1 00:00:05,120 --> 00:00:07,440 Speaker 1: Hey, this is Annie and Samantha. I'm welcome to step 2 00:00:07,480 --> 00:00:18,720 Speaker 1: I ever told your protection of I heart radio and 3 00:00:19,079 --> 00:00:23,040 Speaker 1: uh I are continuing, I guess my continuing crusade to 4 00:00:23,160 --> 00:00:26,560 Speaker 1: just bring horror content way too early. I have another 5 00:00:26,600 --> 00:00:29,400 Speaker 1: classic that I wanted to bring it, Let's do It 6 00:00:29,440 --> 00:00:33,599 Speaker 1: on Screen Queens, which was a very fun one. It's 7 00:00:33,680 --> 00:00:35,720 Speaker 1: kind of recent, but I wanted to to bring it 8 00:00:35,720 --> 00:00:38,640 Speaker 1: back because, um, I think, as I mentioned in a 9 00:00:38,680 --> 00:00:43,159 Speaker 1: recent episode, I've been really curious about the rise of 10 00:00:44,040 --> 00:00:48,440 Speaker 1: elevated horror and especially like me too in movies. So 11 00:00:48,440 --> 00:00:50,320 Speaker 1: we are going to do an episode on that. But 12 00:00:50,320 --> 00:00:54,080 Speaker 1: it's something I've just been ruminating on. And then, as 13 00:00:54,120 --> 00:00:58,840 Speaker 1: everyone's probably seen, uh Nev Campbell or recently said she's 14 00:00:58,840 --> 00:01:01,120 Speaker 1: not gonna come back for the next screen because the 15 00:01:01,200 --> 00:01:03,160 Speaker 1: offer she got was not what they would give a 16 00:01:03,200 --> 00:01:06,360 Speaker 1: man and they didn't negotiate, So she's not gonna come back. 17 00:01:06,680 --> 00:01:08,240 Speaker 1: My phone, of course it was I Love Scream. So 18 00:01:08,280 --> 00:01:10,280 Speaker 1: I keep getting updates about this. I swear every day 19 00:01:10,280 --> 00:01:12,480 Speaker 1: I get another story about it. You need to know, 20 00:01:13,040 --> 00:01:16,160 Speaker 1: we need to know well. And I'm hardened to see 21 00:01:16,200 --> 00:01:20,080 Speaker 1: several of cast members, both past and president, have come 22 00:01:20,080 --> 00:01:22,039 Speaker 1: out in support of her, have said like, this is 23 00:01:22,120 --> 00:01:24,640 Speaker 1: really bad and how could you let this happen? But 24 00:01:24,720 --> 00:01:28,319 Speaker 1: it does. You know, I want her character Sidney Prescott. 25 00:01:28,319 --> 00:01:29,880 Speaker 1: I even said I want her to go live happily 26 00:01:29,920 --> 00:01:33,639 Speaker 1: ever after, Like I'm happy for that. I'm not happy 27 00:01:33,640 --> 00:01:37,440 Speaker 1: it happened this way, right, and especially because they already 28 00:01:37,480 --> 00:01:39,920 Speaker 1: had a story written for her and now I'm just 29 00:01:39,959 --> 00:01:45,400 Speaker 1: gonna burn with curiosity. I don't understand why these movie 30 00:01:45,600 --> 00:01:50,000 Speaker 1: makers and creators do not understand the need for the 31 00:01:50,120 --> 00:01:53,440 Speaker 1: main protagonist in a in a movie, especially if you 32 00:01:53,560 --> 00:01:56,000 Speaker 1: kept them alive at the end of the last one, 33 00:01:56,040 --> 00:01:58,400 Speaker 1: like you're trying to be unlike the others where they 34 00:01:58,480 --> 00:02:01,240 Speaker 1: kill off ill which those because hey, you're trying to 35 00:02:01,280 --> 00:02:03,560 Speaker 1: bring in a new group of people, or be because 36 00:02:03,600 --> 00:02:08,440 Speaker 1: you don't want to pay for them. I don't understand. 37 00:02:09,840 --> 00:02:14,040 Speaker 1: I don't either. I don't either. So we'll see what happens, 38 00:02:14,080 --> 00:02:16,200 Speaker 1: and I'm sure we'll we'll have more to say about 39 00:02:16,200 --> 00:02:20,040 Speaker 1: this in the future. Yeah, yeah, I wanted to bring 40 00:02:20,080 --> 00:02:24,440 Speaker 1: this one back a little bit early for the season, 41 00:02:24,520 --> 00:02:28,160 Speaker 1: but you know, but you know what. Speaking of Jenna Ortega, 42 00:02:28,280 --> 00:02:32,440 Speaker 1: have you seen the previews for her Wednesday show? I 43 00:02:32,520 --> 00:02:34,640 Speaker 1: haven't actually, but I got to notice about it today 44 00:02:34,639 --> 00:02:37,760 Speaker 1: and it was like WHOA, Yeah, I was gonna like 45 00:02:37,800 --> 00:02:40,080 Speaker 1: what And I'm like, look at her going from screen 46 00:02:40,160 --> 00:02:45,240 Speaker 1: queen to being this amazing character, fearsome character, wonderful. Yeah, no, 47 00:02:45,360 --> 00:02:48,560 Speaker 1: I'm all about it. I love her, so yes, UM, 48 00:02:48,880 --> 00:02:50,560 Speaker 1: I guess maybe we could come it. I would love 49 00:02:50,600 --> 00:02:54,080 Speaker 1: to talk about that. Took so many ideas, so many ideas. 50 00:02:54,120 --> 00:03:01,959 Speaker 1: But in the meantime, please enjoy this classic episode. Hey, 51 00:03:02,000 --> 00:03:04,520 Speaker 1: this is Annie and Samantha and welcome to stuff I've 52 00:03:04,560 --> 00:03:15,959 Speaker 1: never told you protection of I Heart Radio. Before we start, 53 00:03:16,000 --> 00:03:18,080 Speaker 1: just a quick content warning for this one, because we 54 00:03:18,120 --> 00:03:20,520 Speaker 1: are talking about slashers, so there's some sort of violence 55 00:03:20,560 --> 00:03:24,160 Speaker 1: and gruesome stuff. We're talking about, some Harvey Wine scene stuff, 56 00:03:24,200 --> 00:03:26,760 Speaker 1: so some sexual abuse and assaults, some stuff with um 57 00:03:27,400 --> 00:03:31,160 Speaker 1: just not great treatment of women. Also some sluch shaming 58 00:03:31,200 --> 00:03:34,400 Speaker 1: victim blaming stuff because again slashers and horror movies. But 59 00:03:34,680 --> 00:03:38,360 Speaker 1: all right, let's get into it today. UM. We want 60 00:03:38,400 --> 00:03:41,840 Speaker 1: to thank a listener who sent in a bunch of 61 00:03:41,920 --> 00:03:47,760 Speaker 1: recent suggestions for our ongoing Halloween slash spooky content, Jessica. 62 00:03:48,080 --> 00:03:56,160 Speaker 1: So thank you Jessica for suggesting we look into scream queens, yes, 63 00:03:56,520 --> 00:04:04,600 Speaker 1: which has been very, very fun. There are surprisingly a 64 00:04:04,680 --> 00:04:08,680 Speaker 1: lot of definitions around scream queens and some confusion about 65 00:04:08,680 --> 00:04:13,240 Speaker 1: what they were. I will say, for me, I thought 66 00:04:13,240 --> 00:04:20,760 Speaker 1: a scream queen was basically a final girl, but iconic, 67 00:04:21,360 --> 00:04:24,920 Speaker 1: like in multiple movies, has reached sort of legendary status. 68 00:04:24,960 --> 00:04:28,599 Speaker 1: That's what I thought the screen queen was. My idea 69 00:04:28,640 --> 00:04:31,360 Speaker 1: of screen queen was literally those who screamed really well, 70 00:04:31,800 --> 00:04:34,120 Speaker 1: you know, like I may have been two on the 71 00:04:34,160 --> 00:04:36,440 Speaker 1: nose because in my mind I have a picture of 72 00:04:36,640 --> 00:04:39,560 Speaker 1: Sarah Michelle Geller. I think from I know what you 73 00:04:39,600 --> 00:04:42,120 Speaker 1: did last summer, where's that scream where it's like the 74 00:04:42,240 --> 00:04:45,880 Speaker 1: horrid face? But is that shrill, perfect scream? And I 75 00:04:45,880 --> 00:04:48,520 Speaker 1: feel like maybe because I've watched Supernatural way too many times, 76 00:04:48,520 --> 00:04:51,479 Speaker 1: and you know, there's often someone's scream like I would 77 00:04:51,520 --> 00:04:54,720 Speaker 1: compare who could do it well? And because I do 78 00:04:54,960 --> 00:04:58,480 Speaker 1: that scream that high, like real like terrified scream, so 79 00:04:58,640 --> 00:05:01,760 Speaker 1: I thought it was someone who could master that and 80 00:05:01,800 --> 00:05:05,040 Speaker 1: would be known for that had a complete different take. 81 00:05:07,120 --> 00:05:11,600 Speaker 1: I think together we're kind of correct. We're still we're 82 00:05:11,600 --> 00:05:15,560 Speaker 1: missing some pieces of it. Together, that's that's pretty much 83 00:05:15,600 --> 00:05:19,039 Speaker 1: what it is. Yeah, I will say, as an actor, 84 00:05:19,120 --> 00:05:22,560 Speaker 1: I actually have trouble screaming. And it's not to do 85 00:05:22,640 --> 00:05:26,680 Speaker 1: with I can't do it, but it's just the ingrained 86 00:05:26,839 --> 00:05:30,119 Speaker 1: nature of being quiet and not bothering people is so 87 00:05:30,240 --> 00:05:34,560 Speaker 1: damned strong that I have trouble screaming, and it actually 88 00:05:34,600 --> 00:05:38,160 Speaker 1: concerns me how difficult I find it to let go 89 00:05:38,279 --> 00:05:41,400 Speaker 1: and do. Maybe that's fine, but I think that the 90 00:05:41,440 --> 00:05:44,239 Speaker 1: reason behind it is not good. Well, I think about 91 00:05:44,240 --> 00:05:46,960 Speaker 1: when we go on roller coasters and how different people 92 00:05:47,000 --> 00:05:49,200 Speaker 1: do it, and there's not a truly scream. I usually 93 00:05:49,200 --> 00:05:53,360 Speaker 1: just curse the entire time in panic. That's my scream. 94 00:05:53,480 --> 00:05:58,279 Speaker 1: Or I also laugh cry. I've discovered that that. Yeah, 95 00:06:00,200 --> 00:06:06,240 Speaker 1: I feel like I usually like cheer or or just 96 00:06:06,400 --> 00:06:10,560 Speaker 1: in silent anyway. So that's what we thought it was. 97 00:06:10,640 --> 00:06:12,680 Speaker 1: We're also going to we're gonna go or some definition, 98 00:06:12,760 --> 00:06:15,560 Speaker 1: some history, some evolution, and then we're gonna look at 99 00:06:15,640 --> 00:06:21,880 Speaker 1: some examples, both modern and more classic. Yeah, examples, And 100 00:06:21,920 --> 00:06:24,320 Speaker 1: I'm also going to put this disclaimer here. I'm pretty 101 00:06:24,360 --> 00:06:28,480 Speaker 1: sure miss Annie here found the perfect excuse to talk 102 00:06:28,520 --> 00:06:33,120 Speaker 1: about her theories on the Scream movie trilogy. Now has 103 00:06:33,160 --> 00:06:35,400 Speaker 1: to become more of those because she doesn't love it. 104 00:06:35,720 --> 00:06:37,479 Speaker 1: And then I looked at what we were working and 105 00:06:37,520 --> 00:06:42,839 Speaker 1: I was like, oh, okay, I see half of this Scream. Okay. 106 00:06:42,040 --> 00:06:45,320 Speaker 1: I did not intend for that to happen, but it did. 107 00:06:45,960 --> 00:06:47,760 Speaker 1: I knew I wanted to talk like immediately, I was like, 108 00:06:47,800 --> 00:06:50,479 Speaker 1: I want to talk about her. And actually, in the 109 00:06:50,600 --> 00:06:53,000 Speaker 1: in our recent Dana Scully episode, when I said I 110 00:06:53,040 --> 00:06:54,719 Speaker 1: had already picked someone out, I had picked her out. 111 00:06:55,360 --> 00:06:56,920 Speaker 1: But then I was like, no, I want to do Scully. 