WEBVTT - Work in Progress: O-T Fagbenle

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<v Speaker 1>Hey everyone, it's Sophia. Welcome to Work in Progress. Hello friends,

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<v Speaker 1>Welcome back to Work in Progress. Today we are joined

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<v Speaker 1>by an actor that I am such an enormous fan of.

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<v Speaker 1>You likely know him from his award nominated role as

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<v Speaker 1>Luke Bankole in Hulu's groundbreaking drama series The Handmaid's Tale.

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<v Speaker 1>I was obsessed with his character in Presumed Innocent alongside

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<v Speaker 1>Jake jillen Hal, Ruth Naga, and Peter Sarsgard. And he

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<v Speaker 1>was absolutely hysterical in Loot alongside Maya Rudolph, and amazing

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<v Speaker 1>on Netflix's No Good Deed with Lisa Krudiro, Ray Romano

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<v Speaker 1>and Dennis Leary. Ot is here today to talk about art,

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<v Speaker 1>the last season of The Handmaid's Tale, politics, parenthood, and

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<v Speaker 1>everything in between. And I'm going to have to pick

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<v Speaker 1>his brain about what it was like to play former

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<v Speaker 1>President Barack Obama. Let's jump in with Otfat Bentley.

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<v Speaker 2>How we baseball capt it?

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<v Speaker 1>We sure did? I love it? I should have thrown

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<v Speaker 1>my Dodgers hat on.

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<v Speaker 3>Someone closes a gift.

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<v Speaker 2>I don't know anything about baseball.

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<v Speaker 1>Baseball for me is really more about going with friends

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<v Speaker 1>and like getting the hot dog in the beer and

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<v Speaker 1>having the experience.

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<v Speaker 2>I'm not good in.

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<v Speaker 3>Public, like big lots of people, like lots of people

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<v Speaker 3>around it. I'm not I'm such a humbody. I never

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<v Speaker 3>I never really get out very much. I'm a big

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<v Speaker 3>basketball fan, and even like every now and then, like

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<v Speaker 3>some opportunity to go watch your game will come up

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<v Speaker 3>and I'll be like, I'm good in my garage right now.

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<v Speaker 2>Yeah, I mean you can.

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<v Speaker 1>You can see it better on ESPN. Anyway, this is

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<v Speaker 1>what I'm saying.

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<v Speaker 2>I don't even know what the advance.

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<v Speaker 3>I ate uncomfortable seats, you don't get to zee all

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<v Speaker 3>the angles, I don't know where my glasses I'm squinting.

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<v Speaker 1>Well, what we're going to have to do at some

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<v Speaker 1>point is get you to a Liberty game so you

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<v Speaker 1>can see the Girlies play, because Barclay Stadium for that

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<v Speaker 1>team is the most fun I ever have in a crowd.

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<v Speaker 1>And I don't love a crowd either.

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<v Speaker 3>Okay, I have not seen the Liberty play, but I've

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<v Speaker 3>seen plenty of ladies basketball.

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<v Speaker 2>My sister's in the w tell me, yeah, yeah, she's Oh.

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<v Speaker 3>My goodness, it's not an overstatement to say that she

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<v Speaker 3>is the most decorated British basketball player man or woman

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<v Speaker 3>of all time.

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<v Speaker 1>Wow. I thought I was going to ask you all

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<v Speaker 1>about your shows today, and here I am being like,

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<v Speaker 1>what's what's it like to be the brother of one

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<v Speaker 1>of the goats? How does that feel?

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<v Speaker 2>It feels great.

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<v Speaker 3>I remember the first time because we I cover a

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<v Speaker 3>basketball in family, and I remember the first time, like

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<v Speaker 3>she took me down into the post and like, you know,

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<v Speaker 3>like gating the old elbow and like made him lay

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<v Speaker 3>up on me. And I was like, oh, okay, when

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<v Speaker 3>your little sister can dunk, it's a great thing.

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<v Speaker 2>Yeah. We used to play outdoor basketball lot and we

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<v Speaker 2>I take it.

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<v Speaker 3>You know, we go down to the outdoor court and

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<v Speaker 3>there one day in particular, I remember that she was

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<v Speaker 3>wearing like a summer dress and she was just dominating

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<v Speaker 3>and it was just like watching these guys have to

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<v Speaker 3>little bit of someone in a dress taking him down

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<v Speaker 3>and like post.

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<v Speaker 2>Moves on him. It's one of the happiest moments in

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<v Speaker 2>my life.

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<v Speaker 1>Oh my god, what a vibe. Yeah, that feels like

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<v Speaker 1>the next you know, Nike Adidas commercial getting ready to go.

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<v Speaker 2>Oh yeah, that's true. I should pitch it right one.

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<v Speaker 1>I'm like, I'll direct that all right, this is actually

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<v Speaker 1>a perfect segue. Well, first, where are you today? Where

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<v Speaker 1>are you in the world right now?

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<v Speaker 3>I'm in my garage in la in yeah, West Adams.

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<v Speaker 1>Okay, cool? Oh, I love it. Yeah, I went to

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<v Speaker 1>USC so I'll where then I grew it. Well, I

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<v Speaker 1>went for a BFA in theater, all right, and everyone

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<v Speaker 1>was great, by the way, But I you know, at eighteen,

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<v Speaker 1>I think I just sort of thought, is all we're

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<v Speaker 1>going to do? Sit around and question our instincts all day?

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<v Speaker 1>I think this is really starting to make me a

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<v Speaker 1>crazy self conscious person. And so I wound up shifting

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<v Speaker 1>and studying journalism and political science at Annenberg Okay. And

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<v Speaker 1>I loved it because, in this weird way, what it

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<v Speaker 1>did was it took every movie I watched, every play

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<v Speaker 1>that I read, and it made me really think about

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<v Speaker 1>how does it feel grounded? How does it feel real?

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<v Speaker 1>Every one of these stories should be the sort of

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<v Speaker 1>story that might be covered on the news one day, right,

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<v Speaker 1>like anybody's life can can be looked at like that.

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<v Speaker 1>So it gave me this balance that I think I needed.

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<v Speaker 1>You're a drama kid too, Yeah.

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<v Speaker 2>Well I find drama kid. But basically, yes, I think

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<v Speaker 2>probably under any definition.

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<v Speaker 3>I started drama classes when I was around ten and

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<v Speaker 3>then and then I was going to go study economics

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<v Speaker 3>and politics at college. And then I, like, on a whim,

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<v Speaker 3>almost I thought, let me try and see if I

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<v Speaker 3>can get to drama school, which is a very unlikely

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<v Speaker 3>thing to happen, to be honest, because in England back then,

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<v Speaker 3>back in my day, they basically would like audition like

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<v Speaker 3>two thousand people and they would take seventeen boys, and

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<v Speaker 3>each year at rather they would take like one black

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<v Speaker 3>kid like and so yeah, that was the average, and

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<v Speaker 3>so the odds one great. Yeah, and so I didn't

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<v Speaker 3>expect to get in, and then I did get in,

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<v Speaker 3>and I was like, oh, I guess this is now

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<v Speaker 3>the root of my life.

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<v Speaker 2>So we almost went we went different ways.

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<v Speaker 3>You started studying theater and w.

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<v Speaker 2>And I did the opposite.

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<v Speaker 1>So yeah, that's so funny. All right. So that's interesting

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<v Speaker 1>because I always wonder, you know, I sit across from

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<v Speaker 1>somebody like you, and people know your work, they've watched you,

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<v Speaker 1>they have relationships with you based on you know, series

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<v Speaker 1>or films or theater even and I'm always really curious

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<v Speaker 1>if we went back in time, you know, maybe to

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<v Speaker 1>that boy that was watching his sister dunk and address

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<v Speaker 1>if you got to hang out with yourself when you

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<v Speaker 1>were nine or ten years old, now, do you think

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<v Speaker 1>you'd see the man you are today and that kid?

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<v Speaker 1>Do you think you guys would have so much to

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<v Speaker 1>kind of go? Ah, I get it. I see how

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<v Speaker 1>you became this person, and you could look at him

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<v Speaker 1>and go, holy shit, you were always like this.

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<v Speaker 2>You know what?

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<v Speaker 3>And this is I don't know how many of your

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<v Speaker 3>listeners have this, but I don't have a good sense

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<v Speaker 3>of myself as a child. I don't have a very

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<v Speaker 3>good memory for back then. I have scattered pieces, and

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<v Speaker 3>so I feel quite disassociated with my younger self. And

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<v Speaker 3>it sounds weird to say, but my relationship with my

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<v Speaker 3>younger self is similar to my relationship with my stories

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<v Speaker 3>of my granddad before I was born, Like I feel

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<v Speaker 3>connected to it. It's part of my history. But I

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<v Speaker 3>find it's very untutored to think that's me. I don't

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<v Speaker 3>have a strong connection to like there was some kid

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<v Speaker 3>who existed and that kid.

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<v Speaker 2>Grew to become me.

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<v Speaker 3>But I don't, you know, it's not completely like that,

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<v Speaker 3>but it's partly like that. That being said, so, I'm

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<v Speaker 3>always curious and hungry to ask I was my mom,

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<v Speaker 3>my dad, parents and family and Besina what they remember

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<v Speaker 3>of me as a kid. And it seems like it

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<v Speaker 3>checks out. It seems like there was no news departure.

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<v Speaker 3>There was there was consistency, even though there isn't like

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<v Speaker 3>a lot of memory of that consistency.

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<v Speaker 1>Yeah, I get that. It's funny. I have that conversation

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<v Speaker 1>with my family sometimes too. There's there's these sort of

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<v Speaker 1>seminal moments that I remember. But then my parents will

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<v Speaker 1>ask me about things, and sometimes I feel so bad

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<v Speaker 1>when they go, what you don't remember this? And I'm like, no,

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<v Speaker 1>I was probably in the backyard chasing a butterfly. I

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<v Speaker 1>don't know what I was doing, right, I wasn't. It

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<v Speaker 1>wasn't kind of imprinting on me. I think in the

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<v Speaker 1>way it might have for an adult who was conscious

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<v Speaker 1>of a moment in time or their child's achievement. You know. Now,

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<v Speaker 1>I wonder when I look at the kids in my life,

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<v Speaker 1>I'm like, what are you going to remember? Are you

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<v Speaker 1>going to know that you were so obsessed with this

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<v Speaker 1>movie and we had to watch it every night for

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<v Speaker 1>seven months? Like or will it just be a memory

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<v Speaker 1>in the bag. I don't know.

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<v Speaker 3>Yeah, yeah, exactly a lot of them remember to talk

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<v Speaker 3>like you know I have I have a three year

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<v Speaker 3>old and a two year.

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<v Speaker 2>Old and oh super cute.

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<v Speaker 3>But it is interesting just going, oh, you know what

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<v Speaker 3>feels like the majority of my life energy is focused

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<v Speaker 3>towards pouring into them and going oh what does this

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<v Speaker 3>mean that that you won't remember all these tips in

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<v Speaker 3>the part and then you know, like, so what's the

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<v Speaker 3>value of this? And you know, kind of like getting

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<v Speaker 3>through studies and life that oh yeah, well this all

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<v Speaker 3>does go, this all does pay into them, this all

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<v Speaker 3>does develop something. It just won't be memories of like

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<v Speaker 3>a thousand change diapers and that's.

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<v Speaker 2>Weird to think. Yeah.

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<v Speaker 3>And also, you know when adults say to you like, oh,

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<v Speaker 3>you know, I used to change the diaper as a kid.

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<v Speaker 2>There's nothing I find more relevant.

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<v Speaker 3>Than what you used to do for my kids. You know,

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<v Speaker 3>it's like, okay, great, next subject. You know so, and

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<v Speaker 3>it's going to be like that for them, you know, okay, great,

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<v Speaker 3>da dude.

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<v Speaker 2>Totally.

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<v Speaker 1>It's like the thing you would never want to say

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<v Speaker 1>to your auntie or your grandfather is like, do you

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<v Speaker 1>think about it when you piss. Of course you don't.

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<v Speaker 1>Maybies don't think about it, But I think it's so

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<v Speaker 1>fascinating what you're saying. You know that the reality that

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<v Speaker 1>repetitive affection or encouragement or certain kinds of speech create

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<v Speaker 1>safety agency awareness in children. And it's such a trip

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<v Speaker 1>to have littles in your life. My partner's kids are

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<v Speaker 1>four and almost three, and to watch what they become

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<v Speaker 1>based on what they watch, the ways they develop, what

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<v Speaker 1>they're conscious of when things kind of hit them. And

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<v Speaker 1>then you see that milestone day where a thing you've

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<v Speaker 1>repeated a thousand times clicks and then they make this leap.

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<v Speaker 1>It's like, I can't believe we were ever that small. Yeah,

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<v Speaker 1>and then you look around and go, holy shit, now

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<v Speaker 1>we're the grown ups in the room.

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<v Speaker 2>Oh my god, I know the development of consciousness.

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<v Speaker 3>Like one of the things that came to me watching

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<v Speaker 3>my kid grow up is that, like, actually, preference is

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<v Speaker 3>a huge part of personality. Do I like the blue

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<v Speaker 3>of the yellow? Do I like this music? Like dancing

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<v Speaker 3>or not dancing? This feel of that food? And actually,

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<v Speaker 3>like a lot of what one might call personality is

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<v Speaker 3>actually preference, and it's and it's fascinating to me to

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<v Speaker 3>see that at six months old, you know, like that

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<v Speaker 3>straight noodle is absolutely unacceptable, and I will if I

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<v Speaker 3>don't have that, you know, And so where did these

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<v Speaker 3>preferences come from? And you know, it goes one of

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<v Speaker 3>my big fascinations, of philosophical fascinations is free will and

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<v Speaker 3>and what goes to that is choice. Why do we

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<v Speaker 3>make the choices we do? And to what extent can

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<v Speaker 3>we change the choices we make?

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<v Speaker 2>And stuff?

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<v Speaker 1>Yeah, oh that's a nice heavy one. That's a conversation

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<v Speaker 1>I love. I'm curious for you. Where do you think

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<v Speaker 1>when you kind of reflect on that stuff? You know,

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<v Speaker 1>the agency, the choice growing up in a basketball family,

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<v Speaker 1>where do you think your agency or desire around performance

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<v Speaker 1>came from. Were you a really bookish kid. Did you

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<v Speaker 1>love to read and then want to see books come

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<v Speaker 1>to life? Or were you watching movies going I'm going

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<v Speaker 1>to do that.

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<v Speaker 2>You know.

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<v Speaker 3>Again, I don't know a lot of my childhood so

0:11:51.640 --> 0:11:54.000
<v Speaker 3>but but I do get some of a sense that

0:11:54.040 --> 0:11:55.800
<v Speaker 3>I was a bit of performing keep But I also

0:11:55.840 --> 0:11:58.520
<v Speaker 3>come from a family of storytellers. Telling stories is a

0:11:58.520 --> 0:12:00.760
<v Speaker 3>big part of our family, and I come from very

0:12:01.000 --> 0:12:03.680
<v Speaker 3>both my parents are very demonstrative in the way they

0:12:03.679 --> 0:12:04.080
<v Speaker 3>tell sorties.

0:12:04.080 --> 0:12:06.559
<v Speaker 2>So all of that is relatively natural to me.

0:12:06.720 --> 0:12:09.280
<v Speaker 3>But it wasn't always a dream of mine to become

0:12:09.280 --> 0:12:11.880
<v Speaker 3>an actor, Like I was going to do economics and politics.

0:12:11.920 --> 0:12:15.160
<v Speaker 2>So and that's eighteen. So up until that age, it

0:12:15.240 --> 0:12:16.040
<v Speaker 2>never entered my.

0:12:16.080 --> 0:12:19.520
<v Speaker 3>Mind that I would do anything apart from either some

0:12:19.600 --> 0:12:22.319
<v Speaker 3>type of economists, politics, sociology that parent that was my interest,

0:12:22.400 --> 0:12:24.720
<v Speaker 3>or basketball and unfortunately I wasn't skilled or tall enough

0:12:24.720 --> 0:12:25.079
<v Speaker 3>for that one.

0:12:25.160 --> 0:12:30.920
<v Speaker 2>So and so, actually, you know, and it's it's interesting.

0:12:30.960 --> 0:12:34.320
<v Speaker 3>I'm meant, I'm a mentor to some young people, and

0:12:34.400 --> 0:12:37.640
<v Speaker 3>it's interesting this idea of like doing what you're passionate about,

0:12:37.640 --> 0:12:39.640
<v Speaker 3>and of course, like I really liked that thing, but

0:12:39.679 --> 0:12:42.720
<v Speaker 3>it wasn't what I was most passionate about. It was

0:12:42.760 --> 0:12:45.440
<v Speaker 3>what I think I was most uniquely best at, and

0:12:45.520 --> 0:12:48.240
<v Speaker 3>my passion for it grew as.

0:12:48.120 --> 0:12:50.360
<v Speaker 2>I dedicated more and more of my life to it.

0:12:50.520 --> 0:12:53.240
<v Speaker 3>And so so it's interesting because it kind of came

0:12:53.280 --> 0:12:56.320
<v Speaker 3>the other way around to it. I I was I

0:12:56.360 --> 0:13:00.160
<v Speaker 3>had some talent, and then because of that talent, I eventually,

0:13:00.480 --> 0:13:03.960
<v Speaker 3>about six years in, started applying myself and through dedication

0:13:04.400 --> 0:13:07.160
<v Speaker 3>came more passion and passion came dedication in a virtuous circle,

0:13:07.840 --> 0:13:08.600
<v Speaker 3>right right.

0:13:08.679 --> 0:13:12.280
<v Speaker 1>It's like it's like when you learn to till soil,

0:13:12.480 --> 0:13:14.680
<v Speaker 1>the garden is so much more fruitful. Right.

0:13:15.120 --> 0:13:18.439
<v Speaker 3>Well, I know nothing about goding unfortunately, so.

0:13:19.320 --> 0:13:22.400
<v Speaker 1>I don't know a lot about it. But as as

0:13:22.440 --> 0:13:25.080
<v Speaker 1>they do. Now, you know, our devices and our phones

0:13:25.120 --> 0:13:28.200
<v Speaker 1>and everything's always listening. So now that I'm beginning to

0:13:29.400 --> 0:13:31.880
<v Speaker 1>dig a little deeper past the research I did a

0:13:31.880 --> 0:13:34.120
<v Speaker 1>few years ago when I decided I wanted to be

0:13:34.160 --> 0:13:36.720
<v Speaker 1>a beekeeper, and I just wanted to know what would

0:13:36.840 --> 0:13:40.320
<v Speaker 1>please the bees outside. Now I'm trying to learn more

0:13:40.440 --> 0:13:45.640
<v Speaker 1>about how those ecosystems work, and now everything every time

0:13:45.679 --> 0:13:48.480
<v Speaker 1>I open any electronic device, it's like, did you know

0:13:48.559 --> 0:13:51.240
<v Speaker 1>this interesting fact about coastal Rosemary? Would you like to

0:13:51.320 --> 0:13:54.000
<v Speaker 1>learn how to build a vegetable box? And I'm like yes,

0:13:54.120 --> 0:13:55.800
<v Speaker 1>but also this is so creepy.

0:13:56.360 --> 0:13:58.040
<v Speaker 3>Yeah, but you know what I'm what was really mixed

0:13:58.080 --> 0:14:01.240
<v Speaker 3>feeling about these kind of like Bess spoke algorithms, because

0:14:01.240 --> 0:14:03.079
<v Speaker 3>on one side it's creepy, but on the other side, like.

0:14:03.280 --> 0:14:05.560
<v Speaker 2>If you're gonna give me if commercials.

