know. It just seems

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Speaker 1: like Mr Pollock's created a really nice family. What is

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Speaker 1: wrong with you? You have a real job. Why then

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Speaker 1: do you want from us? Man? What do you want

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Speaker 1: from us? What do you want to take from us?

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Speaker 1: I just you know what, I couldn't want to take

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Speaker 1: anything sick that guys, and we have him around, can

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Speaker 1: we want to be around? He's poisoning us. We're all

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Speaker 1: doing the best we can have a family that this

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Speaker 1: podcast is supporting, So I have to make it work.

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Speaker 1: I've lost ten of my friends on the road. They're

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Speaker 1: probably you didn't have those friends, SERI, where are my friends?

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Speaker 1: Your phone? Not even what the funk is this? It's

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Speaker 1: a piece of tile, yeah it is. It's a new update. No,

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Speaker 1: it's not Joey. You guys got some ship to work out.

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Speaker 1: I'm gonna go outside and see if I can find

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Speaker 1: James in the van by Mark. Going to really miss you.

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Speaker 1: You're so fun. It's an update, Okay, an update. Hey,

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Speaker 1: James is me? It's Chris. Is that. I'm so glad

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Speaker 1: I got to talk to you. You're in the hatchbag man.

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Speaker 1: You know, James, I was thinking you and I are

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Speaker 1: a lot of like it Like it's like you and

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Speaker 1: I were not good at accents. You know, we don't

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Speaker 1: do much character works, so to speak, but we love it.

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Speaker 1: But that smell you want me to join you in there? James.

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00:21:01,200 --> 00:21:05,679
Speaker 1: I'm down. I'm gonna do a little collab. Collaboration Kevin,

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Speaker 1: Kevin looks udy. Something's wrong with Chris. I just heard

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Speaker 1: James is in the bus or something like that. We

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Speaker 1: gotta cancel with k cancel it. Yes, I've already paid

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Speaker 1: for it. There's no canceling. You've already paid for what.

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Speaker 1: Everyone have a cupcake and a juice and I gotta

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Speaker 1: eat basketball basketball. This is what you paid for. Okay, Well, pitching,

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Speaker 1: do you need to go somewhere and be somewhere? Yeah?

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Speaker 1: I do. Actually, okay, I got a music video to shoot,

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Speaker 1: Thank you very much. Okay, all right, Yeah, and it's

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Speaker 1: a gold Lamborghini. I'm gonna be driving around. I think

355
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Speaker 1: about that for a second. Someone rent the gold Lamborghini.

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Speaker 1: I don't know how it works, okay, but what I

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Speaker 1: do know is that I gotta be there. Okay, alright.

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Speaker 1: See number one is called Siri. Where's my basketball? I

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00:21:52,000 --> 00:21:59,159
Speaker 1: love you guys, any representation. I'm doing great, and I

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Speaker 1: love this this and we are a family life and

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00:22:01,400 --> 00:22:05,240
Speaker 1: you're part of the I love that everyone felt that

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00:22:05,520 --> 00:22:15,320
Speaker 1: to apologize. That's pretty beautiful. Seen to comes from Patreon

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Speaker 1: VP Nicholas from Munich, who wrote, as many people across

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Speaker 1: this wonderful world of ours I live for your podcast.

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Speaker 1: It's a way of sunlight in the desert of monotony

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Speaker 1: and pony frolicking on the planes of madness, and a

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00:22:29,680 --> 00:22:32,920
Speaker 1: metaphor usually short of resolution. Well, there you have it.

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Speaker 1: Thank you for articulating what we've all been thinking. My

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Speaker 1: suggestion is the couple visits a hotel only to find

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Speaker 1: bats in the hallway, a mouse running out of her drawer, reception,

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Speaker 1: and the concierge thinks he's a wizard. Most of this

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Speaker 1: is based on a true story from my life. Wow.

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Speaker 1: Thank you Nicholas from Munich. Next please hi, Yes, would

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Speaker 1: you like to check in? Yes? The reservation should be

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Speaker 1: under Harper Harper, I did. It's so sweet our first

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00:23:01,920 --> 00:23:05,560
Speaker 1: name or last last name? Last name? Last night? That

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00:23:06,280 --> 00:23:09,959
Speaker 1: h A R P E R. We made the reservations

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Speaker 1: three months ago. I should have been through. Uh. Expiliaia expilia.

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Speaker 1: It's just a different is it. That's different problem. We've

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Speaker 1: been having issues with expilia, So okay, well it's a

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Speaker 1: we do. We do have a couple of rooms available

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Speaker 1: I reserved. I can show you the receipt that I

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Speaker 1: paid for. You know what showed me the receipt. We're

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00:23:36,760 --> 00:23:38,919
Speaker 1: still going to have the same issue, sir. Does anybody

385
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Speaker 1: else work here or is it just the one we're

386
00:23:42,640 --> 00:23:46,280
Speaker 1: being handled? I work here. I could take your bags

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Speaker 1: for you. That's our concerge. Thank you very much. Yeah,

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00:23:49,800 --> 00:23:56,879
Speaker 1: thank you, Stevie. Can you help this gentleman please? It's Steven.

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00:23:58,920 --> 00:24:03,280
Speaker 1: He doesn't like a NICKI own nickname. Um uh yeah.

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00:24:03,280 --> 00:24:05,400
Speaker 1: So here's the receipt. I see the email, sir, But

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00:24:05,560 --> 00:24:11,560
Speaker 1: I'm just telling you paper trail as well. So as

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00:24:11,560 --> 00:24:13,080
Speaker 1: I said, we have a couple of rooms. We just

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00:24:13,080 --> 00:24:16,760
Speaker 1: don't have a reservation, right, So that's I paid for

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00:24:16,880 --> 00:24:21,000
Speaker 1: the suite, right, you paid for it in advance? Yes,

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00:24:21,119 --> 00:24:25,080
Speaker 1: that must be the problem. Okay, all right, I don't understand.

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Speaker 1: Why is that a problem? If I made you need

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Speaker 1: my magic skittles, Stephen, no one. I shall go back

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Speaker 1: to my bag hole. Do you know where you're taking those?

399
00:24:36,600 --> 00:24:38,480
Speaker 1: I don't haven't checked any like do I guess I

400
00:24:38,520 --> 00:24:41,240
Speaker 1: shall keep them with me in the bag hole. You know.

401
00:24:41,320 --> 00:24:44,359
Speaker 1: I don't mean to interrupt, but but you are sorry.

402
00:24:44,520 --> 00:24:46,000
Speaker 1: And what's going on here? It's like an episode of

403
00:24:46,040 --> 00:24:48,920
Speaker 1: Seinfeld right where he's like reservation, like, what's the point

404
00:24:48,920 --> 00:24:55,600
Speaker 1: of a reservation? Here's my car, duncan Jacoby you make tires,

405
00:24:55,720 --> 00:24:58,120
Speaker 1: I make tires. I'm the tired king, so I speak

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Speaker 1: Mr Jacoby. We trying to get our sweet secured. Mr.

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00:25:02,920 --> 00:25:06,160
Speaker 1: We have your sweet ready. Of course, thank you so much.

408
00:25:06,480 --> 00:25:10,480
Speaker 1: More bags you're bringing more bags, Yes, I've got more bags.

409
00:25:11,320 --> 00:25:17,240
Speaker 1: Take these bags, e fash, Take these bags, hide them,

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00:25:17,960 --> 00:25:22,080
Speaker 1: hide them well for the owners. Shall be back for them.

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Speaker 1: Forth with. I'll go back out there and see if

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Speaker 1: I'm assuming it's the usual room. Yes, of course it

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00:25:33,200 --> 00:25:37,600
Speaker 1: rif which room is? It is the one way you reserved, reserved,

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Speaker 1: it's our anniversary. I understand it. Turn to my name,

415
00:25:40,640 --> 00:25:45,720
Speaker 1: Harper made it expla No, it's not fine because you're

416
00:25:45,760 --> 00:25:47,560
Speaker 1: not handling it. As I said, we do have a

417
00:25:47,640 --> 00:25:52,560
Speaker 1: room for both of you, and be happy to the

418
00:25:52,720 --> 00:25:54,720
Speaker 1: one room, one room, two beds. And before you go,

419
00:25:54,840 --> 00:25:56,600
Speaker 1: I have something for you as well. I have a

420
00:25:56,640 --> 00:26:00,359
Speaker 1: discount on tires if you ever need something. And of

421
00:26:00,440 --> 00:26:03,399
Speaker 1: course that generosity is one of the reasons that we

422
00:26:03,800 --> 00:26:08,360
Speaker 1: can we exchange these for our room. I don't want ties,

423
00:26:08,480 --> 00:26:10,480
Speaker 1: but I do want to room. There are you a

424
00:26:10,600 --> 00:26:14,320
Speaker 1: national chain because I don't live in Cincinnati. No Cincinnati

425
00:26:14,400 --> 00:26:18,080
Speaker 1: specific but okay, well I don't we don't have a Yeah,

426
00:26:18,119 --> 00:26:21,040
Speaker 1: we'll look at the slogan. If you're not in Cincinnati,

427
00:26:21,080 --> 00:26:26,720
Speaker 1: you can't get tires. So it's pretty cut and dry.