112 00:06:56,920 --> 00:06:59,440 Speaker 1: I want to do this Scully effect. But then this 113 00:06:59,600 --> 00:07:03,440 Speaker 1: I was like, well, I guess I do get to 114 00:07:03,440 --> 00:07:08,760 Speaker 1: talk about her. After all. Halloween has come early for me. Yes, 115 00:07:08,839 --> 00:07:10,720 Speaker 1: there's quite a bit of discussion about Scream. I can't 116 00:07:10,760 --> 00:07:14,360 Speaker 1: wait to get to it. But before we do, let's 117 00:07:14,360 --> 00:07:18,960 Speaker 1: talk about some of these definitions floating around. For screen queen, 118 00:07:19,600 --> 00:07:23,760 Speaker 1: Cambridge Dictionary gives this definition a female actor who plays 119 00:07:23,760 --> 00:07:26,120 Speaker 1: a main character in a horror movie who gets frightened 120 00:07:26,240 --> 00:07:30,080 Speaker 1: or attacked, or the character she plays. In other definitions, 121 00:07:30,080 --> 00:07:34,160 Speaker 1: the screen queen refers to a specific, typically iconic character 122 00:07:34,360 --> 00:07:37,200 Speaker 1: in the horror genre. While there aren't have been many 123 00:07:37,320 --> 00:07:39,960 Speaker 1: damsel and distress elements to Scream Queen, and we're gonna 124 00:07:40,000 --> 00:07:42,360 Speaker 1: unpack that in a minute um. They are often smart 125 00:07:42,360 --> 00:07:48,400 Speaker 1: and capable, especially the more modern iterations of them. The 126 00:07:48,560 --> 00:07:52,080 Speaker 1: editor in chief of Rue Morgue magazine, Dave Alexander, said, 127 00:07:52,280 --> 00:07:54,840 Speaker 1: a scream queen is a female actor in a horror 128 00:07:54,880 --> 00:07:59,200 Speaker 1: film that is both intelligent, proactive, tough, and overall a survivor, 129 00:07:59,600 --> 00:08:02,840 Speaker 1: so she's generally the focus of the antagonist rage. I 130 00:08:02,840 --> 00:08:05,040 Speaker 1: would definitely say that screen queens are one of the 131 00:08:05,080 --> 00:08:07,520 Speaker 1: strongest troops, one of the more modern ones, and they 132 00:08:07,520 --> 00:08:12,040 Speaker 1: are absolutely key in defining certain subgenres such as slasher movies. Yeah, 133 00:08:12,120 --> 00:08:14,600 Speaker 1: I think that's a good one. So from a wise geek, 134 00:08:14,840 --> 00:08:17,600 Speaker 1: he says, a screen queen is an actress who does 135 00:08:17,600 --> 00:08:20,720 Speaker 1: a great deal of work in the horror genre. Screen 136 00:08:20,800 --> 00:08:24,280 Speaker 1: queens often become closely associated with this genre of film 137 00:08:24,320 --> 00:08:28,520 Speaker 1: and television, sometimes despite a desire to break out and 138 00:08:28,600 --> 00:08:32,600 Speaker 1: work in other aspects of the industry. Some examples of 139 00:08:32,800 --> 00:08:37,439 Speaker 1: notable screen queens include Faye Ray, Scout, Taylor Compton, Sarah 140 00:08:37,520 --> 00:08:41,439 Speaker 1: Michelle Geller, and Jamie Lee Curtis. Depending on the film 141 00:08:41,440 --> 00:08:44,720 Speaker 1: and the actress, a screen queen may be a victim 142 00:08:44,840 --> 00:08:48,840 Speaker 1: or a female protagonist. Whatever type of rosy plays, a 143 00:08:48,920 --> 00:08:52,720 Speaker 1: screen Queen is classically young and beautiful, though her beauty 144 00:08:52,800 --> 00:08:57,199 Speaker 1: maybe more quote girl next door than supermodel. Oh I 145 00:08:57,240 --> 00:08:59,800 Speaker 1: guess you're gonna come up on our slumber party. There's 146 00:09:00,000 --> 00:09:03,600 Speaker 1: point of of this in there, with an emphasis on 147 00:09:03,679 --> 00:09:08,120 Speaker 1: the idea that screen Queen could be a real woman. Yes, 148 00:09:08,240 --> 00:09:10,640 Speaker 1: So I feel like from these definitions, one of the 149 00:09:10,679 --> 00:09:13,280 Speaker 1: big standouts to me is, I it makes sense now 150 00:09:13,280 --> 00:09:15,400 Speaker 1: that I read these, but I never thought it was 151 00:09:15,440 --> 00:09:17,800 Speaker 1: the actor, And I think that's why I got it 152 00:09:17,840 --> 00:09:20,440 Speaker 1: mixed up with like when I say iconic, because a 153 00:09:20,480 --> 00:09:23,439 Speaker 1: lot of the ones we've chosen, not all of them, 154 00:09:23,440 --> 00:09:25,920 Speaker 1: but a lot of them, like we're this, they're known 155 00:09:25,960 --> 00:09:28,840 Speaker 1: for this one role, right, and so they kind of 156 00:09:28,960 --> 00:09:33,240 Speaker 1: it gets interchangeable almost of you know, Lauri's Joe, Jamie 157 00:09:33,280 --> 00:09:35,719 Speaker 1: Lee Curtis. So I always thought of it as more 158 00:09:35,760 --> 00:09:37,880 Speaker 1: of the fictional character. But I think it does make 159 00:09:37,960 --> 00:09:40,319 Speaker 1: sense that it's the actor, or like at least it 160 00:09:40,400 --> 00:09:43,240 Speaker 1: started that way. We're like, oh, she's the screen queen. 161 00:09:43,360 --> 00:09:45,440 Speaker 1: She can be in all these horror movies and screen 162 00:09:45,480 --> 00:09:47,680 Speaker 1: really were right, and of course, but the tide that 163 00:09:47,760 --> 00:09:51,880 Speaker 1: originated from screen Queen, they said one one definition stated 164 00:09:52,000 --> 00:09:54,800 Speaker 1: without really telling us why But maybe he's tell it 165 00:09:54,880 --> 00:09:59,520 Speaker 1: the leading lady in very like horrified situations who knows, right, Yeah, 166 00:09:59,600 --> 00:10:02,560 Speaker 1: sort of a take on that that makes sense. And yeah, 167 00:10:03,040 --> 00:10:06,880 Speaker 1: because I am such a nerd, I looked up why 168 00:10:06,920 --> 00:10:10,760 Speaker 1: do we scream? Very briefly. Recent science suggests that screaming 169 00:10:10,920 --> 00:10:14,480 Speaker 1: is dual purpose, alerting others and sharpening our awareness. The 170 00:10:14,520 --> 00:10:17,559 Speaker 1: brain processes screams differently than other sounds. It's like quicker, 171 00:10:17,600 --> 00:10:19,440 Speaker 1: it goes to the brain more quickly, So it makes 172 00:10:19,480 --> 00:10:23,000 Speaker 1: sense that these scream queens are screaming. It's actually not. 173 00:10:23,640 --> 00:10:25,640 Speaker 1: I feel like it's usually portrayed as like, oh, look 174 00:10:25,640 --> 00:10:28,040 Speaker 1: how dumb she is or how helpless she is. But 175 00:10:28,080 --> 00:10:30,920 Speaker 1: screaming is a death surface purpose and it is useful. 176 00:10:31,240 --> 00:10:33,559 Speaker 1: There are damsel and distress elements we're going to talk about. 177 00:10:33,880 --> 00:10:37,320 Speaker 1: But I just found that interesting. I was also trying 178 00:10:37,320 --> 00:10:40,280 Speaker 1: to get into, like because there's a certain range that 179 00:10:40,320 --> 00:10:44,960 Speaker 1: works the best. And I don't know much about audio, 180 00:10:45,200 --> 00:10:47,840 Speaker 1: which is silly in the industry I work in, But 181 00:10:47,880 --> 00:10:49,920 Speaker 1: I was like, is that what women normally hit or 182 00:10:50,000 --> 00:10:53,880 Speaker 1: men normally hit or anyway? Future episode? Perhaps I had 183 00:10:53,920 --> 00:10:56,920 Speaker 1: to stop myself that's going I did want to talk 184 00:10:56,920 --> 00:11:00,880 Speaker 1: about Final Girls because scream queens are closely related to 185 00:11:00,920 --> 00:11:04,160 Speaker 1: the Final Girls trope. UM, and this is a trope 186 00:11:04,200 --> 00:11:07,679 Speaker 1: that was first coined by Carol Clover in you can 187 00:11:07,720 --> 00:11:09,920 Speaker 1: go check out the episode we did on that UM. 188 00:11:09,960 --> 00:11:11,960 Speaker 1: One of the very first episodes I did as a 189 00:11:11,960 --> 00:11:13,600 Speaker 1: host on the show was actually the one I did 190 00:11:13,600 --> 00:11:15,760 Speaker 1: as a test run to see if I could if 191 00:11:15,800 --> 00:11:20,160 Speaker 1: I was had the stuff to be was Final Girls. 192 00:11:20,160 --> 00:11:21,559 Speaker 1: So it might be a bit rough because I was 193 00:11:21,600 --> 00:11:25,719 Speaker 1: a new host, but the content was pretty good. But basically, 194 00:11:25,920 --> 00:11:28,679 Speaker 1: a final girl is the last girl to confront the 195 00:11:28,760 --> 00:11:32,560 Speaker 1: killer in a slasher movie. She usually is young, white, 196 00:11:32,880 --> 00:11:37,120 Speaker 1: brown haired, more quote innocent than others, which means like 197 00:11:37,320 --> 00:11:40,000 Speaker 1: doesn't really drink, smoke, have sex. Again. Horror movies are 198 00:11:40,080 --> 00:11:44,200 Speaker 1: largely moralistic, especially towards younger people, and she has spent 199 00:11:44,240 --> 00:11:49,520 Speaker 1: the film being terrorized. Yeah, so this is such a 200 00:11:49,559 --> 00:11:53,280 Speaker 1: big trope that there are now movies called the Final Girl, 201 00:11:53,360 --> 00:11:55,840 Speaker 1: the Final Girls. I think there's a show. It was 202 00:11:56,040 --> 00:11:58,600 Speaker 1: like Key and Cabin in the Woods and the Final Girls. 203 00:11:58,679 --> 00:12:00,959 Speaker 1: So you know what it is like. Even if you're 204 00:12:01,040 --> 00:12:03,040 Speaker 1: kind of you never heard that term before, if you've 205 00:12:03,040 --> 00:12:05,319 Speaker 1: seen like a couple of horror movies. You know what 206 00:12:05,360 --> 00:12:09,200 Speaker 1: this is exactly. It's somebody you're meant to fill sympathy for. 207 00:12:09,520 --> 00:12:14,200 Speaker 1: And we're going to unpack that a little later as well, 208 00:12:14,520 --> 00:12:17,080 Speaker 1: But basically, somebody the audience can really get behind, really 209 00:12:17,080 --> 00:12:21,000 Speaker 1: doesn't want this killer to hurt. Not all screen queens 210 00:12:21,080 --> 00:12:24,319 Speaker 1: or final girls. Scream queens don't always survive, though they 211 00:12:24,320 --> 00:12:27,079 Speaker 1: often do. Some argue that the final girl is essentially 212 00:12:27,080 --> 00:12:30,760 Speaker 1: another step in the evolution of the scream queen, and 213 00:12:30,760 --> 00:12:32,800 Speaker 1: when we get to the evolution section we will dig 214 00:12:32,840 --> 00:12:37,000 Speaker 1: more into that, right. And also, not all actresses were 215 00:12:37,120 --> 00:12:41,320 Speaker 1: thrilled at being typecasted as a scream queen. A lot 216 00:12:41,400 --> 00:12:44,160 Speaker 1: of them were not taken seriously and have spoken about 217 00:12:44,160 --> 00:12:47,400 Speaker 1: the emotional and even physical strain of portraying these characters. 218 00:12:47,440 --> 00:12:49,920 Speaker 1: And I think I told you earlier We're going to 219 00:12:50,040 --> 00:12:54,000 Speaker 1: be doing a review for Slumber Party Massacre, and one 220 00:12:54,000 --> 00:12:57,280 Speaker 1: of the women in that movie had done several other 221 00:12:58,080 --> 00:13:02,079 Speaker 1: B list seedless horror movie and then ended up dying 222 00:13:02,080 --> 00:13:04,480 Speaker 1: at a really young age, dying by suicide. She like 223 00:13:04,559 --> 00:13:06,679 Speaker 1: had a whole rough go of it, and I'm sure 224 00:13:06,720 --> 00:13:08,480 Speaker 1: there's so much to her life, but I found that 225 00:13:08,520 --> 00:13:11,520 Speaker 1: tragic that that was kind of her whole thing, and 226 00:13:11,559 --> 00:13:14,200 Speaker 1: I think it partially. It did say within some of 227 00:13:14,280 --> 00:13:18,280 Speaker 1: the biography of her that she couldn't land any other roles, 228 00:13:18,720 --> 00:13:22,280 Speaker 1: so her career was very stagnant and maybe because of 229 00:13:22,280 --> 00:13:25,440 Speaker 1: stuff like this. And I've seen this talked about in 230 00:13:25,480 --> 00:13:28,960 Speaker 1: any typecasting that when you become that iconic character, it's 231 00:13:29,000 --> 00:13:32,480 Speaker 1: hard to shake it. So yeah, and I mean I 232 00:13:32,559 --> 00:13:35,200 Speaker 1: was reading an essay by somebody who loves horror. I 233 00:13:35,280 --> 00:13:37,080 Speaker 1: was talking about this tripe and just saying, you know, 234 00:13:37,120 --> 00:13:40,520 Speaker 1: like imagine, it's's very physical, like you're running and dodging 235 00:13:40,600 --> 00:13:44,079 Speaker 1: and being scared, and it's just a it's a drain. Yeah, 236 00:13:45,240 --> 00:13:47,560 Speaker 1: very intense. And we're gonna talk about some of the 237 00:13:47,559 --> 00:13:50,640 Speaker 1: fact that some of these screen queens were tormented to 238 00:13:50,840 --> 00:13:55,120 Speaker 1: get that better reaction, which is ridiculous. Here's another definition, 239 00:13:55,200 --> 00:13:58,440 Speaker 1: which is a screen queen can also be referred to 240 00:13:58,559 --> 00:14:01,080 Speaker 1: someone who is a fan of are and may have 241 00:14:01,200 --> 00:14:04,760 Speaker 1: even starred in one or two films. So I guess 242 00:14:04,880 --> 00:14:07,240 Speaker 1: you could be a scream queen, Anny. I could be 243 00:14:07,280 --> 00:14:10,680 Speaker 1: a scream create. Weren't you in that vampire movie. I've 244 00:14:10,679 --> 00:14:15,600 Speaker 1: been a few horror movies. A new title to add 245 00:14:15,640 --> 00:14:20,120 Speaker 1: to my name. There is also a show called Scream 246 00:14:20,200 --> 00:14:24,560 Speaker 1: Queens that originally appeared in created by Ryan Murphy. It 247 00:14:24,640 --> 00:14:27,440 Speaker 1: was canceled after two seasons, but is getting a revival, 248 00:14:28,120 --> 00:14:31,480 Speaker 1: and the show follows some hilarious, unaware and privileged sorority 249 00:14:31,520 --> 00:14:34,520 Speaker 1: girls as they tried to discover the identity of a murder. 