0:14:04.920 --> 0:14:07.160
<v Speaker 3>Are a fact, then don't you I don't want to

0:14:07.160 --> 0:14:09.040
<v Speaker 3>watch a come much about some random thing that's not

0:14:09.080 --> 0:14:11.400
<v Speaker 3>interesting to me, Like, give me a commercial about something

0:14:11.440 --> 0:14:13.640
<v Speaker 3>I'm you know, sometimes I go on someone else's YouTube,

0:14:13.679 --> 0:14:14.920
<v Speaker 3>I'm looking for a video and I'm like.

0:14:14.880 --> 0:14:17.120
<v Speaker 2>What is this trash? Like I'm not interested in that?

0:14:17.360 --> 0:14:17.560
<v Speaker 2>You know.

0:14:17.880 --> 0:14:21.720
<v Speaker 3>So I'm actually not I'm not too against it. Obviously

0:14:22.040 --> 0:14:25.120
<v Speaker 3>at a point it can become like intrusive. But yeah,

0:14:25.200 --> 0:14:27.960
<v Speaker 3>if i'm in bees, give me the bee keeping. So wait,

0:14:28.000 --> 0:14:29.840
<v Speaker 3>why did you Is it an environmental thing or you

0:14:29.840 --> 0:14:30.560
<v Speaker 3>just wanted your own.

0:14:30.480 --> 0:14:33.760
<v Speaker 1>Honey, I had always wanted to do it. I think

0:14:33.800 --> 0:14:38.240
<v Speaker 1>it came from environmental passion. And you know, I grew

0:14:38.320 --> 0:14:41.920
<v Speaker 1>up in LA and I spent most of my childhood

0:14:41.960 --> 0:14:45.200
<v Speaker 1>all up and down you know, central California, California coast.

0:14:45.800 --> 0:14:51.400
<v Speaker 1>I love the mountains and learning about how to sort

0:14:51.400 --> 0:14:53.480
<v Speaker 1>of stand up for nature. It was so important to me.

0:14:54.040 --> 0:14:55.760
<v Speaker 1>And then I just sort of knew I had this

0:14:55.840 --> 0:14:57.640
<v Speaker 1>weird thing where I was like, when I'm grown up,

0:14:57.680 --> 0:15:00.280
<v Speaker 1>I'm going to be a beekeeper. And then my realized, shit,

0:15:00.360 --> 0:15:03.200
<v Speaker 1>I'm a grown up, so maybe I should start. And

0:15:03.240 --> 0:15:05.840
<v Speaker 1>so I decided to plant the things I knew the

0:15:05.880 --> 0:15:09.200
<v Speaker 1>bees would love so that I could work with this

0:15:10.560 --> 0:15:16.000
<v Speaker 1>nonprofit in LA that would bring a beehive over. Essentially,

0:15:16.040 --> 0:15:17.600
<v Speaker 1>you can sign up so when they have to get

0:15:17.600 --> 0:15:20.960
<v Speaker 1>a be a swarm out of like a building or

0:15:21.240 --> 0:15:23.240
<v Speaker 1>somebody's backyard or whatever, they'll bring it.

0:15:23.600 --> 0:15:26.240
<v Speaker 3>I'll just throw it in that way. How much space

0:15:26.280 --> 0:15:28.600
<v Speaker 3>do you need? What's the minimum amount of space to have.

0:15:29.360 --> 0:15:31.640
<v Speaker 1>You don't need a ton of space. What you need

0:15:31.880 --> 0:15:35.720
<v Speaker 1>is they have to go more than three miles from

0:15:35.760 --> 0:15:38.360
<v Speaker 1>where they were taken, or they'll go right back. They

0:15:38.360 --> 0:15:43.520
<v Speaker 1>have really intense basically like b GPS is perfect. And

0:15:45.040 --> 0:15:48.440
<v Speaker 1>so the coolest part of it was I planted this

0:15:48.480 --> 0:15:50.920
<v Speaker 1>whole garden. It was my big COVID project. Is stuck

0:15:50.960 --> 0:15:53.880
<v Speaker 1>at home? What am I going to do? And one

0:15:53.960 --> 0:15:57.040
<v Speaker 1>day the guy's helping me finish these like terraces I

0:15:57.120 --> 0:15:58.760
<v Speaker 1>was doing. Run up to the house and they go,

0:15:59.360 --> 0:16:01.360
<v Speaker 1>we have to stop. We have to stop. There's a

0:16:01.600 --> 0:16:05.760
<v Speaker 1>huge beehive in the base of the woodpile. And now

0:16:05.760 --> 0:16:07.760
<v Speaker 1>that we've gotten down there, we see it. We don't

0:16:07.760 --> 0:16:08.960
<v Speaker 1>know how long they've been there. We have to call

0:16:09.000 --> 0:16:12.840
<v Speaker 1>an exterminator. And I was like, I was like, this

0:16:12.920 --> 0:16:15.440
<v Speaker 1>is my field of dreams. I built it and they

0:16:15.520 --> 0:16:21.680
<v Speaker 1>came Wow. So we rescued my own bees. Wow, the

0:16:21.840 --> 0:16:24.000
<v Speaker 1>not to go for No, it's crazy. And what I

0:16:24.040 --> 0:16:26.640
<v Speaker 1>learned is you can only move them up to twenty

0:16:26.720 --> 0:16:30.520
<v Speaker 1>four inches a day, because essentially it's like they think

0:16:30.520 --> 0:16:32.160
<v Speaker 1>they've come home a little drunk and they can't get

0:16:32.160 --> 0:16:34.160
<v Speaker 1>their key in the front door. They're like, wait a second,

0:16:34.720 --> 0:16:37.120
<v Speaker 1>this isn't this my house? Oh yeah, this is my house.

0:16:37.440 --> 0:16:39.480
<v Speaker 1>But if you move them any more than that, they'll

0:16:39.480 --> 0:16:41.560
<v Speaker 1>just start to rebuild the hive right where it was,

0:16:41.920 --> 0:16:44.760
<v Speaker 1>Or if you move them more than three miles, it

0:16:44.840 --> 0:16:46.400
<v Speaker 1>resets them and they'll stay put.

0:16:46.920 --> 0:16:47.680
<v Speaker 2>We can't get back.

0:16:48.200 --> 0:16:50.920
<v Speaker 3>One of my other one of my interests, which I

0:16:50.920 --> 0:16:53.720
<v Speaker 3>wish I was smarter about, is like being intelligence, like

0:16:53.800 --> 0:16:56.920
<v Speaker 3>ads intelligence. I feel like the metrics and the way

0:16:57.000 --> 0:17:01.480
<v Speaker 3>we kind of like conceive of intelligence just isn't appropriate

0:17:01.720 --> 0:17:04.600
<v Speaker 3>for the way bees and ants and but it's just

0:17:04.720 --> 0:17:07.360
<v Speaker 3>clear that they have all the hallmarks of what we think,

0:17:07.400 --> 0:17:12.080
<v Speaker 3>you know, problem solving and normal situations and like the adaptability,

0:17:12.119 --> 0:17:14.760
<v Speaker 3>and it's just I'm just fascinated by it because I

0:17:14.760 --> 0:17:18.400
<v Speaker 3>can't bring my head around to properly conceive of how

0:17:18.680 --> 0:17:21.320
<v Speaker 3>their intelligence collective intelligence works.

0:17:21.880 --> 0:17:25.600
<v Speaker 1>It's truly incredible and by the way, knowing that you

0:17:26.240 --> 0:17:31.480
<v Speaker 1>have a passion for politics, as do I bees are studying.

0:17:31.520 --> 0:17:34.000
<v Speaker 1>Bees will teach you so much about how we should live.

0:17:34.720 --> 0:17:37.680
<v Speaker 1>They work as such a team and as such a unit,

0:17:37.720 --> 0:17:41.320
<v Speaker 1>and their hives are these societies and everybody takes roles.

0:17:41.400 --> 0:17:45.840
<v Speaker 1>And I remember, you know, during the fires, not at

0:17:45.840 --> 0:17:48.080
<v Speaker 1>the top of this year, but probably three or four

0:17:48.160 --> 0:17:51.320
<v Speaker 1>years ago, there was a crazy fire season in LA

0:17:51.560 --> 0:17:54.240
<v Speaker 1>that backed up to summer, so it was like over

0:17:54.280 --> 0:17:57.720
<v Speaker 1>one hundred degrees out and the bees would line up

0:17:57.800 --> 0:18:00.520
<v Speaker 1>on the edge of the hive and flap their wings

0:18:00.560 --> 0:18:04.520
<v Speaker 1>to blow colder air inside to cool the hive and

0:18:04.680 --> 0:18:07.720
<v Speaker 1>keep the queen safe. And they would take turns, almost

0:18:07.720 --> 0:18:11.520
<v Speaker 1>like penguins do in the freezing cold, you know, going

0:18:11.680 --> 0:18:14.119
<v Speaker 1>to the outside of the huddle to keep each other warm.

0:18:14.160 --> 0:18:17.239
<v Speaker 1>And I was like, wow, they really just know how

0:18:17.280 --> 0:18:19.639
<v Speaker 1>to show up for each other emotional.

0:18:20.640 --> 0:18:23.280
<v Speaker 2>Yeah, that is incredible, My goodness cool.

0:18:23.720 --> 0:18:26.679
<v Speaker 1>And I don't know, maybe maybe it really resonates with

0:18:26.760 --> 0:18:31.040
<v Speaker 1>me too, because for us as actors, you know, you're

0:18:31.080 --> 0:18:33.200
<v Speaker 1>just one of the many hundreds of people on a set,

0:18:33.320 --> 0:18:36.199
<v Speaker 1>right I think special magic.

0:18:38.359 --> 0:18:41.000
<v Speaker 2>I'm the queen bee.

0:18:41.080 --> 0:18:44.719
<v Speaker 3>Okay, I kind of got a wake up goal. When

0:18:44.760 --> 0:18:46.840
<v Speaker 3>I did my first short film, which is like over

0:18:46.880 --> 0:18:50.199
<v Speaker 3>a decade ago now, and I did think the actors

0:18:50.200 --> 0:18:51.200
<v Speaker 3>were special in the set.

0:18:51.240 --> 0:18:53.639
<v Speaker 2>I think were consciously or unconsciously. I was just like,

0:18:53.840 --> 0:18:55.600
<v Speaker 2>I'm a very important part of this situation.

0:18:56.040 --> 0:19:00.280
<v Speaker 3>And then I made this short film and it really

0:19:00.359 --> 0:19:03.680
<v Speaker 3>just humbled me because being a director, all the things

0:19:03.680 --> 0:19:07.160
<v Speaker 3>that actors complain about, like being brought in like three

0:19:07.160 --> 0:19:10.800
<v Speaker 3>hours before your the scene starts, and you know, and

0:19:10.800 --> 0:19:13.600
<v Speaker 3>then all the other people on the set, the focus pullar,

0:19:13.720 --> 0:19:15.960
<v Speaker 3>the sound guy, all of these people are.

0:19:15.840 --> 0:19:17.080
<v Speaker 2>As important to me as my actors.

0:19:17.080 --> 0:19:19.640
<v Speaker 3>And yeah, sure my act is super important, but if

0:19:19.640 --> 0:19:22.080
<v Speaker 3>you have to wait around, mis director while we wait

0:19:22.119 --> 0:19:25.159
<v Speaker 3>for you're can wait around. And it just it really

0:19:25.280 --> 0:19:28.959
<v Speaker 3>just kind of like opened my eyes, my little yeah

0:19:29.280 --> 0:19:33.119
<v Speaker 3>yeah selfcized to like, oh, there is a bigger picture

0:19:33.160 --> 0:19:34.040
<v Speaker 3>out here and you are.

0:19:34.080 --> 0:19:37.840
<v Speaker 1>Just one b in the high that's it. It really

0:19:37.920 --> 0:19:40.399
<v Speaker 1>is a hive and it has to function as a system.

0:19:40.800 --> 0:19:43.120
<v Speaker 1>And now a word from our sponsors that I really

0:19:43.240 --> 0:19:52.479
<v Speaker 1>enjoy and I think you will too. I remember not

0:19:52.520 --> 0:19:57.520
<v Speaker 1>necessarily being disillusioned with our job, but on my first show,

0:19:57.680 --> 0:20:00.360
<v Speaker 1>which you know, we thought would go two or three years,

0:20:00.400 --> 0:20:03.280
<v Speaker 1>and then we did nine seasons like when do you

0:20:03.320 --> 0:20:06.639
<v Speaker 1>ever know that's going to happen? In our seventh season,

0:20:06.640 --> 0:20:10.760
<v Speaker 1>I started directing okay, and in the most interesting way,

0:20:11.000 --> 0:20:14.400
<v Speaker 1>it made the whole show, even though we were seven

0:20:14.520 --> 0:20:17.159
<v Speaker 1>years into this place, these characters. It made the whole

0:20:17.200 --> 0:20:19.920
<v Speaker 1>thing feel brand new for me. It made me feel

0:20:20.000 --> 0:20:24.919
<v Speaker 1>so inspired, so lucky to do what we do it.

0:20:24.920 --> 0:20:29.320
<v Speaker 1>It sort of felt like it really expanded my creativity.

0:20:30.040 --> 0:20:33.280
<v Speaker 1>I'm envious that you got to do that so early

0:20:33.320 --> 0:20:35.800
<v Speaker 1>in your career as a director on a short because

0:20:35.800 --> 0:20:38.760
<v Speaker 1>it's just it changes you, I think in the best way.

0:20:39.320 --> 0:20:40.479
<v Speaker 2>Yeah, it's really interesting.

0:20:40.560 --> 0:20:43.080
<v Speaker 3>I like I'm I think one of the things I

0:20:43.200 --> 0:20:45.800
<v Speaker 3>like about life is diynastic, Like I like trying new things.

0:20:45.880 --> 0:20:48.199
<v Speaker 3>And I found that there's just lots of stuff that

0:20:48.240 --> 0:20:50.879
<v Speaker 3>I'm not good at. You know, I'm not particularly good dancer,

0:20:51.040 --> 0:20:53.920
<v Speaker 3>Like I mean a dancefall and have a good time.

0:20:53.960 --> 0:20:55.960
<v Speaker 3>But if you want to teach me tap, I like,

0:20:55.960 --> 0:20:57.320
<v Speaker 3>I try to learn how to tip it. Just I

0:20:57.400 --> 0:21:00.760
<v Speaker 3>just didn't come intuitively. Directing was very intuitive to me.

0:21:00.840 --> 0:21:03.600
<v Speaker 3>It was like it was this rare experience that you

0:21:03.640 --> 0:21:05.840
<v Speaker 3>get every now in life where you go, oh, my God.

0:21:05.720 --> 0:21:08.320
<v Speaker 2>I really like this. I found the thing I really

0:21:08.640 --> 0:21:10.480
<v Speaker 2>like and I.

0:21:10.440 --> 0:21:14.920
<v Speaker 3>Think passion is really the precursors to talent, and so yeah,

0:21:14.960 --> 0:21:17.119
<v Speaker 3>it was wonderful for me. My first short film. We

0:21:17.200 --> 0:21:20.160
<v Speaker 3>had a budget of fifty dollars. We spent forty dollars

0:21:20.200 --> 0:21:23.080
<v Speaker 3>on pizza you gotta feed people, and ten dollars on

0:21:23.119 --> 0:21:27.120
<v Speaker 3>a stick to hold a microphone that I borrowed. And yeah,

0:21:27.160 --> 0:21:29.399
<v Speaker 3>and it was it was real, real low budget stuff,

0:21:29.400 --> 0:21:32.240
<v Speaker 3>but it was. Yeah, it was a real transcendent experience

0:21:32.240 --> 0:21:32.480
<v Speaker 3>for me.

0:21:33.160 --> 0:21:36.840
<v Speaker 1>That's so cool. I think about early career stuff and

0:21:36.920 --> 0:21:41.160
<v Speaker 1>I read in an article prepping for today, you were

0:21:41.160 --> 0:21:45.359
<v Speaker 1>talking about, you know, being thirty and wanting to stop

0:21:45.480 --> 0:21:48.080
<v Speaker 1>landing these guest roles and go for these bigger parts,

0:21:48.080 --> 0:21:51.920
<v Speaker 1>you know, expanding yourself as an actor. And you told

0:21:51.920 --> 0:21:55.000
<v Speaker 1>the story of like, you know, a hundred auditions and

0:21:55.080 --> 0:21:57.400
<v Speaker 1>no callbacks, and I was like, honey, oh my god.

0:21:57.640 --> 0:21:59.960
<v Speaker 1>It took me right back to my first pilot season,

0:22:01.040 --> 0:22:04.840
<v Speaker 1>probably one hundred auditions, you know, running around La panic,

0:22:07.200 --> 0:22:12.080
<v Speaker 1>like how do you how do you think now having

0:22:12.080 --> 0:22:14.280
<v Speaker 1>the career that you do and having done these amazing

0:22:14.920 --> 0:22:18.640
<v Speaker 1>projects that you've been on and reflecting on that early directing.

0:22:19.119 --> 0:22:23.919
<v Speaker 1>Do you think that those early experiences helped keep you

0:22:24.160 --> 0:22:27.399
<v Speaker 1>focused in a way or do you think you just

0:22:27.480 --> 0:22:33.400
<v Speaker 1>had that sort of young person's determination that I think

0:22:33.440 --> 0:22:35.960
<v Speaker 1>we all had to have to survive to get here.

0:22:37.280 --> 0:22:40.480
<v Speaker 3>I mean, look, I don't know, really I know how

0:22:40.520 --> 0:22:44.400
<v Speaker 3>to answer that. I am a pretty driven person and

0:22:45.760 --> 0:22:48.160
<v Speaker 3>I find it hard to be too idle for too long,

0:22:48.240 --> 0:22:50.639
<v Speaker 3>and so I'm going to put my energies into something.

0:22:51.000 --> 0:22:54.760
<v Speaker 2>And there is a point where I could give up acting.

0:22:54.560 --> 0:22:56.800
<v Speaker 3>Like where I was like, Okay, well it's just not working,

0:22:56.800 --> 0:22:58.879
<v Speaker 3>and I need to be able to be self sufficient

0:22:58.960 --> 0:23:01.399
<v Speaker 3>and you know, I've a big bird, and stolen is

0:23:01.440 --> 0:23:02.400
<v Speaker 3>not working, and.

0:23:02.359 --> 0:23:03.199
<v Speaker 2>So I give it. You know.

0:23:03.240 --> 0:23:06.160
<v Speaker 3>So there is stuff I could have faced which could

0:23:06.160 --> 0:23:07.920
<v Speaker 3>have turned me back, but it would be a pretty

0:23:07.960 --> 0:23:12.200
<v Speaker 3>high mounted and so and also I didn't have.

0:23:12.400 --> 0:23:14.119
<v Speaker 2>For most of my career up to that point. When

0:23:14.160 --> 0:23:15.680
<v Speaker 2>I turned thirty, I would just do anything.

0:23:15.760 --> 0:23:18.359
<v Speaker 3>In the children's theater I did, and I did THEATA

0:23:18.359 --> 0:23:20.640
<v Speaker 3>in old people's homes I did, you know, like and

0:23:20.680 --> 0:23:23.879
<v Speaker 3>so the most important thing for I was doing shorts

0:23:23.920 --> 0:23:25.520
<v Speaker 3>that I was paying to be part of. I was

0:23:25.520 --> 0:23:29.000
<v Speaker 3>doing class. I was still doing acting classes, like I

0:23:29.119 --> 0:23:32.720
<v Speaker 3>was very I was always involved and engaged creatively, and

0:23:32.760 --> 0:23:36.639
<v Speaker 3>I think that helps not become too disillusioned, because if

0:23:36.640 --> 0:23:39.320
<v Speaker 3>you can become completely divorced from your creative outlets, then

0:23:39.359 --> 0:23:41.359
<v Speaker 3>I think that that can feel like a death.