428
00:26:28,280 --> 00:26:30,920
Speaker 1: So ever in Cincinnati swinging by the ould tire king

429
00:26:31,119 --> 00:26:37,400
Speaker 1: and yeah, we're not in Cincinnati. I can't. No, we're not. Sorry.

430
00:26:37,640 --> 00:26:41,199
Speaker 1: It's just like the card says, we can't get ties. Amen,

431
00:26:41,680 --> 00:26:48,119
Speaker 1: think about that night. Here's a not in Cincinnati, you

432
00:26:48,119 --> 00:26:51,680
Speaker 1: can't get Hain't that the truth? That's the greatest slogan

433
00:26:51,680 --> 00:26:52,879
Speaker 1: I've ever heard. I just want to make sure I

434
00:26:52,920 --> 00:26:57,359
Speaker 1: gotta correct. Hey, pro tip, the venom machine on floor

435
00:26:57,440 --> 00:27:02,800
Speaker 1: six is God Hotel with ending the yes on every floor.

436
00:27:04,520 --> 00:27:06,440
Speaker 1: I thought it was romantic. Yeah, I thought we would

437
00:27:06,480 --> 00:27:07,879
Speaker 1: have like what happens in the room is none of

438
00:27:07,880 --> 00:27:09,600
Speaker 1: our business if you want to get romantic. But out

439
00:27:09,600 --> 00:27:13,880
Speaker 1: in the hallway, if you'd like some Dan a Nutter

440
00:27:13,960 --> 00:27:19,119
Speaker 1: butter for someone to get romantic. That's the concierge. I

441
00:27:19,160 --> 00:27:24,840
Speaker 1: can show you every wonderful restaurant in the city of Cincinnati.

442
00:27:24,960 --> 00:27:28,040
Speaker 1: You know what, when some that no one knows why

443
00:27:28,040 --> 00:27:29,720
Speaker 1: don't we do that? Why don't we just hold the

444
00:27:29,720 --> 00:27:31,560
Speaker 1: bags here for a second. Well, you're going to figure

445
00:27:31,600 --> 00:27:34,080
Speaker 1: out that room and let let's just let's see what. Yeah,

446
00:27:34,160 --> 00:27:38,840
Speaker 1: what While they're doing one step, mush, bring the book.

447
00:27:40,840 --> 00:27:49,720
Speaker 1: This is my bat rush. You must just drop it

448
00:27:49,760 --> 00:27:52,159
Speaker 1: in my hat. Just drop it, just drop it in

449
00:27:52,280 --> 00:27:58,160
Speaker 1: my head. Don't get away from from to drop it

450
00:27:58,160 --> 00:28:05,800
Speaker 1: into your cave anyway. Take a look at this book here,

451
00:28:05,920 --> 00:28:14,480
Speaker 1: it's got directions to the recommendations or PF chang. This

452
00:28:14,560 --> 00:28:16,480
Speaker 1: whole thing is a bit of a bumma, isn't it. Yeah?

453
00:28:16,480 --> 00:28:18,760
Speaker 1: I thought Cincinnati was like hub of fine food and

454
00:28:18,760 --> 00:28:21,200
Speaker 1: fine Hini. We have room service tony four hours if

455
00:28:21,200 --> 00:28:25,000
Speaker 1: you'd like go guess yeah, I guess that's what he means.

456
00:28:26,560 --> 00:28:30,280
Speaker 1: Our chef is one Michelin star. Right, Yes, you should

457
00:28:30,280 --> 00:28:34,280
Speaker 1: try his three way Chili's three way, thank you, Stevie

458
00:28:34,480 --> 00:28:43,000
Speaker 1: free Why chilly three white chili, three chili, getty and cheese.

459
00:28:43,080 --> 00:28:46,560
Speaker 1: It's the way we can do, my wife, thank you.

460
00:28:46,600 --> 00:28:49,480
Speaker 1: If it's in one bowl, it's one way. That's the

461
00:28:49,520 --> 00:28:54,000
Speaker 1: way it is, exactly. Chi tried to explain to Stevie

462
00:28:54,040 --> 00:28:55,960
Speaker 1: many times. The customer is always right in this case,

463
00:28:56,000 --> 00:28:59,360
Speaker 1: you are right. Yes, I'd like to go right until

464
00:29:00,080 --> 00:29:03,400
Speaker 1: s battles. I'm sorry, excuse, I'd like to order some food.

465
00:29:04,680 --> 00:29:06,840
Speaker 1: What would you like? I'd like to get the well,

466
00:29:06,840 --> 00:29:09,960
Speaker 1: you know, for the chili, right for the ChIL I'd

467
00:29:09,960 --> 00:29:11,880
Speaker 1: like to try the chili. Please, and let the chef

468
00:29:11,920 --> 00:29:16,760
Speaker 1: know I'm not part of We are out of three

469
00:29:16,840 --> 00:29:20,760
Speaker 1: way chili. Interesting, Well, let the chef know that I'm

470
00:29:20,800 --> 00:29:26,880
Speaker 1: not part of Michelin Tires. I shall let the chef now,

471
00:29:27,400 --> 00:29:31,959
Speaker 1: thank you. Maybe you can get that chili going. I

472
00:29:32,000 --> 00:29:35,640
Speaker 1: couldn't help it over here. Okay, you're not part of

473
00:29:35,640 --> 00:29:38,320
Speaker 1: Michelin Tire. Let's just say I'm not part of Michelin Tires.

474
00:29:38,920 --> 00:29:42,440
Speaker 1: A lot of funny coincidence. Have you ever seen the

475
00:29:42,440 --> 00:29:46,920
Speaker 1: movie Rather Tui? The action movie? No, no, no, no,

476
00:29:47,480 --> 00:29:52,239
Speaker 1: the cartoon rap food movie. Uh, the movie I'm thinking of.

477
00:29:52,440 --> 00:29:56,800
Speaker 1: It's Bruce Willis. Okay, no, no, no, damn man? May

478
00:29:56,840 --> 00:29:59,840
Speaker 1: I take your bag? No? I prefer to hold onto it.

479
00:30:00,040 --> 00:30:05,120
Speaker 1: I'm not a health inspector. Oh can I get a

480
00:30:05,120 --> 00:30:08,400
Speaker 1: different table? This? It seemed to just pony up to

481
00:30:08,400 --> 00:30:11,920
Speaker 1: my table edge one single. I'm not part of Michelin Tires.

482
00:30:11,920 --> 00:30:14,239
Speaker 1: Oh is a cocktail hour down here. Hey everybody, how

483
00:30:14,320 --> 00:30:17,239
Speaker 1: you doing? Mr Jacobe? I am the tire king, and

484
00:30:17,280 --> 00:30:20,760
Speaker 1: you are not with Michelin Tires, not with michel Good

485
00:30:20,760 --> 00:30:22,640
Speaker 1: to know, because let me tell you something. Michelin Tire

486
00:30:22,720 --> 00:30:24,360
Speaker 1: can suck a dick. You know what I mean? It's

487
00:30:24,400 --> 00:30:26,760
Speaker 1: good here all the way really for the all weather stuff. Here,

488
00:30:26,760 --> 00:30:30,560
Speaker 1: here's my car. Here's my car. Thanks and Cincinnati face.

489
00:30:31,200 --> 00:30:33,040
Speaker 1: This could be great for me, lucky for you. What

490
00:30:33,080 --> 00:30:36,040
Speaker 1: do you do? I don't health inspect I don't have

491
00:30:36,120 --> 00:30:40,600
Speaker 1: a microscope and a black light in my duffel. Oh nice, nice, nice,

492
00:30:40,680 --> 00:30:43,920
Speaker 1: And you don't. You aren't part of Michelin Tire. I'm

493
00:30:43,960 --> 00:30:45,680
Speaker 1: not part of Michelin Tire is either in the tire

494
00:30:45,720 --> 00:30:48,000
Speaker 1: sector or their food department. Because that me to clear

495
00:30:48,000 --> 00:30:50,200
Speaker 1: how I feel about Michelin. Right you did? I love

496
00:30:50,240 --> 00:30:53,400
Speaker 1: how tight the tables are here. Come in alone, weave

497
00:30:53,440 --> 00:30:56,320
Speaker 1: with friends. That's what it says on the card. Here

498
00:30:56,320 --> 00:30:57,840
Speaker 1: at the hotel, you guys, I want to see something

499
00:30:57,880 --> 00:31:02,520
Speaker 1: pretty cool? Sure, hey Stevid, Yes, Mr Jacobe, can you

500
00:31:02,560 --> 00:31:09,880
Speaker 1: bring in some more friends for us? Maybe little furry ones? Nuts?