250 00:14:34,520 --> 00:14:36,680 Speaker 1: I guess hilarious was like editorial of me, but it's 251 00:14:36,720 --> 00:14:40,040 Speaker 1: supposed to be funny. They're not necessarily trying to be hilarious, 252 00:14:40,040 --> 00:14:42,520 Speaker 1: but it's supposed to be funny. H And all these 253 00:14:42,600 --> 00:14:45,880 Speaker 1: murders are linked to a death caused by a childbirth 254 00:14:46,040 --> 00:14:49,120 Speaker 1: at a house party twenty years earlier that the sorority 255 00:14:49,160 --> 00:14:50,880 Speaker 1: members trying to cover up. And that has a really 256 00:14:50,920 --> 00:14:54,440 Speaker 1: amazing cast um Billy Lord, Ariana Grande, Abigail Breslin, and 257 00:14:54,560 --> 00:14:59,080 Speaker 1: Robert's Kiki Palmer, Lee Michelle Nick Jonas, Taylor Lautner, John Stamos, 258 00:14:59,120 --> 00:15:02,360 Speaker 1: and perhaps most import early for our conversation today, Jamie 259 00:15:02,440 --> 00:15:06,200 Speaker 1: Lee Curtis as the Dean, who is very much not 260 00:15:06,280 --> 00:15:10,000 Speaker 1: the rule she typically plays Scream Queen. That's like she 261 00:15:10,080 --> 00:15:14,560 Speaker 1: flirts with younger dudes. He doesn't just flirt, y'all. Oh, 262 00:15:14,720 --> 00:15:17,800 Speaker 1: so you've seen it. Yes, I saw the first season. Okay, 263 00:15:17,920 --> 00:15:23,280 Speaker 1: did you like it? Yeah, it definitely so. Have you 264 00:15:23,320 --> 00:15:26,200 Speaker 1: watched many of Ryan Murphy series. I've seen a few 265 00:15:26,280 --> 00:15:31,080 Speaker 1: American horror stories, so it's very much follows his typical style. 266 00:15:31,440 --> 00:15:33,240 Speaker 1: So it's kind of one of those The first season 267 00:15:33,320 --> 00:15:35,960 Speaker 1: is typically really good, like it has a new way 268 00:15:36,000 --> 00:15:38,760 Speaker 1: of doing things and has a great idea, and then 269 00:15:38,800 --> 00:15:41,320 Speaker 1: it kind of falls apart slowly and like it goes 270 00:15:41,360 --> 00:15:44,560 Speaker 1: too far, it goes too long, it's too abrupt, all 271 00:15:44,560 --> 00:15:47,360 Speaker 1: those things to say. But I did enjoy the first season. 272 00:15:47,760 --> 00:15:50,400 Speaker 1: It was very tongue in cheek, over the top. It 273 00:15:50,520 --> 00:15:54,240 Speaker 1: kind of did that whole parody level. There was no 274 00:15:54,360 --> 00:15:56,160 Speaker 1: mistake in the fact that it was a parody to 275 00:15:56,440 --> 00:15:59,240 Speaker 1: everything to it. Yeah, and of course I had to 276 00:15:59,320 --> 00:16:01,520 Speaker 1: watch Jamie the Cardis because I pretty much love her 277 00:16:01,640 --> 00:16:04,480 Speaker 1: and almost everything. And Nissy Nash is in this too, 278 00:16:04,480 --> 00:16:07,720 Speaker 1: so she was fantastic in her role in this. But yeah, 279 00:16:07,800 --> 00:16:10,440 Speaker 1: so I enjoyed it. There's some scenes in there that 280 00:16:10,480 --> 00:16:13,600 Speaker 1: I'm like, what just happened? What am I watching? And 281 00:16:13,640 --> 00:16:16,280 Speaker 1: of course the opening scenes. The reason that the young 282 00:16:16,320 --> 00:16:19,960 Speaker 1: girl giving birth dies is because the sorority girls here 283 00:16:21,360 --> 00:16:24,720 Speaker 1: don't go Chasing Waterfalls by TLC and they're like, we 284 00:16:24,840 --> 00:16:26,680 Speaker 1: have to go dance and leave her to die so 285 00:16:26,760 --> 00:16:28,600 Speaker 1: they can go dance to the song at the parting. 286 00:16:30,160 --> 00:16:33,960 Speaker 1: It's so very tongue in cheek from the very beginning. Okay, wow, 287 00:16:34,840 --> 00:16:40,600 Speaker 1: all right, yeah, yeah, I mean it's it is interesting 288 00:16:40,720 --> 00:16:44,240 Speaker 1: I heard in researching this. I think I knew this before, 289 00:16:44,280 --> 00:16:46,120 Speaker 1: but I forgotten. But Jamie Lee Curtis is kind of 290 00:16:46,120 --> 00:16:50,160 Speaker 1: afraid of horror movies, so I know this. Yeah, I 291 00:16:50,200 --> 00:16:52,520 Speaker 1: think that is interesting when we're talking again about like 292 00:16:52,680 --> 00:16:57,760 Speaker 1: the straight and emotional physical and then her staying like, 293 00:16:57,760 --> 00:16:59,920 Speaker 1: I don't even like the horror movies, and I can 294 00:17:00,080 --> 00:17:02,600 Speaker 1: just imagine that being really intense. But yeah, from what 295 00:17:02,680 --> 00:17:05,240 Speaker 1: I hear, this show is very it's meant to be 296 00:17:05,400 --> 00:17:08,640 Speaker 1: very meta, very parodies scream Is. I know it's well loved, 297 00:17:08,680 --> 00:17:11,639 Speaker 1: I know it has some problematic elements, but yeah, I 298 00:17:11,680 --> 00:17:15,960 Speaker 1: want to put that in there. Yes, hopefully I get 299 00:17:16,000 --> 00:17:17,920 Speaker 1: to watch it. Something I'm I didn't know there was 300 00:17:17,960 --> 00:17:19,840 Speaker 1: going to be a revival, and I don't understand why 301 00:17:19,880 --> 00:17:23,200 Speaker 1: there's gonna be a revival. So it's a revival of 302 00:17:23,400 --> 00:17:26,000 Speaker 1: almost literally everything we're talking about on here right now. 303 00:17:26,040 --> 00:17:27,840 Speaker 1: And that is not a joke. When we get to 304 00:17:27,880 --> 00:17:32,359 Speaker 1: the characters that we chose, the screencreency chose, I'm pretty 305 00:17:32,359 --> 00:17:51,800 Speaker 1: sure every single one. Okay, alright, interesting, So let's talk 306 00:17:51,840 --> 00:17:56,520 Speaker 1: about the evolution. As mentioned, the screen queen has evolved 307 00:17:56,600 --> 00:17:59,520 Speaker 1: over the years. As we said, many of the early 308 00:17:59,600 --> 00:18:03,320 Speaker 1: screen queens, like Fay Ray in King Kong are very 309 00:18:03,400 --> 00:18:06,920 Speaker 1: much damsels in distress. Again we're thinking is coming from 310 00:18:07,000 --> 00:18:11,439 Speaker 1: screen queen. So she's very iconic, blonde, beautiful, you know, 311 00:18:11,480 --> 00:18:15,640 Speaker 1: tormented by monsters who spent the entire time screaming and 312 00:18:15,640 --> 00:18:19,240 Speaker 1: crying and fainting and kneeding rescuing. I just remember her 313 00:18:19,359 --> 00:18:23,600 Speaker 1: like flopping about and you know, um King Kong's arms, 314 00:18:23,880 --> 00:18:26,399 Speaker 1: it's just like k it passes out. Yeah, I forgot 315 00:18:26,440 --> 00:18:29,640 Speaker 1: about the fainting. Yeah, how common that used to be. 316 00:18:30,080 --> 00:18:32,479 Speaker 1: She looks up and face again, and looks up and 317 00:18:32,480 --> 00:18:37,680 Speaker 1: face again. Yes, she's often sexualized for the male gaze. Yes, 318 00:18:37,760 --> 00:18:41,360 Speaker 1: she has less and less close throughout the movie, more 319 00:18:41,440 --> 00:18:44,480 Speaker 1: of an object than a fleshed out character. And she 320 00:18:44,640 --> 00:18:47,280 Speaker 1: was not the one to confront the villain, but rather 321 00:18:47,440 --> 00:18:51,320 Speaker 1: coward from them, serving as surprise for the man who 322 00:18:51,359 --> 00:18:53,680 Speaker 1: did um or. She died at the hands of the villain, 323 00:18:54,160 --> 00:18:57,240 Speaker 1: like Jane at Lee's naked in the shower in Psycho. 324 00:18:57,400 --> 00:19:00,680 Speaker 1: But Lee also helped give birth to the next generation 325 00:19:00,720 --> 00:19:04,880 Speaker 1: of screen queens, literally and figuratively, Yes, which I did 326 00:19:04,880 --> 00:19:07,320 Speaker 1: not know until you pointed this ound. Yeah, I was like, 327 00:19:07,400 --> 00:19:09,760 Speaker 1: that's the daughter, Like she brought on a whole new 328 00:19:09,800 --> 00:19:14,800 Speaker 1: generation of scream queens. Yes, because generally is Jamie Lee 329 00:19:14,840 --> 00:19:19,200 Speaker 1: Curtis's mother. I could not know. As audiences taste and 330 00:19:19,280 --> 00:19:22,679 Speaker 1: attitude shifted, and awareness of the genre and his problematic 331 00:19:22,680 --> 00:19:26,320 Speaker 1: trips grew, the scream queen evolved. She became more self 332 00:19:26,400 --> 00:19:30,120 Speaker 1: aware and dependent and intelligent. She was still sexualized, though 333 00:19:30,160 --> 00:19:32,200 Speaker 1: not as much like one of those definitions said earlier, 334 00:19:32,359 --> 00:19:36,679 Speaker 1: kind of more of that girl next door sort of thing. Innocent, Definitely. 335 00:19:37,400 --> 00:19:39,600 Speaker 1: She spent a lot of time screaming and crying, but 336 00:19:39,680 --> 00:19:43,320 Speaker 1: she had more agency and competency. She was often the hero, 337 00:19:43,840 --> 00:19:45,879 Speaker 1: able to survive and out with the villain even in 338 00:19:45,920 --> 00:19:48,760 Speaker 1: the face of terror, though sometimes she did still need saving. 339 00:19:48,800 --> 00:19:54,200 Speaker 1: I totally forgotten the original Halloween the doctor psychiatrist guy. Yeah, 340 00:19:54,400 --> 00:19:56,600 Speaker 1: I totally forgot. He showed up and was like, I'll 341 00:19:56,600 --> 00:20:00,120 Speaker 1: do it. But yes, Jamie Lee Curtis speaking of is 342 00:20:00,160 --> 00:20:03,280 Speaker 1: one of the most iconic screen queens from this period 343 00:20:03,600 --> 00:20:06,760 Speaker 1: right and nowadays, as some of the classic screen queens 344 00:20:06,800 --> 00:20:11,080 Speaker 1: are reprising their roles in a new additions to their franchises, 345 00:20:11,480 --> 00:20:17,840 Speaker 1: the two has expanded to include proactive traumatized vengeful seekers. Uh. 346 00:20:17,880 --> 00:20:20,879 Speaker 1: They spend the entire film show facing off with a 347 00:20:20,960 --> 00:20:23,280 Speaker 1: villain instead of spending most of it as a terrified 348 00:20:23,359 --> 00:20:27,600 Speaker 1: victim before becoming the empowered survivor. I know, and a 349 00:20:27,640 --> 00:20:30,240 Speaker 1: lot of them when they do have old characters come back, 350 00:20:30,359 --> 00:20:37,639 Speaker 1: they're the ones that usually die. Yeah, yeah, okay, So 351 00:20:37,760 --> 00:20:42,600 Speaker 1: they had the original young lady who survived the whole thing. 352 00:20:42,640 --> 00:20:45,200 Speaker 1: Because she did, she wasn't allowed to go to the prom. 353 00:20:45,320 --> 00:20:49,320 Speaker 1: In the remake that just happened. She actually dies to 354 00:20:49,440 --> 00:20:52,360 Speaker 1: save them, I believe. I feel like that's a it's 355 00:20:52,400 --> 00:20:55,679 Speaker 1: a narrative tool of both, like here's this character you 356 00:20:56,520 --> 00:20:59,800 Speaker 1: probably loved, so you can have that nostalgia factor and 357 00:21:00,000 --> 00:21:03,760 Speaker 1: and taking the risky move of killing them off, which 358 00:21:03,800 --> 00:21:06,280 Speaker 1: is either going to really make people angry or make 359 00:21:06,320 --> 00:21:10,240 Speaker 1: them care. Yeah, losses real in this movie. There are 360 00:21:10,280 --> 00:21:12,600 Speaker 1: emotional steaks, But I feel like that happens a lot 361 00:21:12,640 --> 00:21:15,800 Speaker 1: when something's being revived. They bring back the old character 362 00:21:15,960 --> 00:21:19,920 Speaker 1: and then kill them. They did. Um. Yeah. They also 363 00:21:20,000 --> 00:21:22,680 Speaker 1: do a lot of teaching and educating the new generation 364 00:21:22,720 --> 00:21:25,679 Speaker 1: on how to survive, and the new generation usually ignores 365 00:21:25,760 --> 00:21:28,440 Speaker 1: them until it comes back to flashback. I was like, oh, yeah, 366 00:21:28,440 --> 00:21:32,119 Speaker 1: they said do this. They're they're crazy, they don't know 367 00:21:32,160 --> 00:21:35,920 Speaker 1: what they're talking about. That person is a cuckoo, right, 368 00:21:37,359 --> 00:21:41,760 Speaker 1: which is what I saw with Silent Hill. Annie. Oh, 369 00:21:41,800 --> 00:21:46,199 Speaker 1: I can't wait till we talk about that anyway, And 370 00:21:46,240 --> 00:21:49,280 Speaker 1: their trauma is more apparent and explore, so they do 371 00:21:49,280 --> 00:21:51,119 Speaker 1: do a little bit of a fleshing out at least 372 00:21:51,119 --> 00:21:56,320 Speaker 1: like past traumas um and some have even become feminist icons. 