0:23:42.040 --> 0:23:45.480
<v Speaker 1>Yeah, that's a beautiful way to think about it. What

0:23:45.600 --> 0:23:50.199
<v Speaker 1>was it like auditioning then for The Handmaid's Tale? Because

0:23:50.640 --> 0:23:52.879
<v Speaker 1>now your seven season you know the show is seven

0:23:52.920 --> 0:23:58.000
<v Speaker 1>seasons in, which is so crazy? Yeah, and yeah, how

0:23:58.040 --> 0:24:00.399
<v Speaker 1>did it? Did you know then? But because it was

0:24:00.400 --> 0:24:03.080
<v Speaker 1>an adaptation of the book, like did it already feel

0:24:03.080 --> 0:24:05.200
<v Speaker 1>it like it was going to be a really big deal?

0:24:05.359 --> 0:24:08.160
<v Speaker 1>Was it nerve wracking or or did you have that

0:24:08.160 --> 0:24:10.000
<v Speaker 1>that sort of energy on and go, No, I know

0:24:10.119 --> 0:24:10.720
<v Speaker 1>this is for me.

0:24:11.280 --> 0:24:14.680
<v Speaker 3>Oh I know really, I know when when I can

0:24:14.800 --> 0:24:16.639
<v Speaker 3>do a part like the times I read it and

0:24:16.720 --> 0:24:19.119
<v Speaker 3>be like, I'm going to do my thing on that.

0:24:19.200 --> 0:24:21.320
<v Speaker 3>Now you may not want my thing, but I'm going

0:24:21.359 --> 0:24:25.520
<v Speaker 3>to get to do my thing on this. And but anyway,

0:24:25.560 --> 0:24:28.680
<v Speaker 3>all that to be said, look, you had lots of

0:24:28.720 --> 0:24:30.280
<v Speaker 3>people face us now and you put yourself on tape

0:24:30.280 --> 0:24:32.080
<v Speaker 3>and it's like it's thrown into the ocean and just

0:24:32.080 --> 0:24:33.480
<v Speaker 3>like never hear anything back and you're.

0:24:33.400 --> 0:24:34.320
<v Speaker 1>Like the weirdest.

0:24:34.680 --> 0:24:34.960
<v Speaker 2>Yeah.

0:24:35.000 --> 0:24:38.879
<v Speaker 3>And so this was just another self tape that I

0:24:38.920 --> 0:24:41.640
<v Speaker 3>was doing. And I had a great actress friend of mine,

0:24:41.680 --> 0:24:43.679
<v Speaker 3>Nikki and kummer Bird, who put me on tape. And

0:24:43.680 --> 0:24:45.520
<v Speaker 3>she's great because she's a person just like make me

0:24:45.520 --> 0:24:47.239
<v Speaker 3>do another take and another take, another thing, evenough I'm

0:24:47.280 --> 0:24:47.399
<v Speaker 3>like I.

0:24:47.400 --> 0:24:49.639
<v Speaker 2>Think we've got it, just do another one and changes.

0:24:50.200 --> 0:24:53.760
<v Speaker 2>So I had that and anyway I sent it out.

0:24:53.880 --> 0:24:56.840
<v Speaker 3>One thing that I did have though, is that read Marana,

0:24:56.840 --> 0:24:58.840
<v Speaker 3>who was the director I'd worked with actually the DP

0:24:59.000 --> 0:25:01.320
<v Speaker 3>on on a little I've done before, and so I

0:25:01.400 --> 0:25:02.600
<v Speaker 3>kind of had reached out to her.

0:25:02.640 --> 0:25:05.360
<v Speaker 2>And I think sometimes lots of those.

0:25:05.240 --> 0:25:08.280
<v Speaker 3>Kind of like cross but you know, they can cross

0:25:08.320 --> 0:25:12.439
<v Speaker 3>pollination that can help something go. But when I was

0:25:12.520 --> 0:25:17.560
<v Speaker 3>offered it, Lizy Moss wasn't who Lizzie Moss is now,

0:25:18.359 --> 0:25:18.600
<v Speaker 3>you know.

0:25:18.920 --> 0:25:22.639
<v Speaker 2>And Hulu wasn't what it is now, I mean if he.

0:25:22.840 --> 0:25:26.760
<v Speaker 3>Past remember, but Hulu won the very first Emmy for

0:25:26.880 --> 0:25:31.480
<v Speaker 3>Best Drama Series. So so with Handmade's Tales, so I

0:25:31.600 --> 0:25:34.399
<v Speaker 3>e before then they were not on the map.

0:25:34.520 --> 0:25:39.399
<v Speaker 2>They were they were nowhere, so far from like feeling like,

0:25:39.400 --> 0:25:40.760
<v Speaker 2>oh this is the one to be honest. When I

0:25:40.800 --> 0:25:42.800
<v Speaker 2>first got offered it, I was like, okay, great, and I.

0:25:42.800 --> 0:25:46.680
<v Speaker 3>Said to my agent, so nothing, nothing else, right, We're

0:25:46.720 --> 0:25:47.480
<v Speaker 3>definitely sure.

0:25:48.119 --> 0:25:51.000
<v Speaker 2>This is great great. I was happy about it. It

0:25:51.040 --> 0:25:51.959
<v Speaker 2>was great source of material.

0:25:52.000 --> 0:25:55.800
<v Speaker 3>I wanted to work with Read again because she's extraordinary,

0:25:56.000 --> 0:25:58.240
<v Speaker 3>but there was no sense of what it would be

0:25:58.400 --> 0:25:59.960
<v Speaker 3>or how long it would go or anything like that.

0:26:00.680 --> 0:26:03.199
<v Speaker 1>Yeah, oh what a trip. I'm such a fan of

0:26:03.240 --> 0:26:05.240
<v Speaker 1>Reads as well. It's cool to hear.

0:26:05.119 --> 0:26:07.560
<v Speaker 2>That you guys work together.

0:26:08.080 --> 0:26:11.320
<v Speaker 1>Yeah, So what is it? What is it like now?

0:26:11.359 --> 0:26:14.840
<v Speaker 1>I mean, you know the show, you're preparing for it

0:26:14.880 --> 0:26:19.080
<v Speaker 1>to come to an end, and obviously the whole dynamic,

0:26:19.440 --> 0:26:22.160
<v Speaker 1>as you said, of the show and the streaming platform

0:26:22.200 --> 0:26:26.600
<v Speaker 1>itself and all of it has exploded and changed. Is

0:26:26.600 --> 0:26:29.639
<v Speaker 1>it bittersweet? You know? I imagine part of you is

0:26:29.640 --> 0:26:33.240
<v Speaker 1>ready for the next thing, for more freedom, But then

0:26:33.280 --> 0:26:36.240
<v Speaker 1>it's also this incredible thing you've all been doing in

0:26:36.359 --> 0:26:40.560
<v Speaker 1>this cultural phenomenon and this reflection on society, and like

0:26:41.320 --> 0:26:41.919
<v Speaker 1>it's big.

0:26:42.720 --> 0:26:43.760
<v Speaker 2>Yeah, I know. You know what?

0:26:44.040 --> 0:26:47.960
<v Speaker 3>Because I asked this question, variations of it quite a lot,

0:26:48.000 --> 0:26:51.439
<v Speaker 3>and I guess my intuitions about it seemed to be

0:26:51.440 --> 0:26:53.679
<v Speaker 3>different from what the question implies, which is that I

0:26:53.760 --> 0:26:57.040
<v Speaker 3>don't have much of a sense of it ending, which

0:26:57.080 --> 0:26:59.680
<v Speaker 3>is I mean, number one, my last day on set

0:26:59.840 --> 0:27:02.200
<v Speaker 3>was five months ago, you know or whatever, six months

0:27:02.440 --> 0:27:04.440
<v Speaker 3>like and so, and since then, I've I've worked on

0:27:04.480 --> 0:27:06.400
<v Speaker 3>three other projects and I was working on another you.

0:27:06.320 --> 0:27:09.160
<v Speaker 2>Know, so so so the sense of Okay, what they

0:27:09.160 --> 0:27:11.560
<v Speaker 2>did it end? Well, it kind of ended six months ago.

0:27:11.960 --> 0:27:17.400
<v Speaker 3>But but in a weird way, I don't feel it's

0:27:17.640 --> 0:27:21.560
<v Speaker 3>ending because I feel like what it is for me

0:27:22.840 --> 0:27:27.080
<v Speaker 3>is the experiences I've had with the cast and the crew,

0:27:27.200 --> 0:27:29.879
<v Speaker 3>the experience I've had growing as an artist with the material.

0:27:30.840 --> 0:27:35.560
<v Speaker 2>And so that's what it is. And so that is

0:27:35.680 --> 0:27:38.560
<v Speaker 2>with me, like that glan end.

0:27:38.720 --> 0:27:42.800
<v Speaker 3>And so look the paycheck I got on the last thing, Okay,

0:27:42.800 --> 0:27:44.879
<v Speaker 3>that's gonna I'm gonna have to find a new paycheck.

0:27:44.960 --> 0:27:47.080
<v Speaker 3>And so when I missed the guaranteed that, yeah, I

0:27:47.080 --> 0:27:48.960
<v Speaker 3>can miss that. But that's not what people are talking

0:27:48.960 --> 0:27:50.960
<v Speaker 3>about when it's like a you're gonna miss it and

0:27:50.960 --> 0:27:51.639
<v Speaker 3>and so.

0:27:51.800 --> 0:27:54.520
<v Speaker 2>And for me, I honest I haven't watched most of

0:27:54.560 --> 0:27:54.920
<v Speaker 2>the show.

0:27:55.480 --> 0:27:58.040
<v Speaker 1>And because you've been making it, I've been.

0:27:57.920 --> 0:28:00.399
<v Speaker 2>Making and I and that's my relationship with it.

0:28:00.480 --> 0:28:02.560
<v Speaker 3>My relationship is with the scripts and with the cast

0:28:02.600 --> 0:28:05.720
<v Speaker 3>and the crew and the sets and so so.

0:28:05.720 --> 0:28:08.359
<v Speaker 2>So the thing that I like to think, will I

0:28:08.520 --> 0:28:09.320
<v Speaker 2>miss it? Like this?

0:28:09.520 --> 0:28:12.240
<v Speaker 3>Coolzzy? I mean, I was just texting with Amanda yesterday

0:28:12.320 --> 0:28:15.600
<v Speaker 3>like I'm gonna really miss them, and I'm hopefully we'll

0:28:15.600 --> 0:28:17.960
<v Speaker 3>do other projects together. And sometimes it's two years before

0:28:17.960 --> 0:28:20.679
<v Speaker 3>Handmad's seasons. So anyway, I guess all of us to

0:28:20.720 --> 0:28:25.120
<v Speaker 3>say is that my there is in me personally, there's

0:28:25.119 --> 0:28:27.760
<v Speaker 3>no sense of morning. There's great gratitude.

0:28:28.640 --> 0:28:31.800
<v Speaker 2>We did it. We did it. You know what was itever?

0:28:32.119 --> 0:28:34.760
<v Speaker 2>You know? Okay, great, so it ended well, that's the best.

0:28:35.960 --> 0:28:38.280
<v Speaker 1>Yeah, it's true. It's really beautiful. And I think it

0:28:38.440 --> 0:28:42.320
<v Speaker 1>is interesting to think about because it is a streaming show.

0:28:42.360 --> 0:28:45.280
<v Speaker 1>To your point, the end is much longer. It's not

0:28:45.320 --> 0:28:48.400
<v Speaker 1>like you're finishing a season of a crime drama on

0:28:48.760 --> 0:28:52.400
<v Speaker 1>CBS and then three weeks later the finale airs and

0:28:52.440 --> 0:28:54.320
<v Speaker 1>you're still moving out of your apartment and then it's

0:28:54.360 --> 0:28:57.840
<v Speaker 1>over forever. Like you get a much longer tail with

0:28:57.960 --> 0:29:01.480
<v Speaker 1>something like this. It's cool. Yeah, was it a neat

0:29:01.560 --> 0:29:08.000
<v Speaker 1>thing in these latter years, not just working with Lizzie

0:29:08.120 --> 0:29:10.520
<v Speaker 1>you know who you talk about being so exceptional. I

0:29:10.400 --> 0:29:13.920
<v Speaker 1>imagine you built such an intimacy and a rapport as

0:29:14.720 --> 0:29:18.840
<v Speaker 1>you know, castmates, coworkers' friends with her playing your wife.

0:29:19.320 --> 0:29:22.920
<v Speaker 1>But in the end, to circle back to our Queen

0:29:22.960 --> 0:29:27.080
<v Speaker 1>Bee theory, she also started directing. What was that like,

0:29:27.480 --> 0:29:32.160
<v Speaker 1>you know, to get to expand your creative relationship with

0:29:32.200 --> 0:29:34.240
<v Speaker 1>each other while she was in the director's chair.

0:29:34.600 --> 0:29:38.040
<v Speaker 2>Well, when she first started, you know, the sense of

0:29:38.080 --> 0:29:42.120
<v Speaker 2>it is that you just want to support her, You

0:29:42.200 --> 0:29:46.080
<v Speaker 2>want her to win, and there is a real camaraderie

0:29:46.120 --> 0:29:47.880
<v Speaker 2>amongst the cast and crew, like we are here for

0:29:47.920 --> 0:29:50.240
<v Speaker 2>each other, we're here for the material and like, so.

0:29:50.240 --> 0:29:53.840
<v Speaker 3>Lizi's directing, great, how can we support you in this

0:29:54.200 --> 0:29:54.600
<v Speaker 3>times out?

0:29:54.680 --> 0:29:55.400
<v Speaker 2>She didn't need our.

0:29:55.400 --> 0:29:58.479
<v Speaker 3>Support, Cocau. She was just an absolute natural and nailed

0:29:58.480 --> 0:30:01.880
<v Speaker 3>it visually. And I think, you know, with the actors

0:30:01.920 --> 0:30:04.720
<v Speaker 3>and stuff, and what I come came to find is

0:30:05.320 --> 0:30:07.880
<v Speaker 3>that I had some of my best performances with her

0:30:08.240 --> 0:30:13.320
<v Speaker 3>as director because she kind of understood my process as

0:30:13.360 --> 0:30:17.360
<v Speaker 3>an actor. And it's like, I don't know, it's stupid stuff,

0:30:17.480 --> 0:30:21.480
<v Speaker 3>Like very often my best take is after I feel

0:30:21.520 --> 0:30:24.400
<v Speaker 3>like they've directed, has got what they want, you know,

0:30:24.400 --> 0:30:27.640
<v Speaker 3>my people, please I'm just like you, and then you

0:30:27.680 --> 0:30:29.840
<v Speaker 3>tell me okay, well then you could do anything. And

0:30:29.880 --> 0:30:33.680
<v Speaker 3>then and very often it's then when something will catch.

0:30:33.720 --> 0:30:35.680
<v Speaker 3>And so she knows me well enough almost that she's

0:30:35.720 --> 0:30:37.800
<v Speaker 3>almost like quite early on, she kind of pushes me

0:30:37.840 --> 0:30:39.600
<v Speaker 3>to be a bit more better, and so lots of

0:30:39.720 --> 0:30:42.840
<v Speaker 3>little nuanced type things like that where she can help

0:30:42.880 --> 0:30:43.960
<v Speaker 3>people out the best of me.

0:30:44.240 --> 0:30:45.160
<v Speaker 2>It's great work with it.

0:30:45.840 --> 0:30:50.040
<v Speaker 1>I love that, And it's really nice to hear, not

0:30:50.200 --> 0:30:51.840
<v Speaker 1>just hear you, I mean i'm you know, for our

0:30:51.920 --> 0:30:54.200
<v Speaker 1>listener friends out there in the ethers. I get to

0:30:54.200 --> 0:30:56.360
<v Speaker 1>look at you while we're talking as well, and it's

0:30:56.440 --> 0:30:58.160
<v Speaker 1>nice to see the way your face lights up when

0:30:58.160 --> 0:31:03.120
<v Speaker 1>you talk about that creative relationship and the energy on

0:31:03.200 --> 0:31:07.920
<v Speaker 1>set and being seen, especially because you know, as a viewer,

0:31:07.960 --> 0:31:12.680
<v Speaker 1>as a fan, the world is so dystopian and the

0:31:12.800 --> 0:31:17.120
<v Speaker 1>experience that women in this world have with men is

0:31:17.720 --> 0:31:21.080
<v Speaker 1>by and large so terrible. It's sort of gorgeous to

0:31:21.120 --> 0:31:23.160
<v Speaker 1>hear about how nice it is for you guys as

0:31:23.240 --> 0:31:26.360
<v Speaker 1>real people. Because yes, as an actor, your job is

0:31:26.440 --> 0:31:29.400
<v Speaker 1>to service the material. You have to play the shit

0:31:29.480 --> 0:31:31.440
<v Speaker 1>out of somebody, whether it's the lead in a rom

0:31:31.560 --> 0:31:34.120
<v Speaker 1>com or a serial killer, but it can be so

0:31:34.440 --> 0:31:40.760
<v Speaker 1>heavy to I think, wade through material this grave and

0:31:41.440 --> 0:31:45.719
<v Speaker 1>I don't know. As another actor, I'm so touched watching

0:31:45.760 --> 0:31:47.960
<v Speaker 1>you Grinn talking about how great she is and how

0:31:47.960 --> 0:31:50.120
<v Speaker 1>you guys get each other and you speak the same language,

0:31:50.160 --> 0:31:52.560
<v Speaker 1>because you know, a lot of what you have to

0:31:52.600 --> 0:31:56.240
<v Speaker 1>portray for those of us who watch you is so gnarly.

0:32:00.320 --> 0:32:02.400
<v Speaker 1>How do you make space for that? You know? How

0:32:02.400 --> 0:32:07.880
<v Speaker 1>do you Is that sort of surreal? Especially I know

0:32:07.920 --> 0:32:09.920
<v Speaker 1>you can't take it personally, you know it's not you,

0:32:10.000 --> 0:32:12.720
<v Speaker 1>but but also is it weird at moments to be

0:32:12.800 --> 0:32:16.480
<v Speaker 1>aware of, you know, being a man in that in

0:32:16.560 --> 0:32:17.880
<v Speaker 1>that version of the world.

0:32:18.440 --> 0:32:19.080
<v Speaker 2>Yeah, I didn't know.

0:32:19.160 --> 0:32:24.080
<v Speaker 3>It's hard to because I guess when I'm Luke, I'm

0:32:24.120 --> 0:32:27.600
<v Speaker 3>inhabiting his perspective of the world, and when I'm me,

0:32:27.760 --> 0:32:30.560
<v Speaker 3>and it's I sometimes get And also my processes is

0:32:30.560 --> 0:32:32.960
<v Speaker 3>that I when I'm acting, I always speak as like

0:32:33.040 --> 0:32:35.600
<v Speaker 3>I don't ever say that even me just say now

0:32:35.640 --> 0:32:38.720
<v Speaker 3>when I'm Luke, my Nuttings can say I like I

0:32:40.120 --> 0:32:42.640
<v Speaker 3>do this my wife's you know, like that's the So

0:32:43.240 --> 0:32:45.240
<v Speaker 3>it's hard sometimes for me to differentiate.

0:32:45.320 --> 0:32:47.320
<v Speaker 2>So it's like, oh, me and the world of handmaids

0:32:47.320 --> 0:32:47.520
<v Speaker 2>and me.