501
00:31:09,960 --> 00:31:12,239
Speaker 1: This is pretty nuts. I'll just tell you what he's

502
00:31:12,280 --> 00:31:14,760
Speaker 1: about to do. He's about to let one mice run

503
00:31:14,800 --> 00:31:21,200
Speaker 1: across this table. I told you the last boy scout,

504
00:31:21,280 --> 00:31:27,920
Speaker 1: the last boy scouts. Okay, we're closing it down and

505
00:31:28,080 --> 00:31:31,320
Speaker 1: closing it down. Here's my badge. I was lying earlier.

506
00:31:31,360 --> 00:31:34,479
Speaker 1: I'm a smooth criminal like the Michael Jackson's song, and

507
00:31:34,520 --> 00:31:39,720
Speaker 1: I am the michelin man who sh whiplash from that.

508
00:31:40,160 --> 00:31:42,880
Speaker 1: I still am, like I said before, the tire king

509
00:31:42,880 --> 00:31:45,400
Speaker 1: of Cincinnati. And what's you say on your card? Uh?

510
00:31:45,440 --> 00:31:49,959
Speaker 1: If it's not in Cincinnati, it's not. What's going on

511
00:31:50,000 --> 00:31:53,000
Speaker 1: in here? Oh? Just playing with mice, playing with mars

512
00:31:53,920 --> 00:31:57,959
Speaker 1: is disgusting. I don't know, it's compliments of Stephen here, Stephen,

513
00:31:58,920 --> 00:32:04,719
Speaker 1: what a mice? Mice? Or I have to shut this

514
00:32:04,760 --> 00:32:07,640
Speaker 1: place down, everybody. What do you mean is it's seven

515
00:32:07,720 --> 00:32:12,600
Speaker 1: hundred dollars for one tire? Yeah? I'm sorry you just

516
00:32:13,080 --> 00:32:16,080
Speaker 1: what a weird sentence you said? It's seven for one

517
00:32:16,080 --> 00:32:20,360
Speaker 1: of the best tires that have ever Okay, no, no,

518
00:32:20,880 --> 00:32:25,000
Speaker 1: I'm sorry, too late, too late, Like it's just already

519
00:32:25,000 --> 00:32:27,320
Speaker 1: on your car. Kevin, we gotta go into the place. Okay,

520
00:32:27,360 --> 00:32:30,760
Speaker 1: we talk, who's Kevin? Kevin Paul? Like, we gotta get

521
00:32:31,400 --> 00:32:36,040
Speaker 1: somewhere else the I'm gonna finish something. What are you

522
00:32:36,040 --> 00:32:39,560
Speaker 1: talking about? I don't know. The University of Miami beingo baby,

523
00:32:39,720 --> 00:32:44,520
Speaker 1: you guys have a discount that's five percent off off. Hey, hey,

524
00:32:44,560 --> 00:32:51,840
Speaker 1: jim Man, we're getting it ties and no when I

525
00:32:51,880 --> 00:32:54,320
Speaker 1: thought so too. Okay, Kevin's gone. I guess I'm in

526
00:32:54,400 --> 00:32:57,120
Speaker 1: charge here. You're supposed to get times for Kevin pil Yeah,

527
00:32:57,160 --> 00:32:59,600
Speaker 1: I understand that. Why don't you get some because you're

528
00:32:59,600 --> 00:33:03,320
Speaker 1: seven h fucking dollars? Okay, Sirie, how much tire supposed

529
00:33:03,320 --> 00:33:08,240
Speaker 1: to be? What the fuck? A voice? Keep changing? God? Dad, Look,

530
00:33:08,400 --> 00:33:09,960
Speaker 1: why are you here? Why am I here? I'm on

531
00:33:09,960 --> 00:33:12,880
Speaker 1: a vacation from hell? Okay, Okay, I'm dying every single

532
00:33:12,920 --> 00:33:15,600
Speaker 1: god damn day. I've been living off basketball juice and

533
00:33:15,640 --> 00:33:19,800
Speaker 1: basketball fibers. Okay, okay, that's my digestion. Tell me cleans

534
00:33:19,800 --> 00:33:22,240
Speaker 1: it out, cleans it. I'm actually never felt better. Okay.

535
00:33:22,400 --> 00:33:24,239
Speaker 1: I say, if you look right here, sir, and the

536
00:33:24,400 --> 00:33:28,200
Speaker 1: X ray, you'll see these little tiny circle things, um

537
00:33:28,280 --> 00:33:33,000
Speaker 1: and the lab says they're basketball related. You think about

538
00:33:33,000 --> 00:33:35,800
Speaker 1: that lab here might be basketball is inside of your belly.

539
00:33:36,280 --> 00:33:38,880
Speaker 1: You can just bring lab in here, there's a lab

540
00:33:39,120 --> 00:33:42,080
Speaker 1: here at the hospital. Yeah. Oh, what's the thing. I'm sorry,

541
00:33:42,080 --> 00:33:43,760
Speaker 1: I think like a guy named Lab or a woman

542
00:33:43,840 --> 00:33:45,120
Speaker 1: named Lab was like, why would you think that? I

543
00:33:45,120 --> 00:33:48,160
Speaker 1: don't know, I said, Lab said this right, Okay, I'm interested.

544
00:33:48,240 --> 00:33:51,480
Speaker 1: Why you went for a male first. I'm sorry, I'm sorry. Uh,

545
00:33:51,520 --> 00:33:55,440
Speaker 1: no reason, no reason, I'm really interested. You haven't made

546
00:33:55,440 --> 00:34:00,000
Speaker 1: eye contact with me, jenks this whole time, Lab sounded masculine.

547
00:34:00,040 --> 00:34:02,760
Speaker 1: It just sounded. Lab sounded masculine, even though Lab is

548
00:34:02,800 --> 00:34:06,000
Speaker 1: the beginning of labia. Oh, Ed, I was thinking, Uh,

549
00:34:06,320 --> 00:34:08,839
Speaker 1: what were you thinking? Labastiling? That's what I was thinking,

550
00:34:08,880 --> 00:34:11,839
Speaker 1: which made me think of masculine. You been eating basketball, sir,

551
00:34:12,600 --> 00:34:19,120
Speaker 1: we've reason to believe that arrest almost almost do this close. Yeah,

552
00:34:19,239 --> 00:34:22,200
Speaker 1: we have another issue though. The basketballs are filled with semen.

553
00:34:23,080 --> 00:34:26,120
Speaker 1: Uh there's a little pouches of semen in the form

554
00:34:26,160 --> 00:34:29,759
Speaker 1: of a basketball. Surely you saw that coming. Am I

555
00:34:29,800 --> 00:34:34,479
Speaker 1: on arrest? Am I free to go? Hey Steven, it's

556
00:34:34,600 --> 00:34:38,279
Speaker 1: it's me, Mr Jacoby. Yes, Mr Jacobey, what can I

557
00:34:38,320 --> 00:34:43,560
Speaker 1: do for you? I'm as usual, I'm lonely. Well. I

558
00:34:43,560 --> 00:34:46,080
Speaker 1: I'm terribly sorry to hear that I did not know

559
00:34:46,160 --> 00:34:52,800
Speaker 1: you had my home address. I guess I should evash evash.

560
00:34:54,280 --> 00:34:57,640
Speaker 1: It's all right, it's all right. It's just Duncan Jacoby

561
00:34:57,760 --> 00:35:02,040
Speaker 1: the Tire King of Cincinnati. You know what, I'm so

562
00:35:02,160 --> 00:35:06,560
Speaker 1: tired of that title. Do you wish another title? Here?

563
00:35:07,000 --> 00:35:12,120
Speaker 1: It's Duncan Jacoby the Tire King of Cincinnati. Here's his card.

564
00:35:12,719 --> 00:35:18,000
Speaker 1: I have his card. Steven, come to bed, Duncan. It's

565
00:35:18,200 --> 00:35:21,240
Speaker 1: very late. It's just you live such an interesting life,

566
00:35:21,320 --> 00:35:25,480
Speaker 1: and I'm a wizard? Is that what it is? You can't?

567
00:35:26,000 --> 00:35:29,920
Speaker 1: Are you that in person? You were just feign we'll

568
00:35:29,960 --> 00:35:32,319
Speaker 1: all foreign people are wizards? Do you not know this?

