WEBVTT - Is There a Real Legend About Nosferatu?

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<v Speaker 1>Welcome to brain Stuff, a production of I Heart Radio,

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<v Speaker 1>Hey brain Stuff Lauren vog obam Here. Death was not

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<v Speaker 1>the end for poor Lucy was Stern Wrath, a character

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<v Speaker 1>in Bram Stoker's novel Dracula. She fell victim to the

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<v Speaker 1>book's aristocratic villain while stealing her blood. Night after night,

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<v Speaker 1>Count Dracula of Transylvania slowly drained the life out of Lucy,

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<v Speaker 1>but that was only the beginning for the young woman's

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<v Speaker 1>killer also transformed her into an undead vampire like himself.

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<v Speaker 1>A brief reign of terror ensued at the graveyard. Then

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<v Speaker 1>Lucy's living fiancee, Arthur, and his companions, including the vampire

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<v Speaker 1>savvy dr Abraham van Helsing, found her awake near her tomb.

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<v Speaker 1>She was finally destroyed for good after trying to lure

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<v Speaker 1>Arthur into a lover's embrace. Had Arthur accepted her kiss,

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<v Speaker 1>Dr Van Helsing explained in his broken English, the morning

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<v Speaker 1>suitor would have quote become no farratu as they call

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<v Speaker 1>it in Eastern Europe. The nosferatu do not die like

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<v Speaker 1>the bee when he stinged once. He's only stronger, and

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<v Speaker 1>being stronger have yet more power to work evil. In

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<v Speaker 1>the novel Dracula, Stoker treats nosferatu as a synonym for vampire.

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<v Speaker 1>Countless horror writers took his lead, using the two terms

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<v Speaker 1>interchangeably over the next hundred plus years, including Treehouse of

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<v Speaker 1>Terror four episode of The Simpsons. Like Van Helsing, Stoker

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<v Speaker 1>seems to have believed that nosferatu was an authentic word

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<v Speaker 1>of Eastern European origin, but the evidence tells another story.

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<v Speaker 1>No s farratu is probably a mistranslation of a Romanian

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<v Speaker 1>or Greek term that scholars have yet pinned down. Whatever

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<v Speaker 1>its origins were, horror media gave nos ferratu a new meaning,

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<v Speaker 1>and it became fodder for some of the scariest vampire

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<v Speaker 1>stories ever to rise from the shadows. Nineteenth century travel

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<v Speaker 1>writer Emily Girard was talking vampires well before d Kilo

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<v Speaker 1>went to print. Born in Scotland in eighteen forty nine,

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<v Speaker 1>she emerged as a novelist and literary critic, but history

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<v Speaker 1>mostly remembers her nonfiction works on European folklore. Gerard's eighteen

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<v Speaker 1>eighty five essay Transylvanian Superstitions contains the following passage. More

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<v Speaker 1>decidedly evil, however, is the vampire or no sfaratu, in

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<v Speaker 1>whom every Romanian peasant believes as firmly as he does

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<v Speaker 1>in heaven or hell. The problem is no Sfaratu wasn't

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<v Speaker 1>a real word, not in Romanian and not in any

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<v Speaker 1>known Eastern European language or dialect. Gerard might have bungled

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<v Speaker 1>the Romanian word nasu ferrite, which means unbearable. It's also

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<v Speaker 1>possible that she misinterpreted and misspelled neckara tool, a Romanian

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<v Speaker 1>term for devil, Or maybe Girard was thinking of the

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<v Speaker 1>Greek word nasophos, defined as a plague carrier. A nineteenth

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<v Speaker 1>century travel piece Torturing Spirits in Romanian popular belief makes

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<v Speaker 1>a similar mistake. The text mentions the nosferat, whom the

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<v Speaker 1>author calls the most dangerous torturing spirit of Romanian folklore,

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<v Speaker 1>but there's no proof that he was ever exposed to

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<v Speaker 1>this concept out in the field. The author may have

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<v Speaker 1>borrowed the word nos farat from Gerard's writings. Bram Stoker

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<v Speaker 1>seemingly did. Most horror historians credit Gerard's essay and her

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<v Speaker 1>eight book The Land Beyond the Forest, Facts, Figures and

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<v Speaker 1>Fancies from Transylvania with introducing Stoker to the term nos

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<v Speaker 1>farrat to, but the word only makes two appearances in

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<v Speaker 1>the Dracula novel, and it didn't really go mainstream until

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<v Speaker 1>one of Germany's strangest motion picture companies came along, Prana Film.

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<v Speaker 1>This young German based studio was drawn to all things

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<v Speaker 1>occult and supernatural. Early in the nineteen twenties, Prana resolved

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<v Speaker 1>to put Dracula on the silver screen. What followed was

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<v Speaker 1>a true classic of the horror genre and a legal disaster.