0:32:47.560 --> 0:32:49.920
<v Speaker 3>Out the world of having I guess look the overall

0:32:50.000 --> 0:32:52.440
<v Speaker 3>and Tom stomachs this Do's answer your question is just

0:32:52.480 --> 0:32:56.400
<v Speaker 3>that I try and stay woke. I try and say

0:32:56.400 --> 0:33:00.320
<v Speaker 3>informed about like what's going on in the world. But

0:33:00.400 --> 0:33:04.360
<v Speaker 3>my energies and focus go to where are the places

0:33:04.400 --> 0:33:07.400
<v Speaker 3>that I have levers of influence? Where can I make

0:33:07.560 --> 0:33:09.400
<v Speaker 3>this this issue a little bit better?

0:33:09.480 --> 0:33:12.560
<v Speaker 2>Where can I contribute here and all the rest.

0:33:12.840 --> 0:33:15.000
<v Speaker 3>I just try not to keep on my shoulders too

0:33:15.080 --> 0:33:20.880
<v Speaker 3>much and so sore. When I'm doing the scene, I'm

0:33:20.880 --> 0:33:26.120
<v Speaker 3>not thinking about, Wow, you know overall what is it regime?

0:33:26.280 --> 0:33:29.320
<v Speaker 3>And and you know the how the don downtrodden and

0:33:29.520 --> 0:33:32.760
<v Speaker 3>how our society is like affected by race and class

0:33:32.800 --> 0:33:33.960
<v Speaker 3>and gender and sex.

0:33:34.040 --> 0:33:36.600
<v Speaker 2>And I'm just like, you know, what is going on

0:33:36.680 --> 0:33:39.200
<v Speaker 2>in this scene right now between me and this person.

0:33:39.120 --> 0:33:44.920
<v Speaker 3>And and for me personally as an actor. You know,

0:33:44.960 --> 0:33:48.200
<v Speaker 3>I played mccutio right, and Macushio gets stabbed in the

0:33:48.240 --> 0:33:52.680
<v Speaker 3>stomach and then dies bleeds out, knowing he's going to

0:33:52.760 --> 0:33:55.040
<v Speaker 3>die young and miss the rest of his life.

0:33:55.200 --> 0:33:56.920
<v Speaker 2>Oh so fun. It's so fun.

0:33:57.320 --> 0:34:01.920
<v Speaker 1>I bet that was gorgeous, So you.

0:34:01.840 --> 0:34:04.880
<v Speaker 3>Know, so it's the same acting in the hand, mad sow.

0:34:04.800 --> 0:34:07.840
<v Speaker 2>I've gotta weep. Your daughter has been taken from you. Oh, oh,

0:34:07.960 --> 0:34:10.120
<v Speaker 2>how tasty? Give me more? Yes, yes, yes, you know

0:34:10.320 --> 0:34:13.319
<v Speaker 2>I'm not going away. Oh my heart, it's broken. Oh

0:34:13.640 --> 0:34:15.120
<v Speaker 2>the fathers who have lost daughters.

0:34:15.719 --> 0:34:15.919
<v Speaker 1>Nah.

0:34:16.040 --> 0:34:19.319
<v Speaker 3>I'm like, my job is like in the moment when

0:34:19.320 --> 0:34:22.239
<v Speaker 3>I'm doing it, you know, I'm met the d you know.

0:34:22.320 --> 0:34:26.520
<v Speaker 3>And so it's hard emotionally, but ultimately as a person,

0:34:26.560 --> 0:34:28.879
<v Speaker 3>I don't go home and have bad dreams about it.

0:34:29.440 --> 0:34:32.920
<v Speaker 1>Yeah. Well, I always think the balance of that is

0:34:32.960 --> 0:34:37.239
<v Speaker 1>sort of fascinating, because our job is to shut out

0:34:37.239 --> 0:34:39.400
<v Speaker 1>the rest of the world and just be as present

0:34:39.440 --> 0:34:41.960
<v Speaker 1>as possible. As you said in the scene, in the moment,

0:34:42.080 --> 0:34:45.960
<v Speaker 1>every day you got to do the thing, and and

0:34:46.000 --> 0:34:49.839
<v Speaker 1>I think there's something so freeing about that. But it's

0:34:49.840 --> 0:34:52.960
<v Speaker 1>also got to be kind of crazy to look at,

0:34:53.040 --> 0:34:55.000
<v Speaker 1>as you said, to be conscious of what's happening in

0:34:55.000 --> 0:34:57.160
<v Speaker 1>the world. Have you ever had a day where you

0:34:57.200 --> 0:34:59.879
<v Speaker 1>see a news story or some insane thing is going

0:34:59.880 --> 0:35:03.000
<v Speaker 1>on and you're like, are we manifesting the bad guys?

0:35:03.440 --> 0:35:03.520
<v Speaker 2>Like?

0:35:04.080 --> 0:35:09.359
<v Speaker 1>What what's happening? I would imagine maybe obviously you've got

0:35:09.360 --> 0:35:11.399
<v Speaker 1>to focus when you're on set, but like when you're

0:35:11.440 --> 0:35:13.840
<v Speaker 1>on hiatus and you see what's going on in the world,

0:35:13.880 --> 0:35:17.040
<v Speaker 1>are you just like, uh, oh.

0:35:16.920 --> 0:35:19.200
<v Speaker 2>Boy, you know what?

0:35:20.440 --> 0:35:23.239
<v Speaker 3>Yes, is the simple answer. But I think I take

0:35:23.280 --> 0:35:26.480
<v Speaker 3>the real world so much more seriously than I do

0:35:26.680 --> 0:35:30.480
<v Speaker 3>the art that it's like the the art is like

0:35:31.560 --> 0:35:38.000
<v Speaker 3>I don't know, a low resolution similarly a rhyme of reality.

0:35:38.239 --> 0:35:42.040
<v Speaker 3>And so I'm much more engaged in like reality. And

0:35:42.080 --> 0:35:44.760
<v Speaker 3>so yes, oh, it's interesting that there is a poem

0:35:44.920 --> 0:35:48.400
<v Speaker 3>about what's going on right now. But but if I

0:35:48.440 --> 0:35:51.200
<v Speaker 3>read an article now, I'm not I'm not really thinking

0:35:51.200 --> 0:35:54.440
<v Speaker 3>about handmaids. I'm thinking about oh, oh gosh, my daughter,

0:35:54.600 --> 0:35:56.880
<v Speaker 3>you know, what kind of rights would be available to

0:35:56.960 --> 0:36:01.880
<v Speaker 3>how and and and to be honest, I also I

0:36:02.120 --> 0:36:06.919
<v Speaker 3>try and remind myself that I think it's very very

0:36:07.080 --> 0:36:10.120
<v Speaker 3>easy to become very America centric in terms of like

0:36:10.760 --> 0:36:15.120
<v Speaker 3>what's going on. And you know, I've done quite a

0:36:15.160 --> 0:36:17.839
<v Speaker 3>lot of charity work, and I mean I've not done

0:36:17.920 --> 0:36:18.600
<v Speaker 3>a lot of charity work.

0:36:18.640 --> 0:36:19.239
<v Speaker 2>I take that back.

0:36:19.400 --> 0:36:22.080
<v Speaker 3>I've got a charity where we've done some work, and

0:36:22.120 --> 0:36:24.920
<v Speaker 3>most of my focus has been on women young girls

0:36:24.960 --> 0:36:29.440
<v Speaker 3>in Africa and particularly in Zimbabwe, Tanzania and Nigeria and.

0:36:30.880 --> 0:36:32.359
<v Speaker 2>It's like, so, so.

0:36:32.320 --> 0:36:34.640
<v Speaker 3>When I'm dealing with like the specificities of that, it's

0:36:34.719 --> 0:36:38.160
<v Speaker 3>kind of not connected to you know, you're figuring out, Okay, well,

0:36:38.200 --> 0:36:41.960
<v Speaker 3>how can we help facilitate micro loans for farmers in Zimbabwe?

0:36:42.000 --> 0:36:44.160
<v Speaker 2>Where is a different type.

0:36:43.880 --> 0:36:47.600
<v Speaker 3>Of like you know questions as well, So that's sometimes

0:36:47.640 --> 0:36:50.400
<v Speaker 3>they're not as immediately like oh my god, this is it.

0:36:51.400 --> 0:37:05.480
<v Speaker 1>Yeah, and now a word from our wonderful sponsors. You

0:37:05.640 --> 0:37:10.200
<v Speaker 1>reference your background and where you grew up, and you know,

0:37:10.239 --> 0:37:12.719
<v Speaker 1>whether you're working on the African continent or you have

0:37:13.000 --> 0:37:15.560
<v Speaker 1>the English part of your history, or you're working in

0:37:15.600 --> 0:37:18.359
<v Speaker 1>America or you're filming in Canada, it's like there is

0:37:18.480 --> 0:37:21.560
<v Speaker 1>there is such a I think there's a beautiful gift

0:37:21.640 --> 0:37:28.160
<v Speaker 1>about coming from multicultural backgrounds. And I think one of

0:37:28.200 --> 0:37:29.799
<v Speaker 1>the greatest gifts of what we get to do as

0:37:29.840 --> 0:37:32.320
<v Speaker 1>actors is that we get to live everywhere. Everyone becomes

0:37:32.320 --> 0:37:36.120
<v Speaker 1>our neighbor, and you really do get to sort of

0:37:37.320 --> 0:37:40.359
<v Speaker 1>learn so much about people in society, and you know,

0:37:40.440 --> 0:37:45.400
<v Speaker 1>for me, leaning into knowing how my dad was raised

0:37:45.560 --> 0:37:48.879
<v Speaker 1>in Canada, knowing how my mom's family in Italy grew up,

0:37:48.960 --> 0:37:52.319
<v Speaker 1>knowing how like you know, seeing the differences in their

0:37:52.400 --> 0:37:57.040
<v Speaker 1>experience versus my experience growing up in America. It gives

0:37:57.080 --> 0:38:00.799
<v Speaker 1>me a lens on how to remember how big the

0:38:00.800 --> 0:38:03.319
<v Speaker 1>world is. And also then I can't help but pay

0:38:03.360 --> 0:38:06.240
<v Speaker 1>attention when I'm like, oh, look, fascism is rising everywhere.

0:38:08.080 --> 0:38:12.920
<v Speaker 4>But you know, we've had the elections in Australia and

0:38:12.960 --> 0:38:17.080
<v Speaker 4>the elections in Canada so lovely, you know, And so

0:38:17.480 --> 0:38:20.279
<v Speaker 4>I think, you know, I try as much.

0:38:20.480 --> 0:38:24.600
<v Speaker 3>I can get kind of like apocalyptic in my thinking,

0:38:25.880 --> 0:38:28.799
<v Speaker 3>and I do try, and like, yeah, just remember you

0:38:28.800 --> 0:38:30.840
<v Speaker 3>know when I go everything's going to fascism.

0:38:30.920 --> 0:38:35.000
<v Speaker 2>I no, no, no, no, no, no. Look you can always you know.

0:38:35.840 --> 0:38:40.480
<v Speaker 1>Well, And I think service can really help you reprogram

0:38:40.520 --> 0:38:42.760
<v Speaker 1>your brain to always look for the helpers, to always

0:38:42.760 --> 0:38:44.319
<v Speaker 1>look for who's who's doing the.

0:38:44.320 --> 0:38:46.760
<v Speaker 2>Good thing, always looking at the helpers.

0:38:46.840 --> 0:38:47.880
<v Speaker 1>Isn't that the helpers?

0:38:48.520 --> 0:38:52.120
<v Speaker 2>But that's my conference like American show mister Rogers.

0:38:52.480 --> 0:38:55.640
<v Speaker 3>Rogers, we never had mister Rogers, but I played something

0:38:55.719 --> 0:38:57.879
<v Speaker 3>for my son and we were looking for like good TV.

0:38:58.400 --> 0:39:01.080
<v Speaker 2>And I remember this thing about like looking out for

0:39:01.080 --> 0:39:02.000
<v Speaker 2>the help of this kind of thing.

0:39:02.600 --> 0:39:08.000
<v Speaker 1>Yeah, mister Rogers he was. He was like kind of gangster,

0:39:08.719 --> 0:39:11.640
<v Speaker 1>this sweet old man who wore his cute cardigans, which,

0:39:11.680 --> 0:39:13.879
<v Speaker 1>by the way, it turned out his mom made for him.

0:39:14.000 --> 0:39:20.480
<v Speaker 1>Oh wow, like just so utterly precious. Was really he

0:39:20.640 --> 0:39:25.680
<v Speaker 1>was kind of a gentle revolutionary. He was very pro equity,

0:39:25.840 --> 0:39:28.319
<v Speaker 1>and he took a lot of leaps and bounds on

0:39:28.400 --> 0:39:31.319
<v Speaker 1>TV that no one else was and he did it

0:39:31.360 --> 0:39:34.359
<v Speaker 1>with that sweet little old man face and voice. And

0:39:34.840 --> 0:39:37.680
<v Speaker 1>as I learn, as I've learned more about him over

0:39:37.760 --> 0:39:40.760
<v Speaker 1>the years, and even his fight for PBS, I'm like, damn,

0:39:40.800 --> 0:39:42.920
<v Speaker 1>I wish I could have bought mister Rogers a beer.

0:39:43.120 --> 0:39:45.120
<v Speaker 1>Probably doesn't even drink beer what I had to buy

0:39:45.280 --> 0:39:45.879
<v Speaker 1>a couple of days.

0:39:46.719 --> 0:39:50.520
<v Speaker 3>Tell me, are you more optimistic or pessimistic about the world, Like,

0:39:50.800 --> 0:39:53.040
<v Speaker 3>let's just give it the next ten years?

0:39:54.320 --> 0:39:57.719
<v Speaker 1>If I am being pragmatic and I have to work

0:39:57.719 --> 0:40:01.160
<v Speaker 1>on that because I people, I think, because I am

0:40:01.200 --> 0:40:04.440
<v Speaker 1>a fighter for justice, people who don't know me well

0:40:04.480 --> 0:40:06.680
<v Speaker 1>assume that I'm always angry about something, and I'm like, no,

0:40:06.760 --> 0:40:09.239
<v Speaker 1>I'm actually wildly optimistic, to the point that it's been

0:40:09.400 --> 0:40:14.000
<v Speaker 1>a bit dangerous. So I try to be very communicative

0:40:14.080 --> 0:40:21.000
<v Speaker 1>about reality so people can know how to organize. Sitting

0:40:21.040 --> 0:40:23.880
<v Speaker 1>in that pragmatism, I think it's going to get a

0:40:23.880 --> 0:40:26.960
<v Speaker 1>lot worse before it gets better, which makes me sad.

0:40:27.880 --> 0:40:33.880
<v Speaker 1>But I also believe that there is that we are

0:40:33.880 --> 0:40:36.160
<v Speaker 1>in a moment of a shift where people really are

0:40:36.280 --> 0:40:38.719
<v Speaker 1>being touched by the reality that there are so many

0:40:38.760 --> 0:40:42.799
<v Speaker 1>more of us than there are of the oligarchs. You know.

0:40:43.320 --> 0:40:45.480
<v Speaker 1>The fact that we've had the you know, here in

0:40:45.520 --> 0:40:47.800
<v Speaker 1>the US, we've had the theft of a trillion dollars

0:40:47.840 --> 0:40:50.919
<v Speaker 1>from the working class to eighteen billionaires in the last

0:40:50.920 --> 0:40:55.280
<v Speaker 1>ten years is pretty terrifying. And I'm afraid for people

0:40:57.520 --> 0:41:01.279
<v Speaker 1>who will suffer in ways that that sort of oligarchy

0:41:01.360 --> 0:41:05.680
<v Speaker 1>class can't even fathom because they've never had to go without,

0:41:05.760 --> 0:41:09.640
<v Speaker 1>they've never had to make certain kinds of choices. And

0:41:09.719 --> 0:41:16.279
<v Speaker 1>I worry about people, but people want to help each other,

0:41:16.960 --> 0:41:22.000
<v Speaker 1>and I think as as we see what's coming, I'm

0:41:22.080 --> 0:41:25.960
<v Speaker 1>really hoping that the opportunity that it felt like we

0:41:26.040 --> 0:41:28.480
<v Speaker 1>kind of squandered when the pandemic hit, and we really

0:41:28.520 --> 0:41:30.800
<v Speaker 1>had a chance to make some great shifts, especially in

0:41:30.920 --> 0:41:33.360
<v Speaker 1>terms of public health and especially in terms of the

0:41:33.400 --> 0:41:38.360
<v Speaker 1>way we show up for each other. We got more isolated, sadly,

0:41:39.000 --> 0:41:41.480
<v Speaker 1>and I think people are realizing the effects of that

0:41:41.600 --> 0:41:44.160
<v Speaker 1>and the radicalization that happened and all of these things.

0:41:44.239 --> 0:41:47.320
<v Speaker 1>And my hope for us, this is where the optimist

0:41:47.360 --> 0:41:51.640
<v Speaker 1>comes out, is I'm like, we're better together people. I

0:41:51.760 --> 0:41:54.319
<v Speaker 1>really do think people are good. I think fear can

0:41:54.400 --> 0:41:58.319
<v Speaker 1>make us cruel, But when you really start to see

0:41:58.400 --> 0:42:02.080
<v Speaker 1>your neighbor, spend time with your neighbor, everything changes. And

0:42:02.160 --> 0:42:05.160
<v Speaker 1>I don't think we're as different as a lot of

0:42:05.320 --> 0:42:11.480
<v Speaker 1>folks would like us to believe. And I really hope

0:42:11.520 --> 0:42:17.000
<v Speaker 1>that what's happening now is kind of lifting this veil

0:42:17.320 --> 0:42:22.640
<v Speaker 1>for a lot of people. I definitely, I definitely feel

0:42:22.640 --> 0:42:26.040
<v Speaker 1>like I'm seeing it in certain ways, and I'm just hoping.

0:42:27.320 --> 0:42:29.840
<v Speaker 1>I'm hoping it doesn't take us the lessons that it

0:42:29.880 --> 0:42:34.279
<v Speaker 1>took one hundred years ago to come back to each

0:42:34.280 --> 0:42:37.239
<v Speaker 1>other because they were brutal and horrible and awful. I'm

0:42:37.280 --> 0:42:41.960
<v Speaker 1>really hoping that we can do better because we know

0:42:42.120 --> 0:42:45.640
<v Speaker 1>more now. But I guess we'll see. How do you feel?

0:42:46.239 --> 0:42:49.160
<v Speaker 3>That's a great answer, much better than anything I'm about

0:42:49.160 --> 0:42:53.560
<v Speaker 3>to say. The sure, Well, how do I feel? In

0:42:53.640 --> 0:42:56.680
<v Speaker 3>terms of do I feel optimistic about the next ten years?

0:42:56.880 --> 0:42:59.759
<v Speaker 1>I don't know if it's optimistic or pessimistic, Just how

0:42:59.800 --> 0:43:02.439
<v Speaker 1>do you feel and maybe where do you want to live?

0:43:02.920 --> 0:43:04.120
<v Speaker 2>I know that's a good question.

0:43:04.280 --> 0:43:08.680
<v Speaker 3>I I feel, like my senses that we live in

0:43:08.760 --> 0:43:15.600
<v Speaker 3>very revolutionary times and the rate of change and progress

0:43:15.800 --> 0:43:19.799
<v Speaker 3>and potential for damage that there's there's huge variability when

0:43:19.840 --> 0:43:22.239
<v Speaker 3>I kind of try and assess like the probability distribution

0:43:22.360 --> 0:43:26.960
<v Speaker 3>of the future, and so it's hard to say, really.