569
00:35:32,560 --> 00:35:36,680
Speaker 1: That's what? Yeah? Okay, Steven the bats, miss you? All right,

570
00:35:36,960 --> 00:35:41,480
Speaker 1: change me? Change you? Did you soil yourself? No? No,

571
00:35:41,520 --> 00:35:45,120
Speaker 1: I mean make me something that I'm not all right,

572
00:35:46,880 --> 00:35:49,440
Speaker 1: I don't want to be me anymore. Okay, well fine,

573
00:35:49,560 --> 00:35:53,960
Speaker 1: just sit here, okay and drape this over you and

574
00:35:54,120 --> 00:35:59,319
Speaker 1: things like p Well it's been at Chris Alvarado, and

575
00:35:59,400 --> 00:36:01,680
Speaker 1: I will as soon as I pull this off, it

576
00:36:01,840 --> 00:36:04,800
Speaker 1: will you will be something that you were not before.

577
00:36:05,239 --> 00:36:13,560
Speaker 1: Make him bald. Yeah, that's that's actually pretty funny. Missus Jakobe,

578
00:36:13,600 --> 00:36:19,640
Speaker 1: I old people of the Tire Kingdom. We have sad

579
00:36:19,680 --> 00:36:24,560
Speaker 1: news today. Duncan Jacoby has to king. Don't say it

580
00:36:24,760 --> 00:36:29,319
Speaker 1: is no more? Know what's happened to him? He has

581
00:36:29,360 --> 00:36:35,839
Speaker 1: gotten bald because relinquished the crown success. Will you let

582
00:36:35,840 --> 00:36:39,799
Speaker 1: me do this? I mean, I'm just trying to cry.

583
00:36:41,680 --> 00:36:44,839
Speaker 1: Interrupt me, you know what? You know what Forget it

584
00:36:44,719 --> 00:36:49,600
Speaker 1: and we'll just figure it out. Oh now you need me?

585
00:36:49,840 --> 00:36:52,920
Speaker 1: Oh I have to go to or is it going

586
00:36:52,960 --> 00:36:56,440
Speaker 1: to be listen? Oh do we need a new town? Cry?

587
00:36:57,280 --> 00:36:58,880
Speaker 1: Oh no, we're not doing that. Okay, we don't need

588
00:36:58,880 --> 00:37:02,680
Speaker 1: a new town. Cry good and she's good. Shed cry

589
00:37:03,239 --> 00:37:08,400
Speaker 1: then cry, don't cry? What happened to Duncan Jacobe? Duncan

590
00:37:08,560 --> 00:37:13,759
Speaker 1: Jacobe is no more? The new king of tires. Will

591
00:37:13,800 --> 00:37:20,000
Speaker 1: buying Michelin that big puffy man that's right now, garden

592
00:37:20,080 --> 00:37:26,320
Speaker 1: bed all as well? I like this one. Yeah, donut,

593
00:37:27,880 --> 00:37:30,160
Speaker 1: She's got more things like that if you want to

594
00:37:30,160 --> 00:37:34,920
Speaker 1: get him around your finger, idiot. Oh my god, you're

595
00:37:34,920 --> 00:37:37,920
Speaker 1: going to be the only town crying like there's no competition,

596
00:37:38,360 --> 00:37:44,320
Speaker 1: and everybody's competition here. Oh my god, my god, my god,

597
00:37:45,800 --> 00:37:49,440
Speaker 1: I'm I'm checking that place. Yes, how is your stament

598
00:37:49,719 --> 00:37:56,759
Speaker 1: duncan not great, No, you went bold? Can I just

599
00:37:56,880 --> 00:38:01,120
Speaker 1: check our place? Skin shine man? You ma'am please, we

600
00:38:01,239 --> 00:38:04,760
Speaker 1: had a horrible nut sleep. We'd sleep into twin bits.

601
00:38:05,520 --> 00:38:07,680
Speaker 1: I've only not about us because I tried to go

602
00:38:07,719 --> 00:38:10,200
Speaker 1: to your hotel restaurant. There was rats on the type.

603
00:38:10,280 --> 00:38:12,759
Speaker 1: I explain, we're doing the best we can run where

604
00:38:12,840 --> 00:38:16,480
Speaker 1: my husband is well. We can talk to Stephen about that.

605
00:38:16,520 --> 00:38:18,680
Speaker 1: It's a concertge. I want to talk to Stephen because

606
00:38:18,719 --> 00:38:20,560
Speaker 1: that's who I saw in the restaurant with the rats

607
00:38:20,680 --> 00:38:23,520
Speaker 1: running all over, and he was their king. I don't think.

608
00:38:23,719 --> 00:38:26,279
Speaker 1: And this man is bald. It seems like a slight exaggeration,

609
00:38:26,320 --> 00:38:29,880
Speaker 1: although the ball parksoners to be true. Uh so much, Checobe,

610
00:38:29,960 --> 00:38:31,520
Speaker 1: Thank you so much for coming, and we'll do our

611
00:38:31,560 --> 00:38:33,600
Speaker 1: best the next time. Year you did find it was

612
00:38:33,640 --> 00:38:38,520
Speaker 1: my fault. What happened? I wanted a change. Oh, we

613
00:38:38,560 --> 00:38:44,799
Speaker 1: shouldn't have picked balls here bags um, so thank you. Wait,

614
00:38:44,920 --> 00:38:49,320
Speaker 1: don't go anywhere at yours. That's unnecessary, quite generous. You

615
00:38:49,440 --> 00:38:52,880
Speaker 1: didn't have to tip Stephen. Sure it did customary? Did

616
00:38:53,120 --> 00:38:58,359
Speaker 1: we overby? Oh? Is that right? Sure? I would maybe

617
00:38:59,400 --> 00:39:02,400
Speaker 1: maybe let Stephen like what's going on between these two. Oh,

618
00:39:02,480 --> 00:39:07,040
Speaker 1: another foreigner. You're also a wizard. Of course you are.

619
00:39:07,200 --> 00:39:13,480
Speaker 1: Of course I am wizard Jake, one of the one

620
00:39:13,560 --> 00:39:17,480
Speaker 1: of the siblinghood. Oh yeah, right, I should it just

621
00:39:18,719 --> 00:39:22,160
Speaker 1: you know, potioned up a room. Yeah, I forgot. That

622
00:39:22,200 --> 00:39:24,160
Speaker 1: would have been great. Then you guys could have had

623
00:39:24,160 --> 00:39:26,320
Speaker 1: more than just to embars the sleeping well. I promised

624
00:39:26,360 --> 00:39:29,800
Speaker 1: my husband that I wouldn't do will lacking wizarding anymore.

625
00:39:29,840 --> 00:39:33,720
Speaker 1: I'm a girl, so witching. I guess freakazoid is your husband.

626
00:39:35,880 --> 00:39:38,560
Speaker 1: Yet he didn't have a good knock sleep. No, this

627
00:39:38,719 --> 00:39:47,279
Speaker 1: is what happened. I don't know. I don't know. I

628
00:39:47,400 --> 00:39:50,080
Speaker 1: wish I could explain it. You just do not know.

629
00:39:50,640 --> 00:39:54,000
Speaker 1: There's a spell to turn him back to normal. Oh sure,

630
00:39:54,120 --> 00:39:59,920
Speaker 1: here it's written on this This is Mr Jacoby's business.

631
00:40:00,280 --> 00:40:04,240
Speaker 1: It's on the back. It's on the back. Maritas, unless

632
00:40:04,280 --> 00:40:12,080
Speaker 1: you's Cincinnati, unless you're from Cincinnati. That you just canceled

633
00:40:12,120 --> 00:40:23,520
Speaker 1: it up. And that scene too, So please when it tracks,

634
00:40:23,600 --> 00:40:27,600
Speaker 1: it track it does. Listener David who wrote, Hey, y'all,

635
00:40:27,840 --> 00:40:30,200
Speaker 1: huge fan of the show since day one, But for

636
00:40:30,320 --> 00:40:34,080
Speaker 1: all my enthusiasm, my partner still hasn't caught the out

637
00:40:34,080 --> 00:40:36,880
Speaker 1: of me. This bug. My solution to the Squandrey is

638
00:40:37,120 --> 00:40:40,040
Speaker 1: you guessed it a scene suggestion. One of my favorite

639
00:40:40,080 --> 00:40:43,240
Speaker 1: characters of all time is Joey's Hold the Door character.

640
00:40:44,680 --> 00:40:47,800
Speaker 1: Hold the Door. Yep, there we go. But honestly, anytime

641
00:40:47,880 --> 00:40:50,480
Speaker 1: Joey shot something in the background, it's hilarious. That's true.

642
00:40:50,520 --> 00:40:52,880
Speaker 1: I think we all agree. My suggestion is this we

643
00:40:53,000 --> 00:40:54,600
Speaker 1: see a day in the life of the Hold the

644
00:40:54,680 --> 00:40:57,120
Speaker 1: Door guy. I trust you can take it from there.