373 00:21:56,440 --> 00:21:58,879 Speaker 1: Yes again, like we look at Jamie Lee Curtis as 374 00:21:58,880 --> 00:22:05,840 Speaker 1: a feminist icon of being a scream coein that survives. Yeah. Yeah, well, 375 00:22:05,880 --> 00:22:07,960 Speaker 1: and that's interesting. As as I said it, I think 376 00:22:07,960 --> 00:22:11,000 Speaker 1: I wonder if one of the kind of evolution of 377 00:22:11,040 --> 00:22:14,840 Speaker 1: the scream queen is you know, it goes from Jamie 378 00:22:14,920 --> 00:22:19,679 Speaker 1: Lee Curtis is too pure and still does need saving 379 00:22:19,720 --> 00:22:21,960 Speaker 1: and the original Halloween, like, even if she did survive 380 00:22:21,960 --> 00:22:23,640 Speaker 1: and she was competent, a man still had to come 381 00:22:23,640 --> 00:22:25,919 Speaker 1: in because They didn't want her to be the killer 382 00:22:26,840 --> 00:22:29,440 Speaker 1: and like dirty herself in that way, whereas this next 383 00:22:29,520 --> 00:22:34,400 Speaker 1: evolution is they're coming for you. They're gonna get that killer. 384 00:22:36,160 --> 00:22:38,600 Speaker 1: But yeah, you could argue that this and the Final 385 00:22:38,640 --> 00:22:41,919 Speaker 1: Guld trope plays into the idea of the perfect victim. 386 00:22:42,000 --> 00:22:44,240 Speaker 1: The fact that these are tropes that revolve around women 387 00:22:44,720 --> 00:22:49,120 Speaker 1: being victimized was calculated the belief that women would get 388 00:22:49,119 --> 00:22:52,200 Speaker 1: more sympathy more easily from the audience, that they were 389 00:22:52,440 --> 00:22:55,600 Speaker 1: weaker so it was scarier um, and that they could 390 00:22:55,600 --> 00:22:58,920 Speaker 1: still be sexualized for the male gaze. Some researchers even 391 00:22:59,000 --> 00:23:02,439 Speaker 1: argue that we fetished eyes women's pain, particularly when we 392 00:23:02,440 --> 00:23:04,080 Speaker 1: are looking through the eyes of the killer as he 393 00:23:04,160 --> 00:23:07,840 Speaker 1: torments women, usually with a phallic weapon. You can again 394 00:23:08,000 --> 00:23:11,080 Speaker 1: see our past episode on Final Girls for more of 395 00:23:11,119 --> 00:23:16,280 Speaker 1: my thoughts on that, which there are plenty. And then, 396 00:23:16,960 --> 00:23:19,800 Speaker 1: while the villain of the movie sometimes gets the credit 397 00:23:19,880 --> 00:23:23,840 Speaker 1: for keeping franchises going, others point out that really is 398 00:23:23,880 --> 00:23:28,240 Speaker 1: the protagonist that the scream queen we're rooting for. Many 399 00:23:28,280 --> 00:23:30,920 Speaker 1: often point to ninety eight Halloween as the introduction of 400 00:23:30,960 --> 00:23:33,280 Speaker 1: the menacing villain that can't be killed like that whole 401 00:23:33,320 --> 00:23:37,760 Speaker 1: trope Halloween kind of was the beginning of that. Some 402 00:23:37,800 --> 00:23:40,359 Speaker 1: critics argue as absence and Halloween three season of the 403 00:23:40,359 --> 00:23:42,879 Speaker 1: which was why that movie bombed. And I also have 404 00:23:43,000 --> 00:23:45,520 Speaker 1: thoughts on that, And you can see the movie Crush 405 00:23:45,560 --> 00:23:48,480 Speaker 1: episode I did about that one and Night Road Elm 406 00:23:48,560 --> 00:23:52,400 Speaker 1: Street three, Dream Warrior featuring another Scream queen ant Yes, 407 00:23:52,600 --> 00:23:56,960 Speaker 1: Nancy also Final Girl. Yes, I think she also dies 408 00:23:57,000 --> 00:23:59,640 Speaker 1: in the newer versions. Right, I think she did die 409 00:23:59,680 --> 00:24:02,040 Speaker 1: and Dream Warrior she did die, but I daily they 410 00:24:02,080 --> 00:24:04,160 Speaker 1: brought her back. Yeah, that's what I thought. I thought 411 00:24:04,240 --> 00:24:06,400 Speaker 1: she like it felt like a death that she would 412 00:24:06,400 --> 00:24:10,400 Speaker 1: return from. But anyway, you could also argue, Haveween introduced 413 00:24:10,480 --> 00:24:14,000 Speaker 1: this iconic villain's foil, the consummate survivor who rises up 414 00:24:14,320 --> 00:24:16,400 Speaker 1: and defeats them, only for them to do the whole 415 00:24:16,400 --> 00:24:18,680 Speaker 1: thing over and over and over and over and over again. 416 00:24:21,040 --> 00:24:26,159 Speaker 1: So we do have some examples, both classic and more modern. 417 00:24:26,520 --> 00:24:28,399 Speaker 1: We're going to start with mine, which are the more 418 00:24:28,440 --> 00:24:30,800 Speaker 1: modern ones, and then and the kind of you know, 419 00:24:30,880 --> 00:24:33,679 Speaker 1: the the icon And yes, there's kind of a lot 420 00:24:33,720 --> 00:24:39,159 Speaker 1: of stuff about Scream in the middle. But you mentioned 421 00:24:39,200 --> 00:24:43,199 Speaker 1: Sarah Michelle Geller, and she is also somebody that I 422 00:24:43,240 --> 00:24:44,800 Speaker 1: think of when I think of scream Queen, so we 423 00:24:44,880 --> 00:24:48,640 Speaker 1: wanted to start with her. She earned the scream Queen 424 00:24:48,680 --> 00:24:51,240 Speaker 1: designation after landing roles and things like Buffy the Vampire 425 00:24:51,280 --> 00:24:54,480 Speaker 1: Slayer screamed too. I know you did last summer and 426 00:24:54,600 --> 00:24:57,280 Speaker 1: the Grudge, and I know what you did last summer 427 00:24:58,400 --> 00:24:59,960 Speaker 1: is I don't know if a reboot is the right word. 428 00:25:00,040 --> 00:25:03,920 Speaker 1: There's a show on Amazon Prime right now, so yeah, 429 00:25:05,119 --> 00:25:09,480 Speaker 1: you can see past host and Lauren over from Savor 430 00:25:09,520 --> 00:25:12,359 Speaker 1: guested on an episode past host of spent he did 431 00:25:12,359 --> 00:25:13,919 Speaker 1: on Buffy the Van Parslayer, if you want to learn 432 00:25:14,000 --> 00:25:17,080 Speaker 1: more about that role and it's impact. I think Lauren 433 00:25:17,240 --> 00:25:20,000 Speaker 1: and I also talked about her when Lauren was a 434 00:25:20,040 --> 00:25:22,439 Speaker 1: guest once again to discuss the whole why didn't you 435 00:25:22,480 --> 00:25:26,960 Speaker 1: believe her? Trope and horror and I her also have 436 00:25:27,000 --> 00:25:29,480 Speaker 1: an interesting dichotomy when it comes to her Scream Queen's 437 00:25:29,520 --> 00:25:33,240 Speaker 1: status because on the one hand, Buffy was a feminist 438 00:25:33,359 --> 00:25:36,280 Speaker 1: icon and catapulted her to stardom, and this was a 439 00:25:36,359 --> 00:25:40,280 Speaker 1: character who was strong and badass feminine, directly confronting the 440 00:25:40,320 --> 00:25:42,879 Speaker 1: monsters and leading the Scooby Gang. She didn't do a 441 00:25:42,880 --> 00:25:45,920 Speaker 1: whole lot of screaming from what I remember she did, 442 00:25:46,320 --> 00:25:49,560 Speaker 1: but not not too much. In the Grudge, she was 443 00:25:49,680 --> 00:25:54,159 Speaker 1: competent um and confronted her fears and the ghost and 444 00:25:54,240 --> 00:25:56,439 Speaker 1: slashes like Scream Too and I Know What You Did 445 00:25:56,520 --> 00:25:59,320 Speaker 1: Last Summer. Though she has portrayed as something bordering but 446 00:25:59,440 --> 00:26:04,439 Speaker 1: not quite a bimbo, she's definitely a step above. And 447 00:26:04,480 --> 00:26:05,919 Speaker 1: I don't want this to sound a great at all, 448 00:26:06,000 --> 00:26:10,160 Speaker 1: but like in terms of like movie stereotype tropes, that's 449 00:26:10,200 --> 00:26:13,480 Speaker 1: sort of the vibe she had. Her death and I 450 00:26:13,520 --> 00:26:14,720 Speaker 1: Know What You Did Last Summer was the one that 451 00:26:14,760 --> 00:26:16,199 Speaker 1: hit me the hardest of that movie because she was 452 00:26:16,240 --> 00:26:23,439 Speaker 1: so close. The parade was right there. Ah, it's slightly different, 453 00:26:23,560 --> 00:26:27,320 Speaker 1: maybe more like people perceive her as the bimbo because 454 00:26:27,359 --> 00:26:32,720 Speaker 1: she's beautiful and blond, and that perception influences her life 455 00:26:33,320 --> 00:26:35,760 Speaker 1: in both. I think she's a twist on the trope um, 456 00:26:35,840 --> 00:26:38,040 Speaker 1: which is often called the horror and horror movies. The 457 00:26:38,080 --> 00:26:41,520 Speaker 1: horror trope who has to go first because she's beautiful 458 00:26:41,520 --> 00:26:43,960 Speaker 1: and has sex usually makes what the viewers are meant 459 00:26:43,960 --> 00:26:48,080 Speaker 1: to interpret his poor survival decisions. And Scream Too, she's 460 00:26:48,080 --> 00:26:50,560 Speaker 1: a callback to a joke made in the first movie 461 00:26:50,600 --> 00:26:53,680 Speaker 1: where in Sydney. The main character says she hates horror 462 00:26:53,680 --> 00:26:57,560 Speaker 1: movies because quote some stupid killers talking, some big breasted 463 00:26:57,600 --> 00:26:59,440 Speaker 1: girl who can't act, who is always running up the 464 00:26:59,440 --> 00:27:01,280 Speaker 1: stairs when she's should be running out the front door. 465 00:27:01,320 --> 00:27:04,360 Speaker 1: It's insulting. So this is how Sarah Michelle Geller dies 466 00:27:04,400 --> 00:27:06,239 Speaker 1: and screamed to like she runs up the stay. She 467 00:27:06,280 --> 00:27:08,560 Speaker 1: does try to go to the front door. She runs 468 00:27:08,600 --> 00:27:10,919 Speaker 1: up the stairs, then get stabbed and then thrown over 469 00:27:10,960 --> 00:27:13,720 Speaker 1: the balcony. But I don't think it's ever implied we 470 00:27:13,720 --> 00:27:16,560 Speaker 1: should be laughing at her that she's dumb um, just 471 00:27:16,640 --> 00:27:19,719 Speaker 1: more like meta horror commentary and poking fun at the trope. 472 00:27:20,160 --> 00:27:23,600 Speaker 1: Almost formulaic, but it's making fun of the formula. It's 473 00:27:23,640 --> 00:27:28,439 Speaker 1: just an interesting kind of trying to suss out because 474 00:27:28,480 --> 00:27:30,720 Speaker 1: I mean, at least for me personally, I was never like, 475 00:27:31,359 --> 00:27:35,000 Speaker 1: oh she was dumb. Of course she's gonna die, I 476 00:27:35,040 --> 00:27:37,840 Speaker 1: don't know, but she is kind of filling that trope, 477 00:27:37,840 --> 00:27:42,880 Speaker 1: you know what I mean? Yeah, all right, But okay, 478 00:27:43,040 --> 00:27:47,159 Speaker 1: speaking of Scream too in Sydney Prescott, let's talk about 479 00:27:47,240 --> 00:27:51,440 Speaker 1: Scream and Nev Campbell. Oh my gosh, I have so 480 00:27:51,480 --> 00:27:54,400 Speaker 1: many thoughts. We've talked about one of her most well 481 00:27:54,440 --> 00:27:57,160 Speaker 1: known roles before when we did an episode on the Craft, 482 00:27:57,720 --> 00:28:00,560 Speaker 1: but her turn as Sydney Prescott in the Scream franchises 483 00:28:00,640 --> 00:28:03,440 Speaker 1: what put her firmly in Scream queen territory. And we 484 00:28:03,440 --> 00:28:05,560 Speaker 1: should also say a lot of these actors have done 485 00:28:05,720 --> 00:28:07,760 Speaker 1: stuff the ones we were talking about, and we have 486 00:28:07,800 --> 00:28:10,800 Speaker 1: done stuff outside of horror, but they're sort of known 487 00:28:11,760 --> 00:28:14,959 Speaker 1: for this one role when it comes to the horror world. Anyway, 488 00:28:15,200 --> 00:28:18,199 Speaker 1: I know Nev Campbell really made headway as Party of 489 00:28:18,280 --> 00:28:22,240 Speaker 1: five sad girl, but I think it's that sad girl 490 00:28:22,800 --> 00:28:26,120 Speaker 1: thing is why she was so perfect for Scream. That 491 00:28:26,160 --> 00:28:31,200 Speaker 1: whole like persona of being sad, innocent puppy eyes made 492 00:28:31,200 --> 00:28:37,920 Speaker 1: her the perfect Sydney Prescott. Yes, yes, she's definitely, especially 493 00:28:37,960 --> 00:28:39,680 Speaker 1: in the first one and especially at the beginning of 494 00:28:39,720 --> 00:28:41,760 Speaker 1: the first one, she is like kind of a very 495 00:28:41,840 --> 00:28:47,600 Speaker 1: sweet girl next door innocent character. It does change, and 496 00:28:47,640 --> 00:28:49,920 Speaker 1: I do. I love this character and I love Scream, 497 00:28:49,960 --> 00:28:51,800 Speaker 1: and I know there are problematic things in these movies, 498 00:28:51,800 --> 00:28:54,680 Speaker 1: and we're going to talk about that, but this is 499 00:28:54,720 --> 00:28:57,120 Speaker 1: one of the first horror movies and slashes that I saw, 500 00:28:57,160 --> 00:29:01,240 Speaker 1: which is funny in retrospect because the whole thing is 501 00:29:01,320 --> 00:29:03,840 Speaker 1: meta and poking fun at the horror genre. So I 502 00:29:03,880 --> 00:29:06,680 Speaker 1: was like, watching these movies that are big joke about horror, 503 00:29:06,720 --> 00:29:11,320 Speaker 1: and I really haven't seen much horror, and especially much Slashers. 