1 00:00:04,200 --> 00:00:11,920 Speaker 1: Get in touch with technology with tex Stuff from dot Com. Hey, Aron, 2 00:00:12,039 --> 00:00:16,200 Speaker 1: welcome to tech Stuff. I'm Jonathan Strickland, your beloved host, 3 00:00:16,560 --> 00:00:20,160 Speaker 1: and today I've got a super special guest host live 4 00:00:20,320 --> 00:00:23,600 Speaker 1: from c NET. It's I as Actar Hi, I as Hi. 5 00:00:23,720 --> 00:00:26,560 Speaker 1: Jonathan is good to be here, is great to have 6 00:00:26,680 --> 00:00:29,320 Speaker 1: you on. Now. I AS and I go way back. 7 00:00:29,400 --> 00:00:33,240 Speaker 1: We met when you were working with Randall Bennett, and 8 00:00:33,360 --> 00:00:36,199 Speaker 1: uh we became friends. So, just in the interest of 9 00:00:36,240 --> 00:00:39,760 Speaker 1: full disclosure, I AS and I are friends. I know 10 00:00:39,880 --> 00:00:43,360 Speaker 1: it's shocking, So any sarcastic barbs, I take it, Jonathan, 11 00:00:43,440 --> 00:00:45,760 Speaker 1: or he throws back at me. We do that out 12 00:00:45,800 --> 00:00:50,920 Speaker 1: of love, entire absolutely true, absolutely true. And today, Uh, 13 00:00:50,960 --> 00:00:53,159 Speaker 1: you know, I always asked my guests if they have 14 00:00:53,280 --> 00:00:55,920 Speaker 1: a preference for the topic they want to cover. I 15 00:00:56,000 --> 00:01:01,040 Speaker 1: has actually looked through the list of articles and suggestions 16 00:01:01,120 --> 00:01:04,880 Speaker 1: and things that I've been collecting for potential tech Stuff 17 00:01:04,920 --> 00:01:08,759 Speaker 1: episodes and picked one. There was a listener suggestion listener 18 00:01:08,840 --> 00:01:12,400 Speaker 1: named Jare shared a link to an article on Web 19 00:01:12,440 --> 00:01:15,760 Speaker 1: designer Depot and it was all about technology that had 20 00:01:15,800 --> 00:01:19,200 Speaker 1: gone obsolete, and Jared said, wouldn't it be great to 21 00:01:19,319 --> 00:01:24,640 Speaker 1: cover an obsolete technology podcast? So We're going to look 22 00:01:24,720 --> 00:01:29,679 Speaker 1: primarily at the technologies that appeared on that list, and 23 00:01:29,720 --> 00:01:32,000 Speaker 1: then we're gonna kind of talk about, you know, what 24 00:01:32,160 --> 00:01:34,440 Speaker 1: made them go obsolete. In a few cases, we might 25 00:01:34,480 --> 00:01:39,640 Speaker 1: even debate if it is in fact obsolete. I think 26 00:01:39,640 --> 00:01:41,080 Speaker 1: there's some that are on the list that might have 27 00:01:41,080 --> 00:01:44,240 Speaker 1: been a little premature to say it's obsolete. When I 28 00:01:44,240 --> 00:01:48,360 Speaker 1: think obsolete, I really think that it no one uses 29 00:01:48,400 --> 00:01:53,400 Speaker 1: it anymore. It's been completely replaced by newer technology, you know, 30 00:01:53,520 --> 00:01:56,600 Speaker 1: like the crossbow. Not a lot of people using those. 31 00:01:56,680 --> 00:01:58,920 Speaker 1: What's not obsolete that that still has a function, So 32 00:01:59,000 --> 00:02:01,040 Speaker 1: that they will argue at that planning, like, what is 33 00:02:01,080 --> 00:02:03,760 Speaker 1: the true definition of that is it's just no one 34 00:02:03,840 --> 00:02:05,880 Speaker 1: in the world ever uses again? Or is this just 35 00:02:05,920 --> 00:02:09,520 Speaker 1: basically something that's been or its function has been traded 36 00:02:09,520 --> 00:02:13,400 Speaker 1: in for another device. Well, I mean sure, a crossbost functional. 37 00:02:13,440 --> 00:02:16,280 Speaker 1: I'm not saying it's not working. I'm just saying that, 38 00:02:16,360 --> 00:02:19,120 Speaker 1: you know, they're okay, that you're right. We're gonna get 39 00:02:19,120 --> 00:02:23,280 Speaker 1: into this throughout the entire episode. So, uh, spoiler alert, 40 00:02:23,400 --> 00:02:26,000 Speaker 1: crossbow does not appear on the list, so we're not 41 00:02:26,040 --> 00:02:29,560 Speaker 1: going to be covering that. However, I wanted to begin 42 00:02:29,760 --> 00:02:32,880 Speaker 1: kind of where the list began, although I should also 43 00:02:32,960 --> 00:02:36,680 Speaker 1: add these are not necessarily in the same order as 44 00:02:36,720 --> 00:02:38,960 Speaker 1: they appeared on the article, because a lot of the 45 00:02:38,960 --> 00:02:43,080 Speaker 1: technologies in the article were similar tech or at least 46 00:02:43,080 --> 00:02:46,800 Speaker 1: we're technologies that fulfilled a similar role, and so I 47 00:02:46,919 --> 00:02:50,080 Speaker 1: kind of grouped together quite a few of them. But 48 00:02:50,680 --> 00:02:53,840 Speaker 1: in any case, the first one was super eight or 49 00:02:53,960 --> 00:02:59,160 Speaker 1: eight millimeter film cameras, which the article referred to as 50 00:02:59,280 --> 00:03:03,320 Speaker 1: video camera rus and I immediately got the giggles because 51 00:03:03,360 --> 00:03:07,359 Speaker 1: film and video are two different things. Now, I as, 52 00:03:07,360 --> 00:03:10,720 Speaker 1: have you ever actually used a film camera? Surprisingly, no, 53 00:03:10,919 --> 00:03:12,720 Speaker 1: The only cameras I ever used when I was growing 54 00:03:12,760 --> 00:03:16,320 Speaker 1: up were ones that used VHS tape, and that's it. 55 00:03:16,440 --> 00:03:19,560 Speaker 1: I never I never had the experience of the super eight. 56 00:03:20,360 --> 00:03:21,920 Speaker 1: I think a lot of people are familiar with it 57 00:03:21,960 --> 00:03:24,320 Speaker 1: with the Wonder Years. That's what it looked like, kids. 58 00:03:24,360 --> 00:03:26,880 Speaker 1: If you wanted what it looked like, this film actually 59 00:03:26,880 --> 00:03:32,000 Speaker 1: going through but no sound, usually I think, yeah, exactly, 60 00:03:32,080 --> 00:03:34,760 Speaker 1: it's a you know, you you had to record sounds 61 00:03:34,800 --> 00:03:38,080 Speaker 1: separately if you wanted to have sound with your films, 62 00:03:38,480 --> 00:03:40,800 Speaker 1: which meant that you would have to slate it. Slating 63 00:03:40,840 --> 00:03:43,720 Speaker 1: of course for those who aren't familiar with the the 64 00:03:43,760 --> 00:03:48,000 Speaker 1: film production world. Slating is where you have some sort 65 00:03:48,240 --> 00:03:52,920 Speaker 1: of visual and audio Q that tells the producer how 66 00:03:53,000 --> 00:03:55,080 Speaker 1: to line or the editor how to line up both 67 00:03:55,120 --> 00:03:57,600 Speaker 1: the audio track and the video track. So if you've 68 00:03:57,600 --> 00:04:02,000 Speaker 1: ever seen the little slapboards are often used to you know, 69 00:04:02,000 --> 00:04:03,960 Speaker 1: whenever you're seeing a behind the scenes shot of a 70 00:04:04,000 --> 00:04:06,560 Speaker 1: movie or it's just a television show where they've got 71 00:04:06,600 --> 00:04:09,320 Speaker 1: that in there, as you know, usually it's when they're 72 00:04:09,320 --> 00:04:12,240 Speaker 1: showing someone making a movie, that's what that's all about. 73 00:04:12,800 --> 00:04:15,960 Speaker 1: Uh So, yeah, usually these were just silent films. It 74 00:04:16,040 --> 00:04:20,799 Speaker 1: was interesting to me that eight millimeter film was actually 75 00:04:21,000 --> 00:04:25,799 Speaker 1: sixteen millimeters wide. Uh. It was just that you would 76 00:04:25,839 --> 00:04:29,480 Speaker 1: when you were shooting, it would record on one half 77 00:04:29,960 --> 00:04:33,039 Speaker 1: of the film lengthwise, and then you would turn the 78 00:04:33,080 --> 00:04:36,839 Speaker 1: cartridge upside down and reinstall it and then you could 79 00:04:36,880 --> 00:04:40,440 Speaker 1: shoot on the other half of the film lengthwise. So 80 00:04:40,520 --> 00:04:42,960 Speaker 1: that was what allowed you to double the amount of 81 00:04:43,000 --> 00:04:46,000 Speaker 1: film that you had per cartridge. Um that's one of 82 00:04:46,000 --> 00:04:49,200 Speaker 1: the things that is very different these days. Obviously, like 83 00:04:49,520 --> 00:04:52,719 Speaker 1: we used to talk about film in terms of footage 84 00:04:53,360 --> 00:04:56,840 Speaker 1: literally footage, how many feet of film did you shoot? 85 00:04:57,520 --> 00:05:00,640 Speaker 1: And that's while we still use the term ntage today, 86 00:05:00,680 --> 00:05:03,640 Speaker 1: and we still use the term film today. That's no 87 00:05:03,720 --> 00:05:06,320 Speaker 1: longer the case. Now we're talking about how many bytes 88 00:05:06,320 --> 00:05:10,120 Speaker 1: of data did it fill up? So I agree that 89 00:05:10,160 --> 00:05:12,880 Speaker 1: this is obsolete in the sense that I don't think 90 00:05:12,880 --> 00:05:16,920 Speaker 1: you're gonna find a lot of places offering super eight 91 00:05:17,760 --> 00:05:22,039 Speaker 1: uh film cameras or even super eight film. But you 92 00:05:22,080 --> 00:05:24,760 Speaker 1: can still find a few places. It's just really tricky, 93 00:05:24,880 --> 00:05:27,320 Speaker 1: and it's also tricky to find places that can process 94 00:05:27,360 --> 00:05:33,120 Speaker 1: that film because unlike video or digital film, you can't 95 00:05:33,240 --> 00:05:35,720 Speaker 1: just view it immediately. You actually have to process the 96 00:05:35,760 --> 00:05:38,440 Speaker 1: stuff you shoot in order for it to become viewable. 97 00:05:38,920 --> 00:05:42,440 Speaker 1: So I'm I'm okay with this one being called obsolete. 98 00:05:42,560 --> 00:05:45,719 Speaker 1: What's your opinion. It's definitely obsolete. Although I'm sure they're 99 00:05:45,720 --> 00:05:48,200 Speaker 1: parts of Brooklyn where this is like the coolest thing 100 00:05:48,240 --> 00:05:52,239 Speaker 1: that kids do or hitchers do. Um, There's there's no 101 00:05:52,400 --> 00:05:55,760 Speaker 1: way I would see anybody using these things these days. 102 00:05:56,360 --> 00:05:58,960 Speaker 1: And unless you're like some kind of crazy enthusiast. It's 103 00:05:58,960 --> 00:06:01,520 Speaker 1: like somebody who who set but like a flash with 104 00:06:01,560 --> 00:06:04,599 Speaker 1: that powder stuff that would go up flash that would 105 00:06:04,640 --> 00:06:08,400 Speaker 1: seem to be very unusual. So I would think absolutely, absolutely, Yeah, yeah, 106 00:06:08,520 --> 00:06:10,680 Speaker 1: unless you're a film student trying to make some sort 107 00:06:10,720 --> 00:06:14,159 Speaker 1: of statement, I don't see this happening. Uh, it is interesting. 108 00:06:14,200 --> 00:06:16,840 Speaker 1: Another little bit of trivia. The old super eight film 109 00:06:16,920 --> 00:06:20,520 Speaker 1: could hold thirties six hundred frames worth of film, which 110 00:06:20,960 --> 00:06:23,840 Speaker 1: amounts to just a few minutes, so two and a 111 00:06:23,880 --> 00:06:26,880 Speaker 1: half minutes of footage at twenty four frames per second. 112 00:06:26,920 --> 00:06:29,680 Speaker 1: If you change the frame rate, you could get more 113 00:06:29,839 --> 00:06:34,359 Speaker 1: or fewer minutes of footage. Helt. But just imagine, you know, 114 00:06:34,440 --> 00:06:36,560 Speaker 1: the fact that you are doing a take using a 115 00:06:36,600 --> 00:06:41,040 Speaker 1: super eight film camera, No take could be longer than 116 00:06:41,040 --> 00:06:44,400 Speaker 1: two and a half minutes. Obviously, that kind of pressure 117 00:06:44,760 --> 00:06:47,520 Speaker 1: makes movie making take a lot more time, and it's 118 00:06:47,560 --> 00:06:51,400 Speaker 1: a lot more stress I think. Um. Going along with 119 00:06:51,440 --> 00:06:57,200 Speaker 1: this one is home movie projectors. Again not a huge surprise, 120 00:06:58,520 --> 00:07:00,760 Speaker 1: because if you don't have the came rus to shoot 121 00:07:00,800 --> 00:07:03,560 Speaker 1: the film, then why do you need something to show 122 00:07:03,600 --> 00:07:09,040 Speaker 1: the film? Um? Yeah, I mean that's that's been gone forever. 