645
00:40:57,280 --> 00:41:02,520
Speaker 1: Much love, David Strout, Uh, Sarah, thanks for coming in.

646
00:41:02,680 --> 00:41:04,480
Speaker 1: We just wanted to go over a couple of things

647
00:41:05,640 --> 00:41:09,520
Speaker 1: about your recent at That one right there in the

648
00:41:09,560 --> 00:41:12,560
Speaker 1: middle is good. It says here that you you worked.

649
00:41:12,960 --> 00:41:16,000
Speaker 1: You worked at McDonald's, and you worked at Burger King,

650
00:41:16,640 --> 00:41:19,560
Speaker 1: and you worked Larry's House of pank the seat in

651
00:41:19,560 --> 00:41:24,200
Speaker 1: the middle place. So my confusion is, what did you do?

652
00:41:24,480 --> 00:41:27,879
Speaker 1: Let's at the seat in the center, the center seats.

653
00:41:28,040 --> 00:41:29,799
Speaker 1: If you don't want to see in the center, that's

654
00:41:29,840 --> 00:41:35,480
Speaker 1: also fine. Larry, Yeah, I got I got nothing. Mike,

655
00:41:36,239 --> 00:41:37,880
Speaker 1: you're the one that wanted to call this guy in.

656
00:41:38,040 --> 00:41:40,120
Speaker 1: I said it was a bad idea from the start.

657
00:41:40,360 --> 00:41:44,840
Speaker 1: I just well wanted to see why you thought it

658
00:41:44,880 --> 00:41:46,759
Speaker 1: was a bad idea. You're you're seeing it right now.

659
00:41:46,960 --> 00:41:49,720
Speaker 1: He's been wandering the corners of this room for ten minutes.

660
00:41:52,280 --> 00:41:55,479
Speaker 1: But no, no, go ahead, Mike, hire this guy. Let's see,

661
00:41:56,840 --> 00:41:59,799
Speaker 1: let's eat. Is he? Is he hungry? Now? I think

662
00:41:59,840 --> 00:42:02,360
Speaker 1: the sort of get up and go attitude that we

663
00:42:02,600 --> 00:42:06,640
Speaker 1: need here. What why? Why? Tell me why? This guy's

664
00:42:06,800 --> 00:42:09,200
Speaker 1: energy is what we need. You don't know what to expect.

665
00:42:09,280 --> 00:42:11,400
Speaker 1: It keeps coming at you with new ship all the time.

666
00:42:12,719 --> 00:42:16,360
Speaker 1: We're ant. Wow, so nice to meet you. Your profile

667
00:42:17,480 --> 00:42:21,920
Speaker 1: was very interesting and you are better looking than your picture.

668
00:42:23,640 --> 00:42:27,239
Speaker 1: My day, Yes, I like when you say that, Hi,

669
00:42:27,640 --> 00:42:30,239
Speaker 1: we have a reservation. Okay, what name is it under?

670
00:42:30,880 --> 00:42:35,680
Speaker 1: I think you made the reservation. You're my day? What

671
00:42:35,880 --> 00:42:40,600
Speaker 1: name is it under? Sweeart? I'm sorry, sweetheart, that was fast.

672
00:42:40,760 --> 00:42:46,920
Speaker 1: That was no understand. I'm sorry I didn't I got

673
00:42:47,000 --> 00:42:50,479
Speaker 1: to agree with your date the brakes. Okay, you're pushing

674
00:42:50,520 --> 00:42:52,080
Speaker 1: me away from you now. I thought we were having

675
00:42:52,280 --> 00:42:56,959
Speaker 1: a good we'll have steak okay, you guys are gonna

676
00:42:56,960 --> 00:43:00,240
Speaker 1: have steak or we'll have steak. Okay. I'm not actually

677
00:43:00,280 --> 00:43:02,560
Speaker 1: your server and just the hostess, but I can pass that.

678
00:43:02,640 --> 00:43:05,719
Speaker 1: We're back. Um, we're gonna have to have we have

679
00:43:05,800 --> 00:43:08,640
Speaker 1: a policy that the people at the restaurant. Can you

680
00:43:08,640 --> 00:43:10,920
Speaker 1: start making eyes at him? I am not making eyes

681
00:43:10,960 --> 00:43:14,680
Speaker 1: at walking with a gorgeous man. And now you can

682
00:43:15,040 --> 00:43:17,560
Speaker 1: man seem to not even understand that he's with you.

683
00:43:17,840 --> 00:43:21,800
Speaker 1: He's doing his own thing. I think he's talking to

684
00:43:21,880 --> 00:43:23,640
Speaker 1: me first. I'm sure he is. Go ahead and talk.

685
00:43:23,960 --> 00:43:30,400
Speaker 1: My shift doesn't til eleven until eleven. Are you open

686
00:43:30,480 --> 00:43:36,640
Speaker 1: late to eleven? Wow? This is I made it back

687
00:43:36,680 --> 00:43:43,360
Speaker 1: to your room. This is a nice place. Snakes, you

688
00:43:43,480 --> 00:43:46,600
Speaker 1: are a while. Oh wait, there's actual wild snakes. Snakes

689
00:43:47,840 --> 00:43:50,200
Speaker 1: can ask your question? Was that? Am I prettier than

690
00:43:50,239 --> 00:43:56,360
Speaker 1: that hostess we were talking to earlier? Ou? Ouch? Okay,

691
00:43:57,960 --> 00:44:00,840
Speaker 1: I mean I'm getting midden a bunch. Are these poisonous?

692
00:44:00,960 --> 00:44:06,800
Speaker 1: It's your face? What's happening? It's your face? What's helped me?

693
00:44:08,160 --> 00:44:13,000
Speaker 1: What's your faid? Back? Again? Well, I'm just locking up,

694
00:44:13,280 --> 00:44:17,200
Speaker 1: and then I was going to go home, but I

695
00:44:17,320 --> 00:44:20,840
Speaker 1: see you after your date. So the door. Oh, I

696
00:44:20,920 --> 00:44:23,480
Speaker 1: can't let you into the restaurant. I'm locking up. But

697
00:44:23,560 --> 00:44:25,040
Speaker 1: if you want to go get a drink or something,

698
00:44:25,120 --> 00:44:27,920
Speaker 1: I know a few bars that are so okay, Okay,

699
00:44:28,080 --> 00:44:30,680
Speaker 1: I can't let you into the restaurant. I'm locking up.

700
00:44:30,760 --> 00:44:32,400
Speaker 1: I will get in big trouble from my boss A

701
00:44:32,840 --> 00:44:42,040
Speaker 1: door I can't. Oh, oh okay, I asked you to

702
00:44:42,120 --> 00:44:45,160
Speaker 1: lock up, but we're having trouble here. It's just fellaw

703
00:44:45,239 --> 00:44:48,400
Speaker 1: giving you some Greek the door. Sure, I don't know

704
00:44:48,440 --> 00:44:50,239
Speaker 1: what your deal is, but we gotta lock up now.

705
00:44:50,400 --> 00:44:54,680
Speaker 1: We're closed all the door. Yeah, yeah, I understand you, Jim,

706
00:44:54,880 --> 00:45:00,359
Speaker 1: I don't understand him, all right, stamp slippery floor, Sarah? Uh?

707
00:45:00,480 --> 00:45:02,920
Speaker 1: Do you we need to call somebody? We're worried about you?

708
00:45:03,160 --> 00:45:08,520
Speaker 1: Is there something we can call? Sure, I understand you're

709
00:45:08,560 --> 00:45:12,320
Speaker 1: not bad looking, feller, But where can we Do you

710
00:45:12,440 --> 00:45:15,560
Speaker 1: need a ride? Can we take you somewhere? Work closed?

711
00:45:15,600 --> 00:45:17,799
Speaker 1: All right, We'll get you downtown, Debor, do you mind

712
00:45:17,880 --> 00:45:22,759
Speaker 1: taking them downtown? I'm scared. Okay, we don't, Debor can't

713
00:45:22,760 --> 00:45:24,680
Speaker 1: take you. I've got a pickup truck, but Junior is

714
00:45:24,680 --> 00:45:26,640
Speaker 1: gonna bring it by to pick me up in about

715
00:45:26,680 --> 00:45:28,040
Speaker 1: an hour, so if you can wait, you can go

716
00:45:28,160 --> 00:45:33,360
Speaker 1: with the even better. Okay, how's it going, buddy? Welcome

717
00:45:33,400 --> 00:45:38,160
Speaker 1: to the jetpot? Okay, col you need a drink some milk?

718
00:45:39,360 --> 00:45:43,760
Speaker 1: I'm sorry months that they want some milk, some milk.

719
00:45:44,239 --> 00:45:46,400
Speaker 1: I thought, that's what I heard. I don't need clarification.