0:43:27.040 --> 0:43:30.279
<v Speaker 3>I mean, in particular, I think, you know, the administration

0:43:30.320 --> 0:43:34.480
<v Speaker 3>that we have is is like strangely, you know, I

0:43:34.640 --> 0:43:37.399
<v Speaker 3>don't minicine in a necessarily good way, but not any

0:43:37.440 --> 0:43:41.680
<v Speaker 3>way revolutionary in the terms of it's just changing really

0:43:41.880 --> 0:43:44.040
<v Speaker 3>hard and fast. A lot of a lot of things

0:43:44.080 --> 0:43:47.240
<v Speaker 3>that have been like kind of set in place, and

0:43:47.520 --> 0:43:50.840
<v Speaker 3>how much damage or even potential progress in various areas

0:43:50.960 --> 0:43:54.880
<v Speaker 3>is so unknown, and it feels like that and then

0:43:55.040 --> 0:43:57.920
<v Speaker 3>we've got a long, you know, runway for that to

0:43:58.239 --> 0:44:00.000
<v Speaker 3>kind of all play out. And then on the other hand,

0:44:00.040 --> 0:44:04.360
<v Speaker 3>and that there's like AI, which I think, you know,

0:44:05.000 --> 0:44:07.719
<v Speaker 3>I think has the danger of being under hyped. I

0:44:07.760 --> 0:44:12.400
<v Speaker 3>think the ways in which AI may change our societies

0:44:12.440 --> 0:44:15.560
<v Speaker 3>over the next decade are going to be quite profound,

0:44:15.600 --> 0:44:19.360
<v Speaker 3>and so so I'm uncertain really.

0:44:19.760 --> 0:44:20.320
<v Speaker 2>Which.

0:44:21.560 --> 0:44:26.440
<v Speaker 1>Me too, Me too, And it's there's things that make

0:44:26.480 --> 0:44:29.319
<v Speaker 1>me nervous, you know, in the in the sort of

0:44:29.400 --> 0:44:32.560
<v Speaker 1>theme of the show of yours we've been talking about

0:44:32.640 --> 0:44:37.360
<v Speaker 1>most I see the way AI tools are being used

0:44:37.360 --> 0:44:41.440
<v Speaker 1>at really alarming rates to abuse women and girls. And

0:44:41.560 --> 0:44:44.799
<v Speaker 1>I am working with some really brilliant people who are

0:44:44.840 --> 0:44:48.720
<v Speaker 1>ringing the alarm bell about what serialized violence against women

0:44:48.760 --> 0:44:52.239
<v Speaker 1>and girls means as a tipping point for society.

0:44:52.360 --> 0:44:54.040
<v Speaker 2>Can you tell me more about how AI has been

0:44:54.120 --> 0:44:56.080
<v Speaker 2>used to yes.

0:44:56.120 --> 0:45:01.880
<v Speaker 1>So, deep fake pornography, for example, is when you consider

0:45:02.680 --> 0:45:05.480
<v Speaker 1>not just how we need to think about it, but

0:45:05.560 --> 0:45:08.160
<v Speaker 1>actually what we understand in terms of the data of

0:45:08.160 --> 0:45:12.160
<v Speaker 1>what it does to victims. It is the digital sex

0:45:12.200 --> 0:45:15.800
<v Speaker 1>trafficking and the digital rape of women and girls. It

0:45:15.960 --> 0:45:20.799
<v Speaker 1>is it is allowing for content that creates the same

0:45:20.920 --> 0:45:24.480
<v Speaker 1>kind of PTSD as physical assault. And it is being

0:45:24.560 --> 0:45:31.360
<v Speaker 1>weaponized against famous women, non famous women, neighbors, teenage girls,

0:45:31.400 --> 0:45:34.720
<v Speaker 1>and children. And over ninety eight percent of the victims

0:45:34.760 --> 0:45:38.399
<v Speaker 1>of this kind of abuse are female. And so when

0:45:38.440 --> 0:45:42.759
<v Speaker 1>you think about, you know, sexual assault being used as

0:45:42.840 --> 0:45:46.160
<v Speaker 1>a weapon of war, which obviously is a war crime,

0:45:46.280 --> 0:45:50.040
<v Speaker 1>but what it indicates for society, what it indicates about

0:45:50.080 --> 0:45:52.960
<v Speaker 1>the level of brutality with which you see your neighbor.

0:45:53.800 --> 0:45:58.080
<v Speaker 1>It's a tipping point for the kind of violent conflict

0:45:58.160 --> 0:46:01.759
<v Speaker 1>that should alarm all of us. And the way that

0:46:01.880 --> 0:46:05.000
<v Speaker 1>it is sort of shrugged off because it's quote digital

0:46:05.480 --> 0:46:09.680
<v Speaker 1>is also alarming because the human brain cannot tell the

0:46:09.760 --> 0:46:14.080
<v Speaker 1>difference between seeing a videotape of an assault and an

0:46:14.160 --> 0:46:22.040
<v Speaker 1>AI assault. So it is creating desensitization, It is creating memory.

0:46:22.440 --> 0:46:27.400
<v Speaker 1>When it is imported into virtual reality, it creates the

0:46:27.440 --> 0:46:30.359
<v Speaker 1>illusion of an experience. So what does that then do

0:46:30.560 --> 0:46:33.120
<v Speaker 1>to women and girls in the world who can be

0:46:33.200 --> 0:46:35.399
<v Speaker 1>approached on the street by men who think they've had

0:46:35.400 --> 0:46:38.359
<v Speaker 1>sex with them against their will. You know, it has

0:46:38.600 --> 0:46:45.480
<v Speaker 1>really alarming ramifications, and unfortunately, companies like Meta and Google

0:46:45.719 --> 0:46:48.279
<v Speaker 1>and every tech company that we all use make a

0:46:48.320 --> 0:46:54.640
<v Speaker 1>fortune surfacing this content. And we've seen increases like in

0:46:54.680 --> 0:46:59.080
<v Speaker 1>the thousands of percent. So two years ago there were

0:46:59.400 --> 0:47:03.120
<v Speaker 1>around half a million views on this kind of content

0:47:03.239 --> 0:47:07.359
<v Speaker 1>and today we're seeing over four billion views a year.

0:47:08.400 --> 0:47:12.600
<v Speaker 1>So to see the explosion of it and to know

0:47:12.719 --> 0:47:16.279
<v Speaker 1>that it is currently something that we are not legislating

0:47:16.360 --> 0:47:20.920
<v Speaker 1>fast enough against is terrifying because not only is it

0:47:21.000 --> 0:47:24.360
<v Speaker 1>creating a more unsafe society for fifty one percent of

0:47:24.400 --> 0:47:29.200
<v Speaker 1>the population. But the amount of energy it takes to

0:47:29.320 --> 0:47:32.440
<v Speaker 1>assault women this way, like what it's going to do

0:47:32.480 --> 0:47:35.640
<v Speaker 1>to the planet is really scary. Now, on the other side,

0:47:36.640 --> 0:47:41.320
<v Speaker 1>we see incredible opportunities for AI and it's actually why

0:47:41.040 --> 0:47:45.160
<v Speaker 1>my best friend and business partner we advocate. We both

0:47:45.239 --> 0:47:48.200
<v Speaker 1>invest in what we believe to be good AI, and

0:47:48.239 --> 0:47:51.759
<v Speaker 1>we are literally advocating in Washington and in front of

0:47:51.800 --> 0:47:55.799
<v Speaker 1>Congress for protections and laws to be made about this

0:47:56.000 --> 0:47:59.080
<v Speaker 1>bad side of it. We produced a documentary about it.

0:47:59.080 --> 0:48:01.000
<v Speaker 1>It's called Another Body. You should watch it.

0:48:01.000 --> 0:48:01.680
<v Speaker 2>It's fabulous.

0:48:02.520 --> 0:48:05.319
<v Speaker 1>But you know, we invested in this amazing woman. You know,

0:48:05.520 --> 0:48:09.640
<v Speaker 1>she is a black woman from Detroit who realized from

0:48:09.640 --> 0:48:15.040
<v Speaker 1>an engineering background that started an automotive. She went down

0:48:15.080 --> 0:48:18.759
<v Speaker 1>this incredible rabbit hole of what AI can do. And

0:48:19.480 --> 0:48:21.600
<v Speaker 1>the best way I can kind of explain it is

0:48:21.600 --> 0:48:25.080
<v Speaker 1>if you think about a disease that medicine can't figure

0:48:25.120 --> 0:48:28.040
<v Speaker 1>out how to treat, they can't drug it, so people

0:48:28.080 --> 0:48:31.799
<v Speaker 1>are dying. It's basically like the disease is locked, right,

0:48:31.840 --> 0:48:34.160
<v Speaker 1>It's like a padlock and they're trying so hard to

0:48:34.200 --> 0:48:37.200
<v Speaker 1>find the key. But it can cost billions of dollars

0:48:37.239 --> 0:48:41.359
<v Speaker 1>and fifteen years of clinical research to find a key

0:48:41.360 --> 0:48:45.440
<v Speaker 1>that might fit the lock. She has developed a way

0:48:46.160 --> 0:48:49.520
<v Speaker 1>to essentially use AI to if you will. This is

0:48:49.520 --> 0:48:52.480
<v Speaker 1>a metaphor obviously, but imagine being able to three D

0:48:52.600 --> 0:48:55.160
<v Speaker 1>model the lock, so you can three D model the

0:48:55.200 --> 0:48:59.880
<v Speaker 1>shape of the key. So she is cutting down time

0:49:00.440 --> 0:49:04.279
<v Speaker 1>to create drugs that can save people's lives for previously

0:49:04.360 --> 0:49:07.839
<v Speaker 1>quote undruggable diseases with this technology. And you see AI

0:49:08.000 --> 0:49:11.000
<v Speaker 1>catching breast cancer five years before a radiologist catches it,

0:49:11.080 --> 0:49:15.840
<v Speaker 1>and all of these other wonderful things. So what worries

0:49:16.000 --> 0:49:19.120
<v Speaker 1>me about that technology is kind of what worries me

0:49:19.160 --> 0:49:22.920
<v Speaker 1>about society at large. It's like, if we're in the

0:49:22.960 --> 0:49:25.440
<v Speaker 1>twenty twenties and you compare it to the world in

0:49:25.480 --> 0:49:29.160
<v Speaker 1>the nineteen twenties, are we going to go the terrible

0:49:29.239 --> 0:49:31.600
<v Speaker 1>route of the nineteen thirties or are we going to

0:49:31.640 --> 0:49:38.279
<v Speaker 1>have a twenty thirty kind of revolution that sees community

0:49:38.320 --> 0:49:41.920
<v Speaker 1>and access and us stand up for each other or not?

0:49:42.160 --> 0:49:47.759
<v Speaker 1>And so I don't really know, but I'm hoping that

0:49:47.840 --> 0:49:53.600
<v Speaker 1>we can be smart about it, and I hope that

0:49:54.000 --> 0:49:56.279
<v Speaker 1>you know, AI can go solve diseases and we can

0:49:56.320 --> 0:50:03.040
<v Speaker 1>still make art because people need art so badly. Yeah,

0:50:03.200 --> 0:50:05.399
<v Speaker 1>sorry to kind of scramble your your brain.

0:50:05.760 --> 0:50:06.200
<v Speaker 2>Not at all.

0:50:06.239 --> 0:50:09.239
<v Speaker 3>I think about AI more than I think about anything

0:50:09.560 --> 0:50:10.280
<v Speaker 3>really really.

0:50:10.400 --> 0:50:12.800
<v Speaker 1>Yeah, I spend more to send you something.

0:50:12.920 --> 0:50:13.920
<v Speaker 2>Oh yeah, I definitely do.

0:50:14.040 --> 0:50:17.840
<v Speaker 3>I Yeah, I spend more time like trying to study

0:50:17.880 --> 0:50:21.960
<v Speaker 3>AI and and it's implications more than anything else I studied,

0:50:22.000 --> 0:50:25.279
<v Speaker 3>to be honest. So so everything I guess all you're saying,

0:50:25.320 --> 0:50:28.000
<v Speaker 3>and I'm just like, you know, taking in and you know, Crocess,

0:50:28.160 --> 0:50:30.439
<v Speaker 3>I don't know, there are so many things I think

0:50:30.480 --> 0:50:32.080
<v Speaker 3>about everything you said, but I just don't know where

0:50:32.080 --> 0:50:34.839
<v Speaker 3>it starts. I'm just like, yeah, yes, thank you for that.

0:50:34.880 --> 0:50:37.239
<v Speaker 3>But you know, extraordinary the work that you're doing. And

0:50:37.680 --> 0:50:39.280
<v Speaker 3>and yeah, just like you said, we're trying.

0:50:39.880 --> 0:50:51.279
<v Speaker 1>Yeah, and now a word from our sponsors. It's that

0:50:51.400 --> 0:50:54.680
<v Speaker 1>sort of same feeling I was talking about earlier about

0:50:54.680 --> 0:50:56.920
<v Speaker 1>the bees, where I was like, when I grow up?

0:50:56.960 --> 0:50:58.239
<v Speaker 1>And then I was like, shit, I think I'm a

0:50:58.280 --> 0:51:01.080
<v Speaker 1>grown up. You know, my my best friend and I

0:51:01.120 --> 0:51:03.799
<v Speaker 1>had this experience five years ago. We kind of looked

0:51:03.840 --> 0:51:06.480
<v Speaker 1>around and went, oh are we Oh God, were the

0:51:06.520 --> 0:51:09.120
<v Speaker 1>adults in the room. Now, Oh, we have to start.

0:51:09.880 --> 0:51:12.960
<v Speaker 1>We can't just volunteer for other people. Right now, there's

0:51:12.960 --> 0:51:15.960
<v Speaker 1>people who they want to volunteer for us. Oh god,

0:51:16.320 --> 0:51:22.479
<v Speaker 1>So you know, we're definitely trying. But yeah, I think

0:51:22.520 --> 0:51:29.719
<v Speaker 1>in my in my most ideal outcome scenario, that technology

0:51:29.760 --> 0:51:32.680
<v Speaker 1>would make more space for the rest of us to

0:51:34.080 --> 0:51:36.839
<v Speaker 1>have more reasonable hours and also make more art.

0:51:37.680 --> 0:51:40.279
<v Speaker 3>I know, I really hope for this version is kind

0:51:40.280 --> 0:51:44.120
<v Speaker 3>of like UBI And you know, but over the last

0:51:44.160 --> 0:51:47.960
<v Speaker 3>thirty years, all the efficiency that we've managed to create

0:51:48.040 --> 0:51:52.040
<v Speaker 3>in automation and with the Internet and all of those things,

0:51:53.239 --> 0:51:56.279
<v Speaker 3>that all that efficiency has just gone to the oligarchs.

0:51:56.480 --> 0:51:59.360
<v Speaker 3>And they were e columnists who would predict that that

0:51:59.400 --> 0:52:02.040
<v Speaker 3>efficiency would go to labor and therefore labor would become

0:52:02.080 --> 0:52:04.040
<v Speaker 3>shortened and we would have more spare time, well time

0:52:04.080 --> 0:52:06.319
<v Speaker 3>with our family, and and it's just not the way

0:52:06.320 --> 0:52:08.360
<v Speaker 3>it's gone. And it makes me kind of like a

0:52:08.400 --> 0:52:09.359
<v Speaker 3>little pessimistic.

0:52:09.600 --> 0:52:12.520
<v Speaker 1>But ot, don't you know that they couldn't give it

0:52:12.520 --> 0:52:16.320
<v Speaker 1>to us because the oligarchs needed more yachts.

0:52:16.640 --> 0:52:18.600
<v Speaker 2>This is I mean, this is the thing, because a.

0:52:18.600 --> 0:52:20.840
<v Speaker 1>Fleet of yachts isn't enough. You need you need a

0:52:20.840 --> 0:52:22.160
<v Speaker 1>whole shipping yard apparently.

0:52:22.320 --> 0:52:24.160
<v Speaker 3>Yeah, and if yours don't become enough, then you need

0:52:24.160 --> 0:52:25.399
<v Speaker 3>to build spaceships and so.

0:52:25.560 --> 0:52:28.160
<v Speaker 2>Oh my god, yeah, I mean we really do.

0:52:28.600 --> 0:52:31.120
<v Speaker 3>But like what what you said, you know, us coming together,

0:52:31.440 --> 0:52:36.440
<v Speaker 3>us finding our union, our community, and ultimately voting in representation.

0:52:36.600 --> 0:52:39.680
<v Speaker 3>That will because the market is great, Like you know,

0:52:39.719 --> 0:52:43.239
<v Speaker 3>the market is great at a bunch of stuff. It's

0:52:43.280 --> 0:52:46.920
<v Speaker 3>just not it's just it's just not great as some

0:52:46.960 --> 0:52:48.840
<v Speaker 3>things that are really important. And if we don't have

0:52:48.920 --> 0:52:51.520
<v Speaker 3>strong government that kind of comes and steps in to

0:52:51.640 --> 0:52:53.760
<v Speaker 3>take over from the girl market, or at least affect

0:52:53.800 --> 0:52:55.800
<v Speaker 3>the market in ways that are going to protect labor,

0:52:56.120 --> 0:52:58.640
<v Speaker 3>protect people, protect working people, protect people who are from

0:52:58.680 --> 0:53:02.080
<v Speaker 3>disadvantaged backgrounds, and with the mercy of the builders.

0:53:02.520 --> 0:53:08.560
<v Speaker 1>Well yeah, and that's the thing. All of the progress, however, fraud,

0:53:08.760 --> 0:53:11.279
<v Speaker 1>All of the progress that particularly are has been made

0:53:11.280 --> 0:53:17.640
<v Speaker 1>in our living generation. You know, the forward strides terrify

0:53:17.760 --> 0:53:21.200
<v Speaker 1>people who don't desire more balanced power. But I think

0:53:21.239 --> 0:53:24.920
<v Speaker 1>the more of us who can understand that if you

0:53:25.040 --> 0:53:27.280
<v Speaker 1>have more power, so do I. If I have more power,

0:53:27.360 --> 0:53:36.880
<v Speaker 1>so do you. Like, we hopefully can affect change by

0:53:37.000 --> 0:53:39.040
<v Speaker 1>I don't know, by being willing to you know, to

0:53:39.040 --> 0:53:40.839
<v Speaker 1>see each other, and I guess by being willing to

0:53:41.160 --> 0:53:43.400
<v Speaker 1>trust the economists. It wasn't lost on me that a

0:53:43.480 --> 0:53:45.520
<v Speaker 1>few weeks ago, you know, when she spoke, I think

0:53:45.520 --> 0:53:48.279
<v Speaker 1>it was in San Francisco. Kamala was like, oh, you

0:53:48.360 --> 0:53:53.640
<v Speaker 1>mean this plan that those nineteen Nobel economists said would

0:53:53.640 --> 0:53:55.920
<v Speaker 1>trash the economy? And mine was great, you mean this

0:53:55.960 --> 0:53:58.600
<v Speaker 1>plan is trashing the economy. I'm not going to say

0:53:58.640 --> 0:54:03.719
<v Speaker 1>I told you so. I needed I did, I did,

0:54:03.800 --> 0:54:07.280
<v Speaker 1>I did need. Just like a moment of humor for her, Well.

0:54:06.840 --> 0:54:10.600
<v Speaker 3>What's your I mean, I'm just curious what what I

0:54:10.840 --> 0:54:12.360
<v Speaker 3>Please don't ask this question to be back because I

0:54:12.400 --> 0:54:16.080
<v Speaker 3>don't know. But what what's your assessment of why the

0:54:16.120 --> 0:54:18.400
<v Speaker 3>election went the way it did? Like, well, why do

0:54:18.440 --> 0:54:21.120
<v Speaker 3>you think you know, in November last year, like more

0:54:21.160 --> 0:54:25.280
<v Speaker 3>people didn't make the choices that look, you know too calmly,

0:54:25.320 --> 0:54:26.600
<v Speaker 3>seems so obvious.