123 00:07:09,160 --> 00:07:11,800 Speaker 1: I mean I've seen these back. Actually I have seen 124 00:07:11,840 --> 00:07:13,680 Speaker 1: this in school, back when they actually the real the 125 00:07:13,680 --> 00:07:16,320 Speaker 1: reels would come in the wheel, this a V unit 126 00:07:16,360 --> 00:07:19,560 Speaker 1: in and they'd have an old projector with this. But 127 00:07:19,640 --> 00:07:23,200 Speaker 1: usually there were science things not necessarily home movies. But 128 00:07:23,240 --> 00:07:26,200 Speaker 1: I'm just thinking back to the the how quick you'd 129 00:07:26,240 --> 00:07:28,600 Speaker 1: have to shoot things. I'd imagine the stress levels would 130 00:07:28,600 --> 00:07:31,000 Speaker 1: be very high for families. It's like, get the shot right, 131 00:07:31,160 --> 00:07:32,960 Speaker 1: getting right, because we've got two and a half minutes 132 00:07:32,960 --> 00:07:37,120 Speaker 1: and that's it. We're gonna have be happy here, that's it. Jimmy, 133 00:07:37,320 --> 00:07:39,920 Speaker 1: you gotta you gotta at least give a a a 134 00:07:39,960 --> 00:07:43,200 Speaker 1: false sense of happiness to everyone back home, and we 135 00:07:43,280 --> 00:07:46,400 Speaker 1: get one shot. That's it. It's not like the days 136 00:07:46,440 --> 00:07:50,000 Speaker 1: where we got to to retry everything right. If you know, 137 00:07:50,320 --> 00:07:51,920 Speaker 1: these days, if they take a picture with like a 138 00:07:51,960 --> 00:07:55,160 Speaker 1: smartphone and you don't like it, you just delete it 139 00:07:55,200 --> 00:07:57,000 Speaker 1: and do it again. That was not the case in 140 00:07:57,040 --> 00:08:00,960 Speaker 1: the old film days. Well yeah, these these projectors have 141 00:08:01,040 --> 00:08:07,960 Speaker 1: been largely replaced with DVRs, DVD players, Blu ray players, VCRs, 142 00:08:08,000 --> 00:08:12,520 Speaker 1: even in some homes, and then some people have digital projectors, 143 00:08:12,600 --> 00:08:16,160 Speaker 1: so kind of a spiritual successor to the old real 144 00:08:16,320 --> 00:08:20,000 Speaker 1: home projector, but it works on a very different technology. Now, 145 00:08:20,440 --> 00:08:23,280 Speaker 1: the next one I remember from my childhood. I didn't 146 00:08:23,280 --> 00:08:28,200 Speaker 1: own a Beta Max machine, but I remember the the 147 00:08:28,360 --> 00:08:31,680 Speaker 1: cassette wars between Beta Max and VHS and those are 148 00:08:31,680 --> 00:08:34,880 Speaker 1: the next two on the list. Now, this is the 149 00:08:34,960 --> 00:08:39,760 Speaker 1: early video market for the consumer. Video had been used 150 00:08:39,880 --> 00:08:44,720 Speaker 1: in professional capacity for quite some year, for quite a 151 00:08:44,720 --> 00:08:47,839 Speaker 1: few years, I should say, before it ever hit the 152 00:08:47,880 --> 00:08:51,360 Speaker 1: consumer market. And then you had the VHS versus Beta 153 00:08:51,440 --> 00:08:57,120 Speaker 1: Max battle. Um. The main differences between the two well one, uh, 154 00:08:57,400 --> 00:09:00,920 Speaker 1: Beta Max was made by Sony and v HS was 155 00:09:01,280 --> 00:09:03,880 Speaker 1: uh that came out from our c A I believe, 156 00:09:04,480 --> 00:09:08,760 Speaker 1: and uh, so you had a format war that way. 157 00:09:08,760 --> 00:09:11,840 Speaker 1: But Beta Max also could record in a slightly higher 158 00:09:11,880 --> 00:09:17,400 Speaker 1: resolution and was limited to at least for the longest time, 159 00:09:17,520 --> 00:09:22,560 Speaker 1: to one hour long cassettes for home recording, whereas VHS 160 00:09:22,679 --> 00:09:26,880 Speaker 1: didn't have that limitation. You could get longer recording VHS 161 00:09:26,960 --> 00:09:29,439 Speaker 1: tapes and that gave it an advantage. Also, Beta Max 162 00:09:29,520 --> 00:09:33,800 Speaker 1: tended to be more expensive than VHS, so this was 163 00:09:34,679 --> 00:09:38,200 Speaker 1: a battle that we'd see play out again with Blu 164 00:09:38,320 --> 00:09:41,839 Speaker 1: Ray versus h D DVD. That's sort of a fight 165 00:09:42,000 --> 00:09:45,640 Speaker 1: that broke out, um. And in many ways the two 166 00:09:45,679 --> 00:09:48,040 Speaker 1: format wars are very similar to each other. So if 167 00:09:48,080 --> 00:09:52,920 Speaker 1: you remember the old h D DVD war, then this 168 00:09:52,960 --> 00:09:59,360 Speaker 1: story is really pretty close. Uh. The big difference being 169 00:09:59,360 --> 00:10:01,600 Speaker 1: that I didn't go to the c e S where 170 00:10:01,960 --> 00:10:04,520 Speaker 1: Beta Max pulled out of the show at the last minute, 171 00:10:04,520 --> 00:10:06,440 Speaker 1: but that did go to the c e S when 172 00:10:06,600 --> 00:10:10,280 Speaker 1: HD DVD suddenly decided not to show up, uh the 173 00:10:10,400 --> 00:10:14,280 Speaker 1: day of the show opening. Yeah, this is Sony's like revenge. 174 00:10:14,280 --> 00:10:16,200 Speaker 1: At least the Blu Ray one was because when it 175 00:10:16,200 --> 00:10:18,040 Speaker 1: came to Beta Max, the quality was there. It was 176 00:10:18,120 --> 00:10:20,360 Speaker 1: higher quality, like you mentioned, and a lot of people 177 00:10:20,440 --> 00:10:23,680 Speaker 1: thought that quality went out, but VHS was I'm just 178 00:10:23,800 --> 00:10:26,760 Speaker 1: much cheaper and you could have longer films, and I 179 00:10:26,800 --> 00:10:29,959 Speaker 1: believe there was the adoption of pornography on VHS, so 180 00:10:30,040 --> 00:10:31,960 Speaker 1: that kind of led the way at times. But son 181 00:10:32,040 --> 00:10:34,280 Speaker 1: you got to win finally with the Blu Ray. I 182 00:10:34,280 --> 00:10:36,599 Speaker 1: think the last major player they boughtut I want to 183 00:10:36,640 --> 00:10:40,400 Speaker 1: say it's Warner Brothers, but they basically paid a truckload 184 00:10:40,440 --> 00:10:47,199 Speaker 1: of money and ensured their victory in the home theater space. Yeah, VHS, 185 00:10:47,320 --> 00:10:51,120 Speaker 1: while I would say it's pretty, you know, it's it's 186 00:10:51,280 --> 00:10:55,360 Speaker 1: mostly dead and the Princess Bride sense of things. There's 187 00:10:55,400 --> 00:11:01,080 Speaker 1: still plenty of companies that are offering up vhs like VCRs, 188 00:11:01,160 --> 00:11:04,800 Speaker 1: but they're usually combo VCRs. There VCRs that are packaged 189 00:11:04,840 --> 00:11:07,640 Speaker 1: as like a DVD or Blu Ray, even a Blu 190 00:11:07,760 --> 00:11:11,600 Speaker 1: Ray vcr UM. But there still are some out there, 191 00:11:11,920 --> 00:11:16,000 Speaker 1: and in fact, some movies are still being released on VHS, 192 00:11:16,080 --> 00:11:20,439 Speaker 1: but it's almost always a gimmick, like The Horror Anthology 193 00:11:20,640 --> 00:11:26,000 Speaker 1: VHS two was released on VHS cassette, but that again 194 00:11:26,240 --> 00:11:28,400 Speaker 1: was kind of a one off, like aren't we clever 195 00:11:28,520 --> 00:11:30,720 Speaker 1: sort of thing. Yeah, you can tell someone has gone 196 00:11:31,160 --> 00:11:33,960 Speaker 1: to the obsolete point when you see the prices start 197 00:11:34,000 --> 00:11:37,000 Speaker 1: taking on things like VCRs, the playback machines. They start 198 00:11:37,000 --> 00:11:39,760 Speaker 1: going down and they start decreasing to this point and 199 00:11:39,800 --> 00:11:42,600 Speaker 1: then like they're practically giving them away for free, and 200 00:11:42,600 --> 00:11:45,679 Speaker 1: then they start slowly increasing the price because so few 201 00:11:45,720 --> 00:11:48,160 Speaker 1: companies are making it. Because if you look up a 202 00:11:48,240 --> 00:11:50,720 Speaker 1: VHS player now, it's not as cheap as it would 203 00:11:50,760 --> 00:11:53,600 Speaker 1: have been back when if the market was flooded. So 204 00:11:53,720 --> 00:11:56,080 Speaker 1: I don't know if it's it's not dead, it's definitely 205 00:11:56,080 --> 00:11:59,400 Speaker 1: actually obsolete when it comes to video technology. It doesn't 206 00:11:59,400 --> 00:12:02,560 Speaker 1: have the quality, it doesn't have the amount of I mean, 207 00:12:02,600 --> 00:12:04,600 Speaker 1: I wouldn't say bit rape if you're not in the resolution. 208 00:12:04,679 --> 00:12:06,079 Speaker 1: When it comes to this, you're not gonna have the 209 00:12:06,120 --> 00:12:09,040 Speaker 1: same amount of audio coming out of this this technology. 210 00:12:09,160 --> 00:12:11,760 Speaker 1: So it's definitely uh, it should be on its one 211 00:12:11,800 --> 00:12:15,920 Speaker 1: way out, but it's that it won't just die. Yeah, 212 00:12:16,080 --> 00:12:19,400 Speaker 1: I think obsolutely. It's a fine word because, like you 213 00:12:19,440 --> 00:12:22,080 Speaker 1: were saying, I as I think, absolutely does not necessarily 214 00:12:22,080 --> 00:12:25,120 Speaker 1: mean it has been white from the face of the planet. 215 00:12:25,640 --> 00:12:27,719 Speaker 1: It really just means that. I mean, if you were 216 00:12:27,760 --> 00:12:31,840 Speaker 1: going out today to buy a brand new home entertainment center, 217 00:12:32,679 --> 00:12:37,400 Speaker 1: you probably wouldn't think of a VCR as a necessary component. 218 00:12:38,080 --> 00:12:42,600 Speaker 1: But what about a LaserDisc player. I loved when the 219 00:12:42,679 --> 00:12:45,319 Speaker 1: LaserDisc came out. I was I saw it. It came 220 00:12:45,320 --> 00:12:47,559 Speaker 1: out in the store. I saw this massive box and 221 00:12:47,760 --> 00:12:52,920 Speaker 1: get these record size, shiny platters, and then I begged 222 00:12:53,000 --> 00:12:54,839 Speaker 1: my folks to buy me one. They bought me a 223 00:12:54,920 --> 00:12:57,920 Speaker 1: laser disc player. I came home with it and then 224 00:12:57,920 --> 00:12:59,520 Speaker 1: I'm like, wait, how do you record on this thing? 225 00:13:00,040 --> 00:13:02,000 Speaker 1: And they said it doesn't record, and I go, we're 226 00:13:02,040 --> 00:13:04,360 Speaker 1: taking this back to service merchandise right now. So at 227 00:13:04,360 --> 00:13:06,120 Speaker 1: a lasers player in my ask for all of three 228 00:13:06,200 --> 00:13:08,720 Speaker 1: days because I was not happy about it, and my 229 00:13:08,720 --> 00:13:10,400 Speaker 1: folks were very nice and they were very happy to 230 00:13:10,440 --> 00:13:12,280 Speaker 1: get what I believed to be a four hundred and 231 00:13:12,320 --> 00:13:15,440 Speaker 1: thirty dollar credit back from this store because that was 232 00:13:15,480 --> 00:13:18,120 Speaker 1: really really expensive and they were very nice enough to 233 00:13:18,120 --> 00:13:19,880 Speaker 1: get for me, So they get to uh, they got 234 00:13:19,920 --> 00:13:22,440 Speaker 1: to enjoy the stork about it later. That's so hilarious 235 00:13:22,480 --> 00:13:25,960 Speaker 1: that that you owned a LaserDisc for all of half 236 00:13:25,960 --> 00:13:29,040 Speaker 1: a week. Uh. Yeah, I didn't have a LaserDisc player 237 00:13:29,040 --> 00:13:31,880 Speaker 1: at all. I did grow up in the era of 238 00:13:31,920 --> 00:13:36,560 Speaker 1: the the home video you know, wars everything from the 239 00:13:36,640 --> 00:13:39,560 Speaker 1: Beta Max to VHS. We had a VHS VCR, not 240 00:13:39,640 --> 00:13:42,480 Speaker 1: a Beta Max. We didn't have a LaserDisc player. We 241 00:13:42,520 --> 00:13:45,360 Speaker 1: did have a totally different obsolete technology that I'll mentioned 242 00:13:45,360 --> 00:13:47,520 Speaker 1: towards the end of the show, but it's it was. 243 00:13:47,760 --> 00:13:50,400 Speaker 1: It didn't make the list that we were talking about 244 00:13:50,720 --> 00:13:54,520 Speaker 1: right now, the online list. LaserDisc players had a much 245 00:13:54,559 --> 00:13:58,480 Speaker 1: higher quality than vhs when it comes to resolution and sound. 246 00:13:58,840 --> 00:14:02,560 Speaker 1: They were kind of the predacess sirs to DVDs. Uh. 247 00:14:02,679 --> 00:14:05,920 Speaker 1: They were and you know, really the first optical based 248 00:14:06,520 --> 00:14:13,079 Speaker 1: home media's format. And it also brought in the era 249 00:14:13,240 --> 00:14:17,560 Speaker 1: of full motion video because there were laser disc arcade 250 00:14:17,600 --> 00:14:23,800 Speaker 1: machines that um used laser disc footage as the means 251 00:14:23,840 --> 00:14:26,360 Speaker 1: of showing off the game, like like Dragon's Layer is 252 00:14:26,400 --> 00:14:30,080 Speaker 1: the big example, where you know, at certain moments within 253 00:14:30,160 --> 00:14:33,240 Speaker 1: Dragon's Layer, you can make a decision and the character 254 00:14:33,280 --> 00:14:38,000 Speaker 1: would go and either succeed or fail based on that decision. 