720
00:45:46,480 --> 00:45:52,120
Speaker 1: I was just, what's that clarification? I said, alright, Jesus

721
00:45:52,520 --> 00:45:55,920
Speaker 1: to ask me, I don't care what I am. You

722
00:45:56,560 --> 00:45:58,120
Speaker 1: take here, Hey, Jeff, you want me to kick this

723
00:45:58,200 --> 00:45:59,840
Speaker 1: guy out for road of the milk? I don't know.

724
00:46:00,000 --> 00:46:02,000
Speaker 1: I'm not. I'm not on the I'm not I'm not

725
00:46:02,080 --> 00:46:06,000
Speaker 1: serving him anymore. I guess you guess. I like you.

726
00:46:07,120 --> 00:46:10,400
Speaker 1: I like you a lot. Everything about you. I like it.

727
00:46:10,480 --> 00:46:14,800
Speaker 1: Start me crazily. What do you want to do? Some milk?

728
00:46:14,960 --> 00:46:17,719
Speaker 1: I want some milk too. Let's go find the count

729
00:46:17,760 --> 00:46:23,800
Speaker 1: to suck on. Come on, get on my back on

730
00:46:23,960 --> 00:46:33,279
Speaker 1: the workouts. Sit down right here? Which chair, for God's sake, Look,

731
00:46:34,680 --> 00:46:36,879
Speaker 1: we got to talk to you about a situation. Uh,

732
00:46:38,840 --> 00:46:41,319
Speaker 1: the just the closest one to me, the one that's

733
00:46:41,400 --> 00:46:44,200
Speaker 1: under the light, The only chair in this room. There's

734
00:46:44,239 --> 00:46:47,759
Speaker 1: one chair, it's underneath a light. We can do this

735
00:46:47,920 --> 00:46:49,839
Speaker 1: the hard way. We can do it's the easy way.

736
00:46:49,960 --> 00:46:52,200
Speaker 1: My partners, trying to make it clear to you, trying

737
00:46:52,239 --> 00:46:54,239
Speaker 1: to make it clear thinking. Can you just sit down,

738
00:46:54,360 --> 00:46:57,040
Speaker 1: please just share, have a seat. Tell us about the

739
00:46:57,160 --> 00:46:59,600
Speaker 1: girl with the snakes. You know what, you don't have

740
00:46:59,719 --> 00:47:02,640
Speaker 1: to say. Do tell us about the girl? What? Stay

741
00:47:02,719 --> 00:47:06,359
Speaker 1: standing if you want. Oh is this interrogation or being used? Yes?

742
00:47:08,280 --> 00:47:10,839
Speaker 1: Be well so far we're both pretty good. Yeah, so far.

743
00:47:10,920 --> 00:47:13,680
Speaker 1: What we're doing Northern coup Southern cup? Oh okay, that's

744
00:47:13,719 --> 00:47:15,880
Speaker 1: a fun one. I'm going to go next door and

745
00:47:16,000 --> 00:47:21,800
Speaker 1: do um, you know, distraught alcoholic detective. Cool. Okay, no,

746
00:47:22,000 --> 00:47:27,239
Speaker 1: do not hold the door. Close the door. Well I

747
00:47:27,360 --> 00:47:30,880
Speaker 1: can't not. That's weird, all right, you know what, just

748
00:47:31,000 --> 00:47:34,160
Speaker 1: close it you you know what, maybe maybe it'll it'll

749
00:47:34,200 --> 00:47:35,560
Speaker 1: loosen your tongue a little bit if we throw you

750
00:47:35,560 --> 00:47:37,239
Speaker 1: in a cell for a little while. Something. You're going

751
00:47:37,320 --> 00:47:41,920
Speaker 1: to do the alcoholic yes, single mom, Yeah, I'll do

752
00:47:42,080 --> 00:47:50,040
Speaker 1: the very gentile southerner. So someone will come in so

753
00:47:53,239 --> 00:47:59,560
Speaker 1: welcome sit down? Which, yeah, but it's the only one

754
00:47:59,640 --> 00:48:03,319
Speaker 1: Jay that chair? Which chair? Oh my god, I gotta

755
00:48:03,320 --> 00:48:04,880
Speaker 1: pick up my kid in twenty minutes. Hey, you know

756
00:48:04,960 --> 00:48:06,960
Speaker 1: what I'm done with this guy from room too. You

757
00:48:07,080 --> 00:48:12,440
Speaker 1: take him in here, you interrogate him. I don't know much,

758
00:48:12,480 --> 00:48:16,640
Speaker 1: but I know we're not supposed to mix them all. Oh, gentlemen, please,

759
00:48:17,280 --> 00:48:22,400
Speaker 1: which let's start with your names? Are you Clark Pateman, pancakes? Okay,

760
00:48:22,880 --> 00:48:25,520
Speaker 1: I can't be a name cood got I need a drink,

761
00:48:26,280 --> 00:48:30,760
Speaker 1: of course, I'll tell you what if you're Clark Pateman

762
00:48:31,400 --> 00:48:35,560
Speaker 1: Blank Pancakes, that's not a blank? And what was your name? Sir?

763
00:48:36,960 --> 00:48:40,480
Speaker 1: Are we tonight? Is it tonight? When they both have

764
00:48:40,760 --> 00:48:43,200
Speaker 1: I don't know how to handle this. And he saw

765
00:48:43,239 --> 00:48:45,360
Speaker 1: me doing my other character. He saw me out of character.

766
00:48:45,600 --> 00:48:47,160
Speaker 1: You know what's going in there, so he knows I'm

767
00:48:47,280 --> 00:48:50,239
Speaker 1: just doing the thing their master man's maybe that's what

768
00:48:50,400 --> 00:48:53,680
Speaker 1: it is, their criminal master. It is unsettling. I can't

769
00:48:53,719 --> 00:48:58,719
Speaker 1: get my balance. No, let's try another text. So I'm

770
00:48:58,760 --> 00:49:01,600
Speaker 1: gonna be getting off work about seeing menutes. Do you

771
00:49:01,680 --> 00:49:06,080
Speaker 1: want to come to my place? What do you think

772
00:49:06,120 --> 00:49:11,759
Speaker 1: they're tough? Guy? I have to sleep me too. First,

773
00:49:11,880 --> 00:49:15,680
Speaker 1: keep talking to you. That's the feeling I get rigid place.

774
00:49:16,040 --> 00:49:19,160
Speaker 1: First We're going to try the rough house just to

775
00:49:19,239 --> 00:49:22,919
Speaker 1: see what I mean talking to you. He was telling

776
00:49:22,960 --> 00:49:24,200
Speaker 1: me to hold the door, but I don't think he

777
00:49:24,280 --> 00:49:28,360
Speaker 1: ever wanted me to hold the door. It's super unsetled.

778
00:49:28,400 --> 00:49:31,480
Speaker 1: It's disconcerted. Hey, Jem, nice to see you in the office.

779
00:49:32,120 --> 00:49:36,239
Speaker 1: You headed up to what's floor? Yeah? Always, most people

780
00:49:36,280 --> 00:49:38,319
Speaker 1: don't have their floor, their team. But this building, well,

781
00:49:38,360 --> 00:49:39,800
Speaker 1: you know it's the only building town. That's why I

782
00:49:39,800 --> 00:49:42,680
Speaker 1: got the job here. You know it's so nice. Yeah cool, um, okay,

783
00:49:42,760 --> 00:49:45,839
Speaker 1: I'm going up as well'n't help it over here. I'm

784
00:49:45,880 --> 00:49:48,120
Speaker 1: sorry you say it's the only building in town with

785
00:49:49,880 --> 00:49:52,960
Speaker 1: Oh I freaked out. I just moved here and I thought,

786
00:49:53,120 --> 00:49:56,600
Speaker 1: my god, this nice welcome went for Are you on

787
00:49:57,960 --> 00:50:01,759
Speaker 1: fourteen right? Love us? Somebody got here into town and

788
00:50:01,840 --> 00:50:07,720
Speaker 1: moved up quickly in the war, sir, Yes, work close

789
00:50:07,800 --> 00:50:09,880
Speaker 1: the door, okay, yeah, it's it'll be closing it on

790
00:50:09,960 --> 00:50:14,880
Speaker 1: its own seconds on the floor? Wait, what? God? What? What? What?

791
00:50:15,320 --> 00:50:18,560
Speaker 1: There's snakes? What? I think he's just messing around because

792
00:50:18,560 --> 00:50:21,239
Speaker 1: maybe he's so far away from us, he's I can

793
00:50:21,360 --> 00:50:24,040
Speaker 1: barely hear what he's saying. Is he saying, hold the door, closed,

794
00:50:24,080 --> 00:50:27,960
Speaker 1: the door on the floor? Snakes on the floor? No,

795
00:50:28,120 --> 00:50:29,719
Speaker 1: he must he must be saying there's a mistake on

796
00:50:29,800 --> 00:50:33,040
Speaker 1: the floor, something about the wrong Why is the door closing?