0:54:26.960 --> 0:54:29.480
<v Speaker 2>What what? What? What? What? What do you think number one?

0:54:29.560 --> 0:54:30.359
<v Speaker 2>Number two is there?

0:54:30.920 --> 0:54:34.840
<v Speaker 1>I think there's a lot of algorithmic influence there because

0:54:34.840 --> 0:54:39.640
<v Speaker 1>when when you start to look at what anger porn,

0:54:39.880 --> 0:54:44.480
<v Speaker 1>essentially people were being fed depending on their algorithm. You know,

0:54:45.480 --> 0:54:48.120
<v Speaker 1>she was accused of being blue in one person's algorithm

0:54:48.160 --> 0:54:50.239
<v Speaker 1>and accused of being read in another. Right, and the

0:54:50.360 --> 0:54:54.000
<v Speaker 1>and the messaging was completely effective in both of those algorithms.

0:54:54.920 --> 0:54:57.200
<v Speaker 1>I also think, I hate to say it that the

0:54:57.200 --> 0:54:58.800
<v Speaker 1>world hates women in power.

0:54:58.960 --> 0:55:01.799
<v Speaker 2>They they just do the world or America.

0:55:02.680 --> 0:55:05.280
<v Speaker 1>I mean America certainly, but a lot of the world,

0:55:05.360 --> 0:55:10.200
<v Speaker 1>I think as well. Unfortunately, you know, it's it's a

0:55:10.280 --> 0:55:14.600
<v Speaker 1>confluence of so many issues, down to the uplift and

0:55:15.640 --> 0:55:19.400
<v Speaker 1>new popularity of tradwives. Like all of it is advertising.

0:55:20.080 --> 0:55:23.759
<v Speaker 1>And unfortunately, when you when you look at the way

0:55:23.800 --> 0:55:29.440
<v Speaker 1>they essentially advertised against progress and against her and against labor.

0:55:29.640 --> 0:55:35.160
<v Speaker 1>Let's be clear, it worked, and then it was compounded

0:55:35.200 --> 0:55:38.800
<v Speaker 1>by and I think really made worse by the fact

0:55:39.000 --> 0:55:42.360
<v Speaker 1>that you know, we have a now president, a second

0:55:42.400 --> 0:55:48.000
<v Speaker 1>term president, who is paraphrasing Adolf Hitler to drum up

0:55:48.400 --> 0:55:52.880
<v Speaker 1>terror and anger and anti immigrant sentiment. And you know,

0:55:53.000 --> 0:55:55.600
<v Speaker 1>people keep being like, stop making those comparisons. I'm like, well,

0:55:55.640 --> 0:55:59.640
<v Speaker 1>then stop quoting the fucking guy. Like we won't say

0:55:59.640 --> 0:56:01.920
<v Speaker 1>that you're using his words if you don't use them,

0:56:01.920 --> 0:56:04.080
<v Speaker 1>but you're using them, and so is half your staff.

0:56:04.600 --> 0:56:10.920
<v Speaker 1>So it's like that stuff is really effective. Unfortunately, and

0:56:10.960 --> 0:56:13.719
<v Speaker 1>when you don't have policy to run on, you have

0:56:13.800 --> 0:56:18.040
<v Speaker 1>to run on fear loyalty. You have to create a

0:56:18.120 --> 0:56:23.200
<v Speaker 1>cult when you have nothing to defend, and he's done it,

0:56:23.360 --> 0:56:26.880
<v Speaker 1>and I think it's really unfortunate. And I think the

0:56:27.000 --> 0:56:30.279
<v Speaker 1>fact that the man who bought the election for him

0:56:30.440 --> 0:56:33.640
<v Speaker 1>for two hundred and fifty six million dollars controls the

0:56:33.800 --> 0:56:38.240
<v Speaker 1>largest sphere of influence and could algorithmically program three hundred

0:56:38.239 --> 0:56:42.719
<v Speaker 1>and something million people every day. You know, he's turned

0:56:42.719 --> 0:56:45.839
<v Speaker 1>around and he's made himself what eight billion dollars so far,

0:56:45.920 --> 0:56:48.680
<v Speaker 1>if not more. It's like it's all just a grift,

0:56:48.800 --> 0:56:52.000
<v Speaker 1>the cryptocurrency, and the Saudi's buying two billion of it,

0:56:52.120 --> 0:56:56.080
<v Speaker 1>and you know oligarchs from around the world doing they're

0:56:56.080 --> 0:57:01.200
<v Speaker 1>literally buying America. And I think every one who realized

0:57:01.239 --> 0:57:06.839
<v Speaker 1>they got sold outrage porn right now is like uh

0:57:06.880 --> 0:57:10.520
<v Speaker 1>oh uh oh. But the scary thing is, and we

0:57:10.640 --> 0:57:14.160
<v Speaker 1>talked about this a lot in his first election. When

0:57:14.200 --> 0:57:16.480
<v Speaker 1>you open Pandora's box, you don't really get to close

0:57:16.520 --> 0:57:20.800
<v Speaker 1>the lid. When you create a cult when people buy

0:57:20.880 --> 0:57:23.600
<v Speaker 1>into QAnon, and the guy who started it is like,

0:57:23.800 --> 0:57:27.240
<v Speaker 1>I didn't think anyone would take me seriously. This was

0:57:27.280 --> 0:57:32.080
<v Speaker 1>like fan fiction on the dark web, Like, well, people

0:57:32.120 --> 0:57:34.320
<v Speaker 1>are trying to kill each other over your fan fiction. Now,

0:57:34.640 --> 0:57:38.320
<v Speaker 1>so again it harkens back to the way I feel

0:57:38.320 --> 0:57:40.760
<v Speaker 1>about AI. It's like, we better get some regulation on

0:57:40.800 --> 0:57:44.360
<v Speaker 1>some of this stuff before it's too late. I'm excited.

0:57:44.440 --> 0:57:49.800
<v Speaker 1>That is it in Sweden or Switzerland? Maybe neither. Now,

0:57:49.840 --> 0:57:51.280
<v Speaker 1>of course I can't remember. I'm gonna have to look

0:57:51.320 --> 0:57:58.280
<v Speaker 1>it up afterwards. Somewhere in Europe is proposing a bill

0:57:58.320 --> 0:58:01.080
<v Speaker 1>to make it illegal for politicians to lie, and that

0:58:01.160 --> 0:58:05.840
<v Speaker 1>they will get fined every time they lie to the public. Like, yes, yes,

0:58:05.960 --> 0:58:08.720
<v Speaker 1>that should that should be it, because if I hear

0:58:08.800 --> 0:58:11.280
<v Speaker 1>one more person say, oh, Ben Shapiro doesn't believe half

0:58:11.280 --> 0:58:13.840
<v Speaker 1>the ship he says on his show or on Fox,

0:58:13.880 --> 0:58:17.040
<v Speaker 1>but it's how he gets the clicks, all right, I'm like,

0:58:17.640 --> 0:58:19.160
<v Speaker 1>are the clicks really that worth it to you?

0:58:19.240 --> 0:58:22.680
<v Speaker 2>Bro? I don't think it's whales apparently, quick Google search.

0:58:22.960 --> 0:58:24.560
<v Speaker 2>That's Welsh.

0:58:24.600 --> 0:58:27.760
<v Speaker 1>Here we go, the Welsh. The Welsh.

0:58:27.880 --> 0:58:30.280
<v Speaker 3>Now now look, I look, everything you're saying to me

0:58:30.320 --> 0:58:31.240
<v Speaker 3>makes absolute sense.

0:58:31.280 --> 0:58:31.880
<v Speaker 2>Absolutely.

0:58:32.040 --> 0:58:33.800
<v Speaker 3>I think sometimes when I look at the world, I'm

0:58:33.800 --> 0:58:37.000
<v Speaker 3>always like, Okay, that's what those people, my antagonists are doing.

0:58:37.080 --> 0:58:39.720
<v Speaker 2>There is well, that's what the obstacles are doing. Where

0:58:39.800 --> 0:58:41.360
<v Speaker 2>is what do I need to do different?

0:58:41.400 --> 0:58:44.240
<v Speaker 3>What they're going back to the sphere of influence, Like

0:58:44.320 --> 0:58:46.600
<v Speaker 3>one of the things that I can do, do you

0:58:46.640 --> 0:58:49.960
<v Speaker 3>retrospectively look back and go, hey, we played it perfectly

0:58:50.600 --> 0:58:52.960
<v Speaker 3>that we were just what what?

0:58:52.680 --> 0:58:55.000
<v Speaker 2>What do you think where? If you have you seen

0:58:55.040 --> 0:58:57.160
<v Speaker 2>Ezra Klein's new new book on the.

0:58:57.120 --> 0:58:59.240
<v Speaker 1>Bund Yes, I ordered it.

0:58:59.240 --> 0:59:01.400
<v Speaker 2>It's really really worth I found that.

0:59:01.440 --> 0:59:04.320
<v Speaker 3>I found it really compelling listening to him to talk about,

0:59:04.480 --> 0:59:08.160
<v Speaker 3>you know, this new vision of you know, the democratic

0:59:08.200 --> 0:59:12.280
<v Speaker 3>leaning democratic vision for abundance for America and anyway, I'm

0:59:12.280 --> 0:59:14.440
<v Speaker 3>just curious what I want you if your money takes on, Like,

0:59:15.560 --> 0:59:16.760
<v Speaker 3>what do you think our holes were?

0:59:17.320 --> 0:59:19.880
<v Speaker 1>I think there's a lot. I think at the end

0:59:19.920 --> 0:59:23.960
<v Speaker 1>of the day, it's tough to I think it was

0:59:24.000 --> 0:59:26.480
<v Speaker 1>really tough for people to understand, and it started in

0:59:26.520 --> 0:59:32.160
<v Speaker 1>twenty sixteen. I think people don't understand how influential these

0:59:32.200 --> 0:59:35.800
<v Speaker 1>non traditional channels are now. I don't think we have

0:59:35.920 --> 0:59:39.840
<v Speaker 1>been cultivating spheres right. You know, the Mano sphere is

0:59:39.880 --> 0:59:43.520
<v Speaker 1>funded by the right, by Russia, by all the Stark money.

0:59:44.080 --> 0:59:48.520
<v Speaker 1>We haven't cultivated spheres that are based in reality. We don't.

0:59:48.760 --> 0:59:51.480
<v Speaker 1>We haven't fought back against Mitch McConnell's forty year plan

0:59:51.560 --> 0:59:55.280
<v Speaker 1>to defund American education. So do we really want to

0:59:55.360 --> 0:59:59.160
<v Speaker 1>judge people who can't necessarily understand a complex economic proposal

1:00:00.080 --> 1:00:03.320
<v Speaker 1>from someone qualified to hold the office of president when

1:00:03.360 --> 1:00:05.200
<v Speaker 1>folks are just trying to figure out how to pay

1:00:05.200 --> 1:00:08.800
<v Speaker 1>their electric bill and feed their kids. Like, we have

1:00:08.960 --> 1:00:12.880
<v Speaker 1>to demystify policy a bit. I think we have to

1:00:12.960 --> 1:00:15.560
<v Speaker 1>talk to people where they are. And I think what

1:00:15.600 --> 1:00:17.600
<v Speaker 1>we have to do a better job of is fight

1:00:17.720 --> 1:00:21.320
<v Speaker 1>back against this insane idea that because we defend labor

1:00:21.400 --> 1:00:25.360
<v Speaker 1>and we defend building a prosperous middle class and a

1:00:26.280 --> 1:00:28.440
<v Speaker 1>well taken care of like fuck a living wage. I

1:00:28.480 --> 1:00:31.440
<v Speaker 1>want people to make a thriving wage, a well taken

1:00:31.480 --> 1:00:34.800
<v Speaker 1>care of working class. That doesn't mean we want you

1:00:34.840 --> 1:00:38.040
<v Speaker 1>to stay there. But there has been all this research

1:00:38.080 --> 1:00:39.920
<v Speaker 1>that I've read in the last few months about how

1:00:40.640 --> 1:00:45.120
<v Speaker 1>folks who don't fall into these upper classes in this

1:00:45.240 --> 1:00:48.480
<v Speaker 1>country believe that the Democrats want them to stay where

1:00:48.480 --> 1:00:52.080
<v Speaker 1>they are, That we don't believe in class mobility, that

1:00:52.280 --> 1:00:57.800
<v Speaker 1>somehow saying you shouldn't you shouldn't be stuck making you know,

1:00:58.160 --> 1:01:00.760
<v Speaker 1>forty six thousand dollars a year in a factory job,

1:01:00.840 --> 1:01:03.680
<v Speaker 1>why not double? They're like, how fucking dare you think

1:01:03.720 --> 1:01:05.760
<v Speaker 1>I'm not worth more than ninety thousand dollars a year?

1:01:05.800 --> 1:01:08.360
<v Speaker 1>And it's like nobody said that. By the way, I

1:01:08.400 --> 1:01:12.000
<v Speaker 1>don't care. Launch a company, win the power ball, whatever,

1:01:12.200 --> 1:01:15.720
<v Speaker 1>Go be the most, Go become the richest person. You know,

1:01:15.920 --> 1:01:17.400
<v Speaker 1>I would love that for you. I would love that

1:01:17.480 --> 1:01:21.520
<v Speaker 1>for me, by the way. But I'm not saying you

1:01:21.560 --> 1:01:24.040
<v Speaker 1>don't deserve more. I'm saying I think you deserve more

1:01:24.040 --> 1:01:26.160
<v Speaker 1>than what you have, so that you actually have the

1:01:26.240 --> 1:01:30.160
<v Speaker 1>space to continue to work up from there. But there

1:01:30.280 --> 1:01:34.400
<v Speaker 1>is this fallacy in public opinion that they think that

1:01:34.480 --> 1:01:39.520
<v Speaker 1>democrats don't believe people deserve wealth, And it's like, that's

1:01:39.560 --> 1:01:42.160
<v Speaker 1>not it. I just don't think people deserve to be

1:01:42.240 --> 1:01:48.280
<v Speaker 1>oligarchs Like Elon Musk didn't make you know whatever, close

1:01:48.280 --> 1:01:52.000
<v Speaker 1>to a trillion dollars by doing anything. He's made it

1:01:52.040 --> 1:01:56.920
<v Speaker 1>by stealing from everyone and underpaying his employees and grifting

1:01:57.920 --> 1:02:02.800
<v Speaker 1>global governments for contry tracts like I just want you

1:02:02.840 --> 1:02:04.280
<v Speaker 1>guys to have some of his money.

1:02:04.320 --> 1:02:08.800
<v Speaker 3>Actually, yeah, I think the conversation about like, for example,

1:02:08.840 --> 1:02:11.080
<v Speaker 3>like the top rate of tax often kind of when

1:02:11.080 --> 1:02:12.640
<v Speaker 3>people hear oh, you want the top rate of tax

1:02:12.640 --> 1:02:15.200
<v Speaker 3>will be fifty percent, And straight away in one's mind

1:02:15.240 --> 1:02:17.120
<v Speaker 3>it's like, so you want to take fifty percent on

1:02:17.280 --> 1:02:20.560
<v Speaker 3>my money, And it's like it's just understanding, Oh, you know,

1:02:21.280 --> 1:02:24.120
<v Speaker 3>whether it's ten million or whatever, the number is that

1:02:24.200 --> 1:02:27.040
<v Speaker 3>above that, every dollar is taxed that x amount. It's

1:02:27.160 --> 1:02:29.880
<v Speaker 3>just it's intuitively, even for me, like they hear it

1:02:30.080 --> 1:02:33.000
<v Speaker 3>just intuitively because like, oh that's crazy. You don't take

1:02:33.040 --> 1:02:36.480
<v Speaker 3>it enough. I'm struggling playing the bills, but just you

1:02:36.520 --> 1:02:38.240
<v Speaker 3>know that that's.

1:02:38.040 --> 1:02:40.840
<v Speaker 1>Yeah, it's like I'm telling you, you don't know anyone

1:02:40.840 --> 1:02:43.840
<v Speaker 1>who would get taxed like that either, do I Right,

1:02:44.400 --> 1:02:47.080
<v Speaker 1>we don't know those people, and they'd be fine.

1:02:47.360 --> 1:02:50.280
<v Speaker 2>Yeah, and it's it's they'll be fine. Yeah, it's it's

1:02:50.320 --> 1:02:50.880
<v Speaker 2>so interesting.

1:02:50.920 --> 1:02:52.920
<v Speaker 3>I mean, I guess it kind of did then, you know,

1:02:52.960 --> 1:02:57.200
<v Speaker 3>I guess that the most season potentially counter argument to

1:02:57.240 --> 1:02:59.800
<v Speaker 3>that is that, okay, well then you risk the flight

1:03:00.200 --> 1:03:03.800
<v Speaker 3>of business, you is, the flight of rich people who

1:03:03.880 --> 1:03:08.560
<v Speaker 3>do pay numerically a disproportionate amount of well, even if

1:03:08.600 --> 1:03:13.840
<v Speaker 3>it's not like proportionately that makes make any sense. But yeah,

1:03:13.880 --> 1:03:15.440
<v Speaker 3>but I mean, obviously there are ways around that. You know,

1:03:15.800 --> 1:03:18.520
<v Speaker 3>we taxing wealth is supposed to taxing income and all

1:03:18.560 --> 1:03:19.360
<v Speaker 3>those kind of things.

1:03:19.440 --> 1:03:22.200
<v Speaker 1>Well, that's the thing. I don't care. If you're wealthy,

1:03:22.760 --> 1:03:25.720
<v Speaker 1>go be wealthy. Good for you. All I'm saying is

1:03:26.560 --> 1:03:32.320
<v Speaker 1>if you have two billion dollars, I think you'd be fine.

1:03:32.320 --> 1:03:36.840
<v Speaker 1>With a billion, you'd be fine, you'd be great. Good

1:03:36.840 --> 1:03:42.080
<v Speaker 1>for you. Great. But you know, when people talk about,

1:03:42.160 --> 1:03:45.080
<v Speaker 1>you know what this country used to be, I'm like,

1:03:45.160 --> 1:03:47.600
<v Speaker 1>you mean, when wealthy people paid US seventy to eighty

1:03:47.640 --> 1:03:52.120
<v Speaker 1>percent tax rate, When all those social services you want

1:03:52.200 --> 1:03:54.600
<v Speaker 1>but you don't want other people to have, everyone could

1:03:54.600 --> 1:03:59.320
<v Speaker 1>have when the wealthy people seventy five percent of their income,

1:03:59.560 --> 1:04:01.520
<v Speaker 1>like some one with a billion dollars, you don't think

1:04:01.520 --> 1:04:05.600
<v Speaker 1>could live on two hundred and fifty million dollars. I'm

1:04:05.600 --> 1:04:07.320
<v Speaker 1>not saying you can't have a jet. I'm not saying

1:04:07.320 --> 1:04:10.960
<v Speaker 1>you can't have three jets. I'm just saying, maybe you

1:04:11.000 --> 1:04:13.840
<v Speaker 1>don't need to be able to afford to buy Boeing

1:04:14.280 --> 1:04:18.520
<v Speaker 1>as a company when kids don't have lunch at school.

1:04:19.480 --> 1:04:24.600
<v Speaker 3>Yeah, call me, call me a radical man, woms and

1:04:24.640 --> 1:04:25.240
<v Speaker 3>maybe you are.