504 00:29:12,000 --> 00:29:14,160 Speaker 1: If you haven't seen them, they are very tongue in cheek, 505 00:29:14,200 --> 00:29:16,880 Speaker 1: they're very self aware of the genre. They're firmly in 506 00:29:16,920 --> 00:29:20,360 Speaker 1: the slasher comedy category. Actually, when we were watching Slumber 507 00:29:20,360 --> 00:29:22,120 Speaker 1: Party Masker, there were some things where I was like, 508 00:29:22,640 --> 00:29:26,560 Speaker 1: I wonder if they were inspired by Slumber Party Maskacer. Right, 509 00:29:26,880 --> 00:29:45,320 Speaker 1: the scene feels very reminiscent the first maybe debuted in 510 00:29:46,360 --> 00:29:48,560 Speaker 1: and was followed by Screen to Scream three, Screen four, 511 00:29:48,840 --> 00:29:51,239 Speaker 1: now Scream five, which is set to come out in 512 00:29:51,360 --> 00:29:56,600 Speaker 1: January two. At their core, they sent her on Sidney 513 00:29:56,600 --> 00:29:59,240 Speaker 1: Prescott and the serial killer or killers trying to murder 514 00:29:59,280 --> 00:30:02,840 Speaker 1: her in a bunch of people in her orbit. Sydney 515 00:30:02,880 --> 00:30:05,920 Speaker 1: Prescott grew up in Woodsborro, surviving being the target of 516 00:30:06,040 --> 00:30:11,520 Speaker 1: seven serial killers so far, so many. There's gonna at 517 00:30:11,560 --> 00:30:17,240 Speaker 1: least one more, maybe two or three, including one who 518 00:30:17,320 --> 00:30:20,719 Speaker 1: was her half brother. And that is one way this 519 00:30:20,800 --> 00:30:24,520 Speaker 1: franchise is different than something like Halloween. The ghost face 520 00:30:24,600 --> 00:30:27,320 Speaker 1: serial killer is always someone different, it's not the same person, 521 00:30:27,440 --> 00:30:31,640 Speaker 1: coming back over and over and over again. She has 522 00:30:31,640 --> 00:30:35,400 Speaker 1: physically confronted them and outsmarted them on several occasions. Calling 523 00:30:35,440 --> 00:30:38,240 Speaker 1: back to hardship, she always takes the final just in 524 00:30:38,360 --> 00:30:42,720 Speaker 1: case shot to make sure they're really dead, except one time, 525 00:30:43,360 --> 00:30:46,920 Speaker 1: so yes, in the third one she didn't. So Sydney 526 00:30:47,000 --> 00:30:49,400 Speaker 1: is quite the kill count and has lost quite a 527 00:30:49,400 --> 00:30:51,600 Speaker 1: lot of people in the In the movie, she wrote 528 00:30:51,600 --> 00:30:53,959 Speaker 1: a book about her experiences and hopes of helping others, 529 00:30:54,040 --> 00:30:55,920 Speaker 1: but the fame and attention just once again made her 530 00:30:55,920 --> 00:30:58,680 Speaker 1: the target of a serial killer, another family member. In fact, 531 00:30:59,280 --> 00:31:02,520 Speaker 1: that's something that these movies examined, the fame aspect of 532 00:31:02,520 --> 00:31:05,800 Speaker 1: serial killers and those that survived them, and part with 533 00:31:05,880 --> 00:31:08,440 Speaker 1: the fictional in world film series based on the events 534 00:31:08,440 --> 00:31:14,280 Speaker 1: of Scream called Stab. There's a lot of commentary on 535 00:31:14,440 --> 00:31:17,640 Speaker 1: art imitating life in them. After her mother was murdered, 536 00:31:17,680 --> 00:31:20,320 Speaker 1: she provided the key testimony against Cotton Weary and yes, 537 00:31:20,360 --> 00:31:23,480 Speaker 1: the names are fantastic in these movies, the man her 538 00:31:23,520 --> 00:31:25,560 Speaker 1: mom was having a fair with, though it later turned 539 00:31:25,600 --> 00:31:29,000 Speaker 1: out she was wrong not about the affair but about 540 00:31:29,080 --> 00:31:31,800 Speaker 1: him killing her. I saw the first two movies when 541 00:31:31,880 --> 00:31:35,000 Speaker 1: I was nine years old, I saved up and purchased 542 00:31:35,000 --> 00:31:37,640 Speaker 1: about nine horror movies from a shop called media Play 543 00:31:37,680 --> 00:31:39,760 Speaker 1: that isn't around anymore, but it used to be like 544 00:31:39,800 --> 00:31:44,000 Speaker 1: a big deal. My family would go. The guy who 545 00:31:44,040 --> 00:31:46,640 Speaker 1: was checking me out did not say anything, did in 546 00:31:46,720 --> 00:31:48,840 Speaker 1: card me or I mean obviously I was nine, but 547 00:31:48,920 --> 00:31:51,680 Speaker 1: he didn't say anything. And I mean, looking back, should 548 00:31:51,680 --> 00:31:53,720 Speaker 1: I have been watching these? Know? But for some reason, 549 00:31:53,720 --> 00:31:56,800 Speaker 1: I immediately love Scream and I loved Sydney. I loved 550 00:31:56,840 --> 00:31:59,240 Speaker 1: the fun of pointing out the tropes and still using them, 551 00:31:59,280 --> 00:32:01,680 Speaker 1: of making used to specked everybody you directly discussing the 552 00:32:01,760 --> 00:32:05,280 Speaker 1: rules of horror movies and surviving them. No sex for women, 553 00:32:05,520 --> 00:32:08,560 Speaker 1: no showing your tits, no drugs or no alcohol, never 554 00:32:08,600 --> 00:32:11,280 Speaker 1: say I'll be right back. And the sequels they expound 555 00:32:11,320 --> 00:32:13,840 Speaker 1: on those rules, and they based it on like what 556 00:32:13,880 --> 00:32:15,960 Speaker 1: happens in a sequel, what happens in the trilogy, all 557 00:32:15,960 --> 00:32:19,600 Speaker 1: that stuff. They even comment on Jamie Lee Curtis being 558 00:32:19,640 --> 00:32:22,560 Speaker 1: a Scream queen and also her boobs. Of course I 559 00:32:22,640 --> 00:32:24,880 Speaker 1: bought the soundtracks. I tried to pull off the haircut, 560 00:32:24,920 --> 00:32:27,080 Speaker 1: which I was like, I'm kind of doing it now. 561 00:32:28,600 --> 00:32:30,880 Speaker 1: For sure, I did not pull it off when I 562 00:32:30,920 --> 00:32:33,240 Speaker 1: was a kid. No, no, no, no no. But I 563 00:32:33,240 --> 00:32:35,160 Speaker 1: did love Sydney. I loved how she flipped the tables 564 00:32:35,160 --> 00:32:36,880 Speaker 1: on the killers at the end, how she toyed with 565 00:32:36,920 --> 00:32:41,160 Speaker 1: them and she scared them ultimately killed them. We see 566 00:32:41,200 --> 00:32:43,960 Speaker 1: her standing up for herself and punching Courtney Cox's character 567 00:32:44,000 --> 00:32:46,920 Speaker 1: Gaale Weathers not once but twice, and they still have 568 00:32:47,040 --> 00:32:51,440 Speaker 1: like an interesting friendship thing going on later. How I 569 00:32:51,440 --> 00:32:53,600 Speaker 1: I really appreciated how they did explore her trauma or 570 00:32:53,640 --> 00:32:57,240 Speaker 1: PTSD and her survivals, guilt um things. Often people used 571 00:32:57,280 --> 00:33:00,240 Speaker 1: to dismiss her, like, oh, there's not another kille here, 572 00:33:00,640 --> 00:33:03,760 Speaker 1: It's just you have had trauma. She's like, but there's 573 00:33:03,840 --> 00:33:10,040 Speaker 1: dead bodies and I yeah. She was suspicious of boyfriends 574 00:33:10,040 --> 00:33:12,760 Speaker 1: and eventually everyone, but she still want to help. In 575 00:33:12,760 --> 00:33:15,760 Speaker 1: the beginning of the third film, she's working in anonymously 576 00:33:15,800 --> 00:33:19,080 Speaker 1: at a women's crisis counseling center and her trust and 577 00:33:19,080 --> 00:33:21,680 Speaker 1: boundaries are repeatedly violated, and the second one she is 578 00:33:21,720 --> 00:33:25,040 Speaker 1: compared to Cassandra, which is also comparison that comes up 579 00:33:25,040 --> 00:33:27,400 Speaker 1: in the Last of Us. Able to see the future 580 00:33:27,440 --> 00:33:29,880 Speaker 1: but cursed so that no one will listen to her 581 00:33:30,480 --> 00:33:33,760 Speaker 1: She's clever and cunning, brave and resilient, often funny, ready 582 00:33:33,800 --> 00:33:35,680 Speaker 1: with aquip of her own to the killer. She has 583 00:33:35,720 --> 00:33:39,040 Speaker 1: so many good quotes, so many good quotes. Yeah, and 584 00:33:39,080 --> 00:33:43,160 Speaker 1: she also has like equips for reporters or print callers. 585 00:33:43,560 --> 00:33:46,920 Speaker 1: And she's strong and fast and good with weapons, often improvised, 586 00:33:47,360 --> 00:33:51,120 Speaker 1: always pretty determined to uncover the killer's identity. Um. She's 587 00:33:51,160 --> 00:33:53,360 Speaker 1: definitely the heart of these movies, and the killers always 588 00:33:53,400 --> 00:33:56,360 Speaker 1: target her and they say Hello Sydney, which is sort 589 00:33:56,360 --> 00:33:59,280 Speaker 1: of their catchphrase. Um. In fact, when I told somebody 590 00:33:59,320 --> 00:34:01,000 Speaker 1: I was doing an episod on screen Queens, the first 591 00:34:01,000 --> 00:34:07,880 Speaker 1: thing she said was Hello Sidney. So while these movies 592 00:34:07,920 --> 00:34:10,279 Speaker 1: are in a lot of ways satirizing the Slashers, she's 593 00:34:10,280 --> 00:34:13,640 Speaker 1: not portrayed for comedic value are made fun of. She 594 00:34:13,800 --> 00:34:18,080 Speaker 1: is funny, she's not really made fun of. I did 595 00:34:18,120 --> 00:34:21,200 Speaker 1: want to talk about some of the things around six 596 00:34:21,719 --> 00:34:25,400 Speaker 1: and her mom and these nevies, because Sydney has a 597 00:34:25,400 --> 00:34:27,920 Speaker 1: lot of trauma around sex. And the first movie, she 598 00:34:28,040 --> 00:34:30,200 Speaker 1: is a high schooler who's painted as the innocent girl 599 00:34:30,239 --> 00:34:34,400 Speaker 1: next door type when her boyfriend Billy Loomis, who she 600 00:34:34,480 --> 00:34:36,600 Speaker 1: later finds out as the killer who has just been 601 00:34:36,680 --> 00:34:39,759 Speaker 1: dating her for revenge, which is awful, sneaks into her 602 00:34:39,800 --> 00:34:41,920 Speaker 1: bedroom at the beginning of the movie. He pressures her 603 00:34:41,960 --> 00:34:45,040 Speaker 1: to have sex, saying he's ready to move their relationship 604 00:34:45,080 --> 00:34:48,680 Speaker 1: to rated R and that she has a chastity belt 605 00:34:48,760 --> 00:34:51,000 Speaker 1: on and he would like her to remove it. She 606 00:34:51,120 --> 00:34:53,440 Speaker 1: asked if he's okay with a PG thirt movie instead 607 00:34:53,480 --> 00:34:56,160 Speaker 1: and flashes him, but the audience doesn't see her breast. 608 00:34:56,480 --> 00:34:58,319 Speaker 1: Right before the climax movie, she does have sex with 609 00:34:58,320 --> 00:35:00,560 Speaker 1: Billy just before he reveals himself and his friends to 610 00:35:00,719 --> 00:35:04,440 Speaker 1: as the killers. And just a note, she did suspect 611 00:35:04,520 --> 00:35:07,319 Speaker 1: Billie early in the movie and she was right too, 612 00:35:07,920 --> 00:35:10,279 Speaker 1: but he gaslighted her real hard and made her feel 613 00:35:10,280 --> 00:35:12,239 Speaker 1: really guilty about it, which is in part why she 614 00:35:12,280 --> 00:35:15,239 Speaker 1: agrees to have sex. Um. That's the only reason, but 615 00:35:15,320 --> 00:35:18,040 Speaker 1: it is a factor. After they called her, they said 616 00:35:18,480 --> 00:35:21,680 Speaker 1: because she had sex, she loses and has to die 617 00:35:22,239 --> 00:35:25,400 Speaker 1: and that she shouldn't have quote given it up. Um 618 00:35:25,440 --> 00:35:27,759 Speaker 1: And later this is flipped when her trauma was manipulated 619 00:35:27,800 --> 00:35:30,799 Speaker 1: to make her suspect her boyfriend, only for the killer 620 00:35:30,840 --> 00:35:32,920 Speaker 1: to kill him after she realizes he did not in 621 00:35:32,960 --> 00:35:37,440 Speaker 1: fact do it, which was very, very sad okay, But 622 00:35:37,520 --> 00:35:43,000 Speaker 1: speaking of the whole plot is essentially spurred on by 623 00:35:43,040 --> 00:35:47,320 Speaker 1: Sydney's mother cheating. Are some other grievance against her, including 624 00:35:47,320 --> 00:35:50,520 Speaker 1: her turning away her child. Sydney's half brother once again 625 00:35:50,800 --> 00:35:54,520 Speaker 1: blaming it on the mother, so the killer blames her 626 00:35:55,080 --> 00:35:58,000 Speaker 1: for their killing. In fact, the killer in the second 627 00:35:58,000 --> 00:36:00,319 Speaker 1: movie brings that up. It's like you always blame the mother, 628 00:36:00,719 --> 00:36:02,640 Speaker 1: which is interesting because she is the mother and she 629 00:36:02,800 --> 00:36:06,480 Speaker 1: is the killer, but that's neither hearing r there um. 630 00:36:06,600 --> 00:36:09,320 Speaker 1: One of the killers said that Sydney's mom was flashing 631 00:36:09,360 --> 00:36:12,320 Speaker 1: her all around town, even though she's no Sharon Stone. 