255 00:14:38,040 --> 00:14:41,160 Speaker 1: But everything has already been prerecorded, nothing was being rendered 256 00:14:41,640 --> 00:14:44,120 Speaker 1: at the time that you were playing. You were really 257 00:14:44,160 --> 00:14:48,840 Speaker 1: just unlocking various sequences. And that was the limitation of 258 00:14:48,880 --> 00:14:52,560 Speaker 1: the laser disc format. It couldn't do anything beyond that. 259 00:14:52,960 --> 00:14:56,120 Speaker 1: But on the other hand, people who own laser discs 260 00:14:56,280 --> 00:15:00,440 Speaker 1: love the quality of the picture and the sound. I 261 00:15:00,440 --> 00:15:03,160 Speaker 1: remember going to parties with people who had laser displayers. 262 00:15:03,200 --> 00:15:05,360 Speaker 1: They would always have, you know, one of the movies 263 00:15:05,400 --> 00:15:08,040 Speaker 1: on in the background, and it it was it just 264 00:15:08,080 --> 00:15:10,880 Speaker 1: blew away anything that was on vhs. You didn't have 265 00:15:10,920 --> 00:15:15,400 Speaker 1: that tracking artifact that would go across when you know 266 00:15:15,440 --> 00:15:17,680 Speaker 1: your tape is not quite right, you have to fix 267 00:15:17,720 --> 00:15:21,840 Speaker 1: the alignment so that you don't have the static or 268 00:15:21,880 --> 00:15:24,840 Speaker 1: whatever on there. That was never a problem, but a 269 00:15:24,960 --> 00:15:29,000 Speaker 1: LaserDisc ultimately didn't catch on in the consumer market. UH 270 00:15:29,040 --> 00:15:32,760 Speaker 1: to a wide extent. It had a very dedicated core 271 00:15:33,120 --> 00:15:38,880 Speaker 1: of followers, but it eventually lost out to things like DVDs, 272 00:15:39,400 --> 00:15:44,440 Speaker 1: UH and blue rays later on. So by two thousand 273 00:15:44,520 --> 00:15:49,880 Speaker 1: in the United States. Um, they were pretty much gone. 274 00:15:50,360 --> 00:15:54,240 Speaker 1: So sad to say that it never really caught on 275 00:15:54,320 --> 00:15:56,680 Speaker 1: in a big way, but it did kind of pave 276 00:15:56,880 --> 00:16:02,920 Speaker 1: the ground for the following types of optical based media 277 00:16:03,080 --> 00:16:07,400 Speaker 1: like DVDs and blue ray. Uh. Then we've got a 278 00:16:07,440 --> 00:16:11,360 Speaker 1: whole bunch that I grouped together because they are similar. 279 00:16:11,440 --> 00:16:18,280 Speaker 1: There's the phonograph, turntables, vinyl records, transistor radios, boom boxes, 280 00:16:18,600 --> 00:16:23,320 Speaker 1: the Sony Walkman, and the Sony Discman. So some of 281 00:16:23,320 --> 00:16:27,680 Speaker 1: these I could argue are technically not obsolete. Uh, they 282 00:16:27,760 --> 00:16:32,880 Speaker 1: might be niche markets. Um. In one case, the Sony Walkman, 283 00:16:33,320 --> 00:16:37,320 Speaker 1: the brand still exists, so I guess you could argue 284 00:16:37,360 --> 00:16:41,000 Speaker 1: it's not the same piece of technology. That's not exactly 285 00:16:41,040 --> 00:16:43,960 Speaker 1: the same they The Walkman used to be a cassette player. 286 00:16:44,440 --> 00:16:47,000 Speaker 1: For those of you don't remember. Cassettes are like with 287 00:16:47,120 --> 00:16:50,160 Speaker 1: analog way of getting audio to you, and when the 288 00:16:50,200 --> 00:16:51,880 Speaker 1: tape itself would have an issue, you have to get 289 00:16:51,880 --> 00:16:56,360 Speaker 1: a pencil and kind of rewind the actual tape. Yep. 290 00:16:57,080 --> 00:16:59,640 Speaker 1: So there's there's a whole generation that people have no 291 00:16:59,760 --> 00:17:01,720 Speaker 1: idea you know what I'm talking about. But when you 292 00:17:01,760 --> 00:17:04,040 Speaker 1: had these cassettes, you'd want to walk around with them, 293 00:17:04,320 --> 00:17:07,800 Speaker 1: and unlike something that that succeeded them, like the discman, 294 00:17:08,080 --> 00:17:09,680 Speaker 1: you didn't have a lot of skipping problems. You could 295 00:17:09,760 --> 00:17:11,560 Speaker 1: run around with the tape and there was no real 296 00:17:11,600 --> 00:17:13,960 Speaker 1: issue there, but you did have to deal with the 297 00:17:14,040 --> 00:17:17,440 Speaker 1: destruction and whear and tear of the actual tape. And 298 00:17:17,480 --> 00:17:20,239 Speaker 1: I remember when I had a discman at one point. Uh, 299 00:17:21,359 --> 00:17:25,480 Speaker 1: it was great. Once they they invented anti skip technology 300 00:17:25,560 --> 00:17:29,040 Speaker 1: was which basically just reading ahead and having the audio 301 00:17:29,280 --> 00:17:33,040 Speaker 1: set to go in case of a skip because optical 302 00:17:33,080 --> 00:17:36,560 Speaker 1: media not exactly designed to be ran around with back 303 00:17:36,880 --> 00:17:40,120 Speaker 1: first came out. Yeah, it had to buffer that audio 304 00:17:40,280 --> 00:17:44,200 Speaker 1: so that should you encounter a bump, it could continue 305 00:17:44,200 --> 00:17:46,800 Speaker 1: to play seamlessly. And like you were saying, the cassette 306 00:17:46,800 --> 00:17:49,800 Speaker 1: didn't have that problem, you have other issues, Like there 307 00:17:49,800 --> 00:17:52,439 Speaker 1: were times where maybe the tape could get caught on 308 00:17:52,520 --> 00:17:55,320 Speaker 1: something and unwind from the cassette and that was a 309 00:17:55,400 --> 00:18:00,479 Speaker 1: huge headache. Uh. You know, obviously it's a magnetic storage medium, 310 00:18:00,560 --> 00:18:02,840 Speaker 1: so if you were to work near i don't know, 311 00:18:03,840 --> 00:18:06,399 Speaker 1: super conductors or something, you might end up having some 312 00:18:06,440 --> 00:18:09,800 Speaker 1: issues on your music. But but I, you know, I 313 00:18:10,280 --> 00:18:12,359 Speaker 1: certainly was a big fan of the cassette. Back in 314 00:18:12,400 --> 00:18:14,800 Speaker 1: the day, it was one of the easier ways to 315 00:18:14,960 --> 00:18:19,400 Speaker 1: have your music be portable, and the Walkman specifically made 316 00:18:19,400 --> 00:18:22,240 Speaker 1: that easy. As for things like, well, the phonograph, Sure, 317 00:18:22,560 --> 00:18:26,120 Speaker 1: the phonographs obsolete. It's been obsolete for ages. I don't 318 00:18:26,119 --> 00:18:30,280 Speaker 1: even know how it made the list. It's kind of 319 00:18:30,320 --> 00:18:33,320 Speaker 1: like saying, you know, uh, I don't know, like the 320 00:18:33,359 --> 00:18:39,320 Speaker 1: horse and buggy is obsolete. Well, yes, that that is obvious. Turntables, 321 00:18:39,400 --> 00:18:43,480 Speaker 1: I'm I don't know. There again, it's like a niche market. 322 00:18:43,960 --> 00:18:46,679 Speaker 1: But there are lots of music artists out there who 323 00:18:46,680 --> 00:18:51,760 Speaker 1: will release their music on vinyl and you play it 324 00:18:51,840 --> 00:18:54,720 Speaker 1: on turntables. I'm sure there's some people who collect that 325 00:18:54,800 --> 00:18:58,720 Speaker 1: kind of stuff, even if they don't have the device 326 00:18:58,800 --> 00:19:01,760 Speaker 1: to play the media on, but they're just a collector. 327 00:19:02,600 --> 00:19:06,639 Speaker 1: But I know that turntables and vinyl certainly still have 328 00:19:06,720 --> 00:19:09,880 Speaker 1: a place. I mean, DJ's alone, make sure that that 329 00:19:09,960 --> 00:19:12,719 Speaker 1: doesn't die out completely. Would you go so far as 330 00:19:12,760 --> 00:19:15,760 Speaker 1: to say that turntables and vinyl records are actually obsolete, 331 00:19:16,000 --> 00:19:19,719 Speaker 1: definitely obsolete at all, because their replacements would be something 332 00:19:19,760 --> 00:19:22,639 Speaker 1: like digital music, and they're The big claim is that 333 00:19:22,680 --> 00:19:25,680 Speaker 1: there is some kind of analog warmth that you get 334 00:19:25,800 --> 00:19:29,159 Speaker 1: that you just can't reproduce on it digital medium. And 335 00:19:29,200 --> 00:19:32,520 Speaker 1: so as long as long as as there's gonna be music, 336 00:19:32,560 --> 00:19:34,679 Speaker 1: if there's still gonna be vinyl, because you know, of 337 00:19:34,800 --> 00:19:37,000 Speaker 1: all the things that try to replace Vinyl, the fact 338 00:19:37,040 --> 00:19:40,120 Speaker 1: that it keeps coming back or just refuses to die, 339 00:19:40,359 --> 00:19:43,359 Speaker 1: I don't think it's it's ready to be called obsolete, 340 00:19:43,480 --> 00:19:45,720 Speaker 1: because then why why don't we other why don't we 341 00:19:45,760 --> 00:19:48,840 Speaker 1: ever see other analog audio take off as well as 342 00:19:48,920 --> 00:19:52,879 Speaker 1: vinyl does. I'm not really sure, yeah, I mean, the 343 00:19:52,920 --> 00:19:55,160 Speaker 1: only thing I can think of is that the cassette 344 00:19:55,160 --> 00:19:59,800 Speaker 1: tapes have the magnetic media tend to have a hiss 345 00:20:00,160 --> 00:20:04,520 Speaker 1: behind it, which people say that obviously takes away from 346 00:20:04,520 --> 00:20:08,560 Speaker 1: the fidelity of the recording, whereas vinyl doesn't have a hiss, 347 00:20:08,640 --> 00:20:12,400 Speaker 1: assuming that your equipment is clean and the record is unblemished, 348 00:20:12,800 --> 00:20:14,960 Speaker 1: I mean, obviously, if your record has wear and tear, 349 00:20:15,119 --> 00:20:18,399 Speaker 1: there's going to be some pops and scratches in it. 350 00:20:18,600 --> 00:20:21,800 Speaker 1: Some people say that actually adds character to the recording, 351 00:20:22,520 --> 00:20:25,560 Speaker 1: and uh, for a for a full generation, that was 352 00:20:25,600 --> 00:20:28,000 Speaker 1: the way people were used to music, and it sounded 353 00:20:28,400 --> 00:20:32,440 Speaker 1: weird to not have those kind of pops and scratches 354 00:20:32,480 --> 00:20:35,000 Speaker 1: in it. So yeah, I agree with you. I don't 355 00:20:35,040 --> 00:20:37,040 Speaker 1: think that one's obsolutely I would say that that one 356 00:20:37,440 --> 00:20:41,479 Speaker 1: that one probably does not merit inclusion on the list. Uh. 357 00:20:41,600 --> 00:20:44,640 Speaker 1: Cassette tape recorders and cassette tapes are actually the next 358 00:20:44,760 --> 00:20:49,639 Speaker 1: one that we're listed in the the article, and I 359 00:20:49,680 --> 00:20:53,479 Speaker 1: can see why. I mean, obviously, the music, like the 360 00:20:53,480 --> 00:20:56,359 Speaker 1: prerecorded music stuff. The music industry going out to buy 361 00:20:56,400 --> 00:21:01,840 Speaker 1: an album has largely and almost totally abandoned the cassette format, 362 00:21:01,920 --> 00:21:05,480 Speaker 1: with with a little one off exceptions, things that are 363 00:21:05,520 --> 00:21:08,600 Speaker 1: really more of a marketing gimmick than anything else. For example, 364 00:21:09,000 --> 00:21:12,639 Speaker 1: the Guardians of the Galaxy soundtrack They're Awesome mix tape 365 00:21:13,160 --> 00:21:15,520 Speaker 1: is going to be released or has been released out 366 00:21:15,600 --> 00:21:19,240 Speaker 1: on cassette tape, but that's because the cassette tape played 367 00:21:19,280 --> 00:21:22,600 Speaker 1: such an important part in the movie. It's really more 368 00:21:23,160 --> 00:21:28,600 Speaker 1: movie memorabilia, I would say, than an actual musical album 369 00:21:28,800 --> 00:21:32,920 Speaker 1: in that sense. Yeah, cassette tapes, obviously I was talking 370 00:21:32,920 --> 00:21:37,040 Speaker 1: about before. My big life with cassette tapes was recording 371 00:21:37,040 --> 00:21:39,159 Speaker 1: stuff off the radio. I'm sure you've done this too. 372 00:21:39,200 --> 00:21:41,720 Speaker 1: It's like you got your boom box, You're waiting for it. 373 00:21:41,800 --> 00:21:45,560 Speaker 1: You're waiting for a song because there was no way 374 00:21:45,600 --> 00:21:48,360 Speaker 1: to get audio very easily. You just have to wait 375 00:21:48,400 --> 00:21:50,879 Speaker 1: around for it to come in through the airwaves. Have 376 00:21:50,920 --> 00:21:53,240 Speaker 1: your cassette tapes, and like back when we're talking about 377 00:21:53,280 --> 00:21:57,600 Speaker 1: the Walkman, nothing more. Nothing would cause a panic, like 378 00:21:57,840 --> 00:22:02,480 Speaker 1: seeing that tape getting