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<v Speaker 1>Always spoke by email with Jonathan Bailey, a horror fan

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<v Speaker 1>who has written about this surprisingly long history of copyright

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<v Speaker 1>issues in monster cinema on his website Plagiarism Today. He

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<v Speaker 1>said Prana Film wanted to do an expressionistic retelling of

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<v Speaker 1>the story of Dracula. That was very much the intent

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<v Speaker 1>from day one. However, the estate of Bram Stoker meaning

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<v Speaker 1>his widow Florence Stoker, didn't want to sell them the rights.

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<v Speaker 1>Rather than abandoned the idea, they changed the name and

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<v Speaker 1>a few other elements to make it an original work.

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<v Speaker 1>Calling most of the revisions that Prana Film made superficial

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<v Speaker 1>would be generous. The vampire in Prana's script is still

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<v Speaker 1>an aristocrat with a spooky castle who travels across the

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<v Speaker 1>sea and raises hell in a new city. But here

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<v Speaker 1>he goes by Count Orlock rather than Count Dracula. To

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<v Speaker 1>cover its tracks further, Prana Film discarded the book's title.

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<v Speaker 1>They've chosen replacement No s Ferrat, a symphony of horror

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<v Speaker 1>known frequently today. Just as Nos Ferrato Germany had already

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<v Speaker 1>signed into an international agreement protecting the copyright of literary

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<v Speaker 1>and artistic works. By keeping bram Stoker's basic plot more

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<v Speaker 1>or less intact, the team at Prana was running a

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<v Speaker 1>foul of the law, whether they realized it or not.

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<v Speaker 1>Bailey explained the film was a very new medium at

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<v Speaker 1>the time, especially commercially. Whenever a new technology comes along

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<v Speaker 1>for creativity, copyright is usually one of the last things

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<v Speaker 1>to get serious thought. Even if filmmakers understood the basics

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<v Speaker 1>of copyright law, they likely didn't grasp the nuances of it.

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<v Speaker 1>After all, their filmmakers not lawyers. This is something that

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<v Speaker 1>remains very true today. On March four, of n two

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<v Speaker 1>Prana films, nos Feratu, premiered at the Berlin's Logical Gardens

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<v Speaker 1>of All Places, starring Max Trak as the seriously creepy

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<v Speaker 1>count orlock was acclaimed by audiences and most critics. Most critics,

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<v Speaker 1>that is, except for Florence Stoker, working on her behalf.

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<v Speaker 1>A German lawyer hired by the British Incorporated Iet of

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<v Speaker 1>Authors sought compensation from Prana that they had plagiarized Dracula

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<v Speaker 1>was not in doubt. However, the studio had blown a

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<v Speaker 1>large sum of money promoting nos Faratu and went bankrupt

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<v Speaker 1>before the attorney came knocking. So, in accordance with Stoker's wishes,

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<v Speaker 1>a German court ordered that every copy of the movie

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<v Speaker 1>be destroyed. Try as she might, and she did try,

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<v Speaker 1>Florence Stoker could not slay nos Feratu. An American print

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<v Speaker 1>survived the destruction campaign. Prana Film's masterpiece now resides in

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<v Speaker 1>the public domain. It's gotten countless DVD releases and is

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<v Speaker 1>free to watch on platforms like YouTube. But nos Ferato

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<v Speaker 1>may have actually helped the franchise that it ripped off.

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<v Speaker 1>In Stoker's widow authorized a new stage play adaptation of Dracula.

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<v Speaker 1>The leading man in the Broadway production was a young

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<v Speaker 1>Hungarian named Bella Legosi. He had reprised the role for

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<v Speaker 1>Universal Pictures classic and legal Dracula movie, though Count Dracula

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<v Speaker 1>defined Bella Legosi's career would only play the character once

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<v Speaker 1>more on film, in the Night horror comedy Abbott and

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<v Speaker 1>Costello Meet Frankenstein. As for that haunting Prana flick, it

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<v Speaker 1>got a high profile remake in the form of Werner

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<v Speaker 1>Hertzog's No Sparatto The Vampire from nineteen seventy nine. Then

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<v Speaker 1>came the novel nos ferratt To spelled n O s

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<v Speaker 1>or a two by Joe Hill, which is the pen

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<v Speaker 1>name of Stephen King's son Joseph. A serialized TV adaptation

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<v Speaker 1>ran on AMC for two seasons in twenty nine, and

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<v Speaker 1>so there you have it. No Sparato is a word

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<v Speaker 1>of unknown origin that appeared in a groundbreaking horror novel,

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<v Speaker 1>got implicated in some legal drama, changed movie history and

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<v Speaker 1>inspired a pun from a member of the King family.

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<v Speaker 1>Emily Gerard had no idea what she had started. Today's

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<v Speaker 1>episode was written by Mark Mancini and uced by Tyler Clang.

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<v Speaker 1>For more than this and lots of other topics, visit

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<v Speaker 1>has toufworks dot com. Brain Stuff is production of I

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