1:04:28.600 --> 1:04:29.480
<v Speaker 1>Maybe I am.

1:04:29.880 --> 1:04:30.600
<v Speaker 2>Yeah, I mean I.

1:04:30.520 --> 1:04:32.439
<v Speaker 3>Wonder and I wonder this about America, And I also

1:04:32.520 --> 1:04:34.680
<v Speaker 3>wonder about England, where I come from, whether or not

1:04:35.240 --> 1:04:39.720
<v Speaker 3>like where you know, like whether or not those value systems.

1:04:39.800 --> 1:04:44.240
<v Speaker 3>It seems to me in the Nordic countries that intuition

1:04:44.680 --> 1:04:47.560
<v Speaker 3>is kind of fundamental. It's in the grounds, like the

1:04:47.680 --> 1:04:50.920
<v Speaker 3>intuition that oh, we're gonna have a net that means

1:04:51.480 --> 1:04:55.720
<v Speaker 3>you cannot go broke because you got sick, Like that's unfathomable.

1:04:55.880 --> 1:04:59.120
<v Speaker 3>But I do wonder whether and this is part of

1:04:59.160 --> 1:05:02.040
<v Speaker 3>the incredible byck to me of this amazing country, which is.

1:05:01.960 --> 1:05:04.919
<v Speaker 2>That on one hat.

1:05:04.640 --> 1:05:07.840
<v Speaker 3>That it can be so capitalistic, so marketed, that you

1:05:07.880 --> 1:05:10.640
<v Speaker 3>can have great innovation, you can have great and on

1:05:10.680 --> 1:05:13.520
<v Speaker 3>the other side you have this incredible poverty. And that's

1:05:13.640 --> 1:05:17.560
<v Speaker 3>ultimately the gamble that the people of the country en

1:05:17.640 --> 1:05:21.080
<v Speaker 3>mass want to take. And it's like, well then am

1:05:21.120 --> 1:05:24.120
<v Speaker 3>I am I just a minority that thinks, hey, why

1:05:24.160 --> 1:05:25.400
<v Speaker 3>don't we scaling back a bit?

1:05:25.480 --> 1:05:25.680
<v Speaker 2>You know?

1:05:25.880 --> 1:05:29.240
<v Speaker 1>Like well, but I think that's it's it's the false

1:05:29.280 --> 1:05:35.840
<v Speaker 1>binary there. I'm not saying, uh, you know, poof, we're socialists.

1:05:36.120 --> 1:05:39.840
<v Speaker 1>We are everybody gets the same income and if you

1:05:39.960 --> 1:05:42.920
<v Speaker 1>have over ten million, you get nothing. I'm not saying that.

1:05:43.200 --> 1:05:46.320
<v Speaker 1>I'm literally saying keep a billion, but maybe not two.

1:05:47.160 --> 1:05:48.000
<v Speaker 2>I know, I know.

1:05:48.320 --> 1:05:52.120
<v Speaker 1>And and so here's what I think is really interesting, right,

1:05:52.240 --> 1:05:56.520
<v Speaker 1>is there's this idea that we're going to take it

1:05:56.560 --> 1:05:58.480
<v Speaker 1>all away and then no one's ever going to be

1:05:58.520 --> 1:06:00.400
<v Speaker 1>able to get rich. And you might not be rich now,

1:06:00.440 --> 1:06:04.360
<v Speaker 1>but you could get rich. And if we give everybody support,

1:06:04.920 --> 1:06:07.360
<v Speaker 1>then you're not rich now, but you'll never get rich.

1:06:07.600 --> 1:06:09.520
<v Speaker 1>And I'm like, okay, so essentially you think you're going

1:06:09.600 --> 1:06:13.400
<v Speaker 1>to win the lottery, which is delusion, but I still plague.

1:06:13.480 --> 1:06:14.320
<v Speaker 1>By the way, it's fun.

1:06:14.440 --> 1:06:14.840
<v Speaker 2>I like it.

1:06:14.920 --> 1:06:16.680
<v Speaker 1>I like my little tickets. I'm like, what if it's

1:06:16.680 --> 1:06:19.840
<v Speaker 1>my week? I don't know. But what's crazy to me

1:06:19.920 --> 1:06:26.360
<v Speaker 1>about this idea is it's like they've poisoned the well.

1:06:26.400 --> 1:06:29.920
<v Speaker 1>And again, I'm not saying we should be a socialist country,

1:06:30.280 --> 1:06:32.400
<v Speaker 1>but what I am saying is it's fucking ironic to

1:06:32.440 --> 1:06:35.280
<v Speaker 1>me that we have socialism for rich people and capitalism

1:06:35.320 --> 1:06:38.920
<v Speaker 1>for poor people in America. Rich people get all the

1:06:38.960 --> 1:06:42.640
<v Speaker 1>socialist benefits. They get the tax breaks, they get the

1:06:42.680 --> 1:06:46.200
<v Speaker 1>income shelters, they get the write offs, they get to

1:06:46.240 --> 1:06:49.160
<v Speaker 1>offshore their shit, they get to write off their private jets,

1:06:49.200 --> 1:06:52.720
<v Speaker 1>but teachers can't write off colored pencils and paper for

1:06:52.800 --> 1:06:56.280
<v Speaker 1>their classrooms. Like it's cuckoo bananas to me, and so

1:06:57.000 --> 1:06:59.800
<v Speaker 1>for me, I'm like, look, be as capitalist as you,

1:07:00.280 --> 1:07:03.560
<v Speaker 1>but also just pay your taxes. I would much rather

1:07:03.640 --> 1:07:07.640
<v Speaker 1>Elon Musk pays taxes than teachers have to figure out

1:07:07.720 --> 1:07:10.000
<v Speaker 1>how many power bars they can afford to buy because

1:07:10.000 --> 1:07:12.600
<v Speaker 1>half their kids aren't getting enough calories during the day.

1:07:13.240 --> 1:07:15.520
<v Speaker 1>Like I just I don't feel bad for the guy.

1:07:15.800 --> 1:07:17.840
<v Speaker 1>And again, I don't think we should take all his

1:07:17.920 --> 1:07:21.160
<v Speaker 1>money away. I'm just saying like, at a certain point,

1:07:21.840 --> 1:07:24.120
<v Speaker 1>you don't even you're not even going to miss it,

1:07:24.680 --> 1:07:27.120
<v Speaker 1>like a wealth tax, you're not even gonna miss it.

1:07:27.160 --> 1:07:30.080
<v Speaker 3>Bro, Yeah, he wouldn't even know God, And I mean

1:07:30.240 --> 1:07:33.320
<v Speaker 3>I guess to that extent, it's almost just like, oh,

1:07:33.400 --> 1:07:34.640
<v Speaker 3>can we just have it fair?

1:07:34.640 --> 1:07:36.919
<v Speaker 2>Can we have equal like you said, like we yeah.

1:07:37.000 --> 1:07:38.600
<v Speaker 2>So you know, the average person.

1:07:38.400 --> 1:07:41.560
<v Speaker 3>On a homeowner, a mid person in the middle class

1:07:41.640 --> 1:07:44.200
<v Speaker 3>has to pay tax on what is their biggest source

1:07:44.240 --> 1:07:46.400
<v Speaker 3>of wealth, and most of them is the equity in

1:07:46.440 --> 1:07:48.880
<v Speaker 3>their home. We you know, you pay one percent or

1:07:48.920 --> 1:07:51.560
<v Speaker 3>whatever your state, you pay wealth on that. But people

1:07:51.640 --> 1:07:54.360
<v Speaker 3>don't pay wealth on the shares that they hold. And

1:07:54.360 --> 1:07:57.240
<v Speaker 3>this is mainly held by the billionaires, and so it's just.

1:07:57.200 --> 1:08:01.440
<v Speaker 2>Like, well, so we figured there is. It's not socialism.

1:08:01.480 --> 1:08:03.960
<v Speaker 3>It's not crazy crushing people when you're taking the wealth

1:08:04.000 --> 1:08:05.760
<v Speaker 3>of the middle class, but it is when you take

1:08:05.760 --> 1:08:08.800
<v Speaker 3>the ball. And so you know, even I guess one

1:08:09.040 --> 1:08:11.000
<v Speaker 3>way Berne is just like, can we just have it

1:08:11.040 --> 1:08:11.280
<v Speaker 3>be this?

1:08:11.720 --> 1:08:15.080
<v Speaker 2>Can we be the same the same? Can the school

1:08:15.080 --> 1:08:16.400
<v Speaker 2>teacher get the same as elon?

1:08:16.880 --> 1:08:21.160
<v Speaker 1>Just proportional tax would be so great. So it's just

1:08:21.240 --> 1:08:23.960
<v Speaker 1>the same. It's not so hard. And now a word

1:08:23.960 --> 1:08:37.439
<v Speaker 1>from our sponsors who make this show possible. It's actually

1:08:37.520 --> 1:08:39.559
<v Speaker 1>it's so funny to me because it makes me think

1:08:39.600 --> 1:08:41.880
<v Speaker 1>I love diving into this stuff with you. I'm like,

1:08:41.920 --> 1:08:43.240
<v Speaker 1>oh my god, we need a meal and a bottle

1:08:43.240 --> 1:08:48.160
<v Speaker 1>of wine with all of our friends cleared. But you know,

1:08:48.320 --> 1:08:50.680
<v Speaker 1>I also realize we're overtime, but so I have to

1:08:50.680 --> 1:08:52.320
<v Speaker 1>pay you two more compliments.

1:08:51.840 --> 1:08:54.280
<v Speaker 2>But we have time for compliments please.

1:08:54.320 --> 1:08:57.439
<v Speaker 1>It really makes me think about when you you played

1:08:57.439 --> 1:09:00.639
<v Speaker 1>Barack Obama in the first lady, because I'm like, oh

1:09:00.680 --> 1:09:03.760
<v Speaker 1>my god, I yeah, you just you have such a

1:09:03.760 --> 1:09:07.519
<v Speaker 1>wonderful political mind and it's so much fun I think too,

1:09:09.280 --> 1:09:11.519
<v Speaker 1>to dig into these things. And ask questions and debate

1:09:11.600 --> 1:09:14.400
<v Speaker 1>and to do so hopefully, you know, in the spirit

1:09:15.240 --> 1:09:18.799
<v Speaker 1>of taking care of people. Was it surreal to play

1:09:18.920 --> 1:09:19.519
<v Speaker 1>the president?

1:09:19.760 --> 1:09:21.639
<v Speaker 2>Oh yeah, now that was super serric.

1:09:21.720 --> 1:09:22.840
<v Speaker 1>Did you get to talk to him?

1:09:23.120 --> 1:09:25.439
<v Speaker 2>No? I didn't. I tried, well we didn't. All the

1:09:25.560 --> 1:09:26.599
<v Speaker 2>Biola did get to.

1:09:26.760 --> 1:09:29.240
<v Speaker 3>Queen Byo that should say it did get to speak

1:09:29.280 --> 1:09:31.559
<v Speaker 3>to Michelle Little because they'd had a previous relationship. But

1:09:32.160 --> 1:09:36.040
<v Speaker 3>it was crazy and they have in that Atlanta is like,

1:09:36.320 --> 1:09:40.240
<v Speaker 3>you know, fake White House, you know, and so yeah,

1:09:40.240 --> 1:09:42.920
<v Speaker 3>I'm getting out of the limo and this fake press.

1:09:42.960 --> 1:09:48.479
<v Speaker 3>It was super super surreal. I'm terrifying, scary and thrilling

1:09:48.560 --> 1:09:49.559
<v Speaker 3>and yeah, so.

1:09:49.640 --> 1:09:53.880
<v Speaker 1>Yeah, wow, that's so cool. I also unrelated, I mean

1:09:54.240 --> 1:09:57.120
<v Speaker 1>to that show, not to any of this, because it's you.

1:09:57.680 --> 1:10:02.040
<v Speaker 1>I loved Presumed Innocence so much. I loved it, and

1:10:02.080 --> 1:10:04.920
<v Speaker 1>you were so good and you and Peter Sarsguard were

1:10:05.000 --> 1:10:09.840
<v Speaker 1>just so good and I I had this moment where

1:10:09.880 --> 1:10:13.400
<v Speaker 1>I was like, God, I haven't enjoyed disliking someone in

1:10:13.439 --> 1:10:18.280
<v Speaker 1>a show like this in a long time. The tension

1:10:18.960 --> 1:10:24.320
<v Speaker 1>was so compelling and the motivation even though you were

1:10:24.320 --> 1:10:28.680
<v Speaker 1>supposed to be the foil, right the motivation, and I

1:10:28.720 --> 1:10:32.080
<v Speaker 1>could just read not exactly what you were thinking, obviously,

1:10:32.120 --> 1:10:35.840
<v Speaker 1>but I could watch your thoughts while you were on

1:10:36.000 --> 1:10:39.360
<v Speaker 1>screen and see the way you detested this person and

1:10:39.400 --> 1:10:41.760
<v Speaker 1>then made us the audience second guess is he the

1:10:41.800 --> 1:10:43.519
<v Speaker 1>hero or is he the villain?

1:10:43.840 --> 1:10:44.400
<v Speaker 2>Is this man?

1:10:44.520 --> 1:10:47.280
<v Speaker 1>Correct? Like, oh my god, the cat and Mouse of

1:10:47.320 --> 1:10:50.600
<v Speaker 1>you guys was so much fun. Hats off to you.

1:10:50.680 --> 1:10:51.519
<v Speaker 1>I loved it so much.

1:10:51.640 --> 1:10:53.479
<v Speaker 2>Thanks. So I really enjoyed doing it. I mean it was.

1:10:53.640 --> 1:10:55.719
<v Speaker 2>It's funny because one of the things I did was funny.

1:10:55.720 --> 1:11:00.360
<v Speaker 3>I ever studied politicians, and because they did so often

1:11:00.439 --> 1:11:01.400
<v Speaker 3>this two faced thing.

1:11:01.520 --> 1:11:03.320
<v Speaker 2>Well, on the one side, you're like, oh, yeah, what

1:11:03.360 --> 1:11:04.320
<v Speaker 2>you're saying I agree with.

1:11:04.439 --> 1:11:06.680
<v Speaker 3>On the other hand, you're like, I do not trust you,

1:11:07.120 --> 1:11:08.720
<v Speaker 3>and and and so I was just like.

1:11:08.720 --> 1:11:10.479
<v Speaker 2>Saying, what is this thing? Anyway?

1:11:10.560 --> 1:11:12.040
<v Speaker 3>So I started working on it, and I started working

1:11:12.080 --> 1:11:14.479
<v Speaker 3>on the voice, and you know about like you know

1:11:14.520 --> 1:11:19.000
<v Speaker 3>how annoying and kind of like grating some people's voices. Well, anyway,

1:11:19.200 --> 1:11:22.760
<v Speaker 3>I remember, I don't think they his production really knew

1:11:22.760 --> 1:11:24.400
<v Speaker 3>what I was going to do with the part, or

1:11:24.439 --> 1:11:25.920
<v Speaker 3>like like it was going to be that kind of

1:11:25.920 --> 1:11:29.200
<v Speaker 3>like hateable likeable, hateable character. And I remember I did

1:11:29.240 --> 1:11:31.320
<v Speaker 3>the first scene and I came off and I said, look,

1:11:31.320 --> 1:11:31.439
<v Speaker 3>do you.

1:11:31.439 --> 1:11:34.519
<v Speaker 2>Mind if I watched a little playback? And I watched

1:11:34.520 --> 1:11:36.439
<v Speaker 2>it and I went, oh, yeah, he's hateable.

1:11:36.840 --> 1:11:38.800
<v Speaker 3>And the producer turned to me like, oh no, no,

1:11:38.840 --> 1:11:41.720
<v Speaker 3>I mean he's not hateable, he's you know, we don't

1:11:41.720 --> 1:11:42.160
<v Speaker 3>want him hit.

1:11:42.240 --> 1:11:44.280
<v Speaker 2>And I was just like, no, one, this is gonna

1:11:44.320 --> 1:11:44.879
<v Speaker 2>be fun.

1:11:45.320 --> 1:11:47.080
<v Speaker 1>Like, no, it's nice for me. It's this is what

1:11:47.200 --> 1:11:48.599
<v Speaker 1>I wanted as an actor.

1:11:48.840 --> 1:11:49.679
<v Speaker 2>Yeah, exactly.

1:11:50.479 --> 1:11:52.400
<v Speaker 3>So much comes from Peter because Peter is just this

1:11:52.479 --> 1:11:55.200
<v Speaker 3>extraordinary actor to play with, and you know.

1:11:55.240 --> 1:11:55.839
<v Speaker 1>It's amazing.

1:11:56.160 --> 1:11:59.559
<v Speaker 3>Yeah, and it's so you just he's so unpredictable, he's

1:11:59.560 --> 1:12:03.800
<v Speaker 3>so up and I think I work well on the

1:12:03.960 --> 1:12:06.320
<v Speaker 3>some level of chaos.

1:12:06.680 --> 1:12:10.479
<v Speaker 1>Oh I love that. Well, what's what's next for you?

1:12:10.520 --> 1:12:13.479
<v Speaker 1>I mean, obviously, you know Handmaid's Tales coming out, you're

1:12:13.520 --> 1:12:16.479
<v Speaker 1>all doing the press and the things. But as you said,

1:12:17.000 --> 1:12:19.040
<v Speaker 1>there was over months and months ago for you as

1:12:19.040 --> 1:12:22.080
<v Speaker 1>an actor, so you're onto the next. Are you working

1:12:22.120 --> 1:12:24.320
<v Speaker 1>on something now? Have you just wrapped something? Can you

1:12:24.400 --> 1:12:25.320
<v Speaker 1>tell us even?

1:12:25.760 --> 1:12:25.880
<v Speaker 2>Oh?

1:12:25.960 --> 1:12:29.200
<v Speaker 3>Yeah, there there are a couple of little you know,

1:12:29.880 --> 1:12:31.400
<v Speaker 3>don't want to call them pair projects. Where you know,

1:12:31.520 --> 1:12:33.120
<v Speaker 3>friends of mine who asked me to do a little

1:12:33.120 --> 1:12:34.400
<v Speaker 3>bit for them. So there are a couple of things

1:12:34.439 --> 1:12:38.240
<v Speaker 3>like that that's coming out. But the main project I'm

1:12:38.240 --> 1:12:40.320
<v Speaker 3>working on now is called The Miniature Wife, which is

1:12:40.320 --> 1:12:46.080
<v Speaker 3>this bizarreo comedy kind of surreal comedy.

1:12:46.560 --> 1:12:46.680
<v Speaker 4>Uh.

1:12:47.439 --> 1:12:49.320
<v Speaker 3>And I'm playing like the weirdest character I've ever played

1:12:49.320 --> 1:12:52.680
<v Speaker 3>in my life. Is he is so out there. There

1:12:52.680 --> 1:12:55.160
<v Speaker 3>are many a day I come off going, well.

1:12:55.000 --> 1:12:55.960
<v Speaker 2>That was insane.

1:12:57.600 --> 1:13:00.479
<v Speaker 3>So anyway, so that's so for Peacock and then writing

1:13:00.520 --> 1:13:03.000
<v Speaker 3>and so you know, I'm I'm writing. I love developing

1:13:03.040 --> 1:13:05.840
<v Speaker 3>and trying to do stuff like that with my brother

1:13:05.960 --> 1:13:07.800
<v Speaker 3>and so that those are those amazings that keep me

1:13:07.840 --> 1:13:09.200
<v Speaker 3>off the streets as well as my kids.