stuck between the heads and you're like, Okay, 379 00:22:02,640 --> 00:22:06,439 Speaker 1: did you get twisted? Isn't busted inside? Uh? When it 380 00:22:06,440 --> 00:22:09,800 Speaker 1: comes to the cassette tapes, I remember just having a 381 00:22:09,800 --> 00:22:12,040 Speaker 1: ton of them. I liked how small they were. That 382 00:22:12,119 --> 00:22:14,280 Speaker 1: was something that was a big nice thing to have 383 00:22:14,480 --> 00:22:18,920 Speaker 1: a portability. But I think definitely obsoustely at this point. Yeah, 384 00:22:18,960 --> 00:22:21,439 Speaker 1: I used to have cases of these things. My my 385 00:22:21,520 --> 00:22:26,040 Speaker 1: college roommate and I had dozens of mix tapes, including 386 00:22:26,080 --> 00:22:30,360 Speaker 1: tapes where we were doing just dumb things like we 387 00:22:30,400 --> 00:22:36,240 Speaker 1: each had vinyl record collections, including singles and full albums, 388 00:22:36,280 --> 00:22:38,560 Speaker 1: so we once did a mix tape that was all 389 00:22:39,400 --> 00:22:44,359 Speaker 1: vinyl albums played at the wrong speed, so we would 390 00:22:44,400 --> 00:22:48,080 Speaker 1: have singles played too slowly, and we have full albums 391 00:22:48,119 --> 00:22:50,880 Speaker 1: played too quickly, and we thought that was the funniest 392 00:22:50,880 --> 00:22:54,200 Speaker 1: thing in the world. Because our senses of humor had uh, 393 00:22:54,440 --> 00:22:57,520 Speaker 1: stayed at the eight year old level. I have since 394 00:22:58,040 --> 00:23:00,880 Speaker 1: gone up to twelve years old in my sense of humor, 395 00:23:01,400 --> 00:23:04,639 Speaker 1: So there's progress there. Did you have a tape player 396 00:23:04,680 --> 00:23:06,919 Speaker 1: that variable speed so you could actually listen to it 397 00:23:07,040 --> 00:23:09,080 Speaker 1: back normally if you wanted to, or you just thought, 398 00:23:09,280 --> 00:23:11,280 Speaker 1: that's it, one speed, this is how it's going to be. 399 00:23:11,400 --> 00:23:14,439 Speaker 1: It was one speed. Yeah, we I remember distinctly like 400 00:23:14,520 --> 00:23:18,960 Speaker 1: we had um Anarchy in the UK played super slow, 401 00:23:19,000 --> 00:23:21,960 Speaker 1: which sounded more like a rob zombie cover of the 402 00:23:22,000 --> 00:23:25,800 Speaker 1: Sex Pistols made it really really scary and ominous. But 403 00:23:25,920 --> 00:23:30,680 Speaker 1: we also had a super fast version of Comfortably Numb 404 00:23:30,720 --> 00:23:33,840 Speaker 1: and hearing Alvin and the Chipmunks cover Pink Floyd was amazing. 405 00:23:34,920 --> 00:23:39,040 Speaker 1: So but we yeah, once once we recorded it, that's 406 00:23:39,080 --> 00:23:40,800 Speaker 1: the speed it was gonna be. We didn't have a 407 00:23:40,880 --> 00:23:45,080 Speaker 1: variable speed tape player. Now, all of this so you know, 408 00:23:45,119 --> 00:23:48,160 Speaker 1: by two thousand one, those cassette tapes made up less 409 00:23:48,160 --> 00:23:52,520 Speaker 1: than five of music sales, and so pretty much you 410 00:23:52,560 --> 00:23:56,520 Speaker 1: don't find them for prerecorded music. You can still find 411 00:23:56,920 --> 00:24:00,520 Speaker 1: blank cassette tapes because apparently there are some people out 412 00:24:00,520 --> 00:24:03,800 Speaker 1: there who are still using them to record stuff, but 413 00:24:04,400 --> 00:24:08,440 Speaker 1: as for like an actual album release. It's incredibly rare 414 00:24:08,560 --> 00:24:12,800 Speaker 1: except for the the random one off. However, the next 415 00:24:12,800 --> 00:24:15,680 Speaker 1: one on the list eight tracks, I think we could 416 00:24:15,720 --> 00:24:19,880 Speaker 1: just say is obsolute without even you know, any debate 417 00:24:19,960 --> 00:24:22,359 Speaker 1: on the subject. It was obsolete during the era of 418 00:24:22,400 --> 00:24:25,720 Speaker 1: the cassette tape. Yeah, I think that's just like enough said, 419 00:24:25,920 --> 00:24:28,160 Speaker 1: is an eight track And if you if you're miss 420 00:24:28,160 --> 00:24:31,119 Speaker 1: hearing me, you're thinking the Sony a track, that's not 421 00:24:31,160 --> 00:24:34,800 Speaker 1: what I'm talking about. The eight track cassette tape that 422 00:24:34,960 --> 00:24:37,040 Speaker 1: just kind of when went away. It was supposed to be 423 00:24:37,000 --> 00:24:41,000 Speaker 1: be higher quality audio then you'd be getting from other methods, 424 00:24:41,119 --> 00:24:43,560 Speaker 1: but it was these giant cartridges. They kind of look 425 00:24:43,560 --> 00:24:46,879 Speaker 1: like atry cartridges, at least that's where I remember them 426 00:24:46,920 --> 00:24:48,639 Speaker 1: to be. I don't think I've ever been in a 427 00:24:48,680 --> 00:24:51,720 Speaker 1: car that had an eight track player, have you? I 428 00:24:51,800 --> 00:24:53,960 Speaker 1: have been in a car that had an eight track player. 429 00:24:54,040 --> 00:24:57,280 Speaker 1: My my family did not own one. We always had 430 00:24:57,320 --> 00:25:00,480 Speaker 1: just the A M and then later the a UM 431 00:25:00,520 --> 00:25:04,200 Speaker 1: FM radio, but we never had an eight track player. 432 00:25:04,280 --> 00:25:07,800 Speaker 1: Eight track players had a lot of limitations. For one, uh, 433 00:25:08,040 --> 00:25:12,400 Speaker 1: you couldn't rewind a cartridge. You could only play it forward. Now, 434 00:25:12,520 --> 00:25:16,400 Speaker 1: some eight track players had a fast forward so if 435 00:25:16,400 --> 00:25:18,640 Speaker 1: you really wanted to get to the other side of it, 436 00:25:19,119 --> 00:25:22,280 Speaker 1: you could fast forward the the cassette, or if you 437 00:25:22,320 --> 00:25:26,600 Speaker 1: wanted to hear a song again, you could eject it, 438 00:25:27,240 --> 00:25:31,040 Speaker 1: turn it over, fast forward to what you think is 439 00:25:31,040 --> 00:25:33,359 Speaker 1: the beginning of the song you wanted to listen to again, 440 00:25:33,880 --> 00:25:36,399 Speaker 1: eject it, turn it over again, put it back in 441 00:25:36,440 --> 00:25:41,040 Speaker 1: the player, and push play and hope that you guessed correctly. Um, 442 00:25:41,200 --> 00:25:44,320 Speaker 1: you could also fast forward, or rather, when you did 443 00:25:44,359 --> 00:25:47,040 Speaker 1: fast forward, most of these players would cut the audio, 444 00:25:47,320 --> 00:25:50,200 Speaker 1: so you're just fast forwarding. You wouldn't actually be listening 445 00:25:50,280 --> 00:25:53,040 Speaker 1: to the stuff played super fast, so you wouldn't be 446 00:25:53,080 --> 00:25:56,320 Speaker 1: able to listen to music played at the wrong speed. 447 00:25:57,040 --> 00:26:00,320 Speaker 1: But yeah, this format died pretty much in the seven knees. 448 00:26:00,760 --> 00:26:03,080 Speaker 1: So I was a kid in the seventies, but I 449 00:26:03,160 --> 00:26:06,240 Speaker 1: was a very young kid in the seventies and I 450 00:26:06,320 --> 00:26:09,160 Speaker 1: have no real memory of eight tracks. It was only 451 00:26:09,160 --> 00:26:12,920 Speaker 1: when I was writing in someone's car that dated back 452 00:26:13,000 --> 00:26:15,919 Speaker 1: to that era that I ever saw an eight track player. 453 00:26:16,240 --> 00:26:19,040 Speaker 1: So we never had one in my family. There should be, uh, 454 00:26:19,080 --> 00:26:21,040 Speaker 1: I don't think there's any adapters that have like an 455 00:26:21,040 --> 00:26:24,520 Speaker 1: eight track to Bluetooth adapters or adapter. Your CD player 456 00:26:24,840 --> 00:26:28,800 Speaker 1: not a thing. Causette Cassett's still kind of live in cars. 457 00:26:29,520 --> 00:26:31,359 Speaker 1: The last car I owned had a cassette deck in it, 458 00:26:31,400 --> 00:26:35,320 Speaker 1: and that car was from two thousand and four, so like, yeah, 459 00:26:35,520 --> 00:26:36,919 Speaker 1: so they still had a tape deck and it was 460 00:26:37,119 --> 00:26:39,679 Speaker 1: had the ability at least for me, It's like, Okay, 461 00:26:39,680 --> 00:26:41,760 Speaker 1: I'll get the adapter. But I've never seen an eight 462 00:26:41,880 --> 00:26:44,639 Speaker 1: track to c D or eight track to Bluetooth adapter, 463 00:26:44,760 --> 00:26:48,480 Speaker 1: so definitely dead. Well, I I haven't even seen, like 464 00:26:48,520 --> 00:26:50,439 Speaker 1: it's been a while since I've seen a car that 465 00:26:50,520 --> 00:26:53,280 Speaker 1: had a CD player in it, much less eight track 466 00:26:53,600 --> 00:26:59,360 Speaker 1: or cassette player. But again, might be that bias creeping 467 00:26:59,400 --> 00:27:03,000 Speaker 1: in where I just I tend to hang out in 468 00:27:03,080 --> 00:27:06,480 Speaker 1: the other podcaster cars and we're all gadget breaks, so 469 00:27:06,560 --> 00:27:09,880 Speaker 1: we tend to get the the various systems that are 470 00:27:09,920 --> 00:27:14,760 Speaker 1: all digital. Well, how about real to real tape? You 471 00:27:14,840 --> 00:27:17,720 Speaker 1: think that one's still a contender or is that one obsolete? 472 00:27:18,200 --> 00:27:21,119 Speaker 1: It's not dead. I know this because I think one 473 00:27:21,119 --> 00:27:23,480 Speaker 1: of the last Food Fighter albums was recorded on real 474 00:27:23,560 --> 00:27:26,359 Speaker 1: too real. It was because they wanted total analog, they 475 00:27:26,359 --> 00:27:28,639 Speaker 1: wanted to not use pro tools. So there's some certain 476 00:27:28,640 --> 00:27:31,160 Speaker 1: bands that still use this to record, and the Food 477 00:27:31,160 --> 00:27:33,840 Speaker 1: Fighters are kind of a big band, so and so 478 00:27:33,920 --> 00:27:37,080 Speaker 1: that's it's it's unusual that somebody would choose to do that. 479 00:27:37,160 --> 00:27:39,159 Speaker 1: And I just remembered back with the cassette tapes, I 480 00:27:39,240 --> 00:27:41,080 Speaker 1: us have a four track machine so I could record 481 00:27:41,160 --> 00:27:43,960 Speaker 1: music on different tracks, and that was my second big 482 00:27:44,200 --> 00:27:47,080 Speaker 1: cassette moment because I was totally into CDs at that point. 483 00:27:47,280 --> 00:27:50,200 Speaker 1: But real to real tape, this is another like kind 484 00:27:50,200 --> 00:27:52,840 Speaker 1: of niche kind of thing that people would be trying 485 00:27:52,880 --> 00:27:56,280 Speaker 1: only if you want to have the analog sound from 486 00:27:56,280 --> 00:27:59,320 Speaker 1: the very beginning, because there's no other real reason to 487 00:27:59,400 --> 00:28:02,560 Speaker 1: do it, because it's kind of limited. Yeah, it's it's 488 00:28:03,440 --> 00:28:06,240 Speaker 1: really for one, thing is just really big, right, I mean, 489 00:28:06,240 --> 00:28:08,480 Speaker 1: it's it's a bulky medium, and so you have to 490 00:28:08,480 --> 00:28:11,320 Speaker 1: have a lot of physical space to store it. So 491 00:28:11,920 --> 00:28:15,399 Speaker 1: that alone makes it less attractive than a lot of 492 00:28:15,440 --> 00:28:19,680 Speaker 1: other alternatives. Granted, you still have again this this sort 493 00:28:19,720 --> 00:28:24,479 Speaker 1: of perception that the sound quality on the medium is 494 00:28:24,640 --> 00:28:28,600 Speaker 1: fundamentally different from other types of media, and that might 495 00:28:29,080 --> 00:28:32,040 Speaker 1: that might actually be true. There are some things that 496 00:28:32,119 --> 00:28:36,040 Speaker 1: come up during recording that you know, you wouldn't hear 497 00:28:36,160 --> 00:28:38,920 Speaker 1: if you were actually in the room. While the recording 498 00:28:38,960 --> 00:28:42,000 Speaker 1: was being made, it wouldn't be something you could perceive, 499 00:28:42,440 --> 00:28:45,800 Speaker 1: but on the recording you get these kind of distortions 500 00:28:45,840 --> 00:28:50,160 Speaker 1: and interference of various frequencies as they're being recorded, and 501 00:28:50,240 --> 00:28:53,680 Speaker 1: that becomes part of the song or whatever is being 502 00:28:54,160 --> 00:28:57,160 Speaker 1: recorded onto that medium, which is kind of cool. It's 503 00:28:57,160 --> 00:29:01,520 Speaker 1: an idea that the the media itself is playing a 504 00:29:01,600 --> 00:29:05,720 Speaker 1: part in the quality of the song or whatever else 505 00:29:05,720 --> 00:29:08,360 Speaker 1: it is that you're trying to set down. And I 506 00:29:08,360 --> 00:29:13,320 Speaker 1: think that's really interesting. But I don't I think outside 507 00:29:13,320 --> 00:29:15,360 Speaker 1: of that realm that you're talking about, I s it's 508 00:29:15,400 --> 00:29:21,400 Speaker 1: not terribly uh um popular or well known. There's some 509 00:29:21,640 --> 00:29:24,880 Speaker 1: I know there's some computer systems that still use a 510 00:29:25,000 --> 00:29:28,200 Speaker 1: real too real type system to do backups, just because 511 00:29:28,200 --> 00:29:30,600 Speaker 1: it's a legacy system and that's what they have to 512 00:29:30,640 --> 00:29:34,160 Speaker 1: work with. But I don't think that's terribly common either. 