632 00:36:13,680 --> 00:36:16,719 Speaker 1: Because of this, Sydney is understandably reticent around sex and 633 00:36:16,760 --> 00:36:19,560 Speaker 1: talks about she has trauma around the fact that the 634 00:36:19,600 --> 00:36:22,319 Speaker 1: whole country knows about how her mom cheated and that 635 00:36:22,400 --> 00:36:25,080 Speaker 1: they seemed to blame her for her own death i e. 636 00:36:25,280 --> 00:36:28,120 Speaker 1: Sex she was having led to her mom's death in 637 00:36:28,160 --> 00:36:30,920 Speaker 1: Sydney's mind, and everyone knows it and has an opinion 638 00:36:30,920 --> 00:36:34,239 Speaker 1: they're happy to discuss about it. She sees how her 639 00:36:34,280 --> 00:36:37,160 Speaker 1: mom is let shamed and victim blamed, and she's kind 640 00:36:37,160 --> 00:36:39,799 Speaker 1: of taking these precautions to make sure she is not. 641 00:36:40,440 --> 00:36:42,160 Speaker 1: In fact, In the first one, no one takes her 642 00:36:42,200 --> 00:36:45,560 Speaker 1: seriously because of her mom's bad reputation, thinking Sydney is 643 00:36:45,640 --> 00:36:50,520 Speaker 1: just out for more attention, and as the movies explored 644 00:36:50,560 --> 00:36:53,560 Speaker 1: this idea more. It turns out her mom, Maureen, went 645 00:36:53,600 --> 00:36:56,440 Speaker 1: to Hollywood to become an actor, starring in many b 646 00:36:56,719 --> 00:37:01,080 Speaker 1: horror movies, becoming something of a scream queen. However, the 647 00:37:01,120 --> 00:37:05,120 Speaker 1: producers took her to some party whereas implied, she was 648 00:37:05,160 --> 00:37:08,640 Speaker 1: promised roles that she never got an exchange for sex, 649 00:37:08,680 --> 00:37:11,160 Speaker 1: and she was so triumatized by the whole thing she 650 00:37:11,239 --> 00:37:13,279 Speaker 1: went on to have a lot of sex, and a 651 00:37:13,320 --> 00:37:15,799 Speaker 1: lot of it outside marriage, thus leading to all these 652 00:37:15,840 --> 00:37:18,320 Speaker 1: serial killers looking to get revenge on her and her daughter. 653 00:37:18,640 --> 00:37:20,520 Speaker 1: This is what the serial killers kind of say. This 654 00:37:20,560 --> 00:37:24,200 Speaker 1: is sort of their explanation of it um which yes, 655 00:37:24,280 --> 00:37:26,279 Speaker 1: a lot of blaming of women and the mother going on, 656 00:37:26,360 --> 00:37:28,920 Speaker 1: and that moralizing that horror movies often do. So I 657 00:37:28,920 --> 00:37:31,520 Speaker 1: would argue I never personally blamed Sidey's mom for these 658 00:37:32,200 --> 00:37:35,360 Speaker 1: mostly dudes killing people, and a lot of it is 659 00:37:35,360 --> 00:37:37,600 Speaker 1: painted as Sydney struggling with her mom's past and feeling 660 00:37:37,640 --> 00:37:39,520 Speaker 1: hurt that there was so much about her she didn't know. 661 00:37:40,320 --> 00:37:42,479 Speaker 1: Sidney directly comments on this in the third one, telling 662 00:37:42,520 --> 00:37:44,759 Speaker 1: the killer he only kills because he wants to. Why 663 00:37:44,760 --> 00:37:48,480 Speaker 1: don't you take some big responsibility? And that part also 664 00:37:48,560 --> 00:37:52,080 Speaker 1: has one of my favorite curses in film history, damn 665 00:37:52,120 --> 00:37:58,160 Speaker 1: it so good. And here's where it gets really interesting, 666 00:37:58,200 --> 00:38:02,640 Speaker 1: slash real world upsetting. Scream three takes place in Hollywood 667 00:38:02,640 --> 00:38:04,879 Speaker 1: on the set of Stab three and brings to light 668 00:38:04,880 --> 00:38:07,399 Speaker 1: the trauma her mother went through there the producers saying 669 00:38:07,440 --> 00:38:09,319 Speaker 1: something along her lines like she was asking for it. 670 00:38:09,360 --> 00:38:11,880 Speaker 1: This is Hollywood, that's just what happens. That's how women 671 00:38:11,920 --> 00:38:15,360 Speaker 1: get parts that there were these parties where men in 672 00:38:15,400 --> 00:38:18,399 Speaker 1: power in the entertainment industry would get women drunk and high, 673 00:38:18,440 --> 00:38:20,759 Speaker 1: and then the women would be taking advantage of the 674 00:38:20,800 --> 00:38:23,680 Speaker 1: actors playing. Sydney and Stabbed three later says she slept 675 00:38:23,680 --> 00:38:27,080 Speaker 1: with the producer to get this part. These movies were 676 00:38:27,640 --> 00:38:32,239 Speaker 1: executive produced in part by Harvey Weinstein, so it's very 677 00:38:32,280 --> 00:38:34,880 Speaker 1: hard not to think that this is a commentary on 678 00:38:35,000 --> 00:38:36,880 Speaker 1: what was going on not just with him, but at 679 00:38:37,080 --> 00:38:40,400 Speaker 1: with Hollywood at large. Rose McGowan, who started in the 680 00:38:40,400 --> 00:38:42,920 Speaker 1: first Scream, later described mind scene raping her a year 681 00:38:42,920 --> 00:38:45,680 Speaker 1: after the movie came out. Many articles have been written 682 00:38:45,680 --> 00:38:49,120 Speaker 1: about this. Um Adam White wrote in the film was 683 00:38:49,200 --> 00:38:52,759 Speaker 1: quote an angry indictment of sexual misconduct in Hollywood, Predatory 684 00:38:52,800 --> 00:38:56,080 Speaker 1: men and the casting couch. The editor said that Wes 685 00:38:56,160 --> 00:39:00,000 Speaker 1: Craven's intentions around this Weinstein asked producer and screams through 686 00:39:00,520 --> 00:39:03,040 Speaker 1: were quote. West. I think was very interested in that 687 00:39:03,120 --> 00:39:05,919 Speaker 1: character as not necessarily the villain. He certainly is a villain, 688 00:39:06,040 --> 00:39:08,879 Speaker 1: but as a catalyst for the villain's motivation, he's really 689 00:39:08,920 --> 00:39:11,400 Speaker 1: the spark for the events. Or retcond that he is 690 00:39:11,440 --> 00:39:15,600 Speaker 1: the spark for the events in the entire series. Sydney's 691 00:39:15,640 --> 00:39:18,720 Speaker 1: half brother, the killer and child of their mother, Maureen. 692 00:39:18,800 --> 00:39:23,040 Speaker 1: The producer says that what they did to their mom 693 00:39:23,280 --> 00:39:25,680 Speaker 1: made her a slut that's his words again, not mine, 694 00:39:25,840 --> 00:39:30,839 Speaker 1: and ruined their lives. Also, Carrie Fisher has a cameo 695 00:39:31,200 --> 00:39:34,120 Speaker 1: as a carry Fisher look alike, saying Carrie Fisher only 696 00:39:34,160 --> 00:39:36,160 Speaker 1: got the role of Princess Leiah because she slept with 697 00:39:36,200 --> 00:39:39,280 Speaker 1: George Lukiss And with a lot of movies I've watched lately, 698 00:39:39,320 --> 00:39:42,440 Speaker 1: it has been interesting this. This even comes up in 699 00:39:42,440 --> 00:39:45,600 Speaker 1: White Black Swan is kind of the woman must have 700 00:39:45,640 --> 00:39:48,239 Speaker 1: slept with them to get whatever they got. That is 701 00:39:48,280 --> 00:39:53,319 Speaker 1: the only way. So yeah, it is upsetting that this 702 00:39:53,400 --> 00:39:55,160 Speaker 1: is enough of a thing that they're like, yeah, I 703 00:39:55,160 --> 00:39:57,600 Speaker 1: we'll make a movie on it. And then, just to 704 00:39:57,640 --> 00:40:00,480 Speaker 1: wrap up this very long Sydney Prescott section, I did 705 00:40:00,480 --> 00:40:02,680 Speaker 1: watch the trailer. I was kind of putting it off 706 00:40:02,719 --> 00:40:06,360 Speaker 1: because I think I actually would be devastated. But Australian 707 00:40:06,360 --> 00:40:08,879 Speaker 1: for Screen five came out like the day we were 708 00:40:08,920 --> 00:40:11,200 Speaker 1: talking about doing this, but it had a lot of 709 00:40:11,239 --> 00:40:13,439 Speaker 1: things we're talking about where she says like I'm said, 710 00:40:13,440 --> 00:40:15,279 Speaker 1: Dey Prescott, of course I have a gun. I've been 711 00:40:15,320 --> 00:40:18,200 Speaker 1: through this a lot. Um there are certain rules for 712 00:40:18,239 --> 00:40:22,520 Speaker 1: surviving don't with the original. So we'll see, we'll see 713 00:40:22,560 --> 00:40:28,200 Speaker 1: what happens. Yeah, yeah, good Rundown. You've been waiting and 714 00:40:28,239 --> 00:40:30,480 Speaker 1: holding that in because I already had half the speech 715 00:40:30,520 --> 00:40:33,120 Speaker 1: when we watched screen three I did. I was like, 716 00:40:34,400 --> 00:40:37,959 Speaker 1: I have to tell you all these things. I am 717 00:40:37,960 --> 00:40:40,440 Speaker 1: that annoying. First we had to purposely get it that weekend, 718 00:40:40,520 --> 00:40:42,440 Speaker 1: like we have to watch this you've never seen and 719 00:40:42,520 --> 00:40:46,640 Speaker 1: I'm like no, oh my god. And then and then 720 00:40:46,680 --> 00:40:50,480 Speaker 1: she told me everything. Yes, I try to hold it back, 721 00:40:50,520 --> 00:41:09,200 Speaker 1: but sometimes I just can't. Um and of course, we 722 00:41:09,239 --> 00:41:11,799 Speaker 1: couldn't talk about screen queens, and we've already mentioned her 723 00:41:11,800 --> 00:41:14,080 Speaker 1: a few times, but we had to take a deeper 724 00:41:14,120 --> 00:41:18,240 Speaker 1: look at the icon herself, the true legend, Jamie Lee Curtis, 725 00:41:18,239 --> 00:41:21,000 Speaker 1: and she even won the Greatest of All Time Award 726 00:41:21,120 --> 00:41:25,120 Speaker 1: from the MTV for her patrol as again the true 727 00:41:25,360 --> 00:41:29,040 Speaker 1: screen queen. And though the term screen queen, like we 728 00:41:29,080 --> 00:41:32,040 Speaker 1: said before, may have originated from the term screen queen, 729 00:41:32,560 --> 00:41:35,000 Speaker 1: we can see that Curtis shaped a whole new brand 730 00:41:35,320 --> 00:41:38,520 Speaker 1: of queens of horror. As we mentioned earlier, the movie 731 00:41:38,600 --> 00:41:42,840 Speaker 1: she's most noted for, which is Halloween, brought on several firsts, 732 00:41:42,840 --> 00:41:46,080 Speaker 1: including the new damesl not so in distress um and 733 00:41:46,120 --> 00:41:49,040 Speaker 1: again also known as the final girl that kind of 734 00:41:49,080 --> 00:41:53,239 Speaker 1: started happening like, Oh, she survives. She is savvy, but 735 00:41:53,400 --> 00:41:56,760 Speaker 1: she does hold that trip of being virginal and sweet 736 00:41:57,200 --> 00:42:00,359 Speaker 1: and naive but not too naive because throughout she knows 737 00:42:00,360 --> 00:42:03,800 Speaker 1: something's happening really creepy like and yeah, and she is 738 00:42:03,840 --> 00:42:06,120 Speaker 1: back with a vengeance. Between her taking on the rolls 739 00:42:06,160 --> 00:42:09,400 Speaker 1: within the series like Scream Queens and a couple of 740 00:42:09,440 --> 00:42:12,879 Speaker 1: new movies to continue with the Tale of the Unkillable 741 00:42:13,040 --> 00:42:17,040 Speaker 1: Killer Michael Meyers says we mentioned earlier, but she also 742 00:42:17,320 --> 00:42:20,880 Speaker 1: was in other horror movies pretty much immediately after Halloween, 743 00:42:20,920 --> 00:42:25,360 Speaker 1: which included prom Queen, The Fog, and Terror Train. I 744 00:42:25,400 --> 00:42:29,080 Speaker 1: have never seen any of these, have you. I think 745 00:42:29,080 --> 00:42:31,279 Speaker 1: I've seen prom Queen and the Fog. I don't think 746 00:42:31,320 --> 00:42:34,879 Speaker 1: I've seen Terror Train. Now you have another one to watch, yes, 747 00:42:35,200 --> 00:42:39,800 Speaker 1: as her iconic performance as the sweet babysitter Laurie Schroeder 748 00:42:39,960 --> 00:42:43,800 Speaker 1: that brought on a whole new generation up screen queens. 