1:13:09.840 --> 1:13:12.400
<v Speaker 1>Oh it's fabulous. That's what I want, I think, you know,

1:13:12.680 --> 1:13:17.439
<v Speaker 1>referencing our earlier sort of segue. Things feel heavy. I

1:13:17.479 --> 1:13:19.600
<v Speaker 1>want to go to work and laugh. I want to

1:13:19.640 --> 1:13:23.080
<v Speaker 1>go to work and be stupid and funny and weird,

1:13:23.560 --> 1:13:26.479
<v Speaker 1>and I'm like, I can't. I don't want. I need

1:13:26.520 --> 1:13:32.240
<v Speaker 1>a break from the heavy levity and absolutely awkward humor.

1:13:32.439 --> 1:13:34.840
<v Speaker 1>Feel like such a respite. I love that you're doing

1:13:34.880 --> 1:13:35.400
<v Speaker 1>that right now.

1:13:35.520 --> 1:13:37.519
<v Speaker 2>Oh yeah, well that all that has come in to

1:13:37.680 --> 1:13:38.320
<v Speaker 2>screen the year.

1:13:38.479 --> 1:13:42.639
<v Speaker 1>Yeah, well good and and you you and your brother,

1:13:43.280 --> 1:13:45.880
<v Speaker 1>you have a production company together, he has a production

1:13:46.360 --> 1:13:47.040
<v Speaker 1>to do it together.

1:13:47.160 --> 1:13:49.240
<v Speaker 3>Yeah, so he's got he's got his production company, and

1:13:49.240 --> 1:13:51.360
<v Speaker 3>then I have like a label under his production company

1:13:51.400 --> 1:13:52.880
<v Speaker 3>there or all this stuff that we did again.

1:13:53.000 --> 1:13:54.040
<v Speaker 2>I just love working with him.

1:13:54.080 --> 1:13:56.120
<v Speaker 3>He's kind of like what I was thinking about Lizzie before,

1:13:56.240 --> 1:13:59.440
<v Speaker 3>is that he's someone who just knows.

1:13:59.120 --> 1:14:01.719
<v Speaker 2>How my brain work and gets me writing.

1:14:02.000 --> 1:14:05.639
<v Speaker 3>And funnily enough, I just before it was two weeks

1:14:05.640 --> 1:14:07.960
<v Speaker 3>before Christmas and we were gonna do Christmas in Virginia.

1:14:08.880 --> 1:14:10.800
<v Speaker 3>We have some family out there, and he was gonna

1:14:10.800 --> 1:14:12.360
<v Speaker 3>come join me. And I was like, dude, you have

1:14:12.400 --> 1:14:15.439
<v Speaker 3>an idea for this movie. And he was like, oh, great, great, lovely.

1:14:15.479 --> 1:14:17.000
<v Speaker 3>Why didn't you write something down? I was like, no, no, no,

1:14:17.160 --> 1:14:20.960
<v Speaker 3>I want to shoot a proof of concept and so

1:14:21.120 --> 1:14:23.720
<v Speaker 3>let's shoot it over Christmas. We'll have Christmas Day and

1:14:23.720 --> 1:14:25.920
<v Speaker 3>then we'll shoot for two days after that. And he

1:14:26.000 --> 1:14:27.200
<v Speaker 3>was like, well, we don't have a cast, and I

1:14:27.200 --> 1:14:29.280
<v Speaker 3>was like, is your daughter coming? Okay, great, so that's

1:14:29.320 --> 1:14:32.559
<v Speaker 3>one I'll ask my best friend to come. And so

1:14:32.600 --> 1:14:34.919
<v Speaker 3>he was so he was like, oh, are you serious.

1:14:34.960 --> 1:14:35.880
<v Speaker 2>But he's so.

1:14:36.360 --> 1:14:39.160
<v Speaker 3>Game that we went, we went and did it and

1:14:39.240 --> 1:14:42.679
<v Speaker 3>we shot you know, this c crazy short over two

1:14:42.760 --> 1:14:46.200
<v Speaker 3>days after Christmas anyway, So that's my my brother's mentality

1:14:46.280 --> 1:14:49.759
<v Speaker 3>is just like how we we did this TV shirt together.

1:14:49.560 --> 1:14:51.720
<v Speaker 2>Called Max m a xxx check it.

1:14:51.680 --> 1:14:55.080
<v Speaker 3>Out on Hulu's call We're wild probably, and we got

1:14:55.120 --> 1:14:57.880
<v Speaker 3>all these like we've got the Backstreet Boys in it,

1:14:58.479 --> 1:14:59.400
<v Speaker 3>we got we got a.

1:14:59.479 --> 1:15:02.240
<v Speaker 2>Bunch of Larry King did a little cameo in it.

1:15:02.280 --> 1:15:04.800
<v Speaker 3>And that is pay because he's got the attitude of like,

1:15:05.280 --> 1:15:07.120
<v Speaker 3>let's just got to Larry King and ask him, Hey.

1:15:07.000 --> 1:15:08.639
<v Speaker 2>Larry, would you just give our stuff five?

1:15:08.840 --> 1:15:10.560
<v Speaker 3>It wasn't going to his agents when we did the

1:15:10.600 --> 1:15:14.880
<v Speaker 3>Backstreet Boys, weren't talking to people's managers. We were literally like, yeah,

1:15:14.960 --> 1:15:17.320
<v Speaker 3>will you come to this? And you know, with Kevin

1:15:17.360 --> 1:15:19.120
<v Speaker 3>for the Backstreet Boys, we were like come on, well

1:15:19.200 --> 1:15:20.519
<v Speaker 3>he was like, well, I can't do right now.

1:15:20.600 --> 1:15:21.920
<v Speaker 2>You know, I'm going home. We were like, where'd you live?

1:15:21.920 --> 1:15:22.880
<v Speaker 2>Why don't we come to your house?

1:15:23.000 --> 1:15:25.240
<v Speaker 3>And so he let us come to his house and

1:15:25.280 --> 1:15:26.840
<v Speaker 3>then we gave him a bottle and he smashes out

1:15:26.880 --> 1:15:27.200
<v Speaker 3>of my head.

1:15:27.240 --> 1:15:29.920
<v Speaker 2>You know, it's a working with.

1:15:29.960 --> 1:15:32.960
<v Speaker 3>LOUTI is just like it's a whirlwind, and like I said,

1:15:33.000 --> 1:15:35.519
<v Speaker 3>I'm pretty well in some cares. Well.

1:15:35.560 --> 1:15:38.599
<v Speaker 1>I love that you guys jump in and just make

1:15:38.640 --> 1:15:41.400
<v Speaker 1>it happen, because I think we need permission to do that,

1:15:41.560 --> 1:15:43.840
<v Speaker 1>especially in this business where it's like you've got a

1:15:43.880 --> 1:15:47.280
<v Speaker 1>call so and so and you're like what You're like,

1:15:47.320 --> 1:15:48.960
<v Speaker 1>don't you know that we're all just like a bunch

1:15:49.000 --> 1:15:50.040
<v Speaker 1>of circus performers.

1:15:50.040 --> 1:15:50.840
<v Speaker 2>What are you doing?

1:15:51.360 --> 1:15:53.519
<v Speaker 1>I also think it's so cool that you guys have

1:15:54.439 --> 1:15:57.960
<v Speaker 1>like such a special mandate because knowing you know, as

1:15:58.280 --> 1:16:01.200
<v Speaker 1>again as I was prepping, you know, reading up on

1:16:01.280 --> 1:16:05.400
<v Speaker 1>how you very intentionally hire black department heads from makeup

1:16:05.400 --> 1:16:09.600
<v Speaker 1>to locations to producing to writing. It's like to expand

1:16:11.080 --> 1:16:14.519
<v Speaker 1>our world not just on camera but behind it, to

1:16:14.560 --> 1:16:16.479
<v Speaker 1>make sure people get to see themselves, to make sure

1:16:16.479 --> 1:16:20.040
<v Speaker 1>their experiences are represented. Like the whole thing is so

1:16:20.960 --> 1:16:23.840
<v Speaker 1>important and it's I don't know. I love that you're

1:16:23.920 --> 1:16:27.439
<v Speaker 1>like chasing Larry King down and that you're also making

1:16:27.439 --> 1:16:31.160
<v Speaker 1>shit happen for your whole crew. It's very very awesome.

1:16:31.880 --> 1:16:32.400
<v Speaker 2>Thanks a lot.

1:16:32.479 --> 1:16:34.040
<v Speaker 3>Yeah, I mean, just to say about that just real

1:16:34.120 --> 1:16:36.240
<v Speaker 3>quick though, because it's interesting because like the I and

1:16:36.280 --> 1:16:39.160
<v Speaker 3>all that is in the news our. I mean, I

1:16:39.160 --> 1:16:41.280
<v Speaker 3>can't speak specifically for Luty, but for me, like when

1:16:41.320 --> 1:16:42.480
<v Speaker 3>I was making my show.

1:16:42.680 --> 1:16:45.679
<v Speaker 2>I just wanted to make sure we interviewed the black

1:16:47.680 --> 1:16:49.840
<v Speaker 2>you know, ahead of costume we are.

1:16:49.920 --> 1:16:52.599
<v Speaker 3>That's that they got a fair chance, that when we

1:16:53.040 --> 1:16:55.479
<v Speaker 3>interviewed actors, that we were active interviewing some actors with

1:16:55.520 --> 1:16:58.760
<v Speaker 3>some disabilities, because I think so often what happens is

1:16:59.560 --> 1:17:03.000
<v Speaker 3>like these talented people aren't getting in the room. So

1:17:03.080 --> 1:17:05.599
<v Speaker 3>it's not about giving someone who's not talent the job.

1:17:05.640 --> 1:17:07.880
<v Speaker 3>It's kind of like what you were saying before, can

1:17:07.920 --> 1:17:10.920
<v Speaker 3>we make it fair because you olligart to going, oh yeah,

1:17:10.960 --> 1:17:13.599
<v Speaker 3>my nephew has as just graduated, but you give him

1:17:13.720 --> 1:17:15.960
<v Speaker 3>give him a shot at something. So you have your

1:17:16.000 --> 1:17:17.400
<v Speaker 3>pipelines of getting people in.

1:17:17.439 --> 1:17:18.479
<v Speaker 2>Can we just make it fast.

1:17:18.600 --> 1:17:21.000
<v Speaker 3>This person who doesn't have some connection in the industry

1:17:21.320 --> 1:17:24.280
<v Speaker 3>also gets to be interviewed. And through that process we

1:17:24.400 --> 1:17:28.519
<v Speaker 3>met some amazing you know, men and females and people

1:17:28.520 --> 1:17:31.160
<v Speaker 3>with disability and all sorts that just were extraordinary.

1:17:31.240 --> 1:17:33.240
<v Speaker 2>But just we're never given the chance to shine.

1:17:34.080 --> 1:17:36.680
<v Speaker 1>Yeah, I think it's really cool. To your point, all

1:17:36.720 --> 1:17:41.240
<v Speaker 1>you're doing is expanding you know, you're expanding the pool

1:17:42.400 --> 1:17:45.160
<v Speaker 1>exactly and it's wonderful. I'm going to ask you my

1:17:45.280 --> 1:17:49.080
<v Speaker 1>last question. Okay, obviously you have a thousand irons in

1:17:49.120 --> 1:17:52.000
<v Speaker 1>the fire right now, and as you mentioned, your dad,

1:17:52.120 --> 1:17:54.840
<v Speaker 1>and you know, your family is all over the place

1:17:54.920 --> 1:17:58.519
<v Speaker 1>and it's it's so many spinning plates, but you love

1:17:58.600 --> 1:18:00.760
<v Speaker 1>the chaos. I think all of us kiss kids do.

1:18:01.840 --> 1:18:05.240
<v Speaker 1>What whether it's personal or professional, or maybe it's a

1:18:05.280 --> 1:18:08.680
<v Speaker 1>mix of both, what feels like you're work in progress

1:18:08.720 --> 1:18:11.439
<v Speaker 1>when you look out at the year ahead?

1:18:12.439 --> 1:18:14.840
<v Speaker 3>Well, now, sorry, break it amplimented. What do you mean

1:18:14.920 --> 1:18:16.280
<v Speaker 3>with my work in progress?

1:18:16.680 --> 1:18:19.919
<v Speaker 1>Just like I like to know what feels like something

1:18:20.400 --> 1:18:24.519
<v Speaker 1>that guests are noodling on or working on, whether you

1:18:24.560 --> 1:18:27.600
<v Speaker 1>know somebody recently shared some really deep shit about what

1:18:27.640 --> 1:18:31.160
<v Speaker 1>they're going through in therapy. You know, someone was like,

1:18:31.320 --> 1:18:34.240
<v Speaker 1>I'm going to get this movie made this year. You know,

1:18:34.840 --> 1:18:38.320
<v Speaker 1>we've got friends trying to write novels. It's like, I

1:18:38.760 --> 1:18:42.400
<v Speaker 1>guess I just always wonder when people are smart and

1:18:42.520 --> 1:18:46.639
<v Speaker 1>creative and also have families and are doing the thing

1:18:46.640 --> 1:18:50.320
<v Speaker 1>we're all trying to do, which is make it all happen. Like, what,

1:18:50.600 --> 1:18:53.880
<v Speaker 1>what's that central thing that you feel like you're working

1:18:53.920 --> 1:18:54.840
<v Speaker 1>on and tinkering.

1:18:54.960 --> 1:19:00.479
<v Speaker 3>And the thing that I'm thinking about most today and

1:19:00.479 --> 1:19:04.479
<v Speaker 3>and a lot is and say that again too emotional,

1:19:04.479 --> 1:19:07.960
<v Speaker 3>which is which is basically just being a great father

1:19:08.400 --> 1:19:12.639
<v Speaker 3>like and and trying to figure out how do I

1:19:12.680 --> 1:19:18.240
<v Speaker 3>give the best lift off to these incredible creatures that

1:19:18.280 --> 1:19:22.880
<v Speaker 3>I for now I am looking after because hopefully if

1:19:22.920 --> 1:19:24.360
<v Speaker 3>I do a good job to become adults and be

1:19:24.439 --> 1:19:27.640
<v Speaker 3>free in the world and and managing that with the

1:19:27.680 --> 1:19:30.559
<v Speaker 3>demands of all the things that we all know, you know,

1:19:30.640 --> 1:19:32.680
<v Speaker 3>like paying the bills and doing your own art and

1:19:32.680 --> 1:19:36.320
<v Speaker 3>having your own life and healthy indeed, all the things

1:19:36.320 --> 1:19:37.679
<v Speaker 3>that we're supposed to be doing.

1:19:38.920 --> 1:19:41.280
<v Speaker 2>But you know, they're so vulnerable.

1:19:41.320 --> 1:19:47.400
<v Speaker 3>It's complicated, you know, how best to water these gardens and.

1:19:47.240 --> 1:19:51.240
<v Speaker 2>So you know, being patient, I think patients.

1:19:50.920 --> 1:19:54.920
<v Speaker 3>One of the things I struggle with, you know. And yeah,

1:19:55.040 --> 1:19:57.120
<v Speaker 3>there's no rushing that process. You just have to go

1:19:57.160 --> 1:19:57.799
<v Speaker 3>through the middle.

1:19:58.680 --> 1:20:04.000
<v Speaker 1>Yeah, beautiful. It's a pretty interesting thing, you know, when

1:20:04.000 --> 1:20:06.920
<v Speaker 1>you talk about their ages, I think about how close

1:20:07.600 --> 1:20:10.320
<v Speaker 1>you know, the kids in my life are. When you

1:20:10.439 --> 1:20:14.320
<v Speaker 1>love to communicate and you love complexity and a deep

1:20:14.400 --> 1:20:18.120
<v Speaker 1>conversation to figure out how to communicate really well, with

1:20:18.200 --> 1:20:21.640
<v Speaker 1>a tiny little brain that is developing and learning but

1:20:21.760 --> 1:20:26.000
<v Speaker 1>doesn't have all the language yet. It's it's like a

1:20:26.000 --> 1:20:27.800
<v Speaker 1>whole other kind of creativity.

1:20:28.439 --> 1:20:32.439
<v Speaker 3>Yes, And also for me, it's kind of like, you know,

1:20:32.520 --> 1:20:34.120
<v Speaker 3>my head, you know, I didn't know what they call it,

1:20:34.160 --> 1:20:36.680
<v Speaker 3>eddideot whatever. My head runs and I'm thinking about on

1:20:36.800 --> 1:20:39.559
<v Speaker 3>something like I'm thinking about free will, and I'm thinking

1:20:39.600 --> 1:20:43.000
<v Speaker 3>about market situations and ai, I don't think about this

1:20:43.600 --> 1:20:47.800
<v Speaker 3>all writing projects I'm developing. And then you yeah, you know,

1:20:47.840 --> 1:20:50.719
<v Speaker 3>and then my you know, my daughter wants to throw

1:20:50.760 --> 1:20:54.360
<v Speaker 3>the ball whatever the thing is, just scribble on something

1:20:54.520 --> 1:20:55.040
<v Speaker 3>or she.

1:20:54.960 --> 1:20:56.560
<v Speaker 2>Wants me to chase but she don't want me to

1:20:56.600 --> 1:21:03.320
<v Speaker 2>chase it. She wants me to cold her and me run. Yeah,

1:21:03.479 --> 1:21:03.680
<v Speaker 2>you know.

1:21:03.800 --> 1:21:07.120
<v Speaker 3>And it's like you just have to be there doing

1:21:07.280 --> 1:21:10.960
<v Speaker 3>that thing and to give them the most, it's to

1:21:11.000 --> 1:21:13.160
<v Speaker 3>be present. And I'm so tempted I want to put

1:21:13.160 --> 1:21:15.880
<v Speaker 3>a podcast in my ear while we're doing because it's

1:21:15.920 --> 1:21:18.160
<v Speaker 3>like my brain needs this other things going on, and

1:21:18.200 --> 1:21:21.519
<v Speaker 3>it's like it's quite hard for me to kind of

1:21:21.600 --> 1:21:24.719
<v Speaker 3>let go and just be like okay, just present, like.

1:21:24.720 --> 1:21:27.160
<v Speaker 2>We are running, we are rolling, and.

1:21:27.520 --> 1:21:30.040
<v Speaker 3>Sure five to ten minutes is crying, but just figuring

1:21:30.040 --> 1:21:33.280
<v Speaker 3>out that hour, that two hours, that yeah, that presence

1:21:33.360 --> 1:21:36.920
<v Speaker 3>with them, and like you say, because they can't communicate

1:21:37.040 --> 1:21:40.840
<v Speaker 3>on the breadth of bandwidth that we can and so

1:21:41.600 --> 1:21:42.799
<v Speaker 3>we just have to go analog.

1:21:42.960 --> 1:21:48.479
<v Speaker 1>And yeah, it's incredible, it's incredible. Ah well, this has

1:21:48.560 --> 1:21:49.519
<v Speaker 1>just been such a joy.

1:21:49.600 --> 1:21:50.559
<v Speaker 2>Yeah we have to do it again.

1:21:51.120 --> 1:21:56.040
<v Speaker 1>Yeah, absolutely, and you know, best of work with the

1:21:56.080 --> 1:21:59.200
<v Speaker 1>show coming soon and I mean, gosh, just all of it.

1:21:59.200 --> 1:22:01.800
<v Speaker 1>It's really really exciting and and yeah we'll have to

1:22:02.680 --> 1:22:05.160
<v Speaker 1>we'll have to dive back into some of the nerdy

1:22:05.240 --> 1:22:11.960
<v Speaker 1>policy processing soon for it. All right, my dear, thank

1:22:12.000 --> 1:22:12.679
<v Speaker 1>you for today.

1:22:12.840 --> 1:22:16.640
<v Speaker 2>Yeah, thank you. M