513 00:29:34,240 --> 00:29:37,520 Speaker 1: I agree that it's not quite obsolete, but it's definitely 514 00:29:38,960 --> 00:29:42,720 Speaker 1: very niche. It's very it's very useful if you're making 515 00:29:42,760 --> 00:29:44,880 Speaker 1: like a period sci fi movie, because if you have 516 00:29:44,920 --> 00:29:47,960 Speaker 1: a large computer, they almost always had two real to 517 00:29:48,040 --> 00:29:51,080 Speaker 1: real decks constantly going never knew what it was doing, 518 00:29:51,120 --> 00:29:53,280 Speaker 1: was always in the background with the flashing lights. So 519 00:29:53,280 --> 00:29:55,280 Speaker 1: if you're wondering what those giant discs are, that would 520 00:29:55,280 --> 00:29:57,520 Speaker 1: be real too, real in a lot of these sixties 521 00:29:57,600 --> 00:30:00,520 Speaker 1: sci fi movies, and a lot of twilight zones as well. 522 00:30:00,720 --> 00:30:04,520 Speaker 1: It makes me think of airplane too. These lights are 523 00:30:04,520 --> 00:30:07,080 Speaker 1: blinking out of sequence. We'll get them to blink in sequence. 524 00:30:07,840 --> 00:30:10,840 Speaker 1: It's pretty much where that goes. The next one is 525 00:30:10,840 --> 00:30:13,400 Speaker 1: is another one that I don't think really fits is obsolete. 526 00:30:13,480 --> 00:30:16,960 Speaker 1: It's ham radio. I think at this point I would 527 00:30:17,040 --> 00:30:21,120 Speaker 1: argue that the the author of the piece is perhaps 528 00:30:21,640 --> 00:30:26,080 Speaker 1: equating something that is not terribly popular with something that 529 00:30:26,280 --> 00:30:31,760 Speaker 1: is obsolete. But ham radio, amateur radio is still a thing, right, 530 00:30:31,800 --> 00:30:35,360 Speaker 1: This isn't It didn't people didn't just stop. There are 531 00:30:35,520 --> 00:30:39,440 Speaker 1: quite a few amateur radio operators out there. Yeah this, 532 00:30:39,640 --> 00:30:42,200 Speaker 1: I know, it's not dead. I used to work in 533 00:30:42,280 --> 00:30:44,200 Speaker 1: a place where this is very big with a certain 534 00:30:44,200 --> 00:30:48,080 Speaker 1: group of people. But it's definitely not something that is 535 00:30:48,120 --> 00:30:51,400 Speaker 1: marketed towards the general consumer or anything. So like like 536 00:30:51,440 --> 00:30:54,480 Speaker 1: we talked about with other devices, things that if we 537 00:30:54,520 --> 00:30:57,120 Speaker 1: want to think about it as will the normal person 538 00:30:57,200 --> 00:30:59,040 Speaker 1: be like, Yeah, I'm totally into this and this is 539 00:30:59,040 --> 00:31:01,640 Speaker 1: what I will choose to you was over a cell 540 00:31:01,680 --> 00:31:05,000 Speaker 1: phone or whatever would be Uh, this thing is obsolete 541 00:31:05,040 --> 00:31:07,320 Speaker 1: and that kind of not people Not many people are 542 00:31:07,400 --> 00:31:11,240 Speaker 1: using it that way. Yeah, I guess yeah, from that perspective, 543 00:31:11,320 --> 00:31:14,760 Speaker 1: certainly they're not using it as a primary communication tool. 544 00:31:15,360 --> 00:31:17,520 Speaker 1: But it's one of those things also that I don't 545 00:31:17,520 --> 00:31:21,080 Speaker 1: think was ever popular enough for you to say that 546 00:31:21,280 --> 00:31:24,720 Speaker 1: it's been replaced by something else. It was always kind 547 00:31:24,720 --> 00:31:29,160 Speaker 1: of this hobbyist, uh market, and not something that you 548 00:31:29,200 --> 00:31:31,920 Speaker 1: would see, you know, it's not I don't think the 549 00:31:32,000 --> 00:31:36,040 Speaker 1: average home a few decades ago had a ham radio 550 00:31:36,240 --> 00:31:38,520 Speaker 1: sitting around in it. It was one of those things 551 00:31:38,560 --> 00:31:41,440 Speaker 1: that people who had a very specific kind of interest. 552 00:31:42,160 --> 00:31:44,760 Speaker 1: That's those were the homes you founded in. Otherwise it 553 00:31:44,880 --> 00:31:47,840 Speaker 1: was it was just not there. So I don't really 554 00:31:47,840 --> 00:31:49,600 Speaker 1: think of it as obsolete. I just think of it as, 555 00:31:49,800 --> 00:31:54,400 Speaker 1: you know, kind of again very niche. But the next one, telegraph, 556 00:31:54,560 --> 00:31:58,680 Speaker 1: I feel it's pretty obsolete. Yeah, I mean it's pretty 557 00:31:58,680 --> 00:32:02,000 Speaker 1: cool and if you don't again legraphs um. I think 558 00:32:02,040 --> 00:32:04,680 Speaker 1: the last time I saw one on Madman, that was 559 00:32:04,680 --> 00:32:06,400 Speaker 1: the last time I saw one. It was an ad 560 00:32:06,440 --> 00:32:08,600 Speaker 1: campaign for it and it was a pretty good episode. 561 00:32:09,080 --> 00:32:11,600 Speaker 1: But it's basically a piece of trivia in your head 562 00:32:11,680 --> 00:32:13,520 Speaker 1: when it comes is when a telegraph is because you 563 00:32:13,560 --> 00:32:16,000 Speaker 1: just text people nowadays, right, Yeah, I mean there's so 564 00:32:16,080 --> 00:32:18,960 Speaker 1: much stuff that's replaced it the telegraph system. I mean, 565 00:32:19,000 --> 00:32:21,240 Speaker 1: it was all introduced in the nineteenth centuries, so the 566 00:32:21,280 --> 00:32:26,120 Speaker 1: eighteen hundreds. Um, it really got running towards the end 567 00:32:26,200 --> 00:32:29,880 Speaker 1: of the eighteen hundreds and wireless telegraphy came in. And 568 00:32:30,320 --> 00:32:32,600 Speaker 1: the thing that surprised me was when I was doing 569 00:32:32,640 --> 00:32:36,800 Speaker 1: some research just looking into this, was how long the 570 00:32:37,000 --> 00:32:41,480 Speaker 1: telegram business lasted in the United States. Western Union shut 571 00:32:41,520 --> 00:32:45,400 Speaker 1: down their telegraph service in two thousand and six. I 572 00:32:45,440 --> 00:32:48,480 Speaker 1: would have imagined that to have been much earlier. With 573 00:32:48,960 --> 00:32:55,080 Speaker 1: things like, um, uh, just the telephone system, computers, you've 574 00:32:55,080 --> 00:32:58,120 Speaker 1: got cell phones. The smartphone really wasn't a thing in 575 00:32:58,160 --> 00:33:00,480 Speaker 1: consumer markets in two thousand six. You'd have to wait 576 00:33:00,560 --> 00:33:02,800 Speaker 1: till two thousand seven when the iPhone came out for 577 00:33:02,880 --> 00:33:06,120 Speaker 1: that to really happen. But still it was amazing that 578 00:33:06,160 --> 00:33:09,200 Speaker 1: it stuck around that long. Uh. And then you have 579 00:33:09,280 --> 00:33:16,480 Speaker 1: telex machines, which were teleprinters. Uh. Telex actually itself is 580 00:33:16,520 --> 00:33:18,880 Speaker 1: the name of the network. It's not the name of 581 00:33:19,040 --> 00:33:23,240 Speaker 1: the device, but the network allowed printers that had been 582 00:33:23,240 --> 00:33:27,000 Speaker 1: hooked up to it to print text based messages that 583 00:33:27,040 --> 00:33:31,800 Speaker 1: have been received over the network. So um, it's not 584 00:33:32,080 --> 00:33:35,480 Speaker 1: entirely obsolete either. It's still being used in maritime functions. 585 00:33:35,480 --> 00:33:39,560 Speaker 1: In fact, it's a requirement in the Global Maritime Distress 586 00:33:39,600 --> 00:33:44,719 Speaker 1: and Safety System, mainly because other systems could fail. This 587 00:33:44,800 --> 00:33:47,960 Speaker 1: is like a backup system for communication. It's not necessarily 588 00:33:48,440 --> 00:33:51,400 Speaker 1: something that would be relied upon as the primary source 589 00:33:51,560 --> 00:33:55,120 Speaker 1: for communication, but still an important network. I can see 590 00:33:55,160 --> 00:33:57,800 Speaker 1: why you'd say obsolete, however, because it's not like it's 591 00:33:57,840 --> 00:34:00,560 Speaker 1: something that the average person is going to ever come 592 00:34:00,560 --> 00:34:05,000 Speaker 1: into contact with. I'm actually generally unfamiliar with telex machines 593 00:34:05,040 --> 00:34:08,760 Speaker 1: other than like I guess the Simpsons referenced at times Burns. 594 00:34:08,880 --> 00:34:11,799 Speaker 1: Mr Burns does retalex, but that's about it. Like I 595 00:34:11,800 --> 00:34:13,319 Speaker 1: I don't know much about it at all other than 596 00:34:13,360 --> 00:34:15,919 Speaker 1: what you just said. Yeah, yeah, I mean I've never 597 00:34:16,360 --> 00:34:19,640 Speaker 1: I've never personally encountered one. You know. My parents wouldn't 598 00:34:19,719 --> 00:34:22,719 Speaker 1: let me into the telex room at home, so yeah, 599 00:34:22,719 --> 00:34:24,560 Speaker 1: they kept in that cabinet and we weren't allowed to 600 00:34:24,560 --> 00:34:27,960 Speaker 1: touch with the fancy soaps and the beautiful dishes. Actually, 601 00:34:28,000 --> 00:34:30,040 Speaker 1: I have to correct you, as they kept me in 602 00:34:30,080 --> 00:34:34,040 Speaker 1: the cabinet. Everything else was outside of it. That's much 603 00:34:34,080 --> 00:34:35,799 Speaker 1: more efficient. My folks should have done the same thing. 604 00:34:35,800 --> 00:34:37,680 Speaker 1: They just locked us in the rooms. They should just 605 00:34:37,719 --> 00:34:41,400 Speaker 1: lost us in a tiny one Harry Potter. Potter was 606 00:34:41,480 --> 00:34:45,080 Speaker 1: largely based on my background. You and your owls man. 607 00:34:45,280 --> 00:34:49,160 Speaker 1: Real problem. Yeah, yeah, well, okay, let's let's not reveal 608 00:34:49,239 --> 00:34:51,759 Speaker 1: my entire personal life to the internet. Let's move on 609 00:34:51,800 --> 00:34:55,920 Speaker 1: to to Whang calculators. This was the Yeah, I remember 610 00:34:55,920 --> 00:34:59,760 Speaker 1: Whang computers, but only because I remember people talking about 611 00:34:59,760 --> 00:35:05,839 Speaker 1: it after the computer company had already faded away, and 612 00:35:06,800 --> 00:35:09,000 Speaker 1: it's you know, it's one of those things where the 613 00:35:09,120 --> 00:35:14,200 Speaker 1: more juvenile among us joke about it, Wanging computers. But 614 00:35:14,280 --> 00:35:17,880 Speaker 1: Wang Laboratories was founded in nineteen fifty one, and the 615 00:35:17,960 --> 00:35:21,640 Speaker 1: Wang Loki two or l o c I two was 616 00:35:21,680 --> 00:35:27,240 Speaker 1: the first desktop calculator that the company offered in nineteen 617 00:35:27,320 --> 00:35:30,880 Speaker 1: sixty five. They were enormous. Have you ever seen one 618 00:35:30,920 --> 00:35:34,239 Speaker 1: of these? I have not? Okay, well, you know, like 619 00:35:35,120 --> 00:35:39,680 Speaker 1: the really big um office telephones, the ones that have 620 00:35:40,360 --> 00:35:42,839 Speaker 1: lots of different bells and whistles to them, not just 621 00:35:43,080 --> 00:35:45,720 Speaker 1: your average ones, the ones that take up a good 622 00:35:46,239 --> 00:35:49,640 Speaker 1: quarter of a desk. If you've ever seen one of those, 623 00:35:49,640 --> 00:35:52,400 Speaker 1: that's kind of the size of a weighing desktop calculator. 624 00:35:52,480 --> 00:35:55,120 Speaker 1: These things were enormous. They weren't It's not like a 625 00:35:55,120 --> 00:35:59,480 Speaker 1: pocket calculator. It was a big piece of machinery. Uh, 626 00:35:59,520 --> 00:36:03,200 Speaker 1: and these really have become Obsoletely, you can get a 627 00:36:03,239 --> 00:36:07,480 Speaker 1: basic scientific calculator that could do everything that the Wang 628 00:36:07,560 --> 00:36:10,160 Speaker 1: calculator could do, and you can put it in your pocket, 629 00:36:10,600 --> 00:36:14,880 Speaker 1: whereas these things, again were huge. Uh. The company Wang 630 00:36:14,960 --> 00:36:18,640 Speaker 1: Laboratories went bankrupt in two and it was eventually acquired 631 00:36:18,719 --> 00:36:25,040 Speaker 1: by a company called g Tronics in and then essentially dissolved. 