749 00:42:43,920 --> 00:42:46,320 Speaker 1: And this whole also trouble with a babysitter because I 750 00:42:46,640 --> 00:42:51,800 Speaker 1: became a huge thing for a while. Concluding the phone 751 00:42:51,800 --> 00:42:55,040 Speaker 1: Call Inside Your House, that very trope set in a 752 00:42:55,080 --> 00:42:58,959 Speaker 1: fictional town in Illinois where we see the now cliche 753 00:42:59,000 --> 00:43:01,680 Speaker 1: but new at the time. I'm of a woman being 754 00:43:01,719 --> 00:43:05,279 Speaker 1: scared from an unknown character who not only comes to 755 00:43:05,320 --> 00:43:08,560 Speaker 1: stalk her, but to kill off all her friends before 756 00:43:08,560 --> 00:43:11,359 Speaker 1: he comes for her, only to come out alive, and 757 00:43:11,440 --> 00:43:14,320 Speaker 1: she returns for another round in Halloween two, which I 758 00:43:14,320 --> 00:43:16,719 Speaker 1: don't think I've ever seen that one either. Did you 759 00:43:16,760 --> 00:43:20,160 Speaker 1: see this one? I have seen. I think I've seen 760 00:43:20,160 --> 00:43:22,839 Speaker 1: all the Halloween's except the newest one. Does all her 761 00:43:22,840 --> 00:43:27,040 Speaker 1: friends died that one to most of them, Okay, I 762 00:43:27,040 --> 00:43:29,279 Speaker 1: would not be friends with her, I'm sorry. And then 763 00:43:29,320 --> 00:43:32,839 Speaker 1: again in Halloween h two. Oh, and now in the 764 00:43:32,880 --> 00:43:37,040 Speaker 1: newest movie in the lineup, Halloween Kills. I haven't watched 765 00:43:37,040 --> 00:43:39,080 Speaker 1: that one yet. Did you say you watched it? I 766 00:43:39,160 --> 00:43:43,360 Speaker 1: have not, So I have friends who've seen it, and 767 00:43:43,400 --> 00:43:46,160 Speaker 1: I've gotten their reviews because, as I said, I do 768 00:43:46,400 --> 00:43:50,799 Speaker 1: like slasher movies, but they're not what I normally seek out, 769 00:43:51,520 --> 00:43:56,600 Speaker 1: and I have gotten I mean, I don't know what 770 00:43:56,719 --> 00:43:58,279 Speaker 1: the right word for it is. Some people say you've 771 00:43:58,320 --> 00:43:59,880 Speaker 1: just gotten older, but like, since I'm like, I'll get 772 00:44:00,000 --> 00:44:01,920 Speaker 1: a like all this is said, they're just killing all 773 00:44:01,920 --> 00:44:05,120 Speaker 1: these people, and especially if it's like really grizzly and 774 00:44:05,160 --> 00:44:08,840 Speaker 1: the new newer Halloween one, not this newest one, I 775 00:44:08,880 --> 00:44:12,960 Speaker 1: got pretty uncomfortable, which I think is the point. But yeah, 776 00:44:13,000 --> 00:44:14,560 Speaker 1: I was uncomfortable, and so I was like kind of 777 00:44:14,560 --> 00:44:17,160 Speaker 1: waiting to see what people said and the reviews I 778 00:44:17,160 --> 00:44:20,040 Speaker 1: got where it's extremely dark, extremely a nihilistic, very very 779 00:44:20,080 --> 00:44:25,720 Speaker 1: gory um and that Lori spoilers ten seconds skip ahead, 780 00:44:26,400 --> 00:44:28,120 Speaker 1: spends most of it in coma, as she did in 781 00:44:28,200 --> 00:44:31,600 Speaker 1: Halloween to oh yeah, she does. She isn't it. But 782 00:44:31,680 --> 00:44:34,919 Speaker 1: she's com for most of it. Yeah, I did see 783 00:44:34,960 --> 00:44:38,319 Speaker 1: that she's not really present, and then I didn't know 784 00:44:38,360 --> 00:44:40,120 Speaker 1: what it was about because I don't know much about it. 785 00:44:40,480 --> 00:44:43,600 Speaker 1: I know one of the premiers though, she does dress 786 00:44:43,680 --> 00:44:46,920 Speaker 1: up as her mother from Psycho if you want to 787 00:44:46,920 --> 00:44:50,279 Speaker 1: go see those pictures as well, Janet Lee. Um. But yeah, 788 00:44:50,360 --> 00:44:55,280 Speaker 1: so she has been a part of this dynasty now loyalty. 789 00:44:55,440 --> 00:44:57,640 Speaker 1: I don't know if we're calling them between queens, and 790 00:44:57,719 --> 00:45:00,640 Speaker 1: she would be the first part some that would pop 791 00:45:00,680 --> 00:45:03,759 Speaker 1: in my head as we speak of her and her 792 00:45:03,960 --> 00:45:06,360 Speaker 1: iconic roles. But yeah, she's also she was one of 793 00:45:06,400 --> 00:45:09,359 Speaker 1: the few that was able to break out of that 794 00:45:09,640 --> 00:45:13,239 Speaker 1: as being really comedic in her performance. She was in 795 00:45:13,320 --> 00:45:16,839 Speaker 1: true lies, whole different conversation in itself. So she has 796 00:45:16,880 --> 00:45:20,560 Speaker 1: been she's been able to really bust through that. And 797 00:45:20,640 --> 00:45:23,279 Speaker 1: she again, as you said, she didn't love horror, she 798 00:45:23,320 --> 00:45:26,120 Speaker 1: doesn't like being scared, and having this as part of 799 00:45:26,160 --> 00:45:29,120 Speaker 1: her trope was like what But yeah, but it wasn't 800 00:45:29,280 --> 00:45:33,080 Speaker 1: just Jamie Lee Curtiss who shined as a scream queen, 801 00:45:33,120 --> 00:45:37,160 Speaker 1: but yeah, her mother Janet Lee. Now Genet Lee's role 802 00:45:37,680 --> 00:45:41,520 Speaker 1: was fairly minute, as in like it wasn't very long. Um. 803 00:45:41,680 --> 00:45:44,200 Speaker 1: She was in the movie Psycho for a short amount 804 00:45:44,239 --> 00:45:49,120 Speaker 1: of time. Like you see her, she is being very suspicious, 805 00:45:49,520 --> 00:45:53,040 Speaker 1: running away in her car. She goes to the hotel 806 00:45:53,440 --> 00:45:54,920 Speaker 1: and at this point in time we find out like 807 00:45:55,000 --> 00:45:57,680 Speaker 1: she's had an affair, she's taken some money. Not a 808 00:45:57,760 --> 00:46:00,200 Speaker 1: very likable character and will come back to that in 809 00:46:00,239 --> 00:46:02,480 Speaker 1: a minute. And at the same time we see the 810 00:46:02,480 --> 00:46:06,359 Speaker 1: peep hole right where the dude comes through, and then 811 00:46:06,440 --> 00:46:09,480 Speaker 1: we see the infamous shower scene, which has been replicated 812 00:46:09,840 --> 00:46:13,040 Speaker 1: uh and been parodied. I don't know how many times 813 00:46:13,680 --> 00:46:18,000 Speaker 1: that scene alone made her an icon all in itself. 814 00:46:18,440 --> 00:46:21,719 Speaker 1: But she wasn't the only damsel in distress, though not 815 00:46:21,840 --> 00:46:24,640 Speaker 1: quite a damsel. And we should probably explore this more 816 00:46:25,360 --> 00:46:28,560 Speaker 1: later in a different episode maybe as Hitchecock really like 817 00:46:28,880 --> 00:46:33,239 Speaker 1: making beautiful women somehow always be a partial villain, if 818 00:46:33,280 --> 00:46:36,439 Speaker 1: not completely villainous to the point that you weren't said 819 00:46:36,480 --> 00:46:39,560 Speaker 1: that they died, um, and they typically were very beautiful 820 00:46:39,719 --> 00:46:43,360 Speaker 1: blonde Hollywood women. That this is the type of women 821 00:46:43,560 --> 00:46:46,520 Speaker 1: Hitchcock had in his movies. Uh. And he was actually 822 00:46:46,600 --> 00:46:50,400 Speaker 1: known again for hiring and oftentimes tormenting these beautiful blonde 823 00:46:50,480 --> 00:46:53,400 Speaker 1: leading ladies to the point that he was quoted as saying, 824 00:46:53,800 --> 00:46:57,880 Speaker 1: I always believe in following the advice of playwright Victorian Sordu, 825 00:46:58,360 --> 00:47:01,520 Speaker 1: torture the women. So he actually said that out loud 826 00:47:01,600 --> 00:47:04,680 Speaker 1: as if it was funny, and he didn't just torment 827 00:47:04,719 --> 00:47:07,080 Speaker 1: in the actual movie. There are a lot of times 828 00:47:07,120 --> 00:47:09,839 Speaker 1: that these women are punished by going through some type 829 00:47:09,880 --> 00:47:12,399 Speaker 1: of tragic death in the movies. And he would also 830 00:47:12,520 --> 00:47:16,440 Speaker 1: go after the ladies off camera. There are allegations of 831 00:47:16,480 --> 00:47:21,640 Speaker 1: sexual misconduct, verbal abuse, stalking, and outright harassment. He even 832 00:47:21,640 --> 00:47:25,320 Speaker 1: went as far as the to demand control over these 833 00:47:25,400 --> 00:47:29,240 Speaker 1: ladies clothing and fashion um even when they were not filming. 834 00:47:29,520 --> 00:47:31,920 Speaker 1: So he actually had their stories of the fact that 835 00:47:31,960 --> 00:47:35,160 Speaker 1: he sent people to follow Grace Kelly when she was 836 00:47:35,239 --> 00:47:38,200 Speaker 1: a part of the Rear Window project. And then of 837 00:47:38,239 --> 00:47:40,719 Speaker 1: course there are those who would say this was for 838 00:47:40,760 --> 00:47:43,360 Speaker 1: the sake of the movies that he was directing, But 839 00:47:43,600 --> 00:47:48,360 Speaker 1: there's always the underlying misogyny and overall self hate apparently 840 00:47:48,400 --> 00:47:51,960 Speaker 1: perhaps similar to those who identify as in cells that 841 00:47:52,040 --> 00:47:55,240 Speaker 1: he was able to tap into uh to push himself 842 00:47:55,239 --> 00:47:58,279 Speaker 1: to be to use these types of tactics. I will 843 00:47:58,320 --> 00:48:01,600 Speaker 1: say that's been reported a lot that he really felt 844 00:48:01,640 --> 00:48:04,319 Speaker 1: like he was really ugly and told people how unattractive 845 00:48:04,360 --> 00:48:07,640 Speaker 1: he was, but he also tortured blonde women as the 846 00:48:07,640 --> 00:48:11,160 Speaker 1: women he could not have. There are also conversations that 847 00:48:11,239 --> 00:48:15,480 Speaker 1: he was fairly um, he wasn't sexual like he rarely 848 00:48:15,640 --> 00:48:18,480 Speaker 1: like engaged in sexual activities from what people are saying, 849 00:48:18,719 --> 00:48:21,240 Speaker 1: to the point that there are some allegations that maybe 850 00:48:21,280 --> 00:48:23,799 Speaker 1: he was homosexual, maybe he was gay um but just 851 00:48:23,840 --> 00:48:28,279 Speaker 1: never came out. But there were stories that he actually 852 00:48:28,400 --> 00:48:32,280 Speaker 1: tried to sexually who worse his actresses and in any case, 853 00:48:32,440 --> 00:48:35,040 Speaker 1: again he pushed the leading ladies into the genre of 854 00:48:35,080 --> 00:48:38,719 Speaker 1: screen queens that we do see today, from Janet Lee 855 00:48:38,960 --> 00:48:42,600 Speaker 1: in Psycho to Tippy Hedron in The Birds, which scared 856 00:48:43,160 --> 00:48:46,440 Speaker 1: out of me as a kid because I know people 857 00:48:46,480 --> 00:48:50,080 Speaker 1: already know they used real life birds, did not care 858 00:48:50,160 --> 00:48:53,120 Speaker 1: that it was attacking this woman, and according to a 859 00:48:53,160 --> 00:48:56,160 Speaker 1: few reports, she was the one that was probably most harassed. 860 00:48:56,360 --> 00:48:58,600 Speaker 1: She was also in two of his movies, so she 861 00:48:58,680 --> 00:49:02,560 Speaker 1: had written in her memoir about the awful things that 862 00:49:02,640 --> 00:49:07,439 Speaker 1: Hitchcock did to her, and perhaps uh it did help 863 00:49:07,440 --> 00:49:10,600 Speaker 1: bring a whole new level of scream queens where it 864 00:49:10,719 --> 00:49:15,000 Speaker 1: wasn't that these ladies were awful ladies dying in horrible ways. 865 00:49:15,040 --> 00:49:17,640 Speaker 1: But there's a little bit of justice now at the end. 866 00:49:18,000 --> 00:49:20,879 Speaker 1: But it never really ends, does it, does it? Though? 867 00:49:21,000 --> 00:49:24,799 Speaker 1: Never as long as we keep seeing these movies and no, 868 00:49:26,000 --> 00:49:29,080 Speaker 1: But also yeah, there has been a Psycho reboot, remake, 869 00:49:30,200 --> 00:49:34,920 Speaker 1: reboot on a lot of the Psycho Weir Window the 870 00:49:35,040 --> 00:49:38,680 Speaker 1: Birds yet. So I find a couple of things interesting 871 00:49:38,719 --> 00:49:42,040 Speaker 1: about this one. Because I saw Psycho probably when I 872 00:49:42,040 --> 00:49:45,400 Speaker 1: was in high school, much later in my horror movie 873 00:49:45,640 --> 00:49:49,759 Speaker 1: it might have even in college. And when I saw it, 874 00:49:50,719 --> 00:49:52,520 Speaker 1: because I had seen all these other horror movies first, 875 00:49:52,560 --> 00:49:54,239 Speaker 1: and I just grew up in a different time, there 876 00:49:54,280 --> 00:49:56,120 Speaker 1: was no part of me that was like, oh, she's 877 00:49:56,160 --> 00:50:00,239 Speaker 1: a bad person, deserves to die. I was shocked she die. 878 00:50:00,320 --> 00:50:03,480 Speaker 1: I knew, I've seen the shower scene, but I was shocked. 