797
00:50:33,200 --> 00:50:35,719
Speaker 1: And why are those cops chasing after him? Close the

798
00:50:35,760 --> 00:50:39,839
Speaker 1: door riding? What is happening right now? Wait? He's full,

799
00:50:39,920 --> 00:50:44,359
Speaker 1: He's gonna milk mustard. My god, there's a woman riding

800
00:50:44,400 --> 00:50:46,360
Speaker 1: he's got a milk mustache and these cops are shooting

801
00:50:46,400 --> 00:50:49,840
Speaker 1: at him. Close the doors. The doors. The door, it's closing. Okay,

802
00:50:49,880 --> 00:50:59,719
Speaker 1: it's closing. It's closing. It's closing. It's closing. Every time.

803
00:51:01,440 --> 00:51:03,520
Speaker 1: I fel too. But just don't put your hands on

804
00:51:03,560 --> 00:51:11,440
Speaker 1: your back. Everybody, just just well the door. Sorry, his

805
00:51:11,520 --> 00:51:17,359
Speaker 1: hands behind his back. Okay, okay, okay, your head us

806
00:51:17,400 --> 00:51:21,200
Speaker 1: to us. I don't know, I don't want to. You

807
00:51:21,280 --> 00:51:22,960
Speaker 1: know what this is the problem with having a building

808
00:51:23,000 --> 00:51:25,920
Speaker 1: with the four thirteen on it. I know where happens.

809
00:51:26,760 --> 00:51:31,200
Speaker 1: I can't believe they put the precincts. Okay, hands water

810
00:51:31,360 --> 00:51:33,239
Speaker 1: in the court order in the court, all right, if

811
00:51:33,320 --> 00:51:36,719
Speaker 1: one of you would please just step forward and readdress

812
00:51:36,840 --> 00:51:39,440
Speaker 1: the story of what you believe happened in the elevator

813
00:51:39,520 --> 00:51:43,760
Speaker 1: that day. Well the court, sir, we'll get to your recess.

814
00:51:44,960 --> 00:51:50,480
Speaker 1: I know what he says, doesn't go. I'm the lawyer. Okay,

815
00:51:51,040 --> 00:51:54,080
Speaker 1: can you please tell the court what it is why

816
00:51:54,239 --> 00:51:58,479
Speaker 1: we're here. My client was on the elevate. That's a break,

817
00:51:58,560 --> 00:52:02,120
Speaker 1: for sure. I think on break. We're not on hold.

818
00:52:02,120 --> 00:52:04,640
Speaker 1: You in contempt with three more outbursts. You got you've

819
00:52:04,640 --> 00:52:07,800
Speaker 1: been there we go. I like your style, Judge. My

820
00:52:07,960 --> 00:52:11,120
Speaker 1: client was on the elevator of the day of the altercation. There,

821
00:52:11,920 --> 00:52:15,960
Speaker 1: that's one. Two more. There were strange, far off, authoritative

822
00:52:16,080 --> 00:52:20,160
Speaker 1: voices giving commands that humans are designed to respond to exactly,

823
00:52:20,320 --> 00:52:23,319
Speaker 1: And that's two. Can you point to who this voice

824
00:52:23,400 --> 00:52:25,840
Speaker 1: was coming? It's that man that's always far away, that

825
00:52:25,960 --> 00:52:27,959
Speaker 1: far away. You could barely see him. You could barely

826
00:52:28,000 --> 00:52:29,520
Speaker 1: see him over there. I don't know why he's standing

827
00:52:29,520 --> 00:52:31,400
Speaker 1: at the back of the court, could barely. He shouldn't

828
00:52:31,440 --> 00:52:33,239
Speaker 1: be allowed to do that. He should be sitting where

829
00:52:33,239 --> 00:52:37,759
Speaker 1: he's supposed to sit. That's that's all right, Sorry, pal,

830
00:52:37,880 --> 00:52:40,359
Speaker 1: contempt a court. Luck you in the cell right here,

831
00:52:40,680 --> 00:52:44,680
Speaker 1: and you ain't coming out anytime soon. Hold the door, okay,

832
00:52:44,800 --> 00:52:49,239
Speaker 1: you go? Hey, where's the prisoner? I said, hold the door,

833
00:52:49,280 --> 00:52:52,000
Speaker 1: so I opened it for it. Why get that? I

834
00:52:52,120 --> 00:52:54,360
Speaker 1: get it? I get it very persuasive. You want a

835
00:52:54,400 --> 00:53:04,080
Speaker 1: cheese steak, I'd love it cheese with that's right, Um.

836
00:53:05,160 --> 00:53:07,560
Speaker 1: I didn't mean to throw everything into it into a

837
00:53:07,920 --> 00:53:12,480
Speaker 1: dead stop steak whiz w yeah, cheez whiz instead of

838
00:53:12,520 --> 00:53:15,520
Speaker 1: provolone with with with onions and peppers. Is that a

839
00:53:15,560 --> 00:53:18,160
Speaker 1: Philly thing? Yeah, it's a Philly thing. I understand. Sorry,

840
00:53:18,160 --> 00:53:21,480
Speaker 1: I was playing north cop not everybody. Yeah, yeah, yeah.

841
00:53:21,520 --> 00:53:23,440
Speaker 1: But we did let the guy go, right, wiz kid.

842
00:53:23,680 --> 00:53:25,160
Speaker 1: I didn't let him go. I just held the door

843
00:53:25,719 --> 00:53:28,360
Speaker 1: he left. I mean, I guess technically I let him go.

844
00:53:29,200 --> 00:53:32,880
Speaker 1: I wonder where a man like that goes, and and

845
00:53:33,520 --> 00:53:37,360
Speaker 1: everywhere he goes, people leave the door. I think. So

846
00:53:42,480 --> 00:53:48,160
Speaker 1: Hi there, Hi there, buddy, Hi, everybody. Come on closer, buddy,

847
00:53:48,719 --> 00:53:52,760
Speaker 1: it's me from the bar. Are you so far away?

848
00:53:52,800 --> 00:53:55,719
Speaker 1: I know it's you can get some milk. You can

849
00:53:55,760 --> 00:53:58,480
Speaker 1: get some milk. That's rot, but it's all right. Come on, man,

850
00:54:00,360 --> 00:54:03,360
Speaker 1: come on, bunny, get some mil so far white. Come on.

851
00:54:03,719 --> 00:54:10,000
Speaker 1: This cow is Lincoln, so he's got plenty for you, Bunny.

852
00:54:10,080 --> 00:54:14,719
Speaker 1: Come on, it's great. Can I get some? So he's

853
00:54:14,800 --> 00:54:19,319
Speaker 1: driving for come all over here. Cow's not gonna come

854
00:54:19,360 --> 00:54:25,320
Speaker 1: to you, honey. You know' piggyback rod I get you

855
00:54:25,400 --> 00:54:29,840
Speaker 1: ain't piggyback rod get. I'm glad you'd come to see me.

856
00:54:30,120 --> 00:54:32,480
Speaker 1: I'm a therapist and I deal with a lot of

857
00:54:33,520 --> 00:54:36,960
Speaker 1: you know issues. The number one thing I'm seeing here

858
00:54:37,040 --> 00:54:40,320
Speaker 1: is that you're very far away from everybody close to you.

859
00:54:41,000 --> 00:54:44,080
Speaker 1: You're far away from me right now. I think that

860
00:54:44,200 --> 00:54:48,640
Speaker 1: speaks to maybe you feel unworthy. Maybe you feel like

861
00:54:48,640 --> 00:54:52,640
Speaker 1: if become close, people won't like you as much. I

862
00:54:52,719 --> 00:54:59,680
Speaker 1: feel hardcore. You feel hardcore. You know that's not a

863
00:54:59,719 --> 00:55:05,080
Speaker 1: bad to feel hardcore. It's better than that feeling at all.