632 00:36:25,080 --> 00:36:27,480 Speaker 1: They folded it into their other divisions and it no 633 00:36:27,520 --> 00:36:31,440 Speaker 1: longer exists as its own entity anymore. It's kind of sad, 634 00:36:31,840 --> 00:36:37,960 Speaker 1: but yeah, the I can't disagree that an enormous desktop 635 00:36:38,000 --> 00:36:42,120 Speaker 1: calculator is now obsolete. Definitely. Now I am looking, okay, 636 00:36:42,120 --> 00:36:44,480 Speaker 1: I found some pictures of this thing. It looks kind 637 00:36:44,480 --> 00:36:48,280 Speaker 1: of like a word processor. Yeah, it's just it is enormous. 638 00:36:48,400 --> 00:36:52,360 Speaker 1: This is um it's it's a computer. That's what it is. Exactly. 639 00:36:52,480 --> 00:36:57,839 Speaker 1: Does it computes things? Yeah? Yeah, specifically bath that's really 640 00:36:57,880 --> 00:37:03,760 Speaker 1: what it computes yea various like scientific calculator type um functionality. 641 00:37:03,880 --> 00:37:06,799 Speaker 1: But yeah, it was. It was big now. Granted, at 642 00:37:06,840 --> 00:37:09,680 Speaker 1: the time it was a very advanced piece of machinery. 643 00:37:09,760 --> 00:37:12,560 Speaker 1: It's easy for us to kind of joke about it now, 644 00:37:12,680 --> 00:37:15,040 Speaker 1: but at the time it was it was cutting edge. 645 00:37:15,520 --> 00:37:17,799 Speaker 1: So it shows that we've gone a long way where 646 00:37:17,840 --> 00:37:20,280 Speaker 1: you can hold something in the palm of your hand 647 00:37:20,840 --> 00:37:24,000 Speaker 1: that can do everything that machine can do. Plus you 648 00:37:24,040 --> 00:37:27,080 Speaker 1: can just carry it around with you, and you know, 649 00:37:27,160 --> 00:37:30,440 Speaker 1: depending on the device, you could connect to the Internet. 650 00:37:30,760 --> 00:37:35,680 Speaker 1: So that's something that that that machine never could have done. Uh. 651 00:37:35,719 --> 00:37:39,560 Speaker 1: Analog telephones is our next one. Uh. The landline service 652 00:37:39,600 --> 00:37:42,799 Speaker 1: has been declining steadily since the mid two thousand's, and 653 00:37:42,880 --> 00:37:47,799 Speaker 1: digital systems are a huge, huge deal. I've heard that 654 00:37:47,840 --> 00:37:52,400 Speaker 1: the FCC will allow phone companies to stop supporting analog 655 00:37:52,520 --> 00:37:56,640 Speaker 1: lines by and that by we would expect them all 656 00:37:56,719 --> 00:38:00,080 Speaker 1: to be gone. Uh. I asked, do you still have 657 00:38:00,120 --> 00:38:04,239 Speaker 1: a landline? No, I've moved to avoid box. Uh. Landlines 658 00:38:04,280 --> 00:38:07,080 Speaker 1: are They're really helpful for things like, UH nine one 659 00:38:07,080 --> 00:38:10,080 Speaker 1: one calls because you actually can of the dispatch, can 660 00:38:10,120 --> 00:38:12,719 Speaker 1: actually see where you are with that kind of thing. 661 00:38:13,000 --> 00:38:15,640 Speaker 1: But these days I believe you can set your home 662 00:38:15,680 --> 00:38:17,799 Speaker 1: location with E nin one one, so at least you 663 00:38:17,800 --> 00:38:22,120 Speaker 1: have that kind of functionality built back in. Although analog 664 00:38:22,880 --> 00:38:25,200 Speaker 1: just regular landlines in general just they run with no 665 00:38:25,280 --> 00:38:28,080 Speaker 1: power since this power always going through them. Is there 666 00:38:28,120 --> 00:38:30,839 Speaker 1: a digital version of that that exists where you can 667 00:38:30,840 --> 00:38:32,880 Speaker 1: have power going to it all the time, you know? 668 00:38:32,960 --> 00:38:35,319 Speaker 1: I don't. I've never heard of one. I've always seen 669 00:38:35,400 --> 00:38:38,719 Speaker 1: the digital lines having to get supplemental power, so I 670 00:38:38,800 --> 00:38:41,200 Speaker 1: don't know. I also don't have a landline. I really 671 00:38:41,280 --> 00:38:44,680 Speaker 1: like solely on cell phones now. Um. In fact, I 672 00:38:44,760 --> 00:38:49,080 Speaker 1: haven't had a landline and probably a decade. UM. It's 673 00:38:49,160 --> 00:38:52,200 Speaker 1: it's been a really long time since I bothered to 674 00:38:52,200 --> 00:38:54,520 Speaker 1: to maintain one. I know there are a lot of 675 00:38:54,520 --> 00:38:57,440 Speaker 1: people who advocate that you should keep one like a 676 00:38:57,640 --> 00:39:00,560 Speaker 1: just a phone just plugged in somewhere, even if you 677 00:39:00,600 --> 00:39:02,880 Speaker 1: don't have a regular phone line, just in case of 678 00:39:02,920 --> 00:39:05,560 Speaker 1: an emergency. UM. I know a lot of my friends 679 00:39:05,560 --> 00:39:07,799 Speaker 1: out in San Francisco do because that's part of their 680 00:39:07,840 --> 00:39:12,440 Speaker 1: earthquake preparedness kit. But here in Georgia, I don't have 681 00:39:12,520 --> 00:39:14,719 Speaker 1: to worry about that. We get if we get an earthquake, 682 00:39:14,800 --> 00:39:18,560 Speaker 1: it's likely not strong enough for us to notice it, So, um, 683 00:39:18,600 --> 00:39:21,719 Speaker 1: I haven't bothered with it, But yeah, I can see 684 00:39:21,719 --> 00:39:24,600 Speaker 1: why this one's on the obsolete list. It's still again, 685 00:39:24,640 --> 00:39:27,440 Speaker 1: if you live in an area where you have to 686 00:39:27,440 --> 00:39:32,200 Speaker 1: worry about various kinds of power outages or whatever, often 687 00:39:32,280 --> 00:39:34,160 Speaker 1: the phone line, not all the time, but often the 688 00:39:34,160 --> 00:39:38,120 Speaker 1: phone line can remain unaffected by that depending on the 689 00:39:38,200 --> 00:39:41,399 Speaker 1: nature of the outage, and it can be a really 690 00:39:41,480 --> 00:39:43,960 Speaker 1: useful tool. I just it's just one that I never 691 00:39:44,000 --> 00:39:47,319 Speaker 1: really think of. How about p d A S. Did 692 00:39:47,320 --> 00:39:50,680 Speaker 1: you ever have a personal digital assistant? I did. I 693 00:39:50,760 --> 00:39:55,160 Speaker 1: had a Handspring Visor, and uh, if you guys don't 694 00:39:55,200 --> 00:39:57,200 Speaker 1: know what that's like, it's kind of like a smartphone 695 00:39:57,200 --> 00:40:01,000 Speaker 1: without the phone connectivity. But the Visor was show because 696 00:40:01,040 --> 00:40:03,160 Speaker 1: it had the ability to have something called springboards in 697 00:40:03,160 --> 00:40:05,480 Speaker 1: the back, kind of like a game Boy cartridge slot. 698 00:40:05,520 --> 00:40:08,600 Speaker 1: You'd remove this little plastic placeholder you put in something 699 00:40:08,640 --> 00:40:11,440 Speaker 1: like a physician's dictionary, dictionary if you wanted, or encyclopedia, 700 00:40:11,520 --> 00:40:14,799 Speaker 1: that is. You could even attach a cell phone attachment. 701 00:40:15,239 --> 00:40:18,560 Speaker 1: So I actually my first cell phone was a Visor phone, 702 00:40:19,040 --> 00:40:21,960 Speaker 1: which anytime I handed to other people to use, they 703 00:40:21,960 --> 00:40:24,440 Speaker 1: did not understand that they had to use a stylist 704 00:40:24,560 --> 00:40:28,400 Speaker 1: or touch the screen to actually dial a number. And 705 00:40:28,440 --> 00:40:30,080 Speaker 1: they were like, what about all the face grease. You're 706 00:40:30,080 --> 00:40:32,040 Speaker 1: putting your face against the screen. That's just really weird. 707 00:40:32,440 --> 00:40:34,759 Speaker 1: This is back in like two thousand and two, I 708 00:40:34,760 --> 00:40:36,839 Speaker 1: want to say, so this is a long time ago. 709 00:40:37,480 --> 00:40:41,680 Speaker 1: That concept was very foreign back then. Were you a 710 00:40:41,719 --> 00:40:44,839 Speaker 1: p D A guy? I was not. I never had one. 711 00:40:45,080 --> 00:40:50,960 Speaker 1: I I was actually a late adopter of cell phones. Um, 712 00:40:50,960 --> 00:40:53,200 Speaker 1: but once I did adopted, I never looked back. So 713 00:40:53,480 --> 00:40:58,640 Speaker 1: I went from not having any kind of personal digital assistant, 714 00:40:58,680 --> 00:41:00,960 Speaker 1: nothing like that. I had a computer at home, and 715 00:41:00,960 --> 00:41:03,719 Speaker 1: I had a landline at home, and that was it. 716 00:41:03,800 --> 00:41:05,279 Speaker 1: You know, if I was out and about, there was 717 00:41:05,320 --> 00:41:07,360 Speaker 1: no getting in touch with me and I if I 718 00:41:07,400 --> 00:41:10,200 Speaker 1: needed to call somebody, I had better have that phone 719 00:41:10,239 --> 00:41:12,040 Speaker 1: number memorized because that was the only way I was 720 00:41:12,080 --> 00:41:14,360 Speaker 1: going to get it, unless they happened to be in 721 00:41:14,400 --> 00:41:17,640 Speaker 1: the phone book. Yeah, we used to have phone books. Boy, 722 00:41:17,719 --> 00:41:22,279 Speaker 1: I remember those two. Yeah, I still get them, even 723 00:41:22,280 --> 00:41:24,840 Speaker 1: though I have put myself on the do not send 724 00:41:24,920 --> 00:41:30,480 Speaker 1: list multiple times. But yeah, it's that is certainly one 725 00:41:30,480 --> 00:41:33,040 Speaker 1: of those things the Internet has helped replace. But yeah, 726 00:41:33,080 --> 00:41:35,480 Speaker 1: I never I never carried one around and by the 727 00:41:35,480 --> 00:41:38,160 Speaker 1: time I would have cell phones were a thing, and 728 00:41:38,200 --> 00:41:42,160 Speaker 1: they were. They had enough basic functionality for me to 729 00:41:42,280 --> 00:41:44,360 Speaker 1: have a list of contacts with the people that I 730 00:41:44,360 --> 00:41:47,200 Speaker 1: would call more frequently than anyone else. Um and I 731 00:41:47,320 --> 00:41:51,680 Speaker 1: never really worried about using them to keep schedules because uh, 732 00:41:51,840 --> 00:41:53,719 Speaker 1: no one ever wanted me to go to anything, so 733 00:41:53,760 --> 00:41:57,279 Speaker 1: I didn't need it. Um. Yeah, I was more of 734 00:41:57,280 --> 00:41:59,080 Speaker 1: a second gen p d A guy. I just realized 735 00:41:59,080 --> 00:42:02,080 Speaker 1: that my dad used to have the radio shack Rolodex, 736 00:42:02,600 --> 00:42:04,680 Speaker 1: like the large one that you would pair with a 737 00:42:04,760 --> 00:42:07,279 Speaker 1: smaller one with I R so you can actually send 738 00:42:07,320 --> 00:42:09,640 Speaker 1: it over. And these little the small ones like a 739 00:42:09,680 --> 00:42:13,680 Speaker 1: clamshell little device. It kind of looked like a business 740 00:42:13,680 --> 00:42:17,640 Speaker 1: card holder had very very like the spongy little keys 741 00:42:17,680 --> 00:42:19,680 Speaker 1: on it. It It kind of like rubber membrane that you 742 00:42:19,800 --> 00:42:22,279 Speaker 1: push and actually input stuff. But if you didn't want 743 00:42:22,320 --> 00:42:24,239 Speaker 1: to do that, you could use the larger Rolodex one 744 00:42:24,560 --> 00:42:28,120 Speaker 1: that had much larger keyboard. It looked like a child's 745 00:42:28,280 --> 00:42:31,600 Speaker 1: cashier kind of toy if you wanted to remember that 746 00:42:31,640 --> 00:42:34,279 Speaker 1: look like. And then for myself not only have the 747 00:42:34,360 --> 00:42:38,520 Speaker 1: visor phone back in college, I had some p d 748 00:42:38,680 --> 00:42:41,360 Speaker 1: A with a stowaway keyboard, because back when I was 749 00:42:41,360 --> 00:42:44,560 Speaker 1: in college, kids didn't use laptops for anything, and we 750 00:42:44,560 --> 00:42:46,560 Speaker 1: didn't really have We didn't have WiFi. I'm not even 751 00:42:46,600 --> 00:42:49,399 Speaker 1: making this up. There's no WiFi and cell signals are 752 00:42:49,480 --> 00:42:53,480 Speaker 1: basically for the really wealthy. So I would download my mail, 753 00:42:54,160 --> 00:42:57,640 Speaker 1: I'd be between classes, type out the responses, and then 754 00:42:57,680 --> 00:43:00,879 Speaker 1: go back to my dorm and then sink it back 755 00:43:00,960 --> 00:43:04,600 Speaker 1: to send out my messages. That was a long time ago, 756 00:43:05,040 --> 00:43:09,719 Speaker 1: and that is really scary. Yeah, I skipped all that. 757 00:43:09,800 --> 00:43:13,080 Speaker 1: And see the thing is that these truly are obsolete. 