879 00:50:03,520 --> 00:50:07,719 Speaker 1: It was so freaking early beginning, Yeah, because they're kind 880 00:50:07,719 --> 00:50:10,040 Speaker 1: of her painting it as like, oh, she's gonna be 881 00:50:10,120 --> 00:50:12,440 Speaker 1: like the main character and maybe be tormented throughout, and 882 00:50:12,480 --> 00:50:15,160 Speaker 1: then like her sister shows up, and I was like, right, oh, 883 00:50:15,200 --> 00:50:17,239 Speaker 1: because there has to be Like even then, I was like, 884 00:50:17,280 --> 00:50:20,280 Speaker 1: they almost always has to be this woman, this pretty 885 00:50:20,280 --> 00:50:24,520 Speaker 1: woman for the villain to torment. But I just think 886 00:50:24,520 --> 00:50:27,759 Speaker 1: that was an interesting experience because I was just seeing it, 887 00:50:27,920 --> 00:50:35,400 Speaker 1: not from those eyes, right right. And I am uh 888 00:50:35,680 --> 00:50:38,719 Speaker 1: a huge fan of old movies, like I love musicals, 889 00:50:38,880 --> 00:50:43,840 Speaker 1: I love the old things. But when you start realizing, um, 890 00:50:43,960 --> 00:50:46,400 Speaker 1: some of the awful tactics behind it and some of 891 00:50:46,440 --> 00:50:50,880 Speaker 1: the actualities of these movies, including most of Hitchcock films, 892 00:50:51,080 --> 00:50:54,480 Speaker 1: you're like, what the hell? And it does change what 893 00:50:54,560 --> 00:50:57,959 Speaker 1: you saw versus what you thought you saw, because yeah, 894 00:50:58,040 --> 00:51:00,680 Speaker 1: you never if you don't pay attention, and you really 895 00:51:00,719 --> 00:51:03,640 Speaker 1: don't know why she ran away. For the longest time, 896 00:51:03,640 --> 00:51:05,040 Speaker 1: I was trying to figure out why she ran away, 897 00:51:05,200 --> 00:51:06,759 Speaker 1: Like I don't don't get it. I don't get it. 898 00:51:06,760 --> 00:51:09,680 Speaker 1: She's meeting somebody, I don't get it. And then you realize, oh, 899 00:51:09,719 --> 00:51:14,160 Speaker 1: she embezzled money. Yeah, she's a she's a hearlot, as 900 00:51:14,160 --> 00:51:16,400 Speaker 1: they would say, because she had an affair with a 901 00:51:16,520 --> 00:51:20,160 Speaker 1: very flirty boss um. But yeah, there's also because he 902 00:51:20,239 --> 00:51:22,719 Speaker 1: does this to all of them. There's something that's like 903 00:51:22,760 --> 00:51:25,560 Speaker 1: a little off about the women that they're not purely innocent. 904 00:51:26,400 --> 00:51:29,200 Speaker 1: Does the same thing with strangers on a train, like 905 00:51:29,280 --> 00:51:32,600 Speaker 1: to the point that there was almost like a sigh 906 00:51:32,640 --> 00:51:36,200 Speaker 1: of relief with some of the audience watched her being 907 00:51:36,239 --> 00:51:39,759 Speaker 1: strangled to death, and you're like why, But because he 908 00:51:39,960 --> 00:51:42,759 Speaker 1: made it that way. He wanted that trope to be 909 00:51:43,440 --> 00:51:47,000 Speaker 1: that way. And I found that very fascinating to like, 910 00:51:47,600 --> 00:51:49,720 Speaker 1: oh man, you are really twisted and you had a 911 00:51:49,760 --> 00:51:54,799 Speaker 1: lot of issues. Bro. Yeah. I mean there's a lot 912 00:51:54,840 --> 00:51:56,799 Speaker 1: to be said that. I feel like one of the 913 00:51:56,840 --> 00:51:59,840 Speaker 1: more recent examples when I was watching the new Drastic 914 00:52:00,000 --> 00:52:02,360 Speaker 1: Old and there's that like babysitting character. I might have 915 00:52:02,360 --> 00:52:04,360 Speaker 1: told this word before, but I mean she was supposed 916 00:52:04,400 --> 00:52:07,040 Speaker 1: to be so annoying, and I felt like, you know, 917 00:52:07,440 --> 00:52:09,600 Speaker 1: she was not that annoying. Like I would be annoyed 918 00:52:09,600 --> 00:52:11,080 Speaker 1: too if my boss was like heard her of these 919 00:52:11,080 --> 00:52:13,920 Speaker 1: two random kids and watched them. When she died, and 920 00:52:13,960 --> 00:52:16,240 Speaker 1: she dies like a long drawn out death, people were laughing, 921 00:52:16,280 --> 00:52:21,799 Speaker 1: and I was like, wow, Okay, but I kind of 922 00:52:21,800 --> 00:52:24,160 Speaker 1: get the vibe, like I get having like a villainous 923 00:52:24,239 --> 00:52:28,439 Speaker 1: character and being relieved when they're gone. But I feel 924 00:52:28,440 --> 00:52:30,920 Speaker 1: like with these women like often that they're not like 925 00:52:31,000 --> 00:52:36,960 Speaker 1: maybe they're not great, but it's not like that. How 926 00:52:37,120 --> 00:52:40,480 Speaker 1: do you think she deserved to be staffid? Peeping Tom 927 00:52:40,560 --> 00:52:43,799 Speaker 1: because he had mommy issues exactly. And that's kind of 928 00:52:43,800 --> 00:52:46,200 Speaker 1: the thing, Like it's almost like this early version of 929 00:52:46,239 --> 00:52:48,960 Speaker 1: the Scream Queen before there was the final girl was 930 00:52:49,040 --> 00:52:53,359 Speaker 1: like the horror trope, like she was the one that 931 00:52:53,440 --> 00:52:55,239 Speaker 1: was she was pretty and she was having sex, so 932 00:52:55,360 --> 00:52:57,839 Speaker 1: she has to go, but there wasn't like I guess 933 00:52:57,880 --> 00:53:01,280 Speaker 1: her sister was more innocent when she showed up. Another 934 00:53:01,320 --> 00:53:03,560 Speaker 1: thing I find interesting about this example when you type 935 00:53:03,560 --> 00:53:06,960 Speaker 1: in like scream queens. I for me, a lot of 936 00:53:07,000 --> 00:53:09,279 Speaker 1: the examples that come up on like Top twenty screen 937 00:53:09,360 --> 00:53:12,000 Speaker 1: queen list, it was like one actor, one role, which 938 00:53:12,040 --> 00:53:14,080 Speaker 1: this one is I kind of people know that scene. 939 00:53:14,360 --> 00:53:16,719 Speaker 1: It had a huge impact. Like Nancy, like we talked 940 00:53:16,760 --> 00:53:19,239 Speaker 1: about from Nightmare on Elm Street, she was in you know, 941 00:53:19,239 --> 00:53:22,200 Speaker 1: a couple but not that many. But for me, like 942 00:53:22,200 --> 00:53:26,080 Speaker 1: a screen queen is like Jamie Lee Curtis or something. 943 00:53:26,120 --> 00:53:29,400 Speaker 1: But it is interesting how many actually that they represent 944 00:53:29,520 --> 00:53:31,879 Speaker 1: the movie? Right, if you think of that movie, that's 945 00:53:31,920 --> 00:53:35,200 Speaker 1: the person you see in your head. Yes, And this 946 00:53:35,239 --> 00:53:37,560 Speaker 1: isn't to like say that if you're if you're not 947 00:53:37,680 --> 00:53:41,400 Speaker 1: jb Lee Curtis, then't get out screen queen of mine. 948 00:53:41,880 --> 00:53:43,560 Speaker 1: It was just interesting how many of them were not 949 00:53:43,640 --> 00:53:45,719 Speaker 1: kind of what I thought, which was somebody who does 950 00:53:45,760 --> 00:53:48,439 Speaker 1: a bunch of horror, just like remember this one role 951 00:53:48,480 --> 00:53:51,439 Speaker 1: and they did it so well, and which also makes sense, 952 00:53:51,480 --> 00:53:54,200 Speaker 1: but it shows the kind of the varied landscape of 953 00:53:54,200 --> 00:53:57,360 Speaker 1: people's understandings of what a screen queen is. Right in 954 00:53:57,400 --> 00:54:01,839 Speaker 1: trilogies didn't happen until that's true away a little bit later. 955 00:54:02,000 --> 00:54:04,320 Speaker 1: So that's kind of that you don't have the reoccurring 956 00:54:04,400 --> 00:54:08,520 Speaker 1: things that's more recent. That is that is true. And 957 00:54:08,560 --> 00:54:11,359 Speaker 1: plenty of of the women I'm thinking of on these lists, 958 00:54:11,400 --> 00:54:13,680 Speaker 1: like even Sarah Michelle Geller, it's not like she's done 959 00:54:13,719 --> 00:54:15,920 Speaker 1: a bunch. I don't know that I would count Buffy 960 00:54:15,960 --> 00:54:18,600 Speaker 1: the vand personally I get that it is she doesn't 961 00:54:18,600 --> 00:54:22,879 Speaker 1: have that one role where she plays the European mid 962 00:54:22,920 --> 00:54:28,120 Speaker 1: century princess. So they do the Halloween costumes and they 963 00:54:28,120 --> 00:54:32,440 Speaker 1: transform into whatever costume they're wearing from that shop. Oh 964 00:54:33,120 --> 00:54:38,239 Speaker 1: does Xander's army military dude? And I don't know this, 965 00:54:38,640 --> 00:54:41,880 Speaker 1: what's her name? She turned into a ghost? This is 966 00:54:41,880 --> 00:54:46,040 Speaker 1: what we get introduced to Seth Green. Uh do you 967 00:54:46,080 --> 00:54:49,719 Speaker 1: not remember any of that? Really? It was a big 968 00:54:49,760 --> 00:54:52,280 Speaker 1: one where like because she turns into this like Danzel 969 00:54:52,320 --> 00:54:55,480 Speaker 1: in distress and hides behind Xanders. Xander's like the big 970 00:54:55,480 --> 00:54:59,040 Speaker 1: bad guy and Angels shows up. Was like, what is happening? 971 00:54:59,680 --> 00:55:03,239 Speaker 1: What is oh? I thought you were talking about a 972 00:55:03,320 --> 00:55:08,400 Speaker 1: different movie. Okay, okay, I got it. So I just 973 00:55:08,440 --> 00:55:12,120 Speaker 1: remember that horror face she had. She did it so well, 974 00:55:12,520 --> 00:55:18,239 Speaker 1: there's definitely irritating. Well, she was being a damnsel in distressed. Yeah, 975 00:55:18,320 --> 00:55:22,160 Speaker 1: she's there are some episodes of Buffy where she's definitely terrified. 976 00:55:22,200 --> 00:55:24,000 Speaker 1: For sure. It's just I guess in my mind it 977 00:55:24,000 --> 00:55:27,440 Speaker 1: doesn't really fit if you look at the whole the 978 00:55:27,520 --> 00:55:30,800 Speaker 1: depth of it, right, that was not that often. But anyway, anyway, 979 00:55:30,840 --> 00:55:34,080 Speaker 1: all that to say, there's there are a lot of 980 00:55:34,200 --> 00:55:35,960 Speaker 1: places we could have got, people we could have picked out. 981 00:55:36,000 --> 00:55:37,600 Speaker 1: I like who we did. I feel like we touched 982 00:55:37,600 --> 00:55:39,480 Speaker 1: on some big ones. I didn't want to have an 983 00:55:39,520 --> 00:55:44,120 Speaker 1: honorable mention Sigourney Weaver from Alien, Ghostbusters, The Village Cabin 984 00:55:44,160 --> 00:55:46,880 Speaker 1: in the Woods, um which he has directly comments on 985 00:55:46,920 --> 00:55:49,400 Speaker 1: the Final Girl Shope and she's sort of the god 986 00:55:49,480 --> 00:55:51,680 Speaker 1: do a Makina in that movie. And you can see 987 00:55:51,680 --> 00:55:54,720 Speaker 1: our feminist movie Friday on Alien and the movie Crush 988 00:55:54,840 --> 00:55:58,960 Speaker 1: episode that I did on Alien. But yeah, we've been 989 00:55:58,960 --> 00:56:00,680 Speaker 1: going on for a minute now. I guess we should 990 00:56:00,719 --> 00:56:04,480 Speaker 1: wrapp this one up. Thanks again to Jessica for this suggestion. 991 00:56:04,520 --> 00:56:06,880 Speaker 1: It was a fun one. Um. If you would like 992 00:56:06,920 --> 00:56:09,319 Speaker 1: to suggest anything for us to talk about listeners that 993 00:56:09,400 --> 00:56:11,080 Speaker 1: you can, we would love to hear from you. You 994 00:56:11,080 --> 00:56:12,759 Speaker 1: can email as a stuff Media mom stuff at i 995 00:56:12,800 --> 00:56:14,560 Speaker 1: heeart media dot com. You can find us on Twitter 996 00:56:14,600 --> 00:56:16,759 Speaker 1: at moms podcast or on Instagram. And Stuff I've Never 997 00:56:16,800 --> 00:56:19,160 Speaker 1: Told to You thinks It's always to our super producer Christina. 998 00:56:19,360 --> 00:56:21,960 Speaker 1: Thank you and thanks to you for listening Stuff I 999 00:56:22,040 --> 00:56:23,640 Speaker 1: Never Told. The production of I Heart Radio from more 1000 00:56:23,640 --> 00:56:25,719 Speaker 1: podcast on my Heart Radio is the heart radio app 1001 00:56:25,719 --> 00:56:27,800 Speaker 1: Apple podcast, wherever you listen to your favorite shows