864
00:55:05,440 --> 00:55:08,680
Speaker 1: We have an hour or more. Why don't you come

865
00:55:09,320 --> 00:55:13,520
Speaker 1: one step closer? We have an hour or more. This

866
00:55:13,719 --> 00:55:17,880
Speaker 1: is good. Now, I'll take one step towards you. Okay,

867
00:55:17,920 --> 00:55:22,160
Speaker 1: you just backed up. I'm sorry. This is awkward because, well,

868
00:55:22,560 --> 00:55:24,880
Speaker 1: you're two o'clocks here, but you're you're two o'clock is

869
00:55:24,960 --> 00:55:27,960
Speaker 1: much closer to you than your current patients. So I

870
00:55:28,000 --> 00:55:29,840
Speaker 1: don't know what to do. The two o'clocks right outside

871
00:55:29,840 --> 00:55:31,279
Speaker 1: the door, but I know your patient is over there

872
00:55:31,280 --> 00:55:33,680
Speaker 1: on that one. Can you see him? I can barely,

873
00:55:33,800 --> 00:55:36,080
Speaker 1: but I see him. Yeah, Okay, I'm going to talk

874
00:55:36,080 --> 00:55:38,080
Speaker 1: to the two o'clock for one second. Why don't you

875
00:55:38,200 --> 00:55:42,399
Speaker 1: talk to this dude? Maybe reschedule? Also, I mean, you're

876
00:55:42,440 --> 00:55:45,759
Speaker 1: in school for this, right yeah, so take it away?

877
00:55:46,560 --> 00:55:50,560
Speaker 1: Take it away. Um, here's my notes. He feels hardcore,

878
00:55:50,760 --> 00:55:52,400
Speaker 1: which I don't. I don't think it's a bad thing.

879
00:55:53,400 --> 00:55:56,640
Speaker 1: Best of luck. All right, can we talk about my flash?

880
00:55:58,200 --> 00:56:05,840
Speaker 1: Are you okay? Can I fix you? Can I fix you?

881
00:56:07,760 --> 00:56:14,480
Speaker 1: Can I fix you? Can I fix you? I'd like

882
00:56:14,600 --> 00:56:18,400
Speaker 1: to fix you. Do I know you for school credit?

883
00:56:19,480 --> 00:56:21,560
Speaker 1: I know you for school credit? Can I fix you?

884
00:56:22,960 --> 00:56:27,040
Speaker 1: I know you? I'm new here, I'm I'm the receptionist.

885
00:56:27,920 --> 00:56:31,719
Speaker 1: I'm new here. I'm the receptionist. What do you mean

886
00:56:31,840 --> 00:56:34,240
Speaker 1: he proposed to you and now you two were getting

887
00:56:34,320 --> 00:56:37,279
Speaker 1: married and you fell deeply in love. I mean, that's

888
00:56:37,360 --> 00:56:40,040
Speaker 1: what I mean. Okay. I was dealing with the hashbrown guy.

889
00:56:40,120 --> 00:56:45,279
Speaker 1: He need the hashbrown guy. He's so so so so.

890
00:56:45,920 --> 00:56:49,080
Speaker 1: Last time I left you with him, he was feeling

891
00:56:49,160 --> 00:56:51,799
Speaker 1: hardcore right right right, And then we had this. We're

892
00:56:51,800 --> 00:56:55,000
Speaker 1: back and forth for a while, and then I just said,

893
00:56:55,080 --> 00:56:58,360
Speaker 1: I'm coming over there, you know, until I crossed the street.

894
00:56:58,440 --> 00:57:01,040
Speaker 1: I go up, I go up to the elevator, I

895
00:57:01,080 --> 00:57:02,920
Speaker 1: get out, I go on the window Silliman, there we are.

896
00:57:03,080 --> 00:57:05,839
Speaker 1: Does he let you close to him? He tried to move,

897
00:57:05,960 --> 00:57:08,080
Speaker 1: but he would there was only air. He would have died.

898
00:57:08,200 --> 00:57:10,400
Speaker 1: You know, he's on the window sill. So I had

899
00:57:10,480 --> 00:57:14,320
Speaker 1: him kind of trapped and one thing led to another

900
00:57:14,560 --> 00:57:16,680
Speaker 1: and he said, well, first of all, he signed my papers,

901
00:57:16,760 --> 00:57:18,880
Speaker 1: so I think I'm a therapist now because he signed,

902
00:57:19,640 --> 00:57:22,800
Speaker 1: I get all the school credit because he's cured, and um,

903
00:57:22,960 --> 00:57:26,400
Speaker 1: we're getting married. Yeah. Have you touched him, kissed him? Yeah?

904
00:57:26,520 --> 00:57:31,240
Speaker 1: Both both of those and it was great. Yeah, wow,

905
00:57:31,520 --> 00:57:33,680
Speaker 1: I would, but only after he was cured, because I

906
00:57:33,680 --> 00:57:37,960
Speaker 1: didn't want to do the client you can't do so

907
00:57:38,080 --> 00:57:40,960
Speaker 1: just just just one last thing, just just qalification. What

908
00:57:41,200 --> 00:57:44,400
Speaker 1: exactly cured him? Was it that he couldn't run anymore

909
00:57:44,680 --> 00:57:46,920
Speaker 1: because he would die otherwise. I think that's exactly what

910
00:57:47,040 --> 00:57:52,080
Speaker 1: it was. Yeah, Yeah, he's trapped. He trapped him, trapped him. Yeah,

911
00:57:53,160 --> 00:57:59,840
Speaker 1: congratulations on your wedding. May I take your bags? You?

912
00:58:00,480 --> 00:58:04,000
Speaker 1: I'm sorry you're very far away. That's just his that's

913
00:58:04,080 --> 00:58:06,280
Speaker 1: his thing. Do you want him to hold the bags

914
00:58:06,400 --> 00:58:08,120
Speaker 1: or do you want to hold your own bag? Name?

915
00:58:10,880 --> 00:58:15,320
Speaker 1: I love you. There's no scenario with this guy does

916
00:58:15,400 --> 00:58:18,560
Speaker 1: not end his life any other way than with a

917
00:58:18,600 --> 00:58:22,400
Speaker 1: bullet in his face. Ye can never get there. That's

918
00:58:22,560 --> 00:58:25,880
Speaker 1: how we do. Seen three. Thank you all for joining

919
00:58:25,960 --> 00:58:29,880
Speaker 1: us today. Joey Greer, thank thanks pal. It's always great

920
00:58:29,880 --> 00:58:32,080
Speaker 1: to see you. It's good to see you. Jeffy Graber

921
00:58:32,160 --> 00:58:36,240
Speaker 1: on the social webs know it right, good Night, good Night?

922
00:58:36,440 --> 00:58:40,040
Speaker 1: And uh, what is the latest review of good Night

923
00:58:40,120 --> 00:58:43,240
Speaker 1: that you're most proud of? Um ship, I guess it's

924
00:58:43,760 --> 00:58:46,280
Speaker 1: New York Times. New York Times said, why am I

925
00:58:46,320 --> 00:58:50,760
Speaker 1: still listening? Right? And I think the Time magazine said, Uh,

926
00:58:50,960 --> 00:58:52,920
Speaker 1: I can't believe I'm still listening. Okay, Yeah, so I

927
00:58:52,960 --> 00:58:57,600
Speaker 1: don't know that's a positive negative thinks Mark Agliarda. When

928
00:58:57,640 --> 00:58:59,920
Speaker 1: do you go back to work? So you're gonna be

929
00:59:00,080 --> 00:59:02,760
Speaker 1: leaving us? More importantly, when can you come back? I

930
00:59:02,840 --> 00:59:06,040
Speaker 1: will be back at the end of April. Yeah, well,

931
00:59:06,080 --> 00:59:09,080
Speaker 1: hopefully we'll see you then. I'd love that. Until then, folks,

932
00:59:09,160 --> 00:59:11,440
Speaker 1: and look forward to sometime in the summer. Sometimes in

933
00:59:11,720 --> 00:59:13,520
Speaker 1: sometime in the summer, Blood and Treasure season too, So

934
00:59:13,720 --> 00:59:17,320
Speaker 1: I'll keep you posted during bikinis during bikini season. And

935
00:59:17,400 --> 00:59:19,480
Speaker 1: what was your podcast you were talking about earlier? We

936
00:59:19,560 --> 00:59:21,720
Speaker 1: got this with Mark and Hell new episodes every Tuesday.

937
00:59:22,000 --> 00:59:27,840
Speaker 1: Thanks far Yeah, we got this with Mark and Hell,

938
00:59:28,600 --> 00:59:31,440
Speaker 1: new episodes every Tuesday. That's kind of what I'm on

939
00:59:31,600 --> 00:59:33,840
Speaker 1: right now, to be honest, I'll do it all right.

940
00:59:34,000 --> 00:59:40,600
Speaker 1: Vanessa Thank you so much for being and to all

941
00:59:40,640 --> 00:59:42,840
Speaker 1: of you continue to write to us UH your name

942
00:59:42,880 --> 00:59:44,720
Speaker 1: here TLCO to this dot com. We want to thank Chris,

943
00:59:44,800 --> 00:59:50,720
Speaker 1: our guest engineering, and I heart Media. We love you

944
00:59:50,800 --> 01:00:15,000
Speaker 1: all dearly until next time. And I put pepper and

945
01:00:19,480 --> 01:00:21,000
Speaker 1: I put pepper,