758 00:43:13,200 --> 00:43:16,840 Speaker 1: The smartphone has completely negated any need for the p 759 00:43:16,960 --> 00:43:20,040 Speaker 1: d A. The smartphone can do everything that the PDA 760 00:43:20,120 --> 00:43:23,640 Speaker 1: could do and more so. Uh, these days, I can't 761 00:43:23,640 --> 00:43:27,040 Speaker 1: even imagine not having my smartphone with me. In fact, 762 00:43:27,200 --> 00:43:29,640 Speaker 1: I start to go through withdrawal if I haven't, if 763 00:43:29,680 --> 00:43:31,680 Speaker 1: I've left it behind. If I happened to leave the 764 00:43:31,719 --> 00:43:34,719 Speaker 1: house and I realized I left the smartphone back at 765 00:43:34,760 --> 00:43:38,160 Speaker 1: the house, it starts to gna me, which really is 766 00:43:38,200 --> 00:43:41,360 Speaker 1: more of an issue with my psychology than anything else. 767 00:43:41,719 --> 00:43:44,680 Speaker 1: But uh, you know, I have to force myself to 768 00:43:44,719 --> 00:43:48,480 Speaker 1: go on vacations where I don't have cell service or 769 00:43:48,520 --> 00:43:51,640 Speaker 1: WiFi so that I can just get away from it. 770 00:43:51,640 --> 00:43:56,080 Speaker 1: It's funny because it's something that I never used until 771 00:43:56,200 --> 00:43:58,200 Speaker 1: the smartphone came along, Like I never used the p 772 00:43:58,320 --> 00:44:01,279 Speaker 1: d A or anything like that, and now I can't 773 00:44:01,280 --> 00:44:04,840 Speaker 1: imagine not using it. I think. I think that speaks 774 00:44:05,400 --> 00:44:08,839 Speaker 1: highly of the technology and not so highly for me. Yeah, 775 00:44:08,880 --> 00:44:12,799 Speaker 1: you are definitely somebody we should all pity so with you. 776 00:44:13,200 --> 00:44:15,680 Speaker 1: That's fair. So what about pagers? Did you ever have 777 00:44:15,719 --> 00:44:18,120 Speaker 1: one of those? I really wanted one when I was 778 00:44:18,160 --> 00:44:21,120 Speaker 1: a kid, but my folks were like, no, not getting 779 00:44:21,120 --> 00:44:23,000 Speaker 1: a pager, and they were right because who would be 780 00:44:23,080 --> 00:44:25,120 Speaker 1: calling me? It was like an eighth grade. There's no 781 00:44:25,160 --> 00:44:27,520 Speaker 1: reason for an eighth period to have pages. But my 782 00:44:27,560 --> 00:44:30,919 Speaker 1: friends had them, and I'm like, wow, that's so cool. 783 00:44:30,960 --> 00:44:33,719 Speaker 1: Who's calling you? And you'd have these cool messages, like 784 00:44:33,760 --> 00:44:36,960 Speaker 1: the special number code because you couldn't text yet, so 785 00:44:37,040 --> 00:44:39,120 Speaker 1: they'd be like, I know, four one one means there's 786 00:44:39,120 --> 00:44:40,960 Speaker 1: some information, or there's nine one one means there's some 787 00:44:41,000 --> 00:44:43,520 Speaker 1: kind of emergency. I better go home or whatever it was, 788 00:44:43,880 --> 00:44:46,160 Speaker 1: or you call those people back. But I did not 789 00:44:46,320 --> 00:44:50,480 Speaker 1: personally have a pager because I was deemed not popular enough. 790 00:44:51,440 --> 00:44:54,640 Speaker 1: I didn't have a pager either, and I never got one, 791 00:44:54,719 --> 00:44:59,080 Speaker 1: mainly because I couldn't imagine a scenario where someone needs 792 00:44:59,080 --> 00:45:01,879 Speaker 1: to get in touch with me that badly, where if 793 00:45:01,920 --> 00:45:05,279 Speaker 1: I wasn't next to my phone, uh, that it would 794 00:45:05,320 --> 00:45:08,680 Speaker 1: be something necessary, you know, that they would need to 795 00:45:08,760 --> 00:45:11,960 Speaker 1: go to that extra step to get my attention. I 796 00:45:12,000 --> 00:45:16,600 Speaker 1: figured my phone and my answering machine were enough to 797 00:45:16,680 --> 00:45:20,000 Speaker 1: take care of all of that. Uh. And again, now 798 00:45:20,000 --> 00:45:23,839 Speaker 1: that we've got cell phones and smartphones, pages are largely obsolete, 799 00:45:23,880 --> 00:45:26,920 Speaker 1: So I agree with it being on this list. What 800 00:45:27,040 --> 00:45:31,239 Speaker 1: about portable television? Well, I'm being reminded in my head 801 00:45:31,280 --> 00:45:34,520 Speaker 1: that pages aren't dead. I mean, doctors use them, and 802 00:45:34,560 --> 00:45:37,920 Speaker 1: there there are other versions that are available, like when 803 00:45:37,920 --> 00:45:39,560 Speaker 1: you go to a restaurant and they give you a 804 00:45:39,600 --> 00:45:42,799 Speaker 1: pager and still technically a pager. So so everybody wants 805 00:45:42,800 --> 00:45:44,359 Speaker 1: them writing to go. They're not dead. They're not dead. 806 00:45:44,719 --> 00:45:46,800 Speaker 1: We just think that, you know, these days, you wouldn't 807 00:45:46,800 --> 00:45:49,680 Speaker 1: be going to the store to get a pager. Right. 808 00:45:50,280 --> 00:45:53,240 Speaker 1: What was the the other item you just mentioned, portable TVs? 809 00:45:53,440 --> 00:45:56,680 Speaker 1: Oh man, I I wanted them to work. These are 810 00:45:56,719 --> 00:46:00,600 Speaker 1: definitely this is obsolute, like crazy, because there's enough streaming services. 811 00:46:00,640 --> 00:46:03,560 Speaker 1: You can get things on your phones. But I had 812 00:46:03,600 --> 00:46:08,280 Speaker 1: a Sony Watchman. Okay, do you know what that is? Yes, Okay, 813 00:46:08,280 --> 00:46:10,680 Speaker 1: So if folks I don't know, it was this portable 814 00:46:10,680 --> 00:46:14,080 Speaker 1: television had about two point two inch screen. It was 815 00:46:14,440 --> 00:46:17,840 Speaker 1: like a brick. It was pretty large, had a telescoping antenna. 816 00:46:18,160 --> 00:46:20,960 Speaker 1: It was black and white. I had a mono speaker. 817 00:46:21,560 --> 00:46:25,840 Speaker 1: And because the old days before the transition, UH, pretty 818 00:46:25,920 --> 00:46:28,680 Speaker 1: much getting a signal on the go kind of impossible. 819 00:46:28,719 --> 00:46:31,640 Speaker 1: So if you were in a moving car it was useless. 820 00:46:31,680 --> 00:46:35,799 Speaker 1: You basically couldn't watch anything. It was really about. You 821 00:46:35,840 --> 00:46:38,000 Speaker 1: could bring it with you and you can stop and 822 00:46:38,040 --> 00:46:40,600 Speaker 1: look at it, and it just it didn't do a 823 00:46:40,680 --> 00:46:42,520 Speaker 1: very good job when it came to that. Battery life 824 00:46:42,560 --> 00:46:47,040 Speaker 1: was terrible, the audio was terrible. And then something like 825 00:46:47,360 --> 00:46:49,880 Speaker 1: recently there was a version of this that came back 826 00:46:50,040 --> 00:46:53,399 Speaker 1: for cell phones called media Flow or flow TV. They 827 00:46:53,400 --> 00:46:56,840 Speaker 1: had their own spectrum. Once the analog to digital conversion 828 00:46:56,840 --> 00:46:59,839 Speaker 1: happened with television waves here in the US, they were 829 00:46:59,840 --> 00:47:04,040 Speaker 1: all these free frequencies. So they had bought this frequency 830 00:47:04,200 --> 00:47:06,239 Speaker 1: and it was gonna be here. People are gonna have 831 00:47:06,320 --> 00:47:09,320 Speaker 1: sort of cable like TV on their phones, it folded 832 00:47:09,360 --> 00:47:11,840 Speaker 1: within a couple of years. Apparently nobody really wants to 833 00:47:11,840 --> 00:47:16,120 Speaker 1: watch live TV on the go. I'm not sure why 834 00:47:16,200 --> 00:47:18,560 Speaker 1: that is, but that's what apparently has been happening. I 835 00:47:18,600 --> 00:47:21,720 Speaker 1: think I think live TV in general has really taken 836 00:47:21,719 --> 00:47:24,719 Speaker 1: a hit. I mean, we've had so many ways of 837 00:47:24,800 --> 00:47:28,759 Speaker 1: watching stuff on demand whenever we are ready to watch it, 838 00:47:28,840 --> 00:47:31,359 Speaker 1: you know, so that we are not held to the 839 00:47:31,360 --> 00:47:36,240 Speaker 1: schedule of a television station or a channel or anything 840 00:47:36,280 --> 00:47:40,600 Speaker 1: like that. I think that's really kind of filtered out 841 00:47:40,600 --> 00:47:43,799 Speaker 1: through the entire spectrum of platforms that you would get 842 00:47:43,840 --> 00:47:49,000 Speaker 1: television on. Granted, there's still shows that I will set 843 00:47:49,040 --> 00:47:51,640 Speaker 1: myself down so that I can watch it when it 844 00:47:51,719 --> 00:47:53,960 Speaker 1: comes on, but there I think there are only two 845 00:47:54,160 --> 00:47:56,239 Speaker 1: that I do that for right now, and only one 846 00:47:56,239 --> 00:47:58,520 Speaker 1: of them is what I like. I watch a show 847 00:47:58,520 --> 00:48:04,279 Speaker 1: I don't like when it comes on ahead? Which one? 848 00:48:04,320 --> 00:48:07,040 Speaker 1: Is it? Sleepy hollow? Oh? You just watched as you 849 00:48:07,040 --> 00:48:09,600 Speaker 1: can criticize it? Is that right? That's yeah, it's mostly 850 00:48:09,600 --> 00:48:13,920 Speaker 1: so I can feel superior by criticizing the historical inaccuracies 851 00:48:13,960 --> 00:48:16,719 Speaker 1: and ridiculous plot holes in that show. I think my 852 00:48:16,760 --> 00:48:20,560 Speaker 1: favorite I think you tweeted about a scientific inaccuracy, you 853 00:48:20,560 --> 00:48:22,200 Speaker 1: do my it seems like, yeah, you can let go 854 00:48:22,239 --> 00:48:26,080 Speaker 1: of the anachronisms, you can let go of the license 855 00:48:26,200 --> 00:48:28,480 Speaker 1: is being taken. But when they can't get basic science 856 00:48:28,560 --> 00:48:34,440 Speaker 1: right at times, that's your Your tweet was quite hilarious. Yeah, 857 00:48:33,800 --> 00:48:37,120 Speaker 1: I go a little bonkers with that. Yeah. I can 858 00:48:37,160 --> 00:48:40,600 Speaker 1: handle the fact that there is a headless horseman walking around. 859 00:48:41,960 --> 00:48:45,000 Speaker 1: But if you get basic science wrong by trying to 860 00:48:45,080 --> 00:48:50,040 Speaker 1: create gunpowder by just lighting sulfur on fire, then I 861 00:48:50,120 --> 00:48:53,440 Speaker 1: really flip my lid. But listeners of tech stuff, no, 862 00:48:53,560 --> 00:48:56,239 Speaker 1: we did a full episode about fireworks and I explained 863 00:48:56,239 --> 00:49:00,680 Speaker 1: how to make fire gunpowder essentially, and they know you 864 00:49:00,719 --> 00:49:03,320 Speaker 1: can't just light sulfur on fire and have it explode 865 00:49:03,320 --> 00:49:05,600 Speaker 1: and be gunpowder unless you live in the world of 866 00:49:05,640 --> 00:49:09,200 Speaker 1: sleepy Hollow. I guess I'm getting off track, all right. 867 00:49:09,320 --> 00:49:11,960 Speaker 1: Our next one is another batch which I think we 868 00:49:12,000 --> 00:49:14,600 Speaker 1: can just kind of dismiss out of hand, which is 869 00:49:14,719 --> 00:49:21,200 Speaker 1: um led watches, TV watches, the Saco wrist, computer calculator watches. 870 00:49:21,520 --> 00:49:24,880 Speaker 1: Basically all the little gimmick watches and watches in general 871 00:49:25,360 --> 00:49:29,040 Speaker 1: have really taken a hit. I mean, they're largely used 872 00:49:29,080 --> 00:49:32,880 Speaker 1: as an accessory now as jewelry because almost all of 873 00:49:32,920 --> 00:49:35,399 Speaker 1: us have some other device on our person that has 874 00:49:35,440 --> 00:49:39,120 Speaker 1: the time on it, so they're not as necessary. In fact, Uh, 875 00:49:39,160 --> 00:49:41,560 Speaker 1: it's gotten to the point where even the smart watch, 876 00:49:41,600 --> 00:49:45,560 Speaker 1: which is still trying to make headway into the consumer market, 877 00:49:46,239 --> 00:49:49,000 Speaker 1: is having some issues because a lot of people ultimately say, well, 878 00:49:49,840 --> 00:49:53,239 Speaker 1: why do I need this? So I definitely agree that 879 00:49:53,320 --> 00:49:57,960 Speaker 1: these watches and watch form factors are all suitably on 880 00:49:58,040 --> 00:50:00,600 Speaker 1: the obsolete list. Yeah, and I think there's a need 881 00:50:00,640 --> 00:50:03,440 Speaker 1: for him other than fashion. I have my own wristwatch 882 00:50:03,480 --> 00:50:05,560 Speaker 1: that i'd like to wear, and the big reason why 883 00:50:05,560 --> 00:50:07,880 Speaker 1: I wear it is because it's a kinetic watch. That 884 00:50:07,960 --> 00:50:11,520 Speaker 1: technology has made watches a lot more palatable to me 885 00:50:11,600 --> 00:50:14,560 Speaker 1: because then they never die. That's the big thing holding back. 886 00:50:14,640 --> 00:50:16,320 Speaker 1: I think a lot of these things, like the spot 887 00:50:16,320 --> 00:50:19,240 Speaker 1: watch back when Microsoft tried it, or like the smart 888 00:50:19,239 --> 00:50:21,680 Speaker 1: watches that are coming out in this generation, is the 889 00:50:21,680 --> 00:50:24,279 Speaker 1: fact that you have to charge something every day or 890 00:50:24,320 --> 00:50:26,600 Speaker 1: it could die. And this is not the device you 891 00:50:26,640 --> 00:50:28,399 Speaker 1: want to die. You actually want to know the time. 892 00:50:28,400 --> 00:50:31,040 Speaker 1: It's relatively important because you know your life might have 893 00:50:31,040 --> 00:50:36,280 Speaker 1: a schedule. So uh, these gimmick watches, yeah, nobody, nobody 894 00:50:36,280 --> 00:50:38,759 Speaker 1: really needs to have like a time X watch you 895 00:50:38,800 --> 00:50:41,319 Speaker 1: hold up to a cr team monitor that flashes a 896 00:50:41,440 --> 00:50:44,600 Speaker 1: signal that will give you the data. That was a thing. 897 00:50:44,640 --> 00:50:47,680 Speaker 1: I love that idea because it was so ridiculous and 898 00:50:47,680 --> 00:50:49,279 Speaker 1: and when I saw the demo it looked like it 899 00:50:49,360 --> 00:50:52,760 Speaker 1: was going to induce seizures because the cr team monitor flickering. 900 00:50:53,760 --> 00:50:57,240 Speaker 1: Which was brilliant idea of getting data from one device 901 00:50:57,239 --> 00:51:03,000 Speaker 1: to another. It wasn't the greatest in execution. Definitely great curiosity. 902 00:51:03,000 --> 00:51:05,120 Speaker 1: I loved these devices when they came out, but they 903 00:51:05,160 --> 00:51:07,840 Speaker 1: just didn't hit it. It was a very creative approach 904 00:51:07,880 --> 00:51:10,160 Speaker 1: to trying to solve a problem, just not one that 905 00:51:10,200 --> 00:51:15,000 Speaker 1: was necessarily effective. Um. Yeah, and our our next one 906 00:51:15,120 --> 00:51:17,400 Speaker 1: would be CRT. You it's good that you mentioned the 907 00:51:17,400 --> 00:51:21,360 Speaker 1: CRT monitor because CRT monitors and CRT televisions are on 908 00:51:21,400 --> 00:51:24,680 Speaker 1: the list now. These are cathode ray tube displays. They 909 00:51:24,680 --> 00:51:27,239 Speaker 1: had a vacuum tube and an electron gun. The gun 910 00:51:27,280 --> 00:51:31,880 Speaker 1: fired electrons at fluorescent screens and that would create the images. 911 00:51:32,360 --> 00:51:35,560 Speaker 1: So uh, these were that This was like the main 912 00:51:35,640 --> 00:51:39,200 Speaker 1: kind of television before you got all the great technologies 913 00:51:39,239 --> 00:51:41,600 Speaker 1: like l C, D, l E ED plasma stuff that 914 00:51:41,640 --> 00:51:45,560 Speaker 1: allowed us to have these super slim flat form factors. 915 00:51:45,600 --> 00:51:49,080 Speaker 1: Everything before that was CRT uh, And by two thousand 916 00:51:49,600 --> 00:51:52,400 Speaker 1: that technology was pretty much on the way out. And 917 00:51:52,640 --> 00:51:55,040 Speaker 1: it's you know, depending on the store you go into, 918 00:51:55,160 --> 00:51:57,280 Speaker 1: you may not even be able to find a CRT 919 00:51:57,520 --> 00:52:02,560 Speaker 1: monitor or display in the door. Um, did you do? 920 00:52:02,600 --> 00:52:05,560 Speaker 1: You have a CRT and e CRT displays laying around? 921 00:52:06,520 --> 00:52:09,680 Speaker 1: Not anymore. I used to have some CRT suh. You can. 922 00:52:09,760 --> 00:52:11,440 Speaker 1: You can probably pick up c RT s free on 923 00:52:11,480 --> 00:52:14,160 Speaker 1: the streets to New York. I've seen them outside. They're 924 00:52:14,200 --> 00:52:16,000 Speaker 1: just literally by the garbage and says free on it 925 00:52:16,000 --> 00:52:19,200 Speaker 1: says working. But I mean, nobody's really using these devices anymore. 926 00:52:19,600 --> 00:52:22,920 Speaker 1: It's like the idea of a thirty two inch television, 927 00:52:23,040 --> 00:52:25,160 Speaker 1: Like that's really tiny nowadays. But if you're in a 928 00:52:25,160 --> 00:52:27,839 Speaker 1: thirty two inch television and it's a CRT, you're talking 929 00:52:27,880 --> 00:52:30,280 Speaker 1: about a good one hundred to a hundred and fifty 930 00:52:30,320 --> 00:52:33,960 Speaker 1: pounds of television. So it wasn't like, hey, you wanted 931 00:52:33,960 --> 00:52:36,120 Speaker 1: this TV upstairs, It's like, what is it? It's a 932 00:52:36,120 --> 00:52:40,239 Speaker 1: thirty two in CRT. No, that is noting downstairs. Yeah 933 00:52:40,600 --> 00:52:43,719 Speaker 1: that's gonna be the basement TV. Yeah that yeah, yeah, No, 934 00:52:43,840 --> 00:52:48,040 Speaker 1: I I have some sitting in storage that I just 935 00:52:48,120 --> 00:52:51,160 Speaker 1: never got rid of. I need to find a an 936 00:52:51,160 --> 00:52:54,480 Speaker 1: electronics recycling program and put them through that way, because 937 00:52:55,000 --> 00:52:58,200 Speaker 1: like a lot of electronics, CRT s can have some 938 00:52:58,200 --> 00:53:00,799 Speaker 1: some materials in them that are toxic, and so you 939 00:53:00,800 --> 00:53:02,640 Speaker 1: don't want to just throw it out if you can 940 00:53:02,680 --> 00:53:06,200 Speaker 1: avoid it. Um, it's better to find a way of 941 00:53:06,200 --> 00:53:08,439 Speaker 1: of taking that to a recycling area where they can 942 00:53:08,480 --> 00:53:10,960 Speaker 1: they can strip it of anything that's useful and dispose 943 00:53:11,040 --> 00:53:14,879 Speaker 1: of the toxic stuff in a responsible manner. But yeah, 944 00:53:14,920 --> 00:53:20,640 Speaker 1: I was happy to get away from the CRT technology. 945 00:53:20,800 --> 00:53:23,719 Speaker 1: It's just it's so bulky, it's inefficient to it. It 946 00:53:23,880 --> 00:53:29,640 Speaker 1: uses up more electricity than other types of displays, so uh, 947 00:53:29,920 --> 00:53:32,240 Speaker 1: you you can only get to a certain size before 948 00:53:32,280 --> 00:53:36,600 Speaker 1: it just got too heavy to be practical and it 949 00:53:36,680 --> 00:53:40,440 Speaker 1: was an electricity hog. So yeah, I was glad to 950 00:53:40,480 --> 00:53:43,160 Speaker 1: see this on the list. I definitely agree that it's obsolete. 951 00:53:43,560 --> 00:53:46,560 Speaker 1: I've seen, you know, some CRT s still being used 952 00:53:46,600 --> 00:53:49,120 Speaker 1: in places, but usually it's because it's part of a 953 00:53:49,200 --> 00:53:52,120 Speaker 1: legacy system. Once again, like I've seen c rt s 954 00:53:52,680 --> 00:53:58,040 Speaker 1: in some um air traffic control towers, but these are 955 00:53:58,360 --> 00:54:01,960 Speaker 1: usually older air traffic control towers that have it upgraded 956 00:54:02,000 --> 00:54:07,279 Speaker 1: their systems yet, and they're relying on eighty pound CRT s. 957 00:54:08,239 --> 00:54:10,640 Speaker 1: And I know this because I had to move them 958 00:54:10,719 --> 00:54:13,960 Speaker 1: once upon a time. The syrtes were fascinating subject for 959 00:54:14,040 --> 00:54:16,319 Speaker 1: me in school. They were in a physics textbook. They 960 00:54:16,320 --> 00:54:18,920 Speaker 1: explained how how things worked when it comes to this. Uh. 961 00:54:18,960 --> 00:54:22,000 Speaker 1: They mentioned the electronic gun that was in the back shooting. Basically, 962 00:54:22,040 --> 00:54:23,760 Speaker 1: he's drawing the picture in line by line. It's happening 963 00:54:23,800 --> 00:54:26,680 Speaker 1: so quickly, and it was it was drawing the screen 964 00:54:27,600 --> 00:54:29,520 Speaker 1: like like the first line and the third line and 965 00:54:29,600 --> 00:54:31,840 Speaker 1: the fifth and then it would fill in the even numbers. 966 00:54:32,040 --> 00:54:34,279 Speaker 1: And that's why you have something called interlacing. So it's 967 00:54:34,280 --> 00:54:37,280 Speaker 1: just interesting to see that this stuff actually does permeate 968 00:54:37,600 --> 00:54:40,399 Speaker 1: and cause issues like even today with some DVDs. If 969 00:54:40,400 --> 00:54:43,080 Speaker 1: you see interlacing, it's based on this idea of how 970 00:54:43,760 --> 00:54:47,400 Speaker 1: these televisions were drawing the screen for you. It's the 971 00:54:47,400 --> 00:54:50,480 Speaker 1: picture for you, which I was. I was fascinating because 972 00:54:51,040 --> 00:54:52,920 Speaker 1: whoever thought this is the way we're gonna show a 973 00:54:52,960 --> 00:54:55,440 Speaker 1: moving image is let's just fire a gun really fast, 974 00:54:55,440 --> 00:54:58,920 Speaker 1: back and forth. Pretty freaking interesting. But yeah, the c 975 00:54:59,120 --> 00:55:02,520 Speaker 1: RT they fully for my back and yours. Uh is 976 00:55:02,680 --> 00:55:05,440 Speaker 1: no longer a modern day issue, except when you move 977 00:55:05,440 --> 00:55:08,640 Speaker 1: eighty pound ones like you do. Yeah, that was not 978 00:55:08,680 --> 00:55:11,240 Speaker 1: a fun job. I'm glad I don't have that job anymore. 979 00:55:11,880 --> 00:55:15,160 Speaker 1: So we've got lots more to get through. But what 980 00:55:15,239 --> 00:55:18,600 Speaker 1: I'm thinking, I AS, if you're amenable to it, is 981 00:55:18,600 --> 00:55:21,480 Speaker 1: wrapping up this episode and then maybe chatting on a 982 00:55:21,560 --> 00:55:25,400 Speaker 1: second one about the remaining ones. And uh, I just 983 00:55:25,440 --> 00:55:28,040 Speaker 1: have a discussion about any kinds of technology that we 984 00:55:28,080 --> 00:55:30,240 Speaker 1: think are obsolete that should have made the list but didn't. 985 00:55:30,680 --> 00:55:33,120 Speaker 1: That would be excellent. I'd love that all right. Well, 986 00:55:33,200 --> 00:55:36,040 Speaker 1: for our listeners who might not be familiar with your 987 00:55:36,080 --> 00:55:38,319 Speaker 1: work or where to find you, what would be the 988 00:55:38,360 --> 00:55:40,880 Speaker 1: best way to track down I as actor, you know, 989 00:55:41,040 --> 00:55:44,279 Speaker 1: in a totally friendly kind of way, not a scary 990 00:55:44,400 --> 00:55:46,640 Speaker 1: Liam Neeson kind of way. Right, So, if you want 991 00:55:46,680 --> 00:55:48,520 Speaker 1: to be able to find me on the internet, the 992 00:55:48,520 --> 00:55:51,319 Speaker 1: easiest way is to find me on Twitter. My husue 993 00:55:51,400 --> 00:55:54,160 Speaker 1: name is i As I y A Z. I got 994 00:55:54,160 --> 00:55:57,000 Speaker 1: it early, so I'm usually just i AS on the Internet. 995 00:55:57,160 --> 00:55:59,439 Speaker 1: If you want to find me, like at where I work, 996 00:55:59,680 --> 00:56:02,439 Speaker 1: check see net dot com. I have penn some things 997 00:56:02,480 --> 00:56:04,560 Speaker 1: every now and then I do some videos every now 998 00:56:04,560 --> 00:56:07,880 Speaker 1: and then, uh so check me out and I usually 999 00:56:08,120 --> 00:56:10,040 Speaker 1: mostly Twitter. I just if you want to find out 1000 00:56:10,040 --> 00:56:12,120 Speaker 1: what I'm doing, like second to second and find out 1001 00:56:12,160 --> 00:56:15,680 Speaker 1: what's irritating me today, Twitter is the way to go. 1002 00:56:15,840 --> 00:56:17,440 Speaker 1: There you go. And if you want to get in 1003 00:56:17,480 --> 00:56:19,880 Speaker 1: touch with us, you can send us an email the 1004 00:56:19,920 --> 00:56:23,279 Speaker 1: addresses tech stuff at how stuff works dot com, or 1005 00:56:23,360 --> 00:56:26,400 Speaker 1: you can drop us a line on Twitter or Facebook 1006 00:56:26,719 --> 00:56:30,120 Speaker 1: or Tumbler that's the third one, or handle it all 1007 00:56:30,160 --> 00:56:32,919 Speaker 1: three is tech Stuff H s W. And we will 1008 00:56:32,960 --> 00:56:40,600 Speaker 1: continue this obsolete discussion releases for more on this and 1009 00:56:40,680 --> 00:56:52,879 Speaker 1: thousands of other topics. Does it Works dot Com